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"It s enlarging the space in which you may be strong."	Margaret	away the strength," she protested.<\|quote\|>"It s enlarging the space in which you may be strong."</\|quote\|>He answered: "You re a	thing." "It isn t frittering away the strength," she protested.<\|quote\|>"It s enlarging the space in which you may be strong."</\|quote\|>He answered: "You re a clever little woman, but my	finger-posts, the milestones, the collisions, the illimitable views. Once--on another occasion--she scolded him about it. He was puzzled, but replied with a laugh: "My motto is Concentrate. I ve no intention of frittering away my strength on that sort of thing." "It isn t frittering away the strength," she protested.<\|quote\|>"It s enlarging the space in which you may be strong."</\|quote\|>He answered: "You re a clever little woman, but my motto s Concentrate." And this morning he concentrated with a vengeance. They met in the rhododendrons of yesterday. In the daylight the bushes were inconsiderable and the path was bright in the morning sun. She was with Helen, who had	of it: his obtuseness. He simply did not notice things, and there was no more to be said. He never noticed that Helen and Frieda were hostile, or that Tibby was not interested in currant plantations; he never noticed the lights and shades that exist in the greyest conversation, the finger-posts, the milestones, the collisions, the illimitable views. Once--on another occasion--she scolded him about it. He was puzzled, but replied with a laugh: "My motto is Concentrate. I ve no intention of frittering away my strength on that sort of thing." "It isn t frittering away the strength," she protested.<\|quote\|>"It s enlarging the space in which you may be strong."</\|quote\|>He answered: "You re a clever little woman, but my motto s Concentrate." And this morning he concentrated with a vengeance. They met in the rhododendrons of yesterday. In the daylight the bushes were inconsiderable and the path was bright in the morning sun. She was with Helen, who had been ominously quiet since the affair was settled. "Here we all are!" she cried, and took him by one hand, retaining her sister s in the other. "Here we are. Good-morning, Helen." Helen replied, "Good-morning, Mr. Wilcox." "Henry, she has had such a nice letter from the queer, cross boy.	of her sermon. Only connect the prose and the passion, and both will be exalted, and human love will be seen at its height. Live in fragments no longer. Only connect and the beast and the monk, robbed of the isolation that is life to either, will die. Nor was the message difficult to give. It need not take the form of a good "talking." By quiet indications the bridge would be built and span their lives with beauty. But she failed. For there was one quality in Henry for which she was never prepared, however much she reminded herself of it: his obtuseness. He simply did not notice things, and there was no more to be said. He never noticed that Helen and Frieda were hostile, or that Tibby was not interested in currant plantations; he never noticed the lights and shades that exist in the greyest conversation, the finger-posts, the milestones, the collisions, the illimitable views. Once--on another occasion--she scolded him about it. He was puzzled, but replied with a laugh: "My motto is Concentrate. I ve no intention of frittering away my strength on that sort of thing." "It isn t frittering away the strength," she protested.<\|quote\|>"It s enlarging the space in which you may be strong."</\|quote\|>He answered: "You re a clever little woman, but my motto s Concentrate." And this morning he concentrated with a vengeance. They met in the rhododendrons of yesterday. In the daylight the bushes were inconsiderable and the path was bright in the morning sun. She was with Helen, who had been ominously quiet since the affair was settled. "Here we all are!" she cried, and took him by one hand, retaining her sister s in the other. "Here we are. Good-morning, Helen." Helen replied, "Good-morning, Mr. Wilcox." "Henry, she has had such a nice letter from the queer, cross boy. Do you remember him? He had a sad moustache, but the back of his head was young." "I have had a letter too. Not a nice one--I want to talk it over with you" "; for Leonard Bast was nothing to him now that she had given him her word; the triangle of sex was broken for ever. "Thanks to your hint, he s clearing out of the Porphyrion." "Not a bad business that Porphyrion," he said absently, as he took his own letter out of his pocket. "Not a BAD--" she exclaimed, dropping his hand. "Surely, on Chelsea Embankment--"	the roads of Mr. Wilcox s soul. From boyhood he had neglected them. "I am not a fellow who bothers about my own inside." Outwardly he was cheerful, reliable, and brave; but within, all had reverted to chaos, ruled, so far as it was ruled at all, by an incomplete asceticism. Whether as boy, husband, or widower, he had always the sneaking belief that bodily passion is bad, a belief that is desirable only when held passionately. Religion had confirmed him. The words that were read aloud on Sunday to him and to other respectable men were the words that had once kindled the souls of St. Catherine and St. Francis into a white-hot hatred of the carnal. He could not be as the saints and love the Infinite with a seraphic ardour, but he could be a little ashamed of loving a wife. Amabat, amare timebat. And it was here that Margaret hoped to help him. It did not seem so difficult. She need trouble him with no gift of her own. She would only point out the salvation that was latent in his own soul, and in the soul of every man. Only connect! That was the whole of her sermon. Only connect the prose and the passion, and both will be exalted, and human love will be seen at its height. Live in fragments no longer. Only connect and the beast and the monk, robbed of the isolation that is life to either, will die. Nor was the message difficult to give. It need not take the form of a good "talking." By quiet indications the bridge would be built and span their lives with beauty. But she failed. For there was one quality in Henry for which she was never prepared, however much she reminded herself of it: his obtuseness. He simply did not notice things, and there was no more to be said. He never noticed that Helen and Frieda were hostile, or that Tibby was not interested in currant plantations; he never noticed the lights and shades that exist in the greyest conversation, the finger-posts, the milestones, the collisions, the illimitable views. Once--on another occasion--she scolded him about it. He was puzzled, but replied with a laugh: "My motto is Concentrate. I ve no intention of frittering away my strength on that sort of thing." "It isn t frittering away the strength," she protested.<\|quote\|>"It s enlarging the space in which you may be strong."</\|quote\|>He answered: "You re a clever little woman, but my motto s Concentrate." And this morning he concentrated with a vengeance. They met in the rhododendrons of yesterday. In the daylight the bushes were inconsiderable and the path was bright in the morning sun. She was with Helen, who had been ominously quiet since the affair was settled. "Here we all are!" she cried, and took him by one hand, retaining her sister s in the other. "Here we are. Good-morning, Helen." Helen replied, "Good-morning, Mr. Wilcox." "Henry, she has had such a nice letter from the queer, cross boy. Do you remember him? He had a sad moustache, but the back of his head was young." "I have had a letter too. Not a nice one--I want to talk it over with you" "; for Leonard Bast was nothing to him now that she had given him her word; the triangle of sex was broken for ever. "Thanks to your hint, he s clearing out of the Porphyrion." "Not a bad business that Porphyrion," he said absently, as he took his own letter out of his pocket. "Not a BAD--" she exclaimed, dropping his hand. "Surely, on Chelsea Embankment--" "Here s our hostess. Good-morning, Mrs. Munt. Fine rhododendrons. Good-morning, Frau Liesecke; we manage to grow flowers in England, don t we?" "Not a BAD business?" "No. My letter s about Howards End. Bryce has been ordered abroad, and wants to sublet it--I am far from sure that I shall give him permission. There was no clause in the agreement. In my opinion, subletting is a mistake. If he can find me another tenant, whom I consider suitable, I may cancel the agreement. Morning, Schlegel. Don t you think that s better than subletting?" Helen had dropped her hand now, and he had steered her past the whole party to the seaward side of the house. Beneath them was the bourgeois little bay, which must have yearned all through the centuries for just such a watering-place as Swanage to be built on its margin. The waves were colourless, and the Bournemouth steamer gave a further touch of insipidity, drawn up against the pier and hooting wildly for excursionists. "When there is a sublet I find that damage--" "Do excuse me, but about the Porphyrion. I don t feel easy--might I just bother you, Henry?" Her manner was so serious that	tootle, playing on the pootle!" exclaimed Dolly, suddenly devoting herself to the child. "It s all very well to turn the conversation, but father would never have dreamt of marrying as long as Evie was there to make him comfortable. But you must needs start match-making. Besides, Cahill s too old." "Of course, if you re going to be rude to Uncle Percy." "Miss Schlegel always meant to get hold of Howards End, and, thanks to you, she s got it." "I call the way you twist things round and make them hang together most unfair. You couldn t have been nastier if you d caught me flirting. Could he, diddums?" "We re in a bad hole, and must make the best of it. I shall answer the pater s letter civilly. He s evidently anxious to do the decent thing. But I do not intend to forget these Schlegels in a hurry. As long as they re on their best behaviour--Dolly, are you listening?--we ll behave, too. But if I find them giving themselves airs or monopolising my father, or at all ill-treating him, or worrying him with their artistic beastliness, I intend to put my foot down, yes, firmly. Taking my mother s place! Heaven knows what poor old Paul will say when the news reaches him." The interlude closes. It has taken place in Charles s garden at Hilton. He and Dolly are sitting in deckchairs, and their motor is regarding them placidly from its garage across the lawn. A short-frocked edition of Charles also regards them placidly; a perambulator edition is squeaking; a third edition is expected shortly. Nature is turning out Wilcoxes in this peaceful abode, so that they may inherit the earth. CHAPTER XXII Margaret greeted her lord with peculiar tenderness on the morrow. Mature as he was, she might yet be able to help him to the building of the rainbow bridge that should connect the prose in us with the passion. Without it we are meaningless fragments, half monks, half beasts, unconnected arches that have never joined into a man. With it love is born, and alights on the highest curve, glowing against the grey, sober against the fire. Happy the man who sees from either aspect the glory of these outspread wings. The roads of his soul lie clear, and he and his friends shall find easy-going. It was hard-going in the roads of Mr. Wilcox s soul. From boyhood he had neglected them. "I am not a fellow who bothers about my own inside." Outwardly he was cheerful, reliable, and brave; but within, all had reverted to chaos, ruled, so far as it was ruled at all, by an incomplete asceticism. Whether as boy, husband, or widower, he had always the sneaking belief that bodily passion is bad, a belief that is desirable only when held passionately. Religion had confirmed him. The words that were read aloud on Sunday to him and to other respectable men were the words that had once kindled the souls of St. Catherine and St. Francis into a white-hot hatred of the carnal. He could not be as the saints and love the Infinite with a seraphic ardour, but he could be a little ashamed of loving a wife. Amabat, amare timebat. And it was here that Margaret hoped to help him. It did not seem so difficult. She need trouble him with no gift of her own. She would only point out the salvation that was latent in his own soul, and in the soul of every man. Only connect! That was the whole of her sermon. Only connect the prose and the passion, and both will be exalted, and human love will be seen at its height. Live in fragments no longer. Only connect and the beast and the monk, robbed of the isolation that is life to either, will die. Nor was the message difficult to give. It need not take the form of a good "talking." By quiet indications the bridge would be built and span their lives with beauty. But she failed. For there was one quality in Henry for which she was never prepared, however much she reminded herself of it: his obtuseness. He simply did not notice things, and there was no more to be said. He never noticed that Helen and Frieda were hostile, or that Tibby was not interested in currant plantations; he never noticed the lights and shades that exist in the greyest conversation, the finger-posts, the milestones, the collisions, the illimitable views. Once--on another occasion--she scolded him about it. He was puzzled, but replied with a laugh: "My motto is Concentrate. I ve no intention of frittering away my strength on that sort of thing." "It isn t frittering away the strength," she protested.<\|quote\|>"It s enlarging the space in which you may be strong."</\|quote\|>He answered: "You re a clever little woman, but my motto s Concentrate." And this morning he concentrated with a vengeance. They met in the rhododendrons of yesterday. In the daylight the bushes were inconsiderable and the path was bright in the morning sun. She was with Helen, who had been ominously quiet since the affair was settled. "Here we all are!" she cried, and took him by one hand, retaining her sister s in the other. "Here we are. Good-morning, Helen." Helen replied, "Good-morning, Mr. Wilcox." "Henry, she has had such a nice letter from the queer, cross boy. Do you remember him? He had a sad moustache, but the back of his head was young." "I have had a letter too. Not a nice one--I want to talk it over with you" "; for Leonard Bast was nothing to him now that she had given him her word; the triangle of sex was broken for ever. "Thanks to your hint, he s clearing out of the Porphyrion." "Not a bad business that Porphyrion," he said absently, as he took his own letter out of his pocket. "Not a BAD--" she exclaimed, dropping his hand. "Surely, on Chelsea Embankment--" "Here s our hostess. Good-morning, Mrs. Munt. Fine rhododendrons. Good-morning, Frau Liesecke; we manage to grow flowers in England, don t we?" "Not a BAD business?" "No. My letter s about Howards End. Bryce has been ordered abroad, and wants to sublet it--I am far from sure that I shall give him permission. There was no clause in the agreement. In my opinion, subletting is a mistake. If he can find me another tenant, whom I consider suitable, I may cancel the agreement. Morning, Schlegel. Don t you think that s better than subletting?" Helen had dropped her hand now, and he had steered her past the whole party to the seaward side of the house. Beneath them was the bourgeois little bay, which must have yearned all through the centuries for just such a watering-place as Swanage to be built on its margin. The waves were colourless, and the Bournemouth steamer gave a further touch of insipidity, drawn up against the pier and hooting wildly for excursionists. "When there is a sublet I find that damage--" "Do excuse me, but about the Porphyrion. I don t feel easy--might I just bother you, Henry?" Her manner was so serious that he stopped, and asked her a little sharply what she wanted. "You said on Chelsea Embankment, surely, that it was a bad concern, so we advised this clerk to clear out. He writes this morning that he s taken our advice, and now you say it s not a bad concern." "A clerk who clears out of any concern, good or bad, without securing a berth somewhere else first, is a fool, and I ve no pity for him." "He has not done that. He s going into a bank in Camden Town, he says. The salary s much lower, but he hopes to manage--a branch of Dempster s Bank. Is that all right?" "Dempster! Why goodness me, yes." "More right than the Porphyrion?" "Yes, yes, yes; safe as houses--safer." "Very many thanks. I m sorry--if you sublet--?" "If he sublets, I shan t have the same control. In theory there should be no more damage done at Howards End; in practice there will be. Things may be done for which no money can compensate. For instance, I shouldn t want that fine wych-elm spoilt. It hangs--Margaret, we must go and see the old place some time. It s pretty in its way. We ll motor down and have lunch with Charles." "I should enjoy that," said Margaret bravely. "What about next Wednesday?" "Wednesday? No, I couldn t well do that. Aunt Juley expects us to stop here another week at least." "But you can give that up now." "Er--no," said Margaret, after a moment s thought. "Oh, that ll be all right. I ll speak to her." "This visit is a high solemnity. My aunt counts on it year after year. She turns the house upside down for us; she invites our special friends--she scarcely knows Frieda, and we can t leave her on her hands. I missed one day, and she would be so hurt if I didn t stay the full ten." "But I ll say a word to her. Don t you bother." "Henry, I won t go. Don t bully me." "You want to see the house, though?" "Very much--I ve heard so much about it, one way or the other. Aren t there pigs teeth in the wych-elm?" "PIGS TEETH?" "And you chew the bark for toothache." "What a rum notion! Of course not!" "Perhaps I have confused it with some other tree. There	it we are meaningless fragments, half monks, half beasts, unconnected arches that have never joined into a man. With it love is born, and alights on the highest curve, glowing against the grey, sober against the fire. Happy the man who sees from either aspect the glory of these outspread wings. The roads of his soul lie clear, and he and his friends shall find easy-going. It was hard-going in the roads of Mr. Wilcox s soul. From boyhood he had neglected them. "I am not a fellow who bothers about my own inside." Outwardly he was cheerful, reliable, and brave; but within, all had reverted to chaos, ruled, so far as it was ruled at all, by an incomplete asceticism. Whether as boy, husband, or widower, he had always the sneaking belief that bodily passion is bad, a belief that is desirable only when held passionately. Religion had confirmed him. The words that were read aloud on Sunday to him and to other respectable men were the words that had once kindled the souls of St. Catherine and St. Francis into a white-hot hatred of the carnal. He could not be as the saints and love the Infinite with a seraphic ardour, but he could be a little ashamed of loving a wife. Amabat, amare timebat. And it was here that Margaret hoped to help him. It did not seem so difficult. She need trouble him with no gift of her own. She would only point out the salvation that was latent in his own soul, and in the soul of every man. Only connect! That was the whole of her sermon. Only connect the prose and the passion, and both will be exalted, and human love will be seen at its height. Live in fragments no longer. Only connect and the beast and the monk, robbed of the isolation that is life to either, will die. Nor was the message difficult to give. It need not take the form of a good "talking." By quiet indications the bridge would be built and span their lives with beauty. But she failed. For there was one quality in Henry for which she was never prepared, however much she reminded herself of it: his obtuseness. He simply did not notice things, and there was no more to be said. He never noticed that Helen and Frieda were hostile, or that Tibby was not interested in currant plantations; he never noticed the lights and shades that exist in the greyest conversation, the finger-posts, the milestones, the collisions, the illimitable views. Once--on another occasion--she scolded him about it. He was puzzled, but replied with a laugh: "My motto is Concentrate. I ve no intention of frittering away my strength on that sort of thing." "It isn t frittering away the strength," she protested.<\|quote\|>"It s enlarging the space in which you may be strong."</\|quote\|>He answered: "You re a clever little woman, but my motto s Concentrate." And this morning he concentrated with a vengeance. They met in the rhododendrons of yesterday. In the daylight the bushes were inconsiderable and the path was bright in the morning sun. She was with Helen, who had been ominously quiet since the affair was settled. "Here we all are!" she cried, and took him by one hand, retaining her sister s in the other. "Here we are. Good-morning, Helen." Helen replied, "Good-morning, Mr. Wilcox." "Henry, she has had such a nice letter from the queer, cross boy. Do you remember him? He had a sad moustache, but the back of his head was young." "I have had a letter too. Not a nice one--I want to talk it over with you" "; for Leonard Bast was nothing to him now that she had given him her word; the triangle of sex was broken for ever. "Thanks to your hint, he s clearing out of the Porphyrion." "Not a bad business that Porphyrion," he said absently, as he took his own letter out of his pocket. "Not a BAD--" she exclaimed, dropping his hand. "Surely, on Chelsea Embankment--" "Here s our hostess. Good-morning, Mrs. Munt. Fine rhododendrons. Good-morning, Frau Liesecke; we manage to grow flowers in England, don t we?" "Not a BAD business?" "No. My letter s about Howards End. Bryce has been ordered abroad, and wants to sublet it--I am far from sure that I shall give him permission. There was no clause in the agreement. In my opinion, subletting is a mistake. If he can find me another tenant, whom I consider suitable, I may cancel the agreement. Morning, Schlegel. Don t you think that s better than subletting?" Helen had dropped her hand now, and he had steered her past the whole party to the seaward side of the house. Beneath them was the bourgeois little bay, which must have yearned all through the centuries for just such a watering-place	Howards End
"I dreamt of that alphabet of yours. Did it take you long to make it up?"	Gabriel Syme	he pulled on his trousers,<\|quote\|>"I dreamt of that alphabet of yours. Did it take you long to make it up?"</\|quote\|>The Professor made no answer,	with a forced cheerfulness as he pulled on his trousers,<\|quote\|>"I dreamt of that alphabet of yours. Did it take you long to make it up?"</\|quote\|>The Professor made no answer, but gazed in front of	the bedclothes off him, and he stood up in an air of cold danger. He still felt an entire trust and loyalty towards his companion; but it was the trust between two men going to the scaffold. "Well," said Syme with a forced cheerfulness as he pulled on his trousers,<\|quote\|>"I dreamt of that alphabet of yours. Did it take you long to make it up?"</\|quote\|>The Professor made no answer, but gazed in front of him with eyes the colour of a wintry sea; so Syme repeated his question. "I say, did it take you long to invent all this? I'm considered good at these things, and it was a good hour's grind. Did you	and found his grey-bearded ally standing like a ghost beside his bed. Syme sat up in bed blinking; then slowly collected his thoughts, threw off the bed-clothes, and stood up. It seemed to him in some curious way that all the safety and sociability of the night before fell with the bedclothes off him, and he stood up in an air of cold danger. He still felt an entire trust and loyalty towards his companion; but it was the trust between two men going to the scaffold. "Well," said Syme with a forced cheerfulness as he pulled on his trousers,<\|quote\|>"I dreamt of that alphabet of yours. Did it take you long to make it up?"</\|quote\|>The Professor made no answer, but gazed in front of him with eyes the colour of a wintry sea; so Syme repeated his question. "I say, did it take you long to invent all this? I'm considered good at these things, and it was a good hour's grind. Did you learn it all on the spot?" The Professor was silent; his eyes were wide open, and he wore a fixed but very small smile. "How long did it take you?" The Professor did not move. "Confound you, can't you answer?" called out Syme, in a sudden anger that had something	the other, "that this is a tragedy?" "Perfectly," replied Syme; "always be comic in a tragedy. What the deuce else can you do? I wish this language of yours had a wider scope. I suppose we could not extend it from the fingers to the toes? That would involve pulling off our boots and socks during the conversation, which however unobtrusively performed" "Syme," said his friend with a stern simplicity, "go to bed!" Syme, however, sat up in bed for a considerable time mastering the new code. He was awakened next morning while the east was still sealed with darkness, and found his grey-bearded ally standing like a ghost beside his bed. Syme sat up in bed blinking; then slowly collected his thoughts, threw off the bed-clothes, and stood up. It seemed to him in some curious way that all the safety and sociability of the night before fell with the bedclothes off him, and he stood up in an air of cold danger. He still felt an entire trust and loyalty towards his companion; but it was the trust between two men going to the scaffold. "Well," said Syme with a forced cheerfulness as he pulled on his trousers,<\|quote\|>"I dreamt of that alphabet of yours. Did it take you long to make it up?"</\|quote\|>The Professor made no answer, but gazed in front of him with eyes the colour of a wintry sea; so Syme repeated his question. "I say, did it take you long to invent all this? I'm considered good at these things, and it was a good hour's grind. Did you learn it all on the spot?" The Professor was silent; his eyes were wide open, and he wore a fixed but very small smile. "How long did it take you?" The Professor did not move. "Confound you, can't you answer?" called out Syme, in a sudden anger that had something like fear underneath. Whether or no the Professor could answer, he did not. Syme stood staring back at the stiff face like parchment and the blank, blue eyes. His first thought was that the Professor had gone mad, but his second thought was more frightful. After all, what did he know about this queer creature whom he had heedlessly accepted as a friend? What did he know, except that the man had been at the anarchist breakfast and had told him a ridiculous tale? How improbable it was that there should be another friend there beside Gogol! Was this man's	take him long to learn how he might convey simple messages by what would seem to be idle taps upon a table or knee. But wine and companionship had always the effect of inspiring him to a farcical ingenuity, and the Professor soon found himself struggling with the too vast energy of the new language, as it passed through the heated brain of Syme. "We must have several word-signs," said Syme seriously "words that we are likely to want, fine shades of meaning. My favourite word is coeval'. What's yours?" "Do stop playing the goat," said the Professor plaintively. "You don't know how serious this is." "Lush' too," said Syme, shaking his head sagaciously, "we must have lush' word applied to grass, don't you know?" "Do you imagine," asked the Professor furiously, "that we are going to talk to Dr. Bull about grass?" "There are several ways in which the subject could be approached," said Syme reflectively, "and the word introduced without appearing forced. We might say, Dr. Bull, as a revolutionist, you remember that a tyrant once advised us to eat grass; and indeed many of us, looking on the fresh lush grass of summer...'" "Do you understand," said the other, "that this is a tragedy?" "Perfectly," replied Syme; "always be comic in a tragedy. What the deuce else can you do? I wish this language of yours had a wider scope. I suppose we could not extend it from the fingers to the toes? That would involve pulling off our boots and socks during the conversation, which however unobtrusively performed" "Syme," said his friend with a stern simplicity, "go to bed!" Syme, however, sat up in bed for a considerable time mastering the new code. He was awakened next morning while the east was still sealed with darkness, and found his grey-bearded ally standing like a ghost beside his bed. Syme sat up in bed blinking; then slowly collected his thoughts, threw off the bed-clothes, and stood up. It seemed to him in some curious way that all the safety and sociability of the night before fell with the bedclothes off him, and he stood up in an air of cold danger. He still felt an entire trust and loyalty towards his companion; but it was the trust between two men going to the scaffold. "Well," said Syme with a forced cheerfulness as he pulled on his trousers,<\|quote\|>"I dreamt of that alphabet of yours. Did it take you long to make it up?"</\|quote\|>The Professor made no answer, but gazed in front of him with eyes the colour of a wintry sea; so Syme repeated his question. "I say, did it take you long to invent all this? I'm considered good at these things, and it was a good hour's grind. Did you learn it all on the spot?" The Professor was silent; his eyes were wide open, and he wore a fixed but very small smile. "How long did it take you?" The Professor did not move. "Confound you, can't you answer?" called out Syme, in a sudden anger that had something like fear underneath. Whether or no the Professor could answer, he did not. Syme stood staring back at the stiff face like parchment and the blank, blue eyes. His first thought was that the Professor had gone mad, but his second thought was more frightful. After all, what did he know about this queer creature whom he had heedlessly accepted as a friend? What did he know, except that the man had been at the anarchist breakfast and had told him a ridiculous tale? How improbable it was that there should be another friend there beside Gogol! Was this man's silence a sensational way of declaring war? Was this adamantine stare after all only the awful sneer of some threefold traitor, who had turned for the last time? He stood and strained his ears in this heartless silence. He almost fancied he could hear dynamiters come to capture him shifting softly in the corridor outside. Then his eye strayed downwards, and he burst out laughing. Though the Professor himself stood there as voiceless as a statue, his five dumb fingers were dancing alive upon the dead table. Syme watched the twinkling movements of the talking hand, and read clearly the message "I will only talk like this. We must get used to it." He rapped out the answer with the impatience of relief "All right. Let's get out to breakfast." They took their hats and sticks in silence; but as Syme took his sword-stick, he held it hard. They paused for a few minutes only to stuff down coffee and coarse thick sandwiches at a coffee stall, and then made their way across the river, which under the grey and growing light looked as desolate as Acheron. They reached the bottom of the huge block of buildings which they had	he sank his bald brow in his two hands. Then he said in a low voice "Can you play the piano?" "Yes," said Syme in simple wonder, "I'm supposed to have a good touch." Then, as the other did not speak, he added "I trust the great cloud is lifted." After a long silence, the Professor said out of the cavernous shadow of his hands "It would have done just as well if you could work a typewriter." "Thank you," said Syme, "you flatter me." "Listen to me," said the other, "and remember whom we have to see tomorrow. You and I are going tomorrow to attempt something which is very much more dangerous than trying to steal the Crown Jewels out of the Tower. We are trying to steal a secret from a very sharp, very strong, and very wicked man. I believe there is no man, except the President, of course, who is so seriously startling and formidable as that little grinning fellow in goggles. He has not perhaps the white-hot enthusiasm unto death, the mad martyrdom for anarchy, which marks the Secretary. But then that very fanaticism in the Secretary has a human pathos, and is almost a redeeming trait. But the little Doctor has a brutal sanity that is more shocking than the Secretary's disease. Don't you notice his detestable virility and vitality. He bounces like an india-rubber ball. Depend on it, Sunday was not asleep (I wonder if he ever sleeps?) when he locked up all the plans of this outrage in the round, black head of Dr. Bull." "And you think," said Syme, "that this unique monster will be soothed if I play the piano to him?" "Don't be an ass," said his mentor. "I mentioned the piano because it gives one quick and independent fingers. Syme, if we are to go through this interview and come out sane or alive, we must have some code of signals between us that this brute will not see. I have made a rough alphabetical cypher corresponding to the five fingers like this, see," and he rippled with his fingers on the wooden table "B A D, bad, a word we may frequently require." Syme poured himself out another glass of wine, and began to study the scheme. He was abnormally quick with his brains at puzzles, and with his hands at conjuring, and it did not take him long to learn how he might convey simple messages by what would seem to be idle taps upon a table or knee. But wine and companionship had always the effect of inspiring him to a farcical ingenuity, and the Professor soon found himself struggling with the too vast energy of the new language, as it passed through the heated brain of Syme. "We must have several word-signs," said Syme seriously "words that we are likely to want, fine shades of meaning. My favourite word is coeval'. What's yours?" "Do stop playing the goat," said the Professor plaintively. "You don't know how serious this is." "Lush' too," said Syme, shaking his head sagaciously, "we must have lush' word applied to grass, don't you know?" "Do you imagine," asked the Professor furiously, "that we are going to talk to Dr. Bull about grass?" "There are several ways in which the subject could be approached," said Syme reflectively, "and the word introduced without appearing forced. We might say, Dr. Bull, as a revolutionist, you remember that a tyrant once advised us to eat grass; and indeed many of us, looking on the fresh lush grass of summer...'" "Do you understand," said the other, "that this is a tragedy?" "Perfectly," replied Syme; "always be comic in a tragedy. What the deuce else can you do? I wish this language of yours had a wider scope. I suppose we could not extend it from the fingers to the toes? That would involve pulling off our boots and socks during the conversation, which however unobtrusively performed" "Syme," said his friend with a stern simplicity, "go to bed!" Syme, however, sat up in bed for a considerable time mastering the new code. He was awakened next morning while the east was still sealed with darkness, and found his grey-bearded ally standing like a ghost beside his bed. Syme sat up in bed blinking; then slowly collected his thoughts, threw off the bed-clothes, and stood up. It seemed to him in some curious way that all the safety and sociability of the night before fell with the bedclothes off him, and he stood up in an air of cold danger. He still felt an entire trust and loyalty towards his companion; but it was the trust between two men going to the scaffold. "Well," said Syme with a forced cheerfulness as he pulled on his trousers,<\|quote\|>"I dreamt of that alphabet of yours. Did it take you long to make it up?"</\|quote\|>The Professor made no answer, but gazed in front of him with eyes the colour of a wintry sea; so Syme repeated his question. "I say, did it take you long to invent all this? I'm considered good at these things, and it was a good hour's grind. Did you learn it all on the spot?" The Professor was silent; his eyes were wide open, and he wore a fixed but very small smile. "How long did it take you?" The Professor did not move. "Confound you, can't you answer?" called out Syme, in a sudden anger that had something like fear underneath. Whether or no the Professor could answer, he did not. Syme stood staring back at the stiff face like parchment and the blank, blue eyes. His first thought was that the Professor had gone mad, but his second thought was more frightful. After all, what did he know about this queer creature whom he had heedlessly accepted as a friend? What did he know, except that the man had been at the anarchist breakfast and had told him a ridiculous tale? How improbable it was that there should be another friend there beside Gogol! Was this man's silence a sensational way of declaring war? Was this adamantine stare after all only the awful sneer of some threefold traitor, who had turned for the last time? He stood and strained his ears in this heartless silence. He almost fancied he could hear dynamiters come to capture him shifting softly in the corridor outside. Then his eye strayed downwards, and he burst out laughing. Though the Professor himself stood there as voiceless as a statue, his five dumb fingers were dancing alive upon the dead table. Syme watched the twinkling movements of the talking hand, and read clearly the message "I will only talk like this. We must get used to it." He rapped out the answer with the impatience of relief "All right. Let's get out to breakfast." They took their hats and sticks in silence; but as Syme took his sword-stick, he held it hard. They paused for a few minutes only to stuff down coffee and coarse thick sandwiches at a coffee stall, and then made their way across the river, which under the grey and growing light looked as desolate as Acheron. They reached the bottom of the huge block of buildings which they had seen from across the river, and began in silence to mount the naked and numberless stone steps, only pausing now and then to make short remarks on the rail of the banisters. At about every other flight they passed a window; each window showed them a pale and tragic dawn lifting itself laboriously over London. From each the innumerable roofs of slate looked like the leaden surges of a grey, troubled sea after rain. Syme was increasingly conscious that his new adventure had somehow a quality of cold sanity worse than the wild adventures of the past. Last night, for instance, the tall tenements had seemed to him like a tower in a dream. As he now went up the weary and perpetual steps, he was daunted and bewildered by their almost infinite series. But it was not the hot horror of a dream or of anything that might be exaggeration or delusion. Their infinity was more like the empty infinity of arithmetic, something unthinkable, yet necessary to thought. Or it was like the stunning statements of astronomy about the distance of the fixed stars. He was ascending the house of reason, a thing more hideous than unreason itself. By the time they reached Dr. Bull's landing, a last window showed them a harsh, white dawn edged with banks of a kind of coarse red, more like red clay than red cloud. And when they entered Dr. Bull's bare garret it was full of light. Syme had been haunted by a half historic memory in connection with these empty rooms and that austere daybreak. The moment he saw the garret and Dr. Bull sitting writing at a table, he remembered what the memory was the French Revolution. There should have been the black outline of a guillotine against that heavy red and white of the morning. Dr. Bull was in his white shirt and black breeches only; his cropped, dark head might well have just come out of its wig; he might have been Marat or a more slipshod Robespierre. Yet when he was seen properly, the French fancy fell away. The Jacobins were idealists; there was about this man a murderous materialism. His position gave him a somewhat new appearance. The strong, white light of morning coming from one side creating sharp shadows, made him seem both more pale and more angular than he had looked at the breakfast	the goat," said the Professor plaintively. "You don't know how serious this is." "Lush' too," said Syme, shaking his head sagaciously, "we must have lush' word applied to grass, don't you know?" "Do you imagine," asked the Professor furiously, "that we are going to talk to Dr. Bull about grass?" "There are several ways in which the subject could be approached," said Syme reflectively, "and the word introduced without appearing forced. We might say, Dr. Bull, as a revolutionist, you remember that a tyrant once advised us to eat grass; and indeed many of us, looking on the fresh lush grass of summer...'" "Do you understand," said the other, "that this is a tragedy?" "Perfectly," replied Syme; "always be comic in a tragedy. What the deuce else can you do? I wish this language of yours had a wider scope. I suppose we could not extend it from the fingers to the toes? That would involve pulling off our boots and socks during the conversation, which however unobtrusively performed" "Syme," said his friend with a stern simplicity, "go to bed!" Syme, however, sat up in bed for a considerable time mastering the new code. He was awakened next morning while the east was still sealed with darkness, and found his grey-bearded ally standing like a ghost beside his bed. Syme sat up in bed blinking; then slowly collected his thoughts, threw off the bed-clothes, and stood up. It seemed to him in some curious way that all the safety and sociability of the night before fell with the bedclothes off him, and he stood up in an air of cold danger. He still felt an entire trust and loyalty towards his companion; but it was the trust between two men going to the scaffold. "Well," said Syme with a forced cheerfulness as he pulled on his trousers,<\|quote\|>"I dreamt of that alphabet of yours. Did it take you long to make it up?"</\|quote\|>The Professor made no answer, but gazed in front of him with eyes the colour of a wintry sea; so Syme repeated his question. "I say, did it take you long to invent all this? I'm considered good at these things, and it was a good hour's grind. Did you learn it all on the spot?" The Professor was silent; his eyes were wide open, and he wore a fixed but very small smile. "How long did it take you?" The Professor did not move. "Confound you, can't you answer?" called out Syme, in a sudden anger that had something like fear underneath. Whether or no the Professor could answer, he did not. Syme stood staring back at the stiff face like parchment and the blank, blue eyes. His first thought was that the Professor had gone mad, but his second thought was more frightful. After all, what did he know about this queer creature whom he had heedlessly accepted as a friend? What did he know, except that the man had been at the anarchist breakfast and had told him a ridiculous tale? How improbable it was that there should be another friend there beside Gogol! Was this man's silence a sensational way of declaring war? Was this adamantine stare after all only the awful sneer of some threefold traitor, who had turned for the last time? He stood and strained his ears in this heartless silence. He almost fancied he could hear dynamiters come to capture him shifting softly in the corridor outside. Then his eye strayed downwards, and he burst out laughing. Though the Professor himself stood there as voiceless as a statue, his five dumb fingers were dancing alive upon the dead table. Syme watched the twinkling movements of the talking hand, and read clearly the message "I will only talk like this. We must get used to it." He rapped out the answer with the impatience of relief "All right. Let's get out to breakfast." They took their hats and sticks in silence; but as Syme took his sword-stick, he held it hard. They paused for a few minutes only to stuff down coffee and coarse thick sandwiches at a coffee stall, and then made their way across the river, which under the grey and growing light looked as desolate as Acheron. They reached the bottom of the huge block of buildings which they had seen from across the river, and began in silence to mount the naked and numberless stone steps, only pausing now and then to make short remarks on the rail of the banisters. At about every other flight they passed a window; each window showed them a pale and tragic dawn lifting itself laboriously over London. From each the innumerable roofs of slate looked like the leaden surges of a grey, troubled sea after rain. Syme was increasingly conscious that his new adventure had somehow a quality of cold sanity worse than the wild adventures of the past. Last night, for instance, the tall tenements had seemed to him like a tower in a dream. As he now went up the weary and perpetual steps, he was daunted and bewildered by their almost infinite series. But it was not the hot horror of a dream or of anything that might be exaggeration or delusion. Their infinity was more like the empty infinity of arithmetic, something unthinkable, yet necessary to thought. Or it was like the stunning statements of astronomy about the distance of the fixed stars. He was ascending the house of reason, a thing more hideous than	The Man Who Was Thursday
"But I can't get my irons off, and you can get yours."	Jem Wimble	I'm going away without you."<\|quote\|>"But I can't get my irons off, and you can get yours."</\|quote\|>"I don't know that," said	And besides, you don't suppose I'm going away without you."<\|quote\|>"But I can't get my irons off, and you can get yours."</\|quote\|>"I don't know that," said Don, trying; and, to his	alongside--" "When it's swinging from the davits, Jem?" "There you go again," grumbled Jem. "I never did see such a fellow for chucking stumbling-blocks all over the place for a man to hit his shins against." "Then propose something possible. And besides, you don't suppose I'm going away without you."<\|quote\|>"But I can't get my irons off, and you can get yours."</\|quote\|>"I don't know that," said Don, trying; and, to his great surprise, finding that he could drag the ring over his ankle without much difficulty. "There, I told you so. Slip it on again 'fore the sentry sees." The marine was not likely to see, for the place was very	no, you're not, and I dessay it'll be a tight fit; but you do it." "And suppose I do get out of them, what about you?" "About me, Mas' Don? Ah, I don't know about me; but you could get right away, slide down the rope, get the gig up alongside--" "When it's swinging from the davits, Jem?" "There you go again," grumbled Jem. "I never did see such a fellow for chucking stumbling-blocks all over the place for a man to hit his shins against." "Then propose something possible. And besides, you don't suppose I'm going away without you."<\|quote\|>"But I can't get my irons off, and you can get yours."</\|quote\|>"I don't know that," said Don, trying; and, to his great surprise, finding that he could drag the ring over his ankle without much difficulty. "There, I told you so. Slip it on again 'fore the sentry sees." The marine was not likely to see, for the place was very dark where they sat, and for a long time they discussed the matter in a whisper, but only to be obliged to come to the conclusion that it was impossible to escape, unless Don would go alone. "Well, if you won't go alone, you won't, Mas' Don," said Jem, in	got it, Mas' Don," he said. "What, can you see your way to escape?" "I've hit it out, my lad. Look here. Do you know them's men's irons you've got on?" "Yes. They don't make irons for boys." "Then look here, my lad; it may mean a bit of skin off; but all you've got to do is to squeeze your feet through those rings, and then I'll be bound to say a thin slip of a fellow like you can creep out of the iron round your waist." "I don't think so, Jem. I'm stouter than you fancy." "Oh no, you're not, and I dessay it'll be a tight fit; but you do it." "And suppose I do get out of them, what about you?" "About me, Mas' Don? Ah, I don't know about me; but you could get right away, slide down the rope, get the gig up alongside--" "When it's swinging from the davits, Jem?" "There you go again," grumbled Jem. "I never did see such a fellow for chucking stumbling-blocks all over the place for a man to hit his shins against." "Then propose something possible. And besides, you don't suppose I'm going away without you."<\|quote\|>"But I can't get my irons off, and you can get yours."</\|quote\|>"I don't know that," said Don, trying; and, to his great surprise, finding that he could drag the ring over his ankle without much difficulty. "There, I told you so. Slip it on again 'fore the sentry sees." The marine was not likely to see, for the place was very dark where they sat, and for a long time they discussed the matter in a whisper, but only to be obliged to come to the conclusion that it was impossible to escape, unless Don would go alone. "Well, if you won't go alone, you won't, Mas' Don," said Jem, in an ill-used tone; "but I do say as it's shabby of you, after I've thought about it so much." The second night of their imprisonment passed slowly, and they were cudgelling their brains next day, when they were summoned on deck, received a severe reprimand, and, after their irons had been taken off, were told to go to their duty. Then a week passed of land surveying and chart making, during which time the intercourse with the natives had been kept on a very friendly footing; and then a rumour ran round the ship that they were to sail after	your uncle said he'd be obliged to have the doorposts cut, but I thought that out after I'd measured it, and I found that it would just go in at the top warehouse doors if we hauled it up with the crane." "You used to call it winding anything up, Jem." "Ay, but I hadn't been to sea then, Mas' Don. Well, didn't I have that there case up to the top floor, and then lower it down through all the traps, and get it into the ground floor without the door being cut; and when your uncle come in, he stared, and asked me how I'd managed it?" "Yes, I remember it all," said Don sadly. "Look here, you two. I don't want to be hard," said the marine; "but you'll get me into a row. Now, are you going to clap on the hatchways, or am I to report you?" "All right, Jolly; we won't talk any more," said Jem; and he kept his word that night. There was no release next day, and very drearily it passed till towards evening, when Jem waited till the sentry's back was turned, and put his lips to Don's ear. "I've got it, Mas' Don," he said. "What, can you see your way to escape?" "I've hit it out, my lad. Look here. Do you know them's men's irons you've got on?" "Yes. They don't make irons for boys." "Then look here, my lad; it may mean a bit of skin off; but all you've got to do is to squeeze your feet through those rings, and then I'll be bound to say a thin slip of a fellow like you can creep out of the iron round your waist." "I don't think so, Jem. I'm stouter than you fancy." "Oh no, you're not, and I dessay it'll be a tight fit; but you do it." "And suppose I do get out of them, what about you?" "About me, Mas' Don? Ah, I don't know about me; but you could get right away, slide down the rope, get the gig up alongside--" "When it's swinging from the davits, Jem?" "There you go again," grumbled Jem. "I never did see such a fellow for chucking stumbling-blocks all over the place for a man to hit his shins against." "Then propose something possible. And besides, you don't suppose I'm going away without you."<\|quote\|>"But I can't get my irons off, and you can get yours."</\|quote\|>"I don't know that," said Don, trying; and, to his great surprise, finding that he could drag the ring over his ankle without much difficulty. "There, I told you so. Slip it on again 'fore the sentry sees." The marine was not likely to see, for the place was very dark where they sat, and for a long time they discussed the matter in a whisper, but only to be obliged to come to the conclusion that it was impossible to escape, unless Don would go alone. "Well, if you won't go alone, you won't, Mas' Don," said Jem, in an ill-used tone; "but I do say as it's shabby of you, after I've thought about it so much." The second night of their imprisonment passed slowly, and they were cudgelling their brains next day, when they were summoned on deck, received a severe reprimand, and, after their irons had been taken off, were told to go to their duty. Then a week passed of land surveying and chart making, during which time the intercourse with the natives had been kept on a very friendly footing; and then a rumour ran round the ship that they were to sail after a certain channel had been sounded and the chart made. "It's all over, Mas' Don," said Jem gloomily. "We shall go sailing away all over the world, and be took by the French, and never see home again!" Don made no reply, but went about his duty gloomily enough till toward afternoon, when a canoe came off from the shore, manned by about fifty of the New Zealanders, and with Tomati and Ngati in the stern. These two were soon on board, and were entertained by the captain, who made them several useful presents. How he managed it Don hardly knew himself, but he contrived to get close behind the tattooed Englishman, and said softly, just as the officers were laughing and watching Ngati, who was going through his war-dance for their delectation, and distorting his features to the greatest extent,-- "Could you come after dark to-night in your canoe, and take us ashore?" "Hist! Mind what you're saying," replied the man, clapping his legs loudly, as if to encourage his companion to fresh exertions and distortions of his countenance. "I want to come," said Don softly, in the midst of the applause. "I daren't do it, my lad. They'd	chance." "You do?" "I do. See how we have been served: dragged from our homes, roughly used; bullied and ill-treated; and with that man's word taken before ours. It's too bad--too bad." "Well, it is, Mas' Don," whispered Jem. "But you see it was awkward. You couldn't swear as you hadn't thoughts of deserting." "Deserting?" said Don hotly. "I will not have it called deserting. I say it is only claiming our liberty, when we have been seized upon and treated like slaves." "What a weather-cocky way you have got, Mas' Don. Only t'other day you was all on the other tack, and says, says you, `It's deserting, and cowardly,' and a lot more to that tune, and the way you went on at me, sir, made my hair curl." "I had not had this last blow, Jem. I had not been put in irons then like a common thief." "Silence, below there!" cried an angry voice. "Sentry, stop that talking by the prisoners." The marine marched slowly toward them, and growled out his orders. Then, settling his head in his stiff stock, he faced round and marched away. "All right, Jolly," said Jem, good-humouredly; and then drawing closer to his companion in misfortune, he went on talking in a whisper. "Say, Mas' Don, do you mean it now?" "Mean what?" "Going? It's now or never. If we waits till we goes off to sea again our chance is gone." "I mean it, Jem." "That's a good bargain, my lad," said Jem, slapping him on the knee. "Then the sooner we're off the better." "How can we go?" "How? Easy enough. Get on deck, slide down a rope over the side when it's dark." "In irons?" "They don't weigh much. We could get hold of an oar or two, or lower down a grating, and hold on by that till we'd swam ashore." "And the sharks, Jem?" "Oh, those sharks!" cried Jem, pettishly. "I always forget them. I wish there wasn't such a thing as a shark on the face of the earth. Well, we must try some other way." "That's easy enough to say, Jem; but what way is there?" "Oh, I don't know yet, Mas' Don; but they say, `where there's a will there's a way.' P'r'aps I can think it out. 'Member that big case as was too wide to come into the lower warehouse?" "Yes." "Well, your uncle said he'd be obliged to have the doorposts cut, but I thought that out after I'd measured it, and I found that it would just go in at the top warehouse doors if we hauled it up with the crane." "You used to call it winding anything up, Jem." "Ay, but I hadn't been to sea then, Mas' Don. Well, didn't I have that there case up to the top floor, and then lower it down through all the traps, and get it into the ground floor without the door being cut; and when your uncle come in, he stared, and asked me how I'd managed it?" "Yes, I remember it all," said Don sadly. "Look here, you two. I don't want to be hard," said the marine; "but you'll get me into a row. Now, are you going to clap on the hatchways, or am I to report you?" "All right, Jolly; we won't talk any more," said Jem; and he kept his word that night. There was no release next day, and very drearily it passed till towards evening, when Jem waited till the sentry's back was turned, and put his lips to Don's ear. "I've got it, Mas' Don," he said. "What, can you see your way to escape?" "I've hit it out, my lad. Look here. Do you know them's men's irons you've got on?" "Yes. They don't make irons for boys." "Then look here, my lad; it may mean a bit of skin off; but all you've got to do is to squeeze your feet through those rings, and then I'll be bound to say a thin slip of a fellow like you can creep out of the iron round your waist." "I don't think so, Jem. I'm stouter than you fancy." "Oh no, you're not, and I dessay it'll be a tight fit; but you do it." "And suppose I do get out of them, what about you?" "About me, Mas' Don? Ah, I don't know about me; but you could get right away, slide down the rope, get the gig up alongside--" "When it's swinging from the davits, Jem?" "There you go again," grumbled Jem. "I never did see such a fellow for chucking stumbling-blocks all over the place for a man to hit his shins against." "Then propose something possible. And besides, you don't suppose I'm going away without you."<\|quote\|>"But I can't get my irons off, and you can get yours."</\|quote\|>"I don't know that," said Don, trying; and, to his great surprise, finding that he could drag the ring over his ankle without much difficulty. "There, I told you so. Slip it on again 'fore the sentry sees." The marine was not likely to see, for the place was very dark where they sat, and for a long time they discussed the matter in a whisper, but only to be obliged to come to the conclusion that it was impossible to escape, unless Don would go alone. "Well, if you won't go alone, you won't, Mas' Don," said Jem, in an ill-used tone; "but I do say as it's shabby of you, after I've thought about it so much." The second night of their imprisonment passed slowly, and they were cudgelling their brains next day, when they were summoned on deck, received a severe reprimand, and, after their irons had been taken off, were told to go to their duty. Then a week passed of land surveying and chart making, during which time the intercourse with the natives had been kept on a very friendly footing; and then a rumour ran round the ship that they were to sail after a certain channel had been sounded and the chart made. "It's all over, Mas' Don," said Jem gloomily. "We shall go sailing away all over the world, and be took by the French, and never see home again!" Don made no reply, but went about his duty gloomily enough till toward afternoon, when a canoe came off from the shore, manned by about fifty of the New Zealanders, and with Tomati and Ngati in the stern. These two were soon on board, and were entertained by the captain, who made them several useful presents. How he managed it Don hardly knew himself, but he contrived to get close behind the tattooed Englishman, and said softly, just as the officers were laughing and watching Ngati, who was going through his war-dance for their delectation, and distorting his features to the greatest extent,-- "Could you come after dark to-night in your canoe, and take us ashore?" "Hist! Mind what you're saying," replied the man, clapping his legs loudly, as if to encourage his companion to fresh exertions and distortions of his countenance. "I want to come," said Don softly, in the midst of the applause. "I daren't do it, my lad. They'd come down after me if I did; but I'll send Ngati. He'll come in his little canoe." Don's heart beat wildly at these words, and he had no chance to say more, for Tomati went toward the officers, talked with them for a while; and then, as Don watched, he saw him go to the big chief, clap him on the shoulder, and say something which made the great fellow smile. The New Zealanders seemed to show more interest in the appointments of the ship than they had displayed before, and the officers were civil enough to them, exchanging presents, and getting from the dusky warriors greenstone ornaments and weapons in exchange for powder and tobacco. Don's heart had ceased to beat, and he was thinking despondently that he might as well give up all idea of evasion, when a hand was laid upon his shoulder, and looking up, it was to encounter the hideous face of the big chief, who said, with a peculiar laugh,-- "My pakeha. Bring gunpowder plenty. Wait by big ship. Dark." It was not a very clear promise, but Don realised that it meant a chance of escape, and his eyes flashed with excitement, as the chief went on. "Plenty gunpowder. Bring, bring. My pakeha." He went off directly to where some of his fellows were standing about the deck, and hardly realising whether the chief was to be depended on, Don was about to go in search of Jem, when he felt a chill of despair, for, as he turned, he encountered the sinister countenance of Ramsden, his eye fixed upon him in a watchful way, and a satisfied smile playing about his lips. Did he hear? Did he know? If he did, Don felt certain that the scoundrel would go and report all to one of the officers, and so get it to the captain's ears. Still there was hope. He might not have heard, and as to the New Zealand men speaking to him, they were doing that to nearly every sailor they encountered on the deck. Still he felt that it would be better not to be seen speaking to Jem, and he crossed to another part of the ship, and stood watching the leave-taking of the visitors, who descended into their canoe laden with presents and the objects they had obtained by barter. Tomati was the last to descend, and	Jolly; we won't talk any more," said Jem; and he kept his word that night. There was no release next day, and very drearily it passed till towards evening, when Jem waited till the sentry's back was turned, and put his lips to Don's ear. "I've got it, Mas' Don," he said. "What, can you see your way to escape?" "I've hit it out, my lad. Look here. Do you know them's men's irons you've got on?" "Yes. They don't make irons for boys." "Then look here, my lad; it may mean a bit of skin off; but all you've got to do is to squeeze your feet through those rings, and then I'll be bound to say a thin slip of a fellow like you can creep out of the iron round your waist." "I don't think so, Jem. I'm stouter than you fancy." "Oh no, you're not, and I dessay it'll be a tight fit; but you do it." "And suppose I do get out of them, what about you?" "About me, Mas' Don? Ah, I don't know about me; but you could get right away, slide down the rope, get the gig up alongside--" "When it's swinging from the davits, Jem?" "There you go again," grumbled Jem. "I never did see such a fellow for chucking stumbling-blocks all over the place for a man to hit his shins against." "Then propose something possible. And besides, you don't suppose I'm going away without you."<\|quote\|>"But I can't get my irons off, and you can get yours."</\|quote\|>"I don't know that," said Don, trying; and, to his great surprise, finding that he could drag the ring over his ankle without much difficulty. "There, I told you so. Slip it on again 'fore the sentry sees." The marine was not likely to see, for the place was very dark where they sat, and for a long time they discussed the matter in a whisper, but only to be obliged to come to the conclusion that it was impossible to escape, unless Don would go alone. "Well, if you won't go alone, you won't, Mas' Don," said Jem, in an ill-used tone; "but I do say as it's shabby of you, after I've thought about it so much." The second night of their imprisonment passed slowly, and they were cudgelling their brains next day, when they were summoned on deck, received a severe reprimand, and, after their irons had been taken off, were told to go to their duty. Then a week passed of land surveying and chart making, during which time the intercourse with the natives had been kept on a very friendly footing; and then a rumour ran round the ship that they were to sail after a certain channel had been sounded and the chart made. "It's all over, Mas' Don," said Jem gloomily. "We shall go sailing away all over the world, and be took by the French, and never see home again!" Don made no reply, but went about his duty gloomily enough till toward afternoon, when a canoe came off from the shore, manned by about fifty of the New Zealanders, and with Tomati and Ngati in the stern. These two were soon on board, and were entertained by the captain, who made them several useful presents. How he managed it Don hardly knew himself, but he contrived to get close behind the tattooed Englishman, and said softly, just as the officers were laughing and watching Ngati, who was going through his war-dance for their delectation, and distorting his features to the greatest extent,-- "Could you come after dark to-night in your canoe, and take us ashore?" "Hist! Mind what you're saying," replied the man, clapping his legs loudly, as if to encourage his companion to fresh exertions and distortions of his countenance. "I want to come," said Don softly, in the midst of the applause. "I daren't do it, my lad. They'd come down after me if I did; but I'll send Ngati. He'll come in his little canoe." Don's heart beat wildly at these words, and he had no chance to say more, for Tomati went toward the officers, talked with them for a while; and then, as Don watched, he saw him go to the big chief, clap him on the shoulder, and say something which made the great fellow smile. The New Zealanders seemed to show more interest in the appointments of the ship than they had displayed before, and the officers were civil enough to them, exchanging presents, and getting from the dusky warriors greenstone ornaments and weapons	Don Lavington
It was a fundamental principle of the Gradgrind philosophy that everything was to be paid for. Nobody was ever on any account to give anybody anything, or render anybody help without purchase. Gratitude was to be abolished, and the virtues springing from it were not to be. Every inch of the existence of mankind, from birth to death, was to be a bargain across a counter. And if we didn't get to Heaven that way, it was not a politico-economical place, and we had no business there.	No speaker	came away, the bargain ended."<\|quote\|>It was a fundamental principle of the Gradgrind philosophy that everything was to be paid for. Nobody was ever on any account to give anybody anything, or render anybody help without purchase. Gratitude was to be abolished, and the virtues springing from it were not to be. Every inch of the existence of mankind, from birth to death, was to be a bargain across a counter. And if we didn't get to Heaven that way, it was not a politico-economical place, and we had no business there.</\|quote\|>"I don't deny," added Bitzer,	a bargain; and when I came away, the bargain ended."<\|quote\|>It was a fundamental principle of the Gradgrind philosophy that everything was to be paid for. Nobody was ever on any account to give anybody anything, or render anybody help without purchase. Gratitude was to be abolished, and the virtues springing from it were not to be. Every inch of the existence of mankind, from birth to death, was to be a bargain across a counter. And if we didn't get to Heaven that way, it was not a politico-economical place, and we had no business there.</\|quote\|>"I don't deny," added Bitzer, "that my schooling was cheap.	I entreat and pray you to give him the benefit of that remembrance." "I really wonder, sir," rejoined the old pupil in an argumentative manner, "to find you taking a position so untenable. My schooling was paid for; it was a bargain; and when I came away, the bargain ended."<\|quote\|>It was a fundamental principle of the Gradgrind philosophy that everything was to be paid for. Nobody was ever on any account to give anybody anything, or render anybody help without purchase. Gratitude was to be abolished, and the virtues springing from it were not to be. Every inch of the existence of mankind, from birth to death, was to be a bargain across a counter. And if we didn't get to Heaven that way, it was not a politico-economical place, and we had no business there.</\|quote\|>"I don't deny," added Bitzer, "that my schooling was cheap. But that comes right, sir. I was made in the cheapest market, and have to dispose of myself in the dearest." He was a little troubled here, by Louisa and Sissy crying. "Pray don't do that," said he, "it's of	have said, See how miserable I am! "Bitzer, I have but one chance left to soften you. You were many years at my school. If, in remembrance of the pains bestowed upon you there, you can persuade yourself in any degree to disregard your present interest and release my son, I entreat and pray you to give him the benefit of that remembrance." "I really wonder, sir," rejoined the old pupil in an argumentative manner, "to find you taking a position so untenable. My schooling was paid for; it was a bargain; and when I came away, the bargain ended."<\|quote\|>It was a fundamental principle of the Gradgrind philosophy that everything was to be paid for. Nobody was ever on any account to give anybody anything, or render anybody help without purchase. Gratitude was to be abolished, and the virtues springing from it were not to be. Every inch of the existence of mankind, from birth to death, was to be a bargain across a counter. And if we didn't get to Heaven that way, it was not a politico-economical place, and we had no business there.</\|quote\|>"I don't deny," added Bitzer, "that my schooling was cheap. But that comes right, sir. I was made in the cheapest market, and have to dispose of myself in the dearest." He was a little troubled here, by Louisa and Sissy crying. "Pray don't do that," said he, "it's of no use doing that: it only worries. You seem to think that I have some animosity against young Mr. Tom; whereas I have none at all. I am only going, on the reasonable grounds I have mentioned, to take him back to Coketown. If he was to resist, I should	very young, sir, as you are aware." "What sum of money," said Mr. Gradgrind, "will you set against your expected promotion?" "Thank you, sir," returned Bitzer, "for hinting at the proposal; but I will not set any sum against it. Knowing that your clear head would propose that alternative, I have gone over the calculations in my mind; and I find that to compound a felony, even on very high terms indeed, would not be as safe and good for me as my improved prospects in the Bank." "Bitzer," said Mr. Gradgrind, stretching out his hands as though he would have said, See how miserable I am! "Bitzer, I have but one chance left to soften you. You were many years at my school. If, in remembrance of the pains bestowed upon you there, you can persuade yourself in any degree to disregard your present interest and release my son, I entreat and pray you to give him the benefit of that remembrance." "I really wonder, sir," rejoined the old pupil in an argumentative manner, "to find you taking a position so untenable. My schooling was paid for; it was a bargain; and when I came away, the bargain ended."<\|quote\|>It was a fundamental principle of the Gradgrind philosophy that everything was to be paid for. Nobody was ever on any account to give anybody anything, or render anybody help without purchase. Gratitude was to be abolished, and the virtues springing from it were not to be. Every inch of the existence of mankind, from birth to death, was to be a bargain across a counter. And if we didn't get to Heaven that way, it was not a politico-economical place, and we had no business there.</\|quote\|>"I don't deny," added Bitzer, "that my schooling was cheap. But that comes right, sir. I was made in the cheapest market, and have to dispose of myself in the dearest." He was a little troubled here, by Louisa and Sissy crying. "Pray don't do that," said he, "it's of no use doing that: it only worries. You seem to think that I have some animosity against young Mr. Tom; whereas I have none at all. I am only going, on the reasonable grounds I have mentioned, to take him back to Coketown. If he was to resist, I should set up the cry of Stop thief! But, he won't resist, you may depend upon it." Mr. Sleary, who with his mouth open and his rolling eye as immovably jammed in his head as his fixed one, had listened to these doctrines with profound attention, here stepped forward. "Thquire, you know perfectly well, and your daughter knowth perfectly well (better than you, becauthe I thed it to her), that I didn't know what your thon had done, and that I didn't want to know I thed it wath better not, though I only thought, then, it wath thome thkylarking. However,	Tom of this bank-robbery from the first. I had had my eye upon him before that time, for I knew his ways. I have kept my observations to myself, but I have made them; and I have got ample proofs against him now, besides his running away, and besides his own confession, which I was just in time to overhear. I had the pleasure of watching your house yesterday morning, and following you here. I am going to take young Mr. Tom back to Coketown, in order to deliver him over to Mr. Bounderby. Sir, I have no doubt whatever that Mr. Bounderby will then promote me to young Mr. Tom's situation. And I wish to have his situation, sir, for it will be a rise to me, and will do me good." "If this is solely a question of self-interest with you" Mr. Gradgrind began. "I beg your pardon for interrupting you, sir," returned Bitzer; "but I am sure you know that the whole social system is a question of self-interest. What you must always appeal to, is a person's self-interest. It's your only hold. We are so constituted. I was brought up in that catechism when I was very young, sir, as you are aware." "What sum of money," said Mr. Gradgrind, "will you set against your expected promotion?" "Thank you, sir," returned Bitzer, "for hinting at the proposal; but I will not set any sum against it. Knowing that your clear head would propose that alternative, I have gone over the calculations in my mind; and I find that to compound a felony, even on very high terms indeed, would not be as safe and good for me as my improved prospects in the Bank." "Bitzer," said Mr. Gradgrind, stretching out his hands as though he would have said, See how miserable I am! "Bitzer, I have but one chance left to soften you. You were many years at my school. If, in remembrance of the pains bestowed upon you there, you can persuade yourself in any degree to disregard your present interest and release my son, I entreat and pray you to give him the benefit of that remembrance." "I really wonder, sir," rejoined the old pupil in an argumentative manner, "to find you taking a position so untenable. My schooling was paid for; it was a bargain; and when I came away, the bargain ended."<\|quote\|>It was a fundamental principle of the Gradgrind philosophy that everything was to be paid for. Nobody was ever on any account to give anybody anything, or render anybody help without purchase. Gratitude was to be abolished, and the virtues springing from it were not to be. Every inch of the existence of mankind, from birth to death, was to be a bargain across a counter. And if we didn't get to Heaven that way, it was not a politico-economical place, and we had no business there.</\|quote\|>"I don't deny," added Bitzer, "that my schooling was cheap. But that comes right, sir. I was made in the cheapest market, and have to dispose of myself in the dearest." He was a little troubled here, by Louisa and Sissy crying. "Pray don't do that," said he, "it's of no use doing that: it only worries. You seem to think that I have some animosity against young Mr. Tom; whereas I have none at all. I am only going, on the reasonable grounds I have mentioned, to take him back to Coketown. If he was to resist, I should set up the cry of Stop thief! But, he won't resist, you may depend upon it." Mr. Sleary, who with his mouth open and his rolling eye as immovably jammed in his head as his fixed one, had listened to these doctrines with profound attention, here stepped forward. "Thquire, you know perfectly well, and your daughter knowth perfectly well (better than you, becauthe I thed it to her), that I didn't know what your thon had done, and that I didn't want to know I thed it wath better not, though I only thought, then, it wath thome thkylarking. However, thith young man having made it known to be a robbery of a bank, why, that'h a theriouth thing; muth too theriouth a thing for me to compound, ath thith young man hath very properly called it. Conthequently, Thquire, you muthn't quarrel with me if I take thith young man'th thide, and thay he'th right and there'th no help for it. But I tell you what I'll do, Thquire; I'll drive your thon and thith young man over to the rail, and prevent expothure here. I can't conthent to do more, but I'll do that." Fresh lamentations from Louisa, and deeper affliction on Mr. Gradgrind's part, followed this desertion of them by their last friend. But, Sissy glanced at him with great attention; nor did she in her own breast misunderstand him. As they were all going out again, he favoured her with one slight roll of his movable eye, desiring her to linger behind. As he locked the door, he said excitedly: "The Thquire thtood by you, Thethilia, and I'll thtand by the Thquire. More than that: thith ith a prethiouth rathcal, and belongth to that bluthtering Cove that my people nearly pitht out o' winder. It'll be a	Louisa crying to him that she forgave him, and loved him still, and that he would one day be sorry to have left her so, and glad to think of these her last words, far away: when some one ran against them. Mr. Gradgrind and Sissy, who were both before him while his sister yet clung to his shoulder, stopped and recoiled. For, there was Bitzer, out of breath, his thin lips parted, his thin nostrils distended, his white eyelashes quivering, his colourless face more colourless than ever, as if he ran himself into a white heat, when other people ran themselves into a glow. There he stood, panting and heaving, as if he had never stopped since the night, now long ago, when he had run them down before. "I'm sorry to interfere with your plans," said Bitzer, shaking his head, "but I can't allow myself to be done by horse-riders. I must have young Mr. Tom; he mustn't be got away by horse-riders; here he is in a smock frock, and I must have him!" By the collar, too, it seemed. For, so he took possession of him. CHAPTER VIII PHILOSOPHICAL THEY went back into the booth, Sleary shutting the door to keep intruders out. Bitzer, still holding the paralysed culprit by the collar, stood in the Ring, blinking at his old patron through the darkness of the twilight. "Bitzer," said Mr. Gradgrind, broken down, and miserably submissive to him, "have you a heart?" "The circulation, sir," returned Bitzer, smiling at the oddity of the question, "couldn't be carried on without one. No man, sir, acquainted with the facts established by Harvey relating to the circulation of the blood, can doubt that I have a heart." "Is it accessible," cried Mr. Gradgrind, "to any compassionate influence?" "It is accessible to Reason, sir," returned the excellent young man. "And to nothing else." They stood looking at each other; Mr. Gradgrind's face as white as the pursuer's. "What motive even what motive in reason can you have for preventing the escape of this wretched youth," said Mr. Gradgrind, "and crushing his miserable father? See his sister here. Pity us!" "Sir," returned Bitzer, in a very business-like and logical manner, "since you ask me what motive I have in reason, for taking young Mr. Tom back to Coketown, it is only reasonable to let you know. I have suspected young Mr. Tom of this bank-robbery from the first. I had had my eye upon him before that time, for I knew his ways. I have kept my observations to myself, but I have made them; and I have got ample proofs against him now, besides his running away, and besides his own confession, which I was just in time to overhear. I had the pleasure of watching your house yesterday morning, and following you here. I am going to take young Mr. Tom back to Coketown, in order to deliver him over to Mr. Bounderby. Sir, I have no doubt whatever that Mr. Bounderby will then promote me to young Mr. Tom's situation. And I wish to have his situation, sir, for it will be a rise to me, and will do me good." "If this is solely a question of self-interest with you" Mr. Gradgrind began. "I beg your pardon for interrupting you, sir," returned Bitzer; "but I am sure you know that the whole social system is a question of self-interest. What you must always appeal to, is a person's self-interest. It's your only hold. We are so constituted. I was brought up in that catechism when I was very young, sir, as you are aware." "What sum of money," said Mr. Gradgrind, "will you set against your expected promotion?" "Thank you, sir," returned Bitzer, "for hinting at the proposal; but I will not set any sum against it. Knowing that your clear head would propose that alternative, I have gone over the calculations in my mind; and I find that to compound a felony, even on very high terms indeed, would not be as safe and good for me as my improved prospects in the Bank." "Bitzer," said Mr. Gradgrind, stretching out his hands as though he would have said, See how miserable I am! "Bitzer, I have but one chance left to soften you. You were many years at my school. If, in remembrance of the pains bestowed upon you there, you can persuade yourself in any degree to disregard your present interest and release my son, I entreat and pray you to give him the benefit of that remembrance." "I really wonder, sir," rejoined the old pupil in an argumentative manner, "to find you taking a position so untenable. My schooling was paid for; it was a bargain; and when I came away, the bargain ended."<\|quote\|>It was a fundamental principle of the Gradgrind philosophy that everything was to be paid for. Nobody was ever on any account to give anybody anything, or render anybody help without purchase. Gratitude was to be abolished, and the virtues springing from it were not to be. Every inch of the existence of mankind, from birth to death, was to be a bargain across a counter. And if we didn't get to Heaven that way, it was not a politico-economical place, and we had no business there.</\|quote\|>"I don't deny," added Bitzer, "that my schooling was cheap. But that comes right, sir. I was made in the cheapest market, and have to dispose of myself in the dearest." He was a little troubled here, by Louisa and Sissy crying. "Pray don't do that," said he, "it's of no use doing that: it only worries. You seem to think that I have some animosity against young Mr. Tom; whereas I have none at all. I am only going, on the reasonable grounds I have mentioned, to take him back to Coketown. If he was to resist, I should set up the cry of Stop thief! But, he won't resist, you may depend upon it." Mr. Sleary, who with his mouth open and his rolling eye as immovably jammed in his head as his fixed one, had listened to these doctrines with profound attention, here stepped forward. "Thquire, you know perfectly well, and your daughter knowth perfectly well (better than you, becauthe I thed it to her), that I didn't know what your thon had done, and that I didn't want to know I thed it wath better not, though I only thought, then, it wath thome thkylarking. However, thith young man having made it known to be a robbery of a bank, why, that'h a theriouth thing; muth too theriouth a thing for me to compound, ath thith young man hath very properly called it. Conthequently, Thquire, you muthn't quarrel with me if I take thith young man'th thide, and thay he'th right and there'th no help for it. But I tell you what I'll do, Thquire; I'll drive your thon and thith young man over to the rail, and prevent expothure here. I can't conthent to do more, but I'll do that." Fresh lamentations from Louisa, and deeper affliction on Mr. Gradgrind's part, followed this desertion of them by their last friend. But, Sissy glanced at him with great attention; nor did she in her own breast misunderstand him. As they were all going out again, he favoured her with one slight roll of his movable eye, desiring her to linger behind. As he locked the door, he said excitedly: "The Thquire thtood by you, Thethilia, and I'll thtand by the Thquire. More than that: thith ith a prethiouth rathcal, and belongth to that bluthtering Cove that my people nearly pitht out o' winder. It'll be a dark night; I've got a horthe that'll do anything but thpeak; I've got a pony that'll go fifteen mile an hour with Childerth driving of him; I've got a dog that'll keep a man to one plathe four-and-twenty hourth. Get a word with the young Thquire. Tell him, when he theeth our horthe begin to danthe, not to be afraid of being thpilt, but to look out for a pony-gig coming up. Tell him, when he theeth that gig clothe by, to jump down, and it'll take him off at a rattling pathe. If my dog leth thith young man thtir a peg on foot, I give him leave to go. And if my horthe ever thtirth from that thpot where he beginth a danthing, till the morning I don't know him? Tharp'th the word!" The word was so sharp, that in ten minutes Mr. Childers, sauntering about the market-place in a pair of slippers, had his cue, and Mr. Sleary's equipage was ready. It was a fine sight, to behold the learned dog barking round it, and Mr. Sleary instructing him, with his one practicable eye, that Bitzer was the object of his particular attentions. Soon after dark they all three got in and started; the learned dog (a formidable creature) already pinning Bitzer with his eye, and sticking close to the wheel on his side, that he might be ready for him in the event of his showing the slightest disposition to alight. The other three sat up at the inn all night in great suspense. At eight o'clock in the morning Mr. Sleary and the dog reappeared: both in high spirits. "All right, Thquire!" said Mr. Sleary, "your thon may be aboard-a-thip by thith time. Childerth took him off, an hour and a half after we left there latht night. The horthe danthed the polka till he wath dead beat (he would have walthed if he hadn't been in harneth), and then I gave him the word and he went to thleep comfortable. When that prethiouth young Rathcal thed he'd go for'ard afoot, the dog hung on to hith neck-hankercher with all four legth in the air and pulled him down and rolled him over. Tho he come back into the drag, and there he that, 'till I turned the horthe'th head, at half-patht thixth thith morning." Mr. Gradgrind overwhelmed him with thanks, of course; and hinted	to him, "have you a heart?" "The circulation, sir," returned Bitzer, smiling at the oddity of the question, "couldn't be carried on without one. No man, sir, acquainted with the facts established by Harvey relating to the circulation of the blood, can doubt that I have a heart." "Is it accessible," cried Mr. Gradgrind, "to any compassionate influence?" "It is accessible to Reason, sir," returned the excellent young man. "And to nothing else." They stood looking at each other; Mr. Gradgrind's face as white as the pursuer's. "What motive even what motive in reason can you have for preventing the escape of this wretched youth," said Mr. Gradgrind, "and crushing his miserable father? See his sister here. Pity us!" "Sir," returned Bitzer, in a very business-like and logical manner, "since you ask me what motive I have in reason, for taking young Mr. Tom back to Coketown, it is only reasonable to let you know. I have suspected young Mr. Tom of this bank-robbery from the first. I had had my eye upon him before that time, for I knew his ways. I have kept my observations to myself, but I have made them; and I have got ample proofs against him now, besides his running away, and besides his own confession, which I was just in time to overhear. I had the pleasure of watching your house yesterday morning, and following you here. I am going to take young Mr. Tom back to Coketown, in order to deliver him over to Mr. Bounderby. Sir, I have no doubt whatever that Mr. Bounderby will then promote me to young Mr. Tom's situation. And I wish to have his situation, sir, for it will be a rise to me, and will do me good." "If this is solely a question of self-interest with you" Mr. Gradgrind began. "I beg your pardon for interrupting you, sir," returned Bitzer; "but I am sure you know that the whole social system is a question of self-interest. What you must always appeal to, is a person's self-interest. It's your only hold. We are so constituted. I was brought up in that catechism when I was very young, sir, as you are aware." "What sum of money," said Mr. Gradgrind, "will you set against your expected promotion?" "Thank you, sir," returned Bitzer, "for hinting at the proposal; but I will not set any sum against it. Knowing that your clear head would propose that alternative, I have gone over the calculations in my mind; and I find that to compound a felony, even on very high terms indeed, would not be as safe and good for me as my improved prospects in the Bank." "Bitzer," said Mr. Gradgrind, stretching out his hands as though he would have said, See how miserable I am! "Bitzer, I have but one chance left to soften you. You were many years at my school. If, in remembrance of the pains bestowed upon you there, you can persuade yourself in any degree to disregard your present interest and release my son, I entreat and pray you to give him the benefit of that remembrance." "I really wonder, sir," rejoined the old pupil in an argumentative manner, "to find you taking a position so untenable. My schooling was paid for; it was a bargain; and when I came away, the bargain ended."<\|quote\|>It was a fundamental principle of the Gradgrind philosophy that everything was to be paid for. Nobody was ever on any account to give anybody anything, or render anybody help without purchase. Gratitude was to be abolished, and the virtues springing from it were not to be. Every inch of the existence of mankind, from birth to death, was to be a bargain across a counter. And if we didn't get to Heaven that way, it was not a politico-economical place, and we had no business there.</\|quote\|>"I don't deny," added Bitzer, "that my schooling was cheap. But that comes right, sir. I was made in the cheapest market, and have to dispose of myself in the dearest." He was a little troubled here, by Louisa and Sissy crying. "Pray don't do that," said he, "it's of no use doing that: it only worries. You seem to think that I have some animosity against young Mr. Tom; whereas I have none at all. I am only going, on the reasonable grounds I have mentioned, to take him back to Coketown. If he was to resist, I should set up the cry of Stop thief! But, he won't resist, you may depend upon it." Mr. Sleary, who with his mouth open and his rolling eye as immovably jammed in his head as his fixed one, had listened to these doctrines with profound attention, here stepped forward. "Thquire, you know perfectly well, and your daughter knowth perfectly well (better than you, becauthe I thed it to her), that I didn't know what your thon had done, and that I didn't want to know I thed it wath better not, though I only thought, then, it wath thome thkylarking. However, thith young man having made it known to be a robbery of a bank, why, that'h a theriouth thing; muth too theriouth a thing for me to compound, ath thith young man hath very properly called it. Conthequently, Thquire, you muthn't quarrel with me if I take thith young man'th thide, and thay he'th right and there'th no help for it. But I tell you what I'll do, Thquire; I'll drive your thon and thith young man over to the rail, and prevent expothure here. I can't conthent to do more, but I'll do that." Fresh lamentations from Louisa, and deeper affliction on Mr. Gradgrind's part, followed this desertion of them by their last friend. But, Sissy glanced at him with great attention; nor did she in her own breast misunderstand him. As they were all going out again, he favoured her with one slight roll of his movable eye, desiring her to linger behind. As he locked the door, he said excitedly: "The Thquire thtood by you, Thethilia, and I'll thtand by the Thquire. More than that: thith ith a prethiouth rathcal, and belongth to that bluthtering Cove that my people nearly pitht out o' winder. It'll be a dark night; I've got a horthe that'll do anything	Hard Times
"That's not ironical. I wish I could talk Spanish."	Bill Gorton	"Have you got any jam?"<\|quote\|>"That's not ironical. I wish I could talk Spanish."</\|quote\|>The coffee was good and	said. "Be ironical with her." "Have you got any jam?"<\|quote\|>"That's not ironical. I wish I could talk Spanish."</\|quote\|>The coffee was good and we drank it out of	mad about it in New York. It's just like the Fratellinis used to be." The girl came in with the coffee and buttered toast. Or, rather, it was bread toasted and buttered. "Ask her if she's got any jam," Bill said. "Be ironical with her." "Have you got any jam?"<\|quote\|>"That's not ironical. I wish I could talk Spanish."</\|quote\|>The coffee was good and we drank it out of big bowls. The girl brought in a glass dish of raspberry jam. "Thank you." "Hey! that's not the way," Bill said. "Say something ironical. Make some crack about Primo de Rivera." "I could ask her what kind of a jam	. ." He kept on singing until he came down-stairs. The tune was: "The Bells are Ringing for Me and my Gal." I was reading a week-old Spanish paper. "What's all this irony and pity?" "What? Don't you know about Irony and Pity?" "No. Who got it up?" "Everybody. They're mad about it in New York. It's just like the Fratellinis used to be." The girl came in with the coffee and buttered toast. Or, rather, it was bread toasted and buttered. "Ask her if she's got any jam," Bill said. "Be ironical with her." "Have you got any jam?"<\|quote\|>"That's not ironical. I wish I could talk Spanish."</\|quote\|>The coffee was good and we drank it out of big bowls. The girl brought in a glass dish of raspberry jam. "Thank you." "Hey! that's not the way," Bill said. "Say something ironical. Make some crack about Primo de Rivera." "I could ask her what kind of a jam they think they've gotten into in the Riff." "Poor," said Bill. "Very poor. You can't do it. That's all. You don't understand irony. You have no pity. Say something pitiful." "Robert Cohn." "Not so bad. That's better. Now why is Cohn pitiful? Be ironic." He took a big gulp of	"Work for the good of all." Bill stepped into his underclothes. "Show irony and pity." I started out of the room with the tackle-bag, the nets, and the rod-case. "Hey! come back!" I put my head in the door. "Aren't you going to show a little irony and pity?" I thumbed my nose. "That's not irony." As I went down-stairs I heard Bill singing, "Irony and Pity. When you're feeling . . . Oh, Give them Irony and Give them Pity. Oh, give them Irony. When they're feeling . . . Just a little irony. Just a little pity . . ." He kept on singing until he came down-stairs. The tune was: "The Bells are Ringing for Me and my Gal." I was reading a week-old Spanish paper. "What's all this irony and pity?" "What? Don't you know about Irony and Pity?" "No. Who got it up?" "Everybody. They're mad about it in New York. It's just like the Fratellinis used to be." The girl came in with the coffee and buttered toast. Or, rather, it was bread toasted and buttered. "Ask her if she's got any jam," Bill said. "Be ironical with her." "Have you got any jam?"<\|quote\|>"That's not ironical. I wish I could talk Spanish."</\|quote\|>The coffee was good and we drank it out of big bowls. The girl brought in a glass dish of raspberry jam. "Thank you." "Hey! that's not the way," Bill said. "Say something ironical. Make some crack about Primo de Rivera." "I could ask her what kind of a jam they think they've gotten into in the Riff." "Poor," said Bill. "Very poor. You can't do it. That's all. You don't understand irony. You have no pity. Say something pitiful." "Robert Cohn." "Not so bad. That's better. Now why is Cohn pitiful? Be ironic." He took a big gulp of coffee. "Aw, hell!" I said. "It's too early in the morning." "There you go. And you claim you want to be a writer, too. You're only a newspaper man. An expatriated newspaper man. You ought to be ironical the minute you get out of bed. You ought to wake up with your mouth full of pity." "Go on," I said. "Who did you get this stuff from?" "Everybody. Don't you read? Don't you ever see anybody? You know what you are? You're an expatriate. Why don't you live in New York? Then you'd know these things. What do you want	Digging at the edge of the damp ground I filled two empty tobacco-tins with worms and sifted dirt onto them. The goats watched me dig. When I went back into the inn the woman was down in the kitchen, and I asked her to get coffee for us, and that we wanted a lunch. Bill was awake and sitting on the edge of the bed. "I saw you out of the window," he said. "Didn't want to interrupt you. What were you doing? Burying your money?" "You lazy bum!" "Been working for the common good? Splendid. I want you to do that every morning." "Come on," I said. "Get up." "What? Get up? I never get up." He climbed into bed and pulled the sheet up to his chin. "Try and argue me into getting up." I went on looking for the tackle and putting it all together in the tackle-bag. "Aren't you interested?" Bill asked. "I'm going down and eat." "Eat? Why didn't you say eat? I thought you just wanted me to get up for fun. Eat? Fine. Now you're reasonable. You go out and dig some more worms and I'll be right down." "Oh, go to hell!" "Work for the good of all." Bill stepped into his underclothes. "Show irony and pity." I started out of the room with the tackle-bag, the nets, and the rod-case. "Hey! come back!" I put my head in the door. "Aren't you going to show a little irony and pity?" I thumbed my nose. "That's not irony." As I went down-stairs I heard Bill singing, "Irony and Pity. When you're feeling . . . Oh, Give them Irony and Give them Pity. Oh, give them Irony. When they're feeling . . . Just a little irony. Just a little pity . . ." He kept on singing until he came down-stairs. The tune was: "The Bells are Ringing for Me and my Gal." I was reading a week-old Spanish paper. "What's all this irony and pity?" "What? Don't you know about Irony and Pity?" "No. Who got it up?" "Everybody. They're mad about it in New York. It's just like the Fratellinis used to be." The girl came in with the coffee and buttered toast. Or, rather, it was bread toasted and buttered. "Ask her if she's got any jam," Bill said. "Be ironical with her." "Have you got any jam?"<\|quote\|>"That's not ironical. I wish I could talk Spanish."</\|quote\|>The coffee was good and we drank it out of big bowls. The girl brought in a glass dish of raspberry jam. "Thank you." "Hey! that's not the way," Bill said. "Say something ironical. Make some crack about Primo de Rivera." "I could ask her what kind of a jam they think they've gotten into in the Riff." "Poor," said Bill. "Very poor. You can't do it. That's all. You don't understand irony. You have no pity. Say something pitiful." "Robert Cohn." "Not so bad. That's better. Now why is Cohn pitiful? Be ironic." He took a big gulp of coffee. "Aw, hell!" I said. "It's too early in the morning." "There you go. And you claim you want to be a writer, too. You're only a newspaper man. An expatriated newspaper man. You ought to be ironical the minute you get out of bed. You ought to wake up with your mouth full of pity." "Go on," I said. "Who did you get this stuff from?" "Everybody. Don't you read? Don't you ever see anybody? You know what you are? You're an expatriate. Why don't you live in New York? Then you'd know these things. What do you want me to do? Come over here and tell you every year?" "Take some more coffee," I said. "Good. Coffee is good for you. It's the caffeine in it. Caffeine, we are here. Caffeine puts a man on her horse and a woman in his grave. You know what's the trouble with you? You're an expatriate. One of the worst type. Haven't you heard that? Nobody that ever left their own country ever wrote anything worth printing. Not even in the newspapers." He drank the coffee. "You're an expatriate. You've lost touch with the soil. You get precious. Fake European standards have ruined you. You drink yourself to death. You become obsessed by sex. You spend all your time talking, not working. You are an expatriate, see? You hang around caf s." "It sounds like a swell life," I said. "When do I work?" "You don't work. One group claims women support you. Another group claims you're impotent." "No," I said. "I just had an accident." "Never mention that," Bill said. "That's the sort of thing that can't be spoken of. That's what you ought to work up into a mystery. Like Henry's bicycle." He had been going splendidly, but he	room. Bill came over from the piano and we drank the hot punch and listened to the wind. "There isn't too much rum in that." I went over to the cupboard and brought the rum bottle and poured a half-tumblerful into the pitcher. "Direct action," said Bill. "It beats legislation." The girl came in and laid the table for supper. "It blows like hell up here," Bill said. The girl brought in a big bowl of hot vegetable soup and the wine. We had fried trout afterward and some sort of a stew and a big bowl full of wild strawberries. We did not lose money on the wine, and the girl was shy but nice about bringing it The old woman looked in once and counted the empty bottles. After supper we went up-stairs and smoked and read in bed to keep warm. Once in the night I woke and heard the wind blowing. It felt good to be warm and in bed. CHAPTER 12 When I woke in the morning I went to the window and looked out. It had cleared and there were no clouds on the mountains. Outside under the window were some carts and an old diligence, the wood of the roof cracked and split by the weather. It must have been left from the days before the motor-buses. A goat hopped up on one of the carts and then to the roof of the diligence. He jerked his head at the other goats below and when I waved at him he bounded down. Bill was still sleeping, so I dressed, put on my shoes outside in the hall, and went down-stairs. No one was stirring down-stairs, so I unbolted the door and went out. It was cool outside in the early morning and the sun had not yet dried the dew that had come when the wind died down. I hunted around in the shed behind the inn and found a sort of mattock, and went down toward the stream to try and dig some worms for bait. The stream was clear and shallow but it did not look trouty. On the grassy bank where it was damp I drove the mattock into the earth and loosened a chunk of sod. There were worms underneath. They slid out of sight as I lifted the sod and I dug carefully and got a good many. Digging at the edge of the damp ground I filled two empty tobacco-tins with worms and sifted dirt onto them. The goats watched me dig. When I went back into the inn the woman was down in the kitchen, and I asked her to get coffee for us, and that we wanted a lunch. Bill was awake and sitting on the edge of the bed. "I saw you out of the window," he said. "Didn't want to interrupt you. What were you doing? Burying your money?" "You lazy bum!" "Been working for the common good? Splendid. I want you to do that every morning." "Come on," I said. "Get up." "What? Get up? I never get up." He climbed into bed and pulled the sheet up to his chin. "Try and argue me into getting up." I went on looking for the tackle and putting it all together in the tackle-bag. "Aren't you interested?" Bill asked. "I'm going down and eat." "Eat? Why didn't you say eat? I thought you just wanted me to get up for fun. Eat? Fine. Now you're reasonable. You go out and dig some more worms and I'll be right down." "Oh, go to hell!" "Work for the good of all." Bill stepped into his underclothes. "Show irony and pity." I started out of the room with the tackle-bag, the nets, and the rod-case. "Hey! come back!" I put my head in the door. "Aren't you going to show a little irony and pity?" I thumbed my nose. "That's not irony." As I went down-stairs I heard Bill singing, "Irony and Pity. When you're feeling . . . Oh, Give them Irony and Give them Pity. Oh, give them Irony. When they're feeling . . . Just a little irony. Just a little pity . . ." He kept on singing until he came down-stairs. The tune was: "The Bells are Ringing for Me and my Gal." I was reading a week-old Spanish paper. "What's all this irony and pity?" "What? Don't you know about Irony and Pity?" "No. Who got it up?" "Everybody. They're mad about it in New York. It's just like the Fratellinis used to be." The girl came in with the coffee and buttered toast. Or, rather, it was bread toasted and buttered. "Ask her if she's got any jam," Bill said. "Be ironical with her." "Have you got any jam?"<\|quote\|>"That's not ironical. I wish I could talk Spanish."</\|quote\|>The coffee was good and we drank it out of big bowls. The girl brought in a glass dish of raspberry jam. "Thank you." "Hey! that's not the way," Bill said. "Say something ironical. Make some crack about Primo de Rivera." "I could ask her what kind of a jam they think they've gotten into in the Riff." "Poor," said Bill. "Very poor. You can't do it. That's all. You don't understand irony. You have no pity. Say something pitiful." "Robert Cohn." "Not so bad. That's better. Now why is Cohn pitiful? Be ironic." He took a big gulp of coffee. "Aw, hell!" I said. "It's too early in the morning." "There you go. And you claim you want to be a writer, too. You're only a newspaper man. An expatriated newspaper man. You ought to be ironical the minute you get out of bed. You ought to wake up with your mouth full of pity." "Go on," I said. "Who did you get this stuff from?" "Everybody. Don't you read? Don't you ever see anybody? You know what you are? You're an expatriate. Why don't you live in New York? Then you'd know these things. What do you want me to do? Come over here and tell you every year?" "Take some more coffee," I said. "Good. Coffee is good for you. It's the caffeine in it. Caffeine, we are here. Caffeine puts a man on her horse and a woman in his grave. You know what's the trouble with you? You're an expatriate. One of the worst type. Haven't you heard that? Nobody that ever left their own country ever wrote anything worth printing. Not even in the newspapers." He drank the coffee. "You're an expatriate. You've lost touch with the soil. You get precious. Fake European standards have ruined you. You drink yourself to death. You become obsessed by sex. You spend all your time talking, not working. You are an expatriate, see? You hang around caf s." "It sounds like a swell life," I said. "When do I work?" "You don't work. One group claims women support you. Another group claims you're impotent." "No," I said. "I just had an accident." "Never mention that," Bill said. "That's the sort of thing that can't be spoken of. That's what you ought to work up into a mystery. Like Henry's bicycle." He had been going splendidly, but he stopped. I was afraid he thought he had hurt me with that crack about being impotent. I wanted to start him again. "It wasn't a bicycle," I said. "He was riding horseback." "I heard it was a tricycle." "Well," I said. "A plane is sort of like a tricycle. The joystick works the same way." "But you don't pedal it." "No," I said, "I guess you don't pedal it." "Let's lay off that," Bill said. "All right. I was just standing up for the tricycle." "I think he's a good writer, too," Bill said. "And you're a hell of a good guy. Anybody ever tell you you were a good guy?" "I'm not a good guy." "Listen. You're a hell of a good guy, and I'm fonder of you than anybody on earth. I couldn't tell you that in New York. It'd mean I was a faggot. That was what the Civil War was about. Abraham Lincoln was a faggot. He was in love with General Grant. So was Jefferson Davis. Lincoln just freed the slaves on a bet. The Dred Scott case was framed by the Anti-Saloon League. Sex explains it all. The Colonel's Lady and Judy O'Grady are Lesbians under their skin." He stopped. "Want to hear some more?" "Shoot," I said. "I don't know any more. Tell you some more at lunch." "Old Bill," I said. "You bum!" We packed the lunch and two bottles of wine in the rucksack, and Bill put it on. I carried the rod-case and the landing-nets slung over my back. We started up the road and then went across a meadow and found a path that crossed the fields and went toward the woods on the slope of the first hill. We walked across the fields on the sandy path. The fields were rolling and grassy and the grass was short from the sheep grazing. The cattle were up in the hills. We heard their bells in the woods. The path crossed a stream on a foot-log. The log was surfaced off, and there was a sapling bent across for a rail. In the flat pool beside the stream tadpoles spotted the sand. We went up a steep bank and across the rolling fields. Looking back we saw Burguete, white houses and red roofs, and the white road with a truck going along it and the dust rising. Beyond the fields	the motor-buses. A goat hopped up on one of the carts and then to the roof of the diligence. He jerked his head at the other goats below and when I waved at him he bounded down. Bill was still sleeping, so I dressed, put on my shoes outside in the hall, and went down-stairs. No one was stirring down-stairs, so I unbolted the door and went out. It was cool outside in the early morning and the sun had not yet dried the dew that had come when the wind died down. I hunted around in the shed behind the inn and found a sort of mattock, and went down toward the stream to try and dig some worms for bait. The stream was clear and shallow but it did not look trouty. On the grassy bank where it was damp I drove the mattock into the earth and loosened a chunk of sod. There were worms underneath. They slid out of sight as I lifted the sod and I dug carefully and got a good many. Digging at the edge of the damp ground I filled two empty tobacco-tins with worms and sifted dirt onto them. The goats watched me dig. When I went back into the inn the woman was down in the kitchen, and I asked her to get coffee for us, and that we wanted a lunch. Bill was awake and sitting on the edge of the bed. "I saw you out of the window," he said. "Didn't want to interrupt you. What were you doing? Burying your money?" "You lazy bum!" "Been working for the common good? Splendid. I want you to do that every morning." "Come on," I said. "Get up." "What? Get up? I never get up." He climbed into bed and pulled the sheet up to his chin. "Try and argue me into getting up." I went on looking for the tackle and putting it all together in the tackle-bag. "Aren't you interested?" Bill asked. "I'm going down and eat." "Eat? Why didn't you say eat? I thought you just wanted me to get up for fun. Eat? Fine. Now you're reasonable. You go out and dig some more worms and I'll be right down." "Oh, go to hell!" "Work for the good of all." Bill stepped into his underclothes. "Show irony and pity." I started out of the room with the tackle-bag, the nets, and the rod-case. "Hey! come back!" I put my head in the door. "Aren't you going to show a little irony and pity?" I thumbed my nose. "That's not irony." As I went down-stairs I heard Bill singing, "Irony and Pity. When you're feeling . . . Oh, Give them Irony and Give them Pity. Oh, give them Irony. When they're feeling . . . Just a little irony. Just a little pity . . ." He kept on singing until he came down-stairs. The tune was: "The Bells are Ringing for Me and my Gal." I was reading a week-old Spanish paper. "What's all this irony and pity?" "What? Don't you know about Irony and Pity?" "No. Who got it up?" "Everybody. They're mad about it in New York. It's just like the Fratellinis used to be." The girl came in with the coffee and buttered toast. Or, rather, it was bread toasted and buttered. "Ask her if she's got any jam," Bill said. "Be ironical with her." "Have you got any jam?"<\|quote\|>"That's not ironical. I wish I could talk Spanish."</\|quote\|>The coffee was good and we drank it out of big bowls. The girl brought in a glass dish of raspberry jam. "Thank you." "Hey! that's not the way," Bill said. "Say something ironical. Make some crack about Primo de Rivera." "I could ask her what kind of a jam they think they've gotten into in the Riff." "Poor," said Bill. "Very poor. You can't do it. That's all. You don't understand irony. You have no pity. Say something pitiful." "Robert Cohn." "Not so bad. That's better. Now why is Cohn pitiful? Be ironic." He took a big gulp of coffee. "Aw, hell!" I said. "It's too early in the morning." "There you go. And you claim you want to be a writer, too. You're only a newspaper man. An expatriated newspaper man. You ought to be ironical the minute you get out of bed. You ought to wake up with your mouth full of pity." "Go on," I said. "Who did you get this stuff from?" "Everybody. Don't you read? Don't you ever see anybody? You know what you are? You're an expatriate. Why don't you live in New York? Then you'd know these things. What do you want me to do? Come over here and tell you every year?" "Take some more coffee," I said. "Good. Coffee is good for you. It's the caffeine in it. Caffeine, we are here. Caffeine puts a man on her horse and a woman in his grave. You know what's the trouble with you? You're an expatriate. One of the worst type. Haven't you heard that? Nobody that ever left their own country ever wrote anything worth printing. Not even in the newspapers." He drank the coffee. "You're an expatriate. You've lost touch with the soil. You get precious. Fake European standards have ruined you. You drink yourself to death. You become obsessed by sex. You spend all your time talking, not working. You are an expatriate, see? You hang around caf s." "It sounds like a swell life," I said. "When do I work?" "You don't work. One group claims women support you. Another group claims you're impotent." "No," I said. "I just had an accident." "Never mention that," Bill said. "That's the sort of thing that can't be spoken of. That's what you ought to work up into a mystery. Like Henry's bicycle." He had been going splendidly, but he stopped. I was afraid he thought he had hurt me with that crack about being impotent. I wanted to start him again. "It wasn't a bicycle," I said. "He was riding horseback." "I heard it was a tricycle." "Well," I said. "A plane is sort of like a tricycle. The joystick works the same way." "But you don't pedal it." "No," I said, "I guess you don't pedal it." "Let's lay off that," Bill said. "All right. I was just standing up for the tricycle." "I think he's a good writer, too," Bill said. "And you're a hell of a good guy. Anybody ever tell you you were a good guy?" "I'm not a good guy." "Listen. You're a hell of a good	The Sun Also Rises
Lord John observed with emphasis, but with his eyes for the time on Lord Theign;	No speaker	find her then still there,”<\|quote\|>Lord John observed with emphasis, but with his eyes for the time on Lord Theign;</\|quote\|>“and if you want another	out for me again.” “You’ll find her then still there,”<\|quote\|>Lord John observed with emphasis, but with his eyes for the time on Lord Theign;</\|quote\|>“and if you want another look at her I’ll presently	protested, “it ought to be handsome if the thing’s marked _up_!” After which he looked at his watch. “But I guess I’ve got to go, Lord Theign, though your lovely old Duchess--for it’s to _her_ I’ve lost my heart--does cry out for me again.” “You’ll find her then still there,”<\|quote\|>Lord John observed with emphasis, but with his eyes for the time on Lord Theign;</\|quote\|>“and if you want another look at her I’ll presently come and take one too.” “I’ll order your car to the garden-front,” Lord Theign added to this; “you’ll reach it from the saloon, but I’ll see you again first.” Mr. Bender glared as with the round full force of his	blankness. “‘Business’?” “If I consent to the inquiry I pay for the inquiry.” Hugh demurred. “Even if I turn out mistaken?” “You make me in any event your proper charge.” The young man thought again, and then as for vague accommodation: “Oh, my charge won’t be high!” “Ah,” Mr. Bender protested, “it ought to be handsome if the thing’s marked _up_!” After which he looked at his watch. “But I guess I’ve got to go, Lord Theign, though your lovely old Duchess--for it’s to _her_ I’ve lost my heart--does cry out for me again.” “You’ll find her then still there,”<\|quote\|>Lord John observed with emphasis, but with his eyes for the time on Lord Theign;</\|quote\|>“and if you want another look at her I’ll presently come and take one too.” “I’ll order your car to the garden-front,” Lord Theign added to this; “you’ll reach it from the saloon, but I’ll see you again first.” Mr. Bender glared as with the round full force of his pair of motor lamps. “Well, if you’re ready to talk about anything, I am. Good-bye, Mr. Crimble.” “Good-bye, Mr. Bender.” But Hugh, addressing their host while his fellow-guest returned to the saloon, broke into the familiarity of confidence. “As if you _could_ be ready to ‘talk’!” This produced on the	you shall have a full report. And,” he conscientiously added, “if I’m proved to have been unfortunately wrong----!” His lordship easily pointed the moral. “You’ll have caused me some inconvenience.” “Of course I shall,” the young man unreservedly agreed-- “like a wanton meddling ass!” His candour, his freedom had decidedly a note of their own. “But my conviction, after those moments with your picture, was too strong for me not to speak--and, since you allow it, I face the danger and risk the test.” “I allow it of course in the form of business.” This produced in Hugh a certain blankness. “‘Business’?” “If I consent to the inquiry I pay for the inquiry.” Hugh demurred. “Even if I turn out mistaken?” “You make me in any event your proper charge.” The young man thought again, and then as for vague accommodation: “Oh, my charge won’t be high!” “Ah,” Mr. Bender protested, “it ought to be handsome if the thing’s marked _up_!” After which he looked at his watch. “But I guess I’ve got to go, Lord Theign, though your lovely old Duchess--for it’s to _her_ I’ve lost my heart--does cry out for me again.” “You’ll find her then still there,”<\|quote\|>Lord John observed with emphasis, but with his eyes for the time on Lord Theign;</\|quote\|>“and if you want another look at her I’ll presently come and take one too.” “I’ll order your car to the garden-front,” Lord Theign added to this; “you’ll reach it from the saloon, but I’ll see you again first.” Mr. Bender glared as with the round full force of his pair of motor lamps. “Well, if you’re ready to talk about anything, I am. Good-bye, Mr. Crimble.” “Good-bye, Mr. Bender.” But Hugh, addressing their host while his fellow-guest returned to the saloon, broke into the familiarity of confidence. “As if you _could_ be ready to ‘talk’!” This produced on the part of the others present a mute exchange that could only have denoted surprise at all the irrepressible young outsider thus projected upon them took for granted. “I’ve an idea,” said Lord John to his friend, “that you’re quite ready to talk with _me_.” Hugh then, with his appetite so richly quickened, could but rejoice. “Lady Grace spoke to me of things in the library.” “You’ll find it _that_ way” --Lord Theign gave the indication. “Thanks,” said Hugh elatedly, and hastened away. Lord John, when he had gone, found relief in a quick comment. “Very sharp, no doubt--but he wants	“The obligation will be to we” --Lord Theign spoke more formally. “Well, the satisfaction,” said Hugh, “will be to all of us. The things Pappendick has seen he intensely, ineffaceably keeps in mind, to every detail; so that he’ll tell me--as no one else really can--if the Verona man is _your_ man.” “But then,” asked Mr. Bender, “we’ve got to believe anyway what he says?” “The market,” said Lord John with emphasis, “would have to believe it--that’s the point.” “Oh,” Hugh returned lightly, “the market will have nothing to do with it, I hope; but I think you’ll feel when he has spoken that you really know where you are.” Mr. Bender couldn’t doubt of that. “Oh, if he gives us a bigger thing we won’t complain. Only, how long will it take him to get there? I want him to start right away.” “Well, as I’m sure he’ll be deeply interested----” “We _may_” --Mr. Bender took it straight up-- “get news next week?” Hugh addressed his reply to Lord Theign; it was already a little too much as if he and the American between them were snatching the case from that possessor’s hands. “The day I hear from Pappendick you shall have a full report. And,” he conscientiously added, “if I’m proved to have been unfortunately wrong----!” His lordship easily pointed the moral. “You’ll have caused me some inconvenience.” “Of course I shall,” the young man unreservedly agreed-- “like a wanton meddling ass!” His candour, his freedom had decidedly a note of their own. “But my conviction, after those moments with your picture, was too strong for me not to speak--and, since you allow it, I face the danger and risk the test.” “I allow it of course in the form of business.” This produced in Hugh a certain blankness. “‘Business’?” “If I consent to the inquiry I pay for the inquiry.” Hugh demurred. “Even if I turn out mistaken?” “You make me in any event your proper charge.” The young man thought again, and then as for vague accommodation: “Oh, my charge won’t be high!” “Ah,” Mr. Bender protested, “it ought to be handsome if the thing’s marked _up_!” After which he looked at his watch. “But I guess I’ve got to go, Lord Theign, though your lovely old Duchess--for it’s to _her_ I’ve lost my heart--does cry out for me again.” “You’ll find her then still there,”<\|quote\|>Lord John observed with emphasis, but with his eyes for the time on Lord Theign;</\|quote\|>“and if you want another look at her I’ll presently come and take one too.” “I’ll order your car to the garden-front,” Lord Theign added to this; “you’ll reach it from the saloon, but I’ll see you again first.” Mr. Bender glared as with the round full force of his pair of motor lamps. “Well, if you’re ready to talk about anything, I am. Good-bye, Mr. Crimble.” “Good-bye, Mr. Bender.” But Hugh, addressing their host while his fellow-guest returned to the saloon, broke into the familiarity of confidence. “As if you _could_ be ready to ‘talk’!” This produced on the part of the others present a mute exchange that could only have denoted surprise at all the irrepressible young outsider thus projected upon them took for granted. “I’ve an idea,” said Lord John to his friend, “that you’re quite ready to talk with _me_.” Hugh then, with his appetite so richly quickened, could but rejoice. “Lady Grace spoke to me of things in the library.” “You’ll find it _that_ way” --Lord Theign gave the indication. “Thanks,” said Hugh elatedly, and hastened away. Lord John, when he had gone, found relief in a quick comment. “Very sharp, no doubt--but he wants taking down.” The master of Dedborough wouldn’t have put it so crudely, but the young expert did bring certain things home. “The people my daughters, in the exercise of a wild freedom, do pick up----!” “Well, don’t you see that all you’ve got to do--on the question we’re dealing with--is to claim your very own wild freedom? Surely I’m right in feeling you,” Lord John further remarked, “to have jumped at once to my idea that Bender is heaven-sent--and at what they call the psychologic moment, don’t they?--to point that moral. Why look anywhere else for a sum of money that--smaller or greater--you can find with perfect ease in that extraordinarily bulging pocket?” Lord Theign, slowly pacing the hall again, threw up his hands. “Ah, with ‘perfect ease’ can scarcely be said!” “Why not?--when he absolutely thrusts his dirty dollars down your throat.” “Oh, I’m not talking of ease to _him_,” Lord Theign returned-- “I’m talking of ease to myself. I shall have to make a sacrifice.” “Why not then--for so great a convenience--gallantly make it?” “Ah, my dear chap, if you want me to sell my Sir Joshua----!” But the horror in the words said enough, and Lord John	said, “in view of the very great interest combined with the very great rarity, more than--ah more than can be estimated off-hand.” It made Lord Theign turn round. “But a fine Moretto has a very great rarity and a very great interest.” “Yes--but not on the whole the same amount of either.” “No, not on the whole the same amount of either!” --Mr. Bender judiciously echoed it. “But how,” he freely pursued, “are you going to find out?” “Have I your permission, Lord Theign,” Hugh brightly asked, “to attempt to find out?” The question produced on his lordship’s part a visible, a natural anxiety. “What would it be your idea then to _do_ with my property?” “Nothing at all here--it could all be done, I think, at Verona. What besets, what quite haunts me,” Hugh explained, “is the vivid image of a Mantovano--one of the glories of the short list--in a private collection in that place. The conviction grows in me that the two portraits must be of the same original. In fact I’ll bet my head,” the young man quite ardently wound up, “that the wonderful subject of the Verona picture, a very great person clearly, is none other than the very great person of yours.” Lord Theign had listened with interest. “Mayn’t he be that and yet from another hand?” “It isn’t another hand” --oh Hugh was quite positive. “It’s the hand of the very same painter.” “How can you prove it’s the same?” “Only by the most intimate internal evidence, I admit--and evidence that of course has to be estimated.” “Then who,” Lord Theign asked, “is to estimate it?” “Well,” --Hugh was all ready-- “will you let Pap-pendick, one of the first authorities in Europe, a good friend of mine, in fact more or less my master, and who is generally to be found at Brussels? I happen to know he knows your picture--he once spoke to me of it; and he’ll go and look again at the Verona one, he’ll go and judge our issue, if I apply to him, in the light of certain new tips that I shall be able to give him.” Lord Theign appeared to wonder. “If you ‘apply’ to him?” “Like a shot, I believe, if I ask it of him--as a service.” “A service to _you?_ He’ll be very obliging,” his lordship smiled. “Well, I’ve obliged _him!_” Hugh readily retorted. “The obligation will be to we” --Lord Theign spoke more formally. “Well, the satisfaction,” said Hugh, “will be to all of us. The things Pappendick has seen he intensely, ineffaceably keeps in mind, to every detail; so that he’ll tell me--as no one else really can--if the Verona man is _your_ man.” “But then,” asked Mr. Bender, “we’ve got to believe anyway what he says?” “The market,” said Lord John with emphasis, “would have to believe it--that’s the point.” “Oh,” Hugh returned lightly, “the market will have nothing to do with it, I hope; but I think you’ll feel when he has spoken that you really know where you are.” Mr. Bender couldn’t doubt of that. “Oh, if he gives us a bigger thing we won’t complain. Only, how long will it take him to get there? I want him to start right away.” “Well, as I’m sure he’ll be deeply interested----” “We _may_” --Mr. Bender took it straight up-- “get news next week?” Hugh addressed his reply to Lord Theign; it was already a little too much as if he and the American between them were snatching the case from that possessor’s hands. “The day I hear from Pappendick you shall have a full report. And,” he conscientiously added, “if I’m proved to have been unfortunately wrong----!” His lordship easily pointed the moral. “You’ll have caused me some inconvenience.” “Of course I shall,” the young man unreservedly agreed-- “like a wanton meddling ass!” His candour, his freedom had decidedly a note of their own. “But my conviction, after those moments with your picture, was too strong for me not to speak--and, since you allow it, I face the danger and risk the test.” “I allow it of course in the form of business.” This produced in Hugh a certain blankness. “‘Business’?” “If I consent to the inquiry I pay for the inquiry.” Hugh demurred. “Even if I turn out mistaken?” “You make me in any event your proper charge.” The young man thought again, and then as for vague accommodation: “Oh, my charge won’t be high!” “Ah,” Mr. Bender protested, “it ought to be handsome if the thing’s marked _up_!” After which he looked at his watch. “But I guess I’ve got to go, Lord Theign, though your lovely old Duchess--for it’s to _her_ I’ve lost my heart--does cry out for me again.” “You’ll find her then still there,”<\|quote\|>Lord John observed with emphasis, but with his eyes for the time on Lord Theign;</\|quote\|>“and if you want another look at her I’ll presently come and take one too.” “I’ll order your car to the garden-front,” Lord Theign added to this; “you’ll reach it from the saloon, but I’ll see you again first.” Mr. Bender glared as with the round full force of his pair of motor lamps. “Well, if you’re ready to talk about anything, I am. Good-bye, Mr. Crimble.” “Good-bye, Mr. Bender.” But Hugh, addressing their host while his fellow-guest returned to the saloon, broke into the familiarity of confidence. “As if you _could_ be ready to ‘talk’!” This produced on the part of the others present a mute exchange that could only have denoted surprise at all the irrepressible young outsider thus projected upon them took for granted. “I’ve an idea,” said Lord John to his friend, “that you’re quite ready to talk with _me_.” Hugh then, with his appetite so richly quickened, could but rejoice. “Lady Grace spoke to me of things in the library.” “You’ll find it _that_ way” --Lord Theign gave the indication. “Thanks,” said Hugh elatedly, and hastened away. Lord John, when he had gone, found relief in a quick comment. “Very sharp, no doubt--but he wants taking down.” The master of Dedborough wouldn’t have put it so crudely, but the young expert did bring certain things home. “The people my daughters, in the exercise of a wild freedom, do pick up----!” “Well, don’t you see that all you’ve got to do--on the question we’re dealing with--is to claim your very own wild freedom? Surely I’m right in feeling you,” Lord John further remarked, “to have jumped at once to my idea that Bender is heaven-sent--and at what they call the psychologic moment, don’t they?--to point that moral. Why look anywhere else for a sum of money that--smaller or greater--you can find with perfect ease in that extraordinarily bulging pocket?” Lord Theign, slowly pacing the hall again, threw up his hands. “Ah, with ‘perfect ease’ can scarcely be said!” “Why not?--when he absolutely thrusts his dirty dollars down your throat.” “Oh, I’m not talking of ease to _him_,” Lord Theign returned-- “I’m talking of ease to myself. I shall have to make a sacrifice.” “Why not then--for so great a convenience--gallantly make it?” “Ah, my dear chap, if you want me to sell my Sir Joshua----!” But the horror in the words said enough, and Lord John felt its chill. “I don’t make a point of that--God forbid! But there are other things to which the objection wouldn’t apply.” “You see how it applies--in the case of the Moret-to--for _him_. A mere Moretto,” said Lord Theign, “is too cheap--for a Yankee ‘on the spend.’” “Then the Mantovano wouldn’t be.” “It remains to be proved that it _is_ a Mantovano.” “Well,” said Lord John, “go into it.” “Hanged if I won’t!” his friend broke out after a moment. “It _would_ suit me. I mean” --the explanation came after a brief intensity of thought-- “the possible size of his cheque would.” “Oh,” said Lord John gaily, “I guess there’s no limit to the possible size of his cheque!” “Yes, it would suit me, it would suit me!” the elder man, standing there, audibly mused. But his air changed and a lighter question came up to him as he saw his daughter reappear at the door from the terrace. “Well, the infant horde?” he immediately put to her. Lady Grace came in, dutifully accounting for them. “They’ve marched off--in a huge procession.” “Thank goodness! And our friends?” “All playing tennis,” she said-- “save those who are sitting it out.” To which she added, as to explain her return: “Mr. Crimble has gone?” Lord John took upon him to say. “He’s in the library, to which you addressed him--making discoveries.” “Not then, I hope,” she smiled, “to our disadvantage!” “To your very great honour and glory.” Lord John clearly valued the effect he might produce. “Your Moretto of Brescia--do you know what it really and spendidly is?” And then as the girl, in her surprise, but wondered: “A Mantovano, neither more nor less. Ever so much more swagger.” “A Mantovano?” Lady Grace echoed. “Why, how tremendously jolly!” Her father was struck. “Do you know the artist--of whom I had never heard?” “Yes, something of the little that _is_ known.” And she rejoiced as her knowledge came to her. “He’s a tremendous swell, because, great as he was, there are but seven proved examples----” “With this of yours,” Lord John broke in, “there are eight.” “Then why haven’t I known about him?” Lord Theign put it as if so many other people were guilty for this. His daughter was the first to plead for the vague body. “Why, I suppose in order that you should have exactly this pleasure, father.” “Oh, pleasures	be to all of us. The things Pappendick has seen he intensely, ineffaceably keeps in mind, to every detail; so that he’ll tell me--as no one else really can--if the Verona man is _your_ man.” “But then,” asked Mr. Bender, “we’ve got to believe anyway what he says?” “The market,” said Lord John with emphasis, “would have to believe it--that’s the point.” “Oh,” Hugh returned lightly, “the market will have nothing to do with it, I hope; but I think you’ll feel when he has spoken that you really know where you are.” Mr. Bender couldn’t doubt of that. “Oh, if he gives us a bigger thing we won’t complain. Only, how long will it take him to get there? I want him to start right away.” “Well, as I’m sure he’ll be deeply interested----” “We _may_” --Mr. Bender took it straight up-- “get news next week?” Hugh addressed his reply to Lord Theign; it was already a little too much as if he and the American between them were snatching the case from that possessor’s hands. “The day I hear from Pappendick you shall have a full report. And,” he conscientiously added, “if I’m proved to have been unfortunately wrong----!” His lordship easily pointed the moral. “You’ll have caused me some inconvenience.” “Of course I shall,” the young man unreservedly agreed-- “like a wanton meddling ass!” His candour, his freedom had decidedly a note of their own. “But my conviction, after those moments with your picture, was too strong for me not to speak--and, since you allow it, I face the danger and risk the test.” “I allow it of course in the form of business.” This produced in Hugh a certain blankness. “‘Business’?” “If I consent to the inquiry I pay for the inquiry.” Hugh demurred. “Even if I turn out mistaken?” “You make me in any event your proper charge.” The young man thought again, and then as for vague accommodation: “Oh, my charge won’t be high!” “Ah,” Mr. Bender protested, “it ought to be handsome if the thing’s marked _up_!” After which he looked at his watch. “But I guess I’ve got to go, Lord Theign, though your lovely old Duchess--for it’s to _her_ I’ve lost my heart--does cry out for me again.” “You’ll find her then still there,”<\|quote\|>Lord John observed with emphasis, but with his eyes for the time on Lord Theign;</\|quote\|>“and if you want another look at her I’ll presently come and take one too.” “I’ll order your car to the garden-front,” Lord Theign added to this; “you’ll reach it from the saloon, but I’ll see you again first.” Mr. Bender glared as with the round full force of his pair of motor lamps. “Well, if you’re ready to talk about anything, I am. Good-bye, Mr. Crimble.” “Good-bye, Mr. Bender.” But Hugh, addressing their host while his fellow-guest returned to the saloon, broke into the familiarity of confidence. “As if you _could_ be ready to ‘talk’!” This produced on the part of the others present a mute exchange that could only have denoted surprise at all the irrepressible young outsider thus projected upon them took for granted. “I’ve an idea,” said Lord John to his friend, “that you’re quite ready to talk with _me_.” Hugh then, with his appetite so richly quickened, could but rejoice. “Lady Grace spoke to me of things in the library.” “You’ll find it _that_ way” --Lord Theign gave the indication. “Thanks,” said Hugh elatedly, and hastened away. Lord John, when he had gone, found relief in a quick comment. “Very sharp, no doubt--but he wants taking down.” The master of Dedborough wouldn’t have put it so crudely, but the young expert did bring certain things home. “The people my daughters, in the exercise of a wild freedom, do pick up----!” “Well, don’t you see that all you’ve got to do--on the question we’re dealing with--is to claim your very own wild freedom? Surely I’m right in feeling you,” Lord John further remarked, “to have jumped at once to my idea that Bender is heaven-sent--and at what they call the psychologic moment, don’t they?--to point that moral. Why look anywhere else for a sum of money that--smaller or greater--you can find with perfect ease in that extraordinarily bulging pocket?” Lord Theign, slowly pacing the hall again, threw up his hands. “Ah, with ‘perfect ease’ can scarcely be said!” “Why not?--when he absolutely thrusts his dirty dollars down your throat.” “Oh, I’m not talking of ease to _him_,” Lord Theign returned-- “I’m talking of ease to myself. I shall have to make a sacrifice.” “Why not then--for so great a convenience--gallantly make it?” “Ah, my dear chap, if you want me to sell my Sir Joshua----!” But the horror in the words said enough, and Lord John felt its chill. “I don’t make a point of that--God forbid! But there are other things	The Outcry
"If you can get the chance, Jem.--How lovely it looks!"	Don Lavington	you. Let's go ashore here."<\|quote\|>"If you can get the chance, Jem.--How lovely it looks!"</\|quote\|>"Lovely's nothing to it, sir.	way. I quite agree with you. Let's go ashore here."<\|quote\|>"If you can get the chance, Jem.--How lovely it looks!"</\|quote\|>"Lovely's nothing to it, sir. Mike used to brag about	as I thinks something sensible and good, you always ketches me up and says you had thought it before." "Nonsense, Jem! Well, have it your way. I quite agree with you." "No, I won't, sir; you're master. Have it your way. I quite agree with you. Let's go ashore here."<\|quote\|>"If you can get the chance, Jem.--How lovely it looks!"</\|quote\|>"Lovely's nothing to it, sir. Mike used to brag about what he'd seen in foreign countries, but he never see anything to come up to this." "I don't think any one could see a more beautiful place, Jem." "But I don't like the look o' that, sir." "Of what?" "That	to make remarks." "Don't talk nonsense, Jem; we are both common sailors." "Well then, sir, as one sailor to another sailor, I says I wish you wouldn't get into bad habits." "I wish so too, Jem." "There you are again!" said Jem testily. "What do you mean?" "Why, so sure as I thinks something sensible and good, you always ketches me up and says you had thought it before." "Nonsense, Jem! Well, have it your way. I quite agree with you." "No, I won't, sir; you're master. Have it your way. I quite agree with you. Let's go ashore here."<\|quote\|>"If you can get the chance, Jem.--How lovely it looks!"</\|quote\|>"Lovely's nothing to it, sir. Mike used to brag about what he'd seen in foreign countries, but he never see anything to come up to this." "I don't think any one could see a more beautiful place, Jem." "But I don't like the look o' that, sir." "Of what?" "That there yonder. That smoke." "What, on that little island? No, Jem; it's steam." "Well, don't you know what that means?" "No." "Then I've got something at last as you arn't got first!" cried Jem excitedly, as he sheltered his eyes from the glare of the sun. "Yes; that's it's, sure.	distance from the shore it was impossible to make out the individual trees, but there seemed to be clumps of noble pines some distance in, and the valleys were made ornamental with some kind of feathery growth. "Well, all I've got to say, Mas' Don, is this here--Singpore arn't to be grumbled at, and China's all very well, only hot; but if you and me's going to say good-bye to sailoring, let's do it here." "That's exactly what I was thinking, Jem," replied Don. "Say, Mas' Don, p'r'aps it arn't for me, being a servant and you a young master, to make remarks." "Don't talk nonsense, Jem; we are both common sailors." "Well then, sir, as one sailor to another sailor, I says I wish you wouldn't get into bad habits." "I wish so too, Jem." "There you are again!" said Jem testily. "What do you mean?" "Why, so sure as I thinks something sensible and good, you always ketches me up and says you had thought it before." "Nonsense, Jem! Well, have it your way. I quite agree with you." "No, I won't, sir; you're master. Have it your way. I quite agree with you. Let's go ashore here."<\|quote\|>"If you can get the chance, Jem.--How lovely it looks!"</\|quote\|>"Lovely's nothing to it, sir. Mike used to brag about what he'd seen in foreign countries, but he never see anything to come up to this." "I don't think any one could see a more beautiful place, Jem." "But I don't like the look o' that, sir." "Of what?" "That there yonder. That smoke." "What, on that little island? No, Jem; it's steam." "Well, don't you know what that means?" "No." "Then I've got something at last as you arn't got first!" cried Jem excitedly, as he sheltered his eyes from the glare of the sun. "Yes; that's it's, sure. Cooking!" "Cooking? What's cooking?" "That place where the steam is, Mas' Don. I say, you know what they do here? That's the place where they do it." "Do what?" "Cook people. That's the spot, safe." "Nonsense!" said Don laughing. "Ah! You may call it nonsense, Mas' Don; but if them sort o' things is done here, I think we'd better stop on board." Just at that moment the captain, who was busy with his spyglass examining the place and looking for a snug anchorage, suddenly gave an order, which was passed on, and with the rapidity customary on board a	yonder smoking puts one in mind of a factory chimney. And look yonder too!--there's another one smoking ever so far off. I say, are those burning mountains?" "I suppose so, unless it's steam. But what a lovely place!" There were orders for shortening sail given just then, and they had no more opportunity for talking during the next quarter of an hour, when, much closer in, they lay in the top once more, gazing eagerly at the glorious prospect of sea and sky, and verdant land and mountain. The vessel slowly rounded what appeared to be a headland, and in a short time the wind seemed to have dropped, and the sea to have grown calm. It was like entering a lovely lake; and as they went slowly on and on, it was to find that they were forging ahead in a perfect archipelago, with fresh beauties opening up each minute. The land was deliciously green, and cut up into valley, hill, and mountain. One island they were passing sent forth into the clear sunny air a cloud of silvery steam, which floated slowly away, like a white ensign spread to welcome the newcomers from a civilised land. At their distance from the shore it was impossible to make out the individual trees, but there seemed to be clumps of noble pines some distance in, and the valleys were made ornamental with some kind of feathery growth. "Well, all I've got to say, Mas' Don, is this here--Singpore arn't to be grumbled at, and China's all very well, only hot; but if you and me's going to say good-bye to sailoring, let's do it here." "That's exactly what I was thinking, Jem," replied Don. "Say, Mas' Don, p'r'aps it arn't for me, being a servant and you a young master, to make remarks." "Don't talk nonsense, Jem; we are both common sailors." "Well then, sir, as one sailor to another sailor, I says I wish you wouldn't get into bad habits." "I wish so too, Jem." "There you are again!" said Jem testily. "What do you mean?" "Why, so sure as I thinks something sensible and good, you always ketches me up and says you had thought it before." "Nonsense, Jem! Well, have it your way. I quite agree with you." "No, I won't, sir; you're master. Have it your way. I quite agree with you. Let's go ashore here."<\|quote\|>"If you can get the chance, Jem.--How lovely it looks!"</\|quote\|>"Lovely's nothing to it, sir. Mike used to brag about what he'd seen in foreign countries, but he never see anything to come up to this." "I don't think any one could see a more beautiful place, Jem." "But I don't like the look o' that, sir." "Of what?" "That there yonder. That smoke." "What, on that little island? No, Jem; it's steam." "Well, don't you know what that means?" "No." "Then I've got something at last as you arn't got first!" cried Jem excitedly, as he sheltered his eyes from the glare of the sun. "Yes; that's it's, sure. Cooking!" "Cooking? What's cooking?" "That place where the steam is, Mas' Don. I say, you know what they do here? That's the place where they do it." "Do what?" "Cook people. That's the spot, safe." "Nonsense!" said Don laughing. "Ah! You may call it nonsense, Mas' Don; but if them sort o' things is done here, I think we'd better stop on board." Just at that moment the captain, who was busy with his spyglass examining the place and looking for a snug anchorage, suddenly gave an order, which was passed on, and with the rapidity customary on board a man-of-war, the stout boarding nettings, ready for use on an emergency, were triced up to the lower rigging, so that before long the vessel, from its bulwarks high up toward the lower yards, presented the appearance of a cage. While this was going on, others of the men stood to their arms, guns were cast loose and loaded, and every precaution taken against a surprise. The reason for all this was that quite a fleet of long canoes, propelled by paddles, suddenly began to glide out from behind one of the islands, each canoe seeming to contain from eighty to a hundred men. The effect was beautiful, for the long, dark vessels, with their grotesque, quaintly carved prows and sterns, seemed to be like some strange living creatures working along paths of silver, so regularly went the paddles, turning the sea into lines of dazzling light. The men were armed with spears and tomahawks, and as they came nearer, some could be seen wearing black feathers tipped with white stuck in their hair, while their dark, nearly naked bodies glistened in the sun like bronze. "Are they coming to attack us, Jem?" said Don, who began to feel a strange	home." Don smiled sadly, and they were separated directly after. The time went swiftly on in their busy life, and though his absence from home could only be counted in months, Don had shot up and altered wonderfully. They had touched at the Cape, at Ceylon, and then made a short stay at Singapore before going on to their station farther east, and cruising to and fro. During that period Don's experience had been varied, but the opportunity he was always looking for did not seem to come. Then a year had passed away, and they were back at Singapore, where letters reached both, and made them go about the deck looking depressed for the rest of the week. Then came one morning when there was no little excitement on board, the news having oozed out that the sloop was bound for New Zealand, a place in those days little known, save as a wonderful country of tree-fern, pine, and volcano, where the natives were a fierce fighting race, and did not scruple to eat those whom they took captive in war. "Noo Zealand, eh?" said Jem. "Port Jackson and Botany Bay, I hear, Jem, and then on to New Zealand. We shall see something of the world." "Ay, so we shall, Mas' Don. Bot'ny Bay! That's where they sends the chaps they transports, arn't it?" "Yes, I believe so." "Then we shall be like transported ones when we get there. You're right, after all, Mas' Don. First chance there is, let me and you give up sailoring, and go ashore." "I mean to, Jem; and somehow, come what may, we will." CHAPTER TWENTY. A NATURALISED NEW ZEALANDER. Three months had passed since the conversation in the last chapter, when after an adverse voyage from Port Jackson, His Majesty's sloop-of-war under shortened sail made her way slowly towards what was in those days a land of mystery. A stiff breeze was blowing, and the watch were on deck, ready for reducing sail or any emergency. More were ready in the tops, and all on board watching the glorious scene unfolding before them. "I say, Mas' Don, look ye there," whispered Jem, as they sat together in the foretop. "If this don't beat Bristol, I'm a Dutchman." "Beat Bristol!" said Don contemptuously; "why, it's as different as can be." "Well, I dunno so much about that," said Jem. "There's that mountain yonder smoking puts one in mind of a factory chimney. And look yonder too!--there's another one smoking ever so far off. I say, are those burning mountains?" "I suppose so, unless it's steam. But what a lovely place!" There were orders for shortening sail given just then, and they had no more opportunity for talking during the next quarter of an hour, when, much closer in, they lay in the top once more, gazing eagerly at the glorious prospect of sea and sky, and verdant land and mountain. The vessel slowly rounded what appeared to be a headland, and in a short time the wind seemed to have dropped, and the sea to have grown calm. It was like entering a lovely lake; and as they went slowly on and on, it was to find that they were forging ahead in a perfect archipelago, with fresh beauties opening up each minute. The land was deliciously green, and cut up into valley, hill, and mountain. One island they were passing sent forth into the clear sunny air a cloud of silvery steam, which floated slowly away, like a white ensign spread to welcome the newcomers from a civilised land. At their distance from the shore it was impossible to make out the individual trees, but there seemed to be clumps of noble pines some distance in, and the valleys were made ornamental with some kind of feathery growth. "Well, all I've got to say, Mas' Don, is this here--Singpore arn't to be grumbled at, and China's all very well, only hot; but if you and me's going to say good-bye to sailoring, let's do it here." "That's exactly what I was thinking, Jem," replied Don. "Say, Mas' Don, p'r'aps it arn't for me, being a servant and you a young master, to make remarks." "Don't talk nonsense, Jem; we are both common sailors." "Well then, sir, as one sailor to another sailor, I says I wish you wouldn't get into bad habits." "I wish so too, Jem." "There you are again!" said Jem testily. "What do you mean?" "Why, so sure as I thinks something sensible and good, you always ketches me up and says you had thought it before." "Nonsense, Jem! Well, have it your way. I quite agree with you." "No, I won't, sir; you're master. Have it your way. I quite agree with you. Let's go ashore here."<\|quote\|>"If you can get the chance, Jem.--How lovely it looks!"</\|quote\|>"Lovely's nothing to it, sir. Mike used to brag about what he'd seen in foreign countries, but he never see anything to come up to this." "I don't think any one could see a more beautiful place, Jem." "But I don't like the look o' that, sir." "Of what?" "That there yonder. That smoke." "What, on that little island? No, Jem; it's steam." "Well, don't you know what that means?" "No." "Then I've got something at last as you arn't got first!" cried Jem excitedly, as he sheltered his eyes from the glare of the sun. "Yes; that's it's, sure. Cooking!" "Cooking? What's cooking?" "That place where the steam is, Mas' Don. I say, you know what they do here? That's the place where they do it." "Do what?" "Cook people. That's the spot, safe." "Nonsense!" said Don laughing. "Ah! You may call it nonsense, Mas' Don; but if them sort o' things is done here, I think we'd better stop on board." Just at that moment the captain, who was busy with his spyglass examining the place and looking for a snug anchorage, suddenly gave an order, which was passed on, and with the rapidity customary on board a man-of-war, the stout boarding nettings, ready for use on an emergency, were triced up to the lower rigging, so that before long the vessel, from its bulwarks high up toward the lower yards, presented the appearance of a cage. While this was going on, others of the men stood to their arms, guns were cast loose and loaded, and every precaution taken against a surprise. The reason for all this was that quite a fleet of long canoes, propelled by paddles, suddenly began to glide out from behind one of the islands, each canoe seeming to contain from eighty to a hundred men. The effect was beautiful, for the long, dark vessels, with their grotesque, quaintly carved prows and sterns, seemed to be like some strange living creatures working along paths of silver, so regularly went the paddles, turning the sea into lines of dazzling light. The men were armed with spears and tomahawks, and as they came nearer, some could be seen wearing black feathers tipped with white stuck in their hair, while their dark, nearly naked bodies glistened in the sun like bronze. "Are they coming to attack us, Jem?" said Don, who began to feel a strange thrill of excitement. "Dessay they'd like to, Mas' Don; but it strikes me they'd think twice about it. Why, we could sail right over those long thin boats of theirs, and send 'em all to the bottom." Just then there was an order from the deck, and more sail was taken in, till the ship hardly moved, as the canoes came dashing up, the men of the foremost singing a mournful kind of chorus as they paddled on. "Ship ahoy!" suddenly came from the first canoe. "What ship's that?" "His Majesty's sloop-of-war _Golden Danae_," shouted back the first lieutenant from the chains. "Tell your other boats to keep back, or we shall fire." "No, no, no: don't do that, sir! They don't mean fighting," came back from the boat; and a big savage, whose face was blue with tattooing, stood up in the canoe, and then turned and spoke to one of his companions, who rose and shouted to the occupants of the other canoes to cease paddling. "Speaks good English, sir," said the lieutenant to the captain. "Yes. Ask them what they want, and if it's peace." The lieutenant shouted this communication to the savage in the canoe. "Want, sir?" came back; "to trade with you for guns and powder, and to come aboard." "How is it you speak good English?" "Why, what should an Englishman speak?" "Then you are not a savage?" "Now do I look like one?" cried the man indignantly. "Of course; I forgot--I'm an Englishman on a visit to the country, and I've adopted their customs, sir--that's all." "Oh, I see," said the lieutenant, laughing; "ornaments and all." "May they come aboard, sir?" "Oh, yes; if they leave their arms." The man communicated this to the occupants of the boat, and there was a good deal of excited conversation for a time. "That fellow's a runaway convict for certain, sir," said the lieutenant. "Shall we get him aboard, and keep him?" "No. Let him be. Perhaps he will prove very useful." "The chiefs say it isn't fair to ask them to come without their arms," said the tattooed Englishman. "How are they to know that you will not be treacherous?" "Tell them this is a king's ship, and if they behave themselves they have nothing to fear," said the captain. "Stop! Six of them can come aboard armed if they like. You can lead them	"There's that mountain yonder smoking puts one in mind of a factory chimney. And look yonder too!--there's another one smoking ever so far off. I say, are those burning mountains?" "I suppose so, unless it's steam. But what a lovely place!" There were orders for shortening sail given just then, and they had no more opportunity for talking during the next quarter of an hour, when, much closer in, they lay in the top once more, gazing eagerly at the glorious prospect of sea and sky, and verdant land and mountain. The vessel slowly rounded what appeared to be a headland, and in a short time the wind seemed to have dropped, and the sea to have grown calm. It was like entering a lovely lake; and as they went slowly on and on, it was to find that they were forging ahead in a perfect archipelago, with fresh beauties opening up each minute. The land was deliciously green, and cut up into valley, hill, and mountain. One island they were passing sent forth into the clear sunny air a cloud of silvery steam, which floated slowly away, like a white ensign spread to welcome the newcomers from a civilised land. At their distance from the shore it was impossible to make out the individual trees, but there seemed to be clumps of noble pines some distance in, and the valleys were made ornamental with some kind of feathery growth. "Well, all I've got to say, Mas' Don, is this here--Singpore arn't to be grumbled at, and China's all very well, only hot; but if you and me's going to say good-bye to sailoring, let's do it here." "That's exactly what I was thinking, Jem," replied Don. "Say, Mas' Don, p'r'aps it arn't for me, being a servant and you a young master, to make remarks." "Don't talk nonsense, Jem; we are both common sailors." "Well then, sir, as one sailor to another sailor, I says I wish you wouldn't get into bad habits." "I wish so too, Jem." "There you are again!" said Jem testily. "What do you mean?" "Why, so sure as I thinks something sensible and good, you always ketches me up and says you had thought it before." "Nonsense, Jem! Well, have it your way. I quite agree with you." "No, I won't, sir; you're master. Have it your way. I quite agree with you. Let's go ashore here."<\|quote\|>"If you can get the chance, Jem.--How lovely it looks!"</\|quote\|>"Lovely's nothing to it, sir. Mike used to brag about what he'd seen in foreign countries, but he never see anything to come up to this." "I don't think any one could see a more beautiful place, Jem." "But I don't like the look o' that, sir." "Of what?" "That there yonder. That smoke." "What, on that little island? No, Jem; it's steam." "Well, don't you know what that means?" "No." "Then I've got something at last as you arn't got first!" cried Jem excitedly, as he sheltered his eyes from the glare of the sun. "Yes; that's it's, sure. Cooking!" "Cooking? What's cooking?" "That place where the steam is, Mas' Don. I say, you know what they do here? That's the place where they do it." "Do what?" "Cook people. That's the spot, safe." "Nonsense!" said Don laughing. "Ah! You may call it nonsense, Mas' Don; but if them sort o' things is done here, I think we'd better stop on board." Just at that moment the captain, who was busy with his spyglass examining the place and looking for a snug anchorage, suddenly gave an order, which was passed on, and with the rapidity customary on board a man-of-war, the stout boarding nettings, ready for use on an emergency, were triced up to the lower rigging, so that before long the vessel, from its bulwarks high up toward the lower yards, presented the appearance of a cage. While this was going on, others of the men stood to their arms, guns were cast loose and loaded, and every precaution taken against a surprise. The reason for all this was that quite a fleet of long canoes, propelled by paddles, suddenly began to glide out from behind one of the islands, each canoe seeming to contain from eighty to a hundred men. The effect was beautiful, for the long, dark vessels, with their grotesque, quaintly carved prows and sterns, seemed to be like some strange living creatures working along paths of silver, so regularly went the paddles, turning the sea into lines of dazzling light. The men were armed with spears and tomahawks, and as they came nearer, some could be seen wearing black feathers tipped with white stuck in their hair, while their dark, nearly naked bodies glistened in the sun like bronze. "Are they coming to attack us, Jem?" said Don, who began to feel a strange thrill of excitement. "Dessay they'd like to, Mas' Don; but it strikes me they'd think twice about it. Why, we could sail right over those long thin boats of theirs, and send 'em all to the bottom." Just then there was an order from the deck, and more sail was taken in, till the ship hardly moved, as the canoes came dashing up, the men of the foremost singing a mournful kind of chorus as they paddled on. "Ship ahoy!" suddenly came from the first canoe. "What ship's that?" "His Majesty's sloop-of-war _Golden Danae_," shouted back the first lieutenant from the chains. "Tell your other boats to	Don Lavington
"We can mean no other,"	Lucy Steele	mean the same Mr. Ferrars."<\|quote\|>"We can mean no other,"</\|quote\|>cried Lucy, smiling. "Mr. Edward	person or name. We cannot mean the same Mr. Ferrars."<\|quote\|>"We can mean no other,"</\|quote\|>cried Lucy, smiling. "Mr. Edward Ferrars, the eldest son of	Edward s honour and love, and her companion s falsehood "Engaged to Mr. Edward Ferrars! I confess myself so totally surprised at what you tell me, that really I beg your pardon; but surely there must be some mistake of person or name. We cannot mean the same Mr. Ferrars."<\|quote\|>"We can mean no other,"</\|quote\|>cried Lucy, smiling. "Mr. Edward Ferrars, the eldest son of Mrs. Ferrars, of Park Street, and brother of your sister-in-law, Mrs. John Dashwood, is the person I mean; you must allow that I am not likely to be deceived as to the name of the man on who all my	know him so well as me, Miss Dashwood, you must have seen enough of him to be sensible he is very capable of making a woman sincerely attached to him." "Certainly," answered Elinor, without knowing what she said; but after a moment s reflection, she added, with revived security of Edward s honour and love, and her companion s falsehood "Engaged to Mr. Edward Ferrars! I confess myself so totally surprised at what you tell me, that really I beg your pardon; but surely there must be some mistake of person or name. We cannot mean the same Mr. Ferrars."<\|quote\|>"We can mean no other,"</\|quote\|>cried Lucy, smiling. "Mr. Edward Ferrars, the eldest son of Mrs. Ferrars, of Park Street, and brother of your sister-in-law, Mrs. John Dashwood, is the person I mean; you must allow that I am not likely to be deceived as to the name of the man on who all my happiness depends." "It is strange," replied Elinor, in a most painful perplexity, "that I should never have heard him even mention your name." "No; considering our situation, it was not strange. Our first care has been to keep the matter secret. You knew nothing of me, or my family, and,	four years with my uncle, who lives at Longstaple, near Plymouth. It was there our acquaintance begun, for my sister and me was often staying with my uncle, and it was there our engagement was formed, though not till a year after he had quitted as a pupil; but he was almost always with us afterwards. I was very unwilling to enter into it, as you may imagine, without the knowledge and approbation of his mother; but I was too young, and loved him too well, to be so prudent as I ought to have been. Though you do not know him so well as me, Miss Dashwood, you must have seen enough of him to be sensible he is very capable of making a woman sincerely attached to him." "Certainly," answered Elinor, without knowing what she said; but after a moment s reflection, she added, with revived security of Edward s honour and love, and her companion s falsehood "Engaged to Mr. Edward Ferrars! I confess myself so totally surprised at what you tell me, that really I beg your pardon; but surely there must be some mistake of person or name. We cannot mean the same Mr. Ferrars."<\|quote\|>"We can mean no other,"</\|quote\|>cried Lucy, smiling. "Mr. Edward Ferrars, the eldest son of Mrs. Ferrars, of Park Street, and brother of your sister-in-law, Mrs. John Dashwood, is the person I mean; you must allow that I am not likely to be deceived as to the name of the man on who all my happiness depends." "It is strange," replied Elinor, in a most painful perplexity, "that I should never have heard him even mention your name." "No; considering our situation, it was not strange. Our first care has been to keep the matter secret. You knew nothing of me, or my family, and, therefore, there could be no _occasion_ for ever mentioning my name to you; and, as he was always particularly afraid of his sister s suspecting any thing, _that_ was reason enough for his not mentioning it." She was silent. Elinor s security sunk; but her self-command did not sink with it. "Four years you have been engaged," said she with a firm voice. "Yes; and heaven knows how much longer we may have to wait. Poor Edward! It puts him quite out of heart." Then taking a small miniature from her pocket, she added, "To prevent the possibility of mistake,	so odd, that it ought to be explained. And I do not think Mr. Ferrars can be displeased, when he knows I have trusted you, because I know he has the highest opinion in the world of all your family, and looks upon yourself and the other Miss Dashwoods quite as his own sisters." She paused. Elinor for a few moments remained silent. Her astonishment at what she heard was at first too great for words; but at length forcing herself to speak, and to speak cautiously, she said, with calmness of manner, which tolerably well concealed her surprise and solicitude "May I ask if your engagement is of long standing?" "We have been engaged these four years." "Four years!" "Yes." Elinor, though greatly shocked, still felt unable to believe it. "I did not know," said she, "that you were even acquainted till the other day." "Our acquaintance, however, is of many years date. He was under my uncle s care, you know, a considerable while." "Your uncle!" "Yes; Mr. Pratt. Did you never hear him talk of Mr. Pratt?" "I think I have," replied Elinor, with an exertion of spirits, which increased with her increase of emotion. "He was four years with my uncle, who lives at Longstaple, near Plymouth. It was there our acquaintance begun, for my sister and me was often staying with my uncle, and it was there our engagement was formed, though not till a year after he had quitted as a pupil; but he was almost always with us afterwards. I was very unwilling to enter into it, as you may imagine, without the knowledge and approbation of his mother; but I was too young, and loved him too well, to be so prudent as I ought to have been. Though you do not know him so well as me, Miss Dashwood, you must have seen enough of him to be sensible he is very capable of making a woman sincerely attached to him." "Certainly," answered Elinor, without knowing what she said; but after a moment s reflection, she added, with revived security of Edward s honour and love, and her companion s falsehood "Engaged to Mr. Edward Ferrars! I confess myself so totally surprised at what you tell me, that really I beg your pardon; but surely there must be some mistake of person or name. We cannot mean the same Mr. Ferrars."<\|quote\|>"We can mean no other,"</\|quote\|>cried Lucy, smiling. "Mr. Edward Ferrars, the eldest son of Mrs. Ferrars, of Park Street, and brother of your sister-in-law, Mrs. John Dashwood, is the person I mean; you must allow that I am not likely to be deceived as to the name of the man on who all my happiness depends." "It is strange," replied Elinor, in a most painful perplexity, "that I should never have heard him even mention your name." "No; considering our situation, it was not strange. Our first care has been to keep the matter secret. You knew nothing of me, or my family, and, therefore, there could be no _occasion_ for ever mentioning my name to you; and, as he was always particularly afraid of his sister s suspecting any thing, _that_ was reason enough for his not mentioning it." She was silent. Elinor s security sunk; but her self-command did not sink with it. "Four years you have been engaged," said she with a firm voice. "Yes; and heaven knows how much longer we may have to wait. Poor Edward! It puts him quite out of heart." Then taking a small miniature from her pocket, she added, "To prevent the possibility of mistake, be so good as to look at this face. It does not do him justice, to be sure, but yet I think you cannot be deceived as to the person it was drew for. I have had it above these three years." She put it into her hands as she spoke; and when Elinor saw the painting, whatever other doubts her fear of a too hasty decision, or her wish of detecting falsehood might suffer to linger in her mind, she could have none of its being Edward s face. She returned it almost instantly, acknowledging the likeness. "I have never been able," continued Lucy, "to give him my picture in return, which I am very much vexed at, for he has been always so anxious to get it! But I am determined to set for it the very first opportunity." "You are quite in the right," replied Elinor calmly. They then proceeded a few paces in silence. Lucy spoke first. "I am sure," said she, "I have no doubt in the world of your faithfully keeping this secret, because you must know of what importance it is to us, not to have it reach his mother; for she would	am; but, however, there is no occasion to trouble _you_. I am sorry you do not happen to know Mrs. Ferrars." "I am sorry I do _not_," said Elinor, in great astonishment, "if it could be of any use to YOU to know my opinion of her. But really I never understood that you were at all connected with that family, and therefore I am a little surprised, I confess, at so serious an inquiry into her character." "I dare say you are, and I am sure I do not at all wonder at it. But if I dared tell you all, you would not be so much surprised. Mrs. Ferrars is certainly nothing to me at present but the time _may_ come how soon it will come must depend upon herself when we may be very intimately connected." She looked down as she said this, amiably bashful, with only one side glance at her companion to observe its effect on her. "Good heavens!" cried Elinor, "what do you mean? Are you acquainted with Mr. Robert Ferrars? Can you be?" And she did not feel much delighted with the idea of such a sister-in-law. "No," replied Lucy, "not to Mr. _Robert_ Ferrars I never saw him in my life; but," fixing her eyes upon Elinor, "to his eldest brother." What felt Elinor at that moment? Astonishment, that would have been as painful as it was strong, had not an immediate disbelief of the assertion attended it. She turned towards Lucy in silent amazement, unable to divine the reason or object of such a declaration; and though her complexion varied, she stood firm in incredulity, and felt in no danger of an hysterical fit, or a swoon. "You may well be surprised," continued Lucy; "for to be sure you could have had no idea of it before; for I dare say he never dropped the smallest hint of it to you or any of your family; because it was always meant to be a great secret, and I am sure has been faithfully kept so by me to this hour. Not a soul of all my relations know of it but Anne, and I never should have mentioned it to you, if I had not felt the greatest dependence in the world upon your secrecy; and I really thought my behaviour in asking so many questions about Mrs. Ferrars must seem so odd, that it ought to be explained. And I do not think Mr. Ferrars can be displeased, when he knows I have trusted you, because I know he has the highest opinion in the world of all your family, and looks upon yourself and the other Miss Dashwoods quite as his own sisters." She paused. Elinor for a few moments remained silent. Her astonishment at what she heard was at first too great for words; but at length forcing herself to speak, and to speak cautiously, she said, with calmness of manner, which tolerably well concealed her surprise and solicitude "May I ask if your engagement is of long standing?" "We have been engaged these four years." "Four years!" "Yes." Elinor, though greatly shocked, still felt unable to believe it. "I did not know," said she, "that you were even acquainted till the other day." "Our acquaintance, however, is of many years date. He was under my uncle s care, you know, a considerable while." "Your uncle!" "Yes; Mr. Pratt. Did you never hear him talk of Mr. Pratt?" "I think I have," replied Elinor, with an exertion of spirits, which increased with her increase of emotion. "He was four years with my uncle, who lives at Longstaple, near Plymouth. It was there our acquaintance begun, for my sister and me was often staying with my uncle, and it was there our engagement was formed, though not till a year after he had quitted as a pupil; but he was almost always with us afterwards. I was very unwilling to enter into it, as you may imagine, without the knowledge and approbation of his mother; but I was too young, and loved him too well, to be so prudent as I ought to have been. Though you do not know him so well as me, Miss Dashwood, you must have seen enough of him to be sensible he is very capable of making a woman sincerely attached to him." "Certainly," answered Elinor, without knowing what she said; but after a moment s reflection, she added, with revived security of Edward s honour and love, and her companion s falsehood "Engaged to Mr. Edward Ferrars! I confess myself so totally surprised at what you tell me, that really I beg your pardon; but surely there must be some mistake of person or name. We cannot mean the same Mr. Ferrars."<\|quote\|>"We can mean no other,"</\|quote\|>cried Lucy, smiling. "Mr. Edward Ferrars, the eldest son of Mrs. Ferrars, of Park Street, and brother of your sister-in-law, Mrs. John Dashwood, is the person I mean; you must allow that I am not likely to be deceived as to the name of the man on who all my happiness depends." "It is strange," replied Elinor, in a most painful perplexity, "that I should never have heard him even mention your name." "No; considering our situation, it was not strange. Our first care has been to keep the matter secret. You knew nothing of me, or my family, and, therefore, there could be no _occasion_ for ever mentioning my name to you; and, as he was always particularly afraid of his sister s suspecting any thing, _that_ was reason enough for his not mentioning it." She was silent. Elinor s security sunk; but her self-command did not sink with it. "Four years you have been engaged," said she with a firm voice. "Yes; and heaven knows how much longer we may have to wait. Poor Edward! It puts him quite out of heart." Then taking a small miniature from her pocket, she added, "To prevent the possibility of mistake, be so good as to look at this face. It does not do him justice, to be sure, but yet I think you cannot be deceived as to the person it was drew for. I have had it above these three years." She put it into her hands as she spoke; and when Elinor saw the painting, whatever other doubts her fear of a too hasty decision, or her wish of detecting falsehood might suffer to linger in her mind, she could have none of its being Edward s face. She returned it almost instantly, acknowledging the likeness. "I have never been able," continued Lucy, "to give him my picture in return, which I am very much vexed at, for he has been always so anxious to get it! But I am determined to set for it the very first opportunity." "You are quite in the right," replied Elinor calmly. They then proceeded a few paces in silence. Lucy spoke first. "I am sure," said she, "I have no doubt in the world of your faithfully keeping this secret, because you must know of what importance it is to us, not to have it reach his mother; for she would never approve of it, I dare say. I shall have no fortune, and I fancy she is an exceeding proud woman." "I certainly did not seek your confidence," said Elinor; "but you do me no more than justice in imagining that I may be depended on. Your secret is safe with me; but pardon me if I express some surprise at so unnecessary a communication. You must at least have felt that my being acquainted with it could not add to its safety." As she said this, she looked earnestly at Lucy, hoping to discover something in her countenance; perhaps the falsehood of the greatest part of what she had been saying; but Lucy s countenance suffered no change. "I was afraid you would think I was taking a great liberty with you," said she, "in telling you all this. I have not known you long to be sure, personally at least, but I have known you and all your family by description a great while; and as soon as I saw you, I felt almost as if you was an old acquaintance. Besides in the present case, I really thought some explanation was due to you after my making such particular inquiries about Edward s mother; and I am so unfortunate, that I have not a creature whose advice I can ask. Anne is the only person that knows of it, and she has no judgment at all; indeed, she does me a great deal more harm than good, for I am in constant fear of her betraying me. She does not know how to hold her tongue, as you must perceive, and I am sure I was in the greatest fright in the world t other day, when Edward s name was mentioned by Sir John, lest she should out with it all. You can t think how much I go through in my mind from it altogether. I only wonder that I am alive after what I have suffered for Edward s sake these last four years. Every thing in such suspense and uncertainty; and seeing him so seldom we can hardly meet above twice a-year. I am sure I wonder my heart is not quite broke." Here she took out her handkerchief; but Elinor did not feel very compassionate. "Sometimes." continued Lucy, after wiping her eyes, "I think whether it would not be better for us	upon yourself and the other Miss Dashwoods quite as his own sisters." She paused. Elinor for a few moments remained silent. Her astonishment at what she heard was at first too great for words; but at length forcing herself to speak, and to speak cautiously, she said, with calmness of manner, which tolerably well concealed her surprise and solicitude "May I ask if your engagement is of long standing?" "We have been engaged these four years." "Four years!" "Yes." Elinor, though greatly shocked, still felt unable to believe it. "I did not know," said she, "that you were even acquainted till the other day." "Our acquaintance, however, is of many years date. He was under my uncle s care, you know, a considerable while." "Your uncle!" "Yes; Mr. Pratt. Did you never hear him talk of Mr. Pratt?" "I think I have," replied Elinor, with an exertion of spirits, which increased with her increase of emotion. "He was four years with my uncle, who lives at Longstaple, near Plymouth. It was there our acquaintance begun, for my sister and me was often staying with my uncle, and it was there our engagement was formed, though not till a year after he had quitted as a pupil; but he was almost always with us afterwards. I was very unwilling to enter into it, as you may imagine, without the knowledge and approbation of his mother; but I was too young, and loved him too well, to be so prudent as I ought to have been. Though you do not know him so well as me, Miss Dashwood, you must have seen enough of him to be sensible he is very capable of making a woman sincerely attached to him." "Certainly," answered Elinor, without knowing what she said; but after a moment s reflection, she added, with revived security of Edward s honour and love, and her companion s falsehood "Engaged to Mr. Edward Ferrars! I confess myself so totally surprised at what you tell me, that really I beg your pardon; but surely there must be some mistake of person or name. We cannot mean the same Mr. Ferrars."<\|quote\|>"We can mean no other,"</\|quote\|>cried Lucy, smiling. "Mr. Edward Ferrars, the eldest son of Mrs. Ferrars, of Park Street, and brother of your sister-in-law, Mrs. John Dashwood, is the person I mean; you must allow that I am not likely to be deceived as to the name of the man on who all my happiness depends." "It is strange," replied Elinor, in a most painful perplexity, "that I should never have heard him even mention your name." "No; considering our situation, it was not strange. Our first care has been to keep the matter secret. You knew nothing of me, or my family, and, therefore, there could be no _occasion_ for ever mentioning my name to you; and, as he was always particularly afraid of his sister s suspecting any thing, _that_ was reason enough for his not mentioning it." She was silent. Elinor s security sunk; but her self-command did not sink with it. "Four years you have been engaged," said she with a firm voice. "Yes; and heaven knows how much longer we may have to wait. Poor Edward! It puts him quite out of heart." Then taking a small miniature from her pocket, she added, "To prevent the possibility of mistake, be so good as to look at this face. It does not do him justice, to be sure, but yet I think you cannot be deceived as to the person it was drew for. I have had it above these three years." She put it into her hands as she spoke; and when Elinor saw the painting, whatever other doubts her fear of a too hasty decision, or her wish of detecting falsehood might suffer to linger in her mind, she could have none of its being Edward s face. She returned it almost instantly, acknowledging the likeness. "I have never been able," continued Lucy, "to give him my picture in return, which I am very much vexed at, for he has been always so anxious to get it! But I am determined to set for it the very first opportunity." "You are quite in the right," replied Elinor calmly. They then proceeded a few paces in silence. Lucy	Sense And Sensibility
"I I won't scream or cry not once hear me speak to me tell me what I have done!"	Nance	the strength of mortal fear,<\|quote\|>"I I won't scream or cry not once hear me speak to me tell me what I have done!"</\|quote\|>"You know, you she devil!"	gasped the girl, wrestling with the strength of mortal fear,<\|quote\|>"I I won't scream or cry not once hear me speak to me tell me what I have done!"</\|quote\|>"You know, you she devil!" returned the robber, suppressing his	few seconds, with dilated nostrils and heaving breast; and then, grasping her by the head and throat, dragged her into the middle of the room, and looking once towards the door, placed his heavy hand upon her mouth. "Bill, Bill!" gasped the girl, wrestling with the strength of mortal fear,<\|quote\|>"I I won't scream or cry not once hear me speak to me tell me what I have done!"</\|quote\|>"You know, you she devil!" returned the robber, suppressing his breath. "You were watched to-night; every word you said was heard." "Then spare my life for the love of Heaven, as I spared yours," rejoined the girl, clinging to him. "Bill, dear Bill, you cannot have the heart to kill	girl rose to undraw the curtain. "Let it be," said Sikes, thrusting his hand before her. "There's enough light for wot I've got to do." "Bill," said the girl, in the low voice of alarm, "why do you look like that at me!" The robber sat regarding her, for a few seconds, with dilated nostrils and heaving breast; and then, grasping her by the head and throat, dragged her into the middle of the room, and looking once towards the door, placed his heavy hand upon her mouth. "Bill, Bill!" gasped the girl, wrestling with the strength of mortal fear,<\|quote\|>"I I won't scream or cry not once hear me speak to me tell me what I have done!"</\|quote\|>"You know, you she devil!" returned the robber, suppressing his breath. "You were watched to-night; every word you said was heard." "Then spare my life for the love of Heaven, as I spared yours," rejoined the girl, clinging to him. "Bill, dear Bill, you cannot have the heart to kill me. Oh! think of all I have given up, only this one night, for you. You _shall_ have time to think, and save yourself this crime; I will not loose my hold, you cannot throw me off. Bill, Bill, for dear God's sake, for your own, for mine, stop before	his own room, double-locked the door, and lifting a heavy table against it, drew back the curtain of the bed. The girl was lying, half-dressed, upon it. He had roused her from her sleep, for she raised herself with a hurried and startled look. "Get up!" said the man. "It is you, Bill!" said the girl, with an expression of pleasure at his return. "It is," was the reply. "Get up." There was a candle burning, but the man hastily drew it from the candlestick, and hurled it under the grate. Seeing the faint light of early day without, the girl rose to undraw the curtain. "Let it be," said Sikes, thrusting his hand before her. "There's enough light for wot I've got to do." "Bill," said the girl, in the low voice of alarm, "why do you look like that at me!" The robber sat regarding her, for a few seconds, with dilated nostrils and heaving breast; and then, grasping her by the head and throat, dragged her into the middle of the room, and looking once towards the door, placed his heavy hand upon her mouth. "Bill, Bill!" gasped the girl, wrestling with the strength of mortal fear,<\|quote\|>"I I won't scream or cry not once hear me speak to me tell me what I have done!"</\|quote\|>"You know, you she devil!" returned the robber, suppressing his breath. "You were watched to-night; every word you said was heard." "Then spare my life for the love of Heaven, as I spared yours," rejoined the girl, clinging to him. "Bill, dear Bill, you cannot have the heart to kill me. Oh! think of all I have given up, only this one night, for you. You _shall_ have time to think, and save yourself this crime; I will not loose my hold, you cannot throw me off. Bill, Bill, for dear God's sake, for your own, for mine, stop before you spill my blood! I have been true to you, upon my guilty soul I have!" The man struggled violently, to release his arms; but those of the girl were clasped round his, and tear her as he would, he could not tear them away. "Bill," cried the girl, striving to lay her head upon his breast, "the gentleman and that dear lady, told me to-night of a home in some foreign country where I could end my days in solitude and peace. Let me see them again, and beg them, on my knees, to show the same mercy and	safe. Let me out, I say!" "Hear me speak a word," rejoined Fagin, laying his hand upon the lock. "You won't be" "Well," replied the other. "You won't be too violent, Bill?" The day was breaking, and there was light enough for the men to see each other's faces. They exchanged one brief glance; there was a fire in the eyes of both, which could not be mistaken. "I mean," said Fagin, showing that he felt all disguise was now useless, "not too violent for safety. Be crafty, Bill, and not too bold." Sikes made no reply; but, pulling open the door, of which Fagin had turned the lock, dashed into the silent streets. Without one pause, or moment's consideration; without once turning his head to the right or left, or raising his eyes to the sky, or lowering them to the ground, but looking straight before him with savage resolution: his teeth so tightly compressed that the strained jaw seemed starting through his skin; the robber held on his headlong course, nor muttered a word, nor relaxed a muscle, until he reached his own door. He opened it, softly, with a key; strode lightly up the stairs; and entering his own room, double-locked the door, and lifting a heavy table against it, drew back the curtain of the bed. The girl was lying, half-dressed, upon it. He had roused her from her sleep, for she raised herself with a hurried and startled look. "Get up!" said the man. "It is you, Bill!" said the girl, with an expression of pleasure at his return. "It is," was the reply. "Get up." There was a candle burning, but the man hastily drew it from the candlestick, and hurled it under the grate. Seeing the faint light of early day without, the girl rose to undraw the curtain. "Let it be," said Sikes, thrusting his hand before her. "There's enough light for wot I've got to do." "Bill," said the girl, in the low voice of alarm, "why do you look like that at me!" The robber sat regarding her, for a few seconds, with dilated nostrils and heaving breast; and then, grasping her by the head and throat, dragged her into the middle of the room, and looking once towards the door, placed his heavy hand upon her mouth. "Bill, Bill!" gasped the girl, wrestling with the strength of mortal fear,<\|quote\|>"I I won't scream or cry not once hear me speak to me tell me what I have done!"</\|quote\|>"You know, you she devil!" returned the robber, suppressing his breath. "You were watched to-night; every word you said was heard." "Then spare my life for the love of Heaven, as I spared yours," rejoined the girl, clinging to him. "Bill, dear Bill, you cannot have the heart to kill me. Oh! think of all I have given up, only this one night, for you. You _shall_ have time to think, and save yourself this crime; I will not loose my hold, you cannot throw me off. Bill, Bill, for dear God's sake, for your own, for mine, stop before you spill my blood! I have been true to you, upon my guilty soul I have!" The man struggled violently, to release his arms; but those of the girl were clasped round his, and tear her as he would, he could not tear them away. "Bill," cried the girl, striving to lay her head upon his breast, "the gentleman and that dear lady, told me to-night of a home in some foreign country where I could end my days in solitude and peace. Let me see them again, and beg them, on my knees, to show the same mercy and goodness to you; and let us both leave this dreadful place, and far apart lead better lives, and forget how we have lived, except in prayers, and never see each other more. It is never too late to repent. They told me so I feel it now but we must have time a little, little time!" The housebreaker freed one arm, and grasped his pistol. The certainty of immediate detection if he fired, flashed across his mind even in the midst of his fury; and he beat it twice with all the force he could summon, upon the upturned face that almost touched his own. She staggered and fell: nearly blinded with the blood that rained down from a deep gash in her forehead; but raising herself, with difficulty, on her knees, drew from her bosom a white handkerchief Rose Maylie's own and holding it up, in her folded hands, as high towards Heaven as her feeble strength would allow, breathed one prayer for mercy to her Maker. It was a ghastly figure to look upon. The murderer staggering backward to the wall, and shutting out the sight with his hand, seized a heavy club and struck her down. CHAPTER	he had heard enough. "You followed her?" "Yes." "To London Bridge?" "Yes." "Where she met two people." "So she did." "A gentleman and a lady that she had gone to of her own accord before, who asked her to give up all her pals, and Monks first, which she did and to describe him, which she did and to tell her what house it was that we meet at, and go to, which she did and where it could be best watched from, which she did and what time the people went there, which she did. She did all this. She told it all every word without a threat, without a murmur she did did she not?" cried Fagin, half mad with fury. "All right," replied Noah, scratching his head. "That's just what it was!" "What did they say, about last Sunday?" "About last Sunday!" replied Noah, considering. "Why I told yer that before." "Again. Tell it again!" cried Fagin, tightening his grasp on Sikes, and brandishing his other hand aloft, as the foam flew from his lips. "They asked her," said Noah, who, as he grew more wakeful, seemed to have a dawning perception who Sikes was, "they asked her why she didn't come, last Sunday, as she promised. She said she couldn't." "Why why? Tell him that." "Because she was forcibly kept at home by Bill, the man she had told them of before," replied Noah. "What more of him?" cried Fagin. "What more of the man she had told them of before? Tell him that, tell him that." "Why, that she couldn't very easily get out of doors unless he knew where she was going to," said Noah; "and so the first time she went to see the lady, she ha! ha! ha! it made me laugh when she said it, that it did she gave him a drink of laudanum." "Hell's fire!" cried Sikes, breaking fiercely from the Jew. "Let me go!" Flinging the old man from him, he rushed from the room, and darted, wildly and furiously, up the stairs. "Bill, Bill!" cried Fagin, following him hastily. "A word. Only a word." The word would not have been exchanged, but that the housebreaker was unable to open the door: on which he was expending fruitless oaths and violence, when the Jew came panting up. "Let me out," said Sikes. "Don't speak to me; it's not safe. Let me out, I say!" "Hear me speak a word," rejoined Fagin, laying his hand upon the lock. "You won't be" "Well," replied the other. "You won't be too violent, Bill?" The day was breaking, and there was light enough for the men to see each other's faces. They exchanged one brief glance; there was a fire in the eyes of both, which could not be mistaken. "I mean," said Fagin, showing that he felt all disguise was now useless, "not too violent for safety. Be crafty, Bill, and not too bold." Sikes made no reply; but, pulling open the door, of which Fagin had turned the lock, dashed into the silent streets. Without one pause, or moment's consideration; without once turning his head to the right or left, or raising his eyes to the sky, or lowering them to the ground, but looking straight before him with savage resolution: his teeth so tightly compressed that the strained jaw seemed starting through his skin; the robber held on his headlong course, nor muttered a word, nor relaxed a muscle, until he reached his own door. He opened it, softly, with a key; strode lightly up the stairs; and entering his own room, double-locked the door, and lifting a heavy table against it, drew back the curtain of the bed. The girl was lying, half-dressed, upon it. He had roused her from her sleep, for she raised herself with a hurried and startled look. "Get up!" said the man. "It is you, Bill!" said the girl, with an expression of pleasure at his return. "It is," was the reply. "Get up." There was a candle burning, but the man hastily drew it from the candlestick, and hurled it under the grate. Seeing the faint light of early day without, the girl rose to undraw the curtain. "Let it be," said Sikes, thrusting his hand before her. "There's enough light for wot I've got to do." "Bill," said the girl, in the low voice of alarm, "why do you look like that at me!" The robber sat regarding her, for a few seconds, with dilated nostrils and heaving breast; and then, grasping her by the head and throat, dragged her into the middle of the room, and looking once towards the door, placed his heavy hand upon her mouth. "Bill, Bill!" gasped the girl, wrestling with the strength of mortal fear,<\|quote\|>"I I won't scream or cry not once hear me speak to me tell me what I have done!"</\|quote\|>"You know, you she devil!" returned the robber, suppressing his breath. "You were watched to-night; every word you said was heard." "Then spare my life for the love of Heaven, as I spared yours," rejoined the girl, clinging to him. "Bill, dear Bill, you cannot have the heart to kill me. Oh! think of all I have given up, only this one night, for you. You _shall_ have time to think, and save yourself this crime; I will not loose my hold, you cannot throw me off. Bill, Bill, for dear God's sake, for your own, for mine, stop before you spill my blood! I have been true to you, upon my guilty soul I have!" The man struggled violently, to release his arms; but those of the girl were clasped round his, and tear her as he would, he could not tear them away. "Bill," cried the girl, striving to lay her head upon his breast, "the gentleman and that dear lady, told me to-night of a home in some foreign country where I could end my days in solitude and peace. Let me see them again, and beg them, on my knees, to show the same mercy and goodness to you; and let us both leave this dreadful place, and far apart lead better lives, and forget how we have lived, except in prayers, and never see each other more. It is never too late to repent. They told me so I feel it now but we must have time a little, little time!" The housebreaker freed one arm, and grasped his pistol. The certainty of immediate detection if he fired, flashed across his mind even in the midst of his fury; and he beat it twice with all the force he could summon, upon the upturned face that almost touched his own. She staggered and fell: nearly blinded with the blood that rained down from a deep gash in her forehead; but raising herself, with difficulty, on her knees, drew from her bosom a white handkerchief Rose Maylie's own and holding it up, in her folded hands, as high towards Heaven as her feeble strength would allow, breathed one prayer for mercy to her Maker. It was a ghastly figure to look upon. The murderer staggering backward to the wall, and shutting out the sight with his hand, seized a heavy club and struck her down. CHAPTER XLVIII. THE FLIGHT OF SIKES Of all bad deeds that, under cover of the darkness, had been committed within wide London's bounds since night hung over it, that was the worst. Of all the horrors that rose with an ill scent upon the morning air, that was the foulest and most cruel. The sun the bright sun, that brings back, not light alone, but new life, and hope, and freshness to man burst upon the crowded city in clear and radiant glory. Through costly-coloured glass and paper-mended window, through cathedral dome and rotten crevice, it shed its equal ray. It lighted up the room where the murdered woman lay. It did. He tried to shut it out, but it would stream in. If the sight had been a ghastly one in the dull morning, what was it, now, in all that brilliant light! He had not moved; he had been afraid to stir. There had been a moan and motion of the hand; and, with terror added to rage, he had struck and struck again. Once he threw a rug over it; but it was worse to fancy the eyes, and imagine them moving towards him, than to see them glaring upward, as if watching the reflection of the pool of gore that quivered and danced in the sunlight on the ceiling. He had plucked it off again. And there was the body mere flesh and blood, no more but such flesh, and so much blood! He struck a light, kindled a fire, and thrust the club into it. There was hair upon the end, which blazed and shrunk into a light cinder, and, caught by the air, whirled up the chimney. Even that frightened him, sturdy as he was; but he held the weapon till it broke, and then piled it on the coals to burn away, and smoulder into ashes. He washed himself, and rubbed his clothes; there were spots that would not be removed, but he cut the pieces out, and burnt them. How those stains were dispersed about the room! The very feet of the dog were bloody. All this time he had, never once, turned his back upon the corpse; no, not for a moment. Such preparations completed, he moved, backward, towards the door: dragging the dog with him, lest he should soil his feet anew and carry out new evidence of the crime into	unable to open the door: on which he was expending fruitless oaths and violence, when the Jew came panting up. "Let me out," said Sikes. "Don't speak to me; it's not safe. Let me out, I say!" "Hear me speak a word," rejoined Fagin, laying his hand upon the lock. "You won't be" "Well," replied the other. "You won't be too violent, Bill?" The day was breaking, and there was light enough for the men to see each other's faces. They exchanged one brief glance; there was a fire in the eyes of both, which could not be mistaken. "I mean," said Fagin, showing that he felt all disguise was now useless, "not too violent for safety. Be crafty, Bill, and not too bold." Sikes made no reply; but, pulling open the door, of which Fagin had turned the lock, dashed into the silent streets. Without one pause, or moment's consideration; without once turning his head to the right or left, or raising his eyes to the sky, or lowering them to the ground, but looking straight before him with savage resolution: his teeth so tightly compressed that the strained jaw seemed starting through his skin; the robber held on his headlong course, nor muttered a word, nor relaxed a muscle, until he reached his own door. He opened it, softly, with a key; strode lightly up the stairs; and entering his own room, double-locked the door, and lifting a heavy table against it, drew back the curtain of the bed. The girl was lying, half-dressed, upon it. He had roused her from her sleep, for she raised herself with a hurried and startled look. "Get up!" said the man. "It is you, Bill!" said the girl, with an expression of pleasure at his return. "It is," was the reply. "Get up." There was a candle burning, but the man hastily drew it from the candlestick, and hurled it under the grate. Seeing the faint light of early day without, the girl rose to undraw the curtain. "Let it be," said Sikes, thrusting his hand before her. "There's enough light for wot I've got to do." "Bill," said the girl, in the low voice of alarm, "why do you look like that at me!" The robber sat regarding her, for a few seconds, with dilated nostrils and heaving breast; and then, grasping her by the head and throat, dragged her into the middle of the room, and looking once towards the door, placed his heavy hand upon her mouth. "Bill, Bill!" gasped the girl, wrestling with the strength of mortal fear,<\|quote\|>"I I won't scream or cry not once hear me speak to me tell me what I have done!"</\|quote\|>"You know, you she devil!" returned the robber, suppressing his breath. "You were watched to-night; every word you said was heard." "Then spare my life for the love of Heaven, as I spared yours," rejoined the girl, clinging to him. "Bill, dear Bill, you cannot have the heart to kill me. Oh! think of all I have given up, only this one night, for you. You _shall_ have time to think, and save yourself this crime; I will not loose my hold, you cannot throw me off. Bill, Bill, for dear God's sake, for your own, for mine, stop before you spill my blood! I have been true to you, upon my guilty soul I have!" The man struggled violently, to release his arms; but those of the girl were clasped round his, and tear her as he would, he could not tear them away. "Bill," cried the girl, striving to lay her head upon his breast, "the gentleman and that dear lady, told me to-night of a home in some foreign country where I could end my days in solitude and peace. Let me see them again, and beg them, on my knees, to show the same mercy and goodness to you; and let us both leave this dreadful place, and far apart lead better lives, and forget how we have lived, except in prayers, and never see each other more. It is never too late to repent. They told me so I feel it now but we must have time a little, little time!" The housebreaker freed one arm, and grasped his pistol. The certainty of immediate detection if he fired, flashed across his mind even in the midst of his fury; and he beat it twice with all the force he could summon, upon the upturned face that almost touched his own. She staggered and fell: nearly blinded with the blood that rained down from a deep gash in her forehead; but raising herself, with	Oliver Twist
and suddenly the drawing-room re-echoed to a vulgar row.	No speaker	on me like that for?"<\|quote\|>and suddenly the drawing-room re-echoed to a vulgar row.</\|quote\|>"You ask me why I	do you want to turn on me like that for?"<\|quote\|>and suddenly the drawing-room re-echoed to a vulgar row.</\|quote\|>"You ask me why I turn on you?" "Yes." "What	have let him go. "A little mistake. We tried knowing another class--impossible." But the Schlegels had never played with life. They had attempted friendship, and they would take the consequences. Helen retorted, "I call that a very rude remark. What do you want to turn on me like that for?"<\|quote\|>and suddenly the drawing-room re-echoed to a vulgar row.</\|quote\|>"You ask me why I turn on you?" "Yes." "What do you want to have me here for?" "To help you, you silly boy!" cried Helen. "And don t shout." "I don t want your patronage. I don t want your tea. I was quite happy. What do you want	notice him. "Mr. Wilcox, Mr. Ba--Must you be really? Good-bye!" "Come again," said Helen from the floor. Then Leonard s gorge arose. Why should he come again? What was the good of it? He said roundly: "No, I shan t; I knew it would be a failure." Most people would have let him go. "A little mistake. We tried knowing another class--impossible." But the Schlegels had never played with life. They had attempted friendship, and they would take the consequences. Helen retorted, "I call that a very rude remark. What do you want to turn on me like that for?"<\|quote\|>and suddenly the drawing-room re-echoed to a vulgar row.</\|quote\|>"You ask me why I turn on you?" "Yes." "What do you want to have me here for?" "To help you, you silly boy!" cried Helen. "And don t shout." "I don t want your patronage. I don t want your tea. I was quite happy. What do you want to unsettle me for?" He turned to Mr. Wilcox. "I put it to this gentleman. I ask you, sir, am I to have my brain picked?" Mr. Wilcox turned to Margaret with the air of humorous strength that he could so well command. "Are we intruding, Miss Schlegel? Can we	preceded by two prancing puppies. "Oh, the dears! Oh, Evie, how too impossibly sweet!" screamed Helen, falling on her hands and knees. "We brought the little fellows round," said Mr. Wilcox. "I bred em myself." "Oh, really! Mr. Bast, come and play with puppies." "I ve got to be going now," said Leonard sourly. "But play with puppies a little first." "This is Ahab, that s Jezebel," said Evie, who was one of those who name animals after the less successful characters of Old Testament history. "I ve got to be going." Helen was too much occupied with puppies to notice him. "Mr. Wilcox, Mr. Ba--Must you be really? Good-bye!" "Come again," said Helen from the floor. Then Leonard s gorge arose. Why should he come again? What was the good of it? He said roundly: "No, I shan t; I knew it would be a failure." Most people would have let him go. "A little mistake. We tried knowing another class--impossible." But the Schlegels had never played with life. They had attempted friendship, and they would take the consequences. Helen retorted, "I call that a very rude remark. What do you want to turn on me like that for?"<\|quote\|>and suddenly the drawing-room re-echoed to a vulgar row.</\|quote\|>"You ask me why I turn on you?" "Yes." "What do you want to have me here for?" "To help you, you silly boy!" cried Helen. "And don t shout." "I don t want your patronage. I don t want your tea. I was quite happy. What do you want to unsettle me for?" He turned to Mr. Wilcox. "I put it to this gentleman. I ask you, sir, am I to have my brain picked?" Mr. Wilcox turned to Margaret with the air of humorous strength that he could so well command. "Are we intruding, Miss Schlegel? Can we be of any use, or shall we go?" But Margaret ignored him. "I m connected with a leading insurance company, sir. I receive what I take to be an invitation from these--ladies" (he drawled the word). "I come, and it s to have my brain picked. I ask you, is it fair?" "Highly unfair," said Mr. Wilcox, drawing a gasp from Evie, who knew that her father was becoming dangerous. "There, you hear that? Most unfair, the gentleman says. There! Not content with" "--pointing at Margaret--" "you can t deny it." His voice rose; he was falling into the rhythm	imperfect skill, discussed the subject of reinsurance or praised their anonymous friend. Leonard grew annoyed--perhaps rightly. He made vague remarks about not being one of those who minded their affairs being talked over by others, but they did not take the hint. Men might have shown more tact. Women, however tactful elsewhere, are heavy-handed here. They cannot see why we should shroud our incomes and our prospects in a veil. "How much exactly have you, and how much do you expect to have next June?" And these were women with a theory, who held that reticence about money matters is absurd, and that life would be truer if each would state the exact size of the golden island upon which he stands, the exact stretch of warp over which he throws the woof that is not money. How can we do justice to the pattern otherwise? And the precious minutes slipped away, and Jacky and squalor came nearer. At last he could bear it no longer, and broke in, reciting the names of books feverishly. There was a moment of piercing joy when Margaret said, "So YOU like Carlyle" and then the door opened, and "Mr. Wilcox, Miss Wilcox" entered, preceded by two prancing puppies. "Oh, the dears! Oh, Evie, how too impossibly sweet!" screamed Helen, falling on her hands and knees. "We brought the little fellows round," said Mr. Wilcox. "I bred em myself." "Oh, really! Mr. Bast, come and play with puppies." "I ve got to be going now," said Leonard sourly. "But play with puppies a little first." "This is Ahab, that s Jezebel," said Evie, who was one of those who name animals after the less successful characters of Old Testament history. "I ve got to be going." Helen was too much occupied with puppies to notice him. "Mr. Wilcox, Mr. Ba--Must you be really? Good-bye!" "Come again," said Helen from the floor. Then Leonard s gorge arose. Why should he come again? What was the good of it? He said roundly: "No, I shan t; I knew it would be a failure." Most people would have let him go. "A little mistake. We tried knowing another class--impossible." But the Schlegels had never played with life. They had attempted friendship, and they would take the consequences. Helen retorted, "I call that a very rude remark. What do you want to turn on me like that for?"<\|quote\|>and suddenly the drawing-room re-echoed to a vulgar row.</\|quote\|>"You ask me why I turn on you?" "Yes." "What do you want to have me here for?" "To help you, you silly boy!" cried Helen. "And don t shout." "I don t want your patronage. I don t want your tea. I was quite happy. What do you want to unsettle me for?" He turned to Mr. Wilcox. "I put it to this gentleman. I ask you, sir, am I to have my brain picked?" Mr. Wilcox turned to Margaret with the air of humorous strength that he could so well command. "Are we intruding, Miss Schlegel? Can we be of any use, or shall we go?" But Margaret ignored him. "I m connected with a leading insurance company, sir. I receive what I take to be an invitation from these--ladies" (he drawled the word). "I come, and it s to have my brain picked. I ask you, is it fair?" "Highly unfair," said Mr. Wilcox, drawing a gasp from Evie, who knew that her father was becoming dangerous. "There, you hear that? Most unfair, the gentleman says. There! Not content with" "--pointing at Margaret--" "you can t deny it." His voice rose; he was falling into the rhythm of a scene with Jacky. "But as soon as I m useful it s a very different thing. Oh yes, send for him. Cross-question him. Pick his brains. Oh yes. Now, take me on the whole, I m a quiet fellow: I m law-abiding, I don t wish any unpleasantness; but I--I--" "You," said Margaret--" "you--you--" Laughter from Evie as at a repartee. "You are the man who tried to walk by the Pole Star." More laughter. "You saw the sunrise." Laughter. "You tried to get away from the fogs that are stifling us all--away past books and houses to the truth. You were looking for a real home." "I fail to see the connection," said Leonard, hot with stupid anger. "So do I." There was a pause. "You were that last Sunday--you are this to-day. Mr. Bast! I and my sister have talked you over. We wanted to help you; we also supposed you might help us. We did not have you here out of charity--which bores us--but because we hoped there would be a connection between last Sunday and other days. What is the good of your stars and trees, your sunrise and the wind, if they do	are powerful, we learn little about them. It is only in the days of their decadence that a strong light beats into heaven. "We were told the Porphyrion s no go," blurted Helen. "We wanted to tell you; that s why we wrote." "A friend of ours did think that it is insufficiently reinsured," said Margaret. Now Leonard had his clue. He must praise the Porphyrion. "You can tell your friend," he said, "that he s quite wrong." "Oh, good!" The young man coloured a little. In his circle to be wrong was fatal. The Miss Schlegels did not mind being wrong. They were genuinely glad that they had been misinformed. To them nothing was fatal but evil. "Wrong, so to speak," he added. "How so to speak ?" "I mean I wouldn t say he s right altogether." But this was a blunder. "Then he is right partly," said the elder woman, quick as lightning. Leonard replied that every one was right partly, if it came to that. "Mr. Bast, I don t understand business, and I dare say my questions are stupid, but can you tell me what makes a concern right or wrong ?" Leonard sat back with a sigh. "Our friend, who is also a business man, was so positive. He said before Christmas--" "And advised you to clear out of it," concluded Helen. "But I don t see why he should know better than you do." Leonard rubbed his hands. He was tempted to say that he knew nothing about the thing at all. But a commercial training was too strong for him. Nor could he say it was a bad thing, for this would be giving it away; nor yet that it was good, for this would be giving it away equally. He attempted to suggest that it was something between the two, with vast possibilities in either direction, but broke down under the gaze of four sincere eyes. And yet he scarcely distinguished between the two sisters. One was more beautiful and more lively, but "the Miss Schlegels" still remained a composite Indian god, whose waving arms and contradictory speeches were the product of a single mind. "One can but see," he remarked, adding, "as Ibsen says, things happen." He was itching to talk about books and make the most of his romantic hour. Minute after minute slipped away, while the ladies, with imperfect skill, discussed the subject of reinsurance or praised their anonymous friend. Leonard grew annoyed--perhaps rightly. He made vague remarks about not being one of those who minded their affairs being talked over by others, but they did not take the hint. Men might have shown more tact. Women, however tactful elsewhere, are heavy-handed here. They cannot see why we should shroud our incomes and our prospects in a veil. "How much exactly have you, and how much do you expect to have next June?" And these were women with a theory, who held that reticence about money matters is absurd, and that life would be truer if each would state the exact size of the golden island upon which he stands, the exact stretch of warp over which he throws the woof that is not money. How can we do justice to the pattern otherwise? And the precious minutes slipped away, and Jacky and squalor came nearer. At last he could bear it no longer, and broke in, reciting the names of books feverishly. There was a moment of piercing joy when Margaret said, "So YOU like Carlyle" and then the door opened, and "Mr. Wilcox, Miss Wilcox" entered, preceded by two prancing puppies. "Oh, the dears! Oh, Evie, how too impossibly sweet!" screamed Helen, falling on her hands and knees. "We brought the little fellows round," said Mr. Wilcox. "I bred em myself." "Oh, really! Mr. Bast, come and play with puppies." "I ve got to be going now," said Leonard sourly. "But play with puppies a little first." "This is Ahab, that s Jezebel," said Evie, who was one of those who name animals after the less successful characters of Old Testament history. "I ve got to be going." Helen was too much occupied with puppies to notice him. "Mr. Wilcox, Mr. Ba--Must you be really? Good-bye!" "Come again," said Helen from the floor. Then Leonard s gorge arose. Why should he come again? What was the good of it? He said roundly: "No, I shan t; I knew it would be a failure." Most people would have let him go. "A little mistake. We tried knowing another class--impossible." But the Schlegels had never played with life. They had attempted friendship, and they would take the consequences. Helen retorted, "I call that a very rude remark. What do you want to turn on me like that for?"<\|quote\|>and suddenly the drawing-room re-echoed to a vulgar row.</\|quote\|>"You ask me why I turn on you?" "Yes." "What do you want to have me here for?" "To help you, you silly boy!" cried Helen. "And don t shout." "I don t want your patronage. I don t want your tea. I was quite happy. What do you want to unsettle me for?" He turned to Mr. Wilcox. "I put it to this gentleman. I ask you, sir, am I to have my brain picked?" Mr. Wilcox turned to Margaret with the air of humorous strength that he could so well command. "Are we intruding, Miss Schlegel? Can we be of any use, or shall we go?" But Margaret ignored him. "I m connected with a leading insurance company, sir. I receive what I take to be an invitation from these--ladies" (he drawled the word). "I come, and it s to have my brain picked. I ask you, is it fair?" "Highly unfair," said Mr. Wilcox, drawing a gasp from Evie, who knew that her father was becoming dangerous. "There, you hear that? Most unfair, the gentleman says. There! Not content with" "--pointing at Margaret--" "you can t deny it." His voice rose; he was falling into the rhythm of a scene with Jacky. "But as soon as I m useful it s a very different thing. Oh yes, send for him. Cross-question him. Pick his brains. Oh yes. Now, take me on the whole, I m a quiet fellow: I m law-abiding, I don t wish any unpleasantness; but I--I--" "You," said Margaret--" "you--you--" Laughter from Evie as at a repartee. "You are the man who tried to walk by the Pole Star." More laughter. "You saw the sunrise." Laughter. "You tried to get away from the fogs that are stifling us all--away past books and houses to the truth. You were looking for a real home." "I fail to see the connection," said Leonard, hot with stupid anger. "So do I." There was a pause. "You were that last Sunday--you are this to-day. Mr. Bast! I and my sister have talked you over. We wanted to help you; we also supposed you might help us. We did not have you here out of charity--which bores us--but because we hoped there would be a connection between last Sunday and other days. What is the good of your stars and trees, your sunrise and the wind, if they do not enter into our daily lives? They have never entered into mine, but into yours, we thought--Haven t we all to struggle against life s daily greyness, against pettiness, against mechanical cheerfulness, against suspicion? I struggle by remembering my friends; others I have known by remembering some place--some beloved place or tree--we thought you one of these." "Of course, if there s been any misunderstanding," mumbled Leonard, "all I can do is to go. But I beg to state--" He paused. Ahab and Jezebel danced at his boots and made him look ridiculous. "You were picking my brain for official information--I can prove it--I--" He blew his nose and left them. "Can I help you now?" said Mr. Wilcox, turning to Margaret. "May I have one quiet word with him in the hall?" "Helen, go after him--do anything--anything--to make the noodle understand." Helen hesitated. "But really--" said their visitor. "Ought she to?" At once she went. He resumed. "I would have chimed in, but I felt that you could polish him off for yourselves--I didn t interfere. You were splendid, Miss Schlegel--absolutely splendid. You can take my word for it, but there are very few women who could have managed him." "Oh yes," said Margaret distractedly. "Bowling him over with those long sentences was what fetched me," cried Evie. "Yes, indeed," chuckled her father; "all that part about mechanical cheerfulness --oh, fine!" "I m very sorry," said Margaret, collecting herself. "He s a nice creature really. I cannot think what set him off. It has been most unpleasant for you." "Oh, I didn t mind." Then he changed his mood. He asked if he might speak as an old friend, and, permission given, said: "Oughtn t you really to be more careful?" Margaret laughed, though her thoughts still strayed after Helen. "Do you realise that it s all your fault?" she said. "You re responsible." "I?" "This is the young man whom we were to warn against the Porphyrion. We warn him, and--look!" Mr. Wilcox was annoyed. "I hardly consider that a fair deduction," he said. "Obviously unfair," said Margaret. "I was only thinking how tangled things are. It s our fault mostly--neither yours nor his." "Not his?" "No." "Miss Schlegel, you are too kind." "Yes, indeed," nodded Evie, a little contemptuously. "You behave much too well to people, and then they impose on you. I know the world and	much exactly have you, and how much do you expect to have next June?" And these were women with a theory, who held that reticence about money matters is absurd, and that life would be truer if each would state the exact size of the golden island upon which he stands, the exact stretch of warp over which he throws the woof that is not money. How can we do justice to the pattern otherwise? And the precious minutes slipped away, and Jacky and squalor came nearer. At last he could bear it no longer, and broke in, reciting the names of books feverishly. There was a moment of piercing joy when Margaret said, "So YOU like Carlyle" and then the door opened, and "Mr. Wilcox, Miss Wilcox" entered, preceded by two prancing puppies. "Oh, the dears! Oh, Evie, how too impossibly sweet!" screamed Helen, falling on her hands and knees. "We brought the little fellows round," said Mr. Wilcox. "I bred em myself." "Oh, really! Mr. Bast, come and play with puppies." "I ve got to be going now," said Leonard sourly. "But play with puppies a little first." "This is Ahab, that s Jezebel," said Evie, who was one of those who name animals after the less successful characters of Old Testament history. "I ve got to be going." Helen was too much occupied with puppies to notice him. "Mr. Wilcox, Mr. Ba--Must you be really? Good-bye!" "Come again," said Helen from the floor. Then Leonard s gorge arose. Why should he come again? What was the good of it? He said roundly: "No, I shan t; I knew it would be a failure." Most people would have let him go. "A little mistake. We tried knowing another class--impossible." But the Schlegels had never played with life. They had attempted friendship, and they would take the consequences. Helen retorted, "I call that a very rude remark. What do you want to turn on me like that for?"<\|quote\|>and suddenly the drawing-room re-echoed to a vulgar row.</\|quote\|>"You ask me why I turn on you?" "Yes." "What do you want to have me here for?" "To help you, you silly boy!" cried Helen. "And don t shout." "I don t want your patronage. I don t want your tea. I was quite happy. What do you want to unsettle me for?" He turned to Mr. Wilcox. "I put it to this gentleman. I ask you, sir, am I to have my brain picked?" Mr. Wilcox turned to Margaret with the air of humorous strength that he could so well command. "Are we intruding, Miss Schlegel? Can we be of any use, or shall we go?" But Margaret ignored him. "I m connected with a leading insurance company, sir. I receive what I take to be an invitation from these--ladies" (he drawled the word). "I come, and it s to have my brain picked. I ask you, is it fair?" "Highly unfair," said Mr. Wilcox, drawing a gasp from Evie, who knew that her father was becoming dangerous. "There, you hear that? Most unfair, the gentleman says. There! Not content with" "--pointing at Margaret--" "you can t deny it." His voice rose; he was falling into the rhythm of a scene with Jacky. "But as soon as I m useful it s a very different thing. Oh yes, send for him. Cross-question him. Pick his brains. Oh yes. Now, take me on the whole, I m a quiet fellow: I m law-abiding, I don t wish any unpleasantness; but I--I--" "You," said Margaret--" "you--you--" Laughter from Evie as at a repartee. "You are the man who tried to walk by the Pole Star." More laughter. "You saw the sunrise." Laughter. "You tried to get away from the fogs that are stifling us all--away past books and houses to	Howards End
sobbed Diana,	No speaker	caress thee?" "Indeed I will,"<\|quote\|>sobbed Diana,</\|quote\|>"and I'll never have another	matter what dearer friends may caress thee?" "Indeed I will,"<\|quote\|>sobbed Diana,</\|quote\|>"and I'll never have another bosom friend--I don't want to	stay ten minutes and she's timing me by the clock." "Ten minutes isn't very long to say an eternal farewell in," said Anne tearfully. "Oh, Diana, will you promise faithfully never to forget me, the friend of your youth, no matter what dearer friends may caress thee?" "Indeed I will,"<\|quote\|>sobbed Diana,</\|quote\|>"and I'll never have another bosom friend--I don't want to have. I couldn't love anybody as I love you." "Oh, Diana," cried Anne, clasping her hands, "do you _love_ me?" "Why, of course I do. Didn't you know that?" "No." Anne drew a long breath. "I thought you _liked_ me	she says I'm never to play with you again. I've cried and cried and I told her it wasn't your fault, but it wasn't any use. I had ever such a time coaxing her to let me come down and say good-bye to you. She said I was only to stay ten minutes and she's timing me by the clock." "Ten minutes isn't very long to say an eternal farewell in," said Anne tearfully. "Oh, Diana, will you promise faithfully never to forget me, the friend of your youth, no matter what dearer friends may caress thee?" "Indeed I will,"<\|quote\|>sobbed Diana,</\|quote\|>"and I'll never have another bosom friend--I don't want to have. I couldn't love anybody as I love you." "Oh, Diana," cried Anne, clasping her hands, "do you _love_ me?" "Why, of course I do. Didn't you know that?" "No." Anne drew a long breath. "I thought you _liked_ me of course but I never hoped you _loved_ me. Why, Diana, I didn't think anybody could love me. Nobody ever has loved me since I can remember. Oh, this is wonderful! It's a ray of light which will forever shine on the darkness of a path severed from thee, Diana.	of hair from the child's tear-stained face. Then she bent down and kissed the flushed cheek on the pillow. CHAPTER XVII. A New Interest in Life THE next afternoon Anne, bending over her patchwork at the kitchen window, happened to glance out and beheld Diana down by the Dryad's Bubble beckoning mysteriously. In a trice Anne was out of the house and flying down to the hollow, astonishment and hope struggling in her expressive eyes. But the hope faded when she saw Diana's dejected countenance. "Your mother hasn't relented?" she gasped. Diana shook her head mournfully. "No; and oh, Anne, she says I'm never to play with you again. I've cried and cried and I told her it wasn't your fault, but it wasn't any use. I had ever such a time coaxing her to let me come down and say good-bye to you. She said I was only to stay ten minutes and she's timing me by the clock." "Ten minutes isn't very long to say an eternal farewell in," said Anne tearfully. "Oh, Diana, will you promise faithfully never to forget me, the friend of your youth, no matter what dearer friends may caress thee?" "Indeed I will,"<\|quote\|>sobbed Diana,</\|quote\|>"and I'll never have another bosom friend--I don't want to have. I couldn't love anybody as I love you." "Oh, Diana," cried Anne, clasping her hands, "do you _love_ me?" "Why, of course I do. Didn't you know that?" "No." Anne drew a long breath. "I thought you _liked_ me of course but I never hoped you _loved_ me. Why, Diana, I didn't think anybody could love me. Nobody ever has loved me since I can remember. Oh, this is wonderful! It's a ray of light which will forever shine on the darkness of a path severed from thee, Diana. Oh, just say it once again." "I love you devotedly, Anne," said Diana stanchly, "and I always will, you may be sure of that." "And I will always love thee, Diana," said Anne, solemnly extending her hand. "In the years to come thy memory will shine like a star over my lonely life, as that last story we read together says. Diana, wilt thou give me a lock of thy jet-black tresses in parting to treasure forevermore?" "Have you got anything to cut it with?" queried Diana, wiping away the tears which Anne's affecting accents had caused to flow afresh,	home and behave yourself." Anne's lips quivered. "Won't you let me see Diana just once to say farewell?" she implored. "Diana has gone over to Carmody with her father," said Mrs. Barry, going in and shutting the door. Anne went back to Green Gables calm with despair. "My last hope is gone," she told Marilla. "I went up and saw Mrs. Barry myself and she treated me very insultingly. Marilla, I do _not_ think she is a well-bred woman. There is nothing more to do except to pray and I haven't much hope that that'll do much good because, Marilla, I do not believe that God Himself can do very much with such an obstinate person as Mrs. Barry." "Anne, you shouldn't say such things" rebuked Marilla, striving to overcome that unholy tendency to laughter which she was dismayed to find growing upon her. And indeed, when she told the whole story to Matthew that night, she did laugh heartily over Anne's tribulations. But when she slipped into the east gable before going to bed and found that Anne had cried herself to sleep an unaccustomed softness crept into her face. "Poor little soul," she murmured, lifting a loose curl of hair from the child's tear-stained face. Then she bent down and kissed the flushed cheek on the pillow. CHAPTER XVII. A New Interest in Life THE next afternoon Anne, bending over her patchwork at the kitchen window, happened to glance out and beheld Diana down by the Dryad's Bubble beckoning mysteriously. In a trice Anne was out of the house and flying down to the hollow, astonishment and hope struggling in her expressive eyes. But the hope faded when she saw Diana's dejected countenance. "Your mother hasn't relented?" she gasped. Diana shook her head mournfully. "No; and oh, Anne, she says I'm never to play with you again. I've cried and cried and I told her it wasn't your fault, but it wasn't any use. I had ever such a time coaxing her to let me come down and say good-bye to you. She said I was only to stay ten minutes and she's timing me by the clock." "Ten minutes isn't very long to say an eternal farewell in," said Anne tearfully. "Oh, Diana, will you promise faithfully never to forget me, the friend of your youth, no matter what dearer friends may caress thee?" "Indeed I will,"<\|quote\|>sobbed Diana,</\|quote\|>"and I'll never have another bosom friend--I don't want to have. I couldn't love anybody as I love you." "Oh, Diana," cried Anne, clasping her hands, "do you _love_ me?" "Why, of course I do. Didn't you know that?" "No." Anne drew a long breath. "I thought you _liked_ me of course but I never hoped you _loved_ me. Why, Diana, I didn't think anybody could love me. Nobody ever has loved me since I can remember. Oh, this is wonderful! It's a ray of light which will forever shine on the darkness of a path severed from thee, Diana. Oh, just say it once again." "I love you devotedly, Anne," said Diana stanchly, "and I always will, you may be sure of that." "And I will always love thee, Diana," said Anne, solemnly extending her hand. "In the years to come thy memory will shine like a star over my lonely life, as that last story we read together says. Diana, wilt thou give me a lock of thy jet-black tresses in parting to treasure forevermore?" "Have you got anything to cut it with?" queried Diana, wiping away the tears which Anne's affecting accents had caused to flow afresh, and returning to practicalities. "Yes. I've got my patchwork scissors in my apron pocket fortunately," said Anne. She solemnly clipped one of Diana's curls. "Fare thee well, my beloved friend. Henceforth we must be as strangers though living side by side. But my heart will ever be faithful to thee." Anne stood and watched Diana out of sight, mournfully waving her hand to the latter whenever she turned to look back. Then she returned to the house, not a little consoled for the time being by this romantic parting. "It is all over," she informed Marilla. "I shall never have another friend. I'm really worse off than ever before, for I haven't Katie Maurice and Violetta now. And even if I had it wouldn't be the same. Somehow, little dream girls are not satisfying after a real friend. Diana and I had such an affecting farewell down by the spring. It will be sacred in my memory forever. I used the most pathetic language I could think of and said ?thou' and ?thee.' ?Thou' and ?thee' seem so much more romantic than ?you.' Diana gave me a lock of her hair and I'm going to sew it up in a	all a mistake and you weren't to blame, but she just simply didn't believe me. And she rubbed it well in about my currant wine and how I'd always said it couldn't have the least effect on anybody. I just told her plainly that currant wine wasn't meant to be drunk three tumblerfuls at a time and that if a child I had to do with was so greedy I'd sober her up with a right good spanking." Marilla whisked into the kitchen, grievously disturbed, leaving a very much distracted little soul in the porch behind her. Presently Anne stepped out bareheaded into the chill autumn dusk; very determinedly and steadily she took her way down through the sere clover field over the log bridge and up through the spruce grove, lighted by a pale little moon hanging low over the western woods. Mrs. Barry, coming to the door in answer to a timid knock, found a white-lipped eager-eyed suppliant on the doorstep. Her face hardened. Mrs. Barry was a woman of strong prejudices and dislikes, and her anger was of the cold, sullen sort which is always hardest to overcome. To do her justice, she really believed Anne had made Diana drunk out of sheer malice prepense, and she was honestly anxious to preserve her little daughter from the contamination of further intimacy with such a child. "What do you want?" she said stiffly. Anne clasped her hands. "Oh, Mrs. Barry, please forgive me. I did not mean to--to--intoxicate Diana. How could I? Just imagine if you were a poor little orphan girl that kind people had adopted and you had just one bosom friend in all the world. Do you think you would intoxicate her on purpose? I thought it was only raspberry cordial. I was firmly convinced it was raspberry cordial. Oh, please don't say that you won't let Diana play with me any more. If you do you will cover my life with a dark cloud of woe." This speech which would have softened good Mrs. Lynde's heart in a twinkling, had no effect on Mrs. Barry except to irritate her still more. She was suspicious of Anne's big words and dramatic gestures and imagined that the child was making fun of her. So she said, coldly and cruelly: "I don't think you are a fit little girl for Diana to associate with. You'd better go home and behave yourself." Anne's lips quivered. "Won't you let me see Diana just once to say farewell?" she implored. "Diana has gone over to Carmody with her father," said Mrs. Barry, going in and shutting the door. Anne went back to Green Gables calm with despair. "My last hope is gone," she told Marilla. "I went up and saw Mrs. Barry myself and she treated me very insultingly. Marilla, I do _not_ think she is a well-bred woman. There is nothing more to do except to pray and I haven't much hope that that'll do much good because, Marilla, I do not believe that God Himself can do very much with such an obstinate person as Mrs. Barry." "Anne, you shouldn't say such things" rebuked Marilla, striving to overcome that unholy tendency to laughter which she was dismayed to find growing upon her. And indeed, when she told the whole story to Matthew that night, she did laugh heartily over Anne's tribulations. But when she slipped into the east gable before going to bed and found that Anne had cried herself to sleep an unaccustomed softness crept into her face. "Poor little soul," she murmured, lifting a loose curl of hair from the child's tear-stained face. Then she bent down and kissed the flushed cheek on the pillow. CHAPTER XVII. A New Interest in Life THE next afternoon Anne, bending over her patchwork at the kitchen window, happened to glance out and beheld Diana down by the Dryad's Bubble beckoning mysteriously. In a trice Anne was out of the house and flying down to the hollow, astonishment and hope struggling in her expressive eyes. But the hope faded when she saw Diana's dejected countenance. "Your mother hasn't relented?" she gasped. Diana shook her head mournfully. "No; and oh, Anne, she says I'm never to play with you again. I've cried and cried and I told her it wasn't your fault, but it wasn't any use. I had ever such a time coaxing her to let me come down and say good-bye to you. She said I was only to stay ten minutes and she's timing me by the clock." "Ten minutes isn't very long to say an eternal farewell in," said Anne tearfully. "Oh, Diana, will you promise faithfully never to forget me, the friend of your youth, no matter what dearer friends may caress thee?" "Indeed I will,"<\|quote\|>sobbed Diana,</\|quote\|>"and I'll never have another bosom friend--I don't want to have. I couldn't love anybody as I love you." "Oh, Diana," cried Anne, clasping her hands, "do you _love_ me?" "Why, of course I do. Didn't you know that?" "No." Anne drew a long breath. "I thought you _liked_ me of course but I never hoped you _loved_ me. Why, Diana, I didn't think anybody could love me. Nobody ever has loved me since I can remember. Oh, this is wonderful! It's a ray of light which will forever shine on the darkness of a path severed from thee, Diana. Oh, just say it once again." "I love you devotedly, Anne," said Diana stanchly, "and I always will, you may be sure of that." "And I will always love thee, Diana," said Anne, solemnly extending her hand. "In the years to come thy memory will shine like a star over my lonely life, as that last story we read together says. Diana, wilt thou give me a lock of thy jet-black tresses in parting to treasure forevermore?" "Have you got anything to cut it with?" queried Diana, wiping away the tears which Anne's affecting accents had caused to flow afresh, and returning to practicalities. "Yes. I've got my patchwork scissors in my apron pocket fortunately," said Anne. She solemnly clipped one of Diana's curls. "Fare thee well, my beloved friend. Henceforth we must be as strangers though living side by side. But my heart will ever be faithful to thee." Anne stood and watched Diana out of sight, mournfully waving her hand to the latter whenever she turned to look back. Then she returned to the house, not a little consoled for the time being by this romantic parting. "It is all over," she informed Marilla. "I shall never have another friend. I'm really worse off than ever before, for I haven't Katie Maurice and Violetta now. And even if I had it wouldn't be the same. Somehow, little dream girls are not satisfying after a real friend. Diana and I had such an affecting farewell down by the spring. It will be sacred in my memory forever. I used the most pathetic language I could think of and said ?thou' and ?thee.' ?Thou' and ?thee' seem so much more romantic than ?you.' Diana gave me a lock of her hair and I'm going to sew it up in a little bag and wear it around my neck all my life. Please see that it is buried with me, for I don't believe I'll live very long. Perhaps when she sees me lying cold and dead before her Mrs. Barry may feel remorse for what she has done and will let Diana come to my funeral." "I don't think there is much fear of your dying of grief as long as you can talk, Anne," said Marilla unsympathetically. The following Monday Anne surprised Marilla by coming down from her room with her basket of books on her arm and hip and her lips primmed up into a line of determination. "I'm going back to school," she announced. "That is all there is left in life for me, now that my friend has been ruthlessly torn from me. In school I can look at her and muse over days departed." "You'd better muse over your lessons and sums," said Marilla, concealing her delight at this development of the situation. "If you're going back to school I hope we'll hear no more of breaking slates over people's heads and such carryings on. Behave yourself and do just what your teacher tells you." "I'll try to be a model pupil," agreed Anne dolefully. "There won't be much fun in it, I expect. Mr. Phillips said Minnie Andrews was a model pupil and there isn't a spark of imagination or life in her. She is just dull and poky and never seems to have a good time. But I feel so depressed that perhaps it will come easy to me now. I'm going round by the road. I couldn't bear to go by the Birch Path all alone. I should weep bitter tears if I did." Anne was welcomed back to school with open arms. Her imagination had been sorely missed in games, her voice in the singing and her dramatic ability in the perusal aloud of books at dinner hour. Ruby Gillis smuggled three blue plums over to her during testament reading; Ella May MacPherson gave her an enormous yellow pansy cut from the covers of a floral catalogue--a species of desk decoration much prized in Avonlea school. Sophia Sloane offered to teach her a perfectly elegant new pattern of knit lace, so nice for trimming aprons. Katie Boulter gave her a perfume bottle to keep slate water in, and Julia Bell copied	hands. "Oh, Mrs. Barry, please forgive me. I did not mean to--to--intoxicate Diana. How could I? Just imagine if you were a poor little orphan girl that kind people had adopted and you had just one bosom friend in all the world. Do you think you would intoxicate her on purpose? I thought it was only raspberry cordial. I was firmly convinced it was raspberry cordial. Oh, please don't say that you won't let Diana play with me any more. If you do you will cover my life with a dark cloud of woe." This speech which would have softened good Mrs. Lynde's heart in a twinkling, had no effect on Mrs. Barry except to irritate her still more. She was suspicious of Anne's big words and dramatic gestures and imagined that the child was making fun of her. So she said, coldly and cruelly: "I don't think you are a fit little girl for Diana to associate with. You'd better go home and behave yourself." Anne's lips quivered. "Won't you let me see Diana just once to say farewell?" she implored. "Diana has gone over to Carmody with her father," said Mrs. Barry, going in and shutting the door. Anne went back to Green Gables calm with despair. "My last hope is gone," she told Marilla. "I went up and saw Mrs. Barry myself and she treated me very insultingly. Marilla, I do _not_ think she is a well-bred woman. There is nothing more to do except to pray and I haven't much hope that that'll do much good because, Marilla, I do not believe that God Himself can do very much with such an obstinate person as Mrs. Barry." "Anne, you shouldn't say such things" rebuked Marilla, striving to overcome that unholy tendency to laughter which she was dismayed to find growing upon her. And indeed, when she told the whole story to Matthew that night, she did laugh heartily over Anne's tribulations. But when she slipped into the east gable before going to bed and found that Anne had cried herself to sleep an unaccustomed softness crept into her face. "Poor little soul," she murmured, lifting a loose curl of hair from the child's tear-stained face. Then she bent down and kissed the flushed cheek on the pillow. CHAPTER XVII. A New Interest in Life THE next afternoon Anne, bending over her patchwork at the kitchen window, happened to glance out and beheld Diana down by the Dryad's Bubble beckoning mysteriously. In a trice Anne was out of the house and flying down to the hollow, astonishment and hope struggling in her expressive eyes. But the hope faded when she saw Diana's dejected countenance. "Your mother hasn't relented?" she gasped. Diana shook her head mournfully. "No; and oh, Anne, she says I'm never to play with you again. I've cried and cried and I told her it wasn't your fault, but it wasn't any use. I had ever such a time coaxing her to let me come down and say good-bye to you. She said I was only to stay ten minutes and she's timing me by the clock." "Ten minutes isn't very long to say an eternal farewell in," said Anne tearfully. "Oh, Diana, will you promise faithfully never to forget me, the friend of your youth, no matter what dearer friends may caress thee?" "Indeed I will,"<\|quote\|>sobbed Diana,</\|quote\|>"and I'll never have another bosom friend--I don't want to have. I couldn't love anybody as I love you." "Oh, Diana," cried Anne, clasping her hands, "do you _love_ me?" "Why, of course I do. Didn't you know that?" "No." Anne drew a long breath. "I thought you _liked_ me of course but I never hoped you _loved_ me. Why, Diana, I didn't think anybody could love me. Nobody ever has loved me since I can remember. Oh, this is wonderful! It's a ray of light which will forever shine on the darkness of a path severed from thee, Diana. Oh, just say it once again." "I love you devotedly, Anne," said Diana stanchly, "and I always will, you may be sure of that." "And I will always love thee, Diana," said Anne, solemnly extending her hand. "In the years to come thy memory will shine like a star over my lonely life, as that last story we read together says. Diana, wilt thou give me a lock of thy jet-black tresses in parting to treasure forevermore?" "Have you got anything to cut it with?" queried Diana, wiping away the tears which Anne's affecting accents had caused to flow afresh, and returning to practicalities. "Yes. I've got my patchwork scissors in my apron pocket fortunately," said Anne. She solemnly clipped one of Diana's curls. "Fare thee well, my beloved friend. Henceforth we must be as strangers though living side by side. But my heart will ever be faithful to thee." Anne stood and watched Diana out of sight, mournfully waving her hand to the latter whenever she turned to look back. Then she returned to the house, not a little consoled for the time being by this romantic parting. "It is all over," she informed Marilla. "I shall never have another friend. I'm really worse off than ever before, for I haven't Katie Maurice and Violetta now. And even if I had it wouldn't be the same. Somehow, little dream girls are not satisfying after a real friend. Diana and I had such an affecting farewell down by the spring. It will be sacred in my memory forever. I used the most pathetic language I could think of and said ?thou' and ?thee.' ?Thou' and ?thee' seem so much more romantic than ?you.' Diana gave me a lock of her hair and I'm going to sew it up in a little bag and wear it around my neck all my life. Please see that it is buried with me, for I don't believe I'll live very long. Perhaps when she sees me lying cold and dead before her Mrs. Barry may feel remorse for what she has done and will let Diana come to my funeral." "I don't think there is much fear of your dying of grief as long as you can talk, Anne," said Marilla unsympathetically. The following Monday Anne surprised Marilla by coming down from her room with her basket of books on her arm and hip and her lips primmed up into a line of determination. "I'm going back to school," she announced. "That is all there is left in life for me, now that my friend has been ruthlessly torn from me. In school I can look at her and muse over days departed." "You'd better muse over your lessons and sums," said Marilla, concealing her delight at this development of the situation. "If you're	Anne Of Green Gables
"They haven't met yet, have they?"	Mr. Hastings	turn the conversation by saying:<\|quote\|>"They haven't met yet, have they?"</\|quote\|>"Who?" "Mr. Inglethorp and Miss	I endeavoured to try and turn the conversation by saying:<\|quote\|>"They haven't met yet, have they?"</\|quote\|>"Who?" "Mr. Inglethorp and Miss Howard." She looked at me	rushed past me like a mad bull." "He's rather upset about something," I remarked feebly. I really did not know how much Poirot would wish me to disclose. As I saw a faint smile gather on Mrs. Cavendish's expressive mouth, I endeavoured to try and turn the conversation by saying:<\|quote\|>"They haven't met yet, have they?"</\|quote\|>"Who?" "Mr. Inglethorp and Miss Howard." She looked at me in rather a disconcerting manner. "Do you think it would be such a disaster if they did meet?" "Well, don't you?" I said, rather taken aback. "No." She was smiling in her quiet way. "I should like to see a	by the time I had reached the top of the stairs, he was out of sight. Mary Cavendish was standing where the staircase branched, staring down into the hall in the direction in which he had disappeared. "What has happened to your extraordinary little friend, Mr. Hastings? He has just rushed past me like a mad bull." "He's rather upset about something," I remarked feebly. I really did not know how much Poirot would wish me to disclose. As I saw a faint smile gather on Mrs. Cavendish's expressive mouth, I endeavoured to try and turn the conversation by saying:<\|quote\|>"They haven't met yet, have they?"</\|quote\|>"Who?" "Mr. Inglethorp and Miss Howard." She looked at me in rather a disconcerting manner. "Do you think it would be such a disaster if they did meet?" "Well, don't you?" I said, rather taken aback. "No." She was smiling in her quiet way. "I should like to see a good flare up. It would clear the air. At present we are all thinking so much, and saying so little." "John doesn't think so," I remarked. "He's anxious to keep them apart." "Oh, John!" Something in her tone fired me, and I blurted out: "Old John's an awfully good sort."	without doubt, possibly the scrap of paper Dorcas saw in her hand yesterday afternoon. And I" his anger burst forth freely "miserable animal that I am! I guessed nothing! I have behaved like an imbecile! I should never have left that case here. I should have carried it away with me. Ah, triple pig! And now it is gone. It is destroyed but is it destroyed? Is there not yet a chance we must leave no stone unturned" He rushed like a madman from the room, and I followed him as soon as I had sufficiently recovered my wits. But, by the time I had reached the top of the stairs, he was out of sight. Mary Cavendish was standing where the staircase branched, staring down into the hall in the direction in which he had disappeared. "What has happened to your extraordinary little friend, Mr. Hastings? He has just rushed past me like a mad bull." "He's rather upset about something," I remarked feebly. I really did not know how much Poirot would wish me to disclose. As I saw a faint smile gather on Mrs. Cavendish's expressive mouth, I endeavoured to try and turn the conversation by saying:<\|quote\|>"They haven't met yet, have they?"</\|quote\|>"Who?" "Mr. Inglethorp and Miss Howard." She looked at me in rather a disconcerting manner. "Do you think it would be such a disaster if they did meet?" "Well, don't you?" I said, rather taken aback. "No." She was smiling in her quiet way. "I should like to see a good flare up. It would clear the air. At present we are all thinking so much, and saying so little." "John doesn't think so," I remarked. "He's anxious to keep them apart." "Oh, John!" Something in her tone fired me, and I blurted out: "Old John's an awfully good sort." She studied me curiously for a minute or two, and then said, to my great surprise: "You are loyal to your friend. I like you for that." "Aren't you my friend too?" "I am a very bad friend." "Why do you say that?" "Because it is true. I am charming to my friends one day, and forget all about them the next." I don't know what impelled me, but I was nettled, and I said foolishly and not in the best of taste: "Yet you seem to be invariably charming to Dr. Bauerstein!" Instantly I regretted my words. Her face	"Who? That is the question. Why? Ah, if I only knew. When? Since I was here an hour ago. As to the door being locked, it is a very ordinary lock. Probably any other of the doorkeys in this passage would fit it." We stared at one another blankly. Poirot had walked over to the mantelpiece. He was outwardly calm, but I noticed his hands, which from long force of habit were mechanically straightening the spill vases on the mantelpiece, were shaking violently. "See here, it was like this," he said at last. "There was something in that case some piece of evidence, slight in itself perhaps, but still enough of a clue to connect the murderer with the crime. It was vital to him that it should be destroyed before it was discovered and its significance appreciated. Therefore, he took the risk, the great risk, of coming in here. Finding the case locked, he was obliged to force it, thus betraying his presence. For him to take that risk, it must have been something of great importance." "But what was it?" "Ah!" cried Poirot, with a gesture of anger. "That, I do not know! A document of some kind, without doubt, possibly the scrap of paper Dorcas saw in her hand yesterday afternoon. And I" his anger burst forth freely "miserable animal that I am! I guessed nothing! I have behaved like an imbecile! I should never have left that case here. I should have carried it away with me. Ah, triple pig! And now it is gone. It is destroyed but is it destroyed? Is there not yet a chance we must leave no stone unturned" He rushed like a madman from the room, and I followed him as soon as I had sufficiently recovered my wits. But, by the time I had reached the top of the stairs, he was out of sight. Mary Cavendish was standing where the staircase branched, staring down into the hall in the direction in which he had disappeared. "What has happened to your extraordinary little friend, Mr. Hastings? He has just rushed past me like a mad bull." "He's rather upset about something," I remarked feebly. I really did not know how much Poirot would wish me to disclose. As I saw a faint smile gather on Mrs. Cavendish's expressive mouth, I endeavoured to try and turn the conversation by saying:<\|quote\|>"They haven't met yet, have they?"</\|quote\|>"Who?" "Mr. Inglethorp and Miss Howard." She looked at me in rather a disconcerting manner. "Do you think it would be such a disaster if they did meet?" "Well, don't you?" I said, rather taken aback. "No." She was smiling in her quiet way. "I should like to see a good flare up. It would clear the air. At present we are all thinking so much, and saying so little." "John doesn't think so," I remarked. "He's anxious to keep them apart." "Oh, John!" Something in her tone fired me, and I blurted out: "Old John's an awfully good sort." She studied me curiously for a minute or two, and then said, to my great surprise: "You are loyal to your friend. I like you for that." "Aren't you my friend too?" "I am a very bad friend." "Why do you say that?" "Because it is true. I am charming to my friends one day, and forget all about them the next." I don't know what impelled me, but I was nettled, and I said foolishly and not in the best of taste: "Yet you seem to be invariably charming to Dr. Bauerstein!" Instantly I regretted my words. Her face stiffened. I had the impression of a steel curtain coming down and blotting out the real woman. Without a word, she turned and went swiftly up the stairs, whilst I stood like an idiot gaping after her. I was recalled to other matters by a frightful row going on below. I could hear Poirot shouting and expounding. I was vexed to think that my diplomacy had been in vain. The little man appeared to be taking the whole house into his confidence, a proceeding of which I, for one, doubted the wisdom. Once again I could not help regretting that my friend was so prone to lose his head in moments of excitement. I stepped briskly down the stairs. The sight of me calmed Poirot almost immediately. I drew him aside. "My dear fellow," I said, "is this wise? Surely you don't want the whole house to know of this occurrence? You are actually playing into the criminal's hands." "You think so, Hastings?" "I am sure of it." "Well, well, my friend, I will be guided by you." "Good. Although, unfortunately, it is a little too late now." "Sure." He looked so crestfallen and abashed that I felt quite sorry,	a different footing. I took my stand from the first." So many pounds a year I'm worth to you. Well and good. But not a penny piece besides not a pair of gloves, nor a theatre ticket.' "She didn't understand was very offended sometimes. Said I was foolishly proud. It wasn't that but I couldn't explain. Anyway, I kept my self-respect. And so, out of the whole bunch, I was the only one who could allow myself to be fond of her. I watched over her. I guarded her from the lot of them, and then a glib-tongued scoundrel comes along, and pooh! all my years of devotion go for nothing." Poirot nodded sympathetically. "I understand, mademoiselle, I understand all you feel. It is most natural. You think that we are lukewarm that we lack fire and energy but trust me, it is not so." John stuck his head in at this juncture, and invited us both to come up to Mrs. Inglethorp's room, as he and Mr. Wells had finished looking through the desk in the boudoir. As we went up the stairs, John looked back to the dining-room door, and lowered his voice confidentially: "Look here, what's going to happen when these two meet?" I shook my head helplessly. "I've told Mary to keep them apart if she can." "Will she be able to do so?" "The Lord only knows. There's one thing, Inglethorp himself won't be too keen on meeting her." "You've got the keys still, haven't you, Poirot?" I asked, as we reached the door of the locked room. Taking the keys from Poirot, John unlocked it, and we all passed in. The lawyer went straight to the desk, and John followed him. "My mother kept most of her important papers in this despatch-case, I believe," he said. Poirot drew out the small bunch of keys. "Permit me. I locked it, out of precaution, this morning." "But it's not locked now." "Impossible!" "See." And John lifted the lid as he spoke. "_Milles tonnerres!_" cried Poirot, dumbfounded. "And I who have both the keys in my pocket!" He flung himself upon the case. Suddenly he stiffened. "_Eh voil une affaire!_ This lock has been forced." "What?" Poirot laid down the case again. "But who forced it? Why should they? When? But the door was locked?" These exclamations burst from us disjointedly. Poirot answered them categorically almost mechanically. "Who? That is the question. Why? Ah, if I only knew. When? Since I was here an hour ago. As to the door being locked, it is a very ordinary lock. Probably any other of the doorkeys in this passage would fit it." We stared at one another blankly. Poirot had walked over to the mantelpiece. He was outwardly calm, but I noticed his hands, which from long force of habit were mechanically straightening the spill vases on the mantelpiece, were shaking violently. "See here, it was like this," he said at last. "There was something in that case some piece of evidence, slight in itself perhaps, but still enough of a clue to connect the murderer with the crime. It was vital to him that it should be destroyed before it was discovered and its significance appreciated. Therefore, he took the risk, the great risk, of coming in here. Finding the case locked, he was obliged to force it, thus betraying his presence. For him to take that risk, it must have been something of great importance." "But what was it?" "Ah!" cried Poirot, with a gesture of anger. "That, I do not know! A document of some kind, without doubt, possibly the scrap of paper Dorcas saw in her hand yesterday afternoon. And I" his anger burst forth freely "miserable animal that I am! I guessed nothing! I have behaved like an imbecile! I should never have left that case here. I should have carried it away with me. Ah, triple pig! And now it is gone. It is destroyed but is it destroyed? Is there not yet a chance we must leave no stone unturned" He rushed like a madman from the room, and I followed him as soon as I had sufficiently recovered my wits. But, by the time I had reached the top of the stairs, he was out of sight. Mary Cavendish was standing where the staircase branched, staring down into the hall in the direction in which he had disappeared. "What has happened to your extraordinary little friend, Mr. Hastings? He has just rushed past me like a mad bull." "He's rather upset about something," I remarked feebly. I really did not know how much Poirot would wish me to disclose. As I saw a faint smile gather on Mrs. Cavendish's expressive mouth, I endeavoured to try and turn the conversation by saying:<\|quote\|>"They haven't met yet, have they?"</\|quote\|>"Who?" "Mr. Inglethorp and Miss Howard." She looked at me in rather a disconcerting manner. "Do you think it would be such a disaster if they did meet?" "Well, don't you?" I said, rather taken aback. "No." She was smiling in her quiet way. "I should like to see a good flare up. It would clear the air. At present we are all thinking so much, and saying so little." "John doesn't think so," I remarked. "He's anxious to keep them apart." "Oh, John!" Something in her tone fired me, and I blurted out: "Old John's an awfully good sort." She studied me curiously for a minute or two, and then said, to my great surprise: "You are loyal to your friend. I like you for that." "Aren't you my friend too?" "I am a very bad friend." "Why do you say that?" "Because it is true. I am charming to my friends one day, and forget all about them the next." I don't know what impelled me, but I was nettled, and I said foolishly and not in the best of taste: "Yet you seem to be invariably charming to Dr. Bauerstein!" Instantly I regretted my words. Her face stiffened. I had the impression of a steel curtain coming down and blotting out the real woman. Without a word, she turned and went swiftly up the stairs, whilst I stood like an idiot gaping after her. I was recalled to other matters by a frightful row going on below. I could hear Poirot shouting and expounding. I was vexed to think that my diplomacy had been in vain. The little man appeared to be taking the whole house into his confidence, a proceeding of which I, for one, doubted the wisdom. Once again I could not help regretting that my friend was so prone to lose his head in moments of excitement. I stepped briskly down the stairs. The sight of me calmed Poirot almost immediately. I drew him aside. "My dear fellow," I said, "is this wise? Surely you don't want the whole house to know of this occurrence? You are actually playing into the criminal's hands." "You think so, Hastings?" "I am sure of it." "Well, well, my friend, I will be guided by you." "Good. Although, unfortunately, it is a little too late now." "Sure." He looked so crestfallen and abashed that I felt quite sorry, though I still thought my rebuke a just and wise one. "Well," he said at last, "let us go, _mon ami_." "You have finished here?" "For the moment, yes. You will walk back with me to the village?" "Willingly." He picked up his little suit-case, and we went out through the open window in the drawing-room. Cynthia Murdoch was just coming in, and Poirot stood aside to let her pass. "Excuse me, mademoiselle, one minute." "Yes?" she turned inquiringly. "Did you ever make up Mrs. Inglethorp's medicines?" A slight flush rose in her face, as she answered rather constrainedly: "No." "Only her powders?" The flush deepened as Cynthia replied: "Oh, yes, I did make up some sleeping powders for her once." "These?" Poirot produced the empty box which had contained powders. She nodded. "Can you tell me what they were? Sulphonal? Veronal?" "No, they were bromide powders." "Ah! Thank you, mademoiselle; good morning." As we walked briskly away from the house, I glanced at him more than once. I had often before noticed that, if anything excited him, his eyes turned green like a cat's. They were shining like emeralds now. "My friend," he broke out at last, "I have a little idea, a very strange, and probably utterly impossible idea. And yet it fits in." I shrugged my shoulders. I privately thought that Poirot was rather too much given to these fantastic ideas. In this case, surely, the truth was only too plain and apparent. "So that is the explanation of the blank label on the box," I remarked. "Very simple, as you said. I really wonder that I did not think of it myself." Poirot did not appear to be listening to me. "They have made one more discovery, _l -bas_," he observed, jerking his thumb over his shoulder in the direction of Styles. "Mr. Wells told me as we were going upstairs." "What was it?" "Locked up in the desk in the boudoir, they found a will of Mrs. Inglethorp's, dated before her marriage, leaving her fortune to Alfred Inglethorp. It must have been made just at the time they were engaged. It came quite as a surprise to Wells and to John Cavendish also. It was written on one of those printed will forms, and witnessed by two of the servants not Dorcas." "Did Mr. Inglethorp know of it?" "He says not." "One might take that	great importance." "But what was it?" "Ah!" cried Poirot, with a gesture of anger. "That, I do not know! A document of some kind, without doubt, possibly the scrap of paper Dorcas saw in her hand yesterday afternoon. And I" his anger burst forth freely "miserable animal that I am! I guessed nothing! I have behaved like an imbecile! I should never have left that case here. I should have carried it away with me. Ah, triple pig! And now it is gone. It is destroyed but is it destroyed? Is there not yet a chance we must leave no stone unturned" He rushed like a madman from the room, and I followed him as soon as I had sufficiently recovered my wits. But, by the time I had reached the top of the stairs, he was out of sight. Mary Cavendish was standing where the staircase branched, staring down into the hall in the direction in which he had disappeared. "What has happened to your extraordinary little friend, Mr. Hastings? He has just rushed past me like a mad bull." "He's rather upset about something," I remarked feebly. I really did not know how much Poirot would wish me to disclose. As I saw a faint smile gather on Mrs. Cavendish's expressive mouth, I endeavoured to try and turn the conversation by saying:<\|quote\|>"They haven't met yet, have they?"</\|quote\|>"Who?" "Mr. Inglethorp and Miss Howard." She looked at me in rather a disconcerting manner. "Do you think it would be such a disaster if they did meet?" "Well, don't you?" I said, rather taken aback. "No." She was smiling in her quiet way. "I should like to see a good flare up. It would clear the air. At present we are all thinking so much, and saying so little." "John doesn't think so," I remarked. "He's anxious to keep them apart." "Oh, John!" Something in her tone fired me, and I blurted out: "Old John's an awfully good sort." She studied me curiously for a minute or two, and then said, to my great surprise: "You are loyal to your friend. I like you for that." "Aren't you my friend too?" "I am a very bad friend." "Why do you say that?" "Because it is true. I am charming to my friends one day, and forget all about them the next." I don't know what impelled me, but I was nettled, and I said foolishly and not in the best of taste: "Yet you seem to be invariably charming to Dr. Bauerstein!" Instantly I regretted my words. Her face stiffened. I had the impression of a steel curtain coming down and blotting out the real woman. Without a word, she turned and went swiftly up the stairs, whilst I stood like an idiot gaping after her. I was recalled to other matters by a frightful row going on below. I could hear Poirot shouting and expounding. I was vexed to think that my diplomacy had been in vain. The little man appeared to be taking the whole house into his confidence, a proceeding of which I, for one, doubted the wisdom. Once again I could not help regretting that my friend was so prone to lose his head in moments of excitement. I stepped briskly down the stairs. The sight of me calmed Poirot almost immediately. I drew him aside. "My dear fellow," I said, "is this wise? Surely you don't want the whole house to know of this occurrence? You are actually playing into the criminal's hands." "You think so, Hastings?" "I am sure of it." "Well, well, my friend, I will be guided by you." "Good. Although, unfortunately, it is a little too late now." "Sure." He looked so crestfallen and abashed that I felt quite sorry, though I still thought my rebuke a just and wise one. "Well," he said at last, "let us go, _mon ami_." "You have finished here?" "For the moment, yes. You will walk back with me to the village?" "Willingly." He picked up his little suit-case, and we went out through the open window in the drawing-room. Cynthia Murdoch was just coming in, and Poirot stood aside to let her pass. "Excuse me, mademoiselle, one minute." "Yes?" she turned inquiringly. "Did you ever make up Mrs. Inglethorp's medicines?" A slight flush rose in her face, as she answered rather constrainedly: "No." "Only her powders?" The flush deepened as Cynthia replied: "Oh, yes, I did make up some sleeping powders for her once." "These?" Poirot produced the empty box which had contained powders. She nodded. "Can you tell me what	The Mysterious Affair At Styles
"to take example by you, Bitzer."	Mrs. Sparsit	do well," returned Mrs. Sparsit,<\|quote\|>"to take example by you, Bitzer."</\|quote\|>"Thank you, ma'am. But, since	your eminence does." "They would do well," returned Mrs. Sparsit,<\|quote\|>"to take example by you, Bitzer."</\|quote\|>"Thank you, ma'am. But, since you do refer to me,	said Bitzer, dropping his voice and drawing nearer, "he is as improvident as any of the people in this town. And you know what _their_ improvidence is, ma'am. No one could wish to know it better than a lady of your eminence does." "They would do well," returned Mrs. Sparsit,<\|quote\|>"to take example by you, Bitzer."</\|quote\|>"Thank you, ma'am. But, since you do refer to me, now look at me, ma'am. I have put by a little, ma'am, already. That gratuity which I receive at Christmas, ma'am: I never touch it. I don't even go the length of my wages, though they're not high, ma'am. Why	"Ah h!" sighed Mrs. Sparsit again, with another melancholy shake of her head. "He is to be pitied, ma'am. The last party I have alluded to, is to be pitied, ma'am," said Bitzer. "Yes, Bitzer," said Mrs. Sparsit. "I have always pitied the delusion, always." "As to an individual, ma'am," said Bitzer, dropping his voice and drawing nearer, "he is as improvident as any of the people in this town. And you know what _their_ improvidence is, ma'am. No one could wish to know it better than a lady of your eminence does." "They would do well," returned Mrs. Sparsit,<\|quote\|>"to take example by you, Bitzer."</\|quote\|>"Thank you, ma'am. But, since you do refer to me, now look at me, ma'am. I have put by a little, ma'am, already. That gratuity which I receive at Christmas, ma'am: I never touch it. I don't even go the length of my wages, though they're not high, ma'am. Why can't they do as I have done, ma'am? What one person can do, another can do." This, again, was among the fictions of Coketown. Any capitalist there, who had made sixty thousand pounds out of sixpence, always professed to wonder why the sixty thousand nearest Hands didn't each make sixty	the point where it had been interrupted. "An individual, ma'am," said Bitzer, "has never been what he ought to have been, since he first came into the place. He is a dissipated, extravagant idler. He is not worth his salt, ma'am. He wouldn't get it either, if he hadn't a friend and relation at court, ma'am!" "Ah h!" said Mrs. Sparsit, with another melancholy shake of her head. "I only hope, ma'am," pursued Bitzer, "that his friend and relation may not supply him with the means of carrying on. Otherwise, ma'am, we know out of whose pocket _that_ money comes." "Ah h!" sighed Mrs. Sparsit again, with another melancholy shake of her head. "He is to be pitied, ma'am. The last party I have alluded to, is to be pitied, ma'am," said Bitzer. "Yes, Bitzer," said Mrs. Sparsit. "I have always pitied the delusion, always." "As to an individual, ma'am," said Bitzer, dropping his voice and drawing nearer, "he is as improvident as any of the people in this town. And you know what _their_ improvidence is, ma'am. No one could wish to know it better than a lady of your eminence does." "They would do well," returned Mrs. Sparsit,<\|quote\|>"to take example by you, Bitzer."</\|quote\|>"Thank you, ma'am. But, since you do refer to me, now look at me, ma'am. I have put by a little, ma'am, already. That gratuity which I receive at Christmas, ma'am: I never touch it. I don't even go the length of my wages, though they're not high, ma'am. Why can't they do as I have done, ma'am? What one person can do, another can do." This, again, was among the fictions of Coketown. Any capitalist there, who had made sixty thousand pounds out of sixpence, always professed to wonder why the sixty thousand nearest Hands didn't each make sixty thousand pounds out of sixpence, and more or less reproached them every one for not accomplishing the little feat. What I did you can do. Why don't you go and do it? "As to their wanting recreations, ma'am," said Bitzer, "it's stuff and nonsense. _I_ don't want recreations. I never did, and I never shall; I don't like 'em. As to their combining together; there are many of them, I have no doubt, that by watching and informing upon one another could earn a trifle now and then, whether in money or good will, and improve their livelihood. Then, why	"I hold a trust here, Bitzer, under Mr. Bounderby. However improbable both Mr. Bounderby and myself might have deemed it years ago, that he would ever become my patron, making me an annual compliment, I cannot but regard him in that light. From Mr. Bounderby I have received every acknowledgment of my social station, and every recognition of my family descent, that I could possibly expect. More, far more. Therefore, to my patron I will be scrupulously true. And I do not consider, I will not consider, I cannot consider," said Mrs. Sparsit, with a most extensive stock on hand of honour and morality, "that I _should_ be scrupulously true, if I allowed names to be mentioned under this roof, that are unfortunately most unfortunately no doubt of that connected with his." Bitzer knuckled his forehead again, and again begged pardon. "No, Bitzer," continued Mrs. Sparsit, "say an individual, and I will hear you; say Mr. Thomas, and you must excuse me." "With the usual exception, ma'am," said Bitzer, trying back, "of an individual." "Ah h!" Mrs. Sparsit repeated the ejaculation, the shake of the head over her tea-cup, and the long gulp, as taking up the conversation again at the point where it had been interrupted. "An individual, ma'am," said Bitzer, "has never been what he ought to have been, since he first came into the place. He is a dissipated, extravagant idler. He is not worth his salt, ma'am. He wouldn't get it either, if he hadn't a friend and relation at court, ma'am!" "Ah h!" said Mrs. Sparsit, with another melancholy shake of her head. "I only hope, ma'am," pursued Bitzer, "that his friend and relation may not supply him with the means of carrying on. Otherwise, ma'am, we know out of whose pocket _that_ money comes." "Ah h!" sighed Mrs. Sparsit again, with another melancholy shake of her head. "He is to be pitied, ma'am. The last party I have alluded to, is to be pitied, ma'am," said Bitzer. "Yes, Bitzer," said Mrs. Sparsit. "I have always pitied the delusion, always." "As to an individual, ma'am," said Bitzer, dropping his voice and drawing nearer, "he is as improvident as any of the people in this town. And you know what _their_ improvidence is, ma'am. No one could wish to know it better than a lady of your eminence does." "They would do well," returned Mrs. Sparsit,<\|quote\|>"to take example by you, Bitzer."</\|quote\|>"Thank you, ma'am. But, since you do refer to me, now look at me, ma'am. I have put by a little, ma'am, already. That gratuity which I receive at Christmas, ma'am: I never touch it. I don't even go the length of my wages, though they're not high, ma'am. Why can't they do as I have done, ma'am? What one person can do, another can do." This, again, was among the fictions of Coketown. Any capitalist there, who had made sixty thousand pounds out of sixpence, always professed to wonder why the sixty thousand nearest Hands didn't each make sixty thousand pounds out of sixpence, and more or less reproached them every one for not accomplishing the little feat. What I did you can do. Why don't you go and do it? "As to their wanting recreations, ma'am," said Bitzer, "it's stuff and nonsense. _I_ don't want recreations. I never did, and I never shall; I don't like 'em. As to their combining together; there are many of them, I have no doubt, that by watching and informing upon one another could earn a trifle now and then, whether in money or good will, and improve their livelihood. Then, why don't they improve it, ma'am! It's the first consideration of a rational creature, and it's what they pretend to want." "Pretend indeed!" said Mrs. Sparsit. "I am sure we are constantly hearing, ma'am, till it becomes quite nauseous, concerning their wives and families," said Bitzer. "Why look at me, ma'am! I don't want a wife and family. Why should they?" "Because they are improvident," said Mrs. Sparsit. "Yes, ma'am," returned Bitzer, "that's where it is. If they were more provident and less perverse, ma'am, what would they do? They would say," "While my hat covers my family," "or" "while my bonnet covers my family," "as the case might be, ma'am" "I have only one to feed, and that's the person I most like to feed."" "To be sure," assented Mrs. Sparsit, eating muffin. "Thank you, ma'am," said Bitzer, knuckling his forehead again, in return for the favour of Mrs. Sparsit's improving conversation. "Would you wish a little more hot water, ma'am, or is there anything else that I could fetch you?" "Nothing just now, Bitzer." "Thank you, ma'am. I shouldn't wish to disturb you at your meals, ma'am, particularly tea, knowing your partiality for it," said Bitzer, craning a little	now and then slided into my lady, instead of ma'am, as an involuntary acknowledgment of Mrs. Sparsit's personal dignity and claims to reverence. "The clerks," said Mrs. Sparsit, carefully brushing an imperceptible crumb of bread and butter from her left-hand mitten, "are trustworthy, punctual, and industrious, of course?" "Yes, ma'am, pretty fair, ma'am. With the usual exception." He held the respectable office of general spy and informer in the establishment, for which volunteer service he received a present at Christmas, over and above his weekly wage. He had grown into an extremely clear-headed, cautious, prudent young man, who was safe to rise in the world. His mind was so exactly regulated, that he had no affections or passions. All his proceedings were the result of the nicest and coldest calculation; and it was not without cause that Mrs. Sparsit habitually observed of him, that he was a young man of the steadiest principle she had ever known. Having satisfied himself, on his father's death, that his mother had a right of settlement in Coketown, this excellent young economist had asserted that right for her with such a steadfast adherence to the principle of the case, that she had been shut up in the workhouse ever since. It must be admitted that he allowed her half a pound of tea a year, which was weak in him: first, because all gifts have an inevitable tendency to pauperise the recipient, and secondly, because his only reasonable transaction in that commodity would have been to buy it for as little as he could possibly give, and sell it for as much as he could possibly get; it having been clearly ascertained by philosophers that in this is comprised the whole duty of man not a part of man's duty, but the whole. "Pretty fair, ma'am. With the usual exception, ma'am," repeated Bitzer. "Ah h!" said Mrs. Sparsit, shaking her head over her tea-cup, and taking a long gulp. "Mr. Thomas, ma'am, I doubt Mr. Thomas very much, ma'am, I don't like his ways at all." "Bitzer," said Mrs. Sparsit, in a very impressive manner, "do you recollect my having said anything to you respecting names?" "I beg your pardon, ma'am. It's quite true that you did object to names being used, and they're always best avoided." "Please to remember that I have a charge here," said Mrs. Sparsit, with her air of state. "I hold a trust here, Bitzer, under Mr. Bounderby. However improbable both Mr. Bounderby and myself might have deemed it years ago, that he would ever become my patron, making me an annual compliment, I cannot but regard him in that light. From Mr. Bounderby I have received every acknowledgment of my social station, and every recognition of my family descent, that I could possibly expect. More, far more. Therefore, to my patron I will be scrupulously true. And I do not consider, I will not consider, I cannot consider," said Mrs. Sparsit, with a most extensive stock on hand of honour and morality, "that I _should_ be scrupulously true, if I allowed names to be mentioned under this roof, that are unfortunately most unfortunately no doubt of that connected with his." Bitzer knuckled his forehead again, and again begged pardon. "No, Bitzer," continued Mrs. Sparsit, "say an individual, and I will hear you; say Mr. Thomas, and you must excuse me." "With the usual exception, ma'am," said Bitzer, trying back, "of an individual." "Ah h!" Mrs. Sparsit repeated the ejaculation, the shake of the head over her tea-cup, and the long gulp, as taking up the conversation again at the point where it had been interrupted. "An individual, ma'am," said Bitzer, "has never been what he ought to have been, since he first came into the place. He is a dissipated, extravagant idler. He is not worth his salt, ma'am. He wouldn't get it either, if he hadn't a friend and relation at court, ma'am!" "Ah h!" said Mrs. Sparsit, with another melancholy shake of her head. "I only hope, ma'am," pursued Bitzer, "that his friend and relation may not supply him with the means of carrying on. Otherwise, ma'am, we know out of whose pocket _that_ money comes." "Ah h!" sighed Mrs. Sparsit again, with another melancholy shake of her head. "He is to be pitied, ma'am. The last party I have alluded to, is to be pitied, ma'am," said Bitzer. "Yes, Bitzer," said Mrs. Sparsit. "I have always pitied the delusion, always." "As to an individual, ma'am," said Bitzer, dropping his voice and drawing nearer, "he is as improvident as any of the people in this town. And you know what _their_ improvidence is, ma'am. No one could wish to know it better than a lady of your eminence does." "They would do well," returned Mrs. Sparsit,<\|quote\|>"to take example by you, Bitzer."</\|quote\|>"Thank you, ma'am. But, since you do refer to me, now look at me, ma'am. I have put by a little, ma'am, already. That gratuity which I receive at Christmas, ma'am: I never touch it. I don't even go the length of my wages, though they're not high, ma'am. Why can't they do as I have done, ma'am? What one person can do, another can do." This, again, was among the fictions of Coketown. Any capitalist there, who had made sixty thousand pounds out of sixpence, always professed to wonder why the sixty thousand nearest Hands didn't each make sixty thousand pounds out of sixpence, and more or less reproached them every one for not accomplishing the little feat. What I did you can do. Why don't you go and do it? "As to their wanting recreations, ma'am," said Bitzer, "it's stuff and nonsense. _I_ don't want recreations. I never did, and I never shall; I don't like 'em. As to their combining together; there are many of them, I have no doubt, that by watching and informing upon one another could earn a trifle now and then, whether in money or good will, and improve their livelihood. Then, why don't they improve it, ma'am! It's the first consideration of a rational creature, and it's what they pretend to want." "Pretend indeed!" said Mrs. Sparsit. "I am sure we are constantly hearing, ma'am, till it becomes quite nauseous, concerning their wives and families," said Bitzer. "Why look at me, ma'am! I don't want a wife and family. Why should they?" "Because they are improvident," said Mrs. Sparsit. "Yes, ma'am," returned Bitzer, "that's where it is. If they were more provident and less perverse, ma'am, what would they do? They would say," "While my hat covers my family," "or" "while my bonnet covers my family," "as the case might be, ma'am" "I have only one to feed, and that's the person I most like to feed."" "To be sure," assented Mrs. Sparsit, eating muffin. "Thank you, ma'am," said Bitzer, knuckling his forehead again, in return for the favour of Mrs. Sparsit's improving conversation. "Would you wish a little more hot water, ma'am, or is there anything else that I could fetch you?" "Nothing just now, Bitzer." "Thank you, ma'am. I shouldn't wish to disturb you at your meals, ma'am, particularly tea, knowing your partiality for it," said Bitzer, craning a little to look over into the street from where he stood; "but there's a gentleman been looking up here for a minute or so, ma'am, and he has come across as if he was going to knock. That _is_ his knock, ma'am, no doubt." He stepped to the window; and looking out, and drawing in his head again, confirmed himself with, "Yes, ma'am. Would you wish the gentleman to be shown in, ma'am?" "I don't know who it can be," said Mrs. Sparsit, wiping her mouth and arranging her mittens. "A stranger, ma'am, evidently." "What a stranger can want at the Bank at this time of the evening, unless he comes upon some business for which he is too late, I don't know," said Mrs. Sparsit, "but I hold a charge in this establishment from Mr. Bounderby, and I will never shrink from it. If to see him is any part of the duty I have accepted, I will see him. Use your own discretion, Bitzer." Here the visitor, all unconscious of Mrs. Sparsit's magnanimous words, repeated his knock so loudly that the light porter hastened down to open the door; while Mrs. Sparsit took the precaution of concealing her little table, with all its appliances upon it, in a cupboard, and then decamped up-stairs, that she might appear, if needful, with the greater dignity. "If you please, ma'am, the gentleman would wish to see you," said Bitzer, with his light eye at Mrs. Sparsit's keyhole. So, Mrs. Sparsit, who had improved the interval by touching up her cap, took her classical features down-stairs again, and entered the board-room in the manner of a Roman matron going outside the city walls to treat with an invading general. The visitor having strolled to the window, and being then engaged in looking carelessly out, was as unmoved by this impressive entry as man could possibly be. He stood whistling to himself with all imaginable coolness, with his hat still on, and a certain air of exhaustion upon him, in part arising from excessive summer, and in part from excessive gentility. For it was to be seen with half an eye that he was a thorough gentleman, made to the model of the time; weary of everything, and putting no more faith in anything than Lucifer. "I believe, sir," quoth Mrs. Sparsit, "you wished to see me." "I beg your pardon," he said, turning	be scrupulously true, if I allowed names to be mentioned under this roof, that are unfortunately most unfortunately no doubt of that connected with his." Bitzer knuckled his forehead again, and again begged pardon. "No, Bitzer," continued Mrs. Sparsit, "say an individual, and I will hear you; say Mr. Thomas, and you must excuse me." "With the usual exception, ma'am," said Bitzer, trying back, "of an individual." "Ah h!" Mrs. Sparsit repeated the ejaculation, the shake of the head over her tea-cup, and the long gulp, as taking up the conversation again at the point where it had been interrupted. "An individual, ma'am," said Bitzer, "has never been what he ought to have been, since he first came into the place. He is a dissipated, extravagant idler. He is not worth his salt, ma'am. He wouldn't get it either, if he hadn't a friend and relation at court, ma'am!" "Ah h!" said Mrs. Sparsit, with another melancholy shake of her head. "I only hope, ma'am," pursued Bitzer, "that his friend and relation may not supply him with the means of carrying on. Otherwise, ma'am, we know out of whose pocket _that_ money comes." "Ah h!" sighed Mrs. Sparsit again, with another melancholy shake of her head. "He is to be pitied, ma'am. The last party I have alluded to, is to be pitied, ma'am," said Bitzer. "Yes, Bitzer," said Mrs. Sparsit. "I have always pitied the delusion, always." "As to an individual, ma'am," said Bitzer, dropping his voice and drawing nearer, "he is as improvident as any of the people in this town. And you know what _their_ improvidence is, ma'am. No one could wish to know it better than a lady of your eminence does." "They would do well," returned Mrs. Sparsit,<\|quote\|>"to take example by you, Bitzer."</\|quote\|>"Thank you, ma'am. But, since you do refer to me, now look at me, ma'am. I have put by a little, ma'am, already. That gratuity which I receive at Christmas, ma'am: I never touch it. I don't even go the length of my wages, though they're not high, ma'am. Why can't they do as I have done, ma'am? What one person can do, another can do." This, again, was among the fictions of Coketown. Any capitalist there, who had made sixty thousand pounds out of sixpence, always professed to wonder why the sixty thousand nearest Hands didn't each make sixty thousand pounds out of sixpence, and more or less reproached them every one for not accomplishing the little feat. What I did you can do. Why don't you go and do it? "As to their wanting recreations, ma'am," said Bitzer, "it's stuff and nonsense. _I_ don't want recreations. I never did, and I never shall; I don't like 'em. As to their combining together; there are many of them, I have no doubt, that by watching and informing upon one another could earn a trifle now and then, whether in money or good will, and improve their livelihood. Then, why don't they improve it, ma'am! It's the first consideration of a rational creature, and it's what they pretend to want." "Pretend indeed!" said Mrs. Sparsit. "I am sure we are constantly hearing, ma'am, till it becomes quite nauseous, concerning their wives and families," said Bitzer. "Why look at me, ma'am! I don't want a wife and family. Why should they?" "Because they are improvident," said Mrs. Sparsit. "Yes, ma'am," returned Bitzer, "that's where it is. If they were more provident and less perverse, ma'am, what would they do? They would say," "While my hat covers my family," "or" "while my bonnet covers my family," "as the case might be, ma'am" "I have only one to feed, and that's the person I most like to feed."" "To be sure," assented Mrs. Sparsit, eating muffin. "Thank you, ma'am," said Bitzer, knuckling his	Hard Times
"My dearest creature, what can have made you so late? I have been waiting for you at least this age!"	Isabella Thorpe	her first address naturally was,<\|quote\|>"My dearest creature, what can have made you so late? I have been waiting for you at least this age!"</\|quote\|>"Have you, indeed! I am	five minutes before her friend, her first address naturally was,<\|quote\|>"My dearest creature, what can have made you so late? I have been waiting for you at least this age!"</\|quote\|>"Have you, indeed! I am very sorry for it; but	nine days, is given as a specimen of their very warm attachment, and of the delicacy, discretion, originality of thought, and literary taste which marked the reasonableness of that attachment. They met by appointment; and as Isabella had arrived nearly five minutes before her friend, her first address naturally was,<\|quote\|>"My dearest creature, what can have made you so late? I have been waiting for you at least this age!"</\|quote\|>"Have you, indeed! I am very sorry for it; but really I thought I was in very good time. It is but just one. I hope you have not been here long?" "Oh! These ten ages at least. I am sure I have been here this half hour. But now,	which no longer concern anyone living; and their language, too, frequently so coarse as to give no very favourable idea of the age that could endure it. CHAPTER 6 The following conversation, which took place between the two friends in the pump-room one morning, after an acquaintance of eight or nine days, is given as a specimen of their very warm attachment, and of the delicacy, discretion, originality of thought, and literary taste which marked the reasonableness of that attachment. They met by appointment; and as Isabella had arrived nearly five minutes before her friend, her first address naturally was,<\|quote\|>"My dearest creature, what can have made you so late? I have been waiting for you at least this age!"</\|quote\|>"Have you, indeed! I am very sorry for it; but really I thought I was in very good time. It is but just one. I hope you have not been here long?" "Oh! These ten ages at least. I am sure I have been here this half hour. But now, let us go and sit down at the other end of the room, and enjoy ourselves. I have an hundred things to say to you. In the first place, I was so afraid it would rain this morning, just as I wanted to set off; it looked very showery, and	its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best-chosen language. Now, had the same young lady been engaged with a volume of the Spectator, instead of such a work, how proudly would she have produced the book, and told its name; though the chances must be against her being occupied by any part of that voluminous publication, of which either the matter or manner would not disgust a young person of taste: the substance of its papers so often consisting in the statement of improbable circumstances, unnatural characters, and topics of conversation which no longer concern anyone living; and their language, too, frequently so coarse as to give no very favourable idea of the age that could endure it. CHAPTER 6 The following conversation, which took place between the two friends in the pump-room one morning, after an acquaintance of eight or nine days, is given as a specimen of their very warm attachment, and of the delicacy, discretion, originality of thought, and literary taste which marked the reasonableness of that attachment. They met by appointment; and as Isabella had arrived nearly five minutes before her friend, her first address naturally was,<\|quote\|>"My dearest creature, what can have made you so late? I have been waiting for you at least this age!"</\|quote\|>"Have you, indeed! I am very sorry for it; but really I thought I was in very good time. It is but just one. I hope you have not been here long?" "Oh! These ten ages at least. I am sure I have been here this half hour. But now, let us go and sit down at the other end of the room, and enjoy ourselves. I have an hundred things to say to you. In the first place, I was so afraid it would rain this morning, just as I wanted to set off; it looked very showery, and that would have thrown me into agonies! Do you know, I saw the prettiest hat you can imagine, in a shop window in Milsom Street just now very like yours, only with coquelicot ribbons instead of green; I quite longed for it. But, my dearest Catherine, what have you been doing with yourself all this morning? Have you gone on with Udolpho?" "Yes, I have been reading it ever since I woke; and I am got to the black veil." "Are you, indeed? How delightful! Oh! I would not tell you what is behind the black veil for the world!	no species of composition has been so much decried. From pride, ignorance, or fashion, our foes are almost as many as our readers. And while the abilities of the nine-hundredth abridger of the History of England, or of the man who collects and publishes in a volume some dozen lines of Milton, Pope, and Prior, with a paper from the Spectator, and a chapter from Sterne, are eulogized by a thousand pens there seems almost a general wish of decrying the capacity and undervaluing the labour of the novelist, and of slighting the performances which have only genius, wit, and taste to recommend them. "I am no novel-reader I seldom look into novels Do not imagine that _I_ often read novels It is really very well for a novel." Such is the common cant. "And what are you reading, Miss ?" "Oh! It is only a novel!" replies the young lady, while she lays down her book with affected indifference, or momentary shame. "It is only Cecilia, or Camilla, or Belinda"; or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best-chosen language. Now, had the same young lady been engaged with a volume of the Spectator, instead of such a work, how proudly would she have produced the book, and told its name; though the chances must be against her being occupied by any part of that voluminous publication, of which either the matter or manner would not disgust a young person of taste: the substance of its papers so often consisting in the statement of improbable circumstances, unnatural characters, and topics of conversation which no longer concern anyone living; and their language, too, frequently so coarse as to give no very favourable idea of the age that could endure it. CHAPTER 6 The following conversation, which took place between the two friends in the pump-room one morning, after an acquaintance of eight or nine days, is given as a specimen of their very warm attachment, and of the delicacy, discretion, originality of thought, and literary taste which marked the reasonableness of that attachment. They met by appointment; and as Isabella had arrived nearly five minutes before her friend, her first address naturally was,<\|quote\|>"My dearest creature, what can have made you so late? I have been waiting for you at least this age!"</\|quote\|>"Have you, indeed! I am very sorry for it; but really I thought I was in very good time. It is but just one. I hope you have not been here long?" "Oh! These ten ages at least. I am sure I have been here this half hour. But now, let us go and sit down at the other end of the room, and enjoy ourselves. I have an hundred things to say to you. In the first place, I was so afraid it would rain this morning, just as I wanted to set off; it looked very showery, and that would have thrown me into agonies! Do you know, I saw the prettiest hat you can imagine, in a shop window in Milsom Street just now very like yours, only with coquelicot ribbons instead of green; I quite longed for it. But, my dearest Catherine, what have you been doing with yourself all this morning? Have you gone on with Udolpho?" "Yes, I have been reading it ever since I woke; and I am got to the black veil." "Are you, indeed? How delightful! Oh! I would not tell you what is behind the black veil for the world! Are not you wild to know?" "Oh! Yes, quite; what can it be? But do not tell me I would not be told upon any account. I know it must be a skeleton, I am sure it is Laurentina s skeleton. Oh! I am delighted with the book! I should like to spend my whole life in reading it. I assure you, if it had not been to meet you, I would not have come away from it for all the world." "Dear creature! How much I am obliged to you; and when you have finished Udolpho, we will read the Italian together; and I have made out a list of ten or twelve more of the same kind for you." "Have you, indeed! How glad I am! What are they all?" "I will read you their names directly; here they are, in my pocketbook. Castle of Wolfenbach, Clermont, Mysterious Warnings, Necromancer of the Black Forest, Midnight Bell, Orphan of the Rhine, and Horrid Mysteries. Those will last us some time." "Yes, pretty well; but are they all horrid, are you sure they are all horrid?" "Yes, quite sure; for a particular friend of mine, a Miss Andrews, a sweet	of good fortune, had found these friends by no means so expensively dressed as herself. Her daily expressions were no longer, "I wish we had some acquaintance in Bath!" They were changed into, "How glad I am we have met with Mrs. Thorpe!" and she was as eager in promoting the intercourse of the two families, as her young charge and Isabella themselves could be; never satisfied with the day unless she spent the chief of it by the side of Mrs. Thorpe, in what they called conversation, but in which there was scarcely ever any exchange of opinion, and not often any resemblance of subject, for Mrs. Thorpe talked chiefly of her children, and Mrs. Allen of her gowns. The progress of the friendship between Catherine and Isabella was quick as its beginning had been warm, and they passed so rapidly through every gradation of increasing tenderness that there was shortly no fresh proof of it to be given to their friends or themselves. They called each other by their Christian name, were always arm in arm when they walked, pinned up each other s train for the dance, and were not to be divided in the set; and if a rainy morning deprived them of other enjoyments, they were still resolute in meeting in defiance of wet and dirt, and shut themselves up, to read novels together. Yes, novels; for I will not adopt that ungenerous and impolitic custom so common with novel-writers, of degrading by their contemptuous censure the very performances, to the number of which they are themselves adding joining with their greatest enemies in bestowing the harshest epithets on such works, and scarcely ever permitting them to be read by their own heroine, who, if she accidentally take up a novel, is sure to turn over its insipid pages with disgust. Alas! If the heroine of one novel be not patronized by the heroine of another, from whom can she expect protection and regard? I cannot approve of it. Let us leave it to the reviewers to abuse such effusions of fancy at their leisure, and over every new novel to talk in threadbare strains of the trash with which the press now groans. Let us not desert one another; we are an injured body. Although our productions have afforded more extensive and unaffected pleasure than those of any other literary corporation in the world, no species of composition has been so much decried. From pride, ignorance, or fashion, our foes are almost as many as our readers. And while the abilities of the nine-hundredth abridger of the History of England, or of the man who collects and publishes in a volume some dozen lines of Milton, Pope, and Prior, with a paper from the Spectator, and a chapter from Sterne, are eulogized by a thousand pens there seems almost a general wish of decrying the capacity and undervaluing the labour of the novelist, and of slighting the performances which have only genius, wit, and taste to recommend them. "I am no novel-reader I seldom look into novels Do not imagine that _I_ often read novels It is really very well for a novel." Such is the common cant. "And what are you reading, Miss ?" "Oh! It is only a novel!" replies the young lady, while she lays down her book with affected indifference, or momentary shame. "It is only Cecilia, or Camilla, or Belinda"; or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best-chosen language. Now, had the same young lady been engaged with a volume of the Spectator, instead of such a work, how proudly would she have produced the book, and told its name; though the chances must be against her being occupied by any part of that voluminous publication, of which either the matter or manner would not disgust a young person of taste: the substance of its papers so often consisting in the statement of improbable circumstances, unnatural characters, and topics of conversation which no longer concern anyone living; and their language, too, frequently so coarse as to give no very favourable idea of the age that could endure it. CHAPTER 6 The following conversation, which took place between the two friends in the pump-room one morning, after an acquaintance of eight or nine days, is given as a specimen of their very warm attachment, and of the delicacy, discretion, originality of thought, and literary taste which marked the reasonableness of that attachment. They met by appointment; and as Isabella had arrived nearly five minutes before her friend, her first address naturally was,<\|quote\|>"My dearest creature, what can have made you so late? I have been waiting for you at least this age!"</\|quote\|>"Have you, indeed! I am very sorry for it; but really I thought I was in very good time. It is but just one. I hope you have not been here long?" "Oh! These ten ages at least. I am sure I have been here this half hour. But now, let us go and sit down at the other end of the room, and enjoy ourselves. I have an hundred things to say to you. In the first place, I was so afraid it would rain this morning, just as I wanted to set off; it looked very showery, and that would have thrown me into agonies! Do you know, I saw the prettiest hat you can imagine, in a shop window in Milsom Street just now very like yours, only with coquelicot ribbons instead of green; I quite longed for it. But, my dearest Catherine, what have you been doing with yourself all this morning? Have you gone on with Udolpho?" "Yes, I have been reading it ever since I woke; and I am got to the black veil." "Are you, indeed? How delightful! Oh! I would not tell you what is behind the black veil for the world! Are not you wild to know?" "Oh! Yes, quite; what can it be? But do not tell me I would not be told upon any account. I know it must be a skeleton, I am sure it is Laurentina s skeleton. Oh! I am delighted with the book! I should like to spend my whole life in reading it. I assure you, if it had not been to meet you, I would not have come away from it for all the world." "Dear creature! How much I am obliged to you; and when you have finished Udolpho, we will read the Italian together; and I have made out a list of ten or twelve more of the same kind for you." "Have you, indeed! How glad I am! What are they all?" "I will read you their names directly; here they are, in my pocketbook. Castle of Wolfenbach, Clermont, Mysterious Warnings, Necromancer of the Black Forest, Midnight Bell, Orphan of the Rhine, and Horrid Mysteries. Those will last us some time." "Yes, pretty well; but are they all horrid, are you sure they are all horrid?" "Yes, quite sure; for a particular friend of mine, a Miss Andrews, a sweet girl, one of the sweetest creatures in the world, has read every one of them. I wish you knew Miss Andrews, you would be delighted with her. She is netting herself the sweetest cloak you can conceive. I think her as beautiful as an angel, and I am so vexed with the men for not admiring her! I scold them all amazingly about it." "Scold them! Do you scold them for not admiring her?" "Yes, that I do. There is nothing I would not do for those who are really my friends. I have no notion of loving people by halves; it is not my nature. My attachments are always excessively strong. I told Captain Hunt at one of our assemblies this winter that if he was to tease me all night, I would not dance with him, unless he would allow Miss Andrews to be as beautiful as an angel. The men think us incapable of real friendship, you know, and I am determined to show them the difference. Now, if I were to hear anybody speak slightingly of you, I should fire up in a moment: but that is not at all likely, for _you_ are just the kind of girl to be a great favourite with the men." "Oh, dear!" cried Catherine, colouring. "How can you say so?" "I know you very well; you have so much animation, which is exactly what Miss Andrews wants, for I must confess there is something amazingly insipid about her. Oh! I must tell you, that just after we parted yesterday, I saw a young man looking at you so earnestly I am sure he is in love with you." Catherine coloured, and disclaimed again. Isabella laughed. "It is very true, upon my honour, but I see how it is; you are indifferent to everybody s admiration, except that of one gentleman, who shall be nameless. Nay, I cannot blame you" speaking more seriously "your feelings are easily understood. Where the heart is really attached, I know very well how little one can be pleased with the attention of anybody else. Everything is so insipid, so uninteresting, that does not relate to the beloved object! I can perfectly comprehend your feelings." "But you should not persuade me that I think so very much about Mr. Tilney, for perhaps I may never see him again." "Not see him again! My dearest creature,	groans. Let us not desert one another; we are an injured body. Although our productions have afforded more extensive and unaffected pleasure than those of any other literary corporation in the world, no species of composition has been so much decried. From pride, ignorance, or fashion, our foes are almost as many as our readers. And while the abilities of the nine-hundredth abridger of the History of England, or of the man who collects and publishes in a volume some dozen lines of Milton, Pope, and Prior, with a paper from the Spectator, and a chapter from Sterne, are eulogized by a thousand pens there seems almost a general wish of decrying the capacity and undervaluing the labour of the novelist, and of slighting the performances which have only genius, wit, and taste to recommend them. "I am no novel-reader I seldom look into novels Do not imagine that _I_ often read novels It is really very well for a novel." Such is the common cant. "And what are you reading, Miss ?" "Oh! It is only a novel!" replies the young lady, while she lays down her book with affected indifference, or momentary shame. "It is only Cecilia, or Camilla, or Belinda"; or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best-chosen language. Now, had the same young lady been engaged with a volume of the Spectator, instead of such a work, how proudly would she have produced the book, and told its name; though the chances must be against her being occupied by any part of that voluminous publication, of which either the matter or manner would not disgust a young person of taste: the substance of its papers so often consisting in the statement of improbable circumstances, unnatural characters, and topics of conversation which no longer concern anyone living; and their language, too, frequently so coarse as to give no very favourable idea of the age that could endure it. CHAPTER 6 The following conversation, which took place between the two friends in the pump-room one morning, after an acquaintance of eight or nine days, is given as a specimen of their very warm attachment, and of the delicacy, discretion, originality of thought, and literary taste which marked the reasonableness of that attachment. They met by appointment; and as Isabella had arrived nearly five minutes before her friend, her first address naturally was,<\|quote\|>"My dearest creature, what can have made you so late? I have been waiting for you at least this age!"</\|quote\|>"Have you, indeed! I am very sorry for it; but really I thought I was in very good time. It is but just one. I hope you have not been here long?" "Oh! These ten ages at least. I am sure I have been here this half hour. But now, let us go and sit down at the other end of the room, and enjoy ourselves. I have an hundred things to say to you. In the first place, I was so afraid it would rain this morning, just as I wanted to set off; it looked very showery, and that would have thrown me into agonies! Do you know, I saw the prettiest hat you can imagine, in a shop window in Milsom Street just now very like yours, only with coquelicot ribbons instead of green; I quite longed for it. But, my dearest Catherine, what have you been doing with yourself all this morning? Have you gone on with Udolpho?" "Yes, I have been reading it ever since I woke; and I am got to the black veil." "Are you, indeed? How delightful! Oh! I would not tell you what is behind the black veil for the world! Are not you wild to know?" "Oh! Yes, quite; what can it be? But do not tell me I would not be told upon any account. I know it must be a skeleton, I am sure it is Laurentina s skeleton. Oh! I am delighted with the book! I should like to spend my whole life in reading it. I assure you, if it had not been to meet you, I would not have come away from it for all the world." "Dear creature! How much I am obliged to you; and when you have finished Udolpho, we will read the Italian together; and I have made out a list of ten or twelve more of the same kind for you." "Have you, indeed! How glad I am! What are they all?" "I will read you their names directly;	Northanger Abbey
Then he changed his mood. He asked if he might speak as an old friend, and, permission given, said:	No speaker	"Oh, I didn t mind."<\|quote\|>Then he changed his mood. He asked if he might speak as an old friend, and, permission given, said:</\|quote\|>"Oughtn t you really to	been most unpleasant for you." "Oh, I didn t mind."<\|quote\|>Then he changed his mood. He asked if he might speak as an old friend, and, permission given, said:</\|quote\|>"Oughtn t you really to be more careful?" Margaret laughed,	fetched me," cried Evie. "Yes, indeed," chuckled her father; "all that part about mechanical cheerfulness --oh, fine!" "I m very sorry," said Margaret, collecting herself. "He s a nice creature really. I cannot think what set him off. It has been most unpleasant for you." "Oh, I didn t mind."<\|quote\|>Then he changed his mood. He asked if he might speak as an old friend, and, permission given, said:</\|quote\|>"Oughtn t you really to be more careful?" Margaret laughed, though her thoughts still strayed after Helen. "Do you realise that it s all your fault?" she said. "You re responsible." "I?" "This is the young man whom we were to warn against the Porphyrion. We warn him, and--look!" Mr.	felt that you could polish him off for yourselves--I didn t interfere. You were splendid, Miss Schlegel--absolutely splendid. You can take my word for it, but there are very few women who could have managed him." "Oh yes," said Margaret distractedly. "Bowling him over with those long sentences was what fetched me," cried Evie. "Yes, indeed," chuckled her father; "all that part about mechanical cheerfulness --oh, fine!" "I m very sorry," said Margaret, collecting herself. "He s a nice creature really. I cannot think what set him off. It has been most unpleasant for you." "Oh, I didn t mind."<\|quote\|>Then he changed his mood. He asked if he might speak as an old friend, and, permission given, said:</\|quote\|>"Oughtn t you really to be more careful?" Margaret laughed, though her thoughts still strayed after Helen. "Do you realise that it s all your fault?" she said. "You re responsible." "I?" "This is the young man whom we were to warn against the Porphyrion. We warn him, and--look!" Mr. Wilcox was annoyed. "I hardly consider that a fair deduction," he said. "Obviously unfair," said Margaret. "I was only thinking how tangled things are. It s our fault mostly--neither yours nor his." "Not his?" "No." "Miss Schlegel, you are too kind." "Yes, indeed," nodded Evie, a little contemptuously. "You behave	mumbled Leonard, "all I can do is to go. But I beg to state--" He paused. Ahab and Jezebel danced at his boots and made him look ridiculous. "You were picking my brain for official information--I can prove it--I--" He blew his nose and left them. "Can I help you now?" said Mr. Wilcox, turning to Margaret. "May I have one quiet word with him in the hall?" "Helen, go after him--do anything--anything--to make the noodle understand." Helen hesitated. "But really--" said their visitor. "Ought she to?" At once she went. He resumed. "I would have chimed in, but I felt that you could polish him off for yourselves--I didn t interfere. You were splendid, Miss Schlegel--absolutely splendid. You can take my word for it, but there are very few women who could have managed him." "Oh yes," said Margaret distractedly. "Bowling him over with those long sentences was what fetched me," cried Evie. "Yes, indeed," chuckled her father; "all that part about mechanical cheerfulness --oh, fine!" "I m very sorry," said Margaret, collecting herself. "He s a nice creature really. I cannot think what set him off. It has been most unpleasant for you." "Oh, I didn t mind."<\|quote\|>Then he changed his mood. He asked if he might speak as an old friend, and, permission given, said:</\|quote\|>"Oughtn t you really to be more careful?" Margaret laughed, though her thoughts still strayed after Helen. "Do you realise that it s all your fault?" she said. "You re responsible." "I?" "This is the young man whom we were to warn against the Porphyrion. We warn him, and--look!" Mr. Wilcox was annoyed. "I hardly consider that a fair deduction," he said. "Obviously unfair," said Margaret. "I was only thinking how tangled things are. It s our fault mostly--neither yours nor his." "Not his?" "No." "Miss Schlegel, you are too kind." "Yes, indeed," nodded Evie, a little contemptuously. "You behave much too well to people, and then they impose on you. I know the world and that type of man, and as soon as I entered the room I saw you had not been treating him properly. You must keep that type at a distance. Otherwise they forget themselves. Sad, but true. They aren t our sort, and one must face the fact." "Ye--es." "Do admit that we should never have had the outburst if he was a gentleman." "I admit it willingly," said Margaret, who was pacing up and down the room. "A gentleman would have kept his suspicions	the man who tried to walk by the Pole Star." More laughter. "You saw the sunrise." Laughter. "You tried to get away from the fogs that are stifling us all--away past books and houses to the truth. You were looking for a real home." "I fail to see the connection," said Leonard, hot with stupid anger. "So do I." There was a pause. "You were that last Sunday--you are this to-day. Mr. Bast! I and my sister have talked you over. We wanted to help you; we also supposed you might help us. We did not have you here out of charity--which bores us--but because we hoped there would be a connection between last Sunday and other days. What is the good of your stars and trees, your sunrise and the wind, if they do not enter into our daily lives? They have never entered into mine, but into yours, we thought--Haven t we all to struggle against life s daily greyness, against pettiness, against mechanical cheerfulness, against suspicion? I struggle by remembering my friends; others I have known by remembering some place--some beloved place or tree--we thought you one of these." "Of course, if there s been any misunderstanding," mumbled Leonard, "all I can do is to go. But I beg to state--" He paused. Ahab and Jezebel danced at his boots and made him look ridiculous. "You were picking my brain for official information--I can prove it--I--" He blew his nose and left them. "Can I help you now?" said Mr. Wilcox, turning to Margaret. "May I have one quiet word with him in the hall?" "Helen, go after him--do anything--anything--to make the noodle understand." Helen hesitated. "But really--" said their visitor. "Ought she to?" At once she went. He resumed. "I would have chimed in, but I felt that you could polish him off for yourselves--I didn t interfere. You were splendid, Miss Schlegel--absolutely splendid. You can take my word for it, but there are very few women who could have managed him." "Oh yes," said Margaret distractedly. "Bowling him over with those long sentences was what fetched me," cried Evie. "Yes, indeed," chuckled her father; "all that part about mechanical cheerfulness --oh, fine!" "I m very sorry," said Margaret, collecting herself. "He s a nice creature really. I cannot think what set him off. It has been most unpleasant for you." "Oh, I didn t mind."<\|quote\|>Then he changed his mood. He asked if he might speak as an old friend, and, permission given, said:</\|quote\|>"Oughtn t you really to be more careful?" Margaret laughed, though her thoughts still strayed after Helen. "Do you realise that it s all your fault?" she said. "You re responsible." "I?" "This is the young man whom we were to warn against the Porphyrion. We warn him, and--look!" Mr. Wilcox was annoyed. "I hardly consider that a fair deduction," he said. "Obviously unfair," said Margaret. "I was only thinking how tangled things are. It s our fault mostly--neither yours nor his." "Not his?" "No." "Miss Schlegel, you are too kind." "Yes, indeed," nodded Evie, a little contemptuously. "You behave much too well to people, and then they impose on you. I know the world and that type of man, and as soon as I entered the room I saw you had not been treating him properly. You must keep that type at a distance. Otherwise they forget themselves. Sad, but true. They aren t our sort, and one must face the fact." "Ye--es." "Do admit that we should never have had the outburst if he was a gentleman." "I admit it willingly," said Margaret, who was pacing up and down the room. "A gentleman would have kept his suspicions to himself." Mr. Wilcox watched her with a vague uneasiness. "What did he suspect you of?" "Of wanting to make money out of him." "Intolerable brute! But how were you to benefit?" "Exactly. How indeed! Just horrible, corroding suspicion. One touch of thought or of goodwill would have brushed it away. Just the senseless fear that does make men intolerable brutes." "I come back to my original point. You ought to be more careful, Miss Schlegel. Your servants ought to have orders not to let such people in." She turned to him frankly. "Let me explain exactly why we like this man, and want to see him again." "That s your clever way of talking. I shall never believe you like him." "I do. Firstly, because he cares for physical adventure, just as you do. Yes, you go motoring and shooting; he would like to go camping out. Secondly, he cares for something special IN adventure. It is quickest to call that special something poetry--" "Oh, he s one of that writer sort." "No--oh no! I mean he may be, but it would be loathsome stuff. His brain is filled with the husks of books, culture--horrible; we want him to	who name animals after the less successful characters of Old Testament history. "I ve got to be going." Helen was too much occupied with puppies to notice him. "Mr. Wilcox, Mr. Ba--Must you be really? Good-bye!" "Come again," said Helen from the floor. Then Leonard s gorge arose. Why should he come again? What was the good of it? He said roundly: "No, I shan t; I knew it would be a failure." Most people would have let him go. "A little mistake. We tried knowing another class--impossible." But the Schlegels had never played with life. They had attempted friendship, and they would take the consequences. Helen retorted, "I call that a very rude remark. What do you want to turn on me like that for?" and suddenly the drawing-room re-echoed to a vulgar row. "You ask me why I turn on you?" "Yes." "What do you want to have me here for?" "To help you, you silly boy!" cried Helen. "And don t shout." "I don t want your patronage. I don t want your tea. I was quite happy. What do you want to unsettle me for?" He turned to Mr. Wilcox. "I put it to this gentleman. I ask you, sir, am I to have my brain picked?" Mr. Wilcox turned to Margaret with the air of humorous strength that he could so well command. "Are we intruding, Miss Schlegel? Can we be of any use, or shall we go?" But Margaret ignored him. "I m connected with a leading insurance company, sir. I receive what I take to be an invitation from these--ladies" (he drawled the word). "I come, and it s to have my brain picked. I ask you, is it fair?" "Highly unfair," said Mr. Wilcox, drawing a gasp from Evie, who knew that her father was becoming dangerous. "There, you hear that? Most unfair, the gentleman says. There! Not content with" "--pointing at Margaret--" "you can t deny it." His voice rose; he was falling into the rhythm of a scene with Jacky. "But as soon as I m useful it s a very different thing. Oh yes, send for him. Cross-question him. Pick his brains. Oh yes. Now, take me on the whole, I m a quiet fellow: I m law-abiding, I don t wish any unpleasantness; but I--I--" "You," said Margaret--" "you--you--" Laughter from Evie as at a repartee. "You are the man who tried to walk by the Pole Star." More laughter. "You saw the sunrise." Laughter. "You tried to get away from the fogs that are stifling us all--away past books and houses to the truth. You were looking for a real home." "I fail to see the connection," said Leonard, hot with stupid anger. "So do I." There was a pause. "You were that last Sunday--you are this to-day. Mr. Bast! I and my sister have talked you over. We wanted to help you; we also supposed you might help us. We did not have you here out of charity--which bores us--but because we hoped there would be a connection between last Sunday and other days. What is the good of your stars and trees, your sunrise and the wind, if they do not enter into our daily lives? They have never entered into mine, but into yours, we thought--Haven t we all to struggle against life s daily greyness, against pettiness, against mechanical cheerfulness, against suspicion? I struggle by remembering my friends; others I have known by remembering some place--some beloved place or tree--we thought you one of these." "Of course, if there s been any misunderstanding," mumbled Leonard, "all I can do is to go. But I beg to state--" He paused. Ahab and Jezebel danced at his boots and made him look ridiculous. "You were picking my brain for official information--I can prove it--I--" He blew his nose and left them. "Can I help you now?" said Mr. Wilcox, turning to Margaret. "May I have one quiet word with him in the hall?" "Helen, go after him--do anything--anything--to make the noodle understand." Helen hesitated. "But really--" said their visitor. "Ought she to?" At once she went. He resumed. "I would have chimed in, but I felt that you could polish him off for yourselves--I didn t interfere. You were splendid, Miss Schlegel--absolutely splendid. You can take my word for it, but there are very few women who could have managed him." "Oh yes," said Margaret distractedly. "Bowling him over with those long sentences was what fetched me," cried Evie. "Yes, indeed," chuckled her father; "all that part about mechanical cheerfulness --oh, fine!" "I m very sorry," said Margaret, collecting herself. "He s a nice creature really. I cannot think what set him off. It has been most unpleasant for you." "Oh, I didn t mind."<\|quote\|>Then he changed his mood. He asked if he might speak as an old friend, and, permission given, said:</\|quote\|>"Oughtn t you really to be more careful?" Margaret laughed, though her thoughts still strayed after Helen. "Do you realise that it s all your fault?" she said. "You re responsible." "I?" "This is the young man whom we were to warn against the Porphyrion. We warn him, and--look!" Mr. Wilcox was annoyed. "I hardly consider that a fair deduction," he said. "Obviously unfair," said Margaret. "I was only thinking how tangled things are. It s our fault mostly--neither yours nor his." "Not his?" "No." "Miss Schlegel, you are too kind." "Yes, indeed," nodded Evie, a little contemptuously. "You behave much too well to people, and then they impose on you. I know the world and that type of man, and as soon as I entered the room I saw you had not been treating him properly. You must keep that type at a distance. Otherwise they forget themselves. Sad, but true. They aren t our sort, and one must face the fact." "Ye--es." "Do admit that we should never have had the outburst if he was a gentleman." "I admit it willingly," said Margaret, who was pacing up and down the room. "A gentleman would have kept his suspicions to himself." Mr. Wilcox watched her with a vague uneasiness. "What did he suspect you of?" "Of wanting to make money out of him." "Intolerable brute! But how were you to benefit?" "Exactly. How indeed! Just horrible, corroding suspicion. One touch of thought or of goodwill would have brushed it away. Just the senseless fear that does make men intolerable brutes." "I come back to my original point. You ought to be more careful, Miss Schlegel. Your servants ought to have orders not to let such people in." She turned to him frankly. "Let me explain exactly why we like this man, and want to see him again." "That s your clever way of talking. I shall never believe you like him." "I do. Firstly, because he cares for physical adventure, just as you do. Yes, you go motoring and shooting; he would like to go camping out. Secondly, he cares for something special IN adventure. It is quickest to call that special something poetry--" "Oh, he s one of that writer sort." "No--oh no! I mean he may be, but it would be loathsome stuff. His brain is filled with the husks of books, culture--horrible; we want him to wash out his brain and go to the real thing. We want to show him how he may get upsides with life. As I said, either friends or the country, some" "--she hesitated--" "either some very dear person or some very dear place seems necessary to relieve life s daily grey, and to show that it is grey. If possible, one should have both." Some of her words ran past Mr. Wilcox. He let them run past. Others he caught and criticised with admirable lucidity. "Your mistake is this, and it is a very common mistake. This young bounder has a life of his own. What right have you to conclude it is an unsuccessful life, or, as you call it, grey ?" "Because--" "One minute. You know nothing about him. He probably has his own joys and interests--wife, children, snug little home. That s where we practical fellows" he smiled--" "are more tolerant than you intellectuals. We live and let live, and assume that things are jogging on fairly well elsewhere, and that the ordinary plain man may be trusted to look after his own affairs. I quite grant--I look at the faces of the clerks in my own office, and observe them to be dull, but I don t know what s going on beneath. So, by the way, with London. I have heard you rail against London, Miss Schlegel, and it seems a funny thing to say but I was very angry with you. What do you know about London? You only see civilisation from the outside. I don t say in your case, but in too many cases that attitude leads to morbidity, discontent, and Socialism." She admitted the strength of his position, though it undermined imagination. As he spoke, some outposts of poetry and perhaps of sympathy fell ruining, and she retreated to what she called her "second line"--to the special facts of the case. "His wife is an old bore," she said simply. "He never came home last Saturday night because he wanted to be alone, and she thought he was with us." "With YOU?" "Yes." Evie tittered. "He hasn t got the cosy home that you assumed. He needs outside interests." "Naughty young man!" cried the girl. "Naughty?" said Margaret, who hated naughtiness more than sin. "When you re married Miss Wilcox, won t you want outside interests?" "He has apparently got them,"	insurance company, sir. I receive what I take to be an invitation from these--ladies" (he drawled the word). "I come, and it s to have my brain picked. I ask you, is it fair?" "Highly unfair," said Mr. Wilcox, drawing a gasp from Evie, who knew that her father was becoming dangerous. "There, you hear that? Most unfair, the gentleman says. There! Not content with" "--pointing at Margaret--" "you can t deny it." His voice rose; he was falling into the rhythm of a scene with Jacky. "But as soon as I m useful it s a very different thing. Oh yes, send for him. Cross-question him. Pick his brains. Oh yes. Now, take me on the whole, I m a quiet fellow: I m law-abiding, I don t wish any unpleasantness; but I--I--" "You," said Margaret--" "you--you--" Laughter from Evie as at a repartee. "You are the man who tried to walk by the Pole Star." More laughter. "You saw the sunrise." Laughter. "You tried to get away from the fogs that are stifling us all--away past books and houses to the truth. You were looking for a real home." "I fail to see the connection," said Leonard, hot with stupid anger. "So do I." There was a pause. "You were that last Sunday--you are this to-day. Mr. Bast! I and my sister have talked you over. We wanted to help you; we also supposed you might help us. We did not have you here out of charity--which bores us--but because we hoped there would be a connection between last Sunday and other days. What is the good of your stars and trees, your sunrise and the wind, if they do not enter into our daily lives? They have never entered into mine, but into yours, we thought--Haven t we all to struggle against life s daily greyness, against pettiness, against mechanical cheerfulness, against suspicion? I struggle by remembering my friends; others I have known by remembering some place--some beloved place or tree--we thought you one of these." "Of course, if there s been any misunderstanding," mumbled Leonard, "all I can do is to go. But I beg to state--" He paused. Ahab and Jezebel danced at his boots and made him look ridiculous. "You were picking my brain for official information--I can prove it--I--" He blew his nose and left them. "Can I help you now?" said Mr. Wilcox, turning to Margaret. "May I have one quiet word with him in the hall?" "Helen, go after him--do anything--anything--to make the noodle understand." Helen hesitated. "But really--" said their visitor. "Ought she to?" At once she went. He resumed. "I would have chimed in, but I felt that you could polish him off for yourselves--I didn t interfere. You were splendid, Miss Schlegel--absolutely splendid. You can take my word for it, but there are very few women who could have managed him." "Oh yes," said Margaret distractedly. "Bowling him over with those long sentences was what fetched me," cried Evie. "Yes, indeed," chuckled her father; "all that part about mechanical cheerfulness --oh, fine!" "I m very sorry," said Margaret, collecting herself. "He s a nice creature really. I cannot think what set him off. It has been most unpleasant for you." "Oh, I didn t mind."<\|quote\|>Then he changed his mood. He asked if he might speak as an old friend, and, permission given, said:</\|quote\|>"Oughtn t you really to be more careful?" Margaret laughed, though her thoughts still strayed after Helen. "Do you realise that it s all your fault?" she said. "You re responsible." "I?" "This is the young man whom we were to warn against the Porphyrion. We warn him, and--look!" Mr. Wilcox was annoyed. "I hardly consider that a fair deduction," he said. "Obviously unfair," said Margaret. "I was only thinking how tangled things are. It s our fault mostly--neither yours nor his." "Not his?" "No." "Miss Schlegel, you are too kind." "Yes, indeed," nodded Evie, a little contemptuously. "You behave much too well to people, and then they impose on you. I know the world and that type of man, and as soon as I entered the room I saw you had not been treating him properly. You must keep that type at a distance. Otherwise they forget themselves. Sad, but true. They aren t our sort, and one must face the fact." "Ye--es." "Do admit that we should never have had the outburst if he was a gentleman." "I admit it willingly," said Margaret, who was pacing up and down the room. "A gentleman would have kept his suspicions to himself." Mr. Wilcox watched her with a vague uneasiness. "What did he suspect you of?" "Of wanting to make money out of him." "Intolerable brute! But how were you to benefit?" "Exactly. How indeed! Just horrible, corroding suspicion. One touch of thought or of goodwill would have brushed it away. Just the senseless fear that does make men intolerable brutes." "I come back to my original point. You ought to be more careful, Miss Schlegel. Your servants ought to have orders not to let such people in." She turned to him frankly. "Let me explain exactly why we like this man, and want to see him again." "That s your clever way of talking. I shall never believe you like him."	Howards End
"But I thought it was uninhabited."	Leonard	in the moon?" "Of course."<\|quote\|>"But I thought it was uninhabited."</\|quote\|>"Not by Time, Death, Judgment,	to it. "Is there life in the moon?" "Of course."<\|quote\|>"But I thought it was uninhabited."</\|quote\|>"Not by Time, Death, Judgment, and the smaller snakes." "Smaller	"So does the moon." "But it is a clenched fist." "Why not?" "But it is going to touch me." "Let it." And, seeming to gather motion, the patch ran up his blanket. Presently a blue snake appeared; then another parallel to it. "Is there life in the moon?" "Of course."<\|quote\|>"But I thought it was uninhabited."</\|quote\|>"Not by Time, Death, Judgment, and the smaller snakes." "Smaller snakes!" said Leonard indignantly and aloud. "What a notion!" By a rending effort of the will he woke the rest of the room up. Jacky, the bed, their food, their clothes on the chair, gradually entered his consciousness, and the	and, as sometimes happens when the mind is overtaxed, he fell asleep for the rest of the room, but kept awake for the patch of moonlight. Horrible! Then began one of those disintegrating dialogues. Part of him said: "Why horrible? It s ordinary light from the moon." "But it moves." "So does the moon." "But it is a clenched fist." "Why not?" "But it is going to touch me." "Let it." And, seeming to gather motion, the patch ran up his blanket. Presently a blue snake appeared; then another parallel to it. "Is there life in the moon?" "Of course."<\|quote\|>"But I thought it was uninhabited."</\|quote\|>"Not by Time, Death, Judgment, and the smaller snakes." "Smaller snakes!" said Leonard indignantly and aloud. "What a notion!" By a rending effort of the will he woke the rest of the room up. Jacky, the bed, their food, their clothes on the chair, gradually entered his consciousness, and the horror vanished outwards, like a ring that is spreading through water. "I say, Jacky, I m going out for a bit." She was breathing regularly. The patch of light fell clear of the striped blanket, and began to cover the shawl that lay over her feet. Why had he been	that Howards End was in Hertfordshire. "Is it a village, please?" "Village! It s Mr. Wilcox s private house--at least, it s one of them. Mrs. Wilcox keeps her furniture there. Hilton is the village." "Yes. And when will they be back?" "Mr. Schlegel doesn t know. We can t know everything, can we?" She shut him out, and went to attend to the telephone, which was ringing furiously. He loitered away another night of agony. Confession grew more difficult. As soon as possible he went to bed. He watched a patch of moonlight cross the floor of their lodging, and, as sometimes happens when the mind is overtaxed, he fell asleep for the rest of the room, but kept awake for the patch of moonlight. Horrible! Then began one of those disintegrating dialogues. Part of him said: "Why horrible? It s ordinary light from the moon." "But it moves." "So does the moon." "But it is a clenched fist." "Why not?" "But it is going to touch me." "Let it." And, seeming to gather motion, the patch ran up his blanket. Presently a blue snake appeared; then another parallel to it. "Is there life in the moon?" "Of course."<\|quote\|>"But I thought it was uninhabited."</\|quote\|>"Not by Time, Death, Judgment, and the smaller snakes." "Smaller snakes!" said Leonard indignantly and aloud. "What a notion!" By a rending effort of the will he woke the rest of the room up. Jacky, the bed, their food, their clothes on the chair, gradually entered his consciousness, and the horror vanished outwards, like a ring that is spreading through water. "I say, Jacky, I m going out for a bit." She was breathing regularly. The patch of light fell clear of the striped blanket, and began to cover the shawl that lay over her feet. Why had he been afraid? He went to the window, and saw that the moon was descending through a clear sky. He saw her volcanoes, and the bright expanses that a gracious error has named seas. They paled, for the sun, who had lit them up, was coming to light the earth. Sea of Serenity, Sea of Tranquillity, Ocean of the Lunar Storms, merged into one lucent drop, itself to slip into the sempiternal dawn. And he had been afraid of the moon! He dressed among the contending lights, and went through his money. It was running low again, but enough for a return	bell. He felt in curious health; doors seemed to be opening and shutting inside his body, and he had been obliged to sleep sitting up in bed, with his back propped against the wall. When the parlourmaid came he could not see her face; the brown rain had descended suddenly. "Does Mrs. Wilcox live here?" he asked. "She s out," was the answer. "When will she be back?" "I ll ask," said the parlourmaid. Margaret had given instructions that no one who mentioned her name should ever be rebuffed. Putting the door on the chain--for Leonard s appearance demanded this--she went through to the smoking-room, which was occupied by Tibby. Tibby was asleep. He had had a good lunch. Charles Wilcox had not yet rung him up for the distracting interview. He said drowsily: "I don t know. Hilton. Howards End. Who is it?" "I ll ask, sir." "No, don t bother." "They have taken the car to Howards End," said the parlourmaid to Leonard. He thanked her, and asked whereabouts that place was. "You appear to want to know a good deal," she remarked. But Margaret had forbidden her to be mysterious. She told him against her better judgment that Howards End was in Hertfordshire. "Is it a village, please?" "Village! It s Mr. Wilcox s private house--at least, it s one of them. Mrs. Wilcox keeps her furniture there. Hilton is the village." "Yes. And when will they be back?" "Mr. Schlegel doesn t know. We can t know everything, can we?" She shut him out, and went to attend to the telephone, which was ringing furiously. He loitered away another night of agony. Confession grew more difficult. As soon as possible he went to bed. He watched a patch of moonlight cross the floor of their lodging, and, as sometimes happens when the mind is overtaxed, he fell asleep for the rest of the room, but kept awake for the patch of moonlight. Horrible! Then began one of those disintegrating dialogues. Part of him said: "Why horrible? It s ordinary light from the moon." "But it moves." "So does the moon." "But it is a clenched fist." "Why not?" "But it is going to touch me." "Let it." And, seeming to gather motion, the patch ran up his blanket. Presently a blue snake appeared; then another parallel to it. "Is there life in the moon?" "Of course."<\|quote\|>"But I thought it was uninhabited."</\|quote\|>"Not by Time, Death, Judgment, and the smaller snakes." "Smaller snakes!" said Leonard indignantly and aloud. "What a notion!" By a rending effort of the will he woke the rest of the room up. Jacky, the bed, their food, their clothes on the chair, gradually entered his consciousness, and the horror vanished outwards, like a ring that is spreading through water. "I say, Jacky, I m going out for a bit." She was breathing regularly. The patch of light fell clear of the striped blanket, and began to cover the shawl that lay over her feet. Why had he been afraid? He went to the window, and saw that the moon was descending through a clear sky. He saw her volcanoes, and the bright expanses that a gracious error has named seas. They paled, for the sun, who had lit them up, was coming to light the earth. Sea of Serenity, Sea of Tranquillity, Ocean of the Lunar Storms, merged into one lucent drop, itself to slip into the sempiternal dawn. And he had been afraid of the moon! He dressed among the contending lights, and went through his money. It was running low again, but enough for a return ticket to Hilton. As it clinked, Jacky opened her eyes. "Hullo, Len! What ho, Len!" "What ho, Jacky! see you again later." She turned over and slept. The house was unlocked, their landlord being a salesman at Covent Garden. Leonard passed out and made his way down to the station. The train, though it did not start for an hour, was already drawn up at the end of the platform, and he lay down in it and slept. With the first jolt he was in daylight; they had left the gateways of King s Cross, and were under blue sky. Tunnels followed, and after each the sky grew bluer, and from the embankment at Finsbury Park he had his first sight of the sun. It rolled along behind the eastern smokes--a wheel, whose fellow was the descending moon--and as yet it seemed the servant of the blue sky, not its lord. He dozed again. Over Tewin Water it was day. To the left fell the shadow of the embankment and its arches; to the right Leonard saw up into the Tewin Woods and towards the church, with its wild legend of immortality. Six forest trees--that is a fact--grow out of	would tell them everything he knew. He re-entered St. Paul s. But they had moved in his absence, and had gone to lay their difficulties before Mr. Wilcox and Charles. The sight of Margaret turned remorse into new channels. He desired to confess, and though the desire is proof of a weakened nature, which is about to lose the essence of human intercourse, it did not take an ignoble form. He did not suppose that confession would bring him happiness. It was rather that he yearned to get clear of the tangle. So does the suicide yearn. The impulses are akin, and the crime of suicide lies rather in its disregard for the feelings of those whom we leave behind. Confession need harm no one--it can satisfy that test--and though it was un-English, and ignored by our Anglican cathedral, Leonard had a right to decide upon it. Moreover, he trusted Margaret. He wanted her hardness now. That cold, intellectual nature of hers would be just, if unkind. He would do whatever she told him, even if he had to see Helen. That was the supreme punishment she would exact. And perhaps she would tell him how Helen was. That was the supreme reward. He knew nothing about Margaret, not even whether she was married to Mr. Wilcox, and tracking her out took several days. That evening he toiled through the wet to Wickham Place, where the new flats were now appearing. Was he also the cause of their move? Were they expelled from society on his account? Thence to a public library, but could find no satisfactory Schlegel in the directory. On the morrow he searched again. He hung about outside Mr. Wilcox s office at lunch time, and, as the clerks came out said, "Excuse me, sir, but is your boss married?" Most of them stared, some said, "What s that to you?" but one, who had not yet acquired reticence, told him what he wished. Leonard could not learn the private address. That necessitated more trouble with directories and tubes. Ducie Street was not discovered till the Monday, the day that Margaret and her husband went down on their hunting expedition to Howards End. He called at about four o clock. The weather had changed, and the sun shone gaily on the ornamental steps--black and white marble in triangles. Leonard lowered his eyes to them after ringing the bell. He felt in curious health; doors seemed to be opening and shutting inside his body, and he had been obliged to sleep sitting up in bed, with his back propped against the wall. When the parlourmaid came he could not see her face; the brown rain had descended suddenly. "Does Mrs. Wilcox live here?" he asked. "She s out," was the answer. "When will she be back?" "I ll ask," said the parlourmaid. Margaret had given instructions that no one who mentioned her name should ever be rebuffed. Putting the door on the chain--for Leonard s appearance demanded this--she went through to the smoking-room, which was occupied by Tibby. Tibby was asleep. He had had a good lunch. Charles Wilcox had not yet rung him up for the distracting interview. He said drowsily: "I don t know. Hilton. Howards End. Who is it?" "I ll ask, sir." "No, don t bother." "They have taken the car to Howards End," said the parlourmaid to Leonard. He thanked her, and asked whereabouts that place was. "You appear to want to know a good deal," she remarked. But Margaret had forbidden her to be mysterious. She told him against her better judgment that Howards End was in Hertfordshire. "Is it a village, please?" "Village! It s Mr. Wilcox s private house--at least, it s one of them. Mrs. Wilcox keeps her furniture there. Hilton is the village." "Yes. And when will they be back?" "Mr. Schlegel doesn t know. We can t know everything, can we?" She shut him out, and went to attend to the telephone, which was ringing furiously. He loitered away another night of agony. Confession grew more difficult. As soon as possible he went to bed. He watched a patch of moonlight cross the floor of their lodging, and, as sometimes happens when the mind is overtaxed, he fell asleep for the rest of the room, but kept awake for the patch of moonlight. Horrible! Then began one of those disintegrating dialogues. Part of him said: "Why horrible? It s ordinary light from the moon." "But it moves." "So does the moon." "But it is a clenched fist." "Why not?" "But it is going to touch me." "Let it." And, seeming to gather motion, the patch ran up his blanket. Presently a blue snake appeared; then another parallel to it. "Is there life in the moon?" "Of course."<\|quote\|>"But I thought it was uninhabited."</\|quote\|>"Not by Time, Death, Judgment, and the smaller snakes." "Smaller snakes!" said Leonard indignantly and aloud. "What a notion!" By a rending effort of the will he woke the rest of the room up. Jacky, the bed, their food, their clothes on the chair, gradually entered his consciousness, and the horror vanished outwards, like a ring that is spreading through water. "I say, Jacky, I m going out for a bit." She was breathing regularly. The patch of light fell clear of the striped blanket, and began to cover the shawl that lay over her feet. Why had he been afraid? He went to the window, and saw that the moon was descending through a clear sky. He saw her volcanoes, and the bright expanses that a gracious error has named seas. They paled, for the sun, who had lit them up, was coming to light the earth. Sea of Serenity, Sea of Tranquillity, Ocean of the Lunar Storms, merged into one lucent drop, itself to slip into the sempiternal dawn. And he had been afraid of the moon! He dressed among the contending lights, and went through his money. It was running low again, but enough for a return ticket to Hilton. As it clinked, Jacky opened her eyes. "Hullo, Len! What ho, Len!" "What ho, Jacky! see you again later." She turned over and slept. The house was unlocked, their landlord being a salesman at Covent Garden. Leonard passed out and made his way down to the station. The train, though it did not start for an hour, was already drawn up at the end of the platform, and he lay down in it and slept. With the first jolt he was in daylight; they had left the gateways of King s Cross, and were under blue sky. Tunnels followed, and after each the sky grew bluer, and from the embankment at Finsbury Park he had his first sight of the sun. It rolled along behind the eastern smokes--a wheel, whose fellow was the descending moon--and as yet it seemed the servant of the blue sky, not its lord. He dozed again. Over Tewin Water it was day. To the left fell the shadow of the embankment and its arches; to the right Leonard saw up into the Tewin Woods and towards the church, with its wild legend of immortality. Six forest trees--that is a fact--grow out of one of the graves in Tewin churchyard. The grave s occupant--that is the legend--is an atheist, who declared that if God existed, six forest trees would grow out of her grave. These things in Hertfordshire; and farther afield lay the house of a hermit--Mrs. Wilcox had known him--who barred himself up, and wrote prophecies, and gave all he had to the poor. While, powdered in between, were the villas of business men, who saw life more steadily, though with the steadiness of the half-closed eye. Over all the sun was streaming, to all the birds were singing, to all the primroses were yellow, and the speedwell blue, and the country, however they interpreted her, was uttering her cry of "now." She did not free Leonard yet, and the knife plunged deeper into his heart as the train drew up at Hilton. But remorse had become beautiful. Hilton was asleep, or at the earliest, breakfasting. Leonard noticed the contrast when he stepped out of it into the country. Here men had been up since dawn. Their hours were ruled, not by a London office, but by the movements of the crops and the sun. That they were men of the finest type only the sentimentalists can declare. But they kept to the life of daylight. They are England s hope. Clumsily they carry forward the torch of the sun, until such time as the nation sees fit to take it up. Half clodhopper, half board-school prig, they can still throw back to a nobler stock, and breed yeomen. At the chalk pit a motor passed him. In it was another type, whom Nature favours--the Imperial. Healthy, ever in motion, it hopes to inherit the earth. It breeds as quickly as the yeoman, and as soundly; strong is the temptation to acclaim it as a super-yeoman, who carries his country s virtue overseas. But the Imperialist is not what he thinks or seems. He is a destroyer. He prepares the way for cosmopolitanism, and though his ambitions may be fulfilled, the earth that he inherits will be grey. To Leonard, intent on his private sin, there came the conviction of innate goodness elsewhere. It was not the optimism which he had been taught at school. Again and again must the drums tap, and the goblins stalk over the universe before joy can be purged of the superficial. It was rather paradoxical, and	was occupied by Tibby. Tibby was asleep. He had had a good lunch. Charles Wilcox had not yet rung him up for the distracting interview. He said drowsily: "I don t know. Hilton. Howards End. Who is it?" "I ll ask, sir." "No, don t bother." "They have taken the car to Howards End," said the parlourmaid to Leonard. He thanked her, and asked whereabouts that place was. "You appear to want to know a good deal," she remarked. But Margaret had forbidden her to be mysterious. She told him against her better judgment that Howards End was in Hertfordshire. "Is it a village, please?" "Village! It s Mr. Wilcox s private house--at least, it s one of them. Mrs. Wilcox keeps her furniture there. Hilton is the village." "Yes. And when will they be back?" "Mr. Schlegel doesn t know. We can t know everything, can we?" She shut him out, and went to attend to the telephone, which was ringing furiously. He loitered away another night of agony. Confession grew more difficult. As soon as possible he went to bed. He watched a patch of moonlight cross the floor of their lodging, and, as sometimes happens when the mind is overtaxed, he fell asleep for the rest of the room, but kept awake for the patch of moonlight. Horrible! Then began one of those disintegrating dialogues. Part of him said: "Why horrible? It s ordinary light from the moon." "But it moves." "So does the moon." "But it is a clenched fist." "Why not?" "But it is going to touch me." "Let it." And, seeming to gather motion, the patch ran up his blanket. Presently a blue snake appeared; then another parallel to it. "Is there life in the moon?" "Of course."<\|quote\|>"But I thought it was uninhabited."</\|quote\|>"Not by Time, Death, Judgment, and the smaller snakes." "Smaller snakes!" said Leonard indignantly and aloud. "What a notion!" By a rending effort of the will he woke the rest of the room up. Jacky, the bed, their food, their clothes on the chair, gradually entered his consciousness, and the horror vanished outwards, like a ring that is spreading through water. "I say, Jacky, I m going out for a bit." She was breathing regularly. The patch of light fell clear of the striped blanket, and began to cover the shawl that lay over her feet. Why had he been afraid? He went to the window, and saw that the moon was descending through a clear sky. He saw her volcanoes, and the bright expanses that a gracious error has named seas. They paled, for the sun, who had lit them up, was coming to light the earth. Sea of Serenity, Sea of Tranquillity, Ocean of the Lunar Storms, merged into one lucent drop, itself to slip into the sempiternal dawn. And he had been afraid of the moon! He dressed among the contending lights, and went through his money. It was running low again, but enough for a return ticket to Hilton. As it clinked, Jacky opened her eyes. "Hullo, Len! What ho, Len!" "What ho, Jacky! see you again later." She turned over and slept. The house was unlocked, their landlord being a salesman at Covent Garden. Leonard passed out and made his way down to the station. The train, though it did not start for an hour, was already drawn up at the end of the platform, and he lay down in it and slept. With the first jolt he was in daylight; they had left the gateways of King s Cross, and were under blue sky. Tunnels followed, and after each the sky grew bluer, and from the embankment at Finsbury Park he had his first sight of the sun. It rolled along behind the eastern smokes--a wheel, whose fellow was the descending moon--and as yet it seemed the servant of the blue sky, not its lord. He dozed again. Over Tewin Water it was day. To the left fell the shadow of the embankment and its arches; to the right Leonard saw up into the Tewin Woods and towards the church, with its wild legend of immortality. Six forest trees--that is a fact--grow out of one of the graves in Tewin churchyard. The grave s occupant--that is the legend--is an atheist, who declared that if God existed, six forest trees would grow out of her grave. These things in Hertfordshire; and farther afield lay the house of a hermit--Mrs. Wilcox had known him--who	Howards End
Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad.	No speaker	bad really. He's rather pathetic."<\|quote\|>Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad.</\|quote\|>"I hope you sleep well."	She said, "Oh, it wasn't bad really. He's rather pathetic."<\|quote\|>Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad.</\|quote\|>"I hope you sleep well." "I'm sure I shall." "D'you	dinner Tony came up behind Brenda as she sat at her dressing table and made a face over her shoulder in the glass. "I feel rather guilty about Beaver--going off and leaving you like that. You were heavenly to him." She said, "Oh, it wasn't bad really. He's rather pathetic."<\|quote\|>Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad.</\|quote\|>"I hope you sleep well." "I'm sure I shall." "D'you like to be called in the morning?" "May I ring?" "Certainly. Got everything you want?" "Yes, thanks. Good night." "Good night." But when he got back he said, "You know, I feel awful about Beaver." "Oh, Beaver's all right," said	nice about him. He's got a silly voice and a silly face, silly eyes and silly nose," John's voice fell into a liturgical sing-song, "silly feet and silly toes, silly head and silly clothes..." "Now you eat up your supper," said nanny.) * * * * * That evening before dinner Tony came up behind Brenda as she sat at her dressing table and made a face over her shoulder in the glass. "I feel rather guilty about Beaver--going off and leaving you like that. You were heavenly to him." She said, "Oh, it wasn't bad really. He's rather pathetic."<\|quote\|>Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad.</\|quote\|>"I hope you sleep well." "I'm sure I shall." "D'you like to be called in the morning?" "May I ring?" "Certainly. Got everything you want?" "Yes, thanks. Good night." "Good night." But when he got back he said, "You know, I feel awful about Beaver." "Oh, Beaver's all right," said Brenda. But he was far from being comfortable and as he rolled patiently about the bed in quest of a position in which it was possible to go to sleep, he reflected that, since he had no intention of coming to the house again, he would give the butler nothing	you talking like that?" "How old are you?" "Twenty-five. How old are you?" "What do you do?" "Nothing much." "Well, if I was you I'd do something and earn some money. Then you'd be able to hunt." "But I shouldn't be able to call people tarts." "I don't see any point in that anyway." (Later, in the nursery, while he was having his supper, John said: "I think Mr Beaver's a very silly man, don't you?" "I'm sure I don't know," said nanny. "I think he's the silliest man who's ever been here." "Comparisons are odious." "There just isn't anything nice about him. He's got a silly voice and a silly face, silly eyes and silly nose," John's voice fell into a liturgical sing-song, "silly feet and silly toes, silly head and silly clothes..." "Now you eat up your supper," said nanny.) * * * * * That evening before dinner Tony came up behind Brenda as she sat at her dressing table and made a face over her shoulder in the glass. "I feel rather guilty about Beaver--going off and leaving you like that. You were heavenly to him." She said, "Oh, it wasn't bad really. He's rather pathetic."<\|quote\|>Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad.</\|quote\|>"I hope you sleep well." "I'm sure I shall." "D'you like to be called in the morning?" "May I ring?" "Certainly. Got everything you want?" "Yes, thanks. Good night." "Good night." But when he got back he said, "You know, I feel awful about Beaver." "Oh, Beaver's all right," said Brenda. But he was far from being comfortable and as he rolled patiently about the bed in quest of a position in which it was possible to go to sleep, he reflected that, since he had no intention of coming to the house again, he would give the butler nothing and only five shillings to the footman who was looking after him. Presently he adapted himself to the rugged topography of the mattress and dozed, fitfully, until morning. But the new day began dismally with the information that all the Sunday papers had already gone to her ladyship's room. * * * * * Tony invariably wore a dark suit on Sundays and a stiff white collar. He went to church, where he sat in a large pitch-pine pew, put in by his great-grandfather at the time of rebuilding the house, furnished with very high crimson hassocks and a fireplace,	Billy Angmering?" "He's having a terrific walk out with a girl called Sheila Shrub." "And the Helm-Hubbards?" "That marriage isn't going too well either... Daisy has started a new restaurant. It's going very well... and there's a new night club called the Warren..." "Dear me," Brenda said at last. "What fun everyone seems to be having." After tea John Andrew was brought in and quickly usurped the conversation. "How do you do?" he said. "I didn't know you were coming. Daddy said he had a week-end to himself for once. Do you hunt?" "Not for a long time." "Ben says it stands to reason everyone ought to hunt who can afford to, for the good of the country." "Perhaps I can't afford to." "Are you poor?" "Please, Mr Beaver, you mustn't let him bore you." "Yes, very poor." "Poor enough to call people tarts?" "Yes, quite poor enough." "How did you get poor?" "I always have been." "Oh." John lost interest in this topic. "The grey horse at the farm has got worms." "How do you know?" "Ben says so. Besides, you've only got to look at his dung." "Oh dear," said Brenda, "what would nanny say if she heard you talking like that?" "How old are you?" "Twenty-five. How old are you?" "What do you do?" "Nothing much." "Well, if I was you I'd do something and earn some money. Then you'd be able to hunt." "But I shouldn't be able to call people tarts." "I don't see any point in that anyway." (Later, in the nursery, while he was having his supper, John said: "I think Mr Beaver's a very silly man, don't you?" "I'm sure I don't know," said nanny. "I think he's the silliest man who's ever been here." "Comparisons are odious." "There just isn't anything nice about him. He's got a silly voice and a silly face, silly eyes and silly nose," John's voice fell into a liturgical sing-song, "silly feet and silly toes, silly head and silly clothes..." "Now you eat up your supper," said nanny.) * * * * * That evening before dinner Tony came up behind Brenda as she sat at her dressing table and made a face over her shoulder in the glass. "I feel rather guilty about Beaver--going off and leaving you like that. You were heavenly to him." She said, "Oh, it wasn't bad really. He's rather pathetic."<\|quote\|>Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad.</\|quote\|>"I hope you sleep well." "I'm sure I shall." "D'you like to be called in the morning?" "May I ring?" "Certainly. Got everything you want?" "Yes, thanks. Good night." "Good night." But when he got back he said, "You know, I feel awful about Beaver." "Oh, Beaver's all right," said Brenda. But he was far from being comfortable and as he rolled patiently about the bed in quest of a position in which it was possible to go to sleep, he reflected that, since he had no intention of coming to the house again, he would give the butler nothing and only five shillings to the footman who was looking after him. Presently he adapted himself to the rugged topography of the mattress and dozed, fitfully, until morning. But the new day began dismally with the information that all the Sunday papers had already gone to her ladyship's room. * * * * * Tony invariably wore a dark suit on Sundays and a stiff white collar. He went to church, where he sat in a large pitch-pine pew, put in by his great-grandfather at the time of rebuilding the house, furnished with very high crimson hassocks and a fireplace, complete with iron grate and a little poker which his father used to rattle when any point in the sermon excited his disapproval. Since his father's day a fire had not been laid there; Tony had it in mind to revive the practice next winter. On Christmas Day and Harvest Thanksgiving Tony read the lessons from the back of the brass eagle. When service was over he stood for a few minutes at the porch chatting affably with the vicar's sister and the people from the village. Then he returned home by a path across the fields which led to a side door in the walled garden; he visited the hothouses and picked himself a buttonhole, stopped by the gardeners' cottages for a few words (the smell of Sunday dinners rising warm and overpowering from the little doorways) and then, rather solemnly, drank a glass of sherry in the library. That was the simple, mildly ceremonious order of his Sunday morning, which had evolved, more or less spontaneously, from the more severe practices of his parents; he adhered to it with great satisfaction. Brenda teased him whenever she caught him posing as an upright, God-fearing gentleman of the old school	up by the evening train. Does he have to work on Monday morning?" "I shouldn't know." * * * * * Three-eighteen was far from being the most convenient time for arrival. One reached the house at about a quarter to four and if, like Beaver, one was a stranger, there was an awkward time until tea; but without Tony there to make her self-conscious, Brenda could carry these things off quite gracefully and Beaver was so seldom wholly welcome anywhere that he was not sensitive to the slight constraint of his reception. She met him in what was still called the smoking-room; it was in some ways the least gloomy place in the house. She said, "It is nice that you were able to come. I must break it to you at once that we haven't got a party. I'm afraid you'll be terribly bored... Tony had to go out but he'll be in soon... was the train crowded? It often is on Saturdays... would you like to come outside? It'll be dark soon and we might get some of the sun while we can..." and so on. If Tony had been there it would have been difficult, for she would have caught his eye and her manner as ch?telaine would have collapsed. Beaver was well used to making conversation, so they went out together through the french windows on to the terrace, down the steps, into the Dutch garden, and back round the orangery without suffering a moment's real embarrassment. She even heard herself telling Beaver that his mother was one of her oldest friends. Tony returned in time for tea. He apologized for not being at home to greet his guest and almost immediately went out again to interview the agent in his study. Brenda asked about London and what parties there were. Beaver was particularly knowledgeable. "Polly Cockpurse is having one soon." "Yes, I know." "Are you coming up for it?" "I don't expect so. We never go anywhere nowadays." The jokes that had been going round for six weeks were all new to Brenda; they had become polished and perfected with repetition and Beaver was able to bring them out with good effect. He told her of numerous changes of alliance among her friends. "What's happening to Mary and Simon?" "Oh, didn't you know? That's broken up." "When?" "It began in Austria this summer..." "And Billy Angmering?" "He's having a terrific walk out with a girl called Sheila Shrub." "And the Helm-Hubbards?" "That marriage isn't going too well either... Daisy has started a new restaurant. It's going very well... and there's a new night club called the Warren..." "Dear me," Brenda said at last. "What fun everyone seems to be having." After tea John Andrew was brought in and quickly usurped the conversation. "How do you do?" he said. "I didn't know you were coming. Daddy said he had a week-end to himself for once. Do you hunt?" "Not for a long time." "Ben says it stands to reason everyone ought to hunt who can afford to, for the good of the country." "Perhaps I can't afford to." "Are you poor?" "Please, Mr Beaver, you mustn't let him bore you." "Yes, very poor." "Poor enough to call people tarts?" "Yes, quite poor enough." "How did you get poor?" "I always have been." "Oh." John lost interest in this topic. "The grey horse at the farm has got worms." "How do you know?" "Ben says so. Besides, you've only got to look at his dung." "Oh dear," said Brenda, "what would nanny say if she heard you talking like that?" "How old are you?" "Twenty-five. How old are you?" "What do you do?" "Nothing much." "Well, if I was you I'd do something and earn some money. Then you'd be able to hunt." "But I shouldn't be able to call people tarts." "I don't see any point in that anyway." (Later, in the nursery, while he was having his supper, John said: "I think Mr Beaver's a very silly man, don't you?" "I'm sure I don't know," said nanny. "I think he's the silliest man who's ever been here." "Comparisons are odious." "There just isn't anything nice about him. He's got a silly voice and a silly face, silly eyes and silly nose," John's voice fell into a liturgical sing-song, "silly feet and silly toes, silly head and silly clothes..." "Now you eat up your supper," said nanny.) * * * * * That evening before dinner Tony came up behind Brenda as she sat at her dressing table and made a face over her shoulder in the glass. "I feel rather guilty about Beaver--going off and leaving you like that. You were heavenly to him." She said, "Oh, it wasn't bad really. He's rather pathetic."<\|quote\|>Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad.</\|quote\|>"I hope you sleep well." "I'm sure I shall." "D'you like to be called in the morning?" "May I ring?" "Certainly. Got everything you want?" "Yes, thanks. Good night." "Good night." But when he got back he said, "You know, I feel awful about Beaver." "Oh, Beaver's all right," said Brenda. But he was far from being comfortable and as he rolled patiently about the bed in quest of a position in which it was possible to go to sleep, he reflected that, since he had no intention of coming to the house again, he would give the butler nothing and only five shillings to the footman who was looking after him. Presently he adapted himself to the rugged topography of the mattress and dozed, fitfully, until morning. But the new day began dismally with the information that all the Sunday papers had already gone to her ladyship's room. * * * * * Tony invariably wore a dark suit on Sundays and a stiff white collar. He went to church, where he sat in a large pitch-pine pew, put in by his great-grandfather at the time of rebuilding the house, furnished with very high crimson hassocks and a fireplace, complete with iron grate and a little poker which his father used to rattle when any point in the sermon excited his disapproval. Since his father's day a fire had not been laid there; Tony had it in mind to revive the practice next winter. On Christmas Day and Harvest Thanksgiving Tony read the lessons from the back of the brass eagle. When service was over he stood for a few minutes at the porch chatting affably with the vicar's sister and the people from the village. Then he returned home by a path across the fields which led to a side door in the walled garden; he visited the hothouses and picked himself a buttonhole, stopped by the gardeners' cottages for a few words (the smell of Sunday dinners rising warm and overpowering from the little doorways) and then, rather solemnly, drank a glass of sherry in the library. That was the simple, mildly ceremonious order of his Sunday morning, which had evolved, more or less spontaneously, from the more severe practices of his parents; he adhered to it with great satisfaction. Brenda teased him whenever she caught him posing as an upright, God-fearing gentleman of the old school and Tony saw the joke, but this did not at all diminish the pleasure he derived from his weekly routine, or his annoyance when the presence of guests suspended it. For this reason his heart sank when, emerging from his study into the great hall at a quarter to eleven, he met Beaver already dressed and prepared to be entertained; it was only a momentary vexation, however, for while he wished him good morning he noticed that his guest had an _A.B.C._ in his hands and was clearly looking out a train. "I hope you slept all right?" "Beautifully," said Beaver, though his wan expression did not confirm the word. "I'm so glad. I always sleep well here myself. I say, I don't like the look of that train guide. I hope you weren't thinking of leaving us yet?" "Alas, I've got to get up to-night, I'm afraid." "Too bad. I've hardly seen you. The trains aren't very good on Sundays. The best leaves at five-forty-five and gets up about nine. It stops a lot and there's no restaurant car." "That'll do fine." "Sure you can't stay until to-morrow?" "Quite sure." The church bells were ringing across the park. "Well, I'm just off to church. I don't suppose you'd care to come." Beaver always did what was expected of him when he was staying away, even on a visit as unsatisfactory as the present one. "Oh yes, I should like to very much." "No, really, I shouldn't if I were you. You wouldn't enjoy it. I only go because I more or less have to. You stay here. Brenda will be down directly. Ring for a drink when you feel like it." "Oh, all right." "See you later then." Tony took his hat and stick from the lobby and let himself out. "Now I've behaved inhospitably to that young man again," he reflected. The bells were clear and clamorous in the drive and Tony walked briskly towards them. Presently they ceased and gave place to a single note, warning the village that there was only five minutes to go before the organist started the first hymn. He caught up nanny and John, also on their way to church. John was in one of his rare, confidential moods; he put his small gloved hand into Tony's and, without introduction, embarked upon a story which lasted them all the way to the	for tea. He apologized for not being at home to greet his guest and almost immediately went out again to interview the agent in his study. Brenda asked about London and what parties there were. Beaver was particularly knowledgeable. "Polly Cockpurse is having one soon." "Yes, I know." "Are you coming up for it?" "I don't expect so. We never go anywhere nowadays." The jokes that had been going round for six weeks were all new to Brenda; they had become polished and perfected with repetition and Beaver was able to bring them out with good effect. He told her of numerous changes of alliance among her friends. "What's happening to Mary and Simon?" "Oh, didn't you know? That's broken up." "When?" "It began in Austria this summer..." "And Billy Angmering?" "He's having a terrific walk out with a girl called Sheila Shrub." "And the Helm-Hubbards?" "That marriage isn't going too well either... Daisy has started a new restaurant. It's going very well... and there's a new night club called the Warren..." "Dear me," Brenda said at last. "What fun everyone seems to be having." After tea John Andrew was brought in and quickly usurped the conversation. "How do you do?" he said. "I didn't know you were coming. Daddy said he had a week-end to himself for once. Do you hunt?" "Not for a long time." "Ben says it stands to reason everyone ought to hunt who can afford to, for the good of the country." "Perhaps I can't afford to." "Are you poor?" "Please, Mr Beaver, you mustn't let him bore you." "Yes, very poor." "Poor enough to call people tarts?" "Yes, quite poor enough." "How did you get poor?" "I always have been." "Oh." John lost interest in this topic. "The grey horse at the farm has got worms." "How do you know?" "Ben says so. Besides, you've only got to look at his dung." "Oh dear," said Brenda, "what would nanny say if she heard you talking like that?" "How old are you?" "Twenty-five. How old are you?" "What do you do?" "Nothing much." "Well, if I was you I'd do something and earn some money. Then you'd be able to hunt." "But I shouldn't be able to call people tarts." "I don't see any point in that anyway." (Later, in the nursery, while he was having his supper, John said: "I think Mr Beaver's a very silly man, don't you?" "I'm sure I don't know," said nanny. "I think he's the silliest man who's ever been here." "Comparisons are odious." "There just isn't anything nice about him. He's got a silly voice and a silly face, silly eyes and silly nose," John's voice fell into a liturgical sing-song, "silly feet and silly toes, silly head and silly clothes..." "Now you eat up your supper," said nanny.) * * * * * That evening before dinner Tony came up behind Brenda as she sat at her dressing table and made a face over her shoulder in the glass. "I feel rather guilty about Beaver--going off and leaving you like that. You were heavenly to him." She said, "Oh, it wasn't bad really. He's rather pathetic."<\|quote\|>Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad.</\|quote\|>"I hope you sleep well." "I'm sure I shall." "D'you like to be called in the morning?" "May I ring?" "Certainly. Got everything you want?" "Yes, thanks. Good night." "Good night." But when he got back he said, "You know, I feel awful about Beaver." "Oh, Beaver's all right," said Brenda. But he was far from being comfortable and as he rolled patiently about the bed in quest of a position in which it was possible to go to sleep, he reflected that, since he had no intention of coming to the house again, he would give the butler nothing and only five shillings to the footman who was looking after him. Presently he adapted himself to the rugged topography of the mattress and dozed, fitfully, until morning. But the new day began dismally with the information that all the Sunday papers had already gone to her ladyship's room. * * * * * Tony invariably wore a dark suit on Sundays and a stiff white collar. He went to church, where he sat in a large pitch-pine pew, put in by his great-grandfather at the time of rebuilding the house, furnished with very high crimson hassocks and a fireplace, complete with iron grate	A Handful Of Dust
"I shall soon bring him over to Hartfield,"	Mr. Weston	listened, and smiled, and congratulated.<\|quote\|>"I shall soon bring him over to Hartfield,"</\|quote\|>said he, at the conclusion.	of his journey; and she listened, and smiled, and congratulated.<\|quote\|>"I shall soon bring him over to Hartfield,"</\|quote\|>said he, at the conclusion. Emma could imagine she saw	would now be talked of no more. Mr. Weston gave her the history of the engagements at Enscombe, which allowed his son to answer for having an entire fortnight at his command, as well as the route and the method of his journey; and she listened, and smiled, and congratulated.<\|quote\|>"I shall soon bring him over to Hartfield,"</\|quote\|>said he, at the conclusion. Emma could imagine she saw a touch of the arm at this speech, from his wife. "We had better move on, Mr. Weston," said she, "we are detaining the girls." "Well, well, I am ready;" "--and turning again to Emma, "but you must not be	was enough to make Emma consider it so, and sincerely did she rejoice in their joy. It was a most delightful reanimation of exhausted spirits. The worn-out past was sunk in the freshness of what was coming; and in the rapidity of half a moment's thought, she hoped Mr. Elton would now be talked of no more. Mr. Weston gave her the history of the engagements at Enscombe, which allowed his son to answer for having an entire fortnight at his command, as well as the route and the method of his journey; and she listened, and smiled, and congratulated.<\|quote\|>"I shall soon bring him over to Hartfield,"</\|quote\|>said he, at the conclusion. Emma could imagine she saw a touch of the arm at this speech, from his wife. "We had better move on, Mr. Weston," said she, "we are detaining the girls." "Well, well, I am ready;" "--and turning again to Emma, "but you must not be expecting such a _very_ fine young man; you have only had _my_ account you know; I dare say he is really nothing extraordinary:" "--though his own sparkling eyes at the moment were speaking a very different conviction. Emma could look perfectly unconscious and innocent, and answer in a manner that	Christmas he could not have staid three days; I was always glad he did not come at Christmas; now we are going to have just the right weather for him, fine, dry, settled weather. We shall enjoy him completely; every thing has turned out exactly as we could wish." There was no resisting such news, no possibility of avoiding the influence of such a happy face as Mr. Weston's, confirmed as it all was by the words and the countenance of his wife, fewer and quieter, but not less to the purpose. To know that _she_ thought his coming certain was enough to make Emma consider it so, and sincerely did she rejoice in their joy. It was a most delightful reanimation of exhausted spirits. The worn-out past was sunk in the freshness of what was coming; and in the rapidity of half a moment's thought, she hoped Mr. Elton would now be talked of no more. Mr. Weston gave her the history of the engagements at Enscombe, which allowed his son to answer for having an entire fortnight at his command, as well as the route and the method of his journey; and she listened, and smiled, and congratulated.<\|quote\|>"I shall soon bring him over to Hartfield,"</\|quote\|>said he, at the conclusion. Emma could imagine she saw a touch of the arm at this speech, from his wife. "We had better move on, Mr. Weston," said she, "we are detaining the girls." "Well, well, I am ready;" "--and turning again to Emma, "but you must not be expecting such a _very_ fine young man; you have only had _my_ account you know; I dare say he is really nothing extraordinary:" "--though his own sparkling eyes at the moment were speaking a very different conviction. Emma could look perfectly unconscious and innocent, and answer in a manner that appropriated nothing. "Think of me to-morrow, my dear Emma, about four o'clock," was Mrs. Weston's parting injunction; spoken with some anxiety, and meant only for her. "Four o'clock!--depend upon it he will be here by three," was Mr. Weston's quick amendment; and so ended a most satisfactory meeting. Emma's spirits were mounted quite up to happiness; every thing wore a different air; James and his horses seemed not half so sluggish as before. When she looked at the hedges, she thought the elder at least must soon be coming out; and when she turned round to Harriet, she saw something	The refreshment of Randalls was absolutely necessary. It was a good scheme; but on driving to the door they heard that neither "master nor mistress was at home;" they had both been out some time; the man believed they were gone to Hartfield. "This is too bad," cried Emma, as they turned away. "And now we shall just miss them; too provoking!--I do not know when I have been so disappointed." And she leaned back in the corner, to indulge her murmurs, or to reason them away; probably a little of both--such being the commonest process of a not ill-disposed mind. Presently the carriage stopt; she looked up; it was stopt by Mr. and Mrs. Weston, who were standing to speak to her. There was instant pleasure in the sight of them, and still greater pleasure was conveyed in sound--for Mr. Weston immediately accosted her with, "How d'ye do?--how d'ye do?--We have been sitting with your father--glad to see him so well. Frank comes to-morrow--I had a letter this morning--we see him to-morrow by dinner-time to a certainty--he is at Oxford to-day, and he comes for a whole fortnight; I knew it would be so. If he had come at Christmas he could not have staid three days; I was always glad he did not come at Christmas; now we are going to have just the right weather for him, fine, dry, settled weather. We shall enjoy him completely; every thing has turned out exactly as we could wish." There was no resisting such news, no possibility of avoiding the influence of such a happy face as Mr. Weston's, confirmed as it all was by the words and the countenance of his wife, fewer and quieter, but not less to the purpose. To know that _she_ thought his coming certain was enough to make Emma consider it so, and sincerely did she rejoice in their joy. It was a most delightful reanimation of exhausted spirits. The worn-out past was sunk in the freshness of what was coming; and in the rapidity of half a moment's thought, she hoped Mr. Elton would now be talked of no more. Mr. Weston gave her the history of the engagements at Enscombe, which allowed his son to answer for having an entire fortnight at his command, as well as the route and the method of his journey; and she listened, and smiled, and congratulated.<\|quote\|>"I shall soon bring him over to Hartfield,"</\|quote\|>said he, at the conclusion. Emma could imagine she saw a touch of the arm at this speech, from his wife. "We had better move on, Mr. Weston," said she, "we are detaining the girls." "Well, well, I am ready;" "--and turning again to Emma, "but you must not be expecting such a _very_ fine young man; you have only had _my_ account you know; I dare say he is really nothing extraordinary:" "--though his own sparkling eyes at the moment were speaking a very different conviction. Emma could look perfectly unconscious and innocent, and answer in a manner that appropriated nothing. "Think of me to-morrow, my dear Emma, about four o'clock," was Mrs. Weston's parting injunction; spoken with some anxiety, and meant only for her. "Four o'clock!--depend upon it he will be here by three," was Mr. Weston's quick amendment; and so ended a most satisfactory meeting. Emma's spirits were mounted quite up to happiness; every thing wore a different air; James and his horses seemed not half so sluggish as before. When she looked at the hedges, she thought the elder at least must soon be coming out; and when she turned round to Harriet, she saw something like a look of spring, a tender smile even there. "Will Mr. Frank Churchill pass through Bath as well as Oxford?" "--was a question, however, which did not augur much. But neither geography nor tranquillity could come all at once, and Emma was now in a humour to resolve that they should both come in time. The morning of the interesting day arrived, and Mrs. Weston's faithful pupil did not forget either at ten, or eleven, or twelve o'clock, that she was to think of her at four. "My dear, dear anxious friend," "--said she, in mental soliloquy, while walking downstairs from her own room, "always overcareful for every body's comfort but your own; I see you now in all your little fidgets, going again and again into his room, to be sure that all is right." The clock struck twelve as she passed through the hall. "'Tis twelve; I shall not forget to think of you four hours hence; and by this time to-morrow, perhaps, or a little later, I may be thinking of the possibility of their all calling here. I am sure they will bring him soon." She opened the parlour door, and saw two gentlemen sitting	of an hour brought her punctually to the white gate again; and Miss Smith receiving her summons, was with her without delay, and unattended by any alarming young man. She came solitarily down the gravel walk--a Miss Martin just appearing at the door, and parting with her seemingly with ceremonious civility. Harriet could not very soon give an intelligible account. She was feeling too much; but at last Emma collected from her enough to understand the sort of meeting, and the sort of pain it was creating. She had seen only Mrs. Martin and the two girls. They had received her doubtingly, if not coolly; and nothing beyond the merest commonplace had been talked almost all the time--till just at last, when Mrs. Martin's saying, all of a sudden, that she thought Miss Smith was grown, had brought on a more interesting subject, and a warmer manner. In that very room she had been measured last September, with her two friends. There were the pencilled marks and memorandums on the wainscot by the window. _He_ had done it. They all seemed to remember the day, the hour, the party, the occasion--to feel the same consciousness, the same regrets--to be ready to return to the same good understanding; and they were just growing again like themselves, (Harriet, as Emma must suspect, as ready as the best of them to be cordial and happy,) when the carriage reappeared, and all was over. The style of the visit, and the shortness of it, were then felt to be decisive. Fourteen minutes to be given to those with whom she had thankfully passed six weeks not six months ago!--Emma could not but picture it all, and feel how justly they might resent, how naturally Harriet must suffer. It was a bad business. She would have given a great deal, or endured a great deal, to have had the Martins in a higher rank of life. They were so deserving, that a _little_ higher should have been enough: but as it was, how could she have done otherwise?--Impossible!--She could not repent. They must be separated; but there was a great deal of pain in the process--so much to herself at this time, that she soon felt the necessity of a little consolation, and resolved on going home by way of Randalls to procure it. Her mind was quite sick of Mr. Elton and the Martins. The refreshment of Randalls was absolutely necessary. It was a good scheme; but on driving to the door they heard that neither "master nor mistress was at home;" they had both been out some time; the man believed they were gone to Hartfield. "This is too bad," cried Emma, as they turned away. "And now we shall just miss them; too provoking!--I do not know when I have been so disappointed." And she leaned back in the corner, to indulge her murmurs, or to reason them away; probably a little of both--such being the commonest process of a not ill-disposed mind. Presently the carriage stopt; she looked up; it was stopt by Mr. and Mrs. Weston, who were standing to speak to her. There was instant pleasure in the sight of them, and still greater pleasure was conveyed in sound--for Mr. Weston immediately accosted her with, "How d'ye do?--how d'ye do?--We have been sitting with your father--glad to see him so well. Frank comes to-morrow--I had a letter this morning--we see him to-morrow by dinner-time to a certainty--he is at Oxford to-day, and he comes for a whole fortnight; I knew it would be so. If he had come at Christmas he could not have staid three days; I was always glad he did not come at Christmas; now we are going to have just the right weather for him, fine, dry, settled weather. We shall enjoy him completely; every thing has turned out exactly as we could wish." There was no resisting such news, no possibility of avoiding the influence of such a happy face as Mr. Weston's, confirmed as it all was by the words and the countenance of his wife, fewer and quieter, but not less to the purpose. To know that _she_ thought his coming certain was enough to make Emma consider it so, and sincerely did she rejoice in their joy. It was a most delightful reanimation of exhausted spirits. The worn-out past was sunk in the freshness of what was coming; and in the rapidity of half a moment's thought, she hoped Mr. Elton would now be talked of no more. Mr. Weston gave her the history of the engagements at Enscombe, which allowed his son to answer for having an entire fortnight at his command, as well as the route and the method of his journey; and she listened, and smiled, and congratulated.<\|quote\|>"I shall soon bring him over to Hartfield,"</\|quote\|>said he, at the conclusion. Emma could imagine she saw a touch of the arm at this speech, from his wife. "We had better move on, Mr. Weston," said she, "we are detaining the girls." "Well, well, I am ready;" "--and turning again to Emma, "but you must not be expecting such a _very_ fine young man; you have only had _my_ account you know; I dare say he is really nothing extraordinary:" "--though his own sparkling eyes at the moment were speaking a very different conviction. Emma could look perfectly unconscious and innocent, and answer in a manner that appropriated nothing. "Think of me to-morrow, my dear Emma, about four o'clock," was Mrs. Weston's parting injunction; spoken with some anxiety, and meant only for her. "Four o'clock!--depend upon it he will be here by three," was Mr. Weston's quick amendment; and so ended a most satisfactory meeting. Emma's spirits were mounted quite up to happiness; every thing wore a different air; James and his horses seemed not half so sluggish as before. When she looked at the hedges, she thought the elder at least must soon be coming out; and when she turned round to Harriet, she saw something like a look of spring, a tender smile even there. "Will Mr. Frank Churchill pass through Bath as well as Oxford?" "--was a question, however, which did not augur much. But neither geography nor tranquillity could come all at once, and Emma was now in a humour to resolve that they should both come in time. The morning of the interesting day arrived, and Mrs. Weston's faithful pupil did not forget either at ten, or eleven, or twelve o'clock, that she was to think of her at four. "My dear, dear anxious friend," "--said she, in mental soliloquy, while walking downstairs from her own room, "always overcareful for every body's comfort but your own; I see you now in all your little fidgets, going again and again into his room, to be sure that all is right." The clock struck twelve as she passed through the hall. "'Tis twelve; I shall not forget to think of you four hours hence; and by this time to-morrow, perhaps, or a little later, I may be thinking of the possibility of their all calling here. I am sure they will bring him soon." She opened the parlour door, and saw two gentlemen sitting with her father--Mr. Weston and his son. They had been arrived only a few minutes, and Mr. Weston had scarcely finished his explanation of Frank's being a day before his time, and her father was yet in the midst of his very civil welcome and congratulations, when she appeared, to have her share of surprize, introduction, and pleasure. The Frank Churchill so long talked of, so high in interest, was actually before her--he was presented to her, and she did not think too much had been said in his praise; he was a _very_ good looking young man; height, air, address, all were unexceptionable, and his countenance had a great deal of the spirit and liveliness of his father's; he looked quick and sensible. She felt immediately that she should like him; and there was a well-bred ease of manner, and a readiness to talk, which convinced her that he came intending to be acquainted with her, and that acquainted they soon must be. He had reached Randalls the evening before. She was pleased with the eagerness to arrive which had made him alter his plan, and travel earlier, later, and quicker, that he might gain half a day. "I told you yesterday," cried Mr. Weston with exultation, "I told you all that he would be here before the time named. I remembered what I used to do myself. One cannot creep upon a journey; one cannot help getting on faster than one has planned; and the pleasure of coming in upon one's friends before the look-out begins, is worth a great deal more than any little exertion it needs." "It is a great pleasure where one can indulge in it," said the young man, "though there are not many houses that I should presume on so far; but in coming _home_ I felt I might do any thing." The word _home_ made his father look on him with fresh complacency. Emma was directly sure that he knew how to make himself agreeable; the conviction was strengthened by what followed. He was very much pleased with Randalls, thought it a most admirably arranged house, would hardly allow it even to be very small, admired the situation, the walk to Highbury, Highbury itself, Hartfield still more, and professed himself to have always felt the sort of interest in the country which none but one's _own_ country gives, and the greatest curiosity	just growing again like themselves, (Harriet, as Emma must suspect, as ready as the best of them to be cordial and happy,) when the carriage reappeared, and all was over. The style of the visit, and the shortness of it, were then felt to be decisive. Fourteen minutes to be given to those with whom she had thankfully passed six weeks not six months ago!--Emma could not but picture it all, and feel how justly they might resent, how naturally Harriet must suffer. It was a bad business. She would have given a great deal, or endured a great deal, to have had the Martins in a higher rank of life. They were so deserving, that a _little_ higher should have been enough: but as it was, how could she have done otherwise?--Impossible!--She could not repent. They must be separated; but there was a great deal of pain in the process--so much to herself at this time, that she soon felt the necessity of a little consolation, and resolved on going home by way of Randalls to procure it. Her mind was quite sick of Mr. Elton and the Martins. The refreshment of Randalls was absolutely necessary. It was a good scheme; but on driving to the door they heard that neither "master nor mistress was at home;" they had both been out some time; the man believed they were gone to Hartfield. "This is too bad," cried Emma, as they turned away. "And now we shall just miss them; too provoking!--I do not know when I have been so disappointed." And she leaned back in the corner, to indulge her murmurs, or to reason them away; probably a little of both--such being the commonest process of a not ill-disposed mind. Presently the carriage stopt; she looked up; it was stopt by Mr. and Mrs. Weston, who were standing to speak to her. There was instant pleasure in the sight of them, and still greater pleasure was conveyed in sound--for Mr. Weston immediately accosted her with, "How d'ye do?--how d'ye do?--We have been sitting with your father--glad to see him so well. Frank comes to-morrow--I had a letter this morning--we see him to-morrow by dinner-time to a certainty--he is at Oxford to-day, and he comes for a whole fortnight; I knew it would be so. If he had come at Christmas he could not have staid three days; I was always glad he did not come at Christmas; now we are going to have just the right weather for him, fine, dry, settled weather. We shall enjoy him completely; every thing has turned out exactly as we could wish." There was no resisting such news, no possibility of avoiding the influence of such a happy face as Mr. Weston's, confirmed as it all was by the words and the countenance of his wife, fewer and quieter, but not less to the purpose. To know that _she_ thought his coming certain was enough to make Emma consider it so, and sincerely did she rejoice in their joy. It was a most delightful reanimation of exhausted spirits. The worn-out past was sunk in the freshness of what was coming; and in the rapidity of half a moment's thought, she hoped Mr. Elton would now be talked of no more. Mr. Weston gave her the history of the engagements at Enscombe, which allowed his son to answer for having an entire fortnight at his command, as well as the route and the method of his journey; and she listened, and smiled, and congratulated.<\|quote\|>"I shall soon bring him over to Hartfield,"</\|quote\|>said he, at the conclusion. Emma could imagine she saw a touch of the arm at this speech, from his wife. "We had better move on, Mr. Weston," said she, "we are detaining the girls." "Well, well, I am ready;" "--and turning again to Emma, "but you must not be expecting such a _very_ fine young man; you have only had _my_ account you know; I dare say he is really nothing extraordinary:" "--though his own sparkling eyes at the moment were speaking a very different conviction. Emma could look perfectly unconscious and innocent, and answer in a manner that appropriated nothing. "Think of me to-morrow, my dear Emma, about four o'clock," was Mrs. Weston's parting injunction; spoken with some anxiety, and meant only for her. "Four o'clock!--depend upon it he will be here by three," was Mr. Weston's quick amendment; and so ended a most satisfactory meeting. Emma's spirits were mounted quite up to happiness; every thing wore a different air; James and his horses seemed not half so sluggish as before. When she looked at the hedges, she thought the elder at least must soon be coming out; and when she turned round to Harriet, she saw something like a look of spring, a tender smile even there. "Will Mr. Frank Churchill pass through Bath as well as Oxford?" "--was a question, however, which did not augur much. But neither geography nor tranquillity could come all at once, and Emma was now in a humour to resolve that they should both come in time. The morning of the interesting day arrived, and Mrs. Weston's faithful pupil did not forget either at ten, or eleven, or twelve o'clock, that she was to think of her at four. "My dear, dear anxious friend," "--said she, in mental soliloquy, while walking downstairs from her own room, "always overcareful for every body's comfort but your own; I see you now in all your little fidgets, going again and again into his room, to be sure that all is right." The clock struck twelve as she passed through the hall. "'Tis twelve; I shall not forget to think of you four hours hence; and by this time to-morrow, perhaps, or a little later, I may be thinking of the possibility of their all calling here. I am sure they will bring him soon." She opened the parlour door, and saw two gentlemen sitting with her father--Mr. Weston and his son. They had been arrived only a few minutes, and Mr. Weston had scarcely finished his explanation of Frank's being a day before his time, and her father was yet in the midst of his very civil welcome	Emma
"I can never get Mr. Allen to know one of my gowns from another. You must be a great comfort to your sister, sir."	Mrs. Allen	of those things," said she;<\|quote\|>"I can never get Mr. Allen to know one of my gowns from another. You must be a great comfort to your sister, sir."</\|quote\|>"I hope I am, madam."	commonly take so little notice of those things," said she;<\|quote\|>"I can never get Mr. Allen to know one of my gowns from another. You must be a great comfort to your sister, sir."</\|quote\|>"I hope I am, madam." "And pray, sir, what do	other day, and it was pronounced to be a prodigious bargain by every lady who saw it. I gave but five shillings a yard for it, and a true Indian muslin." Mrs. Allen was quite struck by his genius. "Men commonly take so little notice of those things," said she;<\|quote\|>"I can never get Mr. Allen to know one of my gowns from another. You must be a great comfort to your sister, sir."</\|quote\|>"I hope I am, madam." "And pray, sir, what do you think of Miss Morland s gown?" "It is very pretty, madam," said he, gravely examining it; "but I do not think it will wash well; I am afraid it will fray." "How can you," said Catherine, laughing, "be so"	guessed it, madam," said Mr. Tilney, looking at the muslin. "Do you understand muslins, sir?" "Particularly well; I always buy my own cravats, and am allowed to be an excellent judge; and my sister has often trusted me in the choice of a gown. I bought one for her the other day, and it was pronounced to be a prodigious bargain by every lady who saw it. I gave but five shillings a yard for it, and a true Indian muslin." Mrs. Allen was quite struck by his genius. "Men commonly take so little notice of those things," said she;<\|quote\|>"I can never get Mr. Allen to know one of my gowns from another. You must be a great comfort to your sister, sir."</\|quote\|>"I hope I am, madam." "And pray, sir, what do you think of Miss Morland s gown?" "It is very pretty, madam," said he, gravely examining it; "but I do not think it will wash well; I am afraid it will fray." "How can you," said Catherine, laughing, "be so" She had almost said "strange." "I am quite of your opinion, sir," replied Mrs. Allen; "and so I told Miss Morland when she bought it." "But then you know, madam, muslin always turns to some account or other; Miss Morland will get enough out of it for a handkerchief, or	no more lay it down as a general rule that women write better letters than men, than that they sing better duets, or draw better landscapes. In every power, of which taste is the foundation, excellence is pretty fairly divided between the sexes." They were interrupted by Mrs. Allen: "My dear Catherine," said she, "do take this pin out of my sleeve; I am afraid it has torn a hole already; I shall be quite sorry if it has, for this is a favourite gown, though it cost but nine shillings a yard." "That is exactly what I should have guessed it, madam," said Mr. Tilney, looking at the muslin. "Do you understand muslins, sir?" "Particularly well; I always buy my own cravats, and am allowed to be an excellent judge; and my sister has often trusted me in the choice of a gown. I bought one for her the other day, and it was pronounced to be a prodigious bargain by every lady who saw it. I gave but five shillings a yard for it, and a true Indian muslin." Mrs. Allen was quite struck by his genius. "Men commonly take so little notice of those things," said she;<\|quote\|>"I can never get Mr. Allen to know one of my gowns from another. You must be a great comfort to your sister, sir."</\|quote\|>"I hope I am, madam." "And pray, sir, what do you think of Miss Morland s gown?" "It is very pretty, madam," said he, gravely examining it; "but I do not think it will wash well; I am afraid it will fray." "How can you," said Catherine, laughing, "be so" She had almost said "strange." "I am quite of your opinion, sir," replied Mrs. Allen; "and so I told Miss Morland when she bought it." "But then you know, madam, muslin always turns to some account or other; Miss Morland will get enough out of it for a handkerchief, or a cap, or a cloak. Muslin can never be said to be wasted. I have heard my sister say so forty times, when she has been extravagant in buying more than she wanted, or careless in cutting it to pieces." "Bath is a charming place, sir; there are so many good shops here. We are sadly off in the country; not but what we have very good shops in Salisbury, but it is so far to go eight miles is a long way; Mr. Allen says it is nine, measured nine; but I am sure it cannot be more than	your complexion, and curl of your hair to be described in all their diversities, without having constant recourse to a journal? My dear madam, I am not so ignorant of young ladies ways as you wish to believe me; it is this delightful habit of journaling which largely contributes to form the easy style of writing for which ladies are so generally celebrated. Everybody allows that the talent of writing agreeable letters is peculiarly female. Nature may have done something, but I am sure it must be essentially assisted by the practice of keeping a journal." "I have sometimes thought," said Catherine, doubtingly, "whether ladies do write so much better letters than gentlemen! That is I should not think the superiority was always on our side." "As far as I have had opportunity of judging, it appears to me that the usual style of letter-writing among women is faultless, except in three particulars." "And what are they?" "A general deficiency of subject, a total inattention to stops, and a very frequent ignorance of grammar." "Upon my word! I need not have been afraid of disclaiming the compliment. You do not think too highly of us in that way." "I should no more lay it down as a general rule that women write better letters than men, than that they sing better duets, or draw better landscapes. In every power, of which taste is the foundation, excellence is pretty fairly divided between the sexes." They were interrupted by Mrs. Allen: "My dear Catherine," said she, "do take this pin out of my sleeve; I am afraid it has torn a hole already; I shall be quite sorry if it has, for this is a favourite gown, though it cost but nine shillings a yard." "That is exactly what I should have guessed it, madam," said Mr. Tilney, looking at the muslin. "Do you understand muslins, sir?" "Particularly well; I always buy my own cravats, and am allowed to be an excellent judge; and my sister has often trusted me in the choice of a gown. I bought one for her the other day, and it was pronounced to be a prodigious bargain by every lady who saw it. I gave but five shillings a yard for it, and a true Indian muslin." Mrs. Allen was quite struck by his genius. "Men commonly take so little notice of those things," said she;<\|quote\|>"I can never get Mr. Allen to know one of my gowns from another. You must be a great comfort to your sister, sir."</\|quote\|>"I hope I am, madam." "And pray, sir, what do you think of Miss Morland s gown?" "It is very pretty, madam," said he, gravely examining it; "but I do not think it will wash well; I am afraid it will fray." "How can you," said Catherine, laughing, "be so" She had almost said "strange." "I am quite of your opinion, sir," replied Mrs. Allen; "and so I told Miss Morland when she bought it." "But then you know, madam, muslin always turns to some account or other; Miss Morland will get enough out of it for a handkerchief, or a cap, or a cloak. Muslin can never be said to be wasted. I have heard my sister say so forty times, when she has been extravagant in buying more than she wanted, or careless in cutting it to pieces." "Bath is a charming place, sir; there are so many good shops here. We are sadly off in the country; not but what we have very good shops in Salisbury, but it is so far to go eight miles is a long way; Mr. Allen says it is nine, measured nine; but I am sure it cannot be more than eight; and it is such a fag I come back tired to death. Now, here one can step out of doors and get a thing in five minutes." Mr. Tilney was polite enough to seem interested in what she said; and she kept him on the subject of muslins till the dancing recommenced. Catherine feared, as she listened to their discourse, that he indulged himself a little too much with the foibles of others. "What are you thinking of so earnestly?" said he, as they walked back to the ballroom; "not of your partner, I hope, for, by that shake of the head, your meditations are not satisfactory." Catherine coloured, and said, "I was not thinking of anything." "That is artful and deep, to be sure; but I had rather be told at once that you will not tell me." "Well then, I will not." "Thank you; for now we shall soon be acquainted, as I am authorized to tease you on this subject whenever we meet, and nothing in the world advances intimacy so much." They danced again; and, when the assembly closed, parted, on the lady s side at least, with a strong inclination for continuing the acquaintance.	yourself that trouble, sir." "No trouble, I assure you, madam." Then forming his features into a set smile, and affectedly softening his voice, he added, with a simpering air, "Have you been long in Bath, madam?" "About a week, sir," replied Catherine, trying not to laugh. "Really!" with affected astonishment. "Why should you be surprised, sir?" "Why, indeed!" said he, in his natural tone. "But some emotion must appear to be raised by your reply, and surprise is more easily assumed, and not less reasonable than any other. Now let us go on. Were you never here before, madam?" "Never, sir." "Indeed! Have you yet honoured the Upper Rooms?" "Yes, sir, I was there last Monday." "Have you been to the theatre?" "Yes, sir, I was at the play on Tuesday." "To the concert?" "Yes, sir, on Wednesday." "And are you altogether pleased with Bath?" "Yes I like it very well." "Now I must give one smirk, and then we may be rational again." Catherine turned away her head, not knowing whether she might venture to laugh. "I see what you think of me," said he gravely "I shall make but a poor figure in your journal tomorrow." "My journal!" "Yes, I know exactly what you will say: Friday, went to the Lower Rooms; wore my sprigged muslin robe with blue trimmings plain black shoes appeared to much advantage; but was strangely harassed by a queer, half-witted man, who would make me dance with him, and distressed me by his nonsense." "Indeed I shall say no such thing." "Shall I tell you what you ought to say?" "If you please." "I danced with a very agreeable young man, introduced by Mr. King; had a great deal of conversation with him seems a most extraordinary genius hope I may know more of him. _That_, madam, is what I _wish_ you to say." "But, perhaps, I keep no journal." "Perhaps you are not sitting in this room, and I am not sitting by you. These are points in which a doubt is equally possible. Not keep a journal! How are your absent cousins to understand the tenour of your life in Bath without one? How are the civilities and compliments of every day to be related as they ought to be, unless noted down every evening in a journal? How are your various dresses to be remembered, and the particular state of your complexion, and curl of your hair to be described in all their diversities, without having constant recourse to a journal? My dear madam, I am not so ignorant of young ladies ways as you wish to believe me; it is this delightful habit of journaling which largely contributes to form the easy style of writing for which ladies are so generally celebrated. Everybody allows that the talent of writing agreeable letters is peculiarly female. Nature may have done something, but I am sure it must be essentially assisted by the practice of keeping a journal." "I have sometimes thought," said Catherine, doubtingly, "whether ladies do write so much better letters than gentlemen! That is I should not think the superiority was always on our side." "As far as I have had opportunity of judging, it appears to me that the usual style of letter-writing among women is faultless, except in three particulars." "And what are they?" "A general deficiency of subject, a total inattention to stops, and a very frequent ignorance of grammar." "Upon my word! I need not have been afraid of disclaiming the compliment. You do not think too highly of us in that way." "I should no more lay it down as a general rule that women write better letters than men, than that they sing better duets, or draw better landscapes. In every power, of which taste is the foundation, excellence is pretty fairly divided between the sexes." They were interrupted by Mrs. Allen: "My dear Catherine," said she, "do take this pin out of my sleeve; I am afraid it has torn a hole already; I shall be quite sorry if it has, for this is a favourite gown, though it cost but nine shillings a yard." "That is exactly what I should have guessed it, madam," said Mr. Tilney, looking at the muslin. "Do you understand muslins, sir?" "Particularly well; I always buy my own cravats, and am allowed to be an excellent judge; and my sister has often trusted me in the choice of a gown. I bought one for her the other day, and it was pronounced to be a prodigious bargain by every lady who saw it. I gave but five shillings a yard for it, and a true Indian muslin." Mrs. Allen was quite struck by his genius. "Men commonly take so little notice of those things," said she;<\|quote\|>"I can never get Mr. Allen to know one of my gowns from another. You must be a great comfort to your sister, sir."</\|quote\|>"I hope I am, madam." "And pray, sir, what do you think of Miss Morland s gown?" "It is very pretty, madam," said he, gravely examining it; "but I do not think it will wash well; I am afraid it will fray." "How can you," said Catherine, laughing, "be so" She had almost said "strange." "I am quite of your opinion, sir," replied Mrs. Allen; "and so I told Miss Morland when she bought it." "But then you know, madam, muslin always turns to some account or other; Miss Morland will get enough out of it for a handkerchief, or a cap, or a cloak. Muslin can never be said to be wasted. I have heard my sister say so forty times, when she has been extravagant in buying more than she wanted, or careless in cutting it to pieces." "Bath is a charming place, sir; there are so many good shops here. We are sadly off in the country; not but what we have very good shops in Salisbury, but it is so far to go eight miles is a long way; Mr. Allen says it is nine, measured nine; but I am sure it cannot be more than eight; and it is such a fag I come back tired to death. Now, here one can step out of doors and get a thing in five minutes." Mr. Tilney was polite enough to seem interested in what she said; and she kept him on the subject of muslins till the dancing recommenced. Catherine feared, as she listened to their discourse, that he indulged himself a little too much with the foibles of others. "What are you thinking of so earnestly?" said he, as they walked back to the ballroom; "not of your partner, I hope, for, by that shake of the head, your meditations are not satisfactory." Catherine coloured, and said, "I was not thinking of anything." "That is artful and deep, to be sure; but I had rather be told at once that you will not tell me." "Well then, I will not." "Thank you; for now we shall soon be acquainted, as I am authorized to tease you on this subject whenever we meet, and nothing in the world advances intimacy so much." They danced again; and, when the assembly closed, parted, on the lady s side at least, with a strong inclination for continuing the acquaintance. Whether she thought of him so much, while she drank her warm wine and water, and prepared herself for bed, as to dream of him when there, cannot be ascertained; but I hope it was no more than in a slight slumber, or a morning doze at most; for if it be true, as a celebrated writer has maintained, that no young lady can be justified in falling in love before the gentleman s love is declared,[1] it must be very improper that a young lady should dream of a gentleman before the gentleman is first known to have dreamt of her. How proper Mr. Tilney might be as a dreamer or a lover had not yet perhaps entered Mr. Allen s head, but that he was not objectionable as a common acquaintance for his young charge he was on inquiry satisfied; for he had early in the evening taken pains to know who her partner was, and had been assured of Mr. Tilney s being a clergyman, and of a very respectable family in Gloucestershire. [1] Vide a letter from Mr. Richardson, No. 97, Vol. ii, Rambler. CHAPTER 4 With more than usual eagerness did Catherine hasten to the pump-room the next day, secure within herself of seeing Mr. Tilney there before the morning were over, and ready to meet him with a smile; but no smile was demanded Mr. Tilney did not appear. Every creature in Bath, except himself, was to be seen in the room at different periods of the fashionable hours; crowds of people were every moment passing in and out, up the steps and down; people whom nobody cared about, and nobody wanted to see; and he only was absent. "What a delightful place Bath is," said Mrs. Allen as they sat down near the great clock, after parading the room till they were tired; "and how pleasant it would be if we had any acquaintance here." This sentiment had been uttered so often in vain that Mrs. Allen had no particular reason to hope it would be followed with more advantage now; but we are told to "despair of nothing we would attain," as "unwearied diligence our point would gain"; and the unwearied diligence with which she had every day wished for the same thing was at length to have its just reward, for hardly had she been seated ten minutes before a lady	not think the superiority was always on our side." "As far as I have had opportunity of judging, it appears to me that the usual style of letter-writing among women is faultless, except in three particulars." "And what are they?" "A general deficiency of subject, a total inattention to stops, and a very frequent ignorance of grammar." "Upon my word! I need not have been afraid of disclaiming the compliment. You do not think too highly of us in that way." "I should no more lay it down as a general rule that women write better letters than men, than that they sing better duets, or draw better landscapes. In every power, of which taste is the foundation, excellence is pretty fairly divided between the sexes." They were interrupted by Mrs. Allen: "My dear Catherine," said she, "do take this pin out of my sleeve; I am afraid it has torn a hole already; I shall be quite sorry if it has, for this is a favourite gown, though it cost but nine shillings a yard." "That is exactly what I should have guessed it, madam," said Mr. Tilney, looking at the muslin. "Do you understand muslins, sir?" "Particularly well; I always buy my own cravats, and am allowed to be an excellent judge; and my sister has often trusted me in the choice of a gown. I bought one for her the other day, and it was pronounced to be a prodigious bargain by every lady who saw it. I gave but five shillings a yard for it, and a true Indian muslin." Mrs. Allen was quite struck by his genius. "Men commonly take so little notice of those things," said she;<\|quote\|>"I can never get Mr. Allen to know one of my gowns from another. You must be a great comfort to your sister, sir."</\|quote\|>"I hope I am, madam." "And pray, sir, what do you think of Miss Morland s gown?" "It is very pretty, madam," said he, gravely examining it; "but I do not think it will wash well; I am afraid it will fray." "How can you," said Catherine, laughing, "be so" She had almost said "strange." "I am quite of your opinion, sir," replied Mrs. Allen; "and so I told Miss Morland when she bought it." "But then you know, madam, muslin always turns to some account or other; Miss Morland will get enough out of it for a handkerchief, or a cap, or a cloak. Muslin can never be said to be wasted. I have heard my sister say so forty times, when she has been extravagant in buying more than she wanted, or careless in cutting it to pieces." "Bath is a charming place, sir; there are so many good shops here. We are sadly off in the country; not but what we have very good shops in Salisbury, but it is so far to go eight miles is a long way; Mr. Allen says it is nine, measured nine; but I am sure it cannot be more than eight; and it is such a fag I come back tired to death. Now, here one can step out of doors and get a thing in five minutes." Mr. Tilney was polite enough to seem interested in what she said; and she kept him on the subject of muslins till the dancing recommenced. Catherine feared,	Northanger Abbey
"Gentlemen,"	Bill Gorton	the egg he was peeling.<\|quote\|>"Gentlemen,"</\|quote\|>he said, and unwrapped a	Bryan's dead." Bill laid down the egg he was peeling.<\|quote\|>"Gentlemen,"</\|quote\|>he said, and unwrapped a drumstick from a piece of	We unwrapped the little parcels of lunch. "Chicken." "There's hard-boiled eggs." "Find any salt?" "First the egg," said Bill. "Then the chicken. Even Bryan could see that." "He's dead. I read it in the paper yesterday." "No. Not really?" "Yes. Bryan's dead." Bill laid down the egg he was peeling.<\|quote\|>"Gentlemen,"</\|quote\|>he said, and unwrapped a drumstick from a piece of newspaper. "I reverse the order. For Bryan's sake. As a tribute to the Great Commoner. First the chicken; then the egg." "Wonder what day God created the chicken?" "Oh," said Bill, sucking the drumstick, "how should we know? We should	with ferns. "Let's see that bottle," he said. He pulled the cork, and tipped up the bottle and drank. "Whew! That makes my eyes ache." "Let's try it." The wine was icy cold and tasted faintly rusty. "That's not such filthy wine," Bill said. "The cold helps it," I said. We unwrapped the little parcels of lunch. "Chicken." "There's hard-boiled eggs." "Find any salt?" "First the egg," said Bill. "Then the chicken. Even Bryan could see that." "He's dead. I read it in the paper yesterday." "No. Not really?" "Yes. Bryan's dead." Bill laid down the egg he was peeling.<\|quote\|>"Gentlemen,"</\|quote\|>he said, and unwrapped a drumstick from a piece of newspaper. "I reverse the order. For Bryan's sake. As a tribute to the Great Commoner. First the chicken; then the egg." "Wonder what day God created the chicken?" "Oh," said Bill, sucking the drumstick, "how should we know? We should not question. Our stay on earth is not for long. Let us rejoice and believe and give thanks." "Eat an egg." Bill gestured with the drumstick in one hand and the bottle of wine in the other. "Let us rejoice in our blessings. Let us utilize the fowls of the	were." "Get them all on worms?" "Yes." "You lazy bum!" Bill put the trout in the bag and started for the river, swinging the open bag. He was wet from the waist down and I knew he must have been wading the stream. I walked up the road and got out the two bottles of wine. They were cold. Moisture beaded on the bottles as I walked back to the trees. I spread the lunch on a newspaper, and uncorked one of the bottles and leaned the other against a tree. Bill came up drying his hands, his bag plump with ferns. "Let's see that bottle," he said. He pulled the cork, and tipped up the bottle and drank. "Whew! That makes my eyes ache." "Let's try it." The wine was icy cold and tasted faintly rusty. "That's not such filthy wine," Bill said. "The cold helps it," I said. We unwrapped the little parcels of lunch. "Chicken." "There's hard-boiled eggs." "Find any salt?" "First the egg," said Bill. "Then the chicken. Even Bryan could see that." "He's dead. I read it in the paper yesterday." "No. Not really?" "Yes. Bryan's dead." Bill laid down the egg he was peeling.<\|quote\|>"Gentlemen,"</\|quote\|>he said, and unwrapped a drumstick from a piece of newspaper. "I reverse the order. For Bryan's sake. As a tribute to the Great Commoner. First the chicken; then the egg." "Wonder what day God created the chicken?" "Oh," said Bill, sucking the drumstick, "how should we know? We should not question. Our stay on earth is not for long. Let us rejoice and believe and give thanks." "Eat an egg." Bill gestured with the drumstick in one hand and the bottle of wine in the other. "Let us rejoice in our blessings. Let us utilize the fowls of the air. Let us utilize the product of the vine. Will you utilize a little, brother?" "After you, brother." Bill took a long drink. "Utilize a little, brother," he handed me the bottle. "Let us not doubt, brother. Let us not pry into the holy mysteries of the hen-coop with simian fingers. Let us accept on faith and simply say--I want you to join with me in saying--What shall we say, brother?" He pointed the drumstick at me and went on. "Let me tell you. We will say, and I for one am proud to say--and I want you to say	but I sat against the trunk of two of the trees that grew together, and read. The book was something by A. E. W. Mason, and I was reading a wonderful story about a man who had been frozen in the Alps and then fallen into a glacier and disappeared, and his bride was going to wait twenty-four years exactly for his body to come out on the moraine, while her true love waited too, and they were still waiting when Bill came up. "Get any?" he asked. He had his rod and his bag and his net all in one hand, and he was sweating. I hadn't heard him come up, because of the noise from the dam. "Six. What did you get?" Bill sat down, opened up his bag, laid a big trout on the grass. He took out three more, each one a little bigger than the last, and laid them side by side in the shade from the tree. His face was sweaty and happy. "How are yours?" "Smaller." "Let's see them." "They're packed." "How big are they really?" "They're all about the size of your smallest." "You're not holding out on me?" "I wish I were." "Get them all on worms?" "Yes." "You lazy bum!" Bill put the trout in the bag and started for the river, swinging the open bag. He was wet from the waist down and I knew he must have been wading the stream. I walked up the road and got out the two bottles of wine. They were cold. Moisture beaded on the bottles as I walked back to the trees. I spread the lunch on a newspaper, and uncorked one of the bottles and leaned the other against a tree. Bill came up drying his hands, his bag plump with ferns. "Let's see that bottle," he said. He pulled the cork, and tipped up the bottle and drank. "Whew! That makes my eyes ache." "Let's try it." The wine was icy cold and tasted faintly rusty. "That's not such filthy wine," Bill said. "The cold helps it," I said. We unwrapped the little parcels of lunch. "Chicken." "There's hard-boiled eggs." "Find any salt?" "First the egg," said Bill. "Then the chicken. Even Bryan could see that." "He's dead. I read it in the paper yesterday." "No. Not really?" "Yes. Bryan's dead." Bill laid down the egg he was peeling.<\|quote\|>"Gentlemen,"</\|quote\|>he said, and unwrapped a drumstick from a piece of newspaper. "I reverse the order. For Bryan's sake. As a tribute to the Great Commoner. First the chicken; then the egg." "Wonder what day God created the chicken?" "Oh," said Bill, sucking the drumstick, "how should we know? We should not question. Our stay on earth is not for long. Let us rejoice and believe and give thanks." "Eat an egg." Bill gestured with the drumstick in one hand and the bottle of wine in the other. "Let us rejoice in our blessings. Let us utilize the fowls of the air. Let us utilize the product of the vine. Will you utilize a little, brother?" "After you, brother." Bill took a long drink. "Utilize a little, brother," he handed me the bottle. "Let us not doubt, brother. Let us not pry into the holy mysteries of the hen-coop with simian fingers. Let us accept on faith and simply say--I want you to join with me in saying--What shall we say, brother?" He pointed the drumstick at me and went on. "Let me tell you. We will say, and I for one am proud to say--and I want you to say with me, on your knees, brother. Let no man be ashamed to kneel here in the great out-of-doors. Remember the woods were God's first temples. Let us kneel and say: 'Don't eat that, Lady--that's Mencken.'" "Here," I said. "Utilize a little of this." We uncorked the other bottle. "What's the matter?" I said. "Didn't you like Bryan?" "I loved Bryan," said Bill. "We were like brothers." "Where did you know him?" "He and Mencken and I all went to Holy Cross together." "And Frankie Fritsch." "It's a lie. Frankie Fritsch went to Fordham." "Well," I said, "I went to Loyola with Bishop Manning." "It's a lie," Bill said. "I went to Loyola with Bishop Manning myself." "You're cock-eyed," I said. "On wine?" "Why not?" "It's the humidity," Bill said. "They ought to take this damn humidity away." "Have another shot." "Is this all we've got?" "Only the two bottles." "Do you know what you are?" Bill looked at the bottle affectionately. "No," I said. "You're in the pay of the Anti-Saloon League." "I went to Notre Dame with Wayne B. Wheeler." "It's a lie," said Bill. "I went to Austin Business College with Wayne B. Wheeler. He was class president."	one of the squared timbers and watched the smooth apron of water before the river tumbled into the falls. In the white water at the foot of the dam it was deep. As I baited up, a trout shot up out of the white water into the falls and was carried down. Before I could finish baiting, another trout jumped at the falls, making the same lovely arc and disappearing into the water that was thundering down. I put on a good-sized sinker and dropped into the white water close to the edge of the timbers of the dam. I did not feel the first trout strike. When I started to pull up I felt that I had one and brought him, fighting and bending the rod almost double, out of the boiling water at the foot of the falls, and swung him up and onto the dam. He was a good trout, and I banged his head against the timber so that he quivered out straight, and then slipped him into my bag. While I had him on, several trout had jumped at the falls. As soon as I baited up and dropped in again I hooked another and brought him in the same way. In a little while I had six. They were all about the same size. I laid them out, side by side, all their heads pointing the same way, and looked at them. They were beautifully colored and firm and hard from the cold water. It was a hot day, so I slit them all and shucked out the insides, gills and all, and tossed them over across the river. I took the trout ashore, washed them in the cold, smoothly heavy water above the dam, and then picked some ferns and packed them all in the bag, three trout on a layer of ferns, then another layer of fems, then three more trout, and then covered them with ferns. They looked nice in the ferns, and now the bag was bulky, and I put it in the shade of the tree. It was very hot on the dam, so I put my worm-can in the shade with the bag, and got a book out of the pack and settled down under the tree to read until Bill should come up for lunch. It was a little past noon and there was not much shade, but I sat against the trunk of two of the trees that grew together, and read. The book was something by A. E. W. Mason, and I was reading a wonderful story about a man who had been frozen in the Alps and then fallen into a glacier and disappeared, and his bride was going to wait twenty-four years exactly for his body to come out on the moraine, while her true love waited too, and they were still waiting when Bill came up. "Get any?" he asked. He had his rod and his bag and his net all in one hand, and he was sweating. I hadn't heard him come up, because of the noise from the dam. "Six. What did you get?" Bill sat down, opened up his bag, laid a big trout on the grass. He took out three more, each one a little bigger than the last, and laid them side by side in the shade from the tree. His face was sweaty and happy. "How are yours?" "Smaller." "Let's see them." "They're packed." "How big are they really?" "They're all about the size of your smallest." "You're not holding out on me?" "I wish I were." "Get them all on worms?" "Yes." "You lazy bum!" Bill put the trout in the bag and started for the river, swinging the open bag. He was wet from the waist down and I knew he must have been wading the stream. I walked up the road and got out the two bottles of wine. They were cold. Moisture beaded on the bottles as I walked back to the trees. I spread the lunch on a newspaper, and uncorked one of the bottles and leaned the other against a tree. Bill came up drying his hands, his bag plump with ferns. "Let's see that bottle," he said. He pulled the cork, and tipped up the bottle and drank. "Whew! That makes my eyes ache." "Let's try it." The wine was icy cold and tasted faintly rusty. "That's not such filthy wine," Bill said. "The cold helps it," I said. We unwrapped the little parcels of lunch. "Chicken." "There's hard-boiled eggs." "Find any salt?" "First the egg," said Bill. "Then the chicken. Even Bryan could see that." "He's dead. I read it in the paper yesterday." "No. Not really?" "Yes. Bryan's dead." Bill laid down the egg he was peeling.<\|quote\|>"Gentlemen,"</\|quote\|>he said, and unwrapped a drumstick from a piece of newspaper. "I reverse the order. For Bryan's sake. As a tribute to the Great Commoner. First the chicken; then the egg." "Wonder what day God created the chicken?" "Oh," said Bill, sucking the drumstick, "how should we know? We should not question. Our stay on earth is not for long. Let us rejoice and believe and give thanks." "Eat an egg." Bill gestured with the drumstick in one hand and the bottle of wine in the other. "Let us rejoice in our blessings. Let us utilize the fowls of the air. Let us utilize the product of the vine. Will you utilize a little, brother?" "After you, brother." Bill took a long drink. "Utilize a little, brother," he handed me the bottle. "Let us not doubt, brother. Let us not pry into the holy mysteries of the hen-coop with simian fingers. Let us accept on faith and simply say--I want you to join with me in saying--What shall we say, brother?" He pointed the drumstick at me and went on. "Let me tell you. We will say, and I for one am proud to say--and I want you to say with me, on your knees, brother. Let no man be ashamed to kneel here in the great out-of-doors. Remember the woods were God's first temples. Let us kneel and say: 'Don't eat that, Lady--that's Mencken.'" "Here," I said. "Utilize a little of this." We uncorked the other bottle. "What's the matter?" I said. "Didn't you like Bryan?" "I loved Bryan," said Bill. "We were like brothers." "Where did you know him?" "He and Mencken and I all went to Holy Cross together." "And Frankie Fritsch." "It's a lie. Frankie Fritsch went to Fordham." "Well," I said, "I went to Loyola with Bishop Manning." "It's a lie," Bill said. "I went to Loyola with Bishop Manning myself." "You're cock-eyed," I said. "On wine?" "Why not?" "It's the humidity," Bill said. "They ought to take this damn humidity away." "Have another shot." "Is this all we've got?" "Only the two bottles." "Do you know what you are?" Bill looked at the bottle affectionately. "No," I said. "You're in the pay of the Anti-Saloon League." "I went to Notre Dame with Wayne B. Wheeler." "It's a lie," said Bill. "I went to Austin Business College with Wayne B. Wheeler. He was class president." "Well," I said, "the saloon must go." "You're right there, old classmate," Bill said. "The saloon must go, and I will take it with me." "You're cock-eyed." "On wine?" "On wine." "Well, maybe I am." "Want to take a nap?" "All right." We lay with our heads in the shade and looked up into the trees. "You asleep?" "No," Bill said. "I was thinking." I shut my eyes. It felt good lying on the ground. "Say," Bill said, "what about this Brett business?" "What about it?" "Were you ever in love with her?" "Sure." "For how long?" "Off and on for a hell of a long time." "Oh, hell!" Bill said. "I'm sorry, fella." "It's all right," I said. "I don't give a damn any more." "Really?" "Really. Only I'd a hell of a lot rather not talk about it." "You aren't sore I asked you?" "Why the hell should I be?" "I'm going to sleep," Bill said. He put a newspaper over his face. "Listen, Jake," he said, "are you really a Catholic?" "Technically." "What does that mean?" "I don't know." "All right, I'll go to sleep now," he said. "Don't keep me awake by talking so much." I went to sleep, too. When I woke up Bill was packing the rucksack. It was late in the afternoon and the shadow from the trees was long and went out over the dam. I was stiff from sleeping on the ground. "What did you do? Wake up?" Bill asked. "Why didn't you spend the night?" I stretched and rubbed my eyes. "I had a lovely dream," Bill said. "I don't remember what it was about, but it was a lovely dream." "I don't think I dreamt." "You ought to dream," Bill said. "All our biggest business men have been dreamers. Look at Ford. Look at President Coolidge. Look at Rockefeller. Look at Jo Davidson." I disjointed my rod and Bill's and packed them in the rod-case. I put the reels in the tackle-bag. Bill had packed the rucksack and we put one of the trout-bags in. I carried the other. "Well," said Bill, "have we got everything?" "The worms." "Your worms. Put them in there." He had the pack on his back and I put the worm-cans in one of the outside flap pockets. "You got everything now?" I looked around on the grass at the foot of the elm-trees.	"Smaller." "Let's see them." "They're packed." "How big are they really?" "They're all about the size of your smallest." "You're not holding out on me?" "I wish I were." "Get them all on worms?" "Yes." "You lazy bum!" Bill put the trout in the bag and started for the river, swinging the open bag. He was wet from the waist down and I knew he must have been wading the stream. I walked up the road and got out the two bottles of wine. They were cold. Moisture beaded on the bottles as I walked back to the trees. I spread the lunch on a newspaper, and uncorked one of the bottles and leaned the other against a tree. Bill came up drying his hands, his bag plump with ferns. "Let's see that bottle," he said. He pulled the cork, and tipped up the bottle and drank. "Whew! That makes my eyes ache." "Let's try it." The wine was icy cold and tasted faintly rusty. "That's not such filthy wine," Bill said. "The cold helps it," I said. We unwrapped the little parcels of lunch. "Chicken." "There's hard-boiled eggs." "Find any salt?" "First the egg," said Bill. "Then the chicken. Even Bryan could see that." "He's dead. I read it in the paper yesterday." "No. Not really?" "Yes. Bryan's dead." Bill laid down the egg he was peeling.<\|quote\|>"Gentlemen,"</\|quote\|>he said, and unwrapped a drumstick from a piece of newspaper. "I reverse the order. For Bryan's sake. As a tribute to the Great Commoner. First the chicken; then the egg." "Wonder what day God created the chicken?" "Oh," said Bill, sucking the drumstick, "how should we know? We should not question. Our stay on earth is not for long. Let us rejoice and believe and give thanks." "Eat an egg." Bill gestured with the drumstick in one hand and the bottle of wine in the other. "Let us rejoice in our blessings. Let us utilize the fowls of the air. Let us utilize the product of the vine. Will you utilize a little, brother?" "After you, brother." Bill took a long drink. "Utilize a little, brother," he handed me the bottle. "Let us not doubt, brother. Let us not pry into the holy mysteries of the hen-coop with simian fingers. Let us accept on faith and simply say--I want you to join with me in saying--What shall we say, brother?" He pointed the drumstick at me and went on. "Let me tell you. We will say, and I for one am proud to say--and I want you to say with me, on your knees, brother. Let no man be ashamed to kneel here in the great out-of-doors. Remember the woods were God's first temples. Let us kneel and say: 'Don't eat that, Lady--that's Mencken.'" "Here," I said. "Utilize a little of this." We uncorked the other bottle. "What's the matter?" I said. "Didn't you like Bryan?" "I loved Bryan," said Bill. "We were like brothers." "Where did you know him?" "He and Mencken and I all went to Holy Cross together." "And Frankie Fritsch." "It's a lie. Frankie Fritsch went to Fordham." "Well," I said, "I went to Loyola with Bishop Manning." "It's a lie," Bill said. "I went to Loyola with Bishop Manning myself." "You're cock-eyed," I said. "On wine?" "Why not?" "It's the humidity," Bill said. "They ought to take this damn humidity away." "Have another shot." "Is this all we've got?" "Only the two bottles." "Do you know what you are?" Bill looked at the bottle affectionately. "No," I said. "You're in the pay of the Anti-Saloon League." "I went to Notre Dame with Wayne B. Wheeler." "It's a lie," said Bill. "I went to Austin Business College with Wayne B. Wheeler. He was class president." "Well," I said, "the saloon must go." "You're right there, old classmate," Bill said. "The saloon must go, and I will take it with me." "You're cock-eyed." "On wine?" "On wine." "Well, maybe I am." "Want to take a nap?" "All right." We lay with our heads in the shade and looked up into the trees. "You asleep?" "No," Bill said. "I was thinking." I shut my eyes. It felt good lying on the ground. "Say," Bill said, "what about this Brett business?" "What about it?" "Were you ever in love with her?" "Sure." "For how long?" "Off and on for a hell of	The Sun Also Rises
His voice shot up rather crossly.	No speaker	produces a bad impression here?"<\|quote\|>His voice shot up rather crossly.</\|quote\|>"Yes, but the scale, the	Do I not know what produces a bad impression here?"<\|quote\|>His voice shot up rather crossly.</\|quote\|>"Yes, but the scale, the scale. You always get the	I could scarcely get a wink of sleep. First my name was coupled with her and now it is yours." "Don't use such exaggerated phrases." "As what?" "As dismay and anxiety." "Have I not lived all my life in India? Do I not know what produces a bad impression here?"<\|quote\|>His voice shot up rather crossly.</\|quote\|>"Yes, but the scale, the scale. You always get the scale wrong, my dear fellow. A pity there is this rumour, but such a very small pity so small that we may as well talk of something else." "You mind for Miss Quested's sake, though. I can see from your	everyone is by no means your supporter. I have tried all I could to silence such a story." "Don't bother. Miss Quested has cleared out at last." "It is those who stop in the country, not those who leave it, whom such a story injures. Imagine my dismay and anxiety. I could scarcely get a wink of sleep. First my name was coupled with her and now it is yours." "Don't use such exaggerated phrases." "As what?" "As dismay and anxiety." "Have I not lived all my life in India? Do I not know what produces a bad impression here?"<\|quote\|>His voice shot up rather crossly.</\|quote\|>"Yes, but the scale, the scale. You always get the scale wrong, my dear fellow. A pity there is this rumour, but such a very small pity so small that we may as well talk of something else." "You mind for Miss Quested's sake, though. I can see from your face." "As far as I do mind. I travel light." "Cyril, that boastfulness about travelling light will be your ruin. It is raising up enemies against you on all sides, and makes me feel excessively uneasy." "What enemies?" Since Aziz had only himself in mind, he could not reply. Feeling	fact, the whole of life is somewhat sad. The new Civil Surgeon is the same as the last, but does not yet dare to be. That is all any administrative change amounts to. All my suffering has won nothing for us. But look here, Cyril, while I remember it. There's gossip about you as well as McBryde. They say that you and Miss Quested became also rather too intimate friends. To speak perfectly frankly, they say you and she have been guilty of impropriety." "They would say that." "It's all over the town, and may injure your reputation. You know, everyone is by no means your supporter. I have tried all I could to silence such a story." "Don't bother. Miss Quested has cleared out at last." "It is those who stop in the country, not those who leave it, whom such a story injures. Imagine my dismay and anxiety. I could scarcely get a wink of sleep. First my name was coupled with her and now it is yours." "Don't use such exaggerated phrases." "As what?" "As dismay and anxiety." "Have I not lived all my life in India? Do I not know what produces a bad impression here?"<\|quote\|>His voice shot up rather crossly.</\|quote\|>"Yes, but the scale, the scale. You always get the scale wrong, my dear fellow. A pity there is this rumour, but such a very small pity so small that we may as well talk of something else." "You mind for Miss Quested's sake, though. I can see from your face." "As far as I do mind. I travel light." "Cyril, that boastfulness about travelling light will be your ruin. It is raising up enemies against you on all sides, and makes me feel excessively uneasy." "What enemies?" Since Aziz had only himself in mind, he could not reply. Feeling a fool, he became angrier. "I have given you list after list of the people who cannot be trusted in this city. In your position I should have the sense to know I was surrounded by enemies. You observe I speak in a low voice. It is because I see your sais is new. How do I know he isn't a spy?" He lowered his voice: "Every third servant is a spy." "Now, what is the matter?" he asked, smiling. "Do you contradict my last remark?" "It simply doesn't affect me. Spies are as thick as mosquitoes, but it's years	his amusement where he could find it. But he resented him making up to this particular woman, whom he still regarded as his enemy; also, why had he not been told? What is friendship without confidences? He himself had told things sometimes regarded as shocking, and the Englishman had listened, tolerant, but surrendering nothing in return. He met Fielding at the railway station on his return, agreed to dine with him, and then started taxing him by the oblique method, outwardly merry. An avowed European scandal there was Mr. McBryde and Miss Derek. Miss Derek's faithful attachment to Chandrapore was now explained: Mr. McBryde had been caught in her room, and his wife was divorcing him. "That pure-minded fellow. However, he will blame the Indian climate. Everything is our fault really. Now, have I not discovered an important piece of news for you, Cyril?" "Not very," said Fielding, who took little interest in distant sins. "Listen to mine." Aziz' face lit up. "At the conference, it was settled. . . ." "This evening will do for schoolmastery. I should go straight to the Minto now, the cholera looks bad. We begin to have local cases as well as imported. In fact, the whole of life is somewhat sad. The new Civil Surgeon is the same as the last, but does not yet dare to be. That is all any administrative change amounts to. All my suffering has won nothing for us. But look here, Cyril, while I remember it. There's gossip about you as well as McBryde. They say that you and Miss Quested became also rather too intimate friends. To speak perfectly frankly, they say you and she have been guilty of impropriety." "They would say that." "It's all over the town, and may injure your reputation. You know, everyone is by no means your supporter. I have tried all I could to silence such a story." "Don't bother. Miss Quested has cleared out at last." "It is those who stop in the country, not those who leave it, whom such a story injures. Imagine my dismay and anxiety. I could scarcely get a wink of sleep. First my name was coupled with her and now it is yours." "Don't use such exaggerated phrases." "As what?" "As dismay and anxiety." "Have I not lived all my life in India? Do I not know what produces a bad impression here?"<\|quote\|>His voice shot up rather crossly.</\|quote\|>"Yes, but the scale, the scale. You always get the scale wrong, my dear fellow. A pity there is this rumour, but such a very small pity so small that we may as well talk of something else." "You mind for Miss Quested's sake, though. I can see from your face." "As far as I do mind. I travel light." "Cyril, that boastfulness about travelling light will be your ruin. It is raising up enemies against you on all sides, and makes me feel excessively uneasy." "What enemies?" Since Aziz had only himself in mind, he could not reply. Feeling a fool, he became angrier. "I have given you list after list of the people who cannot be trusted in this city. In your position I should have the sense to know I was surrounded by enemies. You observe I speak in a low voice. It is because I see your sais is new. How do I know he isn't a spy?" He lowered his voice: "Every third servant is a spy." "Now, what is the matter?" he asked, smiling. "Do you contradict my last remark?" "It simply doesn't affect me. Spies are as thick as mosquitoes, but it's years before I shall meet the one that kills me. You've something else in your mind." "I've not; don't be ridiculous." "You have. You're cross with me about something or other." Any direct attack threw him out of action. Presently he said: "So you and Madamsell Adela used to amuse one another in the evening, naughty boy." Those drab and high-minded talks had scarcely made for dalliance. Fielding was so startled at the story being taken seriously, and so disliked being called a naughty boy, that he lost his head and cried: "You little rotter! Well, I'm damned. Amusement indeed. Is it likely at such a time?" "Oh, I beg your pardon, I'm sure. The licentious Oriental imagination was at work," he replied, speaking gaily, but cut to the heart; for hours after his mistake he bled inwardly. "You see, Aziz, the circumstances . . . also the girl was still engaged to Heaslop, also I never felt . . ." "Yes, yes; but you didn't contradict what I said, so I thought it was true. Oh dear, East and West. Most misleading. Will you please put your little rotter down at his hospital?" "You're not offended?" "Most certainly I am	The problem is, about what? You give me no assistance." Then, surprising both Hamidullah and himself, he had an explosion of nerves. "But who does give me assistance? No one is my friend. All are traitors, even my own children. I have had enough of friends." "I was going to suggest we go behind the purdah, but your three treacherous children are there, so you will not want to." "I am sorry, it is ever since I was in prison my temper is strange; take me, forgive me." "Nureddin's mother is visiting my wife now. That is all right, I think." "They come before me separately, but not so far together. You had better prepare them for the united shock of my face." "No, let us surprise them without warning, far too much nonsense still goes on among our ladies. They pretended at the time of your trial they would give up purdah; indeed, those of them who can write composed a document to that effect, and now it ends in humbug. You know how deeply they all respect Fielding, but not one of them has seen him. My wife says she will, but always when he calls there is some excuse she is not feeling well, she is ashamed of the room, she has no nice sweets to offer him, only Elephants' Ears, and if I say Elephants' Ears are Mr. Fielding's favourite sweet, she replies that he will know how badly hers are made, so she cannot see him on their account. For fifteen years, my dear boy, have I argued with my begum, for fifteen years, and never gained a point, yet the missionaries inform us our women are down-trodden. If you want a subject for a poem, take this: The Indian lady as she is and not as she is supposed to be." CHAPTER XXXI Aziz had no sense of evidence. The sequence of his emotions decided his beliefs, and led to the tragic coolness between himself and his English friend. They had conquered but were not to be crowned. Fielding was away at a conference, and after the rumour about Miss Quested had been with him undisturbed for a few days, he assumed it was true. He had no objection on moral grounds to his friends amusing themselves, and Cyril, being middle-aged, could no longer expect the pick of the female market, and must take his amusement where he could find it. But he resented him making up to this particular woman, whom he still regarded as his enemy; also, why had he not been told? What is friendship without confidences? He himself had told things sometimes regarded as shocking, and the Englishman had listened, tolerant, but surrendering nothing in return. He met Fielding at the railway station on his return, agreed to dine with him, and then started taxing him by the oblique method, outwardly merry. An avowed European scandal there was Mr. McBryde and Miss Derek. Miss Derek's faithful attachment to Chandrapore was now explained: Mr. McBryde had been caught in her room, and his wife was divorcing him. "That pure-minded fellow. However, he will blame the Indian climate. Everything is our fault really. Now, have I not discovered an important piece of news for you, Cyril?" "Not very," said Fielding, who took little interest in distant sins. "Listen to mine." Aziz' face lit up. "At the conference, it was settled. . . ." "This evening will do for schoolmastery. I should go straight to the Minto now, the cholera looks bad. We begin to have local cases as well as imported. In fact, the whole of life is somewhat sad. The new Civil Surgeon is the same as the last, but does not yet dare to be. That is all any administrative change amounts to. All my suffering has won nothing for us. But look here, Cyril, while I remember it. There's gossip about you as well as McBryde. They say that you and Miss Quested became also rather too intimate friends. To speak perfectly frankly, they say you and she have been guilty of impropriety." "They would say that." "It's all over the town, and may injure your reputation. You know, everyone is by no means your supporter. I have tried all I could to silence such a story." "Don't bother. Miss Quested has cleared out at last." "It is those who stop in the country, not those who leave it, whom such a story injures. Imagine my dismay and anxiety. I could scarcely get a wink of sleep. First my name was coupled with her and now it is yours." "Don't use such exaggerated phrases." "As what?" "As dismay and anxiety." "Have I not lived all my life in India? Do I not know what produces a bad impression here?"<\|quote\|>His voice shot up rather crossly.</\|quote\|>"Yes, but the scale, the scale. You always get the scale wrong, my dear fellow. A pity there is this rumour, but such a very small pity so small that we may as well talk of something else." "You mind for Miss Quested's sake, though. I can see from your face." "As far as I do mind. I travel light." "Cyril, that boastfulness about travelling light will be your ruin. It is raising up enemies against you on all sides, and makes me feel excessively uneasy." "What enemies?" Since Aziz had only himself in mind, he could not reply. Feeling a fool, he became angrier. "I have given you list after list of the people who cannot be trusted in this city. In your position I should have the sense to know I was surrounded by enemies. You observe I speak in a low voice. It is because I see your sais is new. How do I know he isn't a spy?" He lowered his voice: "Every third servant is a spy." "Now, what is the matter?" he asked, smiling. "Do you contradict my last remark?" "It simply doesn't affect me. Spies are as thick as mosquitoes, but it's years before I shall meet the one that kills me. You've something else in your mind." "I've not; don't be ridiculous." "You have. You're cross with me about something or other." Any direct attack threw him out of action. Presently he said: "So you and Madamsell Adela used to amuse one another in the evening, naughty boy." Those drab and high-minded talks had scarcely made for dalliance. Fielding was so startled at the story being taken seriously, and so disliked being called a naughty boy, that he lost his head and cried: "You little rotter! Well, I'm damned. Amusement indeed. Is it likely at such a time?" "Oh, I beg your pardon, I'm sure. The licentious Oriental imagination was at work," he replied, speaking gaily, but cut to the heart; for hours after his mistake he bled inwardly. "You see, Aziz, the circumstances . . . also the girl was still engaged to Heaslop, also I never felt . . ." "Yes, yes; but you didn't contradict what I said, so I thought it was true. Oh dear, East and West. Most misleading. Will you please put your little rotter down at his hospital?" "You're not offended?" "Most certainly I am not." "If you are, this must be cleared up later on." "It has been," he answered, dignified. "I believe absolutely what you say, and of that there need be no further question." "But the way I said it must be cleared up. I was unintentionally rude. Unreserved regrets." "The fault is entirely mine." Tangles like this still interrupted their intercourse. A pause in the wrong place, an intonation misunderstood, and a whole conversation went awry. Fielding had been startled, not shocked, but how convey the difference? There is always trouble when two people do not think of sex at the same moment, always mutual resentment and surprise, even when the two people are of the same race. He began to recapitulate his feelings about Miss Quested. Aziz cut him short with: "But I believe you, I believe. Mohammed Latif shall be severely punished for inventing this." "Oh, leave it alone, like all gossip it's merely one of those half-alive things that try to crowd out real life. Take no notice, it'll vanish, like poor old Mrs. Moore's tombs." "Mohammed Latif has taken to intriguing. We are already much displeased with him. Will it satisfy you if we send him back to his family without a present?" "We'll discuss M.L. at dinner." His eyes went clotted and hard. "Dinner. This is most unlucky I forgot. I have promised to dine with Das." "Bring Das to me." "He will have invited other friends." "You are coming to dinner with me as arranged," said Fielding, looking away. "I don't stand this. You are coming to dinner with me. You come." They had reached the hospital now. Fielding continued round the Maidan alone. He was annoyed with himself, but counted on dinner to pull things straight. At the post office he saw the Collector. Their vehicles were parked side by side while their servants competed in the interior of the building. "Good morning; so you are back," said Turton icily. "I should be glad if you will put in your appearance at the club this evening." "I have accepted re-election, sir. Do you regard it as necessary I should come? I should be glad to be excused; indeed, I have a dinner engagement this evening." "It is not a question of your feelings, but of the wish of the Lieutenant-Governor. Perhaps you will ask me whether I speak officially. I do. I shall expect	For fifteen years, my dear boy, have I argued with my begum, for fifteen years, and never gained a point, yet the missionaries inform us our women are down-trodden. If you want a subject for a poem, take this: The Indian lady as she is and not as she is supposed to be." CHAPTER XXXI Aziz had no sense of evidence. The sequence of his emotions decided his beliefs, and led to the tragic coolness between himself and his English friend. They had conquered but were not to be crowned. Fielding was away at a conference, and after the rumour about Miss Quested had been with him undisturbed for a few days, he assumed it was true. He had no objection on moral grounds to his friends amusing themselves, and Cyril, being middle-aged, could no longer expect the pick of the female market, and must take his amusement where he could find it. But he resented him making up to this particular woman, whom he still regarded as his enemy; also, why had he not been told? What is friendship without confidences? He himself had told things sometimes regarded as shocking, and the Englishman had listened, tolerant, but surrendering nothing in return. He met Fielding at the railway station on his return, agreed to dine with him, and then started taxing him by the oblique method, outwardly merry. An avowed European scandal there was Mr. McBryde and Miss Derek. Miss Derek's faithful attachment to Chandrapore was now explained: Mr. McBryde had been caught in her room, and his wife was divorcing him. "That pure-minded fellow. However, he will blame the Indian climate. Everything is our fault really. Now, have I not discovered an important piece of news for you, Cyril?" "Not very," said Fielding, who took little interest in distant sins. "Listen to mine." Aziz' face lit up. "At the conference, it was settled. . . ." "This evening will do for schoolmastery. I should go straight to the Minto now, the cholera looks bad. We begin to have local cases as well as imported. In fact, the whole of life is somewhat sad. The new Civil Surgeon is the same as the last, but does not yet dare to be. That is all any administrative change amounts to. All my suffering has won nothing for us. But look here, Cyril, while I remember it. There's gossip about you as well as McBryde. They say that you and Miss Quested became also rather too intimate friends. To speak perfectly frankly, they say you and she have been guilty of impropriety." "They would say that." "It's all over the town, and may injure your reputation. You know, everyone is by no means your supporter. I have tried all I could to silence such a story." "Don't bother. Miss Quested has cleared out at last." "It is those who stop in the country, not those who leave it, whom such a story injures. Imagine my dismay and anxiety. I could scarcely get a wink of sleep. First my name was coupled with her and now it is yours." "Don't use such exaggerated phrases." "As what?" "As dismay and anxiety." "Have I not lived all my life in India? Do I not know what produces a bad impression here?"<\|quote\|>His voice shot up rather crossly.</\|quote\|>"Yes, but the scale, the scale. You always get the scale wrong, my dear fellow. A pity there is this rumour, but such a very small pity so small that we may as well talk of something else." "You mind for Miss Quested's sake, though. I can see from your face." "As far as I do mind. I travel light." "Cyril, that boastfulness about travelling light will be your ruin. It is raising up enemies against you on all sides, and makes me feel excessively uneasy." "What enemies?" Since Aziz had only himself in mind, he could not reply. Feeling a fool, he became angrier. "I have given you list after list of the people who cannot be trusted in this city. In your position I should have the sense to know I was surrounded by enemies. You observe I speak in a low voice. It is because I see your sais is new. How do I know he isn't a spy?" He lowered his voice: "Every third servant is a spy." "Now, what is the matter?" he asked, smiling. "Do you contradict my last remark?" "It simply doesn't affect me. Spies are as thick as mosquitoes, but it's years before I shall meet the one that kills me. You've something	A Passage To India
"isn't it an awful face?"	Bill Gorton	lip. "My God!" he said,<\|quote\|>"isn't it an awful face?"</\|quote\|>He looked in the glass.	pulling down his long upper lip. "My God!" he said,<\|quote\|>"isn't it an awful face?"</\|quote\|>He looked in the glass. "And as for this Robert	the razor at me--" "go west with this face and grow up with the country." He ducked down to the bowl, rinsed his face with cold water, put on some alcohol, and then looked at himself carefully in the glass, pulling down his long upper lip. "My God!" he said,<\|quote\|>"isn't it an awful face?"</\|quote\|>He looked in the glass. "And as for this Robert Cohn," Bill said, "he makes me sick, and he can go to hell, and I'm damn glad he's staying here so we won't have him fishing with us." "You're damn right." "We're going trout-fishing. We're going trout-fishing in the Irati	"She should have. All women should see it. It's a face that ought to be thrown on every screen in the country. Every woman ought to be given a copy of this face as she leaves the altar. Mothers should tell their daughters about this face. My son" "--he pointed the razor at me--" "go west with this face and grow up with the country." He ducked down to the bowl, rinsed his face with cold water, put on some alcohol, and then looked at himself carefully in the glass, pulling down his long upper lip. "My God!" he said,<\|quote\|>"isn't it an awful face?"</\|quote\|>He looked in the glass. "And as for this Robert Cohn," Bill said, "he makes me sick, and he can go to hell, and I'm damn glad he's staying here so we won't have him fishing with us." "You're damn right." "We're going trout-fishing. We're going trout-fishing in the Irati River, and we're going to get tight now at lunch on the wine of the country, and then take a swell bus ride." "Come on. Let's go over to the Iru a and start," I said. CHAPTER 11 It was baking hot in the square when we came out after	San Sebastian with him." "What a damn-fool thing to do. Why did she do that?" "She wanted to get out of town and she can't go anywhere alone. She said she thought it would be good for him." "What bloody-fool things people do. Why didn't she go off with some of her own people? Or you?" "--he slurred that over--" "or me? Why not me?" He looked at his face carefully in the glass, put a big dab of lather on each cheek-bone. "It's an honest face. It's a face any woman would be safe with." "She'd never seen it." "She should have. All women should see it. It's a face that ought to be thrown on every screen in the country. Every woman ought to be given a copy of this face as she leaves the altar. Mothers should tell their daughters about this face. My son" "--he pointed the razor at me--" "go west with this face and grow up with the country." He ducked down to the bowl, rinsed his face with cold water, put on some alcohol, and then looked at himself carefully in the glass, pulling down his long upper lip. "My God!" he said,<\|quote\|>"isn't it an awful face?"</\|quote\|>He looked in the glass. "And as for this Robert Cohn," Bill said, "he makes me sick, and he can go to hell, and I'm damn glad he's staying here so we won't have him fishing with us." "You're damn right." "We're going trout-fishing. We're going trout-fishing in the Irati River, and we're going to get tight now at lunch on the wine of the country, and then take a swell bus ride." "Come on. Let's go over to the Iru a and start," I said. CHAPTER 11 It was baking hot in the square when we came out after lunch with our bags and the rod-case to go to Burguete. People were on top of the bus, and others were climbing up a ladder. Bill went up and Robert sat beside Bill to save a place for me, and I went back in the hotel to get a couple of bottles of wine to take with us. When I came out the bus was crowded. Men and women were sitting on all the baggage and boxes on top, and the women all had their fans going in the sun. It certainly was hot. Robert climbed down and I fitted	"The lying bastard!" "Oh, no," said Bill. "Don't get sore. Don't get sore at this stage of the trip. How did you ever happen to know this fellow, anyway?" "Don't rub it in." Bill looked around, half-shaved, and then went on talking into the mirror while he lathered his face. "Didn't you send him with a letter to me in New York last winter? Thank God, I'm a travelling man. Haven't you got some more Jewish friends you could bring along?" He rubbed his chin with his thumb, looked at it, and then started scraping again. "You've got some fine ones yourself." "Oh, yes. I've got some darbs. But not alongside of this Robert Cohn. The funny thing is he's nice, too. I like him. But he's just so awful." "He can be damn nice." "I know it. That's the terrible part." I laughed. "Yes. Go on and laugh," said Bill. "You weren't out with him last night until two o'clock." "Was he very bad?" "Awful. What's all this about him and Brett, anyway? Did she ever have anything to do with him?" He raised his chin up and pulled it from side to side. "Sure. She went down to San Sebastian with him." "What a damn-fool thing to do. Why did she do that?" "She wanted to get out of town and she can't go anywhere alone. She said she thought it would be good for him." "What bloody-fool things people do. Why didn't she go off with some of her own people? Or you?" "--he slurred that over--" "or me? Why not me?" He looked at his face carefully in the glass, put a big dab of lather on each cheek-bone. "It's an honest face. It's a face any woman would be safe with." "She'd never seen it." "She should have. All women should see it. It's a face that ought to be thrown on every screen in the country. Every woman ought to be given a copy of this face as she leaves the altar. Mothers should tell their daughters about this face. My son" "--he pointed the razor at me--" "go west with this face and grow up with the country." He ducked down to the bowl, rinsed his face with cold water, put on some alcohol, and then looked at himself carefully in the glass, pulling down his long upper lip. "My God!" he said,<\|quote\|>"isn't it an awful face?"</\|quote\|>He looked in the glass. "And as for this Robert Cohn," Bill said, "he makes me sick, and he can go to hell, and I'm damn glad he's staying here so we won't have him fishing with us." "You're damn right." "We're going trout-fishing. We're going trout-fishing in the Irati River, and we're going to get tight now at lunch on the wine of the country, and then take a swell bus ride." "Come on. Let's go over to the Iru a and start," I said. CHAPTER 11 It was baking hot in the square when we came out after lunch with our bags and the rod-case to go to Burguete. People were on top of the bus, and others were climbing up a ladder. Bill went up and Robert sat beside Bill to save a place for me, and I went back in the hotel to get a couple of bottles of wine to take with us. When I came out the bus was crowded. Men and women were sitting on all the baggage and boxes on top, and the women all had their fans going in the sun. It certainly was hot. Robert climbed down and I fitted into the place he had saved on the one wooden seat that ran across the top. Robert Cohn stood in the shade of the arcade waiting for us start. A Basque with a big leather wine-bag in his lap lay across the top of the bus in front of our seat, leaning back against our legs. He offered the wine-skin to Bill and to me, and when I tipped it up to drink he imitated the sound of a klaxon motor-horn so well and so suddenly that I spilled some of the wine, and everybody laughed. He apologized and made me take another drink. He made the klaxon again a little later, and it fooled me the second time. He was very good at it. The Basques liked it. The man next to Bill was talking to him in Spanish and Bill was not getting it, so he offered the man one of the bottles of wine. The man waved it away. He said it was too hot and he had drunk too much at lunch. When Bill offered the bottle the second time he took a long drink, and then the bottle went all over that part of the	the papers when I saw Robert Cohn coming across the square. He came up to the table and sat down in one of the wicker chairs. "This is a comfortable caf ," he said. "Did you have a good night, Jake?" "I slept like a log." "I didn't sleep very well. Bill and I were out late, too." "Where were you?" "Here. And after it shut we went over to that other caf . The old man there speaks German and English." "The Caf Suizo." "That's it. He seems like a nice old fellow. I think it's a better caf than this one." "It's not so good in the daytime," I said. "Too hot. By the way, I got the bus tickets." "I'm not going up to-day. You and Bill go on ahead." "I've got your ticket." "Give it to me. I'll get the money back." "It's five pesetas." Robert Cohn took out a silver five-peseta piece and gave it to me. "I ought to stay," he said. "You see I'm afraid there's some sort of misunderstanding." "Why," I said. "They may not come here for three or four days now if they start on parties at San Sebastian." "That's just it," said Robert. "I'm afraid they expected to meet me at San Sebastian, and that's why they stopped over." "What makes you think that?" "Well, I wrote suggesting it to Brett." "Why in hell didn't you stay there and meet them then?" I started to say, but I stopped. I thought that idea would come to him by itself, but I do not believe it ever did. He was being confidential now and it was giving him pleasure to be able to talk with the understanding that I knew there was something between him and Brett. "Well, Bill and I will go up right after lunch," I said. "I wish I could go. We've been looking forward to this fishing all winter." He was being sentimental about it. "But I ought to stay. I really ought. As soon as they come I'll bring them right up." "Let's find Bill." "I want to go over to the barber-shop." "See you at lunch." I found Bill up in his room. He was shaving. "Oh, yes, he told me all about it last night," Bill said. "He's a great little confider. He said he had a date with Brett at San Sebastian." "The lying bastard!" "Oh, no," said Bill. "Don't get sore. Don't get sore at this stage of the trip. How did you ever happen to know this fellow, anyway?" "Don't rub it in." Bill looked around, half-shaved, and then went on talking into the mirror while he lathered his face. "Didn't you send him with a letter to me in New York last winter? Thank God, I'm a travelling man. Haven't you got some more Jewish friends you could bring along?" He rubbed his chin with his thumb, looked at it, and then started scraping again. "You've got some fine ones yourself." "Oh, yes. I've got some darbs. But not alongside of this Robert Cohn. The funny thing is he's nice, too. I like him. But he's just so awful." "He can be damn nice." "I know it. That's the terrible part." I laughed. "Yes. Go on and laugh," said Bill. "You weren't out with him last night until two o'clock." "Was he very bad?" "Awful. What's all this about him and Brett, anyway? Did she ever have anything to do with him?" He raised his chin up and pulled it from side to side. "Sure. She went down to San Sebastian with him." "What a damn-fool thing to do. Why did she do that?" "She wanted to get out of town and she can't go anywhere alone. She said she thought it would be good for him." "What bloody-fool things people do. Why didn't she go off with some of her own people? Or you?" "--he slurred that over--" "or me? Why not me?" He looked at his face carefully in the glass, put a big dab of lather on each cheek-bone. "It's an honest face. It's a face any woman would be safe with." "She'd never seen it." "She should have. All women should see it. It's a face that ought to be thrown on every screen in the country. Every woman ought to be given a copy of this face as she leaves the altar. Mothers should tell their daughters about this face. My son" "--he pointed the razor at me--" "go west with this face and grow up with the country." He ducked down to the bowl, rinsed his face with cold water, put on some alcohol, and then looked at himself carefully in the glass, pulling down his long upper lip. "My God!" he said,<\|quote\|>"isn't it an awful face?"</\|quote\|>He looked in the glass. "And as for this Robert Cohn," Bill said, "he makes me sick, and he can go to hell, and I'm damn glad he's staying here so we won't have him fishing with us." "You're damn right." "We're going trout-fishing. We're going trout-fishing in the Irati River, and we're going to get tight now at lunch on the wine of the country, and then take a swell bus ride." "Come on. Let's go over to the Iru a and start," I said. CHAPTER 11 It was baking hot in the square when we came out after lunch with our bags and the rod-case to go to Burguete. People were on top of the bus, and others were climbing up a ladder. Bill went up and Robert sat beside Bill to save a place for me, and I went back in the hotel to get a couple of bottles of wine to take with us. When I came out the bus was crowded. Men and women were sitting on all the baggage and boxes on top, and the women all had their fans going in the sun. It certainly was hot. Robert climbed down and I fitted into the place he had saved on the one wooden seat that ran across the top. Robert Cohn stood in the shade of the arcade waiting for us start. A Basque with a big leather wine-bag in his lap lay across the top of the bus in front of our seat, leaning back against our legs. He offered the wine-skin to Bill and to me, and when I tipped it up to drink he imitated the sound of a klaxon motor-horn so well and so suddenly that I spilled some of the wine, and everybody laughed. He apologized and made me take another drink. He made the klaxon again a little later, and it fooled me the second time. He was very good at it. The Basques liked it. The man next to Bill was talking to him in Spanish and Bill was not getting it, so he offered the man one of the bottles of wine. The man waved it away. He said it was too hot and he had drunk too much at lunch. When Bill offered the bottle the second time he took a long drink, and then the bottle went all over that part of the bus. Every one took a drink very politely, and then they made us cork it up and put it away. They all wanted us to drink from their leather wine-bottles. They were peasants going up into the hills. Finally, after a couple more false klaxons, the bus started, and Robert Cohn waved good-by to us, and all the Basques waved good-by to him. As soon as we started out on the road outside of town it was cool. It felt nice riding high up and close under the trees. The bus went quite fast and made a good breeze, and as we went out along the road with the dust powdering the trees and down the hill, we had a fine view, back through the trees, of the town rising up from the bluff above the river. The Basque lying against my knees pointed out the view with the neck of the wine-bottle, and winked at us. He nodded his head. "Pretty nice, eh?" "These Basques are swell people," Bill said. The Basque lying against my legs was tanned the color of saddle-leather. He wore a black smock like all the rest. There were wrinkles in his tanned neck. He turned around and offered his wine-bag to Bill. Bill handed him one of our bottles. The Basque wagged a forefinger at him and handed the bottle back, slapping in the cork with the palm of his hand. He shoved the wine-bag up. "Arriba! Arriba!" he said. "Lift it up." Bill raised the wine-skin and let the stream of wine spurt out and into his mouth, his head tipped back. When he stopped drinking and tipped the leather bottle down a few drops ran down his chin. "No! No!" several Basques said. "Not like that." One snatched the bottle away from the owner, who was himself about to give a demonstration. He was a young fellow and he held the wine-bottle at full arms' length and raised it high up, squeezing the leather bag with his hand so the stream of wine hissed into his mouth. He held the bag out there, the wine making a flat, hard trajectory into his mouth, and he kept on swallowing smoothly and regularly. "Hey!" the owner of the bottle shouted. "Whose wine is that?" The drinker waggled his little finger at him and smiled at us with his eyes. Then he bit the stream	to know this fellow, anyway?" "Don't rub it in." Bill looked around, half-shaved, and then went on talking into the mirror while he lathered his face. "Didn't you send him with a letter to me in New York last winter? Thank God, I'm a travelling man. Haven't you got some more Jewish friends you could bring along?" He rubbed his chin with his thumb, looked at it, and then started scraping again. "You've got some fine ones yourself." "Oh, yes. I've got some darbs. But not alongside of this Robert Cohn. The funny thing is he's nice, too. I like him. But he's just so awful." "He can be damn nice." "I know it. That's the terrible part." I laughed. "Yes. Go on and laugh," said Bill. "You weren't out with him last night until two o'clock." "Was he very bad?" "Awful. What's all this about him and Brett, anyway? Did she ever have anything to do with him?" He raised his chin up and pulled it from side to side. "Sure. She went down to San Sebastian with him." "What a damn-fool thing to do. Why did she do that?" "She wanted to get out of town and she can't go anywhere alone. She said she thought it would be good for him." "What bloody-fool things people do. Why didn't she go off with some of her own people? Or you?" "--he slurred that over--" "or me? Why not me?" He looked at his face carefully in the glass, put a big dab of lather on each cheek-bone. "It's an honest face. It's a face any woman would be safe with." "She'd never seen it." "She should have. All women should see it. It's a face that ought to be thrown on every screen in the country. Every woman ought to be given a copy of this face as she leaves the altar. Mothers should tell their daughters about this face. My son" "--he pointed the razor at me--" "go west with this face and grow up with the country." He ducked down to the bowl, rinsed his face with cold water, put on some alcohol, and then looked at himself carefully in the glass, pulling down his long upper lip. "My God!" he said,<\|quote\|>"isn't it an awful face?"</\|quote\|>He looked in the glass. "And as for this Robert Cohn," Bill said, "he makes me sick, and he can go to hell, and I'm damn glad he's staying here so we won't have him fishing with us." "You're damn right." "We're going trout-fishing. We're going trout-fishing in the Irati River, and we're going to get tight now at lunch on the wine of the country, and then take a swell bus ride." "Come on. Let's go over to the Iru a and start," I said. CHAPTER 11 It was baking hot in the square when we came out after lunch with our bags and the rod-case to go to Burguete. People were on top of the bus, and others were climbing up a ladder. Bill went up and Robert sat beside Bill to save a place for me, and I went back in the hotel to get a couple of bottles of wine to take with us. When I came out the bus was crowded. Men and women were sitting on all the baggage and boxes on top, and the women all had their fans going in the sun. It certainly was hot. Robert climbed down and I fitted into the place he had saved on the one wooden seat that ran across the top. Robert Cohn stood in the shade of the arcade waiting for us start. A Basque with a big leather wine-bag in his lap lay across the top of the bus in front of our seat, leaning back against our legs. He offered the wine-skin to Bill and to me, and when I tipped it up to drink he imitated the sound of a klaxon motor-horn so well and so suddenly that I spilled some of the wine, and everybody laughed. He apologized and made me take another drink. He made the klaxon again a little later, and it fooled me the second time. He was very good at it. The Basques liked it. The man next to Bill was talking to him in Spanish and Bill was not getting it, so he offered the man one of the bottles of wine. The man waved it away. He said it was too hot and he had drunk too much at lunch. When Bill offered the bottle the second time he took a long drink, and then the bottle went all over that part of the bus. Every one took a drink very politely, and then they made us cork it up and put it away. They all wanted us to drink from their leather wine-bottles. They were peasants going up into the hills. Finally, after a couple more false klaxons, the bus started, and Robert Cohn waved good-by to us, and all the Basques waved good-by to him. As soon as we started out on the road outside of town it was cool. It felt nice riding high up and close under the trees. The bus went quite fast and made a good breeze, and as we went out along the road with the dust powdering the trees and down the hill, we had a fine view, back through the trees, of the town rising up from the bluff above the river. The Basque lying	The Sun Also Rises
“Will _he_ want your great-grandmother?”	Bender	but vaguely retraced its steps.<\|quote\|>“Will _he_ want your great-grandmother?”</\|quote\|>“Well, he may when he	lead it back, and it but vaguely retraced its steps.<\|quote\|>“Will _he_ want your great-grandmother?”</\|quote\|>“Well, he may when he sees her!” Lady Sandgate laughed.	my desk,” she said to Gotch, though waiting till he had departed again before she resumed to her visitor: “Mightn’t we conclude before he comes?” “The Prince?” Mr. Bender’s imagination had strayed from the ground to which she sought to lead it back, and it but vaguely retraced its steps.<\|quote\|>“Will _he_ want your great-grandmother?”</\|quote\|>“Well, he may when he sees her!” Lady Sandgate laughed. “And Theign, when he comes, will give you on his own question, I feel sure, every information. Shall I fish it out for you?” she encouragingly asked, beside him by her secretary-desk, at which he had arrived under her persuasive	he says!” In addition to which she was relieved by the reappearance of Gotch, who bore on a salver the object he had been sent for and to which he duly called attention. “The large red morocco case.” Lady Sandgate fairly jumped at it. “Your blessed cheque-book. Lay it on my desk,” she said to Gotch, though waiting till he had departed again before she resumed to her visitor: “Mightn’t we conclude before he comes?” “The Prince?” Mr. Bender’s imagination had strayed from the ground to which she sought to lead it back, and it but vaguely retraced its steps.<\|quote\|>“Will _he_ want your great-grandmother?”</\|quote\|>“Well, he may when he sees her!” Lady Sandgate laughed. “And Theign, when he comes, will give you on his own question, I feel sure, every information. Shall I fish it out for you?” she encouragingly asked, beside him by her secretary-desk, at which he had arrived under her persuasive guidance and where she sought solidly to establish him, opening out the gilded crimson case for his employ, so that he had but to help himself. “What enormous cheques! _You_ can never draw one for two-pound-ten!” “That’s exactly what you deserve I _should_ do!” He remained after this solemnly still,	a greater bewilderment. “What the h---- then (I beg your pardon!) is he talking about, and what ‘sentiments’ did he report round there that Lord Theign had been expressing?” His hostess faced it not otherwise than if she had resolved not to recognise the subject of his curiosity--for fear of other recognitions. “They put everything on _me_, my dear man--but I haven’t the least idea.” He looked at her askance. “Then why does the fellow say you have?” Much at a loss for the moment, she yet found her way. “Because the fellow’s so agog that he doesn’t know _what_ he says!” In addition to which she was relieved by the reappearance of Gotch, who bore on a salver the object he had been sent for and to which he duly called attention. “The large red morocco case.” Lady Sandgate fairly jumped at it. “Your blessed cheque-book. Lay it on my desk,” she said to Gotch, though waiting till he had departed again before she resumed to her visitor: “Mightn’t we conclude before he comes?” “The Prince?” Mr. Bender’s imagination had strayed from the ground to which she sought to lead it back, and it but vaguely retraced its steps.<\|quote\|>“Will _he_ want your great-grandmother?”</\|quote\|>“Well, he may when he sees her!” Lady Sandgate laughed. “And Theign, when he comes, will give you on his own question, I feel sure, every information. Shall I fish it out for you?” she encouragingly asked, beside him by her secretary-desk, at which he had arrived under her persuasive guidance and where she sought solidly to establish him, opening out the gilded crimson case for his employ, so that he had but to help himself. “What enormous cheques! _You_ can never draw one for two-pound-ten!” “That’s exactly what you deserve I _should_ do!” He remained after this solemnly still, however, like some high-priest circled with ceremonies; in consonance with which, the next moment, both her hands held out to him the open and immaculate page of the oblong series much as they might have presented a royal infant at the christening-font. He failed, in his preoccupation, to receive it; so she placed it before him on the table, coming away with a brave gay “Well, I leave it to you!” She had not, restlessly revolving, kept her discreet distance for many minutes before she found herself almost face to face with the recurrent Gotch, upright at the door with	again to Lord John. “He wants to ‘congratulate’?” “On Theign’s decision, as I’ve told you--which I announced to Mackintosh, by Theign’s extraordinary order, under his Highness’s nose, and which his Highness, by the same token, took up like a shot.” Her face, as she bethought herself, was convulsed as by some quick perception of what her informant must have done and what therefore the Prince’s interest rested on; all, however, to the effect, given their actual company, of her at once dodging and covering that issue. “The decision to remove the picture?” Lord John also observed a discretion. “He wouldn’t hear of such a thing--says it must stay stock still. So there you are!” This determined in Mr. Bender a not unnatural, in fact quite a clamorous, series of questions. “But _where_ are we, and what has the Prince to do with Lord Theign’s decision when that’s all _I’m_ here for? What in thunder _is_ Lord Theign’s decision--what was his ‘extraordinary order’?” Lord John, too long detained and his hand now on the door, put off this solicitor as he had already been put off. “Lady Sandgate, _you_ tell him! I rush!” Mr. Bender saw him vanish, but all to a greater bewilderment. “What the h---- then (I beg your pardon!) is he talking about, and what ‘sentiments’ did he report round there that Lord Theign had been expressing?” His hostess faced it not otherwise than if she had resolved not to recognise the subject of his curiosity--for fear of other recognitions. “They put everything on _me_, my dear man--but I haven’t the least idea.” He looked at her askance. “Then why does the fellow say you have?” Much at a loss for the moment, she yet found her way. “Because the fellow’s so agog that he doesn’t know _what_ he says!” In addition to which she was relieved by the reappearance of Gotch, who bore on a salver the object he had been sent for and to which he duly called attention. “The large red morocco case.” Lady Sandgate fairly jumped at it. “Your blessed cheque-book. Lay it on my desk,” she said to Gotch, though waiting till he had departed again before she resumed to her visitor: “Mightn’t we conclude before he comes?” “The Prince?” Mr. Bender’s imagination had strayed from the ground to which she sought to lead it back, and it but vaguely retraced its steps.<\|quote\|>“Will _he_ want your great-grandmother?”</\|quote\|>“Well, he may when he sees her!” Lady Sandgate laughed. “And Theign, when he comes, will give you on his own question, I feel sure, every information. Shall I fish it out for you?” she encouragingly asked, beside him by her secretary-desk, at which he had arrived under her persuasive guidance and where she sought solidly to establish him, opening out the gilded crimson case for his employ, so that he had but to help himself. “What enormous cheques! _You_ can never draw one for two-pound-ten!” “That’s exactly what you deserve I _should_ do!” He remained after this solemnly still, however, like some high-priest circled with ceremonies; in consonance with which, the next moment, both her hands held out to him the open and immaculate page of the oblong series much as they might have presented a royal infant at the christening-font. He failed, in his preoccupation, to receive it; so she placed it before him on the table, coming away with a brave gay “Well, I leave it to you!” She had not, restlessly revolving, kept her discreet distance for many minutes before she found herself almost face to face with the recurrent Gotch, upright at the door with a fresh announcement. “Mr. Crimble, please--for Lady Grace.” “Mr. Crimble _again?_” --she took it discomposedly. It reached Mr. Bender at the secretary, but to a different effect. “Mr. Crimble? Why he’s just the man I want to see!” Gotch, turning to the lobby, had only to make way for him. “Here he is, my lady.” “Then tell her ladyship.” “She has come down,” said Gotch while Hugh arrived and his companion withdrew, and while Lady Grace, reaching the scene from the other quarter, emerged in bright equipment--in her hat, scarf and gloves. IV These young persons were thus at once confronted across the room, and the girl explained her preparation. “I was listening hard--for your knock and your voice.” “Then know that, thank God, it’s all right!” --Hugh was breathless, jubilant, radiant. “A Mantovano?” she delightedly cried. “A Mantovano!” he proudly gave back. “A Mantovano!” --it carried even Lady Sandgate away. “A Mantovano--a sure thing?” Mr. Bender jumped up from his business, all gaping attention to Hugh. “I’ve just left our blest Bardi,” said that young man-- “who hasn’t the shadow of a doubt and is delighted to publish it everywhere.” “Will he publish it right here to _me?_” Mr.	hurried, flurried, breathless Lord John, strikingly different from the backward messenger she had lately seen despatched. “But Theign should be here!” --he addressed her excitedly. “I announce you a call from the Prince.” “The Prince?” --she gasped as for the burden of the honour. “He follows you?” Mr. Bender, with an eagerness and a candour there was no mistaking, recognised on behalf of his ampler action a world of associational advantage and auspicious possibility. “Is the Prince _after_ the thing?” Lord John remained, in spite of this challenge, conscious of nothing but his message. “He was there with Mackintosh--to see and admire the picture; which he thinks, by the way, a Mantovano pure and simple!--and did me the honour to remember me. When he heard me report to Mackintosh in his presence the sentiments expressed to me here by our noble friend and of which, embarrassed though I doubtless was,” the young man pursued to Lady Sandgate, “I gave as clear an account as I could, he was so delighted with it that he declared they mustn’t think then of taking the thing off, but must on the contrary keep putting it forward for all it’s worth, and he would come round and congratulate and thank Theign and explain him his reasons.” Their hostess cast about for a sign. “Why Theign is at Kitty’s, worse luck! The Prince calls on him _here?_” “He calls, you see, on _you_, my lady--at five-forty-five; and graciously desired me so to put it you.” “He’s very kind, but” --she took in her condition-- “I’m not even _dressed!_” “You’ll have time” --the young man was a comfort-- “while I rush to Berkeley Square. And pardon me, Bender--though it’s so near--if I just bag your car.” “That’s, that’s it, take his car!” --Lady Sandgate almost swept him away. “You may use my car all right,” Mr. Bender contributed-- “but what I want to know is what the man’s _after_.” “The man? what man?” his friend scarce paused to ask. “The Prince then--if you allow he _is_ a man! Is he after my picture?” Lord John vividly disclaimed authority. “If you’ll wait, my dear fellow, you’ll see.” “Oh why should he ‘wait’?” burst from their cautious companion--only to be caught up, however, in the next breath, so swift her gracious revolution. “Wait, wait indeed, Mr. Bender--I won’t give you up for any Prince!” With which she appealed again to Lord John. “He wants to ‘congratulate’?” “On Theign’s decision, as I’ve told you--which I announced to Mackintosh, by Theign’s extraordinary order, under his Highness’s nose, and which his Highness, by the same token, took up like a shot.” Her face, as she bethought herself, was convulsed as by some quick perception of what her informant must have done and what therefore the Prince’s interest rested on; all, however, to the effect, given their actual company, of her at once dodging and covering that issue. “The decision to remove the picture?” Lord John also observed a discretion. “He wouldn’t hear of such a thing--says it must stay stock still. So there you are!” This determined in Mr. Bender a not unnatural, in fact quite a clamorous, series of questions. “But _where_ are we, and what has the Prince to do with Lord Theign’s decision when that’s all _I’m_ here for? What in thunder _is_ Lord Theign’s decision--what was his ‘extraordinary order’?” Lord John, too long detained and his hand now on the door, put off this solicitor as he had already been put off. “Lady Sandgate, _you_ tell him! I rush!” Mr. Bender saw him vanish, but all to a greater bewilderment. “What the h---- then (I beg your pardon!) is he talking about, and what ‘sentiments’ did he report round there that Lord Theign had been expressing?” His hostess faced it not otherwise than if she had resolved not to recognise the subject of his curiosity--for fear of other recognitions. “They put everything on _me_, my dear man--but I haven’t the least idea.” He looked at her askance. “Then why does the fellow say you have?” Much at a loss for the moment, she yet found her way. “Because the fellow’s so agog that he doesn’t know _what_ he says!” In addition to which she was relieved by the reappearance of Gotch, who bore on a salver the object he had been sent for and to which he duly called attention. “The large red morocco case.” Lady Sandgate fairly jumped at it. “Your blessed cheque-book. Lay it on my desk,” she said to Gotch, though waiting till he had departed again before she resumed to her visitor: “Mightn’t we conclude before he comes?” “The Prince?” Mr. Bender’s imagination had strayed from the ground to which she sought to lead it back, and it but vaguely retraced its steps.<\|quote\|>“Will _he_ want your great-grandmother?”</\|quote\|>“Well, he may when he sees her!” Lady Sandgate laughed. “And Theign, when he comes, will give you on his own question, I feel sure, every information. Shall I fish it out for you?” she encouragingly asked, beside him by her secretary-desk, at which he had arrived under her persuasive guidance and where she sought solidly to establish him, opening out the gilded crimson case for his employ, so that he had but to help himself. “What enormous cheques! _You_ can never draw one for two-pound-ten!” “That’s exactly what you deserve I _should_ do!” He remained after this solemnly still, however, like some high-priest circled with ceremonies; in consonance with which, the next moment, both her hands held out to him the open and immaculate page of the oblong series much as they might have presented a royal infant at the christening-font. He failed, in his preoccupation, to receive it; so she placed it before him on the table, coming away with a brave gay “Well, I leave it to you!” She had not, restlessly revolving, kept her discreet distance for many minutes before she found herself almost face to face with the recurrent Gotch, upright at the door with a fresh announcement. “Mr. Crimble, please--for Lady Grace.” “Mr. Crimble _again?_” --she took it discomposedly. It reached Mr. Bender at the secretary, but to a different effect. “Mr. Crimble? Why he’s just the man I want to see!” Gotch, turning to the lobby, had only to make way for him. “Here he is, my lady.” “Then tell her ladyship.” “She has come down,” said Gotch while Hugh arrived and his companion withdrew, and while Lady Grace, reaching the scene from the other quarter, emerged in bright equipment--in her hat, scarf and gloves. IV These young persons were thus at once confronted across the room, and the girl explained her preparation. “I was listening hard--for your knock and your voice.” “Then know that, thank God, it’s all right!” --Hugh was breathless, jubilant, radiant. “A Mantovano?” she delightedly cried. “A Mantovano!” he proudly gave back. “A Mantovano!” --it carried even Lady Sandgate away. “A Mantovano--a sure thing?” Mr. Bender jumped up from his business, all gaping attention to Hugh. “I’ve just left our blest Bardi,” said that young man-- “who hasn’t the shadow of a doubt and is delighted to publish it everywhere.” “Will he publish it right here to _me?_” Mr. Bender hungrily asked. “Well,” Hugh smiled, “you can try him.” “But try him how, where?” The great collector, straining to instant action, cast about for his hat “Where _is_ he, hey?” “Don’t you wish I’d tell you?” Hugh, in his personal elation, almost cynically answered. “Won’t you wait for the Prince?” Lady Sandgate had meanwhile asked of her friend; but had turned more inspectingly to Lady Grace before he could reply. “My dear child--though you’re lovely!--are you sure you’re ready for him?” “For the Prince!” --the girl was vague. “Is he coming?” “At five-forty-five.” With which she consulted her bracelet watch, but only at once to wail for alarm. “Ah, it _is_ that, and I’m not dressed!” She hurried off through the other room. Mr. Bender, quite accepting her retreat, addressed himself again unabashed to Hugh: “It’s your blest Bardi I want first--I’ll take the Prince after.” The young man clearly could afford indulgence now. “Then I left him at Long’s Hotel.” “Why, right near! I’ll come back.” And Mr. Bender’s flight was on the wings of optimism. But it all gave Hugh a quick question for Lady Grace. “Why does the Prince come, and what in the world’s happening?” “My father has suddenly returned--it may have to do with that.” The shadow of his surprise darkened visibly to that of his fear. “Mayn’t it be more than anything else to give you and me his final curse?” “I don’t know--and I think I don’t care. I don’t care,” she said, “so long as you’re right and as the greatest light of all declares you are.” “He _is_ the greatest” --Hugh was vividly of that opinion now: “I could see it as soon as I got there with him, the charming creature! There, _before_ the holy thing, and with the place, by good luck, for those great moments, practically to ourselves--without Macintosh to take in what was happening or any one else at all to speak of--it was but a matter of ten minutes: he had come, he had seen, and _I_ had conquered.” “Naturally you had!” --the girl hung on him for it; “and what was happening beyond everything else was that for your original dear divination, one of the divinations of genius--with every creature all these ages so stupid--you were being baptized on the spot a great man.” “Well, he did let poor Pappendick have it at least-he	I rush!” Mr. Bender saw him vanish, but all to a greater bewilderment. “What the h---- then (I beg your pardon!) is he talking about, and what ‘sentiments’ did he report round there that Lord Theign had been expressing?” His hostess faced it not otherwise than if she had resolved not to recognise the subject of his curiosity--for fear of other recognitions. “They put everything on _me_, my dear man--but I haven’t the least idea.” He looked at her askance. “Then why does the fellow say you have?” Much at a loss for the moment, she yet found her way. “Because the fellow’s so agog that he doesn’t know _what_ he says!” In addition to which she was relieved by the reappearance of Gotch, who bore on a salver the object he had been sent for and to which he duly called attention. “The large red morocco case.” Lady Sandgate fairly jumped at it. “Your blessed cheque-book. Lay it on my desk,” she said to Gotch, though waiting till he had departed again before she resumed to her visitor: “Mightn’t we conclude before he comes?” “The Prince?” Mr. Bender’s imagination had strayed from the ground to which she sought to lead it back, and it but vaguely retraced its steps.<\|quote\|>“Will _he_ want your great-grandmother?”</\|quote\|>“Well, he may when he sees her!” Lady Sandgate laughed. “And Theign, when he comes, will give you on his own question, I feel sure, every information. Shall I fish it out for you?” she encouragingly asked, beside him by her secretary-desk, at which he had arrived under her persuasive guidance and where she sought solidly to establish him, opening out the gilded crimson case for his employ, so that he had but to help himself. “What enormous cheques! _You_ can never draw one for two-pound-ten!” “That’s exactly what you deserve I _should_ do!” He remained after this solemnly still, however, like some high-priest circled with ceremonies; in consonance with which, the next moment, both her hands held out to him the open and immaculate page of the oblong series much as they might have presented a royal infant at the christening-font. He failed, in his preoccupation, to receive it; so she placed it before him on the table, coming away with a brave gay “Well, I leave it to you!” She had not, restlessly revolving, kept her discreet distance for many minutes before she found herself almost face to face with the recurrent Gotch, upright at the door with a fresh announcement. “Mr. Crimble, please--for Lady Grace.” “Mr. Crimble _again?_” --she took it discomposedly. It reached Mr. Bender at the secretary, but to a different effect. “Mr. Crimble? Why he’s just the man I want to see!” Gotch, turning to the lobby, had only to make way for him. “Here he is, my lady.” “Then tell her ladyship.” “She has come down,” said Gotch while Hugh arrived and his companion withdrew, and while Lady Grace, reaching the scene from the other quarter, emerged in bright equipment--in her hat, scarf and gloves. IV These young persons were thus at once confronted across the room, and the girl explained her preparation. “I was listening hard--for your knock and your voice.” “Then know that, thank God, it’s all right!” --Hugh was breathless, jubilant, radiant. “A Mantovano?” she delightedly cried. “A Mantovano!” he proudly gave back. “A Mantovano!” --it carried even Lady Sandgate away. “A Mantovano--a sure thing?” Mr. Bender jumped up from his business, all gaping attention to Hugh. “I’ve just left our blest Bardi,” said that young man-- “who hasn’t the shadow of a doubt and is delighted to publish it everywhere.” “Will he publish it right here to _me?_” Mr. Bender hungrily asked. “Well,” Hugh smiled, “you can try him.” “But try him how, where?” The great collector, straining to instant action, cast about for his hat “Where _is_ he, hey?” “Don’t you wish I’d tell you?” Hugh, in his personal elation, almost cynically answered. “Won’t you wait for the Prince?” Lady Sandgate had meanwhile asked of her friend; but had turned more inspectingly to Lady Grace before he could reply. “My dear child--though you’re lovely!--are you sure you’re ready for him?” “For the Prince!” --the girl was vague. “Is he coming?” “At five-forty-five.” With which she consulted her bracelet watch, but only at once to wail for alarm. “Ah, it	The Outcry
"My brother gets hay fever too,"	Margaret	while he was courting Ruth."<\|quote\|>"My brother gets hay fever too,"</\|quote\|>said Margaret. "This house lies	June--I laughed fit to burst while he was courting Ruth."<\|quote\|>"My brother gets hay fever too,"</\|quote\|>said Margaret. "This house lies too much on the land	this--they mustn t do that--he d learn them to be lads. And just then the tickling took him. He has it from his father, with other things. There s not one Wilcox that can stand up against a field in June--I laughed fit to burst while he was courting Ruth."<\|quote\|>"My brother gets hay fever too,"</\|quote\|>said Margaret. "This house lies too much on the land for them. Naturally, they were glad enough to slip in at first. But Wilcoxes are better than nothing, as I see you ve found." Margaret laughed. "They keep a place going, don t they? Yes, it is just that." "They	a little green annex--a sort of powder-closet for the cows. "Yes, the maidy s well enough," said Miss Avery, "for those, that is, who don t suffer from sneezing." And she cackled maliciously. "I ve seen Charlie Wilcox go out to my lads in hay time--oh, they ought to do this--they mustn t do that--he d learn them to be lads. And just then the tickling took him. He has it from his father, with other things. There s not one Wilcox that can stand up against a field in June--I laughed fit to burst while he was courting Ruth."<\|quote\|>"My brother gets hay fever too,"</\|quote\|>said Margaret. "This house lies too much on the land for them. Naturally, they were glad enough to slip in at first. But Wilcoxes are better than nothing, as I see you ve found." Margaret laughed. "They keep a place going, don t they? Yes, it is just that." "They keep England going, it is my opinion." But Miss Avery upset her by replying: "Ay, they breed like rabbits. Well, well, it s a funny world. But He who made it knows what He wants in it, I suppose. If Mrs. Charlie is expecting her fourth, it isn t for	visit. The gravel sweep was weedy, and grass had sprung up at the very jaws of the garage. And Evie s rockery was only bumps. Perhaps Evie was responsible for Miss Avery s oddness. But Margaret suspected that the cause lay deeper, and that the girl s silly letter had but loosed the irritation of years. "It s a beautiful meadow," she remarked. It was one of those open-air drawing-rooms that have been formed, hundreds of years ago, out of the smaller fields. So the boundary hedge zigzagged down the hill at right angles, and at the bottom there was a little green annex--a sort of powder-closet for the cows. "Yes, the maidy s well enough," said Miss Avery, "for those, that is, who don t suffer from sneezing." And she cackled maliciously. "I ve seen Charlie Wilcox go out to my lads in hay time--oh, they ought to do this--they mustn t do that--he d learn them to be lads. And just then the tickling took him. He has it from his father, with other things. There s not one Wilcox that can stand up against a field in June--I laughed fit to burst while he was courting Ruth."<\|quote\|>"My brother gets hay fever too,"</\|quote\|>said Margaret. "This house lies too much on the land for them. Naturally, they were glad enough to slip in at first. But Wilcoxes are better than nothing, as I see you ve found." Margaret laughed. "They keep a place going, don t they? Yes, it is just that." "They keep England going, it is my opinion." But Miss Avery upset her by replying: "Ay, they breed like rabbits. Well, well, it s a funny world. But He who made it knows what He wants in it, I suppose. If Mrs. Charlie is expecting her fourth, it isn t for us to repine." "They breed and they also work," said Margaret, conscious of some invitation to disloyalty, which was echoed by the very breeze and by the songs of the birds. "It certainly is a funny world, but so long as men like my husband and his sons govern it, I think it ll never be a bad one--never really bad." "No, better n nothing," said Miss Avery, and turned to the wych-elm. On their way back to the farm she spoke of her old friend much more clearly than before. In the house Margaret had wondered whether she quite	present. We happen to need a much larger house. Circumstances oblige us to give big parties. Of course, some day--one never knows, does one?" Miss Avery retorted: "Some day! Tcha! tcha! Don t talk about some day. You are living here now." "Am I?" "You are living here, and have been for the last ten minutes, if you ask me." It was a senseless remark, but with a queer feeling of disloyalty Margaret rose from her chair. She felt that Henry had been obscurely censured. They went into the dining-room, where the sunlight poured in upon her mother s chiffonier, and upstairs, where many an old god peeped from a new niche. The furniture fitted extraordinarily well. In the central room--over the hall, the room that Helen had slept in four years ago--Miss Avery had placed Tibby s old bassinette. "The nursery," she said. Margaret turned away without speaking. At last everything was seen. The kitchen and lobby were still stacked with furniture and straw, but, as far as she could make out, nothing had been broken or scratched. A pathetic display of ingenuity! Then they took a friendly stroll in the garden. It had gone wild since her last visit. The gravel sweep was weedy, and grass had sprung up at the very jaws of the garage. And Evie s rockery was only bumps. Perhaps Evie was responsible for Miss Avery s oddness. But Margaret suspected that the cause lay deeper, and that the girl s silly letter had but loosed the irritation of years. "It s a beautiful meadow," she remarked. It was one of those open-air drawing-rooms that have been formed, hundreds of years ago, out of the smaller fields. So the boundary hedge zigzagged down the hill at right angles, and at the bottom there was a little green annex--a sort of powder-closet for the cows. "Yes, the maidy s well enough," said Miss Avery, "for those, that is, who don t suffer from sneezing." And she cackled maliciously. "I ve seen Charlie Wilcox go out to my lads in hay time--oh, they ought to do this--they mustn t do that--he d learn them to be lads. And just then the tickling took him. He has it from his father, with other things. There s not one Wilcox that can stand up against a field in June--I laughed fit to burst while he was courting Ruth."<\|quote\|>"My brother gets hay fever too,"</\|quote\|>said Margaret. "This house lies too much on the land for them. Naturally, they were glad enough to slip in at first. But Wilcoxes are better than nothing, as I see you ve found." Margaret laughed. "They keep a place going, don t they? Yes, it is just that." "They keep England going, it is my opinion." But Miss Avery upset her by replying: "Ay, they breed like rabbits. Well, well, it s a funny world. But He who made it knows what He wants in it, I suppose. If Mrs. Charlie is expecting her fourth, it isn t for us to repine." "They breed and they also work," said Margaret, conscious of some invitation to disloyalty, which was echoed by the very breeze and by the songs of the birds. "It certainly is a funny world, but so long as men like my husband and his sons govern it, I think it ll never be a bad one--never really bad." "No, better n nothing," said Miss Avery, and turned to the wych-elm. On their way back to the farm she spoke of her old friend much more clearly than before. In the house Margaret had wondered whether she quite distinguished the first wife from the second. Now she said: "I never saw much of Ruth after her grandmother died, but we stayed civil. It was a very civil family. Old Mrs. Howard never spoke against anybody, nor let any one be turned away without food. Then it was never Trespassers will be prosecuted in their land, but would people please not come in? Mrs. Howard was never created to run a farm." "Had they no men to help them?" Margaret asked. Miss Avery replied: "Things went on until there were no men." "Until Mr. Wilcox came along," corrected Margaret, anxious that her husband should receive his dues. "I suppose so; but Ruth should have married a--no disrespect to you to say this, for I take it you were intended to get Wilcox any way, whether she got him first or no." "Whom should she have married?" "A soldier!" exclaimed the old woman. "Some real soldier." Margaret was silent. It was a criticism of Henry s character far more trenchant than any of her own. She felt dissatisfied. "But that s all over," she went on. "A better time is coming now, though you ve kept me long enough waiting.	sister, who is abroad. When you kindly undertook to look after things, we never expected you to do so much." "The house has been empty long enough," said the old woman. Margaret refused to argue. "I dare say we didn t explain," she said civilly. "It has been a mistake, and very likely our mistake." "Mrs. Wilcox, it has been mistake upon mistake for fifty years. The house is Mrs. Wilcox s, and she would not desire it to stand empty any longer." To help the poor decaying brain, Margaret said: "Yes, Mrs. Wilcox s house, the mother of Mr. Charles." "Mistake upon mistake," said Miss Avery. "Mistake upon mistake." "Well, I don t know," said Margaret, sitting down in one of her own chairs. "I really don t know what s to be done." She could not help laughing. The other said: "Yes, it should be a merry house enough." "I don t know--I dare say. Well, thank you very much, Miss Avery. Yes, that s all right. Delightful." "There is still the parlour." She went through the door opposite and drew a curtain. Light flooded the drawing-room furniture from Wickham Place. "And the dining-room." More curtains were drawn, more windows were flung open to the spring. "Then through here--" Miss Avery continued passing and reprising through the hall. Her voice was lost, but Margaret heard her pulling up the kitchen blind. "I ve not finished here yet," she announced, returning. "There s still a deal to do. The farm lads will carry your great wardrobes upstairs, for there is no need to go into expense at Hilton." "It is all a mistake," repeated Margaret, feeling that she must put her foot down. "A misunderstanding. Mr. Wilcox and I are not going to live at Howards End." "Oh, indeed! On account of his hay fever?" "We have settled to build a new home for ourselves in Sussex, and part of this furniture--my part--will go down there presently." She looked at Miss Avery intently, trying to understand the kink in her brain. Here was no maundering old woman. Her wrinkles were shrewd and humorous. She looked capable of scathing wit and also of high but unostentatious nobility. "You think that you won t come back to live here, Mrs. Wilcox, but you will." "That remains to be seen," said Margaret, smiling. "We have no intention of doing so for the present. We happen to need a much larger house. Circumstances oblige us to give big parties. Of course, some day--one never knows, does one?" Miss Avery retorted: "Some day! Tcha! tcha! Don t talk about some day. You are living here now." "Am I?" "You are living here, and have been for the last ten minutes, if you ask me." It was a senseless remark, but with a queer feeling of disloyalty Margaret rose from her chair. She felt that Henry had been obscurely censured. They went into the dining-room, where the sunlight poured in upon her mother s chiffonier, and upstairs, where many an old god peeped from a new niche. The furniture fitted extraordinarily well. In the central room--over the hall, the room that Helen had slept in four years ago--Miss Avery had placed Tibby s old bassinette. "The nursery," she said. Margaret turned away without speaking. At last everything was seen. The kitchen and lobby were still stacked with furniture and straw, but, as far as she could make out, nothing had been broken or scratched. A pathetic display of ingenuity! Then they took a friendly stroll in the garden. It had gone wild since her last visit. The gravel sweep was weedy, and grass had sprung up at the very jaws of the garage. And Evie s rockery was only bumps. Perhaps Evie was responsible for Miss Avery s oddness. But Margaret suspected that the cause lay deeper, and that the girl s silly letter had but loosed the irritation of years. "It s a beautiful meadow," she remarked. It was one of those open-air drawing-rooms that have been formed, hundreds of years ago, out of the smaller fields. So the boundary hedge zigzagged down the hill at right angles, and at the bottom there was a little green annex--a sort of powder-closet for the cows. "Yes, the maidy s well enough," said Miss Avery, "for those, that is, who don t suffer from sneezing." And she cackled maliciously. "I ve seen Charlie Wilcox go out to my lads in hay time--oh, they ought to do this--they mustn t do that--he d learn them to be lads. And just then the tickling took him. He has it from his father, with other things. There s not one Wilcox that can stand up against a field in June--I laughed fit to burst while he was courting Ruth."<\|quote\|>"My brother gets hay fever too,"</\|quote\|>said Margaret. "This house lies too much on the land for them. Naturally, they were glad enough to slip in at first. But Wilcoxes are better than nothing, as I see you ve found." Margaret laughed. "They keep a place going, don t they? Yes, it is just that." "They keep England going, it is my opinion." But Miss Avery upset her by replying: "Ay, they breed like rabbits. Well, well, it s a funny world. But He who made it knows what He wants in it, I suppose. If Mrs. Charlie is expecting her fourth, it isn t for us to repine." "They breed and they also work," said Margaret, conscious of some invitation to disloyalty, which was echoed by the very breeze and by the songs of the birds. "It certainly is a funny world, but so long as men like my husband and his sons govern it, I think it ll never be a bad one--never really bad." "No, better n nothing," said Miss Avery, and turned to the wych-elm. On their way back to the farm she spoke of her old friend much more clearly than before. In the house Margaret had wondered whether she quite distinguished the first wife from the second. Now she said: "I never saw much of Ruth after her grandmother died, but we stayed civil. It was a very civil family. Old Mrs. Howard never spoke against anybody, nor let any one be turned away without food. Then it was never Trespassers will be prosecuted in their land, but would people please not come in? Mrs. Howard was never created to run a farm." "Had they no men to help them?" Margaret asked. Miss Avery replied: "Things went on until there were no men." "Until Mr. Wilcox came along," corrected Margaret, anxious that her husband should receive his dues. "I suppose so; but Ruth should have married a--no disrespect to you to say this, for I take it you were intended to get Wilcox any way, whether she got him first or no." "Whom should she have married?" "A soldier!" exclaimed the old woman. "Some real soldier." Margaret was silent. It was a criticism of Henry s character far more trenchant than any of her own. She felt dissatisfied. "But that s all over," she went on. "A better time is coming now, though you ve kept me long enough waiting. In a couple of weeks I ll see your light shining through the hedge of an evening. Have you ordered in coals?" "We are not coming," said Margaret firmly. She respected Miss Avery too much to humour her. "No. Not coming. Never coming. It has all been a mistake. The furniture must be repacked at once, and I am very sorry, but I am making other arrangements, and must ask you to give me the keys." "Certainly, Mrs. Wilcox," said Miss Avery, and resigned her duties with a smile. Relieved at this conclusion, and having sent her compliments to Madge, Margaret walked back to the station. She had intended to go to the furniture warehouse and give directions for removal, but the muddle had turned out more extensive than she expected, so she decided to consult Henry. It was as well that she did this. He was strongly against employing the local man whom he had previously recommended, and advised her to store in London after all. But before this could be done an unexpected trouble fell upon her. CHAPTER XXXIV It was not unexpected entirely. Aunt Juley s health had been bad all winter. She had had a long series of colds and coughs, and had been too busy to get rid of them. She had scarcely promised her niece "to really take my tiresome chest in hand," when she caught a chill and developed acute pneumonia. Margaret and Tibby went down to Swanage. Helen was telegraphed for, and that spring party that after all gathered in that hospitable house had all the pathos of fair memories. On a perfect day, when the sky seemed blue porcelain, and the waves of the discreet little bay beat gentlest of tattoos upon the sand, Margaret hurried up through the rhododendrons, confronted again by the senselessness of Death. One death may explain itself, but it throws no light upon another; the groping inquiry must begin anew. Preachers or scientists may generalise, but we know that no generality is possible about those whom we love; not one heaven awaits them, not even one oblivion. Aunt Juley, incapable of tragedy, slipped out of life with odd little laughs and apologies for having stopped in it so long. She was very weak; she could not rise to the occasion, or realise the great mystery which all agree must await her; it only seemed to her	happen to need a much larger house. Circumstances oblige us to give big parties. Of course, some day--one never knows, does one?" Miss Avery retorted: "Some day! Tcha! tcha! Don t talk about some day. You are living here now." "Am I?" "You are living here, and have been for the last ten minutes, if you ask me." It was a senseless remark, but with a queer feeling of disloyalty Margaret rose from her chair. She felt that Henry had been obscurely censured. They went into the dining-room, where the sunlight poured in upon her mother s chiffonier, and upstairs, where many an old god peeped from a new niche. The furniture fitted extraordinarily well. In the central room--over the hall, the room that Helen had slept in four years ago--Miss Avery had placed Tibby s old bassinette. "The nursery," she said. Margaret turned away without speaking. At last everything was seen. The kitchen and lobby were still stacked with furniture and straw, but, as far as she could make out, nothing had been broken or scratched. A pathetic display of ingenuity! Then they took a friendly stroll in the garden. It had gone wild since her last visit. The gravel sweep was weedy, and grass had sprung up at the very jaws of the garage. And Evie s rockery was only bumps. Perhaps Evie was responsible for Miss Avery s oddness. But Margaret suspected that the cause lay deeper, and that the girl s silly letter had but loosed the irritation of years. "It s a beautiful meadow," she remarked. It was one of those open-air drawing-rooms that have been formed, hundreds of years ago, out of the smaller fields. So the boundary hedge zigzagged down the hill at right angles, and at the bottom there was a little green annex--a sort of powder-closet for the cows. "Yes, the maidy s well enough," said Miss Avery, "for those, that is, who don t suffer from sneezing." And she cackled maliciously. "I ve seen Charlie Wilcox go out to my lads in hay time--oh, they ought to do this--they mustn t do that--he d learn them to be lads. And just then the tickling took him. He has it from his father, with other things. There s not one Wilcox that can stand up against a field in June--I laughed fit to burst while he was courting Ruth."<\|quote\|>"My brother gets hay fever too,"</\|quote\|>said Margaret. "This house lies too much on the land for them. Naturally, they were glad enough to slip in at first. But Wilcoxes are better than nothing, as I see you ve found." Margaret laughed. "They keep a place going, don t they? Yes, it is just that." "They keep England going, it is my opinion." But Miss Avery upset her by replying: "Ay, they breed like rabbits. Well, well, it s a funny world. But He who made it knows what He wants in it, I suppose. If Mrs. Charlie is expecting her fourth, it isn t for us to repine." "They breed and they also work," said Margaret, conscious of some invitation to disloyalty, which was echoed by the very breeze and by the songs of the birds. "It certainly is a funny world, but so long as men like my husband and his sons govern it, I think it ll never be a bad one--never really bad." "No, better n nothing," said Miss Avery, and turned to the wych-elm. On their way back to the farm she spoke of her old friend much more clearly than before. In the house Margaret had wondered whether she quite distinguished the first wife from the second. Now she said: "I never saw much of Ruth after her grandmother died, but we stayed civil. It was a very civil family. Old Mrs. Howard never spoke against anybody, nor let any one be turned away without food. Then it was never Trespassers will be prosecuted in their land, but would people please not come in? Mrs. Howard was never created to run a farm." "Had they no men to help them?" Margaret asked. Miss Avery replied: "Things went on until there were no men." "Until Mr. Wilcox came along," corrected Margaret, anxious that her husband should receive his dues. "I suppose so; but Ruth should have married a--no disrespect to you to say this, for I take it you were intended to get Wilcox any way, whether she got him first or no." "Whom should she have married?" "A soldier!" exclaimed the old woman. "Some real soldier." Margaret was silent. It was a criticism of Henry s character far more trenchant than any of her own. She felt dissatisfied. "But that s all over," she went on. "A better time is coming now, though you ve kept me long enough waiting. In a couple of weeks I ll see your light shining through the hedge of an evening. Have you ordered in coals?" "We are not coming," said Margaret firmly. She respected Miss Avery too much to humour her. "No. Not coming. Never coming. It has all been a mistake. The furniture must be repacked at once, and I am very sorry, but I am making other arrangements, and must ask you to give me the keys." "Certainly, Mrs. Wilcox," said Miss Avery, and resigned her duties with a smile. Relieved at this conclusion, and having sent her compliments to Madge, Margaret walked back to the station. She had intended to go to the furniture warehouse and give directions for removal, but the muddle had turned out more extensive than she expected, so she decided to consult Henry. It was as well that she did this. He was strongly against employing the local man whom he had previously recommended, and advised her to store in London after all. But before this could	Howards End
Lord John also observed a discretion.	No speaker	decision to remove the picture?”<\|quote\|>Lord John also observed a discretion.</\|quote\|>“He wouldn’t hear of such	and covering that issue. “The decision to remove the picture?”<\|quote\|>Lord John also observed a discretion.</\|quote\|>“He wouldn’t hear of such a thing--says it must stay	as she bethought herself, was convulsed as by some quick perception of what her informant must have done and what therefore the Prince’s interest rested on; all, however, to the effect, given their actual company, of her at once dodging and covering that issue. “The decision to remove the picture?”<\|quote\|>Lord John also observed a discretion.</\|quote\|>“He wouldn’t hear of such a thing--says it must stay stock still. So there you are!” This determined in Mr. Bender a not unnatural, in fact quite a clamorous, series of questions. “But _where_ are we, and what has the Prince to do with Lord Theign’s decision when that’s all	up for any Prince!” With which she appealed again to Lord John. “He wants to ‘congratulate’?” “On Theign’s decision, as I’ve told you--which I announced to Mackintosh, by Theign’s extraordinary order, under his Highness’s nose, and which his Highness, by the same token, took up like a shot.” Her face, as she bethought herself, was convulsed as by some quick perception of what her informant must have done and what therefore the Prince’s interest rested on; all, however, to the effect, given their actual company, of her at once dodging and covering that issue. “The decision to remove the picture?”<\|quote\|>Lord John also observed a discretion.</\|quote\|>“He wouldn’t hear of such a thing--says it must stay stock still. So there you are!” This determined in Mr. Bender a not unnatural, in fact quite a clamorous, series of questions. “But _where_ are we, and what has the Prince to do with Lord Theign’s decision when that’s all _I’m_ here for? What in thunder _is_ Lord Theign’s decision--what was his ‘extraordinary order’?” Lord John, too long detained and his hand now on the door, put off this solicitor as he had already been put off. “Lady Sandgate, _you_ tell him! I rush!” Mr. Bender saw him vanish, but	it, take his car!” --Lady Sandgate almost swept him away. “You may use my car all right,” Mr. Bender contributed-- “but what I want to know is what the man’s _after_.” “The man? what man?” his friend scarce paused to ask. “The Prince then--if you allow he _is_ a man! Is he after my picture?” Lord John vividly disclaimed authority. “If you’ll wait, my dear fellow, you’ll see.” “Oh why should he ‘wait’?” burst from their cautious companion--only to be caught up, however, in the next breath, so swift her gracious revolution. “Wait, wait indeed, Mr. Bender--I won’t give you up for any Prince!” With which she appealed again to Lord John. “He wants to ‘congratulate’?” “On Theign’s decision, as I’ve told you--which I announced to Mackintosh, by Theign’s extraordinary order, under his Highness’s nose, and which his Highness, by the same token, took up like a shot.” Her face, as she bethought herself, was convulsed as by some quick perception of what her informant must have done and what therefore the Prince’s interest rested on; all, however, to the effect, given their actual company, of her at once dodging and covering that issue. “The decision to remove the picture?”<\|quote\|>Lord John also observed a discretion.</\|quote\|>“He wouldn’t hear of such a thing--says it must stay stock still. So there you are!” This determined in Mr. Bender a not unnatural, in fact quite a clamorous, series of questions. “But _where_ are we, and what has the Prince to do with Lord Theign’s decision when that’s all _I’m_ here for? What in thunder _is_ Lord Theign’s decision--what was his ‘extraordinary order’?” Lord John, too long detained and his hand now on the door, put off this solicitor as he had already been put off. “Lady Sandgate, _you_ tell him! I rush!” Mr. Bender saw him vanish, but all to a greater bewilderment. “What the h---- then (I beg your pardon!) is he talking about, and what ‘sentiments’ did he report round there that Lord Theign had been expressing?” His hostess faced it not otherwise than if she had resolved not to recognise the subject of his curiosity--for fear of other recognitions. “They put everything on _me_, my dear man--but I haven’t the least idea.” He looked at her askance. “Then why does the fellow say you have?” Much at a loss for the moment, she yet found her way. “Because the fellow’s so agog that he doesn’t	his message. “He was there with Mackintosh--to see and admire the picture; which he thinks, by the way, a Mantovano pure and simple!--and did me the honour to remember me. When he heard me report to Mackintosh in his presence the sentiments expressed to me here by our noble friend and of which, embarrassed though I doubtless was,” the young man pursued to Lady Sandgate, “I gave as clear an account as I could, he was so delighted with it that he declared they mustn’t think then of taking the thing off, but must on the contrary keep putting it forward for all it’s worth, and he would come round and congratulate and thank Theign and explain him his reasons.” Their hostess cast about for a sign. “Why Theign is at Kitty’s, worse luck! The Prince calls on him _here?_” “He calls, you see, on _you_, my lady--at five-forty-five; and graciously desired me so to put it you.” “He’s very kind, but” --she took in her condition-- “I’m not even _dressed!_” “You’ll have time” --the young man was a comfort-- “while I rush to Berkeley Square. And pardon me, Bender--though it’s so near--if I just bag your car.” “That’s, that’s it, take his car!” --Lady Sandgate almost swept him away. “You may use my car all right,” Mr. Bender contributed-- “but what I want to know is what the man’s _after_.” “The man? what man?” his friend scarce paused to ask. “The Prince then--if you allow he _is_ a man! Is he after my picture?” Lord John vividly disclaimed authority. “If you’ll wait, my dear fellow, you’ll see.” “Oh why should he ‘wait’?” burst from their cautious companion--only to be caught up, however, in the next breath, so swift her gracious revolution. “Wait, wait indeed, Mr. Bender--I won’t give you up for any Prince!” With which she appealed again to Lord John. “He wants to ‘congratulate’?” “On Theign’s decision, as I’ve told you--which I announced to Mackintosh, by Theign’s extraordinary order, under his Highness’s nose, and which his Highness, by the same token, took up like a shot.” Her face, as she bethought herself, was convulsed as by some quick perception of what her informant must have done and what therefore the Prince’s interest rested on; all, however, to the effect, given their actual company, of her at once dodging and covering that issue. “The decision to remove the picture?”<\|quote\|>Lord John also observed a discretion.</\|quote\|>“He wouldn’t hear of such a thing--says it must stay stock still. So there you are!” This determined in Mr. Bender a not unnatural, in fact quite a clamorous, series of questions. “But _where_ are we, and what has the Prince to do with Lord Theign’s decision when that’s all _I’m_ here for? What in thunder _is_ Lord Theign’s decision--what was his ‘extraordinary order’?” Lord John, too long detained and his hand now on the door, put off this solicitor as he had already been put off. “Lady Sandgate, _you_ tell him! I rush!” Mr. Bender saw him vanish, but all to a greater bewilderment. “What the h---- then (I beg your pardon!) is he talking about, and what ‘sentiments’ did he report round there that Lord Theign had been expressing?” His hostess faced it not otherwise than if she had resolved not to recognise the subject of his curiosity--for fear of other recognitions. “They put everything on _me_, my dear man--but I haven’t the least idea.” He looked at her askance. “Then why does the fellow say you have?” Much at a loss for the moment, she yet found her way. “Because the fellow’s so agog that he doesn’t know _what_ he says!” In addition to which she was relieved by the reappearance of Gotch, who bore on a salver the object he had been sent for and to which he duly called attention. “The large red morocco case.” Lady Sandgate fairly jumped at it. “Your blessed cheque-book. Lay it on my desk,” she said to Gotch, though waiting till he had departed again before she resumed to her visitor: “Mightn’t we conclude before he comes?” “The Prince?” Mr. Bender’s imagination had strayed from the ground to which she sought to lead it back, and it but vaguely retraced its steps. “Will _he_ want your great-grandmother?” “Well, he may when he sees her!” Lady Sandgate laughed. “And Theign, when he comes, will give you on his own question, I feel sure, every information. Shall I fish it out for you?” she encouragingly asked, beside him by her secretary-desk, at which he had arrived under her persuasive guidance and where she sought solidly to establish him, opening out the gilded crimson case for his employ, so that he had but to help himself. “What enormous cheques! _You_ can never draw one for two-pound-ten!” “That’s exactly what you deserve I _should_	sharp rich thing!” “And you take in, I assume,” he pursued, “that I’m just going to lean on you, for what I want, with the full weight of a determined man.” “Well,” she laughed, “I promise you I’ll thoroughly obey the direction of your pressure.” “All right then!” And he stopped before her, in his unrest, monumentally pledged, yet still more massively immeasurable. “How’ll you have it?” She bristled as with all the possible beautiful choices; then she shed her selection as a heaving fruit-tree might have dropped some round ripeness. It was for her friend to pick up his plum and his privilege. “Will you write a cheque?” “Yes, if you want it right away.” To which, however, he added, clapping vainly a breast-pocket: “But my cheque-book’s down in my car.” “At the door?” She scarce required his assent to touch a bell. “I can easily send for it.” And she threw off while they waited: “It’s so sweet your ‘flying round’ with your cheque-book!” He put it with promptitude another way. “It flies round pretty well with _Mr_----!” “Mr. Bender’s cheque-book--in his car,” she went on to Gotch, who had answered her summons. The owner of the interesting object further instructed him: “You’ll find in the pocket a large red morocco case.” “Very good, sir,” said Gotch--but with another word for his mistress. “Lord John would like to know--” “Lord John’s there?” she interrupted. Gotch turned to the open door. “Here he is, my lady.” She accommodated herself at once, under Mr. Bender’s eye, to the complication involved in his lordship’s presence. “It’s he who went round to Bond Street.” Mr. Bender stared, but saw the connection. “To stop the show?” And then as the young man was already there: “You’ve stopped the show?” “It’s ‘on’ more than ever!” Lord John responded while Gotch retired: a hurried, flurried, breathless Lord John, strikingly different from the backward messenger she had lately seen despatched. “But Theign should be here!” --he addressed her excitedly. “I announce you a call from the Prince.” “The Prince?” --she gasped as for the burden of the honour. “He follows you?” Mr. Bender, with an eagerness and a candour there was no mistaking, recognised on behalf of his ampler action a world of associational advantage and auspicious possibility. “Is the Prince _after_ the thing?” Lord John remained, in spite of this challenge, conscious of nothing but his message. “He was there with Mackintosh--to see and admire the picture; which he thinks, by the way, a Mantovano pure and simple!--and did me the honour to remember me. When he heard me report to Mackintosh in his presence the sentiments expressed to me here by our noble friend and of which, embarrassed though I doubtless was,” the young man pursued to Lady Sandgate, “I gave as clear an account as I could, he was so delighted with it that he declared they mustn’t think then of taking the thing off, but must on the contrary keep putting it forward for all it’s worth, and he would come round and congratulate and thank Theign and explain him his reasons.” Their hostess cast about for a sign. “Why Theign is at Kitty’s, worse luck! The Prince calls on him _here?_” “He calls, you see, on _you_, my lady--at five-forty-five; and graciously desired me so to put it you.” “He’s very kind, but” --she took in her condition-- “I’m not even _dressed!_” “You’ll have time” --the young man was a comfort-- “while I rush to Berkeley Square. And pardon me, Bender--though it’s so near--if I just bag your car.” “That’s, that’s it, take his car!” --Lady Sandgate almost swept him away. “You may use my car all right,” Mr. Bender contributed-- “but what I want to know is what the man’s _after_.” “The man? what man?” his friend scarce paused to ask. “The Prince then--if you allow he _is_ a man! Is he after my picture?” Lord John vividly disclaimed authority. “If you’ll wait, my dear fellow, you’ll see.” “Oh why should he ‘wait’?” burst from their cautious companion--only to be caught up, however, in the next breath, so swift her gracious revolution. “Wait, wait indeed, Mr. Bender--I won’t give you up for any Prince!” With which she appealed again to Lord John. “He wants to ‘congratulate’?” “On Theign’s decision, as I’ve told you--which I announced to Mackintosh, by Theign’s extraordinary order, under his Highness’s nose, and which his Highness, by the same token, took up like a shot.” Her face, as she bethought herself, was convulsed as by some quick perception of what her informant must have done and what therefore the Prince’s interest rested on; all, however, to the effect, given their actual company, of her at once dodging and covering that issue. “The decision to remove the picture?”<\|quote\|>Lord John also observed a discretion.</\|quote\|>“He wouldn’t hear of such a thing--says it must stay stock still. So there you are!” This determined in Mr. Bender a not unnatural, in fact quite a clamorous, series of questions. “But _where_ are we, and what has the Prince to do with Lord Theign’s decision when that’s all _I’m_ here for? What in thunder _is_ Lord Theign’s decision--what was his ‘extraordinary order’?” Lord John, too long detained and his hand now on the door, put off this solicitor as he had already been put off. “Lady Sandgate, _you_ tell him! I rush!” Mr. Bender saw him vanish, but all to a greater bewilderment. “What the h---- then (I beg your pardon!) is he talking about, and what ‘sentiments’ did he report round there that Lord Theign had been expressing?” His hostess faced it not otherwise than if she had resolved not to recognise the subject of his curiosity--for fear of other recognitions. “They put everything on _me_, my dear man--but I haven’t the least idea.” He looked at her askance. “Then why does the fellow say you have?” Much at a loss for the moment, she yet found her way. “Because the fellow’s so agog that he doesn’t know _what_ he says!” In addition to which she was relieved by the reappearance of Gotch, who bore on a salver the object he had been sent for and to which he duly called attention. “The large red morocco case.” Lady Sandgate fairly jumped at it. “Your blessed cheque-book. Lay it on my desk,” she said to Gotch, though waiting till he had departed again before she resumed to her visitor: “Mightn’t we conclude before he comes?” “The Prince?” Mr. Bender’s imagination had strayed from the ground to which she sought to lead it back, and it but vaguely retraced its steps. “Will _he_ want your great-grandmother?” “Well, he may when he sees her!” Lady Sandgate laughed. “And Theign, when he comes, will give you on his own question, I feel sure, every information. Shall I fish it out for you?” she encouragingly asked, beside him by her secretary-desk, at which he had arrived under her persuasive guidance and where she sought solidly to establish him, opening out the gilded crimson case for his employ, so that he had but to help himself. “What enormous cheques! _You_ can never draw one for two-pound-ten!” “That’s exactly what you deserve I _should_ do!” He remained after this solemnly still, however, like some high-priest circled with ceremonies; in consonance with which, the next moment, both her hands held out to him the open and immaculate page of the oblong series much as they might have presented a royal infant at the christening-font. He failed, in his preoccupation, to receive it; so she placed it before him on the table, coming away with a brave gay “Well, I leave it to you!” She had not, restlessly revolving, kept her discreet distance for many minutes before she found herself almost face to face with the recurrent Gotch, upright at the door with a fresh announcement. “Mr. Crimble, please--for Lady Grace.” “Mr. Crimble _again?_” --she took it discomposedly. It reached Mr. Bender at the secretary, but to a different effect. “Mr. Crimble? Why he’s just the man I want to see!” Gotch, turning to the lobby, had only to make way for him. “Here he is, my lady.” “Then tell her ladyship.” “She has come down,” said Gotch while Hugh arrived and his companion withdrew, and while Lady Grace, reaching the scene from the other quarter, emerged in bright equipment--in her hat, scarf and gloves. IV These young persons were thus at once confronted across the room, and the girl explained her preparation. “I was listening hard--for your knock and your voice.” “Then know that, thank God, it’s all right!” --Hugh was breathless, jubilant, radiant. “A Mantovano?” she delightedly cried. “A Mantovano!” he proudly gave back. “A Mantovano!” --it carried even Lady Sandgate away. “A Mantovano--a sure thing?” Mr. Bender jumped up from his business, all gaping attention to Hugh. “I’ve just left our blest Bardi,” said that young man-- “who hasn’t the shadow of a doubt and is delighted to publish it everywhere.” “Will he publish it right here to _me?_” Mr. Bender hungrily asked. “Well,” Hugh smiled, “you can try him.” “But try him how, where?” The great collector, straining to instant action, cast about for his hat “Where _is_ he, hey?” “Don’t you wish I’d tell you?” Hugh, in his personal elation, almost cynically answered. “Won’t you wait for the Prince?” Lady Sandgate had meanwhile asked of her friend; but had turned more inspectingly to Lady Grace before he could reply. “My dear child--though you’re lovely!--are you sure you’re ready for him?” “For the Prince!” --the girl was vague. “Is he coming?” “At	calls, you see, on _you_, my lady--at five-forty-five; and graciously desired me so to put it you.” “He’s very kind, but” --she took in her condition-- “I’m not even _dressed!_” “You’ll have time” --the young man was a comfort-- “while I rush to Berkeley Square. And pardon me, Bender--though it’s so near--if I just bag your car.” “That’s, that’s it, take his car!” --Lady Sandgate almost swept him away. “You may use my car all right,” Mr. Bender contributed-- “but what I want to know is what the man’s _after_.” “The man? what man?” his friend scarce paused to ask. “The Prince then--if you allow he _is_ a man! Is he after my picture?” Lord John vividly disclaimed authority. “If you’ll wait, my dear fellow, you’ll see.” “Oh why should he ‘wait’?” burst from their cautious companion--only to be caught up, however, in the next breath, so swift her gracious revolution. “Wait, wait indeed, Mr. Bender--I won’t give you up for any Prince!” With which she appealed again to Lord John. “He wants to ‘congratulate’?” “On Theign’s decision, as I’ve told you--which I announced to Mackintosh, by Theign’s extraordinary order, under his Highness’s nose, and which his Highness, by the same token, took up like a shot.” Her face, as she bethought herself, was convulsed as by some quick perception of what her informant must have done and what therefore the Prince’s interest rested on; all, however, to the effect, given their actual company, of her at once dodging and covering that issue. “The decision to remove the picture?”<\|quote\|>Lord John also observed a discretion.</\|quote\|>“He wouldn’t hear of such a thing--says it must stay stock still. So there you are!” This determined in Mr. Bender a not unnatural, in fact quite a clamorous, series of questions. “But _where_ are we, and what has the Prince to do with Lord Theign’s decision when that’s all _I’m_ here for? What in thunder _is_ Lord Theign’s decision--what was his ‘extraordinary order’?” Lord John, too long detained and his hand now on the door, put off this solicitor as he had already been put off. “Lady Sandgate, _you_ tell him! I rush!” Mr. Bender saw him vanish, but all to a greater bewilderment. “What the h---- then (I beg your pardon!) is he talking about, and what ‘sentiments’ did he report round there that Lord Theign had been expressing?” His hostess faced it not otherwise than if she had resolved not to recognise the subject of his curiosity--for fear of other recognitions. “They put everything on _me_, my dear man--but I haven’t the least idea.” He looked at her askance. “Then why does the fellow say you have?” Much at a loss for the moment, she yet found her way. “Because the fellow’s so agog that he doesn’t know _what_ he says!” In addition to which she was relieved by the reappearance of Gotch, who bore on a salver the object he had been sent for and to which he duly called attention. “The large red morocco case.” Lady Sandgate fairly jumped at it. “Your blessed cheque-book. Lay it on my desk,” she said to Gotch, though waiting till he had departed again before she resumed to her visitor: “Mightn’t we conclude before he comes?” “The Prince?” Mr. Bender’s imagination had strayed from the ground to which she sought to lead it back, and it but vaguely retraced its steps. “Will _he_ want your great-grandmother?” “Well, he may when he sees her!” Lady Sandgate laughed. “And Theign, when he comes, will give you on his own question, I feel sure, every information. Shall I fish it out for you?” she encouragingly asked, beside him by her secretary-desk, at which he had arrived under her persuasive guidance and where she sought solidly to establish him, opening out the gilded crimson case for his employ, so that he had but to help himself. “What enormous cheques! _You_ can never draw one for two-pound-ten!” “That’s exactly what you deserve I _should_ do!” He remained after this solemnly still, however, like some high-priest circled with ceremonies; in consonance with which, the next moment, both her hands held out to him the open and immaculate page of the oblong series much as they might have presented a royal infant	The Outcry
"what are those? I entreat you to tell me what they are; I will spare nothing to get them."	Periezade	mother," replied the Princess Periezade,<\|quote\|>"what are those? I entreat you to tell me what they are; I will spare nothing to get them."</\|quote\|>"Madam," replied the devout woman,	to complete it." "My good mother," replied the Princess Periezade,<\|quote\|>"what are those? I entreat you to tell me what they are; I will spare nothing to get them."</\|quote\|>"Madam," replied the devout woman, "the first of these three	garden can be more delightful; but yet, if you will give me leave to speak my mind freely, I will take the liberty to tell you that this house would be incomparable if it had three things which are wanting to complete it." "My good mother," replied the Princess Periezade,<\|quote\|>"what are those? I entreat you to tell me what they are; I will spare nothing to get them."</\|quote\|>"Madam," replied the devout woman, "the first of these three things is the Talking Bird, so singular a creature, that it draws round it all the songsters of the neighbourhood which come to accompany its voice. The second is the Singing Tree, the leaves of which are so many mouths	how she liked it. "Madam," answered the devout woman, "I must certainly have very bad taste to disapprove anything in it, since it is beautiful, regular, and magnificently furnished with exactness and judgment, and all its ornaments adjusted in the best manner. Its situation is an agreeable spot, and no garden can be more delightful; but yet, if you will give me leave to speak my mind freely, I will take the liberty to tell you that this house would be incomparable if it had three things which are wanting to complete it." "My good mother," replied the Princess Periezade,<\|quote\|>"what are those? I entreat you to tell me what they are; I will spare nothing to get them."</\|quote\|>"Madam," replied the devout woman, "the first of these three things is the Talking Bird, so singular a creature, that it draws round it all the songsters of the neighbourhood which come to accompany its voice. The second is the Singing Tree, the leaves of which are so many mouths which form an harmonious concert of different voices and never cease. The third is the Golden Water, a single drop of which being poured into a vessel properly prepared, it increases so as to fill it immediately, and rises up in the middle like a fountain, which continually plays, and	what you like best; you had need to eat after coming so far." "Madam," replied the good woman, "I am not used to eat such delicacies, but will not refuse what God has sent me by so liberal a hand as yours." While the devout woman was eating, the princess ate a little too, to bear her company, and asked her many questions upon the exercise of devotion which she practised and how she lived; all of which she answered with great modesty. Talking of various things, at last the princess asked her what she thought of the house, and how she liked it. "Madam," answered the devout woman, "I must certainly have very bad taste to disapprove anything in it, since it is beautiful, regular, and magnificently furnished with exactness and judgment, and all its ornaments adjusted in the best manner. Its situation is an agreeable spot, and no garden can be more delightful; but yet, if you will give me leave to speak my mind freely, I will take the liberty to tell you that this house would be incomparable if it had three things which are wanting to complete it." "My good mother," replied the Princess Periezade,<\|quote\|>"what are those? I entreat you to tell me what they are; I will spare nothing to get them."</\|quote\|>"Madam," replied the devout woman, "the first of these three things is the Talking Bird, so singular a creature, that it draws round it all the songsters of the neighbourhood which come to accompany its voice. The second is the Singing Tree, the leaves of which are so many mouths which form an harmonious concert of different voices and never cease. The third is the Golden Water, a single drop of which being poured into a vessel properly prepared, it increases so as to fill it immediately, and rises up in the middle like a fountain, which continually plays, and yet the basin never overflows." "Ah! my good mother," cried the princess, "how much am I obliged to you for the knowledge of these curiosities! I never before heard there were such rarities in the world; but as I am persuaded that you know, I expect that you should do me the favour to inform me where they are to be found." "Madam," replied the good woman, "I should be unworthy the hospitality you have shown me if I should refuse to satisfy your curiosity on that point, and am glad to have the honour to tell you that these	sit down by me. I am overjoyed at the happiness of having the opportunity of profiting for some moments by the example and conversation of such a person as you, who have taken the right way by dedicating yourself to the service of God. I wish every one were as wise." The devout woman, instead of sitting on a sofa, would only sit upon the edge of one. The princess would not permit her to do so, but rising from her seat and taking her by the hand, obliged her to come and sit by her. The good woman, sensible of the civility, said: "Madam, I ought not to have so much respect shown me; but since you command, and are mistress of your own house, I will obey you." When she had seated herself, before they entered into any conversation, one of the princess's women brought a low stand of mother-of-pearl and ebony, with a china dish full of cakes upon it, and many others set round it full of fruits in season, and wet and dry sweetmeats. The princess took up one of the cakes, and presenting her with it, said: "Eat, good mother, and make choice of what you like best; you had need to eat after coming so far." "Madam," replied the good woman, "I am not used to eat such delicacies, but will not refuse what God has sent me by so liberal a hand as yours." While the devout woman was eating, the princess ate a little too, to bear her company, and asked her many questions upon the exercise of devotion which she practised and how she lived; all of which she answered with great modesty. Talking of various things, at last the princess asked her what she thought of the house, and how she liked it. "Madam," answered the devout woman, "I must certainly have very bad taste to disapprove anything in it, since it is beautiful, regular, and magnificently furnished with exactness and judgment, and all its ornaments adjusted in the best manner. Its situation is an agreeable spot, and no garden can be more delightful; but yet, if you will give me leave to speak my mind freely, I will take the liberty to tell you that this house would be incomparable if it had three things which are wanting to complete it." "My good mother," replied the Princess Periezade,<\|quote\|>"what are those? I entreat you to tell me what they are; I will spare nothing to get them."</\|quote\|>"Madam," replied the devout woman, "the first of these three things is the Talking Bird, so singular a creature, that it draws round it all the songsters of the neighbourhood which come to accompany its voice. The second is the Singing Tree, the leaves of which are so many mouths which form an harmonious concert of different voices and never cease. The third is the Golden Water, a single drop of which being poured into a vessel properly prepared, it increases so as to fill it immediately, and rises up in the middle like a fountain, which continually plays, and yet the basin never overflows." "Ah! my good mother," cried the princess, "how much am I obliged to you for the knowledge of these curiosities! I never before heard there were such rarities in the world; but as I am persuaded that you know, I expect that you should do me the favour to inform me where they are to be found." "Madam," replied the good woman, "I should be unworthy the hospitality you have shown me if I should refuse to satisfy your curiosity on that point, and am glad to have the honour to tell you that these curiosities are all to be met with in the same spot on the confines of this kingdom, toward India. The road lies before your house, and whoever you send needs but follow it for twenty days, and on the twentieth only let him ask the first person he meets where the Talking Bird, the Singing Tree, and the Golden Water are, and he will be informed." After saying this, she rose from her seat, took her leave, and went her way. The Princess Periezade's thoughts were so taken up with the Talking Bird, Singing Tree, and Golden Water, that she never perceived the devout woman's departure, till she wanted to ask her some question for her better information; for she thought that what she had been told was not a sufficient reason for exposing herself by undertaking a long journey. However, she would not send after her visitor, but endeavoured to remember all the directions, and when she thought she had recollected every word, took real pleasure in thinking of the satisfaction she should have if she could get these curiosities into her possession; but the difficulties she apprehended and the fear of not succeeding made her very uneasy. She	of dying in your favour." He took his leave of the emperor and retired with the two princes and the princess to the country retreat he had built. His wife had been dead some years, and he himself had not lived above six months with his charges before he was surprised by so sudden a death that he had not time to give them the least account of the manner in which he had discovered them. The Princes Bahman and Perviz, and the Princess Periezade, who knew no other father than the intendant of the emperor's gardens, regretted and bewailed him as such, and paid all the honours in his funeral obsequies which love and filial gratitude required of them. Satisfied with the plentiful fortune he had left them, they lived together in perfect union, free from the ambition of distinguishing themselves at court, or aspiring to places of honour and dignity, which they might easily have obtained. One day when the two princes were hunting, and the princess had remained at home, a religious old woman came to the gate, and desired leave to go in to say her prayers, it being then the hour. The servants asked the princess's permission, who ordered them to show her into the oratory, which the intendant of the emperor's gardens had taken care to fit up in his house, for want of a mosque in the neighbourhood. She bade them, also, after the good woman had finished her prayers, to show her the house and gardens and then bring her to the hall. The old woman went into the oratory, said her prayers, and when she came out two of the princess's women invited her to see the residence, which civility she accepted, followed them from one apartment to another, and observed, like a person who understood what belonged to furniture, the nice arrangement of everything. They conducted her also into the garden, the disposition of which she found so well planned, that she admired it, observing that the person who had formed it must have been an excellent master of his art. Afterward she was brought before the princess, who waited for her in the great hall, which in beauty and richness exceeded all that she had admired in the other apartments. As soon as the princess saw the devout woman, she said to her: "My good mother, come near and sit down by me. I am overjoyed at the happiness of having the opportunity of profiting for some moments by the example and conversation of such a person as you, who have taken the right way by dedicating yourself to the service of God. I wish every one were as wise." The devout woman, instead of sitting on a sofa, would only sit upon the edge of one. The princess would not permit her to do so, but rising from her seat and taking her by the hand, obliged her to come and sit by her. The good woman, sensible of the civility, said: "Madam, I ought not to have so much respect shown me; but since you command, and are mistress of your own house, I will obey you." When she had seated herself, before they entered into any conversation, one of the princess's women brought a low stand of mother-of-pearl and ebony, with a china dish full of cakes upon it, and many others set round it full of fruits in season, and wet and dry sweetmeats. The princess took up one of the cakes, and presenting her with it, said: "Eat, good mother, and make choice of what you like best; you had need to eat after coming so far." "Madam," replied the good woman, "I am not used to eat such delicacies, but will not refuse what God has sent me by so liberal a hand as yours." While the devout woman was eating, the princess ate a little too, to bear her company, and asked her many questions upon the exercise of devotion which she practised and how she lived; all of which she answered with great modesty. Talking of various things, at last the princess asked her what she thought of the house, and how she liked it. "Madam," answered the devout woman, "I must certainly have very bad taste to disapprove anything in it, since it is beautiful, regular, and magnificently furnished with exactness and judgment, and all its ornaments adjusted in the best manner. Its situation is an agreeable spot, and no garden can be more delightful; but yet, if you will give me leave to speak my mind freely, I will take the liberty to tell you that this house would be incomparable if it had three things which are wanting to complete it." "My good mother," replied the Princess Periezade,<\|quote\|>"what are those? I entreat you to tell me what they are; I will spare nothing to get them."</\|quote\|>"Madam," replied the devout woman, "the first of these three things is the Talking Bird, so singular a creature, that it draws round it all the songsters of the neighbourhood which come to accompany its voice. The second is the Singing Tree, the leaves of which are so many mouths which form an harmonious concert of different voices and never cease. The third is the Golden Water, a single drop of which being poured into a vessel properly prepared, it increases so as to fill it immediately, and rises up in the middle like a fountain, which continually plays, and yet the basin never overflows." "Ah! my good mother," cried the princess, "how much am I obliged to you for the knowledge of these curiosities! I never before heard there were such rarities in the world; but as I am persuaded that you know, I expect that you should do me the favour to inform me where they are to be found." "Madam," replied the good woman, "I should be unworthy the hospitality you have shown me if I should refuse to satisfy your curiosity on that point, and am glad to have the honour to tell you that these curiosities are all to be met with in the same spot on the confines of this kingdom, toward India. The road lies before your house, and whoever you send needs but follow it for twenty days, and on the twentieth only let him ask the first person he meets where the Talking Bird, the Singing Tree, and the Golden Water are, and he will be informed." After saying this, she rose from her seat, took her leave, and went her way. The Princess Periezade's thoughts were so taken up with the Talking Bird, Singing Tree, and Golden Water, that she never perceived the devout woman's departure, till she wanted to ask her some question for her better information; for she thought that what she had been told was not a sufficient reason for exposing herself by undertaking a long journey. However, she would not send after her visitor, but endeavoured to remember all the directions, and when she thought she had recollected every word, took real pleasure in thinking of the satisfaction she should have if she could get these curiosities into her possession; but the difficulties she apprehended and the fear of not succeeding made her very uneasy. She was absorbed in these thoughts when her brothers returned from hunting, who, when they entered the great hall, instead of finding her lively and gay, as she was wont to be, were amazed to see her so pensive and hanging down her head as if something troubled her. "Sister," said Prince Bahman, "what is become of all your mirth and gaiety? Are you not well? or has some misfortune befallen you? Tell us, that we may know how to act, and give you some relief. If any one has affronted you, we will resent his insolence." The princess remained in the same posture some time without answering, but at last lifted up her eyes to look at her brothers, and then held them down again, telling them nothing disturbed her. "Sister," said Prince Bahman, "you conceal the truth from us; there must be something of consequence. It is impossible we could observe so sudden a change if nothing was the matter with you. You would not have us satisfied with the evasive answer you have given; do not conceal anything, unless you would have us suspect that you renounce the strict union which has hitherto subsisted between us." The princess, who had not the smallest intention to offend her brothers, would not suffer them to entertain such a thought, but said: "When I told you nothing disturbed me, I meant nothing that was of importance to you, but to me it is of some consequence; and since you press me to tell you by our strict union and friendship, which are so dear to me, I will. You think, and I always believed so too, that this house was so complete that nothing was wanting. But this day I have learned that it lacks three rarities which would render it so perfect that no country seat in the world could be compared with it. These three things are the Talking Bird, the Singing Tree, and the Golden Water." After she had informed them wherein consisted the excellency of these rarities, "A devout woman," added she, "has made this discovery to me, told me the place where they are to be found, and the way thither. Perhaps you may imagine these things of little consequence; that without these additions our house will always be thought sufficiently elegant, and that we can do without them. You may think as you please, but	everything. They conducted her also into the garden, the disposition of which she found so well planned, that she admired it, observing that the person who had formed it must have been an excellent master of his art. Afterward she was brought before the princess, who waited for her in the great hall, which in beauty and richness exceeded all that she had admired in the other apartments. As soon as the princess saw the devout woman, she said to her: "My good mother, come near and sit down by me. I am overjoyed at the happiness of having the opportunity of profiting for some moments by the example and conversation of such a person as you, who have taken the right way by dedicating yourself to the service of God. I wish every one were as wise." The devout woman, instead of sitting on a sofa, would only sit upon the edge of one. The princess would not permit her to do so, but rising from her seat and taking her by the hand, obliged her to come and sit by her. The good woman, sensible of the civility, said: "Madam, I ought not to have so much respect shown me; but since you command, and are mistress of your own house, I will obey you." When she had seated herself, before they entered into any conversation, one of the princess's women brought a low stand of mother-of-pearl and ebony, with a china dish full of cakes upon it, and many others set round it full of fruits in season, and wet and dry sweetmeats. The princess took up one of the cakes, and presenting her with it, said: "Eat, good mother, and make choice of what you like best; you had need to eat after coming so far." "Madam," replied the good woman, "I am not used to eat such delicacies, but will not refuse what God has sent me by so liberal a hand as yours." While the devout woman was eating, the princess ate a little too, to bear her company, and asked her many questions upon the exercise of devotion which she practised and how she lived; all of which she answered with great modesty. Talking of various things, at last the princess asked her what she thought of the house, and how she liked it. "Madam," answered the devout woman, "I must certainly have very bad taste to disapprove anything in it, since it is beautiful, regular, and magnificently furnished with exactness and judgment, and all its ornaments adjusted in the best manner. Its situation is an agreeable spot, and no garden can be more delightful; but yet, if you will give me leave to speak my mind freely, I will take the liberty to tell you that this house would be incomparable if it had three things which are wanting to complete it." "My good mother," replied the Princess Periezade,<\|quote\|>"what are those? I entreat you to tell me what they are; I will spare nothing to get them."</\|quote\|>"Madam," replied the devout woman, "the first of these three things is the Talking Bird, so singular a creature, that it draws round it all the songsters of the neighbourhood which come to accompany its voice. The second is the Singing Tree, the leaves of which are so many mouths which form an harmonious concert of different voices and never cease. The third is the Golden Water, a single drop of which being poured into a vessel properly prepared, it increases so as to fill it immediately, and rises up in the middle like a fountain, which continually plays, and yet the basin never overflows." "Ah! my good mother," cried the princess, "how much am I obliged to you for the knowledge of these curiosities! I never before heard there were such rarities in the world; but as I am persuaded that you know, I expect that you should do me the favour to inform me where they are to be found." "Madam," replied the good woman, "I should be unworthy the hospitality you have shown me if I should refuse to satisfy your curiosity on that point, and am glad to have the honour to tell you that these curiosities are all to be met with in the same spot on the confines of this kingdom, toward India. The road lies before your house, and whoever you send needs but follow it for twenty days, and on the twentieth only let him ask the first person he meets where the Talking Bird, the Singing Tree, and the Golden Water are, and he will be informed." After saying this, she rose from her seat, took her leave, and went her way. The Princess Periezade's thoughts were so taken up with the Talking Bird, Singing Tree, and Golden Water, that she never perceived the devout woman's departure, till she wanted to ask her some question for her better information; for she thought that what she had been told was not a sufficient reason for exposing herself by undertaking a long journey. However, she would not send after her visitor, but endeavoured to remember all the directions, and when she thought she had recollected every word, took real pleasure in thinking of the satisfaction she should have if she could get these curiosities into her possession; but the difficulties she apprehended and the fear of not succeeding made her very uneasy. She was absorbed in these thoughts when her brothers returned from hunting, who, when they entered the great hall, instead of finding her lively and gay, as she was wont to be, were amazed to see her so pensive and hanging down her head as if	Arabian Nights (1)
Edmund was too angry to speak; but Miss Crawford, looking for a moment with astonished eyes at Mrs. Norris, and then at Fanny, whose tears were beginning to shew themselves, immediately said, with some keenness,	No speaker	who and what she is."<\|quote\|>Edmund was too angry to speak; but Miss Crawford, looking for a moment with astonished eyes at Mrs. Norris, and then at Fanny, whose tears were beginning to shew themselves, immediately said, with some keenness,</\|quote\|>"I do not like my	her very ungrateful, indeed, considering who and what she is."<\|quote\|>Edmund was too angry to speak; but Miss Crawford, looking for a moment with astonished eyes at Mrs. Norris, and then at Fanny, whose tears were beginning to shew themselves, immediately said, with some keenness,</\|quote\|>"I do not like my situation: this _place_ is too	safely trusted. Do not urge her any more." "I am not going to urge her," replied Mrs. Norris sharply; "but I shall think her a very obstinate, ungrateful girl, if she does not do what her aunt and cousins wish her very ungrateful, indeed, considering who and what she is."<\|quote\|>Edmund was too angry to speak; but Miss Crawford, looking for a moment with astonished eyes at Mrs. Norris, and then at Fanny, whose tears were beginning to shew themselves, immediately said, with some keenness,</\|quote\|>"I do not like my situation: this _place_ is too hot for me," and moved away her chair to the opposite side of the table, close to Fanny, saying to her, in a kind, low whisper, as she placed herself, "Never mind, my dear Miss Price, this is a cross	no more of the matter, I entreat." "Do not urge her, madam," said Edmund. "It is not fair to urge her in this manner. You see she does not like to act. Let her chuse for herself, as well as the rest of us. Her judgment may be quite as safely trusted. Do not urge her any more." "I am not going to urge her," replied Mrs. Norris sharply; "but I shall think her a very obstinate, ungrateful girl, if she does not do what her aunt and cousins wish her very ungrateful, indeed, considering who and what she is."<\|quote\|>Edmund was too angry to speak; but Miss Crawford, looking for a moment with astonished eyes at Mrs. Norris, and then at Fanny, whose tears were beginning to shew themselves, immediately said, with some keenness,</\|quote\|>"I do not like my situation: this _place_ is too hot for me," and moved away her chair to the opposite side of the table, close to Fanny, saying to her, in a kind, low whisper, as she placed herself, "Never mind, my dear Miss Price, this is a cross evening: everybody is cross and teasing, but do not let us mind them" "; and with pointed attention continued to talk to her and endeavour to raise her spirits, in spite of being out of spirits herself. By a look at her brother she prevented any farther entreaty from the	Crawford, and Mr. Yates, with an urgency which differed from his but in being more gentle or more ceremonious, and which altogether was quite overpowering to Fanny; and before she could breathe after it, Mrs. Norris completed the whole by thus addressing her in a whisper at once angry and audible "What a piece of work here is about nothing: I am quite ashamed of you, Fanny, to make such a difficulty of obliging your cousins in a trifle of this sort so kind as they are to you! Take the part with a good grace, and let us hear no more of the matter, I entreat." "Do not urge her, madam," said Edmund. "It is not fair to urge her in this manner. You see she does not like to act. Let her chuse for herself, as well as the rest of us. Her judgment may be quite as safely trusted. Do not urge her any more." "I am not going to urge her," replied Mrs. Norris sharply; "but I shall think her a very obstinate, ungrateful girl, if she does not do what her aunt and cousins wish her very ungrateful, indeed, considering who and what she is."<\|quote\|>Edmund was too angry to speak; but Miss Crawford, looking for a moment with astonished eyes at Mrs. Norris, and then at Fanny, whose tears were beginning to shew themselves, immediately said, with some keenness,</\|quote\|>"I do not like my situation: this _place_ is too hot for me," and moved away her chair to the opposite side of the table, close to Fanny, saying to her, in a kind, low whisper, as she placed herself, "Never mind, my dear Miss Price, this is a cross evening: everybody is cross and teasing, but do not let us mind them" "; and with pointed attention continued to talk to her and endeavour to raise her spirits, in spite of being out of spirits herself. By a look at her brother she prevented any farther entreaty from the theatrical board, and the really good feelings by which she was almost purely governed were rapidly restoring her to all the little she had lost in Edmund's favour. Fanny did not love Miss Crawford; but she felt very much obliged to her for her present kindness; and when, from taking notice of her work, and wishing _she_ could work as well, and begging for the pattern, and supposing Fanny was now preparing for her _appearance_, as of course she would come out when her cousin was married, Miss Crawford proceeded to inquire if she had heard lately from her brother	scenes, and as I shall be Cottager, I'll put you in and push you about, and you will do it very well, I'll answer for it." "No, indeed, Mr. Bertram, you must excuse me. You cannot have an idea. It would be absolutely impossible for me. If I were to undertake it, I should only disappoint you." "Phoo! Phoo! Do not be so shamefaced. You'll do it very well. Every allowance will be made for you. We do not expect perfection. You must get a brown gown, and a white apron, and a mob cap, and we must make you a few wrinkles, and a little of the crowsfoot at the corner of your eyes, and you will be a very proper, little old woman." "You must excuse me, indeed you must excuse me," cried Fanny, growing more and more red from excessive agitation, and looking distressfully at Edmund, who was kindly observing her; but unwilling to exasperate his brother by interference, gave her only an encouraging smile. Her entreaty had no effect on Tom: he only said again what he had said before; and it was not merely Tom, for the requisition was now backed by Maria, and Mr. Crawford, and Mr. Yates, with an urgency which differed from his but in being more gentle or more ceremonious, and which altogether was quite overpowering to Fanny; and before she could breathe after it, Mrs. Norris completed the whole by thus addressing her in a whisper at once angry and audible "What a piece of work here is about nothing: I am quite ashamed of you, Fanny, to make such a difficulty of obliging your cousins in a trifle of this sort so kind as they are to you! Take the part with a good grace, and let us hear no more of the matter, I entreat." "Do not urge her, madam," said Edmund. "It is not fair to urge her in this manner. You see she does not like to act. Let her chuse for herself, as well as the rest of us. Her judgment may be quite as safely trusted. Do not urge her any more." "I am not going to urge her," replied Mrs. Norris sharply; "but I shall think her a very obstinate, ungrateful girl, if she does not do what her aunt and cousins wish her very ungrateful, indeed, considering who and what she is."<\|quote\|>Edmund was too angry to speak; but Miss Crawford, looking for a moment with astonished eyes at Mrs. Norris, and then at Fanny, whose tears were beginning to shew themselves, immediately said, with some keenness,</\|quote\|>"I do not like my situation: this _place_ is too hot for me," and moved away her chair to the opposite side of the table, close to Fanny, saying to her, in a kind, low whisper, as she placed herself, "Never mind, my dear Miss Price, this is a cross evening: everybody is cross and teasing, but do not let us mind them" "; and with pointed attention continued to talk to her and endeavour to raise her spirits, in spite of being out of spirits herself. By a look at her brother she prevented any farther entreaty from the theatrical board, and the really good feelings by which she was almost purely governed were rapidly restoring her to all the little she had lost in Edmund's favour. Fanny did not love Miss Crawford; but she felt very much obliged to her for her present kindness; and when, from taking notice of her work, and wishing _she_ could work as well, and begging for the pattern, and supposing Fanny was now preparing for her _appearance_, as of course she would come out when her cousin was married, Miss Crawford proceeded to inquire if she had heard lately from her brother at sea, and said that she had quite a curiosity to see him, and imagined him a very fine young man, and advised Fanny to get his picture drawn before he went to sea again she could not help admitting it to be very agreeable flattery, or help listening, and answering with more animation than she had intended. The consultation upon the play still went on, and Miss Crawford's attention was first called from Fanny by Tom Bertram's telling her, with infinite regret, that he found it absolutely impossible for him to undertake the part of Anhalt in addition to the Butler: he had been most anxiously trying to make it out to be feasible, but it would not do; he must give it up. "But there will not be the smallest difficulty in filling it," he added. "We have but to speak the word; we may pick and chuse. I could name, at this moment, at least six young men within six miles of us, who are wild to be admitted into our company, and there are one or two that would not disgrace us: I should not be afraid to trust either of the Olivers or Charles Maddox.	certainly will not be taken." Edmund said no more. "If _any_ part could tempt _you_ to act, I suppose it would be Anhalt," observed the lady archly, after a short pause; "for he is a clergyman, you know." "_That_ circumstance would by no means tempt me," he replied, "for I should be sorry to make the character ridiculous by bad acting. It must be very difficult to keep Anhalt from appearing a formal, solemn lecturer; and the man who chuses the profession itself is, perhaps, one of the last who would wish to represent it on the stage." Miss Crawford was silenced, and with some feelings of resentment and mortification, moved her chair considerably nearer the tea-table, and gave all her attention to Mrs. Norris, who was presiding there. "Fanny," cried Tom Bertram, from the other table, where the conference was eagerly carrying on, and the conversation incessant, "we want your services." Fanny was up in a moment, expecting some errand; for the habit of employing her in that way was not yet overcome, in spite of all that Edmund could do. "Oh! we do not want to disturb you from your seat. We do not want your _present_ services. We shall only want you in our play. You must be Cottager's wife." "Me!" cried Fanny, sitting down again with a most frightened look. "Indeed you must excuse me. I could not act anything if you were to give me the world. No, indeed, I cannot act." "Indeed, but you must, for we cannot excuse you. It need not frighten you: it is a nothing of a part, a mere nothing, not above half a dozen speeches altogether, and it will not much signify if nobody hears a word you say; so you may be as creep-mouse as you like, but we must have you to look at." "If you are afraid of half a dozen speeches," cried Mr. Rushworth, "what would you do with such a part as mine? I have forty-two to learn." "It is not that I am afraid of learning by heart," said Fanny, shocked to find herself at that moment the only speaker in the room, and to feel that almost every eye was upon her; "but I really cannot act." "Yes, yes, you can act well enough for _us_. Learn your part, and we will teach you all the rest. You have only two scenes, and as I shall be Cottager, I'll put you in and push you about, and you will do it very well, I'll answer for it." "No, indeed, Mr. Bertram, you must excuse me. You cannot have an idea. It would be absolutely impossible for me. If I were to undertake it, I should only disappoint you." "Phoo! Phoo! Do not be so shamefaced. You'll do it very well. Every allowance will be made for you. We do not expect perfection. You must get a brown gown, and a white apron, and a mob cap, and we must make you a few wrinkles, and a little of the crowsfoot at the corner of your eyes, and you will be a very proper, little old woman." "You must excuse me, indeed you must excuse me," cried Fanny, growing more and more red from excessive agitation, and looking distressfully at Edmund, who was kindly observing her; but unwilling to exasperate his brother by interference, gave her only an encouraging smile. Her entreaty had no effect on Tom: he only said again what he had said before; and it was not merely Tom, for the requisition was now backed by Maria, and Mr. Crawford, and Mr. Yates, with an urgency which differed from his but in being more gentle or more ceremonious, and which altogether was quite overpowering to Fanny; and before she could breathe after it, Mrs. Norris completed the whole by thus addressing her in a whisper at once angry and audible "What a piece of work here is about nothing: I am quite ashamed of you, Fanny, to make such a difficulty of obliging your cousins in a trifle of this sort so kind as they are to you! Take the part with a good grace, and let us hear no more of the matter, I entreat." "Do not urge her, madam," said Edmund. "It is not fair to urge her in this manner. You see she does not like to act. Let her chuse for herself, as well as the rest of us. Her judgment may be quite as safely trusted. Do not urge her any more." "I am not going to urge her," replied Mrs. Norris sharply; "but I shall think her a very obstinate, ungrateful girl, if she does not do what her aunt and cousins wish her very ungrateful, indeed, considering who and what she is."<\|quote\|>Edmund was too angry to speak; but Miss Crawford, looking for a moment with astonished eyes at Mrs. Norris, and then at Fanny, whose tears were beginning to shew themselves, immediately said, with some keenness,</\|quote\|>"I do not like my situation: this _place_ is too hot for me," and moved away her chair to the opposite side of the table, close to Fanny, saying to her, in a kind, low whisper, as she placed herself, "Never mind, my dear Miss Price, this is a cross evening: everybody is cross and teasing, but do not let us mind them" "; and with pointed attention continued to talk to her and endeavour to raise her spirits, in spite of being out of spirits herself. By a look at her brother she prevented any farther entreaty from the theatrical board, and the really good feelings by which she was almost purely governed were rapidly restoring her to all the little she had lost in Edmund's favour. Fanny did not love Miss Crawford; but she felt very much obliged to her for her present kindness; and when, from taking notice of her work, and wishing _she_ could work as well, and begging for the pattern, and supposing Fanny was now preparing for her _appearance_, as of course she would come out when her cousin was married, Miss Crawford proceeded to inquire if she had heard lately from her brother at sea, and said that she had quite a curiosity to see him, and imagined him a very fine young man, and advised Fanny to get his picture drawn before he went to sea again she could not help admitting it to be very agreeable flattery, or help listening, and answering with more animation than she had intended. The consultation upon the play still went on, and Miss Crawford's attention was first called from Fanny by Tom Bertram's telling her, with infinite regret, that he found it absolutely impossible for him to undertake the part of Anhalt in addition to the Butler: he had been most anxiously trying to make it out to be feasible, but it would not do; he must give it up. "But there will not be the smallest difficulty in filling it," he added. "We have but to speak the word; we may pick and chuse. I could name, at this moment, at least six young men within six miles of us, who are wild to be admitted into our company, and there are one or two that would not disgrace us: I should not be afraid to trust either of the Olivers or Charles Maddox. Tom Oliver is a very clever fellow, and Charles Maddox is as gentlemanlike a man as you will see anywhere, so I will take my horse early to-morrow morning and ride over to Stoke, and settle with one of them." While he spoke, Maria was looking apprehensively round at Edmund in full expectation that he must oppose such an enlargement of the plan as this: so contrary to all their first protestations; but Edmund said nothing. After a moment's thought, Miss Crawford calmly replied, "As far as I am concerned, I can have no objection to anything that you all think eligible. Have I ever seen either of the gentlemen? Yes, Mr. Charles Maddox dined at my sister's one day, did not he, Henry? A quiet-looking young man. I remember him. Let _him_ be applied to, if you please, for it will be less unpleasant to me than to have a perfect stranger." Charles Maddox was to be the man. Tom repeated his resolution of going to him early on the morrow; and though Julia, who had scarcely opened her lips before, observed, in a sarcastic manner, and with a glance first at Maria and then at Edmund, that "the Mansfield theatricals would enliven the whole neighbourhood exceedingly," Edmund still held his peace, and shewed his feelings only by a determined gravity. "I am not very sanguine as to our play," said Miss Crawford, in an undervoice to Fanny, after some consideration; "and I can tell Mr. Maddox that I shall shorten some of _his_ speeches, and a great many of _my_ _own_, before we rehearse together. It will be very disagreeable, and by no means what I expected." CHAPTER XVI It was not in Miss Crawford's power to talk Fanny into any real forgetfulness of what had passed. When the evening was over, she went to bed full of it, her nerves still agitated by the shock of such an attack from her cousin Tom, so public and so persevered in, and her spirits sinking under her aunt's unkind reflection and reproach. To be called into notice in such a manner, to hear that it was but the prelude to something so infinitely worse, to be told that she must do what was so impossible as to act; and then to have the charge of obstinacy and ingratitude follow it, enforced with such a hint at the dependence of	enough for _us_. Learn your part, and we will teach you all the rest. You have only two scenes, and as I shall be Cottager, I'll put you in and push you about, and you will do it very well, I'll answer for it." "No, indeed, Mr. Bertram, you must excuse me. You cannot have an idea. It would be absolutely impossible for me. If I were to undertake it, I should only disappoint you." "Phoo! Phoo! Do not be so shamefaced. You'll do it very well. Every allowance will be made for you. We do not expect perfection. You must get a brown gown, and a white apron, and a mob cap, and we must make you a few wrinkles, and a little of the crowsfoot at the corner of your eyes, and you will be a very proper, little old woman." "You must excuse me, indeed you must excuse me," cried Fanny, growing more and more red from excessive agitation, and looking distressfully at Edmund, who was kindly observing her; but unwilling to exasperate his brother by interference, gave her only an encouraging smile. Her entreaty had no effect on Tom: he only said again what he had said before; and it was not merely Tom, for the requisition was now backed by Maria, and Mr. Crawford, and Mr. Yates, with an urgency which differed from his but in being more gentle or more ceremonious, and which altogether was quite overpowering to Fanny; and before she could breathe after it, Mrs. Norris completed the whole by thus addressing her in a whisper at once angry and audible "What a piece of work here is about nothing: I am quite ashamed of you, Fanny, to make such a difficulty of obliging your cousins in a trifle of this sort so kind as they are to you! Take the part with a good grace, and let us hear no more of the matter, I entreat." "Do not urge her, madam," said Edmund. "It is not fair to urge her in this manner. You see she does not like to act. Let her chuse for herself, as well as the rest of us. Her judgment may be quite as safely trusted. Do not urge her any more." "I am not going to urge her," replied Mrs. Norris sharply; "but I shall think her a very obstinate, ungrateful girl, if she does not do what her aunt and cousins wish her very ungrateful, indeed, considering who and what she is."<\|quote\|>Edmund was too angry to speak; but Miss Crawford, looking for a moment with astonished eyes at Mrs. Norris, and then at Fanny, whose tears were beginning to shew themselves, immediately said, with some keenness,</\|quote\|>"I do not like my situation: this _place_ is too hot for me," and moved away her chair to the opposite side of the table, close to Fanny, saying to her, in a kind, low whisper, as she placed herself, "Never mind, my dear Miss Price, this is a cross evening: everybody is cross and teasing, but do not let us mind them" "; and with pointed attention continued to talk to her and endeavour to raise her spirits, in spite of being out of spirits herself. By a look at her brother she prevented any farther entreaty from the theatrical board, and the really good feelings by which she was almost purely governed were rapidly restoring her to all the little she had lost in Edmund's favour. Fanny did not love Miss Crawford; but she felt very much obliged to her for her present kindness; and when, from taking notice of her work, and wishing _she_ could work as well, and begging for the pattern, and supposing Fanny was now preparing for her _appearance_, as of course she would come out when her cousin was married, Miss Crawford proceeded to inquire if she had heard lately from her brother at sea, and said that she had quite a curiosity to see him, and imagined him a very fine young man, and advised Fanny to get his picture drawn before he went to sea again she could not help admitting it to be very agreeable flattery, or help listening, and answering with more animation than she had intended. The consultation upon the play still went on, and Miss Crawford's attention was first called from Fanny by Tom Bertram's telling her, with infinite regret, that he found it absolutely impossible for him to undertake the part of Anhalt in addition to the Butler: he had been most anxiously trying to make it out to be feasible, but it would not do; he must give it up. "But there will not be the smallest difficulty in filling it," he added. "We have but to speak the word; we may pick and chuse. I could name, at this moment, at least six young men within six miles of us, who are wild to be admitted into our company, and there are one or two that would not disgrace us: I should not be afraid to trust either of the Olivers or Charles Maddox. Tom Oliver is a very clever fellow, and Charles Maddox is as gentlemanlike a man as you will see anywhere, so I will take my horse early to-morrow morning and ride over to Stoke, and settle with one of them." While he spoke, Maria was looking apprehensively round at Edmund in full expectation that he must oppose such an enlargement of the plan as this: so contrary to all their first protestations; but Edmund said nothing. After a moment's thought, Miss Crawford calmly replied, "As far as I am concerned, I can have no objection to anything that you all think eligible. Have I ever seen either of the gentlemen? Yes, Mr. Charles Maddox dined at my sister's one day, did not he, Henry? A quiet-looking young man. I remember him. Let _him_	Mansfield Park
"Yes. It's for us."	Jake Barnes	The address was: "Barnes, Burguete."<\|quote\|>"Yes. It's for us."</\|quote\|>She brought out a book	ustedes?" I looked at it. The address was: "Barnes, Burguete."<\|quote\|>"Yes. It's for us."</\|quote\|>She brought out a book for me to sign, and	inn and talking it over. I saw a girl coming up the road from the centre of the town. She stopped in front of us and took a telegram out of the leather wallet that hung against her skirt. "Por ustedes?" I looked at it. The address was: "Barnes, Burguete."<\|quote\|>"Yes. It's for us."</\|quote\|>She brought out a book for me to sign, and I gave her a couple of coppers. The telegram was in Spanish: "Vengo Jueves Cohn." I handed it to Bill. "What does the word Cohn mean?" he asked. "What a lousy telegram!" I said. "He could send ten words for	enormous trout there." "I'd like to try them once more." "Do. Stop over another day. Be a good chap." "We really have to get into town," I said. "What a pity." After breakfast Bill and I were sitting warming in the sun on a bench out in front of the inn and talking it over. I saw a girl coming up the road from the centre of the town. She stopped in front of us and took a telegram out of the leather wallet that hung against her skirt. "Por ustedes?" I looked at it. The address was: "Barnes, Burguete."<\|quote\|>"Yes. It's for us."</\|quote\|>She brought out a book for me to sign, and I gave her a couple of coppers. The telegram was in Spanish: "Vengo Jueves Cohn." I handed it to Bill. "What does the word Cohn mean?" he asked. "What a lousy telegram!" I said. "He could send ten words for the same price." 'I come Thursday.' "That gives you a lot of dope, doesn't it?" "It gives you all the dope that's of interest to Cohn." "We're going in, anyway," I said. "There's no use trying to move Brett and Mike out here and back before the fiesta. Should we	bus, I'm afraid." "What a rotten business. I had hoped we'd all have another go at the Irati together." "We have to go _into_ Pamplona. We're meeting people there." "What rotten luck for me. We've had a jolly time here at Burguete." "Come on in to Pamplona. We can play some bridge there, and there's going to be a damned fine fiesta." "I'd like to. Awfully nice of you to ask me. I'd best stop on here, though. I've not much more time to fish." "You want those big ones in the Irati." "I say, I do, you know. They're enormous trout there." "I'd like to try them once more." "Do. Stop over another day. Be a good chap." "We really have to get into town," I said. "What a pity." After breakfast Bill and I were sitting warming in the sun on a bench out in front of the inn and talking it over. I saw a girl coming up the road from the centre of the town. She stopped in front of us and took a telegram out of the leather wallet that hung against her skirt. "Por ustedes?" I looked at it. The address was: "Barnes, Burguete."<\|quote\|>"Yes. It's for us."</\|quote\|>She brought out a book for me to sign, and I gave her a couple of coppers. The telegram was in Spanish: "Vengo Jueves Cohn." I handed it to Bill. "What does the word Cohn mean?" he asked. "What a lousy telegram!" I said. "He could send ten words for the same price." 'I come Thursday.' "That gives you a lot of dope, doesn't it?" "It gives you all the dope that's of interest to Cohn." "We're going in, anyway," I said. "There's no use trying to move Brett and Mike out here and back before the fiesta. Should we answer it?" "We might as well," said Bill. "There's no need for us to be snooty." We walked up to the post-office and asked for a telegraph blank. "What will we say?" Bill asked. "'Arriving to-night.' That's enough." We paid for the message and walked back to the inn. Harris was there and the three of us walked up to Roncesvalles. We went through the monastery. "It's a remarkable place," Harris said, when we came out. "But you know I'm not much on those sort of places." "Me either," Bill said. "It's a remarkable place, though," Harris said. "I wouldn't	and they gave it me with mine." The letter was at my place at the table, leaning against a coffee-cup. Harris was reading the paper again. I opened the letter. It had been forwarded from Pamplona. It was dated San Sebastian, Sunday: DEAR JAKE, We got here Friday, Brett passed out on the train, so brought her here for 3 days rest with old friends of ours. We go to Montoya Hotel Pamplona Tuesday, arriving at I don't know what hour. Will you send a note by the bus to tell us what to do to rejoin you all on Wednesday. All our love and sorry to be late, but Brett was really done in and will be quite all right by Tues. and is practically so now. I know her so well and try to look after her but it's not so easy. Love to all the chaps, MICHAEL. "What day of the week is it?" I asked Harris. "Wednesday, I think. Yes, quite. Wednesday. Wonderful how one loses track of the days up here in the mountains." "Yes. We've been here nearly a week." "I hope you're not thinking of leaving?" "Yes. We'll go in on the afternoon bus, I'm afraid." "What a rotten business. I had hoped we'd all have another go at the Irati together." "We have to go _into_ Pamplona. We're meeting people there." "What rotten luck for me. We've had a jolly time here at Burguete." "Come on in to Pamplona. We can play some bridge there, and there's going to be a damned fine fiesta." "I'd like to. Awfully nice of you to ask me. I'd best stop on here, though. I've not much more time to fish." "You want those big ones in the Irati." "I say, I do, you know. They're enormous trout there." "I'd like to try them once more." "Do. Stop over another day. Be a good chap." "We really have to get into town," I said. "What a pity." After breakfast Bill and I were sitting warming in the sun on a bench out in front of the inn and talking it over. I saw a girl coming up the road from the centre of the town. She stopped in front of us and took a telegram out of the leather wallet that hung against her skirt. "Por ustedes?" I looked at it. The address was: "Barnes, Burguete."<\|quote\|>"Yes. It's for us."</\|quote\|>She brought out a book for me to sign, and I gave her a couple of coppers. The telegram was in Spanish: "Vengo Jueves Cohn." I handed it to Bill. "What does the word Cohn mean?" he asked. "What a lousy telegram!" I said. "He could send ten words for the same price." 'I come Thursday.' "That gives you a lot of dope, doesn't it?" "It gives you all the dope that's of interest to Cohn." "We're going in, anyway," I said. "There's no use trying to move Brett and Mike out here and back before the fiesta. Should we answer it?" "We might as well," said Bill. "There's no need for us to be snooty." We walked up to the post-office and asked for a telegraph blank. "What will we say?" Bill asked. "'Arriving to-night.' That's enough." We paid for the message and walked back to the inn. Harris was there and the three of us walked up to Roncesvalles. We went through the monastery. "It's a remarkable place," Harris said, when we came out. "But you know I'm not much on those sort of places." "Me either," Bill said. "It's a remarkable place, though," Harris said. "I wouldn't not have seen it. I'd been intending coming up each day." "It isn't the same as fishing, though, is it?" Bill asked. He liked Harris. "I say not." We were standing in front of the old chapel of the monastery. "Isn't that a pub across the way?" Harris asked. "Or do my eyes deceive me?" "It has the look of a pub," Bill said. "It looks to me like a pub," I said. "I say," said Harris, "let's utilize it." He had taken up utilizing from Bill. We had a bottle of wine apiece. Harris would not let us pay. He talked Spanish quite well, and the innkeeper would not take our money. "I say. You don't know what it's meant to me to have you chaps up here." "We've had a grand time, Harris." Harris was a little tight. "I say. Really you don't know how much it means. I've not had much fun since the war." "We'll fish together again, some time. Don't you forget it, Harris." "We must. We _have_ had such a jolly good time." "How about another bottle around?" "Jolly good idea," said Harris. "This is mine," said Bill. "Or we don't drink it." "I	afternoon and the shadow from the trees was long and went out over the dam. I was stiff from sleeping on the ground. "What did you do? Wake up?" Bill asked. "Why didn't you spend the night?" I stretched and rubbed my eyes. "I had a lovely dream," Bill said. "I don't remember what it was about, but it was a lovely dream." "I don't think I dreamt." "You ought to dream," Bill said. "All our biggest business men have been dreamers. Look at Ford. Look at President Coolidge. Look at Rockefeller. Look at Jo Davidson." I disjointed my rod and Bill's and packed them in the rod-case. I put the reels in the tackle-bag. Bill had packed the rucksack and we put one of the trout-bags in. I carried the other. "Well," said Bill, "have we got everything?" "The worms." "Your worms. Put them in there." He had the pack on his back and I put the worm-cans in one of the outside flap pockets. "You got everything now?" I looked around on the grass at the foot of the elm-trees. "Yes." We started up the road into the woods. It was a long walk home to Burguete, and it was dark when we came down across the fields to the road, and along the road between the houses of the town, their windows lighted, to the inn. We stayed five days at Burguete and had good fishing. The nights were cold and the days were hot, and there was always a breeze even in the heat of the day. It was hot enough so that it felt good to wade in a cold stream, and the sun dried you when you came out and sat on the bank. We found a stream with a pool deep enough to swim in. In the evenings we played three-handed bridge with an Englishman named Harris, who had walked over from Saint Jean Pied de Port and was stopping at the inn for the fishing. He was very pleasant and went with us twice to the Irati River. There was no word from Robert Cohn nor from Brett and Mike. CHAPTER 13 One morning I went down to breakfast and the Englishman, Harris, was already at the table. He was reading the paper through spectacles. He looked up and smiled. "Good morning," he said. "Letter for you. I stopped at the post and they gave it me with mine." The letter was at my place at the table, leaning against a coffee-cup. Harris was reading the paper again. I opened the letter. It had been forwarded from Pamplona. It was dated San Sebastian, Sunday: DEAR JAKE, We got here Friday, Brett passed out on the train, so brought her here for 3 days rest with old friends of ours. We go to Montoya Hotel Pamplona Tuesday, arriving at I don't know what hour. Will you send a note by the bus to tell us what to do to rejoin you all on Wednesday. All our love and sorry to be late, but Brett was really done in and will be quite all right by Tues. and is practically so now. I know her so well and try to look after her but it's not so easy. Love to all the chaps, MICHAEL. "What day of the week is it?" I asked Harris. "Wednesday, I think. Yes, quite. Wednesday. Wonderful how one loses track of the days up here in the mountains." "Yes. We've been here nearly a week." "I hope you're not thinking of leaving?" "Yes. We'll go in on the afternoon bus, I'm afraid." "What a rotten business. I had hoped we'd all have another go at the Irati together." "We have to go _into_ Pamplona. We're meeting people there." "What rotten luck for me. We've had a jolly time here at Burguete." "Come on in to Pamplona. We can play some bridge there, and there's going to be a damned fine fiesta." "I'd like to. Awfully nice of you to ask me. I'd best stop on here, though. I've not much more time to fish." "You want those big ones in the Irati." "I say, I do, you know. They're enormous trout there." "I'd like to try them once more." "Do. Stop over another day. Be a good chap." "We really have to get into town," I said. "What a pity." After breakfast Bill and I were sitting warming in the sun on a bench out in front of the inn and talking it over. I saw a girl coming up the road from the centre of the town. She stopped in front of us and took a telegram out of the leather wallet that hung against her skirt. "Por ustedes?" I looked at it. The address was: "Barnes, Burguete."<\|quote\|>"Yes. It's for us."</\|quote\|>She brought out a book for me to sign, and I gave her a couple of coppers. The telegram was in Spanish: "Vengo Jueves Cohn." I handed it to Bill. "What does the word Cohn mean?" he asked. "What a lousy telegram!" I said. "He could send ten words for the same price." 'I come Thursday.' "That gives you a lot of dope, doesn't it?" "It gives you all the dope that's of interest to Cohn." "We're going in, anyway," I said. "There's no use trying to move Brett and Mike out here and back before the fiesta. Should we answer it?" "We might as well," said Bill. "There's no need for us to be snooty." We walked up to the post-office and asked for a telegraph blank. "What will we say?" Bill asked. "'Arriving to-night.' That's enough." We paid for the message and walked back to the inn. Harris was there and the three of us walked up to Roncesvalles. We went through the monastery. "It's a remarkable place," Harris said, when we came out. "But you know I'm not much on those sort of places." "Me either," Bill said. "It's a remarkable place, though," Harris said. "I wouldn't not have seen it. I'd been intending coming up each day." "It isn't the same as fishing, though, is it?" Bill asked. He liked Harris. "I say not." We were standing in front of the old chapel of the monastery. "Isn't that a pub across the way?" Harris asked. "Or do my eyes deceive me?" "It has the look of a pub," Bill said. "It looks to me like a pub," I said. "I say," said Harris, "let's utilize it." He had taken up utilizing from Bill. We had a bottle of wine apiece. Harris would not let us pay. He talked Spanish quite well, and the innkeeper would not take our money. "I say. You don't know what it's meant to me to have you chaps up here." "We've had a grand time, Harris." Harris was a little tight. "I say. Really you don't know how much it means. I've not had much fun since the war." "We'll fish together again, some time. Don't you forget it, Harris." "We must. We _have_ had such a jolly good time." "How about another bottle around?" "Jolly good idea," said Harris. "This is mine," said Bill. "Or we don't drink it." "I wish you'd let me pay for it. It _does_ give me pleasure, you know." "This is going to give me pleasure," Bill said. The innkeeper brought in the fourth bottle. We had kept the same glasses. Harris lifted his glass. "I say. You know this does utilize well." Bill slapped him on the back. "Good old Harris." "I say. You know my name isn't really Harris. It's Wilson-Harris. All one name. With a hyphen, you know." "Good old Wilson-Harris," Bill said. "We call you Harris because we're so fond of you." "I say, Barnes. You don't know what this all means to me." "Come on and utilize another glass," I said. "Barnes. Really, Barnes, you can't know. That's all." "Drink up, Harris." We walked back down the road from Roncesvalles with Harris between us. We had lunch at the inn and Harris went with us to the bus. He gave us his card, with his address in London and his club and his business address, and as we got on the bus he handed us each an envelope. I opened mine and there were a dozen flies in it. Harris had tied them himself. He tied all his own flies. "I say, Harris--" I began. "No, no!" he said. He was climbing down from the bus. "They're not first-rate flies at all. I only thought if you fished them some time it might remind you of what a good time we had." The bus started. Harris stood in front of the post-office. He waved. As we started along the road he turned and walked back toward the inn. "Say, wasn't that Harris nice?" Bill said. "I think he really did have a good time." "Harris? You bet he did." "I wish he'd come into Pamplona." "He wanted to fish." "Yes. You couldn't tell how English would mix with each other, anyway." "I suppose not." We got into Pamplona late in the afternoon and the bus stopped in front of the Hotel Montoya. Out in the plaza they were stringing electric-light wires to light the plaza for the fiesta. A few kids came up when the bus stopped, and a customs officer for the town made all the people getting down from the bus open their bundles on the sidewalk. We went into the hotel and on the stairs I met Montoya. He shook hands with us, smiling in his embarrassed	rest with old friends of ours. We go to Montoya Hotel Pamplona Tuesday, arriving at I don't know what hour. Will you send a note by the bus to tell us what to do to rejoin you all on Wednesday. All our love and sorry to be late, but Brett was really done in and will be quite all right by Tues. and is practically so now. I know her so well and try to look after her but it's not so easy. Love to all the chaps, MICHAEL. "What day of the week is it?" I asked Harris. "Wednesday, I think. Yes, quite. Wednesday. Wonderful how one loses track of the days up here in the mountains." "Yes. We've been here nearly a week." "I hope you're not thinking of leaving?" "Yes. We'll go in on the afternoon bus, I'm afraid." "What a rotten business. I had hoped we'd all have another go at the Irati together." "We have to go _into_ Pamplona. We're meeting people there." "What rotten luck for me. We've had a jolly time here at Burguete." "Come on in to Pamplona. We can play some bridge there, and there's going to be a damned fine fiesta." "I'd like to. Awfully nice of you to ask me. I'd best stop on here, though. I've not much more time to fish." "You want those big ones in the Irati." "I say, I do, you know. They're enormous trout there." "I'd like to try them once more." "Do. Stop over another day. Be a good chap." "We really have to get into town," I said. "What a pity." After breakfast Bill and I were sitting warming in the sun on a bench out in front of the inn and talking it over. I saw a girl coming up the road from the centre of the town. She stopped in front of us and took a telegram out of the leather wallet that hung against her skirt. "Por ustedes?" I looked at it. The address was: "Barnes, Burguete."<\|quote\|>"Yes. It's for us."</\|quote\|>She brought out a book for me to sign, and I gave her a couple of coppers. The telegram was in Spanish: "Vengo Jueves Cohn." I handed it to Bill. "What does the word Cohn mean?" he asked. "What a lousy telegram!" I said. "He could send ten words for the same price." 'I come Thursday.' "That gives you a lot of dope, doesn't it?" "It gives you all the dope that's of interest to Cohn." "We're going in, anyway," I said. "There's no use trying to move Brett and Mike out here and back before the fiesta. Should we answer it?" "We might as well," said Bill. "There's no need for us to be snooty." We walked up to the post-office and asked for a telegraph blank. "What will we say?" Bill asked. "'Arriving to-night.' That's enough." We paid for the message and walked back to the inn. Harris was there and the three of us walked up to Roncesvalles. We went through the monastery. "It's a remarkable place," Harris said, when we came out. "But you know I'm not much on those sort of places." "Me either," Bill said. "It's a remarkable place, though," Harris said. "I wouldn't not have seen it. I'd been intending coming up each day." "It isn't the same as fishing, though, is it?" Bill asked. He liked Harris. "I say not." We were standing in front of the old chapel of the monastery. "Isn't that a pub across the way?" Harris asked. "Or do my	The Sun Also Rises
As a matter of fact, supper was a pleasant meal. Brett wore a black, sleeveless evening dress. She looked quite beautiful. Mike acted as though nothing had happened. I had to go up and bring Robert Cohn down. He was reserved and formal, and his face was still taut and sallow, but he cheered up finally. He could not stop looking at Brett. It seemed to make him happy. It must have been pleasant for him to see her looking so lovely, and know he had been away with her and that every one knew it. They could not take that away from him. Bill was very funny. So was Michael. They were good together. It was like certain dinners I remember from the war. There was much wine, an ignored tension, and a feeling of things coming that you could not prevent happening. Under the wine I lost the disgusted feeling and was happy. It seemed they were all such nice people. CHAPTER 14 I do not know what time I got to bed. I remember undressing, putting on a bathrobe, and standing out on the balcony. I knew I was quite drunk, and when I came in I put on the light over the head of the bed and started to read. I was reading a book by Turgenieff. Probably I read the same two pages over several times. It was one of the stories in "A Sportsman's Sketches." I had read it before, but it seemed quite new. The country became very clear and the feeling of pressure in my head seemed to loosen. I was very drunk and I did not want to shut my eyes because the room would go round and round. If I kept on reading that feeling would pass. I heard Brett and Robert Cohn come up the stairs. Cohn said good night outside the door and went on up to his room. I heard Brett go into the room next door. Mike was already in bed. He had come in with me an hour before. He woke as she came in, and they talked together. I heard them laugh. I turned off the light and tried to go to sleep. It was not necessary to read any more. I could shut my eyes without getting the wheeling sensation. But I could not sleep. There is no reason why because it is dark you should look at things differently from when it is light. The hell there isn't! I figured that all out once, and for six months I never slept with the electric light off. That was another bright idea. To hell with women, anyway. To hell with you, Brett Ashley. Women made such swell friends. Awfully swell. In the first place, you had to be in love with a woman to have a basis of friendship. I had been having Brett for a friend. I had not been thinking about her side of it. I had been getting something for nothing. That only delayed the presentation of the bill. The bill always came. That was one of the swell things you could count on. I thought I had paid for everything. Not like the woman pays and pays and pays. No idea of retribution or punishment. Just exchange of values. You gave up something and got something else. Or you worked for something. You paid some way for everything that was any good. I paid my way into enough things that I liked, so that I had a good time. Either you paid by learning about them, or by experience, or by taking chances, or by money. Enjoying living was learning to get your money's worth and knowing when you had it. You could get your money's worth. The world was a good place to buy in. It seemed like a fine philosophy. In five years, I thought, it will seem just as silly as all the other fine philosophies I've had. Perhaps that wasn't true, though. Perhaps as you went along you did learn something. I did not care what it was all about. All I wanted to know was how to live in it. Maybe if you found out how to live in it you learned from that what it was all about. I wished Mike would not behave so terribly to Cohn, though. Mike was a bad drunk. Brett was a good drunk. Bill was a good drunk. Cohn was never drunk. Mike was unpleasant after he passed a certain point. I liked to see him hurt Cohn. I wished he would not do it, though, because afterward it made me disgusted at myself. That was morality; things that made you disgusted afterward. No, that must be immorality. That was a large statement. What a lot of bilge I could think up at night. What rot, I could hear Brett say it. What rot! When you were with English you got into the habit of using English expressions in your thinking. The English spoken language--the upper classes, anyway--must have fewer words than the Eskimo. Of course I didn't know anything about the Eskimo. Maybe the Eskimo was a fine language. Say the Cherokee. I didn't know anything about the Cherokee, either. The English talked with inflected phrases. One phrase to mean everything. I liked them, though. I liked the way they talked. Take Harris. Still Harris was not the upper classes. I turned on the light again and read. I read the Turgenieff. I knew that now, reading it in the oversensitized state of my mind after much too much brandy, I would remember it somewhere, and afterward it would seem as though it had really happened to me. I would always have it. That was another good thing you paid for and then had. Some time along toward daylight I went to sleep. * * * * * The next two days in Pamplona were quiet, and there were no more rows. The town was getting ready for the fiesta. Workmen put up the gate-posts that were to shut off the side streets when the bulls were released from the corrals and came running through the streets in the morning on their way to the ring. The workmen dug holes and fitted in the timbers, each timber numbered for its regular place. Out on the plateau beyond the town employees of the bull-ring exercised picador horses, galloping them stiff-legged on the hard, sun-baked fields behind the bull-ring. The big gate of the bull-ring was open, and inside the amphitheatre was being swept. The ring was rolled and sprinkled, and carpenters replaced weakened or cracked planks in the barrera. Standing at the edge of the smooth rolled sand you could look up in the empty stands and see old women sweeping out the boxes. Outside, the fence that led from the last street of the town to the entrance of the bull-ring was already in place and made a long pen; the crowd would come running down with the bulls behind them on the morning of the day of the first bull-fight. Out across the plain, where the horse and cattle fair would be, some gypsies had camped under the trees. The wine and aguardiente sellers were putting up their booths. One booth advertised ANIS DEL TORO. The cloth sign hung against the planks in the hot sun. In the big square that was the centre of the town there was no change yet. We sat in the white wicker chairs on the terrasse of the caf and watched the motor-buses come in and unload peasants from the country coming in to the market, and we watched the buses fill up and start out with peasants sitting with their saddle-bags full of the things they had bought in the town. The tall gray motor-buses were the only life of the square except for the pigeons and the man with a hose who sprinkled the gravelled square and watered the streets. In the evening was the paseo. For an hour after dinner every one, all the good-looking girls, the officers from the garrison, all the fashionable people of the town, walked in the street on one side of the square while the caf tables filled with the regular after-dinner crowd. During the morning I usually sat in the caf and read the Madrid papers and then walked in the town or out into the country. Sometimes Bill went along. Sometimes he wrote in his room. Robert Cohn spent the mornings studying Spanish or trying to get a shave at the barber-shop. Brett and Mike never got up until noon. We all had a vermouth at the caf . It was a quiet life and no one was drunk. I went to church a couple of times, once with Brett. She said she wanted to hear me go to confession, but I told her that not only was it impossible but it was not as interesting as it sounded, and, besides, it would be in a language she did not know. We met Cohn as we came out of church, and although it was obvious he had followed us, yet he was very pleasant and nice, and we all three went for a walk out to the gypsy camp, and Brett had her fortune told. It was a good morning, there were high white clouds above the mountains. It had rained a little in the night and it was fresh and cool on the plateau, and there was a wonderful view. We all felt good and we felt healthy, and I felt quite friendly to Cohn. You could not be upset about anything on a day like that. That was the last day before the fiesta. CHAPTER 15 At noon of Sunday, the 6th of July, the fiesta exploded. There is no other way to describe it. People had been coming in all day from the country, but they were assimilated in the town and you did not notice them. The square was as quiet in the hot sun as on any other day. The peasants were in the outlying wine-shops. There they were drinking, getting ready for the fiesta. They had come in so recently from the plains and the hills that it was necessary that they make their shifting in values gradually. They could not start in paying caf prices. They got their money's worth in the wine-shops. Money still had a definite value in hours worked and bushels of grain sold. Late in the fiesta it would not matter what they paid, nor where they bought. Now on the day of the starting of the fiesta of San Fermin they had been in the wine-shops of the narrow streets of the town since early morning. Going down the streets in the morning on the way to mass in the cathedral, I heard them singing through the open doors of the shops. They were warming up. There were many people at the eleven o'clock mass. San Fermin is also a religious festival. I walked down the hill from the cathedral and up the street to the caf on the square. It was a little before noon. Robert Cohn and Bill were sitting at one of the tables. The marble-topped tables and the white wicker chairs were gone. They were replaced by cast-iron tables and severe folding chairs. The caf was like a battleship stripped for action. To-day the waiters did not leave you alone all morning to read without asking if you wanted to order something. A waiter came up as soon as I sat down.	No speaker	a pleasant meal." "Won't it?"<\|quote\|>As a matter of fact, supper was a pleasant meal. Brett wore a black, sleeveless evening dress. She looked quite beautiful. Mike acted as though nothing had happened. I had to go up and bring Robert Cohn down. He was reserved and formal, and his face was still taut and sallow, but he cheered up finally. He could not stop looking at Brett. It seemed to make him happy. It must have been pleasant for him to see her looking so lovely, and know he had been away with her and that every one knew it. They could not take that away from him. Bill was very funny. So was Michael. They were good together. It was like certain dinners I remember from the war. There was much wine, an ignored tension, and a feeling of things coming that you could not prevent happening. Under the wine I lost the disgusted feeling and was happy. It seemed they were all such nice people. CHAPTER 14 I do not know what time I got to bed. I remember undressing, putting on a bathrobe, and standing out on the balcony. I knew I was quite drunk, and when I came in I put on the light over the head of the bed and started to read. I was reading a book by Turgenieff. Probably I read the same two pages over several times. It was one of the stories in "A Sportsman's Sketches." I had read it before, but it seemed quite new. The country became very clear and the feeling of pressure in my head seemed to loosen. I was very drunk and I did not want to shut my eyes because the room would go round and round. If I kept on reading that feeling would pass. I heard Brett and Robert Cohn come up the stairs. Cohn said good night outside the door and went on up to his room. I heard Brett go into the room next door. Mike was already in bed. He had come in with me an hour before. He woke as she came in, and they talked together. I heard them laugh. I turned off the light and tried to go to sleep. It was not necessary to read any more. I could shut my eyes without getting the wheeling sensation. But I could not sleep. There is no reason why because it is dark you should look at things differently from when it is light. The hell there isn't! I figured that all out once, and for six months I never slept with the electric light off. That was another bright idea. To hell with women, anyway. To hell with you, Brett Ashley. Women made such swell friends. Awfully swell. In the first place, you had to be in love with a woman to have a basis of friendship. I had been having Brett for a friend. I had not been thinking about her side of it. I had been getting something for nothing. That only delayed the presentation of the bill. The bill always came. That was one of the swell things you could count on. I thought I had paid for everything. Not like the woman pays and pays and pays. No idea of retribution or punishment. Just exchange of values. You gave up something and got something else. Or you worked for something. You paid some way for everything that was any good. I paid my way into enough things that I liked, so that I had a good time. Either you paid by learning about them, or by experience, or by taking chances, or by money. Enjoying living was learning to get your money's worth and knowing when you had it. You could get your money's worth. The world was a good place to buy in. It seemed like a fine philosophy. In five years, I thought, it will seem just as silly as all the other fine philosophies I've had. Perhaps that wasn't true, though. Perhaps as you went along you did learn something. I did not care what it was all about. All I wanted to know was how to live in it. Maybe if you found out how to live in it you learned from that what it was all about. I wished Mike would not behave so terribly to Cohn, though. Mike was a bad drunk. Brett was a good drunk. Bill was a good drunk. Cohn was never drunk. Mike was unpleasant after he passed a certain point. I liked to see him hurt Cohn. I wished he would not do it, though, because afterward it made me disgusted at myself. That was morality; things that made you disgusted afterward. No, that must be immorality. That was a large statement. What a lot of bilge I could think up at night. What rot, I could hear Brett say it. What rot! When you were with English you got into the habit of using English expressions in your thinking. The English spoken language--the upper classes, anyway--must have fewer words than the Eskimo. Of course I didn't know anything about the Eskimo. Maybe the Eskimo was a fine language. Say the Cherokee. I didn't know anything about the Cherokee, either. The English talked with inflected phrases. One phrase to mean everything. I liked them, though. I liked the way they talked. Take Harris. Still Harris was not the upper classes. I turned on the light again and read. I read the Turgenieff. I knew that now, reading it in the oversensitized state of my mind after much too much brandy, I would remember it somewhere, and afterward it would seem as though it had really happened to me. I would always have it. That was another good thing you paid for and then had. Some time along toward daylight I went to sleep. * * * * * The next two days in Pamplona were quiet, and there were no more rows. The town was getting ready for the fiesta. Workmen put up the gate-posts that were to shut off the side streets when the bulls were released from the corrals and came running through the streets in the morning on their way to the ring. The workmen dug holes and fitted in the timbers, each timber numbered for its regular place. Out on the plateau beyond the town employees of the bull-ring exercised picador horses, galloping them stiff-legged on the hard, sun-baked fields behind the bull-ring. The big gate of the bull-ring was open, and inside the amphitheatre was being swept. The ring was rolled and sprinkled, and carpenters replaced weakened or cracked planks in the barrera. Standing at the edge of the smooth rolled sand you could look up in the empty stands and see old women sweeping out the boxes. Outside, the fence that led from the last street of the town to the entrance of the bull-ring was already in place and made a long pen; the crowd would come running down with the bulls behind them on the morning of the day of the first bull-fight. Out across the plain, where the horse and cattle fair would be, some gypsies had camped under the trees. The wine and aguardiente sellers were putting up their booths. One booth advertised ANIS DEL TORO. The cloth sign hung against the planks in the hot sun. In the big square that was the centre of the town there was no change yet. We sat in the white wicker chairs on the terrasse of the caf and watched the motor-buses come in and unload peasants from the country coming in to the market, and we watched the buses fill up and start out with peasants sitting with their saddle-bags full of the things they had bought in the town. The tall gray motor-buses were the only life of the square except for the pigeons and the man with a hose who sprinkled the gravelled square and watered the streets. In the evening was the paseo. For an hour after dinner every one, all the good-looking girls, the officers from the garrison, all the fashionable people of the town, walked in the street on one side of the square while the caf tables filled with the regular after-dinner crowd. During the morning I usually sat in the caf and read the Madrid papers and then walked in the town or out into the country. Sometimes Bill went along. Sometimes he wrote in his room. Robert Cohn spent the mornings studying Spanish or trying to get a shave at the barber-shop. Brett and Mike never got up until noon. We all had a vermouth at the caf . It was a quiet life and no one was drunk. I went to church a couple of times, once with Brett. She said she wanted to hear me go to confession, but I told her that not only was it impossible but it was not as interesting as it sounded, and, besides, it would be in a language she did not know. We met Cohn as we came out of church, and although it was obvious he had followed us, yet he was very pleasant and nice, and we all three went for a walk out to the gypsy camp, and Brett had her fortune told. It was a good morning, there were high white clouds above the mountains. It had rained a little in the night and it was fresh and cool on the plateau, and there was a wonderful view. We all felt good and we felt healthy, and I felt quite friendly to Cohn. You could not be upset about anything on a day like that. That was the last day before the fiesta. CHAPTER 15 At noon of Sunday, the 6th of July, the fiesta exploded. There is no other way to describe it. People had been coming in all day from the country, but they were assimilated in the town and you did not notice them. The square was as quiet in the hot sun as on any other day. The peasants were in the outlying wine-shops. There they were drinking, getting ready for the fiesta. They had come in so recently from the plains and the hills that it was necessary that they make their shifting in values gradually. They could not start in paying caf prices. They got their money's worth in the wine-shops. Money still had a definite value in hours worked and bushels of grain sold. Late in the fiesta it would not matter what they paid, nor where they bought. Now on the day of the starting of the fiesta of San Fermin they had been in the wine-shops of the narrow streets of the town since early morning. Going down the streets in the morning on the way to mass in the cathedral, I heard them singing through the open doors of the shops. They were warming up. There were many people at the eleven o'clock mass. San Fermin is also a religious festival. I walked down the hill from the cathedral and up the street to the caf on the square. It was a little before noon. Robert Cohn and Bill were sitting at one of the tables. The marble-topped tables and the white wicker chairs were gone. They were replaced by cast-iron tables and severe folding chairs. The caf was like a battleship stripped for action. To-day the waiters did not leave you alone all morning to read without asking if you wanted to order something. A waiter came up as soon as I sat down.</\|quote\|>"What are you drinking?" I	supper." "Yes. That will be a pleasant meal." "Won't it?"<\|quote\|>As a matter of fact, supper was a pleasant meal. Brett wore a black, sleeveless evening dress. She looked quite beautiful. Mike acted as though nothing had happened. I had to go up and bring Robert Cohn down. He was reserved and formal, and his face was still taut and sallow, but he cheered up finally. He could not stop looking at Brett. It seemed to make him happy. It must have been pleasant for him to see her looking so lovely, and know he had been away with her and that every one knew it. They could not take that away from him. Bill was very funny. So was Michael. They were good together. It was like certain dinners I remember from the war. There was much wine, an ignored tension, and a feeling of things coming that you could not prevent happening. Under the wine I lost the disgusted feeling and was happy. It seemed they were all such nice people. CHAPTER 14 I do not know what time I got to bed. I remember undressing, putting on a bathrobe, and standing out on the balcony. I knew I was quite drunk, and when I came in I put on the light over the head of the bed and started to read. I was reading a book by Turgenieff. Probably I read the same two pages over several times. It was one of the stories in "A Sportsman's Sketches." I had read it before, but it seemed quite new. The country became very clear and the feeling of pressure in my head seemed to loosen. I was very drunk and I did not want to shut my eyes because the room would go round and round. If I kept on reading that feeling would pass. I heard Brett and Robert Cohn come up the stairs. Cohn said good night outside the door and went on up to his room. I heard Brett go into the room next door. Mike was already in bed. He had come in with me an hour before. He woke as she came in, and they talked together. I heard them laugh. I turned off the light and tried to go to sleep. It was not necessary to read any more. I could shut my eyes without getting the wheeling sensation. But I could not sleep. There is no reason why because it is dark you should look at things differently from when it is light. The hell there isn't! I figured that all out once, and for six months I never slept with the electric light off. That was another bright idea. To hell with women, anyway. To hell with you, Brett Ashley. Women made such swell friends. Awfully swell. In the first place, you had to be in love with a woman to have a basis of friendship. I had been having Brett for a friend. I had not been thinking about her side of it. I had been getting something for nothing. That only delayed the presentation of the bill. The bill always came. That was one of the swell things you could count on. I thought I had paid for everything. Not like the woman pays and pays and pays. No idea of retribution or punishment. Just exchange of values. You gave up something and got something else. Or you worked for something. You paid some way for everything that was any good. I paid my way into enough things that I liked, so that I had a good time. Either you paid by learning about them, or by experience, or by taking chances, or by money. Enjoying living was learning to get your money's worth and knowing when you had it. You could get your money's worth. The world was a good place to buy in. It seemed like a fine philosophy. In five years, I thought, it will seem just as silly as all the other fine philosophies I've had. Perhaps that wasn't true, though. Perhaps as you went along you did learn something. I did not care what it was all about. All I wanted to know was how to live in it. Maybe if you found out how to live in it you learned from that what it was all about. I wished Mike would not behave so terribly to Cohn, though. Mike was a bad drunk. Brett was a good drunk. Bill was a good drunk. Cohn was never drunk. Mike was unpleasant after he passed a certain point. I liked to see him hurt Cohn. I wished he would not do it, though, because afterward it made me disgusted at myself. That was morality; things that made you disgusted afterward. No, that must be immorality. That was a large statement. What a lot of bilge I could think up at night. What rot, I could hear Brett say it. What rot! When you were with English you got into the habit of using English expressions in your thinking. The English spoken language--the upper classes, anyway--must have fewer words than the Eskimo. Of course I didn't know anything about the Eskimo. Maybe the Eskimo was a fine language. Say the Cherokee. I didn't know anything about the Cherokee, either. The English talked with inflected phrases. One phrase to mean everything. I liked them, though. I liked the way they talked. Take Harris. Still Harris was not the upper classes. I turned on the light again and read. I read the Turgenieff. I knew that now, reading it in the oversensitized state of my mind after much too much brandy, I would remember it somewhere, and afterward it would seem as though it had really happened to me. I would always have it. That was another good thing you paid for and then had. Some time along toward daylight I went to sleep. * * * * * The next two days in Pamplona were quiet, and there were no more rows. The town was getting ready for the fiesta. Workmen put up the gate-posts that were to shut off the side streets when the bulls were released from the corrals and came running through the streets in the morning on their way to the ring. The workmen dug holes and fitted in the timbers, each timber numbered for its regular place. Out on the plateau beyond the town employees of the bull-ring exercised picador horses, galloping them stiff-legged on the hard, sun-baked fields behind the bull-ring. The big gate of the bull-ring was open, and inside the amphitheatre was being swept. The ring was rolled and sprinkled, and carpenters replaced weakened or cracked planks in the barrera. Standing at the edge of the smooth rolled sand you could look up in the empty stands and see old women sweeping out the boxes. Outside, the fence that led from the last street of the town to the entrance of the bull-ring was already in place and made a long pen; the crowd would come running down with the bulls behind them on the morning of the day of the first bull-fight. Out across the plain, where the horse and cattle fair would be, some gypsies had camped under the trees. The wine and aguardiente sellers were putting up their booths. One booth advertised ANIS DEL TORO. The cloth sign hung against the planks in the hot sun. In the big square that was the centre of the town there was no change yet. We sat in the white wicker chairs on the terrasse of the caf and watched the motor-buses come in and unload peasants from the country coming in to the market, and we watched the buses fill up and start out with peasants sitting with their saddle-bags full of the things they had bought in the town. The tall gray motor-buses were the only life of the square except for the pigeons and the man with a hose who sprinkled the gravelled square and watered the streets. In the evening was the paseo. For an hour after dinner every one, all the good-looking girls, the officers from the garrison, all the fashionable people of the town, walked in the street on one side of the square while the caf tables filled with the regular after-dinner crowd. During the morning I usually sat in the caf and read the Madrid papers and then walked in the town or out into the country. Sometimes Bill went along. Sometimes he wrote in his room. Robert Cohn spent the mornings studying Spanish or trying to get a shave at the barber-shop. Brett and Mike never got up until noon. We all had a vermouth at the caf . It was a quiet life and no one was drunk. I went to church a couple of times, once with Brett. She said she wanted to hear me go to confession, but I told her that not only was it impossible but it was not as interesting as it sounded, and, besides, it would be in a language she did not know. We met Cohn as we came out of church, and although it was obvious he had followed us, yet he was very pleasant and nice, and we all three went for a walk out to the gypsy camp, and Brett had her fortune told. It was a good morning, there were high white clouds above the mountains. It had rained a little in the night and it was fresh and cool on the plateau, and there was a wonderful view. We all felt good and we felt healthy, and I felt quite friendly to Cohn. You could not be upset about anything on a day like that. That was the last day before the fiesta. CHAPTER 15 At noon of Sunday, the 6th of July, the fiesta exploded. There is no other way to describe it. People had been coming in all day from the country, but they were assimilated in the town and you did not notice them. The square was as quiet in the hot sun as on any other day. The peasants were in the outlying wine-shops. There they were drinking, getting ready for the fiesta. They had come in so recently from the plains and the hills that it was necessary that they make their shifting in values gradually. They could not start in paying caf prices. They got their money's worth in the wine-shops. Money still had a definite value in hours worked and bushels of grain sold. Late in the fiesta it would not matter what they paid, nor where they bought. Now on the day of the starting of the fiesta of San Fermin they had been in the wine-shops of the narrow streets of the town since early morning. Going down the streets in the morning on the way to mass in the cathedral, I heard them singing through the open doors of the shops. They were warming up. There were many people at the eleven o'clock mass. San Fermin is also a religious festival. I walked down the hill from the cathedral and up the street to the caf on the square. It was a little before noon. Robert Cohn and Bill were sitting at one of the tables. The marble-topped tables and the white wicker chairs were gone. They were replaced by cast-iron tables and severe folding chairs. The caf was like a battleship stripped for action. To-day the waiters did not leave you alone all morning to read without asking if you wanted to order something. A waiter came up as soon as I sat down.</\|quote\|>"What are you drinking?" I asked Bill and Robert. "Sherry,"	grand the way they bring them out." "To-morrow come the Miuras." "When does the fiesta start?" "Day after to-morrow." "We've got to keep Mike from getting so tight. That kind of stuff is terrible." "We'd better get cleaned up for supper." "Yes. That will be a pleasant meal." "Won't it?"<\|quote\|>As a matter of fact, supper was a pleasant meal. Brett wore a black, sleeveless evening dress. She looked quite beautiful. Mike acted as though nothing had happened. I had to go up and bring Robert Cohn down. He was reserved and formal, and his face was still taut and sallow, but he cheered up finally. He could not stop looking at Brett. It seemed to make him happy. It must have been pleasant for him to see her looking so lovely, and know he had been away with her and that every one knew it. They could not take that away from him. Bill was very funny. So was Michael. They were good together. It was like certain dinners I remember from the war. There was much wine, an ignored tension, and a feeling of things coming that you could not prevent happening. Under the wine I lost the disgusted feeling and was happy. It seemed they were all such nice people. CHAPTER 14 I do not know what time I got to bed. I remember undressing, putting on a bathrobe, and standing out on the balcony. I knew I was quite drunk, and when I came in I put on the light over the head of the bed and started to read. I was reading a book by Turgenieff. Probably I read the same two pages over several times. It was one of the stories in "A Sportsman's Sketches." I had read it before, but it seemed quite new. The country became very clear and the feeling of pressure in my head seemed to loosen. I was very drunk and I did not want to shut my eyes because the room would go round and round. If I kept on reading that feeling would pass. I heard Brett and Robert Cohn come up the stairs. Cohn said good night outside the door and went on up to his room. I heard Brett go into the room next door. Mike was already in bed. He had come in with me an hour before. He woke as she came in, and they talked together. I heard them laugh. I turned off the light and tried to go to sleep. It was not necessary to read any more. I could shut my eyes without getting the wheeling sensation. But I could not sleep. There is no reason why because it is dark you should look at things differently from when it is light. The hell there isn't! I figured that all out once, and for six months I never slept with the electric light off. That was another bright idea. To hell with women, anyway. To hell with you, Brett Ashley. Women made such swell friends. Awfully swell. In the first place, you had to be in love with a woman to have a basis of friendship. I had been having Brett for a friend. I had not been thinking about her side of it. I had been getting something for nothing. That only delayed the presentation of the bill. The bill always came. That was one of the swell things you could count on. I thought I had paid for everything. Not like the woman pays and pays and pays. No idea of retribution or punishment. Just exchange of values. You gave up something and got something else. Or you worked for something. You paid some way for everything that was any good. I paid my way into enough things that I liked, so that I had a good time. Either you paid by learning about them, or by experience, or by taking chances, or by money. Enjoying living was learning to get your money's worth and knowing when you had it. You could get your money's worth. The world was a good place to buy in. It seemed like a fine philosophy. In five years, I thought, it will seem just as silly as all the other fine philosophies I've had. Perhaps that wasn't true, though. Perhaps as you went along you did learn something. I did not care what it was all about. All I wanted to know was how to live in it. Maybe if you found out how to live in it you learned from that what it was all about. I wished Mike would not behave so terribly to Cohn, though. Mike was a bad drunk. Brett was a good drunk. Bill was a good drunk. Cohn was never drunk. Mike was unpleasant after he passed a certain point. I liked to see him hurt Cohn. I wished he would not do it, though, because afterward it made me disgusted at myself. That was morality; things that made you disgusted afterward. No, that must be immorality. That was a large statement. What a lot of bilge I could think up at night. What rot, I could hear Brett say it. What rot! When you were with English you got into the habit of using English expressions in your thinking. The English spoken language--the upper classes, anyway--must have fewer words than the Eskimo. Of course I didn't know anything about the Eskimo. Maybe the Eskimo was a fine language. Say the Cherokee. I didn't know anything about the Cherokee, either. The English talked with inflected phrases. One phrase to mean everything. I liked them, though. I liked the way they talked. Take Harris. Still Harris was not the upper classes. I turned on the light again and read. I read the Turgenieff. I knew that now, reading it in the oversensitized state of my mind after much too much brandy, I would remember it somewhere, and afterward it would seem as though it had really happened to me. I would always have it. That was another good thing you paid for and then had. Some time along toward daylight I went to sleep. * * * * * The next two days in Pamplona were quiet, and there were no more rows. The town was getting ready for the fiesta. Workmen put up the gate-posts that were to shut off the side streets when the bulls were released from the corrals and came running through the streets in the morning on their way to the ring. The workmen dug holes and fitted in the timbers, each timber numbered for its regular place. Out on the plateau beyond the town employees of the bull-ring exercised picador horses, galloping them stiff-legged on the hard, sun-baked fields behind the bull-ring. The big gate of the bull-ring was open, and inside the amphitheatre was being swept. The ring was rolled and sprinkled, and carpenters replaced weakened or cracked planks in the barrera. Standing at the edge of the smooth rolled sand you could look up in the empty stands and see old women sweeping out the boxes. Outside, the fence that led from the last street of the town to the entrance of the bull-ring was already in place and made a long pen; the crowd would come running down with the bulls behind them on the morning of the day of the first bull-fight. Out across the plain, where the horse and cattle fair would be, some gypsies had camped under the trees. The wine and aguardiente sellers were putting up their booths. One booth advertised ANIS DEL TORO. The cloth sign hung against the planks in the hot sun. In the big square that was the centre of the town there was no change yet. We sat in the white wicker chairs on the terrasse of the caf and watched the motor-buses come in and unload peasants from the country coming in to the market, and we watched the buses fill up and start out with peasants sitting with their saddle-bags full of the things they had bought in the town. The tall gray motor-buses were the only life of the square except for the pigeons and the man with a hose who sprinkled the gravelled square and watered the streets. In the evening was the paseo. For an hour after dinner every one, all the good-looking girls, the officers from the garrison, all the fashionable people of the town, walked in the street on one side of the square while the caf tables filled with the regular after-dinner crowd. During the morning I usually sat in the caf and read the Madrid papers and then walked in the town or out into the country. Sometimes Bill went along. Sometimes he wrote in his room. Robert Cohn spent the mornings studying Spanish or trying to get a shave at the barber-shop. Brett and Mike never got up until noon. We all had a vermouth at the caf . It was a quiet life and no one was drunk. I went to church a couple of times, once with Brett. She said she wanted to hear me go to confession, but I told her that not only was it impossible but it was not as interesting as it sounded, and, besides, it would be in a language she did not know. We met Cohn as we came out of church, and although it was obvious he had followed us, yet he was very pleasant and nice, and we all three went for a walk out to the gypsy camp, and Brett had her fortune told. It was a good morning, there were high white clouds above the mountains. It had rained a little in the night and it was fresh and cool on the plateau, and there was a wonderful view. We all felt good and we felt healthy, and I felt quite friendly to Cohn. You could not be upset about anything on a day like that. That was the last day before the fiesta. CHAPTER 15 At noon of Sunday, the 6th of July, the fiesta exploded. There is no other way to describe it. People had been coming in all day from the country, but they were assimilated in the town and you did not notice them. The square was as quiet in the hot sun as on any other day. The peasants were in the outlying wine-shops. There they were drinking, getting ready for the fiesta. They had come in so recently from the plains and the hills that it was necessary that they make their shifting in values gradually. They could not start in paying caf prices. They got their money's worth in the wine-shops. Money still had a definite value in hours worked and bushels of grain sold. Late in the fiesta it would not matter what they paid, nor where they bought. Now on the day of the starting of the fiesta of San Fermin they had been in the wine-shops of the narrow streets of the town since early morning. Going down the streets in the morning on the way to mass in the cathedral, I heard them singing through the open doors of the shops. They were warming up. There were many people at the eleven o'clock mass. San Fermin is also a religious festival. I walked down the hill from the cathedral and up the street to the caf on the square. It was a little before noon. Robert Cohn and Bill were sitting at one of the tables. The marble-topped tables and the white wicker chairs were gone. They were replaced by cast-iron tables and severe folding chairs. The caf was like a battleship stripped for action. To-day the waiters did not leave you alone all morning to read without asking if you wanted to order something. A waiter came up as soon as I sat down.</\|quote\|>"What are you drinking?" I asked Bill and Robert. "Sherry," Cohn said. "Jerez," I said to the waiter. Before the waiter brought the sherry the rocket that announced the fiesta went up in the square. It burst and there was a gray ball of smoke high up above the Theatre	to the caf ." "He sobered up afterward." "Good. He was terrible. I don't like Cohn, God knows, and I think it was a silly trick for him to go down to San Sebastian, but nobody has any business to talk like Mike." "How'd you like the bulls?" "Grand. It's grand the way they bring them out." "To-morrow come the Miuras." "When does the fiesta start?" "Day after to-morrow." "We've got to keep Mike from getting so tight. That kind of stuff is terrible." "We'd better get cleaned up for supper." "Yes. That will be a pleasant meal." "Won't it?"<\|quote\|>As a matter of fact, supper was a pleasant meal. Brett wore a black, sleeveless evening dress. She looked quite beautiful. Mike acted as though nothing had happened. I had to go up and bring Robert Cohn down. He was reserved and formal, and his face was still taut and sallow, but he cheered up finally. He could not stop looking at Brett. It seemed to make him happy. It must have been pleasant for him to see her looking so lovely, and know he had been away with her and that every one knew it. They could not take that away from him. Bill was very funny. So was Michael. They were good together. It was like certain dinners I remember from the war. There was much wine, an ignored tension, and a feeling of things coming that you could not prevent happening. Under the wine I lost the disgusted feeling and was happy. It seemed they were all such nice people. CHAPTER 14 I do not know what time I got to bed. I remember undressing, putting on a bathrobe, and standing out on the balcony. I knew I was quite drunk, and when I came in I put on the light over the head of the bed and started to read. I was reading a book by Turgenieff. Probably I read the same two pages over several times. It was one of the stories in "A Sportsman's Sketches." I had read it before, but it seemed quite new. The country became very clear and the feeling of pressure in my head seemed to loosen. I was very drunk and I did not want to shut my eyes because the room would go round and round. If I kept on reading that feeling would pass. I heard Brett and Robert Cohn come up the stairs. Cohn said good night outside the door and went on up to his room. I heard Brett go into the room next door. Mike was already in bed. He had come in with me an hour before. He woke as she came in, and they talked together. I heard them laugh. I turned off the light and tried to go to sleep. It was not necessary to read any more. I could shut my eyes without getting the wheeling sensation. But I could not sleep. There is no reason why because it is dark you should look at things differently from when it is light. The hell there isn't! I figured that all out once, and for six months I never slept with the electric light off. That was another bright idea. To hell with women, anyway. To hell with you, Brett Ashley. Women made such swell friends. Awfully swell. In the first place, you had to be in love with a woman to have a basis of friendship. I had been having Brett for a friend. I had not been thinking about her side of it. I had been getting something for nothing. That only delayed the presentation of the bill. The bill always came. That was one of the swell things you could count on. I thought I had paid for everything. Not like the woman pays and pays and pays. No idea of retribution or punishment. Just exchange of values. You gave up something and got something else. Or you worked for something. You paid some way for everything that was any good. I paid my way into enough things that I liked, so that I had a good time. Either you paid by learning about them, or by experience, or by taking chances, or by money. Enjoying living was learning to get your money's worth and knowing when you had it. You could get your money's worth. The world was a good place to buy in. It seemed like a fine philosophy. In five years, I thought, it will seem just as silly as all the other fine philosophies I've had. Perhaps that wasn't true, though. Perhaps as you went along you did learn something. I did not care what it was all about. All I wanted to know was how to live in it. Maybe if you found out how to live in it you learned from that what it was all about. I wished Mike would not behave so terribly to Cohn, though. Mike was a bad drunk. Brett was a good drunk. Bill was a good drunk. Cohn was never drunk. Mike was unpleasant after he passed a certain point. I liked to see him hurt Cohn. I wished he would not do it, though, because afterward it made me disgusted at myself. That was morality; things that made you disgusted afterward. No, that must be immorality. That was a large statement. What a lot of bilge I could think up at night. What rot, I could hear Brett say it. What rot! When you were with English you got into the habit of using English expressions in your thinking. The English spoken language--the upper classes, anyway--must have fewer words than the Eskimo. Of course I didn't know anything about the Eskimo. Maybe the Eskimo was a fine language. Say the Cherokee. I didn't know anything about the Cherokee, either. The English talked with inflected phrases. One phrase to mean everything. I liked them, though. I liked the way they talked. Take Harris. Still Harris was not the upper classes. I turned on the light again and read. I read the Turgenieff. I knew that now, reading it in the oversensitized state of my mind after much too much brandy, I would remember it somewhere, and afterward it would seem as though it had really happened to me. I would always have it. That was another good thing you paid for and then had. Some time along toward daylight I went to sleep. * * * * * The next two days in Pamplona were quiet, and there were no more rows. The town was getting ready for the fiesta. Workmen put up the gate-posts that were to shut off the side streets when the bulls were released from the corrals and came running through the streets in the morning on their way to the ring. The workmen dug holes and fitted in the timbers, each timber numbered for its regular place. Out on the plateau beyond the town employees of the bull-ring exercised picador horses, galloping them stiff-legged on the hard, sun-baked fields behind the bull-ring. The big gate of the bull-ring was open, and inside the amphitheatre was being swept. The ring was rolled and sprinkled, and carpenters replaced weakened or cracked planks in the barrera. Standing at the edge of the smooth rolled sand you could look up in the empty stands and see old women sweeping out the boxes. Outside, the fence that led from the last street of the town to the entrance of the bull-ring was already in place and made a long pen; the crowd would come running down with the bulls behind them on the morning of the day of the first bull-fight. Out across the plain, where the horse and cattle fair would be, some gypsies had camped under the trees. The wine and aguardiente sellers were putting up their booths. One booth advertised ANIS DEL TORO. The cloth sign hung against the planks in the hot sun. In the big square that was the centre of the town there was no change yet. We sat in the white wicker chairs on the terrasse of the caf and watched the motor-buses come in and unload peasants from the country coming in to the market, and we watched the buses fill up and start out with peasants sitting with their saddle-bags full of the things they had bought in the town. The tall gray motor-buses were the only life of the square except for the pigeons and the man with a hose who sprinkled the gravelled square and watered the streets. In the evening was the paseo. For an hour after dinner every one, all the good-looking girls, the officers from the garrison, all the fashionable people of the town, walked in the street on one side of the square while the caf tables filled with the regular after-dinner crowd. During the morning I usually sat in the caf and read the Madrid papers and then walked in the town or out into the country. Sometimes Bill went along. Sometimes he wrote in his room. Robert Cohn spent the mornings studying Spanish or trying to get a shave at the barber-shop. Brett and Mike never got up until noon. We all had a vermouth at the caf . It was a quiet life and no one was drunk. I went to church a couple of times, once with Brett. She said she wanted to hear me go to confession, but I told her that not only was it impossible but it was not as interesting as it sounded, and, besides, it would be in a language she did not know. We met Cohn as we came out of church, and although it was obvious he had followed us, yet he was very pleasant and nice, and we all three went for a walk out to the gypsy camp, and Brett had her fortune told. It was a good morning, there were high white clouds above the mountains. It had rained a little in the night and it was fresh and cool on the plateau, and there was a wonderful view. We all felt good and we felt healthy, and I felt quite friendly to Cohn. You could not be upset about anything on a day like that. That was the last day before the fiesta. CHAPTER 15 At noon of Sunday, the 6th of July, the fiesta exploded. There is no other way to describe it. People had been coming in all day from the country, but they were assimilated in the town and you did not notice them. The square was as quiet in the hot sun as on any other day. The peasants were in the outlying wine-shops. There they were drinking, getting ready for the fiesta. They had come in so recently from the plains and the hills that it was necessary that they make their shifting in values gradually. They could not start in paying caf prices. They got their money's worth in the wine-shops. Money still had a definite value in hours worked and bushels of grain sold. Late in the fiesta it would not matter what they paid, nor where they bought. Now on the day of the starting of the fiesta of San Fermin they had been in the wine-shops of the narrow streets of the town since early morning. Going down the streets in the morning on the way to mass in the cathedral, I heard them singing through the open doors of the shops. They were warming up. There were many people at the eleven o'clock mass. San Fermin is also a religious festival. I walked down the hill from the cathedral and up the street to the caf on the square. It was a little before noon. Robert Cohn and Bill were sitting at one of the tables. The marble-topped tables and the white wicker chairs were gone. They were replaced by cast-iron tables and severe folding chairs. The caf was like a battleship stripped for action. To-day the waiters did not leave you alone all morning to read without asking if you wanted to order something. A waiter came up as soon as I sat down.</\|quote\|>"What are you drinking?" I asked Bill and Robert. "Sherry," Cohn said. "Jerez," I said to the waiter. Before the waiter brought the sherry the rocket that announced the fiesta went up in the square. It burst and there was a gray ball of smoke high up above the Theatre Gayarre, across on the other side of the plaza. The ball of smoke hung in the sky like a shrapnel burst, and as I watched, another rocket came up to it, trickling smoke in the bright sunlight. I saw the bright flash as it burst and another little cloud of	didn't you like about them?" "I don't know. They just didn't give me the feeling that they were so good." "I know what you mean." "They're all right." "Yes. They're all right." "How did your friends like them?" "Fine." "Good," Montoya said. I went up-stairs. Bill was in his room standing on the balcony looking out at the square. I stood beside him. "Where's Cohn?" "Up-stairs in his room." "How does he feel?" "Like hell, naturally. Mike was awful. He's terrible when he's tight." "He wasn't so tight." "The hell he wasn't. I know what we had before we came to the caf ." "He sobered up afterward." "Good. He was terrible. I don't like Cohn, God knows, and I think it was a silly trick for him to go down to San Sebastian, but nobody has any business to talk like Mike." "How'd you like the bulls?" "Grand. It's grand the way they bring them out." "To-morrow come the Miuras." "When does the fiesta start?" "Day after to-morrow." "We've got to keep Mike from getting so tight. That kind of stuff is terrible." "We'd better get cleaned up for supper." "Yes. That will be a pleasant meal." "Won't it?"<\|quote\|>As a matter of fact, supper was a pleasant meal. Brett wore a black, sleeveless evening dress. She looked quite beautiful. Mike acted as though nothing had happened. I had to go up and bring Robert Cohn down. He was reserved and formal, and his face was still taut and sallow, but he cheered up finally. He could not stop looking at Brett. It seemed to make him happy. It must have been pleasant for him to see her looking so lovely, and know he had been away with her and that every one knew it. They could not take that away from him. Bill was very funny. So was Michael. They were good together. It was like certain dinners I remember from the war. There was much wine, an ignored tension, and a feeling of things coming that you could not prevent happening. Under the wine I lost the disgusted feeling and was happy. It seemed they were all such nice people. CHAPTER 14 I do not know what time I got to bed. I remember undressing, putting on a bathrobe, and standing out on the balcony. I knew I was quite drunk, and when I came in I put on the light over the head of the bed and started to read. I was reading a book by Turgenieff. Probably I read the same two pages over several times. It was one of the stories in "A Sportsman's Sketches." I had read it before, but it seemed quite new. The country became very clear and the feeling of pressure in my head seemed to loosen. I was very drunk and I did not want to shut my eyes because the room would go round and round. If I kept on reading that feeling would pass. I heard Brett and Robert Cohn come up the stairs. Cohn said good night outside the door and went on up to his room. I heard Brett go into the room next door. Mike was already in bed. He had come in with me an hour before. He woke as she came in, and they talked together. I heard them laugh. I turned off the light and tried to go to sleep. It was not necessary to read any more. I could shut my eyes without getting the wheeling sensation. But I could not sleep. There is no reason why because it is dark you should look at things differently from when it is light. The hell there isn't! I figured that all out once, and for six months I never slept with the electric light off. That was another bright idea. To hell with women, anyway. To hell with you, Brett Ashley. Women made such swell friends. Awfully swell. In the first place, you had to be in love with a woman to have a basis of friendship. I had been having Brett for a friend. I had not been thinking about her side of it. I had been getting something for nothing. That only delayed the presentation of the bill. The bill always came. That was one of the swell things you could count on. I thought I had paid for everything. Not like the woman pays and pays and pays. No idea of retribution or punishment. Just exchange of values. You gave up something and got something else. Or you worked for something. You paid some way for everything that was any good. I paid my way into enough things that I liked, so that I had a good time. Either you paid by learning about them, or by experience, or by taking chances, or by money. Enjoying living was learning to get your money's worth and knowing when you had it. You could get your money's worth. The world was a good place to buy in. It seemed like a fine philosophy. In five years, I thought, it will seem just as silly as all the other fine philosophies I've had. Perhaps that wasn't true, though. Perhaps as you went along you did learn something. I did not care what it was all about. All I wanted to know was how to live in it. Maybe if you found out how to live in it you learned from that what it was all about. I wished Mike would not behave so terribly to Cohn, though. Mike was a bad drunk. Brett was a good drunk. Bill was a good drunk. Cohn was never drunk. Mike was unpleasant after he passed a certain point. I liked to see him hurt Cohn. I wished he would not do it, though, because afterward it made me disgusted at myself. That was morality; things that made you disgusted afterward. No, that must be immorality. That was a large statement. What a lot of bilge I could think up at night. What rot, I could hear Brett say it. What rot! When you were with English you got into the habit of using English expressions in your thinking. The English spoken language--the upper classes, anyway--must have fewer words than the Eskimo. Of course I didn't know anything about the Eskimo. Maybe the Eskimo was a fine language. Say the Cherokee. I didn't know anything about the Cherokee, either. The English talked with inflected phrases. One phrase to mean everything. I liked them, though. I liked the way they talked. Take Harris. Still Harris was not the upper classes. I turned on the light again and read. I read the Turgenieff. I knew that now, reading it in the oversensitized state of my mind after much too much brandy, I would remember it somewhere, and afterward it would seem as though it had really happened to me. I would always have it. That was another good thing you paid for and then had. Some time along toward daylight I went to sleep. * * * * * The next two days in Pamplona were quiet, and there were no more rows. The town was getting ready for the fiesta. Workmen put up the gate-posts that were to shut off the side streets when the bulls were released from the corrals and came running through the streets in the morning on their way to the ring. The workmen dug holes and fitted in the timbers, each timber numbered for its regular place. Out on the plateau beyond the town employees of the bull-ring exercised picador horses, galloping them stiff-legged on the hard, sun-baked fields behind the bull-ring. The big gate of the bull-ring was open, and inside the amphitheatre was being swept. The ring was rolled and sprinkled, and carpenters replaced weakened or cracked planks in the barrera. Standing at the edge of the smooth rolled sand you could look up in the empty stands and see old women sweeping out the boxes. Outside, the fence that led from the last street of the town to the entrance of the bull-ring was already in place and made a long pen; the crowd would come running down with the bulls behind them on the morning of the day of the first bull-fight. Out across the plain, where the horse and cattle fair would be, some gypsies had camped under the trees. The wine and aguardiente sellers were putting up their booths. One booth advertised ANIS DEL TORO. The cloth sign hung against the planks in the hot sun. In the big square that was the centre of the town there was no change yet. We sat in the white wicker chairs on the terrasse of the caf and watched the motor-buses come in and unload peasants from the country coming in to the market, and we watched the buses fill up and start out with peasants sitting with their saddle-bags full of the things they had bought in the town. The tall gray motor-buses were the only life of the square except for the pigeons and the man with a hose who sprinkled the gravelled square and watered the streets. In the evening was the paseo. For an hour after dinner every one, all the good-looking girls, the officers from the garrison, all the fashionable people of the town, walked in the street on one side of the square while the caf tables filled with the regular after-dinner crowd. During the morning I usually sat in the caf and read the Madrid papers and then walked in the town or out into the country. Sometimes Bill went along. Sometimes he wrote in his room. Robert Cohn spent the mornings studying Spanish or trying to get a shave at the barber-shop. Brett and Mike never got up until noon. We all had a vermouth at the caf . It was a quiet life and no one was drunk. I went to church a couple of times, once with Brett. She said she wanted to hear me go to confession, but I told her that not only was it impossible but it was not as interesting as it sounded, and, besides, it would be in a language she did not know. We met Cohn as we came out of church, and although it was obvious he had followed us, yet he was very pleasant and nice, and we all three went for a walk out to the gypsy camp, and Brett had her fortune told. It was a good morning, there were high white clouds above the mountains. It had rained a little in the night and it was fresh and cool on the plateau, and there was a wonderful view. We all felt good and we felt healthy, and I felt quite friendly to Cohn. You could not be upset about anything on a day like that. That was the last day before the fiesta. CHAPTER 15 At noon of Sunday, the 6th of July, the fiesta exploded. There is no other way to describe it. People had been coming in all day from the country, but they were assimilated in the town and you did not notice them. The square was as quiet in the hot sun as on any other day. The peasants were in the outlying wine-shops. There they were drinking, getting ready for the fiesta. They had come in so recently from the plains and the hills that it was necessary that they make their shifting in values gradually. They could not start in paying caf prices. They got their money's worth in the wine-shops. Money still had a definite value in hours worked and bushels of grain sold. Late in the fiesta it would not matter what they paid, nor where they bought. Now on the day of the starting of the fiesta of San Fermin they had been in the wine-shops of the narrow streets of the town since early morning. Going down the streets in the morning on the way to mass in the cathedral, I heard them singing through the open doors of the shops. They were warming up. There were many people at the eleven o'clock mass. San Fermin is also a religious festival. I walked down the hill from the cathedral and up the street to the caf on the square. It was a little before noon. Robert Cohn and Bill were sitting at one of the tables. The marble-topped tables and the white wicker chairs were gone. They were replaced by cast-iron tables and severe folding chairs. The caf was like a battleship stripped for action. To-day the waiters did not leave you alone all morning to read without asking if you wanted to order something. A waiter came up as soon as I sat down.</\|quote\|>"What are you drinking?" I asked Bill and Robert. "Sherry," Cohn said. "Jerez," I said to the waiter. Before the waiter brought the sherry the rocket that announced the fiesta went up in the square. It burst and there was a gray ball of smoke high up above the Theatre Gayarre, across on the other side of the plaza. The ball of smoke hung in the sky like a shrapnel burst, and as I watched, another rocket came up to it, trickling smoke in the bright sunlight. I saw the bright flash as it burst and another little cloud of smoke appeared. By the time the second rocket had burst there were so many people in the arcade, that had been empty a minute before, that the waiter, holding the bottle high up over his head, could hardly get through the crowd to our table. People were coming into the square from all sides, and down the street we heard the pipes and the fifes and the drums coming. They were playing the _riau-riau_ music, the pipes shrill and the drums pounding, and behind them came the men and boys dancing. When the fifers stopped they all crouched down in	I wish I were one of these literary chaps." "He'd be good, you know," Brett said. "He writes a good letter." "I know," I said. "He wrote me from San Sebastian." "That was nothing," Brett said. "He can write a damned amusing letter." "She made me write that. She was supposed to be ill." "I damned well was, too." "Come on," I said, "we must go in and eat." "How should I meet Cohn?" Mike said. "Just act as though nothing had happened." "It's quite all right with me," Mike said. "I'm not embarrassed." "If he says anything, just say you were tight." "Quite. And the funny thing is I think I was tight." "Come on," Brett said. "Are these poisonous things paid for? I must bathe before dinner." We walked across the square. It was dark and all around the square were the lights from the caf s under the arcades. We walked across the gravel under the trees to the hotel. They went up-stairs and I stopped to speak with Montoya. "Well, how did you like the bulls?" he asked. "Good. They were nice bulls." "They're all right" "--Montoya shook his head--" "but they're not too good." "What didn't you like about them?" "I don't know. They just didn't give me the feeling that they were so good." "I know what you mean." "They're all right." "Yes. They're all right." "How did your friends like them?" "Fine." "Good," Montoya said. I went up-stairs. Bill was in his room standing on the balcony looking out at the square. I stood beside him. "Where's Cohn?" "Up-stairs in his room." "How does he feel?" "Like hell, naturally. Mike was awful. He's terrible when he's tight." "He wasn't so tight." "The hell he wasn't. I know what we had before we came to the caf ." "He sobered up afterward." "Good. He was terrible. I don't like Cohn, God knows, and I think it was a silly trick for him to go down to San Sebastian, but nobody has any business to talk like Mike." "How'd you like the bulls?" "Grand. It's grand the way they bring them out." "To-morrow come the Miuras." "When does the fiesta start?" "Day after to-morrow." "We've got to keep Mike from getting so tight. That kind of stuff is terrible." "We'd better get cleaned up for supper." "Yes. That will be a pleasant meal." "Won't it?"<\|quote\|>As a matter of fact, supper was a pleasant meal. Brett wore a black, sleeveless evening dress. She looked quite beautiful. Mike acted as though nothing had happened. I had to go up and bring Robert Cohn down. He was reserved and formal, and his face was still taut and sallow, but he cheered up finally. He could not stop looking at Brett. It seemed to make him happy. It must have been pleasant for him to see her looking so lovely, and know he had been away with her and that every one knew it. They could not take that away from him. Bill was very funny. So was Michael. They were good together. It was like certain dinners I remember from the war. There was much wine, an ignored tension, and a feeling of things coming that you could not prevent happening. Under the wine I lost the disgusted feeling and was happy. It seemed they were all such nice people. CHAPTER 14 I do not know what time I got to bed. I remember undressing, putting on a bathrobe, and standing out on the balcony. I knew I was quite drunk, and when I came in I put on the light over the head of the bed and started to read. I was reading a book by Turgenieff. Probably I read the same two pages over several times. It was one of the stories in "A Sportsman's Sketches." I had read it before, but it seemed quite new. The country became very clear and the feeling of pressure in my head seemed to loosen. I was very drunk and I did not want to shut my eyes because the room would go round and round. If I kept on reading that feeling would pass. I heard Brett and Robert Cohn come up the stairs. Cohn said good night outside the door and went on up to his room. I heard Brett go into the room next door. Mike was already in bed. He had come in with me an hour before. He woke as she came in, and they talked together. I heard them laugh. I turned off the light and tried to go to sleep. It was not necessary to read any more. I could shut my eyes without getting the wheeling sensation. But I could not sleep. There is no reason why because it is dark you should look at things differently from when it is light. The hell there isn't! I figured that all out once, and for six months I never slept with the electric light off. That was another bright idea. To hell with women, anyway. To hell with you, Brett Ashley. Women made such swell friends. Awfully swell. In the first place, you had to be in love with a woman to have a basis of friendship. I had been having Brett for a friend. I had not been thinking about her side of it. I had been getting something for nothing. That only delayed the presentation of the bill. The bill always came. That was one of the swell things you could count on. I thought I had paid for everything. Not like the woman pays and pays and pays. No idea of retribution or punishment. Just exchange of values. You gave up something and got something else. Or you worked for something. You paid some way for everything that was any good. I paid my way into enough things that I liked, so that I had a good time. Either you paid by learning about them, or by experience, or by taking chances, or by money. Enjoying living was learning to get your money's worth and knowing when you had it. You could get your money's worth. The world was a good place to buy in. It seemed like a fine philosophy. In five years, I thought, it will seem just as silly as all the other fine philosophies I've had. Perhaps that wasn't true, though. Perhaps as you went along you did learn something. I did not care what it was all about. All I wanted to know was how to live in it. Maybe if you found out how to live in it you learned from that what it was all about. I wished Mike would not behave so terribly to Cohn, though. Mike was a bad drunk. Brett was a good drunk. Bill was a good drunk. Cohn was never drunk. Mike was unpleasant after he passed a certain point. I liked to see him hurt Cohn. I wished he would not do it, though, because afterward it made me disgusted at myself. That was morality; things that made you disgusted afterward. No, that must be immorality. That was a large statement. What a lot of bilge I could think up at night. What rot, I could hear Brett say it. What rot! When you were with English you got into the habit of using English expressions in your thinking. The English spoken language--the upper classes, anyway--must have fewer words than the Eskimo. Of course I didn't know anything about the Eskimo. Maybe the Eskimo was a fine language. Say the Cherokee. I didn't know anything about the Cherokee, either. The English talked with inflected phrases. One phrase to mean everything. I liked them, though. I liked the way they talked. Take Harris. Still Harris was not the upper classes. I turned on the light again and read. I read the Turgenieff. I knew that now, reading it in the oversensitized state of my mind after much too much brandy, I would remember it somewhere, and afterward it would seem as though it had really happened to me. I would always have it. That was another good thing you paid for and then had. Some time along toward daylight I went to sleep. * * * * * The next two days in Pamplona were quiet, and there were no more rows. The town was getting ready for the fiesta. Workmen put up the gate-posts that were to shut off the side streets when the bulls were released from the corrals and came running through the streets in the morning on their way to the ring. The workmen dug holes and fitted in the timbers, each timber numbered for its regular place. Out on the plateau beyond the town employees of the bull-ring exercised picador horses, galloping them stiff-legged on the hard, sun-baked fields behind the bull-ring. The big gate of the bull-ring was open, and inside the amphitheatre was being swept. The ring was rolled and sprinkled, and carpenters replaced weakened or cracked planks in the barrera. Standing at the edge of the smooth rolled sand you could look up in the empty stands and see old women sweeping out the boxes. Outside, the fence that led from the last street of the town to the entrance of the bull-ring was already in place and made a long pen; the crowd would come running down with the bulls behind them on the morning of the day of the first bull-fight. Out across the plain, where the horse and cattle fair would be, some gypsies had camped under the trees. The wine and aguardiente sellers were putting up their booths. One booth advertised ANIS DEL TORO. The cloth sign hung against the planks in the hot sun. In the big square that was the centre of the town there was no change yet. We sat in the white wicker chairs on the terrasse of the caf and watched the motor-buses come in and unload peasants from the country coming in to the market, and we watched the buses fill up and start out with peasants sitting with their saddle-bags full of the things they had bought in the town. The tall gray motor-buses were the only life of the square except for the pigeons and the man with a hose who sprinkled the gravelled square and watered the streets. In the evening was the paseo. For an hour after dinner every one, all the good-looking girls, the officers from the garrison, all the fashionable people of the town, walked in the street on one side of the square while the caf tables filled with the regular after-dinner crowd. During the morning I usually sat in the caf and read the Madrid papers and then walked in the town or out into the country. Sometimes Bill went along. Sometimes he wrote in his room. Robert Cohn spent the mornings studying Spanish or trying to get a shave at the barber-shop. Brett and Mike never got up until noon. We all had a vermouth at the caf . It was a quiet life and no one was drunk. I went to church a couple of times, once with Brett. She said she wanted to hear me go to confession, but I told her that not only was it impossible but it was not as interesting as it sounded, and, besides, it would be in a language she did not know. We met Cohn as we came out of church, and although it was obvious he had followed us, yet he was very pleasant and nice, and we all three went for a walk out to the gypsy camp, and Brett had her fortune told. It was a good morning, there were high white clouds above the mountains. It had rained a little in the night and it was fresh and cool on the plateau, and there was a wonderful view. We all felt good and we felt healthy, and I felt quite friendly to Cohn. You could not be upset about anything on a day like that. That was the last day before the fiesta. CHAPTER 15 At noon of Sunday, the 6th of July, the fiesta exploded. There is no other way to describe it. People had been coming in all day from the country, but they were assimilated in the town and you did not notice them. The square was as quiet in the hot sun as on any other day. The peasants were in the outlying wine-shops. There they were drinking, getting ready for the fiesta. They had come in so recently from the plains and the hills that it was necessary that they make their shifting in values gradually. They could not start in paying caf prices. They got their money's worth in the wine-shops. Money still had a definite value in hours worked and bushels of grain sold. Late in the fiesta it would not matter what they paid, nor where they bought. Now on the day of the starting of the fiesta of San Fermin they had been in the wine-shops of the narrow streets of the town since early morning. Going down the streets in the morning on the way to mass in the cathedral, I heard them singing through the open doors of the shops. They were warming up. There were many people at the eleven o'clock mass. San Fermin is also a religious festival. I walked down the hill from the cathedral and up the street to the caf on the square. It was a little before noon. Robert Cohn and Bill were sitting at one of the tables. The marble-topped tables and the white wicker chairs were gone. They were replaced by cast-iron tables and severe folding chairs. The caf was like a battleship stripped for action. To-day the waiters did not leave you alone all morning to read without asking if you wanted to order something. A waiter came up as soon as I sat down.</\|quote\|>"What are you drinking?" I asked Bill and Robert. "Sherry," Cohn said. "Jerez," I said to the waiter. Before the waiter brought the sherry the rocket that announced the fiesta went up in the square. It burst and there was a gray ball of smoke high up above the Theatre Gayarre, across on the other side of the plaza. The ball of smoke hung in the sky like a shrapnel burst, and as I watched, another rocket came up to it, trickling smoke in the bright sunlight. I saw the bright flash as it burst and another little cloud of smoke appeared. By the time the second rocket had burst there were so many people in the arcade, that had been empty a minute before, that the waiter, holding the bottle high up over his head, could hardly get through the crowd to our table. People were coming into the square from all sides, and down the street we heard the pipes and the fifes and the drums coming. They were playing the _riau-riau_ music, the pipes shrill and the drums pounding, and behind them came the men and boys dancing. When the fifers stopped they all crouched down in the street, and when the reed-pipes and the fifes shrilled, and the flat, dry, hollow drums tapped it out again, they all went up in the air dancing. In the crowd you saw only the heads and shoulders of the dancers going up and down. In the square a man, bent over, was playing on a reed-pipe, and a crowd of children were following him shouting, and pulling at his clothes. He came out of the square, the children following him, and piped them past the caf and down a side street. We saw his blank pockmarked face as he went by, piping, the children close behind him shouting and pulling at him. "He must be the village idiot," Bill said. "My God! look at that!" Down the street came dancers. The street was solid with dancers, all men. They were all dancing in time behind their own fifers and drummers. They were a club of some sort, and all wore workmen's blue smocks, and red handkerchiefs around their necks, and carried a great banner on two poles. The banner danced up and down with them as they came down surrounded by the crowd. "Hurray for Wine! Hurray for the	"What do you follow her around for?" Bill stood up and took hold of Cohn. "Don't go," Mike said. "Robert Cohn's going to buy a drink." Bill went off with Cohn. Cohn's face was sallow. Mike went on talking. I sat and listened for a while. Brett looked disgusted. "I say, Michael, you might not be such a bloody ass," she interrupted. "I'm not saying he's not right, you know." She turned to me. The emotion left Mike's voice. We were all friends together. "I'm not so damn drunk as I sounded," he said. "I know you're not," Brett said. "We're none of us sober," I said. "I didn't say anything I didn't mean." "But you put it so badly," Brett laughed. "He was an ass, though. He came down to San Sebastian where he damn well wasn't wanted. He hung around Brett and just _looked_ at her. It made me damned well sick." "He did behave very badly," Brett said. "Mark you. Brett's had affairs with men before. She tells me all about everything. She gave me this chap Cohn's letters to read. I wouldn't read them." "Damned noble of you." "No, listen, Jake. Brett's gone off with men. But they weren't ever Jews, and they didn't come and hang about afterward." "Damned good chaps," Brett said. "It's all rot to talk about it. Michael and I understand each other." "She gave me Robert Cohn's letters. I wouldn't read them." "You wouldn't read any letters, darling. You wouldn't read mine." "I can't read letters," Mike said. "Funny, isn't it?" "You can't read anything." "No. You're wrong there. I read quite a bit. I read when I'm at home." "You'll be writing next," Brett said. "Come on, Michael. Do buck up. You've got to go through with this thing now. He's here. Don't spoil the fiesta." "Well, let him behave, then." "He'll behave. I'll tell him." "You tell him, Jake. Tell him either he must behave or get out." "Yes," I said, "it would be nice for me to tell him." "Look, Brett. Tell Jake what Robert calls you. That is perfect, you know." "Oh, no. I can't." "Go on. We're all friends. Aren't we all friends, Jake?" "I can't tell him. It's too ridiculous." "I'll tell him." "You won't, Michael. Don't be an ass." "He calls her Circe," Mike said. "He claims she turns men into swine. Damn good. I wish I were one of these literary chaps." "He'd be good, you know," Brett said. "He writes a good letter." "I know," I said. "He wrote me from San Sebastian." "That was nothing," Brett said. "He can write a damned amusing letter." "She made me write that. She was supposed to be ill." "I damned well was, too." "Come on," I said, "we must go in and eat." "How should I meet Cohn?" Mike said. "Just act as though nothing had happened." "It's quite all right with me," Mike said. "I'm not embarrassed." "If he says anything, just say you were tight." "Quite. And the funny thing is I think I was tight." "Come on," Brett said. "Are these poisonous things paid for? I must bathe before dinner." We walked across the square. It was dark and all around the square were the lights from the caf s under the arcades. We walked across the gravel under the trees to the hotel. They went up-stairs and I stopped to speak with Montoya. "Well, how did you like the bulls?" he asked. "Good. They were nice bulls." "They're all right" "--Montoya shook his head--" "but they're not too good." "What didn't you like about them?" "I don't know. They just didn't give me the feeling that they were so good." "I know what you mean." "They're all right." "Yes. They're all right." "How did your friends like them?" "Fine." "Good," Montoya said. I went up-stairs. Bill was in his room standing on the balcony looking out at the square. I stood beside him. "Where's Cohn?" "Up-stairs in his room." "How does he feel?" "Like hell, naturally. Mike was awful. He's terrible when he's tight." "He wasn't so tight." "The hell he wasn't. I know what we had before we came to the caf ." "He sobered up afterward." "Good. He was terrible. I don't like Cohn, God knows, and I think it was a silly trick for him to go down to San Sebastian, but nobody has any business to talk like Mike." "How'd you like the bulls?" "Grand. It's grand the way they bring them out." "To-morrow come the Miuras." "When does the fiesta start?" "Day after to-morrow." "We've got to keep Mike from getting so tight. That kind of stuff is terrible." "We'd better get cleaned up for supper." "Yes. That will be a pleasant meal." "Won't it?"<\|quote\|>As a matter of fact, supper was a pleasant meal. Brett wore a black, sleeveless evening dress. She looked quite beautiful. Mike acted as though nothing had happened. I had to go up and bring Robert Cohn down. He was reserved and formal, and his face was still taut and sallow, but he cheered up finally. He could not stop looking at Brett. It seemed to make him happy. It must have been pleasant for him to see her looking so lovely, and know he had been away with her and that every one knew it. They could not take that away from him. Bill was very funny. So was Michael. They were good together. It was like certain dinners I remember from the war. There was much wine, an ignored tension, and a feeling of things coming that you could not prevent happening. Under the wine I lost the disgusted feeling and was happy. It seemed they were all such nice people. CHAPTER 14 I do not know what time I got to bed. I remember undressing, putting on a bathrobe, and standing out on the balcony. I knew I was quite drunk, and when I came in I put on the light over the head of the bed and started to read. I was reading a book by Turgenieff. Probably I read the same two pages over several times. It was one of the stories in "A Sportsman's Sketches." I had read it before, but it seemed quite new. The country became very clear and the feeling of pressure in my head seemed to loosen. I was very drunk and I did not want to shut my eyes because the room would go round and round. If I kept on reading that feeling would pass. I heard Brett and Robert Cohn come up the stairs. Cohn said good night outside the door and went on up to his room. I heard Brett go into the room next door. Mike was already in bed. He had come in with me an hour before. He woke as she came in, and they talked together. I heard them laugh. I turned off the light and tried to go to sleep. It was not necessary to read any more. I could shut my eyes without getting the wheeling sensation. But I could not sleep. There is no reason why because it is dark you should look at things differently from when it is light. The hell there isn't! I figured that all out once, and for six months I never slept with the electric light off. That was another bright idea. To hell with women, anyway. To hell with you, Brett Ashley. Women made such swell friends. Awfully swell. In the first place, you had to be in love with a woman to have a basis of friendship. I had been having Brett for a friend. I had not been thinking about her side of it. I had been getting something for nothing. That only delayed the presentation of the bill. The bill always came. That was one of the swell things you could count on. I thought I had paid for everything. Not like the woman pays and pays and pays. No idea of retribution or punishment. Just exchange of values. You gave up something and got something else. Or you worked for something. You paid some way for everything that was any good. I paid my way into enough things that I liked, so that I had a good time. Either you paid by learning about them, or by experience, or by taking chances, or by money. Enjoying living was learning to get your money's worth and knowing when you had it. You could get your money's worth. The world was a good place to buy in. It seemed like a fine philosophy. In five years, I thought, it will seem just as silly as all the other fine philosophies I've had. Perhaps that wasn't true, though. Perhaps as you went along you did learn something. I did not care what it was all about. All I wanted to know was how to live in it. Maybe if you found out how to live in it you learned from that what it was all about. I wished Mike would not behave so terribly to Cohn, though. Mike was a bad drunk. Brett was a good drunk. Bill was a good drunk. Cohn was never drunk. Mike was unpleasant after he passed a certain point. I liked to see him hurt Cohn. I wished he would not do it, though, because afterward it made me disgusted at myself. That was morality; things that made you disgusted afterward. No, that must be immorality. That was a large statement. What a lot of bilge I could think up at night. What rot, I could hear Brett say it. What rot! When you were with English you got into the habit of using English expressions in your thinking. The English spoken language--the upper classes, anyway--must have fewer words than the Eskimo. Of course I didn't know anything about the Eskimo. Maybe the Eskimo was a fine language. Say the Cherokee. I didn't know anything about the Cherokee, either. The English talked with inflected phrases. One phrase to mean everything. I liked them, though. I liked the way they talked. Take Harris. Still Harris was not the upper classes. I turned on the light again and read. I read the Turgenieff. I knew that now, reading it in the oversensitized state of my mind after much too much brandy, I would remember it somewhere, and afterward it would seem as though it had really happened to me. I would always have it. That was another good thing you paid for and then had. Some time along toward daylight I went to sleep. * * * * * The next two days in Pamplona were quiet, and there were no more rows. The town was getting ready for the fiesta. Workmen put up the gate-posts that were to shut off the side streets when the bulls were released from the corrals and came running through the streets in the morning on their way to the ring. The workmen dug holes and fitted in the timbers, each timber numbered for its regular place. Out on the plateau beyond the town employees of the bull-ring exercised picador horses, galloping them stiff-legged on the hard, sun-baked fields behind the bull-ring. The big gate of the bull-ring was open, and inside the amphitheatre was being swept. The ring was rolled and sprinkled, and carpenters replaced weakened or cracked planks in the barrera. Standing at the edge of the smooth rolled sand you could look up in the empty stands and see old women sweeping out the boxes. Outside, the fence that led from the last street of the town to the entrance of the bull-ring was already in place and made a long pen; the crowd would come running down with the bulls behind them on the morning of the day of the first bull-fight. Out across the plain, where the horse and cattle fair would be, some gypsies had camped under the trees. The wine and aguardiente sellers were putting up their booths. One booth advertised ANIS DEL TORO. The cloth sign hung against the planks in the hot sun. In the big square that was the centre of the town there was no change yet. We sat in the white wicker chairs on the terrasse of the caf and watched the motor-buses come in and unload peasants from the country coming in to the market, and we watched the buses fill up and start out with peasants sitting with their saddle-bags full of the things they had bought in the town. The tall gray motor-buses were the only life of the square except for the pigeons and the man with a hose who sprinkled the gravelled square and watered the streets. In the evening was the paseo. For an hour after dinner every one, all the good-looking girls, the officers from the garrison, all the fashionable people of the town, walked in the street on one side of the square while the caf tables filled with the regular after-dinner crowd. During the morning I usually sat in the caf and read the Madrid papers and then walked in the town or out into the country. Sometimes Bill went along. Sometimes he wrote in his room. Robert Cohn spent the mornings studying Spanish or trying to get a shave at the barber-shop. Brett and Mike never got up until noon. We all had a vermouth at the caf . It was a quiet life and no one was drunk. I went to church a couple of times, once with Brett. She said she wanted to hear me go to confession, but I told her that not only was it impossible but it was not as interesting as it sounded, and, besides, it would be in a language she did not know. We met Cohn as we came out of church, and although it was obvious he had followed us, yet he was very pleasant and nice, and we all three went for a walk out to the gypsy camp, and Brett had her fortune told. It was a good morning, there were high white clouds above the mountains. It had rained a little in the night and it was fresh and cool on the plateau, and there was a wonderful view. We all felt good and we felt healthy, and I felt quite friendly to Cohn. You could not be upset about anything on a day like that. That was the last day before the fiesta. CHAPTER 15 At noon of Sunday, the 6th of July, the fiesta exploded. There is no other way to describe it. People had been coming in all day from the country, but they were assimilated in the town and you did not notice them. The square was as quiet in the hot sun as on any other day. The peasants were in the outlying wine-shops. There they were drinking, getting ready for the fiesta. They had come in so recently from the plains and the hills that it was necessary that they make their shifting in values gradually. They could not start in paying caf prices. They got their money's worth in the wine-shops. Money still had a definite value in hours worked and bushels of grain sold. Late in the fiesta it would not matter what they paid, nor where they bought. Now on the day of the starting of the fiesta of San Fermin they had been in the wine-shops of the narrow streets of the town since early morning. Going down the streets in the morning on the way to mass in the cathedral, I heard them singing through the open doors of the shops. They were warming up. There were many people at the eleven o'clock mass. San Fermin is also a religious festival. I walked down the hill from the cathedral and up the street to the caf on the square. It was a little before noon. Robert Cohn and Bill were sitting at one of the tables. The marble-topped tables and the white wicker chairs were gone. They were replaced by cast-iron tables and severe folding chairs. The caf was like a battleship stripped for action. To-day the waiters did not leave you alone all morning to read without asking if you wanted to order something. A waiter came up as soon as I sat down.</\|quote\|>"What are you drinking?" I asked Bill and Robert. "Sherry," Cohn said. "Jerez," I said to the waiter. Before the waiter brought the sherry the rocket that announced the fiesta went up in the square. It burst and there was a gray ball of smoke high up above the Theatre Gayarre, across on the other side of the plaza. The ball of smoke hung in the sky like a shrapnel burst, and as I watched, another rocket came up to it, trickling smoke in the bright sunlight. I saw the bright flash as it burst and another little cloud of smoke appeared. By the time the second rocket had burst there were so many people in the arcade, that had been empty a minute before, that the waiter, holding the bottle high up over his head, could hardly get through the crowd to our table. People were coming into the square from all sides, and down the street we heard the pipes and the fifes and the drums coming. They were playing the _riau-riau_ music, the pipes shrill and the drums pounding, and behind them came the men and boys dancing. When the fifers stopped they all crouched down in the street, and when the reed-pipes and the fifes shrilled, and the flat, dry, hollow drums tapped it out again, they all went up in the air dancing. In the crowd you saw only the heads and shoulders of the dancers going up and down. In the square a man, bent over, was playing on a reed-pipe, and a crowd of children were following him shouting, and pulling at his clothes. He came out of the square, the children following him, and piped them past the caf and down a side street. We saw his blank pockmarked face as he went by, piping, the children close behind him shouting and pulling at him. "He must be the village idiot," Bill said. "My God! look at that!" Down the street came dancers. The street was solid with dancers, all men. They were all dancing in time behind their own fifers and drummers. They were a club of some sort, and all wore workmen's blue smocks, and red handkerchiefs around their necks, and carried a great banner on two poles. The banner danced up and down with them as they came down surrounded by the crowd. "Hurray for Wine! Hurray for the Foreigners!" was painted on the banner. "Where are the foreigners?" Robert Cohn asked. "We're the foreigners," Bill said. All the time rockets were going up. The caf tables were all full now. The square was emptying of people and the crowd was filling the caf s. "Where's Brett and Mike?" Bill asked. "I'll go and get them," Cohn said. "Bring them here." The fiesta was really started. It kept up day and night for seven days. The dancing kept up, the drinking kept up, the noise went on. The things that happened could only have happened during a fiesta. Everything became quite unreal finally and it seemed as though nothing could have any consequences. It seemed out of place to think of consequences during the fiesta. All during the fiesta you had the feeling, even when it was quiet, that you had to shout any remark to make it heard. It was the same feeling about any action. It was a fiesta and it went on for seven days. That afternoon was the big religious procession. San Fermin was translated from one church to another. In the procession were all the dignitaries, civil and religious. We could not see them because the crowd was too great. Ahead of the formal procession and behind it danced the _riau-riau_ dancers. There was one mass of yellow shirts dancing up and down in the crowd. All we could see of the procession through the closely pressed people that crowded all the side streets and curbs were the great giants, cigar-store Indians, thirty feet high, Moors, a King and Queen, whirling and waltzing solemnly to the _riau-riau_. They were all standing outside the chapel where San Fermin and the dignitaries had passed in, leaving a guard of soldiers, the giants, with the men who danced in them standing beside their resting frames, and the dwarfs moving with their whacking bladders through the crowd. We started inside and there was a smell of incense and people filing back into the church, but Brett was stopped just inside the door because she had no hat, so we went out again and along the street that ran back from the chapel into town. The street was lined on both sides with people keeping their place at the curb for the return of the procession. Some dancers formed a circle around Brett and started to dance. They wore	then." "He'll behave. I'll tell him." "You tell him, Jake. Tell him either he must behave or get out." "Yes," I said, "it would be nice for me to tell him." "Look, Brett. Tell Jake what Robert calls you. That is perfect, you know." "Oh, no. I can't." "Go on. We're all friends. Aren't we all friends, Jake?" "I can't tell him. It's too ridiculous." "I'll tell him." "You won't, Michael. Don't be an ass." "He calls her Circe," Mike said. "He claims she turns men into swine. Damn good. I wish I were one of these literary chaps." "He'd be good, you know," Brett said. "He writes a good letter." "I know," I said. "He wrote me from San Sebastian." "That was nothing," Brett said. "He can write a damned amusing letter." "She made me write that. She was supposed to be ill." "I damned well was, too." "Come on," I said, "we must go in and eat." "How should I meet Cohn?" Mike said. "Just act as though nothing had happened." "It's quite all right with me," Mike said. "I'm not embarrassed." "If he says anything, just say you were tight." "Quite. And the funny thing is I think I was tight." "Come on," Brett said. "Are these poisonous things paid for? I must bathe before dinner." We walked across the square. It was dark and all around the square were the lights from the caf s under the arcades. We walked across the gravel under the trees to the hotel. They went up-stairs and I stopped to speak with Montoya. "Well, how did you like the bulls?" he asked. "Good. They were nice bulls." "They're all right" "--Montoya shook his head--" "but they're not too good." "What didn't you like about them?" "I don't know. They just didn't give me the feeling that they were so good." "I know what you mean." "They're all right." "Yes. They're all right." "How did your friends like them?" "Fine." "Good," Montoya said. I went up-stairs. Bill was in his room standing on the balcony looking out at the square. I stood beside him. "Where's Cohn?" "Up-stairs in his room." "How does he feel?" "Like hell, naturally. Mike was awful. He's terrible when he's tight." "He wasn't so tight." "The hell he wasn't. I know what we had before we came to the caf ." "He sobered up afterward." "Good. He was terrible. I don't like Cohn, God knows, and I think it was a silly trick for him to go down to San Sebastian, but nobody has any business to talk like Mike." "How'd you like the bulls?" "Grand. It's grand the way they bring them out." "To-morrow come the Miuras." "When does the fiesta start?" "Day after to-morrow." "We've got to keep Mike from getting so tight. That kind of stuff is terrible." "We'd better get cleaned up for supper." "Yes. That will be a pleasant meal." "Won't it?"<\|quote\|>As a matter of fact, supper was a pleasant meal. Brett wore a black, sleeveless evening dress. She looked quite beautiful. Mike acted as though nothing had happened. I had to go up and bring Robert Cohn down. He was reserved and formal, and his face was still taut and sallow, but he cheered up finally. He could not stop looking at Brett. It seemed to make him happy. It must have been pleasant for him to see her looking so lovely, and know he had been away with her and that every one knew it. They could not take that away from him. Bill was very funny. So was Michael. They were good together. It was like certain dinners I remember from the war. There was much wine, an ignored tension, and a feeling of things coming that you could not prevent happening. Under the wine I lost the disgusted feeling and was happy. It seemed they were all such nice people. CHAPTER 14 I do not know what time I got to bed. I remember undressing, putting on a bathrobe, and standing out on the balcony. I knew I was quite drunk, and when I came in I put on the light over the head of the bed and started to read. I was reading a book by Turgenieff. Probably I read the same two pages over several times. It was one of the stories in "A Sportsman's Sketches." I had read it before, but it seemed quite new. The country became very clear and the feeling of pressure in my head seemed to loosen. I was very drunk and I did not want to shut my eyes because the room would go round and round. If I kept on reading that feeling would pass. I heard Brett and Robert Cohn come up the stairs. Cohn said good night outside the door and went on up to his room. I heard Brett go into the room next door. Mike was already in bed. He had come in with me an hour before. He woke as she came in, and they talked together. I heard them laugh. I turned off the light and tried to go to sleep. It was not necessary to read any more. I could shut my eyes without getting the wheeling sensation. But I could not sleep. There is no reason why because it is dark you should look at things differently from when it is light. The hell there isn't! I figured that all out once, and for six months I never slept with the electric light off. That was another bright idea. To hell with women, anyway. To hell with you, Brett Ashley. Women made such swell friends. Awfully swell. In the first place, you had to be in love with a woman to have a basis of friendship. I had been having Brett for a friend. I had not been thinking about her side of it. I had been getting something for nothing. That only delayed the presentation of the bill. The bill always came. That was one of the swell things you could count on. I thought I had paid for everything. Not like the woman pays and pays and pays. No idea of retribution or punishment. Just exchange of values. You gave up something and got something else. Or you worked for something. You paid some way for everything that was any good. I paid my way into enough things that I liked, so that I had a good time. Either you paid by learning about them, or by experience, or by taking chances, or by money. Enjoying living was learning to get your money's worth and knowing when you had it. You could get your money's worth. The world was a good place to buy in. It seemed like a fine philosophy. In five years, I thought, it will seem just as silly as all the other fine philosophies I've had. Perhaps that wasn't true, though. Perhaps as you went along you did learn something. I did not care what it was all about. All I wanted to know was how to live in it. Maybe if you found out how to live in it you learned from that what it was all about. I wished Mike would not behave so terribly to Cohn, though. Mike was a bad drunk. Brett was a good drunk. Bill was a good drunk. Cohn was never drunk. Mike was unpleasant after he passed a certain point. I liked to see him hurt Cohn. I wished he would not do it, though, because afterward it made me disgusted at myself. That was morality; things that made you disgusted afterward. No, that must be immorality. That was a large statement. What a lot of bilge I could think up at night. What rot, I could hear Brett say it. What rot! When you were with English you got into the habit of using English expressions in your thinking. The English spoken language--the upper classes, anyway--must have fewer words than the Eskimo. Of course I didn't know anything about the Eskimo. Maybe the Eskimo was a fine language. Say the Cherokee. I didn't know anything about the Cherokee, either. The English talked with inflected phrases. One phrase to mean everything. I liked them, though. I liked the way they talked. Take Harris. Still Harris was not the upper classes. I turned on the light again and read. I read the Turgenieff. I knew that now, reading it in the oversensitized state of my mind after much too much brandy, I would remember it somewhere, and afterward it would seem as though it had really happened to me. I would always have it. That was another good thing you paid for and then had. Some time along toward daylight I went to sleep. * * * * * The next two days in Pamplona were quiet, and there were no more rows. The town was getting ready for the fiesta. Workmen put up the gate-posts that were to shut off the side streets when the bulls were released from the corrals and came running through the streets in the morning on their way to the ring. The workmen dug holes and fitted in the timbers, each timber numbered for its regular place. Out on the plateau beyond the town employees of the bull-ring exercised picador horses, galloping them stiff-legged on the hard, sun-baked fields behind the bull-ring. The big gate of the bull-ring was open, and inside the amphitheatre was being swept. The ring was rolled and sprinkled, and carpenters replaced weakened or cracked planks in the barrera. Standing at the edge of the smooth rolled sand you could look up in the empty stands and see old women sweeping out the boxes. Outside, the fence that led from the last street of the town to the entrance of the bull-ring was already in place and made a long pen; the crowd would come running down with the bulls behind them on the morning of the day of the first bull-fight. Out across the plain, where the horse and cattle fair would be, some gypsies had camped under the trees. The wine and aguardiente sellers were putting up their booths. One booth advertised ANIS DEL TORO. The cloth sign hung against the planks in the hot sun. In the big square that was the centre of the town there was no change yet. We sat in the white wicker chairs on the terrasse of the caf and watched the motor-buses come in and unload peasants from the country coming in to the market, and we watched the buses fill up and start out with peasants sitting with their saddle-bags full of the things they had bought in the town. The tall gray motor-buses were the only life of the square except for the pigeons and the man with a hose who sprinkled the gravelled square and watered the streets. In the evening was the paseo. For an hour after dinner every one, all the good-looking girls, the officers from the garrison, all the fashionable people of the town, walked in the street on one side of the square while the caf tables filled with the regular after-dinner crowd. During the morning I usually sat in the caf and read the Madrid papers and then walked in the town or out into the country. Sometimes Bill went along. Sometimes he wrote in his room. Robert Cohn spent the mornings studying Spanish or trying to get a shave at the barber-shop. Brett and Mike never got up until noon. We all had a vermouth at the caf . It was a quiet life and no one was drunk. I went to church a couple of times, once with Brett. She said she wanted to hear me go to confession, but I told her that not only was it impossible but it was not as interesting as it sounded, and, besides, it would be in a language she did not know. We met Cohn as we came out of church, and although it was obvious he had followed us, yet he was very pleasant and nice, and we all three went for a walk out to the gypsy camp, and Brett had her fortune told. It was a good morning, there were high white clouds above the mountains. It had rained a little in the night and it was fresh and cool on the plateau, and there was a wonderful view. We all felt good and we felt healthy, and I felt quite friendly to Cohn. You could not be upset about anything on a day like that. That was the last day before the fiesta. CHAPTER 15 At noon of Sunday, the 6th of July, the fiesta exploded. There is no other way to describe it. People had been coming in all day from the country, but they were assimilated in the town and you did not notice them. The square was as quiet in the hot sun as on any other day. The peasants were in the outlying wine-shops. There they were drinking, getting ready for the fiesta. They had come in so recently from the plains and the hills that it was necessary that they make their shifting in values gradually. They could not start in paying caf prices. They got their money's worth in the wine-shops. Money still had a definite value in hours worked and bushels of grain sold. Late in the fiesta it would not matter what they paid, nor where they bought. Now on the day of the starting of the fiesta of San Fermin they had been in the wine-shops of the narrow streets of the town since early morning. Going down the streets in the morning on the way to mass in the cathedral, I heard them singing through the open doors of the shops. They were warming up. There were many people at the eleven o'clock mass. San Fermin is also a religious festival. I walked down the hill from the cathedral and up the street to the caf on the square. It was a little before noon. Robert Cohn and Bill were sitting at one of the tables. The marble-topped tables and the white wicker chairs were gone. They were replaced by cast-iron tables and severe folding chairs. The caf was like a battleship stripped for action. To-day the waiters did not leave you alone all morning to read without asking if you wanted to order something. A waiter came up as soon as I sat down.</\|quote\|>"What are you drinking?" I asked Bill and Robert. "Sherry," Cohn said. "Jerez," I said to the waiter. Before the waiter brought the sherry the rocket that announced the fiesta went up in the square. It burst and there was a gray ball of smoke high up above the Theatre Gayarre, across on the other side of the plaza. The ball of smoke hung in the sky like a shrapnel burst, and as I watched, another rocket came up to it, trickling smoke in the bright sunlight. I saw the bright flash as it burst and another little cloud of smoke appeared. By the time the second rocket had burst there were so many people in the arcade, that had been empty a minute before, that the waiter, holding the bottle high up over his head, could hardly get through the crowd to our table. People were coming into the square from all sides, and down the street we heard the pipes and the fifes and the drums coming. They were playing the _riau-riau_ music, the pipes shrill and the drums pounding, and behind them came the men and boys dancing. When the fifers stopped they all crouched down in the street, and when the reed-pipes and the fifes shrilled, and the flat, dry, hollow drums tapped it out again, they all went up in the air dancing. In the crowd you saw only the heads and shoulders of the dancers going up and down. In the square a man, bent over, was playing on a reed-pipe, and a crowd of children were following him shouting, and pulling at his clothes. He came out of the square, the children following him, and piped them past the caf and down a side street. We saw his blank pockmarked face as he went by, piping, the children close behind him shouting and pulling at him. "He must be the village idiot," Bill said. "My God! look at that!" Down the street came dancers. The street was solid with dancers, all men. They were all dancing in time behind their own fifers and drummers. They were a club of some sort, and all wore workmen's blue smocks, and red handkerchiefs around their necks, and carried a great banner on two poles. The banner danced up and down with them as they came down	The Sun Also Rises
"are you still to be a great orator in spite of yourself?"	Mrs. Dashwood	had drawn round the fire;<\|quote\|>"are you still to be a great orator in spite of yourself?"</\|quote\|>"No. I hope my mother	dinner was over and they had drawn round the fire;<\|quote\|>"are you still to be a great orator in spite of yourself?"</\|quote\|>"No. I hope my mother is now convinced that I	whole family perceived it, and Mrs. Dashwood, attributing it to some want of liberality in his mother, sat down to table indignant against all selfish parents. "What are Mrs. Ferrars s views for you at present, Edward?" said she, when dinner was over and they had drawn round the fire;<\|quote\|>"are you still to be a great orator in spite of yourself?"</\|quote\|>"No. I hope my mother is now convinced that I have no more talents than inclination for a public life!" "But how is your fame to be established? for famous you must be to satisfy all your family; and with no inclination for expense, no affection for strangers, no profession,	of seeing him soon become more like himself. His affections seemed to reanimate towards them all, and his interest in their welfare again became perceptible. He was not in spirits, however; he praised their house, admired its prospect, was attentive, and kind; but still he was not in spirits. The whole family perceived it, and Mrs. Dashwood, attributing it to some want of liberality in his mother, sat down to table indignant against all selfish parents. "What are Mrs. Ferrars s views for you at present, Edward?" said she, when dinner was over and they had drawn round the fire;<\|quote\|>"are you still to be a great orator in spite of yourself?"</\|quote\|>"No. I hope my mother is now convinced that I have no more talents than inclination for a public life!" "But how is your fame to be established? for famous you must be to satisfy all your family; and with no inclination for expense, no affection for strangers, no profession, and no assurance, you may find it a difficult matter." "I shall not attempt it. I have no wish to be distinguished; and have every reason to hope I never shall. Thank Heaven! I cannot be forced into genius and eloquence." "You have no ambition, I well know. Your wishes	surprised only for a moment at seeing him; for his coming to Barton was, in her opinion, of all things the most natural. Her joy and expression of regard long outlived her wonder. He received the kindest welcome from her; and shyness, coldness, reserve could not stand against such a reception. They had begun to fail him before he entered the house, and they were quite overcome by the captivating manners of Mrs. Dashwood. Indeed a man could not very well be in love with either of her daughters, without extending the passion to her; and Elinor had the satisfaction of seeing him soon become more like himself. His affections seemed to reanimate towards them all, and his interest in their welfare again became perceptible. He was not in spirits, however; he praised their house, admired its prospect, was attentive, and kind; but still he was not in spirits. The whole family perceived it, and Mrs. Dashwood, attributing it to some want of liberality in his mother, sat down to table indignant against all selfish parents. "What are Mrs. Ferrars s views for you at present, Edward?" said she, when dinner was over and they had drawn round the fire;<\|quote\|>"are you still to be a great orator in spite of yourself?"</\|quote\|>"No. I hope my mother is now convinced that I have no more talents than inclination for a public life!" "But how is your fame to be established? for famous you must be to satisfy all your family; and with no inclination for expense, no affection for strangers, no profession, and no assurance, you may find it a difficult matter." "I shall not attempt it. I have no wish to be distinguished; and have every reason to hope I never shall. Thank Heaven! I cannot be forced into genius and eloquence." "You have no ambition, I well know. Your wishes are all moderate." "As moderate as those of the rest of the world, I believe. I wish as well as every body else to be perfectly happy; but, like every body else it must be in my own way. Greatness will not make me so." "Strange that it would!" cried Marianne. "What have wealth or grandeur to do with happiness?" "Grandeur has but little," said Elinor, "but wealth has much to do with it." "Elinor, for shame!" said Marianne, "money can only give happiness where there is nothing else to give it. Beyond a competence, it can afford no real	replied he, smiling, "among the rest of the objects before me, I see a very dirty lane." "How strange!" said Marianne to herself as she walked on. "Have you an agreeable neighbourhood here? Are the Middletons pleasant people?" "No, not all," answered Marianne; "we could not be more unfortunately situated." "Marianne," cried her sister, "how can you say so? How can you be so unjust? They are a very respectable family, Mr. Ferrars; and towards us have behaved in the friendliest manner. Have you forgot, Marianne, how many pleasant days we have owed to them?" "No," said Marianne, in a low voice, "nor how many painful moments." Elinor took no notice of this; and directing her attention to their visitor, endeavoured to support something like discourse with him, by talking of their present residence, its conveniences, &c. extorting from him occasional questions and remarks. His coldness and reserve mortified her severely; she was vexed and half angry; but resolving to regulate her behaviour to him by the past rather than the present, she avoided every appearance of resentment or displeasure, and treated him as she thought he ought to be treated from the family connection. CHAPTER XVII. Mrs. Dashwood was surprised only for a moment at seeing him; for his coming to Barton was, in her opinion, of all things the most natural. Her joy and expression of regard long outlived her wonder. He received the kindest welcome from her; and shyness, coldness, reserve could not stand against such a reception. They had begun to fail him before he entered the house, and they were quite overcome by the captivating manners of Mrs. Dashwood. Indeed a man could not very well be in love with either of her daughters, without extending the passion to her; and Elinor had the satisfaction of seeing him soon become more like himself. His affections seemed to reanimate towards them all, and his interest in their welfare again became perceptible. He was not in spirits, however; he praised their house, admired its prospect, was attentive, and kind; but still he was not in spirits. The whole family perceived it, and Mrs. Dashwood, attributing it to some want of liberality in his mother, sat down to table indignant against all selfish parents. "What are Mrs. Ferrars s views for you at present, Edward?" said she, when dinner was over and they had drawn round the fire;<\|quote\|>"are you still to be a great orator in spite of yourself?"</\|quote\|>"No. I hope my mother is now convinced that I have no more talents than inclination for a public life!" "But how is your fame to be established? for famous you must be to satisfy all your family; and with no inclination for expense, no affection for strangers, no profession, and no assurance, you may find it a difficult matter." "I shall not attempt it. I have no wish to be distinguished; and have every reason to hope I never shall. Thank Heaven! I cannot be forced into genius and eloquence." "You have no ambition, I well know. Your wishes are all moderate." "As moderate as those of the rest of the world, I believe. I wish as well as every body else to be perfectly happy; but, like every body else it must be in my own way. Greatness will not make me so." "Strange that it would!" cried Marianne. "What have wealth or grandeur to do with happiness?" "Grandeur has but little," said Elinor, "but wealth has much to do with it." "Elinor, for shame!" said Marianne, "money can only give happiness where there is nothing else to give it. Beyond a competence, it can afford no real satisfaction, as far as mere self is concerned." "Perhaps," said Elinor, smiling, "we may come to the same point. _Your_ competence and _my_ wealth are very much alike, I dare say; and without them, as the world goes now, we shall both agree that every kind of external comfort must be wanting. Your ideas are only more noble than mine. Come, what is your competence?" "About eighteen hundred or two thousand a year; not more than _that_." Elinor laughed. "_two_ thousand a year! _one_ is my wealth! I guessed how it would end." "And yet two thousand a-year is a very moderate income," said Marianne. "A family cannot well be maintained on a smaller. I am sure I am not extravagant in my demands. A proper establishment of servants, a carriage, perhaps two, and hunters, cannot be supported on less." Elinor smiled again, to hear her sister describing so accurately their future expenses at Combe Magna. "Hunters!" repeated Edward "but why must you have hunters? Every body does not hunt." Marianne coloured as she replied, "But most people do." "I wish," said Margaret, striking out a novel thought, "that somebody would give us all a large fortune apiece!" "Oh that	of pleasure in seeing them, looked neither rapturous nor gay, said little but what was forced from him by questions, and distinguished Elinor by no mark of affection. Marianne saw and listened with increasing surprise. She began almost to feel a dislike of Edward; and it ended, as every feeling must end with her, by carrying back her thoughts to Willoughby, whose manners formed a contrast sufficiently striking to those of his brother elect. After a short silence which succeeded the first surprise and enquiries of meeting, Marianne asked Edward if he came directly from London. No, he had been in Devonshire a fortnight. "A fortnight!" she repeated, surprised at his being so long in the same county with Elinor without seeing her before. He looked rather distressed as he added, that he had been staying with some friends near Plymouth. "Have you been lately in Sussex?" said Elinor. "I was at Norland about a month ago." "And how does dear, dear Norland look?" cried Marianne. "Dear, dear Norland," said Elinor, "probably looks much as it always does at this time of the year. The woods and walks thickly covered with dead leaves." "Oh," cried Marianne, "with what transporting sensation have I formerly seen them fall! How have I delighted, as I walked, to see them driven in showers about me by the wind! What feelings have they, the season, the air altogether inspired! Now there is no one to regard them. They are seen only as a nuisance, swept hastily off, and driven as much as possible from the sight." "It is not every one," said Elinor, "who has your passion for dead leaves." "No; my feelings are not often shared, not often understood. But _sometimes_ they are." As she said this, she sunk into a reverie for a few moments; but rousing herself again, "Now, Edward," said she, calling his attention to the prospect, "here is Barton valley. Look up to it, and be tranquil if you can. Look at those hills! Did you ever see their equals? To the left is Barton park, amongst those woods and plantations. You may see the end of the house. And there, beneath that farthest hill, which rises with such grandeur, is our cottage." "It is a beautiful country," he replied; "but these bottoms must be dirty in winter." "How can you think of dirt, with such objects before you?" "Because," replied he, smiling, "among the rest of the objects before me, I see a very dirty lane." "How strange!" said Marianne to herself as she walked on. "Have you an agreeable neighbourhood here? Are the Middletons pleasant people?" "No, not all," answered Marianne; "we could not be more unfortunately situated." "Marianne," cried her sister, "how can you say so? How can you be so unjust? They are a very respectable family, Mr. Ferrars; and towards us have behaved in the friendliest manner. Have you forgot, Marianne, how many pleasant days we have owed to them?" "No," said Marianne, in a low voice, "nor how many painful moments." Elinor took no notice of this; and directing her attention to their visitor, endeavoured to support something like discourse with him, by talking of their present residence, its conveniences, &c. extorting from him occasional questions and remarks. His coldness and reserve mortified her severely; she was vexed and half angry; but resolving to regulate her behaviour to him by the past rather than the present, she avoided every appearance of resentment or displeasure, and treated him as she thought he ought to be treated from the family connection. CHAPTER XVII. Mrs. Dashwood was surprised only for a moment at seeing him; for his coming to Barton was, in her opinion, of all things the most natural. Her joy and expression of regard long outlived her wonder. He received the kindest welcome from her; and shyness, coldness, reserve could not stand against such a reception. They had begun to fail him before he entered the house, and they were quite overcome by the captivating manners of Mrs. Dashwood. Indeed a man could not very well be in love with either of her daughters, without extending the passion to her; and Elinor had the satisfaction of seeing him soon become more like himself. His affections seemed to reanimate towards them all, and his interest in their welfare again became perceptible. He was not in spirits, however; he praised their house, admired its prospect, was attentive, and kind; but still he was not in spirits. The whole family perceived it, and Mrs. Dashwood, attributing it to some want of liberality in his mother, sat down to table indignant against all selfish parents. "What are Mrs. Ferrars s views for you at present, Edward?" said she, when dinner was over and they had drawn round the fire;<\|quote\|>"are you still to be a great orator in spite of yourself?"</\|quote\|>"No. I hope my mother is now convinced that I have no more talents than inclination for a public life!" "But how is your fame to be established? for famous you must be to satisfy all your family; and with no inclination for expense, no affection for strangers, no profession, and no assurance, you may find it a difficult matter." "I shall not attempt it. I have no wish to be distinguished; and have every reason to hope I never shall. Thank Heaven! I cannot be forced into genius and eloquence." "You have no ambition, I well know. Your wishes are all moderate." "As moderate as those of the rest of the world, I believe. I wish as well as every body else to be perfectly happy; but, like every body else it must be in my own way. Greatness will not make me so." "Strange that it would!" cried Marianne. "What have wealth or grandeur to do with happiness?" "Grandeur has but little," said Elinor, "but wealth has much to do with it." "Elinor, for shame!" said Marianne, "money can only give happiness where there is nothing else to give it. Beyond a competence, it can afford no real satisfaction, as far as mere self is concerned." "Perhaps," said Elinor, smiling, "we may come to the same point. _Your_ competence and _my_ wealth are very much alike, I dare say; and without them, as the world goes now, we shall both agree that every kind of external comfort must be wanting. Your ideas are only more noble than mine. Come, what is your competence?" "About eighteen hundred or two thousand a year; not more than _that_." Elinor laughed. "_two_ thousand a year! _one_ is my wealth! I guessed how it would end." "And yet two thousand a-year is a very moderate income," said Marianne. "A family cannot well be maintained on a smaller. I am sure I am not extravagant in my demands. A proper establishment of servants, a carriage, perhaps two, and hunters, cannot be supported on less." Elinor smiled again, to hear her sister describing so accurately their future expenses at Combe Magna. "Hunters!" repeated Edward "but why must you have hunters? Every body does not hunt." Marianne coloured as she replied, "But most people do." "I wish," said Margaret, striking out a novel thought, "that somebody would give us all a large fortune apiece!" "Oh that they would!" cried Marianne, her eyes sparkling with animation, and her cheeks glowing with the delight of such imaginary happiness. "We are all unanimous in that wish, I suppose," said Elinor, "in spite of the insufficiency of wealth." "Oh dear!" cried Margaret, "how happy I should be! I wonder what I should do with it!" Marianne looked as if she had no doubt on that point. "I should be puzzled to spend so large a fortune myself," said Mrs. Dashwood, "if my children were all to be rich without my help." "You must begin your improvements on this house," observed Elinor, "and your difficulties will soon vanish." "What magnificent orders would travel from this family to London," said Edward, "in such an event! What a happy day for booksellers, music-sellers, and print-shops! You, Miss Dashwood, would give a general commission for every new print of merit to be sent you and as for Marianne, I know her greatness of soul, there would not be music enough in London to content her. And books! Thomson, Cowper, Scott she would buy them all over and over again: she would buy up every copy, I believe, to prevent their falling into unworthy hands; and she would have every book that tells her how to admire an old twisted tree. Should not you, Marianne? Forgive me, if I am very saucy. But I was willing to show you that I had not forgot our old disputes." "I love to be reminded of the past, Edward whether it be melancholy or gay, I love to recall it and you will never offend me by talking of former times. You are very right in supposing how my money would be spent some of it, at least my loose cash would certainly be employed in improving my collection of music and books." "And the bulk of your fortune would be laid out in annuities on the authors or their heirs." "No, Edward, I should have something else to do with it." "Perhaps, then, you would bestow it as a reward on that person who wrote the ablest defence of your favourite maxim, that no one can ever be in love more than once in their life your opinion on that point is unchanged, I presume?" "Undoubtedly. At my time of life opinions are tolerably fixed. It is not likely that I should now see or hear any	him as she thought he ought to be treated from the family connection. CHAPTER XVII. Mrs. Dashwood was surprised only for a moment at seeing him; for his coming to Barton was, in her opinion, of all things the most natural. Her joy and expression of regard long outlived her wonder. He received the kindest welcome from her; and shyness, coldness, reserve could not stand against such a reception. They had begun to fail him before he entered the house, and they were quite overcome by the captivating manners of Mrs. Dashwood. Indeed a man could not very well be in love with either of her daughters, without extending the passion to her; and Elinor had the satisfaction of seeing him soon become more like himself. His affections seemed to reanimate towards them all, and his interest in their welfare again became perceptible. He was not in spirits, however; he praised their house, admired its prospect, was attentive, and kind; but still he was not in spirits. The whole family perceived it, and Mrs. Dashwood, attributing it to some want of liberality in his mother, sat down to table indignant against all selfish parents. "What are Mrs. Ferrars s views for you at present, Edward?" said she, when dinner was over and they had drawn round the fire;<\|quote\|>"are you still to be a great orator in spite of yourself?"</\|quote\|>"No. I hope my mother is now convinced that I have no more talents than inclination for a public life!" "But how is your fame to be established? for famous you must be to satisfy all your family; and with no inclination for expense, no affection for strangers, no profession, and no assurance, you may find it a difficult matter." "I shall not attempt it. I have no wish to be distinguished; and have every reason to hope I never shall. Thank Heaven! I cannot be forced into genius and eloquence." "You have no ambition, I well know. Your wishes are all moderate." "As moderate as those of the rest of the world, I believe. I wish as well as every body else to be perfectly happy; but, like every body else it must be in my own way. Greatness will not make me so." "Strange that it would!" cried Marianne. "What have wealth or grandeur to do with happiness?" "Grandeur has but little," said Elinor, "but wealth has much to do with it." "Elinor, for shame!" said Marianne, "money can only give happiness where there is nothing else to give it. Beyond a competence, it can afford no real satisfaction, as far as mere self is concerned." "Perhaps," said Elinor, smiling, "we may come to the same point. _Your_ competence and _my_ wealth are very much alike, I dare say; and without them, as the world goes now, we shall both agree that every kind of external comfort must be wanting. Your ideas are only more noble than mine. Come, what is your competence?" "About eighteen hundred or two thousand a year; not more than _that_." Elinor laughed. "_two_ thousand a year! _one_ is my wealth! I guessed how it would end." "And yet two thousand a-year is a very moderate income," said Marianne. "A family cannot well be maintained on a smaller. I am sure I am not extravagant in my demands. A proper establishment of servants, a carriage, perhaps two, and hunters, cannot be supported on less." Elinor smiled again, to hear her sister describing so accurately their future expenses at Combe Magna. "Hunters!" repeated Edward "but why must you have hunters? Every body does not hunt." Marianne coloured as she replied, "But most people do." "I wish," said Margaret, striking out a novel thought, "that somebody would give us all a large fortune apiece!" "Oh that they would!" cried Marianne, her eyes sparkling with animation, and her cheeks glowing with the delight of such imaginary happiness. "We are all unanimous in that wish, I suppose," said Elinor, "in spite of the insufficiency of wealth." "Oh dear!" cried Margaret, "how happy I should be! I wonder what I should do with it!" Marianne looked as if she had no doubt on that point. "I should be puzzled to spend so large a fortune myself," said Mrs. Dashwood, "if my children were all to be rich without my help." "You must begin your improvements on this house," observed Elinor, "and your difficulties will soon vanish." "What magnificent orders would travel from this family to London," said Edward, "in such an event! What a happy day for booksellers, music-sellers, and print-shops! You, Miss Dashwood, would give a general commission for every new print of merit to be sent you and as for Marianne, I know her greatness of soul, there would not be music enough in London to content her. And books! Thomson, Cowper, Scott she would buy them all over and over	Sense And Sensibility
“I know it was silly, but I could n’t help it. I wanted her right here. She’d never been away from me a night since she was born. If Anton had made trouble about her when she was a baby, or wanted me to leave her with my mother, I would n’t have married him. I could n’t. But he always loved her like she was his own.”	Antonia	nodded and smiled at herself.<\|quote\|>“I know it was silly, but I could n’t help it. I wanted her right here. She’d never been away from me a night since she was born. If Anton had made trouble about her when she was a baby, or wanted me to leave her with my mother, I would n’t have married him. I could n’t. But he always loved her like she was his own.”</\|quote\|>“I did n’t even know	patient with you, mother.” Ántonia nodded and smiled at herself.<\|quote\|>“I know it was silly, but I could n’t help it. I wanted her right here. She’d never been away from me a night since she was born. If Anton had made trouble about her when she was a baby, or wanted me to leave her with my mother, I would n’t have married him. I could n’t. But he always loved her like she was his own.”</\|quote\|>“I did n’t even know Martha was n’t my full	was pouring cream into the churn. She looked up at me. “Yes, she did. We were just ashamed of mother. She went round crying, when Martha was so happy, and the rest of us were all glad. Joe certainly was patient with you, mother.” Ántonia nodded and smiled at herself.<\|quote\|>“I know it was silly, but I could n’t help it. I wanted her right here. She’d never been away from me a night since she was born. If Anton had made trouble about her when she was a baby, or wanted me to leave her with my mother, I would n’t have married him. I could n’t. But he always loved her like she was his own.”</\|quote\|>“I did n’t even know Martha was n’t my full sister until after she was engaged to Joe,” Anna told me. Toward the middle of the afternoon the wagon drove in, with the father and the eldest son. I was smoking in the orchard, and as I went out to	in here, and unwrap him, he looks like a little prince; Martha takes care of him so beautiful. I’m reconciled to her being away from me now, but at first I cried like I was putting her into her coffin.” We were alone in the kitchen, except for Anna, who was pouring cream into the churn. She looked up at me. “Yes, she did. We were just ashamed of mother. She went round crying, when Martha was so happy, and the rest of us were all glad. Joe certainly was patient with you, mother.” Ántonia nodded and smiled at herself.<\|quote\|>“I know it was silly, but I could n’t help it. I wanted her right here. She’d never been away from me a night since she was born. If Anton had made trouble about her when she was a baby, or wanted me to leave her with my mother, I would n’t have married him. I could n’t. But he always loved her like she was his own.”</\|quote\|>“I did n’t even know Martha was n’t my full sister until after she was engaged to Joe,” Anna told me. Toward the middle of the afternoon the wagon drove in, with the father and the eldest son. I was smoking in the orchard, and as I went out to meet them, Ántonia came running down from the house and hugged the two men as if they had been away for months. “Papa” interested me, from my first glimpse of him. He was shorter than his older sons; a crumpled little man, with run-over boot heels, and he carried one	Wilber on the noon train. “We’ll only have a lunch at noon,” Ántonia said, “and cook the geese for supper, when our papa will be here. I wish my Martha could come down to see you. They have a Ford car now, and she don’t seem so far away from me as she used to. But her husband’s crazy about his farm and about having everything just right, and they almost never get away except on Sundays. He’s a handsome boy, and he’ll be rich some day. Everything he takes hold of turns out well. When they bring that baby in here, and unwrap him, he looks like a little prince; Martha takes care of him so beautiful. I’m reconciled to her being away from me now, but at first I cried like I was putting her into her coffin.” We were alone in the kitchen, except for Anna, who was pouring cream into the churn. She looked up at me. “Yes, she did. We were just ashamed of mother. She went round crying, when Martha was so happy, and the rest of us were all glad. Joe certainly was patient with you, mother.” Ántonia nodded and smiled at herself.<\|quote\|>“I know it was silly, but I could n’t help it. I wanted her right here. She’d never been away from me a night since she was born. If Anton had made trouble about her when she was a baby, or wanted me to leave her with my mother, I would n’t have married him. I could n’t. But he always loved her like she was his own.”</\|quote\|>“I did n’t even know Martha was n’t my full sister until after she was engaged to Joe,” Anna told me. Toward the middle of the afternoon the wagon drove in, with the father and the eldest son. I was smoking in the orchard, and as I went out to meet them, Ántonia came running down from the house and hugged the two men as if they had been away for months. “Papa” interested me, from my first glimpse of him. He was shorter than his older sons; a crumpled little man, with run-over boot heels, and he carried one shoulder higher than the other. But he moved very quickly, and there was an air of jaunty liveliness about him. He had a strong, ruddy color, thick black hair, a little grizzled, a curly mustache, and red lips. His smile showed the strong teeth of which his wife was so proud, and as he saw me his lively, quizzical eyes told me that he knew all about me. He looked like a humorous philosopher who had hitched up one shoulder under the burdens of life, and gone on his way having a good time when he could. He advanced to	awake and was tickling his brother’s leg with a dried cone-flower he had pulled out of the hay. Ambrosch kicked at him and turned over. I closed my eyes and pretended to be asleep. Leo lay on his back, elevated one foot, and began exercising his toes. He picked up dried flowers with his toes and brandished them in the belt of sunlight. After he had amused himself thus for some time, he rose on one elbow and began to look at me, cautiously, then critically, blinking his eyes in the light. His expression was droll; it dismissed me lightly. “This old fellow is no different from other people. He does n’t know my secret.” He seemed conscious of possessing a keener power of enjoyment than other people; his quick recognitions made him frantically impatient of deliberate judgments. He always knew what he wanted without thinking. After dressing in the hay, I washed my face in cold water at the windmill. Breakfast was ready when I entered the kitchen, and Yulka was baking griddle-cakes. The three older boys set off for the fields early. Leo and Yulka were to drive to town to meet their father, who would return from Wilber on the noon train. “We’ll only have a lunch at noon,” Ántonia said, “and cook the geese for supper, when our papa will be here. I wish my Martha could come down to see you. They have a Ford car now, and she don’t seem so far away from me as she used to. But her husband’s crazy about his farm and about having everything just right, and they almost never get away except on Sundays. He’s a handsome boy, and he’ll be rich some day. Everything he takes hold of turns out well. When they bring that baby in here, and unwrap him, he looks like a little prince; Martha takes care of him so beautiful. I’m reconciled to her being away from me now, but at first I cried like I was putting her into her coffin.” We were alone in the kitchen, except for Anna, who was pouring cream into the churn. She looked up at me. “Yes, she did. We were just ashamed of mother. She went round crying, when Martha was so happy, and the rest of us were all glad. Joe certainly was patient with you, mother.” Ántonia nodded and smiled at herself.<\|quote\|>“I know it was silly, but I could n’t help it. I wanted her right here. She’d never been away from me a night since she was born. If Anton had made trouble about her when she was a baby, or wanted me to leave her with my mother, I would n’t have married him. I could n’t. But he always loved her like she was his own.”</\|quote\|>“I did n’t even know Martha was n’t my full sister until after she was engaged to Joe,” Anna told me. Toward the middle of the afternoon the wagon drove in, with the father and the eldest son. I was smoking in the orchard, and as I went out to meet them, Ántonia came running down from the house and hugged the two men as if they had been away for months. “Papa” interested me, from my first glimpse of him. He was shorter than his older sons; a crumpled little man, with run-over boot heels, and he carried one shoulder higher than the other. But he moved very quickly, and there was an air of jaunty liveliness about him. He had a strong, ruddy color, thick black hair, a little grizzled, a curly mustache, and red lips. His smile showed the strong teeth of which his wife was so proud, and as he saw me his lively, quizzical eyes told me that he knew all about me. He looked like a humorous philosopher who had hitched up one shoulder under the burdens of life, and gone on his way having a good time when he could. He advanced to meet me and gave me a hard hand, burned red on the back and heavily coated with hair. He wore his Sunday clothes, very thick and hot for the weather, an unstarched white shirt, and a blue necktie with big white dots, like a little boy’s, tied in a flowing bow. Cuzak began at once to talk about his holiday—from politeness he spoke in English. “Mama, I wish you had see the lady dance on the slack-wire in the street at night. They throw a bright light on her and she float through the air something beautiful, like a bird! They have a dancing bear, like in the old country, and two three merry-go-around, and people in balloons, and what you call the big wheel, Rudolph?” “A Ferris wheel,” Rudolph entered the conversation in a deep baritone voice. He was six foot two, and had a chest like a young blacksmith. “We went to the big dance in the hall behind the saloon last night, mother, and I danced with all the girls, and so did father. I never saw so many pretty girls. It was a Bohunk crowd, for sure. We did n’t hear a word of English on	haymow, and I lay down before a big window, left open in warm weather, that looked out into the stars. Ambrosch and Leo cuddled up in a hay-cave, back under the eaves, and lay giggling and whispering. They tickled each other and tossed and tumbled in the hay; and then, all at once, as if they had been shot, they were still. There was hardly a minute between giggles and bland slumber. I lay awake for a long while, until the slow-moving moon passed my window on its way up the heavens. I was thinking about Ántonia and her children; about Anna’s solicitude for her, Ambrosch’s grave affection, Leo’s jealous, animal little love. That moment, when they all came tumbling out of the cave into the light, was a sight any man might have come far to see. Ántonia had always been one to leave images in the mind that did not fade—that grew stronger with time. In my memory there was a succession of such pictures, fixed there like the old woodcuts of one’s first primer: Ántonia kicking her bare legs against the sides of my pony when we came home in triumph with our snake; Ántonia in her black shawl and fur cap, as she stood by her father’s grave in the snowstorm; Ántonia coming in with her work-team along the evening sky-line. She lent herself to immemorial human attitudes which we recognize by instinct as universal and true. I had not been mistaken. She was a battered woman now, not a lovely girl; but she still had that something which fires the imagination, could still stop one’s breath for a moment by a look or gesture that somehow revealed the meaning in common things. She had only to stand in the orchard, to put her hand on a little crab tree and look up at the apples, to make you feel the goodness of planting and tending and harvesting at last. All the strong things of her heart came out in her body, that had been so tireless in serving generous emotions. It was no wonder that her sons stood tall and straight. She was a rich mine of life, like the founders of early races. II WHEN I awoke in the morning long bands of sunshine were coming in at the window and reaching back under the eaves where the two boys lay. Leo was wide awake and was tickling his brother’s leg with a dried cone-flower he had pulled out of the hay. Ambrosch kicked at him and turned over. I closed my eyes and pretended to be asleep. Leo lay on his back, elevated one foot, and began exercising his toes. He picked up dried flowers with his toes and brandished them in the belt of sunlight. After he had amused himself thus for some time, he rose on one elbow and began to look at me, cautiously, then critically, blinking his eyes in the light. His expression was droll; it dismissed me lightly. “This old fellow is no different from other people. He does n’t know my secret.” He seemed conscious of possessing a keener power of enjoyment than other people; his quick recognitions made him frantically impatient of deliberate judgments. He always knew what he wanted without thinking. After dressing in the hay, I washed my face in cold water at the windmill. Breakfast was ready when I entered the kitchen, and Yulka was baking griddle-cakes. The three older boys set off for the fields early. Leo and Yulka were to drive to town to meet their father, who would return from Wilber on the noon train. “We’ll only have a lunch at noon,” Ántonia said, “and cook the geese for supper, when our papa will be here. I wish my Martha could come down to see you. They have a Ford car now, and she don’t seem so far away from me as she used to. But her husband’s crazy about his farm and about having everything just right, and they almost never get away except on Sundays. He’s a handsome boy, and he’ll be rich some day. Everything he takes hold of turns out well. When they bring that baby in here, and unwrap him, he looks like a little prince; Martha takes care of him so beautiful. I’m reconciled to her being away from me now, but at first I cried like I was putting her into her coffin.” We were alone in the kitchen, except for Anna, who was pouring cream into the churn. She looked up at me. “Yes, she did. We were just ashamed of mother. She went round crying, when Martha was so happy, and the rest of us were all glad. Joe certainly was patient with you, mother.” Ántonia nodded and smiled at herself.<\|quote\|>“I know it was silly, but I could n’t help it. I wanted her right here. She’d never been away from me a night since she was born. If Anton had made trouble about her when she was a baby, or wanted me to leave her with my mother, I would n’t have married him. I could n’t. But he always loved her like she was his own.”</\|quote\|>“I did n’t even know Martha was n’t my full sister until after she was engaged to Joe,” Anna told me. Toward the middle of the afternoon the wagon drove in, with the father and the eldest son. I was smoking in the orchard, and as I went out to meet them, Ántonia came running down from the house and hugged the two men as if they had been away for months. “Papa” interested me, from my first glimpse of him. He was shorter than his older sons; a crumpled little man, with run-over boot heels, and he carried one shoulder higher than the other. But he moved very quickly, and there was an air of jaunty liveliness about him. He had a strong, ruddy color, thick black hair, a little grizzled, a curly mustache, and red lips. His smile showed the strong teeth of which his wife was so proud, and as he saw me his lively, quizzical eyes told me that he knew all about me. He looked like a humorous philosopher who had hitched up one shoulder under the burdens of life, and gone on his way having a good time when he could. He advanced to meet me and gave me a hard hand, burned red on the back and heavily coated with hair. He wore his Sunday clothes, very thick and hot for the weather, an unstarched white shirt, and a blue necktie with big white dots, like a little boy’s, tied in a flowing bow. Cuzak began at once to talk about his holiday—from politeness he spoke in English. “Mama, I wish you had see the lady dance on the slack-wire in the street at night. They throw a bright light on her and she float through the air something beautiful, like a bird! They have a dancing bear, like in the old country, and two three merry-go-around, and people in balloons, and what you call the big wheel, Rudolph?” “A Ferris wheel,” Rudolph entered the conversation in a deep baritone voice. He was six foot two, and had a chest like a young blacksmith. “We went to the big dance in the hall behind the saloon last night, mother, and I danced with all the girls, and so did father. I never saw so many pretty girls. It was a Bohunk crowd, for sure. We did n’t hear a word of English on the street, except from the show people, did we, papa?” Cuzak nodded. “And very many send word to you, Ántonia. You will excuse” —turning to me— “if I tell her.” While we walked toward the house he related incidents and delivered messages in the tongue he spoke fluently, and I dropped a little behind, curious to know what their relations had become—or remained. The two seemed to be on terms of easy friendliness, touched with humor. Clearly, she was the impulse, and he the corrective. As they went up the hill he kept glancing at her sidewise, to see whether she got his point, or how she received it. I noticed later that he always looked at people sidewise, as a work-horse does at its yoke-mate. Even when he sat opposite me in the kitchen, talking, he would turn his head a little toward the clock or the stove and look at me from the side, but with frankness and good-nature. This trick did not suggest duplicity or secretiveness, but merely long habit, as with the horse. He had brought a tintype of himself and Rudolph for Ántonia’s collection, and several paper bags of candy for the children. He looked a little disappointed when his wife showed him a big box of candy I had got in Denver—she had n’t let the children touch it the night before. He put his candy away in the cupboard, “for when she rains,” and glanced at the box, chuckling. “I guess you must have hear about how my family ain’t so small,” he said. Cuzak sat down behind the stove and watched his women-folk and the little children with equal amusement. He thought they were nice, and he thought they were funny, evidently. He had been off dancing with the girls and forgetting that he was an old fellow, and now his family rather surprised him; he seemed to think it a joke that all these children should belong to him. As the younger ones slipped up to him in his retreat, he kept taking things out of his pockets; penny dolls, a wooden clown, a balloon pig that was inflated by a whistle. He beckoned to the little boy they called Jan, whispered to him, and presented him with a paper snake, gently, so as not to startle him. Looking over the boy’s head he said to me, “This one is bashful.	woman now, not a lovely girl; but she still had that something which fires the imagination, could still stop one’s breath for a moment by a look or gesture that somehow revealed the meaning in common things. She had only to stand in the orchard, to put her hand on a little crab tree and look up at the apples, to make you feel the goodness of planting and tending and harvesting at last. All the strong things of her heart came out in her body, that had been so tireless in serving generous emotions. It was no wonder that her sons stood tall and straight. She was a rich mine of life, like the founders of early races. II WHEN I awoke in the morning long bands of sunshine were coming in at the window and reaching back under the eaves where the two boys lay. Leo was wide awake and was tickling his brother’s leg with a dried cone-flower he had pulled out of the hay. Ambrosch kicked at him and turned over. I closed my eyes and pretended to be asleep. Leo lay on his back, elevated one foot, and began exercising his toes. He picked up dried flowers with his toes and brandished them in the belt of sunlight. After he had amused himself thus for some time, he rose on one elbow and began to look at me, cautiously, then critically, blinking his eyes in the light. His expression was droll; it dismissed me lightly. “This old fellow is no different from other people. He does n’t know my secret.” He seemed conscious of possessing a keener power of enjoyment than other people; his quick recognitions made him frantically impatient of deliberate judgments. He always knew what he wanted without thinking. After dressing in the hay, I washed my face in cold water at the windmill. Breakfast was ready when I entered the kitchen, and Yulka was baking griddle-cakes. The three older boys set off for the fields early. Leo and Yulka were to drive to town to meet their father, who would return from Wilber on the noon train. “We’ll only have a lunch at noon,” Ántonia said, “and cook the geese for supper, when our papa will be here. I wish my Martha could come down to see you. They have a Ford car now, and she don’t seem so far away from me as she used to. But her husband’s crazy about his farm and about having everything just right, and they almost never get away except on Sundays. He’s a handsome boy, and he’ll be rich some day. Everything he takes hold of turns out well. When they bring that baby in here, and unwrap him, he looks like a little prince; Martha takes care of him so beautiful. I’m reconciled to her being away from me now, but at first I cried like I was putting her into her coffin.” We were alone in the kitchen, except for Anna, who was pouring cream into the churn. She looked up at me. “Yes, she did. We were just ashamed of mother. She went round crying, when Martha was so happy, and the rest of us were all glad. Joe certainly was patient with you, mother.” Ántonia nodded and smiled at herself.<\|quote\|>“I know it was silly, but I could n’t help it. I wanted her right here. She’d never been away from me a night since she was born. If Anton had made trouble about her when she was a baby, or wanted me to leave her with my mother, I would n’t have married him. I could n’t. But he always loved her like she was his own.”</\|quote\|>“I did n’t even know Martha was n’t my full sister until after she was engaged to Joe,” Anna told me. Toward the middle of the afternoon the wagon drove in, with the father and the eldest son. I was smoking in the orchard, and as I went out to meet them, Ántonia came running down from the house and hugged the two men as if they had been away for months. “Papa” interested me, from my first glimpse of him. He was shorter than his older sons; a crumpled little man, with run-over boot heels, and he carried one shoulder higher than the other. But he moved very quickly, and there was an air of jaunty liveliness about him. He had a strong, ruddy color, thick black hair, a little grizzled, a curly mustache, and red lips. His smile showed the strong teeth of which his wife was so proud, and as he saw me his lively, quizzical eyes told me that he knew all about me. He looked like a humorous philosopher who had hitched up one shoulder under the burdens of life, and gone on his way having a good time when he could. He advanced to meet me and gave me a hard hand, burned red on the back and heavily coated with hair. He wore his Sunday clothes, very thick and hot for the weather, an unstarched white shirt, and a blue necktie with big white dots, like a little boy’s, tied in a flowing bow. Cuzak began at once to talk about his holiday—from politeness he spoke in English. “Mama, I wish you had see the lady dance on the slack-wire in the street at night. They throw a bright light on her and she float through the air something beautiful, like a bird! They have a dancing bear, like in the old country, and two three merry-go-around, and people in balloons, and what you call the big wheel, Rudolph?” “A Ferris wheel,” Rudolph entered the conversation in a deep baritone voice. He was six foot two, and had a chest like a young blacksmith. “We went to the big dance in the hall behind the saloon last night, mother, and I danced with all the girls, and so did father. I never saw so many pretty girls. It was a Bohunk crowd, for sure. We did n’t hear a word of English on the street, except from the show people, did we, papa?” Cuzak nodded. “And very many send word to you, Ántonia. You will excuse” —turning to me— “if I tell her.” While we walked toward the house he related incidents and delivered messages in the tongue he spoke fluently, and I dropped a little behind, curious to know what their relations had become—or remained. The two seemed to be on terms of easy friendliness, touched with humor. Clearly, she was the impulse, and he the corrective. As they went up the hill he kept glancing at her sidewise, to see whether she got his point, or how she received it. I noticed later that he always looked at people sidewise, as a work-horse does at its yoke-mate. Even when he sat opposite me in the kitchen, talking, he would turn his head a little toward the clock or the stove	My Antonia
"Did you MIND my telling her first, Newland?"	Miss Welland	wife was watching him intently.<\|quote\|>"Did you MIND my telling her first, Newland?"</\|quote\|>"Mind? Why should I?" He	stopping. He felt that his wife was watching him intently.<\|quote\|>"Did you MIND my telling her first, Newland?"</\|quote\|>"Mind? Why should I?" He made a last effort to	mother." She paused, and then added hurriedly, the blood flushing up to her forehead: "That is--and Ellen. You know I told you we'd had a long talk one afternoon--and how dear she was to me." "Ah--" said Archer, his heart stopping. He felt that his wife was watching him intently.<\|quote\|>"Did you MIND my telling her first, Newland?"</\|quote\|>"Mind? Why should I?" He made a last effort to collect himself. "But that was a fortnight ago, wasn't it? I thought you said you weren't sure till today." Her colour burned deeper, but she held his gaze. "No; I wasn't sure then--but I told her I was. And you	freed herself from his arms and stood up. "You didn't guess--?" "Yes--I; no. That is, of course I hoped--" They looked at each other for an instant and again fell silent; then, turning his eyes from hers, he asked abruptly: "Have you told any one else?" "Only Mamma and your mother." She paused, and then added hurriedly, the blood flushing up to her forehead: "That is--and Ellen. You know I told you we'd had a long talk one afternoon--and how dear she was to me." "Ah--" said Archer, his heart stopping. He felt that his wife was watching him intently.<\|quote\|>"Did you MIND my telling her first, Newland?"</\|quote\|>"Mind? Why should I?" He made a last effort to collect himself. "But that was a fortnight ago, wasn't it? I thought you said you weren't sure till today." Her colour burned deeper, but she held his gaze. "No; I wasn't sure then--but I told her I was. And you see I was right!" she exclaimed, her blue eyes wet with victory. XXXIV. Newland Archer sat at the writing-table in his library in East Thirty-ninth Street. He had just got back from a big official reception for the inauguration of the new galleries at the Metropolitan Museum, and the spectacle	each separate syllable tapped like a little hammer on his brain: "That is, if the doctors will let me go ... but I'm afraid they won't. For you see, Newland, I've been sure since this morning of something I've been so longing and hoping for--" He looked up at her with a sick stare, and she sank down, all dew and roses, and hid her face against his knee. "Oh, my dear," he said, holding her to him while his cold hand stroked her hair. There was a long pause, which the inner devils filled with strident laughter; then May freed herself from his arms and stood up. "You didn't guess--?" "Yes--I; no. That is, of course I hoped--" They looked at each other for an instant and again fell silent; then, turning his eyes from hers, he asked abruptly: "Have you told any one else?" "Only Mamma and your mother." She paused, and then added hurriedly, the blood flushing up to her forehead: "That is--and Ellen. You know I told you we'd had a long talk one afternoon--and how dear she was to me." "Ah--" said Archer, his heart stopping. He felt that his wife was watching him intently.<\|quote\|>"Did you MIND my telling her first, Newland?"</\|quote\|>"Mind? Why should I?" He made a last effort to collect himself. "But that was a fortnight ago, wasn't it? I thought you said you weren't sure till today." Her colour burned deeper, but she held his gaze. "No; I wasn't sure then--but I told her I was. And you see I was right!" she exclaimed, her blue eyes wet with victory. XXXIV. Newland Archer sat at the writing-table in his library in East Thirty-ninth Street. He had just got back from a big official reception for the inauguration of the new galleries at the Metropolitan Museum, and the spectacle of those great spaces crowded with the spoils of the ages, where the throng of fashion circulated through a series of scientifically catalogued treasures, had suddenly pressed on a rusted spring of memory. "Why, this used to be one of the old Cesnola rooms," he heard some one say; and instantly everything about him vanished, and he was sitting alone on a hard leather divan against a radiator, while a slight figure in a long sealskin cloak moved away down the meagrely-fitted vista of the old Museum. The vision had roused a host of other associations, and he sat looking	looked at him quickly. "Yes, dear. Something about yourself?" "About myself. You say you're not tired: well, I am. Horribly tired ..." In an instant she was all tender anxiety. "Oh, I've seen it coming on, Newland! You've been so wickedly overworked--" "Perhaps it's that. Anyhow, I want to make a break--" "A break? To give up the law?" "To go away, at any rate--at once. On a long trip, ever so far off--away from everything--" He paused, conscious that he had failed in his attempt to speak with the indifference of a man who longs for a change, and is yet too weary to welcome it. Do what he would, the chord of eagerness vibrated. "Away from everything--" he repeated. "Ever so far? Where, for instance?" she asked. "Oh, I don't know. India--or Japan." She stood up, and as he sat with bent head, his chin propped on his hands, he felt her warmly and fragrantly hovering over him. "As far as that? But I'm afraid you can't, dear ..." she said in an unsteady voice. "Not unless you'll take me with you." And then, as he was silent, she went on, in tones so clear and evenly-pitched that each separate syllable tapped like a little hammer on his brain: "That is, if the doctors will let me go ... but I'm afraid they won't. For you see, Newland, I've been sure since this morning of something I've been so longing and hoping for--" He looked up at her with a sick stare, and she sank down, all dew and roses, and hid her face against his knee. "Oh, my dear," he said, holding her to him while his cold hand stroked her hair. There was a long pause, which the inner devils filled with strident laughter; then May freed herself from his arms and stood up. "You didn't guess--?" "Yes--I; no. That is, of course I hoped--" They looked at each other for an instant and again fell silent; then, turning his eyes from hers, he asked abruptly: "Have you told any one else?" "Only Mamma and your mother." She paused, and then added hurriedly, the blood flushing up to her forehead: "That is--and Ellen. You know I told you we'd had a long talk one afternoon--and how dear she was to me." "Ah--" said Archer, his heart stopping. He felt that his wife was watching him intently.<\|quote\|>"Did you MIND my telling her first, Newland?"</\|quote\|>"Mind? Why should I?" He made a last effort to collect himself. "But that was a fortnight ago, wasn't it? I thought you said you weren't sure till today." Her colour burned deeper, but she held his gaze. "No; I wasn't sure then--but I told her I was. And you see I was right!" she exclaimed, her blue eyes wet with victory. XXXIV. Newland Archer sat at the writing-table in his library in East Thirty-ninth Street. He had just got back from a big official reception for the inauguration of the new galleries at the Metropolitan Museum, and the spectacle of those great spaces crowded with the spoils of the ages, where the throng of fashion circulated through a series of scientifically catalogued treasures, had suddenly pressed on a rusted spring of memory. "Why, this used to be one of the old Cesnola rooms," he heard some one say; and instantly everything about him vanished, and he was sitting alone on a hard leather divan against a radiator, while a slight figure in a long sealskin cloak moved away down the meagrely-fitted vista of the old Museum. The vision had roused a host of other associations, and he sat looking with new eyes at the library which, for over thirty years, had been the scene of his solitary musings and of all the family confabulations. It was the room in which most of the real things of his life had happened. There his wife, nearly twenty-six years ago, had broken to him, with a blushing circumlocution that would have caused the young women of the new generation to smile, the news that she was to have a child; and there their eldest boy, Dallas, too delicate to be taken to church in midwinter, had been christened by their old friend the Bishop of New York, the ample magnificent irreplaceable Bishop, so long the pride and ornament of his diocese. There Dallas had first staggered across the floor shouting "Dad," while May and the nurse laughed behind the door; there their second child, Mary (who was so like her mother), had announced her engagement to the dullest and most reliable of Reggie Chivers's many sons; and there Archer had kissed her through her wedding veil before they went down to the motor which was to carry them to Grace Church--for in a world where all else had reeled on its foundations	might startle or disturb her. Convinced that no power could now turn him from his purpose he had found strength to let events shape themselves as they would. But as he followed Madame Olenska into the hall he thought with a sudden hunger of being for a moment alone with her at the door of her carriage. "Is your carriage here?" he asked; and at that moment Mrs. van der Luyden, who was being majestically inserted into her sables, said gently: "We are driving dear Ellen home." Archer's heart gave a jerk, and Madame Olenska, clasping her cloak and fan with one hand, held out the other to him. "Good-bye," she said. "Good-bye--but I shall see you soon in Paris," he answered aloud--it seemed to him that he had shouted it. "Oh," she murmured, "if you and May could come--!" Mr. van der Luyden advanced to give her his arm, and Archer turned to Mrs. van der Luyden. For a moment, in the billowy darkness inside the big landau, he caught the dim oval of a face, eyes shining steadily--and she was gone. As he went up the steps he crossed Lawrence Lefferts coming down with his wife. Lefferts caught his host by the sleeve, drawing back to let Gertrude pass. "I say, old chap: do you mind just letting it be understood that I'm dining with you at the club tomorrow night? Thanks so much, you old brick! Good-night." "It DID go off beautifully, didn't it?" May questioned from the threshold of the library. Archer roused himself with a start. As soon as the last carriage had driven away, he had come up to the library and shut himself in, with the hope that his wife, who still lingered below, would go straight to her room. But there she stood, pale and drawn, yet radiating the factitious energy of one who has passed beyond fatigue. "May I come and talk it over?" she asked. "Of course, if you like. But you must be awfully sleepy--" "No, I'm not sleepy. I should like to sit with you a little." "Very well," he said, pushing her chair near the fire. She sat down and he resumed his seat; but neither spoke for a long time. At length Archer began abruptly: "Since you're not tired, and want to talk, there's something I must tell you. I tried to the other night--." She looked at him quickly. "Yes, dear. Something about yourself?" "About myself. You say you're not tired: well, I am. Horribly tired ..." In an instant she was all tender anxiety. "Oh, I've seen it coming on, Newland! You've been so wickedly overworked--" "Perhaps it's that. Anyhow, I want to make a break--" "A break? To give up the law?" "To go away, at any rate--at once. On a long trip, ever so far off--away from everything--" He paused, conscious that he had failed in his attempt to speak with the indifference of a man who longs for a change, and is yet too weary to welcome it. Do what he would, the chord of eagerness vibrated. "Away from everything--" he repeated. "Ever so far? Where, for instance?" she asked. "Oh, I don't know. India--or Japan." She stood up, and as he sat with bent head, his chin propped on his hands, he felt her warmly and fragrantly hovering over him. "As far as that? But I'm afraid you can't, dear ..." she said in an unsteady voice. "Not unless you'll take me with you." And then, as he was silent, she went on, in tones so clear and evenly-pitched that each separate syllable tapped like a little hammer on his brain: "That is, if the doctors will let me go ... but I'm afraid they won't. For you see, Newland, I've been sure since this morning of something I've been so longing and hoping for--" He looked up at her with a sick stare, and she sank down, all dew and roses, and hid her face against his knee. "Oh, my dear," he said, holding her to him while his cold hand stroked her hair. There was a long pause, which the inner devils filled with strident laughter; then May freed herself from his arms and stood up. "You didn't guess--?" "Yes--I; no. That is, of course I hoped--" They looked at each other for an instant and again fell silent; then, turning his eyes from hers, he asked abruptly: "Have you told any one else?" "Only Mamma and your mother." She paused, and then added hurriedly, the blood flushing up to her forehead: "That is--and Ellen. You know I told you we'd had a long talk one afternoon--and how dear she was to me." "Ah--" said Archer, his heart stopping. He felt that his wife was watching him intently.<\|quote\|>"Did you MIND my telling her first, Newland?"</\|quote\|>"Mind? Why should I?" He made a last effort to collect himself. "But that was a fortnight ago, wasn't it? I thought you said you weren't sure till today." Her colour burned deeper, but she held his gaze. "No; I wasn't sure then--but I told her I was. And you see I was right!" she exclaimed, her blue eyes wet with victory. XXXIV. Newland Archer sat at the writing-table in his library in East Thirty-ninth Street. He had just got back from a big official reception for the inauguration of the new galleries at the Metropolitan Museum, and the spectacle of those great spaces crowded with the spoils of the ages, where the throng of fashion circulated through a series of scientifically catalogued treasures, had suddenly pressed on a rusted spring of memory. "Why, this used to be one of the old Cesnola rooms," he heard some one say; and instantly everything about him vanished, and he was sitting alone on a hard leather divan against a radiator, while a slight figure in a long sealskin cloak moved away down the meagrely-fitted vista of the old Museum. The vision had roused a host of other associations, and he sat looking with new eyes at the library which, for over thirty years, had been the scene of his solitary musings and of all the family confabulations. It was the room in which most of the real things of his life had happened. There his wife, nearly twenty-six years ago, had broken to him, with a blushing circumlocution that would have caused the young women of the new generation to smile, the news that she was to have a child; and there their eldest boy, Dallas, too delicate to be taken to church in midwinter, had been christened by their old friend the Bishop of New York, the ample magnificent irreplaceable Bishop, so long the pride and ornament of his diocese. There Dallas had first staggered across the floor shouting "Dad," while May and the nurse laughed behind the door; there their second child, Mary (who was so like her mother), had announced her engagement to the dullest and most reliable of Reggie Chivers's many sons; and there Archer had kissed her through her wedding veil before they went down to the motor which was to carry them to Grace Church--for in a world where all else had reeled on its foundations the "Grace Church wedding" remained an unchanged institution. It was in the library that he and May had always discussed the future of the children: the studies of Dallas and his young brother Bill, Mary's incurable indifference to "accomplishments," and passion for sport and philanthropy, and the vague leanings toward "art" which had finally landed the restless and curious Dallas in the office of a rising New York architect. The young men nowadays were emancipating themselves from the law and business and taking up all sorts of new things. If they were not absorbed in state politics or municipal reform, the chances were that they were going in for Central American archaeology, for architecture or landscape-engineering; taking a keen and learned interest in the prerevolutionary buildings of their own country, studying and adapting Georgian types, and protesting at the meaningless use of the word "Colonial." Nobody nowadays had "Colonial" houses except the millionaire grocers of the suburbs. But above all--sometimes Archer put it above all--it was in that library that the Governor of New York, coming down from Albany one evening to dine and spend the night, had turned to his host, and said, banging his clenched fist on the table and gnashing his eye-glasses: "Hang the professional politician! You're the kind of man the country wants, Archer. If the stable's ever to be cleaned out, men like you have got to lend a hand in the cleaning." "Men like you--" how Archer had glowed at the phrase! How eagerly he had risen up at the call! It was an echo of Ned Winsett's old appeal to roll his sleeves up and get down into the muck; but spoken by a man who set the example of the gesture, and whose summons to follow him was irresistible. Archer, as he looked back, was not sure that men like himself WERE what his country needed, at least in the active service to which Theodore Roosevelt had pointed; in fact, there was reason to think it did not, for after a year in the State Assembly he had not been re-elected, and had dropped back thankfully into obscure if useful municipal work, and from that again to the writing of occasional articles in one of the reforming weeklies that were trying to shake the country out of its apathy. It was little enough to look back on; but when he remembered to	that his wife, who still lingered below, would go straight to her room. But there she stood, pale and drawn, yet radiating the factitious energy of one who has passed beyond fatigue. "May I come and talk it over?" she asked. "Of course, if you like. But you must be awfully sleepy--" "No, I'm not sleepy. I should like to sit with you a little." "Very well," he said, pushing her chair near the fire. She sat down and he resumed his seat; but neither spoke for a long time. At length Archer began abruptly: "Since you're not tired, and want to talk, there's something I must tell you. I tried to the other night--." She looked at him quickly. "Yes, dear. Something about yourself?" "About myself. You say you're not tired: well, I am. Horribly tired ..." In an instant she was all tender anxiety. "Oh, I've seen it coming on, Newland! You've been so wickedly overworked--" "Perhaps it's that. Anyhow, I want to make a break--" "A break? To give up the law?" "To go away, at any rate--at once. On a long trip, ever so far off--away from everything--" He paused, conscious that he had failed in his attempt to speak with the indifference of a man who longs for a change, and is yet too weary to welcome it. Do what he would, the chord of eagerness vibrated. "Away from everything--" he repeated. "Ever so far? Where, for instance?" she asked. "Oh, I don't know. India--or Japan." She stood up, and as he sat with bent head, his chin propped on his hands, he felt her warmly and fragrantly hovering over him. "As far as that? But I'm afraid you can't, dear ..." she said in an unsteady voice. "Not unless you'll take me with you." And then, as he was silent, she went on, in tones so clear and evenly-pitched that each separate syllable tapped like a little hammer on his brain: "That is, if the doctors will let me go ... but I'm afraid they won't. For you see, Newland, I've been sure since this morning of something I've been so longing and hoping for--" He looked up at her with a sick stare, and she sank down, all dew and roses, and hid her face against his knee. "Oh, my dear," he said, holding her to him while his cold hand stroked her hair. There was a long pause, which the inner devils filled with strident laughter; then May freed herself from his arms and stood up. "You didn't guess--?" "Yes--I; no. That is, of course I hoped--" They looked at each other for an instant and again fell silent; then, turning his eyes from hers, he asked abruptly: "Have you told any one else?" "Only Mamma and your mother." She paused, and then added hurriedly, the blood flushing up to her forehead: "That is--and Ellen. You know I told you we'd had a long talk one afternoon--and how dear she was to me." "Ah--" said Archer, his heart stopping. He felt that his wife was watching him intently.<\|quote\|>"Did you MIND my telling her first, Newland?"</\|quote\|>"Mind? Why should I?" He made a last effort to collect himself. "But that was a fortnight ago, wasn't it? I thought you said you weren't sure till today." Her colour burned deeper, but she held his gaze. "No; I wasn't sure then--but I told her I was. And you see I was right!" she exclaimed, her blue eyes wet with victory. XXXIV. Newland Archer sat at the writing-table in his library in East Thirty-ninth Street. He had just got back from a big official reception for the inauguration of the new galleries at the Metropolitan Museum, and the spectacle of those great spaces crowded with the spoils of the ages, where the throng of fashion circulated through a series of scientifically catalogued treasures, had suddenly pressed on a rusted spring of memory. "Why, this used to be one of the old Cesnola rooms," he heard some one say; and instantly everything about him vanished, and he was sitting alone on a hard leather divan against a radiator, while a slight figure in a long sealskin cloak moved away down the meagrely-fitted vista of the old Museum. The vision had roused a host of other associations, and he sat looking with new eyes at the library which, for over thirty years, had been the scene of his solitary musings and of all the family confabulations.	The Age Of Innocence
“Never had a drink before, but oh how I do enjoy it.”	Daisy	“ ’Gratulate me,” she muttered.<\|quote\|>“Never had a drink before, but oh how I do enjoy it.”</\|quote\|>“What’s the matter, Daisy?” I	a letter in the other. “ ’Gratulate me,” she muttered.<\|quote\|>“Never had a drink before, but oh how I do enjoy it.”</\|quote\|>“What’s the matter, Daisy?” I was scared, I can tell	room half an hour before the bridal dinner, and found her lying on her bed as lovely as the June night in her flowered dress—and as drunk as a monkey. She had a bottle of Sauterne in one hand and a letter in the other. “ ’Gratulate me,” she muttered.<\|quote\|>“Never had a drink before, but oh how I do enjoy it.”</\|quote\|>“What’s the matter, Daisy?” I was scared, I can tell you; I’d never seen a girl like that before. “Here, dearies.” She groped around in a wastebasket she had with her on the bed and pulled out the string of pearls. “Take ’em downstairs and give ’em back to whoever	before. He came down with a hundred people in four private cars, and hired a whole floor of the Muhlbach Hotel, and the day before the wedding he gave her a string of pearls valued at three hundred and fifty thousand dollars. I was a bridesmaid. I came into her room half an hour before the bridal dinner, and found her lying on her bed as lovely as the June night in her flowered dress—and as drunk as a monkey. She had a bottle of Sauterne in one hand and a letter in the other. “ ’Gratulate me,” she muttered.<\|quote\|>“Never had a drink before, but oh how I do enjoy it.”</\|quote\|>“What’s the matter, Daisy?” I was scared, I can tell you; I’d never seen a girl like that before. “Here, dearies.” She groped around in a wastebasket she had with her on the bed and pulled out the string of pearls. “Take ’em downstairs and give ’em back to whoever they belong to. Tell ’em all Daisy’s change’ her mine. Say: ‘Daisy’s change’ her mine!’ ” She began to cry—she cried and cried. I rushed out and found her mother’s maid, and we locked the door and got her into a cold bath. She wouldn’t let go of the letter.	a soldier who was going overseas. She was effectually prevented, but she wasn’t on speaking terms with her family for several weeks. After that she didn’t play around with the soldiers any more, but only with a few flat-footed, shortsighted young men in town, who couldn’t get into the army at all. By the next autumn she was gay again, gay as ever. She had a début after the armistice, and in February she was presumably engaged to a man from New Orleans. In June she married Tom Buchanan of Chicago, with more pomp and circumstance than Louisville ever knew before. He came down with a hundred people in four private cars, and hired a whole floor of the Muhlbach Hotel, and the day before the wedding he gave her a string of pearls valued at three hundred and fifty thousand dollars. I was a bridesmaid. I came into her room half an hour before the bridal dinner, and found her lying on her bed as lovely as the June night in her flowered dress—and as drunk as a monkey. She had a bottle of Sauterne in one hand and a letter in the other. “ ’Gratulate me,” she muttered.<\|quote\|>“Never had a drink before, but oh how I do enjoy it.”</\|quote\|>“What’s the matter, Daisy?” I was scared, I can tell you; I’d never seen a girl like that before. “Here, dearies.” She groped around in a wastebasket she had with her on the bed and pulled out the string of pearls. “Take ’em downstairs and give ’em back to whoever they belong to. Tell ’em all Daisy’s change’ her mine. Say: ‘Daisy’s change’ her mine!’ ” She began to cry—she cried and cried. I rushed out and found her mother’s maid, and we locked the door and got her into a cold bath. She wouldn’t let go of the letter. She took it into the tub with her and squeezed it up in a wet ball, and only let me leave it in the soap-dish when she saw that it was coming to pieces like snow. But she didn’t say another word. We gave her spirits of ammonia and put ice on her forehead and hooked her back into her dress, and half an hour later, when we walked out of the room, the pearls were around her neck and the incident was over. Next day at five o’clock she married Tom Buchanan without so much as a shiver, and	she didn’t see me until I was five feet away. “Hello, Jordan.” she called unexpectedly. “Please come here.” I was flattered that she wanted to speak to me, because of all the older girls I admired her most. She asked me if I was going to the Red Cross to make bandages. I was. Well, then, would I tell them that she couldn’t come that day? The officer looked at Daisy while she was speaking, in a way that every young girl wants to be looked at sometime, and because it seemed romantic to me I have remembered the incident ever since. His name was Jay Gatsby, and I didn’t lay eyes on him again for over four years—even after I’d met him on Long Island I didn’t realize it was the same man. That was nineteen-seventeen. By the next year I had a few beaux myself, and I began to play in tournaments, so I didn’t see Daisy very often. She went with a slightly older crowd—when she went with anyone at all. Wild rumours were circulating about her—how her mother had found her packing her bag one winter night to go to New York and say goodbye to a soldier who was going overseas. She was effectually prevented, but she wasn’t on speaking terms with her family for several weeks. After that she didn’t play around with the soldiers any more, but only with a few flat-footed, shortsighted young men in town, who couldn’t get into the army at all. By the next autumn she was gay again, gay as ever. She had a début after the armistice, and in February she was presumably engaged to a man from New Orleans. In June she married Tom Buchanan of Chicago, with more pomp and circumstance than Louisville ever knew before. He came down with a hundred people in four private cars, and hired a whole floor of the Muhlbach Hotel, and the day before the wedding he gave her a string of pearls valued at three hundred and fifty thousand dollars. I was a bridesmaid. I came into her room half an hour before the bridal dinner, and found her lying on her bed as lovely as the June night in her flowered dress—and as drunk as a monkey. She had a bottle of Sauterne in one hand and a letter in the other. “ ’Gratulate me,” she muttered.<\|quote\|>“Never had a drink before, but oh how I do enjoy it.”</\|quote\|>“What’s the matter, Daisy?” I was scared, I can tell you; I’d never seen a girl like that before. “Here, dearies.” She groped around in a wastebasket she had with her on the bed and pulled out the string of pearls. “Take ’em downstairs and give ’em back to whoever they belong to. Tell ’em all Daisy’s change’ her mine. Say: ‘Daisy’s change’ her mine!’ ” She began to cry—she cried and cried. I rushed out and found her mother’s maid, and we locked the door and got her into a cold bath. She wouldn’t let go of the letter. She took it into the tub with her and squeezed it up in a wet ball, and only let me leave it in the soap-dish when she saw that it was coming to pieces like snow. But she didn’t say another word. We gave her spirits of ammonia and put ice on her forehead and hooked her back into her dress, and half an hour later, when we walked out of the room, the pearls were around her neck and the incident was over. Next day at five o’clock she married Tom Buchanan without so much as a shiver, and started off on a three months’ trip to the South Seas. I saw them in Santa Barbara when they came back, and I thought I’d never seen a girl so mad about her husband. If he left the room for a minute she’d look around uneasily, and say: “Where’s Tom gone?” and wear the most abstracted expression until she saw him coming in the door. She used to sit on the sand with his head in her lap by the hour, rubbing her fingers over his eyes and looking at him with unfathomable delight. It was touching to see them together—it made you laugh in a hushed, fascinated way. That was in August. A week after I left Santa Barbara Tom ran into a wagon on the Ventura road one night, and ripped a front wheel off his car. The girl who was with him got into the papers, too, because her arm was broken—she was one of the chambermaids in the Santa Barbara Hotel. The next April Daisy had her little girl, and they went to France for a year. I saw them one spring in Cannes, and later in Deauville, and then they came back to Chicago to	man could start to play with the faith of fifty million people—with the single-mindedness of a burglar blowing a safe. “How did he happen to do that?” I asked after a minute. “He just saw the opportunity.” “Why isn’t he in jail?” “They can’t get him, old sport. He’s a smart man.” I insisted on paying the check. As the waiter brought my change I caught sight of Tom Buchanan across the crowded room. “Come along with me for a minute,” I said; “I’ve got to say hello to someone.” When he saw us Tom jumped up and took half a dozen steps in our direction. “Where’ve you been?” he demanded eagerly. “Daisy’s furious because you haven’t called up.” “This is Mr. Gatsby, Mr. Buchanan.” They shook hands briefly, and a strained, unfamiliar look of embarrassment came over Gatsby’s face. “How’ve you been, anyhow?” demanded Tom of me. “How’d you happen to come up this far to eat?” “I’ve been having lunch with Mr. Gatsby.” I turned toward Mr. Gatsby, but he was no longer there. ------------------------------------------------------------------------ One October day in nineteen-seventeen— (said Jordan Baker that afternoon, sitting up very straight on a straight chair in the tea-garden at the Plaza Hotel) —I was walking along from one place to another, half on the sidewalks and half on the lawns. I was happier on the lawns because I had on shoes from England with rubber knobs on the soles that bit into the soft ground. I had on a new plaid skirt also that blew a little in the wind, and whenever this happened the red, white, and blue banners in front of all the houses stretched out stiff and said tut-tut-tut-tut, in a disapproving way. The largest of the banners and the largest of the lawns belonged to Daisy Fay’s house. She was just eighteen, two years older than me, and by far the most popular of all the young girls in Louisville. She dressed in white, and had a little white roadster, and all day long the telephone rang in her house and excited young officers from Camp Taylor demanded the privilege of monopolizing her that night. “Anyways, for an hour!” When I came opposite her house that morning her white roadster was beside the kerb, and she was sitting in it with a lieutenant I had never seen before. They were so engrossed in each other that she didn’t see me until I was five feet away. “Hello, Jordan.” she called unexpectedly. “Please come here.” I was flattered that she wanted to speak to me, because of all the older girls I admired her most. She asked me if I was going to the Red Cross to make bandages. I was. Well, then, would I tell them that she couldn’t come that day? The officer looked at Daisy while she was speaking, in a way that every young girl wants to be looked at sometime, and because it seemed romantic to me I have remembered the incident ever since. His name was Jay Gatsby, and I didn’t lay eyes on him again for over four years—even after I’d met him on Long Island I didn’t realize it was the same man. That was nineteen-seventeen. By the next year I had a few beaux myself, and I began to play in tournaments, so I didn’t see Daisy very often. She went with a slightly older crowd—when she went with anyone at all. Wild rumours were circulating about her—how her mother had found her packing her bag one winter night to go to New York and say goodbye to a soldier who was going overseas. She was effectually prevented, but she wasn’t on speaking terms with her family for several weeks. After that she didn’t play around with the soldiers any more, but only with a few flat-footed, shortsighted young men in town, who couldn’t get into the army at all. By the next autumn she was gay again, gay as ever. She had a début after the armistice, and in February she was presumably engaged to a man from New Orleans. In June she married Tom Buchanan of Chicago, with more pomp and circumstance than Louisville ever knew before. He came down with a hundred people in four private cars, and hired a whole floor of the Muhlbach Hotel, and the day before the wedding he gave her a string of pearls valued at three hundred and fifty thousand dollars. I was a bridesmaid. I came into her room half an hour before the bridal dinner, and found her lying on her bed as lovely as the June night in her flowered dress—and as drunk as a monkey. She had a bottle of Sauterne in one hand and a letter in the other. “ ’Gratulate me,” she muttered.<\|quote\|>“Never had a drink before, but oh how I do enjoy it.”</\|quote\|>“What’s the matter, Daisy?” I was scared, I can tell you; I’d never seen a girl like that before. “Here, dearies.” She groped around in a wastebasket she had with her on the bed and pulled out the string of pearls. “Take ’em downstairs and give ’em back to whoever they belong to. Tell ’em all Daisy’s change’ her mine. Say: ‘Daisy’s change’ her mine!’ ” She began to cry—she cried and cried. I rushed out and found her mother’s maid, and we locked the door and got her into a cold bath. She wouldn’t let go of the letter. She took it into the tub with her and squeezed it up in a wet ball, and only let me leave it in the soap-dish when she saw that it was coming to pieces like snow. But she didn’t say another word. We gave her spirits of ammonia and put ice on her forehead and hooked her back into her dress, and half an hour later, when we walked out of the room, the pearls were around her neck and the incident was over. Next day at five o’clock she married Tom Buchanan without so much as a shiver, and started off on a three months’ trip to the South Seas. I saw them in Santa Barbara when they came back, and I thought I’d never seen a girl so mad about her husband. If he left the room for a minute she’d look around uneasily, and say: “Where’s Tom gone?” and wear the most abstracted expression until she saw him coming in the door. She used to sit on the sand with his head in her lap by the hour, rubbing her fingers over his eyes and looking at him with unfathomable delight. It was touching to see them together—it made you laugh in a hushed, fascinated way. That was in August. A week after I left Santa Barbara Tom ran into a wagon on the Ventura road one night, and ripped a front wheel off his car. The girl who was with him got into the papers, too, because her arm was broken—she was one of the chambermaids in the Santa Barbara Hotel. The next April Daisy had her little girl, and they went to France for a year. I saw them one spring in Cannes, and later in Deauville, and then they came back to Chicago to settle down. Daisy was popular in Chicago, as you know. They moved with a fast crowd, all of them young and rich and wild, but she came out with an absolutely perfect reputation. Perhaps because she doesn’t drink. It’s a great advantage not to drink among hard-drinking people. You can hold your tongue and, moreover, you can time any little irregularity of your own so that everybody else is so blind that they don’t see or care. Perhaps Daisy never went in for amour at all—and yet there’s something in that voice of hers … Well, about six weeks ago, she heard the name Gatsby for the first time in years. It was when I asked you—do you remember?—if you knew Gatsby in West Egg. After you had gone home she came into my room and woke me up, and said: “What Gatsby?” and when I described him—I was half asleep—she said in the strangest voice that it must be the man she used to know. It wasn’t until then that I connected this Gatsby with the officer in her white car. ------------------------------------------------------------------------ When Jordan Baker had finished telling all this we had left the Plaza for half an hour and were driving in a victoria through Central Park. The sun had gone down behind the tall apartments of the movie stars in the West Fifties, and the clear voices of children, already gathered like crickets on the grass, rose through the hot twilight: “I’m the Sheik of Araby. Your love belongs to me. At night when you’re asleep Into your tent I’ll creep—” “It was a strange coincidence,” I said. “But it wasn’t a coincidence at all.” “Why not?” “Gatsby bought that house so that Daisy would be just across the bay.” Then it had not been merely the stars to which he had aspired on that June night. He came alive to me, delivered suddenly from the womb of his purposeless splendour. “He wants to know,” continued Jordan, “if you’ll invite Daisy to your house some afternoon and then let him come over.” The modesty of the demand shook me. He had waited five years and bought a mansion where he dispensed starlight to casual moths—so that he could “come over” some afternoon to a stranger’s garden. “Did I have to know all this before he could ask such a little thing?” “He’s afraid, he’s waited so long.	and whenever this happened the red, white, and blue banners in front of all the houses stretched out stiff and said tut-tut-tut-tut, in a disapproving way. The largest of the banners and the largest of the lawns belonged to Daisy Fay’s house. She was just eighteen, two years older than me, and by far the most popular of all the young girls in Louisville. She dressed in white, and had a little white roadster, and all day long the telephone rang in her house and excited young officers from Camp Taylor demanded the privilege of monopolizing her that night. “Anyways, for an hour!” When I came opposite her house that morning her white roadster was beside the kerb, and she was sitting in it with a lieutenant I had never seen before. They were so engrossed in each other that she didn’t see me until I was five feet away. “Hello, Jordan.” she called unexpectedly. “Please come here.” I was flattered that she wanted to speak to me, because of all the older girls I admired her most. She asked me if I was going to the Red Cross to make bandages. I was. Well, then, would I tell them that she couldn’t come that day? The officer looked at Daisy while she was speaking, in a way that every young girl wants to be looked at sometime, and because it seemed romantic to me I have remembered the incident ever since. His name was Jay Gatsby, and I didn’t lay eyes on him again for over four years—even after I’d met him on Long Island I didn’t realize it was the same man. That was nineteen-seventeen. By the next year I had a few beaux myself, and I began to play in tournaments, so I didn’t see Daisy very often. She went with a slightly older crowd—when she went with anyone at all. Wild rumours were circulating about her—how her mother had found her packing her bag one winter night to go to New York and say goodbye to a soldier who was going overseas. She was effectually prevented, but she wasn’t on speaking terms with her family for several weeks. After that she didn’t play around with the soldiers any more, but only with a few flat-footed, shortsighted young men in town, who couldn’t get into the army at all. By the next autumn she was gay again, gay as ever. She had a début after the armistice, and in February she was presumably engaged to a man from New Orleans. In June she married Tom Buchanan of Chicago, with more pomp and circumstance than Louisville ever knew before. He came down with a hundred people in four private cars, and hired a whole floor of the Muhlbach Hotel, and the day before the wedding he gave her a string of pearls valued at three hundred and fifty thousand dollars. I was a bridesmaid. I came into her room half an hour before the bridal dinner, and found her lying on her bed as lovely as the June night in her flowered dress—and as drunk as a monkey. She had a bottle of Sauterne in one hand and a letter in the other. “ ’Gratulate me,” she muttered.<\|quote\|>“Never had a drink before, but oh how I do enjoy it.”</\|quote\|>“What’s the matter, Daisy?” I was scared, I can tell you; I’d never seen a girl like that before. “Here, dearies.” She groped around in a wastebasket she had with her on the bed and pulled out the string of pearls. “Take ’em downstairs and give ’em back to whoever they belong to. Tell ’em all Daisy’s change’ her mine. Say: ‘Daisy’s change’ her mine!’ ” She began to cry—she cried and cried. I rushed out and found her mother’s maid, and we locked the door and got her into a cold bath. She wouldn’t let go of the letter. She took it into the tub with her and squeezed it up in a wet ball, and only let me leave it in the soap-dish when she saw that it was coming to pieces like snow. But she didn’t say another word. We gave her spirits of ammonia and put ice on her forehead and hooked her back into her dress, and half an hour later, when we walked out of the room, the pearls were around her neck and the incident was over. Next day at five o’clock she married Tom Buchanan without so much as a shiver, and started off on a three months’ trip to the South Seas. I saw them in Santa Barbara when they came back, and I thought I’d never seen a girl so mad about her husband. If he left the room for a minute she’d look around uneasily, and say: “Where’s Tom gone?” and wear the most abstracted expression until she saw him coming in the door. She used to sit on the sand with his head in her lap by the hour, rubbing her fingers over his eyes and looking at him with unfathomable delight. It was touching to see them together—it made you laugh in a hushed, fascinated way. That was in August. A week after I left Santa Barbara Tom ran into a wagon on the Ventura road one night, and ripped a front wheel off his car. The girl who was with him got into the papers, too, because her arm was broken—she was one of the chambermaids in the Santa Barbara Hotel. The next April Daisy had her little girl, and they went to France for a year. I saw them one spring in Cannes, and later in Deauville, and then they came back to Chicago to settle down. Daisy was popular in Chicago, as you know. They moved with a fast crowd, all of them young and rich and wild, but she came out with an absolutely perfect reputation. Perhaps because she doesn’t drink. It’s	The Great Gatsby
"I mean, that no man in his senses, would marry Lydia on so slight a temptation as one hundred a-year during my life, and fifty after I am gone."	Mr. Bennet	"what do you mean, Sir?"<\|quote\|>"I mean, that no man in his senses, would marry Lydia on so slight a temptation as one hundred a-year during my life, and fifty after I am gone."</\|quote\|>"That is very true," said	"Money! my uncle!" cried Jane, "what do you mean, Sir?"<\|quote\|>"I mean, that no man in his senses, would marry Lydia on so slight a temptation as one hundred a-year during my life, and fifty after I am gone."</\|quote\|>"That is very true," said Elizabeth; "though it had not	nothing else to be done. But there are two things that I want very much to know:--one is, how much money your uncle has laid down, to bring it about; and the other, how I am ever to pay him." "Money! my uncle!" cried Jane, "what do you mean, Sir?"<\|quote\|>"I mean, that no man in his senses, would marry Lydia on so slight a temptation as one hundred a-year during my life, and fifty after I am gone."</\|quote\|>"That is very true," said Elizabeth; "though it had not occurred to me before. His debts to be discharged, and something still to remain! Oh! it must be my uncle's doings! Generous, good man, I am afraid he has distressed himself. A small sum could not do all this." "No,"	with them, and walked towards the house. "And may I ask?" said Elizabeth, "but the terms, I suppose, must be complied with." "Complied with! I am only ashamed of his asking so little." "And they _must_ marry! Yet he is _such_ a man!" "Yes, yes, they must marry. There is nothing else to be done. But there are two things that I want very much to know:--one is, how much money your uncle has laid down, to bring it about; and the other, how I am ever to pay him." "Money! my uncle!" cried Jane, "what do you mean, Sir?"<\|quote\|>"I mean, that no man in his senses, would marry Lydia on so slight a temptation as one hundred a-year during my life, and fifty after I am gone."</\|quote\|>"That is very true," said Elizabeth; "though it had not occurred to me before. His debts to be discharged, and something still to remain! Oh! it must be my uncle's doings! Generous, good man, I am afraid he has distressed himself. A small sum could not do all this." "No," said her father, "Wickham's a fool, if he takes her with a farthing less than ten thousand pounds. I should be sorry to think so ill of him, in the very beginning of our relationship." "Ten thousand pounds! Heaven forbid! How is half such a sum to be repaid?" Mr.	not so undeserving, then, as we have thought him;" said her sister. "My dear father, I congratulate you." "And have you answered the letter?" said Elizabeth. "No; but it must be done soon." Most earnestly did she then intreat him to lose no more time before he wrote. "Oh! my dear father," she cried, "come back, and write immediately. Consider how important every moment is, in such a case." "Let me write for you," said Jane, "if you dislike the trouble yourself." "I dislike it very much," he replied; "but it must be done." And so saying, he turned back with them, and walked towards the house. "And may I ask?" said Elizabeth, "but the terms, I suppose, must be complied with." "Complied with! I am only ashamed of his asking so little." "And they _must_ marry! Yet he is _such_ a man!" "Yes, yes, they must marry. There is nothing else to be done. But there are two things that I want very much to know:--one is, how much money your uncle has laid down, to bring it about; and the other, how I am ever to pay him." "Money! my uncle!" cried Jane, "what do you mean, Sir?"<\|quote\|>"I mean, that no man in his senses, would marry Lydia on so slight a temptation as one hundred a-year during my life, and fifty after I am gone."</\|quote\|>"That is very true," said Elizabeth; "though it had not occurred to me before. His debts to be discharged, and something still to remain! Oh! it must be my uncle's doings! Generous, good man, I am afraid he has distressed himself. A small sum could not do all this." "No," said her father, "Wickham's a fool, if he takes her with a farthing less than ten thousand pounds. I should be sorry to think so ill of him, in the very beginning of our relationship." "Ten thousand pounds! Heaven forbid! How is half such a sum to be repaid?" Mr. Bennet made no answer, and each of them, deep in thought, continued silent till they reached the house. Their father then went to the library to write, and the girls walked into the breakfast-room. "And they are really to be married!" cried Elizabeth, as soon as they were by themselves. "How strange this is! And for _this_ we are to be thankful. That they should marry, small as is their chance of happiness, and wretched as is his character, we are forced to rejoice! Oh, Lydia!" "I comfort myself with thinking," replied Jane, "that he certainly would not marry Lydia,	answer. You will easily comprehend, from these particulars, that Mr. Wickham's circumstances are not so hopeless as they are generally believed to be. The world has been deceived in that respect; and I am happy to say, there will be some little money, even when all his debts are discharged, to settle on my niece, in addition to her own fortune. If, as I conclude will be the case, you send me full powers to act in your name, throughout the whole of this business, I will immediately give directions to Haggerston for preparing a proper settlement. There will not be the smallest occasion for your coming to town again; therefore, stay quietly at Longbourn, and depend on my diligence and care. Send back your answer as soon as you can, and be careful to write explicitly. We have judged it best, that my niece should be married from this house, of which I hope you will approve. She comes to us to-day. I shall write again as soon as any thing more is determined on. Your's, &c." "EDW. GARDINER." "Is it possible!" cried Elizabeth, when she had finished. "Can it be possible that he will marry her?" "Wickham is not so undeserving, then, as we have thought him;" said her sister. "My dear father, I congratulate you." "And have you answered the letter?" said Elizabeth. "No; but it must be done soon." Most earnestly did she then intreat him to lose no more time before he wrote. "Oh! my dear father," she cried, "come back, and write immediately. Consider how important every moment is, in such a case." "Let me write for you," said Jane, "if you dislike the trouble yourself." "I dislike it very much," he replied; "but it must be done." And so saying, he turned back with them, and walked towards the house. "And may I ask?" said Elizabeth, "but the terms, I suppose, must be complied with." "Complied with! I am only ashamed of his asking so little." "And they _must_ marry! Yet he is _such_ a man!" "Yes, yes, they must marry. There is nothing else to be done. But there are two things that I want very much to know:--one is, how much money your uncle has laid down, to bring it about; and the other, how I am ever to pay him." "Money! my uncle!" cried Jane, "what do you mean, Sir?"<\|quote\|>"I mean, that no man in his senses, would marry Lydia on so slight a temptation as one hundred a-year during my life, and fifty after I am gone."</\|quote\|>"That is very true," said Elizabeth; "though it had not occurred to me before. His debts to be discharged, and something still to remain! Oh! it must be my uncle's doings! Generous, good man, I am afraid he has distressed himself. A small sum could not do all this." "No," said her father, "Wickham's a fool, if he takes her with a farthing less than ten thousand pounds. I should be sorry to think so ill of him, in the very beginning of our relationship." "Ten thousand pounds! Heaven forbid! How is half such a sum to be repaid?" Mr. Bennet made no answer, and each of them, deep in thought, continued silent till they reached the house. Their father then went to the library to write, and the girls walked into the breakfast-room. "And they are really to be married!" cried Elizabeth, as soon as they were by themselves. "How strange this is! And for _this_ we are to be thankful. That they should marry, small as is their chance of happiness, and wretched as is his character, we are forced to rejoice! Oh, Lydia!" "I comfort myself with thinking," replied Jane, "that he certainly would not marry Lydia, if he had not a real regard for her. Though our kind uncle has done something towards clearing him, I cannot believe that ten thousand pounds, or any thing like it, has been advanced. He has children of his own, and may have more. How could he spare half ten thousand pounds?" "If we are ever able to learn what Wickham's debts have been," said Elizabeth, "and how much is settled on his side on our sister, we shall exactly know what Mr. Gardiner has done for them, because Wickham has not sixpence of his own. The kindness of my uncle and aunt can never be requited. Their taking her home, and affording her their personal protection and countenance, is such a sacrifice to her advantage, as years of gratitude cannot enough acknowledge. By this time she is actually with them! If such goodness does not make her miserable now, she will never deserve to be happy! What a meeting for her, when she first sees my aunt!" "We must endeavour to forget all that has passed on either side," said Jane: "I hope and trust they will yet be happy. His consenting to marry her is a proof, I	they were met by the butler, who said, "If you are looking for my master, ma'am, he is walking towards the little copse." Upon this information, they instantly passed through the hall once more, and ran across the lawn after their father, who was deliberately pursuing his way towards a small wood on one side of the paddock. Jane, who was not so light, nor so much in the habit of running as Elizabeth, soon lagged behind, while her sister, panting for breath, came up with him, and eagerly cried out, "Oh, Papa, what news? what news? have you heard from my uncle?" "Yes, I have had a letter from him by express." "Well, and what news does it bring? good or bad?" "What is there of good to be expected?" said he, taking the letter from his pocket; "but perhaps you would like to read it." Elizabeth impatiently caught it from his hand. Jane now came up. "Read it aloud," said their father, "for I hardly know myself what it is about." "Gracechurch-street, Monday, August 2. MY DEAR BROTHER," "At last I am able to send you some tidings of my niece, and such as, upon the whole, I hope will give you satisfaction. Soon after you left me on Saturday, I was fortunate enough to find out in what part of London they were. The particulars, I reserve till we meet. It is enough to know they are discovered, I have seen them both----" "Then it is, as I always hoped," cried Jane; "they are married!" Elizabeth read on; "I have seen them both. They are not married, nor can I find there was any intention of being so; but if you are willing to perform the engagements which I have ventured to make on your side, I hope it will not be long before they are. All that is required of you is, to assure to your daughter, by settlement, her equal share of the five thousand pounds, secured among your children after the decease of yourself and my sister; and, moreover, to enter into an engagement of allowing her, during your life, one hundred pounds per annum. These are conditions, which, considering every thing, I had no hesitation in complying with, as far as I thought myself privileged, for you. I shall send this by express, that no time may be lost in bringing me your answer. You will easily comprehend, from these particulars, that Mr. Wickham's circumstances are not so hopeless as they are generally believed to be. The world has been deceived in that respect; and I am happy to say, there will be some little money, even when all his debts are discharged, to settle on my niece, in addition to her own fortune. If, as I conclude will be the case, you send me full powers to act in your name, throughout the whole of this business, I will immediately give directions to Haggerston for preparing a proper settlement. There will not be the smallest occasion for your coming to town again; therefore, stay quietly at Longbourn, and depend on my diligence and care. Send back your answer as soon as you can, and be careful to write explicitly. We have judged it best, that my niece should be married from this house, of which I hope you will approve. She comes to us to-day. I shall write again as soon as any thing more is determined on. Your's, &c." "EDW. GARDINER." "Is it possible!" cried Elizabeth, when she had finished. "Can it be possible that he will marry her?" "Wickham is not so undeserving, then, as we have thought him;" said her sister. "My dear father, I congratulate you." "And have you answered the letter?" said Elizabeth. "No; but it must be done soon." Most earnestly did she then intreat him to lose no more time before he wrote. "Oh! my dear father," she cried, "come back, and write immediately. Consider how important every moment is, in such a case." "Let me write for you," said Jane, "if you dislike the trouble yourself." "I dislike it very much," he replied; "but it must be done." And so saying, he turned back with them, and walked towards the house. "And may I ask?" said Elizabeth, "but the terms, I suppose, must be complied with." "Complied with! I am only ashamed of his asking so little." "And they _must_ marry! Yet he is _such_ a man!" "Yes, yes, they must marry. There is nothing else to be done. But there are two things that I want very much to know:--one is, how much money your uncle has laid down, to bring it about; and the other, how I am ever to pay him." "Money! my uncle!" cried Jane, "what do you mean, Sir?"<\|quote\|>"I mean, that no man in his senses, would marry Lydia on so slight a temptation as one hundred a-year during my life, and fifty after I am gone."</\|quote\|>"That is very true," said Elizabeth; "though it had not occurred to me before. His debts to be discharged, and something still to remain! Oh! it must be my uncle's doings! Generous, good man, I am afraid he has distressed himself. A small sum could not do all this." "No," said her father, "Wickham's a fool, if he takes her with a farthing less than ten thousand pounds. I should be sorry to think so ill of him, in the very beginning of our relationship." "Ten thousand pounds! Heaven forbid! How is half such a sum to be repaid?" Mr. Bennet made no answer, and each of them, deep in thought, continued silent till they reached the house. Their father then went to the library to write, and the girls walked into the breakfast-room. "And they are really to be married!" cried Elizabeth, as soon as they were by themselves. "How strange this is! And for _this_ we are to be thankful. That they should marry, small as is their chance of happiness, and wretched as is his character, we are forced to rejoice! Oh, Lydia!" "I comfort myself with thinking," replied Jane, "that he certainly would not marry Lydia, if he had not a real regard for her. Though our kind uncle has done something towards clearing him, I cannot believe that ten thousand pounds, or any thing like it, has been advanced. He has children of his own, and may have more. How could he spare half ten thousand pounds?" "If we are ever able to learn what Wickham's debts have been," said Elizabeth, "and how much is settled on his side on our sister, we shall exactly know what Mr. Gardiner has done for them, because Wickham has not sixpence of his own. The kindness of my uncle and aunt can never be requited. Their taking her home, and affording her their personal protection and countenance, is such a sacrifice to her advantage, as years of gratitude cannot enough acknowledge. By this time she is actually with them! If such goodness does not make her miserable now, she will never deserve to be happy! What a meeting for her, when she first sees my aunt!" "We must endeavour to forget all that has passed on either side," said Jane: "I hope and trust they will yet be happy. His consenting to marry her is a proof, I will believe, that he is come to a right way of thinking. Their mutual affection will steady them; and I flatter myself they will settle so quietly, and live in so rational a manner, as may in time make their past imprudence forgotten." "Their conduct has been such," replied Elizabeth, "as neither you, nor I, nor any body, can ever forget. It is useless to talk of it." It now occurred to the girls that their mother was in all likelihood perfectly ignorant of what had happened. They went to the library, therefore, and asked their father, whether he would not wish them to make it known to her. He was writing, and, without raising his head, coolly replied, "Just as you please." "May we take my uncle's letter to read to her?" "Take whatever you like, and get away." Elizabeth took the letter from his writing table, and they went up stairs together. Mary and Kitty were both with Mrs. Bennet: one communication would, therefore, do for all. After a slight preparation for good news, the letter was read aloud. Mrs. Bennet could hardly contain herself. As soon as Jane had read Mr. Gardiner's hope of Lydia's being soon married, her joy burst forth, and every following sentence added to its exuberance. She was now in an irritation as violent from delight, as she had ever been fidgetty from alarm and vexation. To know that her daughter would be married was enough. She was disturbed by no fear for her felicity, nor humbled by any remembrance of her misconduct. "My dear, dear Lydia!" she cried: "This is delightful indeed!--She will be married!--I shall see her again!--She will be married at sixteen!--My good, kind brother!--I knew how it would be--I knew he would manage every thing. How I long to see her! and to see dear Wickham too! But the clothes, the wedding clothes! I will write to my sister Gardiner about them directly. Lizzy, my dear, run down to your father, and ask him how much he will give her. Stay, stay, I will go myself. Ring the bell, Kitty, for Hill. I will put on my things in a moment. My dear, dear Lydia!--How merry we shall be together when we meet!" Her eldest daughter endeavoured to give some relief to the violence of these transports, by leading her thoughts to the obligations which Mr. Gardiner's behaviour laid	is not so undeserving, then, as we have thought him;" said her sister. "My dear father, I congratulate you." "And have you answered the letter?" said Elizabeth. "No; but it must be done soon." Most earnestly did she then intreat him to lose no more time before he wrote. "Oh! my dear father," she cried, "come back, and write immediately. Consider how important every moment is, in such a case." "Let me write for you," said Jane, "if you dislike the trouble yourself." "I dislike it very much," he replied; "but it must be done." And so saying, he turned back with them, and walked towards the house. "And may I ask?" said Elizabeth, "but the terms, I suppose, must be complied with." "Complied with! I am only ashamed of his asking so little." "And they _must_ marry! Yet he is _such_ a man!" "Yes, yes, they must marry. There is nothing else to be done. But there are two things that I want very much to know:--one is, how much money your uncle has laid down, to bring it about; and the other, how I am ever to pay him." "Money! my uncle!" cried Jane, "what do you mean, Sir?"<\|quote\|>"I mean, that no man in his senses, would marry Lydia on so slight a temptation as one hundred a-year during my life, and fifty after I am gone."</\|quote\|>"That is very true," said Elizabeth; "though it had not occurred to me before. His debts to be discharged, and something still to remain! Oh! it must be my uncle's doings! Generous, good man, I am afraid he has distressed himself. A small sum could not do all this." "No," said her father, "Wickham's a fool, if he takes her with a farthing less than ten thousand pounds. I should be sorry to think so ill of him, in the very beginning of our relationship." "Ten thousand pounds! Heaven forbid! How is half such a sum to be repaid?" Mr. Bennet made no answer, and each of them, deep in thought, continued silent till they reached the house. Their father then went to the library to write, and the girls walked into the breakfast-room. "And they are really to be married!" cried Elizabeth, as soon as they were by themselves. "How strange this is! And for _this_ we are to be thankful. That they should marry, small as is their chance of happiness, and wretched as is his character, we are forced to rejoice! Oh, Lydia!" "I comfort myself with thinking," replied Jane, "that he certainly would not marry Lydia, if he had not a real regard for her. Though our kind uncle has done something towards clearing him, I cannot believe that ten thousand pounds, or any thing like it, has been advanced. He has children of his own, and may have more. How could he spare half ten thousand pounds?" "If we are ever able to learn what Wickham's debts have been," said Elizabeth, "and how much is settled on his side on our sister, we shall exactly know what Mr. Gardiner has done for them, because Wickham has not sixpence of his own. The kindness of my uncle and aunt can never be requited. Their taking her home, and affording her their personal protection and	Pride And Prejudice
said Harriet, standing still among a whirl of porters--"	No speaker	Signor Carella!" "Do you suppose,"<\|quote\|>said Harriet, standing still among a whirl of porters--"</\|quote\|>"do you suppose I am	be when we come to Signor Carella!" "Do you suppose,"<\|quote\|>said Harriet, standing still among a whirl of porters--"</\|quote\|>"do you suppose I am going to enter that man	It was an irritable couple who took tickets to Monteriano. "Singles or returns?" said he. "A single for me," said Harriet peevishly; "I shall never get back alive." "Sweet creature!" said her brother, suddenly breaking down. "How helpful you will be when we come to Signor Carella!" "Do you suppose,"<\|quote\|>said Harriet, standing still among a whirl of porters--"</\|quote\|>"do you suppose I am going to enter that man s house?" "Then what have you come for, pray? For ornament?" "To see that you do your duty." "Oh, thanks!" "So mother told me. For goodness sake get the tickets; here comes that hot woman again! She has the impudence	word would bathe them both in boiling water. Philip, who was slighter of build, and less conscientious, suffered less. But Harriet had never been to Florence, and between the hours of eight and eleven she crawled like a wounded creature through the streets, and swooned before various masterpieces of art. It was an irritable couple who took tickets to Monteriano. "Singles or returns?" said he. "A single for me," said Harriet peevishly; "I shall never get back alive." "Sweet creature!" said her brother, suddenly breaking down. "How helpful you will be when we come to Signor Carella!" "Do you suppose,"<\|quote\|>said Harriet, standing still among a whirl of porters--"</\|quote\|>"do you suppose I am going to enter that man s house?" "Then what have you come for, pray? For ornament?" "To see that you do your duty." "Oh, thanks!" "So mother told me. For goodness sake get the tickets; here comes that hot woman again! She has the impudence to bow." "Mother told you, did she?" said Philip wrathfully, as he went to struggle for tickets at a slit so narrow that they were handed to him edgeways. Italy was beastly, and Florence station is the centre of beastly Italy. But he had a strange feeling that he was	her bed, and her bedroom window looked into a belfry, which saluted her slumbering form every quarter of an hour. Philip left his walking-stick, his socks, and the Baedeker at Bologna; she only left her sponge-bag. Next day they crossed the Apennines with a train-sick child and a hot lady, who told them that never, never before had she sweated so profusely. "Foreigners are a filthy nation," said Harriet. "I don t care if there are tunnels; open the windows." He obeyed, and she got another smut in her eye. Nor did Florence improve matters. Eating, walking, even a cross word would bathe them both in boiling water. Philip, who was slighter of build, and less conscientious, suffered less. But Harriet had never been to Florence, and between the hours of eight and eleven she crawled like a wounded creature through the streets, and swooned before various masterpieces of art. It was an irritable couple who took tickets to Monteriano. "Singles or returns?" said he. "A single for me," said Harriet peevishly; "I shall never get back alive." "Sweet creature!" said her brother, suddenly breaking down. "How helpful you will be when we come to Signor Carella!" "Do you suppose,"<\|quote\|>said Harriet, standing still among a whirl of porters--"</\|quote\|>"do you suppose I am going to enter that man s house?" "Then what have you come for, pray? For ornament?" "To see that you do your duty." "Oh, thanks!" "So mother told me. For goodness sake get the tickets; here comes that hot woman again! She has the impudence to bow." "Mother told you, did she?" said Philip wrathfully, as he went to struggle for tickets at a slit so narrow that they were handed to him edgeways. Italy was beastly, and Florence station is the centre of beastly Italy. But he had a strange feeling that he was to blame for it all; that a little influx into him of virtue would make the whole land not beastly but amusing. For there was enchantment, he was sure of that; solid enchantment, which lay behind the porters and the screaming and the dust. He could see it in the terrific blue sky beneath which they travelled, in the whitened plain which gripped life tighter than a frost, in the exhausted reaches of the Arno, in the ruins of brown castles which stood quivering upon the hills. He could see it, though his head ached and his skin was twitching,	of glaciers and hotels was waltzing at sunset round the walls of Verona. "Absurd nonsense they talk about the heat," said Philip, as they drove from the station. "Supposing we were here for pleasure, what could be more pleasurable than this?" "Did you hear, though, they are remarking on the cold?" said Harriet nervously. "I should never have thought it cold." And on the second day the heat struck them, like a hand laid over the mouth, just as they were walking to see the tomb of Juliet. From that moment everything went wrong. They fled from Verona. Harriet s sketch-book was stolen, and the bottle of ammonia in her trunk burst over her prayer-book, so that purple patches appeared on all her clothes. Then, as she was going through Mantua at four in the morning, Philip made her look out of the window because it was Virgil s birthplace, and a smut flew in her eye, and Harriet with a smut in her eye was notorious. At Bologna they stopped twenty-four hours to rest. It was a FESTA, and children blew bladder whistles night and day. "What a religion!" said Harriet. The hotel smelt, two puppies were asleep on her bed, and her bedroom window looked into a belfry, which saluted her slumbering form every quarter of an hour. Philip left his walking-stick, his socks, and the Baedeker at Bologna; she only left her sponge-bag. Next day they crossed the Apennines with a train-sick child and a hot lady, who told them that never, never before had she sweated so profusely. "Foreigners are a filthy nation," said Harriet. "I don t care if there are tunnels; open the windows." He obeyed, and she got another smut in her eye. Nor did Florence improve matters. Eating, walking, even a cross word would bathe them both in boiling water. Philip, who was slighter of build, and less conscientious, suffered less. But Harriet had never been to Florence, and between the hours of eight and eleven she crawled like a wounded creature through the streets, and swooned before various masterpieces of art. It was an irritable couple who took tickets to Monteriano. "Singles or returns?" said he. "A single for me," said Harriet peevishly; "I shall never get back alive." "Sweet creature!" said her brother, suddenly breaking down. "How helpful you will be when we come to Signor Carella!" "Do you suppose,"<\|quote\|>said Harriet, standing still among a whirl of porters--"</\|quote\|>"do you suppose I am going to enter that man s house?" "Then what have you come for, pray? For ornament?" "To see that you do your duty." "Oh, thanks!" "So mother told me. For goodness sake get the tickets; here comes that hot woman again! She has the impudence to bow." "Mother told you, did she?" said Philip wrathfully, as he went to struggle for tickets at a slit so narrow that they were handed to him edgeways. Italy was beastly, and Florence station is the centre of beastly Italy. But he had a strange feeling that he was to blame for it all; that a little influx into him of virtue would make the whole land not beastly but amusing. For there was enchantment, he was sure of that; solid enchantment, which lay behind the porters and the screaming and the dust. He could see it in the terrific blue sky beneath which they travelled, in the whitened plain which gripped life tighter than a frost, in the exhausted reaches of the Arno, in the ruins of brown castles which stood quivering upon the hills. He could see it, though his head ached and his skin was twitching, though he was here as a puppet, and though his sister knew how he was here. There was nothing pleasant in that journey to Monteriano station. But nothing--not even the discomfort--was commonplace. "But do people live inside?" asked Harriet. They had exchanged railway-carriage for the legno, and the legno had emerged from the withered trees, and had revealed to them their destination. Philip, to be annoying, answered "No." "What do they do there?" continued Harriet, with a frown. "There is a caffe. A prison. A theatre. A church. Walls. A view." "Not for me, thank you," said Harriet, after a weighty pause. "Nobody asked you, Miss, you see. Now Lilia was asked by such a nice young gentleman, with curls all over his forehead, and teeth just as white as father makes them." Then his manner changed. "But, Harriet, do you see nothing wonderful or attractive in that place--nothing at all?" "Nothing at all. It s frightful." "I know it is. But it s old--awfully old." "Beauty is the only test," said Harriet. "At least so you told me when I sketched old buildings--for the sake, I suppose, of making yourself unpleasant." "Oh, I m perfectly right. But at the	her true self in the height of the summer, when the tourists have left her, and her soul awakes under the beams of a vertical sun. He now had every opportunity of seeing her at her best, for it was nearly the middle of August before he went out to meet Harriet in the Tirol. He found his sister in a dense cloud five thousand feet above the sea, chilled to the bone, overfed, bored, and not at all unwilling to be fetched away. "It upsets one s plans terribly," she remarked, as she squeezed out her sponges, "but obviously it is my duty." "Did mother explain it all to you?" asked Philip. "Yes, indeed! Mother has written me a really beautiful letter. She describes how it was that she gradually got to feel that we must rescue the poor baby from its terrible surroundings, how she has tried by letter, and it is no good--nothing but insincere compliments and hypocrisy came back. Then she says, There is nothing like personal influence; you and Philip will succeed where I have failed. She says, too, that Caroline Abbott has been wonderful." Philip assented. "Caroline feels it as keenly almost as us. That is because she knows the man. Oh, he must be loathsome! Goodness me! I ve forgotten to pack the ammonia!... It has been a terrible lesson for Caroline, but I fancy it is her turning-point. I can t help liking to think that out of all this evil good will come." Philip saw no prospect of good, nor of beauty either. But the expedition promised to be highly comic. He was not averse to it any longer; he was simply indifferent to all in it except the humours. These would be wonderful. Harriet, worked by her mother; Mrs. Herriton, worked by Miss Abbott; Gino, worked by a cheque--what better entertainment could he desire? There was nothing to distract him this time; his sentimentality had died, so had his anxiety for the family honour. He might be a puppet s puppet, but he knew exactly the disposition of the strings. They travelled for thirteen hours down-hill, whilst the streams broadened and the mountains shrank, and the vegetation changed, and the people ceased being ugly and drinking beer, and began instead to drink wine and to be beautiful. And the train which had picked them at sunrise out of a waste of glaciers and hotels was waltzing at sunset round the walls of Verona. "Absurd nonsense they talk about the heat," said Philip, as they drove from the station. "Supposing we were here for pleasure, what could be more pleasurable than this?" "Did you hear, though, they are remarking on the cold?" said Harriet nervously. "I should never have thought it cold." And on the second day the heat struck them, like a hand laid over the mouth, just as they were walking to see the tomb of Juliet. From that moment everything went wrong. They fled from Verona. Harriet s sketch-book was stolen, and the bottle of ammonia in her trunk burst over her prayer-book, so that purple patches appeared on all her clothes. Then, as she was going through Mantua at four in the morning, Philip made her look out of the window because it was Virgil s birthplace, and a smut flew in her eye, and Harriet with a smut in her eye was notorious. At Bologna they stopped twenty-four hours to rest. It was a FESTA, and children blew bladder whistles night and day. "What a religion!" said Harriet. The hotel smelt, two puppies were asleep on her bed, and her bedroom window looked into a belfry, which saluted her slumbering form every quarter of an hour. Philip left his walking-stick, his socks, and the Baedeker at Bologna; she only left her sponge-bag. Next day they crossed the Apennines with a train-sick child and a hot lady, who told them that never, never before had she sweated so profusely. "Foreigners are a filthy nation," said Harriet. "I don t care if there are tunnels; open the windows." He obeyed, and she got another smut in her eye. Nor did Florence improve matters. Eating, walking, even a cross word would bathe them both in boiling water. Philip, who was slighter of build, and less conscientious, suffered less. But Harriet had never been to Florence, and between the hours of eight and eleven she crawled like a wounded creature through the streets, and swooned before various masterpieces of art. It was an irritable couple who took tickets to Monteriano. "Singles or returns?" said he. "A single for me," said Harriet peevishly; "I shall never get back alive." "Sweet creature!" said her brother, suddenly breaking down. "How helpful you will be when we come to Signor Carella!" "Do you suppose,"<\|quote\|>said Harriet, standing still among a whirl of porters--"</\|quote\|>"do you suppose I am going to enter that man s house?" "Then what have you come for, pray? For ornament?" "To see that you do your duty." "Oh, thanks!" "So mother told me. For goodness sake get the tickets; here comes that hot woman again! She has the impudence to bow." "Mother told you, did she?" said Philip wrathfully, as he went to struggle for tickets at a slit so narrow that they were handed to him edgeways. Italy was beastly, and Florence station is the centre of beastly Italy. But he had a strange feeling that he was to blame for it all; that a little influx into him of virtue would make the whole land not beastly but amusing. For there was enchantment, he was sure of that; solid enchantment, which lay behind the porters and the screaming and the dust. He could see it in the terrific blue sky beneath which they travelled, in the whitened plain which gripped life tighter than a frost, in the exhausted reaches of the Arno, in the ruins of brown castles which stood quivering upon the hills. He could see it, though his head ached and his skin was twitching, though he was here as a puppet, and though his sister knew how he was here. There was nothing pleasant in that journey to Monteriano station. But nothing--not even the discomfort--was commonplace. "But do people live inside?" asked Harriet. They had exchanged railway-carriage for the legno, and the legno had emerged from the withered trees, and had revealed to them their destination. Philip, to be annoying, answered "No." "What do they do there?" continued Harriet, with a frown. "There is a caffe. A prison. A theatre. A church. Walls. A view." "Not for me, thank you," said Harriet, after a weighty pause. "Nobody asked you, Miss, you see. Now Lilia was asked by such a nice young gentleman, with curls all over his forehead, and teeth just as white as father makes them." Then his manner changed. "But, Harriet, do you see nothing wonderful or attractive in that place--nothing at all?" "Nothing at all. It s frightful." "I know it is. But it s old--awfully old." "Beauty is the only test," said Harriet. "At least so you told me when I sketched old buildings--for the sake, I suppose, of making yourself unpleasant." "Oh, I m perfectly right. But at the same time--I don t know--so many things have happened here--people have lived so hard and so splendidly--I can t explain." "I shouldn t think you could. It doesn t seem the best moment to begin your Italy mania. I thought you were cured of it by now. Instead, will you kindly tell me what you are going to do when you arrive. I do beg you will not be taken unawares this time." "First, Harriet, I shall settle you at the Stella d Italia, in the comfort that befits your sex and disposition. Then I shall make myself some tea. After tea I shall take a book into Santa Deodata s, and read there. It is always fresh and cool." The martyred Harriet exclaimed, "I m not clever, Philip. I don t go in for it, as you know. But I know what s rude. And I know what s wrong." "Meaning--?" "You!" she shouted, bouncing on the cushions of the legno and startling all the fleas. "What s the good of cleverness if a man s murdered a woman?" "Harriet, I am hot. To whom do you refer?" "He. Her. If you don t look out he ll murder you. I wish he would." "Tut tut, tutlet! You d find a corpse extraordinarily inconvenient." Then he tried to be less aggravating. "I heartily dislike the fellow, but we know he didn t murder her. In that letter, though she said a lot, she never said he was physically cruel." "He has murdered her. The things he did--things one can t even mention--" "Things which one must mention if one s to talk at all. And things which one must keep in their proper place. Because he was unfaithful to his wife, it doesn t follow that in every way he s absolutely vile." He looked at the city. It seemed to approve his remark. "It s the supreme test. The man who is unchivalrous to a woman--" "Oh, stow it! Take it to the Back Kitchen. It s no more a supreme test than anything else. The Italians never were chivalrous from the first. If you condemn him for that, you ll condemn the whole lot." "I condemn the whole lot." "And the French as well?" "And the French as well." "Things aren t so jolly easy," said Philip, more to himself than to her. But for Harriet things	vegetation changed, and the people ceased being ugly and drinking beer, and began instead to drink wine and to be beautiful. And the train which had picked them at sunrise out of a waste of glaciers and hotels was waltzing at sunset round the walls of Verona. "Absurd nonsense they talk about the heat," said Philip, as they drove from the station. "Supposing we were here for pleasure, what could be more pleasurable than this?" "Did you hear, though, they are remarking on the cold?" said Harriet nervously. "I should never have thought it cold." And on the second day the heat struck them, like a hand laid over the mouth, just as they were walking to see the tomb of Juliet. From that moment everything went wrong. They fled from Verona. Harriet s sketch-book was stolen, and the bottle of ammonia in her trunk burst over her prayer-book, so that purple patches appeared on all her clothes. Then, as she was going through Mantua at four in the morning, Philip made her look out of the window because it was Virgil s birthplace, and a smut flew in her eye, and Harriet with a smut in her eye was notorious. At Bologna they stopped twenty-four hours to rest. It was a FESTA, and children blew bladder whistles night and day. "What a religion!" said Harriet. The hotel smelt, two puppies were asleep on her bed, and her bedroom window looked into a belfry, which saluted her slumbering form every quarter of an hour. Philip left his walking-stick, his socks, and the Baedeker at Bologna; she only left her sponge-bag. Next day they crossed the Apennines with a train-sick child and a hot lady, who told them that never, never before had she sweated so profusely. "Foreigners are a filthy nation," said Harriet. "I don t care if there are tunnels; open the windows." He obeyed, and she got another smut in her eye. Nor did Florence improve matters. Eating, walking, even a cross word would bathe them both in boiling water. Philip, who was slighter of build, and less conscientious, suffered less. But Harriet had never been to Florence, and between the hours of eight and eleven she crawled like a wounded creature through the streets, and swooned before various masterpieces of art. It was an irritable couple who took tickets to Monteriano. "Singles or returns?" said he. "A single for me," said Harriet peevishly; "I shall never get back alive." "Sweet creature!" said her brother, suddenly breaking down. "How helpful you will be when we come to Signor Carella!" "Do you suppose,"<\|quote\|>said Harriet, standing still among a whirl of porters--"</\|quote\|>"do you suppose I am going to enter that man s house?" "Then what have you come for, pray? For ornament?" "To see that you do your duty." "Oh, thanks!" "So mother told me. For goodness sake get the tickets; here comes that hot woman again! She has the impudence to bow." "Mother told you, did she?" said Philip wrathfully, as he went to struggle for tickets at a slit so narrow that they were handed to him edgeways. Italy was beastly, and Florence station is the centre of beastly Italy. But he had a strange feeling that he was to blame for it all; that a little influx into him of virtue would make the whole land not beastly but amusing. For there was enchantment, he was sure of that; solid enchantment, which lay behind the porters and the screaming and the dust. He could see it in the terrific blue sky beneath which they travelled, in the whitened plain which gripped life tighter than a frost, in the exhausted reaches of the Arno, in the ruins of brown castles which stood quivering upon the hills. He could see it, though his head ached and his skin was twitching, though he was here as a puppet, and though his sister knew how he was here. There was nothing pleasant in that journey to Monteriano station. But nothing--not even the discomfort--was commonplace. "But do people live inside?" asked Harriet. They had exchanged railway-carriage for the legno, and the legno had emerged from the withered trees, and had revealed to	Where Angels Fear To Tread
"Oh, my dear Miss Dashwood,"	Charlotte	to him except his wife.<\|quote\|>"Oh, my dear Miss Dashwood,"</\|quote\|>said Mrs. Palmer soon afterwards,	likely to attach any one to him except his wife.<\|quote\|>"Oh, my dear Miss Dashwood,"</\|quote\|>said Mrs. Palmer soon afterwards, "I have got such a	abuse of every thing before him. It was the desire of appearing superior to other people. The motive was too common to be wondered at; but the means, however they might succeed by establishing his superiority in ill-breeding, were not likely to attach any one to him except his wife.<\|quote\|>"Oh, my dear Miss Dashwood,"</\|quote\|>said Mrs. Palmer soon afterwards, "I have got such a favour to ask of you and your sister. Will you come and spend some time at Cleveland this Christmas? Now, pray do, and come while the Westons are with us. You cannot think how happy I shall be! It will	he was the husband of a very silly woman but she knew that this kind of blunder was too common for any sensible man to be lastingly hurt by it. It was rather a wish of distinction, she believed, which produced his contemptuous treatment of every body, and his general abuse of every thing before him. It was the desire of appearing superior to other people. The motive was too common to be wondered at; but the means, however they might succeed by establishing his superiority in ill-breeding, were not likely to attach any one to him except his wife.<\|quote\|>"Oh, my dear Miss Dashwood,"</\|quote\|>said Mrs. Palmer soon afterwards, "I have got such a favour to ask of you and your sister. Will you come and spend some time at Cleveland this Christmas? Now, pray do, and come while the Westons are with us. You cannot think how happy I shall be! It will be quite delightful! My love," applying to her husband, "don t you long to have the Miss Dashwoods come to Cleveland?" "Certainly," he replied, with a sneer "I came into Devonshire with no other view." "There now," said his lady, "you see Mr. Palmer expects you; so you cannot refuse	determined to be happy than Mrs. Palmer. The studied indifference, insolence, and discontent of her husband gave her no pain; and when he scolded or abused her, she was highly diverted. "Mr. Palmer is so droll!" said she, in a whisper, to Elinor. "He is always out of humour." Elinor was not inclined, after a little observation, to give him credit for being so genuinely and unaffectedly ill-natured or ill-bred as he wished to appear. His temper might perhaps be a little soured by finding, like many others of his sex, that through some unaccountable bias in favour of beauty, he was the husband of a very silly woman but she knew that this kind of blunder was too common for any sensible man to be lastingly hurt by it. It was rather a wish of distinction, she believed, which produced his contemptuous treatment of every body, and his general abuse of every thing before him. It was the desire of appearing superior to other people. The motive was too common to be wondered at; but the means, however they might succeed by establishing his superiority in ill-breeding, were not likely to attach any one to him except his wife.<\|quote\|>"Oh, my dear Miss Dashwood,"</\|quote\|>said Mrs. Palmer soon afterwards, "I have got such a favour to ask of you and your sister. Will you come and spend some time at Cleveland this Christmas? Now, pray do, and come while the Westons are with us. You cannot think how happy I shall be! It will be quite delightful! My love," applying to her husband, "don t you long to have the Miss Dashwoods come to Cleveland?" "Certainly," he replied, with a sneer "I came into Devonshire with no other view." "There now," said his lady, "you see Mr. Palmer expects you; so you cannot refuse to come." They both eagerly and resolutely declined her invitation. "But indeed you must and shall come. I am sure you will like it of all things. The Westons will be with us, and it will be quite delightful. You cannot think what a sweet place Cleveland is; and we are so gay now, for Mr. Palmer is always going about the country canvassing against the election; and so many people came to dine with us that I never saw before, it is quite charming! But, poor fellow! it is very fatiguing to him! for he is forced to make	regret that they were only eight all together. "My dear," said he to his lady, "it is very provoking that we should be so few. Why did not you ask the Gilberts to come to us today?" "Did not I tell you, Sir John, when you spoke to me about it before, that it could not be done? They dined with us last." "You and I, Sir John," said Mrs. Jennings, "should not stand upon such ceremony." "Then you would be very ill-bred," cried Mr. Palmer. "My love you contradict every body," said his wife with her usual laugh. "Do you know that you are quite rude?" "I did not know I contradicted any body in calling your mother ill-bred." "Ay, you may abuse me as you please," said the good-natured old lady, "you have taken Charlotte off my hands, and cannot give her back again. So there I have the whip hand of you." Charlotte laughed heartily to think that her husband could not get rid of her; and exultingly said, she did not care how cross he was to her, as they must live together. It was impossible for any one to be more thoroughly good-natured, or more determined to be happy than Mrs. Palmer. The studied indifference, insolence, and discontent of her husband gave her no pain; and when he scolded or abused her, she was highly diverted. "Mr. Palmer is so droll!" said she, in a whisper, to Elinor. "He is always out of humour." Elinor was not inclined, after a little observation, to give him credit for being so genuinely and unaffectedly ill-natured or ill-bred as he wished to appear. His temper might perhaps be a little soured by finding, like many others of his sex, that through some unaccountable bias in favour of beauty, he was the husband of a very silly woman but she knew that this kind of blunder was too common for any sensible man to be lastingly hurt by it. It was rather a wish of distinction, she believed, which produced his contemptuous treatment of every body, and his general abuse of every thing before him. It was the desire of appearing superior to other people. The motive was too common to be wondered at; but the means, however they might succeed by establishing his superiority in ill-breeding, were not likely to attach any one to him except his wife.<\|quote\|>"Oh, my dear Miss Dashwood,"</\|quote\|>said Mrs. Palmer soon afterwards, "I have got such a favour to ask of you and your sister. Will you come and spend some time at Cleveland this Christmas? Now, pray do, and come while the Westons are with us. You cannot think how happy I shall be! It will be quite delightful! My love," applying to her husband, "don t you long to have the Miss Dashwoods come to Cleveland?" "Certainly," he replied, with a sneer "I came into Devonshire with no other view." "There now," said his lady, "you see Mr. Palmer expects you; so you cannot refuse to come." They both eagerly and resolutely declined her invitation. "But indeed you must and shall come. I am sure you will like it of all things. The Westons will be with us, and it will be quite delightful. You cannot think what a sweet place Cleveland is; and we are so gay now, for Mr. Palmer is always going about the country canvassing against the election; and so many people came to dine with us that I never saw before, it is quite charming! But, poor fellow! it is very fatiguing to him! for he is forced to make every body like him." Elinor could hardly keep her countenance as she assented to the hardship of such an obligation. "How charming it will be," said Charlotte, "when he is in Parliament! won t it? How I shall laugh! It will be so ridiculous to see all his letters directed to him with an M.P. But do you know, he says, he will never frank for me? He declares he won t. Don t you, Mr. Palmer?" Mr. Palmer took no notice of her. "He cannot bear writing, you know," she continued "he says it is quite shocking." "No," said he, "I never said any thing so irrational. Don t palm all your abuses of language upon me." "There now; you see how droll he is. This is always the way with him! Sometimes he won t speak to me for half a day together, and then he comes out with something so droll all about any thing in the world." She surprised Elinor very much as they returned into the drawing-room, by asking her whether she did not like Mr. Palmer excessively. "Certainly," said Elinor; "he seems very agreeable." "Well I am so glad you do. I thought you	am so sorry we cannot stay longer; however we shall meet again in town very soon, I hope." They were obliged to put an end to such an expectation. "Not go to town!" cried Mrs. Palmer, with a laugh, "I shall be quite disappointed if you do not. I could get the nicest house in the world for you, next door to ours, in Hanover-square. You must come, indeed. I am sure I shall be very happy to chaperon you at any time till I am confined, if Mrs. Dashwood should not like to go into public." They thanked her; but were obliged to resist all her entreaties. "Oh, my love," cried Mrs. Palmer to her husband, who just then entered the room "you must help me to persuade the Miss Dashwoods to go to town this winter." Her love made no answer; and after slightly bowing to the ladies, began complaining of the weather. "How horrid all this is!" said he. "Such weather makes every thing and every body disgusting. Dullness is as much produced within doors as without, by rain. It makes one detest all one s acquaintance. What the devil does Sir John mean by not having a billiard room in his house? How few people know what comfort is! Sir John is as stupid as the weather." The rest of the company soon dropt in. "I am afraid, Miss Marianne," said Sir John, "you have not been able to take your usual walk to Allenham today." Marianne looked very grave and said nothing. "Oh, don t be so sly before us," said Mrs. Palmer; "for we know all about it, I assure you; and I admire your taste very much, for I think he is extremely handsome. We do not live a great way from him in the country, you know. Not above ten miles, I dare say." "Much nearer thirty," said her husband. "Ah, well! there is not much difference. I never was at his house; but they say it is a sweet pretty place." "As vile a spot as I ever saw in my life," said Mr. Palmer. Marianne remained perfectly silent, though her countenance betrayed her interest in what was said. "Is it very ugly?" continued Mrs. Palmer "then it must be some other place that is so pretty I suppose." When they were seated in the dining room, Sir John observed with regret that they were only eight all together. "My dear," said he to his lady, "it is very provoking that we should be so few. Why did not you ask the Gilberts to come to us today?" "Did not I tell you, Sir John, when you spoke to me about it before, that it could not be done? They dined with us last." "You and I, Sir John," said Mrs. Jennings, "should not stand upon such ceremony." "Then you would be very ill-bred," cried Mr. Palmer. "My love you contradict every body," said his wife with her usual laugh. "Do you know that you are quite rude?" "I did not know I contradicted any body in calling your mother ill-bred." "Ay, you may abuse me as you please," said the good-natured old lady, "you have taken Charlotte off my hands, and cannot give her back again. So there I have the whip hand of you." Charlotte laughed heartily to think that her husband could not get rid of her; and exultingly said, she did not care how cross he was to her, as they must live together. It was impossible for any one to be more thoroughly good-natured, or more determined to be happy than Mrs. Palmer. The studied indifference, insolence, and discontent of her husband gave her no pain; and when he scolded or abused her, she was highly diverted. "Mr. Palmer is so droll!" said she, in a whisper, to Elinor. "He is always out of humour." Elinor was not inclined, after a little observation, to give him credit for being so genuinely and unaffectedly ill-natured or ill-bred as he wished to appear. His temper might perhaps be a little soured by finding, like many others of his sex, that through some unaccountable bias in favour of beauty, he was the husband of a very silly woman but she knew that this kind of blunder was too common for any sensible man to be lastingly hurt by it. It was rather a wish of distinction, she believed, which produced his contemptuous treatment of every body, and his general abuse of every thing before him. It was the desire of appearing superior to other people. The motive was too common to be wondered at; but the means, however they might succeed by establishing his superiority in ill-breeding, were not likely to attach any one to him except his wife.<\|quote\|>"Oh, my dear Miss Dashwood,"</\|quote\|>said Mrs. Palmer soon afterwards, "I have got such a favour to ask of you and your sister. Will you come and spend some time at Cleveland this Christmas? Now, pray do, and come while the Westons are with us. You cannot think how happy I shall be! It will be quite delightful! My love," applying to her husband, "don t you long to have the Miss Dashwoods come to Cleveland?" "Certainly," he replied, with a sneer "I came into Devonshire with no other view." "There now," said his lady, "you see Mr. Palmer expects you; so you cannot refuse to come." They both eagerly and resolutely declined her invitation. "But indeed you must and shall come. I am sure you will like it of all things. The Westons will be with us, and it will be quite delightful. You cannot think what a sweet place Cleveland is; and we are so gay now, for Mr. Palmer is always going about the country canvassing against the election; and so many people came to dine with us that I never saw before, it is quite charming! But, poor fellow! it is very fatiguing to him! for he is forced to make every body like him." Elinor could hardly keep her countenance as she assented to the hardship of such an obligation. "How charming it will be," said Charlotte, "when he is in Parliament! won t it? How I shall laugh! It will be so ridiculous to see all his letters directed to him with an M.P. But do you know, he says, he will never frank for me? He declares he won t. Don t you, Mr. Palmer?" Mr. Palmer took no notice of her. "He cannot bear writing, you know," she continued "he says it is quite shocking." "No," said he, "I never said any thing so irrational. Don t palm all your abuses of language upon me." "There now; you see how droll he is. This is always the way with him! Sometimes he won t speak to me for half a day together, and then he comes out with something so droll all about any thing in the world." She surprised Elinor very much as they returned into the drawing-room, by asking her whether she did not like Mr. Palmer excessively. "Certainly," said Elinor; "he seems very agreeable." "Well I am so glad you do. I thought you would, he is so pleasant; and Mr. Palmer is excessively pleased with you and your sisters I can tell you, and you can t think how disappointed he will be if you don t come to Cleveland. I can t imagine why you should object to it." Elinor was again obliged to decline her invitation; and by changing the subject, put a stop to her entreaties. She thought it probable that as they lived in the same county, Mrs. Palmer might be able to give some more particular account of Willoughby s general character, than could be gathered from the Middletons partial acquaintance with him; and she was eager to gain from any one, such a confirmation of his merits as might remove the possibility of fear from Marianne. She began by inquiring if they saw much of Mr. Willoughby at Cleveland, and whether they were intimately acquainted with him. "Oh dear, yes; I know him extremely well," replied Mrs. Palmer; "Not that I ever spoke to him, indeed; but I have seen him for ever in town. Somehow or other I never happened to be staying at Barton while he was at Allenham. Mama saw him here once before; but I was with my uncle at Weymouth. However, I dare say we should have seen a great deal of him in Somersetshire, if it had not happened very unluckily that we should never have been in the country together. He is very little at Combe, I believe; but if he were ever so much there, I do not think Mr. Palmer would visit him, for he is in the opposition, you know, and besides it is such a way off. I know why you inquire about him, very well; your sister is to marry him. I am monstrous glad of it, for then I shall have her for a neighbour you know." "Upon my word," replied Elinor, "you know much more of the matter than I do, if you have any reason to expect such a match." "Don t pretend to deny it, because you know it is what every body talks of. I assure you I heard of it in my way through town." "My dear Mrs. Palmer!" "Upon my honour I did. I met Colonel Brandon Monday morning in Bond-street, just before we left town, and he told me of it directly." "You surprise me very much.	ill-bred." "Ay, you may abuse me as you please," said the good-natured old lady, "you have taken Charlotte off my hands, and cannot give her back again. So there I have the whip hand of you." Charlotte laughed heartily to think that her husband could not get rid of her; and exultingly said, she did not care how cross he was to her, as they must live together. It was impossible for any one to be more thoroughly good-natured, or more determined to be happy than Mrs. Palmer. The studied indifference, insolence, and discontent of her husband gave her no pain; and when he scolded or abused her, she was highly diverted. "Mr. Palmer is so droll!" said she, in a whisper, to Elinor. "He is always out of humour." Elinor was not inclined, after a little observation, to give him credit for being so genuinely and unaffectedly ill-natured or ill-bred as he wished to appear. His temper might perhaps be a little soured by finding, like many others of his sex, that through some unaccountable bias in favour of beauty, he was the husband of a very silly woman but she knew that this kind of blunder was too common for any sensible man to be lastingly hurt by it. It was rather a wish of distinction, she believed, which produced his contemptuous treatment of every body, and his general abuse of every thing before him. It was the desire of appearing superior to other people. The motive was too common to be wondered at; but the means, however they might succeed by establishing his superiority in ill-breeding, were not likely to attach any one to him except his wife.<\|quote\|>"Oh, my dear Miss Dashwood,"</\|quote\|>said Mrs. Palmer soon afterwards, "I have got such a favour to ask of you and your sister. Will you come and spend some time at Cleveland this Christmas? Now, pray do, and come while the Westons are with us. You cannot think how happy I shall be! It will be quite delightful! My love," applying to her husband, "don t you long to have the Miss Dashwoods come to Cleveland?" "Certainly," he replied, with a sneer "I came into Devonshire with no other view." "There now," said his lady, "you see Mr. Palmer expects you; so you cannot refuse to come." They both eagerly and resolutely declined her invitation. "But indeed you must and shall come. I am sure you will like it of all things. The Westons will be with us, and it will be quite delightful. You cannot think what a sweet place Cleveland is; and we are so gay now, for Mr. Palmer is always going about the country canvassing against the election; and so many people came to dine with us that I never saw before, it is quite charming! But, poor fellow! it is very fatiguing to him! for he is forced to make every body like him." Elinor could hardly keep her countenance as she assented to the hardship of such an obligation. "How charming it will be," said Charlotte, "when he is in Parliament! won t it? How I shall laugh! It will be so ridiculous to see all his letters directed to him with an M.P. But do you know, he says, he will never frank for me? He declares he won t. Don t you, Mr. Palmer?" Mr. Palmer took no notice of her. "He cannot bear writing, you know," she continued "he says it is quite shocking." "No," said he, "I never said any thing so irrational. Don t palm all your abuses of language upon me." "There now; you see how droll he is. This is always the way with him! Sometimes he won t speak to me for half a day together, and then he comes out with something so droll all about any thing in the world." She surprised Elinor very much as they returned into the drawing-room, by asking her whether she did not like Mr. Palmer excessively. "Certainly," said Elinor; "he seems very agreeable." "Well I am so glad you do. I thought you would, he is so pleasant; and Mr. Palmer is excessively pleased with you and your sisters I can tell you, and you can t think how disappointed he will be if you don t come to Cleveland. I can t imagine why you should object to it." Elinor was again obliged to decline her invitation; and by changing the subject, put a stop to her entreaties. She thought it probable that as they lived in the	Sense And Sensibility
"I had thought of Friday. That will give us plenty of time for the doctor's report. The post-mortem is to take place to-night, I believe?"	Mr. Wells	the contrary," pursued Mr. Wells,<\|quote\|>"I had thought of Friday. That will give us plenty of time for the doctor's report. The post-mortem is to take place to-night, I believe?"</\|quote\|>"Yes." "Then that arrangement will	you know of nothing to the contrary," pursued Mr. Wells,<\|quote\|>"I had thought of Friday. That will give us plenty of time for the doctor's report. The post-mortem is to take place to-night, I believe?"</\|quote\|>"Yes." "Then that arrangement will suit you?" "Perfectly." "I need	went on in his soothing manner: "Any other evidence will be simply confirmatory, a mere matter of form." "I see." A faint expression of relief swept over John's face. It puzzled me, for I saw no occasion for it. "If you know of nothing to the contrary," pursued Mr. Wells,<\|quote\|>"I had thought of Friday. That will give us plenty of time for the doctor's report. The post-mortem is to take place to-night, I believe?"</\|quote\|>"Yes." "Then that arrangement will suit you?" "Perfectly." "I need not tell you, my dear Cavendish, how distressed I am at this most tragic affair." "Can you give us no help in solving it, monsieur?" interposed Poirot, speaking for the first time since we had entered the room. "I?" "Yes,	Bauerstein. Great authority on toxicology, I believe." "Indeed," said John with a certain stiffness in his manner. Then he added rather hesitatingly: "Shall we have to appear as witnesses all of us, I mean?" "You, of course and ah er Mr. er Inglethorp." A slight pause ensued before the lawyer went on in his soothing manner: "Any other evidence will be simply confirmatory, a mere matter of form." "I see." A faint expression of relief swept over John's face. It puzzled me, for I saw no occasion for it. "If you know of nothing to the contrary," pursued Mr. Wells,<\|quote\|>"I had thought of Friday. That will give us plenty of time for the doctor's report. The post-mortem is to take place to-night, I believe?"</\|quote\|>"Yes." "Then that arrangement will suit you?" "Perfectly." "I need not tell you, my dear Cavendish, how distressed I am at this most tragic affair." "Can you give us no help in solving it, monsieur?" interposed Poirot, speaking for the first time since we had entered the room. "I?" "Yes, we heard that Mrs. Inglethorp wrote to you last night. You should have received the letter this morning." "I did, but it contains no information. It is merely a note asking me to call upon her this morning, as she wanted my advice on a matter of great importance." "She	behind us. Mr. Wells was a pleasant man of middle-age, with keen eyes, and the typical lawyer's mouth. John introduced us both, and explained the reason of our presence. "You will understand, Wells," he added, "that this is all strictly private. We are still hoping that there will turn out to be no need for investigation of any kind." "Quite so, quite so," said Mr. Wells soothingly. "I wish we could have spared you the pain and publicity of an inquest, but of course it's quite unavoidable in the absence of a doctor's certificate." "Yes, I suppose so." "Clever man, Bauerstein. Great authority on toxicology, I believe." "Indeed," said John with a certain stiffness in his manner. Then he added rather hesitatingly: "Shall we have to appear as witnesses all of us, I mean?" "You, of course and ah er Mr. er Inglethorp." A slight pause ensued before the lawyer went on in his soothing manner: "Any other evidence will be simply confirmatory, a mere matter of form." "I see." A faint expression of relief swept over John's face. It puzzled me, for I saw no occasion for it. "If you know of nothing to the contrary," pursued Mr. Wells,<\|quote\|>"I had thought of Friday. That will give us plenty of time for the doctor's report. The post-mortem is to take place to-night, I believe?"</\|quote\|>"Yes." "Then that arrangement will suit you?" "Perfectly." "I need not tell you, my dear Cavendish, how distressed I am at this most tragic affair." "Can you give us no help in solving it, monsieur?" interposed Poirot, speaking for the first time since we had entered the room. "I?" "Yes, we heard that Mrs. Inglethorp wrote to you last night. You should have received the letter this morning." "I did, but it contains no information. It is merely a note asking me to call upon her this morning, as she wanted my advice on a matter of great importance." "She gave you no hint as to what that matter might be?" "Unfortunately, no." "That is a pity," said John. "A great pity," agreed Poirot gravely. There was silence. Poirot remained lost in thought for a few minutes. Finally he turned to the lawyer again. "Mr. Wells, there is one thing I should like to ask you that is, if it is not against professional etiquette. In the event of Mrs. Inglethorp's death, who would inherit her money?" The lawyer hesitated a moment, and then replied: "The knowledge will be public property very soon, so if Mr. Cavendish does not object"	moment, the door opened and Dorcas appeared. "Mr. Wells to see you, sir," she said to John. I remembered the name as being that of the lawyer to whom Mrs. Inglethorp had written the night before. John rose immediately. "Show him into my study." Then he turned to us. "My mother's lawyer," he explained. And in a lower voice: "He is also Coroner you understand. Perhaps you would like to come with me?" We acquiesced and followed him out of the room. John strode on ahead and I took the opportunity of whispering to Poirot: "There will be an inquest then?" Poirot nodded absently. He seemed absorbed in thought; so much so that my curiosity was aroused. "What is it? You are not attending to what I say." "It is true, my friend. I am much worried." "Why?" "Because Mademoiselle Cynthia does not take sugar in her coffee." "What? You cannot be serious?" "But I am most serious. Ah, there is something there that I do not understand. My instinct was right." "What instinct?" "The instinct that led me to insist on examining those coffee-cups. _Chut!_ no more now!" We followed John into his study, and he closed the door behind us. Mr. Wells was a pleasant man of middle-age, with keen eyes, and the typical lawyer's mouth. John introduced us both, and explained the reason of our presence. "You will understand, Wells," he added, "that this is all strictly private. We are still hoping that there will turn out to be no need for investigation of any kind." "Quite so, quite so," said Mr. Wells soothingly. "I wish we could have spared you the pain and publicity of an inquest, but of course it's quite unavoidable in the absence of a doctor's certificate." "Yes, I suppose so." "Clever man, Bauerstein. Great authority on toxicology, I believe." "Indeed," said John with a certain stiffness in his manner. Then he added rather hesitatingly: "Shall we have to appear as witnesses all of us, I mean?" "You, of course and ah er Mr. er Inglethorp." A slight pause ensued before the lawyer went on in his soothing manner: "Any other evidence will be simply confirmatory, a mere matter of form." "I see." A faint expression of relief swept over John's face. It puzzled me, for I saw no occasion for it. "If you know of nothing to the contrary," pursued Mr. Wells,<\|quote\|>"I had thought of Friday. That will give us plenty of time for the doctor's report. The post-mortem is to take place to-night, I believe?"</\|quote\|>"Yes." "Then that arrangement will suit you?" "Perfectly." "I need not tell you, my dear Cavendish, how distressed I am at this most tragic affair." "Can you give us no help in solving it, monsieur?" interposed Poirot, speaking for the first time since we had entered the room. "I?" "Yes, we heard that Mrs. Inglethorp wrote to you last night. You should have received the letter this morning." "I did, but it contains no information. It is merely a note asking me to call upon her this morning, as she wanted my advice on a matter of great importance." "She gave you no hint as to what that matter might be?" "Unfortunately, no." "That is a pity," said John. "A great pity," agreed Poirot gravely. There was silence. Poirot remained lost in thought for a few minutes. Finally he turned to the lawyer again. "Mr. Wells, there is one thing I should like to ask you that is, if it is not against professional etiquette. In the event of Mrs. Inglethorp's death, who would inherit her money?" The lawyer hesitated a moment, and then replied: "The knowledge will be public property very soon, so if Mr. Cavendish does not object" "Not at all," interpolated John. "I do not see any reason why I should not answer your question. By her last will, dated August of last year, after various unimportant legacies to servants, etc., she gave her entire fortune to her stepson, Mr. John Cavendish." "Was not that pardon the question, Mr. Cavendish rather unfair to her other stepson, Mr. Lawrence Cavendish?" "No, I do not think so. You see, under the terms of their father's will, while John inherited the property, Lawrence, at his stepmother's death, would come into a considerable sum of money. Mrs. Inglethorp left her money to her elder stepson, knowing that he would have to keep up Styles. It was, to my mind, a very fair and equitable distribution." Poirot nodded thoughtfully. "I see. But I am right in saying, am I not, that by your English law that will was automatically revoked when Mrs. Inglethorp remarried?" Mr. Wells bowed his head. "As I was about to proceed, Monsieur Poirot, that document is now null and void." "_Hein!_" said Poirot. He reflected for a moment, and then asked: "Was Mrs. Inglethorp herself aware of that fact?" "I do not know. She may have been." "She	should be much as usual, yet I could not help wondering if this self-control were really a matter of great difficulty. There were no red eyes, no signs of secretly indulged grief. I felt that I was right in my opinion that Dorcas was the person most affected by the personal side of the tragedy. I pass over Alfred Inglethorp, who acted the bereaved widower in a manner that I felt to be disgusting in its hypocrisy. Did he know that we suspected him, I wondered. Surely he could not be unaware of the fact, conceal it as we would. Did he feel some secret stirring of fear, or was he confident that his crime would go unpunished? Surely the suspicion in the atmosphere must warn him that he was already a marked man. But did everyone suspect him? What about Mrs. Cavendish? I watched her as she sat at the head of the table, graceful, composed, enigmatic. In her soft grey frock, with white ruffles at the wrists falling over her slender hands, she looked very beautiful. When she chose, however, her face could be sphinx-like in its inscrutability. She was very silent, hardly opening her lips, and yet in some queer way I felt that the great strength of her personality was dominating us all. And little Cynthia? Did she suspect? She looked very tired and ill, I thought. The heaviness and languor of her manner were very marked. I asked her if she were feeling ill, and she answered frankly: "Yes, I've got the most beastly headache." "Have another cup of coffee, mademoiselle?" said Poirot solicitously. "It will revive you. It is unparalleled for the _mal de t te_." He jumped up and took her cup. "No sugar," said Cynthia, watching him, as he picked up the sugar-tongs. "No sugar? You abandon it in the war-time, eh?" "No, I never take it in coffee." "_Sacr !_" murmured Poirot to himself, as he brought back the replenished cup. Only I heard him, and glancing up curiously at the little man I saw that his face was working with suppressed excitement, and his eyes were as green as a cat's. He had heard or seen something that had affected him strongly but what was it? I do not usually label myself as dense, but I must confess that nothing out of the ordinary had attracted _my_ attention. In another moment, the door opened and Dorcas appeared. "Mr. Wells to see you, sir," she said to John. I remembered the name as being that of the lawyer to whom Mrs. Inglethorp had written the night before. John rose immediately. "Show him into my study." Then he turned to us. "My mother's lawyer," he explained. And in a lower voice: "He is also Coroner you understand. Perhaps you would like to come with me?" We acquiesced and followed him out of the room. John strode on ahead and I took the opportunity of whispering to Poirot: "There will be an inquest then?" Poirot nodded absently. He seemed absorbed in thought; so much so that my curiosity was aroused. "What is it? You are not attending to what I say." "It is true, my friend. I am much worried." "Why?" "Because Mademoiselle Cynthia does not take sugar in her coffee." "What? You cannot be serious?" "But I am most serious. Ah, there is something there that I do not understand. My instinct was right." "What instinct?" "The instinct that led me to insist on examining those coffee-cups. _Chut!_ no more now!" We followed John into his study, and he closed the door behind us. Mr. Wells was a pleasant man of middle-age, with keen eyes, and the typical lawyer's mouth. John introduced us both, and explained the reason of our presence. "You will understand, Wells," he added, "that this is all strictly private. We are still hoping that there will turn out to be no need for investigation of any kind." "Quite so, quite so," said Mr. Wells soothingly. "I wish we could have spared you the pain and publicity of an inquest, but of course it's quite unavoidable in the absence of a doctor's certificate." "Yes, I suppose so." "Clever man, Bauerstein. Great authority on toxicology, I believe." "Indeed," said John with a certain stiffness in his manner. Then he added rather hesitatingly: "Shall we have to appear as witnesses all of us, I mean?" "You, of course and ah er Mr. er Inglethorp." A slight pause ensued before the lawyer went on in his soothing manner: "Any other evidence will be simply confirmatory, a mere matter of form." "I see." A faint expression of relief swept over John's face. It puzzled me, for I saw no occasion for it. "If you know of nothing to the contrary," pursued Mr. Wells,<\|quote\|>"I had thought of Friday. That will give us plenty of time for the doctor's report. The post-mortem is to take place to-night, I believe?"</\|quote\|>"Yes." "Then that arrangement will suit you?" "Perfectly." "I need not tell you, my dear Cavendish, how distressed I am at this most tragic affair." "Can you give us no help in solving it, monsieur?" interposed Poirot, speaking for the first time since we had entered the room. "I?" "Yes, we heard that Mrs. Inglethorp wrote to you last night. You should have received the letter this morning." "I did, but it contains no information. It is merely a note asking me to call upon her this morning, as she wanted my advice on a matter of great importance." "She gave you no hint as to what that matter might be?" "Unfortunately, no." "That is a pity," said John. "A great pity," agreed Poirot gravely. There was silence. Poirot remained lost in thought for a few minutes. Finally he turned to the lawyer again. "Mr. Wells, there is one thing I should like to ask you that is, if it is not against professional etiquette. In the event of Mrs. Inglethorp's death, who would inherit her money?" The lawyer hesitated a moment, and then replied: "The knowledge will be public property very soon, so if Mr. Cavendish does not object" "Not at all," interpolated John. "I do not see any reason why I should not answer your question. By her last will, dated August of last year, after various unimportant legacies to servants, etc., she gave her entire fortune to her stepson, Mr. John Cavendish." "Was not that pardon the question, Mr. Cavendish rather unfair to her other stepson, Mr. Lawrence Cavendish?" "No, I do not think so. You see, under the terms of their father's will, while John inherited the property, Lawrence, at his stepmother's death, would come into a considerable sum of money. Mrs. Inglethorp left her money to her elder stepson, knowing that he would have to keep up Styles. It was, to my mind, a very fair and equitable distribution." Poirot nodded thoughtfully. "I see. But I am right in saying, am I not, that by your English law that will was automatically revoked when Mrs. Inglethorp remarried?" Mr. Wells bowed his head. "As I was about to proceed, Monsieur Poirot, that document is now null and void." "_Hein!_" said Poirot. He reflected for a moment, and then asked: "Was Mrs. Inglethorp herself aware of that fact?" "I do not know. She may have been." "She was," said John unexpectedly. "We were discussing the matter of wills being revoked by marriage only yesterday." "Ah! One more question, Mr. Wells. You say" her last will.' "Had Mrs. Inglethorp, then, made several former wills?" "On an average, she made a new will at least once a year," said Mr. Wells imperturbably. "She was given to changing her mind as to her testamentary dispositions, now benefiting one, now another member of her family." "Suppose," suggested Poirot, "that, unknown to you, she had made a new will in favour of someone who was not, in any sense of the word, a member of the family we will say Miss Howard, for instance would you be surprised?" "Not in the least." "Ah!" Poirot seemed to have exhausted his questions. I drew close to him, while John and the lawyer were debating the question of going through Mrs. Inglethorp's papers. "Do you think Mrs. Inglethorp made a will leaving all her money to Miss Howard?" I asked in a low voice, with some curiosity. Poirot smiled. "No." "Then why did you ask?" "Hush!" John Cavendish had turned to Poirot. "Will you come with us, Monsieur Poirot? We are going through my mother's papers. Mr. Inglethorp is quite willing to leave it entirely to Mr. Wells and myself." "Which simplifies matters very much," murmured the lawyer. "As technically, of course, he was entitled" He did not finish the sentence. "We will look through the desk in the boudoir first," explained John, "and go up to her bedroom afterwards. She kept her most important papers in a purple despatch-case, which we must look through carefully." "Yes," said the lawyer, "it is quite possible that there may be a later will than the one in my possession." "There _is_ a later will." It was Poirot who spoke. "What?" John and the lawyer looked at him startled. "Or, rather," pursued my friend imperturbably, "there _was_ one." "What do you mean there was one? Where is it now?" "Burnt!" "Burnt?" "Yes. See here." He took out the charred fragment we had found in the grate in Mrs. Inglethorp's room, and handed it to the lawyer with a brief explanation of when and where he had found it. "But possibly this is an old will?" "I do not think so. In fact I am almost certain that it was made no earlier than yesterday afternoon." "What?" "Impossible!" broke	so much so that my curiosity was aroused. "What is it? You are not attending to what I say." "It is true, my friend. I am much worried." "Why?" "Because Mademoiselle Cynthia does not take sugar in her coffee." "What? You cannot be serious?" "But I am most serious. Ah, there is something there that I do not understand. My instinct was right." "What instinct?" "The instinct that led me to insist on examining those coffee-cups. _Chut!_ no more now!" We followed John into his study, and he closed the door behind us. Mr. Wells was a pleasant man of middle-age, with keen eyes, and the typical lawyer's mouth. John introduced us both, and explained the reason of our presence. "You will understand, Wells," he added, "that this is all strictly private. We are still hoping that there will turn out to be no need for investigation of any kind." "Quite so, quite so," said Mr. Wells soothingly. "I wish we could have spared you the pain and publicity of an inquest, but of course it's quite unavoidable in the absence of a doctor's certificate." "Yes, I suppose so." "Clever man, Bauerstein. Great authority on toxicology, I believe." "Indeed," said John with a certain stiffness in his manner. Then he added rather hesitatingly: "Shall we have to appear as witnesses all of us, I mean?" "You, of course and ah er Mr. er Inglethorp." A slight pause ensued before the lawyer went on in his soothing manner: "Any other evidence will be simply confirmatory, a mere matter of form." "I see." A faint expression of relief swept over John's face. It puzzled me, for I saw no occasion for it. "If you know of nothing to the contrary," pursued Mr. Wells,<\|quote\|>"I had thought of Friday. That will give us plenty of time for the doctor's report. The post-mortem is to take place to-night, I believe?"</\|quote\|>"Yes." "Then that arrangement will suit you?" "Perfectly." "I need not tell you, my dear Cavendish, how distressed I am at this most tragic affair." "Can you give us no help in solving it, monsieur?" interposed Poirot, speaking for the first time since we had entered the room. "I?" "Yes, we heard that Mrs. Inglethorp wrote to you last night. You should have received the letter this morning." "I did, but it contains no information. It is merely a note asking me to call upon her this morning, as she wanted my advice on a matter of great importance." "She gave you no hint as to what that matter might be?" "Unfortunately, no." "That is a pity," said John. "A great pity," agreed Poirot gravely. There was silence. Poirot remained lost in thought for a few minutes. Finally he turned to the lawyer again. "Mr. Wells, there is one thing I should like to ask you that is, if it is not against professional etiquette. In the event of Mrs. Inglethorp's death, who would inherit her money?" The lawyer hesitated a moment, and then replied: "The knowledge will be public property very soon, so if Mr. Cavendish does not object" "Not at all," interpolated John. "I do not see any reason why I should not answer your question. By her last will, dated August of last year, after various unimportant legacies to servants, etc., she gave her entire fortune to her stepson, Mr. John Cavendish." "Was not that pardon the question, Mr. Cavendish rather unfair to her other stepson, Mr. Lawrence Cavendish?" "No, I do not think so. You see, under the terms of their father's will, while John inherited the property, Lawrence, at his stepmother's death, would come into a considerable sum of money. Mrs. Inglethorp left her money to her elder stepson, knowing that he would have to keep up Styles. It was, to my mind, a very fair and equitable distribution." Poirot nodded thoughtfully. "I see. But I am right in saying, am I not, that by your English law that will was automatically revoked when Mrs. Inglethorp remarried?" Mr. Wells bowed his head. "As I was about to proceed, Monsieur Poirot, that document is now null and void." "_Hein!_" said Poirot. He reflected for a moment, and then asked: "Was Mrs. Inglethorp herself aware of that fact?" "I do not know.	The Mysterious Affair At Styles
"Only three now, sir. Five, we had, before the war, when it was kept as a gentleman's place should be. I wish you could have seen it then, sir. A fair sight it was. But now there's only old Manning, and young William, and a new-fashioned woman gardener in breeches and such-like. Ah, these are dreadful times!"	Dorcas	employed here, by the way?"<\|quote\|>"Only three now, sir. Five, we had, before the war, when it was kept as a gentleman's place should be. I wish you could have seen it then, sir. A fair sight it was. But now there's only old Manning, and young William, and a new-fashioned woman gardener in breeches and such-like. Ah, these are dreadful times!"</\|quote\|>"The good times will come	beds. How many gardeners are employed here, by the way?"<\|quote\|>"Only three now, sir. Five, we had, before the war, when it was kept as a gentleman's place should be. I wish you could have seen it then, sir. A fair sight it was. But now there's only old Manning, and young William, and a new-fashioned woman gardener in breeches and such-like. Ah, these are dreadful times!"</\|quote\|>"The good times will come again, Dorcas. At least, we	them." "Very well, sir." "What time did you go out last evening?" "About six o'clock, sir." "Thank you, Dorcas, that is all I have to ask you." He rose and strolled to the window. "I have been admiring these flower beds. How many gardeners are employed here, by the way?"<\|quote\|>"Only three now, sir. Five, we had, before the war, when it was kept as a gentleman's place should be. I wish you could have seen it then, sir. A fair sight it was. But now there's only old Manning, and young William, and a new-fashioned woman gardener in breeches and such-like. Ah, these are dreadful times!"</\|quote\|>"The good times will come again, Dorcas. At least, we hope so. Now, will you send Annie to me here?" "Yes, sir. Thank you, sir." "How did you know that Mrs. Inglethorp took sleeping powders?" I asked, in lively curiosity, as Dorcas left the room. "And about the lost key	Annie could tell you, though she's a careless girl. Never cleared the coffee-cups away last night. That's what happens when I'm not here to look after things." Poirot lifted his hand. "Since they have been left, Dorcas, leave them a little longer, I pray you. I should like to examine them." "Very well, sir." "What time did you go out last evening?" "About six o'clock, sir." "Thank you, Dorcas, that is all I have to ask you." He rose and strolled to the window. "I have been admiring these flower beds. How many gardeners are employed here, by the way?"<\|quote\|>"Only three now, sir. Five, we had, before the war, when it was kept as a gentleman's place should be. I wish you could have seen it then, sir. A fair sight it was. But now there's only old Manning, and young William, and a new-fashioned woman gardener in breeches and such-like. Ah, these are dreadful times!"</\|quote\|>"The good times will come again, Dorcas. At least, we hope so. Now, will you send Annie to me here?" "Yes, sir. Thank you, sir." "How did you know that Mrs. Inglethorp took sleeping powders?" I asked, in lively curiosity, as Dorcas left the room. "And about the lost key and the duplicate?" "One thing at a time. As to the sleeping powders, I knew by this." He suddenly produced a small cardboard box, such as chemists use for powders. "Where did you find it?" "In the wash-stand drawer in Mrs. Inglethorp's bedroom. It was Number Six of my catalogue."	you know so positively?" "Because the box was empty. She took the last one two days ago, and she didn't have any more made up." "You are quite sure of that?" "Positive, sir." "Then that is cleared up! By the way, your mistress didn't ask you to sign any paper yesterday?" "To sign a paper? No, sir." "When Mr. Hastings and Mr. Lawrence came in yesterday evening, they found your mistress busy writing letters. I suppose you can give me no idea to whom these letters were addressed?" "I'm afraid I couldn't, sir. I was out in the evening. Perhaps Annie could tell you, though she's a careless girl. Never cleared the coffee-cups away last night. That's what happens when I'm not here to look after things." Poirot lifted his hand. "Since they have been left, Dorcas, leave them a little longer, I pray you. I should like to examine them." "Very well, sir." "What time did you go out last evening?" "About six o'clock, sir." "Thank you, Dorcas, that is all I have to ask you." He rose and strolled to the window. "I have been admiring these flower beds. How many gardeners are employed here, by the way?"<\|quote\|>"Only three now, sir. Five, we had, before the war, when it was kept as a gentleman's place should be. I wish you could have seen it then, sir. A fair sight it was. But now there's only old Manning, and young William, and a new-fashioned woman gardener in breeches and such-like. Ah, these are dreadful times!"</\|quote\|>"The good times will come again, Dorcas. At least, we hope so. Now, will you send Annie to me here?" "Yes, sir. Thank you, sir." "How did you know that Mrs. Inglethorp took sleeping powders?" I asked, in lively curiosity, as Dorcas left the room. "And about the lost key and the duplicate?" "One thing at a time. As to the sleeping powders, I knew by this." He suddenly produced a small cardboard box, such as chemists use for powders. "Where did you find it?" "In the wash-stand drawer in Mrs. Inglethorp's bedroom. It was Number Six of my catalogue." "But I suppose, as the last powder was taken two days ago, it is not of much importance?" "Probably not, but do you notice anything that strikes you as peculiar about this box?" I examined it closely. "No, I can't say that I do." "Look at the label." I read the label carefully: " One powder to be taken at bedtime, if required. Mrs. Inglethorp.' "No, I see nothing unusual." "Not the fact that there is no chemist's name?" "Ah!" I exclaimed. "To be sure, that is odd!" "Have you ever known a chemist to send out a box like	from his pocket the key that he had found in the lock of the despatch-case upstairs. Dorcas's eyes looked as though they would pop out of her head. "That's it, sir, right enough. But where did you find it? I looked everywhere for it." "Ah, but you see it was not in the same place yesterday as it was to-day. Now, to pass to another subject, had your mistress a dark green dress in her wardrobe?" Dorcas was rather startled by the unexpected question. "No, sir." "Are you quite sure?" "Oh, yes, sir." "Has anyone else in the house got a green dress?" Dorcas reflected. "Miss Cynthia has a green evening dress." "Light or dark green?" "A light green, sir; a sort of chiffon, they call it." "Ah, that is not what I want. And nobody else has anything green?" "No, sir not that I know of." Poirot's face did not betray a trace of whether he was disappointed or otherwise. He merely remarked: "Good, we will leave that and pass on. Have you any reason to believe that your mistress was likely to take a sleeping powder last night?" "Not _last_ night, sir, I know she didn't." "Why do you know so positively?" "Because the box was empty. She took the last one two days ago, and she didn't have any more made up." "You are quite sure of that?" "Positive, sir." "Then that is cleared up! By the way, your mistress didn't ask you to sign any paper yesterday?" "To sign a paper? No, sir." "When Mr. Hastings and Mr. Lawrence came in yesterday evening, they found your mistress busy writing letters. I suppose you can give me no idea to whom these letters were addressed?" "I'm afraid I couldn't, sir. I was out in the evening. Perhaps Annie could tell you, though she's a careless girl. Never cleared the coffee-cups away last night. That's what happens when I'm not here to look after things." Poirot lifted his hand. "Since they have been left, Dorcas, leave them a little longer, I pray you. I should like to examine them." "Very well, sir." "What time did you go out last evening?" "About six o'clock, sir." "Thank you, Dorcas, that is all I have to ask you." He rose and strolled to the window. "I have been admiring these flower beds. How many gardeners are employed here, by the way?"<\|quote\|>"Only three now, sir. Five, we had, before the war, when it was kept as a gentleman's place should be. I wish you could have seen it then, sir. A fair sight it was. But now there's only old Manning, and young William, and a new-fashioned woman gardener in breeches and such-like. Ah, these are dreadful times!"</\|quote\|>"The good times will come again, Dorcas. At least, we hope so. Now, will you send Annie to me here?" "Yes, sir. Thank you, sir." "How did you know that Mrs. Inglethorp took sleeping powders?" I asked, in lively curiosity, as Dorcas left the room. "And about the lost key and the duplicate?" "One thing at a time. As to the sleeping powders, I knew by this." He suddenly produced a small cardboard box, such as chemists use for powders. "Where did you find it?" "In the wash-stand drawer in Mrs. Inglethorp's bedroom. It was Number Six of my catalogue." "But I suppose, as the last powder was taken two days ago, it is not of much importance?" "Probably not, but do you notice anything that strikes you as peculiar about this box?" I examined it closely. "No, I can't say that I do." "Look at the label." I read the label carefully: " One powder to be taken at bedtime, if required. Mrs. Inglethorp.' "No, I see nothing unusual." "Not the fact that there is no chemist's name?" "Ah!" I exclaimed. "To be sure, that is odd!" "Have you ever known a chemist to send out a box like that, without his printed name?" "No, I can't say that I have." I was becoming quite excited, but Poirot damped my ardour by remarking: "Yet the explanation is quite simple. So do not intrigue yourself, my friend." An audible creaking proclaimed the approach of Annie, so I had no time to reply. Annie was a fine, strapping girl, and was evidently labouring under intense excitement, mingled with a certain ghoulish enjoyment of the tragedy. Poirot came to the point at once, with a business-like briskness. "I sent for you, Annie, because I thought you might be able to tell me something about the letters Mrs. Inglethorp wrote last night. How many were there? And can you tell me any of the names and addresses?" Annie considered. "There were four letters, sir. One was to Miss Howard, and one was to Mr. Wells, the lawyer, and the other two I don't think I remember, sir oh, yes, one was to Ross's, the caterers in Tadminster. The other one, I don't remember." "Think," urged Poirot. Annie racked her brains in vain. "I'm sorry, sir, but it's clean gone. I don't think I can have noticed it." "It does not matter," said Poirot,	between husband and wife will deter me.' "Then I thought I heard them coming out, so I went off quickly." "You are sure it was Mr. Inglethorp's voice you heard?" "Oh, yes, sir, whose else's could it be?" "Well, what happened next?" "Later, I came back to the hall; but it was all quiet. At five o'clock, Mrs. Inglethorp rang the bell and told me to bring her a cup of tea nothing to eat to the boudoir. She was looking dreadful so white and upset." Dorcas,' "she says," I've had a great shock.' I'm sorry for that, m'm,' "I says." You'll feel better after a nice hot cup of tea, m'm.' "She had something in her hand. I don't know if it was a letter, or just a piece of paper, but it had writing on it, and she kept staring at it, almost as if she couldn't believe what was written there. She whispered to herself, as though she had forgotten I was there:" These few words and everything's changed.' "And then she says to me:" Never trust a man, Dorcas, they're not worth it!' "I hurried off, and got her a good strong cup of tea, and she thanked me, and said she'd feel better when she'd drunk it." I don't know what to do,' "she says." Scandal between husband and wife is a dreadful thing, Dorcas. I'd rather hush it up if I could.' "Mrs. Cavendish came in just then, so she didn't say any more." "She still had the letter, or whatever it was, in her hand?" "Yes, sir." "What would she be likely to do with it afterwards?" "Well, I don't know, sir, I expect she would lock it up in that purple case of hers." "Is that where she usually kept important papers?" "Yes, sir. She brought it down with her every morning, and took it up every night." "When did she lose the key of it?" "She missed it yesterday at lunch-time, sir, and told me to look carefully for it. She was very much put out about it." "But she had a duplicate key?" "Oh, yes, sir." Dorcas was looking very curiously at him and, to tell the truth, so was I. What was all this about a lost key? Poirot smiled. "Never mind, Dorcas, it is my business to know things. Is this the key that was lost?" He drew from his pocket the key that he had found in the lock of the despatch-case upstairs. Dorcas's eyes looked as though they would pop out of her head. "That's it, sir, right enough. But where did you find it? I looked everywhere for it." "Ah, but you see it was not in the same place yesterday as it was to-day. Now, to pass to another subject, had your mistress a dark green dress in her wardrobe?" Dorcas was rather startled by the unexpected question. "No, sir." "Are you quite sure?" "Oh, yes, sir." "Has anyone else in the house got a green dress?" Dorcas reflected. "Miss Cynthia has a green evening dress." "Light or dark green?" "A light green, sir; a sort of chiffon, they call it." "Ah, that is not what I want. And nobody else has anything green?" "No, sir not that I know of." Poirot's face did not betray a trace of whether he was disappointed or otherwise. He merely remarked: "Good, we will leave that and pass on. Have you any reason to believe that your mistress was likely to take a sleeping powder last night?" "Not _last_ night, sir, I know she didn't." "Why do you know so positively?" "Because the box was empty. She took the last one two days ago, and she didn't have any more made up." "You are quite sure of that?" "Positive, sir." "Then that is cleared up! By the way, your mistress didn't ask you to sign any paper yesterday?" "To sign a paper? No, sir." "When Mr. Hastings and Mr. Lawrence came in yesterday evening, they found your mistress busy writing letters. I suppose you can give me no idea to whom these letters were addressed?" "I'm afraid I couldn't, sir. I was out in the evening. Perhaps Annie could tell you, though she's a careless girl. Never cleared the coffee-cups away last night. That's what happens when I'm not here to look after things." Poirot lifted his hand. "Since they have been left, Dorcas, leave them a little longer, I pray you. I should like to examine them." "Very well, sir." "What time did you go out last evening?" "About six o'clock, sir." "Thank you, Dorcas, that is all I have to ask you." He rose and strolled to the window. "I have been admiring these flower beds. How many gardeners are employed here, by the way?"<\|quote\|>"Only three now, sir. Five, we had, before the war, when it was kept as a gentleman's place should be. I wish you could have seen it then, sir. A fair sight it was. But now there's only old Manning, and young William, and a new-fashioned woman gardener in breeches and such-like. Ah, these are dreadful times!"</\|quote\|>"The good times will come again, Dorcas. At least, we hope so. Now, will you send Annie to me here?" "Yes, sir. Thank you, sir." "How did you know that Mrs. Inglethorp took sleeping powders?" I asked, in lively curiosity, as Dorcas left the room. "And about the lost key and the duplicate?" "One thing at a time. As to the sleeping powders, I knew by this." He suddenly produced a small cardboard box, such as chemists use for powders. "Where did you find it?" "In the wash-stand drawer in Mrs. Inglethorp's bedroom. It was Number Six of my catalogue." "But I suppose, as the last powder was taken two days ago, it is not of much importance?" "Probably not, but do you notice anything that strikes you as peculiar about this box?" I examined it closely. "No, I can't say that I do." "Look at the label." I read the label carefully: " One powder to be taken at bedtime, if required. Mrs. Inglethorp.' "No, I see nothing unusual." "Not the fact that there is no chemist's name?" "Ah!" I exclaimed. "To be sure, that is odd!" "Have you ever known a chemist to send out a box like that, without his printed name?" "No, I can't say that I have." I was becoming quite excited, but Poirot damped my ardour by remarking: "Yet the explanation is quite simple. So do not intrigue yourself, my friend." An audible creaking proclaimed the approach of Annie, so I had no time to reply. Annie was a fine, strapping girl, and was evidently labouring under intense excitement, mingled with a certain ghoulish enjoyment of the tragedy. Poirot came to the point at once, with a business-like briskness. "I sent for you, Annie, because I thought you might be able to tell me something about the letters Mrs. Inglethorp wrote last night. How many were there? And can you tell me any of the names and addresses?" Annie considered. "There were four letters, sir. One was to Miss Howard, and one was to Mr. Wells, the lawyer, and the other two I don't think I remember, sir oh, yes, one was to Ross's, the caterers in Tadminster. The other one, I don't remember." "Think," urged Poirot. Annie racked her brains in vain. "I'm sorry, sir, but it's clean gone. I don't think I can have noticed it." "It does not matter," said Poirot, not betraying any sign of disappointment. "Now I want to ask you about something else. There is a saucepan in Mrs. Inglethorp's room with some cocoa in it. Did she have that every night?" "Yes, sir, it was put in her room every evening, and she warmed it up in the night whenever she fancied it." "What was it? Plain cocoa?" "Yes, sir, made with milk, with a teaspoonful of sugar, and two teaspoonfuls of rum in it." "Who took it to her room?" "I did, sir." "Always?" "Yes, sir." "At what time?" "When I went to draw the curtains, as a rule, sir." "Did you bring it straight up from the kitchen then?" "No, sir, you see there's not much room on the gas stove, so cook used to make it early, before putting the vegetables on for supper. Then I used to bring it up, and put it on the table by the swing door, and take it into her room later." "The swing door is in the left wing, is it not?" "Yes, sir." "And the table, is it on this side of the door, or on the farther servants' side?" "It's this side, sir." "What time did you bring it up last night?" "About quarter-past seven, I should say, sir." "And when did you take it into Mrs. Inglethorp's room?" "When I went to shut up, sir. About eight o'clock. Mrs. Inglethorp came up to bed before I'd finished." "Then, between seven-fifteen and eight o'clock, the cocoa was standing on the table in the left wing?" "Yes, sir." Annie had been growing redder and redder in the face, and now she blurted out unexpectedly: "And if there _was_ salt in it, sir, it wasn't me. I never took the salt near it." "What makes you think there was salt in it?" asked Poirot. "Seeing it on the tray, sir." "You saw some salt on the tray?" "Yes. Coarse kitchen salt, it looked. I never noticed it when I took the tray up, but when I came to take it into the mistress's room I saw it at once, and I suppose I ought to have taken it down again, and asked cook to make some fresh. But I was in a hurry, because Dorcas was out, and I thought maybe the cocoa itself was all right, and the salt had only gone on the tray. So	and said she'd feel better when she'd drunk it." I don't know what to do,' "she says." Scandal between husband and wife is a dreadful thing, Dorcas. I'd rather hush it up if I could.' "Mrs. Cavendish came in just then, so she didn't say any more." "She still had the letter, or whatever it was, in her hand?" "Yes, sir." "What would she be likely to do with it afterwards?" "Well, I don't know, sir, I expect she would lock it up in that purple case of hers." "Is that where she usually kept important papers?" "Yes, sir. She brought it down with her every morning, and took it up every night." "When did she lose the key of it?" "She missed it yesterday at lunch-time, sir, and told me to look carefully for it. She was very much put out about it." "But she had a duplicate key?" "Oh, yes, sir." Dorcas was looking very curiously at him and, to tell the truth, so was I. What was all this about a lost key? Poirot smiled. "Never mind, Dorcas, it is my business to know things. Is this the key that was lost?" He drew from his pocket the key that he had found in the lock of the despatch-case upstairs. Dorcas's eyes looked as though they would pop out of her head. "That's it, sir, right enough. But where did you find it? I looked everywhere for it." "Ah, but you see it was not in the same place yesterday as it was to-day. Now, to pass to another subject, had your mistress a dark green dress in her wardrobe?" Dorcas was rather startled by the unexpected question. "No, sir." "Are you quite sure?" "Oh, yes, sir." "Has anyone else in the house got a green dress?" Dorcas reflected. "Miss Cynthia has a green evening dress." "Light or dark green?" "A light green, sir; a sort of chiffon, they call it." "Ah, that is not what I want. And nobody else has anything green?" "No, sir not that I know of." Poirot's face did not betray a trace of whether he was disappointed or otherwise. He merely remarked: "Good, we will leave that and pass on. Have you any reason to believe that your mistress was likely to take a sleeping powder last night?" "Not _last_ night, sir, I know she didn't." "Why do you know so positively?" "Because the box was empty. She took the last one two days ago, and she didn't have any more made up." "You are quite sure of that?" "Positive, sir." "Then that is cleared up! By the way, your mistress didn't ask you to sign any paper yesterday?" "To sign a paper? No, sir." "When Mr. Hastings and Mr. Lawrence came in yesterday evening, they found your mistress busy writing letters. I suppose you can give me no idea to whom these letters were addressed?" "I'm afraid I couldn't, sir. I was out in the evening. Perhaps Annie could tell you, though she's a careless girl. Never cleared the coffee-cups away last night. That's what happens when I'm not here to look after things." Poirot lifted his hand. "Since they have been left, Dorcas, leave them a little longer, I pray you. I should like to examine them." "Very well, sir." "What time did you go out last evening?" "About six o'clock, sir." "Thank you, Dorcas, that is all I have to ask you." He rose and strolled to the window. "I have been admiring these flower beds. How many gardeners are employed here, by the way?"<\|quote\|>"Only three now, sir. Five, we had, before the war, when it was kept as a gentleman's place should be. I wish you could have seen it then, sir. A fair sight it was. But now there's only old Manning, and young William, and a new-fashioned woman gardener in breeches and such-like. Ah, these are dreadful times!"</\|quote\|>"The good times will come again, Dorcas. At least, we hope so. Now, will you send Annie to me here?" "Yes, sir. Thank you, sir." "How did you know that Mrs. Inglethorp took sleeping powders?" I asked, in lively curiosity, as Dorcas left the room. "And about the lost key and the duplicate?" "One thing at a time. As to the sleeping powders, I knew by this." He suddenly produced a small cardboard box, such as chemists use for powders. "Where did you find it?" "In the wash-stand drawer in Mrs. Inglethorp's bedroom. It was Number Six of my catalogue." "But I suppose, as the last powder was taken two days ago, it is not of much importance?" "Probably not, but do you notice anything that strikes you as peculiar about this box?" I examined it closely. "No, I can't say that I do." "Look at the label." I read the label carefully: " One powder to be taken at bedtime, if required. Mrs. Inglethorp.' "No, I see nothing unusual." "Not the fact that there is no chemist's name?" "Ah!" I exclaimed. "To be sure, that is odd!" "Have you ever known a chemist to send out a box like that, without his printed name?" "No, I can't say that I have." I was becoming quite excited, but Poirot damped my ardour by remarking: "Yet the explanation is quite simple. So do not intrigue yourself, my friend." An audible creaking proclaimed the approach of Annie, so I had no time to reply. Annie was a fine, strapping girl, and was evidently labouring under intense excitement, mingled with a certain ghoulish enjoyment of the tragedy. Poirot came to the point at once, with a business-like briskness. "I sent for you, Annie, because I thought you might be able to tell me something about the letters	The Mysterious Affair At Styles
"You know it s not. How can it be? I ve no right to interfere"	Mary Datchet	rising, to her own surprise.<\|quote\|>"You know it s not. How can it be? I ve no right to interfere"</\|quote\|>She stopped. "Only I d	friendship," Mary exclaimed, her anger rising, to her own surprise.<\|quote\|>"You know it s not. How can it be? I ve no right to interfere"</\|quote\|>She stopped. "Only I d rather Ralph wasn t hurt,"	"Let me see; we went to Kew, and we agreed to be friends. Yes, that s what happened." Mary was silent, in the hope that Katharine would tell her more. But Katharine said nothing. "It s not a question of friendship," Mary exclaimed, her anger rising, to her own surprise.<\|quote\|>"You know it s not. How can it be? I ve no right to interfere"</\|quote\|>She stopped. "Only I d rather Ralph wasn t hurt," she concluded. "I think he seems able to take care of himself," Katharine observed. Without either of them wishing it, a feeling of hostility had risen between them. "Do you really think it s worth it?" said Mary, after a	him. It took her a moment or two to remember why Mary should ask her if she had seen Ralph. "I believe I m jealous," said Mary. "Nonsense, Mary," said Katharine, rather distractedly, taking her arm and beginning to walk up the street in the direction of the main road. "Let me see; we went to Kew, and we agreed to be friends. Yes, that s what happened." Mary was silent, in the hope that Katharine would tell her more. But Katharine said nothing. "It s not a question of friendship," Mary exclaimed, her anger rising, to her own surprise.<\|quote\|>"You know it s not. How can it be? I ve no right to interfere"</\|quote\|>She stopped. "Only I d rather Ralph wasn t hurt," she concluded. "I think he seems able to take care of himself," Katharine observed. Without either of them wishing it, a feeling of hostility had risen between them. "Do you really think it s worth it?" said Mary, after a pause. "How can one tell?" Katharine asked. "Have you ever cared for any one?" Mary demanded rashly and foolishly. "I can t wander about London discussing my feelings Here s a cab no, there s some one in it." "We don t want to quarrel," said Mary. "Ought I to	hand. "You can t wander about the streets alone in those clothes," said Mary, but the desire to find a cab was not her true reason for standing beside Katharine for a minute or two. Unfortunately for her composure, Mr. Basnett and his papers seemed to her an incidental diversion of life s serious purpose compared with some tremendous fact which manifested itself as she stood alone with Katharine. It may have been their common womanhood. "Have you seen Ralph?" she asked suddenly, without preface. "Yes," said Katharine directly, but she did not remember when or where she had seen him. It took her a moment or two to remember why Mary should ask her if she had seen Ralph. "I believe I m jealous," said Mary. "Nonsense, Mary," said Katharine, rather distractedly, taking her arm and beginning to walk up the street in the direction of the main road. "Let me see; we went to Kew, and we agreed to be friends. Yes, that s what happened." Mary was silent, in the hope that Katharine would tell her more. But Katharine said nothing. "It s not a question of friendship," Mary exclaimed, her anger rising, to her own surprise.<\|quote\|>"You know it s not. How can it be? I ve no right to interfere"</\|quote\|>She stopped. "Only I d rather Ralph wasn t hurt," she concluded. "I think he seems able to take care of himself," Katharine observed. Without either of them wishing it, a feeling of hostility had risen between them. "Do you really think it s worth it?" said Mary, after a pause. "How can one tell?" Katharine asked. "Have you ever cared for any one?" Mary demanded rashly and foolishly. "I can t wander about London discussing my feelings Here s a cab no, there s some one in it." "We don t want to quarrel," said Mary. "Ought I to have told him that I wouldn t be his friend?" Katharine asked. "Shall I tell him that? If so, what reason shall I give him?" "Of course you can t tell him that," said Mary, controlling herself. "I believe I shall, though," said Katharine suddenly. "I lost my temper, Katharine; I shouldn t have said what I did." "The whole thing s foolish," said Katharine, peremptorily. "That s what I say. It s not worth it." She spoke with unnecessary vehemence, but it was not directed against Mary Datchet. Their animosity had completely disappeared, and upon both of them a	now and then, although we know only the clerk, barrister, Governmental official, or workingman variety of him. Not that Mr. Basnett, giving his days to commerce and his spare time to social reform, would long carry about him any trace of his possibilities of completeness; but, for the moment, in his youth and ardor, still speculative, still uncramped, one might imagine him the citizen of a nobler state than ours. Katharine turned over her small stock of information, and wondered what their society might be going to attempt. Then she remembered that she was hindering their business, and rose, still thinking of this society, and thus thinking, she said to Mr. Basnett: "Well, you ll ask me to join when the time comes, I hope." He nodded, and took his pipe from his mouth, but, being unable to think of anything to say, he put it back again, although he would have been glad if she had stayed. Against her wish, Mary insisted upon taking her downstairs, and then, as there was no cab to be seen, they stood in the street together, looking about them. "Go back," Katharine urged her, thinking of Mr. Basnett with his papers in his hand. "You can t wander about the streets alone in those clothes," said Mary, but the desire to find a cab was not her true reason for standing beside Katharine for a minute or two. Unfortunately for her composure, Mr. Basnett and his papers seemed to her an incidental diversion of life s serious purpose compared with some tremendous fact which manifested itself as she stood alone with Katharine. It may have been their common womanhood. "Have you seen Ralph?" she asked suddenly, without preface. "Yes," said Katharine directly, but she did not remember when or where she had seen him. It took her a moment or two to remember why Mary should ask her if she had seen Ralph. "I believe I m jealous," said Mary. "Nonsense, Mary," said Katharine, rather distractedly, taking her arm and beginning to walk up the street in the direction of the main road. "Let me see; we went to Kew, and we agreed to be friends. Yes, that s what happened." Mary was silent, in the hope that Katharine would tell her more. But Katharine said nothing. "It s not a question of friendship," Mary exclaimed, her anger rising, to her own surprise.<\|quote\|>"You know it s not. How can it be? I ve no right to interfere"</\|quote\|>She stopped. "Only I d rather Ralph wasn t hurt," she concluded. "I think he seems able to take care of himself," Katharine observed. Without either of them wishing it, a feeling of hostility had risen between them. "Do you really think it s worth it?" said Mary, after a pause. "How can one tell?" Katharine asked. "Have you ever cared for any one?" Mary demanded rashly and foolishly. "I can t wander about London discussing my feelings Here s a cab no, there s some one in it." "We don t want to quarrel," said Mary. "Ought I to have told him that I wouldn t be his friend?" Katharine asked. "Shall I tell him that? If so, what reason shall I give him?" "Of course you can t tell him that," said Mary, controlling herself. "I believe I shall, though," said Katharine suddenly. "I lost my temper, Katharine; I shouldn t have said what I did." "The whole thing s foolish," said Katharine, peremptorily. "That s what I say. It s not worth it." She spoke with unnecessary vehemence, but it was not directed against Mary Datchet. Their animosity had completely disappeared, and upon both of them a cloud of difficulty and darkness rested, obscuring the future, in which they had both to find a way. "No, no, it s not worth it," Katharine repeated. "Suppose, as you say, it s out of the question this friendship; he falls in love with me. I don t want that. Still," she added, "I believe you exaggerate; love s not everything; marriage itself is only one of the things" They had reached the main thoroughfare, and stood looking at the omnibuses and passers-by, who seemed, for the moment, to illustrate what Katharine had said of the diversity of human interests. For both of them it had become one of those moments of extreme detachment, when it seems unnecessary ever again to shoulder the burden of happiness and self-assertive existence. Their neighbors were welcome to their possessions. "I don t lay down any rules," said Mary, recovering herself first, as they turned after a long pause of this description. "All I say is that you should know what you re about for certain; but," she added, "I expect you do." At the same time she was profoundly perplexed, not only by what she knew of the arrangements for Katharine s marriage,	would be judged upon its merits; one had only to say what one thought, rather barely and tersely, with a curious assumption that the number of things that could properly be thought about was strictly limited. And Mr. Basnett was only stiff upon the surface; there was an intelligence in his face which attracted her intelligence. "When will the public know?" she asked. "What d you mean about us?" Mr. Basnett asked, with a little smile. "That depends upon many things," said Mary. The conspirators looked pleased, as if Katharine s question, with the belief in their existence which it implied, had a warming effect upon them. "In starting a society such as we wish to start (we can t say any more at present)," Mr. Basnett began, with a little jerk of his head, "there are two things to remember the Press and the public. Other societies, which shall be nameless, have gone under because they ve appealed only to cranks. If you don t want a mutual admiration society, which dies as soon as you ve all discovered each other s faults, you must nobble the Press. You must appeal to the public." "That s the difficulty," said Mary thoughtfully. "That s where she comes in," said Mr. Basnett, jerking his head in Mary s direction. "She s the only one of us who s a capitalist. She can make a whole-time job of it. I m tied to an office; I can only give my spare time. Are you, by any chance, on the look-out for a job?" he asked Katharine, with a queer mixture of distrust and deference. "Marriage is her job at present," Mary replied for her. "Oh, I see," said Mr. Basnett. He made allowances for that; he and his friends had faced the question of sex, along with all others, and assigned it an honorable place in their scheme of life. Katharine felt this beneath the roughness of his manner; and a world entrusted to the guardianship of Mary Datchet and Mr. Basnett seemed to her a good world, although not a romantic or beautiful place or, to put it figuratively, a place where any line of blue mist softly linked tree to tree upon the horizon. For a moment she thought she saw in his face, bent now over the fire, the features of that original man whom we still recall every now and then, although we know only the clerk, barrister, Governmental official, or workingman variety of him. Not that Mr. Basnett, giving his days to commerce and his spare time to social reform, would long carry about him any trace of his possibilities of completeness; but, for the moment, in his youth and ardor, still speculative, still uncramped, one might imagine him the citizen of a nobler state than ours. Katharine turned over her small stock of information, and wondered what their society might be going to attempt. Then she remembered that she was hindering their business, and rose, still thinking of this society, and thus thinking, she said to Mr. Basnett: "Well, you ll ask me to join when the time comes, I hope." He nodded, and took his pipe from his mouth, but, being unable to think of anything to say, he put it back again, although he would have been glad if she had stayed. Against her wish, Mary insisted upon taking her downstairs, and then, as there was no cab to be seen, they stood in the street together, looking about them. "Go back," Katharine urged her, thinking of Mr. Basnett with his papers in his hand. "You can t wander about the streets alone in those clothes," said Mary, but the desire to find a cab was not her true reason for standing beside Katharine for a minute or two. Unfortunately for her composure, Mr. Basnett and his papers seemed to her an incidental diversion of life s serious purpose compared with some tremendous fact which manifested itself as she stood alone with Katharine. It may have been their common womanhood. "Have you seen Ralph?" she asked suddenly, without preface. "Yes," said Katharine directly, but she did not remember when or where she had seen him. It took her a moment or two to remember why Mary should ask her if she had seen Ralph. "I believe I m jealous," said Mary. "Nonsense, Mary," said Katharine, rather distractedly, taking her arm and beginning to walk up the street in the direction of the main road. "Let me see; we went to Kew, and we agreed to be friends. Yes, that s what happened." Mary was silent, in the hope that Katharine would tell her more. But Katharine said nothing. "It s not a question of friendship," Mary exclaimed, her anger rising, to her own surprise.<\|quote\|>"You know it s not. How can it be? I ve no right to interfere"</\|quote\|>She stopped. "Only I d rather Ralph wasn t hurt," she concluded. "I think he seems able to take care of himself," Katharine observed. Without either of them wishing it, a feeling of hostility had risen between them. "Do you really think it s worth it?" said Mary, after a pause. "How can one tell?" Katharine asked. "Have you ever cared for any one?" Mary demanded rashly and foolishly. "I can t wander about London discussing my feelings Here s a cab no, there s some one in it." "We don t want to quarrel," said Mary. "Ought I to have told him that I wouldn t be his friend?" Katharine asked. "Shall I tell him that? If so, what reason shall I give him?" "Of course you can t tell him that," said Mary, controlling herself. "I believe I shall, though," said Katharine suddenly. "I lost my temper, Katharine; I shouldn t have said what I did." "The whole thing s foolish," said Katharine, peremptorily. "That s what I say. It s not worth it." She spoke with unnecessary vehemence, but it was not directed against Mary Datchet. Their animosity had completely disappeared, and upon both of them a cloud of difficulty and darkness rested, obscuring the future, in which they had both to find a way. "No, no, it s not worth it," Katharine repeated. "Suppose, as you say, it s out of the question this friendship; he falls in love with me. I don t want that. Still," she added, "I believe you exaggerate; love s not everything; marriage itself is only one of the things" They had reached the main thoroughfare, and stood looking at the omnibuses and passers-by, who seemed, for the moment, to illustrate what Katharine had said of the diversity of human interests. For both of them it had become one of those moments of extreme detachment, when it seems unnecessary ever again to shoulder the burden of happiness and self-assertive existence. Their neighbors were welcome to their possessions. "I don t lay down any rules," said Mary, recovering herself first, as they turned after a long pause of this description. "All I say is that you should know what you re about for certain; but," she added, "I expect you do." At the same time she was profoundly perplexed, not only by what she knew of the arrangements for Katharine s marriage, but by the impression which she had of her, there on her arm, dark and inscrutable. They walked back again and reached the steps which led up to Mary s flat. Here they stopped and paused for a moment, saying nothing. "You must go in," said Katharine, rousing herself. "He s waiting all this time to go on with his reading." She glanced up at the lighted window near the top of the house, and they both looked at it and waited for a moment. A flight of semicircular steps ran up to the hall, and Mary slowly mounted the first two or three, and paused, looking down upon Katharine. "I think you underrate the value of that emotion," she said slowly, and a little awkwardly. She climbed another step and looked down once more upon the figure that was only partly lit up, standing in the street with a colorless face turned upwards. As Mary hesitated, a cab came by and Katharine turned and stopped it, saying as she opened the door: "Remember, I want to belong to your society remember," she added, having to raise her voice a little, and shutting the door upon the rest of her words. Mary mounted the stairs step by step, as if she had to lift her body up an extremely steep ascent. She had had to wrench herself forcibly away from Katharine, and every step vanquished her desire. She held on grimly, encouraging herself as though she were actually making some great physical effort in climbing a height. She was conscious that Mr. Basnett, sitting at the top of the stairs with his documents, offered her solid footing if she were capable of reaching it. The knowledge gave her a faint sense of exaltation. Mr. Basnett raised his eyes as she opened the door. "I ll go on where I left off," he said. "Stop me if you want anything explained." He had been re-reading the document, and making pencil notes in the margin while he waited, and he went on again as if there had been no interruption. Mary sat down among the flat cushions, lit another cigarette, and listened with a frown upon her face. Katharine leant back in the corner of the cab that carried her to Chelsea, conscious of fatigue, and conscious, too, of the sober and satisfactory nature of such industry as she had just witnessed.	than ours. Katharine turned over her small stock of information, and wondered what their society might be going to attempt. Then she remembered that she was hindering their business, and rose, still thinking of this society, and thus thinking, she said to Mr. Basnett: "Well, you ll ask me to join when the time comes, I hope." He nodded, and took his pipe from his mouth, but, being unable to think of anything to say, he put it back again, although he would have been glad if she had stayed. Against her wish, Mary insisted upon taking her downstairs, and then, as there was no cab to be seen, they stood in the street together, looking about them. "Go back," Katharine urged her, thinking of Mr. Basnett with his papers in his hand. "You can t wander about the streets alone in those clothes," said Mary, but the desire to find a cab was not her true reason for standing beside Katharine for a minute or two. Unfortunately for her composure, Mr. Basnett and his papers seemed to her an incidental diversion of life s serious purpose compared with some tremendous fact which manifested itself as she stood alone with Katharine. It may have been their common womanhood. "Have you seen Ralph?" she asked suddenly, without preface. "Yes," said Katharine directly, but she did not remember when or where she had seen him. It took her a moment or two to remember why Mary should ask her if she had seen Ralph. "I believe I m jealous," said Mary. "Nonsense, Mary," said Katharine, rather distractedly, taking her arm and beginning to walk up the street in the direction of the main road. "Let me see; we went to Kew, and we agreed to be friends. Yes, that s what happened." Mary was silent, in the hope that Katharine would tell her more. But Katharine said nothing. "It s not a question of friendship," Mary exclaimed, her anger rising, to her own surprise.<\|quote\|>"You know it s not. How can it be? I ve no right to interfere"</\|quote\|>She stopped. "Only I d rather Ralph wasn t hurt," she concluded. "I think he seems able to take care of himself," Katharine observed. Without either of them wishing it, a feeling of hostility had risen between them. "Do you really think it s worth it?" said Mary, after a pause. "How can one tell?" Katharine asked. "Have you ever cared for any one?" Mary demanded rashly and foolishly. "I can t wander about London discussing my feelings Here s a cab no, there s some one in it." "We don t want to quarrel," said Mary. "Ought I to have told him that I wouldn t be his friend?" Katharine asked. "Shall I tell him that? If so, what reason shall I give him?" "Of course you can t tell him that," said Mary, controlling herself. "I believe I shall, though," said Katharine suddenly. "I lost my temper, Katharine; I shouldn t have said what I did." "The whole thing s foolish," said Katharine, peremptorily. "That s what I say. It s not worth it." She spoke with unnecessary vehemence, but it was not directed against Mary Datchet. Their animosity had completely disappeared, and upon both of them a cloud of difficulty and darkness rested, obscuring the future, in which they had both to find a way. "No, no, it s not worth it," Katharine repeated. "Suppose, as you say, it s out of the question this friendship; he falls in love with me. I don t want that. Still," she added, "I believe you exaggerate; love s not everything; marriage itself is only one of the things" They had reached the main thoroughfare, and stood looking at the omnibuses and passers-by, who seemed, for the moment, to illustrate what Katharine had said of the diversity of human interests. For both of them it had become one of those moments of extreme detachment, when it seems unnecessary ever again to shoulder the burden of happiness and self-assertive existence. Their neighbors were welcome to their possessions. "I don t lay down any rules," said Mary, recovering herself first, as they turned after a long pause of this description. "All I say is that you should know what you	Night And Day
"Good mistress,"	Bird	acquit ourselves to his satisfaction."<\|quote\|>"Good mistress,"</\|quote\|>replied the Bird, "you have	what we shall do to acquit ourselves to his satisfaction."<\|quote\|>"Good mistress,"</\|quote\|>replied the Bird, "you have excellent cooks, let them do	princes approved of her plan, and after they had retired she consulted the Bird alone. "Bird," said she, "the emperor will do us the honour to-morrow to come and see our house, and we are to entertain him; tell us what we shall do to acquit ourselves to his satisfaction."<\|quote\|>"Good mistress,"</\|quote\|>replied the Bird, "you have excellent cooks, let them do the best they can; but above all things, let them prepare a dish of cucumbers stuffed full of pearls, which must be set before the emperor in the first course before all the other dishes." "Cucumbers stuffed full of pearls!"	appointed the next day. "If it be so," replied the princess, "we must think of preparing a repast fit for his majesty; and for that purpose I think it would be proper we should consult the Talking Bird, who will tell us, perhaps, what meats the emperor likes best." The princes approved of her plan, and after they had retired she consulted the Bird alone. "Bird," said she, "the emperor will do us the honour to-morrow to come and see our house, and we are to entertain him; tell us what we shall do to acquit ourselves to his satisfaction."<\|quote\|>"Good mistress,"</\|quote\|>replied the Bird, "you have excellent cooks, let them do the best they can; but above all things, let them prepare a dish of cucumbers stuffed full of pearls, which must be set before the emperor in the first course before all the other dishes." "Cucumbers stuffed full of pearls!" cried Princess Periezade with amazement; "surely, Bird, you do not know what you say; it is an unheard of dish. The emperor may admire it as a piece of magnificence, but he will sit down to eat, and not to admire pearls; besides, all the pearls I possess are not	you give me of the rare qualities with which she is endowed: and this satisfaction I will defer no longer than to-morrow. Early in the morning I will be at the place where I shall never forget that I first saw you. Meet me, and you shall be my guides." When the Princes Bahman and Perviz had returned home, they gave the princess an account of the distinguished reception the emperor had given them, and told her that they had invited him to do them the honour, as he passed by, to call at their house, and that he had appointed the next day. "If it be so," replied the princess, "we must think of preparing a repast fit for his majesty; and for that purpose I think it would be proper we should consult the Talking Bird, who will tell us, perhaps, what meats the emperor likes best." The princes approved of her plan, and after they had retired she consulted the Bird alone. "Bird," said she, "the emperor will do us the honour to-morrow to come and see our house, and we are to entertain him; tell us what we shall do to acquit ourselves to his satisfaction."<\|quote\|>"Good mistress,"</\|quote\|>replied the Bird, "you have excellent cooks, let them do the best they can; but above all things, let them prepare a dish of cucumbers stuffed full of pearls, which must be set before the emperor in the first course before all the other dishes." "Cucumbers stuffed full of pearls!" cried Princess Periezade with amazement; "surely, Bird, you do not know what you say; it is an unheard of dish. The emperor may admire it as a piece of magnificence, but he will sit down to eat, and not to admire pearls; besides, all the pearls I possess are not enough for such a dish." "Mistress," said the Bird, "do what I say, and be not uneasy about what may happen. Nothing but good will follow. As for the pearls, go early to-morrow morning to the foot of the first tree on your right hand in the park, dig under it, and you will find more than you want." That night the princess ordered a gardener to be ready to attend her, and the next morning early, led him to the tree which the Bird had told her of, and bade him dig at its foot. When the gardener came	an excellent farce was acted, and the entertainment was concluded by dancers of both sexes. The two princes, seeing night approach, prostrated themselves at the emperor's feet; and having first thanked him for the favours and honours he had heaped upon them, asked his permission to retire; which was granted by the emperor, who, in dismissing them, said: "I give you leave to go; but remember, you will be always welcome, and the oftener you come the greater pleasure you will do me." Before they went out of the emperor's presence, Prince Bahman said: "Sir, may we presume to request that your majesty will do us and our sister the honour to pass by our house, and refresh yourself after your fatigue, the first time you take the diversion of hunting in that neighbourhood? It is not worthy of your presence; but monarchs sometimes have vouchsafed to take shelter in a cottage." "My children," replied the emperor, "your house cannot be otherwise than beautiful and worthy of its owners. I will call and see it with pleasure, which will be the greater for having for my hosts you and your sister, who is already dear to me from the account you give me of the rare qualities with which she is endowed: and this satisfaction I will defer no longer than to-morrow. Early in the morning I will be at the place where I shall never forget that I first saw you. Meet me, and you shall be my guides." When the Princes Bahman and Perviz had returned home, they gave the princess an account of the distinguished reception the emperor had given them, and told her that they had invited him to do them the honour, as he passed by, to call at their house, and that he had appointed the next day. "If it be so," replied the princess, "we must think of preparing a repast fit for his majesty; and for that purpose I think it would be proper we should consult the Talking Bird, who will tell us, perhaps, what meats the emperor likes best." The princes approved of her plan, and after they had retired she consulted the Bird alone. "Bird," said she, "the emperor will do us the honour to-morrow to come and see our house, and we are to entertain him; tell us what we shall do to acquit ourselves to his satisfaction."<\|quote\|>"Good mistress,"</\|quote\|>replied the Bird, "you have excellent cooks, let them do the best they can; but above all things, let them prepare a dish of cucumbers stuffed full of pearls, which must be set before the emperor in the first course before all the other dishes." "Cucumbers stuffed full of pearls!" cried Princess Periezade with amazement; "surely, Bird, you do not know what you say; it is an unheard of dish. The emperor may admire it as a piece of magnificence, but he will sit down to eat, and not to admire pearls; besides, all the pearls I possess are not enough for such a dish." "Mistress," said the Bird, "do what I say, and be not uneasy about what may happen. Nothing but good will follow. As for the pearls, go early to-morrow morning to the foot of the first tree on your right hand in the park, dig under it, and you will find more than you want." That night the princess ordered a gardener to be ready to attend her, and the next morning early, led him to the tree which the Bird had told her of, and bade him dig at its foot. When the gardener came to a certain depth, he found some resistance to the spade, and presently discovered a gold box about a foot square, which he showed the princess. "This," said she, "is what I brought you for; take care not to injure it with the spade." When the gardener took up the box, he gave it into the princess's hands, who, as it was only fastened with neat little hasps, soon opened it, and found it full of pearls of a moderate size, but equal and fit for the use that was to be made of them. Very well satisfied with having found this treasure, after she had shut the box again, she put it under her arm and went back to the house, while the gardener threw the earth into the hole at the foot of the tree as it had been before. The Princes Bahman and Perviz, who, as they were dressing themselves in their own apartments, saw their sister in the garden earlier than usual, as soon as they could get out went to her, and met her as she was returning with a gold box under her arm, which much surprised them. "Sister," said Bahman, "you carried nothing	He made them ride on each side of him, an honour which was envied by the grand vizier, who was much mortified to see them preferred before him. When the emperor entered his capital, the eyes of the people, who stood in crowds in the streets, were fixed upon the two Princes Bahman and Perviz; and they were earnest to know who they might be. All, however, agreed in wishing that the emperor had been blessed with two such handsome princes, and said that his children would have been about the same age, if the queen had not been so unfortunate as to lose them. The first thing the emperor did when he arrived at his palace was to conduct the princes into the principal apartments, who praised without affectation the beauty and symmetry of the rooms, and the richness of the furniture and ornaments. Afterward a magnificent repast was served up, and the emperor made them sit with him, which they at first refused; but finding it was his pleasure, they obeyed. The emperor, who had himself much learning, particularly in history, foresaw that the princes, out of modesty and respect, would not take the liberty of beginning any conversation. Therefore, to give them an opportunity, he furnished them with subjects all dinner-time. But whatever subject he introduced, they shewed so much wit, judgment, and discernment, that he was struck with admiration. "Were these my own children," said he to himself, "and I had improved their talents by suitable education, they could not have been more accomplished or better informed." In short, he took such great pleasure in their conversation, that, after having sat longer than usual, he led them into his closet, where he pursued his conversation with them, and at last said: "I never supposed that there were among my subjects in the country youths so well brought up, so lively, so capable; and I never was better pleased with any conversation than yours; but it is time now we should relax our minds with some diversion; and as nothing is more capable of enlivening the mind than music, you shall hear a vocal and instrumental concert which may not be disagreeable to you." The emperor had no sooner spoken than the musicians, who had orders to attend, entered, and answered fully the expectations the princes had been led to entertain of their abilities. After the concerts, an excellent farce was acted, and the entertainment was concluded by dancers of both sexes. The two princes, seeing night approach, prostrated themselves at the emperor's feet; and having first thanked him for the favours and honours he had heaped upon them, asked his permission to retire; which was granted by the emperor, who, in dismissing them, said: "I give you leave to go; but remember, you will be always welcome, and the oftener you come the greater pleasure you will do me." Before they went out of the emperor's presence, Prince Bahman said: "Sir, may we presume to request that your majesty will do us and our sister the honour to pass by our house, and refresh yourself after your fatigue, the first time you take the diversion of hunting in that neighbourhood? It is not worthy of your presence; but monarchs sometimes have vouchsafed to take shelter in a cottage." "My children," replied the emperor, "your house cannot be otherwise than beautiful and worthy of its owners. I will call and see it with pleasure, which will be the greater for having for my hosts you and your sister, who is already dear to me from the account you give me of the rare qualities with which she is endowed: and this satisfaction I will defer no longer than to-morrow. Early in the morning I will be at the place where I shall never forget that I first saw you. Meet me, and you shall be my guides." When the Princes Bahman and Perviz had returned home, they gave the princess an account of the distinguished reception the emperor had given them, and told her that they had invited him to do them the honour, as he passed by, to call at their house, and that he had appointed the next day. "If it be so," replied the princess, "we must think of preparing a repast fit for his majesty; and for that purpose I think it would be proper we should consult the Talking Bird, who will tell us, perhaps, what meats the emperor likes best." The princes approved of her plan, and after they had retired she consulted the Bird alone. "Bird," said she, "the emperor will do us the honour to-morrow to come and see our house, and we are to entertain him; tell us what we shall do to acquit ourselves to his satisfaction."<\|quote\|>"Good mistress,"</\|quote\|>replied the Bird, "you have excellent cooks, let them do the best they can; but above all things, let them prepare a dish of cucumbers stuffed full of pearls, which must be set before the emperor in the first course before all the other dishes." "Cucumbers stuffed full of pearls!" cried Princess Periezade with amazement; "surely, Bird, you do not know what you say; it is an unheard of dish. The emperor may admire it as a piece of magnificence, but he will sit down to eat, and not to admire pearls; besides, all the pearls I possess are not enough for such a dish." "Mistress," said the Bird, "do what I say, and be not uneasy about what may happen. Nothing but good will follow. As for the pearls, go early to-morrow morning to the foot of the first tree on your right hand in the park, dig under it, and you will find more than you want." That night the princess ordered a gardener to be ready to attend her, and the next morning early, led him to the tree which the Bird had told her of, and bade him dig at its foot. When the gardener came to a certain depth, he found some resistance to the spade, and presently discovered a gold box about a foot square, which he showed the princess. "This," said she, "is what I brought you for; take care not to injure it with the spade." When the gardener took up the box, he gave it into the princess's hands, who, as it was only fastened with neat little hasps, soon opened it, and found it full of pearls of a moderate size, but equal and fit for the use that was to be made of them. Very well satisfied with having found this treasure, after she had shut the box again, she put it under her arm and went back to the house, while the gardener threw the earth into the hole at the foot of the tree as it had been before. The Princes Bahman and Perviz, who, as they were dressing themselves in their own apartments, saw their sister in the garden earlier than usual, as soon as they could get out went to her, and met her as she was returning with a gold box under her arm, which much surprised them. "Sister," said Bahman, "you carried nothing with you when we saw you before with the gardener, and now we see you have a golden box; is this some treasure found by the gardener, and did he come and tell you of it?" "No, brother," answered the princess, "I took the gardener to the place where this casket was concealed, and showed him where to dig; but you will be more amazed when you see what it contains." The princess opened the box, and when the princes saw that it was full of pearls, which, though small, were of great value, they asked her how she came to the knowledge of this treasure. "Brothers," said she, "come with me and I will tell you." The princess, as they returned to the house, gave them an account of her having consulted the Bird, as they had agreed she should, and the answer he had given her; the objection she had raised to preparing a dish of cucumbers stuffed full of pearls, and how he had told her where to find this box. The sister and brothers formed many conjectures to penetrate into what the Bird could mean by ordering them to prepare such a dish; but after much conversation, they agreed to follow his advice exactly. As soon as the princess entered the house, she called for the head cook; and after she had given him directions about the entertainment for the emperor, said to him: "Besides all this, you must dress an extraordinary dish for the emperor's own eating, which nobody else must have anything to do with besides yourself. This dish must be of cucumbers stuffed with these pearls;" and at the same time she opened him the box, and showed him the jewels. The chief cook, who had never heard of such a dish, started back, and showed his thoughts by his looks; which the princess penetrating, said: "I see you take me to be mad to order such a dish, which one may say with certainty was never made. I know this as well as you; but I am not mad, and give you these orders with the most perfect recollection. You must invent and do the best you can, and bring me back what pearls are left." The cook could make no reply, but took the box and retired; and afterward the princess gave directions to all the domestics to have everything in	was granted by the emperor, who, in dismissing them, said: "I give you leave to go; but remember, you will be always welcome, and the oftener you come the greater pleasure you will do me." Before they went out of the emperor's presence, Prince Bahman said: "Sir, may we presume to request that your majesty will do us and our sister the honour to pass by our house, and refresh yourself after your fatigue, the first time you take the diversion of hunting in that neighbourhood? It is not worthy of your presence; but monarchs sometimes have vouchsafed to take shelter in a cottage." "My children," replied the emperor, "your house cannot be otherwise than beautiful and worthy of its owners. I will call and see it with pleasure, which will be the greater for having for my hosts you and your sister, who is already dear to me from the account you give me of the rare qualities with which she is endowed: and this satisfaction I will defer no longer than to-morrow. Early in the morning I will be at the place where I shall never forget that I first saw you. Meet me, and you shall be my guides." When the Princes Bahman and Perviz had returned home, they gave the princess an account of the distinguished reception the emperor had given them, and told her that they had invited him to do them the honour, as he passed by, to call at their house, and that he had appointed the next day. "If it be so," replied the princess, "we must think of preparing a repast fit for his majesty; and for that purpose I think it would be proper we should consult the Talking Bird, who will tell us, perhaps, what meats the emperor likes best." The princes approved of her plan, and after they had retired she consulted the Bird alone. "Bird," said she, "the emperor will do us the honour to-morrow to come and see our house, and we are to entertain him; tell us what we shall do to acquit ourselves to his satisfaction."<\|quote\|>"Good mistress,"</\|quote\|>replied the Bird, "you have excellent cooks, let them do the best they can; but above all things, let them prepare a dish of cucumbers stuffed full of pearls, which must be set before the emperor in the first course before all the other dishes." "Cucumbers stuffed full of pearls!" cried Princess Periezade with amazement; "surely, Bird, you do not know what you say; it is an unheard of dish. The emperor may admire it as a piece of magnificence, but he will sit down to eat, and not to admire pearls; besides, all the pearls I possess are not enough for such a dish." "Mistress," said the Bird, "do what I say, and be not uneasy about what may happen. Nothing but good will follow. As for the pearls, go early to-morrow morning to the foot of the first tree on your right hand in the park, dig under it, and you will find more than you want." That night the princess ordered a gardener to be ready to attend her, and the next morning early, led him to the tree which the Bird had told her of, and bade him dig at its foot. When the gardener came to a certain depth, he found some resistance to the spade, and presently discovered a gold box about a foot square, which he showed the princess. "This," said she, "is what I brought you for; take care not to injure it with the spade." When the gardener took up the box, he gave it into the princess's hands, who, as it was only fastened with neat little hasps, soon opened it, and found it full of pearls of a moderate size, but equal and fit for the use that was to be made of them. Very well satisfied with having found this treasure, after she had shut the box again, she put it under her arm and went back to the house, while the gardener threw the earth into the hole at the foot of the tree as it had been before. The Princes Bahman and Perviz, who, as they were dressing themselves in their own apartments, saw their sister in the garden earlier than usual, as soon as they could	Arabian Nights (1)
murmured the tinker.	No speaker	of" "Ladies present, Mr. Giles,"<\|quote\|>murmured the tinker.</\|quote\|>"Of _shoes_, sir," said Giles,	bed; drew on a pair of" "Ladies present, Mr. Giles,"<\|quote\|>murmured the tinker.</\|quote\|>"Of _shoes_, sir," said Giles, turning upon him, and laying	at him, with his mouth wide open, and his face expressive of the most unmitigated horror. "I tossed off the clothes," said Giles, throwing away the table-cloth, and looking very hard at the cook and housemaid, "got softly out of bed; drew on a pair of" "Ladies present, Mr. Giles,"<\|quote\|>murmured the tinker.</\|quote\|>"Of _shoes_, sir," said Giles, turning upon him, and laying great emphasis on the word; "seized the loaded pistol that always goes upstairs with the plate-basket; and walked on tiptoes to his room." Brittles,' "I says, when I had woke him," don't be frightened!'" "So you did," observed Brittles, in	up that poor lad, Brittles, and save him from being murdered in his bed; or his throat,' "I says" , may be cut from his right ear to his left, without his ever knowing it.'" Here, all eyes were turned upon Brittles, who fixed his upon the speaker, and stared at him, with his mouth wide open, and his face expressive of the most unmitigated horror. "I tossed off the clothes," said Giles, throwing away the table-cloth, and looking very hard at the cook and housemaid, "got softly out of bed; drew on a pair of" "Ladies present, Mr. Giles,"<\|quote\|>murmured the tinker.</\|quote\|>"Of _shoes_, sir," said Giles, turning upon him, and laying great emphasis on the word; "seized the loaded pistol that always goes upstairs with the plate-basket; and walked on tiptoes to his room." Brittles,' "I says, when I had woke him," don't be frightened!'" "So you did," observed Brittles, in a low voice. " We're dead men, I think, Brittles,' "I says," continued Giles; " but don't be frightened.'" "_Was_ he frightened?" asked the cook. "Not a bit of it," replied Mr. Giles. "He was as firm ah! pretty near as firm as I was." "I should have died at	a busting noise," replied Mr. Giles, looking round him. "More like the noise of powdering a iron bar on a nutmeg-grater," suggested Brittles. "It was, when _you_ heerd it, sir," rejoined Mr. Giles; "but, at this time, it had a busting sound. I turned down the clothes" "; continued Giles, rolling back the table-cloth, "sat up in bed; and listened." The cook and housemaid simultaneously ejaculated "Lor!" and drew their chairs closer together. "I heerd it now, quite apparent," resumed Mr. Giles. " Somebody,' "I says" , is forcing of a door, or window; what's to be done? I'll call up that poor lad, Brittles, and save him from being murdered in his bed; or his throat,' "I says" , may be cut from his right ear to his left, without his ever knowing it.'" Here, all eyes were turned upon Brittles, who fixed his upon the speaker, and stared at him, with his mouth wide open, and his face expressive of the most unmitigated horror. "I tossed off the clothes," said Giles, throwing away the table-cloth, and looking very hard at the cook and housemaid, "got softly out of bed; drew on a pair of" "Ladies present, Mr. Giles,"<\|quote\|>murmured the tinker.</\|quote\|>"Of _shoes_, sir," said Giles, turning upon him, and laying great emphasis on the word; "seized the loaded pistol that always goes upstairs with the plate-basket; and walked on tiptoes to his room." Brittles,' "I says, when I had woke him," don't be frightened!'" "So you did," observed Brittles, in a low voice. " We're dead men, I think, Brittles,' "I says," continued Giles; " but don't be frightened.'" "_Was_ he frightened?" asked the cook. "Not a bit of it," replied Mr. Giles. "He was as firm ah! pretty near as firm as I was." "I should have died at once, I'm sure, if it had been me," observed the housemaid. "You're a woman," retorted Brittles, plucking up a little. "Brittles is right," said Mr. Giles, nodding his head, approvingly; "from a woman, nothing else was to be expected. We, being men, took a dark lantern that was standing on Brittle's hob, and groped our way downstairs in the pitch dark, as it might be so." Mr. Giles had risen from his seat, and taken two steps with his eyes shut, to accompany his description with appropriate action, when he started violently, in common with the rest of the company,	remind them of his superior position in society. But, death, fires, and burglary, make all men equals; so Mr. Giles sat with his legs stretched out before the kitchen fender, leaning his left arm on the table, while, with his right, he illustrated a circumstantial and minute account of the robbery, to which his bearers (but especially the cook and housemaid, who were of the party) listened with breathless interest. "It was about half-past two," said Mr. Giles, "or I wouldn't swear that it mightn't have been a little nearer three, when I woke up, and, turning round in my bed, as it might be so, (here Mr. Giles turned round in his chair, and pulled the corner of the table-cloth over him to imitate bed-clothes,) I fancied I heerd a noise." At this point of the narrative the cook turned pale, and asked the housemaid to shut the door: who asked Brittles, who asked the tinker, who pretended not to hear. "Heerd a noise," continued Mr. Giles. "I says, at first," This is illusion'; "and was composing myself off to sleep, when I heerd the noise again, distinct." "What sort of a noise?" asked the cook. "A kind of a busting noise," replied Mr. Giles, looking round him. "More like the noise of powdering a iron bar on a nutmeg-grater," suggested Brittles. "It was, when _you_ heerd it, sir," rejoined Mr. Giles; "but, at this time, it had a busting sound. I turned down the clothes" "; continued Giles, rolling back the table-cloth, "sat up in bed; and listened." The cook and housemaid simultaneously ejaculated "Lor!" and drew their chairs closer together. "I heerd it now, quite apparent," resumed Mr. Giles. " Somebody,' "I says" , is forcing of a door, or window; what's to be done? I'll call up that poor lad, Brittles, and save him from being murdered in his bed; or his throat,' "I says" , may be cut from his right ear to his left, without his ever knowing it.'" Here, all eyes were turned upon Brittles, who fixed his upon the speaker, and stared at him, with his mouth wide open, and his face expressive of the most unmitigated horror. "I tossed off the clothes," said Giles, throwing away the table-cloth, and looking very hard at the cook and housemaid, "got softly out of bed; drew on a pair of" "Ladies present, Mr. Giles,"<\|quote\|>murmured the tinker.</\|quote\|>"Of _shoes_, sir," said Giles, turning upon him, and laying great emphasis on the word; "seized the loaded pistol that always goes upstairs with the plate-basket; and walked on tiptoes to his room." Brittles,' "I says, when I had woke him," don't be frightened!'" "So you did," observed Brittles, in a low voice. " We're dead men, I think, Brittles,' "I says," continued Giles; " but don't be frightened.'" "_Was_ he frightened?" asked the cook. "Not a bit of it," replied Mr. Giles. "He was as firm ah! pretty near as firm as I was." "I should have died at once, I'm sure, if it had been me," observed the housemaid. "You're a woman," retorted Brittles, plucking up a little. "Brittles is right," said Mr. Giles, nodding his head, approvingly; "from a woman, nothing else was to be expected. We, being men, took a dark lantern that was standing on Brittle's hob, and groped our way downstairs in the pitch dark, as it might be so." Mr. Giles had risen from his seat, and taken two steps with his eyes shut, to accompany his description with appropriate action, when he started violently, in common with the rest of the company, and hurried back to his chair. The cook and housemaid screamed. "It was a knock," said Mr. Giles, assuming perfect serenity. "Open the door, somebody." Nobody moved. "It seems a strange sort of a thing, a knock coming at such a time in the morning," said Mr. Giles, surveying the pale faces which surrounded him, and looking very blank himself; "but the door must be opened. Do you hear, somebody?" Mr. Giles, as he spoke, looked at Brittles; but that young man, being naturally modest, probably considered himself nobody, and so held that the inquiry could not have any application to him; at all events, he tendered no reply. Mr. Giles directed an appealing glance at the tinker; but he had suddenly fallen asleep. The women were out of the question. "If Brittles would rather open the door, in the presence of witnesses," said Mr. Giles, after a short silence, "I am ready to make one." "So am I," said the tinker, waking up, as suddenly as he had fallen asleep. Brittles capitulated on these terms; and the party being somewhat re-assured by the discovery (made on throwing open the shutters) that it was now broad day, took their way	the robber's grasp upon his wrist. Suddenly, he started back at the report of firearms; there rose into the air, loud cries and shouts; lights gleamed before his eyes; all was noise and tumult, as some unseen hand bore him hurriedly away. Through all these rapid visions, there ran an undefined, uneasy consciousness of pain, which wearied and tormented him incessantly. Thus he staggered on, creeping, almost mechanically, between the bars of gates, or through hedge-gaps as they came in his way, until he reached a road. Here the rain began to fall so heavily, that it roused him. He looked about, and saw that at no great distance there was a house, which perhaps he could reach. Pitying his condition, they might have compassion on him; and if they did not, it would be better, he thought, to die near human beings, than in the lonely open fields. He summoned up all his strength for one last trial, and bent his faltering steps towards it. As he drew nearer to this house, a feeling come over him that he had seen it before. He remembered nothing of its details; but the shape and aspect of the building seemed familiar to him. That garden wall! On the grass inside, he had fallen on his knees last night, and prayed the two men's mercy. It was the very house they had attempted to rob. Oliver felt such fear come over him when he recognised the place, that, for the instant, he forgot the agony of his wound, and thought only of flight. Flight! He could scarcely stand: and if he were in full possession of all the best powers of his slight and youthful frame, whither could he fly? He pushed against the garden-gate; it was unlocked, and swung open on its hinges. He tottered across the lawn; climbed the steps; knocked faintly at the door; and, his whole strength failing him, sunk down against one of the pillars of the little portico. It happened that about this time, Mr. Giles, Brittles, and the tinker, were recruiting themselves, after the fatigues and terrors of the night, with tea and sundries, in the kitchen. Not that it was Mr. Giles's habit to admit to too great familiarity the humbler servants: towards whom it was rather his wont to deport himself with a lofty affability, which, while it gratified, could not fail to remind them of his superior position in society. But, death, fires, and burglary, make all men equals; so Mr. Giles sat with his legs stretched out before the kitchen fender, leaning his left arm on the table, while, with his right, he illustrated a circumstantial and minute account of the robbery, to which his bearers (but especially the cook and housemaid, who were of the party) listened with breathless interest. "It was about half-past two," said Mr. Giles, "or I wouldn't swear that it mightn't have been a little nearer three, when I woke up, and, turning round in my bed, as it might be so, (here Mr. Giles turned round in his chair, and pulled the corner of the table-cloth over him to imitate bed-clothes,) I fancied I heerd a noise." At this point of the narrative the cook turned pale, and asked the housemaid to shut the door: who asked Brittles, who asked the tinker, who pretended not to hear. "Heerd a noise," continued Mr. Giles. "I says, at first," This is illusion'; "and was composing myself off to sleep, when I heerd the noise again, distinct." "What sort of a noise?" asked the cook. "A kind of a busting noise," replied Mr. Giles, looking round him. "More like the noise of powdering a iron bar on a nutmeg-grater," suggested Brittles. "It was, when _you_ heerd it, sir," rejoined Mr. Giles; "but, at this time, it had a busting sound. I turned down the clothes" "; continued Giles, rolling back the table-cloth, "sat up in bed; and listened." The cook and housemaid simultaneously ejaculated "Lor!" and drew their chairs closer together. "I heerd it now, quite apparent," resumed Mr. Giles. " Somebody,' "I says" , is forcing of a door, or window; what's to be done? I'll call up that poor lad, Brittles, and save him from being murdered in his bed; or his throat,' "I says" , may be cut from his right ear to his left, without his ever knowing it.'" Here, all eyes were turned upon Brittles, who fixed his upon the speaker, and stared at him, with his mouth wide open, and his face expressive of the most unmitigated horror. "I tossed off the clothes," said Giles, throwing away the table-cloth, and looking very hard at the cook and housemaid, "got softly out of bed; drew on a pair of" "Ladies present, Mr. Giles,"<\|quote\|>murmured the tinker.</\|quote\|>"Of _shoes_, sir," said Giles, turning upon him, and laying great emphasis on the word; "seized the loaded pistol that always goes upstairs with the plate-basket; and walked on tiptoes to his room." Brittles,' "I says, when I had woke him," don't be frightened!'" "So you did," observed Brittles, in a low voice. " We're dead men, I think, Brittles,' "I says," continued Giles; " but don't be frightened.'" "_Was_ he frightened?" asked the cook. "Not a bit of it," replied Mr. Giles. "He was as firm ah! pretty near as firm as I was." "I should have died at once, I'm sure, if it had been me," observed the housemaid. "You're a woman," retorted Brittles, plucking up a little. "Brittles is right," said Mr. Giles, nodding his head, approvingly; "from a woman, nothing else was to be expected. We, being men, took a dark lantern that was standing on Brittle's hob, and groped our way downstairs in the pitch dark, as it might be so." Mr. Giles had risen from his seat, and taken two steps with his eyes shut, to accompany his description with appropriate action, when he started violently, in common with the rest of the company, and hurried back to his chair. The cook and housemaid screamed. "It was a knock," said Mr. Giles, assuming perfect serenity. "Open the door, somebody." Nobody moved. "It seems a strange sort of a thing, a knock coming at such a time in the morning," said Mr. Giles, surveying the pale faces which surrounded him, and looking very blank himself; "but the door must be opened. Do you hear, somebody?" Mr. Giles, as he spoke, looked at Brittles; but that young man, being naturally modest, probably considered himself nobody, and so held that the inquiry could not have any application to him; at all events, he tendered no reply. Mr. Giles directed an appealing glance at the tinker; but he had suddenly fallen asleep. The women were out of the question. "If Brittles would rather open the door, in the presence of witnesses," said Mr. Giles, after a short silence, "I am ready to make one." "So am I," said the tinker, waking up, as suddenly as he had fallen asleep. Brittles capitulated on these terms; and the party being somewhat re-assured by the discovery (made on throwing open the shutters) that it was now broad day, took their way upstairs; with the dogs in front. The two women, who were afraid to stay below, brought up the rear. By the advice of Mr. Giles, they all talked very loud, to warn any evil-disposed person outside, that they were strong in numbers; and by a master-stoke of policy, originating in the brain of the same ingenious gentleman, the dogs' tails were well pinched, in the hall, to make them bark savagely. These precautions having been taken, Mr. Giles held on fast by the tinker's arm (to prevent his running away, as he pleasantly said), and gave the word of command to open the door. Brittles obeyed; the group, peeping timorously over each other's shoulders, beheld no more formidable object than poor little Oliver Twist, speechless and exhausted, who raised his heavy eyes, and mutely solicited their compassion. "A boy!" exclaimed Mr. Giles, valiantly, pushing the tinker into the background. "What's the matter with the eh? Why Brittles look here don't you know?" Brittles, who had got behind the door to open it, no sooner saw Oliver, than he uttered a loud cry. Mr. Giles, seizing the boy by one leg and one arm (fortunately not the broken limb) lugged him straight into the hall, and deposited him at full length on the floor thereof. "Here he is!" bawled Giles, calling in a state of great excitement, up the staircase; "here's one of the thieves, ma'am! Here's a thief, miss! Wounded, miss! I shot him, miss; and Brittles held the light." "In a lantern, miss," cried Brittles, applying one hand to the side of his mouth, so that his voice might travel the better. The two women-servants ran upstairs to carry the intelligence that Mr. Giles had captured a robber; and the tinker busied himself in endeavouring to restore Oliver, lest he should die before he could be hanged. In the midst of all this noise and commotion, there was heard a sweet female voice, which quelled it in an instant. "Giles!" whispered the voice from the stair-head. "I'm here, miss," replied Mr. Giles. "Don't be frightened, miss; I ain't much injured. He didn't make a very desperate resistance, miss! I was soon too many for him." "Hush!" replied the young lady; "you frighten my aunt as much as the thieves did. Is the poor creature much hurt?" "Wounded desperate, miss," replied Giles, with indescribable complacency. "He looks as if he	to which his bearers (but especially the cook and housemaid, who were of the party) listened with breathless interest. "It was about half-past two," said Mr. Giles, "or I wouldn't swear that it mightn't have been a little nearer three, when I woke up, and, turning round in my bed, as it might be so, (here Mr. Giles turned round in his chair, and pulled the corner of the table-cloth over him to imitate bed-clothes,) I fancied I heerd a noise." At this point of the narrative the cook turned pale, and asked the housemaid to shut the door: who asked Brittles, who asked the tinker, who pretended not to hear. "Heerd a noise," continued Mr. Giles. "I says, at first," This is illusion'; "and was composing myself off to sleep, when I heerd the noise again, distinct." "What sort of a noise?" asked the cook. "A kind of a busting noise," replied Mr. Giles, looking round him. "More like the noise of powdering a iron bar on a nutmeg-grater," suggested Brittles. "It was, when _you_ heerd it, sir," rejoined Mr. Giles; "but, at this time, it had a busting sound. I turned down the clothes" "; continued Giles, rolling back the table-cloth, "sat up in bed; and listened." The cook and housemaid simultaneously ejaculated "Lor!" and drew their chairs closer together. "I heerd it now, quite apparent," resumed Mr. Giles. " Somebody,' "I says" , is forcing of a door, or window; what's to be done? I'll call up that poor lad, Brittles, and save him from being murdered in his bed; or his throat,' "I says" , may be cut from his right ear to his left, without his ever knowing it.'" Here, all eyes were turned upon Brittles, who fixed his upon the speaker, and stared at him, with his mouth wide open, and his face expressive of the most unmitigated horror. "I tossed off the clothes," said Giles, throwing away the table-cloth, and looking very hard at the cook and housemaid, "got softly out of bed; drew on a pair of" "Ladies present, Mr. Giles,"<\|quote\|>murmured the tinker.</\|quote\|>"Of _shoes_, sir," said Giles, turning upon him, and laying great emphasis on the word; "seized the loaded pistol that always goes upstairs with the plate-basket; and walked on tiptoes to his room." Brittles,' "I says, when I had woke him," don't be frightened!'" "So you did," observed Brittles, in a low voice. " We're dead men, I think, Brittles,' "I says," continued Giles; " but don't be frightened.'" "_Was_ he frightened?" asked the cook. "Not a bit of it," replied Mr. Giles. "He was as firm ah! pretty near as firm as I was." "I should have died at once, I'm sure, if it had been me," observed the housemaid. "You're a woman," retorted Brittles, plucking up a little. "Brittles is right," said Mr. Giles, nodding his head, approvingly; "from a woman, nothing else was to be expected. We, being men, took a dark lantern that was standing on Brittle's hob, and groped our way downstairs in the pitch dark, as it might be so." Mr. Giles had risen from his seat, and taken two steps with his eyes shut, to accompany his description with appropriate action, when he started violently, in common with the rest of the company, and hurried back to his chair. The cook and housemaid screamed. "It was a knock," said Mr. Giles, assuming perfect serenity. "Open the door, somebody." Nobody moved. "It seems a strange sort of a thing, a knock coming at such a time in the morning," said Mr. Giles, surveying the pale faces which surrounded him, and looking very blank himself; "but the door must be opened. Do you hear, somebody?" Mr. Giles, as he spoke, looked at Brittles; but that young man, being naturally modest, probably considered himself nobody, and so held that the inquiry could not have any application to him; at all events, he tendered no reply. Mr. Giles directed an appealing glance at the tinker; but he had suddenly fallen asleep. The women were out of the question. "If Brittles would rather open the door, in the presence of witnesses," said Mr. Giles, after a short silence, "I am ready to make one." "So am I," said the tinker, waking up, as suddenly as he had fallen asleep. Brittles capitulated on these terms; and the party being somewhat re-assured by the discovery (made on throwing open the shutters) that it was now broad day, took their way upstairs; with the dogs in front. The two women, who were afraid to stay below, brought up the rear. By the advice of Mr. Giles, they all talked very loud, to warn any evil-disposed person outside, that they were strong in numbers; and by a master-stoke of policy, originating in the brain of the same ingenious gentleman, the dogs' tails were well pinched, in the hall, to make them bark savagely. These precautions having been taken, Mr. Giles held on fast by the tinker's arm (to prevent his running away, as he pleasantly said), and gave the word of command to open the door. Brittles obeyed; the group, peeping timorously over each other's shoulders, beheld no more formidable object than poor little Oliver Twist, speechless and exhausted, who raised his heavy eyes, and mutely solicited their compassion. "A boy!" exclaimed Mr. Giles, valiantly, pushing the tinker into the background. "What's the matter with the eh? Why Brittles look here don't you know?" Brittles, who had got behind the door to open it, no sooner saw Oliver, than he uttered a	Oliver Twist
was on his lips, but he uttered no cry, only breathlessly listened to a deep panting from the outer side of the _pah_.	No speaker	fettered arm away. "Jem! Help!"<\|quote\|>was on his lips, but he uttered no cry, only breathlessly listened to a deep panting from the outer side of the _pah_.</\|quote\|>CHAPTER FORTY FOUR. AFTER SUSPENSE.	been possible to drag the fettered arm away. "Jem! Help!"<\|quote\|>was on his lips, but he uttered no cry, only breathlessly listened to a deep panting from the outer side of the _pah_.</\|quote\|>CHAPTER FORTY FOUR. AFTER SUSPENSE. What would happen? A powerful	the openings of the fence, and he was a prisoner to some fierce chief who had suspected the design to escape, held in so strong a grip, that had he dared to struggle to free himself, it would not have been possible to drag the fettered arm away. "Jem! Help!"<\|quote\|>was on his lips, but he uttered no cry, only breathlessly listened to a deep panting from the outer side of the _pah_.</\|quote\|>CHAPTER FORTY FOUR. AFTER SUSPENSE. What would happen? A powerful savage had hold of him firmly, had caught him just as he was about to escape; and the next thing would be that he would feel a spear driven through the opening between the pales, and that spear would run	hand to grasp Jem's wrist. But it was not Jem's wrist. It was bigger and stouter; and quick as thought Don ran his hand along the arm to force back the holder of his arm, when to his horror, he found that the limb had been thrust through one of the openings of the fence, and he was a prisoner to some fierce chief who had suspected the design to escape, held in so strong a grip, that had he dared to struggle to free himself, it would not have been possible to drag the fettered arm away. "Jem! Help!"<\|quote\|>was on his lips, but he uttered no cry, only breathlessly listened to a deep panting from the outer side of the _pah_.</\|quote\|>CHAPTER FORTY FOUR. AFTER SUSPENSE. What would happen? A powerful savage had hold of him firmly, had caught him just as he was about to escape; and the next thing would be that he would feel a spear driven through the opening between the pales, and that spear would run him through and through. His first idea was to give warning of the danger, but he dared not call, and Jem was apparently beyond hearing of the rustling and panting noise which could still be heard. Directly after Don determined to wrest his arm away, and dart back into the	sound again close at hand; but he dare not speak, only creep on in the dense blackness, straining his eyes to see; and his ears to catch his companion's breath. "Ah!" Don uttered a sigh of satisfaction, for it was painful to be alone at such a time, and he had at last touched the strong sturdy arm which was slightly withdrawn, and then the hand gripped him firmly. Don remained motionless, listening for the danger which must be threatening, or else Jem would have spoken; but at last the silence became so irksome that the prisoner raised his left hand to grasp Jem's wrist. But it was not Jem's wrist. It was bigger and stouter; and quick as thought Don ran his hand along the arm to force back the holder of his arm, when to his horror, he found that the limb had been thrust through one of the openings of the fence, and he was a prisoner to some fierce chief who had suspected the design to escape, held in so strong a grip, that had he dared to struggle to free himself, it would not have been possible to drag the fettered arm away. "Jem! Help!"<\|quote\|>was on his lips, but he uttered no cry, only breathlessly listened to a deep panting from the outer side of the _pah_.</\|quote\|>CHAPTER FORTY FOUR. AFTER SUSPENSE. What would happen? A powerful savage had hold of him firmly, had caught him just as he was about to escape; and the next thing would be that he would feel a spear driven through the opening between the pales, and that spear would run him through and through. His first idea was to give warning of the danger, but he dared not call, and Jem was apparently beyond hearing of the rustling and panting noise which could still be heard. Directly after Don determined to wrest his arm away, and dart back into the darkness. But the hand which held him still gripped with a force which made this impossible; and in despair and dread he was about to fling himself down, when Jem came gliding up out of the darkness, and touched his cold, wet face. "I've found the post, Mas' Don!" he whispered. Don caught him with his disengaged hand, and placed Jem's against the arm which held him. For a few moments Jem seemed unable to grasp the situation, for nothing was visible. Then he placed his lips once more close to Don's ear. "Wait a moment till I've opened my	then Don gripped his arm, and they stood listening, for a faint rustling sound seemed to come from outside. The noise was not repeated; but for quite half an hour they remained listening, till, gaining courage from the silence--the Maori guard only speaking from time to time, and then in a low, drowsy voice--Don began to follow Jem's suggestion, feeling post after post, and sometimes passing his arm through. But every one of the stout pales he touched was smooth and unclimbable without some help; and thinking that perhaps he had missed the place, he began to move back in the darkness, straining his ears the while to catch any sound made by his companion. But all was perfectly still, and every pale he touched was smooth and regular, set, too, so close to the next that there was not the slightest chance of even a child creeping through. All at once there was a rustling sound on his left. "Jem has found it," he thought; and he pressed forward toward where he had parted from Jem, passing one hand along the pales, the other extended so as to touch his companion as soon as they were near. The rustling sound again close at hand; but he dare not speak, only creep on in the dense blackness, straining his eyes to see; and his ears to catch his companion's breath. "Ah!" Don uttered a sigh of satisfaction, for it was painful to be alone at such a time, and he had at last touched the strong sturdy arm which was slightly withdrawn, and then the hand gripped him firmly. Don remained motionless, listening for the danger which must be threatening, or else Jem would have spoken; but at last the silence became so irksome that the prisoner raised his left hand to grasp Jem's wrist. But it was not Jem's wrist. It was bigger and stouter; and quick as thought Don ran his hand along the arm to force back the holder of his arm, when to his horror, he found that the limb had been thrust through one of the openings of the fence, and he was a prisoner to some fierce chief who had suspected the design to escape, held in so strong a grip, that had he dared to struggle to free himself, it would not have been possible to drag the fettered arm away. "Jem! Help!"<\|quote\|>was on his lips, but he uttered no cry, only breathlessly listened to a deep panting from the outer side of the _pah_.</\|quote\|>CHAPTER FORTY FOUR. AFTER SUSPENSE. What would happen? A powerful savage had hold of him firmly, had caught him just as he was about to escape; and the next thing would be that he would feel a spear driven through the opening between the pales, and that spear would run him through and through. His first idea was to give warning of the danger, but he dared not call, and Jem was apparently beyond hearing of the rustling and panting noise which could still be heard. Directly after Don determined to wrest his arm away, and dart back into the darkness. But the hand which held him still gripped with a force which made this impossible; and in despair and dread he was about to fling himself down, when Jem came gliding up out of the darkness, and touched his cold, wet face. "I've found the post, Mas' Don!" he whispered. Don caught him with his disengaged hand, and placed Jem's against the arm which held him. For a few moments Jem seemed unable to grasp the situation, for nothing was visible. Then he placed his lips once more close to Don's ear. "Wait a moment till I've opened my knife." "No, no," whispered Don in a horrified tone. "It is too dreadful." "Then let's both try together, and wrench your arm away." A peculiar hissing sound came at that moment from the outside of the _pah_, and Don felt his arm jerked. "My pakeha! My pakeha!" "Why, it's Ngati!" whispered Don joyfully; and he laid his disengaged hand on the massive fist which held him. The grasp relaxed on the instant, and Don's hand was seized, and held firmly. "It's Ngati, Jem," whispered Don, "come to help us." "Good luck to him!" said Jem eagerly; and he felt for the chiefs great hand, to pat it, and grasp it in a friendly way. His grasp was returned, and then they listened as Ngati put his face to the opening, and whispered a few words, the only part of which they could understand being,-- "My pakeha. Come." "Yes; we want to come," whispered Don. "Tomati. Gone," came back, and then the chief said something rapidly in his own tongue. Don sighed, for he could not comprehend a word. "It's no good trying, Mas' Don," whispered Jem; "and if we don't try to get away, we mayn't have a chance to-morrow.	hot blood surge through his veins as one of the three guards gave him a harsh thrust with his spear, but he did not wince, only lay back patiently and waited till the men had gone. They secured the way into the _pah_, after which they squatted down, and began talking together in a low voice. Don listened to them for a time, and then turned over to where Jem lay as if asleep. "Is it dark enough?" he whispered. "Plenty. I'm ready." "Can you manage to get over?" "I will get over," said Jem, almost fiercely. "Wait a little while, Mas' Don." "I can't wait, Jem," he whispered. "I feel now as if I must act. But one minute: I don't like leaving these poor creatures in their helplessness." "More do I; but what can we do? They won't stir to help themselves. Only thing seems to me is to get away, and try and find some one who will come and punish the brutes as brought us here." Don's heart sank, but he knew that his companion's words were those of truth, and after a little hesitation he touched Jem with his hand, and then began to crawl slowly across the open space toward the fence. He looked back to make sure that Jem was following, but the darkness was so thick now, that even at that short distance he could not see him. Just then a touch on his foot set him at rest, and he crept softly on, listening to the low muttering of the men at the gate, and wondering whether he could find the rough part of the fence to which Jem had directed his attention. As he crept on he began to wonder next whether the prisoners would miss them, and do or say anything to call the attention of the guard; but all remained still, save that the Maoris laughed aloud at something one of them had said. This gave him confidence, and ceasing his crawling movement, he rose to his hands and feet, and crept on all fours to the fence, where he rose now to an erect position, and began to feel about for the rough post. Jem was up and by him directly after. Don placed his lips to his ear. "Whereabouts was it?" "Somewhere 'bout here. You try one way, and I'll try the other," whispered Jem; and then Don gripped his arm, and they stood listening, for a faint rustling sound seemed to come from outside. The noise was not repeated; but for quite half an hour they remained listening, till, gaining courage from the silence--the Maori guard only speaking from time to time, and then in a low, drowsy voice--Don began to follow Jem's suggestion, feeling post after post, and sometimes passing his arm through. But every one of the stout pales he touched was smooth and unclimbable without some help; and thinking that perhaps he had missed the place, he began to move back in the darkness, straining his ears the while to catch any sound made by his companion. But all was perfectly still, and every pale he touched was smooth and regular, set, too, so close to the next that there was not the slightest chance of even a child creeping through. All at once there was a rustling sound on his left. "Jem has found it," he thought; and he pressed forward toward where he had parted from Jem, passing one hand along the pales, the other extended so as to touch his companion as soon as they were near. The rustling sound again close at hand; but he dare not speak, only creep on in the dense blackness, straining his eyes to see; and his ears to catch his companion's breath. "Ah!" Don uttered a sigh of satisfaction, for it was painful to be alone at such a time, and he had at last touched the strong sturdy arm which was slightly withdrawn, and then the hand gripped him firmly. Don remained motionless, listening for the danger which must be threatening, or else Jem would have spoken; but at last the silence became so irksome that the prisoner raised his left hand to grasp Jem's wrist. But it was not Jem's wrist. It was bigger and stouter; and quick as thought Don ran his hand along the arm to force back the holder of his arm, when to his horror, he found that the limb had been thrust through one of the openings of the fence, and he was a prisoner to some fierce chief who had suspected the design to escape, held in so strong a grip, that had he dared to struggle to free himself, it would not have been possible to drag the fettered arm away. "Jem! Help!"<\|quote\|>was on his lips, but he uttered no cry, only breathlessly listened to a deep panting from the outer side of the _pah_.</\|quote\|>CHAPTER FORTY FOUR. AFTER SUSPENSE. What would happen? A powerful savage had hold of him firmly, had caught him just as he was about to escape; and the next thing would be that he would feel a spear driven through the opening between the pales, and that spear would run him through and through. His first idea was to give warning of the danger, but he dared not call, and Jem was apparently beyond hearing of the rustling and panting noise which could still be heard. Directly after Don determined to wrest his arm away, and dart back into the darkness. But the hand which held him still gripped with a force which made this impossible; and in despair and dread he was about to fling himself down, when Jem came gliding up out of the darkness, and touched his cold, wet face. "I've found the post, Mas' Don!" he whispered. Don caught him with his disengaged hand, and placed Jem's against the arm which held him. For a few moments Jem seemed unable to grasp the situation, for nothing was visible. Then he placed his lips once more close to Don's ear. "Wait a moment till I've opened my knife." "No, no," whispered Don in a horrified tone. "It is too dreadful." "Then let's both try together, and wrench your arm away." A peculiar hissing sound came at that moment from the outside of the _pah_, and Don felt his arm jerked. "My pakeha! My pakeha!" "Why, it's Ngati!" whispered Don joyfully; and he laid his disengaged hand on the massive fist which held him. The grasp relaxed on the instant, and Don's hand was seized, and held firmly. "It's Ngati, Jem," whispered Don, "come to help us." "Good luck to him!" said Jem eagerly; and he felt for the chiefs great hand, to pat it, and grasp it in a friendly way. His grasp was returned, and then they listened as Ngati put his face to the opening, and whispered a few words, the only part of which they could understand being,-- "My pakeha. Come." "Yes; we want to come," whispered Don. "Tomati. Gone," came back, and then the chief said something rapidly in his own tongue. Don sighed, for he could not comprehend a word. "It's no good trying, Mas' Don," whispered Jem; "and if we don't try to get away, we mayn't have a chance to-morrow. Let's--Here it is. Quick! I've got it. You climb up first, get over the top, and hang by your hands, and wait till I come. We must both drop together, and then be off. Oh, if we could only make him understand. What a fool of a language his is." Don could not even then help thinking that Ngati might have said the same, but he did not lose a moment. Loosening his hold of the chiefs hand, he whispered,-- "Pakeha. Come." Then giving himself up to the guidance of Jem, his hands were placed upon a rough post, and he began to climb, Jem helping him, somewhat after the fashion in which he had once assisted him to reach the window. Then, almost noiselessly, he reached the top, climbed over with ease by the aid of the lashings, and getting a tight hold of the strong fibrous bands, he lowered himself down to await Jem's coming. Ngati was more intelligent than Don had expected, for directly after he felt two great warm hands placed under to support his bare feet. These were raised and lowered a little; and, seizing the opportunity, he let himself sink down, till Ngati placed his feet upon two broad shoulders, and then Don felt himself seized by the hips, and lifted to the ground. As this went on Don could feel the post he had climbed vibrating, and though he could not see, he could tell that Jem had mounted to the top. "Where are you?" whispered Jem. "Look out! Ngati will help you." Jem grasped the situation, and the chief caught his feet, lowering him slowly, when all at once something seemed to spring out of the darkness, knocking Don right over, and seizing Ngati. That it was one of the guards there could be no doubt, for the man raised the alarm, and held on to the prisoner he had made, Jem going down awkwardly in turn. He and Don could have fled at once, but they could not leave their New Zealand friend in the lurch; and as the struggle went on, Jem had literally to feel his way to Ngati's help, no easy task in the darkness when two men are struggling. At last he was successful, and got a grip of one of the combatants' throat; but a hoarse, "No, pakeha!" told him of his mistake. He rectified it	hour they remained listening, till, gaining courage from the silence--the Maori guard only speaking from time to time, and then in a low, drowsy voice--Don began to follow Jem's suggestion, feeling post after post, and sometimes passing his arm through. But every one of the stout pales he touched was smooth and unclimbable without some help; and thinking that perhaps he had missed the place, he began to move back in the darkness, straining his ears the while to catch any sound made by his companion. But all was perfectly still, and every pale he touched was smooth and regular, set, too, so close to the next that there was not the slightest chance of even a child creeping through. All at once there was a rustling sound on his left. "Jem has found it," he thought; and he pressed forward toward where he had parted from Jem, passing one hand along the pales, the other extended so as to touch his companion as soon as they were near. The rustling sound again close at hand; but he dare not speak, only creep on in the dense blackness, straining his eyes to see; and his ears to catch his companion's breath. "Ah!" Don uttered a sigh of satisfaction, for it was painful to be alone at such a time, and he had at last touched the strong sturdy arm which was slightly withdrawn, and then the hand gripped him firmly. Don remained motionless, listening for the danger which must be threatening, or else Jem would have spoken; but at last the silence became so irksome that the prisoner raised his left hand to grasp Jem's wrist. But it was not Jem's wrist. It was bigger and stouter; and quick as thought Don ran his hand along the arm to force back the holder of his arm, when to his horror, he found that the limb had been thrust through one of the openings of the fence, and he was a prisoner to some fierce chief who had suspected the design to escape, held in so strong a grip, that had he dared to struggle to free himself, it would not have been possible to drag the fettered arm away. "Jem! Help!"<\|quote\|>was on his lips, but he uttered no cry, only breathlessly listened to a deep panting from the outer side of the _pah_.</\|quote\|>CHAPTER FORTY FOUR. AFTER SUSPENSE. What would happen? A powerful savage had hold of him firmly, had caught him just as he was about to escape; and the next thing would be that he would feel a spear driven through the opening between the pales, and that spear would run him through and through. His first idea was to give warning of the danger, but he dared not call, and Jem was apparently beyond hearing of the rustling and panting noise which could still be heard. Directly after Don determined to wrest his arm away, and dart back into the darkness. But the hand which held him still gripped with a force which made this impossible; and in despair and dread he was about to fling himself down, when Jem came gliding up out of the darkness, and touched his cold, wet face. "I've found the post, Mas' Don!" he whispered. Don caught him with his disengaged hand, and placed Jem's against the arm which held him. For a few moments Jem seemed unable to grasp the situation, for nothing was visible. Then he placed his lips once more close to Don's ear. "Wait a moment till I've opened my knife." "No, no," whispered Don in a horrified tone. "It is too dreadful." "Then let's both try together, and wrench your arm away." A peculiar hissing sound came at that moment from the outside of the _pah_, and Don felt his arm jerked. "My pakeha! My pakeha!" "Why, it's Ngati!" whispered Don joyfully; and he laid his disengaged hand on the massive fist which held him. The grasp relaxed on the instant, and Don's hand was seized, and held firmly. "It's Ngati, Jem," whispered Don, "come to help us." "Good luck to him!" said Jem eagerly; and he felt for the chiefs great hand, to pat it, and grasp it in a friendly way. His grasp was returned, and then they listened as Ngati put his face to the opening, and whispered a few words, the only part of which they could understand being,-- "My pakeha. Come." "Yes; we want to come," whispered Don. "Tomati. Gone," came back, and then the chief said something rapidly in his own tongue. Don sighed, for he could not comprehend a word. "It's no good trying, Mas' Don," whispered Jem; "and if we don't try to get away, we mayn't have a chance to-morrow. Let's--Here it is. Quick! I've got it. You	Don Lavington
"Because you have taken upon yourself to act as guide to this, to this how shall I express it? to this old lady, cette pauvre terrible vieille. But she will only gamble away all that she has gamble it away like thistledown. You yourself have seen her play. Once she has acquired the taste for gambling, she will never leave the roulette-table, but, of sheer perversity and temper, will stake her all, and lose it. In cases such as hers a gambler can never be torn away from the game; and then and then"	Marqis De Griers	because" "Why? Why?" I interjected.<\|quote\|>"Because you have taken upon yourself to act as guide to this, to this how shall I express it? to this old lady, cette pauvre terrible vieille. But she will only gamble away all that she has gamble it away like thistledown. You yourself have seen her play. Once she has acquired the taste for gambling, she will never leave the roulette-table, but, of sheer perversity and temper, will stake her all, and lose it. In cases such as hers a gambler can never be torn away from the game; and then and then"</\|quote\|>"And then," asseverated the General,	him. I use the expression because" "Why? Why?" I interjected.<\|quote\|>"Because you have taken upon yourself to act as guide to this, to this how shall I express it? to this old lady, cette pauvre terrible vieille. But she will only gamble away all that she has gamble it away like thistledown. You yourself have seen her play. Once she has acquired the taste for gambling, she will never leave the roulette-table, but, of sheer perversity and temper, will stake her all, and lose it. In cases such as hers a gambler can never be torn away from the game; and then and then"</\|quote\|>"And then," asseverated the General, "you will have ruined my	impatience and contempt (evidently he was the ruling spirit of the conclave). "Mon cher monsieur, notre g n ral se trompe. What he means to say is that he warns you he begs of you most earnestly not to ruin him. I use the expression because" "Why? Why?" I interjected.<\|quote\|>"Because you have taken upon yourself to act as guide to this, to this how shall I express it? to this old lady, cette pauvre terrible vieille. But she will only gamble away all that she has gamble it away like thistledown. You yourself have seen her play. Once she has acquired the taste for gambling, she will never leave the roulette-table, but, of sheer perversity and temper, will stake her all, and lose it. In cases such as hers a gambler can never be torn away from the game; and then and then"</\|quote\|>"And then," asseverated the General, "you will have ruined my whole family. I and my family are her heirs, for she has no nearer relatives than ourselves. I tell you frankly that my affairs are in great very great disorder; how much they are so you yourself are partially aware.	began the General in a tone of affectionate upbraiding, "may I say to you that I find it strange, exceedingly strange, that In short, your conduct towards myself and my family In a word, your er extremely" "Eh! Ce n est pas a," interrupted De Griers in a tone of impatience and contempt (evidently he was the ruling spirit of the conclave). "Mon cher monsieur, notre g n ral se trompe. What he means to say is that he warns you he begs of you most earnestly not to ruin him. I use the expression because" "Why? Why?" I interjected.<\|quote\|>"Because you have taken upon yourself to act as guide to this, to this how shall I express it? to this old lady, cette pauvre terrible vieille. But she will only gamble away all that she has gamble it away like thistledown. You yourself have seen her play. Once she has acquired the taste for gambling, she will never leave the roulette-table, but, of sheer perversity and temper, will stake her all, and lose it. In cases such as hers a gambler can never be torn away from the game; and then and then"</\|quote\|>"And then," asseverated the General, "you will have ruined my whole family. I and my family are her heirs, for she has no nearer relatives than ourselves. I tell you frankly that my affairs are in great very great disorder; how much they are so you yourself are partially aware. If she should lose a large sum, or, maybe, her whole fortune, what will become of us of my children" (here the General exchanged a glance with De Griers) "or of me?" (here he looked at Mlle. Blanche, who turned her head contemptuously away). "Alexis Ivanovitch, I beg of you	better face upon matters. De Griers smoothed his hair, and twisted his angry face into a smile into the mean, studiedly polite French smile which I so detested; while the downcast, perplexed General assumed an air of dignity though only in a mechanical way. On the other hand, Mlle. Blanche did not trouble to conceal the wrath that was sparkling in her countenance, but bent her gaze upon me with an air of impatient expectancy. I may remark that hitherto she had treated me with absolute superciliousness, and, so far from answering my salutations, had always ignored them. "Alexis Ivanovitch," began the General in a tone of affectionate upbraiding, "may I say to you that I find it strange, exceedingly strange, that In short, your conduct towards myself and my family In a word, your er extremely" "Eh! Ce n est pas a," interrupted De Griers in a tone of impatience and contempt (evidently he was the ruling spirit of the conclave). "Mon cher monsieur, notre g n ral se trompe. What he means to say is that he warns you he begs of you most earnestly not to ruin him. I use the expression because" "Why? Why?" I interjected.<\|quote\|>"Because you have taken upon yourself to act as guide to this, to this how shall I express it? to this old lady, cette pauvre terrible vieille. But she will only gamble away all that she has gamble it away like thistledown. You yourself have seen her play. Once she has acquired the taste for gambling, she will never leave the roulette-table, but, of sheer perversity and temper, will stake her all, and lose it. In cases such as hers a gambler can never be torn away from the game; and then and then"</\|quote\|>"And then," asseverated the General, "you will have ruined my whole family. I and my family are her heirs, for she has no nearer relatives than ourselves. I tell you frankly that my affairs are in great very great disorder; how much they are so you yourself are partially aware. If she should lose a large sum, or, maybe, her whole fortune, what will become of us of my children" (here the General exchanged a glance with De Griers) "or of me?" (here he looked at Mlle. Blanche, who turned her head contemptuously away). "Alexis Ivanovitch, I beg of you to save us." "Tell me, General, how am I to do so? On what footing do I stand here?" "Refuse to take her about. Simply leave her alone." "But she would soon find some one else to take my place?" "Ce n est pas a, ce n est pas a," again interrupted De Griers. "Que diable! Do not leave her alone so much as advise her, persuade her, draw her away. In any case do not let her gamble; find her some counter-attraction." "And how am I to do that? If only you would undertake the task, Monsieur de Griers!"	the matter must be cleared up, for it was becoming unpleasantly complex. I had scarcely set foot in the hotel when the commissionaire and the landlord (the latter issuing from his room for the purpose) alike informed me that I was being searched for high and low that three separate messages to ascertain my whereabouts had come down from the General. When I entered his study I was feeling anything but kindly disposed. I found there the General himself, De Griers, and Mlle. Blanche, but not Mlle. s mother, who was a person whom her reputed daughter used only for show purposes, since in all matters of business the daughter fended for herself, and it is unlikely that the mother knew anything about them. Some very heated discussion was in progress, and meanwhile the door of the study was open an unprecedented circumstance. As I approached the portals I could hear loud voices raised, for mingled with the pert, venomous accents of De Griers were Mlle. Blanche s excited, impudently abusive tongue and the General s plaintive wail as, apparently, he sought to justify himself in something. But on my appearance every one stopped speaking, and tried to put a better face upon matters. De Griers smoothed his hair, and twisted his angry face into a smile into the mean, studiedly polite French smile which I so detested; while the downcast, perplexed General assumed an air of dignity though only in a mechanical way. On the other hand, Mlle. Blanche did not trouble to conceal the wrath that was sparkling in her countenance, but bent her gaze upon me with an air of impatient expectancy. I may remark that hitherto she had treated me with absolute superciliousness, and, so far from answering my salutations, had always ignored them. "Alexis Ivanovitch," began the General in a tone of affectionate upbraiding, "may I say to you that I find it strange, exceedingly strange, that In short, your conduct towards myself and my family In a word, your er extremely" "Eh! Ce n est pas a," interrupted De Griers in a tone of impatience and contempt (evidently he was the ruling spirit of the conclave). "Mon cher monsieur, notre g n ral se trompe. What he means to say is that he warns you he begs of you most earnestly not to ruin him. I use the expression because" "Why? Why?" I interjected.<\|quote\|>"Because you have taken upon yourself to act as guide to this, to this how shall I express it? to this old lady, cette pauvre terrible vieille. But she will only gamble away all that she has gamble it away like thistledown. You yourself have seen her play. Once she has acquired the taste for gambling, she will never leave the roulette-table, but, of sheer perversity and temper, will stake her all, and lose it. In cases such as hers a gambler can never be torn away from the game; and then and then"</\|quote\|>"And then," asseverated the General, "you will have ruined my whole family. I and my family are her heirs, for she has no nearer relatives than ourselves. I tell you frankly that my affairs are in great very great disorder; how much they are so you yourself are partially aware. If she should lose a large sum, or, maybe, her whole fortune, what will become of us of my children" (here the General exchanged a glance with De Griers) "or of me?" (here he looked at Mlle. Blanche, who turned her head contemptuously away). "Alexis Ivanovitch, I beg of you to save us." "Tell me, General, how am I to do so? On what footing do I stand here?" "Refuse to take her about. Simply leave her alone." "But she would soon find some one else to take my place?" "Ce n est pas a, ce n est pas a," again interrupted De Griers. "Que diable! Do not leave her alone so much as advise her, persuade her, draw her away. In any case do not let her gamble; find her some counter-attraction." "And how am I to do that? If only you would undertake the task, Monsieur de Griers!" I said this last as innocently as possible, but at once saw a rapid glance of excited interrogation pass from Mlle. Blanche to De Griers, while in the face of the latter also there gleamed something which he could not repress. "Well, at the present moment she would refuse to accept my services," said he with a gesture. "But if, later" Here he gave Mlle. Blanche another glance which was full of meaning; whereupon she advanced towards me with a bewitching smile, and seized and pressed my hands. Devil take it, but how that devilish visage of hers could change! At the present moment it was a visage full of supplication, and as gentle in its expression as that of a smiling, roguish infant. Stealthily, she drew me apart from the rest as though the more completely to separate me from them; and, though no harm came of her doing so for it was merely a stupid manoeuvre, and no more I found the situation very unpleasant. The General hastened to lend her his support. "Alexis Ivanovitch," he began, "pray pardon me for having said what I did just now for having said more than I meant to do. I	so was an unthinkable absurdity why, then there was nothing else for me to want. Even now I do not know what I am wanting. I feel like a man who has lost his way. I yearn but to be in her presence, and within the circle of her light and splendour to be there now, and forever, and for the whole of my life. More I do not know. How can I ever bring myself to leave her? On reaching the third storey of the hotel I experienced a shock. I was just passing the General s suite when something caused me to look round. Out of a door about twenty paces away there was coming Polina! She hesitated for a moment on seeing me, and then beckoned me to her. "Polina Alexandrovna!" "Hush! Not so loud." "Something startled me just now," I whispered, "and I looked round, and saw you. Some electrical influence seems to emanate from your form." "Take this letter," she went on with a frown (probably she had not even heard my words, she was so preoccupied), "and hand it personally to Mr. Astley. Go as quickly as ever you can, please. No answer will be required. He himself" She did not finish her sentence. "To Mr. Astley?" I asked, in some astonishment. But she had vanished again. Aha! So the two were carrying on a correspondence! However, I set off to search for Astley first at his hotel, and then at the Casino, where I went the round of the salons in vain. At length, vexed, and almost in despair, I was on my way home when I ran across him among a troop of English ladies and gentlemen who had been out for a ride. Beckoning to him to stop, I handed him the letter. We had barely time even to look at one another, but I suspected that it was of set purpose that he restarted his horse so quickly. Was jealousy, then, gnawing at me? At all events, I felt exceedingly depressed, despite the fact that I had no desire to ascertain what the correspondence was about. To think that _he_ should be her confidant! "My friend, mine own familiar friend!" passed through my mind. Yet _was_ there any love in the matter? "Of course not," reason whispered to me. But reason goes for little on such occasions. I felt that the matter must be cleared up, for it was becoming unpleasantly complex. I had scarcely set foot in the hotel when the commissionaire and the landlord (the latter issuing from his room for the purpose) alike informed me that I was being searched for high and low that three separate messages to ascertain my whereabouts had come down from the General. When I entered his study I was feeling anything but kindly disposed. I found there the General himself, De Griers, and Mlle. Blanche, but not Mlle. s mother, who was a person whom her reputed daughter used only for show purposes, since in all matters of business the daughter fended for herself, and it is unlikely that the mother knew anything about them. Some very heated discussion was in progress, and meanwhile the door of the study was open an unprecedented circumstance. As I approached the portals I could hear loud voices raised, for mingled with the pert, venomous accents of De Griers were Mlle. Blanche s excited, impudently abusive tongue and the General s plaintive wail as, apparently, he sought to justify himself in something. But on my appearance every one stopped speaking, and tried to put a better face upon matters. De Griers smoothed his hair, and twisted his angry face into a smile into the mean, studiedly polite French smile which I so detested; while the downcast, perplexed General assumed an air of dignity though only in a mechanical way. On the other hand, Mlle. Blanche did not trouble to conceal the wrath that was sparkling in her countenance, but bent her gaze upon me with an air of impatient expectancy. I may remark that hitherto she had treated me with absolute superciliousness, and, so far from answering my salutations, had always ignored them. "Alexis Ivanovitch," began the General in a tone of affectionate upbraiding, "may I say to you that I find it strange, exceedingly strange, that In short, your conduct towards myself and my family In a word, your er extremely" "Eh! Ce n est pas a," interrupted De Griers in a tone of impatience and contempt (evidently he was the ruling spirit of the conclave). "Mon cher monsieur, notre g n ral se trompe. What he means to say is that he warns you he begs of you most earnestly not to ruin him. I use the expression because" "Why? Why?" I interjected.<\|quote\|>"Because you have taken upon yourself to act as guide to this, to this how shall I express it? to this old lady, cette pauvre terrible vieille. But she will only gamble away all that she has gamble it away like thistledown. You yourself have seen her play. Once she has acquired the taste for gambling, she will never leave the roulette-table, but, of sheer perversity and temper, will stake her all, and lose it. In cases such as hers a gambler can never be torn away from the game; and then and then"</\|quote\|>"And then," asseverated the General, "you will have ruined my whole family. I and my family are her heirs, for she has no nearer relatives than ourselves. I tell you frankly that my affairs are in great very great disorder; how much they are so you yourself are partially aware. If she should lose a large sum, or, maybe, her whole fortune, what will become of us of my children" (here the General exchanged a glance with De Griers) "or of me?" (here he looked at Mlle. Blanche, who turned her head contemptuously away). "Alexis Ivanovitch, I beg of you to save us." "Tell me, General, how am I to do so? On what footing do I stand here?" "Refuse to take her about. Simply leave her alone." "But she would soon find some one else to take my place?" "Ce n est pas a, ce n est pas a," again interrupted De Griers. "Que diable! Do not leave her alone so much as advise her, persuade her, draw her away. In any case do not let her gamble; find her some counter-attraction." "And how am I to do that? If only you would undertake the task, Monsieur de Griers!" I said this last as innocently as possible, but at once saw a rapid glance of excited interrogation pass from Mlle. Blanche to De Griers, while in the face of the latter also there gleamed something which he could not repress. "Well, at the present moment she would refuse to accept my services," said he with a gesture. "But if, later" Here he gave Mlle. Blanche another glance which was full of meaning; whereupon she advanced towards me with a bewitching smile, and seized and pressed my hands. Devil take it, but how that devilish visage of hers could change! At the present moment it was a visage full of supplication, and as gentle in its expression as that of a smiling, roguish infant. Stealthily, she drew me apart from the rest as though the more completely to separate me from them; and, though no harm came of her doing so for it was merely a stupid manoeuvre, and no more I found the situation very unpleasant. The General hastened to lend her his support. "Alexis Ivanovitch," he began, "pray pardon me for having said what I did just now for having said more than I meant to do. I beg and beseech you, I kiss the hem of your garment, as our Russian saying has it, for you, and only you, can save us. I and Mlle. de Cominges, we all of us beg of you But you understand, do you not? Surely you understand?" and with his eyes he indicated Mlle. Blanche. Truly he was cutting a pitiful figure! At this moment three low, respectful knocks sounded at the door; which, on being opened, revealed a chambermaid, with Potapitch behind her come from the Grandmother to request that I should attend her in her rooms. "She is in a bad humour," added Potapitch. The time was half-past three. "My mistress was unable to sleep," explained Potapitch; "so, after tossing about for a while, she suddenly rose, called for her chair, and sent me to look for you. She is now in the verandah." "Quelle m g re!" exclaimed De Griers. True enough, I found Madame in the hotel verandah much put about at my delay, for she had been unable to contain herself until four o clock. "Lift me up," she cried to the bearers, and once more we set out for the roulette-salons. XII The Grandmother was in an impatient, irritable frame of mind. Without doubt the roulette had turned her head, for she appeared to be indifferent to everything else, and, in general, seemed much distraught. For instance, she asked me no questions about objects _en route_, except that, when a sumptuous barouche passed us and raised a cloud of dust, she lifted her hand for a moment, and inquired, "What was that?" Yet even then she did not appear to hear my reply, although at times her abstraction was interrupted by sallies and fits of sharp, impatient fidgeting. Again, when I pointed out to her the Baron and Baroness Burmergelm walking to the Casino, she merely looked at them in an absent-minded sort of way, and said with complete indifference, "Ah!" Then, turning sharply to Potapitch and Martha, who were walking behind us, she rapped out: "Why have _you_ attached yourselves to the party? We are not going to take you with us every time. Go home at once." Then, when the servants had pulled hasty bows and departed, she added to me: "You are all the escort I need." At the Casino the Grandmother seemed to be expected, for no time was lost in	appearance every one stopped speaking, and tried to put a better face upon matters. De Griers smoothed his hair, and twisted his angry face into a smile into the mean, studiedly polite French smile which I so detested; while the downcast, perplexed General assumed an air of dignity though only in a mechanical way. On the other hand, Mlle. Blanche did not trouble to conceal the wrath that was sparkling in her countenance, but bent her gaze upon me with an air of impatient expectancy. I may remark that hitherto she had treated me with absolute superciliousness, and, so far from answering my salutations, had always ignored them. "Alexis Ivanovitch," began the General in a tone of affectionate upbraiding, "may I say to you that I find it strange, exceedingly strange, that In short, your conduct towards myself and my family In a word, your er extremely" "Eh! Ce n est pas a," interrupted De Griers in a tone of impatience and contempt (evidently he was the ruling spirit of the conclave). "Mon cher monsieur, notre g n ral se trompe. What he means to say is that he warns you he begs of you most earnestly not to ruin him. I use the expression because" "Why? Why?" I interjected.<\|quote\|>"Because you have taken upon yourself to act as guide to this, to this how shall I express it? to this old lady, cette pauvre terrible vieille. But she will only gamble away all that she has gamble it away like thistledown. You yourself have seen her play. Once she has acquired the taste for gambling, she will never leave the roulette-table, but, of sheer perversity and temper, will stake her all, and lose it. In cases such as hers a gambler can never be torn away from the game; and then and then"</\|quote\|>"And then," asseverated the General, "you will have ruined my whole family. I and my family are her heirs, for she has no nearer relatives than ourselves. I tell you frankly that my affairs are in great very great disorder; how much they are so you yourself are partially aware. If she should lose a large sum, or, maybe, her whole fortune, what will become of us of my children" (here the General exchanged a glance with De Griers) "or of me?" (here he looked at Mlle. Blanche, who turned her head contemptuously away). "Alexis Ivanovitch, I beg of you to save us." "Tell me, General, how am I to do so? On what footing do I stand here?" "Refuse to take her about. Simply leave her alone." "But she would soon find some one else to take my place?" "Ce n est pas a, ce n est pas a," again interrupted De Griers. "Que diable! Do not leave her alone so much as advise her, persuade her, draw her away. In any case do not let her gamble; find her some counter-attraction." "And how am I to do that? If only you would undertake the task, Monsieur de Griers!" I said this last as innocently as possible, but at once saw a rapid glance of excited interrogation pass from Mlle. Blanche to De Griers, while in the face of the latter also there gleamed something which he could not repress. "Well, at the present moment she would refuse to accept my services," said he with a gesture. "But if, later" Here he gave Mlle. Blanche another glance which was full of meaning; whereupon she advanced towards me with a bewitching smile, and seized and pressed my hands. Devil take it, but how that devilish visage of hers could change! At	The Gambler
"Good. Let's go after lunch."	Bill Gorton	train up from there to-night."<\|quote\|>"Good. Let's go after lunch."</\|quote\|>"All right. I'll get the	Bayonne. You can get the train up from there to-night."<\|quote\|>"Good. Let's go after lunch."</\|quote\|>"All right. I'll get the car." We had lunch and	I can stay away another week. I think I'll go to San Sebastian." "I want to get back." "What's Mike going to do?" "He's going to Saint Jean de Luz." "Let's get a car and all go as far as Bayonne. You can get the train up from there to-night."<\|quote\|>"Good. Let's go after lunch."</\|quote\|>"All right. I'll get the car." We had lunch and paid the bill. Montoya did not come near us. One of the maids brought the bill. The car was outside. The chauffeur piled and strapped the bags on top of the car and put them in beside him in the	came over. I watched him come walking across the square. He sat down at the table and ordered a coffee. "Well," he said, "it's all over." "Yes," I said. "When do you go?" "I don't know. We better get a car, I think. Aren't you going back to Paris?" "No. I can stay away another week. I think I'll go to San Sebastian." "I want to get back." "What's Mike going to do?" "He's going to Saint Jean de Luz." "Let's get a car and all go as far as Bayonne. You can get the train up from there to-night."<\|quote\|>"Good. Let's go after lunch."</\|quote\|>"All right. I'll get the car." We had lunch and paid the bill. Montoya did not come near us. One of the maids brought the bill. The car was outside. The chauffeur piled and strapped the bags on top of the car and put them in beside him in the front seat and we got in. The car went out of the square, along through the side streets, out under the trees and down the hill and away from Pamplona. It did not seem like a very long ride. Mike had a bottle of Fundador. I only took a couple	hose. I sat in one of the wicker chairs and leaned back comfortably. The waiter was in no hurry to come. The white-paper announcements of the unloading of the bulls and the big schedules of special trains were still up on the pillars of the arcade. A waiter wearing a blue apron came out with a bucket of water and a cloth, and commenced to tear down the notices, pulling the paper off in strips and washing and rubbing away the paper that stuck to the stone. The fiesta was over. I drank a coffee and after a while Bill came over. I watched him come walking across the square. He sat down at the table and ordered a coffee. "Well," he said, "it's all over." "Yes," I said. "When do you go?" "I don't know. We better get a car, I think. Aren't you going back to Paris?" "No. I can stay away another week. I think I'll go to San Sebastian." "I want to get back." "What's Mike going to do?" "He's going to Saint Jean de Luz." "Let's get a car and all go as far as Bayonne. You can get the train up from there to-night."<\|quote\|>"Good. Let's go after lunch."</\|quote\|>"All right. I'll get the car." We had lunch and paid the bill. Montoya did not come near us. One of the maids brought the bill. The car was outside. The chauffeur piled and strapped the bags on top of the car and put them in beside him in the front seat and we got in. The car went out of the square, along through the side streets, out under the trees and down the hill and away from Pamplona. It did not seem like a very long ride. Mike had a bottle of Fundador. I only took a couple of drinks. We came over the mountains and out of Spain and down the white roads and through the overfoliaged, wet, green, Basque country, and finally into Bayonne. We left Bill's baggage at the station, and he bought a ticket to Paris. His train left at seven-ten. We came out of the station. The car was standing out in front. "What shall we do about the car?" Bill asked. "Oh, bother the car," Mike said. "Let's just keep the car with us." "All right," Bill said. "Where shall we go?" "Let's go to Biarritz and have a drink." "Old Mike	Mike said. They went out. I got up and went to the balcony and looked out at the dancing in the square. The world was not wheeling any more. It was just very clear and bright, and inclined to blur at the edges. I washed, brushed my hair. I looked strange to myself in the glass, and went down-stairs to the dining-room. "Here he is!" said Bill. "Good old Jake! I knew you wouldn't pass out." "Hello, you old drunk," Mike said. "I got hungry and woke up." "Eat some soup," Bill said. The three of us sat at the table, and it seemed as though about six people were missing. BOOK III CHAPTER 19 In the morning it was all over. The fiesta was finished. I woke about nine o'clock, had a bath, dressed, and went down-stairs. The square was empty and there were no people on the streets. A few children were picking up rocket-sticks in the square. The caf s were just opening and the waiters were carrying out the comfortable white wicker chairs and arranging them around the marble-topped tables in the shade of the arcade. They were sweeping the streets and sprinkling them with a hose. I sat in one of the wicker chairs and leaned back comfortably. The waiter was in no hurry to come. The white-paper announcements of the unloading of the bulls and the big schedules of special trains were still up on the pillars of the arcade. A waiter wearing a blue apron came out with a bucket of water and a cloth, and commenced to tear down the notices, pulling the paper off in strips and washing and rubbing away the paper that stuck to the stone. The fiesta was over. I drank a coffee and after a while Bill came over. I watched him come walking across the square. He sat down at the table and ordered a coffee. "Well," he said, "it's all over." "Yes," I said. "When do you go?" "I don't know. We better get a car, I think. Aren't you going back to Paris?" "No. I can stay away another week. I think I'll go to San Sebastian." "I want to get back." "What's Mike going to do?" "He's going to Saint Jean de Luz." "Let's get a car and all go as far as Bayonne. You can get the train up from there to-night."<\|quote\|>"Good. Let's go after lunch."</\|quote\|>"All right. I'll get the car." We had lunch and paid the bill. Montoya did not come near us. One of the maids brought the bill. The car was outside. The chauffeur piled and strapped the bags on top of the car and put them in beside him in the front seat and we got in. The car went out of the square, along through the side streets, out under the trees and down the hill and away from Pamplona. It did not seem like a very long ride. Mike had a bottle of Fundador. I only took a couple of drinks. We came over the mountains and out of Spain and down the white roads and through the overfoliaged, wet, green, Basque country, and finally into Bayonne. We left Bill's baggage at the station, and he bought a ticket to Paris. His train left at seven-ten. We came out of the station. The car was standing out in front. "What shall we do about the car?" Bill asked. "Oh, bother the car," Mike said. "Let's just keep the car with us." "All right," Bill said. "Where shall we go?" "Let's go to Biarritz and have a drink." "Old Mike the spender," Bill said. We drove in to Biarritz and left the car outside a very Ritz place. We went into the bar and sat on high stools and drank a whiskey and soda. "That drink's mine," Mike said. "Let's roll for it." So we rolled poker dice out of a deep leather dice-cup. Bill was out first roll. Mike lost to me and handed the bartender a hundred-franc note. The whiskeys were twelve francs apiece. We had another round and Mike lost again. Each time he gave the bartender a good tip. In a room off the bar there was a good jazz band playing. It was a pleasant bar. We had another round. I went out on the first roll with four kings. Bill and Mike rolled. Mike won the first roll with four jacks. Bill won the second. On the final roll Mike had three kings and let them stay. He handed the dice-cup to Bill. Bill rattled them and rolled, and there were three kings, an ace, and a queen. "It's yours, Mike," Bill said. "Old Mike, the gambler." "I'm so sorry," Mike said. "I can't get it." "What's the matter?" "I've no money," Mike said.	like hell," I said. "Drink that," said Bill. "Drink it slow." It was beginning to get dark. The fiesta was going on. I began to feel drunk but I did not feel any better. "How do you feel?" "I feel like hell." "Have another?" "It won't do any good." "Try it. You can't tell; maybe this is the one that gets it. Hey, waiter! Another absinthe for this se or!" I poured the water directly into it and stirred it instead of letting it drip. Bill put in a lump of ice. I stirred the ice around with a spoon in the brownish, cloudy mixture. "How is it?" "Fine." "Don't drink it fast that way. It will make you sick." I set down the glass. I had not meant to drink it fast. "I feel tight." "You ought to." "That's what you wanted, wasn't it?" "Sure. Get tight. Get over your damn depression." "Well, I'm tight. Is that what you want?" "Sit down." "I won't sit down," I said. "I'm going over to the hotel." I was very drunk. I was drunker than I ever remembered having been. At the hotel I went up-stairs. Brett's door was open. I put my head in the room. Mike was sitting on the bed. He waved a bottle. "Jake," he said. "Come in, Jake." I went in and sat down. The room was unstable unless I looked at some fixed point. "Brett, you know. She's gone off with the bull-fighter chap." "No." "Yes. She looked for you to say good-bye. They went on the seven o'clock train." "Did they?" "Bad thing to do," Mike said. "She shouldn't have done it." "No." "Have a drink? Wait while I ring for some beer." "I'm drunk," I said. "I'm going in and lie down." "Are you blind? I was blind myself." "Yes," I said, "I'm blind." "Well, bung-o," Mike said. "Get some sleep, old Jake." I went out the door and into my own room and lay on the bed. The bed went sailing off and I sat up in bed and looked at the wall to make it stop. Outside in the square the fiesta was going on. It did not mean anything. Later Bill and Mike came in to get me to go down and eat with them. I pretended to be asleep. "He's asleep. Better let him alone." "He's blind as a tick," Mike said. They went out. I got up and went to the balcony and looked out at the dancing in the square. The world was not wheeling any more. It was just very clear and bright, and inclined to blur at the edges. I washed, brushed my hair. I looked strange to myself in the glass, and went down-stairs to the dining-room. "Here he is!" said Bill. "Good old Jake! I knew you wouldn't pass out." "Hello, you old drunk," Mike said. "I got hungry and woke up." "Eat some soup," Bill said. The three of us sat at the table, and it seemed as though about six people were missing. BOOK III CHAPTER 19 In the morning it was all over. The fiesta was finished. I woke about nine o'clock, had a bath, dressed, and went down-stairs. The square was empty and there were no people on the streets. A few children were picking up rocket-sticks in the square. The caf s were just opening and the waiters were carrying out the comfortable white wicker chairs and arranging them around the marble-topped tables in the shade of the arcade. They were sweeping the streets and sprinkling them with a hose. I sat in one of the wicker chairs and leaned back comfortably. The waiter was in no hurry to come. The white-paper announcements of the unloading of the bulls and the big schedules of special trains were still up on the pillars of the arcade. A waiter wearing a blue apron came out with a bucket of water and a cloth, and commenced to tear down the notices, pulling the paper off in strips and washing and rubbing away the paper that stuck to the stone. The fiesta was over. I drank a coffee and after a while Bill came over. I watched him come walking across the square. He sat down at the table and ordered a coffee. "Well," he said, "it's all over." "Yes," I said. "When do you go?" "I don't know. We better get a car, I think. Aren't you going back to Paris?" "No. I can stay away another week. I think I'll go to San Sebastian." "I want to get back." "What's Mike going to do?" "He's going to Saint Jean de Luz." "Let's get a car and all go as far as Bayonne. You can get the train up from there to-night."<\|quote\|>"Good. Let's go after lunch."</\|quote\|>"All right. I'll get the car." We had lunch and paid the bill. Montoya did not come near us. One of the maids brought the bill. The car was outside. The chauffeur piled and strapped the bags on top of the car and put them in beside him in the front seat and we got in. The car went out of the square, along through the side streets, out under the trees and down the hill and away from Pamplona. It did not seem like a very long ride. Mike had a bottle of Fundador. I only took a couple of drinks. We came over the mountains and out of Spain and down the white roads and through the overfoliaged, wet, green, Basque country, and finally into Bayonne. We left Bill's baggage at the station, and he bought a ticket to Paris. His train left at seven-ten. We came out of the station. The car was standing out in front. "What shall we do about the car?" Bill asked. "Oh, bother the car," Mike said. "Let's just keep the car with us." "All right," Bill said. "Where shall we go?" "Let's go to Biarritz and have a drink." "Old Mike the spender," Bill said. We drove in to Biarritz and left the car outside a very Ritz place. We went into the bar and sat on high stools and drank a whiskey and soda. "That drink's mine," Mike said. "Let's roll for it." So we rolled poker dice out of a deep leather dice-cup. Bill was out first roll. Mike lost to me and handed the bartender a hundred-franc note. The whiskeys were twelve francs apiece. We had another round and Mike lost again. Each time he gave the bartender a good tip. In a room off the bar there was a good jazz band playing. It was a pleasant bar. We had another round. I went out on the first roll with four kings. Bill and Mike rolled. Mike won the first roll with four jacks. Bill won the second. On the final roll Mike had three kings and let them stay. He handed the dice-cup to Bill. Bill rattled them and rolled, and there were three kings, an ace, and a queen. "It's yours, Mike," Bill said. "Old Mike, the gambler." "I'm so sorry," Mike said. "I can't get it." "What's the matter?" "I've no money," Mike said. "I'm stony. I've just twenty francs. Here, take twenty francs." Bill's face sort of changed. "I just had enough to pay Montoya. Damned lucky to have it, too." "I'll cash you a check," Bill said. "That's damned nice of you, but you see I can't write checks." "What are you going to do for money?" "Oh, some will come through. I've two weeks allowance should be here. I can live on tick at this pub in Saint Jean." "What do you want to do about the car?" Bill asked me. "Do you want to keep it on?" "It doesn't make any difference. Seems sort of idiotic." "Come on, let's have another drink," Mike said. "Fine. This one is on me," Bill said. "Has Brett any money?" He turned to Mike. "I shouldn't think so. She put up most of what I gave to old Montoya." "She hasn't any money with her?" I asked. "I shouldn't think so. She never has any money. She gets five hundred quid a year and pays three hundred and fifty of it in interest to Jews." "I suppose they get it at the source," said Bill. "Quite. They're not really Jews. We just call them Jews. They're Scotsmen, I believe." "Hasn't she any at all with her?" I asked. "I hardly think so. She gave it all to me when she left." "Well," Bill said, "we might as well have another drink." "Damned good idea," Mike said. "One never gets anywhere by discussing finances." "No," said Bill. Bill and I rolled for the next two rounds. Bill lost and paid. We went out to the car. "Anywhere you'd like to go, Mike?" Bill asked. "Let's take a drive. It might do my credit good. Let's drive about a little." "Fine. I'd like to see the coast. Let's drive down toward Hendaye." "I haven't any credit along the coast." "You can't ever tell," said Bill. We drove out along the coast road. There was the green of the headlands, the white, red-roofed villas, patches of forest, and the ocean very blue with the tide out and the water curling far out along the beach. We drove through Saint Jean de Luz and passed through villages farther down the coast. Back of the rolling country we were going through we saw the mountains we had come over from Pamplona. The road went on ahead. Bill looked at	and woke up." "Eat some soup," Bill said. The three of us sat at the table, and it seemed as though about six people were missing. BOOK III CHAPTER 19 In the morning it was all over. The fiesta was finished. I woke about nine o'clock, had a bath, dressed, and went down-stairs. The square was empty and there were no people on the streets. A few children were picking up rocket-sticks in the square. The caf s were just opening and the waiters were carrying out the comfortable white wicker chairs and arranging them around the marble-topped tables in the shade of the arcade. They were sweeping the streets and sprinkling them with a hose. I sat in one of the wicker chairs and leaned back comfortably. The waiter was in no hurry to come. The white-paper announcements of the unloading of the bulls and the big schedules of special trains were still up on the pillars of the arcade. A waiter wearing a blue apron came out with a bucket of water and a cloth, and commenced to tear down the notices, pulling the paper off in strips and washing and rubbing away the paper that stuck to the stone. The fiesta was over. I drank a coffee and after a while Bill came over. I watched him come walking across the square. He sat down at the table and ordered a coffee. "Well," he said, "it's all over." "Yes," I said. "When do you go?" "I don't know. We better get a car, I think. Aren't you going back to Paris?" "No. I can stay away another week. I think I'll go to San Sebastian." "I want to get back." "What's Mike going to do?" "He's going to Saint Jean de Luz." "Let's get a car and all go as far as Bayonne. You can get the train up from there to-night."<\|quote\|>"Good. Let's go after lunch."</\|quote\|>"All right. I'll get the car." We had lunch and paid the bill. Montoya did not come near us. One of the maids brought the bill. The car was outside. The chauffeur piled and strapped the bags on top of the car and put them in beside him in the front seat and we got in. The car went out of the square, along through the side streets, out under the trees and down the hill and away from Pamplona. It did not seem like a very long ride. Mike had a bottle of Fundador. I only took a couple of drinks. We came over the mountains and out of Spain and down the white roads and through the overfoliaged, wet, green, Basque country, and finally into Bayonne. We left Bill's baggage at the station, and he bought a ticket to Paris. His train left at seven-ten. We came out of the station. The car was standing out in front. "What shall we do about the car?" Bill asked. "Oh, bother the car," Mike said. "Let's just keep the car with us." "All right," Bill said. "Where shall we go?" "Let's go to Biarritz and have a drink." "Old Mike the spender," Bill said. We drove in to Biarritz and left the car outside a very Ritz place. We went into the bar and sat on high stools and drank a whiskey and soda. "That drink's mine," Mike said. "Let's roll for it." So we rolled poker dice out of a deep leather dice-cup. Bill was out first roll. Mike lost to me and handed the bartender a hundred-franc note. The whiskeys were twelve francs apiece. We had another round and Mike lost again. Each time he gave the bartender a good tip. In a room off the bar there was a good jazz band playing. It was a pleasant bar. We had another round. I went out on the first roll with four kings. Bill and Mike rolled. Mike won the first roll with four jacks. Bill won the second. On the final roll Mike had three kings and let them stay. He handed the dice-cup to Bill. Bill rattled them and rolled, and there were three kings, an ace, and a queen. "It's yours, Mike," Bill said. "Old Mike, the gambler." "I'm so sorry," Mike said. "I can't get it." "What's the matter?" "I've no money," Mike said. "I'm stony. I've just twenty	The Sun Also Rises
The young man hesitated, and then his agitation was too much for him. He clutched Poirot by the arm, and sank his voice to a whisper:	No speaker	Mace." "Yes, exactly of course"<\|quote\|>The young man hesitated, and then his agitation was too much for him. He clutched Poirot by the arm, and sank his voice to a whisper:</\|quote\|>"Just tell me this, Mr.	can tell us that, Mr. Mace." "Yes, exactly of course"<\|quote\|>The young man hesitated, and then his agitation was too much for him. He clutched Poirot by the arm, and sank his voice to a whisper:</\|quote\|>"Just tell me this, Mr. Poirot, it isn't it isn't	moistened his dry lips. His face was working curiously. "It's all over the village about old Mrs. Inglethorp dying so suddenly. They do say" he lowered his voice cautiously "that it's poison?" Poirot's face remained quite impassive. "Only the doctors can tell us that, Mr. Mace." "Yes, exactly of course"<\|quote\|>The young man hesitated, and then his agitation was too much for him. He clutched Poirot by the arm, and sank his voice to a whisper:</\|quote\|>"Just tell me this, Mr. Poirot, it isn't it isn't strychnine, is it?" I hardly heard what Poirot replied. Something evidently of a non-committal nature. The young man departed, and as he closed the door Poirot's eyes met mine. "Yes," he said, nodding gravely. "He will have evidence to give	the window. "I come." Motioning to me to follow him, he ran swiftly down the stairs and opened the door. Mr. Mace began at once. "Oh, Mr. Poirot, I'm sorry for the inconvenience, but I heard that you'd just come back from the Hall?" "Yes, we have." The young man moistened his dry lips. His face was working curiously. "It's all over the village about old Mrs. Inglethorp dying so suddenly. They do say" he lowered his voice cautiously "that it's poison?" Poirot's face remained quite impassive. "Only the doctors can tell us that, Mr. Mace." "Yes, exactly of course"<\|quote\|>The young man hesitated, and then his agitation was too much for him. He clutched Poirot by the arm, and sank his voice to a whisper:</\|quote\|>"Just tell me this, Mr. Poirot, it isn't it isn't strychnine, is it?" I hardly heard what Poirot replied. Something evidently of a non-committal nature. The young man departed, and as he closed the door Poirot's eyes met mine. "Yes," he said, nodding gravely. "He will have evidence to give at the inquest." We went slowly upstairs again. I was opening my lips, when Poirot stopped me with a gesture of his hand. "Not now, not now, _mon ami_. I have need of reflection. My mind is in some disorder which is not well." For about ten minutes he sat	The fresh air blew in warm and pleasant. It was going to be a hot day. Suddenly my attention was arrested by a weedy looking young man rushing down the street at a great pace. It was the expression on his face that was extraordinary a curious mingling of terror and agitation. "Look, Poirot!" I said. He leant forward. "_Tiens!_" he said. "It is Mr. Mace, from the chemist's shop. He is coming here." The young man came to a halt before Leastways Cottage, and, after hesitating a moment, pounded vigorously at the door. "A little minute," cried Poirot from the window. "I come." Motioning to me to follow him, he ran swiftly down the stairs and opened the door. Mr. Mace began at once. "Oh, Mr. Poirot, I'm sorry for the inconvenience, but I heard that you'd just come back from the Hall?" "Yes, we have." The young man moistened his dry lips. His face was working curiously. "It's all over the village about old Mrs. Inglethorp dying so suddenly. They do say" he lowered his voice cautiously "that it's poison?" Poirot's face remained quite impassive. "Only the doctors can tell us that, Mr. Mace." "Yes, exactly of course"<\|quote\|>The young man hesitated, and then his agitation was too much for him. He clutched Poirot by the arm, and sank his voice to a whisper:</\|quote\|>"Just tell me this, Mr. Poirot, it isn't it isn't strychnine, is it?" I hardly heard what Poirot replied. Something evidently of a non-committal nature. The young man departed, and as he closed the door Poirot's eyes met mine. "Yes," he said, nodding gravely. "He will have evidence to give at the inquest." We went slowly upstairs again. I was opening my lips, when Poirot stopped me with a gesture of his hand. "Not now, not now, _mon ami_. I have need of reflection. My mind is in some disorder which is not well." For about ten minutes he sat in dead silence, perfectly still, except for several expressive motions of his eyebrows, and all the time his eyes grew steadily greener. At last he heaved a deep sigh. "It is well. The bad moment has passed. Now all is arranged and classified. One must never permit confusion. The case is not clear yet no. For it is of the most complicated! It puzzles _me_. _Me_, Hercule Poirot! There are two facts of significance." "And what are they?" "The first is the state of the weather yesterday. That is very important." "But it was a glorious day!" I interrupted. "Poirot,	another feature, what do you make of the scrap of conversation you overheard between Mrs. Cavendish and her mother-in-law?" "I had forgotten that," I said thoughtfully. "That is as enigmatical as ever. It seems incredible that a woman like Mrs. Cavendish, proud and reticent to the last degree, should interfere so violently in what was certainly not her affair." "Precisely. It was an astonishing thing for a woman of her breeding to do." "It is certainly curious," I agreed. "Still, it is unimportant, and need not be taken into account." A groan burst from Poirot. "What have I always told you? Everything must be taken into account. If the fact will not fit the theory let the theory go." "Well, we shall see," I said, nettled. "Yes, we shall see." We had reached Leastways Cottage, and Poirot ushered me upstairs to his own room. He offered me one of the tiny Russian cigarettes he himself occasionally smoked. I was amused to notice that he stowed away the used matches most carefully in a little china pot. My momentary annoyance vanished. Poirot had placed our two chairs in front of the open window which commanded a view of the village street. The fresh air blew in warm and pleasant. It was going to be a hot day. Suddenly my attention was arrested by a weedy looking young man rushing down the street at a great pace. It was the expression on his face that was extraordinary a curious mingling of terror and agitation. "Look, Poirot!" I said. He leant forward. "_Tiens!_" he said. "It is Mr. Mace, from the chemist's shop. He is coming here." The young man came to a halt before Leastways Cottage, and, after hesitating a moment, pounded vigorously at the door. "A little minute," cried Poirot from the window. "I come." Motioning to me to follow him, he ran swiftly down the stairs and opened the door. Mr. Mace began at once. "Oh, Mr. Poirot, I'm sorry for the inconvenience, but I heard that you'd just come back from the Hall?" "Yes, we have." The young man moistened his dry lips. His face was working curiously. "It's all over the village about old Mrs. Inglethorp dying so suddenly. They do say" he lowered his voice cautiously "that it's poison?" Poirot's face remained quite impassive. "Only the doctors can tell us that, Mr. Mace." "Yes, exactly of course"<\|quote\|>The young man hesitated, and then his agitation was too much for him. He clutched Poirot by the arm, and sank his voice to a whisper:</\|quote\|>"Just tell me this, Mr. Poirot, it isn't it isn't strychnine, is it?" I hardly heard what Poirot replied. Something evidently of a non-committal nature. The young man departed, and as he closed the door Poirot's eyes met mine. "Yes," he said, nodding gravely. "He will have evidence to give at the inquest." We went slowly upstairs again. I was opening my lips, when Poirot stopped me with a gesture of his hand. "Not now, not now, _mon ami_. I have need of reflection. My mind is in some disorder which is not well." For about ten minutes he sat in dead silence, perfectly still, except for several expressive motions of his eyebrows, and all the time his eyes grew steadily greener. At last he heaved a deep sigh. "It is well. The bad moment has passed. Now all is arranged and classified. One must never permit confusion. The case is not clear yet no. For it is of the most complicated! It puzzles _me_. _Me_, Hercule Poirot! There are two facts of significance." "And what are they?" "The first is the state of the weather yesterday. That is very important." "But it was a glorious day!" I interrupted. "Poirot, you're pulling my leg!" "Not at all. The thermometer registered 80 degrees in the shade. Do not forget that, my friend. It is the key to the whole riddle!" "And the second point?" I asked. "The important fact that Monsieur Inglethorp wears very peculiar clothes, has a black beard, and uses glasses." "Poirot, I cannot believe you are serious." "I am absolutely serious, my friend." "But this is childish!" "No, it is very momentous." "And supposing the Coroner's jury returns a verdict of Wilful Murder against Alfred Inglethorp. What becomes of your theories, then?" "They would not be shaken because twelve stupid men had happened to make a mistake! But that will not occur. For one thing, a country jury is not anxious to take responsibility upon itself, and Mr. Inglethorp stands practically in the position of local squire. Also," he added placidly, "_I_ should not allow it!" "_You_ would not allow it?" "No." I looked at the extraordinary little man, divided between annoyance and amusement. He was so tremendously sure of himself. As though he read my thoughts, he nodded gently. "Oh, yes, _mon ami_, I would do what I say." He got up and laid his hand on	as you English say! You have chosen the one point that to my mind tells against him." "How is that?" "Because if Mr. Inglethorp knew that his wife would be poisoned last night, he would certainly have arranged to be away from the house. His excuse was an obviously trumped up one. That leaves us two possibilities: either he knew what was going to happen or he had a reason of his own for his absence." "And that reason?" I asked sceptically. Poirot shrugged his shoulders. "How should I know? Discreditable, without doubt. This Mr. Inglethorp, I should say, is somewhat of a scoundrel but that does not of necessity make him a murderer." I shook my head, unconvinced. "We do not agree, eh?" said Poirot. "Well, let us leave it. Time will show which of us is right. Now let us turn to other aspects of the case. What do you make of the fact that all the doors of the bedroom were bolted on the inside?" "Well" I considered. "One must look at it logically." "True." "I should put it this way. The doors _were_ bolted our own eyes have told us that yet the presence of the candle grease on the floor, and the destruction of the will, prove that during the night someone entered the room. You agree so far?" "Perfectly. Put with admirable clearness. Proceed." "Well," I said, encouraged, "as the person who entered did not do so by the window, nor by miraculous means, it follows that the door must have been opened from inside by Mrs. Inglethorp herself. That strengthens the conviction that the person in question was her husband. She would naturally open the door to her own husband." Poirot shook his head. "Why should she? She had bolted the door leading into his room a most unusual proceeding on her part she had had a most violent quarrel with him that very afternoon. No, he was the last person she would admit." "But you agree with me that the door must have been opened by Mrs. Inglethorp herself?" "There is another possibility. She may have forgotten to bolt the door into the passage when she went to bed, and have got up later, towards morning, and bolted it then." "Poirot, is that seriously your opinion?" "No, I do not say it is so, but it might be. Now, to turn to another feature, what do you make of the scrap of conversation you overheard between Mrs. Cavendish and her mother-in-law?" "I had forgotten that," I said thoughtfully. "That is as enigmatical as ever. It seems incredible that a woman like Mrs. Cavendish, proud and reticent to the last degree, should interfere so violently in what was certainly not her affair." "Precisely. It was an astonishing thing for a woman of her breeding to do." "It is certainly curious," I agreed. "Still, it is unimportant, and need not be taken into account." A groan burst from Poirot. "What have I always told you? Everything must be taken into account. If the fact will not fit the theory let the theory go." "Well, we shall see," I said, nettled. "Yes, we shall see." We had reached Leastways Cottage, and Poirot ushered me upstairs to his own room. He offered me one of the tiny Russian cigarettes he himself occasionally smoked. I was amused to notice that he stowed away the used matches most carefully in a little china pot. My momentary annoyance vanished. Poirot had placed our two chairs in front of the open window which commanded a view of the village street. The fresh air blew in warm and pleasant. It was going to be a hot day. Suddenly my attention was arrested by a weedy looking young man rushing down the street at a great pace. It was the expression on his face that was extraordinary a curious mingling of terror and agitation. "Look, Poirot!" I said. He leant forward. "_Tiens!_" he said. "It is Mr. Mace, from the chemist's shop. He is coming here." The young man came to a halt before Leastways Cottage, and, after hesitating a moment, pounded vigorously at the door. "A little minute," cried Poirot from the window. "I come." Motioning to me to follow him, he ran swiftly down the stairs and opened the door. Mr. Mace began at once. "Oh, Mr. Poirot, I'm sorry for the inconvenience, but I heard that you'd just come back from the Hall?" "Yes, we have." The young man moistened his dry lips. His face was working curiously. "It's all over the village about old Mrs. Inglethorp dying so suddenly. They do say" he lowered his voice cautiously "that it's poison?" Poirot's face remained quite impassive. "Only the doctors can tell us that, Mr. Mace." "Yes, exactly of course"<\|quote\|>The young man hesitated, and then his agitation was too much for him. He clutched Poirot by the arm, and sank his voice to a whisper:</\|quote\|>"Just tell me this, Mr. Poirot, it isn't it isn't strychnine, is it?" I hardly heard what Poirot replied. Something evidently of a non-committal nature. The young man departed, and as he closed the door Poirot's eyes met mine. "Yes," he said, nodding gravely. "He will have evidence to give at the inquest." We went slowly upstairs again. I was opening my lips, when Poirot stopped me with a gesture of his hand. "Not now, not now, _mon ami_. I have need of reflection. My mind is in some disorder which is not well." For about ten minutes he sat in dead silence, perfectly still, except for several expressive motions of his eyebrows, and all the time his eyes grew steadily greener. At last he heaved a deep sigh. "It is well. The bad moment has passed. Now all is arranged and classified. One must never permit confusion. The case is not clear yet no. For it is of the most complicated! It puzzles _me_. _Me_, Hercule Poirot! There are two facts of significance." "And what are they?" "The first is the state of the weather yesterday. That is very important." "But it was a glorious day!" I interrupted. "Poirot, you're pulling my leg!" "Not at all. The thermometer registered 80 degrees in the shade. Do not forget that, my friend. It is the key to the whole riddle!" "And the second point?" I asked. "The important fact that Monsieur Inglethorp wears very peculiar clothes, has a black beard, and uses glasses." "Poirot, I cannot believe you are serious." "I am absolutely serious, my friend." "But this is childish!" "No, it is very momentous." "And supposing the Coroner's jury returns a verdict of Wilful Murder against Alfred Inglethorp. What becomes of your theories, then?" "They would not be shaken because twelve stupid men had happened to make a mistake! But that will not occur. For one thing, a country jury is not anxious to take responsibility upon itself, and Mr. Inglethorp stands practically in the position of local squire. Also," he added placidly, "_I_ should not allow it!" "_You_ would not allow it?" "No." I looked at the extraordinary little man, divided between annoyance and amusement. He was so tremendously sure of himself. As though he read my thoughts, he nodded gently. "Oh, yes, _mon ami_, I would do what I say." He got up and laid his hand on my shoulder. His physiognomy underwent a complete change. Tears came into his eyes. "In all this, you see, I think of that poor Mrs. Inglethorp who is dead. She was not extravagantly loved no. But she was very good to us Belgians I owe her a debt." I endeavoured to interrupt, but Poirot swept on. "Let me tell you this, Hastings. She would never forgive me if I let Alfred Inglethorp, her husband, be arrested _now_ when a word from me could save him!" CHAPTER VI. THE INQUEST In the interval before the inquest, Poirot was unfailing in his activity. Twice he was closeted with Mr. Wells. He also took long walks into the country. I rather resented his not taking me into his confidence, the more so as I could not in the least guess what he was driving at. It occurred to me that he might have been making inquiries at Raikes's farm; so, finding him out when I called at Leastways Cottage on Wednesday evening, I walked over there by the fields, hoping to meet him. But there was no sign of him, and I hesitated to go right up to the farm itself. As I walked away, I met an aged rustic, who leered at me cunningly. "You'm from the Hall, bain't you?" he asked. "Yes. I'm looking for a friend of mine whom I thought might have walked this way." "A little chap? As waves his hands when he talks? One of them Belgies from the village?" "Yes," I said eagerly. "He has been here, then?" "Oh, ay, he's been here, right enough. More'n once too. Friend of yours, is he? Ah, you gentlemen from the Hall you'm a pretty lot!" And he leered more jocosely than ever. "Why, do the gentlemen from the Hall come here often?" I asked, as carelessly as I could. He winked at me knowingly. "_One_ does, mister. Naming no names, mind. And a very liberal gentleman too! Oh, thank you, sir, I'm sure." I walked on sharply. Evelyn Howard had been right then, and I experienced a sharp twinge of disgust, as I thought of Alfred Inglethorp's liberality with another woman's money. Had that piquant gipsy face been at the bottom of the crime, or was it the baser mainspring of money? Probably a judicious mixture of both. On one point, Poirot seemed to have a curious obsession. He	the theory go." "Well, we shall see," I said, nettled. "Yes, we shall see." We had reached Leastways Cottage, and Poirot ushered me upstairs to his own room. He offered me one of the tiny Russian cigarettes he himself occasionally smoked. I was amused to notice that he stowed away the used matches most carefully in a little china pot. My momentary annoyance vanished. Poirot had placed our two chairs in front of the open window which commanded a view of the village street. The fresh air blew in warm and pleasant. It was going to be a hot day. Suddenly my attention was arrested by a weedy looking young man rushing down the street at a great pace. It was the expression on his face that was extraordinary a curious mingling of terror and agitation. "Look, Poirot!" I said. He leant forward. "_Tiens!_" he said. "It is Mr. Mace, from the chemist's shop. He is coming here." The young man came to a halt before Leastways Cottage, and, after hesitating a moment, pounded vigorously at the door. "A little minute," cried Poirot from the window. "I come." Motioning to me to follow him, he ran swiftly down the stairs and opened the door. Mr. Mace began at once. "Oh, Mr. Poirot, I'm sorry for the inconvenience, but I heard that you'd just come back from the Hall?" "Yes, we have." The young man moistened his dry lips. His face was working curiously. "It's all over the village about old Mrs. Inglethorp dying so suddenly. They do say" he lowered his voice cautiously "that it's poison?" Poirot's face remained quite impassive. "Only the doctors can tell us that, Mr. Mace." "Yes, exactly of course"<\|quote\|>The young man hesitated, and then his agitation was too much for him. He clutched Poirot by the arm, and sank his voice to a whisper:</\|quote\|>"Just tell me this, Mr. Poirot, it isn't it isn't strychnine, is it?" I hardly heard what Poirot replied. Something evidently of a non-committal nature. The young man departed, and as he closed the door Poirot's eyes met mine. "Yes," he said, nodding gravely. "He will have evidence to give at the inquest." We went slowly upstairs again. I was opening my lips, when Poirot stopped me with a gesture of his hand. "Not now, not now, _mon ami_. I have need of reflection. My mind is in some disorder which is not well." For about ten minutes he sat in dead silence, perfectly still, except for several expressive motions of his eyebrows, and all the time his eyes grew steadily greener. At last he heaved a deep sigh. "It is well. The bad moment has passed. Now all is arranged and classified. One must never permit confusion. The case is not clear yet no. For it is of the most complicated! It puzzles _me_. _Me_, Hercule Poirot! There are two facts of significance." "And what are they?" "The first is the state of the weather yesterday. That is very important." "But it was a glorious day!" I interrupted. "Poirot, you're pulling my leg!" "Not at all. The thermometer registered 80 degrees in the shade. Do not forget that, my friend. It is the key to the whole riddle!" "And the second point?" I asked. "The important fact that Monsieur Inglethorp wears very peculiar clothes, has a black beard, and uses glasses." "Poirot, I cannot believe you are serious." "I am absolutely serious, my friend." "But this is childish!" "No, it is very momentous." "And supposing the Coroner's jury returns a verdict of Wilful Murder against Alfred Inglethorp. What becomes of your theories, then?" "They would not be shaken because twelve stupid men had happened to make a mistake! But that will not occur. For one thing, a country jury is not anxious to take responsibility upon itself, and Mr. Inglethorp stands	The Mysterious Affair At Styles
"How did she come there?"	Josiah Bounderby	a bit!" cried Bounderby again.<\|quote\|>"How did she come there?"</\|quote\|>"Why, the fact is, I	at his friend. "Now, stop a bit!" cried Bounderby again.<\|quote\|>"How did she come there?"</\|quote\|>"Why, the fact is, I saw the girl myself, for	standing, as before, on the hearth, bursting at the very furniture of the room with explosive humility. "You have one of those strollers' children in the school." "Cecilia Jupe, by name," said Mr. Gradgrind, with something of a stricken look at his friend. "Now, stop a bit!" cried Bounderby again.<\|quote\|>"How did she come there?"</\|quote\|>"Why, the fact is, I saw the girl myself, for the first time, only just now. She specially applied here at the house to be admitted, as not regularly belonging to our town, and yes, you are right, Bounderby, you are right." "Now, stop a bit!" cried Bounderby, once more.	reading anything? Whether, in spite of all precautions, any idle story-book can have got into the house? Because, in minds that have been practically formed by rule and line, from the cradle upwards, this is so curious, so incomprehensible." "Stop a bit!" cried Bounderby, who all this time had been standing, as before, on the hearth, bursting at the very furniture of the room with explosive humility. "You have one of those strollers' children in the school." "Cecilia Jupe, by name," said Mr. Gradgrind, with something of a stricken look at his friend. "Now, stop a bit!" cried Bounderby again.<\|quote\|>"How did she come there?"</\|quote\|>"Why, the fact is, I saw the girl myself, for the first time, only just now. She specially applied here at the house to be admitted, as not regularly belonging to our town, and yes, you are right, Bounderby, you are right." "Now, stop a bit!" cried Bounderby, once more. "Louisa saw her when she came?" "Louisa certainly did see her, for she mentioned the application to me. But Louisa saw her, I have no doubt, in Mrs. Gradgrind's presence." "Pray, Mrs. Gradgrind," said Bounderby, "what passed?" "Oh, my poor health!" returned Mrs. Gradgrind. "The girl wanted to come to	that the misgiving _has_ crossed me on my way home." "In idle imagination, Gradgrind," repeated Bounderby. "A very bad thing for anybody, but a cursed bad thing for a girl like Louisa. I should ask Mrs. Gradgrind's pardon for strong expressions, but that she knows very well I am not a refined character. Whoever expects refinement in _me_ will be disappointed. I hadn't a refined bringing up." "Whether," said Gradgrind, pondering with his hands in his pockets, and his cavernous eyes on the fire, "whether any instructor or servant can have suggested anything? Whether Louisa or Thomas can have been reading anything? Whether, in spite of all precautions, any idle story-book can have got into the house? Because, in minds that have been practically formed by rule and line, from the cradle upwards, this is so curious, so incomprehensible." "Stop a bit!" cried Bounderby, who all this time had been standing, as before, on the hearth, bursting at the very furniture of the room with explosive humility. "You have one of those strollers' children in the school." "Cecilia Jupe, by name," said Mr. Gradgrind, with something of a stricken look at his friend. "Now, stop a bit!" cried Bounderby again.<\|quote\|>"How did she come there?"</\|quote\|>"Why, the fact is, I saw the girl myself, for the first time, only just now. She specially applied here at the house to be admitted, as not regularly belonging to our town, and yes, you are right, Bounderby, you are right." "Now, stop a bit!" cried Bounderby, once more. "Louisa saw her when she came?" "Louisa certainly did see her, for she mentioned the application to me. But Louisa saw her, I have no doubt, in Mrs. Gradgrind's presence." "Pray, Mrs. Gradgrind," said Bounderby, "what passed?" "Oh, my poor health!" returned Mrs. Gradgrind. "The girl wanted to come to the school, and Mr. Gradgrind wanted girls to come to the school, and Louisa and Thomas both said that the girl wanted to come, and that Mr. Gradgrind wanted girls to come, and how was it possible to contradict them when such was the fact!" "Now I tell you what, Gradgrind!" said Mr. Bounderby. "Turn this girl to the right about, and there's an end of it." "I am much of your opinion." "Do it at once," said Bounderby, "has always been my motto from a child. When I thought I would run away from my egg-box and my grandmother,	to the fireside, "you are always so interested in my young people particularly in Louisa that I make no apology for saying to you, I am very much vexed by this discovery. I have systematically devoted myself (as you know) to the education of the reason of my family. The reason is (as you know) the only faculty to which education should be addressed." "And yet, Bounderby, it would appear from this unexpected circumstance of to-day, though in itself a trifling one, as if something had crept into Thomas's and Louisa's minds which is or rather, which is not I don't know that I can express myself better than by saying which has never been intended to be developed, and in which their reason has no part." "There certainly is no reason in looking with interest at a parcel of vagabonds," returned Bounderby. "When I was a vagabond myself, nobody looked with any interest at _me_; I know that." "Then comes the question;" said the eminently practical father, "with his eyes on the fire, "in what has this vulgar curiosity its rise?" "I'll tell you in what. In idle imagination." "I hope not," said the eminently practical; "I confess, however, that the misgiving _has_ crossed me on my way home." "In idle imagination, Gradgrind," repeated Bounderby. "A very bad thing for anybody, but a cursed bad thing for a girl like Louisa. I should ask Mrs. Gradgrind's pardon for strong expressions, but that she knows very well I am not a refined character. Whoever expects refinement in _me_ will be disappointed. I hadn't a refined bringing up." "Whether," said Gradgrind, pondering with his hands in his pockets, and his cavernous eyes on the fire, "whether any instructor or servant can have suggested anything? Whether Louisa or Thomas can have been reading anything? Whether, in spite of all precautions, any idle story-book can have got into the house? Because, in minds that have been practically formed by rule and line, from the cradle upwards, this is so curious, so incomprehensible." "Stop a bit!" cried Bounderby, who all this time had been standing, as before, on the hearth, bursting at the very furniture of the room with explosive humility. "You have one of those strollers' children in the school." "Cecilia Jupe, by name," said Mr. Gradgrind, with something of a stricken look at his friend. "Now, stop a bit!" cried Bounderby again.<\|quote\|>"How did she come there?"</\|quote\|>"Why, the fact is, I saw the girl myself, for the first time, only just now. She specially applied here at the house to be admitted, as not regularly belonging to our town, and yes, you are right, Bounderby, you are right." "Now, stop a bit!" cried Bounderby, once more. "Louisa saw her when she came?" "Louisa certainly did see her, for she mentioned the application to me. But Louisa saw her, I have no doubt, in Mrs. Gradgrind's presence." "Pray, Mrs. Gradgrind," said Bounderby, "what passed?" "Oh, my poor health!" returned Mrs. Gradgrind. "The girl wanted to come to the school, and Mr. Gradgrind wanted girls to come to the school, and Louisa and Thomas both said that the girl wanted to come, and that Mr. Gradgrind wanted girls to come, and how was it possible to contradict them when such was the fact!" "Now I tell you what, Gradgrind!" said Mr. Bounderby. "Turn this girl to the right about, and there's an end of it." "I am much of your opinion." "Do it at once," said Bounderby, "has always been my motto from a child. When I thought I would run away from my egg-box and my grandmother, I did it at once. Do you the same. Do this at once!" "Are you walking?" asked his friend. "I have the father's address. Perhaps you would not mind walking to town with me?" "Not the least in the world," said Mr. Bounderby, "as long as you do it at once!" So, Mr. Bounderby threw on his hat he always threw it on, as expressing a man who had been far too busily employed in making himself, to acquire any fashion of wearing his hat and with his hands in his pockets, sauntered out into the hall. "I never wear gloves," it was his custom to say. "I didn't climb up the ladder in _them_. Shouldn't be so high up, if I had." Being left to saunter in the hall a minute or two while Mr. Gradgrind went up-stairs for the address, he opened the door of the children's study and looked into that serene floor-clothed apartment, which, notwithstanding its book-cases and its cabinets and its variety of learned and philosophical appliances, had much of the genial aspect of a room devoted to hair-cutting. Louisa languidly leaned upon the window looking out, without looking at anything, while young Thomas stood	young Thomas in the dumps about?" He spoke of young Thomas, but he looked at Louisa. "We were peeping at the circus," muttered Louisa, haughtily, without lifting up her eyes, "and father caught us." "And, Mrs. Gradgrind," said her husband in a lofty manner, "I should as soon have expected to find my children reading poetry." "Dear me," whimpered Mrs. Gradgrind. "How can you, Louisa and Thomas! I wonder at you. I declare you're enough to make one regret ever having had a family at all. I have a great mind to say I wish I hadn't. _Then_ what would you have done, I should like to know?" Mr. Gradgrind did not seem favourably impressed by these cogent remarks. He frowned impatiently. "As if, with my head in its present throbbing state, you couldn't go and look at the shells and minerals and things provided for you, instead of circuses!" said Mrs. Gradgrind. "You know, as well as I do, no young people have circus masters, or keep circuses in cabinets, or attend lectures about circuses. What can you possibly want to know of circuses then? I am sure you have enough to do, if that's what you want. With my head in its present state, I couldn't remember the mere names of half the facts you have got to attend to." "That's the reason!" pouted Louisa. "Don't tell me that's the reason, because it can't be nothing of the sort," said Mrs. Gradgrind. "Go and be somethingological directly." Mrs. Gradgrind was not a scientific character, and usually dismissed her children to their studies with this general injunction to choose their pursuit. In truth, Mrs. Gradgrind's stock of facts in general was woefully defective; but Mr. Gradgrind in raising her to her high matrimonial position, had been influenced by two reasons. Firstly, she was most satisfactory as a question of figures; and, secondly, she had "no nonsense" about her. By nonsense he meant fancy; and truly it is probable she was as free from any alloy of that nature, as any human being not arrived at the perfection of an absolute idiot, ever was. The simple circumstance of being left alone with her husband and Mr. Bounderby, was sufficient to stun this admirable lady again without collision between herself and any other fact. So, she once more died away, and nobody minded her. "Bounderby," said Mr. Gradgrind, drawing a chair to the fireside, "you are always so interested in my young people particularly in Louisa that I make no apology for saying to you, I am very much vexed by this discovery. I have systematically devoted myself (as you know) to the education of the reason of my family. The reason is (as you know) the only faculty to which education should be addressed." "And yet, Bounderby, it would appear from this unexpected circumstance of to-day, though in itself a trifling one, as if something had crept into Thomas's and Louisa's minds which is or rather, which is not I don't know that I can express myself better than by saying which has never been intended to be developed, and in which their reason has no part." "There certainly is no reason in looking with interest at a parcel of vagabonds," returned Bounderby. "When I was a vagabond myself, nobody looked with any interest at _me_; I know that." "Then comes the question;" said the eminently practical father, "with his eyes on the fire, "in what has this vulgar curiosity its rise?" "I'll tell you in what. In idle imagination." "I hope not," said the eminently practical; "I confess, however, that the misgiving _has_ crossed me on my way home." "In idle imagination, Gradgrind," repeated Bounderby. "A very bad thing for anybody, but a cursed bad thing for a girl like Louisa. I should ask Mrs. Gradgrind's pardon for strong expressions, but that she knows very well I am not a refined character. Whoever expects refinement in _me_ will be disappointed. I hadn't a refined bringing up." "Whether," said Gradgrind, pondering with his hands in his pockets, and his cavernous eyes on the fire, "whether any instructor or servant can have suggested anything? Whether Louisa or Thomas can have been reading anything? Whether, in spite of all precautions, any idle story-book can have got into the house? Because, in minds that have been practically formed by rule and line, from the cradle upwards, this is so curious, so incomprehensible." "Stop a bit!" cried Bounderby, who all this time had been standing, as before, on the hearth, bursting at the very furniture of the room with explosive humility. "You have one of those strollers' children in the school." "Cecilia Jupe, by name," said Mr. Gradgrind, with something of a stricken look at his friend. "Now, stop a bit!" cried Bounderby again.<\|quote\|>"How did she come there?"</\|quote\|>"Why, the fact is, I saw the girl myself, for the first time, only just now. She specially applied here at the house to be admitted, as not regularly belonging to our town, and yes, you are right, Bounderby, you are right." "Now, stop a bit!" cried Bounderby, once more. "Louisa saw her when she came?" "Louisa certainly did see her, for she mentioned the application to me. But Louisa saw her, I have no doubt, in Mrs. Gradgrind's presence." "Pray, Mrs. Gradgrind," said Bounderby, "what passed?" "Oh, my poor health!" returned Mrs. Gradgrind. "The girl wanted to come to the school, and Mr. Gradgrind wanted girls to come to the school, and Louisa and Thomas both said that the girl wanted to come, and that Mr. Gradgrind wanted girls to come, and how was it possible to contradict them when such was the fact!" "Now I tell you what, Gradgrind!" said Mr. Bounderby. "Turn this girl to the right about, and there's an end of it." "I am much of your opinion." "Do it at once," said Bounderby, "has always been my motto from a child. When I thought I would run away from my egg-box and my grandmother, I did it at once. Do you the same. Do this at once!" "Are you walking?" asked his friend. "I have the father's address. Perhaps you would not mind walking to town with me?" "Not the least in the world," said Mr. Bounderby, "as long as you do it at once!" So, Mr. Bounderby threw on his hat he always threw it on, as expressing a man who had been far too busily employed in making himself, to acquire any fashion of wearing his hat and with his hands in his pockets, sauntered out into the hall. "I never wear gloves," it was his custom to say. "I didn't climb up the ladder in _them_. Shouldn't be so high up, if I had." Being left to saunter in the hall a minute or two while Mr. Gradgrind went up-stairs for the address, he opened the door of the children's study and looked into that serene floor-clothed apartment, which, notwithstanding its book-cases and its cabinets and its variety of learned and philosophical appliances, had much of the genial aspect of a room devoted to hair-cutting. Louisa languidly leaned upon the window looking out, without looking at anything, while young Thomas stood sniffing revengefully at the fire. Adam Smith and Malthus, two younger Gradgrinds, were out at lecture in custody; and little Jane, after manufacturing a good deal of moist pipe-clay on her face with slate-pencil and tears, had fallen asleep over vulgar fractions. "It's all right now, Louisa: it's all right, young Thomas," said Mr. Bounderby; "you won't do so any more. I'll answer for it's being all over with father. Well, Louisa, that's worth a kiss, isn't it?" "You can take one, Mr. Bounderby," returned Louisa, when she had coldly paused, and slowly walked across the room, and ungraciously raised her cheek towards him, with her face turned away. "Always my pet; ain't you, Louisa?" said Mr. Bounderby. "Good-bye, Louisa!" He went his way, but she stood on the same spot, rubbing the cheek he had kissed, with her handkerchief, until it was burning red. She was still doing this, five minutes afterwards. "What are you about, Loo?" her brother sulkily remonstrated. "You'll rub a hole in your face." "You may cut the piece out with your penknife if you like, Tom. I wouldn't cry!" CHAPTER V THE KEYNOTE COKETOWN, to which Messrs. Bounderby and Gradgrind now walked, was a triumph of fact; it had no greater taint of fancy in it than Mrs. Gradgrind herself. Let us strike the key-note, Coketown, before pursuing our tune. It was a town of red brick, or of brick that would have been red if the smoke and ashes had allowed it; but as matters stood, it was a town of unnatural red and black like the painted face of a savage. It was a town of machinery and tall chimneys, out of which interminable serpents of smoke trailed themselves for ever and ever, and never got uncoiled. It had a black canal in it, and a river that ran purple with ill-smelling dye, and vast piles of building full of windows where there was a rattling and a trembling all day long, and where the piston of the steam-engine worked monotonously up and down, like the head of an elephant in a state of melancholy madness. It contained several large streets all very like one another, and many small streets still more like one another, inhabited by people equally like one another, who all went in and out at the same hours, with the same sound upon the same pavements, to do	with interest at a parcel of vagabonds," returned Bounderby. "When I was a vagabond myself, nobody looked with any interest at _me_; I know that." "Then comes the question;" said the eminently practical father, "with his eyes on the fire, "in what has this vulgar curiosity its rise?" "I'll tell you in what. In idle imagination." "I hope not," said the eminently practical; "I confess, however, that the misgiving _has_ crossed me on my way home." "In idle imagination, Gradgrind," repeated Bounderby. "A very bad thing for anybody, but a cursed bad thing for a girl like Louisa. I should ask Mrs. Gradgrind's pardon for strong expressions, but that she knows very well I am not a refined character. Whoever expects refinement in _me_ will be disappointed. I hadn't a refined bringing up." "Whether," said Gradgrind, pondering with his hands in his pockets, and his cavernous eyes on the fire, "whether any instructor or servant can have suggested anything? Whether Louisa or Thomas can have been reading anything? Whether, in spite of all precautions, any idle story-book can have got into the house? Because, in minds that have been practically formed by rule and line, from the cradle upwards, this is so curious, so incomprehensible." "Stop a bit!" cried Bounderby, who all this time had been standing, as before, on the hearth, bursting at the very furniture of the room with explosive humility. "You have one of those strollers' children in the school." "Cecilia Jupe, by name," said Mr. Gradgrind, with something of a stricken look at his friend. "Now, stop a bit!" cried Bounderby again.<\|quote\|>"How did she come there?"</\|quote\|>"Why, the fact is, I saw the girl myself, for the first time, only just now. She specially applied here at the house to be admitted, as not regularly belonging to our town, and yes, you are right, Bounderby, you are right." "Now, stop a bit!" cried Bounderby, once more. "Louisa saw her when she came?" "Louisa certainly did see her, for she mentioned the application to me. But Louisa saw her, I have no doubt, in Mrs. Gradgrind's presence." "Pray, Mrs. Gradgrind," said Bounderby, "what passed?" "Oh, my poor health!" returned Mrs. Gradgrind. "The girl wanted to come to the school, and Mr. Gradgrind wanted girls to come to the school, and Louisa and Thomas both said that the girl wanted to come, and that Mr. Gradgrind wanted girls to come, and how was it possible to contradict them when such was the fact!" "Now I tell you what, Gradgrind!" said Mr. Bounderby. "Turn this girl to the right about, and there's an end of it." "I am much of your opinion." "Do it at once," said Bounderby, "has always been my motto from a child. When I thought I would run away from my egg-box and my grandmother, I did it at once. Do you the same. Do this at once!" "Are	Hard Times
"Good night... don't mind, do you?... so tired."	Brenda	"I see... well, good night."<\|quote\|>"Good night... don't mind, do you?... so tired."</\|quote\|>He crossed to the bed	of that stuff of Polly's." "I see... well, good night."<\|quote\|>"Good night... don't mind, do you?... so tired."</\|quote\|>He crossed to the bed and kissed her; she lay	for cleaning it; one bare arm on the quilted eiderdown, left there from turning the switch. "Why, Tony," she said, "I was almost asleep." "Very tired?" "Mm." "Want to be left alone?" "So tired... and I've just drunk a lot of that stuff of Polly's." "I see... well, good night."<\|quote\|>"Good night... don't mind, do you?... so tired."</\|quote\|>He crossed to the bed and kissed her; she lay quite still, with closed eyes. Then he turned out the light and went back to the dressing-room. * * * * * "Lady Brenda not ill, I hope?" "No, nothing serious, thank you very much. She gets rather done up	darkness but hearing him come and seeing the square of light in the doorway she turned on the little lamp by the bedside. "Why, Tony," she said. She was lying on the dais with her head deep back in the pillow; her face was shining with the grease she used for cleaning it; one bare arm on the quilted eiderdown, left there from turning the switch. "Why, Tony," she said, "I was almost asleep." "Very tired?" "Mm." "Want to be left alone?" "So tired... and I've just drunk a lot of that stuff of Polly's." "I see... well, good night."<\|quote\|>"Good night... don't mind, do you?... so tired."</\|quote\|>He crossed to the bed and kissed her; she lay quite still, with closed eyes. Then he turned out the light and went back to the dressing-room. * * * * * "Lady Brenda not ill, I hope?" "No, nothing serious, thank you very much. She gets rather done up in London, you know, during the week, and likes to take Sunday quietly." "And how are the great studies progressing?" "Very well, I gather. She seems keen on it still." "Splendid. We shall all be coming to her soon to solve our economic problems. But I daresay you and John	had the habit of lapsing into a jargon of their own which Tony did not understand; it was a thieves' slang, by which the syllables of each word were transposed. Tony sat just outside the circle reading under another lamp. That night when they went upstairs, the guests came to sit in Brenda's room and talk to her while she went to bed. Tony could hear their low laughter through the dressing-room door. They had boiled water in an electric kettle and were drinking Sedobrol together. Presently, still laughing, they left, and Tony went into Brenda's room. It was in darkness but hearing him come and seeing the square of light in the doorway she turned on the little lamp by the bedside. "Why, Tony," she said. She was lying on the dais with her head deep back in the pillow; her face was shining with the grease she used for cleaning it; one bare arm on the quilted eiderdown, left there from turning the switch. "Why, Tony," she said, "I was almost asleep." "Very tired?" "Mm." "Want to be left alone?" "So tired... and I've just drunk a lot of that stuff of Polly's." "I see... well, good night."<\|quote\|>"Good night... don't mind, do you?... so tired."</\|quote\|>He crossed to the bed and kissed her; she lay quite still, with closed eyes. Then he turned out the light and went back to the dressing-room. * * * * * "Lady Brenda not ill, I hope?" "No, nothing serious, thank you very much. She gets rather done up in London, you know, during the week, and likes to take Sunday quietly." "And how are the great studies progressing?" "Very well, I gather. She seems keen on it still." "Splendid. We shall all be coming to her soon to solve our economic problems. But I daresay you and John miss her?" "Yes, we do rather." "Well, please give her my kindest regards." "I will indeed. Thank you so much." Tony left the church porch and made his accustomed way to the hothouses; a gardenia for himself; some almost black carnations for the ladies. When he reached the room where they were sitting there was a burst of laughter. He paused on the threshold, rather bewildered. "Come in, darling, it isn't anything. It's only we had a bet on what coloured buttonhole you'd be wearing and none of us won." They still giggled a little as they pinned on the	he always did while they were dressing. "I say," he said, returning with his waistcoat. "You aren't going away to-morrow too, are you?" "Must." He went back to Morgan le Fay for his tie and bringing it to Brenda's room again, sat by her side at the dressing table to fasten it. "By the way," said Brenda, "what did you think about keeping on Grimshawe?--it seems rather a waste." "You used always to say you couldn't get on without her." "Yes, but now I'm living at the flat everything's so simple." "_Living?_ Darling, you talk as though you had settled there for good." "D'you mind moving a second, sweet? I can't see properly." "Brenda, how long are you going on with this course of economics?" "Me? I don't know." "But you must have some idea?" "Oh, it's surprising what a lot there is to learn... I was so backward when I started..." "Brenda..." "Now run and put on your coat. They'll all be downstairs waiting for us." That evening Polly and Mrs Beaver played backgammon. Brenda and Veronica sat together on the sofa sewing and talking about their needlework; occasionally there were bursts of general conversation between the women; they had the habit of lapsing into a jargon of their own which Tony did not understand; it was a thieves' slang, by which the syllables of each word were transposed. Tony sat just outside the circle reading under another lamp. That night when they went upstairs, the guests came to sit in Brenda's room and talk to her while she went to bed. Tony could hear their low laughter through the dressing-room door. They had boiled water in an electric kettle and were drinking Sedobrol together. Presently, still laughing, they left, and Tony went into Brenda's room. It was in darkness but hearing him come and seeing the square of light in the doorway she turned on the little lamp by the bedside. "Why, Tony," she said. She was lying on the dais with her head deep back in the pillow; her face was shining with the grease she used for cleaning it; one bare arm on the quilted eiderdown, left there from turning the switch. "Why, Tony," she said, "I was almost asleep." "Very tired?" "Mm." "Want to be left alone?" "So tired... and I've just drunk a lot of that stuff of Polly's." "I see... well, good night."<\|quote\|>"Good night... don't mind, do you?... so tired."</\|quote\|>He crossed to the bed and kissed her; she lay quite still, with closed eyes. Then he turned out the light and went back to the dressing-room. * * * * * "Lady Brenda not ill, I hope?" "No, nothing serious, thank you very much. She gets rather done up in London, you know, during the week, and likes to take Sunday quietly." "And how are the great studies progressing?" "Very well, I gather. She seems keen on it still." "Splendid. We shall all be coming to her soon to solve our economic problems. But I daresay you and John miss her?" "Yes, we do rather." "Well, please give her my kindest regards." "I will indeed. Thank you so much." Tony left the church porch and made his accustomed way to the hothouses; a gardenia for himself; some almost black carnations for the ladies. When he reached the room where they were sitting there was a burst of laughter. He paused on the threshold, rather bewildered. "Come in, darling, it isn't anything. It's only we had a bet on what coloured buttonhole you'd be wearing and none of us won." They still giggled a little as they pinned on the flowers he had brought them; all except Mrs Beaver, who said, "Any time you are buying cuttings or seeds do get them through me. I've made quite a little business of it, perhaps you didn't know... all kinds of rather unusual flowers. I do everything like that for Sylvia Newport and all sorts of people." "You must talk to my head man about it." "Well, to tell you the truth I _have_--this morning while you were in church. He seems quite to understand." They left early, so as to reach London in time for dinner. In the car Daisy said, "Golly, what a house." "Now you can see what I've been through all these years." "My poor Brenda," said Veronica, unpinning her carnation and throwing it from the window into the side of the road. "You know," Brenda confided next day, "I'm not _absolutely_ happy about Tony." "What's the old boy been up to?" asked Polly. "Nothing much yet, but I do see it's pretty boring for him at Hetton all this time." "I shouldn't worry." "Oh, I'm not _worrying_. It's only, supposing he took to drink or something. It would make everything very difficult." "I shouldn't have said that	little bastard, that's a lousy way to speak of your dad." "And you ought not to say bastard or lousy in front of me, nanny says not." So Tony went over alone to Little Bayton, where he had some business to discuss with Colonel Brink. He hoped they would ask him to stay on, but the Colonel and his wife were themselves going out to tea, so he drove back in the dusk to Hetton. A thin mist lay breast-high over the park; the turrets and battlements of the abbey stood grey and flat; the boiler man was hauling down the flag on the main tower. * * * * * "My poor Brenda, it's an appalling room," said Mrs Beaver. "It's not one we use a great deal," said Tony very coldly. "I should think not," said the one they called Veronica. "I can't see much wrong with it," said Polly, "except it's a bit mouldy." "You see," Brenda explained, not looking at Tony. "What I thought was that I must have _one_ habitable room downstairs. At present there's only the smoking-room and the library. The drawing-room is vast and quite out of the question. I thought what I needed was a small sitting-room more or less to myself. Don't you think it has possibilities?" "But, my angel, the _shape's_ all wrong," said Daisy, "and that chimney-piece--what is it made of, pink granite, and all the plaster work and the dado. _Everything's_ horrible. It's so _dark_." "I know exactly what Brenda wants," said Mrs Beaver more moderately. "I don't think it will be impossible. I must think about it. As Veronica says, the structure does rather limit one... you know, I think the only thing to do would be to disregard it altogether and find some treatment so definite that it _carried_ the room, if you see what I mean... supposing we covered the walls with white chromium plating and had natural sheepskin carpet... I wonder if that would be running you in for more than you meant to spend?" "I'd blow the whole thing sky-high," said Veronica. Tony left them to their discussion. * * * * * "D'you really want Mrs Beaver to do up the morning-room?" "Not if you don't, sweet." "But can you imagine it--white chromium plating?" "Oh, that was just an idea." Tony walked in and out between Morgan le Fay and Guinevere as he always did while they were dressing. "I say," he said, returning with his waistcoat. "You aren't going away to-morrow too, are you?" "Must." He went back to Morgan le Fay for his tie and bringing it to Brenda's room again, sat by her side at the dressing table to fasten it. "By the way," said Brenda, "what did you think about keeping on Grimshawe?--it seems rather a waste." "You used always to say you couldn't get on without her." "Yes, but now I'm living at the flat everything's so simple." "_Living?_ Darling, you talk as though you had settled there for good." "D'you mind moving a second, sweet? I can't see properly." "Brenda, how long are you going on with this course of economics?" "Me? I don't know." "But you must have some idea?" "Oh, it's surprising what a lot there is to learn... I was so backward when I started..." "Brenda..." "Now run and put on your coat. They'll all be downstairs waiting for us." That evening Polly and Mrs Beaver played backgammon. Brenda and Veronica sat together on the sofa sewing and talking about their needlework; occasionally there were bursts of general conversation between the women; they had the habit of lapsing into a jargon of their own which Tony did not understand; it was a thieves' slang, by which the syllables of each word were transposed. Tony sat just outside the circle reading under another lamp. That night when they went upstairs, the guests came to sit in Brenda's room and talk to her while she went to bed. Tony could hear their low laughter through the dressing-room door. They had boiled water in an electric kettle and were drinking Sedobrol together. Presently, still laughing, they left, and Tony went into Brenda's room. It was in darkness but hearing him come and seeing the square of light in the doorway she turned on the little lamp by the bedside. "Why, Tony," she said. She was lying on the dais with her head deep back in the pillow; her face was shining with the grease she used for cleaning it; one bare arm on the quilted eiderdown, left there from turning the switch. "Why, Tony," she said, "I was almost asleep." "Very tired?" "Mm." "Want to be left alone?" "So tired... and I've just drunk a lot of that stuff of Polly's." "I see... well, good night."<\|quote\|>"Good night... don't mind, do you?... so tired."</\|quote\|>He crossed to the bed and kissed her; she lay quite still, with closed eyes. Then he turned out the light and went back to the dressing-room. * * * * * "Lady Brenda not ill, I hope?" "No, nothing serious, thank you very much. She gets rather done up in London, you know, during the week, and likes to take Sunday quietly." "And how are the great studies progressing?" "Very well, I gather. She seems keen on it still." "Splendid. We shall all be coming to her soon to solve our economic problems. But I daresay you and John miss her?" "Yes, we do rather." "Well, please give her my kindest regards." "I will indeed. Thank you so much." Tony left the church porch and made his accustomed way to the hothouses; a gardenia for himself; some almost black carnations for the ladies. When he reached the room where they were sitting there was a burst of laughter. He paused on the threshold, rather bewildered. "Come in, darling, it isn't anything. It's only we had a bet on what coloured buttonhole you'd be wearing and none of us won." They still giggled a little as they pinned on the flowers he had brought them; all except Mrs Beaver, who said, "Any time you are buying cuttings or seeds do get them through me. I've made quite a little business of it, perhaps you didn't know... all kinds of rather unusual flowers. I do everything like that for Sylvia Newport and all sorts of people." "You must talk to my head man about it." "Well, to tell you the truth I _have_--this morning while you were in church. He seems quite to understand." They left early, so as to reach London in time for dinner. In the car Daisy said, "Golly, what a house." "Now you can see what I've been through all these years." "My poor Brenda," said Veronica, unpinning her carnation and throwing it from the window into the side of the road. "You know," Brenda confided next day, "I'm not _absolutely_ happy about Tony." "What's the old boy been up to?" asked Polly. "Nothing much yet, but I do see it's pretty boring for him at Hetton all this time." "I shouldn't worry." "Oh, I'm not _worrying_. It's only, supposing he took to drink or something. It would make everything very difficult." "I shouldn't have said that was his thing... We must get him interested in a girl." "If only we could... Who is there?" "There's always old Sybil." "Darling, he's known her all his life." "Or Souki de Foucauld-Esterhazy." "He isn't his best with Americans." "Well, we'll find him someone." "The trouble is that I've become such a habit with him--he won't take easily to a new one... ought she to be like me, or quite different?" "I'd say different, but it's hard to tell." They discussed this problem in all its aspects. [III] Brenda wrote: Darling Tony, Sorry not to have written or rung up but I've had such a busy time with bimetallism. V. complicated. Coming down Saturday with Polly again. Good her coming twice--Lyonesse can't be as beastly as most of the rooms, can it. Also charming girl I have taken up with who I want us to be kind to. She's had a _terrible_ life and she lives in one of these flats, called Jenny Abdul Akbar. Not black but married one. Get her to tell you. She'll come by train 3.18 I expect. Must stop now and go to lecture. Keep away from the Demon Rum. x x x x x x Brenda. Saw Jock last night at Caf? de Paris with shameless blonde. Who? Gin. No, Djin--how?--has rheumatism and Marjorie is v. put out about it. She thinks his pelvis is out of place and Cruttwell won't do him which is pretty mean considering all the people she has brought there. "Are you _certain_ Jenny will be Tony's tea?" "You can't ever be certain," said Polly. "She bores my pants off, but she's a good trier." * * * * * "Is mummy coming down to-day, daddy?" "Yes." "Who else?" "Someone called Jenny Abdul Akbar." "What a silly name. Is she foreign?" "I don't know." "Sounds foreign, doesn't she, daddy? D'you think she won't be able to talk any English? Is she black?" "Mummy says not." "Oh... who else?" "Lady Cockpurse." "The monkey-woman. You know she wasn't a bit like a monkey except perhaps her face and I don't think she had a tail because I looked as close as anything... unless perhaps she has it rolled up between her legs. D'you think she has, daddy?" "I shouldn't be surprised." "_Very_ uncomfortable." Tony and John were friends again; but it had been a leaden week. * * * * *	what I mean... supposing we covered the walls with white chromium plating and had natural sheepskin carpet... I wonder if that would be running you in for more than you meant to spend?" "I'd blow the whole thing sky-high," said Veronica. Tony left them to their discussion. * * * * * "D'you really want Mrs Beaver to do up the morning-room?" "Not if you don't, sweet." "But can you imagine it--white chromium plating?" "Oh, that was just an idea." Tony walked in and out between Morgan le Fay and Guinevere as he always did while they were dressing. "I say," he said, returning with his waistcoat. "You aren't going away to-morrow too, are you?" "Must." He went back to Morgan le Fay for his tie and bringing it to Brenda's room again, sat by her side at the dressing table to fasten it. "By the way," said Brenda, "what did you think about keeping on Grimshawe?--it seems rather a waste." "You used always to say you couldn't get on without her." "Yes, but now I'm living at the flat everything's so simple." "_Living?_ Darling, you talk as though you had settled there for good." "D'you mind moving a second, sweet? I can't see properly." "Brenda, how long are you going on with this course of economics?" "Me? I don't know." "But you must have some idea?" "Oh, it's surprising what a lot there is to learn... I was so backward when I started..." "Brenda..." "Now run and put on your coat. They'll all be downstairs waiting for us." That evening Polly and Mrs Beaver played backgammon. Brenda and Veronica sat together on the sofa sewing and talking about their needlework; occasionally there were bursts of general conversation between the women; they had the habit of lapsing into a jargon of their own which Tony did not understand; it was a thieves' slang, by which the syllables of each word were transposed. Tony sat just outside the circle reading under another lamp. That night when they went upstairs, the guests came to sit in Brenda's room and talk to her while she went to bed. Tony could hear their low laughter through the dressing-room door. They had boiled water in an electric kettle and were drinking Sedobrol together. Presently, still laughing, they left, and Tony went into Brenda's room. It was in darkness but hearing him come and seeing the square of light in the doorway she turned on the little lamp by the bedside. "Why, Tony," she said. She was lying on the dais with her head deep back in the pillow; her face was shining with the grease she used for cleaning it; one bare arm on the quilted eiderdown, left there from turning the switch. "Why, Tony," she said, "I was almost asleep." "Very tired?" "Mm." "Want to be left alone?" "So tired... and I've just drunk a lot of that stuff of Polly's." "I see... well, good night."<\|quote\|>"Good night... don't mind, do you?... so tired."</\|quote\|>He crossed to the bed and kissed her; she lay quite still, with closed eyes. Then he turned out the light and went back to the dressing-room. * * * * * "Lady Brenda not ill, I hope?" "No, nothing serious, thank you very much. She gets rather done up in London, you know, during the week, and likes to take Sunday quietly." "And how are the great studies progressing?" "Very well, I gather. She seems keen on it still." "Splendid. We shall all be coming to her soon to solve our economic problems. But I daresay you and John miss her?" "Yes, we do rather." "Well, please give her my kindest regards." "I will indeed. Thank you so much." Tony left the church porch and made his accustomed way to the hothouses; a gardenia for himself; some almost black carnations for the ladies. When he reached the room where they were sitting there was a burst of laughter. He paused on the threshold, rather bewildered. "Come in, darling, it isn't anything. It's only we had a bet on what coloured buttonhole you'd be wearing and none of us won." They still giggled a little as they pinned on the flowers he had brought them; all except Mrs Beaver, who said, "Any time you are buying cuttings or seeds do get them through me. I've made quite a little business of it, perhaps you didn't know... all kinds of rather unusual flowers. I do everything like that for Sylvia Newport and all sorts of people." "You must talk to my head man about it." "Well, to tell you the truth I _have_--this morning while you were in church. He seems quite to understand." They left early, so as to reach London in time for dinner. In the car Daisy said, "Golly, what a house." "Now you can see what I've been through all these years." "My poor Brenda," said Veronica, unpinning her carnation and throwing it from the window into the side of the road. "You know," Brenda confided next day, "I'm not _absolutely_ happy about Tony." "What's the old boy been up to?" asked Polly. "Nothing much yet, but I do see it's pretty boring for him at Hetton all this time." "I shouldn't worry." "Oh, I'm not _worrying_. It's only, supposing he took to drink or something. It would make everything very difficult." "I shouldn't have said that was his thing... We must get him interested in a girl." "If only we could... Who is there?" "There's always old Sybil." "Darling, he's known her all his life." "Or Souki de Foucauld-Esterhazy." "He isn't his best with Americans." "Well, we'll find him someone." "The trouble is that I've become such a habit with him--he won't take easily to a new one... ought she to be like me, or quite different?" "I'd say different, but it's hard to tell." They discussed this problem in all its aspects. [III] Brenda wrote: Darling Tony, Sorry not to have written or rung up but I've had such a busy time with bimetallism. V. complicated. Coming down Saturday with Polly again. Good her	A Handful Of Dust
said Crane in his turn. He had taken to calling her madam.	No speaker	"It is all right, madam,"<\|quote\|>said Crane in his turn. He had taken to calling her madam.</\|quote\|>"What s all right? The	motor came round the corner. "It is all right, madam,"<\|quote\|>said Crane in his turn. He had taken to calling her madam.</\|quote\|>"What s all right? The cat?" "Yes, madam. The girl	men, men sheltering behind servants--the whole system s wrong, and she must challenge it. "Miss Schlegel! Pon my word, you ve hurt your hand." "I m just going to see," said Margaret. "Don t you wait, Mr. Fussell." The second motor came round the corner. "It is all right, madam,"<\|quote\|>said Crane in his turn. He had taken to calling her madam.</\|quote\|>"What s all right? The cat?" "Yes, madam. The girl will receive compensation for it." "She was a very ruda girla," said Angelo from the third motor thoughtfully. "Wouldn t you have been rude?" The Italian spread out his hands, implying that he had not thought of rudeness, but would	Charles triumphantly. "It s only a rotten cat." "Got room in your car for a little un? I cut as soon as I saw it wasn t a dog; the chauffeurs are tackling the girl." But Margaret walked forward steadily. Why should the chauffeurs tackle the girl? Ladies sheltering behind men, men sheltering behind servants--the whole system s wrong, and she must challenge it. "Miss Schlegel! Pon my word, you ve hurt your hand." "I m just going to see," said Margaret. "Don t you wait, Mr. Fussell." The second motor came round the corner. "It is all right, madam,"<\|quote\|>said Crane in his turn. He had taken to calling her madam.</\|quote\|>"What s all right? The cat?" "Yes, madam. The girl will receive compensation for it." "She was a very ruda girla," said Angelo from the third motor thoughtfully. "Wouldn t you have been rude?" The Italian spread out his hands, implying that he had not thought of rudeness, but would produce it if it pleased her. The situation became absurd. The gentlemen were again buzzing round Miss Schlegel with offers of assistance, and Lady Edser began to bind up her hand. She yielded, apologising slightly, and was led back to the car, and soon the landscape resumed its motion, the	s nothing to ask," said Margaret. "Your hand s bleeding." "I know." "I m in for a frightful row from the pater." "You should have thought of that sooner, Charles." Charles had never been in such a position before. It was a woman in revolt who was hobbling away from him--and the sight was too strange to leave any room for anger. He recovered himself when the others caught them up: their sort he understood. He commanded them to go back. Albert Fussell was seen walking towards them. "It s all right!" he called. "It was a cat." "There!" exclaimed Charles triumphantly. "It s only a rotten cat." "Got room in your car for a little un? I cut as soon as I saw it wasn t a dog; the chauffeurs are tackling the girl." But Margaret walked forward steadily. Why should the chauffeurs tackle the girl? Ladies sheltering behind men, men sheltering behind servants--the whole system s wrong, and she must challenge it. "Miss Schlegel! Pon my word, you ve hurt your hand." "I m just going to see," said Margaret. "Don t you wait, Mr. Fussell." The second motor came round the corner. "It is all right, madam,"<\|quote\|>said Crane in his turn. He had taken to calling her madam.</\|quote\|>"What s all right? The cat?" "Yes, madam. The girl will receive compensation for it." "She was a very ruda girla," said Angelo from the third motor thoughtfully. "Wouldn t you have been rude?" The Italian spread out his hands, implying that he had not thought of rudeness, but would produce it if it pleased her. The situation became absurd. The gentlemen were again buzzing round Miss Schlegel with offers of assistance, and Lady Edser began to bind up her hand. She yielded, apologising slightly, and was led back to the car, and soon the landscape resumed its motion, the lonely cottage disappeared, the castle swelled on its cushion of turf, and they had arrived. No doubt she had disgraced herself. But she felt their whole journey from London had been unreal. They had no part with the earth and its emotions. They were dust, and a stink, and cosmopolitan chatter, and the girl whose cat had been killed had lived more deeply than they. "Oh, Henry," she exclaimed, "I have been so naughty," for she had decided to take up this line. "We ran over a cat. Charles told me not to jump out, but I would, and look!"	"Do PLEASE stop!" said Margaret, leaning forward. She was standing up in the car, the other occupants holding her knees to steady her. "I want to go back, please." Charles took no notice. "We ve left Mr. Fussell behind," said another; "and Angelo, and Crane." "Yes, but no woman." "I expect a little of" "--Mrs. Warrington scratched her palm--" "will be more to the point than one of us!" "The insurance company see to that," remarked Charles, "and Albert will do the talking." "I want to go back, though, I say!" repeated Margaret, getting angry. Charles took no notice. The motor, loaded with refugees, continued to travel very slowly down the hill. "The men are there," chorused the others. "They will see to it." "The men CAN T see to it. Oh, this is ridiculous! Charles, I ask you to stop." "Stopping s no good," drawled Charles. "Isn t it?" said Margaret, and jumped straight out of the car. She fell on her knees, cut her gloves, shook her hat over her ear. Cries of alarm followed her. "You ve hurt yourself," exclaimed Charles, jumping after her. "Of course I ve hurt myself!" she retorted. "May I ask what--" "There s nothing to ask," said Margaret. "Your hand s bleeding." "I know." "I m in for a frightful row from the pater." "You should have thought of that sooner, Charles." Charles had never been in such a position before. It was a woman in revolt who was hobbling away from him--and the sight was too strange to leave any room for anger. He recovered himself when the others caught them up: their sort he understood. He commanded them to go back. Albert Fussell was seen walking towards them. "It s all right!" he called. "It was a cat." "There!" exclaimed Charles triumphantly. "It s only a rotten cat." "Got room in your car for a little un? I cut as soon as I saw it wasn t a dog; the chauffeurs are tackling the girl." But Margaret walked forward steadily. Why should the chauffeurs tackle the girl? Ladies sheltering behind men, men sheltering behind servants--the whole system s wrong, and she must challenge it. "Miss Schlegel! Pon my word, you ve hurt your hand." "I m just going to see," said Margaret. "Don t you wait, Mr. Fussell." The second motor came round the corner. "It is all right, madam,"<\|quote\|>said Crane in his turn. He had taken to calling her madam.</\|quote\|>"What s all right? The cat?" "Yes, madam. The girl will receive compensation for it." "She was a very ruda girla," said Angelo from the third motor thoughtfully. "Wouldn t you have been rude?" The Italian spread out his hands, implying that he had not thought of rudeness, but would produce it if it pleased her. The situation became absurd. The gentlemen were again buzzing round Miss Schlegel with offers of assistance, and Lady Edser began to bind up her hand. She yielded, apologising slightly, and was led back to the car, and soon the landscape resumed its motion, the lonely cottage disappeared, the castle swelled on its cushion of turf, and they had arrived. No doubt she had disgraced herself. But she felt their whole journey from London had been unreal. They had no part with the earth and its emotions. They were dust, and a stink, and cosmopolitan chatter, and the girl whose cat had been killed had lived more deeply than they. "Oh, Henry," she exclaimed, "I have been so naughty," for she had decided to take up this line. "We ran over a cat. Charles told me not to jump out, but I would, and look!" She held out her bandaged hand. "Your poor Meg went such a flop." Mr. Wilcox looked bewildered. In evening dress, he was standing to welcome his guests in the hall. "Thinking it was a dog," added Mrs. Warrington. "Ah, a dog s a companion!" said Colonel Fussell. "A dog ll remember you." "Have you hurt yourself, Margaret?" "Not to speak about; and it s my left hand." "Well, hurry up and change." She obeyed, as did the others. Mr. Wilcox then turned to his son. "Now, Charles, what s happened?" Charles was absolutely honest. He described what he believed to have happened. Albert had flattened out a cat, and Miss Schlegel had lost her nerve, as any woman might. She had been got safely into the other car, but when it was in motion had leapt out again, in spite of all that they could say. After walking a little on the road, she had calmed down and had said that she was sorry. His father accepted this explanation, and neither knew that Margaret had artfully prepared the way for it. It fitted in too well with their view of feminine nature. In the smoking-room, after dinner, the Colonel put	the discovery, but which no practical man will ever discover. They spoke of Tariff Reform. Mrs. Warrington was just back from the Colonies. Like many other critics of Empire, her mouth had been stopped with food, and she could only exclaim at the hospitality with which she had been received, and warn the Mother Country against trifling with young Titans. "They threaten to cut the painter," she cried, "and where shall we be then? Miss Schlegel, you ll undertake to keep Henry sound about Tariff Reform? It is our last hope." Margaret playfully confessed herself on the other side, and they began to quote from their respective handbooks while the motor carried them deep into the hills. Curious these were rather than impressive, for their outlines lacked beauty, and the pink fields on their summits suggested the handkerchiefs of a giant spread out to dry. An occasional outcrop of rock, an occasional wood, an occasional "forest," treeless and brown, all hinted at wildness to follow, but the main colour was an agricultural green. The air grew cooler; they had surmounted the last gradient, and Oniton lay below them with its church, its radiating houses, its castle, its river-girt peninsula. Close to the castle was a grey mansion unintellectual but kindly, stretching with its grounds across the peninsula s neck--the sort of mansion that was built all over England in the beginning of the last century, while architecture was still an expression of the national character. That was the Grange, remarked Albert, over his shoulder, and then he jammed the brake on, and the motor slowed down and stopped. "I m sorry," said he, turning round. "Do you mind getting out--by the door on the right. Steady on." "What s happened?" asked Mrs. Warrington. Then the car behind them drew up, and the voice of Charles was heard saying: "Get the women out at once." There was a concourse of males, and Margaret and her companions were hustled out and received into the second car. What had happened? As it started off again, the door of a cottage opened, and a girl screamed wildly at them. "What is it?" the ladies cried. Charles drove them a hundred yards without speaking. Then he said: "It s all right. Your car just touched a dog." "But stop!" cried Margaret, horrified. "It didn t hurt him." "Didn t really hurt him?" asked Myra. "No." "Do PLEASE stop!" said Margaret, leaning forward. She was standing up in the car, the other occupants holding her knees to steady her. "I want to go back, please." Charles took no notice. "We ve left Mr. Fussell behind," said another; "and Angelo, and Crane." "Yes, but no woman." "I expect a little of" "--Mrs. Warrington scratched her palm--" "will be more to the point than one of us!" "The insurance company see to that," remarked Charles, "and Albert will do the talking." "I want to go back, though, I say!" repeated Margaret, getting angry. Charles took no notice. The motor, loaded with refugees, continued to travel very slowly down the hill. "The men are there," chorused the others. "They will see to it." "The men CAN T see to it. Oh, this is ridiculous! Charles, I ask you to stop." "Stopping s no good," drawled Charles. "Isn t it?" said Margaret, and jumped straight out of the car. She fell on her knees, cut her gloves, shook her hat over her ear. Cries of alarm followed her. "You ve hurt yourself," exclaimed Charles, jumping after her. "Of course I ve hurt myself!" she retorted. "May I ask what--" "There s nothing to ask," said Margaret. "Your hand s bleeding." "I know." "I m in for a frightful row from the pater." "You should have thought of that sooner, Charles." Charles had never been in such a position before. It was a woman in revolt who was hobbling away from him--and the sight was too strange to leave any room for anger. He recovered himself when the others caught them up: their sort he understood. He commanded them to go back. Albert Fussell was seen walking towards them. "It s all right!" he called. "It was a cat." "There!" exclaimed Charles triumphantly. "It s only a rotten cat." "Got room in your car for a little un? I cut as soon as I saw it wasn t a dog; the chauffeurs are tackling the girl." But Margaret walked forward steadily. Why should the chauffeurs tackle the girl? Ladies sheltering behind men, men sheltering behind servants--the whole system s wrong, and she must challenge it. "Miss Schlegel! Pon my word, you ve hurt your hand." "I m just going to see," said Margaret. "Don t you wait, Mr. Fussell." The second motor came round the corner. "It is all right, madam,"<\|quote\|>said Crane in his turn. He had taken to calling her madam.</\|quote\|>"What s all right? The cat?" "Yes, madam. The girl will receive compensation for it." "She was a very ruda girla," said Angelo from the third motor thoughtfully. "Wouldn t you have been rude?" The Italian spread out his hands, implying that he had not thought of rudeness, but would produce it if it pleased her. The situation became absurd. The gentlemen were again buzzing round Miss Schlegel with offers of assistance, and Lady Edser began to bind up her hand. She yielded, apologising slightly, and was led back to the car, and soon the landscape resumed its motion, the lonely cottage disappeared, the castle swelled on its cushion of turf, and they had arrived. No doubt she had disgraced herself. But she felt their whole journey from London had been unreal. They had no part with the earth and its emotions. They were dust, and a stink, and cosmopolitan chatter, and the girl whose cat had been killed had lived more deeply than they. "Oh, Henry," she exclaimed, "I have been so naughty," for she had decided to take up this line. "We ran over a cat. Charles told me not to jump out, but I would, and look!" She held out her bandaged hand. "Your poor Meg went such a flop." Mr. Wilcox looked bewildered. In evening dress, he was standing to welcome his guests in the hall. "Thinking it was a dog," added Mrs. Warrington. "Ah, a dog s a companion!" said Colonel Fussell. "A dog ll remember you." "Have you hurt yourself, Margaret?" "Not to speak about; and it s my left hand." "Well, hurry up and change." She obeyed, as did the others. Mr. Wilcox then turned to his son. "Now, Charles, what s happened?" Charles was absolutely honest. He described what he believed to have happened. Albert had flattened out a cat, and Miss Schlegel had lost her nerve, as any woman might. She had been got safely into the other car, but when it was in motion had leapt out again, in spite of all that they could say. After walking a little on the road, she had calmed down and had said that she was sorry. His father accepted this explanation, and neither knew that Margaret had artfully prepared the way for it. It fitted in too well with their view of feminine nature. In the smoking-room, after dinner, the Colonel put forward the view that Miss Schlegel had jumped it out of devilry. Well he remembered as a young man, in the harbour of Gibraltar once, how a girl--a handsome girl, too--had jumped overboard for a bet. He could see her now, and all the lads overboard after her. But Charles and Mr. Wilcox agreed it was much more probably nerves in Miss Schlegel s case. Charles was depressed. That woman had a tongue. She would bring worse disgrace on his father before she had done with them. He strolled out on to the castle mound to think the matter over. The evening was exquisite. On three sides of him a little river whispered, full of messages from the West; above his head the ruins made patterns against the sky. He carefully reviewed their dealings with this family, until he fitted Helen, and Margaret, and Aunt Juley into an orderly conspiracy. Paternity had made him suspicious. He had two children to look after, and more coming, and day by day they seemed less likely to grow up rich men. "It is all very well," he reflected, "the pater s saying that he will be just to all, but one can t be just indefinitely. Money isn t elastic. What s to happen if Evie has a family? And, come to that, so may the pater. There ll not be enough to go round, for there s none coming in, either through Dolly or Percy. It s damnable!" He looked enviously at the Grange, whose windows poured light and laughter. First and last, this wedding would cost a pretty penny. Two ladies were strolling up and down the garden terrace, and as the syllables "Imperialism" were wafted to his ears, he guessed that one of them was his aunt. She might have helped him, if she too had not had a family to provide for. "Every one for himself," he repeated--a maxim which had cheered him in the past, but which rang grimly enough among the ruins of Oniton. He lacked his father s ability in business, and so had an ever higher regard for money; unless he could inherit plenty, he feared to leave his children poor. As he sat thinking, one of the ladies left the terrace and walked into the meadow; he recognised her as Margaret by the white bandage that gleamed on her arm, and put out his	to travel very slowly down the hill. "The men are there," chorused the others. "They will see to it." "The men CAN T see to it. Oh, this is ridiculous! Charles, I ask you to stop." "Stopping s no good," drawled Charles. "Isn t it?" said Margaret, and jumped straight out of the car. She fell on her knees, cut her gloves, shook her hat over her ear. Cries of alarm followed her. "You ve hurt yourself," exclaimed Charles, jumping after her. "Of course I ve hurt myself!" she retorted. "May I ask what--" "There s nothing to ask," said Margaret. "Your hand s bleeding." "I know." "I m in for a frightful row from the pater." "You should have thought of that sooner, Charles." Charles had never been in such a position before. It was a woman in revolt who was hobbling away from him--and the sight was too strange to leave any room for anger. He recovered himself when the others caught them up: their sort he understood. He commanded them to go back. Albert Fussell was seen walking towards them. "It s all right!" he called. "It was a cat." "There!" exclaimed Charles triumphantly. "It s only a rotten cat." "Got room in your car for a little un? I cut as soon as I saw it wasn t a dog; the chauffeurs are tackling the girl." But Margaret walked forward steadily. Why should the chauffeurs tackle the girl? Ladies sheltering behind men, men sheltering behind servants--the whole system s wrong, and she must challenge it. "Miss Schlegel! Pon my word, you ve hurt your hand." "I m just going to see," said Margaret. "Don t you wait, Mr. Fussell." The second motor came round the corner. "It is all right, madam,"<\|quote\|>said Crane in his turn. He had taken to calling her madam.</\|quote\|>"What s all right? The cat?" "Yes, madam. The girl will receive compensation for it." "She was a very ruda girla," said Angelo from the third motor thoughtfully. "Wouldn t you have been rude?" The Italian spread out his hands, implying that he had not thought of rudeness, but would produce it if it pleased her. The situation became absurd. The gentlemen were again buzzing round Miss Schlegel with offers of assistance, and Lady Edser began to bind up her hand. She yielded, apologising slightly, and was led back to the car, and soon the landscape resumed its motion, the lonely cottage disappeared, the castle swelled on its cushion of turf, and they had arrived. No doubt she had disgraced herself. But she felt their whole journey from London had been unreal. They had no part with the earth and its emotions. They were dust, and a stink, and cosmopolitan chatter, and the girl whose cat had been killed had lived more deeply than they. "Oh, Henry," she exclaimed, "I have been so naughty," for she had decided to take up this line. "We ran over a cat. Charles told me not to jump out, but I would, and look!" She held out her bandaged hand. "Your poor Meg went such a flop." Mr. Wilcox looked bewildered. In evening dress, he was standing to welcome his guests in the hall. "Thinking it was a dog," added Mrs. Warrington. "Ah, a dog s a companion!" said Colonel Fussell. "A dog ll remember you." "Have you hurt yourself, Margaret?" "Not to speak about; and it s my left hand." "Well, hurry up and change." She obeyed, as did the others. Mr. Wilcox then turned to his son. "Now, Charles, what s happened?" Charles was absolutely honest. He described what he believed to have happened. Albert had flattened out a cat, and Miss Schlegel had lost her nerve, as any woman might. She had been got safely into the other car, but when it was in motion had leapt out again, in spite of all that they could say. After walking a little on the road, she had calmed down and had said that she was sorry. His father accepted this explanation, and neither knew that Margaret had artfully prepared the way for it. It fitted in too well with their view of feminine nature. In	Howards End
"So you have been settling that I should marry Jane Fairfax?"	Mr. Knightley	not pleased, soon afterwards said,<\|quote\|>"So you have been settling that I should marry Jane Fairfax?"</\|quote\|>"No indeed I have not.	a manner which shewed him not pleased, soon afterwards said,<\|quote\|>"So you have been settling that I should marry Jane Fairfax?"</\|quote\|>"No indeed I have not. You have scolded me too	I shall never ask her." Emma returned her friend's pressure with interest; and was pleased enough to exclaim, "You are not vain, Mr. Knightley. I will say that for you." He seemed hardly to hear her; he was thoughtful--and in a manner which shewed him not pleased, soon afterwards said,<\|quote\|>"So you have been settling that I should marry Jane Fairfax?"</\|quote\|>"No indeed I have not. You have scolded me too much for match-making, for me to presume to take such a liberty with you. What I said just now, meant nothing. One says those sort of things, of course, without any idea of a serious meaning. Oh! no, upon my	stopped.--Emma felt her foot pressed by Mrs. Weston, and did not herself know what to think. In a moment he went on-- "That will never be, however, I can assure you. Miss Fairfax, I dare say, would not have me if I were to ask her--and I am very sure I shall never ask her." Emma returned her friend's pressure with interest; and was pleased enough to exclaim, "You are not vain, Mr. Knightley. I will say that for you." He seemed hardly to hear her; he was thoughtful--and in a manner which shewed him not pleased, soon afterwards said,<\|quote\|>"So you have been settling that I should marry Jane Fairfax?"</\|quote\|>"No indeed I have not. You have scolded me too much for match-making, for me to presume to take such a liberty with you. What I said just now, meant nothing. One says those sort of things, of course, without any idea of a serious meaning. Oh! no, upon my word I have not the smallest wish for your marrying Jane Fairfax or Jane any body. You would not come in and sit with us in this comfortable way, if you were married." Mr. Knightley was thoughtful again. The result of his reverie was, "No, Emma, I do not think	an arch look, but soon stopping--it was better, however, to know the worst at once--she hurried on--" "And yet, perhaps, you may hardly be aware yourself how highly it is. The extent of your admiration may take you by surprize some day or other." Mr. Knightley was hard at work upon the lower buttons of his thick leather gaiters, and either the exertion of getting them together, or some other cause, brought the colour into his face, as he answered, "Oh! are you there?--But you are miserably behindhand. Mr. Cole gave me a hint of it six weeks ago." He stopped.--Emma felt her foot pressed by Mrs. Weston, and did not herself know what to think. In a moment he went on-- "That will never be, however, I can assure you. Miss Fairfax, I dare say, would not have me if I were to ask her--and I am very sure I shall never ask her." Emma returned her friend's pressure with interest; and was pleased enough to exclaim, "You are not vain, Mr. Knightley. I will say that for you." He seemed hardly to hear her; he was thoughtful--and in a manner which shewed him not pleased, soon afterwards said,<\|quote\|>"So you have been settling that I should marry Jane Fairfax?"</\|quote\|>"No indeed I have not. You have scolded me too much for match-making, for me to presume to take such a liberty with you. What I said just now, meant nothing. One says those sort of things, of course, without any idea of a serious meaning. Oh! no, upon my word I have not the smallest wish for your marrying Jane Fairfax or Jane any body. You would not come in and sit with us in this comfortable way, if you were married." Mr. Knightley was thoughtful again. The result of his reverie was, "No, Emma, I do not think the extent of my admiration for her will ever take me by surprize.--I never had a thought of her in that way, I assure you." And soon afterwards, "Jane Fairfax is a very charming young woman--but not even Jane Fairfax is perfect. She has a fault. She has not the open temper which a man would wish for in a wife." Emma could not but rejoice to hear that she had a fault. "Well," said she, "and you soon silenced Mr. Cole, I suppose?" "Yes, very soon. He gave me a quiet hint; I told him he was mistaken; he	Fairfax as she speaks _of_ her. We all know the difference between the pronouns he or she and thou, the plainest spoken amongst us; we all feel the influence of a something beyond common civility in our personal intercourse with each other--a something more early implanted. We cannot give any body the disagreeable hints that we may have been very full of the hour before. We feel things differently. And besides the operation of this, as a general principle, you may be sure that Miss Fairfax awes Mrs. Elton by her superiority both of mind and manner; and that, face to face, Mrs. Elton treats her with all the respect which she has a claim to. Such a woman as Jane Fairfax probably never fell in Mrs. Elton's way before--and no degree of vanity can prevent her acknowledging her own comparative littleness in action, if not in consciousness." "I know how highly you think of Jane Fairfax," said Emma. Little Henry was in her thoughts, and a mixture of alarm and delicacy made her irresolute what else to say. "Yes," he replied, "any body may know how highly I think of her." "And yet," said Emma, beginning hastily and with an arch look, but soon stopping--it was better, however, to know the worst at once--she hurried on--" "And yet, perhaps, you may hardly be aware yourself how highly it is. The extent of your admiration may take you by surprize some day or other." Mr. Knightley was hard at work upon the lower buttons of his thick leather gaiters, and either the exertion of getting them together, or some other cause, brought the colour into his face, as he answered, "Oh! are you there?--But you are miserably behindhand. Mr. Cole gave me a hint of it six weeks ago." He stopped.--Emma felt her foot pressed by Mrs. Weston, and did not herself know what to think. In a moment he went on-- "That will never be, however, I can assure you. Miss Fairfax, I dare say, would not have me if I were to ask her--and I am very sure I shall never ask her." Emma returned her friend's pressure with interest; and was pleased enough to exclaim, "You are not vain, Mr. Knightley. I will say that for you." He seemed hardly to hear her; he was thoughtful--and in a manner which shewed him not pleased, soon afterwards said,<\|quote\|>"So you have been settling that I should marry Jane Fairfax?"</\|quote\|>"No indeed I have not. You have scolded me too much for match-making, for me to presume to take such a liberty with you. What I said just now, meant nothing. One says those sort of things, of course, without any idea of a serious meaning. Oh! no, upon my word I have not the smallest wish for your marrying Jane Fairfax or Jane any body. You would not come in and sit with us in this comfortable way, if you were married." Mr. Knightley was thoughtful again. The result of his reverie was, "No, Emma, I do not think the extent of my admiration for her will ever take me by surprize.--I never had a thought of her in that way, I assure you." And soon afterwards, "Jane Fairfax is a very charming young woman--but not even Jane Fairfax is perfect. She has a fault. She has not the open temper which a man would wish for in a wife." Emma could not but rejoice to hear that she had a fault. "Well," said she, "and you soon silenced Mr. Cole, I suppose?" "Yes, very soon. He gave me a quiet hint; I told him he was mistaken; he asked my pardon and said no more. Cole does not want to be wiser or wittier than his neighbours." "In that respect how unlike dear Mrs. Elton, who wants to be wiser and wittier than all the world! I wonder how she speaks of the Coles--what she calls them! How can she find any appellation for them, deep enough in familiar vulgarity? She calls you, Knightley--what can she do for Mr. Cole? And so I am not to be surprized that Jane Fairfax accepts her civilities and consents to be with her. Mrs. Weston, your argument weighs most with me. I can much more readily enter into the temptation of getting away from Miss Bates, than I can believe in the triumph of Miss Fairfax's mind over Mrs. Elton. I have no faith in Mrs. Elton's acknowledging herself the inferior in thought, word, or deed; or in her being under any restraint beyond her own scanty rule of good-breeding. I cannot imagine that she will not be continually insulting her visitor with praise, encouragement, and offers of service; that she will not be continually detailing her magnificent intentions, from the procuring her a permanent situation to the including her in	According to Miss Bates--it all came from her--Mrs. Dixon had written most pressingly. Would Jane but go, means were to be found, servants sent, friends contrived--no travelling difficulty allowed to exist; but still she had declined it! "She must have some motive, more powerful than appears, for refusing this invitation," was Emma's conclusion. "She must be under some sort of penance, inflicted either by the Campbells or herself. There is great fear, great caution, great resolution somewhere.--She is _not_ to be with the _Dixons_. The decree is issued by somebody. But why must she consent to be with the Eltons?--Here is quite a separate puzzle." Upon her speaking her wonder aloud on that part of the subject, before the few who knew her opinion of Mrs. Elton, Mrs. Weston ventured this apology for Jane. "We cannot suppose that she has any great enjoyment at the Vicarage, my dear Emma--but it is better than being always at home. Her aunt is a good creature, but, as a constant companion, must be very tiresome. We must consider what Miss Fairfax quits, before we condemn her taste for what she goes to." "You are right, Mrs. Weston," said Mr. Knightley warmly, "Miss Fairfax is as capable as any of us of forming a just opinion of Mrs. Elton. Could she have chosen with whom to associate, she would not have chosen her. But" (with a reproachful smile at Emma) "she receives attentions from Mrs. Elton, which nobody else pays her." Emma felt that Mrs. Weston was giving her a momentary glance; and she was herself struck by his warmth. With a faint blush, she presently replied, "Such attentions as Mrs. Elton's, I should have imagined, would rather disgust than gratify Miss Fairfax. Mrs. Elton's invitations I should have imagined any thing but inviting." "I should not wonder," said Mrs. Weston, "if Miss Fairfax were to have been drawn on beyond her own inclination, by her aunt's eagerness in accepting Mrs. Elton's civilities for her. Poor Miss Bates may very likely have committed her niece and hurried her into a greater appearance of intimacy than her own good sense would have dictated, in spite of the very natural wish of a little change." Both felt rather anxious to hear him speak again; and after a few minutes silence, he said, "Another thing must be taken into consideration too--Mrs. Elton does not talk _to_ Miss Fairfax as she speaks _of_ her. We all know the difference between the pronouns he or she and thou, the plainest spoken amongst us; we all feel the influence of a something beyond common civility in our personal intercourse with each other--a something more early implanted. We cannot give any body the disagreeable hints that we may have been very full of the hour before. We feel things differently. And besides the operation of this, as a general principle, you may be sure that Miss Fairfax awes Mrs. Elton by her superiority both of mind and manner; and that, face to face, Mrs. Elton treats her with all the respect which she has a claim to. Such a woman as Jane Fairfax probably never fell in Mrs. Elton's way before--and no degree of vanity can prevent her acknowledging her own comparative littleness in action, if not in consciousness." "I know how highly you think of Jane Fairfax," said Emma. Little Henry was in her thoughts, and a mixture of alarm and delicacy made her irresolute what else to say. "Yes," he replied, "any body may know how highly I think of her." "And yet," said Emma, beginning hastily and with an arch look, but soon stopping--it was better, however, to know the worst at once--she hurried on--" "And yet, perhaps, you may hardly be aware yourself how highly it is. The extent of your admiration may take you by surprize some day or other." Mr. Knightley was hard at work upon the lower buttons of his thick leather gaiters, and either the exertion of getting them together, or some other cause, brought the colour into his face, as he answered, "Oh! are you there?--But you are miserably behindhand. Mr. Cole gave me a hint of it six weeks ago." He stopped.--Emma felt her foot pressed by Mrs. Weston, and did not herself know what to think. In a moment he went on-- "That will never be, however, I can assure you. Miss Fairfax, I dare say, would not have me if I were to ask her--and I am very sure I shall never ask her." Emma returned her friend's pressure with interest; and was pleased enough to exclaim, "You are not vain, Mr. Knightley. I will say that for you." He seemed hardly to hear her; he was thoughtful--and in a manner which shewed him not pleased, soon afterwards said,<\|quote\|>"So you have been settling that I should marry Jane Fairfax?"</\|quote\|>"No indeed I have not. You have scolded me too much for match-making, for me to presume to take such a liberty with you. What I said just now, meant nothing. One says those sort of things, of course, without any idea of a serious meaning. Oh! no, upon my word I have not the smallest wish for your marrying Jane Fairfax or Jane any body. You would not come in and sit with us in this comfortable way, if you were married." Mr. Knightley was thoughtful again. The result of his reverie was, "No, Emma, I do not think the extent of my admiration for her will ever take me by surprize.--I never had a thought of her in that way, I assure you." And soon afterwards, "Jane Fairfax is a very charming young woman--but not even Jane Fairfax is perfect. She has a fault. She has not the open temper which a man would wish for in a wife." Emma could not but rejoice to hear that she had a fault. "Well," said she, "and you soon silenced Mr. Cole, I suppose?" "Yes, very soon. He gave me a quiet hint; I told him he was mistaken; he asked my pardon and said no more. Cole does not want to be wiser or wittier than his neighbours." "In that respect how unlike dear Mrs. Elton, who wants to be wiser and wittier than all the world! I wonder how she speaks of the Coles--what she calls them! How can she find any appellation for them, deep enough in familiar vulgarity? She calls you, Knightley--what can she do for Mr. Cole? And so I am not to be surprized that Jane Fairfax accepts her civilities and consents to be with her. Mrs. Weston, your argument weighs most with me. I can much more readily enter into the temptation of getting away from Miss Bates, than I can believe in the triumph of Miss Fairfax's mind over Mrs. Elton. I have no faith in Mrs. Elton's acknowledging herself the inferior in thought, word, or deed; or in her being under any restraint beyond her own scanty rule of good-breeding. I cannot imagine that she will not be continually insulting her visitor with praise, encouragement, and offers of service; that she will not be continually detailing her magnificent intentions, from the procuring her a permanent situation to the including her in those delightful exploring parties which are to take place in the barouche-landau." "Jane Fairfax has feeling," said Mr. Knightley--" "I do not accuse her of want of feeling. Her sensibilities, I suspect, are strong--and her temper excellent in its power of forbearance, patience, self-control; but it wants openness. She is reserved, more reserved, I think, than she used to be--And I love an open temper. No--till Cole alluded to my supposed attachment, it had never entered my head. I saw Jane Fairfax and conversed with her, with admiration and pleasure always--but with no thought beyond." "Well, Mrs. Weston," said Emma triumphantly when he left them, "what do you say now to Mr. Knightley's marrying Jane Fairfax?" "Why, really, dear Emma, I say that he is so very much occupied by the idea of _not_ being in love with her, that I should not wonder if it were to end in his being so at last. Do not beat me." CHAPTER XVI Every body in and about Highbury who had ever visited Mr. Elton, was disposed to pay him attention on his marriage. Dinner-parties and evening-parties were made for him and his lady; and invitations flowed in so fast that she had soon the pleasure of apprehending they were never to have a disengaged day. "I see how it is," said she. "I see what a life I am to lead among you. Upon my word we shall be absolutely dissipated. We really seem quite the fashion. If this is living in the country, it is nothing very formidable. From Monday next to Saturday, I assure you we have not a disengaged day!--A woman with fewer resources than I have, need not have been at a loss." No invitation came amiss to her. Her Bath habits made evening-parties perfectly natural to her, and Maple Grove had given her a taste for dinners. She was a little shocked at the want of two drawing rooms, at the poor attempt at rout-cakes, and there being no ice in the Highbury card-parties. Mrs. Bates, Mrs. Perry, Mrs. Goddard and others, were a good deal behind-hand in knowledge of the world, but she would soon shew them how every thing ought to be arranged. In the course of the spring she must return their civilities by one very superior party--in which her card-tables should be set out with their separate candles and unbroken packs in	smile at Emma) "she receives attentions from Mrs. Elton, which nobody else pays her." Emma felt that Mrs. Weston was giving her a momentary glance; and she was herself struck by his warmth. With a faint blush, she presently replied, "Such attentions as Mrs. Elton's, I should have imagined, would rather disgust than gratify Miss Fairfax. Mrs. Elton's invitations I should have imagined any thing but inviting." "I should not wonder," said Mrs. Weston, "if Miss Fairfax were to have been drawn on beyond her own inclination, by her aunt's eagerness in accepting Mrs. Elton's civilities for her. Poor Miss Bates may very likely have committed her niece and hurried her into a greater appearance of intimacy than her own good sense would have dictated, in spite of the very natural wish of a little change." Both felt rather anxious to hear him speak again; and after a few minutes silence, he said, "Another thing must be taken into consideration too--Mrs. Elton does not talk _to_ Miss Fairfax as she speaks _of_ her. We all know the difference between the pronouns he or she and thou, the plainest spoken amongst us; we all feel the influence of a something beyond common civility in our personal intercourse with each other--a something more early implanted. We cannot give any body the disagreeable hints that we may have been very full of the hour before. We feel things differently. And besides the operation of this, as a general principle, you may be sure that Miss Fairfax awes Mrs. Elton by her superiority both of mind and manner; and that, face to face, Mrs. Elton treats her with all the respect which she has a claim to. Such a woman as Jane Fairfax probably never fell in Mrs. Elton's way before--and no degree of vanity can prevent her acknowledging her own comparative littleness in action, if not in consciousness." "I know how highly you think of Jane Fairfax," said Emma. Little Henry was in her thoughts, and a mixture of alarm and delicacy made her irresolute what else to say. "Yes," he replied, "any body may know how highly I think of her." "And yet," said Emma, beginning hastily and with an arch look, but soon stopping--it was better, however, to know the worst at once--she hurried on--" "And yet, perhaps, you may hardly be aware yourself how highly it is. The extent of your admiration may take you by surprize some day or other." Mr. Knightley was hard at work upon the lower buttons of his thick leather gaiters, and either the exertion of getting them together, or some other cause, brought the colour into his face, as he answered, "Oh! are you there?--But you are miserably behindhand. Mr. Cole gave me a hint of it six weeks ago." He stopped.--Emma felt her foot pressed by Mrs. Weston, and did not herself know what to think. In a moment he went on-- "That will never be, however, I can assure you. Miss Fairfax, I dare say, would not have me if I were to ask her--and I am very sure I shall never ask her." Emma returned her friend's pressure with interest; and was pleased enough to exclaim, "You are not vain, Mr. Knightley. I will say that for you." He seemed hardly to hear her; he was thoughtful--and in a manner which shewed him not pleased, soon afterwards said,<\|quote\|>"So you have been settling that I should marry Jane Fairfax?"</\|quote\|>"No indeed I have not. You have scolded me too much for match-making, for me to presume to take such a liberty with you. What I said just now, meant nothing. One says those sort of things, of course, without any idea of a serious meaning. Oh! no, upon my word I have not the smallest wish for your marrying Jane Fairfax or Jane any body. You would not come in and sit with us in this comfortable way, if you were married." Mr. Knightley was thoughtful again. The result of his reverie was, "No, Emma, I do not think the extent of my admiration for her will ever take me by surprize.--I never had a thought of her in that way, I assure you." And soon afterwards, "Jane Fairfax is a very charming young woman--but not even Jane Fairfax is perfect. She has a fault. She has not the open temper which a man would wish for in a wife." Emma could not but rejoice to hear that she had a fault. "Well," said she, "and you soon silenced Mr. Cole, I suppose?" "Yes, very soon. He gave me a quiet hint; I told him he was mistaken; he asked my pardon and said no more. Cole does not want to be wiser or wittier than his neighbours." "In that respect how unlike dear Mrs. Elton, who wants to be wiser and wittier than all the world! I wonder how she speaks of the Coles--what she calls them! How can she find any appellation for them, deep enough in familiar vulgarity?	Emma
"Don't know. Some order."	Don Lavington	"What's that mean, Mas' Don?"<\|quote\|>"Don't know. Some order."</\|quote\|>"Boat ahoy!" cried one of	a quick murmur of talking. "What's that mean, Mas' Don?"<\|quote\|>"Don't know. Some order."</\|quote\|>"Boat ahoy!" cried one of the watch forward, and there	foe--was slowly coming toward the ship, for the flashing of the paddles in the phosphorescent water grew more plain. "Ready, Jem?" "Yes, I'm ready, lad. Rope's just where you stand." "What!" cried the captain's voice loudly, and then there was a quick murmur of talking. "What's that mean, Mas' Don?"<\|quote\|>"Don't know. Some order."</\|quote\|>"Boat ahoy!" cried one of the watch forward, and there was a buzz of excitement which told that the paddling of the canoe had been seen. "Watch there forward!" roared the captain. "Ay, ay, sir," came back. "Follow me, Jem; we must swim to her now." "I'm after you, my	"It's the canoe, Jem," whispered Don; "and it's coming closer." They strained their eyes to try and make out the men in the long, low vessel, but it was too dark. They could not even hear the plash of a paddle, but they knew that some boat--that of friend or foe--was slowly coming toward the ship, for the flashing of the paddles in the phosphorescent water grew more plain. "Ready, Jem?" "Yes, I'm ready, lad. Rope's just where you stand." "What!" cried the captain's voice loudly, and then there was a quick murmur of talking. "What's that mean, Mas' Don?"<\|quote\|>"Don't know. Some order."</\|quote\|>"Boat ahoy!" cried one of the watch forward, and there was a buzz of excitement which told that the paddling of the canoe had been seen. "Watch there forward!" roared the captain. "Ay, ay, sir," came back. "Follow me, Jem; we must swim to her now." "I'm after you, my lad." "Jem!" in a tone of despair. "What is it!" "The rope's cut!" "What? So it is. Never mind. After me! There's the one in the forechains." In the midst of a loud buzz of voices, and the pad, pad--pad, pad of bare feet on the deck, Jem and Don	us away. My, Mas' Don, how I should like to chop him under the chin next time he does that pretty trick of his." "Silence, man! Listen, and look out. Let's get close to the rope first." They crept softly toward the rope hanging down from the main chains, ready to their hand, and, as they crept, the dark figure that had seemed to be spying over their movements crept too, but on toward the quarter-deck, where the captain and the first lieutenant were lolling over the rail, and talking gently as they smoked--rather a rare custom in those days. "It's the canoe, Jem," whispered Don; "and it's coming closer." They strained their eyes to try and make out the men in the long, low vessel, but it was too dark. They could not even hear the plash of a paddle, but they knew that some boat--that of friend or foe--was slowly coming toward the ship, for the flashing of the paddles in the phosphorescent water grew more plain. "Ready, Jem?" "Yes, I'm ready, lad. Rope's just where you stand." "What!" cried the captain's voice loudly, and then there was a quick murmur of talking. "What's that mean, Mas' Don?"<\|quote\|>"Don't know. Some order."</\|quote\|>"Boat ahoy!" cried one of the watch forward, and there was a buzz of excitement which told that the paddling of the canoe had been seen. "Watch there forward!" roared the captain. "Ay, ay, sir," came back. "Follow me, Jem; we must swim to her now." "I'm after you, my lad." "Jem!" in a tone of despair. "What is it!" "The rope's cut!" "What? So it is. Never mind. After me! There's the one in the forechains." In the midst of a loud buzz of voices, and the pad, pad--pad, pad of bare feet on the deck, Jem and Don reached the forechains; and Jem ran his hand along in the darkness till he felt the knot by which he had secured the rope. "Here she is, Mas' Don. Now, then, over with you quick, or I shall be a-top of your head." "I've got it," whispered Don. Then in a voice full of despair,-- "This is cut, too!" At the same moment the captain's voice rang out,-- "Look out there, you in the watch forward; two men are trying to leave the ship!" CHAPTER TWENTY SIX. WHAT MR. JONES THOUGHT. "What's to be done, Mas' Don?" whispered Jem, whom	each feeling somewhat agitated at the daring venture of exchanging firm planks for the treacherous sea, infested as they knew it was by horrible creatures which could tear them limb from limb. Jem had heard a sound at the same moment, and he needed no telling that he should listen. For from some distance off along the shore there was a faint splash, and, as they strained their eyes in the direction from whence it had come, they could see flashes of pale light, which they knew were caused by paddles. "It's them, Jem," whispered Don, excitedly. "We must not start yet till the canoe is close up. I wish I had told him that I would make some signal." "It'll be all right, my lad," said Jem huskily. "Give 'em time. Think the watch 'll see 'em?" "I hope not," panted Don, as he strained his eyes in the direction of the faintly flashing paddles, which seemed to be moved very cautiously. "Think it is them, Jem?" "Who could it be?" "Might it be a war canoe coming to try and capture the ship?" "Not it," said Jem sturdily; "it's Ugly, as put out his tongue, coming to help us away. My, Mas' Don, how I should like to chop him under the chin next time he does that pretty trick of his." "Silence, man! Listen, and look out. Let's get close to the rope first." They crept softly toward the rope hanging down from the main chains, ready to their hand, and, as they crept, the dark figure that had seemed to be spying over their movements crept too, but on toward the quarter-deck, where the captain and the first lieutenant were lolling over the rail, and talking gently as they smoked--rather a rare custom in those days. "It's the canoe, Jem," whispered Don; "and it's coming closer." They strained their eyes to try and make out the men in the long, low vessel, but it was too dark. They could not even hear the plash of a paddle, but they knew that some boat--that of friend or foe--was slowly coming toward the ship, for the flashing of the paddles in the phosphorescent water grew more plain. "Ready, Jem?" "Yes, I'm ready, lad. Rope's just where you stand." "What!" cried the captain's voice loudly, and then there was a quick murmur of talking. "What's that mean, Mas' Don?"<\|quote\|>"Don't know. Some order."</\|quote\|>"Boat ahoy!" cried one of the watch forward, and there was a buzz of excitement which told that the paddling of the canoe had been seen. "Watch there forward!" roared the captain. "Ay, ay, sir," came back. "Follow me, Jem; we must swim to her now." "I'm after you, my lad." "Jem!" in a tone of despair. "What is it!" "The rope's cut!" "What? So it is. Never mind. After me! There's the one in the forechains." In the midst of a loud buzz of voices, and the pad, pad--pad, pad of bare feet on the deck, Jem and Don reached the forechains; and Jem ran his hand along in the darkness till he felt the knot by which he had secured the rope. "Here she is, Mas' Don. Now, then, over with you quick, or I shall be a-top of your head." "I've got it," whispered Don. Then in a voice full of despair,-- "This is cut, too!" At the same moment the captain's voice rang out,-- "Look out there, you in the watch forward; two men are trying to leave the ship!" CHAPTER TWENTY SIX. WHAT MR. JONES THOUGHT. "What's to be done, Mas' Don?" whispered Jem, whom this second proof of treachery against them seemed to have robbed of the power to act. "This way," cried a voice, which they recognised as Ramsden's. "By the forechains." "Oh, if I had hold of you," snarled Jem, as he ground his teeth. "Do you hear me?" whispered Don. "Come on." He spoke from where he stood on the bulwark, holding by one of the shrouds, and offering his hand to Jem, who could not see it, but climbed to his side. "Header?" he whispered. "Yes.--Off!" Don gave the word as he glanced in the direction where he believed the canoe to lie; and then, raising his hands above his head, he sprang right off the bulwark into the sea. _Splash_! A moment's pause and then-- _Splash_! Jem had followed suit, and there was a faint display--if the expression is allowable--of water fireworks, as innumerable pinhead-like beads of light flashed away in every direction. "Lanthorns here!" cried the captain. "Sentries, quick! This way." He reached the spot from which Don and Jem had taken their daring leap, and in less than a minute the light of a couple of lanthorns was thrown upon the sea. "Come back!" roared the captain,	murmuring of their voices suggested that they were chatting carelessly together. "Keep your hand down, Mas' Don," said Jem in a whisper, after removing it. "They can't hear us, and if they did they'd think it was the watch. Say, look here, seems a pity to waste them ropes after we've got 'em down ready." "Yes, Jem, it does." "Such a short way to slide down, and no fear o' their breaking, same as there was in that cock-loft. What d'yer say?" "What to?" "Let's slide down and swim for it. 'Tarn't quarter of a mile. You could do that easy." "Yes, Jem; I think so." "And I'd help you if you got tired. Let's go." "But the sharks." "There I goes again. I always forgets them sharks; but look here, my lad, it's dark as pitch." "Quite, Jem." "We can't see twenty yards afore us, not clear." "Not ten, Jem." "Well, that's through the air. We couldn't see an inch through water." "What of that?" "More couldn't the sharks." "Think not, Jem?" "I feel 'bout sure on it. Look here, Mas' Don, I arn't got any money, but if I had, I'd wager half-a-guinea that all the sharks are at home and fast asleep; and if there's any of 'em shut out and roaming about in the streets--I mean in the sea--it's so dark that they couldn't see more than an inch before their noses; so let's open our knives ready, in case one should come, so that we could dive down and stab him, same as the natives do, and then swim on ashore. I'll risk it: will you?" Don was silent for a few moments. "Don't say _yes_, my lad, if you'd rayther not," said Jem, kindly. "I don't want to persuade you." "I'm ready, Jem. I was thinking whether it was right to let you go." "Oh, never you mind about me, my lad. Now, look here, shall us one go down each rope, or both down one?" "Both down this one close here, and whoever goes down first can wait for the other. Yes, Jem; I'll go first." "When?" "Now, at once." "Hoo--ray!" whispered Jem in Don's ear, so sharply that it produced a strange tickling sensation. "Open your knife, Jem." "Right, my lad; I'm ready." "This way, then. Hist!" Don caught Jem's arm in a firm grip as he was moving along the deck, each feeling somewhat agitated at the daring venture of exchanging firm planks for the treacherous sea, infested as they knew it was by horrible creatures which could tear them limb from limb. Jem had heard a sound at the same moment, and he needed no telling that he should listen. For from some distance off along the shore there was a faint splash, and, as they strained their eyes in the direction from whence it had come, they could see flashes of pale light, which they knew were caused by paddles. "It's them, Jem," whispered Don, excitedly. "We must not start yet till the canoe is close up. I wish I had told him that I would make some signal." "It'll be all right, my lad," said Jem huskily. "Give 'em time. Think the watch 'll see 'em?" "I hope not," panted Don, as he strained his eyes in the direction of the faintly flashing paddles, which seemed to be moved very cautiously. "Think it is them, Jem?" "Who could it be?" "Might it be a war canoe coming to try and capture the ship?" "Not it," said Jem sturdily; "it's Ugly, as put out his tongue, coming to help us away. My, Mas' Don, how I should like to chop him under the chin next time he does that pretty trick of his." "Silence, man! Listen, and look out. Let's get close to the rope first." They crept softly toward the rope hanging down from the main chains, ready to their hand, and, as they crept, the dark figure that had seemed to be spying over their movements crept too, but on toward the quarter-deck, where the captain and the first lieutenant were lolling over the rail, and talking gently as they smoked--rather a rare custom in those days. "It's the canoe, Jem," whispered Don; "and it's coming closer." They strained their eyes to try and make out the men in the long, low vessel, but it was too dark. They could not even hear the plash of a paddle, but they knew that some boat--that of friend or foe--was slowly coming toward the ship, for the flashing of the paddles in the phosphorescent water grew more plain. "Ready, Jem?" "Yes, I'm ready, lad. Rope's just where you stand." "What!" cried the captain's voice loudly, and then there was a quick murmur of talking. "What's that mean, Mas' Don?"<\|quote\|>"Don't know. Some order."</\|quote\|>"Boat ahoy!" cried one of the watch forward, and there was a buzz of excitement which told that the paddling of the canoe had been seen. "Watch there forward!" roared the captain. "Ay, ay, sir," came back. "Follow me, Jem; we must swim to her now." "I'm after you, my lad." "Jem!" in a tone of despair. "What is it!" "The rope's cut!" "What? So it is. Never mind. After me! There's the one in the forechains." In the midst of a loud buzz of voices, and the pad, pad--pad, pad of bare feet on the deck, Jem and Don reached the forechains; and Jem ran his hand along in the darkness till he felt the knot by which he had secured the rope. "Here she is, Mas' Don. Now, then, over with you quick, or I shall be a-top of your head." "I've got it," whispered Don. Then in a voice full of despair,-- "This is cut, too!" At the same moment the captain's voice rang out,-- "Look out there, you in the watch forward; two men are trying to leave the ship!" CHAPTER TWENTY SIX. WHAT MR. JONES THOUGHT. "What's to be done, Mas' Don?" whispered Jem, whom this second proof of treachery against them seemed to have robbed of the power to act. "This way," cried a voice, which they recognised as Ramsden's. "By the forechains." "Oh, if I had hold of you," snarled Jem, as he ground his teeth. "Do you hear me?" whispered Don. "Come on." He spoke from where he stood on the bulwark, holding by one of the shrouds, and offering his hand to Jem, who could not see it, but climbed to his side. "Header?" he whispered. "Yes.--Off!" Don gave the word as he glanced in the direction where he believed the canoe to lie; and then, raising his hands above his head, he sprang right off the bulwark into the sea. _Splash_! A moment's pause and then-- _Splash_! Jem had followed suit, and there was a faint display--if the expression is allowable--of water fireworks, as innumerable pinhead-like beads of light flashed away in every direction. "Lanthorns here!" cried the captain. "Sentries, quick! This way." He reached the spot from which Don and Jem had taken their daring leap, and in less than a minute the light of a couple of lanthorns was thrown upon the sea. "Come back!" roared the captain, "or I fire. Marines, make ready." The lanthorns' light gleamed further on the sea as those who held them clambered up the shrouds and held them at arms' length, and then dimly-seen were the backs of the heads of the two swimmers, who made the water swirl as they struck out with all their might. "Do you hear, you scoundrels?" roared the captain again. "Come back, or I fire." There was no reply and the heads began to grow more faint in the gloom, while now the news had spread through the ship, and officers and men came tumbling up the companion ladder and out of their cabins. "Marines, present--fire!" cried the captain. There were two sharp clicks and as many tiny showers of sparks. That was all. "Why, you were not loaded!" cried the captain, fiercely, "Where is the lieutenant? Where is the sergeant? Load, you scoundrels, load!" The men grounded arms, and began to load quickly, the thudding of their iron ramrods sounding strangely in the still night air. "Pipe away the first cutter!" cried the captain. "Mr Rogerson, bring those scoundrels back." The shrill pipe of the boatswain was heard, and there was a rush of feet as the captain shouted again,-- "Present--fire!" There was a sharp flash, a loud report, and the captain stamped with rage. "Fire, you scoundrel, fire!" he roared at the second man, who was about to lower his clumsy musket, after tugging in vain at the trigger, when the piece went off, and the bullet fled skyward, sending the nearest lanthorn held up in the shrouds out of its holder's hand, to fall with a splash in the sea, and float for a few moments before it filled and sank, the candle burning till the water touched the wick. "'Pon my word!" cried the captain. "Nice state of discipline. Now you--fire again. And you, sir, load. Can you see the men, marines?" "No, sir. Right out of sight." "Then fire where they were when you saw them last." "But they won't be there now, sir." "Silence, you scoundrel! How dare you? Fire!" _Bang_. "Now you: are you ready?" "Yes, sir." "Fire!" _Bang_. "Load again!" cried the captain. "Now, you scoundrels, come back or you shall have a volley." A strange noise came off the sea. "Hark! What's that?" cried the captain. "A cry for help!" "No, sir." "What was it, then?" "Beg	war canoe coming to try and capture the ship?" "Not it," said Jem sturdily; "it's Ugly, as put out his tongue, coming to help us away. My, Mas' Don, how I should like to chop him under the chin next time he does that pretty trick of his." "Silence, man! Listen, and look out. Let's get close to the rope first." They crept softly toward the rope hanging down from the main chains, ready to their hand, and, as they crept, the dark figure that had seemed to be spying over their movements crept too, but on toward the quarter-deck, where the captain and the first lieutenant were lolling over the rail, and talking gently as they smoked--rather a rare custom in those days. "It's the canoe, Jem," whispered Don; "and it's coming closer." They strained their eyes to try and make out the men in the long, low vessel, but it was too dark. They could not even hear the plash of a paddle, but they knew that some boat--that of friend or foe--was slowly coming toward the ship, for the flashing of the paddles in the phosphorescent water grew more plain. "Ready, Jem?" "Yes, I'm ready, lad. Rope's just where you stand." "What!" cried the captain's voice loudly, and then there was a quick murmur of talking. "What's that mean, Mas' Don?"<\|quote\|>"Don't know. Some order."</\|quote\|>"Boat ahoy!" cried one of the watch forward, and there was a buzz of excitement which told that the paddling of the canoe had been seen. "Watch there forward!" roared the captain. "Ay, ay, sir," came back. "Follow me, Jem; we must swim to her now." "I'm after you, my lad." "Jem!" in a tone of despair. "What is it!" "The rope's cut!" "What? So it is. Never mind. After me! There's the one in the forechains." In the midst of a loud buzz of voices, and the pad, pad--pad, pad of bare feet on the deck, Jem and Don reached the forechains; and Jem ran his hand along in the darkness till he felt the knot by which he had secured the rope. "Here she is, Mas' Don. Now, then, over with you quick, or I shall be a-top of your head." "I've got it," whispered Don. Then in a voice full of despair,-- "This is cut, too!" At the same moment the captain's voice rang out,-- "Look out there, you in the watch forward; two men are trying to leave the ship!" CHAPTER TWENTY SIX. WHAT MR. JONES THOUGHT. "What's to be done, Mas' Don?" whispered Jem, whom this second proof of treachery against them seemed to have robbed of the power to act. "This way," cried a voice, which they recognised as Ramsden's. "By the forechains." "Oh, if I had hold of you," snarled Jem, as he ground his teeth. "Do you hear me?" whispered Don. "Come on." He spoke from where he stood on the bulwark, holding by one of the shrouds, and offering his hand to Jem, who could not see it, but climbed to his side. "Header?" he whispered. "Yes.--Off!" Don gave the word as he glanced in the direction where he believed the canoe to lie; and then, raising his hands above his head, he sprang right off the bulwark into the sea. _Splash_! A moment's pause and then-- _Splash_! Jem had followed suit, and there was a faint display--if	Don Lavington
"No to Combe Magna. I have business there; from thence to town in a day or two. Good bye."	Mr. Willoughby	you going back to town?"<\|quote\|>"No to Combe Magna. I have business there; from thence to town in a day or two. Good bye."</\|quote\|>He held out his hand.	I must be off." "Are you going back to town?"<\|quote\|>"No to Combe Magna. I have business there; from thence to town in a day or two. Good bye."</\|quote\|>He held out his hand. She could not refuse to	reverie of this kind she was recalled at the end of some minutes by Willoughby, who, rousing himself from a reverie at least equally painful, started up in preparation for going, and said "There is no use in staying here; I must be off." "Are you going back to town?"<\|quote\|>"No to Combe Magna. I have business there; from thence to town in a day or two. Good bye."</\|quote\|>He held out his hand. She could not refuse to give him hers; he pressed it with affection. "And you _do_ think something better of me than you did?" said he, letting it fall, and leaning against the mantel-piece as if forgetting he was to go. Elinor assured him that	interest he had outwardly torn himself, now, when no longer allowable, governed every thought; and the connection, for the sake of which he had, with little scruple, left her sister to misery, was likely to prove a source of unhappiness to himself of a far more incurable nature. From a reverie of this kind she was recalled at the end of some minutes by Willoughby, who, rousing himself from a reverie at least equally painful, started up in preparation for going, and said "There is no use in staying here; I must be off." "Are you going back to town?"<\|quote\|>"No to Combe Magna. I have business there; from thence to town in a day or two. Good bye."</\|quote\|>He held out his hand. She could not refuse to give him hers; he pressed it with affection. "And you _do_ think something better of me than you did?" said he, letting it fall, and leaning against the mantel-piece as if forgetting he was to go. Elinor assured him that she did; that she forgave, pitied, wished him well was even interested in his happiness and added some gentle counsel as to the behaviour most likely to promote it. His answer was not very encouraging. "As to that," said he, "I must rub through the world as well as I	character, the happiness, of a man who, to every advantage of person and talents, united a disposition naturally open and honest, and a feeling, affectionate temper. The world had made him extravagant and vain Extravagance and vanity had made him cold-hearted and selfish. Vanity, while seeking its own guilty triumph at the expense of another, had involved him in a real attachment, which extravagance, or at least its offspring, necessity, had required to be sacrificed. Each faulty propensity in leading him to evil, had led him likewise to punishment. The attachment, from which against honour, against feeling, against every better interest he had outwardly torn himself, now, when no longer allowable, governed every thought; and the connection, for the sake of which he had, with little scruple, left her sister to misery, was likely to prove a source of unhappiness to himself of a far more incurable nature. From a reverie of this kind she was recalled at the end of some minutes by Willoughby, who, rousing himself from a reverie at least equally painful, started up in preparation for going, and said "There is no use in staying here; I must be off." "Are you going back to town?"<\|quote\|>"No to Combe Magna. I have business there; from thence to town in a day or two. Good bye."</\|quote\|>He held out his hand. She could not refuse to give him hers; he pressed it with affection. "And you _do_ think something better of me than you did?" said he, letting it fall, and leaning against the mantel-piece as if forgetting he was to go. Elinor assured him that she did; that she forgave, pitied, wished him well was even interested in his happiness and added some gentle counsel as to the behaviour most likely to promote it. His answer was not very encouraging. "As to that," said he, "I must rub through the world as well as I can. Domestic happiness is out of the question. If, however, I am allowed to think that you and yours feel an interest in my fate and actions, it may be the means it may put me on my guard at least, it may be something to live for. Marianne to be sure is lost to me for ever. Were I even by any blessed chance at liberty again" Elinor stopped him with a reproof. "Well," he replied "once more good bye. I shall now go away and live in dread of one event." "What do you mean?" "Your sister s	of a putrid fever at Cleveland a letter that morning received from Mrs. Jennings declared her danger most imminent the Palmers are all gone off in a fright, &c. I was too much shocked to be able to pass myself off as insensible even to the undiscerning Sir John. His heart was softened in seeing mine suffer; and so much of his ill-will was done away, that when we parted, he almost shook me by the hand while he reminded me of an old promise about a pointer puppy. What I felt on hearing that your sister was dying, and dying too, believing me the greatest villain upon earth, scorning, hating me in her latest moments for how could I tell what horrid projects might not have been imputed? _One_ person I was sure would represent me as capable of anything What I felt was dreadful! My resolution was soon made, and at eight o clock this morning I was in my carriage. Now you know all." Elinor made no answer. Her thoughts were silently fixed on the irreparable injury which too early an independence and its consequent habits of idleness, dissipation, and luxury, had made in the mind, the character, the happiness, of a man who, to every advantage of person and talents, united a disposition naturally open and honest, and a feeling, affectionate temper. The world had made him extravagant and vain Extravagance and vanity had made him cold-hearted and selfish. Vanity, while seeking its own guilty triumph at the expense of another, had involved him in a real attachment, which extravagance, or at least its offspring, necessity, had required to be sacrificed. Each faulty propensity in leading him to evil, had led him likewise to punishment. The attachment, from which against honour, against feeling, against every better interest he had outwardly torn himself, now, when no longer allowable, governed every thought; and the connection, for the sake of which he had, with little scruple, left her sister to misery, was likely to prove a source of unhappiness to himself of a far more incurable nature. From a reverie of this kind she was recalled at the end of some minutes by Willoughby, who, rousing himself from a reverie at least equally painful, started up in preparation for going, and said "There is no use in staying here; I must be off." "Are you going back to town?"<\|quote\|>"No to Combe Magna. I have business there; from thence to town in a day or two. Good bye."</\|quote\|>He held out his hand. She could not refuse to give him hers; he pressed it with affection. "And you _do_ think something better of me than you did?" said he, letting it fall, and leaning against the mantel-piece as if forgetting he was to go. Elinor assured him that she did; that she forgave, pitied, wished him well was even interested in his happiness and added some gentle counsel as to the behaviour most likely to promote it. His answer was not very encouraging. "As to that," said he, "I must rub through the world as well as I can. Domestic happiness is out of the question. If, however, I am allowed to think that you and yours feel an interest in my fate and actions, it may be the means it may put me on my guard at least, it may be something to live for. Marianne to be sure is lost to me for ever. Were I even by any blessed chance at liberty again" Elinor stopped him with a reproof. "Well," he replied "once more good bye. I shall now go away and live in dread of one event." "What do you mean?" "Your sister s marriage." "You are very wrong. She can never be more lost to you than she is now." "But she will be gained by some one else. And if that some one should be the very he whom, of all others, I could least bear but I will not stay to rob myself of all your compassionate goodwill, by showing that where I have most injured I can least forgive. Good bye, God bless you!" And with these words, he almost ran out of the room. CHAPTER XLV. Elinor, for some time after he left her, for some time even after the sound of his carriage had died away, remained too much oppressed by a crowd of ideas, widely differing in themselves, but of which sadness was the general result, to think even of her sister. Willoughby, he, whom only half an hour ago she had abhorred as the most worthless of men, Willoughby, in spite of all his faults, excited a degree of commiseration for the sufferings produced by them, which made her think of him as now separated for ever from her family, with a tenderness, a regret, rather in proportion, as she soon acknowledged within herself to his	own conscience." "Do not talk to me of my wife," said he with a heavy sigh; "she does not deserve your compassion. She knew I had no regard for her when we married. Well, married we were, and came down to Combe Magna to be happy, and afterwards returned to town to be gay. And now do you pity me, Miss Dashwood? Or have I said all this to no purpose? Am I, be it only one degree, am I less guilty in your opinion than I was before? My intentions were not always wrong. Have I explained away any part of my guilt?" "Yes, you have certainly removed something a little. You have proved yourself, on the whole, less faulty than I had believed you. You have proved your heart less wicked, much less wicked. But I hardly know the misery that you have inflicted I hardly know what could have made it worse." "Will you repeat to your sister when she is recovered, what I have been telling you? Let me be a little lightened too in her opinion as well as in yours. You tell me that she has forgiven me already. Let me be able to fancy that a better knowledge of my heart, and of my present feelings, will draw from her a more spontaneous, more natural, more gentle, less dignified, forgiveness. Tell her of my misery and my penitence tell her that my heart was never inconstant to her, and if you will, that at this moment she is dearer to me than ever." "I will tell her all that is necessary to what may comparatively be called, your justification. But you have not explained to me the particular reason of your coming now, nor how you heard of her illness." "Last night, in Drury Lane lobby, I ran against Sir John Middleton, and when he saw who I was, for the first time these two months, he spoke to me. That he had cut me ever since my marriage, I had seen without surprise or resentment. Now, however, his good-natured, honest, stupid soul, full of indignation against me, and concern for your sister, could not resist the temptation of telling me what he knew ought to, though probably he did not think it _would_, vex me horridly. As bluntly as he could speak it, therefore, he told me that Marianne Dashwood was dying of a putrid fever at Cleveland a letter that morning received from Mrs. Jennings declared her danger most imminent the Palmers are all gone off in a fright, &c. I was too much shocked to be able to pass myself off as insensible even to the undiscerning Sir John. His heart was softened in seeing mine suffer; and so much of his ill-will was done away, that when we parted, he almost shook me by the hand while he reminded me of an old promise about a pointer puppy. What I felt on hearing that your sister was dying, and dying too, believing me the greatest villain upon earth, scorning, hating me in her latest moments for how could I tell what horrid projects might not have been imputed? _One_ person I was sure would represent me as capable of anything What I felt was dreadful! My resolution was soon made, and at eight o clock this morning I was in my carriage. Now you know all." Elinor made no answer. Her thoughts were silently fixed on the irreparable injury which too early an independence and its consequent habits of idleness, dissipation, and luxury, had made in the mind, the character, the happiness, of a man who, to every advantage of person and talents, united a disposition naturally open and honest, and a feeling, affectionate temper. The world had made him extravagant and vain Extravagance and vanity had made him cold-hearted and selfish. Vanity, while seeking its own guilty triumph at the expense of another, had involved him in a real attachment, which extravagance, or at least its offspring, necessity, had required to be sacrificed. Each faulty propensity in leading him to evil, had led him likewise to punishment. The attachment, from which against honour, against feeling, against every better interest he had outwardly torn himself, now, when no longer allowable, governed every thought; and the connection, for the sake of which he had, with little scruple, left her sister to misery, was likely to prove a source of unhappiness to himself of a far more incurable nature. From a reverie of this kind she was recalled at the end of some minutes by Willoughby, who, rousing himself from a reverie at least equally painful, started up in preparation for going, and said "There is no use in staying here; I must be off." "Are you going back to town?"<\|quote\|>"No to Combe Magna. I have business there; from thence to town in a day or two. Good bye."</\|quote\|>He held out his hand. She could not refuse to give him hers; he pressed it with affection. "And you _do_ think something better of me than you did?" said he, letting it fall, and leaning against the mantel-piece as if forgetting he was to go. Elinor assured him that she did; that she forgave, pitied, wished him well was even interested in his happiness and added some gentle counsel as to the behaviour most likely to promote it. His answer was not very encouraging. "As to that," said he, "I must rub through the world as well as I can. Domestic happiness is out of the question. If, however, I am allowed to think that you and yours feel an interest in my fate and actions, it may be the means it may put me on my guard at least, it may be something to live for. Marianne to be sure is lost to me for ever. Were I even by any blessed chance at liberty again" Elinor stopped him with a reproof. "Well," he replied "once more good bye. I shall now go away and live in dread of one event." "What do you mean?" "Your sister s marriage." "You are very wrong. She can never be more lost to you than she is now." "But she will be gained by some one else. And if that some one should be the very he whom, of all others, I could least bear but I will not stay to rob myself of all your compassionate goodwill, by showing that where I have most injured I can least forgive. Good bye, God bless you!" And with these words, he almost ran out of the room. CHAPTER XLV. Elinor, for some time after he left her, for some time even after the sound of his carriage had died away, remained too much oppressed by a crowd of ideas, widely differing in themselves, but of which sadness was the general result, to think even of her sister. Willoughby, he, whom only half an hour ago she had abhorred as the most worthless of men, Willoughby, in spite of all his faults, excited a degree of commiseration for the sufferings produced by them, which made her think of him as now separated for ever from her family, with a tenderness, a regret, rather in proportion, as she soon acknowledged within herself to his wishes than to his merits. She felt that his influence over her mind was heightened by circumstances which ought not in reason to have weight; by that person of uncommon attraction, that open, affectionate, and lively manner which it was no merit to possess; and by that still ardent love for Marianne, which it was not even innocent to indulge. But she felt that it was so, long, long before she could feel his influence less. When at last she returned to the unconscious Marianne, she found her just awaking, refreshed by so long and sweet a sleep to the extent of her hopes. Elinor s heart was full. The past, the present, the future, Willoughby s visit, Marianne s safety, and her mother s expected arrival, threw her altogether into an agitation of spirits which kept off every indication of fatigue, and made her only fearful of betraying herself to her sister. Short was the time, however, in which that fear could affect her, for within half an hour after Willoughby s leaving the house, she was again called down stairs by the sound of another carriage. Eager to save her mother from every unnecessary moment s horrible suspense, she ran immediately into the hall, and reached the outward door just in time to receive and support her as she entered it. Mrs. Dashwood, whose terror as they drew near the house had produced almost the conviction of Marianne s being no more, had no voice to inquire after her, no voice even for Elinor; but _she_, waiting neither for salutation nor inquiry, instantly gave the joyful relief; and her mother, catching it with all her usual warmth, was in a moment as much overcome by her happiness, as she had been before by her fears. She was supported into the drawing-room between her daughter and her friend; and there, shedding tears of joy, though still unable to speak, embraced Elinor again and again, turning from her at intervals to press Colonel Brandon s hand, with a look which spoke at once her gratitude, and her conviction of his sharing with herself in the bliss of the moment. He shared it, however, in a silence even greater than her own. As soon as Mrs. Dashwood had recovered herself, to see Marianne was her first desire; and in two minutes she was with her beloved child, rendered dearer to her	mine suffer; and so much of his ill-will was done away, that when we parted, he almost shook me by the hand while he reminded me of an old promise about a pointer puppy. What I felt on hearing that your sister was dying, and dying too, believing me the greatest villain upon earth, scorning, hating me in her latest moments for how could I tell what horrid projects might not have been imputed? _One_ person I was sure would represent me as capable of anything What I felt was dreadful! My resolution was soon made, and at eight o clock this morning I was in my carriage. Now you know all." Elinor made no answer. Her thoughts were silently fixed on the irreparable injury which too early an independence and its consequent habits of idleness, dissipation, and luxury, had made in the mind, the character, the happiness, of a man who, to every advantage of person and talents, united a disposition naturally open and honest, and a feeling, affectionate temper. The world had made him extravagant and vain Extravagance and vanity had made him cold-hearted and selfish. Vanity, while seeking its own guilty triumph at the expense of another, had involved him in a real attachment, which extravagance, or at least its offspring, necessity, had required to be sacrificed. Each faulty propensity in leading him to evil, had led him likewise to punishment. The attachment, from which against honour, against feeling, against every better interest he had outwardly torn himself, now, when no longer allowable, governed every thought; and the connection, for the sake of which he had, with little scruple, left her sister to misery, was likely to prove a source of unhappiness to himself of a far more incurable nature. From a reverie of this kind she was recalled at the end of some minutes by Willoughby, who, rousing himself from a reverie at least equally painful, started up in preparation for going, and said "There is no use in staying here; I must be off." "Are you going back to town?"<\|quote\|>"No to Combe Magna. I have business there; from thence to town in a day or two. Good bye."</\|quote\|>He held out his hand. She could not refuse to give him hers; he pressed it with affection. "And you _do_ think something better of me than you did?" said he, letting it fall, and leaning against the mantel-piece as if forgetting he was to go. Elinor assured him that she did; that she forgave, pitied, wished him well was even interested in his happiness and added some gentle counsel as to the behaviour most likely to promote it. His answer was not very encouraging. "As to that," said he, "I must rub through the world as well as I can. Domestic happiness is out of the question. If, however, I am allowed to think that you and yours feel an interest in my fate and actions, it may be the means it may put me on my guard at least, it may be something to live for. Marianne to be sure is lost to me for ever. Were I even by any blessed chance at liberty again" Elinor stopped him with a reproof. "Well," he replied "once more good bye. I shall now go away and live in dread of one event." "What do you mean?" "Your sister s marriage." "You are very wrong. She can	Sense And Sensibility
"I won't."	Jake Barnes	social service." "Don't be nasty."<\|quote\|>"I won't."</\|quote\|>"Didn't you really know?" "No,"	him." "You might take up social service." "Don't be nasty."<\|quote\|>"I won't."</\|quote\|>"Didn't you really know?" "No," I said. "I guess I	say that for?" "I don't know. What would you like me to say?" We walked along and turned a corner. "He behaved rather well, too. He gets a little dull." "Does he?" "I rather thought it would be good for him." "You might take up social service." "Don't be nasty."<\|quote\|>"I won't."</\|quote\|>"Didn't you really know?" "No," I said. "I guess I didn't think about it." "Do you think it will be too rough on him?" "That's up to him," I said. "Tell him you're coming. He can always not come." "I'll write him and give him a chance to pull out	looked at me. "I say," she said, "is Robert Cohn going on this trip?" "Yes. Why?" "Don't you think it will be a bit rough on him?" "Why should it?" "Who did you think I went down to San Sebastian with?" "Congratulations," I said. We walked along. "What did you say that for?" "I don't know. What would you like me to say?" We walked along and turned a corner. "He behaved rather well, too. He gets a little dull." "Does he?" "I rather thought it would be good for him." "You might take up social service." "Don't be nasty."<\|quote\|>"I won't."</\|quote\|>"Didn't you really know?" "No," I said. "I guess I didn't think about it." "Do you think it will be too rough on him?" "That's up to him," I said. "Tell him you're coming. He can always not come." "I'll write him and give him a chance to pull out of it." I did not see Brett again until the night of the 24th of June. "Did you hear from Cohn?" "Rather. He's keen about it." "My God!" "I thought it was rather odd myself." "Says he can't wait to see me." "Does he think you're coming alone?" "No. I	left our bags here at the Dingo when we got in, and they asked us at this hotel if we wanted a room for the afternoon only. Seemed frightfully pleased we were going to stay all night." "_I_ believe it's a brothel," Mike said. "And _I_ should know." "Oh, shut it and go and get your hair cut." Mike went out. Brett and I sat on at the bar. "Have another?" "Might." "I needed that," Brett said. We walked up the Rue Delambre. "I haven't seen you since I've been back," Brett said. "No." "How _are_ you, Jake?" "Fine." Brett looked at me. "I say," she said, "is Robert Cohn going on this trip?" "Yes. Why?" "Don't you think it will be a bit rough on him?" "Why should it?" "Who did you think I went down to San Sebastian with?" "Congratulations," I said. We walked along. "What did you say that for?" "I don't know. What would you like me to say?" We walked along and turned a corner. "He behaved rather well, too. He gets a little dull." "Does he?" "I rather thought it would be good for him." "You might take up social service." "Don't be nasty."<\|quote\|>"I won't."</\|quote\|>"Didn't you really know?" "No," I said. "I guess I didn't think about it." "Do you think it will be too rough on him?" "That's up to him," I said. "Tell him you're coming. He can always not come." "I'll write him and give him a chance to pull out of it." I did not see Brett again until the night of the 24th of June. "Did you hear from Cohn?" "Rather. He's keen about it." "My God!" "I thought it was rather odd myself." "Says he can't wait to see me." "Does he think you're coming alone?" "No. I told him we were all coming down together. Michael and all." "He's wonderful." "Isn't he?" They expected their money the next day. We arranged to meet at Pamplona. They would go directly to San Sebastian and take the train from there. We would all meet at the Montoya in Pamplona. If they did not turn up on Monday at the latest we would go on ahead up to Burguete in the mountains, to start fishing. There was a bus to Burguete. I wrote out an itinerary so they could follow us. Bill and I took the morning train from the	make me sore. Bill and I go down on the morning of the 25th." "By the way, where is Bill?" Brett asked. "He's out at Chantilly dining with some people." "He's a good chap." "Splendid chap," said Mike. "He is, you know." "You don't remember him," Brett said. "I do. Remember him perfectly. Look, Jake, we'll come down the night of the 25th. Brett can't get up in the morning." "Indeed not!" "If our money comes and you're sure you don't mind." "It will come, all right. I'll see to that." "Tell me what tackle to send for." "Get two or three rods with reels, and lines, and some flies." "I won't fish," Brett put in. "Get two rods, then, and Bill won't have to buy one." "Right," said Mike. "I'll send a wire to the keeper." "Won't it be splendid," Brett said. "Spain! We _will_ have fun." "The 25th. When is that?" "Saturday." "We _will_ have to get ready." "I say," said Mike, "I'm going to the barber's." "I must bathe," said Brett. "Walk up to the hotel with me, Jake. Be a good chap." "We _have_ got the loveliest hotel," Mike said. "I think it's a brothel!" "We left our bags here at the Dingo when we got in, and they asked us at this hotel if we wanted a room for the afternoon only. Seemed frightfully pleased we were going to stay all night." "_I_ believe it's a brothel," Mike said. "And _I_ should know." "Oh, shut it and go and get your hair cut." Mike went out. Brett and I sat on at the bar. "Have another?" "Might." "I needed that," Brett said. We walked up the Rue Delambre. "I haven't seen you since I've been back," Brett said. "No." "How _are_ you, Jake?" "Fine." Brett looked at me. "I say," she said, "is Robert Cohn going on this trip?" "Yes. Why?" "Don't you think it will be a bit rough on him?" "Why should it?" "Who did you think I went down to San Sebastian with?" "Congratulations," I said. We walked along. "What did you say that for?" "I don't know. What would you like me to say?" We walked along and turned a corner. "He behaved rather well, too. He gets a little dull." "Does he?" "I rather thought it would be good for him." "You might take up social service." "Don't be nasty."<\|quote\|>"I won't."</\|quote\|>"Didn't you really know?" "No," I said. "I guess I didn't think about it." "Do you think it will be too rough on him?" "That's up to him," I said. "Tell him you're coming. He can always not come." "I'll write him and give him a chance to pull out of it." I did not see Brett again until the night of the 24th of June. "Did you hear from Cohn?" "Rather. He's keen about it." "My God!" "I thought it was rather odd myself." "Says he can't wait to see me." "Does he think you're coming alone?" "No. I told him we were all coming down together. Michael and all." "He's wonderful." "Isn't he?" They expected their money the next day. We arranged to meet at Pamplona. They would go directly to San Sebastian and take the train from there. We would all meet at the Montoya in Pamplona. If they did not turn up on Monday at the latest we would go on ahead up to Burguete in the mountains, to start fishing. There was a bus to Burguete. I wrote out an itinerary so they could follow us. Bill and I took the morning train from the Gare d'Orsay. It was a lovely day, not too hot, and the country was beautiful from the start. We went back into the diner and had breakfast. Leaving the dining-car I asked the conductor for tickets for the first service. "Nothing until the fifth." "What's this?" There were never more than two servings of lunch on that train, and always plenty of places for both of them. "They're all reserved," the dining-car conductor said. "There will be a fifth service at three-thirty." "This is serious," I said to Bill. "Give him ten francs." "Here," I said. "We want to eat in the first service." The conductor put the ten francs in his pocket. "Thank you," he said. "I would advise you gentlemen to get some sandwiches. All the places for the first four services were reserved at the office of the company." "You'll go a long way, brother," Bill said to him in English. "I suppose if I'd given you five francs you would have advised us to jump off the train." "_Comment?_" "Go to hell!" said Bill. "Get the sandwiches made and a bottle of wine. You tell him, Jake." "And send it up to the next car." I	difficult. What are these outbursts of affection, Michael?" "I say, you are a lovely piece." We said good night. "I'm sorry I can't go," Mike said. Brett laughed. I looked back from the door. Mike had one hand on the bar and was leaning toward Brett, talking. Brett was looking at him quite coolly, but the corners of her eyes were smiling. Outside on the pavement I said: "Do you want to go to the fight?" "Sure," said Bill. "If we don't have to walk." "Mike was pretty excited about his girl friend," I said in the taxi. "Well," said Bill. "You can't blame him such a hell of a lot." CHAPTER 9 The Ledoux-Kid Francis fight was the night of the 20th of June. It was a good fight. The morning after the fight I had a letter from Robert Cohn, written from Hendaye. He was having a very quiet time, he said, bathing, playing some golf and much bridge. Hendaye had a splendid beach, but he was anxious to start on the fishing-trip. When would I be down? If I would buy him a double-tapered line he would pay me when I came down. That same morning I wrote Cohn from the office that Bill and I would leave Paris on the 25th unless I wired him otherwise, and would meet him at Bayonne, where we could get a bus over the mountains to Pamplona. The same evening about seven o'clock I stopped in at the Select to see Michael and Brett. They were not there, and I went over to the Dingo. They were inside sitting at the bar. "Hello, darling." Brett put out her hand. "Hello, Jake," Mike said. "I understand I was tight last night." "Weren't you, though," Brett said. "Disgraceful business." "Look," said Mike, "when do you go down to Spain? Would you mind if we came down with you?" "It would be grand." "You wouldn't mind, really? I've been at Pamplona, you know. Brett's mad to go. You're sure we wouldn't just be a bloody nuisance?" "Don't talk like a fool." "I'm a little tight, you know. I wouldn't ask you like this if I weren't. You're sure you don't mind?" "Oh, shut up, Michael," Brett said. "How can the man say he'd mind now? I'll ask him later." "But you don't mind, do you?" "Don't ask that again unless you want to make me sore. Bill and I go down on the morning of the 25th." "By the way, where is Bill?" Brett asked. "He's out at Chantilly dining with some people." "He's a good chap." "Splendid chap," said Mike. "He is, you know." "You don't remember him," Brett said. "I do. Remember him perfectly. Look, Jake, we'll come down the night of the 25th. Brett can't get up in the morning." "Indeed not!" "If our money comes and you're sure you don't mind." "It will come, all right. I'll see to that." "Tell me what tackle to send for." "Get two or three rods with reels, and lines, and some flies." "I won't fish," Brett put in. "Get two rods, then, and Bill won't have to buy one." "Right," said Mike. "I'll send a wire to the keeper." "Won't it be splendid," Brett said. "Spain! We _will_ have fun." "The 25th. When is that?" "Saturday." "We _will_ have to get ready." "I say," said Mike, "I'm going to the barber's." "I must bathe," said Brett. "Walk up to the hotel with me, Jake. Be a good chap." "We _have_ got the loveliest hotel," Mike said. "I think it's a brothel!" "We left our bags here at the Dingo when we got in, and they asked us at this hotel if we wanted a room for the afternoon only. Seemed frightfully pleased we were going to stay all night." "_I_ believe it's a brothel," Mike said. "And _I_ should know." "Oh, shut it and go and get your hair cut." Mike went out. Brett and I sat on at the bar. "Have another?" "Might." "I needed that," Brett said. We walked up the Rue Delambre. "I haven't seen you since I've been back," Brett said. "No." "How _are_ you, Jake?" "Fine." Brett looked at me. "I say," she said, "is Robert Cohn going on this trip?" "Yes. Why?" "Don't you think it will be a bit rough on him?" "Why should it?" "Who did you think I went down to San Sebastian with?" "Congratulations," I said. We walked along. "What did you say that for?" "I don't know. What would you like me to say?" We walked along and turned a corner. "He behaved rather well, too. He gets a little dull." "Does he?" "I rather thought it would be good for him." "You might take up social service." "Don't be nasty."<\|quote\|>"I won't."</\|quote\|>"Didn't you really know?" "No," I said. "I guess I didn't think about it." "Do you think it will be too rough on him?" "That's up to him," I said. "Tell him you're coming. He can always not come." "I'll write him and give him a chance to pull out of it." I did not see Brett again until the night of the 24th of June. "Did you hear from Cohn?" "Rather. He's keen about it." "My God!" "I thought it was rather odd myself." "Says he can't wait to see me." "Does he think you're coming alone?" "No. I told him we were all coming down together. Michael and all." "He's wonderful." "Isn't he?" They expected their money the next day. We arranged to meet at Pamplona. They would go directly to San Sebastian and take the train from there. We would all meet at the Montoya in Pamplona. If they did not turn up on Monday at the latest we would go on ahead up to Burguete in the mountains, to start fishing. There was a bus to Burguete. I wrote out an itinerary so they could follow us. Bill and I took the morning train from the Gare d'Orsay. It was a lovely day, not too hot, and the country was beautiful from the start. We went back into the diner and had breakfast. Leaving the dining-car I asked the conductor for tickets for the first service. "Nothing until the fifth." "What's this?" There were never more than two servings of lunch on that train, and always plenty of places for both of them. "They're all reserved," the dining-car conductor said. "There will be a fifth service at three-thirty." "This is serious," I said to Bill. "Give him ten francs." "Here," I said. "We want to eat in the first service." The conductor put the ten francs in his pocket. "Thank you," he said. "I would advise you gentlemen to get some sandwiches. All the places for the first four services were reserved at the office of the company." "You'll go a long way, brother," Bill said to him in English. "I suppose if I'd given you five francs you would have advised us to jump off the train." "_Comment?_" "Go to hell!" said Bill. "Get the sandwiches made and a bottle of wine. You tell him, Jake." "And send it up to the next car." I described where we were. In our compartment were a man and his wife and their young son. "I suppose you're Americans, aren't you?" the man asked. "Having a good trip?" "Wonderful," said Bill. "That's what you want to do. Travel while you're young. Mother and I always wanted to get over, but we had to wait a while." "You could have come over ten years ago, if you'd wanted to," the wife said. "What you always said was:" 'See America first!' "I will say we've seen a good deal, take it one way and another." "Say, there's plenty of Americans on this train," the husband said. "They've got seven cars of them from Dayton, Ohio. They've been on a pilgrimage to Rome, and now they're going down to Biarritz and Lourdes." "So, that's what they are. Pilgrims. Goddam Puritans," Bill said. "What part of the States you boys from?" "Kansas City," I said. "He's from Chicago." "You both going to Biarritz?" "No. We're going fishing in Spain." "Well, I never cared for it, myself. There's plenty that do out where I come from, though. We got some of the best fishing in the State of Montana. I've been out with the boys, but I never cared for it any." "Mighty little fishing you did on them trips," his wife said. He winked at us. "You know how the ladies are. If there's a jug goes along, or a case of beer, they think it's hell and damnation." "That's the way men are," his wife said to us. She smoothed her comfortable lap. "I voted against prohibition to please him, and because I like a little beer in the house, and then he talks that way. It's a wonder they ever find any one to marry them." "Say," said Bill, "do you know that gang of Pilgrim Fathers have cornered the dining-car until half past three this afternoon?" "How do you mean? They can't do a thing like that." "You try and get seats." "Well, mother, it looks as though we better go back and get another breakfast." She stood up and straightened her dress. "Will you boys keep an eye on our things? Come on, Hubert." They all three went up to the wagon restaurant. A little while after they were gone a steward went through announcing the first service, and pilgrims, with their priests, commenced filing down the corridor.	left our bags here at the Dingo when we got in, and they asked us at this hotel if we wanted a room for the afternoon only. Seemed frightfully pleased we were going to stay all night." "_I_ believe it's a brothel," Mike said. "And _I_ should know." "Oh, shut it and go and get your hair cut." Mike went out. Brett and I sat on at the bar. "Have another?" "Might." "I needed that," Brett said. We walked up the Rue Delambre. "I haven't seen you since I've been back," Brett said. "No." "How _are_ you, Jake?" "Fine." Brett looked at me. "I say," she said, "is Robert Cohn going on this trip?" "Yes. Why?" "Don't you think it will be a bit rough on him?" "Why should it?" "Who did you think I went down to San Sebastian with?" "Congratulations," I said. We walked along. "What did you say that for?" "I don't know. What would you like me to say?" We walked along and turned a corner. "He behaved rather well, too. He gets a little dull." "Does he?" "I rather thought it would be good for him." "You might take up social service." "Don't be nasty."<\|quote\|>"I won't."</\|quote\|>"Didn't you really know?" "No," I said. "I guess I didn't think about it." "Do you think it will be too rough on him?" "That's up to him," I said. "Tell him you're coming. He can always not come." "I'll write him and give him a chance to pull out of it." I did not see Brett again until the night of the 24th of June. "Did you hear from Cohn?" "Rather. He's keen about it." "My God!" "I thought it was rather odd myself." "Says he can't wait to see me." "Does he think you're coming alone?" "No. I told him we were all coming down together. Michael and all." "He's wonderful." "Isn't he?" They expected their money the next day. We arranged to meet at Pamplona. They would go directly to San Sebastian and take the train from there. We would all meet at the Montoya in Pamplona. If they did not turn up on Monday at the latest we would go on ahead up to Burguete in the mountains, to start fishing. There was a bus to Burguete. I wrote out an itinerary so they could follow us. Bill and I took the morning train from the Gare d'Orsay. It was a lovely day, not too hot, and the country was beautiful from the start. We went back into the diner and had breakfast. Leaving the dining-car I asked the conductor for tickets for the first service. "Nothing until the fifth." "What's this?" There were never more than two servings of lunch on that train, and always plenty of places for both of them. "They're all reserved," the dining-car conductor said. "There will be a fifth service at three-thirty." "This is serious," I said to Bill. "Give him ten francs." "Here," I said. "We want to eat in the first service." The conductor put the ten francs in his pocket. "Thank you," he said. "I would advise you gentlemen to get some sandwiches. All the places for the first four services were reserved at the office of the company." "You'll go a long way, brother," Bill said to him in English. "I suppose if I'd given you five francs you would have advised us to jump off the train." "_Comment?_" "Go to hell!" said Bill. "Get the sandwiches made and a bottle of wine. You tell him, Jake." "And send it up to the next car." I described where we were. In	The Sun Also Rises
"if I had it written down: but I can't quite follow it as you say it."	Alice	better," Alice said very politely,<\|quote\|>"if I had it written down: but I can't quite follow it as you say it."</\|quote\|>"That's nothing to what I	think I should understand that better," Alice said very politely,<\|quote\|>"if I had it written down: but I can't quite follow it as you say it."</\|quote\|>"That's nothing to what I could say if I chose,"	more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely,<\|quote\|>"if I had it written down: but I can't quite follow it as you say it."</\|quote\|>"That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A	yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely,<\|quote\|>"if I had it written down: but I can't quite follow it as you say it."</\|quote\|>"That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning	replied, not feeling at all anxious to have the experiment tried. "Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely,<\|quote\|>"if I had it written down: but I can't quite follow it as you say it."</\|quote\|>"That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to fly; and the m--" But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping on the ground as she	like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could. "The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite," Alice cautiously replied, not feeling at all anxious to have the experiment tried. "Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely,<\|quote\|>"if I had it written down: but I can't quite follow it as you say it."</\|quote\|>"That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to fly; and the m--" But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping on the ground as she spoke; "either you or your head must be off, and that in about half no time! Take your choice!" The Duchess took her choice, and was gone in a moment. "Let's go on with the game," the Queen said to Alice; and Alice was too much frightened to say a word, but slowly followed her back to the croquet-ground. The other guests had taken advantage of the Queen's absence, and were resting in the shade: however, the moment they saw her, they hurried back to the game, the Queen merely remarking that a moment's delay would cost them their lives. All the time they were playing the Queen never left off quarrelling with the other players, and shouting "Off with his head!" or "Off with her head!" Those whom she sentenced were taken into custody by the soldiers, who of course had to leave off being arches to do this, so that by the end of half an hour or so there were no arches left, and all the players, except the King, the Queen, and Alice, were in custody and under sentence of execution. Then the Queen left off, quite out of breath, and said to Alice, "Have you	that anything that had a head could be beheaded, and that you weren't to talk nonsense. The Queen's argument was, that if something wasn't done about it in less than no time she'd have everybody executed, all round. (It was this last remark that had made the whole party look so grave and anxious.) Alice could think of nothing else to say but "It belongs to the Duchess: you'd better ask _her_ about it." "She's in prison," the Queen said to the executioner: "fetch her here." And the executioner went off like an arrow. The Cat's head began fading away the moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the rest of the party went back to the game. CHAPTER IX. The Mock Turtle's Story "You can't think how glad I am to see you again, you dear old thing!" said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together. Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the kitchen. "When _I'm_ a Duchess," she said to herself, (not in a very hopeful tone though), "I won't have any pepper in my kitchen _at all_. Soup does very well without--Maybe it's always pepper that makes people hot-tempered," she went on, very much pleased at having found out a new kind of rule, "and vinegar that makes them sour--and camomile that makes them bitter--and--and barley-sugar and such things that make children sweet-tempered. I only wish people knew _that_: then they wouldn't be so stingy about it, you know--" She had quite forgotten the Duchess by this time, and was a little startled when she heard her voice close to her ear. "You're thinking about something, my dear, and that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured to remark. "Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it." And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could. "The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite," Alice cautiously replied, not feeling at all anxious to have the experiment tried. "Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely,<\|quote\|>"if I had it written down: but I can't quite follow it as you say it."</\|quote\|>"That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to fly; and the m--" But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping on the ground as she spoke; "either you or your head must be off, and that in about half no time! Take your choice!" The Duchess took her choice, and was gone in a moment. "Let's go on with the game," the Queen said to Alice; and Alice was too much frightened to say a word, but slowly followed her back to the croquet-ground. The other guests had taken advantage of the Queen's absence, and were resting in the shade: however, the moment they saw her, they hurried back to the game, the Queen merely remarking that a moment's delay would cost them their lives. All the time they were playing the Queen never left off quarrelling with the other players, and shouting "Off with his head!" or "Off with her head!" Those whom she sentenced were taken into custody by the soldiers, who of course had to leave off being arches to do this, so that by the end of half an hour or so there were no arches left, and all the players, except the King, the Queen, and Alice, were in custody and under sentence of execution. Then the Queen left off, quite out of breath, and said to Alice, "Have you seen the Mock Turtle yet?" "No," said Alice. "I don't even know what a Mock Turtle is." "It's the thing Mock Turtle Soup is made from," said the Queen. "I never saw one, or heard of one," said Alice. "Come on, then," said the Queen, "and he shall tell you his history," As they walked off together, Alice heard the King say in a low voice, to the company generally, "You are all pardoned." "Come, _that's_ a good thing!" she said to herself, for she had felt quite unhappy at the number of executions the Queen had ordered. They very soon came upon a Gryphon, lying fast asleep in the sun. (If you don't know what a Gryphon is, look at the picture.) "Up, lazy thing!" said the Queen, "and take this young lady to see the Mock Turtle, and to hear his history. I must go back and see after some executions I have ordered;" and she walked off, leaving Alice alone with the Gryphon. Alice did not quite like the look of the creature, but on the whole she thought it would be quite as safe to stay with it as to go after that savage Queen: so she waited. The Gryphon sat up and rubbed its eyes: then it watched the Queen till she was out of sight: then it chuckled. "What fun!" said the Gryphon, half to itself, half to Alice. "What _is_ the fun?" said Alice. "Why, _she_," said the Gryphon. "It's all her fancy, that: they never executes nobody, you know. Come on!" "Everybody says 'come on!' here," thought Alice, as she went slowly after it: "I never was so ordered about in all my life, never!" They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would break. She pitied him deeply. "What is his sorrow?" she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, "It's all his fancy, that: he hasn't got no sorrow, you know. Come on!" So they went up to the Mock Turtle, who looked at them with large eyes full of tears, but said nothing. "This here young lady," said the Gryphon, "she wants for to know your history, she do." "I'll tell	can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured to remark. "Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it." And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could. "The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite," Alice cautiously replied, not feeling at all anxious to have the experiment tried. "Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely,<\|quote\|>"if I had it written down: but I can't quite follow it as you say it."</\|quote\|>"That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to fly; and the m--" But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping on the ground as she spoke; "either you or your head must be off, and that in about half no time! Take your choice!" The Duchess took her choice, and was gone in a moment. "Let's go on with the game," the Queen said to Alice; and Alice was too much frightened to say a word, but slowly followed her back to the croquet-ground. The	Alices Adventures In Wonderland
"she will indulge her even more than she did you, and believe that she does not indulge her at all. It will be the only difference."	Mr. Knightley	"That is," replied Mr. Knightley,<\|quote\|>"she will indulge her even more than she did you, and believe that she does not indulge her at all. It will be the only difference."</\|quote\|>"Poor child!" cried Emma; "at	on a more perfect plan." "That is," replied Mr. Knightley,<\|quote\|>"she will indulge her even more than she did you, and believe that she does not indulge her at all. It will be the only difference."</\|quote\|>"Poor child!" cried Emma; "at that rate, what will become	exercise again. "She has had the advantage, you know, of practising on me," she continued--" "like La Baronne d'Almane on La Comtesse d'Ostalis, in Madame de Genlis' Adelaide and Theodore, and we shall now see her own little Adelaide educated on a more perfect plan." "That is," replied Mr. Knightley,<\|quote\|>"she will indulge her even more than she did you, and believe that she does not indulge her at all. It will be the only difference."</\|quote\|>"Poor child!" cried Emma; "at that rate, what will become of her?" "Nothing very bad.--The fate of thousands. She will be disagreeable in infancy, and correct herself as she grows older. I am losing all my bitterness against spoilt children, my dearest Emma. I, who am owing all my happiness	nonsense, the freaks and the fancies of a child never banished from home; and Mrs. Weston--no one could doubt that a daughter would be most to her; and it would be quite a pity that any one who so well knew how to teach, should not have their powers in exercise again. "She has had the advantage, you know, of practising on me," she continued--" "like La Baronne d'Almane on La Comtesse d'Ostalis, in Madame de Genlis' Adelaide and Theodore, and we shall now see her own little Adelaide educated on a more perfect plan." "That is," replied Mr. Knightley,<\|quote\|>"she will indulge her even more than she did you, and believe that she does not indulge her at all. It will be the only difference."</\|quote\|>"Poor child!" cried Emma; "at that rate, what will become of her?" "Nothing very bad.--The fate of thousands. She will be disagreeable in infancy, and correct herself as she grows older. I am losing all my bitterness against spoilt children, my dearest Emma. I, who am owing all my happiness to _you_, would not it be horrible ingratitude in me to be severe on them?" Emma laughed, and replied: "But I had the assistance of all your endeavours to counteract the indulgence of other people. I doubt whether my own sense would have corrected me without it." "Do you?--I have	satisfaction of her well-doing could be increased to Emma, it was by knowing her to be the mother of a little girl. She had been decided in wishing for a Miss Weston. She would not acknowledge that it was with any view of making a match for her, hereafter, with either of Isabella's sons; but she was convinced that a daughter would suit both father and mother best. It would be a great comfort to Mr. Weston, as he grew older--and even Mr. Weston might be growing older ten years hence--to have his fireside enlivened by the sports and the nonsense, the freaks and the fancies of a child never banished from home; and Mrs. Weston--no one could doubt that a daughter would be most to her; and it would be quite a pity that any one who so well knew how to teach, should not have their powers in exercise again. "She has had the advantage, you know, of practising on me," she continued--" "like La Baronne d'Almane on La Comtesse d'Ostalis, in Madame de Genlis' Adelaide and Theodore, and we shall now see her own little Adelaide educated on a more perfect plan." "That is," replied Mr. Knightley,<\|quote\|>"she will indulge her even more than she did you, and believe that she does not indulge her at all. It will be the only difference."</\|quote\|>"Poor child!" cried Emma; "at that rate, what will become of her?" "Nothing very bad.--The fate of thousands. She will be disagreeable in infancy, and correct herself as she grows older. I am losing all my bitterness against spoilt children, my dearest Emma. I, who am owing all my happiness to _you_, would not it be horrible ingratitude in me to be severe on them?" Emma laughed, and replied: "But I had the assistance of all your endeavours to counteract the indulgence of other people. I doubt whether my own sense would have corrected me without it." "Do you?--I have no doubt. Nature gave you understanding:--Miss Taylor gave you principles. You must have done well. My interference was quite as likely to do harm as good. It was very natural for you to say, what right has he to lecture me?--and I am afraid very natural for you to feel that it was done in a disagreeable manner. I do not believe I did you any good. The good was all to myself, by making you an object of the tenderest affection to me. I could not think about you so much without doating on you, faults and all; and	We must do whatever is to be done quickest, and I think our feelings will lose no time there. I hope you have pleasant accounts from Windsor?" "Very." "And the next news, I suppose, will be, that we are to lose you--just as I begin to know you." "Oh! as to all that, of course nothing can be thought of yet. I am here till claimed by Colonel and Mrs. Campbell." "Nothing can be actually settled yet, perhaps," replied Emma, smiling--" "but, excuse me, it must be thought of." The smile was returned as Jane answered, "You are very right; it has been thought of. And I will own to you, (I am sure it will be safe), that so far as our living with Mr. Churchill at Enscombe, it is settled. There must be three months, at least, of deep mourning; but when they are over, I imagine there will be nothing more to wait for." "Thank you, thank you.--This is just what I wanted to be assured of.--Oh! if you knew how much I love every thing that is decided and open!--Good-bye, good-bye." CHAPTER XVII Mrs. Weston's friends were all made happy by her safety; and if the satisfaction of her well-doing could be increased to Emma, it was by knowing her to be the mother of a little girl. She had been decided in wishing for a Miss Weston. She would not acknowledge that it was with any view of making a match for her, hereafter, with either of Isabella's sons; but she was convinced that a daughter would suit both father and mother best. It would be a great comfort to Mr. Weston, as he grew older--and even Mr. Weston might be growing older ten years hence--to have his fireside enlivened by the sports and the nonsense, the freaks and the fancies of a child never banished from home; and Mrs. Weston--no one could doubt that a daughter would be most to her; and it would be quite a pity that any one who so well knew how to teach, should not have their powers in exercise again. "She has had the advantage, you know, of practising on me," she continued--" "like La Baronne d'Almane on La Comtesse d'Ostalis, in Madame de Genlis' Adelaide and Theodore, and we shall now see her own little Adelaide educated on a more perfect plan." "That is," replied Mr. Knightley,<\|quote\|>"she will indulge her even more than she did you, and believe that she does not indulge her at all. It will be the only difference."</\|quote\|>"Poor child!" cried Emma; "at that rate, what will become of her?" "Nothing very bad.--The fate of thousands. She will be disagreeable in infancy, and correct herself as she grows older. I am losing all my bitterness against spoilt children, my dearest Emma. I, who am owing all my happiness to _you_, would not it be horrible ingratitude in me to be severe on them?" Emma laughed, and replied: "But I had the assistance of all your endeavours to counteract the indulgence of other people. I doubt whether my own sense would have corrected me without it." "Do you?--I have no doubt. Nature gave you understanding:--Miss Taylor gave you principles. You must have done well. My interference was quite as likely to do harm as good. It was very natural for you to say, what right has he to lecture me?--and I am afraid very natural for you to feel that it was done in a disagreeable manner. I do not believe I did you any good. The good was all to myself, by making you an object of the tenderest affection to me. I could not think about you so much without doating on you, faults and all; and by dint of fancying so many errors, have been in love with you ever since you were thirteen at least." "I am sure you were of use to me," cried Emma. "I was very often influenced rightly by you--oftener than I would own at the time. I am very sure you did me good. And if poor little Anna Weston is to be spoiled, it will be the greatest humanity in you to do as much for her as you have done for me, except falling in love with her when she is thirteen." "How often, when you were a girl, have you said to me, with one of your saucy looks--'Mr. Knightley, I am going to do so-and-so; papa says I may, or I have Miss Taylor's leave'--something which, you knew, I did not approve. In such cases my interference was giving you two bad feelings instead of one." "What an amiable creature I was!--No wonder you should hold my speeches in such affectionate remembrance." "'Mr. Knightley.'--You always called me, 'Mr. Knightley;' and, from habit, it has not so very formal a sound.--And yet it is formal. I want you to call me something else, but I do not	William's wants, but it really is of very great importance that _I_ should see Knightley to-day; and it becomes a matter, therefore, of very serious inconvenience that I should have had this hot walk to no purpose." Emma felt that she could not do better than go home directly. In all probability she was at this very time waited for there; and Mr. Knightley might be preserved from sinking deeper in aggression towards Mr. Elton, if not towards William Larkins. She was pleased, on taking leave, to find Miss Fairfax determined to attend her out of the room, to go with her even downstairs; it gave her an opportunity which she immediately made use of, to say, "It is as well, perhaps, that I have not had the possibility. Had you not been surrounded by other friends, I might have been tempted to introduce a subject, to ask questions, to speak more openly than might have been strictly correct.--I feel that I should certainly have been impertinent." "Oh!" cried Jane, with a blush and an hesitation which Emma thought infinitely more becoming to her than all the elegance of all her usual composure--" "there would have been no danger. The danger would have been of my wearying you. You could not have gratified me more than by expressing an interest--. Indeed, Miss Woodhouse," (speaking more collectedly,) "with the consciousness which I have of misconduct, very great misconduct, it is particularly consoling to me to know that those of my friends, whose good opinion is most worth preserving, are not disgusted to such a degree as to--I have not time for half that I could wish to say. I long to make apologies, excuses, to urge something for myself. I feel it so very due. But, unfortunately--in short, if your compassion does not stand my friend--" "Oh! you are too scrupulous, indeed you are," cried Emma warmly, and taking her hand. "You owe me no apologies; and every body to whom you might be supposed to owe them, is so perfectly satisfied, so delighted even--" "You are very kind, but I know what my manners were to you.--So cold and artificial!--I had always a part to act.--It was a life of deceit!--I know that I must have disgusted you." "Pray say no more. I feel that all the apologies should be on my side. Let us forgive each other at once. We must do whatever is to be done quickest, and I think our feelings will lose no time there. I hope you have pleasant accounts from Windsor?" "Very." "And the next news, I suppose, will be, that we are to lose you--just as I begin to know you." "Oh! as to all that, of course nothing can be thought of yet. I am here till claimed by Colonel and Mrs. Campbell." "Nothing can be actually settled yet, perhaps," replied Emma, smiling--" "but, excuse me, it must be thought of." The smile was returned as Jane answered, "You are very right; it has been thought of. And I will own to you, (I am sure it will be safe), that so far as our living with Mr. Churchill at Enscombe, it is settled. There must be three months, at least, of deep mourning; but when they are over, I imagine there will be nothing more to wait for." "Thank you, thank you.--This is just what I wanted to be assured of.--Oh! if you knew how much I love every thing that is decided and open!--Good-bye, good-bye." CHAPTER XVII Mrs. Weston's friends were all made happy by her safety; and if the satisfaction of her well-doing could be increased to Emma, it was by knowing her to be the mother of a little girl. She had been decided in wishing for a Miss Weston. She would not acknowledge that it was with any view of making a match for her, hereafter, with either of Isabella's sons; but she was convinced that a daughter would suit both father and mother best. It would be a great comfort to Mr. Weston, as he grew older--and even Mr. Weston might be growing older ten years hence--to have his fireside enlivened by the sports and the nonsense, the freaks and the fancies of a child never banished from home; and Mrs. Weston--no one could doubt that a daughter would be most to her; and it would be quite a pity that any one who so well knew how to teach, should not have their powers in exercise again. "She has had the advantage, you know, of practising on me," she continued--" "like La Baronne d'Almane on La Comtesse d'Ostalis, in Madame de Genlis' Adelaide and Theodore, and we shall now see her own little Adelaide educated on a more perfect plan." "That is," replied Mr. Knightley,<\|quote\|>"she will indulge her even more than she did you, and believe that she does not indulge her at all. It will be the only difference."</\|quote\|>"Poor child!" cried Emma; "at that rate, what will become of her?" "Nothing very bad.--The fate of thousands. She will be disagreeable in infancy, and correct herself as she grows older. I am losing all my bitterness against spoilt children, my dearest Emma. I, who am owing all my happiness to _you_, would not it be horrible ingratitude in me to be severe on them?" Emma laughed, and replied: "But I had the assistance of all your endeavours to counteract the indulgence of other people. I doubt whether my own sense would have corrected me without it." "Do you?--I have no doubt. Nature gave you understanding:--Miss Taylor gave you principles. You must have done well. My interference was quite as likely to do harm as good. It was very natural for you to say, what right has he to lecture me?--and I am afraid very natural for you to feel that it was done in a disagreeable manner. I do not believe I did you any good. The good was all to myself, by making you an object of the tenderest affection to me. I could not think about you so much without doating on you, faults and all; and by dint of fancying so many errors, have been in love with you ever since you were thirteen at least." "I am sure you were of use to me," cried Emma. "I was very often influenced rightly by you--oftener than I would own at the time. I am very sure you did me good. And if poor little Anna Weston is to be spoiled, it will be the greatest humanity in you to do as much for her as you have done for me, except falling in love with her when she is thirteen." "How often, when you were a girl, have you said to me, with one of your saucy looks--'Mr. Knightley, I am going to do so-and-so; papa says I may, or I have Miss Taylor's leave'--something which, you knew, I did not approve. In such cases my interference was giving you two bad feelings instead of one." "What an amiable creature I was!--No wonder you should hold my speeches in such affectionate remembrance." "'Mr. Knightley.'--You always called me, 'Mr. Knightley;' and, from habit, it has not so very formal a sound.--And yet it is formal. I want you to call me something else, but I do not know what." "I remember once calling you 'George,' in one of my amiable fits, about ten years ago. I did it because I thought it would offend you; but, as you made no objection, I never did it again." "And cannot you call me 'George' now?" "Impossible!--I never can call you any thing but 'Mr. Knightley.' I will not promise even to equal the elegant terseness of Mrs. Elton, by calling you Mr. K.--But I will promise," she added presently, laughing and blushing--" "I will promise to call you once by your Christian name. I do not say when, but perhaps you may guess where;--in the building in which N. takes M. for better, for worse." Emma grieved that she could not be more openly just to one important service which his better sense would have rendered her, to the advice which would have saved her from the worst of all her womanly follies--her wilful intimacy with Harriet Smith; but it was too tender a subject.--She could not enter on it.--Harriet was very seldom mentioned between them. This, on his side, might merely proceed from her not being thought of; but Emma was rather inclined to attribute it to delicacy, and a suspicion, from some appearances, that their friendship were declining. She was aware herself, that, parting under any other circumstances, they certainly should have corresponded more, and that her intelligence would not have rested, as it now almost wholly did, on Isabella's letters. He might observe that it was so. The pain of being obliged to practise concealment towards him, was very little inferior to the pain of having made Harriet unhappy. Isabella sent quite as good an account of her visitor as could be expected; on her first arrival she had thought her out of spirits, which appeared perfectly natural, as there was a dentist to be consulted; but, since that business had been over, she did not appear to find Harriet different from what she had known her before.--Isabella, to be sure, was no very quick observer; yet if Harriet had not been equal to playing with the children, it would not have escaped her. Emma's comforts and hopes were most agreeably carried on, by Harriet's being to stay longer; her fortnight was likely to be a month at least. Mr. and Mrs. John Knightley were to come down in August, and she was invited to remain	it so very due. But, unfortunately--in short, if your compassion does not stand my friend--" "Oh! you are too scrupulous, indeed you are," cried Emma warmly, and taking her hand. "You owe me no apologies; and every body to whom you might be supposed to owe them, is so perfectly satisfied, so delighted even--" "You are very kind, but I know what my manners were to you.--So cold and artificial!--I had always a part to act.--It was a life of deceit!--I know that I must have disgusted you." "Pray say no more. I feel that all the apologies should be on my side. Let us forgive each other at once. We must do whatever is to be done quickest, and I think our feelings will lose no time there. I hope you have pleasant accounts from Windsor?" "Very." "And the next news, I suppose, will be, that we are to lose you--just as I begin to know you." "Oh! as to all that, of course nothing can be thought of yet. I am here till claimed by Colonel and Mrs. Campbell." "Nothing can be actually settled yet, perhaps," replied Emma, smiling--" "but, excuse me, it must be thought of." The smile was returned as Jane answered, "You are very right; it has been thought of. And I will own to you, (I am sure it will be safe), that so far as our living with Mr. Churchill at Enscombe, it is settled. There must be three months, at least, of deep mourning; but when they are over, I imagine there will be nothing more to wait for." "Thank you, thank you.--This is just what I wanted to be assured of.--Oh! if you knew how much I love every thing that is decided and open!--Good-bye, good-bye." CHAPTER XVII Mrs. Weston's friends were all made happy by her safety; and if the satisfaction of her well-doing could be increased to Emma, it was by knowing her to be the mother of a little girl. She had been decided in wishing for a Miss Weston. She would not acknowledge that it was with any view of making a match for her, hereafter, with either of Isabella's sons; but she was convinced that a daughter would suit both father and mother best. It would be a great comfort to Mr. Weston, as he grew older--and even Mr. Weston might be growing older ten years hence--to have his fireside enlivened by the sports and the nonsense, the freaks and the fancies of a child never banished from home; and Mrs. Weston--no one could doubt that a daughter would be most to her; and it would be quite a pity that any one who so well knew how to teach, should not have their powers in exercise again. "She has had the advantage, you know, of practising on me," she continued--" "like La Baronne d'Almane on La Comtesse d'Ostalis, in Madame de Genlis' Adelaide and Theodore, and we shall now see her own little Adelaide educated on a more perfect plan." "That is," replied Mr. Knightley,<\|quote\|>"she will indulge her even more than she did you, and believe that she does not indulge her at all. It will be the only difference."</\|quote\|>"Poor child!" cried Emma; "at that rate, what will become of her?" "Nothing very bad.--The fate of thousands. She will be disagreeable in infancy, and correct herself as she grows older. I am losing all my bitterness against spoilt children, my dearest Emma. I, who am owing all my happiness to _you_, would not it be horrible ingratitude in me to be severe on them?" Emma laughed, and replied: "But I had the assistance of all your endeavours to counteract the indulgence of other people. I doubt whether my own sense would have corrected me without it." "Do you?--I have no doubt. Nature gave you understanding:--Miss Taylor gave you principles. You must have done well. My interference was quite as likely to do harm as good. It was very natural for you to say, what right has he to lecture me?--and I am afraid very natural for you to feel that it was done in a disagreeable manner. I do not believe I did you any good. The good was all to myself, by making you an object of the tenderest affection to me. I could not think about you so much without doating on you, faults and all; and by dint of fancying so many errors, have been in love with you ever since you were thirteen at least." "I am sure you were of use to me," cried Emma. "I was very often influenced rightly by you--oftener than I would own at the time. I am very sure you did me good. And if poor little Anna Weston is to be spoiled, it will be the greatest humanity in you to do as much for her as you have done for me, except falling in love with her when she is thirteen." "How often, when you were a girl, have you said to me, with one of your saucy looks--'Mr. Knightley, I am going to do so-and-so; papa says I may, or I have Miss Taylor's leave'--something which, you knew, I did not approve. In such cases my interference was giving you two bad feelings instead of one." "What an amiable creature I was!--No wonder you should hold my speeches in such affectionate remembrance." "'Mr. Knightley.'--You always called me, 'Mr. Knightley;' and, from habit, it has not so very formal a sound.--And yet it is formal. I want you to call me something else, but I do not know what." "I remember once calling you 'George,' in one of my amiable fits, about ten years ago. I did it because I thought it would offend you; but, as you made no objection, I never did it again." "And cannot you call me 'George' now?" "Impossible!--I never can call you any thing but 'Mr. Knightley.' I will not promise even to equal the elegant terseness of Mrs. Elton, by calling you Mr. K.--But I will promise," she added presently, laughing and	Emma
"We have been to see some pictures,"	William Rodney	and distinguished and rather absent-minded.<\|quote\|>"We have been to see some pictures,"</\|quote\|>said William. "Oh, dear," he	standing and looking very tall and distinguished and rather absent-minded.<\|quote\|>"We have been to see some pictures,"</\|quote\|>said William. "Oh, dear," he exclaimed, looking about him, "this	the first disappointment, she was pleased, for she felt instantly that Katharine was a personality, and, moreover, she need not now exercise her self-control. "We were passing and saw a light in your window, so we came up," Katharine explained, standing and looking very tall and distinguished and rather absent-minded.<\|quote\|>"We have been to see some pictures,"</\|quote\|>said William. "Oh, dear," he exclaimed, looking about him, "this room reminds me of one of the worst hours in my existence when I read a paper, and you all sat round and jeered at me. Katharine was the worst. I could feel her gloating over every mistake I made.	but Katharine and William Rodney. Her first impression was that they were both extremely well dressed. She felt herself shabby and slovenly beside them, and did not know how she should entertain them, nor could she guess why they had come. She had heard nothing of their engagement. But after the first disappointment, she was pleased, for she felt instantly that Katharine was a personality, and, moreover, she need not now exercise her self-control. "We were passing and saw a light in your window, so we came up," Katharine explained, standing and looking very tall and distinguished and rather absent-minded.<\|quote\|>"We have been to see some pictures,"</\|quote\|>said William. "Oh, dear," he exclaimed, looking about him, "this room reminds me of one of the worst hours in my existence when I read a paper, and you all sat round and jeered at me. Katharine was the worst. I could feel her gloating over every mistake I made. Miss Datchet was kind. Miss Datchet just made it possible for me to get through, I remember." Sitting down, he drew off his light yellow gloves, and began slapping his knees with them. His vitality was pleasant, Mary thought, although he made her laugh. The very look of him was	full of complexity; life was a thing one must love to the last fiber of it. She had sat there for five minutes or so, and her thoughts had had time to grow dim, when there came a ring at her bell. Her eye brightened; she felt immediately convinced that Ralph had come to visit her. Accordingly, she waited a moment before opening the door; she wanted to feel her hands secure upon the reins of all the troublesome emotions which the sight of Ralph would certainly arouse. She composed herself unnecessarily, however, for she had to admit, not Ralph, but Katharine and William Rodney. Her first impression was that they were both extremely well dressed. She felt herself shabby and slovenly beside them, and did not know how she should entertain them, nor could she guess why they had come. She had heard nothing of their engagement. But after the first disappointment, she was pleased, for she felt instantly that Katharine was a personality, and, moreover, she need not now exercise her self-control. "We were passing and saw a light in your window, so we came up," Katharine explained, standing and looking very tall and distinguished and rather absent-minded.<\|quote\|>"We have been to see some pictures,"</\|quote\|>said William. "Oh, dear," he exclaimed, looking about him, "this room reminds me of one of the worst hours in my existence when I read a paper, and you all sat round and jeered at me. Katharine was the worst. I could feel her gloating over every mistake I made. Miss Datchet was kind. Miss Datchet just made it possible for me to get through, I remember." Sitting down, he drew off his light yellow gloves, and began slapping his knees with them. His vitality was pleasant, Mary thought, although he made her laugh. The very look of him was inclined to make her laugh. His rather prominent eyes passed from one young woman to the other, and his lips perpetually formed words which remained unspoken. "We have been seeing old masters at the Grafton Gallery," said Katharine, apparently paying no attention to William, and accepting a cigarette which Mary offered her. She leant back in her chair, and the smoke which hung about her face seemed to withdraw her still further from the others. "Would you believe it, Miss Datchet," William continued, "Katharine doesn t like Titian. She doesn t like apricots, she doesn t like peaches, she doesn	she was crossing the great misty square of Lincoln s Inn Fields, she was cold and depressed again, and horribly clear-sighted. The dark removed the stimulus of human companionship, and a tear actually slid down her cheek, accompanying a sudden conviction within her that she loved Ralph, and that he didn t love her. All dark and empty now was the path where they had walked that morning, and the sparrows silent in the bare trees. But the lights in her own building soon cheered her; all these different states of mind were submerged in the deep flood of desires, thoughts, perceptions, antagonisms, which washed perpetually at the base of her being, to rise into prominence in turn when the conditions of the upper world were favorable. She put off the hour of clear thought until Christmas, saying to herself, as she lit her fire, that it is impossible to think anything out in London; and, no doubt, Ralph wouldn t come at Christmas, and she would take long walks into the heart of the country, and decide this question and all the others that puzzled her. Meanwhile, she thought, drawing her feet up on to the fender, life was full of complexity; life was a thing one must love to the last fiber of it. She had sat there for five minutes or so, and her thoughts had had time to grow dim, when there came a ring at her bell. Her eye brightened; she felt immediately convinced that Ralph had come to visit her. Accordingly, she waited a moment before opening the door; she wanted to feel her hands secure upon the reins of all the troublesome emotions which the sight of Ralph would certainly arouse. She composed herself unnecessarily, however, for she had to admit, not Ralph, but Katharine and William Rodney. Her first impression was that they were both extremely well dressed. She felt herself shabby and slovenly beside them, and did not know how she should entertain them, nor could she guess why they had come. She had heard nothing of their engagement. But after the first disappointment, she was pleased, for she felt instantly that Katharine was a personality, and, moreover, she need not now exercise her self-control. "We were passing and saw a light in your window, so we came up," Katharine explained, standing and looking very tall and distinguished and rather absent-minded.<\|quote\|>"We have been to see some pictures,"</\|quote\|>said William. "Oh, dear," he exclaimed, looking about him, "this room reminds me of one of the worst hours in my existence when I read a paper, and you all sat round and jeered at me. Katharine was the worst. I could feel her gloating over every mistake I made. Miss Datchet was kind. Miss Datchet just made it possible for me to get through, I remember." Sitting down, he drew off his light yellow gloves, and began slapping his knees with them. His vitality was pleasant, Mary thought, although he made her laugh. The very look of him was inclined to make her laugh. His rather prominent eyes passed from one young woman to the other, and his lips perpetually formed words which remained unspoken. "We have been seeing old masters at the Grafton Gallery," said Katharine, apparently paying no attention to William, and accepting a cigarette which Mary offered her. She leant back in her chair, and the smoke which hung about her face seemed to withdraw her still further from the others. "Would you believe it, Miss Datchet," William continued, "Katharine doesn t like Titian. She doesn t like apricots, she doesn t like peaches, she doesn t like green peas. She likes the Elgin marbles, and gray days without any sun. She s a typical example of the cold northern nature. I come from Devonshire" Had they been quarreling, Mary wondered, and had they, for that reason, sought refuge in her room, or were they engaged, or had Katharine just refused him? She was completely baffled. Katharine now reappeared from her veil of smoke, knocked the ash from her cigarette into the fireplace, and looked, with an odd expression of solicitude, at the irritable man. "Perhaps, Mary," she said tentatively, "you wouldn t mind giving us some tea? We did try to get some, but the shop was so crowded, and in the next one there was a band playing; and most of the pictures, at any rate, were very dull, whatever you may say, William." She spoke with a kind of guarded gentleness. Mary, accordingly, retired to make preparations in the pantry. "What in the world are they after?" she asked of her own reflection in the little looking-glass which hung there. She was not left to doubt much longer, for, on coming back into the sitting-room with the tea-things, Katharine informed her, apparently having	cups from the cupboard as she spoke, so that her sentences were more than usually broken apart. Mary could not help looking at the odd little priestess of humanity with something like admiration. While she had been thinking about herself, Mrs. Seal had thought of nothing but her vision. "You mustn t wear yourself out, Sally, if you want to see the great day," she said, rising and trying to take a plate of biscuits from Mrs. Seal s hands. "My dear child, what else is my old body good for?" she exclaimed, clinging more tightly than before to her plate of biscuits. "Shouldn t I be proud to give everything I have to the cause? for I m not an intelligence like you. There were domestic circumstances I d like to tell you one of these days so I say foolish things. I lose my head, you know. You don t. Mr. Clacton doesn t. It s a great mistake, to lose one s head. But my heart s in the right place. And I m so glad Kit has a big dog, for I didn t think her looking well." They had their tea, and went over many of the points that had been raised in the committee rather more intimately than had been possible then; and they all felt an agreeable sense of being in some way behind the scenes; of having their hands upon strings which, when pulled, would completely change the pageant exhibited daily to those who read the newspapers. Although their views were very different, this sense united them and made them almost cordial in their manners to each other. Mary, however, left the tea-party rather early, desiring both to be alone, and then to hear some music at the Queen s Hall. She fully intended to use her loneliness to think out her position with regard to Ralph; but although she walked back to the Strand with this end in view, she found her mind uncomfortably full of different trains of thought. She started one and then another. They seemed even to take their color from the street she happened to be in. Thus the vision of humanity appeared to be in some way connected with Bloomsbury, and faded distinctly by the time she crossed the main road; then a belated organ-grinder in Holborn set her thoughts dancing incongruously; and by the time she was crossing the great misty square of Lincoln s Inn Fields, she was cold and depressed again, and horribly clear-sighted. The dark removed the stimulus of human companionship, and a tear actually slid down her cheek, accompanying a sudden conviction within her that she loved Ralph, and that he didn t love her. All dark and empty now was the path where they had walked that morning, and the sparrows silent in the bare trees. But the lights in her own building soon cheered her; all these different states of mind were submerged in the deep flood of desires, thoughts, perceptions, antagonisms, which washed perpetually at the base of her being, to rise into prominence in turn when the conditions of the upper world were favorable. She put off the hour of clear thought until Christmas, saying to herself, as she lit her fire, that it is impossible to think anything out in London; and, no doubt, Ralph wouldn t come at Christmas, and she would take long walks into the heart of the country, and decide this question and all the others that puzzled her. Meanwhile, she thought, drawing her feet up on to the fender, life was full of complexity; life was a thing one must love to the last fiber of it. She had sat there for five minutes or so, and her thoughts had had time to grow dim, when there came a ring at her bell. Her eye brightened; she felt immediately convinced that Ralph had come to visit her. Accordingly, she waited a moment before opening the door; she wanted to feel her hands secure upon the reins of all the troublesome emotions which the sight of Ralph would certainly arouse. She composed herself unnecessarily, however, for she had to admit, not Ralph, but Katharine and William Rodney. Her first impression was that they were both extremely well dressed. She felt herself shabby and slovenly beside them, and did not know how she should entertain them, nor could she guess why they had come. She had heard nothing of their engagement. But after the first disappointment, she was pleased, for she felt instantly that Katharine was a personality, and, moreover, she need not now exercise her self-control. "We were passing and saw a light in your window, so we came up," Katharine explained, standing and looking very tall and distinguished and rather absent-minded.<\|quote\|>"We have been to see some pictures,"</\|quote\|>said William. "Oh, dear," he exclaimed, looking about him, "this room reminds me of one of the worst hours in my existence when I read a paper, and you all sat round and jeered at me. Katharine was the worst. I could feel her gloating over every mistake I made. Miss Datchet was kind. Miss Datchet just made it possible for me to get through, I remember." Sitting down, he drew off his light yellow gloves, and began slapping his knees with them. His vitality was pleasant, Mary thought, although he made her laugh. The very look of him was inclined to make her laugh. His rather prominent eyes passed from one young woman to the other, and his lips perpetually formed words which remained unspoken. "We have been seeing old masters at the Grafton Gallery," said Katharine, apparently paying no attention to William, and accepting a cigarette which Mary offered her. She leant back in her chair, and the smoke which hung about her face seemed to withdraw her still further from the others. "Would you believe it, Miss Datchet," William continued, "Katharine doesn t like Titian. She doesn t like apricots, she doesn t like peaches, she doesn t like green peas. She likes the Elgin marbles, and gray days without any sun. She s a typical example of the cold northern nature. I come from Devonshire" Had they been quarreling, Mary wondered, and had they, for that reason, sought refuge in her room, or were they engaged, or had Katharine just refused him? She was completely baffled. Katharine now reappeared from her veil of smoke, knocked the ash from her cigarette into the fireplace, and looked, with an odd expression of solicitude, at the irritable man. "Perhaps, Mary," she said tentatively, "you wouldn t mind giving us some tea? We did try to get some, but the shop was so crowded, and in the next one there was a band playing; and most of the pictures, at any rate, were very dull, whatever you may say, William." She spoke with a kind of guarded gentleness. Mary, accordingly, retired to make preparations in the pantry. "What in the world are they after?" she asked of her own reflection in the little looking-glass which hung there. She was not left to doubt much longer, for, on coming back into the sitting-room with the tea-things, Katharine informed her, apparently having been instructed so to do by William, of their engagement. "William," she said, "thinks that perhaps you don t know. We are going to be married." Mary found herself shaking William s hand, and addressing her congratulations to him, as if Katharine were inaccessible; she had, indeed, taken hold of the tea-kettle. "Let me see," Katharine said, "one puts hot water into the cups first, doesn t one? You have some dodge of your own, haven t you, William, about making tea?" Mary was half inclined to suspect that this was said in order to conceal nervousness, but if so, the concealment was unusually perfect. Talk of marriage was dismissed. Katharine might have been seated in her own drawing-room, controlling a situation which presented no sort of difficulty to her trained mind. Rather to her surprise, Mary found herself making conversation with William about old Italian pictures, while Katharine poured out tea, cut cake, kept William s plate supplied, without joining more than was necessary in the conversation. She seemed to have taken possession of Mary s room, and to handle the cups as if they belonged to her. But it was done so naturally that it bred no resentment in Mary; on the contrary, she found herself putting her hand on Katharine s knee, affectionately, for an instant. Was there something maternal in this assumption of control? And thinking of Katharine as one who would soon be married, these maternal airs filled Mary s mind with a new tenderness, and even with awe. Katharine seemed very much older and more experienced than she was. Meanwhile Rodney talked. If his appearance was superficially against him, it had the advantage of making his solid merits something of a surprise. He had kept notebooks; he knew a great deal about pictures. He could compare different examples in different galleries, and his authoritative answers to intelligent questions gained not a little, Mary felt, from the smart taps which he dealt, as he delivered them, upon the lumps of coal. She was impressed. "Your tea, William," said Katharine gently. He paused, gulped it down, obediently, and continued. And then it struck Mary that Katharine, in the shade of her broad-brimmed hat, and in the midst of the smoke, and in the obscurity of her character, was, perhaps, smiling to herself, not altogether in the maternal spirit. What she said was very simple, but her	of mind were submerged in the deep flood of desires, thoughts, perceptions, antagonisms, which washed perpetually at the base of her being, to rise into prominence in turn when the conditions of the upper world were favorable. She put off the hour of clear thought until Christmas, saying to herself, as she lit her fire, that it is impossible to think anything out in London; and, no doubt, Ralph wouldn t come at Christmas, and she would take long walks into the heart of the country, and decide this question and all the others that puzzled her. Meanwhile, she thought, drawing her feet up on to the fender, life was full of complexity; life was a thing one must love to the last fiber of it. She had sat there for five minutes or so, and her thoughts had had time to grow dim, when there came a ring at her bell. Her eye brightened; she felt immediately convinced that Ralph had come to visit her. Accordingly, she waited a moment before opening the door; she wanted to feel her hands secure upon the reins of all the troublesome emotions which the sight of Ralph would certainly arouse. She composed herself unnecessarily, however, for she had to admit, not Ralph, but Katharine and William Rodney. Her first impression was that they were both extremely well dressed. She felt herself shabby and slovenly beside them, and did not know how she should entertain them, nor could she guess why they had come. She had heard nothing of their engagement. But after the first disappointment, she was pleased, for she felt instantly that Katharine was a personality, and, moreover, she need not now exercise her self-control. "We were passing and saw a light in your window, so we came up," Katharine explained, standing and looking very tall and distinguished and rather absent-minded.<\|quote\|>"We have been to see some pictures,"</\|quote\|>said William. "Oh, dear," he exclaimed, looking about him, "this room reminds me of one of the worst hours in my existence when I read a paper, and you all sat round and jeered at me. Katharine was the worst. I could feel her gloating over every mistake I made. Miss Datchet was kind. Miss Datchet just made it possible for me to get through, I remember." Sitting down, he drew off his light yellow gloves, and began slapping his knees with them. His vitality was pleasant, Mary thought, although he made her laugh. The very look of him was inclined to make her laugh. His rather prominent eyes passed from one young woman to the other, and his lips perpetually formed words which remained unspoken. "We have been seeing old masters at the Grafton Gallery," said Katharine, apparently paying no attention to William, and accepting a cigarette which Mary offered her. She leant back in her chair, and the smoke which hung about her face seemed to withdraw her still further from the others. "Would you believe it, Miss Datchet," William continued, "Katharine doesn t like Titian. She doesn t like apricots, she doesn t like peaches, she doesn	Night And Day
"here is Barton valley. Look up to it, and be tranquil if you can. Look at those hills! Did you ever see their equals? To the left is Barton park, amongst those woods and plantations. You may see the end of the house. And there, beneath that farthest hill, which rises with such grandeur, is our cottage."	Marianne	his attention to the prospect,<\|quote\|>"here is Barton valley. Look up to it, and be tranquil if you can. Look at those hills! Did you ever see their equals? To the left is Barton park, amongst those woods and plantations. You may see the end of the house. And there, beneath that farthest hill, which rises with such grandeur, is our cottage."</\|quote\|>"It is a beautiful country,"	"Now, Edward," said she, calling his attention to the prospect,<\|quote\|>"here is Barton valley. Look up to it, and be tranquil if you can. Look at those hills! Did you ever see their equals? To the left is Barton park, amongst those woods and plantations. You may see the end of the house. And there, beneath that farthest hill, which rises with such grandeur, is our cottage."</\|quote\|>"It is a beautiful country," he replied; "but these bottoms	said Elinor, "who has your passion for dead leaves." "No; my feelings are not often shared, not often understood. But _sometimes_ they are." As she said this, she sunk into a reverie for a few moments; but rousing herself again, "Now, Edward," said she, calling his attention to the prospect,<\|quote\|>"here is Barton valley. Look up to it, and be tranquil if you can. Look at those hills! Did you ever see their equals? To the left is Barton park, amongst those woods and plantations. You may see the end of the house. And there, beneath that farthest hill, which rises with such grandeur, is our cottage."</\|quote\|>"It is a beautiful country," he replied; "but these bottoms must be dirty in winter." "How can you think of dirt, with such objects before you?" "Because," replied he, smiling, "among the rest of the objects before me, I see a very dirty lane." "How strange!" said Marianne to herself	driven in showers about me by the wind! What feelings have they, the season, the air altogether inspired! Now there is no one to regard them. They are seen only as a nuisance, swept hastily off, and driven as much as possible from the sight." "It is not every one," said Elinor, "who has your passion for dead leaves." "No; my feelings are not often shared, not often understood. But _sometimes_ they are." As she said this, she sunk into a reverie for a few moments; but rousing herself again, "Now, Edward," said she, calling his attention to the prospect,<\|quote\|>"here is Barton valley. Look up to it, and be tranquil if you can. Look at those hills! Did you ever see their equals? To the left is Barton park, amongst those woods and plantations. You may see the end of the house. And there, beneath that farthest hill, which rises with such grandeur, is our cottage."</\|quote\|>"It is a beautiful country," he replied; "but these bottoms must be dirty in winter." "How can you think of dirt, with such objects before you?" "Because," replied he, smiling, "among the rest of the objects before me, I see a very dirty lane." "How strange!" said Marianne to herself as she walked on. "Have you an agreeable neighbourhood here? Are the Middletons pleasant people?" "No, not all," answered Marianne; "we could not be more unfortunately situated." "Marianne," cried her sister, "how can you say so? How can you be so unjust? They are a very respectable family, Mr. Ferrars;	same county with Elinor without seeing her before. He looked rather distressed as he added, that he had been staying with some friends near Plymouth. "Have you been lately in Sussex?" said Elinor. "I was at Norland about a month ago." "And how does dear, dear Norland look?" cried Marianne. "Dear, dear Norland," said Elinor, "probably looks much as it always does at this time of the year. The woods and walks thickly covered with dead leaves." "Oh," cried Marianne, "with what transporting sensation have I formerly seen them fall! How have I delighted, as I walked, to see them driven in showers about me by the wind! What feelings have they, the season, the air altogether inspired! Now there is no one to regard them. They are seen only as a nuisance, swept hastily off, and driven as much as possible from the sight." "It is not every one," said Elinor, "who has your passion for dead leaves." "No; my feelings are not often shared, not often understood. But _sometimes_ they are." As she said this, she sunk into a reverie for a few moments; but rousing herself again, "Now, Edward," said she, calling his attention to the prospect,<\|quote\|>"here is Barton valley. Look up to it, and be tranquil if you can. Look at those hills! Did you ever see their equals? To the left is Barton park, amongst those woods and plantations. You may see the end of the house. And there, beneath that farthest hill, which rises with such grandeur, is our cottage."</\|quote\|>"It is a beautiful country," he replied; "but these bottoms must be dirty in winter." "How can you think of dirt, with such objects before you?" "Because," replied he, smiling, "among the rest of the objects before me, I see a very dirty lane." "How strange!" said Marianne to herself as she walked on. "Have you an agreeable neighbourhood here? Are the Middletons pleasant people?" "No, not all," answered Marianne; "we could not be more unfortunately situated." "Marianne," cried her sister, "how can you say so? How can you be so unjust? They are a very respectable family, Mr. Ferrars; and towards us have behaved in the friendliest manner. Have you forgot, Marianne, how many pleasant days we have owed to them?" "No," said Marianne, in a low voice, "nor how many painful moments." Elinor took no notice of this; and directing her attention to their visitor, endeavoured to support something like discourse with him, by talking of their present residence, its conveniences, &c. extorting from him occasional questions and remarks. His coldness and reserve mortified her severely; she was vexed and half angry; but resolving to regulate her behaviour to him by the past rather than the present, she	by them all with great cordiality, but especially by Marianne, who showed more warmth of regard in her reception of him than even Elinor herself. To Marianne, indeed, the meeting between Edward and her sister was but a continuation of that unaccountable coldness which she had often observed at Norland in their mutual behaviour. On Edward s side, more particularly, there was a deficiency of all that a lover ought to look and say on such an occasion. He was confused, seemed scarcely sensible of pleasure in seeing them, looked neither rapturous nor gay, said little but what was forced from him by questions, and distinguished Elinor by no mark of affection. Marianne saw and listened with increasing surprise. She began almost to feel a dislike of Edward; and it ended, as every feeling must end with her, by carrying back her thoughts to Willoughby, whose manners formed a contrast sufficiently striking to those of his brother elect. After a short silence which succeeded the first surprise and enquiries of meeting, Marianne asked Edward if he came directly from London. No, he had been in Devonshire a fortnight. "A fortnight!" she repeated, surprised at his being so long in the same county with Elinor without seeing her before. He looked rather distressed as he added, that he had been staying with some friends near Plymouth. "Have you been lately in Sussex?" said Elinor. "I was at Norland about a month ago." "And how does dear, dear Norland look?" cried Marianne. "Dear, dear Norland," said Elinor, "probably looks much as it always does at this time of the year. The woods and walks thickly covered with dead leaves." "Oh," cried Marianne, "with what transporting sensation have I formerly seen them fall! How have I delighted, as I walked, to see them driven in showers about me by the wind! What feelings have they, the season, the air altogether inspired! Now there is no one to regard them. They are seen only as a nuisance, swept hastily off, and driven as much as possible from the sight." "It is not every one," said Elinor, "who has your passion for dead leaves." "No; my feelings are not often shared, not often understood. But _sometimes_ they are." As she said this, she sunk into a reverie for a few moments; but rousing herself again, "Now, Edward," said she, calling his attention to the prospect,<\|quote\|>"here is Barton valley. Look up to it, and be tranquil if you can. Look at those hills! Did you ever see their equals? To the left is Barton park, amongst those woods and plantations. You may see the end of the house. And there, beneath that farthest hill, which rises with such grandeur, is our cottage."</\|quote\|>"It is a beautiful country," he replied; "but these bottoms must be dirty in winter." "How can you think of dirt, with such objects before you?" "Because," replied he, smiling, "among the rest of the objects before me, I see a very dirty lane." "How strange!" said Marianne to herself as she walked on. "Have you an agreeable neighbourhood here? Are the Middletons pleasant people?" "No, not all," answered Marianne; "we could not be more unfortunately situated." "Marianne," cried her sister, "how can you say so? How can you be so unjust? They are a very respectable family, Mr. Ferrars; and towards us have behaved in the friendliest manner. Have you forgot, Marianne, how many pleasant days we have owed to them?" "No," said Marianne, in a low voice, "nor how many painful moments." Elinor took no notice of this; and directing her attention to their visitor, endeavoured to support something like discourse with him, by talking of their present residence, its conveniences, &c. extorting from him occasional questions and remarks. His coldness and reserve mortified her severely; she was vexed and half angry; but resolving to regulate her behaviour to him by the past rather than the present, she avoided every appearance of resentment or displeasure, and treated him as she thought he ought to be treated from the family connection. CHAPTER XVII. Mrs. Dashwood was surprised only for a moment at seeing him; for his coming to Barton was, in her opinion, of all things the most natural. Her joy and expression of regard long outlived her wonder. He received the kindest welcome from her; and shyness, coldness, reserve could not stand against such a reception. They had begun to fail him before he entered the house, and they were quite overcome by the captivating manners of Mrs. Dashwood. Indeed a man could not very well be in love with either of her daughters, without extending the passion to her; and Elinor had the satisfaction of seeing him soon become more like himself. His affections seemed to reanimate towards them all, and his interest in their welfare again became perceptible. He was not in spirits, however; he praised their house, admired its prospect, was attentive, and kind; but still he was not in spirits. The whole family perceived it, and Mrs. Dashwood, attributing it to some want of liberality in his mother, sat down to table indignant against	Elinor, who greatly disapproved such continual seclusion. They walked along the road through the valley, and chiefly in silence, for Marianne s _mind_ could not be controlled, and Elinor, satisfied with gaining one point, would not then attempt more. Beyond the entrance of the valley, where the country, though still rich, was less wild and more open, a long stretch of the road which they had travelled on first coming to Barton, lay before them; and on reaching that point, they stopped to look around them, and examine a prospect which formed the distance of their view from the cottage, from a spot which they had never happened to reach in any of their walks before. Amongst the objects in the scene, they soon discovered an animated one; it was a man on horseback riding towards them. In a few minutes they could distinguish him to be a gentleman; and in a moment afterwards Marianne rapturously exclaimed, "It is he; it is indeed; I know it is!" and was hastening to meet him, when Elinor cried out, "Indeed, Marianne, I think you are mistaken. It is not Willoughby. The person is not tall enough for him, and has not his air." "He has, he has," cried Marianne, "I am sure he has. His air, his coat, his horse. I knew how soon he would come." She walked eagerly on as she spoke; and Elinor, to screen Marianne from particularity, as she felt almost certain of its not being Willoughby, quickened her pace and kept up with her. They were soon within thirty yards of the gentleman. Marianne looked again; her heart sunk within her; and abruptly turning round, she was hurrying back, when the voices of both her sisters were raised to detain her; a third, almost as well known as Willoughby s, joined them in begging her to stop, and she turned round with surprise to see and welcome Edward Ferrars. He was the only person in the world who could at that moment be forgiven for not being Willoughby; the only one who could have gained a smile from her; but she dispersed her tears to smile on _him_, and in her sister s happiness forgot for a time her own disappointment. He dismounted, and giving his horse to his servant, walked back with them to Barton, whither he was purposely coming to visit them. He was welcomed by them all with great cordiality, but especially by Marianne, who showed more warmth of regard in her reception of him than even Elinor herself. To Marianne, indeed, the meeting between Edward and her sister was but a continuation of that unaccountable coldness which she had often observed at Norland in their mutual behaviour. On Edward s side, more particularly, there was a deficiency of all that a lover ought to look and say on such an occasion. He was confused, seemed scarcely sensible of pleasure in seeing them, looked neither rapturous nor gay, said little but what was forced from him by questions, and distinguished Elinor by no mark of affection. Marianne saw and listened with increasing surprise. She began almost to feel a dislike of Edward; and it ended, as every feeling must end with her, by carrying back her thoughts to Willoughby, whose manners formed a contrast sufficiently striking to those of his brother elect. After a short silence which succeeded the first surprise and enquiries of meeting, Marianne asked Edward if he came directly from London. No, he had been in Devonshire a fortnight. "A fortnight!" she repeated, surprised at his being so long in the same county with Elinor without seeing her before. He looked rather distressed as he added, that he had been staying with some friends near Plymouth. "Have you been lately in Sussex?" said Elinor. "I was at Norland about a month ago." "And how does dear, dear Norland look?" cried Marianne. "Dear, dear Norland," said Elinor, "probably looks much as it always does at this time of the year. The woods and walks thickly covered with dead leaves." "Oh," cried Marianne, "with what transporting sensation have I formerly seen them fall! How have I delighted, as I walked, to see them driven in showers about me by the wind! What feelings have they, the season, the air altogether inspired! Now there is no one to regard them. They are seen only as a nuisance, swept hastily off, and driven as much as possible from the sight." "It is not every one," said Elinor, "who has your passion for dead leaves." "No; my feelings are not often shared, not often understood. But _sometimes_ they are." As she said this, she sunk into a reverie for a few moments; but rousing herself again, "Now, Edward," said she, calling his attention to the prospect,<\|quote\|>"here is Barton valley. Look up to it, and be tranquil if you can. Look at those hills! Did you ever see their equals? To the left is Barton park, amongst those woods and plantations. You may see the end of the house. And there, beneath that farthest hill, which rises with such grandeur, is our cottage."</\|quote\|>"It is a beautiful country," he replied; "but these bottoms must be dirty in winter." "How can you think of dirt, with such objects before you?" "Because," replied he, smiling, "among the rest of the objects before me, I see a very dirty lane." "How strange!" said Marianne to herself as she walked on. "Have you an agreeable neighbourhood here? Are the Middletons pleasant people?" "No, not all," answered Marianne; "we could not be more unfortunately situated." "Marianne," cried her sister, "how can you say so? How can you be so unjust? They are a very respectable family, Mr. Ferrars; and towards us have behaved in the friendliest manner. Have you forgot, Marianne, how many pleasant days we have owed to them?" "No," said Marianne, in a low voice, "nor how many painful moments." Elinor took no notice of this; and directing her attention to their visitor, endeavoured to support something like discourse with him, by talking of their present residence, its conveniences, &c. extorting from him occasional questions and remarks. His coldness and reserve mortified her severely; she was vexed and half angry; but resolving to regulate her behaviour to him by the past rather than the present, she avoided every appearance of resentment or displeasure, and treated him as she thought he ought to be treated from the family connection. CHAPTER XVII. Mrs. Dashwood was surprised only for a moment at seeing him; for his coming to Barton was, in her opinion, of all things the most natural. Her joy and expression of regard long outlived her wonder. He received the kindest welcome from her; and shyness, coldness, reserve could not stand against such a reception. They had begun to fail him before he entered the house, and they were quite overcome by the captivating manners of Mrs. Dashwood. Indeed a man could not very well be in love with either of her daughters, without extending the passion to her; and Elinor had the satisfaction of seeing him soon become more like himself. His affections seemed to reanimate towards them all, and his interest in their welfare again became perceptible. He was not in spirits, however; he praised their house, admired its prospect, was attentive, and kind; but still he was not in spirits. The whole family perceived it, and Mrs. Dashwood, attributing it to some want of liberality in his mother, sat down to table indignant against all selfish parents. "What are Mrs. Ferrars s views for you at present, Edward?" said she, when dinner was over and they had drawn round the fire; "are you still to be a great orator in spite of yourself?" "No. I hope my mother is now convinced that I have no more talents than inclination for a public life!" "But how is your fame to be established? for famous you must be to satisfy all your family; and with no inclination for expense, no affection for strangers, no profession, and no assurance, you may find it a difficult matter." "I shall not attempt it. I have no wish to be distinguished; and have every reason to hope I never shall. Thank Heaven! I cannot be forced into genius and eloquence." "You have no ambition, I well know. Your wishes are all moderate." "As moderate as those of the rest of the world, I believe. I wish as well as every body else to be perfectly happy; but, like every body else it must be in my own way. Greatness will not make me so." "Strange that it would!" cried Marianne. "What have wealth or grandeur to do with happiness?" "Grandeur has but little," said Elinor, "but wealth has much to do with it." "Elinor, for shame!" said Marianne, "money can only give happiness where there is nothing else to give it. Beyond a competence, it can afford no real satisfaction, as far as mere self is concerned." "Perhaps," said Elinor, smiling, "we may come to the same point. _Your_ competence and _my_ wealth are very much alike, I dare say; and without them, as the world goes now, we shall both agree that every kind of external comfort must be wanting. Your ideas are only more noble than mine. Come, what is your competence?" "About eighteen hundred or two thousand a year; not more than _that_." Elinor laughed. "_two_ thousand a year! _one_ is my wealth! I guessed how it would end." "And yet two thousand a-year is a very moderate income," said Marianne. "A family cannot well be maintained on a smaller. I am sure I am not extravagant in my demands. A proper establishment of servants, a carriage, perhaps two, and hunters, cannot be supported on less." Elinor smiled again, to hear her sister describing so accurately their future expenses at Combe Magna. "Hunters!" repeated Edward "but why	them to Barton, whither he was purposely coming to visit them. He was welcomed by them all with great cordiality, but especially by Marianne, who showed more warmth of regard in her reception of him than even Elinor herself. To Marianne, indeed, the meeting between Edward and her sister was but a continuation of that unaccountable coldness which she had often observed at Norland in their mutual behaviour. On Edward s side, more particularly, there was a deficiency of all that a lover ought to look and say on such an occasion. He was confused, seemed scarcely sensible of pleasure in seeing them, looked neither rapturous nor gay, said little but what was forced from him by questions, and distinguished Elinor by no mark of affection. Marianne saw and listened with increasing surprise. She began almost to feel a dislike of Edward; and it ended, as every feeling must end with her, by carrying back her thoughts to Willoughby, whose manners formed a contrast sufficiently striking to those of his brother elect. After a short silence which succeeded the first surprise and enquiries of meeting, Marianne asked Edward if he came directly from London. No, he had been in Devonshire a fortnight. "A fortnight!" she repeated, surprised at his being so long in the same county with Elinor without seeing her before. He looked rather distressed as he added, that he had been staying with some friends near Plymouth. "Have you been lately in Sussex?" said Elinor. "I was at Norland about a month ago." "And how does dear, dear Norland look?" cried Marianne. "Dear, dear Norland," said Elinor, "probably looks much as it always does at this time of the year. The woods and walks thickly covered with dead leaves." "Oh," cried Marianne, "with what transporting sensation have I formerly seen them fall! How have I delighted, as I walked, to see them driven in showers about me by the wind! What feelings have they, the season, the air altogether inspired! Now there is no one to regard them. They are seen only as a nuisance, swept hastily off, and driven as much as possible from the sight." "It is not every one," said Elinor, "who has your passion for dead leaves." "No; my feelings are not often shared, not often understood. But _sometimes_ they are." As she said this, she sunk into a reverie for a few moments; but rousing herself again, "Now, Edward," said she, calling his attention to the prospect,<\|quote\|>"here is Barton valley. Look up to it, and be tranquil if you can. Look at those hills! Did you ever see their equals? To the left is Barton park, amongst those woods and plantations. You may see the end of the house. And there, beneath that farthest hill, which rises with such grandeur, is our cottage."</\|quote\|>"It is a beautiful country," he replied; "but these bottoms must be dirty in winter." "How can you think of dirt, with such objects before you?" "Because," replied he, smiling, "among the rest of the objects before me, I see a very dirty lane." "How strange!" said Marianne to herself as she walked on. "Have you an agreeable neighbourhood here? Are the Middletons pleasant people?" "No, not all," answered Marianne; "we could not be more unfortunately situated." "Marianne," cried her sister, "how can you say so? How can you be so unjust? They are a very respectable family, Mr. Ferrars; and towards us have behaved in the friendliest manner. Have you forgot, Marianne, how many pleasant days we have owed to them?" "No," said Marianne, in a low voice, "nor how many painful moments." Elinor took no notice of this; and directing her attention to their visitor, endeavoured to support something like discourse with him, by talking of their present residence, its conveniences, &c. extorting from him occasional questions and remarks. His coldness and reserve mortified her severely; she was vexed and half angry; but resolving to regulate her behaviour to him by the past rather than the present, she avoided every appearance of resentment or displeasure, and treated him as she thought he ought to be treated from the family connection. CHAPTER XVII. Mrs. Dashwood was surprised only for a moment at seeing him; for his coming to Barton was, in her opinion, of all things the most natural. Her joy and expression of regard long outlived her wonder. He received the kindest welcome from her; and shyness, coldness, reserve could not stand against such a reception. They had begun to fail him before he entered the house, and they were quite overcome by the captivating manners of Mrs. Dashwood. Indeed a man could not very well be in love with either of her daughters, without extending the passion to her; and Elinor had the satisfaction of seeing him soon become more like himself. His affections seemed to reanimate towards them all, and his interest in their welfare again became perceptible. He was not in spirits, however; he praised their house, admired its prospect, was attentive, and kind; but still he was not in spirits. The whole family perceived it, and Mrs. Dashwood, attributing it to some want of liberality in his	Sense And Sensibility
said Minty's young man; and he looked menacing. Joe, what little self-respect he had gone, slunk out of the room and needed several whiskeys in a neighbouring saloon to give him courage to go to the theatre and wait for Hattie, who was playing in vaudeville houses pending the opening of her company. The closing act was just over when he reached the stage door. He was there but a short time, when Hattie tripped out and took his arm. Her face was bright and smiling, and there was no suggestion of disgust in the dancing eyes she turned up to him. Evidently she had not heard, but the thought gave him no particular pleasure, as it left him in suspense as to how she would act when she should hear.	No speaker	on now." "Go on now,"<\|quote\|>said Minty's young man; and he looked menacing. Joe, what little self-respect he had gone, slunk out of the room and needed several whiskeys in a neighbouring saloon to give him courage to go to the theatre and wait for Hattie, who was playing in vaudeville houses pending the opening of her company. The closing act was just over when he reached the stage door. He was there but a short time, when Hattie tripped out and took his arm. Her face was bright and smiling, and there was no suggestion of disgust in the dancing eyes she turned up to him. Evidently she had not heard, but the thought gave him no particular pleasure, as it left him in suspense as to how she would act when she should hear.</\|quote\|>"Let 's go somewhere and	'd tell on you. Go on now." "Go on now,"<\|quote\|>said Minty's young man; and he looked menacing. Joe, what little self-respect he had gone, slunk out of the room and needed several whiskeys in a neighbouring saloon to give him courage to go to the theatre and wait for Hattie, who was playing in vaudeville houses pending the opening of her company. The closing act was just over when he reached the stage door. He was there but a short time, when Hattie tripped out and took his arm. Her face was bright and smiling, and there was no suggestion of disgust in the dancing eyes she turned up to him. Evidently she had not heard, but the thought gave him no particular pleasure, as it left him in suspense as to how she would act when she should hear.</\|quote\|>"Let 's go somewhere and get some supper," she said;	f'om hyeah," she said angrily; "I don't want none o' thievin' Berry Hamilton's fambly to speak to me." "Why, you were all right this evening." "Yes, but jest out o' pity, an' you was nice 'cause you was afraid I 'd tell on you. Go on now." "Go on now,"<\|quote\|>said Minty's young man; and he looked menacing. Joe, what little self-respect he had gone, slunk out of the room and needed several whiskeys in a neighbouring saloon to give him courage to go to the theatre and wait for Hattie, who was playing in vaudeville houses pending the opening of her company. The closing act was just over when he reached the stage door. He was there but a short time, when Hattie tripped out and took his arm. Her face was bright and smiling, and there was no suggestion of disgust in the dancing eyes she turned up to him. Evidently she had not heard, but the thought gave him no particular pleasure, as it left him in suspense as to how she would act when she should hear.</\|quote\|>"Let 's go somewhere and get some supper," she said; "I 'm as hungry as I can be. What are you looking so cut up about?" "Oh, I ain't feelin' so very good." "I hope you ain't lettin' that long-tongued Brown woman bother your head, are you?" His heart seemed	newer ways of thinking are. But Joe would not allow Minty to shatter his dreams by bringing up these old notions. She must be instructed. He rose and went over to her table. "Why, Minty," he said, offering his hand, "you ain't mad at me, are you?" "Go on away f'om hyeah," she said angrily; "I don't want none o' thievin' Berry Hamilton's fambly to speak to me." "Why, you were all right this evening." "Yes, but jest out o' pity, an' you was nice 'cause you was afraid I 'd tell on you. Go on now." "Go on now,"<\|quote\|>said Minty's young man; and he looked menacing. Joe, what little self-respect he had gone, slunk out of the room and needed several whiskeys in a neighbouring saloon to give him courage to go to the theatre and wait for Hattie, who was playing in vaudeville houses pending the opening of her company. The closing act was just over when he reached the stage door. He was there but a short time, when Hattie tripped out and took his arm. Her face was bright and smiling, and there was no suggestion of disgust in the dancing eyes she turned up to him. Evidently she had not heard, but the thought gave him no particular pleasure, as it left him in suspense as to how she would act when she should hear.</\|quote\|>"Let 's go somewhere and get some supper," she said; "I 'm as hungry as I can be. What are you looking so cut up about?" "Oh, I ain't feelin' so very good." "I hope you ain't lettin' that long-tongued Brown woman bother your head, are you?" His heart seemed to stand still. She did know, then. "Do you know all about it?" "Why, of course I do. You might know she 'd come to me first with her story." "And you still keep on speaking to me?" "Now look here, Joe, if you 've been drinking, I 'll forgive	and laughed. Suddenly his little courage began to ooze out, and he knew what she must be saying to the fellow at her side, for he looked over at him and grinned. Where now was the philosophy of Sadness? Evidently Minty had not been brought under its educating influences, and thought about the whole matter in the old, ignorant way. He began to think of it too. Somehow old teachings and old traditions have an annoying way of coming back upon us in the critical moments of life, although one has long ago recognised how much truer and better some newer ways of thinking are. But Joe would not allow Minty to shatter his dreams by bringing up these old notions. She must be instructed. He rose and went over to her table. "Why, Minty," he said, offering his hand, "you ain't mad at me, are you?" "Go on away f'om hyeah," she said angrily; "I don't want none o' thievin' Berry Hamilton's fambly to speak to me." "Why, you were all right this evening." "Yes, but jest out o' pity, an' you was nice 'cause you was afraid I 'd tell on you. Go on now." "Go on now,"<\|quote\|>said Minty's young man; and he looked menacing. Joe, what little self-respect he had gone, slunk out of the room and needed several whiskeys in a neighbouring saloon to give him courage to go to the theatre and wait for Hattie, who was playing in vaudeville houses pending the opening of her company. The closing act was just over when he reached the stage door. He was there but a short time, when Hattie tripped out and took his arm. Her face was bright and smiling, and there was no suggestion of disgust in the dancing eyes she turned up to him. Evidently she had not heard, but the thought gave him no particular pleasure, as it left him in suspense as to how she would act when she should hear.</\|quote\|>"Let 's go somewhere and get some supper," she said; "I 'm as hungry as I can be. What are you looking so cut up about?" "Oh, I ain't feelin' so very good." "I hope you ain't lettin' that long-tongued Brown woman bother your head, are you?" His heart seemed to stand still. She did know, then. "Do you know all about it?" "Why, of course I do. You might know she 'd come to me first with her story." "And you still keep on speaking to me?" "Now look here, Joe, if you 've been drinking, I 'll forgive you; if you ain't, you go on and leave me. Say, what do you take me for? Do you think I 'd throw down a friend because somebody else talked about him? Well, you don't know Hat Sterling. When Minty told me that story, she was back in my dressing-room, and I sent her out o' there a-flying, and with a tongue-lashing that she won't forget for a month o' Sundays." "I reckon that was the reason she jumped on me so hard at the club." He chuckled. He had taken heart again. All that Sadness had said was true,	and has no shame in its voluntary pauperism. Each member of the class knows every other, his methods and his limitations, and their loyalty one to another makes of them a great hulking, fashionably uniformed fraternity of indolence. Some play the races a few months of the year; others, quite as intermittently, gamble at "shoestring" politics, and waver from party to party as time or their interests seem to dictate. But mostly they are like the lilies of the field. It was into this set that Sadness had sarcastically invited Joe, and Joe felt honoured. He found that all of his former feelings had been silly and quite out of place; that all he had learned in his earlier years was false. It was very plain to him now that to want a good reputation was the sign of unpardonable immaturity, and that dishonour was the only real thing worth while. It made him feel better. He was just rising bravely to swagger out to the theatre when Minty Brown came in with one of the club-men he knew. He bowed and smiled, but she appeared not to notice him at first, and when she did she nudged her companion and laughed. Suddenly his little courage began to ooze out, and he knew what she must be saying to the fellow at her side, for he looked over at him and grinned. Where now was the philosophy of Sadness? Evidently Minty had not been brought under its educating influences, and thought about the whole matter in the old, ignorant way. He began to think of it too. Somehow old teachings and old traditions have an annoying way of coming back upon us in the critical moments of life, although one has long ago recognised how much truer and better some newer ways of thinking are. But Joe would not allow Minty to shatter his dreams by bringing up these old notions. She must be instructed. He rose and went over to her table. "Why, Minty," he said, offering his hand, "you ain't mad at me, are you?" "Go on away f'om hyeah," she said angrily; "I don't want none o' thievin' Berry Hamilton's fambly to speak to me." "Why, you were all right this evening." "Yes, but jest out o' pity, an' you was nice 'cause you was afraid I 'd tell on you. Go on now." "Go on now,"<\|quote\|>said Minty's young man; and he looked menacing. Joe, what little self-respect he had gone, slunk out of the room and needed several whiskeys in a neighbouring saloon to give him courage to go to the theatre and wait for Hattie, who was playing in vaudeville houses pending the opening of her company. The closing act was just over when he reached the stage door. He was there but a short time, when Hattie tripped out and took his arm. Her face was bright and smiling, and there was no suggestion of disgust in the dancing eyes she turned up to him. Evidently she had not heard, but the thought gave him no particular pleasure, as it left him in suspense as to how she would act when she should hear.</\|quote\|>"Let 's go somewhere and get some supper," she said; "I 'm as hungry as I can be. What are you looking so cut up about?" "Oh, I ain't feelin' so very good." "I hope you ain't lettin' that long-tongued Brown woman bother your head, are you?" His heart seemed to stand still. She did know, then. "Do you know all about it?" "Why, of course I do. You might know she 'd come to me first with her story." "And you still keep on speaking to me?" "Now look here, Joe, if you 've been drinking, I 'll forgive you; if you ain't, you go on and leave me. Say, what do you take me for? Do you think I 'd throw down a friend because somebody else talked about him? Well, you don't know Hat Sterling. When Minty told me that story, she was back in my dressing-room, and I sent her out o' there a-flying, and with a tongue-lashing that she won't forget for a month o' Sundays." "I reckon that was the reason she jumped on me so hard at the club." He chuckled. He had taken heart again. All that Sadness had said was true, after all, and people thought no less of him. His joy was unbounded. "So she jumped on you hard, did she? The cat!" "Oh, she did n't say a thing to me." "Well, Joe, it 's just like this. I ain't an angel, you know that, but I do try to be square, and whenever I find a friend of mine down on his luck, in his pocket-book or his feelings, why, I give him my flipper. Why, old chap, I believe I like you better for the stiff upper lip you 've been keeping under all this." "Why, Hattie," he broke out, unable any longer to control himself, "you 're--you 're----" "Oh, I 'm just plain Hat Sterling, who won't throw down her friends. Now come on and get something to eat. If that thing is at the club, we 'll go there and show her just how much her talk amounted to. She thinks she 's the whole game, but I can spot her and then show her that she ain't one, two, three." When they reached the Banner, they found Minty still there. She tried on the two the same tactics that she had employed so successfully	left him. He 'll sleep in one of the club chairs to-night, and not from choice. He spent his two thousand learning. But, after all, it was a good investment. It was like buying an annuity. He begins to know already how to live on others as they have lived on him. The plucked bird's beak is sharpened for other's feathers. From now on Wallace will live, eat, drink, and sleep at the expense of others, and will forget to mourn his lost money. He will go on this way until, broken and useless, the poor-house or the potter's field gets him. Oh, it 's a fine, rich life, my lad. I know you 'll like it. I said you would the first time I saw you. It has plenty of stir in it, and a man never gets lonesome. Only the rich are lonesome. It 's only the independent who depend upon others." Sadness laughed a peculiar laugh, and there was a look in his terribly bright eyes that made Joe creep. If he could only have understood all that the man was saying to him, he might even yet have turned back. But he did n't. He ordered another drink. The only effect that the talk of Sadness had upon him was to make him feel wonderfully "in it." It gave him a false bravery, and he mentally told himself that now he would not be afraid to face Hattie. He put out his hand to Sadness with a knowing look. "Thanks, Sadness," he said, "you 've helped me lots." Sadness brushed the proffered hand away and sprung up. "You lie," he cried, "I have n't; I was only fool enough to try;" and he turned hastily away from the table. Joe looked surprised at first, and then laughed at his friend's retreating form. "Poor old fellow," he said, "drunk again. Must have had something before he came in." There was not a lie in all that Sadness had said either as to their crime or their condition. He belonged to a peculiar class,--one that grows larger and larger each year in New York and which has imitators in every large city in this country. It is a set which lives, like the leech, upon the blood of others,--that draws its life from the veins of foolish men and immoral women, that prides itself upon its well-dressed idleness and has no shame in its voluntary pauperism. Each member of the class knows every other, his methods and his limitations, and their loyalty one to another makes of them a great hulking, fashionably uniformed fraternity of indolence. Some play the races a few months of the year; others, quite as intermittently, gamble at "shoestring" politics, and waver from party to party as time or their interests seem to dictate. But mostly they are like the lilies of the field. It was into this set that Sadness had sarcastically invited Joe, and Joe felt honoured. He found that all of his former feelings had been silly and quite out of place; that all he had learned in his earlier years was false. It was very plain to him now that to want a good reputation was the sign of unpardonable immaturity, and that dishonour was the only real thing worth while. It made him feel better. He was just rising bravely to swagger out to the theatre when Minty Brown came in with one of the club-men he knew. He bowed and smiled, but she appeared not to notice him at first, and when she did she nudged her companion and laughed. Suddenly his little courage began to ooze out, and he knew what she must be saying to the fellow at her side, for he looked over at him and grinned. Where now was the philosophy of Sadness? Evidently Minty had not been brought under its educating influences, and thought about the whole matter in the old, ignorant way. He began to think of it too. Somehow old teachings and old traditions have an annoying way of coming back upon us in the critical moments of life, although one has long ago recognised how much truer and better some newer ways of thinking are. But Joe would not allow Minty to shatter his dreams by bringing up these old notions. She must be instructed. He rose and went over to her table. "Why, Minty," he said, offering his hand, "you ain't mad at me, are you?" "Go on away f'om hyeah," she said angrily; "I don't want none o' thievin' Berry Hamilton's fambly to speak to me." "Why, you were all right this evening." "Yes, but jest out o' pity, an' you was nice 'cause you was afraid I 'd tell on you. Go on now." "Go on now,"<\|quote\|>said Minty's young man; and he looked menacing. Joe, what little self-respect he had gone, slunk out of the room and needed several whiskeys in a neighbouring saloon to give him courage to go to the theatre and wait for Hattie, who was playing in vaudeville houses pending the opening of her company. The closing act was just over when he reached the stage door. He was there but a short time, when Hattie tripped out and took his arm. Her face was bright and smiling, and there was no suggestion of disgust in the dancing eyes she turned up to him. Evidently she had not heard, but the thought gave him no particular pleasure, as it left him in suspense as to how she would act when she should hear.</\|quote\|>"Let 's go somewhere and get some supper," she said; "I 'm as hungry as I can be. What are you looking so cut up about?" "Oh, I ain't feelin' so very good." "I hope you ain't lettin' that long-tongued Brown woman bother your head, are you?" His heart seemed to stand still. She did know, then. "Do you know all about it?" "Why, of course I do. You might know she 'd come to me first with her story." "And you still keep on speaking to me?" "Now look here, Joe, if you 've been drinking, I 'll forgive you; if you ain't, you go on and leave me. Say, what do you take me for? Do you think I 'd throw down a friend because somebody else talked about him? Well, you don't know Hat Sterling. When Minty told me that story, she was back in my dressing-room, and I sent her out o' there a-flying, and with a tongue-lashing that she won't forget for a month o' Sundays." "I reckon that was the reason she jumped on me so hard at the club." He chuckled. He had taken heart again. All that Sadness had said was true, after all, and people thought no less of him. His joy was unbounded. "So she jumped on you hard, did she? The cat!" "Oh, she did n't say a thing to me." "Well, Joe, it 's just like this. I ain't an angel, you know that, but I do try to be square, and whenever I find a friend of mine down on his luck, in his pocket-book or his feelings, why, I give him my flipper. Why, old chap, I believe I like you better for the stiff upper lip you 've been keeping under all this." "Why, Hattie," he broke out, unable any longer to control himself, "you 're--you 're----" "Oh, I 'm just plain Hat Sterling, who won't throw down her friends. Now come on and get something to eat. If that thing is at the club, we 'll go there and show her just how much her talk amounted to. She thinks she 's the whole game, but I can spot her and then show her that she ain't one, two, three." When they reached the Banner, they found Minty still there. She tried on the two the same tactics that she had employed so successfully upon Joe alone. She nudged her companion and tittered. But she had another person to deal with. Hattie Sterling stared at her coldly and indifferently, and passed on by her to a seat. Joe proceeded to order supper and other things in the nonchalant way that the woman had enjoined upon him. Minty began to feel distinctly uncomfortable, but it was her business not to be beaten. She laughed outright. Hattie did not seem to hear her. She was beckoning Sadness to her side. He came and sat down. "Now look here," she said, "you can't have any supper because you have n't reached the stage of magnificent hunger to make a meal palatable to you. You 've got so used to being nearly starved that a meal don't taste good to you under any other circumstances. You 're in on the drinks, though. Your thirst is always available.--Jack," she called down the long room to the bartender, "make it three.--Lean over here, I want to talk to you. See that woman over there by the wall? No, not that one,--the big light woman with Griggs. Well, she 's come here with a story trying to throw Joe down, and I want you to help me do her." "Oh, that 's the one that upset our young friend, is it?" said Sadness, turning his mournful eyes upon Minty. "That 's her. So you know about it, do you?" "Yes, and I 'll help do her. She must n't touch one of the fraternity, you know." He kept his eyes fixed upon the outsider until she squirmed. She could not at all understand this serious conversation directed at her. She wondered if she had gone too far and if they contemplated putting her out. It made her uneasy. Now, this same Miss Sterling had the faculty of attracting a good deal of attention when she wished to. She brought it into play to-night, and in ten minutes, aided by Sadness, she had a crowd of jolly people about her table. When, as she would have expressed it, "everything was going fat," she suddenly paused and, turning her eyes full upon Minty, said in a voice loud enough for all to hear,-- "Say, boys, you 've heard that story about Joe, have n't you?" They had. "Well, that 's the one that told it; she 's come here to try to throw	to him now that to want a good reputation was the sign of unpardonable immaturity, and that dishonour was the only real thing worth while. It made him feel better. He was just rising bravely to swagger out to the theatre when Minty Brown came in with one of the club-men he knew. He bowed and smiled, but she appeared not to notice him at first, and when she did she nudged her companion and laughed. Suddenly his little courage began to ooze out, and he knew what she must be saying to the fellow at her side, for he looked over at him and grinned. Where now was the philosophy of Sadness? Evidently Minty had not been brought under its educating influences, and thought about the whole matter in the old, ignorant way. He began to think of it too. Somehow old teachings and old traditions have an annoying way of coming back upon us in the critical moments of life, although one has long ago recognised how much truer and better some newer ways of thinking are. But Joe would not allow Minty to shatter his dreams by bringing up these old notions. She must be instructed. He rose and went over to her table. "Why, Minty," he said, offering his hand, "you ain't mad at me, are you?" "Go on away f'om hyeah," she said angrily; "I don't want none o' thievin' Berry Hamilton's fambly to speak to me." "Why, you were all right this evening." "Yes, but jest out o' pity, an' you was nice 'cause you was afraid I 'd tell on you. Go on now." "Go on now,"<\|quote\|>said Minty's young man; and he looked menacing. Joe, what little self-respect he had gone, slunk out of the room and needed several whiskeys in a neighbouring saloon to give him courage to go to the theatre and wait for Hattie, who was playing in vaudeville houses pending the opening of her company. The closing act was just over when he reached the stage door. He was there but a short time, when Hattie tripped out and took his arm. Her face was bright and smiling, and there was no suggestion of disgust in the dancing eyes she turned up to him. Evidently she had not heard, but the thought gave him no particular pleasure, as it left him in suspense as to how she would act when she should hear.</\|quote\|>"Let 's go somewhere and get some supper," she said; "I 'm as hungry as I can be. What are you looking so cut up about?" "Oh, I ain't feelin' so very good." "I hope you ain't lettin' that long-tongued Brown woman bother your head, are you?" His heart seemed to stand still. She did know, then. "Do you know all about it?" "Why, of course I do. You might know she 'd come to me first with her story." "And you still keep on speaking to me?" "Now look here, Joe, if you 've been drinking, I 'll forgive you; if you ain't, you go on and leave me. Say, what do you take me for? Do you think I 'd throw down a friend because somebody else talked about him? Well, you don't know Hat Sterling. When Minty told me that story, she was back in my dressing-room, and I sent her out o' there a-flying, and with a tongue-lashing that she won't forget for a month o' Sundays." "I reckon that was the reason she jumped on me so hard at the club." He chuckled. He had taken heart again. All that Sadness had said was true, after all, and people thought no less of him. His joy was unbounded. "So she jumped on you hard, did she? The cat!" "Oh, she did n't say a thing to me." "Well, Joe, it 's just like this. I ain't an angel, you know that, but I do try to be square, and whenever I find a friend of mine down on his luck, in his pocket-book or his feelings, why, I give him my flipper. Why, old chap, I believe I like you better for the stiff upper lip you 've been keeping under all this." "Why, Hattie," he broke out, unable any longer to control himself, "you 're--you 're----" "Oh, I 'm just plain Hat Sterling, who won't throw down her friends. Now come on and get something to eat. If that thing is at	The Sport Of The Gods
"and that you would succeed as well as myself in this journey; but I have resolved and will undertake it. You shall stay at home with our sister, and I need not recommend her to you."	Bahman	goodwill, brother," replied Prince Bahman,<\|quote\|>"and that you would succeed as well as myself in this journey; but I have resolved and will undertake it. You shall stay at home with our sister, and I need not recommend her to you."</\|quote\|>The next morning Bahman mounted	"I am persuaded of your goodwill, brother," replied Prince Bahman,<\|quote\|>"and that you would succeed as well as myself in this journey; but I have resolved and will undertake it. You shall stay at home with our sister, and I need not recommend her to you."</\|quote\|>The next morning Bahman mounted his horse, and Perviz and	be absent. I desire my sister should join with me to oblige you to abandon your design, and allow me to undertake it. I hope to acquit myself as well as you, and it will be a more regular proceeding." "I am persuaded of your goodwill, brother," replied Prince Bahman,<\|quote\|>"and that you would succeed as well as myself in this journey; but I have resolved and will undertake it. You shall stay at home with our sister, and I need not recommend her to you."</\|quote\|>The next morning Bahman mounted his horse, and Perviz and the princess embraced and wished him a good journey. But in the midst of their adieus, the princess recollected what she had not thought of before. "Brother," said she, "I had quite forgotten the accidents which attend travellers. Who knows	undertaking deserve that name. I will take the charge upon myself; only tell me the place and the way to it, and I will defer my journey no longer than till to-morrow." "Brother," said Prince Perviz, "it is not proper that you, who are the head of our family, should be absent. I desire my sister should join with me to oblige you to abandon your design, and allow me to undertake it. I hope to acquit myself as well as you, and it will be a more regular proceeding." "I am persuaded of your goodwill, brother," replied Prince Bahman,<\|quote\|>"and that you would succeed as well as myself in this journey; but I have resolved and will undertake it. You shall stay at home with our sister, and I need not recommend her to you."</\|quote\|>The next morning Bahman mounted his horse, and Perviz and the princess embraced and wished him a good journey. But in the midst of their adieus, the princess recollected what she had not thought of before. "Brother," said she, "I had quite forgotten the accidents which attend travellers. Who knows whether I shall ever see you again? Alight, I beseech you, and give up this journey. I would rather be deprived of the sight and possession of the Talking Bird, the Singing Tree, and the Golden Water, than run the risk of never seeing you more." "Sister," replied Bahman, smiling	not, I desire you to consider what person you may think proper for me to send in search of the curiosities I have mentioned." "Sister," replied Prince Bahman, "nothing can concern you in which we have not an equal interest. It is enough that you desire these things to oblige us to take the same interest; but if you had not, we feel ourselves inclined of our own accord and for our own individual satisfaction. I am persuaded my brother is of the same opinion, and therefore we ought to undertake this conquest, for the importance and singularity of the undertaking deserve that name. I will take the charge upon myself; only tell me the place and the way to it, and I will defer my journey no longer than till to-morrow." "Brother," said Prince Perviz, "it is not proper that you, who are the head of our family, should be absent. I desire my sister should join with me to oblige you to abandon your design, and allow me to undertake it. I hope to acquit myself as well as you, and it will be a more regular proceeding." "I am persuaded of your goodwill, brother," replied Prince Bahman,<\|quote\|>"and that you would succeed as well as myself in this journey; but I have resolved and will undertake it. You shall stay at home with our sister, and I need not recommend her to you."</\|quote\|>The next morning Bahman mounted his horse, and Perviz and the princess embraced and wished him a good journey. But in the midst of their adieus, the princess recollected what she had not thought of before. "Brother," said she, "I had quite forgotten the accidents which attend travellers. Who knows whether I shall ever see you again? Alight, I beseech you, and give up this journey. I would rather be deprived of the sight and possession of the Talking Bird, the Singing Tree, and the Golden Water, than run the risk of never seeing you more." "Sister," replied Bahman, smiling at her sudden fears, "my resolution is fixed. The accidents you speak of befall only those who are unfortunate; but there are more who are not so. However, as events are uncertain, and I may fail in this undertaking, all I can do is to leave you this knife." Bahman pulling a knife from his vestband, and presenting it to the princess in the sheath, said: "Take this knife, sister, and give yourself the trouble sometimes to pull it out of the sheath; while you see it clean as it is now, it will be a sign that I am	me, I meant nothing that was of importance to you, but to me it is of some consequence; and since you press me to tell you by our strict union and friendship, which are so dear to me, I will. You think, and I always believed so too, that this house was so complete that nothing was wanting. But this day I have learned that it lacks three rarities which would render it so perfect that no country seat in the world could be compared with it. These three things are the Talking Bird, the Singing Tree, and the Golden Water." After she had informed them wherein consisted the excellency of these rarities, "A devout woman," added she, "has made this discovery to me, told me the place where they are to be found, and the way thither. Perhaps you may imagine these things of little consequence; that without these additions our house will always be thought sufficiently elegant, and that we can do without them. You may think as you please, but I cannot help telling you that I am persuaded they are absolutely necessary, and I shall not be easy without them. Therefore, whether you value them or not, I desire you to consider what person you may think proper for me to send in search of the curiosities I have mentioned." "Sister," replied Prince Bahman, "nothing can concern you in which we have not an equal interest. It is enough that you desire these things to oblige us to take the same interest; but if you had not, we feel ourselves inclined of our own accord and for our own individual satisfaction. I am persuaded my brother is of the same opinion, and therefore we ought to undertake this conquest, for the importance and singularity of the undertaking deserve that name. I will take the charge upon myself; only tell me the place and the way to it, and I will defer my journey no longer than till to-morrow." "Brother," said Prince Perviz, "it is not proper that you, who are the head of our family, should be absent. I desire my sister should join with me to oblige you to abandon your design, and allow me to undertake it. I hope to acquit myself as well as you, and it will be a more regular proceeding." "I am persuaded of your goodwill, brother," replied Prince Bahman,<\|quote\|>"and that you would succeed as well as myself in this journey; but I have resolved and will undertake it. You shall stay at home with our sister, and I need not recommend her to you."</\|quote\|>The next morning Bahman mounted his horse, and Perviz and the princess embraced and wished him a good journey. But in the midst of their adieus, the princess recollected what she had not thought of before. "Brother," said she, "I had quite forgotten the accidents which attend travellers. Who knows whether I shall ever see you again? Alight, I beseech you, and give up this journey. I would rather be deprived of the sight and possession of the Talking Bird, the Singing Tree, and the Golden Water, than run the risk of never seeing you more." "Sister," replied Bahman, smiling at her sudden fears, "my resolution is fixed. The accidents you speak of befall only those who are unfortunate; but there are more who are not so. However, as events are uncertain, and I may fail in this undertaking, all I can do is to leave you this knife." Bahman pulling a knife from his vestband, and presenting it to the princess in the sheath, said: "Take this knife, sister, and give yourself the trouble sometimes to pull it out of the sheath; while you see it clean as it is now, it will be a sign that I am alive; but if you find it stained with blood, then you may believe me dead and indulge me with your prayers." The princess could obtain nothing more of Bahman. He bade adieu to her and Prince Perviz for the last time and rode away. When he got into the road, he never turned to the right hand nor to the left, but went directly forward toward India. The twentieth day he perceived on the roadside a hideous old man, who sat under a tree near a thatched house, which was his retreat from the weather. His eyebrows were as white as snow, as was also the hair of his head; his whiskers covered his mouth, and his beard and hair reached down to his feet. The nails of his hands and feet were grown to an extensive length, while a flat, broad umbrella covered his head. He had no clothes, but only a mat thrown round his body. This old man was a dervish for so many years retired from the world to give himself up entirely to the service of God that at last he had become what we have described. Prince Bahman, who had been all that morning	you send needs but follow it for twenty days, and on the twentieth only let him ask the first person he meets where the Talking Bird, the Singing Tree, and the Golden Water are, and he will be informed." After saying this, she rose from her seat, took her leave, and went her way. The Princess Periezade's thoughts were so taken up with the Talking Bird, Singing Tree, and Golden Water, that she never perceived the devout woman's departure, till she wanted to ask her some question for her better information; for she thought that what she had been told was not a sufficient reason for exposing herself by undertaking a long journey. However, she would not send after her visitor, but endeavoured to remember all the directions, and when she thought she had recollected every word, took real pleasure in thinking of the satisfaction she should have if she could get these curiosities into her possession; but the difficulties she apprehended and the fear of not succeeding made her very uneasy. She was absorbed in these thoughts when her brothers returned from hunting, who, when they entered the great hall, instead of finding her lively and gay, as she was wont to be, were amazed to see her so pensive and hanging down her head as if something troubled her. "Sister," said Prince Bahman, "what is become of all your mirth and gaiety? Are you not well? or has some misfortune befallen you? Tell us, that we may know how to act, and give you some relief. If any one has affronted you, we will resent his insolence." The princess remained in the same posture some time without answering, but at last lifted up her eyes to look at her brothers, and then held them down again, telling them nothing disturbed her. "Sister," said Prince Bahman, "you conceal the truth from us; there must be something of consequence. It is impossible we could observe so sudden a change if nothing was the matter with you. You would not have us satisfied with the evasive answer you have given; do not conceal anything, unless you would have us suspect that you renounce the strict union which has hitherto subsisted between us." The princess, who had not the smallest intention to offend her brothers, would not suffer them to entertain such a thought, but said: "When I told you nothing disturbed me, I meant nothing that was of importance to you, but to me it is of some consequence; and since you press me to tell you by our strict union and friendship, which are so dear to me, I will. You think, and I always believed so too, that this house was so complete that nothing was wanting. But this day I have learned that it lacks three rarities which would render it so perfect that no country seat in the world could be compared with it. These three things are the Talking Bird, the Singing Tree, and the Golden Water." After she had informed them wherein consisted the excellency of these rarities, "A devout woman," added she, "has made this discovery to me, told me the place where they are to be found, and the way thither. Perhaps you may imagine these things of little consequence; that without these additions our house will always be thought sufficiently elegant, and that we can do without them. You may think as you please, but I cannot help telling you that I am persuaded they are absolutely necessary, and I shall not be easy without them. Therefore, whether you value them or not, I desire you to consider what person you may think proper for me to send in search of the curiosities I have mentioned." "Sister," replied Prince Bahman, "nothing can concern you in which we have not an equal interest. It is enough that you desire these things to oblige us to take the same interest; but if you had not, we feel ourselves inclined of our own accord and for our own individual satisfaction. I am persuaded my brother is of the same opinion, and therefore we ought to undertake this conquest, for the importance and singularity of the undertaking deserve that name. I will take the charge upon myself; only tell me the place and the way to it, and I will defer my journey no longer than till to-morrow." "Brother," said Prince Perviz, "it is not proper that you, who are the head of our family, should be absent. I desire my sister should join with me to oblige you to abandon your design, and allow me to undertake it. I hope to acquit myself as well as you, and it will be a more regular proceeding." "I am persuaded of your goodwill, brother," replied Prince Bahman,<\|quote\|>"and that you would succeed as well as myself in this journey; but I have resolved and will undertake it. You shall stay at home with our sister, and I need not recommend her to you."</\|quote\|>The next morning Bahman mounted his horse, and Perviz and the princess embraced and wished him a good journey. But in the midst of their adieus, the princess recollected what she had not thought of before. "Brother," said she, "I had quite forgotten the accidents which attend travellers. Who knows whether I shall ever see you again? Alight, I beseech you, and give up this journey. I would rather be deprived of the sight and possession of the Talking Bird, the Singing Tree, and the Golden Water, than run the risk of never seeing you more." "Sister," replied Bahman, smiling at her sudden fears, "my resolution is fixed. The accidents you speak of befall only those who are unfortunate; but there are more who are not so. However, as events are uncertain, and I may fail in this undertaking, all I can do is to leave you this knife." Bahman pulling a knife from his vestband, and presenting it to the princess in the sheath, said: "Take this knife, sister, and give yourself the trouble sometimes to pull it out of the sheath; while you see it clean as it is now, it will be a sign that I am alive; but if you find it stained with blood, then you may believe me dead and indulge me with your prayers." The princess could obtain nothing more of Bahman. He bade adieu to her and Prince Perviz for the last time and rode away. When he got into the road, he never turned to the right hand nor to the left, but went directly forward toward India. The twentieth day he perceived on the roadside a hideous old man, who sat under a tree near a thatched house, which was his retreat from the weather. His eyebrows were as white as snow, as was also the hair of his head; his whiskers covered his mouth, and his beard and hair reached down to his feet. The nails of his hands and feet were grown to an extensive length, while a flat, broad umbrella covered his head. He had no clothes, but only a mat thrown round his body. This old man was a dervish for so many years retired from the world to give himself up entirely to the service of God that at last he had become what we have described. Prince Bahman, who had been all that morning very attentive, to see if he could meet with anybody who could give him information of the place he was in search of, stopped when he came near the dervish, alighted, in conformity to the directions which the devout woman had given the Princess Periezade, and leading his horse by the bridle, advanced toward him and saluting him, said: "God prolong your days, good father, and grant you the accomplishment of your desires." The dervish returned the prince's salutation, but so unintelligibly that he could not understand one word he said and Prince Bahman, perceiving that this difficulty proceeded from the dervish's whiskers hanging over his mouth, and unwilling to go any further without the instructions he wanted, pulled out a pair of scissors he had about him, and having tied his horse to a branch of the tree, said: "Good dervish, I want to have some talk with you, but your whiskers prevent my understanding what you say; and if you will consent, I will cut off some part of them and of your eyebrows, which disfigure you so much that you look more like a bear than a man." The dervish did not oppose the offer, and when the prince had cut off as much hair as he thought fit, he perceived that the dervish had a good complexion, and that he was not as old as he seemed. "Good dervish," said he, "if I had a glass I would show you how young you look: you are now a man, but before, nobody could tell what you were." The kind behaviour of Prince Bahman made the dervish smile and return his compliment. "Sir," said he, "whoever you are, I am obliged by the good office you have performed, and am ready to show my gratitude by doing anything in my power for you. You must have alighted here upon some account or other. Tell me what it is, and I will endeavour to serve you." "Good dervish," replied Prince Bahman, "I am in search of the Talking Bird, the Singing Tree, and the Golden Water; I know these three rarities are not far from hence, but cannot tell exactly the place where they are to be found; if you know, I conjure you to show me the way, that I may not lose my labour after so long a journey." The prince, while he spoke, observed that	"Sister," said Prince Bahman, "what is become of all your mirth and gaiety? Are you not well? or has some misfortune befallen you? Tell us, that we may know how to act, and give you some relief. If any one has affronted you, we will resent his insolence." The princess remained in the same posture some time without answering, but at last lifted up her eyes to look at her brothers, and then held them down again, telling them nothing disturbed her. "Sister," said Prince Bahman, "you conceal the truth from us; there must be something of consequence. It is impossible we could observe so sudden a change if nothing was the matter with you. You would not have us satisfied with the evasive answer you have given; do not conceal anything, unless you would have us suspect that you renounce the strict union which has hitherto subsisted between us." The princess, who had not the smallest intention to offend her brothers, would not suffer them to entertain such a thought, but said: "When I told you nothing disturbed me, I meant nothing that was of importance to you, but to me it is of some consequence; and since you press me to tell you by our strict union and friendship, which are so dear to me, I will. You think, and I always believed so too, that this house was so complete that nothing was wanting. But this day I have learned that it lacks three rarities which would render it so perfect that no country seat in the world could be compared with it. These three things are the Talking Bird, the Singing Tree, and the Golden Water." After she had informed them wherein consisted the excellency of these rarities, "A devout woman," added she, "has made this discovery to me, told me the place where they are to be found, and the way thither. Perhaps you may imagine these things of little consequence; that without these additions our house will always be thought sufficiently elegant, and that we can do without them. You may think as you please, but I cannot help telling you that I am persuaded they are absolutely necessary, and I shall not be easy without them. Therefore, whether you value them or not, I desire you to consider what person you may think proper for me to send in search of the curiosities I have mentioned." "Sister," replied Prince Bahman, "nothing can concern you in which we have not an equal interest. It is enough that you desire these things to oblige us to take the same interest; but if you had not, we feel ourselves inclined of our own accord and for our own individual satisfaction. I am persuaded my brother is of the same opinion, and therefore we ought to undertake this conquest, for the importance and singularity of the undertaking deserve that name. I will take the charge upon myself; only tell me the place and the way to it, and I will defer my journey no longer than till to-morrow." "Brother," said Prince Perviz, "it is not proper that you, who are the head of our family, should be absent. I desire my sister should join with me to oblige you to abandon your design, and allow me to undertake it. I hope to acquit myself as well as you, and it will be a more regular proceeding." "I am persuaded of your goodwill, brother," replied Prince Bahman,<\|quote\|>"and that you would succeed as well as myself in this journey; but I have resolved and will undertake it. You shall stay at home with our sister, and I need not recommend her to you."</\|quote\|>The next morning Bahman mounted his horse, and Perviz and the princess embraced and wished him a good journey. But in the midst of their adieus, the princess recollected what she had not thought of before. "Brother," said she, "I had quite forgotten the accidents which attend travellers. Who knows whether I shall ever see you again? Alight, I beseech you, and give up this journey. I would rather be deprived of the sight and possession of the Talking Bird, the Singing Tree, and the Golden Water, than run the risk of never seeing you more." "Sister," replied Bahman, smiling at her sudden fears, "my resolution is fixed. The accidents you speak of befall only those who are unfortunate; but there are more who are not so. However, as events are uncertain, and I may fail in this undertaking, all I can do is to leave you this knife." Bahman pulling a knife from his vestband, and presenting it to the princess in the sheath, said: "Take this knife, sister, and give yourself the trouble sometimes to pull it out of the sheath; while you see it clean as it is now, it will be a sign that I am alive; but if you find it stained with blood, then you may believe me dead and indulge me with your prayers." The princess could obtain nothing more of Bahman. He bade adieu to her and Prince Perviz for the last time and rode away. When he got into the road, he never turned to the right hand nor to the left, but went directly forward toward India. The twentieth day he perceived on the roadside a hideous old man, who sat under a tree near a thatched house, which was his retreat from the weather. His eyebrows were as white as snow, as was also the hair of his head; his whiskers covered his mouth, and his beard and hair reached down to his feet. The nails of his hands and feet were grown to an extensive length, while a flat, broad umbrella covered his head. He had no clothes, but only a mat thrown round his body. This old man was a dervish for so many years retired from the world to give himself up entirely to the service of God that at last he had become what we have described. Prince Bahman, who had been all that morning very attentive, to see if he could meet with anybody who could give him information of the place he was in search of, stopped when he came near the dervish, alighted, in conformity to the directions which the devout woman had given the Princess Periezade, and leading his horse by the bridle, advanced toward him and saluting him, said: "God prolong your days, good father, and grant you the accomplishment of your desires." The dervish returned the prince's salutation, but so unintelligibly that he could not understand one word he said and Prince Bahman, perceiving that this difficulty proceeded from the	Arabian Nights (1)
She repeated:	No speaker	see." "Then what was it?"<\|quote\|>She repeated:</\|quote\|>"An instinct which may be	Paul is very young, you see." "Then what was it?"<\|quote\|>She repeated:</\|quote\|>"An instinct which may be wrong." "In other words, they	question," said Mrs. Wilcox, smiling, and a little losing her expression of annoyance. "I think you put it best in your letter--it was an instinct, which may be wrong." "It wasn t that your son still--" "Oh no; he often--my Paul is very young, you see." "Then what was it?"<\|quote\|>She repeated:</\|quote\|>"An instinct which may be wrong." "In other words, they belong to types that can fall in love, but couldn t live together. That s dreadfully probable. I m afraid that in nine cases out of ten Nature pulls one way and human nature another." "These are indeed other words,"	"You ve been worrying too!" exclaimed Margaret, getting more and more excited, and taking a chair without invitation. "How perfectly extraordinary! I can see that you have. You felt as I do; Helen mustn t meet him again." "I did think it best." "Now why?" "That s a most difficult question," said Mrs. Wilcox, smiling, and a little losing her expression of annoyance. "I think you put it best in your letter--it was an instinct, which may be wrong." "It wasn t that your son still--" "Oh no; he often--my Paul is very young, you see." "Then what was it?"<\|quote\|>She repeated:</\|quote\|>"An instinct which may be wrong." "In other words, they belong to types that can fall in love, but couldn t live together. That s dreadfully probable. I m afraid that in nine cases out of ten Nature pulls one way and human nature another." "These are indeed other words," said Mrs. Wilcox. "I had nothing so coherent in my head. I was merely alarmed when I knew that my boy cared for your sister." "Ah, I have always been wanting to ask you. How DID you know? Helen was so surprised when our aunt drove up, and you stepped	knew--I know. I have been too absurd all through. I am very much ashamed." Mrs. Wilcox did not answer. "I am more sorry than I can say, and I hope that you will forgive me." "It doesn t matter, Miss Schlegel. It is good of you to have come round so promptly." "It does matter," cried Margaret. "I have been rude to you; and my sister is not even at home, so there was not even that excuse." "Indeed?" "She has just gone to Germany." "She gone as well," murmured the other. "Yes, certainly, it is quite safe--safe, absolutely, now." "You ve been worrying too!" exclaimed Margaret, getting more and more excited, and taking a chair without invitation. "How perfectly extraordinary! I can see that you have. You felt as I do; Helen mustn t meet him again." "I did think it best." "Now why?" "That s a most difficult question," said Mrs. Wilcox, smiling, and a little losing her expression of annoyance. "I think you put it best in your letter--it was an instinct, which may be wrong." "It wasn t that your son still--" "Oh no; he often--my Paul is very young, you see." "Then what was it?"<\|quote\|>She repeated:</\|quote\|>"An instinct which may be wrong." "In other words, they belong to types that can fall in love, but couldn t live together. That s dreadfully probable. I m afraid that in nine cases out of ten Nature pulls one way and human nature another." "These are indeed other words," said Mrs. Wilcox. "I had nothing so coherent in my head. I was merely alarmed when I knew that my boy cared for your sister." "Ah, I have always been wanting to ask you. How DID you know? Helen was so surprised when our aunt drove up, and you stepped forward and arranged things. Did Paul tell you?" "There is nothing to be gained by discussing that," said Mrs. Wilcox after a moment s pause. "Mrs. Wilcox, were you very angry with us last June? I wrote you a letter and you didn t answer it." "I was certainly against taking Mrs. Matheson s flat. I knew it was opposite your house." "But it s all right now?" "I think so." "You only think? You aren t sure? I do love these little muddles tidied up?" "Oh yes, I m sure," said Mrs. Wilcox, moving with uneasiness beneath the clothes.	necessary, but woe to those who employ it without due need. She flung on a hat and shawl, just like a poor woman, and plunged into the fog, which still continued. Her lips were compressed, the letter remained in her hand, and in this state she crossed the street, entered the marble vestibule of the flats, eluded the concierges, and ran up the stairs till she reached the second floor. She sent in her name, and to her surprise was shown straight into Mrs. Wilcox s bedroom. "Oh, Mrs. Wilcox, I have made the baddest blunder. I am more, more ashamed and sorry than I can say." Mrs. Wilcox bowed gravely. She was offended, and did not pretend to the contrary. She was sitting up in bed, writing letters on an invalid table that spanned her knees. A breakfast tray was on another table beside her. The light of the fire, the light from the window, and the light of a candle-lamp, which threw a quivering halo round her hands combined to create a strange atmosphere of dissolution. "I knew he was going to India in November, but I forgot." "He sailed on the 17th for Nigeria, in Africa." "I knew--I know. I have been too absurd all through. I am very much ashamed." Mrs. Wilcox did not answer. "I am more sorry than I can say, and I hope that you will forgive me." "It doesn t matter, Miss Schlegel. It is good of you to have come round so promptly." "It does matter," cried Margaret. "I have been rude to you; and my sister is not even at home, so there was not even that excuse." "Indeed?" "She has just gone to Germany." "She gone as well," murmured the other. "Yes, certainly, it is quite safe--safe, absolutely, now." "You ve been worrying too!" exclaimed Margaret, getting more and more excited, and taking a chair without invitation. "How perfectly extraordinary! I can see that you have. You felt as I do; Helen mustn t meet him again." "I did think it best." "Now why?" "That s a most difficult question," said Mrs. Wilcox, smiling, and a little losing her expression of annoyance. "I think you put it best in your letter--it was an instinct, which may be wrong." "It wasn t that your son still--" "Oh no; he often--my Paul is very young, you see." "Then what was it?"<\|quote\|>She repeated:</\|quote\|>"An instinct which may be wrong." "In other words, they belong to types that can fall in love, but couldn t live together. That s dreadfully probable. I m afraid that in nine cases out of ten Nature pulls one way and human nature another." "These are indeed other words," said Mrs. Wilcox. "I had nothing so coherent in my head. I was merely alarmed when I knew that my boy cared for your sister." "Ah, I have always been wanting to ask you. How DID you know? Helen was so surprised when our aunt drove up, and you stepped forward and arranged things. Did Paul tell you?" "There is nothing to be gained by discussing that," said Mrs. Wilcox after a moment s pause. "Mrs. Wilcox, were you very angry with us last June? I wrote you a letter and you didn t answer it." "I was certainly against taking Mrs. Matheson s flat. I knew it was opposite your house." "But it s all right now?" "I think so." "You only think? You aren t sure? I do love these little muddles tidied up?" "Oh yes, I m sure," said Mrs. Wilcox, moving with uneasiness beneath the clothes. "I always sound uncertain over things. It is my way of speaking." "That s all right, and I m sure, too." Here the maid came in to remove the breakfast-tray. They were interrupted, and when they resumed conversation it was on more normal lines. "I must say good-bye now--you will be getting up." "No--please stop a little longer--I am taking a day in bed. Now and then I do." "I thought of you as one of the early risers." "At Howards End--yes; there is nothing to get up for in London." "Nothing to get up for?" cried the scandalised Margaret. "When there are all the autumn exhibitions, and Ysaye playing in the afternoon! Not to mention people." "The truth is, I am a little tired. First came the wedding, and then Paul went off, and, instead of resting yesterday, I paid a round of calls." "A wedding?" "Yes; Charles, my elder son, is married." "Indeed!" "We took the flat chiefly on that account, and also that Paul could get his African outfit. The flat belongs to a cousin of my husband s, and she most kindly offered it to us. So before the day came we were able to make	sofa by the fire. Margaret sat by him, thinking. Her mind darted from impulse to impulse, and finally marshalled them all in review. The practical person, who knows what he wants at once, and generally knows nothing else, will accuse her of indecision. But this was the way her mind worked. And when she did act, no one could accuse her of indecision then. She hit out as lustily as if she had not considered the matter at all. The letter that she wrote Mrs. Wilcox glowed with the native hue of resolution. The pale cast of thought was with her a breath rather than a tarnish, a breath that leaves the colours all the more vivid when it has been wiped away. "DEAR MRS. WILCOX," "I have to write something discourteous. It would be better if we did not meet. Both my sister and my aunt have given displeasure to your family, and, in my sister s case, the grounds for displeasure might recur. So far as I know she no longer occupies her thoughts with your son. But it would not be fair, either to her or to you, if they met, and it is therefore right that our acquaintance, which began so pleasantly, should end." "I fear that you will not agree with this; indeed, I know that you will not, since you have been good enough to call on us. It is only an instinct on my part, and no doubt the instinct is wrong. My sister would, undoubtedly, say that it is wrong. I write without her knowledge, and I hope that you will not associate her with my discourtesy." "Believe me," "Yours truly," "M. J. SCHLEGEL." Margaret sent this letter round by the post. Next morning she received the following reply by hand: "DEAR MISS SCHLEGEL," "You should not have written me such a letter. I called to tell you that Paul has gone abroad." "RUTH WILCOX." Margaret s cheeks burnt. She could not finish her breakfast. She was on fire with shame. Helen had told her that the youth was leaving England, but other things had seemed more important, and she had forgotten. All her absurd anxieties fell to the ground, and in their place arose the certainty that she had been rude to Mrs. Wilcox. Rudeness affected Margaret like a bitter taste in the mouth. It poisoned life. At times it is necessary, but woe to those who employ it without due need. She flung on a hat and shawl, just like a poor woman, and plunged into the fog, which still continued. Her lips were compressed, the letter remained in her hand, and in this state she crossed the street, entered the marble vestibule of the flats, eluded the concierges, and ran up the stairs till she reached the second floor. She sent in her name, and to her surprise was shown straight into Mrs. Wilcox s bedroom. "Oh, Mrs. Wilcox, I have made the baddest blunder. I am more, more ashamed and sorry than I can say." Mrs. Wilcox bowed gravely. She was offended, and did not pretend to the contrary. She was sitting up in bed, writing letters on an invalid table that spanned her knees. A breakfast tray was on another table beside her. The light of the fire, the light from the window, and the light of a candle-lamp, which threw a quivering halo round her hands combined to create a strange atmosphere of dissolution. "I knew he was going to India in November, but I forgot." "He sailed on the 17th for Nigeria, in Africa." "I knew--I know. I have been too absurd all through. I am very much ashamed." Mrs. Wilcox did not answer. "I am more sorry than I can say, and I hope that you will forgive me." "It doesn t matter, Miss Schlegel. It is good of you to have come round so promptly." "It does matter," cried Margaret. "I have been rude to you; and my sister is not even at home, so there was not even that excuse." "Indeed?" "She has just gone to Germany." "She gone as well," murmured the other. "Yes, certainly, it is quite safe--safe, absolutely, now." "You ve been worrying too!" exclaimed Margaret, getting more and more excited, and taking a chair without invitation. "How perfectly extraordinary! I can see that you have. You felt as I do; Helen mustn t meet him again." "I did think it best." "Now why?" "That s a most difficult question," said Mrs. Wilcox, smiling, and a little losing her expression of annoyance. "I think you put it best in your letter--it was an instinct, which may be wrong." "It wasn t that your son still--" "Oh no; he often--my Paul is very young, you see." "Then what was it?"<\|quote\|>She repeated:</\|quote\|>"An instinct which may be wrong." "In other words, they belong to types that can fall in love, but couldn t live together. That s dreadfully probable. I m afraid that in nine cases out of ten Nature pulls one way and human nature another." "These are indeed other words," said Mrs. Wilcox. "I had nothing so coherent in my head. I was merely alarmed when I knew that my boy cared for your sister." "Ah, I have always been wanting to ask you. How DID you know? Helen was so surprised when our aunt drove up, and you stepped forward and arranged things. Did Paul tell you?" "There is nothing to be gained by discussing that," said Mrs. Wilcox after a moment s pause. "Mrs. Wilcox, were you very angry with us last June? I wrote you a letter and you didn t answer it." "I was certainly against taking Mrs. Matheson s flat. I knew it was opposite your house." "But it s all right now?" "I think so." "You only think? You aren t sure? I do love these little muddles tidied up?" "Oh yes, I m sure," said Mrs. Wilcox, moving with uneasiness beneath the clothes. "I always sound uncertain over things. It is my way of speaking." "That s all right, and I m sure, too." Here the maid came in to remove the breakfast-tray. They were interrupted, and when they resumed conversation it was on more normal lines. "I must say good-bye now--you will be getting up." "No--please stop a little longer--I am taking a day in bed. Now and then I do." "I thought of you as one of the early risers." "At Howards End--yes; there is nothing to get up for in London." "Nothing to get up for?" cried the scandalised Margaret. "When there are all the autumn exhibitions, and Ysaye playing in the afternoon! Not to mention people." "The truth is, I am a little tired. First came the wedding, and then Paul went off, and, instead of resting yesterday, I paid a round of calls." "A wedding?" "Yes; Charles, my elder son, is married." "Indeed!" "We took the flat chiefly on that account, and also that Paul could get his African outfit. The flat belongs to a cousin of my husband s, and she most kindly offered it to us. So before the day came we were able to make the acquaintance of Dolly s people, which we had not yet done." Margaret asked who Dolly s people were. "Fussell. The father is in the Indian army--retired; the brother is in the army. The mother is dead." So perhaps these were the "chinless sunburnt men" whom Helen had espied one afternoon through the window. Margaret felt mildly interested in the fortunes of the Wilcox family. She had acquired the habit on Helen s account, and it still clung to her. She asked for more information about Miss Dolly Fussell that was, and was given it in even, unemotional tones. Mrs. Wilcox s voice, though sweet and compelling, had little range of expression. It suggested that pictures, concerts, and people are all of small and equal value. Only once had it quickened--when speaking of Howards End. "Charles and Albert Fussell have known one another some time. They belong to the same club, and are both devoted to golf. Dolly plays golf too, though I believe not so well; and they first met in a mixed foursome. We all like her, and are very much pleased. They were married on the 11th, a few days before Paul sailed. Charles was very anxious to have his brother as best man, so he made a great point of having it on the 11th. The Fussells would have preferred it after Christmas, but they were very nice about it. There is Dolly s photograph--in that double frame." "Are you quite certain that I m not interrupting, Mrs. Wilcox?" "Yes, quite." "Then I will stay. I m enjoying this." Dolly s photograph was now examined. It was signed "For dear Mims," which Mrs. Wilcox interpreted as "the name she and Charles had settled that she should call me." Dolly looked silly, and had one of those triangular faces that so often prove attractive to a robust man. She was very pretty. From her Margaret passed to Charles, whose features prevailed opposite. She speculated on the forces that had drawn the two together till God parted them. She found time to hope that they would be happy. "They have gone to Naples for their honeymoon." "Lucky people!" "I can hardly imagine Charles in Italy." "Doesn t he care for travelling?" "He likes travel, but he does see through foreigners so. What he enjoys most is a motor tour in England, and I think that would have carried	hat and shawl, just like a poor woman, and plunged into the fog, which still continued. Her lips were compressed, the letter remained in her hand, and in this state she crossed the street, entered the marble vestibule of the flats, eluded the concierges, and ran up the stairs till she reached the second floor. She sent in her name, and to her surprise was shown straight into Mrs. Wilcox s bedroom. "Oh, Mrs. Wilcox, I have made the baddest blunder. I am more, more ashamed and sorry than I can say." Mrs. Wilcox bowed gravely. She was offended, and did not pretend to the contrary. She was sitting up in bed, writing letters on an invalid table that spanned her knees. A breakfast tray was on another table beside her. The light of the fire, the light from the window, and the light of a candle-lamp, which threw a quivering halo round her hands combined to create a strange atmosphere of dissolution. "I knew he was going to India in November, but I forgot." "He sailed on the 17th for Nigeria, in Africa." "I knew--I know. I have been too absurd all through. I am very much ashamed." Mrs. Wilcox did not answer. "I am more sorry than I can say, and I hope that you will forgive me." "It doesn t matter, Miss Schlegel. It is good of you to have come round so promptly." "It does matter," cried Margaret. "I have been rude to you; and my sister is not even at home, so there was not even that excuse." "Indeed?" "She has just gone to Germany." "She gone as well," murmured the other. "Yes, certainly, it is quite safe--safe, absolutely, now." "You ve been worrying too!" exclaimed Margaret, getting more and more excited, and taking a chair without invitation. "How perfectly extraordinary! I can see that you have. You felt as I do; Helen mustn t meet him again." "I did think it best." "Now why?" "That s a most difficult question," said Mrs. Wilcox, smiling, and a little losing her expression of annoyance. "I think you put it best in your letter--it was an instinct, which may be wrong." "It wasn t that your son still--" "Oh no; he often--my Paul is very young, you see." "Then what was it?"<\|quote\|>She repeated:</\|quote\|>"An instinct which may be wrong." "In other words, they belong to types that can fall in love, but couldn t live together. That s dreadfully probable. I m afraid that in nine cases out of ten Nature pulls one way and human nature another." "These are indeed other words," said Mrs. Wilcox. "I had nothing so coherent in my head. I was merely alarmed when I knew that my boy cared for your sister." "Ah, I have always been wanting to ask you. How DID you know? Helen was so surprised when our aunt drove up, and you stepped forward and arranged things. Did Paul tell you?" "There is nothing to be gained by discussing that," said Mrs. Wilcox after a moment s pause. "Mrs. Wilcox, were you very angry with us last June? I wrote you a letter and you didn t answer it." "I was certainly against taking Mrs. Matheson s flat. I knew it was opposite your house." "But it s all right now?" "I think so." "You only think? You aren t sure? I do love these little muddles tidied up?" "Oh yes, I m sure," said Mrs. Wilcox, moving with uneasiness beneath the clothes. "I always sound uncertain over things. It is my way of speaking." "That s all right, and I m sure, too." Here the maid came in to remove the breakfast-tray. They were interrupted, and when they resumed conversation it was on more normal lines. "I must say good-bye now--you will be getting up." "No--please stop a little longer--I am taking a day in bed. Now and then I do." "I thought of you as one of the early risers." "At Howards End--yes; there is nothing to get up for in London." "Nothing to get up for?" cried the scandalised Margaret. "When there are all the autumn exhibitions, and Ysaye playing in the afternoon! Not to mention people." "The truth is, I am a little tired. First came the wedding, and then Paul went off, and, instead of resting yesterday, I paid a round of calls." "A wedding?" "Yes; Charles, my elder son, is married." "Indeed!" "We took the flat chiefly on that account, and also that Paul could get his African outfit. The flat belongs to a cousin of my husband s, and she most kindly offered it to us. So before the day came we were able to make the acquaintance of Dolly s people, which we had not yet done." Margaret asked who Dolly s people were. "Fussell. The father is in the Indian army--retired; the brother is in the army. The mother is dead." So perhaps these were the "chinless sunburnt men" whom Helen had espied one afternoon through the window. Margaret felt mildly interested in the fortunes of the Wilcox family. She had acquired the habit on Helen s account, and it still clung to her. She asked for more information about Miss Dolly Fussell that was, and was given it in even, unemotional tones. Mrs. Wilcox s voice, though sweet and compelling, had little range of expression. It suggested that pictures, concerts, and people are all of small and equal value. Only once had it quickened--when speaking of Howards End. "Charles and Albert Fussell have known one another some time. They belong to the same club, and are both devoted to golf. Dolly plays golf too, though I	Howards End
“Is that your question--_whether_ I am?”	Lady Sandgate	a little as for more.<\|quote\|>“Is that your question--_whether_ I am?”</\|quote\|>“No, but if you are	in Theign’s confidence.” She waited a little as for more.<\|quote\|>“Is that your question--_whether_ I am?”</\|quote\|>“No, but if you are you’ll the better answer it”	we,” he quite rang out, “if I didn’t want to! But as it happens,” he allowed, “there’s a question it would be convenient to me to put to you. You must be, with your charming unconventional relation with him, extremely in Theign’s confidence.” She waited a little as for more.<\|quote\|>“Is that your question--_whether_ I am?”</\|quote\|>“No, but if you are you’ll the better answer it” She had no objection then to answering it beautifully. “We’re the best friends in the world; he has been really my providence, as a lone woman with almost nobody and nothing of her own, and I feel my footing here,	prompt with a more explicit challenge. “What is it exactly that you suppose yourself to know?” Lady Sandgate had after a moment, in her supreme good humour, decided to take everything. “I always proceed on the assumption that I know everything, because that makes people tell me.” “It wouldn’t make we,” he quite rang out, “if I didn’t want to! But as it happens,” he allowed, “there’s a question it would be convenient to me to put to you. You must be, with your charming unconventional relation with him, extremely in Theign’s confidence.” She waited a little as for more.<\|quote\|>“Is that your question--_whether_ I am?”</\|quote\|>“No, but if you are you’ll the better answer it” She had no objection then to answering it beautifully. “We’re the best friends in the world; he has been really my providence, as a lone woman with almost nobody and nothing of her own, and I feel my footing here, as so frequent and yet so discreet a visitor, simply perfect But I’m happy to say that--for my pleasure when I’m really curious--this doesn’t close to me the sweet resource of occasionally guessing things.” “Then I hope you’ve ground for believing that if I go the right way about it	he almost contemptuously declined to follow her. “The very end of what?” She took her choice as amid all the wonderful directions there might be, and then seemed both to risk and to reserve something. “Say of her so wonderfully successful _general_ career.” It doubtless, however, warranted him in appearing to cut insinuations short. “When you’re as clever as she you’ll be as good.” To which he subjoined: “You don’t begin to have the opportunity of knowing how good she is.” This pronouncement, to whatever comparative obscurity it might appear to relegate her, his interlocutress had to take--he was so prompt with a more explicit challenge. “What is it exactly that you suppose yourself to know?” Lady Sandgate had after a moment, in her supreme good humour, decided to take everything. “I always proceed on the assumption that I know everything, because that makes people tell me.” “It wouldn’t make we,” he quite rang out, “if I didn’t want to! But as it happens,” he allowed, “there’s a question it would be convenient to me to put to you. You must be, with your charming unconventional relation with him, extremely in Theign’s confidence.” She waited a little as for more.<\|quote\|>“Is that your question--_whether_ I am?”</\|quote\|>“No, but if you are you’ll the better answer it” She had no objection then to answering it beautifully. “We’re the best friends in the world; he has been really my providence, as a lone woman with almost nobody and nothing of her own, and I feel my footing here, as so frequent and yet so discreet a visitor, simply perfect But I’m happy to say that--for my pleasure when I’m really curious--this doesn’t close to me the sweet resource of occasionally guessing things.” “Then I hope you’ve ground for believing that if I go the right way about it he’s likely to listen to me.” Lady Sandgate measured her ground--which scarce seemed extensive. “The person he most listens to just now--and in fact at any time, as you must have seen for yourself--is that arch-tormentor, or at least beautiful wheedler, his elder daughter.” “Lady Imber’s _here?_” Lord John alertly asked. “She arrived last night and--as we’ve other visitors--seems to have set up a side-show in the garden.” “Then she’ll ‘draw’ of course immensely, as she always does. But her sister won’t be in that case with her,” the young man supposed. “Because Grace feels herself naturally an independent show?	a high pitch and yet at a low cost. There was that in his satisfied air which still suggested sharp wants--and this was withal the ambiguity; for the temper of these appetites or views was certainly, you would have concluded, not such as always to sacrifice to form. If he really, for instance, wanted Lady Grace, the passion or the sense of his interest in it would scarce have been considerately irritable. “May I ask what you mean,” he inquired of Lady Sandgate, “by the question of my ‘arranging’?” “I mean that you’re the very clever son of a very clever mother.” “Oh, I’m less clever than you think,” he replied-- “if you really think it of me at all; and mamma’s a good sight cleverer!” “Than I think?” Lady Sandgate echoed. “Why, she’s the person in all our world I would gladly most resemble--for her general ability to put what she wants through.” But she at once added: “That is _if_--!” pausing on it with a smile. “If what then?” “Well, if I could be absolutely certain to have all in her kinds of cleverness without exception--and to have them,” said Lady Sandgate, “to the very end.” He definitely, he almost contemptuously declined to follow her. “The very end of what?” She took her choice as amid all the wonderful directions there might be, and then seemed both to risk and to reserve something. “Say of her so wonderfully successful _general_ career.” It doubtless, however, warranted him in appearing to cut insinuations short. “When you’re as clever as she you’ll be as good.” To which he subjoined: “You don’t begin to have the opportunity of knowing how good she is.” This pronouncement, to whatever comparative obscurity it might appear to relegate her, his interlocutress had to take--he was so prompt with a more explicit challenge. “What is it exactly that you suppose yourself to know?” Lady Sandgate had after a moment, in her supreme good humour, decided to take everything. “I always proceed on the assumption that I know everything, because that makes people tell me.” “It wouldn’t make we,” he quite rang out, “if I didn’t want to! But as it happens,” he allowed, “there’s a question it would be convenient to me to put to you. You must be, with your charming unconventional relation with him, extremely in Theign’s confidence.” She waited a little as for more.<\|quote\|>“Is that your question--_whether_ I am?”</\|quote\|>“No, but if you are you’ll the better answer it” She had no objection then to answering it beautifully. “We’re the best friends in the world; he has been really my providence, as a lone woman with almost nobody and nothing of her own, and I feel my footing here, as so frequent and yet so discreet a visitor, simply perfect But I’m happy to say that--for my pleasure when I’m really curious--this doesn’t close to me the sweet resource of occasionally guessing things.” “Then I hope you’ve ground for believing that if I go the right way about it he’s likely to listen to me.” Lady Sandgate measured her ground--which scarce seemed extensive. “The person he most listens to just now--and in fact at any time, as you must have seen for yourself--is that arch-tormentor, or at least beautiful wheedler, his elder daughter.” “Lady Imber’s _here?_” Lord John alertly asked. “She arrived last night and--as we’ve other visitors--seems to have set up a side-show in the garden.” “Then she’ll ‘draw’ of course immensely, as she always does. But her sister won’t be in that case with her,” the young man supposed. “Because Grace feels herself naturally an independent show? So she well may,” said Lady Sandgate, “but I must tell you that when I last noticed them there Kitty was in the very act of leading her away.” Lord John figured it a moment. “Lady Imber” --he ironically enlarged the figure-- “_can_ lead people away.” “Oh, dear Grace,” his companion returned, “happens fortunately to be firm!” This seemed to strike him for a moment as equivocal. “Not against _me_, however--you don’t mean? You don’t think she has a beastly prejudice----?” “Surely you can judge about it; as knowing best what may--or what mayn’t--have happened between you.” “Well, I try to judge” --and such candour as was possible to Lord John seemed to sit for a moment on his brow. “But I’m in fear of seeing her too much as I want to see her.” There was an appeal in it that Lady Sandgate might have been moved to meet “Are you absolutely in earnest about her?” “Of course I am--why shouldn’t I be? But,” he said with impatience, “I want help.” “Very well then, that’s what Lady Imber’s giving you.” And as it appeared to take him time to read into these words their full sense, she produced others,	more as a lovely young widow with a good jointure than she formerly did as the mere most beautiful daughter at home.” She had put the picture a shade interrogatively, but this was as nothing to the note of free inquiry in Lord John’s reply. “You mean that our lovely young widows--to say nothing of lovely young wives--ought by this time to have made out, in predicaments, how to turn round?” His temporary hostess, even with his eyes on her, appeared to decide after a moment not wholly to disown his thought. But she smiled for it. “Well, in that set----!” “My mother’s set?” However, if she could smile he could laugh. “I’m much obliged!” “Oh,” she qualified, “I don’t criticise her Grace; but the ways and traditions and tone of this house----” “Make it” --he took her sense straight from her-- “the house in England where one feels most the false note of a dishevelled and bankrupt elder daughter breaking in with a list of her gaming debts--to say nothing of others!--and wishing to have at least those wiped out in the interest of her reputation? Exactly so,” he went on before she could meet it with a diplomatic ambiguity; “and just that, I assure you, is a large part of the reason I like to come here--since I personally don’t come with any such associations.” “Not the association of bankruptcy--no; as you represent the payee!” The young man appeared to regard this imputation for a moment almost as a liberty taken. “How do you know so well, Lady Sandgate, what I represent?” She bethought herself--but briefly and bravely. “Well, don’t you represent, by your own admission, certain fond aspirations? Don’t you represent the belief--very natural, I grant--that more than _one_ perverse and extravagant flower will be unlikely on such a fine healthy old stem; and, consistently with that, the hope of arranging with our admirable host here that he shall lend a helpful hand to your commending yourself to dear Grace?” nan “treatment” by which his negative nose had been enabled to look important and his meagre mouth to smile its spareness away. He had pleasant but hard little eyes--they glittered, handsomely, without promise--and a neatness, a coolness and an ease, a clear instinct for making point take, on his behalf, the place of weight and immunity that of capacity, which represented somehow the art of living at a high pitch and yet at a low cost. There was that in his satisfied air which still suggested sharp wants--and this was withal the ambiguity; for the temper of these appetites or views was certainly, you would have concluded, not such as always to sacrifice to form. If he really, for instance, wanted Lady Grace, the passion or the sense of his interest in it would scarce have been considerately irritable. “May I ask what you mean,” he inquired of Lady Sandgate, “by the question of my ‘arranging’?” “I mean that you’re the very clever son of a very clever mother.” “Oh, I’m less clever than you think,” he replied-- “if you really think it of me at all; and mamma’s a good sight cleverer!” “Than I think?” Lady Sandgate echoed. “Why, she’s the person in all our world I would gladly most resemble--for her general ability to put what she wants through.” But she at once added: “That is _if_--!” pausing on it with a smile. “If what then?” “Well, if I could be absolutely certain to have all in her kinds of cleverness without exception--and to have them,” said Lady Sandgate, “to the very end.” He definitely, he almost contemptuously declined to follow her. “The very end of what?” She took her choice as amid all the wonderful directions there might be, and then seemed both to risk and to reserve something. “Say of her so wonderfully successful _general_ career.” It doubtless, however, warranted him in appearing to cut insinuations short. “When you’re as clever as she you’ll be as good.” To which he subjoined: “You don’t begin to have the opportunity of knowing how good she is.” This pronouncement, to whatever comparative obscurity it might appear to relegate her, his interlocutress had to take--he was so prompt with a more explicit challenge. “What is it exactly that you suppose yourself to know?” Lady Sandgate had after a moment, in her supreme good humour, decided to take everything. “I always proceed on the assumption that I know everything, because that makes people tell me.” “It wouldn’t make we,” he quite rang out, “if I didn’t want to! But as it happens,” he allowed, “there’s a question it would be convenient to me to put to you. You must be, with your charming unconventional relation with him, extremely in Theign’s confidence.” She waited a little as for more.<\|quote\|>“Is that your question--_whether_ I am?”</\|quote\|>“No, but if you are you’ll the better answer it” She had no objection then to answering it beautifully. “We’re the best friends in the world; he has been really my providence, as a lone woman with almost nobody and nothing of her own, and I feel my footing here, as so frequent and yet so discreet a visitor, simply perfect But I’m happy to say that--for my pleasure when I’m really curious--this doesn’t close to me the sweet resource of occasionally guessing things.” “Then I hope you’ve ground for believing that if I go the right way about it he’s likely to listen to me.” Lady Sandgate measured her ground--which scarce seemed extensive. “The person he most listens to just now--and in fact at any time, as you must have seen for yourself--is that arch-tormentor, or at least beautiful wheedler, his elder daughter.” “Lady Imber’s _here?_” Lord John alertly asked. “She arrived last night and--as we’ve other visitors--seems to have set up a side-show in the garden.” “Then she’ll ‘draw’ of course immensely, as she always does. But her sister won’t be in that case with her,” the young man supposed. “Because Grace feels herself naturally an independent show? So she well may,” said Lady Sandgate, “but I must tell you that when I last noticed them there Kitty was in the very act of leading her away.” Lord John figured it a moment. “Lady Imber” --he ironically enlarged the figure-- “_can_ lead people away.” “Oh, dear Grace,” his companion returned, “happens fortunately to be firm!” This seemed to strike him for a moment as equivocal. “Not against _me_, however--you don’t mean? You don’t think she has a beastly prejudice----?” “Surely you can judge about it; as knowing best what may--or what mayn’t--have happened between you.” “Well, I try to judge” --and such candour as was possible to Lord John seemed to sit for a moment on his brow. “But I’m in fear of seeing her too much as I want to see her.” There was an appeal in it that Lady Sandgate might have been moved to meet “Are you absolutely in earnest about her?” “Of course I am--why shouldn’t I be? But,” he said with impatience, “I want help.” “Very well then, that’s what Lady Imber’s giving you.” And as it appeared to take him time to read into these words their full sense, she produced others, and so far did help him--though the effort was in a degree that of her exhibiting with some complacency her own unassisted control of stray signs and shy lights. “By telling her, by bringing it home to her, that if she’ll make up her mind to accept you the Duchess will do the handsome thing. Handsome, I mean, by Kitty.” Lord John, appropriating for his convenience the truth in this, yet regarded it as open to a becoming, an improving touch from himself. “Well, and by _me_.” To which he added with more of a challenge in it: “But you really know what my mother will do?” “By my system,” Lady Sandgate smiled, “you see I’ve guessed. What your mother will do is what brought you over!” “Well, it’s that,” he allowed-- “and something else.” “Something else?” she derisively echoed. “I should think ‘that,’ for an ardent lover, would have been enough.” “Ah, but it’s all one Job! I mean it’s one idea,” he hastened to explain-- “if you think Lady Imber’s really acting on her.” “Mightn’t you go and see?” “I would in a moment if I hadn’t to look out for another matter too.” And he renewed his attention to his watch. “I mean getting straight at my American, the party I just mentioned------” But she had already taken him up. “You too have an American and a ‘party,’ and yours also motors down----?” “Mr. Breckenridge Bender.” Lord John named him with a shade of elation. She gaped at the fuller light “You _know_ my Breckenridge?--who I hoped was coming for me!” Lord John as freely, but more gaily, wondered. “Had he told you so?” She held out, opened, the telegram she had kept folded in her hand since her entrance. “He has sent me that--which, delivered to me ten minutes ago out there, has brought me in to receive him.” The young man read out this missive. “‘Failing to find you in Bruton Street, start in pursuit and hope to overtake you about four.’” It did involve an ambiguity. “Why, he has been engaged these three days to coincide with myself, and not to fail of him has been part of my business.” Lady Sandgate, in her demonstrative way, appealed to the general rich scene. “Then why does he say it’s me he’s pursuing?” He seemed to recognise promptly enough in her the sense of a menaced	imputation for a moment almost as a liberty taken. “How do you know so well, Lady Sandgate, what I represent?” She bethought herself--but briefly and bravely. “Well, don’t you represent, by your own admission, certain fond aspirations? Don’t you represent the belief--very natural, I grant--that more than _one_ perverse and extravagant flower will be unlikely on such a fine healthy old stem; and, consistently with that, the hope of arranging with our admirable host here that he shall lend a helpful hand to your commending yourself to dear Grace?” nan “treatment” by which his negative nose had been enabled to look important and his meagre mouth to smile its spareness away. He had pleasant but hard little eyes--they glittered, handsomely, without promise--and a neatness, a coolness and an ease, a clear instinct for making point take, on his behalf, the place of weight and immunity that of capacity, which represented somehow the art of living at a high pitch and yet at a low cost. There was that in his satisfied air which still suggested sharp wants--and this was withal the ambiguity; for the temper of these appetites or views was certainly, you would have concluded, not such as always to sacrifice to form. If he really, for instance, wanted Lady Grace, the passion or the sense of his interest in it would scarce have been considerately irritable. “May I ask what you mean,” he inquired of Lady Sandgate, “by the question of my ‘arranging’?” “I mean that you’re the very clever son of a very clever mother.” “Oh, I’m less clever than you think,” he replied-- “if you really think it of me at all; and mamma’s a good sight cleverer!” “Than I think?” Lady Sandgate echoed. “Why, she’s the person in all our world I would gladly most resemble--for her general ability to put what she wants through.” But she at once added: “That is _if_--!” pausing on it with a smile. “If what then?” “Well, if I could be absolutely certain to have all in her kinds of cleverness without exception--and to have them,” said Lady Sandgate, “to the very end.” He definitely, he almost contemptuously declined to follow her. “The very end of what?” She took her choice as amid all the wonderful directions there might be, and then seemed both to risk and to reserve something. “Say of her so wonderfully successful _general_ career.” It doubtless, however, warranted him in appearing to cut insinuations short. “When you’re as clever as she you’ll be as good.” To which he subjoined: “You don’t begin to have the opportunity of knowing how good she is.” This pronouncement, to whatever comparative obscurity it might appear to relegate her, his interlocutress had to take--he was so prompt with a more explicit challenge. “What is it exactly that you suppose yourself to know?” Lady Sandgate had after a moment, in her supreme good humour, decided to take everything. “I always proceed on the assumption that I know everything, because that makes people tell me.” “It wouldn’t make we,” he quite rang out, “if I didn’t want to! But as it happens,” he allowed, “there’s a question it would be convenient to me to put to you. You must be, with your charming unconventional relation with him, extremely in Theign’s confidence.” She waited a little as for more.<\|quote\|>“Is that your question--_whether_ I am?”</\|quote\|>“No, but if you are you’ll the better answer it” She had no objection then to answering it beautifully. “We’re the best friends in the world; he has been really my providence, as a lone woman with almost nobody and nothing of her own, and I feel my footing here, as so frequent and yet so discreet a visitor, simply perfect But I’m happy to say that--for my pleasure when I’m really curious--this doesn’t close to me the sweet resource of occasionally guessing things.” “Then I hope you’ve ground for believing that if I go the right way about it he’s likely to listen to me.” Lady Sandgate measured her ground--which scarce seemed extensive. “The person he most listens to just now--and in fact at any time, as you must have seen for yourself--is that arch-tormentor, or at least beautiful wheedler, his elder daughter.” “Lady Imber’s _here?_” Lord John alertly asked. “She arrived last night and--as we’ve other visitors--seems to have set up a side-show in the garden.” “Then she’ll ‘draw’ of course immensely, as she always does. But her sister won’t be in that case with her,” the young man supposed. “Because Grace feels herself naturally an independent show? So she well may,” said Lady Sandgate, “but I must tell you that when I last noticed them there Kitty was in the very act of leading her away.” Lord John figured it a moment. “Lady Imber” --he ironically enlarged the figure-- “_can_ lead people away.” “Oh, dear Grace,” his companion returned, “happens fortunately to be firm!” This seemed to strike him for a moment as equivocal. “Not against _me_, however--you don’t mean? You don’t think she has a beastly prejudice----?” “Surely you can judge about it; as knowing best what may--or what mayn’t--have happened between you.” “Well, I try to judge” --and such candour as was possible to Lord John seemed to sit for a moment on his brow. “But I’m in fear of seeing her too much as I	The Outcry
"I am asking Sissy a few questions, Tom,"	Louisa Bounderby	much of that at present.<\|quote\|>"I am asking Sissy a few questions, Tom,"</\|quote\|>observed his sister. "You have	anything but himself, and not much of that at present.<\|quote\|>"I am asking Sissy a few questions, Tom,"</\|quote\|>observed his sister. "You have no occasion to go away;	more he hid his face; and at first he shook all over, and said nothing but" "My darling;" "and" "My love!"" Here Tom came lounging in, and stared at the two with a coolness not particularly savouring of interest in anything but himself, and not much of that at present.<\|quote\|>"I am asking Sissy a few questions, Tom,"</\|quote\|>observed his sister. "You have no occasion to go away; but don't interrupt us for a moment, Tom dear." "Oh! very well!" returned Tom. "Only father has brought old Bounderby home, and I want you to come into the drawing-room. Because if you come, there's a good chance of old	pain. And I said," "Have you hurt yourself, father?" "(as he did sometimes, like they all did), and he said," "A little, my darling." "And when I came to stoop down and look up at his face, I saw that he was crying. The more I spoke to him, the more he hid his face; and at first he shook all over, and said nothing but" "My darling;" "and" "My love!"" Here Tom came lounging in, and stared at the two with a coolness not particularly savouring of interest in anything but himself, and not much of that at present.<\|quote\|>"I am asking Sissy a few questions, Tom,"</\|quote\|>observed his sister. "You have no occasion to go away; but don't interrupt us for a moment, Tom dear." "Oh! very well!" returned Tom. "Only father has brought old Bounderby home, and I want you to come into the drawing-room. Because if you come, there's a good chance of old Bounderby's asking me to dinner; and if you don't, there's none." "I'll come directly." "I'll wait for you," said Tom, "to make sure." Sissy resumed in a lower voice. "At last poor father said that he had given no satisfaction again, and never did give any satisfaction now, and that	dog licked his face." Louisa saw that she was sobbing; and going to her, kissed her, took her hand, and sat down beside her. "Finish by telling me how your father left you, Sissy. Now that I have asked you so much, tell me the end. The blame, if there is any blame, is mine, not yours." "Dear Miss Louisa," said Sissy, covering her eyes, and sobbing yet; "I came home from the school that afternoon, and found poor father just come home too, from the booth. And he sat rocking himself over the fire, as if he was in pain. And I said," "Have you hurt yourself, father?" "(as he did sometimes, like they all did), and he said," "A little, my darling." "And when I came to stoop down and look up at his face, I saw that he was crying. The more I spoke to him, the more he hid his face; and at first he shook all over, and said nothing but" "My darling;" "and" "My love!"" Here Tom came lounging in, and stared at the two with a coolness not particularly savouring of interest in anything but himself, and not much of that at present.<\|quote\|>"I am asking Sissy a few questions, Tom,"</\|quote\|>observed his sister. "You have no occasion to go away; but don't interrupt us for a moment, Tom dear." "Oh! very well!" returned Tom. "Only father has brought old Bounderby home, and I want you to come into the drawing-room. Because if you come, there's a good chance of old Bounderby's asking me to dinner; and if you don't, there's none." "I'll come directly." "I'll wait for you," said Tom, "to make sure." Sissy resumed in a lower voice. "At last poor father said that he had given no satisfaction again, and never did give any satisfaction now, and that he was a shame and disgrace, and I should have done better without him all along. I said all the affectionate things to him that came into my heart, and presently he was quiet and I sat down by him, and told him all about the school and everything that had been said and done there. When I had no more left to tell, he put his arms round my neck, and kissed me a great many times. Then he asked me to fetch some of the stuff he used, for the little hurt he had had, and to get	head cut off before it was finished." "And your father was always kind? To the last?" asked Louisa contravening the great principle, and wondering very much. "Always, always!" returned Sissy, clasping her hands. "Kinder and kinder than I can tell. He was angry only one night, and that was not to me, but Merrylegs. Merrylegs;" she whispered the awful fact; "is his performing dog." "Why was he angry with the dog?" Louisa demanded. "Father, soon after they came home from performing, told Merrylegs to jump up on the backs of the two chairs and stand across them which is one of his tricks. He looked at father, and didn't do it at once. Everything of father's had gone wrong that night, and he hadn't pleased the public at all. He cried out that the very dog knew he was failing, and had no compassion on him. Then he beat the dog, and I was frightened, and said," "Father, father! Pray don't hurt the creature who is so fond of you! O Heaven forgive you, father, stop!" "And he stopped, and the dog was bloody, and father lay down crying on the floor with the dog in his arms, and the dog licked his face." Louisa saw that she was sobbing; and going to her, kissed her, took her hand, and sat down beside her. "Finish by telling me how your father left you, Sissy. Now that I have asked you so much, tell me the end. The blame, if there is any blame, is mine, not yours." "Dear Miss Louisa," said Sissy, covering her eyes, and sobbing yet; "I came home from the school that afternoon, and found poor father just come home too, from the booth. And he sat rocking himself over the fire, as if he was in pain. And I said," "Have you hurt yourself, father?" "(as he did sometimes, like they all did), and he said," "A little, my darling." "And when I came to stoop down and look up at his face, I saw that he was crying. The more I spoke to him, the more he hid his face; and at first he shook all over, and said nothing but" "My darling;" "and" "My love!"" Here Tom came lounging in, and stared at the two with a coolness not particularly savouring of interest in anything but himself, and not much of that at present.<\|quote\|>"I am asking Sissy a few questions, Tom,"</\|quote\|>observed his sister. "You have no occasion to go away; but don't interrupt us for a moment, Tom dear." "Oh! very well!" returned Tom. "Only father has brought old Bounderby home, and I want you to come into the drawing-room. Because if you come, there's a good chance of old Bounderby's asking me to dinner; and if you don't, there's none." "I'll come directly." "I'll wait for you," said Tom, "to make sure." Sissy resumed in a lower voice. "At last poor father said that he had given no satisfaction again, and never did give any satisfaction now, and that he was a shame and disgrace, and I should have done better without him all along. I said all the affectionate things to him that came into my heart, and presently he was quiet and I sat down by him, and told him all about the school and everything that had been said and done there. When I had no more left to tell, he put his arms round my neck, and kissed me a great many times. Then he asked me to fetch some of the stuff he used, for the little hurt he had had, and to get it at the best place, which was at the other end of town from there; and then, after kissing me again, he let me go. When I had gone down-stairs, I turned back that I might be a little bit more company to him yet, and looked in at the door, and said," "Father dear, shall I take Merrylegs?" "Father shook his head and said," "No, Sissy, no; take nothing that's known to be mine, my darling;" "and I left him sitting by the fire. Then the thought must have come upon him, poor, poor father! of going away to try something for my sake; for when I came back, he was gone." "I say! Look sharp for old Bounderby, Loo!" Tom remonstrated. "There's no more to tell, Miss Louisa. I keep the nine oils ready for him, and I know he will come back. Every letter that I see in Mr. Gradgrind's hand takes my breath away and blinds my eyes, for I think it comes from father, or from Mr. Sleary about father. Mr. Sleary promised to write as soon as ever father should be heard of, and I trust to him to keep his word." "Do look	solitary places. "O yes! As dearly as he loves me. Father loved me, first, for her sake. He carried me about with him when I was quite a baby. We have never been asunder from that time." "Yet he leaves you now, Sissy?" "Only for my good. Nobody understands him as I do; nobody knows him as I do. When he left me for my good he never would have left me for his own I know he was almost broken-hearted with the trial. He will not be happy for a single minute, till he comes back." "Tell me more about him," said Louisa, "I will never ask you again. Where did you live?" "We travelled about the country, and had no fixed place to live in. Father's a;" Sissy whispered the awful word, "a clown." "To make the people laugh?" said Louisa, with a nod of intelligence. "Yes. But they wouldn't laugh sometimes, and then father cried. Lately, they very often wouldn't laugh, and he used to come home despairing. Father's not like most. Those who didn't know him as well as I do, and didn't love him as dearly as I do, might believe he was not quite right. Sometimes they played tricks upon him; but they never knew how he felt them, and shrunk up, when he was alone with me. He was far, far timider than they thought!" "And you were his comfort through everything?" She nodded, with the tears rolling down her face. "I hope so, and father said I was. It was because he grew so scared and trembling, and because he felt himself to be a poor, weak, ignorant, helpless man (those used to be his words), that he wanted me so much to know a great deal, and be different from him. I used to read to him to cheer his courage, and he was very fond of that. They were wrong books I am never to speak of them here but we didn't know there was any harm in them." "And he liked them?" said Louisa, with a searching gaze on Sissy all this time. "O very much! They kept him, many times, from what did him real harm. And often and often of a night, he used to forget all his troubles in wondering whether the Sultan would let the lady go on with the story, or would have her head cut off before it was finished." "And your father was always kind? To the last?" asked Louisa contravening the great principle, and wondering very much. "Always, always!" returned Sissy, clasping her hands. "Kinder and kinder than I can tell. He was angry only one night, and that was not to me, but Merrylegs. Merrylegs;" she whispered the awful fact; "is his performing dog." "Why was he angry with the dog?" Louisa demanded. "Father, soon after they came home from performing, told Merrylegs to jump up on the backs of the two chairs and stand across them which is one of his tricks. He looked at father, and didn't do it at once. Everything of father's had gone wrong that night, and he hadn't pleased the public at all. He cried out that the very dog knew he was failing, and had no compassion on him. Then he beat the dog, and I was frightened, and said," "Father, father! Pray don't hurt the creature who is so fond of you! O Heaven forgive you, father, stop!" "And he stopped, and the dog was bloody, and father lay down crying on the floor with the dog in his arms, and the dog licked his face." Louisa saw that she was sobbing; and going to her, kissed her, took her hand, and sat down beside her. "Finish by telling me how your father left you, Sissy. Now that I have asked you so much, tell me the end. The blame, if there is any blame, is mine, not yours." "Dear Miss Louisa," said Sissy, covering her eyes, and sobbing yet; "I came home from the school that afternoon, and found poor father just come home too, from the booth. And he sat rocking himself over the fire, as if he was in pain. And I said," "Have you hurt yourself, father?" "(as he did sometimes, like they all did), and he said," "A little, my darling." "And when I came to stoop down and look up at his face, I saw that he was crying. The more I spoke to him, the more he hid his face; and at first he shook all over, and said nothing but" "My darling;" "and" "My love!"" Here Tom came lounging in, and stared at the two with a coolness not particularly savouring of interest in anything but himself, and not much of that at present.<\|quote\|>"I am asking Sissy a few questions, Tom,"</\|quote\|>observed his sister. "You have no occasion to go away; but don't interrupt us for a moment, Tom dear." "Oh! very well!" returned Tom. "Only father has brought old Bounderby home, and I want you to come into the drawing-room. Because if you come, there's a good chance of old Bounderby's asking me to dinner; and if you don't, there's none." "I'll come directly." "I'll wait for you," said Tom, "to make sure." Sissy resumed in a lower voice. "At last poor father said that he had given no satisfaction again, and never did give any satisfaction now, and that he was a shame and disgrace, and I should have done better without him all along. I said all the affectionate things to him that came into my heart, and presently he was quiet and I sat down by him, and told him all about the school and everything that had been said and done there. When I had no more left to tell, he put his arms round my neck, and kissed me a great many times. Then he asked me to fetch some of the stuff he used, for the little hurt he had had, and to get it at the best place, which was at the other end of town from there; and then, after kissing me again, he let me go. When I had gone down-stairs, I turned back that I might be a little bit more company to him yet, and looked in at the door, and said," "Father dear, shall I take Merrylegs?" "Father shook his head and said," "No, Sissy, no; take nothing that's known to be mine, my darling;" "and I left him sitting by the fire. Then the thought must have come upon him, poor, poor father! of going away to try something for my sake; for when I came back, he was gone." "I say! Look sharp for old Bounderby, Loo!" Tom remonstrated. "There's no more to tell, Miss Louisa. I keep the nine oils ready for him, and I know he will come back. Every letter that I see in Mr. Gradgrind's hand takes my breath away and blinds my eyes, for I think it comes from father, or from Mr. Sleary about father. Mr. Sleary promised to write as soon as ever father should be heard of, and I trust to him to keep his word." "Do look sharp for old Bounderby, Loo!" said Tom, with an impatient whistle. "He'll be off if you don't look sharp!" After this, whenever Sissy dropped a curtsey to Mr. Gradgrind in the presence of his family, and said in a faltering way, "I beg your pardon, sir, for being troublesome but have you had any letter yet about me?" Louisa would suspend the occupation of the moment, whatever it was, and look for the reply as earnestly as Sissy did. And when Mr. Gradgrind regularly answered, "No, Jupe, nothing of the sort," the trembling of Sissy's lip would be repeated in Louisa's face, and her eyes would follow Sissy with compassion to the door. Mr. Gradgrind usually improved these occasions by remarking, when she was gone, that if Jupe had been properly trained from an early age she would have remonstrated to herself on sound principles the baselessness of these fantastic hopes. Yet it did seem (though not to him, for he saw nothing of it) as if fantastic hope could take as strong a hold as Fact. This observation must be limited exclusively to his daughter. As to Tom, he was becoming that not unprecedented triumph of calculation which is usually at work on number one. As to Mrs. Gradgrind, if she said anything on the subject, she would come a little way out of her wrappers, like a feminine dormouse, and say: "Good gracious bless me, how my poor head is vexed and worried by that girl Jupe's so perseveringly asking, over and over again, about her tiresome letters! Upon my word and honour I seem to be fated, and destined, and ordained, to live in the midst of things that I am never to hear the last of. It really is a most extraordinary circumstance that it appears as if I never was to hear the last of anything!" At about this point, Mr. Gradgrind's eye would fall upon her; and under the influence of that wintry piece of fact, she would become torpid again. CHAPTER X STEPHEN BLACKPOOL I ENTERTAIN a weak idea that the English people are as hard-worked as any people upon whom the sun shines. I acknowledge to this ridiculous idiosyncrasy, as a reason why I would give them a little more play. In the hardest working part of Coketown; in the innermost fortifications of that ugly citadel, where Nature was as strongly bricked	face. "I hope so, and father said I was. It was because he grew so scared and trembling, and because he felt himself to be a poor, weak, ignorant, helpless man (those used to be his words), that he wanted me so much to know a great deal, and be different from him. I used to read to him to cheer his courage, and he was very fond of that. They were wrong books I am never to speak of them here but we didn't know there was any harm in them." "And he liked them?" said Louisa, with a searching gaze on Sissy all this time. "O very much! They kept him, many times, from what did him real harm. And often and often of a night, he used to forget all his troubles in wondering whether the Sultan would let the lady go on with the story, or would have her head cut off before it was finished." "And your father was always kind? To the last?" asked Louisa contravening the great principle, and wondering very much. "Always, always!" returned Sissy, clasping her hands. "Kinder and kinder than I can tell. He was angry only one night, and that was not to me, but Merrylegs. Merrylegs;" she whispered the awful fact; "is his performing dog." "Why was he angry with the dog?" Louisa demanded. "Father, soon after they came home from performing, told Merrylegs to jump up on the backs of the two chairs and stand across them which is one of his tricks. He looked at father, and didn't do it at once. Everything of father's had gone wrong that night, and he hadn't pleased the public at all. He cried out that the very dog knew he was failing, and had no compassion on him. Then he beat the dog, and I was frightened, and said," "Father, father! Pray don't hurt the creature who is so fond of you! O Heaven forgive you, father, stop!" "And he stopped, and the dog was bloody, and father lay down crying on the floor with the dog in his arms, and the dog licked his face." Louisa saw that she was sobbing; and going to her, kissed her, took her hand, and sat down beside her. "Finish by telling me how your father left you, Sissy. Now that I have asked you so much, tell me the end. The blame, if there is any blame, is mine, not yours." "Dear Miss Louisa," said Sissy, covering her eyes, and sobbing yet; "I came home from the school that afternoon, and found poor father just come home too, from the booth. And he sat rocking himself over the fire, as if he was in pain. And I said," "Have you hurt yourself, father?" "(as he did sometimes, like they all did), and he said," "A little, my darling." "And when I came to stoop down and look up at his face, I saw that he was crying. The more I spoke to him, the more he hid his face; and at first he shook all over, and said nothing but" "My darling;" "and" "My love!"" Here Tom came lounging in, and stared at the two with a coolness not particularly savouring of interest in anything but himself, and not much of that at present.<\|quote\|>"I am asking Sissy a few questions, Tom,"</\|quote\|>observed his sister. "You have no occasion to go away; but don't interrupt us for a moment, Tom dear." "Oh! very well!" returned Tom. "Only father has brought old Bounderby home, and I want you to come into the drawing-room. Because if you come, there's a good chance of old Bounderby's asking me to dinner; and if you don't, there's none." "I'll come directly." "I'll wait for you," said Tom, "to make sure." Sissy resumed in a lower voice. "At last poor father said that he had given no satisfaction again, and never did give any satisfaction now, and that he was a shame and disgrace, and I should have done better without him all along. I said all the affectionate things to him that came into my heart, and presently he was quiet and I sat down by him, and told him all about the school and everything that had been said and done there. When I had no more left to tell, he put his arms round my neck, and kissed me a great many times. Then he asked me to fetch some of the stuff he used, for the little hurt he had had, and to get it at the best place, which was at the other end of town from there; and then, after kissing me again, he let me go. When I had gone down-stairs, I turned back that I might be a little bit more company to him yet, and looked in at the door, and said," "Father dear, shall I take Merrylegs?" "Father shook his head and said," "No, Sissy, no; take nothing that's known to be mine, my darling;" "and I left him sitting by the fire. Then the thought must have come upon him, poor, poor father! of going away to try something for my sake; for when I came back, he was gone." "I say! Look sharp for old Bounderby, Loo!" Tom remonstrated. "There's no more to tell, Miss Louisa. I keep the nine oils ready for him, and I know he will come back. Every letter that I see in Mr. Gradgrind's hand takes my breath away and blinds my eyes, for I think it comes from father, or from Mr. Sleary about father. Mr. Sleary promised to write as soon as ever father should be heard of, and I trust to him to keep his word." "Do look sharp for old Bounderby, Loo!" said Tom, with an impatient whistle. "He'll be off if you don't look sharp!" After this, whenever Sissy dropped a curtsey to Mr. Gradgrind in the presence of his family, and said in a faltering way, "I beg your pardon, sir, for being troublesome but have you had any letter yet about me?" Louisa would suspend the occupation of the moment, whatever it was, and look for the reply as earnestly as Sissy did. And when Mr. Gradgrind regularly answered, "No, Jupe, nothing of the sort," the trembling of Sissy's lip would be repeated in Louisa's face, and her eyes would follow Sissy with compassion to the door. Mr. Gradgrind usually improved these occasions by remarking, when she was gone, that if Jupe had been properly trained from an early age she would have remonstrated to herself on sound principles the baselessness of these fantastic hopes. Yet it did seem (though not to him, for he saw nothing of it) as if fantastic hope could	Hard Times
"Drive straight to the office and you will be in time,"	Mr. Losberne	Which way have they taken?"<\|quote\|>"Drive straight to the office and you will be in time,"</\|quote\|>replied Mr. Losberne. "I will	avenge this poor murdered creature. Which way have they taken?"<\|quote\|>"Drive straight to the office and you will be in time,"</\|quote\|>replied Mr. Losberne. "I will remain here." The two gentlemen	meeting. We shall be down there, a few hours before, but shall require rest: especially the young lady, who _may_ have greater need of firmness than either you or I can quite foresee just now. But my blood boils to avenge this poor murdered creature. Which way have they taken?"<\|quote\|>"Drive straight to the office and you will be in time,"</\|quote\|>replied Mr. Losberne. "I will remain here." The two gentlemen hastily separated; each in a fever of excitement wholly uncontrollable. CHAPTER L. THE PURSUIT AND ESCAPE Near to that part of the Thames on which the church at Rotherhithe abuts, where the buildings on the banks are dirtiest and the	poor girl's intelligence with my previous knowledge, and the result of our good friend's inquiries on the spot, I left him no loophole of escape, and laid bare the whole villainy which by these lights became plain as day. Write and appoint the evening after to-morrow, at seven, for the meeting. We shall be down there, a few hours before, but shall require rest: especially the young lady, who _may_ have greater need of firmness than either you or I can quite foresee just now. But my blood boils to avenge this poor murdered creature. Which way have they taken?"<\|quote\|>"Drive straight to the office and you will be in time,"</\|quote\|>replied Mr. Losberne. "I will remain here." The two gentlemen hastily separated; each in a fever of excitement wholly uncontrollable. CHAPTER L. THE PURSUIT AND ESCAPE Near to that part of the Thames on which the church at Rotherhithe abuts, where the buildings on the banks are dirtiest and the vessels on the river blackest with the dust of colliers and the smoke of close-built low-roofed houses, there exists the filthiest, the strangest, the most extraordinary of the many localities that are hidden in London, wholly unknown, even by name, to the great mass of its inhabitants. To reach this	"Fagin," said Mr. Brownlow; "what of him?" "When I last heard, he had not been taken, but he will be, or is, by this time. They're sure of him." "Have you made up your mind?" asked Mr. Brownlow, in a low voice, of Monks. "Yes," he replied. "You you will be secret with me?" "I will. Remain here till I return. It is your only hope of safety." They left the room, and the door was again locked. "What have you done?" asked the doctor in a whisper. "All that I could hope to do, and even more. Coupling the poor girl's intelligence with my previous knowledge, and the result of our good friend's inquiries on the spot, I left him no loophole of escape, and laid bare the whole villainy which by these lights became plain as day. Write and appoint the evening after to-morrow, at seven, for the meeting. We shall be down there, a few hours before, but shall require rest: especially the young lady, who _may_ have greater need of firmness than either you or I can quite foresee just now. But my blood boils to avenge this poor murdered creature. Which way have they taken?"<\|quote\|>"Drive straight to the office and you will be in time,"</\|quote\|>replied Mr. Losberne. "I will remain here." The two gentlemen hastily separated; each in a fever of excitement wholly uncontrollable. CHAPTER L. THE PURSUIT AND ESCAPE Near to that part of the Thames on which the church at Rotherhithe abuts, where the buildings on the banks are dirtiest and the vessels on the river blackest with the dust of colliers and the smoke of close-built low-roofed houses, there exists the filthiest, the strangest, the most extraordinary of the many localities that are hidden in London, wholly unknown, even by name, to the great mass of its inhabitants. To reach this place, the visitor has to penetrate through a maze of close, narrow, and muddy streets, thronged by the roughest and poorest of waterside people, and devoted to the traffic they may be supposed to occasion. The cheapest and least delicate provisions are heaped in the shops; the coarsest and commonest articles of wearing apparel dangle at the salesman's door, and stream from the house-parapet and windows. Jostling with unemployed labourers of the lowest class, ballast-heavers, coal-whippers, brazen women, ragged children, and the raff and refuse of the river, he makes his way with difficulty along, assailed by offensive sights and	proposal and the possibilities of evading it: torn by his fears on the one hand and his hatred on the other: the door was hurriedly unlocked, and a gentleman (Mr. Losberne) entered the room in violent agitation. "The man will be taken," he cried. "He will be taken to-night!" "The murderer?" asked Mr. Brownlow. "Yes, yes," replied the other. "His dog has been seen lurking about some old haunt, and there seems little doubt that his master either is, or will be, there, under cover of the darkness. Spies are hovering about in every direction. I have spoken to the men who are charged with his capture, and they tell me he cannot escape. A reward of a hundred pounds is proclaimed by Government to-night." "I will give fifty more," said Mr. Brownlow, "and proclaim it with my own lips upon the spot, if I can reach it. Where is Mr. Maylie?" "Harry? As soon as he had seen your friend here, safe in a coach with you, he hurried off to where he heard this," replied the doctor, "and mounting his horse sallied forth to join the first party at some place in the outskirts agreed upon between them." "Fagin," said Mr. Brownlow; "what of him?" "When I last heard, he had not been taken, but he will be, or is, by this time. They're sure of him." "Have you made up your mind?" asked Mr. Brownlow, in a low voice, of Monks. "Yes," he replied. "You you will be secret with me?" "I will. Remain here till I return. It is your only hope of safety." They left the room, and the door was again locked. "What have you done?" asked the doctor in a whisper. "All that I could hope to do, and even more. Coupling the poor girl's intelligence with my previous knowledge, and the result of our good friend's inquiries on the spot, I left him no loophole of escape, and laid bare the whole villainy which by these lights became plain as day. Write and appoint the evening after to-morrow, at seven, for the meeting. We shall be down there, a few hours before, but shall require rest: especially the young lady, who _may_ have greater need of firmness than either you or I can quite foresee just now. But my blood boils to avenge this poor murdered creature. Which way have they taken?"<\|quote\|>"Drive straight to the office and you will be in time,"</\|quote\|>replied Mr. Losberne. "I will remain here." The two gentlemen hastily separated; each in a fever of excitement wholly uncontrollable. CHAPTER L. THE PURSUIT AND ESCAPE Near to that part of the Thames on which the church at Rotherhithe abuts, where the buildings on the banks are dirtiest and the vessels on the river blackest with the dust of colliers and the smoke of close-built low-roofed houses, there exists the filthiest, the strangest, the most extraordinary of the many localities that are hidden in London, wholly unknown, even by name, to the great mass of its inhabitants. To reach this place, the visitor has to penetrate through a maze of close, narrow, and muddy streets, thronged by the roughest and poorest of waterside people, and devoted to the traffic they may be supposed to occasion. The cheapest and least delicate provisions are heaped in the shops; the coarsest and commonest articles of wearing apparel dangle at the salesman's door, and stream from the house-parapet and windows. Jostling with unemployed labourers of the lowest class, ballast-heavers, coal-whippers, brazen women, ragged children, and the raff and refuse of the river, he makes his way with difficulty along, assailed by offensive sights and smells from the narrow alleys which branch off on the right and left, and deafened by the clash of ponderous waggons that bear great piles of merchandise from the stacks of warehouses that rise from every corner. Arriving, at length, in streets remoter and less-frequented than those through which he has passed, he walks beneath tottering house-fronts projecting over the pavement, dismantled walls that seem to totter as he passes, chimneys half crushed half hesitating to fall, windows guarded by rusty iron bars that time and dirt have almost eaten away, every imaginable sign of desolation and neglect. In such a neighborhood, beyond Dockhead in the Borough of Southwark, stands Jacob's Island, surrounded by a muddy ditch, six or eight feet deep and fifteen or twenty wide when the tide is in, once called Mill Pond, but known in the days of this story as Folly Ditch. It is a creek or inlet from the Thames, and can always be filled at high water by opening the sluices at the Lead Mills from which it took its old name. At such times, a stranger, looking from one of the wooden bridges thrown across it at Mill Lane, will see the	words to your accomplice the Jew, _the only proofs of the boy's identity lie at the bottom of the river, and the old hag that received them from the mother is rotting in her coffin_.' Unworthy son, coward, liar, you, who hold your councils with thieves and murderers in dark rooms at night, you, whose plots and wiles have brought a violent death upon the head of one worth millions such as you, you, who from your cradle were gall and bitterness to your own father's heart, and in whom all evil passions, vice, and profligacy, festered, till they found a vent in a hideous disease which had made your face an index even to your mind you, Edward Leeford, do you still brave me!" "No, no, no!" returned the coward, overwhelmed by these accumulated charges. "Every word!" cried the gentleman, "every word that has passed between you and this detested villain, is known to me. Shadows on the wall have caught your whispers, and brought them to my ear; the sight of the persecuted child has turned vice itself, and given it the courage and almost the attributes of virtue. Murder has been done, to which you were morally if not really a party." "No, no," interposed Monks. "I I knew nothing of that; I was going to inquire the truth of the story when you overtook me. I didn't know the cause. I thought it was a common quarrel." "It was the partial disclosure of your secrets," replied Mr. Brownlow. "Will you disclose the whole?" "Yes, I will." "Set your hand to a statement of truth and facts, and repeat it before witnesses?" "That I promise too." "Remain quietly here, until such a document is drawn up, and proceed with me to such a place as I may deem most advisable, for the purpose of attesting it?" "If you insist upon that, I'll do that also," replied Monks. "You must do more than that," said Mr. Brownlow. "Make restitution to an innocent and unoffending child, for such he is, although the offspring of a guilty and most miserable love. You have not forgotten the provisions of the will. Carry them into execution so far as your brother is concerned, and then go where you please. In this world you need meet no more." While Monks was pacing up and down, meditating with dark and evil looks on this proposal and the possibilities of evading it: torn by his fears on the one hand and his hatred on the other: the door was hurriedly unlocked, and a gentleman (Mr. Losberne) entered the room in violent agitation. "The man will be taken," he cried. "He will be taken to-night!" "The murderer?" asked Mr. Brownlow. "Yes, yes," replied the other. "His dog has been seen lurking about some old haunt, and there seems little doubt that his master either is, or will be, there, under cover of the darkness. Spies are hovering about in every direction. I have spoken to the men who are charged with his capture, and they tell me he cannot escape. A reward of a hundred pounds is proclaimed by Government to-night." "I will give fifty more," said Mr. Brownlow, "and proclaim it with my own lips upon the spot, if I can reach it. Where is Mr. Maylie?" "Harry? As soon as he had seen your friend here, safe in a coach with you, he hurried off to where he heard this," replied the doctor, "and mounting his horse sallied forth to join the first party at some place in the outskirts agreed upon between them." "Fagin," said Mr. Brownlow; "what of him?" "When I last heard, he had not been taken, but he will be, or is, by this time. They're sure of him." "Have you made up your mind?" asked Mr. Brownlow, in a low voice, of Monks. "Yes," he replied. "You you will be secret with me?" "I will. Remain here till I return. It is your only hope of safety." They left the room, and the door was again locked. "What have you done?" asked the doctor in a whisper. "All that I could hope to do, and even more. Coupling the poor girl's intelligence with my previous knowledge, and the result of our good friend's inquiries on the spot, I left him no loophole of escape, and laid bare the whole villainy which by these lights became plain as day. Write and appoint the evening after to-morrow, at seven, for the meeting. We shall be down there, a few hours before, but shall require rest: especially the young lady, who _may_ have greater need of firmness than either you or I can quite foresee just now. But my blood boils to avenge this poor murdered creature. Which way have they taken?"<\|quote\|>"Drive straight to the office and you will be in time,"</\|quote\|>replied Mr. Losberne. "I will remain here." The two gentlemen hastily separated; each in a fever of excitement wholly uncontrollable. CHAPTER L. THE PURSUIT AND ESCAPE Near to that part of the Thames on which the church at Rotherhithe abuts, where the buildings on the banks are dirtiest and the vessels on the river blackest with the dust of colliers and the smoke of close-built low-roofed houses, there exists the filthiest, the strangest, the most extraordinary of the many localities that are hidden in London, wholly unknown, even by name, to the great mass of its inhabitants. To reach this place, the visitor has to penetrate through a maze of close, narrow, and muddy streets, thronged by the roughest and poorest of waterside people, and devoted to the traffic they may be supposed to occasion. The cheapest and least delicate provisions are heaped in the shops; the coarsest and commonest articles of wearing apparel dangle at the salesman's door, and stream from the house-parapet and windows. Jostling with unemployed labourers of the lowest class, ballast-heavers, coal-whippers, brazen women, ragged children, and the raff and refuse of the river, he makes his way with difficulty along, assailed by offensive sights and smells from the narrow alleys which branch off on the right and left, and deafened by the clash of ponderous waggons that bear great piles of merchandise from the stacks of warehouses that rise from every corner. Arriving, at length, in streets remoter and less-frequented than those through which he has passed, he walks beneath tottering house-fronts projecting over the pavement, dismantled walls that seem to totter as he passes, chimneys half crushed half hesitating to fall, windows guarded by rusty iron bars that time and dirt have almost eaten away, every imaginable sign of desolation and neglect. In such a neighborhood, beyond Dockhead in the Borough of Southwark, stands Jacob's Island, surrounded by a muddy ditch, six or eight feet deep and fifteen or twenty wide when the tide is in, once called Mill Pond, but known in the days of this story as Folly Ditch. It is a creek or inlet from the Thames, and can always be filled at high water by opening the sluices at the Lead Mills from which it took its old name. At such times, a stranger, looking from one of the wooden bridges thrown across it at Mill Lane, will see the inhabitants of the houses on either side lowering from their back doors and windows, buckets, pails, domestic utensils of all kinds, in which to haul the water up; and when his eye is turned from these operations to the houses themselves, his utmost astonishment will be excited by the scene before him. Crazy wooden galleries common to the backs of half a dozen houses, with holes from which to look upon the slime beneath; windows, broken and patched, with poles thrust out, on which to dry the linen that is never there; rooms so small, so filthy, so confined, that the air would seem too tainted even for the dirt and squalor which they shelter; wooden chambers thrusting themselves out above the mud, and threatening to fall into it as some have done; dirt-besmeared walls and decaying foundations; every repulsive lineament of poverty, every loathsome indication of filth, rot, and garbage; all these ornament the banks of Folly Ditch. In Jacob's Island, the warehouses are roofless and empty; the walls are crumbling down; the windows are windows no more; the doors are falling into the streets; the chimneys are blackened, but they yield no smoke. Thirty or forty years ago, before losses and chancery suits came upon it, it was a thriving place; but now it is a desolate island indeed. The houses have no owners; they are broken open, and entered upon by those who have the courage; and there they live, and there they die. They must have powerful motives for a secret residence, or be reduced to a destitute condition indeed, who seek a refuge in Jacob's Island. In an upper room of one of these houses a detached house of fair size, ruinous in other respects, but strongly defended at door and window: of which house the back commanded the ditch in manner already described there were assembled three men, who, regarding each other every now and then with looks expressive of perplexity and expectation, sat for some time in profound and gloomy silence. One of these was Toby Crackit, another Mr. Chitling, and the third a robber of fifty years, whose nose had been almost beaten in, in some old scuffle, and whose face bore a frightful scar which might probably be traced to the same occasion. This man was a returned transport, and his name was Kags. "I wish," said Toby turning to Mr.	interposed Monks. "I I knew nothing of that; I was going to inquire the truth of the story when you overtook me. I didn't know the cause. I thought it was a common quarrel." "It was the partial disclosure of your secrets," replied Mr. Brownlow. "Will you disclose the whole?" "Yes, I will." "Set your hand to a statement of truth and facts, and repeat it before witnesses?" "That I promise too." "Remain quietly here, until such a document is drawn up, and proceed with me to such a place as I may deem most advisable, for the purpose of attesting it?" "If you insist upon that, I'll do that also," replied Monks. "You must do more than that," said Mr. Brownlow. "Make restitution to an innocent and unoffending child, for such he is, although the offspring of a guilty and most miserable love. You have not forgotten the provisions of the will. Carry them into execution so far as your brother is concerned, and then go where you please. In this world you need meet no more." While Monks was pacing up and down, meditating with dark and evil looks on this proposal and the possibilities of evading it: torn by his fears on the one hand and his hatred on the other: the door was hurriedly unlocked, and a gentleman (Mr. Losberne) entered the room in violent agitation. "The man will be taken," he cried. "He will be taken to-night!" "The murderer?" asked Mr. Brownlow. "Yes, yes," replied the other. "His dog has been seen lurking about some old haunt, and there seems little doubt that his master either is, or will be, there, under cover of the darkness. Spies are hovering about in every direction. I have spoken to the men who are charged with his capture, and they tell me he cannot escape. A reward of a hundred pounds is proclaimed by Government to-night." "I will give fifty more," said Mr. Brownlow, "and proclaim it with my own lips upon the spot, if I can reach it. Where is Mr. Maylie?" "Harry? As soon as he had seen your friend here, safe in a coach with you, he hurried off to where he heard this," replied the doctor, "and mounting his horse sallied forth to join the first party at some place in the outskirts agreed upon between them." "Fagin," said Mr. Brownlow; "what of him?" "When I last heard, he had not been taken, but he will be, or is, by this time. They're sure of him." "Have you made up your mind?" asked Mr. Brownlow, in a low voice, of Monks. "Yes," he replied. "You you will be secret with me?" "I will. Remain here till I return. It is your only hope of safety." They left the room, and the door was again locked. "What have you done?" asked the doctor in a whisper. "All that I could hope to do, and even more. Coupling the poor girl's intelligence with my previous knowledge, and the result of our good friend's inquiries on the spot, I left him no loophole of escape, and laid bare the whole villainy which by these lights became plain as day. Write and appoint the evening after to-morrow, at seven, for the meeting. We shall be down there, a few hours before, but shall require rest: especially the young lady, who _may_ have greater need of firmness than either you or I can quite foresee just now. But my blood boils to avenge this poor murdered creature. Which way have they taken?"<\|quote\|>"Drive straight to the office and you will be in time,"</\|quote\|>replied Mr. Losberne. "I will remain here." The two gentlemen hastily separated; each in a fever of excitement wholly uncontrollable. CHAPTER L. THE PURSUIT AND ESCAPE Near to that part of the Thames on which the church at Rotherhithe abuts, where the buildings on the banks are dirtiest and the vessels on the river blackest with the dust of colliers and the smoke of close-built low-roofed houses, there exists the filthiest, the strangest, the most extraordinary of the many localities that are hidden in London, wholly unknown, even by name, to the great mass of its inhabitants. To reach this place, the visitor has to penetrate through a maze of close, narrow, and muddy streets, thronged by the roughest and poorest of waterside people, and devoted to the traffic they may be supposed to occasion. The cheapest and least delicate provisions are heaped in the shops; the coarsest and commonest articles of wearing apparel dangle at the salesman's door, and stream from the house-parapet and windows. Jostling with unemployed labourers of the lowest class, ballast-heavers, coal-whippers, brazen women, ragged children, and the raff and refuse of the river, he makes his way with difficulty along, assailed by offensive sights and smells from the narrow alleys which branch off on the right and left, and deafened by the clash of ponderous waggons that bear great piles of merchandise from the stacks of warehouses that rise from every corner. Arriving, at length, in streets remoter and less-frequented than those through which he has passed, he walks beneath tottering house-fronts projecting over the pavement, dismantled walls that seem to totter as he passes, chimneys half crushed half hesitating to fall, windows guarded by rusty iron bars that time and dirt have almost eaten away, every imaginable sign of desolation and neglect. In such a neighborhood, beyond Dockhead in the Borough of Southwark, stands Jacob's Island, surrounded by a muddy ditch, six or eight feet deep and fifteen or twenty wide when the tide is in, once called Mill Pond, but known in the days of this story as Folly Ditch. It is a creek or inlet from the Thames, and can always be filled at high water by opening the sluices at the Lead Mills from which it took its old name. At such times, a stranger, looking from one of the wooden bridges thrown across it at Mill Lane, will see the inhabitants of the houses on either side lowering from their back doors and windows, buckets, pails, domestic utensils of all kinds, in which to haul the water up; and when his eye is turned from these operations to the houses themselves, his utmost astonishment will be excited by the scene before him. Crazy wooden galleries common to the backs of half a dozen houses, with holes from which to look upon the slime beneath; windows, broken and patched, with poles thrust out, on which to dry the linen that is never there; rooms so small, so filthy, so confined, that the air would seem too tainted even for the dirt and squalor which they shelter; wooden chambers thrusting themselves out above the mud, and threatening to fall into it as some have done; dirt-besmeared walls and decaying foundations; every repulsive lineament of poverty, every loathsome indication of filth, rot, and garbage; all these ornament the banks of Folly Ditch. In Jacob's Island, the warehouses are roofless and	Oliver Twist
"Oh, Kanga,"	Winnie-the-pooh	looked. And Kanga looked too....<\|quote\|>"Oh, Kanga,"</\|quote\|>said Pooh, after Rabbit had	jumping, so they stayed and looked. And Kanga looked too....<\|quote\|>"Oh, Kanga,"</\|quote\|>said Pooh, after Rabbit had winked at him twice, "I	just going home," said Kanga. "Good afternoon, Rabbit. Good afternoon, Piglet." Rabbit and Piglet, who had now come up from the other side of the hill, said "Good afternoon," and "Hallo, Roo," and Roo asked them to look at him jumping, so they stayed and looked. And Kanga looked too....<\|quote\|>"Oh, Kanga,"</\|quote\|>said Pooh, after Rabbit had winked at him twice, "I don't know if you are interested in Poetry at all?" "Hardly at all," said Kanga. "Oh!" said Pooh. "Roo, dear, just one more jump and then we must go home." There was a short silence while Roo fell down another	and saying "Just one more jump, dear, and then we must go home." And at that moment who should come stumping up the hill but Pooh. "Good afternoon, Kanga." "Good afternoon, Pooh." "Look at me jumping," squeaked Roo, and fell into another mouse-hole. "Hallo, Roo, my little fellow!" "We were just going home," said Kanga. "Good afternoon, Rabbit. Good afternoon, Piglet." Rabbit and Piglet, who had now come up from the other side of the hill, said "Good afternoon," and "Hallo, Roo," and Roo asked them to look at him jumping, so they stayed and looked. And Kanga looked too....<\|quote\|>"Oh, Kanga,"</\|quote\|>said Pooh, after Rabbit had winked at him twice, "I don't know if you are interested in Poetry at all?" "Hardly at all," said Kanga. "Oh!" said Pooh. "Roo, dear, just one more jump and then we must go home." There was a short silence while Roo fell down another mouse-hole. "Go on," said Rabbit in a loud whisper behind his paw. "Talking of Poetry," said Pooh, "I made up a little piece as I was coming along. It went like this. Er--now let me see----" "Fancy!" said Kanga. "Now Roo, dear----" "You'll like this piece of poetry," said Rabbit.	Pooh Bear. "Not yet," he said. "What _do_ I do?" "Well, you just have to talk very hard to Kanga so as she doesn't notice anything." "Oh! What about?" "Anything you like." "You mean like telling her a little bit of poetry or something?" "That's it," said Rabbit. "Splendid. Now come along." So they all went out to look for Kanga. Kanga and Roo were spending a quiet afternoon in a sandy part of the Forest. Baby Roo was practising very small jumps in the sand, and falling down mouse-holes and climbing out of them, and Kanga was fidgeting about and saying "Just one more jump, dear, and then we must go home." And at that moment who should come stumping up the hill but Pooh. "Good afternoon, Kanga." "Good afternoon, Pooh." "Look at me jumping," squeaked Roo, and fell into another mouse-hole. "Hallo, Roo, my little fellow!" "We were just going home," said Kanga. "Good afternoon, Rabbit. Good afternoon, Piglet." Rabbit and Piglet, who had now come up from the other side of the hill, said "Good afternoon," and "Hallo, Roo," and Roo asked them to look at him jumping, so they stayed and looked. And Kanga looked too....<\|quote\|>"Oh, Kanga,"</\|quote\|>said Pooh, after Rabbit had winked at him twice, "I don't know if you are interested in Poetry at all?" "Hardly at all," said Kanga. "Oh!" said Pooh. "Roo, dear, just one more jump and then we must go home." There was a short silence while Roo fell down another mouse-hole. "Go on," said Rabbit in a loud whisper behind his paw. "Talking of Poetry," said Pooh, "I made up a little piece as I was coming along. It went like this. Er--now let me see----" "Fancy!" said Kanga. "Now Roo, dear----" "You'll like this piece of poetry," said Rabbit. "You'll love it," said Piglet. "You must listen very carefully," said Rabbit. "So as not to miss any of it," said Piglet. "Oh, yes," said Kanga, but she still looked at Baby Roo. "_How_ did it go, Pooh?" said Rabbit. Pooh gave a little cough and began. "LINES WRITTEN BY A BEAR OF VERY LITTLE BRAIN On Monday, when the sun is hot I wonder to myself a lot: "Now is it true, or is it not," "That what is which and which is what?" On Tuesday, when it hails and snows, The feeling on me grows and grows That	see Piglet jumping in. 7. See 2. 8. _Another Thought._ But if Pooh was talking to her very excitedly, she _might_ look the other way for a moment. 9. And then I could run away with Roo. 10. Quickly. 11. _And Kanga wouldn't discover the difference until Afterwards._ Well, Rabbit read this out proudly, and for a little while after he had read it nobody said anything. And then Piglet, who had been opening and shutting his mouth without making any noise, managed to say very huskily: "And--Afterwards?" "How do you mean?" "When Kanga _does_ Discover the Difference?" "Then we all say '_Aha!_'" "All three of us?" "Yes." "Oh!" "Why, what's the trouble, Piglet?" "Nothing," said Piglet, "as long as _we all three_ say it. As long as we all three say it," said Piglet, "I don't mind," he said, "but I shouldn't care to say '_Aha!_' by myself. It wouldn't sound _nearly_ so well. By the way," he said, "you _are_ quite sure about what you said about the winter months?" "The winter months?" "Yes, only being Fierce in the Winter Months." "Oh, yes, yes, that's all right. Well, Pooh? You see what you have to do?" "No," said Pooh Bear. "Not yet," he said. "What _do_ I do?" "Well, you just have to talk very hard to Kanga so as she doesn't notice anything." "Oh! What about?" "Anything you like." "You mean like telling her a little bit of poetry or something?" "That's it," said Rabbit. "Splendid. Now come along." So they all went out to look for Kanga. Kanga and Roo were spending a quiet afternoon in a sandy part of the Forest. Baby Roo was practising very small jumps in the sand, and falling down mouse-holes and climbing out of them, and Kanga was fidgeting about and saying "Just one more jump, dear, and then we must go home." And at that moment who should come stumping up the hill but Pooh. "Good afternoon, Kanga." "Good afternoon, Pooh." "Look at me jumping," squeaked Roo, and fell into another mouse-hole. "Hallo, Roo, my little fellow!" "We were just going home," said Kanga. "Good afternoon, Rabbit. Good afternoon, Piglet." Rabbit and Piglet, who had now come up from the other side of the hill, said "Good afternoon," and "Hallo, Roo," and Roo asked them to look at him jumping, so they stayed and looked. And Kanga looked too....<\|quote\|>"Oh, Kanga,"</\|quote\|>said Pooh, after Rabbit had winked at him twice, "I don't know if you are interested in Poetry at all?" "Hardly at all," said Kanga. "Oh!" said Pooh. "Roo, dear, just one more jump and then we must go home." There was a short silence while Roo fell down another mouse-hole. "Go on," said Rabbit in a loud whisper behind his paw. "Talking of Poetry," said Pooh, "I made up a little piece as I was coming along. It went like this. Er--now let me see----" "Fancy!" said Kanga. "Now Roo, dear----" "You'll like this piece of poetry," said Rabbit. "You'll love it," said Piglet. "You must listen very carefully," said Rabbit. "So as not to miss any of it," said Piglet. "Oh, yes," said Kanga, but she still looked at Baby Roo. "_How_ did it go, Pooh?" said Rabbit. Pooh gave a little cough and began. "LINES WRITTEN BY A BEAR OF VERY LITTLE BRAIN On Monday, when the sun is hot I wonder to myself a lot: "Now is it true, or is it not," "That what is which and which is what?" On Tuesday, when it hails and snows, The feeling on me grows and grows That hardly anybody knows If those are these or these are those. On Wednesday, when the sky is blue, And I have nothing else to do, I sometimes wonder if it's true That who is what and what is who. On Thursday, when it starts to freeze And hoar-frost twinkles on the trees, How very readily one sees That these are whose--but whose are these? On Friday---" - "Yes, it is, isn't it?" said Kanga, not waiting to hear what happened on Friday. "Just one more jump, Roo, dear, and then we really _must_ be going." Rabbit gave Pooh a hurrying-up sort of nudge. "Talking of Poetry," said Pooh quickly, "have you ever noticed that tree right over there?" "Where?" said Kanga. "Now, Roo----" "Right over there," said Pooh, pointing behind Kanga's back. "No," said Kanga. "Now jump in, Roo, dear, and we'll go home." "You ought to look at that tree right over there," said Rabbit. "Shall I lift you in, Roo?" And he picked up Roo in his paws. "I can see a bird in it from here," said Pooh. "Or is it a fish?" "You ought to see that bird from here," said Rabbit. "Unless it's a fish."	"I was talking to Christopher Robin, and he said that a Kanga was Generally Regarded as One of the Fiercer Animals. I am not frightened of Fierce Animals in the ordinary way, but it is well known that, if One of the Fiercer Animals is Deprived of Its Young, it becomes as fierce as Two of the Fiercer Animals. In which case '_Aha!_' is perhaps a _foolish_ thing to say." "Piglet," said Rabbit, taking out a pencil, and licking the end of it, "you haven't any pluck." "It is hard to be brave," said Piglet, sniffing slightly, "when you're only a Very Small Animal." Rabbit, who had begun to write very busily, looked up and said: "It is because you are a very small animal that you will be Useful in the adventure before us." Piglet was so excited at the idea of being Useful, that he forgot to be frightened any more, and when Rabbit went on to say that Kangas were only Fierce during the winter months, being at other times of an Affectionate Disposition, he could hardly sit still, he was so eager to begin being useful at once. "What about me?" said Pooh sadly. "I suppose _I_ shan't be useful?" "Never mind, Pooh," said Piglet comfortingly. "Another time perhaps." "Without Pooh," said Rabbit solemnly as he sharpened his pencil, "the adventure would be impossible." "Oh!" said Piglet, and tried not to look disappointed. But Pooh went into a corner of the room and said proudly to himself, "Impossible without Me! _That_ sort of Bear." "Now listen all of you," said Rabbit when he had finished writing, and Pooh and Piglet sat listening very eagerly with their mouths open. This was what Rabbit read out: PLAN TO CAPTURE BABY ROO 1. _General Remarks._ Kanga runs faster than any of Us, even Me. 2. _More General Remarks._ Kanga never takes her eye off Baby Roo, except when he's safely buttoned up in her pocket. 3. _Therefore._ If we are to capture Baby Roo, we must get a Long Start, because Kanga runs faster than any of Us, even Me. (_See_ 1.) 4. _A Thought._ If Roo had jumped out of Kanga's pocket and Piglet had jumped in, Kanga wouldn't know the difference, because Piglet is a Very Small Animal. 5. Like Roo. 6. But Kanga would have to be looking the other way first, so as not to see Piglet jumping in. 7. See 2. 8. _Another Thought._ But if Pooh was talking to her very excitedly, she _might_ look the other way for a moment. 9. And then I could run away with Roo. 10. Quickly. 11. _And Kanga wouldn't discover the difference until Afterwards._ Well, Rabbit read this out proudly, and for a little while after he had read it nobody said anything. And then Piglet, who had been opening and shutting his mouth without making any noise, managed to say very huskily: "And--Afterwards?" "How do you mean?" "When Kanga _does_ Discover the Difference?" "Then we all say '_Aha!_'" "All three of us?" "Yes." "Oh!" "Why, what's the trouble, Piglet?" "Nothing," said Piglet, "as long as _we all three_ say it. As long as we all three say it," said Piglet, "I don't mind," he said, "but I shouldn't care to say '_Aha!_' by myself. It wouldn't sound _nearly_ so well. By the way," he said, "you _are_ quite sure about what you said about the winter months?" "The winter months?" "Yes, only being Fierce in the Winter Months." "Oh, yes, yes, that's all right. Well, Pooh? You see what you have to do?" "No," said Pooh Bear. "Not yet," he said. "What _do_ I do?" "Well, you just have to talk very hard to Kanga so as she doesn't notice anything." "Oh! What about?" "Anything you like." "You mean like telling her a little bit of poetry or something?" "That's it," said Rabbit. "Splendid. Now come along." So they all went out to look for Kanga. Kanga and Roo were spending a quiet afternoon in a sandy part of the Forest. Baby Roo was practising very small jumps in the sand, and falling down mouse-holes and climbing out of them, and Kanga was fidgeting about and saying "Just one more jump, dear, and then we must go home." And at that moment who should come stumping up the hill but Pooh. "Good afternoon, Kanga." "Good afternoon, Pooh." "Look at me jumping," squeaked Roo, and fell into another mouse-hole. "Hallo, Roo, my little fellow!" "We were just going home," said Kanga. "Good afternoon, Rabbit. Good afternoon, Piglet." Rabbit and Piglet, who had now come up from the other side of the hill, said "Good afternoon," and "Hallo, Roo," and Roo asked them to look at him jumping, so they stayed and looked. And Kanga looked too....<\|quote\|>"Oh, Kanga,"</\|quote\|>said Pooh, after Rabbit had winked at him twice, "I don't know if you are interested in Poetry at all?" "Hardly at all," said Kanga. "Oh!" said Pooh. "Roo, dear, just one more jump and then we must go home." There was a short silence while Roo fell down another mouse-hole. "Go on," said Rabbit in a loud whisper behind his paw. "Talking of Poetry," said Pooh, "I made up a little piece as I was coming along. It went like this. Er--now let me see----" "Fancy!" said Kanga. "Now Roo, dear----" "You'll like this piece of poetry," said Rabbit. "You'll love it," said Piglet. "You must listen very carefully," said Rabbit. "So as not to miss any of it," said Piglet. "Oh, yes," said Kanga, but she still looked at Baby Roo. "_How_ did it go, Pooh?" said Rabbit. Pooh gave a little cough and began. "LINES WRITTEN BY A BEAR OF VERY LITTLE BRAIN On Monday, when the sun is hot I wonder to myself a lot: "Now is it true, or is it not," "That what is which and which is what?" On Tuesday, when it hails and snows, The feeling on me grows and grows That hardly anybody knows If those are these or these are those. On Wednesday, when the sky is blue, And I have nothing else to do, I sometimes wonder if it's true That who is what and what is who. On Thursday, when it starts to freeze And hoar-frost twinkles on the trees, How very readily one sees That these are whose--but whose are these? On Friday---" - "Yes, it is, isn't it?" said Kanga, not waiting to hear what happened on Friday. "Just one more jump, Roo, dear, and then we really _must_ be going." Rabbit gave Pooh a hurrying-up sort of nudge. "Talking of Poetry," said Pooh quickly, "have you ever noticed that tree right over there?" "Where?" said Kanga. "Now, Roo----" "Right over there," said Pooh, pointing behind Kanga's back. "No," said Kanga. "Now jump in, Roo, dear, and we'll go home." "You ought to look at that tree right over there," said Rabbit. "Shall I lift you in, Roo?" And he picked up Roo in his paws. "I can see a bird in it from here," said Pooh. "Or is it a fish?" "You ought to see that bird from here," said Rabbit. "Unless it's a fish." "It isn't a fish, it's a bird," said Piglet. "So it is," said Rabbit. "Is it a starling or a blackbird?" said Pooh. "That's the whole question," said Rabbit. "Is it a blackbird or a starling?" And then at last Kanga did turn her head to look. And the moment that her head was turned, Rabbit said in a loud voice "In you go, Roo!" and in jumped Piglet into Kanga's pocket, and off scampered Rabbit, with Roo in his paws, as fast as he could. "Why, where's Rabbit?" said Kanga, turning round again. "Are you all right, Roo, dear?" Piglet made a squeaky Roo-noise from the bottom of Kanga's pocket. "Rabbit had to go away," said Pooh. "I think he thought of something he had to go and see about suddenly." "And Piglet?" "I think Piglet thought of something at the same time. Suddenly." "Well, we must be getting home," said Kanga. "Good-bye, Pooh." And in three large jumps she was gone. Pooh looked after her as she went. "I wish I could jump like that," he thought. "Some can and some can't. That's how it is." But there were moments when Piglet wished that Kanga couldn't. Often, when he had had a long walk home through the Forest, he had wished that he were a bird; but now he thought jerkily to himself at the bottom of Kanga's pocket, "this take "If is shall really to flying I never it."" And as he went up in the air he said, "_Ooooooo!_" and as he came down he said, "_Ow!_" And he was saying, "_Ooooooo-ow, Ooooooo-ow, Ooooooo-ow_" all the way to Kanga's house. Of course as soon as Kanga unbuttoned her pocket, she saw what had happened. Just for a moment, she thought she was frightened, and then she knew she wasn't; for she felt quite sure that Christopher Robin would never let any harm happen to Roo. So she said to herself, "If they are having a joke with me, I will have a joke with them." "Now then, Roo, dear," she said, as she took Piglet out of her pocket. "Bed-time." "_Aha!_" said Piglet, as well as he could after his Terrifying Journey. But it wasn't a very good "_Aha!_" and Kanga didn't seem to understand what it meant. "Bath first," said Kanga in a cheerful voice. "_Aha!_" said Piglet again, looking round anxiously for the others.	Well, Rabbit read this out proudly, and for a little while after he had read it nobody said anything. And then Piglet, who had been opening and shutting his mouth without making any noise, managed to say very huskily: "And--Afterwards?" "How do you mean?" "When Kanga _does_ Discover the Difference?" "Then we all say '_Aha!_'" "All three of us?" "Yes." "Oh!" "Why, what's the trouble, Piglet?" "Nothing," said Piglet, "as long as _we all three_ say it. As long as we all three say it," said Piglet, "I don't mind," he said, "but I shouldn't care to say '_Aha!_' by myself. It wouldn't sound _nearly_ so well. By the way," he said, "you _are_ quite sure about what you said about the winter months?" "The winter months?" "Yes, only being Fierce in the Winter Months." "Oh, yes, yes, that's all right. Well, Pooh? You see what you have to do?" "No," said Pooh Bear. "Not yet," he said. "What _do_ I do?" "Well, you just have to talk very hard to Kanga so as she doesn't notice anything." "Oh! What about?" "Anything you like." "You mean like telling her a little bit of poetry or something?" "That's it," said Rabbit. "Splendid. Now come along." So they all went out to look for Kanga. Kanga and Roo were spending a quiet afternoon in a sandy part of the Forest. Baby Roo was practising very small jumps in the sand, and falling down mouse-holes and climbing out of them, and Kanga was fidgeting about and saying "Just one more jump, dear, and then we must go home." And at that moment who should come stumping up the hill but Pooh. "Good afternoon, Kanga." "Good afternoon, Pooh." "Look at me jumping," squeaked Roo, and fell into another mouse-hole. "Hallo, Roo, my little fellow!" "We were just going home," said Kanga. "Good afternoon, Rabbit. Good afternoon, Piglet." Rabbit and Piglet, who had now come up from the other side of the hill, said "Good afternoon," and "Hallo, Roo," and Roo asked them to look at him jumping, so they stayed and looked. And Kanga looked too....<\|quote\|>"Oh, Kanga,"</\|quote\|>said Pooh, after Rabbit had winked at him twice, "I don't know if you are interested in Poetry at all?" "Hardly at all," said Kanga. "Oh!" said Pooh. "Roo, dear, just one more jump and then we must go home." There was a short silence while Roo fell down another mouse-hole. "Go on," said Rabbit in a loud whisper behind his paw. "Talking of Poetry," said Pooh, "I made up a little piece as I was coming along. It went like this. Er--now let me see----" "Fancy!" said Kanga. "Now Roo, dear----" "You'll like this piece of poetry," said Rabbit. "You'll love it," said Piglet. "You must listen very carefully," said Rabbit. "So as not to miss any of it," said Piglet. "Oh, yes," said Kanga, but she still looked at Baby Roo. "_How_ did it go, Pooh?" said Rabbit. Pooh gave a little cough and began. "LINES WRITTEN BY A BEAR OF VERY LITTLE BRAIN On Monday, when the sun is hot I wonder to myself a lot: "Now is it true, or is it not," "That what is which and which is what?" On Tuesday, when it hails and snows, The feeling on me grows and grows That hardly anybody knows If those are these or these are those. On Wednesday, when the sky is blue, And I have nothing else to do, I sometimes wonder if it's true That who is what and what is who. On Thursday, when it starts to freeze And hoar-frost twinkles on the trees, How very readily one sees That these are whose--but whose are these? On Friday---" - "Yes, it is, isn't it?" said Kanga, not waiting to hear what happened on Friday. "Just one more jump, Roo, dear, and then we really _must_ be going." Rabbit gave Pooh a hurrying-up sort of nudge. "Talking of Poetry," said Pooh quickly, "have you ever noticed that tree right over there?" "Where?" said Kanga. "Now, Roo----" "Right over there," said Pooh, pointing behind Kanga's back. "No," said Kanga. "Now jump in, Roo, dear, and we'll go home." "You ought to look at that tree right over there," said Rabbit. "Shall I lift you in, Roo?" And he picked up Roo in his paws. "I can see a bird in it from here," said Pooh. "Or is it a fish?" "You ought to see that bird from here," said Rabbit. "Unless it's a fish." "It isn't a fish, it's a bird,"	Winnie The Pooh
"Helen!"	Margaret	was missing from the hall.<\|quote\|>"Helen!"</\|quote\|>she called. "Yes!" replied a	and Mr. Bast s topper was missing from the hall.<\|quote\|>"Helen!"</\|quote\|>she called. "Yes!" replied a voice from the library. "You	who had met and detested Tibby at Oxford. "Yes, pretty well--but I wonder what Helen s doing." "She is very young to undertake this sort of thing," said Mr. Wilcox. Margaret went out to the landing. She heard no sound, and Mr. Bast s topper was missing from the hall.<\|quote\|>"Helen!"</\|quote\|>she called. "Yes!" replied a voice from the library. "You in there?" "Yes--he s gone some time." Margaret went to her. "Why, you re all alone," she said. "Yes--it s all right, Meg. Poor, poor creature--" "Come back to the Wilcoxes and tell me later--Mr. W much concerned, and slightly	bastion to the world. "Miss Schlegel, you re a pair of dear creatures, but you really MUST be careful in this uncharitable world. What does your brother say?" "I forget." "Surely he has some opinion?" "He laughs, if I remember correctly." "He s very clever, isn t he?" said Evie, who had met and detested Tibby at Oxford. "Yes, pretty well--but I wonder what Helen s doing." "She is very young to undertake this sort of thing," said Mr. Wilcox. Margaret went out to the landing. She heard no sound, and Mr. Bast s topper was missing from the hall.<\|quote\|>"Helen!"</\|quote\|>she called. "Yes!" replied a voice from the library. "You in there?" "Yes--he s gone some time." Margaret went to her. "Why, you re all alone," she said. "Yes--it s all right, Meg. Poor, poor creature--" "Come back to the Wilcoxes and tell me later--Mr. W much concerned, and slightly titillated." "Oh, I ve no patience with him. I hate him. Poor dear Mr. Bast! he wanted to talk literature, and we would talk business. Such a muddle of a man, and yet so worth pulling through. I like him extraordinarily." "Well done," said Margaret, kissing her, "but come into	and two men--they had formed the magic triangle of sex, and the male was thrilled to jealousy, in case the female was attracted by another male. Love, say the ascetics, reveals our shameful kinship with the beasts. Be it so: one can bear that; jealousy is the real shame. It is jealousy, not love, that connects us with the farmyard intolerably, and calls up visions of two angry cocks and a complacent hen. Margaret crushed complacency down because she was civilised. Mr. Wilcox, uncivilised, continued to feel anger long after he had rebuilt his defences, and was again presenting a bastion to the world. "Miss Schlegel, you re a pair of dear creatures, but you really MUST be careful in this uncharitable world. What does your brother say?" "I forget." "Surely he has some opinion?" "He laughs, if I remember correctly." "He s very clever, isn t he?" said Evie, who had met and detested Tibby at Oxford. "Yes, pretty well--but I wonder what Helen s doing." "She is very young to undertake this sort of thing," said Mr. Wilcox. Margaret went out to the landing. She heard no sound, and Mr. Bast s topper was missing from the hall.<\|quote\|>"Helen!"</\|quote\|>she called. "Yes!" replied a voice from the library. "You in there?" "Yes--he s gone some time." Margaret went to her. "Why, you re all alone," she said. "Yes--it s all right, Meg. Poor, poor creature--" "Come back to the Wilcoxes and tell me later--Mr. W much concerned, and slightly titillated." "Oh, I ve no patience with him. I hate him. Poor dear Mr. Bast! he wanted to talk literature, and we would talk business. Such a muddle of a man, and yet so worth pulling through. I like him extraordinarily." "Well done," said Margaret, kissing her, "but come into the drawing-room now, and don t talk about him to the Wilcoxes. Make light of the whole thing." Helen came and behaved with a cheerfulness that reassured their visitor--this hen at all events was fancy-free. "He s gone with my blessing," she cried, "and now for puppies." As they drove away, Mr. Wilcox said to his daughter: "I am really concerned at the way those girls go on. They are as clever as you make em, but unpractical--God bless me! One of these days they ll go too far. Girls like that oughtn t to live alone in London. Until	indeed, father." "He was tramping in Surrey, if you mean that," said Margaret, pacing away rather crossly. "Oh, I dare say!" "Miss Wilcox, he was!" "M--m--m--m!" from Mr. Wilcox, who thought the episode amusing, if risque. With most ladies he would not have discussed it, but he was trading on Margaret s reputation as an emancipated woman. "He said so, and about such a thing he wouldn t lie." They both began to laugh. "That s where I differ from you. Men lie about their positions and prospects, but not about a thing of that sort." He shook his head. "Miss Schlegel, excuse me, but I know the type." "I said before--he isn t a type. He cares about adventures rightly. He s certain that our smug existence isn t all. He s vulgar and hysterical and bookish, but don t think that sums him up. There s manhood in him as well. Yes, that s what I m trying to say. He s a real man." As she spoke their eyes met, and it was as if Mr. Wilcox s defences fell. She saw back to the real man in him. Unwittingly she had touched his emotions. A woman and two men--they had formed the magic triangle of sex, and the male was thrilled to jealousy, in case the female was attracted by another male. Love, say the ascetics, reveals our shameful kinship with the beasts. Be it so: one can bear that; jealousy is the real shame. It is jealousy, not love, that connects us with the farmyard intolerably, and calls up visions of two angry cocks and a complacent hen. Margaret crushed complacency down because she was civilised. Mr. Wilcox, uncivilised, continued to feel anger long after he had rebuilt his defences, and was again presenting a bastion to the world. "Miss Schlegel, you re a pair of dear creatures, but you really MUST be careful in this uncharitable world. What does your brother say?" "I forget." "Surely he has some opinion?" "He laughs, if I remember correctly." "He s very clever, isn t he?" said Evie, who had met and detested Tibby at Oxford. "Yes, pretty well--but I wonder what Helen s doing." "She is very young to undertake this sort of thing," said Mr. Wilcox. Margaret went out to the landing. She heard no sound, and Mr. Bast s topper was missing from the hall.<\|quote\|>"Helen!"</\|quote\|>she called. "Yes!" replied a voice from the library. "You in there?" "Yes--he s gone some time." Margaret went to her. "Why, you re all alone," she said. "Yes--it s all right, Meg. Poor, poor creature--" "Come back to the Wilcoxes and tell me later--Mr. W much concerned, and slightly titillated." "Oh, I ve no patience with him. I hate him. Poor dear Mr. Bast! he wanted to talk literature, and we would talk business. Such a muddle of a man, and yet so worth pulling through. I like him extraordinarily." "Well done," said Margaret, kissing her, "but come into the drawing-room now, and don t talk about him to the Wilcoxes. Make light of the whole thing." Helen came and behaved with a cheerfulness that reassured their visitor--this hen at all events was fancy-free. "He s gone with my blessing," she cried, "and now for puppies." As they drove away, Mr. Wilcox said to his daughter: "I am really concerned at the way those girls go on. They are as clever as you make em, but unpractical--God bless me! One of these days they ll go too far. Girls like that oughtn t to live alone in London. Until they marry, they ought to have some one to look after them. We must look in more often--we re better than no one. You like them, don t you, Evie?" Evie replied: "Helen s right enough, but I can t stand the toothy one. And I shouldn t have called either of them girls." Evie had grown up handsome. Dark-eyed, with the glow of youth under sunburn, built firmly and firm-lipped, she was the best the Wilcoxes could do in the way of feminine beauty. For the present, puppies and her father were the only things she loved, but the net of matrimony was being prepared for her, and a few days later she was attracted to a Mr. Percy Cahill, an uncle of Mrs. Charles s, and he was attracted to her. CHAPTER XVII The Age of Property holds bitter moments even for a proprietor. When a move is imminent, furniture becomes ridiculous, and Margaret now lay awake at nights wondering where, where on earth they and all their belongings would be deposited in September next. Chairs, tables, pictures, books, that had rumbled down to them through the generations, must rumble forward again like a slide of rubbish to	to the real thing. We want to show him how he may get upsides with life. As I said, either friends or the country, some" "--she hesitated--" "either some very dear person or some very dear place seems necessary to relieve life s daily grey, and to show that it is grey. If possible, one should have both." Some of her words ran past Mr. Wilcox. He let them run past. Others he caught and criticised with admirable lucidity. "Your mistake is this, and it is a very common mistake. This young bounder has a life of his own. What right have you to conclude it is an unsuccessful life, or, as you call it, grey ?" "Because--" "One minute. You know nothing about him. He probably has his own joys and interests--wife, children, snug little home. That s where we practical fellows" he smiled--" "are more tolerant than you intellectuals. We live and let live, and assume that things are jogging on fairly well elsewhere, and that the ordinary plain man may be trusted to look after his own affairs. I quite grant--I look at the faces of the clerks in my own office, and observe them to be dull, but I don t know what s going on beneath. So, by the way, with London. I have heard you rail against London, Miss Schlegel, and it seems a funny thing to say but I was very angry with you. What do you know about London? You only see civilisation from the outside. I don t say in your case, but in too many cases that attitude leads to morbidity, discontent, and Socialism." She admitted the strength of his position, though it undermined imagination. As he spoke, some outposts of poetry and perhaps of sympathy fell ruining, and she retreated to what she called her "second line"--to the special facts of the case. "His wife is an old bore," she said simply. "He never came home last Saturday night because he wanted to be alone, and she thought he was with us." "With YOU?" "Yes." Evie tittered. "He hasn t got the cosy home that you assumed. He needs outside interests." "Naughty young man!" cried the girl. "Naughty?" said Margaret, who hated naughtiness more than sin. "When you re married Miss Wilcox, won t you want outside interests?" "He has apparently got them," put in Mr. Wilcox slyly. "Yes, indeed, father." "He was tramping in Surrey, if you mean that," said Margaret, pacing away rather crossly. "Oh, I dare say!" "Miss Wilcox, he was!" "M--m--m--m!" from Mr. Wilcox, who thought the episode amusing, if risque. With most ladies he would not have discussed it, but he was trading on Margaret s reputation as an emancipated woman. "He said so, and about such a thing he wouldn t lie." They both began to laugh. "That s where I differ from you. Men lie about their positions and prospects, but not about a thing of that sort." He shook his head. "Miss Schlegel, excuse me, but I know the type." "I said before--he isn t a type. He cares about adventures rightly. He s certain that our smug existence isn t all. He s vulgar and hysterical and bookish, but don t think that sums him up. There s manhood in him as well. Yes, that s what I m trying to say. He s a real man." As she spoke their eyes met, and it was as if Mr. Wilcox s defences fell. She saw back to the real man in him. Unwittingly she had touched his emotions. A woman and two men--they had formed the magic triangle of sex, and the male was thrilled to jealousy, in case the female was attracted by another male. Love, say the ascetics, reveals our shameful kinship with the beasts. Be it so: one can bear that; jealousy is the real shame. It is jealousy, not love, that connects us with the farmyard intolerably, and calls up visions of two angry cocks and a complacent hen. Margaret crushed complacency down because she was civilised. Mr. Wilcox, uncivilised, continued to feel anger long after he had rebuilt his defences, and was again presenting a bastion to the world. "Miss Schlegel, you re a pair of dear creatures, but you really MUST be careful in this uncharitable world. What does your brother say?" "I forget." "Surely he has some opinion?" "He laughs, if I remember correctly." "He s very clever, isn t he?" said Evie, who had met and detested Tibby at Oxford. "Yes, pretty well--but I wonder what Helen s doing." "She is very young to undertake this sort of thing," said Mr. Wilcox. Margaret went out to the landing. She heard no sound, and Mr. Bast s topper was missing from the hall.<\|quote\|>"Helen!"</\|quote\|>she called. "Yes!" replied a voice from the library. "You in there?" "Yes--he s gone some time." Margaret went to her. "Why, you re all alone," she said. "Yes--it s all right, Meg. Poor, poor creature--" "Come back to the Wilcoxes and tell me later--Mr. W much concerned, and slightly titillated." "Oh, I ve no patience with him. I hate him. Poor dear Mr. Bast! he wanted to talk literature, and we would talk business. Such a muddle of a man, and yet so worth pulling through. I like him extraordinarily." "Well done," said Margaret, kissing her, "but come into the drawing-room now, and don t talk about him to the Wilcoxes. Make light of the whole thing." Helen came and behaved with a cheerfulness that reassured their visitor--this hen at all events was fancy-free. "He s gone with my blessing," she cried, "and now for puppies." As they drove away, Mr. Wilcox said to his daughter: "I am really concerned at the way those girls go on. They are as clever as you make em, but unpractical--God bless me! One of these days they ll go too far. Girls like that oughtn t to live alone in London. Until they marry, they ought to have some one to look after them. We must look in more often--we re better than no one. You like them, don t you, Evie?" Evie replied: "Helen s right enough, but I can t stand the toothy one. And I shouldn t have called either of them girls." Evie had grown up handsome. Dark-eyed, with the glow of youth under sunburn, built firmly and firm-lipped, she was the best the Wilcoxes could do in the way of feminine beauty. For the present, puppies and her father were the only things she loved, but the net of matrimony was being prepared for her, and a few days later she was attracted to a Mr. Percy Cahill, an uncle of Mrs. Charles s, and he was attracted to her. CHAPTER XVII The Age of Property holds bitter moments even for a proprietor. When a move is imminent, furniture becomes ridiculous, and Margaret now lay awake at nights wondering where, where on earth they and all their belongings would be deposited in September next. Chairs, tables, pictures, books, that had rumbled down to them through the generations, must rumble forward again like a slide of rubbish to which she longed to give the final push, and send toppling into the sea. But there were all their father s books--they never read them, but they were their father s, and must be kept. There was the marble-topped chiffonier--their mother had set store by it, they could not remember why. Round every knob and cushion in the house gathered a sentiment that was at times personal, but more often a faint piety to the dead, a prolongation of rites that might have ended at the grave. It was absurd, if you came to think of it; Helen and Tibby came to think of it; Margaret was too busy with the house-agents. The feudal ownership of land did bring dignity, whereas the modern ownership of movables is reducing us again to a nomadic horde. We are reverting to the civilisation of luggage, and historians of the future will note how the middle classes accreted possessions without taking root in the earth, and may find in this the secret of their imaginative poverty. The Schlegels were certainly the poorer for the loss of Wickham Place. It had helped to balance their lives, and almost to counsel them. Nor is their ground-landlord spiritually the richer. He has built flats on its site, his motor-cars grow swifter, his exposures of Socialism more trenchant. But he has spilt the precious distillation of the years, and no chemistry of his can give it back to society again. Margaret grew depressed; she was anxious to settle on a house before they left town to pay their annual visit to Mrs. Munt. She enjoyed this visit, and wanted to have her mind at ease for it. Swanage, though dull, was stable, and this year she longed more than usual for its fresh air and for the magnificent downs that guard it on the north. But London thwarted her; in its atmosphere she could not concentrate. London only stimulates, it cannot sustain; and Margaret, hurrying over its surface for a house without knowing what sort of a house she wanted, was paying for many a thrilling sensation in the past. She could not even break loose from culture, and her time was wasted by concerts which it would be a sin to miss, and invitations which it would never do to refuse. At last she grew desperate; she resolved that she would go nowhere and be at home	way, with London. I have heard you rail against London, Miss Schlegel, and it seems a funny thing to say but I was very angry with you. What do you know about London? You only see civilisation from the outside. I don t say in your case, but in too many cases that attitude leads to morbidity, discontent, and Socialism." She admitted the strength of his position, though it undermined imagination. As he spoke, some outposts of poetry and perhaps of sympathy fell ruining, and she retreated to what she called her "second line"--to the special facts of the case. "His wife is an old bore," she said simply. "He never came home last Saturday night because he wanted to be alone, and she thought he was with us." "With YOU?" "Yes." Evie tittered. "He hasn t got the cosy home that you assumed. He needs outside interests." "Naughty young man!" cried the girl. "Naughty?" said Margaret, who hated naughtiness more than sin. "When you re married Miss Wilcox, won t you want outside interests?" "He has apparently got them," put in Mr. Wilcox slyly. "Yes, indeed, father." "He was tramping in Surrey, if you mean that," said Margaret, pacing away rather crossly. "Oh, I dare say!" "Miss Wilcox, he was!" "M--m--m--m!" from Mr. Wilcox, who thought the episode amusing, if risque. With most ladies he would not have discussed it, but he was trading on Margaret s reputation as an emancipated woman. "He said so, and about such a thing he wouldn t lie." They both began to laugh. "That s where I differ from you. Men lie about their positions and prospects, but not about a thing of that sort." He shook his head. "Miss Schlegel, excuse me, but I know the type." "I said before--he isn t a type. He cares about adventures rightly. He s certain that our smug existence isn t all. He s vulgar and hysterical and bookish, but don t think that sums him up. There s manhood in him as well. Yes, that s what I m trying to say. He s a real man." As she spoke their eyes met, and it was as if Mr. Wilcox s defences fell. She saw back to the real man in him. Unwittingly she had touched his emotions. A woman and two men--they had formed the magic triangle of sex, and the male was thrilled to jealousy, in case the female was attracted by another male. Love, say the ascetics, reveals our shameful kinship with the beasts. Be it so: one can bear that; jealousy is the real shame. It is jealousy, not love, that connects us with the farmyard intolerably, and calls up visions of two angry cocks and a complacent hen. Margaret crushed complacency down because she was civilised. Mr. Wilcox, uncivilised, continued to feel anger long after he had rebuilt his defences, and was again presenting a bastion to the world. "Miss Schlegel, you re a pair of dear creatures, but you really MUST be careful in this uncharitable world. What does your brother say?" "I forget." "Surely he has some opinion?" "He laughs, if I remember correctly." "He s very clever, isn t he?" said Evie, who had met and detested Tibby at Oxford. "Yes, pretty well--but I wonder what Helen s doing." "She is very young to undertake this sort of thing," said Mr. Wilcox. Margaret went out to the landing. She heard no sound, and Mr. Bast s topper was missing from the hall.<\|quote\|>"Helen!"</\|quote\|>she called. "Yes!" replied a voice from the library. "You in there?" "Yes--he s gone some time." Margaret went to her. "Why, you re all alone," she said. "Yes--it s all right, Meg. Poor, poor creature--" "Come back to the Wilcoxes and tell me later--Mr. W much concerned, and slightly titillated." "Oh, I ve no patience with him. I hate him. Poor dear Mr. Bast! he wanted to talk literature, and we would talk business. Such a muddle of a man, and yet so worth pulling through. I like him extraordinarily." "Well done," said Margaret, kissing her, "but come into the drawing-room now, and don t talk about him to the Wilcoxes. Make light of the whole thing." Helen came and behaved with a cheerfulness that reassured their visitor--this hen at all events was fancy-free. "He s gone with my blessing," she cried, "and now for puppies." As they drove away, Mr. Wilcox said to his daughter: "I am really concerned at the way those girls go on. They are as clever as you make em, but unpractical--God bless me! One of these days they ll go too far. Girls like that oughtn t to live alone in London. Until they marry, they ought to have some one to look after them. We must look in more often--we re better than no one. You like them, don t you, Evie?" Evie replied: "Helen s right enough, but I can t stand the toothy one. And I shouldn t have called either of them girls." Evie had grown up handsome. Dark-eyed, with the glow of youth under sunburn, built firmly and firm-lipped, she was the best the Wilcoxes could do in the way of feminine beauty. For the present, puppies and her father were the only things she loved, but the net of matrimony was being prepared for her, and a few days later she was attracted to a Mr. Percy Cahill, an uncle of Mrs. Charles s, and he was attracted to her. CHAPTER XVII The Age of Property holds bitter moments even for a proprietor. When a move is imminent, furniture becomes ridiculous, and Margaret now lay awake at nights wondering where, where on earth they and all their belongings would be deposited in September next. Chairs, tables, pictures, books, that had rumbled down to them through the generations, must rumble forward again like a slide of rubbish to which she longed to give the final push, and send toppling into the sea. But there were all their father s books--they never read them, but they were their father s, and must be kept. There was the marble-topped chiffonier--their mother had set store by it, they could not remember why. Round every knob and cushion in the house gathered a sentiment that	Howards End
"You used to think the cook was a treasure,"	Edna Pontellier	eat and retain his self-respect."<\|quote\|>"You used to think the cook was a treasure,"</\|quote\|>returned Edna, indifferently. "Perhaps she	day which a man could eat and retain his self-respect."<\|quote\|>"You used to think the cook was a treasure,"</\|quote\|>returned Edna, indifferently. "Perhaps she was when she first came;	in some way not to his fancy, and he did not like the manner in which the vegetables were served. "It seems to me," he said, "we spend money enough in this house to procure at least one meal a day which a man could eat and retain his self-respect."<\|quote\|>"You used to think the cook was a treasure,"</\|quote\|>returned Edna, indifferently. "Perhaps she was when she first came; but cooks are only human. They need looking after, like any other class of persons that you employ. Suppose I didn't look after the clerks in my office, just let them run things their own way; they'd soon make a	such a fuss over it?" "I'm not making any fuss over it. But it's just such seeming trifles that we've got to take seriously; such things count." The fish was scorched. Mr. Pontellier would not touch it. Edna said she did not mind a little scorched taste. The roast was in some way not to his fancy, and he did not like the manner in which the vegetables were served. "It seems to me," he said, "we spend money enough in this house to procure at least one meal a day which a man could eat and retain his self-respect."<\|quote\|>"You used to think the cook was a treasure,"</\|quote\|>returned Edna, indifferently. "Perhaps she was when she first came; but cooks are only human. They need looking after, like any other class of persons that you employ. Suppose I didn't look after the clerks in my office, just let them run things their own way; they'd soon make a nice mess of me and my business." "Where are you going?" asked Edna, seeing that her husband arose from table without having eaten a morsel except a taste of the highly-seasoned soup. "I'm going to get my dinner at the club. Good night." He went into the hall, took his	were getting married. Mrs. Belthrop.' I tell you what it is, Edna; you can't afford to snub Mrs. Belthrop. Why, Belthrop could buy and sell us ten times over. His business is worth a good, round sum to me. You'd better write her a note. Mrs. James Highcamp.' Hugh! the less you have to do with Mrs. Highcamp, the better. Madame Laforc .' Came all the way from Carrolton, too, poor old soul. Miss Wiggs,' Mrs. Eleanor Boltons.'" He pushed the cards aside. "Mercy!" exclaimed Edna, who had been fuming. "Why are you taking the thing so seriously and making such a fuss over it?" "I'm not making any fuss over it. But it's just such seeming trifles that we've got to take seriously; such things count." The fish was scorched. Mr. Pontellier would not touch it. Edna said she did not mind a little scorched taste. The roast was in some way not to his fancy, and he did not like the manner in which the vegetables were served. "It seems to me," he said, "we spend money enough in this house to procure at least one meal a day which a man could eat and retain his self-respect."<\|quote\|>"You used to think the cook was a treasure,"</\|quote\|>returned Edna, indifferently. "Perhaps she was when she first came; but cooks are only human. They need looking after, like any other class of persons that you employ. Suppose I didn't look after the clerks in my office, just let them run things their own way; they'd soon make a nice mess of me and my business." "Where are you going?" asked Edna, seeing that her husband arose from table without having eaten a morsel except a taste of the highly-seasoned soup. "I'm going to get my dinner at the club. Good night." He went into the hall, took his hat and stick from the stand, and left the house. She was somewhat familiar with such scenes. They had often made her very unhappy. On a few previous occasions she had been completely deprived of any desire to finish her dinner. Sometimes she had gone into the kitchen to administer a tardy rebuke to the cook. Once she went to her room and studied the cookbook during an entire evening, finally writing out a menu for the week, which left her harassed with a feeling that, after all, she had accomplished no good that was worth the name. But that	soup. "No, I left no excuse. I told Joe to say I was out, that was all." "Why, my dear, I should think you'd understand by this time that people don't do such things; we've got to observe _les convenances_ if we ever expect to get on and keep up with the procession. If you felt that you had to leave home this afternoon, you should have left some suitable explanation for your absence." "This soup is really impossible; it's strange that woman hasn't learned yet to make a decent soup. Any free-lunch stand in town serves a better one. Was Mrs. Belthrop here?" "Bring the tray with the cards, Joe. I don't remember who was here." The boy retired and returned after a moment, bringing the tiny silver tray, which was covered with ladies' visiting cards. He handed it to Mrs. Pontellier. "Give it to Mr. Pontellier," she said. Joe offered the tray to Mr. Pontellier, and removed the soup. Mr. Pontellier scanned the names of his wife's callers, reading some of them aloud, with comments as he read. "The Misses Delasidas.' I worked a big deal in futures for their father this morning; nice girls; it's time they were getting married. Mrs. Belthrop.' I tell you what it is, Edna; you can't afford to snub Mrs. Belthrop. Why, Belthrop could buy and sell us ten times over. His business is worth a good, round sum to me. You'd better write her a note. Mrs. James Highcamp.' Hugh! the less you have to do with Mrs. Highcamp, the better. Madame Laforc .' Came all the way from Carrolton, too, poor old soul. Miss Wiggs,' Mrs. Eleanor Boltons.'" He pushed the cards aside. "Mercy!" exclaimed Edna, who had been fuming. "Why are you taking the thing so seriously and making such a fuss over it?" "I'm not making any fuss over it. But it's just such seeming trifles that we've got to take seriously; such things count." The fish was scorched. Mr. Pontellier would not touch it. Edna said she did not mind a little scorched taste. The roast was in some way not to his fancy, and he did not like the manner in which the vegetables were served. "It seems to me," he said, "we spend money enough in this house to procure at least one meal a day which a man could eat and retain his self-respect."<\|quote\|>"You used to think the cook was a treasure,"</\|quote\|>returned Edna, indifferently. "Perhaps she was when she first came; but cooks are only human. They need looking after, like any other class of persons that you employ. Suppose I didn't look after the clerks in my office, just let them run things their own way; they'd soon make a nice mess of me and my business." "Where are you going?" asked Edna, seeing that her husband arose from table without having eaten a morsel except a taste of the highly-seasoned soup. "I'm going to get my dinner at the club. Good night." He went into the hall, took his hat and stick from the stand, and left the house. She was somewhat familiar with such scenes. They had often made her very unhappy. On a few previous occasions she had been completely deprived of any desire to finish her dinner. Sometimes she had gone into the kitchen to administer a tardy rebuke to the cook. Once she went to her room and studied the cookbook during an entire evening, finally writing out a menu for the week, which left her harassed with a feeling that, after all, she had accomplished no good that was worth the name. But that evening Edna finished her dinner alone, with forced deliberation. Her face was flushed and her eyes flamed with some inward fire that lighted them. After finishing her dinner she went to her room, having instructed the boy to tell any other callers that she was indisposed. It was a large, beautiful room, rich and picturesque in the soft, dim light which the maid had turned low. She went and stood at an open window and looked out upon the deep tangle of the garden below. All the mystery and witchery of the night seemed to have gathered there amid the perfumes and the dusky and tortuous outlines of flowers and foliage. She was seeking herself and finding herself in just such sweet, half-darkness which met her moods. But the voices were not soothing that came to her from the darkness and the sky above and the stars. They jeered and sounded mournful notes without promise, devoid even of hope. She turned back into the room and began to walk to and fro down its whole length without stopping, without resting. She carried in her hands a thin handkerchief, which she tore into ribbons, rolled into a ball, and flung from	after he had bought it and placed it among his household gods. On Tuesday afternoons Tuesday being Mrs. Pontellier's reception day there was a constant stream of callers women who came in carriages or in the street cars, or walked when the air was soft and distance permitted. A light-colored mulatto boy, in dress coat and bearing a diminutive silver tray for the reception of cards, admitted them. A maid, in white fluted cap, offered the callers liqueur, coffee, or chocolate, as they might desire. Mrs. Pontellier, attired in a handsome reception gown, remained in the drawing-room the entire afternoon receiving her visitors. Men sometimes called in the evening with their wives. This had been the programme which Mrs. Pontellier had religiously followed since her marriage, six years before. Certain evenings during the week she and her husband attended the opera or sometimes the play. Mr. Pontellier left his home in the mornings between nine and ten o'clock, and rarely returned before half-past six or seven in the evening dinner being served at half-past seven. He and his wife seated themselves at table one Tuesday evening, a few weeks after their return from Grand Isle. They were alone together. The boys were being put to bed; the patter of their bare, escaping feet could be heard occasionally, as well as the pursuing voice of the quadroon, lifted in mild protest and entreaty. Mrs. Pontellier did not wear her usual Tuesday reception gown; she was in ordinary house dress. Mr. Pontellier, who was observant about such things, noticed it, as he served the soup and handed it to the boy in waiting. "Tired out, Edna? Whom did you have? Many callers?" he asked. He tasted his soup and began to season it with pepper, salt, vinegar, mustard everything within reach. "There were a good many," replied Edna, who was eating her soup with evident satisfaction. "I found their cards when I got home; I was out." "Out!" exclaimed her husband, with something like genuine consternation in his voice as he laid down the vinegar cruet and looked at her through his glasses. "Why, what could have taken you out on Tuesday? What did you have to do?" "Nothing. I simply felt like going out, and I went out." "Well, I hope you left some suitable excuse," said her husband, somewhat appeased, as he added a dash of cayenne pepper to the soup. "No, I left no excuse. I told Joe to say I was out, that was all." "Why, my dear, I should think you'd understand by this time that people don't do such things; we've got to observe _les convenances_ if we ever expect to get on and keep up with the procession. If you felt that you had to leave home this afternoon, you should have left some suitable explanation for your absence." "This soup is really impossible; it's strange that woman hasn't learned yet to make a decent soup. Any free-lunch stand in town serves a better one. Was Mrs. Belthrop here?" "Bring the tray with the cards, Joe. I don't remember who was here." The boy retired and returned after a moment, bringing the tiny silver tray, which was covered with ladies' visiting cards. He handed it to Mrs. Pontellier. "Give it to Mr. Pontellier," she said. Joe offered the tray to Mr. Pontellier, and removed the soup. Mr. Pontellier scanned the names of his wife's callers, reading some of them aloud, with comments as he read. "The Misses Delasidas.' I worked a big deal in futures for their father this morning; nice girls; it's time they were getting married. Mrs. Belthrop.' I tell you what it is, Edna; you can't afford to snub Mrs. Belthrop. Why, Belthrop could buy and sell us ten times over. His business is worth a good, round sum to me. You'd better write her a note. Mrs. James Highcamp.' Hugh! the less you have to do with Mrs. Highcamp, the better. Madame Laforc .' Came all the way from Carrolton, too, poor old soul. Miss Wiggs,' Mrs. Eleanor Boltons.'" He pushed the cards aside. "Mercy!" exclaimed Edna, who had been fuming. "Why are you taking the thing so seriously and making such a fuss over it?" "I'm not making any fuss over it. But it's just such seeming trifles that we've got to take seriously; such things count." The fish was scorched. Mr. Pontellier would not touch it. Edna said she did not mind a little scorched taste. The roast was in some way not to his fancy, and he did not like the manner in which the vegetables were served. "It seems to me," he said, "we spend money enough in this house to procure at least one meal a day which a man could eat and retain his self-respect."<\|quote\|>"You used to think the cook was a treasure,"</\|quote\|>returned Edna, indifferently. "Perhaps she was when she first came; but cooks are only human. They need looking after, like any other class of persons that you employ. Suppose I didn't look after the clerks in my office, just let them run things their own way; they'd soon make a nice mess of me and my business." "Where are you going?" asked Edna, seeing that her husband arose from table without having eaten a morsel except a taste of the highly-seasoned soup. "I'm going to get my dinner at the club. Good night." He went into the hall, took his hat and stick from the stand, and left the house. She was somewhat familiar with such scenes. They had often made her very unhappy. On a few previous occasions she had been completely deprived of any desire to finish her dinner. Sometimes she had gone into the kitchen to administer a tardy rebuke to the cook. Once she went to her room and studied the cookbook during an entire evening, finally writing out a menu for the week, which left her harassed with a feeling that, after all, she had accomplished no good that was worth the name. But that evening Edna finished her dinner alone, with forced deliberation. Her face was flushed and her eyes flamed with some inward fire that lighted them. After finishing her dinner she went to her room, having instructed the boy to tell any other callers that she was indisposed. It was a large, beautiful room, rich and picturesque in the soft, dim light which the maid had turned low. She went and stood at an open window and looked out upon the deep tangle of the garden below. All the mystery and witchery of the night seemed to have gathered there amid the perfumes and the dusky and tortuous outlines of flowers and foliage. She was seeking herself and finding herself in just such sweet, half-darkness which met her moods. But the voices were not soothing that came to her from the darkness and the sky above and the stars. They jeered and sounded mournful notes without promise, devoid even of hope. She turned back into the room and began to walk to and fro down its whole length without stopping, without resting. She carried in her hands a thin handkerchief, which she tore into ribbons, rolled into a ball, and flung from her. Once she stopped, and taking off her wedding ring, flung it upon the carpet. When she saw it lying there, she stamped her heel upon it, striving to crush it. But her small boot heel did not make an indenture, not a mark upon the little glittering circlet. In a sweeping passion she seized a glass vase from the table and flung it upon the tiles of the hearth. She wanted to destroy something. The crash and clatter were what she wanted to hear. A maid, alarmed at the din of breaking glass, entered the room to discover what was the matter. "A vase fell upon the hearth," said Edna. "Never mind; leave it till morning." "Oh! you might get some of the glass in your feet, ma'am," insisted the young woman, picking up bits of the broken vase that were scattered upon the carpet. "And here's your ring, ma'am, under the chair." Edna held out her hand, and taking the ring, slipped it upon her finger. XVIII The following morning Mr. Pontellier, upon leaving for his office, asked Edna if she would not meet him in town in order to look at some new fixtures for the library. "I hardly think we need new fixtures, L once. Don't let us get anything new; you are too extravagant. I don't believe you ever think of saving or putting by." "The way to become rich is to make money, my dear Edna, not to save it," he said. He regretted that she did not feel inclined to go with him and select new fixtures. He kissed her good-by, and told her she was not looking well and must take care of herself. She was unusually pale and very quiet. She stood on the front veranda as he quitted the house, and absently picked a few sprays of jessamine that grew upon a trellis near by. She inhaled the odor of the blossoms and thrust them into the bosom of her white morning gown. The boys were dragging along the banquette a small "express wagon," which they had filled with blocks and sticks. The quadroon was following them with little quick steps, having assumed a fictitious animation and alacrity for the occasion. A fruit vender was crying his wares in the street. Edna looked straight before her with a self-absorbed expression upon her face. She felt no interest in anything about	felt that you had to leave home this afternoon, you should have left some suitable explanation for your absence." "This soup is really impossible; it's strange that woman hasn't learned yet to make a decent soup. Any free-lunch stand in town serves a better one. Was Mrs. Belthrop here?" "Bring the tray with the cards, Joe. I don't remember who was here." The boy retired and returned after a moment, bringing the tiny silver tray, which was covered with ladies' visiting cards. He handed it to Mrs. Pontellier. "Give it to Mr. Pontellier," she said. Joe offered the tray to Mr. Pontellier, and removed the soup. Mr. Pontellier scanned the names of his wife's callers, reading some of them aloud, with comments as he read. "The Misses Delasidas.' I worked a big deal in futures for their father this morning; nice girls; it's time they were getting married. Mrs. Belthrop.' I tell you what it is, Edna; you can't afford to snub Mrs. Belthrop. Why, Belthrop could buy and sell us ten times over. His business is worth a good, round sum to me. You'd better write her a note. Mrs. James Highcamp.' Hugh! the less you have to do with Mrs. Highcamp, the better. Madame Laforc .' Came all the way from Carrolton, too, poor old soul. Miss Wiggs,' Mrs. Eleanor Boltons.'" He pushed the cards aside. "Mercy!" exclaimed Edna, who had been fuming. "Why are you taking the thing so seriously and making such a fuss over it?" "I'm not making any fuss over it. But it's just such seeming trifles that we've got to take seriously; such things count." The fish was scorched. Mr. Pontellier would not touch it. Edna said she did not mind a little scorched taste. The roast was in some way not to his fancy, and he did not like the manner in which the vegetables were served. "It seems to me," he said, "we spend money enough in this house to procure at least one meal a day which a man could eat and retain his self-respect."<\|quote\|>"You used to think the cook was a treasure,"</\|quote\|>returned Edna, indifferently. "Perhaps she was when she first came; but cooks are only human. They need looking after, like any other class of persons that you employ. Suppose I didn't look after the clerks in my office, just let them run things their own way; they'd soon make a nice mess of me and my business." "Where are you going?" asked Edna, seeing that her husband arose from table without having eaten a morsel except a taste of the highly-seasoned soup. "I'm going to get my dinner at the club. Good night." He went into the hall, took his hat and stick from the stand, and left the house. She was somewhat familiar with such scenes. They had often made her very unhappy. On a few previous occasions she had been completely deprived of any desire to finish her dinner. Sometimes she had gone into the kitchen to administer a tardy rebuke to the cook. Once she went to her room and studied the cookbook during an entire evening, finally writing out a menu for the week, which left her harassed with a feeling that, after all, she had accomplished no good that was worth the name. But that evening Edna finished her dinner alone, with forced deliberation. Her face was flushed and her eyes flamed with some inward fire that lighted them. After finishing her dinner she went to her room, having instructed the boy to tell any other callers that she was indisposed. It was a large, beautiful room, rich and picturesque in the soft, dim light which the maid had turned low. She went and stood at an open window and looked out upon the deep tangle of the garden below. All the mystery and witchery of the night seemed to have gathered there amid the perfumes and the dusky and tortuous outlines of flowers and foliage. She was seeking herself and finding herself in just such sweet, half-darkness which met her moods. But the voices were not soothing that came to her from the darkness and the sky above and the stars. They jeered and sounded mournful notes without promise, devoid even of hope. She turned back into the room and began to walk to and fro down its whole length without stopping, without resting. She carried in her hands a thin handkerchief, which she tore into ribbons, rolled into a ball, and flung from her. Once she stopped, and taking off her wedding ring, flung it upon the carpet. When she saw it lying there, she stamped her heel upon it, striving to crush it. But her small boot heel did not make an indenture, not a mark upon the little glittering circlet. In a sweeping passion she seized a glass vase from the table and flung it upon the tiles of the hearth. She wanted to destroy something. The crash and clatter were what she wanted to hear. A maid, alarmed at the din of breaking glass, entered the room to discover what was the matter. "A vase fell upon the hearth," said Edna. "Never mind; leave it till morning." "Oh! you might get some of the glass in your feet, ma'am," insisted the young woman, picking up bits of the broken vase that were scattered upon the carpet. "And here's your ring, ma'am, under the chair." Edna held out her hand, and taking the ring, slipped it upon her finger. XVIII The following morning Mr. Pontellier, upon leaving for his office, asked Edna if she would not meet him in town in order to look at some	The Awakening
murmured Lord Henry. And they passed into the dining-room. CHAPTER XI. For years, Dorian Gray could not free himself from the influence of this book. Or perhaps it would be more accurate to say that he never sought to free himself from it. He procured from Paris no less than nine large-paper copies of the first edition, and had them bound in different colours, so that they might suit his various moods and the changing fancies of a nature over which he seemed, at times, to have almost entirely lost control. The hero, the wonderful young Parisian in whom the romantic and the scientific temperaments were so strangely blended, became to him a kind of prefiguring type of himself. And, indeed, the whole book seemed to him to contain the story of his own life, written before he had lived it. In one point he was more fortunate than the novel s fantastic hero. He never knew never, indeed, had any cause to know that somewhat grotesque dread of mirrors, and polished metal surfaces, and still water which came upon the young Parisian so early in his life, and was occasioned by the sudden decay of a beau that had once, apparently, been so remarkable. It was with an almost cruel joy and perhaps in nearly every joy, as certainly in every pleasure, cruelty has its place that he used to read the latter part of the book, with its really tragic, if somewhat overemphasized, account of the sorrow and despair of one who had himself lost what in others, and the world, he had most dearly valued. For the wonderful beauty that had so fascinated Basil Hallward, and many others besides him, seemed never to leave him. Even those who had heard the most evil things against him and from time to time strange rumours about his mode of life crept through London and became the chatter of the clubs could not believe anything to his dishonour when they saw him. He had always the look of one who had kept himself unspotted from the world. Men who talked grossly became silent when Dorian Gray entered the room. There was something in the purity of his face that rebuked them. His mere presence seemed to recall to them the memory of the innocence that they had tarnished. They wondered how one so charming and graceful as he was could have escaped the stain of an age that was at once sordid and sensual. Often, on returning home from one of those mysterious and prolonged absences that gave rise to such strange conjecture among those who were his friends, or thought that they were so, he himself would creep upstairs to the locked room, open the door with the key that never left him now, and stand, with a mirror, in front of the portrait that Basil Hallward had painted of him, looking now at the evil and aging face on the canvas, and now at the fair young face that laughed back at him from the polished glass. The very sharpness of the contrast used to quicken his sense of pleasure. He grew more and more enamoured of his own beauty, more and more interested in the corruption of his own soul. He would examine with minute care, and sometimes with a monstrous and terrible delight, the hideous lines that seared the wrinkling forehead or crawled around the heavy sensual mouth, wondering sometimes which were the more horrible, the signs of sin or the signs of age. He would place his white hands beside the coarse bloated hands of the picture, and smile. He mocked the misshapen body and the failing limbs. There were moments, indeed, at night, when, lying sleepless in his own delicately scented chamber, or in the sordid room of the little ill-famed tavern near the docks which, under an assumed name and in disguise, it was his habit to frequent, he would think of the ruin he had brought upon his soul with a pity that was all the more poignant because it was purely selfish. But moments such as these were rare. That curiosity about life which Lord Henry had first stirred in him, as they sat together in the garden of their friend, seemed to increase with gratification. The more he knew, the more he desired to know. He had mad hungers that grew more ravenous as he fed them. Yet he was not really reckless, at any rate in his relations to society. Once or twice every month during the winter, and on each Wednesday evening while the season lasted, he would throw open to the world his beautiful house and have the most celebrated musicians of the day to charm his guests with the wonders of their art. His little dinners, in the settling of which Lord Henry always assisted him, were noted as much for the careful selection and placing of those invited, as for the exquisite taste shown in the decoration of the table, with its subtle symphonic arrangements of exotic flowers, and embroidered cloths, and antique plate of gold and silver. Indeed, there were many, especially among the very young men, who saw, or fancied that they saw, in Dorian Gray the true realization of a type of which they had often dreamed in Eton or Oxford days, a type that was to combine something of the real culture of the scholar with all the grace and distinction and perfect manner of a citizen of the world. To them he seemed to be of the company of those whom Dante describes as having sought to "make themselves perfect by the worship of beauty." Like Gautier, he was one for whom "the visible world existed." And, certainly, to him life itself was the first, the greatest, of the arts, and for it all the other arts seemed to be but a preparation. Fashion, by which what is really fantastic becomes for a moment universal, and dandyism, which, in its own way, is an attempt to assert the absolute modernity of beauty, had, of course, their fascination for him. His mode of dressing, and the particular styles that from time to time he affected, had their marked influence on the young exquisites of the Mayfair balls and Pall Mall club windows, who copied him in everything that he did, and tried to reproduce the accidental charm of his graceful, though to him only half-serious, fopperies. For, while he was but too ready to accept the position that was almost immediately offered to him on his coming of age, and found, indeed, a subtle pleasure in the thought that he might really become to the London of his own day what to imperial Neronian Rome the author of the Satyricon once had been, yet in his inmost heart he desired to be something more than a mere _arbiter elegantiarum_, to be consulted on the wearing of a jewel, or the knotting of a necktie, or the conduct of a cane. He sought to elaborate some new scheme of life that would have its reasoned philosophy and its ordered principles, and find in the spiritualizing of the senses its highest realization. The worship of the senses has often, and with much justice, been decried, men feeling a natural instinct of terror about passions and sensations that seem stronger than themselves, and that they are conscious of sharing with the less highly organized forms of existence. But it appeared to Dorian Gray that the true nature of the senses had never been understood, and that they had remained savage and animal merely because the world had sought to starve them into submission or to kill them by pain, instead of aiming at making them elements of a new spirituality, of which a fine instinct for beauty was to be the dominant characteristic. As he looked back upon man moving through history, he was haunted by a feeling of loss. So much had been surrendered! and to such little purpose! There had been mad wilful rejections, monstrous forms of self-torture and self-denial, whose origin was fear and whose result was a degradation infinitely more terrible than that fancied degradation from which, in their ignorance, they had sought to escape; Nature, in her wonderful irony, driving out the anchorite to feed with the wild animals of the desert and giving to the hermit the beasts of the field as his companions. Yes: there was to be, as Lord Henry had prophesied, a new Hedonism that was to recreate life and to save it from that harsh uncomely puritanism that is having, in our own day, its curious revival. It was to have its service of the intellect, certainly, yet it was never to accept any theory or system that would involve the sacrifice of any mode of passionate experience. Its aim, indeed, was to be experience itself, and not the fruits of experience, sweet or bitter as they might be. Of the asceticism that deadens the senses, as of the vulgar profligacy that dulls them, it was to know nothing. But it was to teach man to concentrate himself upon the moments of a life that is itself but a moment. There are few of us who have not sometimes wakened before dawn, either after one of those dreamless nights that make us almost enamoured of death, or one of those nights of horror and misshapen joy, when through the chambers of the brain sweep phantoms more terrible than reality itself, and instinct with that vivid life that lurks in all grotesques, and that lends to Gothic art its enduring vitality, this art being, one might fancy, especially the art of those whose minds have been troubled with the malady of reverie. Gradually white fingers creep through the curtains, and they appear to tremble. In black fantastic shapes, dumb shadows crawl into the corners of the room and crouch there. Outside, there is the stirring of birds among the leaves, or the sound of men going forth to their work, or the sigh and sob of the wind coming down from the hills and wandering round the silent house, as though it feared to wake the sleepers and yet must needs call forth sleep from her purple cave. Veil after veil of thin dusky gauze is lifted, and by degrees the forms and colours of things are restored to them, and we watch the dawn remaking the world in its antique pattern. The wan mirrors get back their mimic life. The flameless tapers stand where we had left them, and beside them lies the half-cut book that we had been studying, or the wired flower that we had worn at the ball, or the letter that we had been afraid to read, or that we had read too often. Nothing seems to us changed. Out of the unreal shadows of the night comes back the real life that we had known. We have to resume it where we had left off, and there steals over us a terrible sense of the necessity for the continuance of energy in the same wearisome round of stereotyped habits, or a wild longing, it may be, that our eyelids might open some morning upon a world that had been refashioned anew in the darkness for our pleasure, a world in which things would have fresh shapes and colours, and be changed, or have other secrets, a world in which the past would have little or no place, or survive, at any rate, in no conscious form of obligation or regret, the remembrance even of joy having its bitterness and the memories of pleasure their pain. It was the creation of such worlds as these that seemed to Dorian Gray to be the true object, or amongst the true objects, of life; and in his search for sensations that would be at once new and delightful, and possess that element of strangeness that is so essential to romance, he would often adopt certain modes of thought that he knew to be really alien to his nature, abandon himself to their subtle influences, and then, having, as it were, caught their colour and satisfied his intellectual curiosity, leave them with that curious indifference that is not incompatible with a real ardour of temperament, and that, indeed, according to certain modern psychologists, is often a condition of it. It was rumoured of him once that he was about to join the Roman Catholic communion, and certainly the Roman ritual had always a great attraction for him. The daily sacrifice, more awful really than all the sacrifices of the antique world, stirred him as much by its superb rejection of the evidence of the senses as by the primitive simplicity of its elements and the eternal pathos of the human tragedy that it sought to symbolize. He loved to kneel down on the cold marble pavement and watch the priest, in his stiff flowered dalmatic, slowly and with white hands moving aside the veil of the tabernacle, or raising aloft the jewelled, lantern-shaped monstrance with that pallid wafer that at times, one would fain think, is indeed the "_panis c lestis_," the bread of angels, or, robed in the garments of the Passion of Christ, breaking the Host into the chalice and smiting his breast for his sins. The fuming censers that the grave boys, in their lace and scarlet, tossed into the air like great gilt flowers had their subtle fascination for him. As he passed out, he used to look with wonder at the black confessionals and long to sit in the dim shadow of one of them and listen to men and women whispering through the worn grating the true story of their lives. But he never fell into the error of arresting his intellectual development by any formal acceptance of creed or system, or of mistaking, for a house in which to live, an inn that is but suitable for the sojourn of a night, or for a few hours of a night in which there are no stars and the moon is in travail. Mysticism, with its marvellous power of making common things strange to us, and the subtle antinomianism that always seems to accompany it, moved him for a season; and for a season he inclined to the materialistic doctrines of the _Darwinismus_ movement in Germany, and found a curious pleasure in tracing the thoughts and passions of men to some pearly cell in the brain, or some white nerve in the body, delighting in the conception of the absolute dependence of the spirit on certain physical conditions, morbid or healthy, normal or diseased. Yet, as has been said of him before, no theory of life seemed to him to be of any importance compared with life itself. He felt keenly conscious of how barren all intellectual speculation is when separated from action and experiment. He knew that the senses, no less than the soul, have their spiritual mysteries to reveal. And so he would now study perfumes and the secrets of their manufacture, distilling heavily scented oils and burning odorous gums from the East. He saw that there was no mood of the mind that had not its counterpart in the sensuous life, and set himself to discover their true relations, wondering what there was in frankincense that made one mystical, and in ambergris that stirred one s passions, and in violets that woke the memory of dead romances, and in musk that troubled the brain, and in champak that stained the imagination; and seeking often to elaborate a real psychology of perfumes, and to estimate the several influences of sweet-smelling roots and scented, pollen-laden flowers; of aromatic balms and of dark and fragrant woods; of spikenard, that sickens; of hovenia, that makes men mad; and of aloes, that are said to be able to expel melancholy from the soul. At another time he devoted himself entirely to music, and in a long latticed room, with a vermilion-and-gold ceiling and walls of olive-green lacquer, he used to give curious concerts in which mad gipsies tore wild music from little zithers, or grave, yellow-shawled Tunisians plucked at the strained strings of monstrous lutes, while grinning Negroes beat monotonously upon copper drums and, crouching upon scarlet mats, slim turbaned Indians blew through long pipes of reed or brass and charmed or feigned to charm great hooded snakes and horrible horned adders. The harsh intervals and shrill discords of barbaric music stirred him at times when Schubert s grace, and Chopin s beautiful sorrows, and the mighty harmonies of Beethoven himself, fell unheeded on his ear. He collected together from all parts of the world the strangest instruments that could be found, either in the tombs of dead nations or among the few savage tribes that have survived contact with Western civilizations, and loved to touch and try them. He had the mysterious _juruparis_ of the Rio Negro Indians, that women are not allowed to look at and that even youths may not see till they have been subjected to fasting and scourging, and the earthen jars of the Peruvians that have the shrill cries of birds, and flutes of human bones such as Alfonso de Ovalle heard in Chile, and the sonorous green jaspers that are found near Cuzco and give forth a note of singular sweetness. He had painted gourds filled with pebbles that rattled when they were shaken; the long _clarin_ of the Mexicans, into which the performer does not blow, but through which he inhales the air; the harsh _ture_ of the Amazon tribes, that is sounded by the sentinels who sit all day long in high trees, and can be heard, it is said, at a distance of three leagues; the _teponaztli_, that has two vibrating tongues of wood and is beaten with sticks that are smeared with an elastic gum obtained from the milky juice of plants; the _yotl_-bells of the Aztecs, that are hung in clusters like grapes; and a huge cylindrical drum, covered with the skins of great serpents, like the one that Bernal Diaz saw when he went with Cortes into the Mexican temple, and of whose doleful sound he has left us so vivid a description. The fantastic character of these instruments fascinated him, and he felt a curious delight in the thought that art, like Nature, has her monsters, things of bestial shape and with hideous voices. Yet, after some time, he wearied of them, and would sit in his box at the opera, either alone or with Lord Henry, listening in rapt pleasure to "Tannhauser" and seeing in the prelude to that great work of art a presentation of the tragedy of his own soul. On one occasion he took up the study of jewels, and appeared at a costume ball as Anne de Joyeuse, Admiral of France, in a dress covered with five hundred and sixty pearls. This taste enthralled him for years, and, indeed, may be said never to have left him. He would often spend a whole day settling and resettling in their cases the various stones that he had collected, such as the olive-green chrysoberyl that turns red by lamplight, the cymophane with its wirelike line of silver, the pistachio-coloured peridot, rose-pink and wine-yellow topazes, carbuncles of fiery scarlet with tremulous, four-rayed stars, flame-red cinnamon-stones, orange and violet spinels, and amethysts with their alternate layers of ruby and sapphire. He loved the red gold of the sunstone, and the moonstone s pearly whiteness, and the broken rainbow of the milky opal. He procured from Amsterdam three emeralds of extraordinary size and richness of colour, and had a turquoise _de la vieille roche_ that was the envy of all the connoisseurs. He discovered wonderful stories, also, about jewels. In Alphonso s Clericalis Disciplina a serpent was mentioned with eyes of real jacinth, and in the romantic history of Alexander, the Conqueror of Emathia was said to have found in the vale of Jordan snakes "with collars of real emeralds growing on their backs." There was a gem in the brain of the dragon, Philostratus told us, and "by the exhibition of golden letters and a scarlet robe" the monster could be thrown into a magical sleep and slain. According to the great alchemist, Pierre de Boniface, the diamond rendered a man invisible, and the agate of India made him eloquent. The cornelian appeased anger, and the hyacinth provoked sleep, and the amethyst drove away the fumes of wine. The garnet cast out demons, and the hydropicus deprived the moon of her colour. The selenite waxed and waned with the moon, and the meloceus, that discovers thieves, could be affected only by the blood of kids. Leonardus Camillus had seen a white stone taken from the brain of a newly killed toad, that was a certain antidote against poison. The bezoar, that was found in the heart of the Arabian deer, was a charm that could cure the plague. In the nests of Arabian birds was the aspilates, that, according to Democritus, kept the wearer from any danger by fire. The King of Ceilan rode through his city with a large ruby in his hand, as the ceremony of his coronation. The gates of the palace of John the Priest were "made of sardius, with the horn of the horned snake inwrought, so that no man might bring poison within." Over the gable were "two golden apples, in which were two carbuncles," so that the gold might shine by day and the carbuncles by night. In Lodge s strange romance A Margarite of America , it was stated that in the chamber of the queen one could behold "all the chaste ladies of the world, inchased out of silver, looking through fair mirrours of chrysolites, carbuncles, sapphires, and greene emeraults." Marco Polo had seen the inhabitants of Zipangu place rose-coloured pearls in the mouths of the dead. A sea-monster had been enamoured of the pearl that the diver brought to King Perozes, and had slain the thief, and mourned for seven moons over its loss. When the Huns lured the king into the great pit, he flung it away Procopius tells the story nor was it ever found again, though the Emperor Anastasius offered five hundred-weight of gold pieces for it. The King of Malabar had shown to a certain Venetian a rosary of three hundred and four pearls, one for every god that he worshipped. When the Duke de Valentinois, son of Alexander VI., visited Louis XII. of France, his horse was loaded with gold leaves, according to Brantome, and his cap had double rows of rubies that threw out a great light. Charles of England had ridden in stirrups hung with four hundred and twenty-one diamonds. Richard II had a coat, valued at thirty thousand marks, which was covered with balas rubies. Hall described Henry VIII., on his way to the Tower previous to his coronation, as wearing "a jacket of raised gold, the placard embroidered with diamonds and other rich stones, and a great bauderike about his neck of large balasses." The favourites of James I wore ear-rings of emeralds set in gold filigrane. Edward II gave to Piers Gaveston a suit of red-gold armour studded with jacinths, a collar of gold roses set with turquoise-stones, and a skull-cap _parsem _ with pearls. Henry II. wore jewelled gloves reaching to the elbow, and had a hawk-glove sewn with twelve rubies and fifty-two great orients. The ducal hat of Charles the Rash, the last Duke of Burgundy of his race, was hung with pear-shaped pearls and studded with sapphires. How exquisite life had once been! How gorgeous in its pomp and decoration! Even to read of the luxury of the dead was wonderful. Then he turned his attention to embroideries and to the tapestries that performed the office of frescoes in the chill rooms of the northern nations of Europe. As he investigated the subject and he always had an extraordinary faculty of becoming absolutely absorbed for the moment in whatever he took up he was almost saddened by the reflection of the ruin that time brought on beautiful and wonderful things. He, at any rate, had escaped that. Summer followed summer, and the yellow jonquils bloomed and died many times, and nights of horror repeated the story of their shame, but he was unchanged. No winter marred his face or stained his flowerlike bloom. How different it was with material things! Where had they passed to? Where was the great crocus-coloured robe, on which the gods fought against the giants, that had been worked by brown girls for the pleasure of Athena? Where the huge velarium that Nero had stretched across the Colosseum at Rome, that Titan sail of purple on which was represented the starry sky, and Apollo driving a chariot drawn by white, gilt-reined steeds? He longed to see the curious table-napkins wrought for the Priest of the Sun, on which were displayed all the dainties and viands that could be wanted for a feast; the mortuary cloth of King Chilperic, with its three hundred golden bees; the fantastic robes that excited the indignation of the Bishop of Pontus and were figured with "lions, panthers, bears, dogs, forests, rocks, hunters all, in fact, that a painter can copy from nature"; and the coat that Charles of Orleans once wore, on the sleeves of which were embroidered the verses of a song beginning "_Madame, je suis tout joyeux_," the musical accompaniment of the words being wrought in gold thread, and each note, of square shape in those days, formed with four pearls. He read of the room that was prepared at the palace at Rheims for the use of Queen Joan of Burgundy and was decorated with "thirteen hundred and twenty-one parrots, made in broidery, and blazoned with the king s arms, and five hundred and sixty-one butterflies, whose wings were similarly ornamented with the arms of the queen, the whole worked in gold." Catherine de Medicis had a mourning-bed made for her of black velvet powdered with crescents and suns. Its curtains were of damask, with leafy wreaths and garlands, figured upon a gold and silver ground, and fringed along the edges with broideries of pearls, and it stood in a room hung with rows of the queen s devices in cut black velvet upon cloth of silver. Louis XIV. had gold embroidered caryatides fifteen feet high in his apartment. The state bed of Sobieski, King of Poland, was made of Smyrna gold brocade embroidered in turquoises with verses from the Koran. Its supports were of silver gilt, beautifully chased, and profusely set with enamelled and jewelled medallions. It had been taken from the Turkish camp before Vienna, and the standard of Mohammed had stood beneath the tremulous gilt of its canopy. And so, for a whole year, he sought to accumulate the most exquisite specimens that he could find of textile and embroidered work, getting the dainty Delhi muslins, finely wrought with gold-thread palmates and stitched over with iridescent beetles wings; the Dacca gauzes, that from their transparency are known in the East as "woven air," and "running water," and "evening dew"; strange figured cloths from Java; elaborate yellow Chinese hangings; books bound in tawny satins or fair blue silks and wrought with _fleurs-de-lis_, birds and images; veils of _lacis_ worked in Hungary point; Sicilian brocades and stiff Spanish velvets; Georgian work, with its gilt coins, and Japanese _Foukousas_, with their green-toned golds and their marvellously plumaged birds. He had a special passion, also, for ecclesiastical vestments, as indeed he had for everything connected with the service of the Church. In the long cedar chests that lined the west gallery of his house, he had stored away many rare and beautiful specimens of what is really the raiment of the Bride of Christ, who must wear purple and jewels and fine linen that she may hide the pallid macerated body that is worn by the suffering that she seeks for and wounded by self-inflicted pain. He possessed a gorgeous cope of crimson silk and gold-thread damask, figured with a repeating pattern of golden pomegranates set in six-petalled formal blossoms, beyond which on either side was the pine-apple device wrought in seed-pearls. The orphreys were divided into panels representing scenes from the life of the Virgin, and the coronation of the Virgin was figured in coloured silks upon the hood. This was Italian work of the fifteenth century. Another cope was of green velvet, embroidered with heart-shaped groups of acanthus-leaves, from which spread long-stemmed white blossoms, the details of which were picked out with silver thread and coloured crystals. The morse bore a seraph s head in gold-thread raised work. The orphreys were woven in a diaper of red and gold silk, and were starred with medallions of many saints and martyrs, among whom was St. Sebastian. He had chasubles, also, of amber-coloured silk, and blue silk and gold brocade, and yellow silk damask and cloth of gold, figured with representations of the Passion and Crucifixion of Christ, and embroidered with lions and peacocks and other emblems; dalmatics of white satin and pink silk damask, decorated with tulips and dolphins and _fleurs-de-lis_; altar frontals of crimson velvet and blue linen; and many corporals, chalice-veils, and sudaria. In the mystic offices to which such things were put, there was something that quickened his imagination. For these treasures, and everything that he collected in his lovely house, were to be to him means of forgetfulness, modes by which he could escape, for a season, from the fear that seemed to him at times to be almost too great to be borne. Upon the walls of the lonely locked room where he had spent so much of his boyhood, he had hung with his own hands the terrible portrait whose changing features showed him the real degradation of his life, and in front of it had draped the purple-and-gold pall as a curtain. For weeks he would not go there, would forget the hideous painted thing, and get back his light heart, his wonderful joyousness, his passionate absorption in mere existence. Then, suddenly, some night he would creep out of the house, go down to dreadful places near Blue Gate Fields, and stay there, day after day, until he was driven away. On his return he would sit in front of the picture, sometimes loathing it and himself, but filled, at other times, with that pride of individualism that is half the fascination of sin, and smiling with secret pleasure at the misshapen shadow that had to bear the burden that should have been his own. After a few years he could not endure to be long out of England, and gave up the villa that he had shared at Trouville with Lord Henry, as well as the little white walled-in house at Algiers where they had more than once spent the winter. He hated to be separated from the picture that was such a part of his life, and was also afraid that during his absence some one might gain access to the room, in spite of the elaborate bars that he had caused to be placed upon the door. He was quite conscious that this would tell them nothing. It was true that the portrait still preserved, under all the foulness and ugliness of the face, its marked likeness to himself; but what could they learn from that? He would laugh at any one who tried to taunt him. He had not painted it. What was it to him how vile and full of shame it looked? Even if he told them, would they believe it? Yet he was afraid. Sometimes when he was down at his great house in Nottinghamshire, entertaining the fashionable young men of his own rank who were his chief companions, and astounding the county by the wanton luxury and gorgeous splendour of his mode of life, he would suddenly leave his guests and rush back to town to see that the door had not been tampered with and that the picture was still there. What if it should be stolen? The mere thought made him cold with horror. Surely the world would know his secret then. Perhaps the world already suspected it. For, while he fascinated many, there were not a few who distrusted him. He was very nearly blackballed at a West End club of which his birth and social position fully entitled him to become a member, and it was said that on one occasion, when he was brought by a friend into the smoking-room of the Churchill, the Duke of Berwick and another gentleman got up in a marked manner and went out. Curious stories became current about him after he had passed his twenty-fifth year. It was rumoured that he had been seen brawling with foreign sailors in a low den in the distant parts of Whitechapel, and that he consorted with thieves and coiners and knew the mysteries of their trade. His extraordinary absences became notorious, and, when he used to reappear again in society, men would whisper to each other in corners, or pass him with a sneer, or look at him with cold searching eyes, as though they were determined to discover his secret. Of such insolences and attempted slights he, of course, took no notice, and in the opinion of most people his frank debonair manner, his charming boyish smile, and the infinite grace of that wonderful youth that seemed never to leave him, were in themselves a sufficient answer to the calumnies, for so they termed them, that were circulated about him. It was remarked, however, that some of those who had been most intimate with him appeared, after a time, to shun him. Women who had wildly adored him, and for his sake had braved all social censure and set convention at defiance, were seen to grow pallid with shame or horror if Dorian Gray entered the room. Yet these whispered scandals only increased in the eyes of many his strange and dangerous charm. His great wealth was a certain element of security. Society civilized society, at least is never very ready to believe anything to the detriment of those who are both rich and fascinating. It feels instinctively that manners are of more importance than morals, and, in its opinion, the highest respectability is of much less value than the possession of a good _chef_. And, after all, it is a very poor consolation to be told that the man who has given one a bad dinner, or poor wine, is irreproachable in his private life. Even the cardinal virtues cannot atone for half-cold _entr es_, as Lord Henry remarked once, in a discussion on the subject, and there is possibly a good deal to be said for his view. For the canons of good society are, or should be, the same as the canons of art. Form is absolutely essential to it. It should have the dignity of a ceremony, as well as its unreality, and should combine the insincere character of a romantic play with the wit and beauty that make such plays delightful to us. Is insincerity such a terrible thing? I think not. It is merely a method by which we can multiply our personalities. Such, at any rate, was Dorian Gray s opinion. He used to wonder at the shallow psychology of those who conceive the ego in man as a thing simple, permanent, reliable, and of one essence. To him, man was a being with myriad lives and myriad sensations, a complex multiform creature that bore within itself strange legacies of thought and passion, and whose very flesh was tainted with the monstrous maladies of the dead. He loved to stroll through the gaunt cold picture-gallery of his country house and look at the various portraits of those whose blood flowed in his veins. Here was Philip Herbert, described by Francis Osborne, in his Memoires on the Reigns of Queen Elizabeth and King James, as one who was "caressed by the Court for his handsome face, which kept him not long company." Was it young Herbert s life that he sometimes led? Had some strange poisonous germ crept from body to body till it had reached his own? Was it some dim sense of that ruined grace that had made him so suddenly, and almost without cause, give utterance, in Basil Hallward s studio, to the mad prayer that had so changed his life? Here, in gold-embroidered red doublet, jewelled surcoat, and gilt-edged ruff and wristbands, stood Sir Anthony Sherard, with his silver-and-black armour piled at his feet. What had this man s legacy been? Had the lover of Giovanna of Naples bequeathed him some inheritance of sin and shame? Were his own actions merely the dreams that the dead man had not dared to realize? Here, from the fading canvas, smiled Lady Elizabeth Devereux, in her gauze hood, pearl stomacher, and pink slashed sleeves. A flower was in her right hand, and her left clasped an enamelled collar of white and damask roses. On a table by her side lay a mandolin and an apple. There were large green rosettes upon her little pointed shoes. He knew her life, and the strange stories that were told about her lovers. Had he something of her temperament in him? These oval, heavy-lidded eyes seemed to look curiously at him. What of George Willoughby, with his powdered hair and fantastic patches? How evil he looked! The face was saturnine and swarthy, and the sensual lips seemed to be twisted with disdain. Delicate lace ruffles fell over the lean yellow hands that were so overladen with rings. He had been a macaroni of the eighteenth century, and the friend, in his youth, of Lord Ferrars. What of the second Lord Beckenham, the companion of the Prince Regent in his wildest days, and one of the witnesses at the secret marriage with Mrs. Fitzherbert? How proud and handsome he was, with his chestnut curls and insolent pose! What passions had he bequeathed? The world had looked upon him as infamous. He had led the orgies at Carlton House. The star of the Garter glittered upon his breast. Beside him hung the portrait of his wife, a pallid, thin-lipped woman in black. Her blood, also, stirred within him. How curious it all seemed! And his mother with her Lady Hamilton face and her moist, wine-dashed lips he knew what he had got from her. He had got from her his beauty, and his passion for the beauty of others. She laughed at him in her loose Bacchante dress. There were vine leaves in her hair. The purple spilled from the cup she was holding. The carnations of the painting had withered, but the eyes were still wonderful in their depth and brilliancy of colour. They seemed to follow him wherever he went. Yet one had ancestors in literature as well as in one s own race, nearer perhaps in type and temperament, many of them, and certainly with an influence of which one was more absolutely conscious. There were times when it appeared to Dorian Gray that the whole of history was merely the record of his own life, not as he had lived it in act and circumstance, but as his imagination had created it for him, as it had been in his brain and in his passions. He felt that he had known them all, those strange terrible figures that had passed across the stage of the world and made sin so marvellous and evil so full of subtlety. It seemed to him that in some mysterious way their lives had been his own. The hero of the wonderful novel that had so influenced his life had himself known this curious fancy. In the seventh chapter he tells how, crowned with laurel, lest lightning might strike him, he had sat, as Tiberius, in a garden at Capri, reading the shameful books of Elephantis, while dwarfs and peacocks strutted round him and the flute-player mocked the swinger of the censer; and, as Caligula, had caroused with the green-shirted jockeys in their stables and supped in an ivory manger with a jewel-frontleted horse; and, as Domitian, had wandered through a corridor lined with marble mirrors, looking round with haggard eyes for the reflection of the dagger that was to end his days, and sick with that ennui, that terrible _t dium vit _, that comes on those to whom life denies nothing; and had peered through a clear emerald at the red shambles of the circus and then, in a litter of pearl and purple drawn by silver-shod mules, been carried through the Street of Pomegranates to a House of Gold and heard men cry on Nero Caesar as he passed by; and, as Elagabalus, had painted his face with colours, and plied the distaff among the women, and brought the Moon from Carthage and given her in mystic marriage to the Sun. Over and over again Dorian used to read this fantastic chapter, and the two chapters immediately following, in which, as in some curious tapestries or cunningly wrought enamels, were pictured the awful and beautiful forms of those whom vice and blood and weariness had made monstrous or mad: Filippo, Duke of Milan, who slew his wife and painted her lips with a scarlet poison that her lover might suck death from the dead thing he fondled; Pietro Barbi, the Venetian, known as Paul the Second, who sought in his vanity to assume the title of Formosus, and whose tiara, valued at two hundred thousand florins, was bought at the price of a terrible sin; Gian Maria Visconti, who used hounds to chase living men and whose murdered body was covered with roses by a harlot who had loved him; the Borgia on his white horse, with Fratricide riding beside him and his mantle stained with the blood of Perotto; Pietro Riario, the young Cardinal Archbishop of Florence, child and minion of Sixtus IV., whose beauty was equalled only by his debauchery, and who received Leonora of Aragon in a pavilion of white and crimson silk, filled with nymphs and centaurs, and gilded a boy that he might serve at the feast as Ganymede or Hylas; Ezzelin, whose melancholy could be cured only by the spectacle of death, and who had a passion for red blood, as other men have for red wine the son of the Fiend, as was reported, and one who had cheated his father at dice when gambling with him for his own soul; Giambattista Cibo, who in mockery took the name of Innocent and into whose torpid veins the blood of three lads was infused by a Jewish doctor; Sigismondo Malatesta, the lover of Isotta and the lord of Rimini, whose effigy was burned at Rome as the enemy of God and man, who strangled Polyssena with a napkin, and gave poison to Ginevra d Este in a cup of emerald, and in honour of a shameful passion built a pagan church for Christian worship; Charles VI., who had so wildly adored his brother s wife that a leper had warned him of the insanity that was coming on him, and who, when his brain had sickened and grown strange, could only be soothed by Saracen cards painted with the images of love and death and madness; and, in his trimmed jerkin and jewelled cap and acanthuslike curls, Grifonetto Baglioni, who slew Astorre with his bride, and Simonetto with his page, and whose comeliness was such that, as he lay dying in the yellow piazza of Perugia, those who had hated him could not choose but weep, and Atalanta, who had cursed him, blessed him. There was a horrible fascination in them all. He saw them at night, and they troubled his imagination in the day. The Renaissance knew of strange manners of poisoning poisoning by a helmet and a lighted torch, by an embroidered glove and a jewelled fan, by a gilded pomander and by an amber chain. Dorian Gray had been poisoned by a book. There were moments when he looked on evil simply as a mode through which he could realize his conception of the beautiful. CHAPTER XII It was on the ninth of November, the eve of his own thirty-eighth birthday, as he often remembered afterwards. He was walking home about eleven o clock from Lord Henry s, where he had been dining, and was wrapped in heavy furs, as the night was cold and foggy. At the corner of Grosvenor Square and South Audley Street, a man passed him in the mist, walking very fast and with the collar of his grey ulster turned up. He had a bag in his hand. Dorian recognized him. It was Basil Hallward. A strange sense of fear, for which he could not account, came over him. He made no sign of recognition and went on quickly in the direction of his own house. But Hallward had seen him. Dorian heard him first stopping on the pavement and then hurrying after him. In a few moments, his hand was on his arm.	No speaker	"Ah, you have discovered that?"<\|quote\|>murmured Lord Henry. And they passed into the dining-room. CHAPTER XI. For years, Dorian Gray could not free himself from the influence of this book. Or perhaps it would be more accurate to say that he never sought to free himself from it. He procured from Paris no less than nine large-paper copies of the first edition, and had them bound in different colours, so that they might suit his various moods and the changing fancies of a nature over which he seemed, at times, to have almost entirely lost control. The hero, the wonderful young Parisian in whom the romantic and the scientific temperaments were so strangely blended, became to him a kind of prefiguring type of himself. And, indeed, the whole book seemed to him to contain the story of his own life, written before he had lived it. In one point he was more fortunate than the novel s fantastic hero. He never knew never, indeed, had any cause to know that somewhat grotesque dread of mirrors, and polished metal surfaces, and still water which came upon the young Parisian so early in his life, and was occasioned by the sudden decay of a beau that had once, apparently, been so remarkable. It was with an almost cruel joy and perhaps in nearly every joy, as certainly in every pleasure, cruelty has its place that he used to read the latter part of the book, with its really tragic, if somewhat overemphasized, account of the sorrow and despair of one who had himself lost what in others, and the world, he had most dearly valued. For the wonderful beauty that had so fascinated Basil Hallward, and many others besides him, seemed never to leave him. Even those who had heard the most evil things against him and from time to time strange rumours about his mode of life crept through London and became the chatter of the clubs could not believe anything to his dishonour when they saw him. He had always the look of one who had kept himself unspotted from the world. Men who talked grossly became silent when Dorian Gray entered the room. There was something in the purity of his face that rebuked them. His mere presence seemed to recall to them the memory of the innocence that they had tarnished. They wondered how one so charming and graceful as he was could have escaped the stain of an age that was at once sordid and sensual. Often, on returning home from one of those mysterious and prolonged absences that gave rise to such strange conjecture among those who were his friends, or thought that they were so, he himself would creep upstairs to the locked room, open the door with the key that never left him now, and stand, with a mirror, in front of the portrait that Basil Hallward had painted of him, looking now at the evil and aging face on the canvas, and now at the fair young face that laughed back at him from the polished glass. The very sharpness of the contrast used to quicken his sense of pleasure. He grew more and more enamoured of his own beauty, more and more interested in the corruption of his own soul. He would examine with minute care, and sometimes with a monstrous and terrible delight, the hideous lines that seared the wrinkling forehead or crawled around the heavy sensual mouth, wondering sometimes which were the more horrible, the signs of sin or the signs of age. He would place his white hands beside the coarse bloated hands of the picture, and smile. He mocked the misshapen body and the failing limbs. There were moments, indeed, at night, when, lying sleepless in his own delicately scented chamber, or in the sordid room of the little ill-famed tavern near the docks which, under an assumed name and in disguise, it was his habit to frequent, he would think of the ruin he had brought upon his soul with a pity that was all the more poignant because it was purely selfish. But moments such as these were rare. That curiosity about life which Lord Henry had first stirred in him, as they sat together in the garden of their friend, seemed to increase with gratification. The more he knew, the more he desired to know. He had mad hungers that grew more ravenous as he fed them. Yet he was not really reckless, at any rate in his relations to society. Once or twice every month during the winter, and on each Wednesday evening while the season lasted, he would throw open to the world his beautiful house and have the most celebrated musicians of the day to charm his guests with the wonders of their art. His little dinners, in the settling of which Lord Henry always assisted him, were noted as much for the careful selection and placing of those invited, as for the exquisite taste shown in the decoration of the table, with its subtle symphonic arrangements of exotic flowers, and embroidered cloths, and antique plate of gold and silver. Indeed, there were many, especially among the very young men, who saw, or fancied that they saw, in Dorian Gray the true realization of a type of which they had often dreamed in Eton or Oxford days, a type that was to combine something of the real culture of the scholar with all the grace and distinction and perfect manner of a citizen of the world. To them he seemed to be of the company of those whom Dante describes as having sought to "make themselves perfect by the worship of beauty." Like Gautier, he was one for whom "the visible world existed." And, certainly, to him life itself was the first, the greatest, of the arts, and for it all the other arts seemed to be but a preparation. Fashion, by which what is really fantastic becomes for a moment universal, and dandyism, which, in its own way, is an attempt to assert the absolute modernity of beauty, had, of course, their fascination for him. His mode of dressing, and the particular styles that from time to time he affected, had their marked influence on the young exquisites of the Mayfair balls and Pall Mall club windows, who copied him in everything that he did, and tried to reproduce the accidental charm of his graceful, though to him only half-serious, fopperies. For, while he was but too ready to accept the position that was almost immediately offered to him on his coming of age, and found, indeed, a subtle pleasure in the thought that he might really become to the London of his own day what to imperial Neronian Rome the author of the Satyricon once had been, yet in his inmost heart he desired to be something more than a mere _arbiter elegantiarum_, to be consulted on the wearing of a jewel, or the knotting of a necktie, or the conduct of a cane. He sought to elaborate some new scheme of life that would have its reasoned philosophy and its ordered principles, and find in the spiritualizing of the senses its highest realization. The worship of the senses has often, and with much justice, been decried, men feeling a natural instinct of terror about passions and sensations that seem stronger than themselves, and that they are conscious of sharing with the less highly organized forms of existence. But it appeared to Dorian Gray that the true nature of the senses had never been understood, and that they had remained savage and animal merely because the world had sought to starve them into submission or to kill them by pain, instead of aiming at making them elements of a new spirituality, of which a fine instinct for beauty was to be the dominant characteristic. As he looked back upon man moving through history, he was haunted by a feeling of loss. So much had been surrendered! and to such little purpose! There had been mad wilful rejections, monstrous forms of self-torture and self-denial, whose origin was fear and whose result was a degradation infinitely more terrible than that fancied degradation from which, in their ignorance, they had sought to escape; Nature, in her wonderful irony, driving out the anchorite to feed with the wild animals of the desert and giving to the hermit the beasts of the field as his companions. Yes: there was to be, as Lord Henry had prophesied, a new Hedonism that was to recreate life and to save it from that harsh uncomely puritanism that is having, in our own day, its curious revival. It was to have its service of the intellect, certainly, yet it was never to accept any theory or system that would involve the sacrifice of any mode of passionate experience. Its aim, indeed, was to be experience itself, and not the fruits of experience, sweet or bitter as they might be. Of the asceticism that deadens the senses, as of the vulgar profligacy that dulls them, it was to know nothing. But it was to teach man to concentrate himself upon the moments of a life that is itself but a moment. There are few of us who have not sometimes wakened before dawn, either after one of those dreamless nights that make us almost enamoured of death, or one of those nights of horror and misshapen joy, when through the chambers of the brain sweep phantoms more terrible than reality itself, and instinct with that vivid life that lurks in all grotesques, and that lends to Gothic art its enduring vitality, this art being, one might fancy, especially the art of those whose minds have been troubled with the malady of reverie. Gradually white fingers creep through the curtains, and they appear to tremble. In black fantastic shapes, dumb shadows crawl into the corners of the room and crouch there. Outside, there is the stirring of birds among the leaves, or the sound of men going forth to their work, or the sigh and sob of the wind coming down from the hills and wandering round the silent house, as though it feared to wake the sleepers and yet must needs call forth sleep from her purple cave. Veil after veil of thin dusky gauze is lifted, and by degrees the forms and colours of things are restored to them, and we watch the dawn remaking the world in its antique pattern. The wan mirrors get back their mimic life. The flameless tapers stand where we had left them, and beside them lies the half-cut book that we had been studying, or the wired flower that we had worn at the ball, or the letter that we had been afraid to read, or that we had read too often. Nothing seems to us changed. Out of the unreal shadows of the night comes back the real life that we had known. We have to resume it where we had left off, and there steals over us a terrible sense of the necessity for the continuance of energy in the same wearisome round of stereotyped habits, or a wild longing, it may be, that our eyelids might open some morning upon a world that had been refashioned anew in the darkness for our pleasure, a world in which things would have fresh shapes and colours, and be changed, or have other secrets, a world in which the past would have little or no place, or survive, at any rate, in no conscious form of obligation or regret, the remembrance even of joy having its bitterness and the memories of pleasure their pain. It was the creation of such worlds as these that seemed to Dorian Gray to be the true object, or amongst the true objects, of life; and in his search for sensations that would be at once new and delightful, and possess that element of strangeness that is so essential to romance, he would often adopt certain modes of thought that he knew to be really alien to his nature, abandon himself to their subtle influences, and then, having, as it were, caught their colour and satisfied his intellectual curiosity, leave them with that curious indifference that is not incompatible with a real ardour of temperament, and that, indeed, according to certain modern psychologists, is often a condition of it. It was rumoured of him once that he was about to join the Roman Catholic communion, and certainly the Roman ritual had always a great attraction for him. The daily sacrifice, more awful really than all the sacrifices of the antique world, stirred him as much by its superb rejection of the evidence of the senses as by the primitive simplicity of its elements and the eternal pathos of the human tragedy that it sought to symbolize. He loved to kneel down on the cold marble pavement and watch the priest, in his stiff flowered dalmatic, slowly and with white hands moving aside the veil of the tabernacle, or raising aloft the jewelled, lantern-shaped monstrance with that pallid wafer that at times, one would fain think, is indeed the "_panis c lestis_," the bread of angels, or, robed in the garments of the Passion of Christ, breaking the Host into the chalice and smiting his breast for his sins. The fuming censers that the grave boys, in their lace and scarlet, tossed into the air like great gilt flowers had their subtle fascination for him. As he passed out, he used to look with wonder at the black confessionals and long to sit in the dim shadow of one of them and listen to men and women whispering through the worn grating the true story of their lives. But he never fell into the error of arresting his intellectual development by any formal acceptance of creed or system, or of mistaking, for a house in which to live, an inn that is but suitable for the sojourn of a night, or for a few hours of a night in which there are no stars and the moon is in travail. Mysticism, with its marvellous power of making common things strange to us, and the subtle antinomianism that always seems to accompany it, moved him for a season; and for a season he inclined to the materialistic doctrines of the _Darwinismus_ movement in Germany, and found a curious pleasure in tracing the thoughts and passions of men to some pearly cell in the brain, or some white nerve in the body, delighting in the conception of the absolute dependence of the spirit on certain physical conditions, morbid or healthy, normal or diseased. Yet, as has been said of him before, no theory of life seemed to him to be of any importance compared with life itself. He felt keenly conscious of how barren all intellectual speculation is when separated from action and experiment. He knew that the senses, no less than the soul, have their spiritual mysteries to reveal. And so he would now study perfumes and the secrets of their manufacture, distilling heavily scented oils and burning odorous gums from the East. He saw that there was no mood of the mind that had not its counterpart in the sensuous life, and set himself to discover their true relations, wondering what there was in frankincense that made one mystical, and in ambergris that stirred one s passions, and in violets that woke the memory of dead romances, and in musk that troubled the brain, and in champak that stained the imagination; and seeking often to elaborate a real psychology of perfumes, and to estimate the several influences of sweet-smelling roots and scented, pollen-laden flowers; of aromatic balms and of dark and fragrant woods; of spikenard, that sickens; of hovenia, that makes men mad; and of aloes, that are said to be able to expel melancholy from the soul. At another time he devoted himself entirely to music, and in a long latticed room, with a vermilion-and-gold ceiling and walls of olive-green lacquer, he used to give curious concerts in which mad gipsies tore wild music from little zithers, or grave, yellow-shawled Tunisians plucked at the strained strings of monstrous lutes, while grinning Negroes beat monotonously upon copper drums and, crouching upon scarlet mats, slim turbaned Indians blew through long pipes of reed or brass and charmed or feigned to charm great hooded snakes and horrible horned adders. The harsh intervals and shrill discords of barbaric music stirred him at times when Schubert s grace, and Chopin s beautiful sorrows, and the mighty harmonies of Beethoven himself, fell unheeded on his ear. He collected together from all parts of the world the strangest instruments that could be found, either in the tombs of dead nations or among the few savage tribes that have survived contact with Western civilizations, and loved to touch and try them. He had the mysterious _juruparis_ of the Rio Negro Indians, that women are not allowed to look at and that even youths may not see till they have been subjected to fasting and scourging, and the earthen jars of the Peruvians that have the shrill cries of birds, and flutes of human bones such as Alfonso de Ovalle heard in Chile, and the sonorous green jaspers that are found near Cuzco and give forth a note of singular sweetness. He had painted gourds filled with pebbles that rattled when they were shaken; the long _clarin_ of the Mexicans, into which the performer does not blow, but through which he inhales the air; the harsh _ture_ of the Amazon tribes, that is sounded by the sentinels who sit all day long in high trees, and can be heard, it is said, at a distance of three leagues; the _teponaztli_, that has two vibrating tongues of wood and is beaten with sticks that are smeared with an elastic gum obtained from the milky juice of plants; the _yotl_-bells of the Aztecs, that are hung in clusters like grapes; and a huge cylindrical drum, covered with the skins of great serpents, like the one that Bernal Diaz saw when he went with Cortes into the Mexican temple, and of whose doleful sound he has left us so vivid a description. The fantastic character of these instruments fascinated him, and he felt a curious delight in the thought that art, like Nature, has her monsters, things of bestial shape and with hideous voices. Yet, after some time, he wearied of them, and would sit in his box at the opera, either alone or with Lord Henry, listening in rapt pleasure to "Tannhauser" and seeing in the prelude to that great work of art a presentation of the tragedy of his own soul. On one occasion he took up the study of jewels, and appeared at a costume ball as Anne de Joyeuse, Admiral of France, in a dress covered with five hundred and sixty pearls. This taste enthralled him for years, and, indeed, may be said never to have left him. He would often spend a whole day settling and resettling in their cases the various stones that he had collected, such as the olive-green chrysoberyl that turns red by lamplight, the cymophane with its wirelike line of silver, the pistachio-coloured peridot, rose-pink and wine-yellow topazes, carbuncles of fiery scarlet with tremulous, four-rayed stars, flame-red cinnamon-stones, orange and violet spinels, and amethysts with their alternate layers of ruby and sapphire. He loved the red gold of the sunstone, and the moonstone s pearly whiteness, and the broken rainbow of the milky opal. He procured from Amsterdam three emeralds of extraordinary size and richness of colour, and had a turquoise _de la vieille roche_ that was the envy of all the connoisseurs. He discovered wonderful stories, also, about jewels. In Alphonso s Clericalis Disciplina a serpent was mentioned with eyes of real jacinth, and in the romantic history of Alexander, the Conqueror of Emathia was said to have found in the vale of Jordan snakes "with collars of real emeralds growing on their backs." There was a gem in the brain of the dragon, Philostratus told us, and "by the exhibition of golden letters and a scarlet robe" the monster could be thrown into a magical sleep and slain. According to the great alchemist, Pierre de Boniface, the diamond rendered a man invisible, and the agate of India made him eloquent. The cornelian appeased anger, and the hyacinth provoked sleep, and the amethyst drove away the fumes of wine. The garnet cast out demons, and the hydropicus deprived the moon of her colour. The selenite waxed and waned with the moon, and the meloceus, that discovers thieves, could be affected only by the blood of kids. Leonardus Camillus had seen a white stone taken from the brain of a newly killed toad, that was a certain antidote against poison. The bezoar, that was found in the heart of the Arabian deer, was a charm that could cure the plague. In the nests of Arabian birds was the aspilates, that, according to Democritus, kept the wearer from any danger by fire. The King of Ceilan rode through his city with a large ruby in his hand, as the ceremony of his coronation. The gates of the palace of John the Priest were "made of sardius, with the horn of the horned snake inwrought, so that no man might bring poison within." Over the gable were "two golden apples, in which were two carbuncles," so that the gold might shine by day and the carbuncles by night. In Lodge s strange romance A Margarite of America , it was stated that in the chamber of the queen one could behold "all the chaste ladies of the world, inchased out of silver, looking through fair mirrours of chrysolites, carbuncles, sapphires, and greene emeraults." Marco Polo had seen the inhabitants of Zipangu place rose-coloured pearls in the mouths of the dead. A sea-monster had been enamoured of the pearl that the diver brought to King Perozes, and had slain the thief, and mourned for seven moons over its loss. When the Huns lured the king into the great pit, he flung it away Procopius tells the story nor was it ever found again, though the Emperor Anastasius offered five hundred-weight of gold pieces for it. The King of Malabar had shown to a certain Venetian a rosary of three hundred and four pearls, one for every god that he worshipped. When the Duke de Valentinois, son of Alexander VI., visited Louis XII. of France, his horse was loaded with gold leaves, according to Brantome, and his cap had double rows of rubies that threw out a great light. Charles of England had ridden in stirrups hung with four hundred and twenty-one diamonds. Richard II had a coat, valued at thirty thousand marks, which was covered with balas rubies. Hall described Henry VIII., on his way to the Tower previous to his coronation, as wearing "a jacket of raised gold, the placard embroidered with diamonds and other rich stones, and a great bauderike about his neck of large balasses." The favourites of James I wore ear-rings of emeralds set in gold filigrane. Edward II gave to Piers Gaveston a suit of red-gold armour studded with jacinths, a collar of gold roses set with turquoise-stones, and a skull-cap _parsem _ with pearls. Henry II. wore jewelled gloves reaching to the elbow, and had a hawk-glove sewn with twelve rubies and fifty-two great orients. The ducal hat of Charles the Rash, the last Duke of Burgundy of his race, was hung with pear-shaped pearls and studded with sapphires. How exquisite life had once been! How gorgeous in its pomp and decoration! Even to read of the luxury of the dead was wonderful. Then he turned his attention to embroideries and to the tapestries that performed the office of frescoes in the chill rooms of the northern nations of Europe. As he investigated the subject and he always had an extraordinary faculty of becoming absolutely absorbed for the moment in whatever he took up he was almost saddened by the reflection of the ruin that time brought on beautiful and wonderful things. He, at any rate, had escaped that. Summer followed summer, and the yellow jonquils bloomed and died many times, and nights of horror repeated the story of their shame, but he was unchanged. No winter marred his face or stained his flowerlike bloom. How different it was with material things! Where had they passed to? Where was the great crocus-coloured robe, on which the gods fought against the giants, that had been worked by brown girls for the pleasure of Athena? Where the huge velarium that Nero had stretched across the Colosseum at Rome, that Titan sail of purple on which was represented the starry sky, and Apollo driving a chariot drawn by white, gilt-reined steeds? He longed to see the curious table-napkins wrought for the Priest of the Sun, on which were displayed all the dainties and viands that could be wanted for a feast; the mortuary cloth of King Chilperic, with its three hundred golden bees; the fantastic robes that excited the indignation of the Bishop of Pontus and were figured with "lions, panthers, bears, dogs, forests, rocks, hunters all, in fact, that a painter can copy from nature"; and the coat that Charles of Orleans once wore, on the sleeves of which were embroidered the verses of a song beginning "_Madame, je suis tout joyeux_," the musical accompaniment of the words being wrought in gold thread, and each note, of square shape in those days, formed with four pearls. He read of the room that was prepared at the palace at Rheims for the use of Queen Joan of Burgundy and was decorated with "thirteen hundred and twenty-one parrots, made in broidery, and blazoned with the king s arms, and five hundred and sixty-one butterflies, whose wings were similarly ornamented with the arms of the queen, the whole worked in gold." Catherine de Medicis had a mourning-bed made for her of black velvet powdered with crescents and suns. Its curtains were of damask, with leafy wreaths and garlands, figured upon a gold and silver ground, and fringed along the edges with broideries of pearls, and it stood in a room hung with rows of the queen s devices in cut black velvet upon cloth of silver. Louis XIV. had gold embroidered caryatides fifteen feet high in his apartment. The state bed of Sobieski, King of Poland, was made of Smyrna gold brocade embroidered in turquoises with verses from the Koran. Its supports were of silver gilt, beautifully chased, and profusely set with enamelled and jewelled medallions. It had been taken from the Turkish camp before Vienna, and the standard of Mohammed had stood beneath the tremulous gilt of its canopy. And so, for a whole year, he sought to accumulate the most exquisite specimens that he could find of textile and embroidered work, getting the dainty Delhi muslins, finely wrought with gold-thread palmates and stitched over with iridescent beetles wings; the Dacca gauzes, that from their transparency are known in the East as "woven air," and "running water," and "evening dew"; strange figured cloths from Java; elaborate yellow Chinese hangings; books bound in tawny satins or fair blue silks and wrought with _fleurs-de-lis_, birds and images; veils of _lacis_ worked in Hungary point; Sicilian brocades and stiff Spanish velvets; Georgian work, with its gilt coins, and Japanese _Foukousas_, with their green-toned golds and their marvellously plumaged birds. He had a special passion, also, for ecclesiastical vestments, as indeed he had for everything connected with the service of the Church. In the long cedar chests that lined the west gallery of his house, he had stored away many rare and beautiful specimens of what is really the raiment of the Bride of Christ, who must wear purple and jewels and fine linen that she may hide the pallid macerated body that is worn by the suffering that she seeks for and wounded by self-inflicted pain. He possessed a gorgeous cope of crimson silk and gold-thread damask, figured with a repeating pattern of golden pomegranates set in six-petalled formal blossoms, beyond which on either side was the pine-apple device wrought in seed-pearls. The orphreys were divided into panels representing scenes from the life of the Virgin, and the coronation of the Virgin was figured in coloured silks upon the hood. This was Italian work of the fifteenth century. Another cope was of green velvet, embroidered with heart-shaped groups of acanthus-leaves, from which spread long-stemmed white blossoms, the details of which were picked out with silver thread and coloured crystals. The morse bore a seraph s head in gold-thread raised work. The orphreys were woven in a diaper of red and gold silk, and were starred with medallions of many saints and martyrs, among whom was St. Sebastian. He had chasubles, also, of amber-coloured silk, and blue silk and gold brocade, and yellow silk damask and cloth of gold, figured with representations of the Passion and Crucifixion of Christ, and embroidered with lions and peacocks and other emblems; dalmatics of white satin and pink silk damask, decorated with tulips and dolphins and _fleurs-de-lis_; altar frontals of crimson velvet and blue linen; and many corporals, chalice-veils, and sudaria. In the mystic offices to which such things were put, there was something that quickened his imagination. For these treasures, and everything that he collected in his lovely house, were to be to him means of forgetfulness, modes by which he could escape, for a season, from the fear that seemed to him at times to be almost too great to be borne. Upon the walls of the lonely locked room where he had spent so much of his boyhood, he had hung with his own hands the terrible portrait whose changing features showed him the real degradation of his life, and in front of it had draped the purple-and-gold pall as a curtain. For weeks he would not go there, would forget the hideous painted thing, and get back his light heart, his wonderful joyousness, his passionate absorption in mere existence. Then, suddenly, some night he would creep out of the house, go down to dreadful places near Blue Gate Fields, and stay there, day after day, until he was driven away. On his return he would sit in front of the picture, sometimes loathing it and himself, but filled, at other times, with that pride of individualism that is half the fascination of sin, and smiling with secret pleasure at the misshapen shadow that had to bear the burden that should have been his own. After a few years he could not endure to be long out of England, and gave up the villa that he had shared at Trouville with Lord Henry, as well as the little white walled-in house at Algiers where they had more than once spent the winter. He hated to be separated from the picture that was such a part of his life, and was also afraid that during his absence some one might gain access to the room, in spite of the elaborate bars that he had caused to be placed upon the door. He was quite conscious that this would tell them nothing. It was true that the portrait still preserved, under all the foulness and ugliness of the face, its marked likeness to himself; but what could they learn from that? He would laugh at any one who tried to taunt him. He had not painted it. What was it to him how vile and full of shame it looked? Even if he told them, would they believe it? Yet he was afraid. Sometimes when he was down at his great house in Nottinghamshire, entertaining the fashionable young men of his own rank who were his chief companions, and astounding the county by the wanton luxury and gorgeous splendour of his mode of life, he would suddenly leave his guests and rush back to town to see that the door had not been tampered with and that the picture was still there. What if it should be stolen? The mere thought made him cold with horror. Surely the world would know his secret then. Perhaps the world already suspected it. For, while he fascinated many, there were not a few who distrusted him. He was very nearly blackballed at a West End club of which his birth and social position fully entitled him to become a member, and it was said that on one occasion, when he was brought by a friend into the smoking-room of the Churchill, the Duke of Berwick and another gentleman got up in a marked manner and went out. Curious stories became current about him after he had passed his twenty-fifth year. It was rumoured that he had been seen brawling with foreign sailors in a low den in the distant parts of Whitechapel, and that he consorted with thieves and coiners and knew the mysteries of their trade. His extraordinary absences became notorious, and, when he used to reappear again in society, men would whisper to each other in corners, or pass him with a sneer, or look at him with cold searching eyes, as though they were determined to discover his secret. Of such insolences and attempted slights he, of course, took no notice, and in the opinion of most people his frank debonair manner, his charming boyish smile, and the infinite grace of that wonderful youth that seemed never to leave him, were in themselves a sufficient answer to the calumnies, for so they termed them, that were circulated about him. It was remarked, however, that some of those who had been most intimate with him appeared, after a time, to shun him. Women who had wildly adored him, and for his sake had braved all social censure and set convention at defiance, were seen to grow pallid with shame or horror if Dorian Gray entered the room. Yet these whispered scandals only increased in the eyes of many his strange and dangerous charm. His great wealth was a certain element of security. Society civilized society, at least is never very ready to believe anything to the detriment of those who are both rich and fascinating. It feels instinctively that manners are of more importance than morals, and, in its opinion, the highest respectability is of much less value than the possession of a good _chef_. And, after all, it is a very poor consolation to be told that the man who has given one a bad dinner, or poor wine, is irreproachable in his private life. Even the cardinal virtues cannot atone for half-cold _entr es_, as Lord Henry remarked once, in a discussion on the subject, and there is possibly a good deal to be said for his view. For the canons of good society are, or should be, the same as the canons of art. Form is absolutely essential to it. It should have the dignity of a ceremony, as well as its unreality, and should combine the insincere character of a romantic play with the wit and beauty that make such plays delightful to us. Is insincerity such a terrible thing? I think not. It is merely a method by which we can multiply our personalities. Such, at any rate, was Dorian Gray s opinion. He used to wonder at the shallow psychology of those who conceive the ego in man as a thing simple, permanent, reliable, and of one essence. To him, man was a being with myriad lives and myriad sensations, a complex multiform creature that bore within itself strange legacies of thought and passion, and whose very flesh was tainted with the monstrous maladies of the dead. He loved to stroll through the gaunt cold picture-gallery of his country house and look at the various portraits of those whose blood flowed in his veins. Here was Philip Herbert, described by Francis Osborne, in his Memoires on the Reigns of Queen Elizabeth and King James, as one who was "caressed by the Court for his handsome face, which kept him not long company." Was it young Herbert s life that he sometimes led? Had some strange poisonous germ crept from body to body till it had reached his own? Was it some dim sense of that ruined grace that had made him so suddenly, and almost without cause, give utterance, in Basil Hallward s studio, to the mad prayer that had so changed his life? Here, in gold-embroidered red doublet, jewelled surcoat, and gilt-edged ruff and wristbands, stood Sir Anthony Sherard, with his silver-and-black armour piled at his feet. What had this man s legacy been? Had the lover of Giovanna of Naples bequeathed him some inheritance of sin and shame? Were his own actions merely the dreams that the dead man had not dared to realize? Here, from the fading canvas, smiled Lady Elizabeth Devereux, in her gauze hood, pearl stomacher, and pink slashed sleeves. A flower was in her right hand, and her left clasped an enamelled collar of white and damask roses. On a table by her side lay a mandolin and an apple. There were large green rosettes upon her little pointed shoes. He knew her life, and the strange stories that were told about her lovers. Had he something of her temperament in him? These oval, heavy-lidded eyes seemed to look curiously at him. What of George Willoughby, with his powdered hair and fantastic patches? How evil he looked! The face was saturnine and swarthy, and the sensual lips seemed to be twisted with disdain. Delicate lace ruffles fell over the lean yellow hands that were so overladen with rings. He had been a macaroni of the eighteenth century, and the friend, in his youth, of Lord Ferrars. What of the second Lord Beckenham, the companion of the Prince Regent in his wildest days, and one of the witnesses at the secret marriage with Mrs. Fitzherbert? How proud and handsome he was, with his chestnut curls and insolent pose! What passions had he bequeathed? The world had looked upon him as infamous. He had led the orgies at Carlton House. The star of the Garter glittered upon his breast. Beside him hung the portrait of his wife, a pallid, thin-lipped woman in black. Her blood, also, stirred within him. How curious it all seemed! And his mother with her Lady Hamilton face and her moist, wine-dashed lips he knew what he had got from her. He had got from her his beauty, and his passion for the beauty of others. She laughed at him in her loose Bacchante dress. There were vine leaves in her hair. The purple spilled from the cup she was holding. The carnations of the painting had withered, but the eyes were still wonderful in their depth and brilliancy of colour. They seemed to follow him wherever he went. Yet one had ancestors in literature as well as in one s own race, nearer perhaps in type and temperament, many of them, and certainly with an influence of which one was more absolutely conscious. There were times when it appeared to Dorian Gray that the whole of history was merely the record of his own life, not as he had lived it in act and circumstance, but as his imagination had created it for him, as it had been in his brain and in his passions. He felt that he had known them all, those strange terrible figures that had passed across the stage of the world and made sin so marvellous and evil so full of subtlety. It seemed to him that in some mysterious way their lives had been his own. The hero of the wonderful novel that had so influenced his life had himself known this curious fancy. In the seventh chapter he tells how, crowned with laurel, lest lightning might strike him, he had sat, as Tiberius, in a garden at Capri, reading the shameful books of Elephantis, while dwarfs and peacocks strutted round him and the flute-player mocked the swinger of the censer; and, as Caligula, had caroused with the green-shirted jockeys in their stables and supped in an ivory manger with a jewel-frontleted horse; and, as Domitian, had wandered through a corridor lined with marble mirrors, looking round with haggard eyes for the reflection of the dagger that was to end his days, and sick with that ennui, that terrible _t dium vit _, that comes on those to whom life denies nothing; and had peered through a clear emerald at the red shambles of the circus and then, in a litter of pearl and purple drawn by silver-shod mules, been carried through the Street of Pomegranates to a House of Gold and heard men cry on Nero Caesar as he passed by; and, as Elagabalus, had painted his face with colours, and plied the distaff among the women, and brought the Moon from Carthage and given her in mystic marriage to the Sun. Over and over again Dorian used to read this fantastic chapter, and the two chapters immediately following, in which, as in some curious tapestries or cunningly wrought enamels, were pictured the awful and beautiful forms of those whom vice and blood and weariness had made monstrous or mad: Filippo, Duke of Milan, who slew his wife and painted her lips with a scarlet poison that her lover might suck death from the dead thing he fondled; Pietro Barbi, the Venetian, known as Paul the Second, who sought in his vanity to assume the title of Formosus, and whose tiara, valued at two hundred thousand florins, was bought at the price of a terrible sin; Gian Maria Visconti, who used hounds to chase living men and whose murdered body was covered with roses by a harlot who had loved him; the Borgia on his white horse, with Fratricide riding beside him and his mantle stained with the blood of Perotto; Pietro Riario, the young Cardinal Archbishop of Florence, child and minion of Sixtus IV., whose beauty was equalled only by his debauchery, and who received Leonora of Aragon in a pavilion of white and crimson silk, filled with nymphs and centaurs, and gilded a boy that he might serve at the feast as Ganymede or Hylas; Ezzelin, whose melancholy could be cured only by the spectacle of death, and who had a passion for red blood, as other men have for red wine the son of the Fiend, as was reported, and one who had cheated his father at dice when gambling with him for his own soul; Giambattista Cibo, who in mockery took the name of Innocent and into whose torpid veins the blood of three lads was infused by a Jewish doctor; Sigismondo Malatesta, the lover of Isotta and the lord of Rimini, whose effigy was burned at Rome as the enemy of God and man, who strangled Polyssena with a napkin, and gave poison to Ginevra d Este in a cup of emerald, and in honour of a shameful passion built a pagan church for Christian worship; Charles VI., who had so wildly adored his brother s wife that a leper had warned him of the insanity that was coming on him, and who, when his brain had sickened and grown strange, could only be soothed by Saracen cards painted with the images of love and death and madness; and, in his trimmed jerkin and jewelled cap and acanthuslike curls, Grifonetto Baglioni, who slew Astorre with his bride, and Simonetto with his page, and whose comeliness was such that, as he lay dying in the yellow piazza of Perugia, those who had hated him could not choose but weep, and Atalanta, who had cursed him, blessed him. There was a horrible fascination in them all. He saw them at night, and they troubled his imagination in the day. The Renaissance knew of strange manners of poisoning poisoning by a helmet and a lighted torch, by an embroidered glove and a jewelled fan, by a gilded pomander and by an amber chain. Dorian Gray had been poisoned by a book. There were moments when he looked on evil simply as a mode through which he could realize his conception of the beautiful. CHAPTER XII It was on the ninth of November, the eve of his own thirty-eighth birthday, as he often remembered afterwards. He was walking home about eleven o clock from Lord Henry s, where he had been dining, and was wrapped in heavy furs, as the night was cold and foggy. At the corner of Grosvenor Square and South Audley Street, a man passed him in the mist, walking very fast and with the collar of his grey ulster turned up. He had a bag in his hand. Dorian recognized him. It was Basil Hallward. A strange sense of fear, for which he could not account, came over him. He made no sign of recognition and went on quickly in the direction of his own house. But Hallward had seen him. Dorian heard him first stopping on the pavement and then hurrying after him. In a few moments, his hand was on his arm.</\|quote\|>"Dorian! What an extraordinary piece	There is a great difference." "Ah, you have discovered that?"<\|quote\|>murmured Lord Henry. And they passed into the dining-room. CHAPTER XI. For years, Dorian Gray could not free himself from the influence of this book. Or perhaps it would be more accurate to say that he never sought to free himself from it. He procured from Paris no less than nine large-paper copies of the first edition, and had them bound in different colours, so that they might suit his various moods and the changing fancies of a nature over which he seemed, at times, to have almost entirely lost control. The hero, the wonderful young Parisian in whom the romantic and the scientific temperaments were so strangely blended, became to him a kind of prefiguring type of himself. And, indeed, the whole book seemed to him to contain the story of his own life, written before he had lived it. In one point he was more fortunate than the novel s fantastic hero. He never knew never, indeed, had any cause to know that somewhat grotesque dread of mirrors, and polished metal surfaces, and still water which came upon the young Parisian so early in his life, and was occasioned by the sudden decay of a beau that had once, apparently, been so remarkable. It was with an almost cruel joy and perhaps in nearly every joy, as certainly in every pleasure, cruelty has its place that he used to read the latter part of the book, with its really tragic, if somewhat overemphasized, account of the sorrow and despair of one who had himself lost what in others, and the world, he had most dearly valued. For the wonderful beauty that had so fascinated Basil Hallward, and many others besides him, seemed never to leave him. Even those who had heard the most evil things against him and from time to time strange rumours about his mode of life crept through London and became the chatter of the clubs could not believe anything to his dishonour when they saw him. He had always the look of one who had kept himself unspotted from the world. Men who talked grossly became silent when Dorian Gray entered the room. There was something in the purity of his face that rebuked them. His mere presence seemed to recall to them the memory of the innocence that they had tarnished. They wondered how one so charming and graceful as he was could have escaped the stain of an age that was at once sordid and sensual. Often, on returning home from one of those mysterious and prolonged absences that gave rise to such strange conjecture among those who were his friends, or thought that they were so, he himself would creep upstairs to the locked room, open the door with the key that never left him now, and stand, with a mirror, in front of the portrait that Basil Hallward had painted of him, looking now at the evil and aging face on the canvas, and now at the fair young face that laughed back at him from the polished glass. The very sharpness of the contrast used to quicken his sense of pleasure. He grew more and more enamoured of his own beauty, more and more interested in the corruption of his own soul. He would examine with minute care, and sometimes with a monstrous and terrible delight, the hideous lines that seared the wrinkling forehead or crawled around the heavy sensual mouth, wondering sometimes which were the more horrible, the signs of sin or the signs of age. He would place his white hands beside the coarse bloated hands of the picture, and smile. He mocked the misshapen body and the failing limbs. There were moments, indeed, at night, when, lying sleepless in his own delicately scented chamber, or in the sordid room of the little ill-famed tavern near the docks which, under an assumed name and in disguise, it was his habit to frequent, he would think of the ruin he had brought upon his soul with a pity that was all the more poignant because it was purely selfish. But moments such as these were rare. That curiosity about life which Lord Henry had first stirred in him, as they sat together in the garden of their friend, seemed to increase with gratification. The more he knew, the more he desired to know. He had mad hungers that grew more ravenous as he fed them. Yet he was not really reckless, at any rate in his relations to society. Once or twice every month during the winter, and on each Wednesday evening while the season lasted, he would throw open to the world his beautiful house and have the most celebrated musicians of the day to charm his guests with the wonders of their art. His little dinners, in the settling of which Lord Henry always assisted him, were noted as much for the careful selection and placing of those invited, as for the exquisite taste shown in the decoration of the table, with its subtle symphonic arrangements of exotic flowers, and embroidered cloths, and antique plate of gold and silver. Indeed, there were many, especially among the very young men, who saw, or fancied that they saw, in Dorian Gray the true realization of a type of which they had often dreamed in Eton or Oxford days, a type that was to combine something of the real culture of the scholar with all the grace and distinction and perfect manner of a citizen of the world. To them he seemed to be of the company of those whom Dante describes as having sought to "make themselves perfect by the worship of beauty." Like Gautier, he was one for whom "the visible world existed." And, certainly, to him life itself was the first, the greatest, of the arts, and for it all the other arts seemed to be but a preparation. Fashion, by which what is really fantastic becomes for a moment universal, and dandyism, which, in its own way, is an attempt to assert the absolute modernity of beauty, had, of course, their fascination for him. His mode of dressing, and the particular styles that from time to time he affected, had their marked influence on the young exquisites of the Mayfair balls and Pall Mall club windows, who copied him in everything that he did, and tried to reproduce the accidental charm of his graceful, though to him only half-serious, fopperies. For, while he was but too ready to accept the position that was almost immediately offered to him on his coming of age, and found, indeed, a subtle pleasure in the thought that he might really become to the London of his own day what to imperial Neronian Rome the author of the Satyricon once had been, yet in his inmost heart he desired to be something more than a mere _arbiter elegantiarum_, to be consulted on the wearing of a jewel, or the knotting of a necktie, or the conduct of a cane. He sought to elaborate some new scheme of life that would have its reasoned philosophy and its ordered principles, and find in the spiritualizing of the senses its highest realization. The worship of the senses has often, and with much justice, been decried, men feeling a natural instinct of terror about passions and sensations that seem stronger than themselves, and that they are conscious of sharing with the less highly organized forms of existence. But it appeared to Dorian Gray that the true nature of the senses had never been understood, and that they had remained savage and animal merely because the world had sought to starve them into submission or to kill them by pain, instead of aiming at making them elements of a new spirituality, of which a fine instinct for beauty was to be the dominant characteristic. As he looked back upon man moving through history, he was haunted by a feeling of loss. So much had been surrendered! and to such little purpose! There had been mad wilful rejections, monstrous forms of self-torture and self-denial, whose origin was fear and whose result was a degradation infinitely more terrible than that fancied degradation from which, in their ignorance, they had sought to escape; Nature, in her wonderful irony, driving out the anchorite to feed with the wild animals of the desert and giving to the hermit the beasts of the field as his companions. Yes: there was to be, as Lord Henry had prophesied, a new Hedonism that was to recreate life and to save it from that harsh uncomely puritanism that is having, in our own day, its curious revival. It was to have its service of the intellect, certainly, yet it was never to accept any theory or system that would involve the sacrifice of any mode of passionate experience. Its aim, indeed, was to be experience itself, and not the fruits of experience, sweet or bitter as they might be. Of the asceticism that deadens the senses, as of the vulgar profligacy that dulls them, it was to know nothing. But it was to teach man to concentrate himself upon the moments of a life that is itself but a moment. There are few of us who have not sometimes wakened before dawn, either after one of those dreamless nights that make us almost enamoured of death, or one of those nights of horror and misshapen joy, when through the chambers of the brain sweep phantoms more terrible than reality itself, and instinct with that vivid life that lurks in all grotesques, and that lends to Gothic art its enduring vitality, this art being, one might fancy, especially the art of those whose minds have been troubled with the malady of reverie. Gradually white fingers creep through the curtains, and they appear to tremble. In black fantastic shapes, dumb shadows crawl into the corners of the room and crouch there. Outside, there is the stirring of birds among the leaves, or the sound of men going forth to their work, or the sigh and sob of the wind coming down from the hills and wandering round the silent house, as though it feared to wake the sleepers and yet must needs call forth sleep from her purple cave. Veil after veil of thin dusky gauze is lifted, and by degrees the forms and colours of things are restored to them, and we watch the dawn remaking the world in its antique pattern. The wan mirrors get back their mimic life. The flameless tapers stand where we had left them, and beside them lies the half-cut book that we had been studying, or the wired flower that we had worn at the ball, or the letter that we had been afraid to read, or that we had read too often. Nothing seems to us changed. Out of the unreal shadows of the night comes back the real life that we had known. We have to resume it where we had left off, and there steals over us a terrible sense of the necessity for the continuance of energy in the same wearisome round of stereotyped habits, or a wild longing, it may be, that our eyelids might open some morning upon a world that had been refashioned anew in the darkness for our pleasure, a world in which things would have fresh shapes and colours, and be changed, or have other secrets, a world in which the past would have little or no place, or survive, at any rate, in no conscious form of obligation or regret, the remembrance even of joy having its bitterness and the memories of pleasure their pain. It was the creation of such worlds as these that seemed to Dorian Gray to be the true object, or amongst the true objects, of life; and in his search for sensations that would be at once new and delightful, and possess that element of strangeness that is so essential to romance, he would often adopt certain modes of thought that he knew to be really alien to his nature, abandon himself to their subtle influences, and then, having, as it were, caught their colour and satisfied his intellectual curiosity, leave them with that curious indifference that is not incompatible with a real ardour of temperament, and that, indeed, according to certain modern psychologists, is often a condition of it. It was rumoured of him once that he was about to join the Roman Catholic communion, and certainly the Roman ritual had always a great attraction for him. The daily sacrifice, more awful really than all the sacrifices of the antique world, stirred him as much by its superb rejection of the evidence of the senses as by the primitive simplicity of its elements and the eternal pathos of the human tragedy that it sought to symbolize. He loved to kneel down on the cold marble pavement and watch the priest, in his stiff flowered dalmatic, slowly and with white hands moving aside the veil of the tabernacle, or raising aloft the jewelled, lantern-shaped monstrance with that pallid wafer that at times, one would fain think, is indeed the "_panis c lestis_," the bread of angels, or, robed in the garments of the Passion of Christ, breaking the Host into the chalice and smiting his breast for his sins. The fuming censers that the grave boys, in their lace and scarlet, tossed into the air like great gilt flowers had their subtle fascination for him. As he passed out, he used to look with wonder at the black confessionals and long to sit in the dim shadow of one of them and listen to men and women whispering through the worn grating the true story of their lives. But he never fell into the error of arresting his intellectual development by any formal acceptance of creed or system, or of mistaking, for a house in which to live, an inn that is but suitable for the sojourn of a night, or for a few hours of a night in which there are no stars and the moon is in travail. Mysticism, with its marvellous power of making common things strange to us, and the subtle antinomianism that always seems to accompany it, moved him for a season; and for a season he inclined to the materialistic doctrines of the _Darwinismus_ movement in Germany, and found a curious pleasure in tracing the thoughts and passions of men to some pearly cell in the brain, or some white nerve in the body, delighting in the conception of the absolute dependence of the spirit on certain physical conditions, morbid or healthy, normal or diseased. Yet, as has been said of him before, no theory of life seemed to him to be of any importance compared with life itself. He felt keenly conscious of how barren all intellectual speculation is when separated from action and experiment. He knew that the senses, no less than the soul, have their spiritual mysteries to reveal. And so he would now study perfumes and the secrets of their manufacture, distilling heavily scented oils and burning odorous gums from the East. He saw that there was no mood of the mind that had not its counterpart in the sensuous life, and set himself to discover their true relations, wondering what there was in frankincense that made one mystical, and in ambergris that stirred one s passions, and in violets that woke the memory of dead romances, and in musk that troubled the brain, and in champak that stained the imagination; and seeking often to elaborate a real psychology of perfumes, and to estimate the several influences of sweet-smelling roots and scented, pollen-laden flowers; of aromatic balms and of dark and fragrant woods; of spikenard, that sickens; of hovenia, that makes men mad; and of aloes, that are said to be able to expel melancholy from the soul. At another time he devoted himself entirely to music, and in a long latticed room, with a vermilion-and-gold ceiling and walls of olive-green lacquer, he used to give curious concerts in which mad gipsies tore wild music from little zithers, or grave, yellow-shawled Tunisians plucked at the strained strings of monstrous lutes, while grinning Negroes beat monotonously upon copper drums and, crouching upon scarlet mats, slim turbaned Indians blew through long pipes of reed or brass and charmed or feigned to charm great hooded snakes and horrible horned adders. The harsh intervals and shrill discords of barbaric music stirred him at times when Schubert s grace, and Chopin s beautiful sorrows, and the mighty harmonies of Beethoven himself, fell unheeded on his ear. He collected together from all parts of the world the strangest instruments that could be found, either in the tombs of dead nations or among the few savage tribes that have survived contact with Western civilizations, and loved to touch and try them. He had the mysterious _juruparis_ of the Rio Negro Indians, that women are not allowed to look at and that even youths may not see till they have been subjected to fasting and scourging, and the earthen jars of the Peruvians that have the shrill cries of birds, and flutes of human bones such as Alfonso de Ovalle heard in Chile, and the sonorous green jaspers that are found near Cuzco and give forth a note of singular sweetness. He had painted gourds filled with pebbles that rattled when they were shaken; the long _clarin_ of the Mexicans, into which the performer does not blow, but through which he inhales the air; the harsh _ture_ of the Amazon tribes, that is sounded by the sentinels who sit all day long in high trees, and can be heard, it is said, at a distance of three leagues; the _teponaztli_, that has two vibrating tongues of wood and is beaten with sticks that are smeared with an elastic gum obtained from the milky juice of plants; the _yotl_-bells of the Aztecs, that are hung in clusters like grapes; and a huge cylindrical drum, covered with the skins of great serpents, like the one that Bernal Diaz saw when he went with Cortes into the Mexican temple, and of whose doleful sound he has left us so vivid a description. The fantastic character of these instruments fascinated him, and he felt a curious delight in the thought that art, like Nature, has her monsters, things of bestial shape and with hideous voices. Yet, after some time, he wearied of them, and would sit in his box at the opera, either alone or with Lord Henry, listening in rapt pleasure to "Tannhauser" and seeing in the prelude to that great work of art a presentation of the tragedy of his own soul. On one occasion he took up the study of jewels, and appeared at a costume ball as Anne de Joyeuse, Admiral of France, in a dress covered with five hundred and sixty pearls. This taste enthralled him for years, and, indeed, may be said never to have left him. He would often spend a whole day settling and resettling in their cases the various stones that he had collected, such as the olive-green chrysoberyl that turns red by lamplight, the cymophane with its wirelike line of silver, the pistachio-coloured peridot, rose-pink and wine-yellow topazes, carbuncles of fiery scarlet with tremulous, four-rayed stars, flame-red cinnamon-stones, orange and violet spinels, and amethysts with their alternate layers of ruby and sapphire. He loved the red gold of the sunstone, and the moonstone s pearly whiteness, and the broken rainbow of the milky opal. He procured from Amsterdam three emeralds of extraordinary size and richness of colour, and had a turquoise _de la vieille roche_ that was the envy of all the connoisseurs. He discovered wonderful stories, also, about jewels. In Alphonso s Clericalis Disciplina a serpent was mentioned with eyes of real jacinth, and in the romantic history of Alexander, the Conqueror of Emathia was said to have found in the vale of Jordan snakes "with collars of real emeralds growing on their backs." There was a gem in the brain of the dragon, Philostratus told us, and "by the exhibition of golden letters and a scarlet robe" the monster could be thrown into a magical sleep and slain. According to the great alchemist, Pierre de Boniface, the diamond rendered a man invisible, and the agate of India made him eloquent. The cornelian appeased anger, and the hyacinth provoked sleep, and the amethyst drove away the fumes of wine. The garnet cast out demons, and the hydropicus deprived the moon of her colour. The selenite waxed and waned with the moon, and the meloceus, that discovers thieves, could be affected only by the blood of kids. Leonardus Camillus had seen a white stone taken from the brain of a newly killed toad, that was a certain antidote against poison. The bezoar, that was found in the heart of the Arabian deer, was a charm that could cure the plague. In the nests of Arabian birds was the aspilates, that, according to Democritus, kept the wearer from any danger by fire. The King of Ceilan rode through his city with a large ruby in his hand, as the ceremony of his coronation. The gates of the palace of John the Priest were "made of sardius, with the horn of the horned snake inwrought, so that no man might bring poison within." Over the gable were "two golden apples, in which were two carbuncles," so that the gold might shine by day and the carbuncles by night. In Lodge s strange romance A Margarite of America , it was stated that in the chamber of the queen one could behold "all the chaste ladies of the world, inchased out of silver, looking through fair mirrours of chrysolites, carbuncles, sapphires, and greene emeraults." Marco Polo had seen the inhabitants of Zipangu place rose-coloured pearls in the mouths of the dead. A sea-monster had been enamoured of the pearl that the diver brought to King Perozes, and had slain the thief, and mourned for seven moons over its loss. When the Huns lured the king into the great pit, he flung it away Procopius tells the story nor was it ever found again, though the Emperor Anastasius offered five hundred-weight of gold pieces for it. The King of Malabar had shown to a certain Venetian a rosary of three hundred and four pearls, one for every god that he worshipped. When the Duke de Valentinois, son of Alexander VI., visited Louis XII. of France, his horse was loaded with gold leaves, according to Brantome, and his cap had double rows of rubies that threw out a great light. Charles of England had ridden in stirrups hung with four hundred and twenty-one diamonds. Richard II had a coat, valued at thirty thousand marks, which was covered with balas rubies. Hall described Henry VIII., on his way to the Tower previous to his coronation, as wearing "a jacket of raised gold, the placard embroidered with diamonds and other rich stones, and a great bauderike about his neck of large balasses." The favourites of James I wore ear-rings of emeralds set in gold filigrane. Edward II gave to Piers Gaveston a suit of red-gold armour studded with jacinths, a collar of gold roses set with turquoise-stones, and a skull-cap _parsem _ with pearls. Henry II. wore jewelled gloves reaching to the elbow, and had a hawk-glove sewn with twelve rubies and fifty-two great orients. The ducal hat of Charles the Rash, the last Duke of Burgundy of his race, was hung with pear-shaped pearls and studded with sapphires. How exquisite life had once been! How gorgeous in its pomp and decoration! Even to read of the luxury of the dead was wonderful. Then he turned his attention to embroideries and to the tapestries that performed the office of frescoes in the chill rooms of the northern nations of Europe. As he investigated the subject and he always had an extraordinary faculty of becoming absolutely absorbed for the moment in whatever he took up he was almost saddened by the reflection of the ruin that time brought on beautiful and wonderful things. He, at any rate, had escaped that. Summer followed summer, and the yellow jonquils bloomed and died many times, and nights of horror repeated the story of their shame, but he was unchanged. No winter marred his face or stained his flowerlike bloom. How different it was with material things! Where had they passed to? Where was the great crocus-coloured robe, on which the gods fought against the giants, that had been worked by brown girls for the pleasure of Athena? Where the huge velarium that Nero had stretched across the Colosseum at Rome, that Titan sail of purple on which was represented the starry sky, and Apollo driving a chariot drawn by white, gilt-reined steeds? He longed to see the curious table-napkins wrought for the Priest of the Sun, on which were displayed all the dainties and viands that could be wanted for a feast; the mortuary cloth of King Chilperic, with its three hundred golden bees; the fantastic robes that excited the indignation of the Bishop of Pontus and were figured with "lions, panthers, bears, dogs, forests, rocks, hunters all, in fact, that a painter can copy from nature"; and the coat that Charles of Orleans once wore, on the sleeves of which were embroidered the verses of a song beginning "_Madame, je suis tout joyeux_," the musical accompaniment of the words being wrought in gold thread, and each note, of square shape in those days, formed with four pearls. He read of the room that was prepared at the palace at Rheims for the use of Queen Joan of Burgundy and was decorated with "thirteen hundred and twenty-one parrots, made in broidery, and blazoned with the king s arms, and five hundred and sixty-one butterflies, whose wings were similarly ornamented with the arms of the queen, the whole worked in gold." Catherine de Medicis had a mourning-bed made for her of black velvet powdered with crescents and suns. Its curtains were of damask, with leafy wreaths and garlands, figured upon a gold and silver ground, and fringed along the edges with broideries of pearls, and it stood in a room hung with rows of the queen s devices in cut black velvet upon cloth of silver. Louis XIV. had gold embroidered caryatides fifteen feet high in his apartment. The state bed of Sobieski, King of Poland, was made of Smyrna gold brocade embroidered in turquoises with verses from the Koran. Its supports were of silver gilt, beautifully chased, and profusely set with enamelled and jewelled medallions. It had been taken from the Turkish camp before Vienna, and the standard of Mohammed had stood beneath the tremulous gilt of its canopy. And so, for a whole year, he sought to accumulate the most exquisite specimens that he could find of textile and embroidered work, getting the dainty Delhi muslins, finely wrought with gold-thread palmates and stitched over with iridescent beetles wings; the Dacca gauzes, that from their transparency are known in the East as "woven air," and "running water," and "evening dew"; strange figured cloths from Java; elaborate yellow Chinese hangings; books bound in tawny satins or fair blue silks and wrought with _fleurs-de-lis_, birds and images; veils of _lacis_ worked in Hungary point; Sicilian brocades and stiff Spanish velvets; Georgian work, with its gilt coins, and Japanese _Foukousas_, with their green-toned golds and their marvellously plumaged birds. He had a special passion, also, for ecclesiastical vestments, as indeed he had for everything connected with the service of the Church. In the long cedar chests that lined the west gallery of his house, he had stored away many rare and beautiful specimens of what is really the raiment of the Bride of Christ, who must wear purple and jewels and fine linen that she may hide the pallid macerated body that is worn by the suffering that she seeks for and wounded by self-inflicted pain. He possessed a gorgeous cope of crimson silk and gold-thread damask, figured with a repeating pattern of golden pomegranates set in six-petalled formal blossoms, beyond which on either side was the pine-apple device wrought in seed-pearls. The orphreys were divided into panels representing scenes from the life of the Virgin, and the coronation of the Virgin was figured in coloured silks upon the hood. This was Italian work of the fifteenth century. Another cope was of green velvet, embroidered with heart-shaped groups of acanthus-leaves, from which spread long-stemmed white blossoms, the details of which were picked out with silver thread and coloured crystals. The morse bore a seraph s head in gold-thread raised work. The orphreys were woven in a diaper of red and gold silk, and were starred with medallions of many saints and martyrs, among whom was St. Sebastian. He had chasubles, also, of amber-coloured silk, and blue silk and gold brocade, and yellow silk damask and cloth of gold, figured with representations of the Passion and Crucifixion of Christ, and embroidered with lions and peacocks and other emblems; dalmatics of white satin and pink silk damask, decorated with tulips and dolphins and _fleurs-de-lis_; altar frontals of crimson velvet and blue linen; and many corporals, chalice-veils, and sudaria. In the mystic offices to which such things were put, there was something that quickened his imagination. For these treasures, and everything that he collected in his lovely house, were to be to him means of forgetfulness, modes by which he could escape, for a season, from the fear that seemed to him at times to be almost too great to be borne. Upon the walls of the lonely locked room where he had spent so much of his boyhood, he had hung with his own hands the terrible portrait whose changing features showed him the real degradation of his life, and in front of it had draped the purple-and-gold pall as a curtain. For weeks he would not go there, would forget the hideous painted thing, and get back his light heart, his wonderful joyousness, his passionate absorption in mere existence. Then, suddenly, some night he would creep out of the house, go down to dreadful places near Blue Gate Fields, and stay there, day after day, until he was driven away. On his return he would sit in front of the picture, sometimes loathing it and himself, but filled, at other times, with that pride of individualism that is half the fascination of sin, and smiling with secret pleasure at the misshapen shadow that had to bear the burden that should have been his own. After a few years he could not endure to be long out of England, and gave up the villa that he had shared at Trouville with Lord Henry, as well as the little white walled-in house at Algiers where they had more than once spent the winter. He hated to be separated from the picture that was such a part of his life, and was also afraid that during his absence some one might gain access to the room, in spite of the elaborate bars that he had caused to be placed upon the door. He was quite conscious that this would tell them nothing. It was true that the portrait still preserved, under all the foulness and ugliness of the face, its marked likeness to himself; but what could they learn from that? He would laugh at any one who tried to taunt him. He had not painted it. What was it to him how vile and full of shame it looked? Even if he told them, would they believe it? Yet he was afraid. Sometimes when he was down at his great house in Nottinghamshire, entertaining the fashionable young men of his own rank who were his chief companions, and astounding the county by the wanton luxury and gorgeous splendour of his mode of life, he would suddenly leave his guests and rush back to town to see that the door had not been tampered with and that the picture was still there. What if it should be stolen? The mere thought made him cold with horror. Surely the world would know his secret then. Perhaps the world already suspected it. For, while he fascinated many, there were not a few who distrusted him. He was very nearly blackballed at a West End club of which his birth and social position fully entitled him to become a member, and it was said that on one occasion, when he was brought by a friend into the smoking-room of the Churchill, the Duke of Berwick and another gentleman got up in a marked manner and went out. Curious stories became current about him after he had passed his twenty-fifth year. It was rumoured that he had been seen brawling with foreign sailors in a low den in the distant parts of Whitechapel, and that he consorted with thieves and coiners and knew the mysteries of their trade. His extraordinary absences became notorious, and, when he used to reappear again in society, men would whisper to each other in corners, or pass him with a sneer, or look at him with cold searching eyes, as though they were determined to discover his secret. Of such insolences and attempted slights he, of course, took no notice, and in the opinion of most people his frank debonair manner, his charming boyish smile, and the infinite grace of that wonderful youth that seemed never to leave him, were in themselves a sufficient answer to the calumnies, for so they termed them, that were circulated about him. It was remarked, however, that some of those who had been most intimate with him appeared, after a time, to shun him. Women who had wildly adored him, and for his sake had braved all social censure and set convention at defiance, were seen to grow pallid with shame or horror if Dorian Gray entered the room. Yet these whispered scandals only increased in the eyes of many his strange and dangerous charm. His great wealth was a certain element of security. Society civilized society, at least is never very ready to believe anything to the detriment of those who are both rich and fascinating. It feels instinctively that manners are of more importance than morals, and, in its opinion, the highest respectability is of much less value than the possession of a good _chef_. And, after all, it is a very poor consolation to be told that the man who has given one a bad dinner, or poor wine, is irreproachable in his private life. Even the cardinal virtues cannot atone for half-cold _entr es_, as Lord Henry remarked once, in a discussion on the subject, and there is possibly a good deal to be said for his view. For the canons of good society are, or should be, the same as the canons of art. Form is absolutely essential to it. It should have the dignity of a ceremony, as well as its unreality, and should combine the insincere character of a romantic play with the wit and beauty that make such plays delightful to us. Is insincerity such a terrible thing? I think not. It is merely a method by which we can multiply our personalities. Such, at any rate, was Dorian Gray s opinion. He used to wonder at the shallow psychology of those who conceive the ego in man as a thing simple, permanent, reliable, and of one essence. To him, man was a being with myriad lives and myriad sensations, a complex multiform creature that bore within itself strange legacies of thought and passion, and whose very flesh was tainted with the monstrous maladies of the dead. He loved to stroll through the gaunt cold picture-gallery of his country house and look at the various portraits of those whose blood flowed in his veins. Here was Philip Herbert, described by Francis Osborne, in his Memoires on the Reigns of Queen Elizabeth and King James, as one who was "caressed by the Court for his handsome face, which kept him not long company." Was it young Herbert s life that he sometimes led? Had some strange poisonous germ crept from body to body till it had reached his own? Was it some dim sense of that ruined grace that had made him so suddenly, and almost without cause, give utterance, in Basil Hallward s studio, to the mad prayer that had so changed his life? Here, in gold-embroidered red doublet, jewelled surcoat, and gilt-edged ruff and wristbands, stood Sir Anthony Sherard, with his silver-and-black armour piled at his feet. What had this man s legacy been? Had the lover of Giovanna of Naples bequeathed him some inheritance of sin and shame? Were his own actions merely the dreams that the dead man had not dared to realize? Here, from the fading canvas, smiled Lady Elizabeth Devereux, in her gauze hood, pearl stomacher, and pink slashed sleeves. A flower was in her right hand, and her left clasped an enamelled collar of white and damask roses. On a table by her side lay a mandolin and an apple. There were large green rosettes upon her little pointed shoes. He knew her life, and the strange stories that were told about her lovers. Had he something of her temperament in him? These oval, heavy-lidded eyes seemed to look curiously at him. What of George Willoughby, with his powdered hair and fantastic patches? How evil he looked! The face was saturnine and swarthy, and the sensual lips seemed to be twisted with disdain. Delicate lace ruffles fell over the lean yellow hands that were so overladen with rings. He had been a macaroni of the eighteenth century, and the friend, in his youth, of Lord Ferrars. What of the second Lord Beckenham, the companion of the Prince Regent in his wildest days, and one of the witnesses at the secret marriage with Mrs. Fitzherbert? How proud and handsome he was, with his chestnut curls and insolent pose! What passions had he bequeathed? The world had looked upon him as infamous. He had led the orgies at Carlton House. The star of the Garter glittered upon his breast. Beside him hung the portrait of his wife, a pallid, thin-lipped woman in black. Her blood, also, stirred within him. How curious it all seemed! And his mother with her Lady Hamilton face and her moist, wine-dashed lips he knew what he had got from her. He had got from her his beauty, and his passion for the beauty of others. She laughed at him in her loose Bacchante dress. There were vine leaves in her hair. The purple spilled from the cup she was holding. The carnations of the painting had withered, but the eyes were still wonderful in their depth and brilliancy of colour. They seemed to follow him wherever he went. Yet one had ancestors in literature as well as in one s own race, nearer perhaps in type and temperament, many of them, and certainly with an influence of which one was more absolutely conscious. There were times when it appeared to Dorian Gray that the whole of history was merely the record of his own life, not as he had lived it in act and circumstance, but as his imagination had created it for him, as it had been in his brain and in his passions. He felt that he had known them all, those strange terrible figures that had passed across the stage of the world and made sin so marvellous and evil so full of subtlety. It seemed to him that in some mysterious way their lives had been his own. The hero of the wonderful novel that had so influenced his life had himself known this curious fancy. In the seventh chapter he tells how, crowned with laurel, lest lightning might strike him, he had sat, as Tiberius, in a garden at Capri, reading the shameful books of Elephantis, while dwarfs and peacocks strutted round him and the flute-player mocked the swinger of the censer; and, as Caligula, had caroused with the green-shirted jockeys in their stables and supped in an ivory manger with a jewel-frontleted horse; and, as Domitian, had wandered through a corridor lined with marble mirrors, looking round with haggard eyes for the reflection of the dagger that was to end his days, and sick with that ennui, that terrible _t dium vit _, that comes on those to whom life denies nothing; and had peered through a clear emerald at the red shambles of the circus and then, in a litter of pearl and purple drawn by silver-shod mules, been carried through the Street of Pomegranates to a House of Gold and heard men cry on Nero Caesar as he passed by; and, as Elagabalus, had painted his face with colours, and plied the distaff among the women, and brought the Moon from Carthage and given her in mystic marriage to the Sun. Over and over again Dorian used to read this fantastic chapter, and the two chapters immediately following, in which, as in some curious tapestries or cunningly wrought enamels, were pictured the awful and beautiful forms of those whom vice and blood and weariness had made monstrous or mad: Filippo, Duke of Milan, who slew his wife and painted her lips with a scarlet poison that her lover might suck death from the dead thing he fondled; Pietro Barbi, the Venetian, known as Paul the Second, who sought in his vanity to assume the title of Formosus, and whose tiara, valued at two hundred thousand florins, was bought at the price of a terrible sin; Gian Maria Visconti, who used hounds to chase living men and whose murdered body was covered with roses by a harlot who had loved him; the Borgia on his white horse, with Fratricide riding beside him and his mantle stained with the blood of Perotto; Pietro Riario, the young Cardinal Archbishop of Florence, child and minion of Sixtus IV., whose beauty was equalled only by his debauchery, and who received Leonora of Aragon in a pavilion of white and crimson silk, filled with nymphs and centaurs, and gilded a boy that he might serve at the feast as Ganymede or Hylas; Ezzelin, whose melancholy could be cured only by the spectacle of death, and who had a passion for red blood, as other men have for red wine the son of the Fiend, as was reported, and one who had cheated his father at dice when gambling with him for his own soul; Giambattista Cibo, who in mockery took the name of Innocent and into whose torpid veins the blood of three lads was infused by a Jewish doctor; Sigismondo Malatesta, the lover of Isotta and the lord of Rimini, whose effigy was burned at Rome as the enemy of God and man, who strangled Polyssena with a napkin, and gave poison to Ginevra d Este in a cup of emerald, and in honour of a shameful passion built a pagan church for Christian worship; Charles VI., who had so wildly adored his brother s wife that a leper had warned him of the insanity that was coming on him, and who, when his brain had sickened and grown strange, could only be soothed by Saracen cards painted with the images of love and death and madness; and, in his trimmed jerkin and jewelled cap and acanthuslike curls, Grifonetto Baglioni, who slew Astorre with his bride, and Simonetto with his page, and whose comeliness was such that, as he lay dying in the yellow piazza of Perugia, those who had hated him could not choose but weep, and Atalanta, who had cursed him, blessed him. There was a horrible fascination in them all. He saw them at night, and they troubled his imagination in the day. The Renaissance knew of strange manners of poisoning poisoning by a helmet and a lighted torch, by an embroidered glove and a jewelled fan, by a gilded pomander and by an amber chain. Dorian Gray had been poisoned by a book. There were moments when he looked on evil simply as a mode through which he could realize his conception of the beautiful. CHAPTER XII It was on the ninth of November, the eve of his own thirty-eighth birthday, as he often remembered afterwards. He was walking home about eleven o clock from Lord Henry s, where he had been dining, and was wrapped in heavy furs, as the night was cold and foggy. At the corner of Grosvenor Square and South Audley Street, a man passed him in the mist, walking very fast and with the collar of his grey ulster turned up. He had a bag in his hand. Dorian recognized him. It was Basil Hallward. A strange sense of fear, for which he could not account, came over him. He made no sign of recognition and went on quickly in the direction of his own house. But Hallward had seen him. Dorian heard him first stopping on the pavement and then hurrying after him. In a few moments, his hand was on his arm.</\|quote\|>"Dorian! What an extraordinary piece of luck! I have been	sent me so fascinated me that I forgot how the time was going." "Yes, I thought you would like it," replied his host, rising from his chair. "I didn t say I liked it, Harry. I said it fascinated me. There is a great difference." "Ah, you have discovered that?"<\|quote\|>murmured Lord Henry. And they passed into the dining-room. CHAPTER XI. For years, Dorian Gray could not free himself from the influence of this book. Or perhaps it would be more accurate to say that he never sought to free himself from it. He procured from Paris no less than nine large-paper copies of the first edition, and had them bound in different colours, so that they might suit his various moods and the changing fancies of a nature over which he seemed, at times, to have almost entirely lost control. The hero, the wonderful young Parisian in whom the romantic and the scientific temperaments were so strangely blended, became to him a kind of prefiguring type of himself. And, indeed, the whole book seemed to him to contain the story of his own life, written before he had lived it. In one point he was more fortunate than the novel s fantastic hero. He never knew never, indeed, had any cause to know that somewhat grotesque dread of mirrors, and polished metal surfaces, and still water which came upon the young Parisian so early in his life, and was occasioned by the sudden decay of a beau that had once, apparently, been so remarkable. It was with an almost cruel joy and perhaps in nearly every joy, as certainly in every pleasure, cruelty has its place that he used to read the latter part of the book, with its really tragic, if somewhat overemphasized, account of the sorrow and despair of one who had himself lost what in others, and the world, he had most dearly valued. For the wonderful beauty that had so fascinated Basil Hallward, and many others besides him, seemed never to leave him. Even those who had heard the most evil things against him and from time to time strange rumours about his mode of life crept through London and became the chatter of the clubs could not believe anything to his dishonour when they saw him. He had always the look of one who had kept himself unspotted from the world. Men who talked grossly became silent when Dorian Gray entered the room. There was something in the purity of his face that rebuked them. His mere presence seemed to recall to them the memory of the innocence that they had tarnished. They wondered how one so charming and graceful as he was could have escaped the stain of an age that was at once sordid and sensual. Often, on returning home from one of those mysterious and prolonged absences that gave rise to such strange conjecture among those who were his friends, or thought that they were so, he himself would creep upstairs to the locked room, open the door with the key that never left him now, and stand, with a mirror, in front of the portrait that Basil Hallward had painted of him, looking now at the evil and aging face on the canvas, and now at the fair young face that laughed back at him from the polished glass. The very sharpness of the contrast used to quicken his sense of pleasure. He grew more and more enamoured of his own beauty, more and more interested in the corruption of his own soul. He would examine with minute care, and sometimes with a monstrous and terrible delight, the hideous lines that seared the wrinkling forehead or crawled around the heavy sensual mouth, wondering sometimes which were the more horrible, the signs of sin or the signs of age. He would place his white hands beside the coarse bloated hands of the picture, and smile. He mocked the misshapen body and the failing limbs. There were moments, indeed, at night, when, lying sleepless in his own delicately scented chamber, or in the sordid room of the little ill-famed tavern near the docks which, under an assumed name and in disguise, it was his habit to frequent, he would think of the ruin he had brought upon his soul with a pity that was all the more poignant because it was purely selfish. But moments such as these were rare. That curiosity about life which Lord Henry had first stirred in him, as they sat together in the garden of their friend, seemed to increase with gratification. The more he knew, the more he desired to know. He had mad hungers that grew more ravenous as he fed them. Yet he was not really reckless, at any rate in his relations to society. Once or twice every month during the winter, and on each Wednesday evening while the season lasted, he would throw open to the world his beautiful house and have the most celebrated musicians of the day to charm his guests with the wonders of their art. His little dinners, in the settling of which Lord Henry always assisted him, were noted as much for the careful selection and placing of those invited, as for the exquisite taste shown in the decoration of the table, with its subtle symphonic arrangements of exotic flowers, and embroidered cloths, and antique plate of gold and silver. Indeed, there were many, especially among the very young men, who saw, or fancied that they saw, in Dorian Gray the true realization of a type of which they had often dreamed in Eton or Oxford days, a type that was to combine something of the real culture of the scholar with all the grace and distinction and perfect manner of a citizen of the world. To them he seemed to be of the company of those whom Dante describes as having sought to "make themselves perfect by the worship of beauty." Like Gautier, he was one for whom "the visible world existed." And, certainly, to him life itself was the first, the greatest, of the arts, and for it all the other arts seemed to be but a preparation. Fashion, by which what is really fantastic becomes for a moment universal, and dandyism, which, in its own way, is an attempt to assert the absolute modernity of beauty, had, of course, their fascination for him. His mode of dressing, and the particular styles that from time to time he affected, had their marked influence on the young exquisites of the Mayfair balls and Pall Mall club windows, who copied him in everything that he did, and tried to reproduce the accidental charm of his graceful, though to him only half-serious, fopperies. For, while he was but too ready to accept the position that was almost immediately offered to him on his coming of age, and found, indeed, a subtle pleasure in the thought that he might really become to the London of his own day what to imperial Neronian Rome the author of the Satyricon once had been, yet in his inmost heart he desired to be something more than a mere _arbiter elegantiarum_, to be consulted on the wearing of a jewel, or the knotting of a necktie, or the conduct of a cane. He sought to elaborate some new scheme of life that would have its reasoned philosophy and its ordered principles, and find in the spiritualizing of the senses its highest realization. The worship of the senses has often, and with much justice, been decried, men feeling a natural instinct of terror about passions and sensations that seem stronger than themselves, and that they are conscious of sharing with the less highly organized forms of existence. But it appeared to Dorian Gray that the true nature of the senses had never been understood, and that they had remained savage and animal merely because the world had sought to starve them into submission or to kill them by pain, instead of aiming at making them elements of a new spirituality, of which a fine instinct for beauty was to be the dominant characteristic. As he looked back upon man moving through history, he was haunted by a feeling of loss. So much had been surrendered! and to such little purpose! There had been mad wilful rejections, monstrous forms of self-torture and self-denial, whose origin was fear and whose result was a degradation infinitely more terrible than that fancied degradation from which, in their ignorance, they had sought to escape; Nature, in her wonderful irony, driving out the anchorite to feed with the wild animals of the desert and giving to the hermit the beasts of the field as his companions. Yes: there was to be, as Lord Henry had prophesied, a new Hedonism that was to recreate life and to save it from that harsh uncomely puritanism that is having, in our own day, its curious revival. It was to have its service of the intellect, certainly, yet it was never to accept any theory or system that would involve the sacrifice of any mode of passionate experience. Its aim, indeed, was to be experience itself, and not the fruits of experience, sweet or bitter as they might be. Of the asceticism that deadens the senses, as of the vulgar profligacy that dulls them, it was to know nothing. But it was to teach man to concentrate himself upon the moments of a life that is itself but a moment. There are few of us who have not sometimes wakened before dawn, either after one of those dreamless nights that make us almost enamoured of death, or one of those nights of horror and misshapen joy, when through the chambers of the brain sweep phantoms more terrible than reality itself, and instinct with that vivid life that lurks in all grotesques, and that lends to Gothic art its enduring vitality, this art being, one might fancy, especially the art of those whose minds have been troubled with the malady of reverie. Gradually white fingers creep through the curtains, and they appear to tremble. In black fantastic shapes, dumb shadows crawl into the corners of the room and crouch there. Outside, there is the stirring of birds among the leaves, or the sound of men going forth to their work, or the sigh and sob of the wind coming down from the hills and wandering round the silent house, as though it feared to wake the sleepers and yet must needs call forth sleep from her purple cave. Veil after veil of thin dusky gauze is lifted, and by degrees the forms and colours of things are restored to them, and we watch the dawn remaking the world in its antique pattern. The wan mirrors get back their mimic life. The flameless tapers stand where we had left them, and beside them lies the half-cut book that we had been studying, or the wired flower that we had worn at the ball, or the letter that we had been afraid to read, or that we had read too often. Nothing seems to us changed. Out of the unreal shadows of the night comes back the real life that we had known. We have to resume it where we had left off, and there steals over us a terrible sense of the necessity for the continuance of energy in the same wearisome round of stereotyped habits, or a wild longing, it may be, that our eyelids might open some morning upon a world that had been refashioned anew in the darkness for our pleasure, a world in which things would have fresh shapes and colours, and be changed, or have other secrets, a world in which the past would have little or no place, or survive, at any rate, in no conscious form of obligation or regret, the remembrance even of joy having its bitterness and the memories of pleasure their pain. It was the creation of such worlds as these that seemed to Dorian Gray to be the true object, or amongst the true objects, of life; and in his search for sensations that would be at once new and delightful, and possess that element of strangeness that is so essential to romance, he would often adopt certain modes of thought that he knew to be really alien to his nature, abandon himself to their subtle influences, and then, having, as it were, caught their colour and satisfied his intellectual curiosity, leave them with that curious indifference that is not incompatible with a real ardour of temperament, and that, indeed, according to certain modern psychologists, is often a condition of it. It was rumoured of him once that he was about to join the Roman Catholic communion, and certainly the Roman ritual had always a great attraction for him. The daily sacrifice, more awful really than all the sacrifices of the antique world, stirred him as much by its superb rejection of the evidence of the senses as by the primitive simplicity of its elements and the eternal pathos of the human tragedy that it sought to symbolize. He loved to kneel down on the cold marble pavement and watch the priest, in his stiff flowered dalmatic, slowly and with white hands moving aside the veil of the tabernacle, or raising aloft the jewelled, lantern-shaped monstrance with that pallid wafer that at times, one would fain think, is indeed the "_panis c lestis_," the bread of angels, or, robed in the garments of the Passion of Christ, breaking the Host into the chalice and smiting his breast for his sins. The fuming censers that the grave boys, in their lace and scarlet, tossed into the air like great gilt flowers had their subtle fascination for him. As he passed out, he used to look with wonder at the black confessionals and long to sit in the dim shadow of one of them and listen to men and women whispering through the worn grating the true story of their lives. But he never fell into the error of arresting his intellectual development by any formal acceptance of creed or system, or of mistaking, for a house in which to live, an inn that is but suitable for the sojourn of a night, or for a few hours of a night in which there are no stars and the moon is in travail. Mysticism, with its marvellous power of making common things strange to us, and the subtle antinomianism that always seems to accompany it, moved him for a season; and for a season he inclined to the materialistic doctrines of the _Darwinismus_ movement in Germany, and found a curious pleasure in tracing the thoughts and passions of men to some pearly cell in the brain, or some white nerve in the body, delighting in the conception of the absolute dependence of the spirit on certain physical conditions, morbid or healthy, normal or diseased. Yet, as has been said of him before, no theory of life seemed to him to be of any importance compared with life itself. He felt keenly conscious of how barren all intellectual speculation is when separated from action and experiment. He knew that the senses, no less than the soul, have their spiritual mysteries to reveal. And so he would now study perfumes and the secrets of their manufacture, distilling heavily scented oils and burning odorous gums from the East. He saw that there was no mood of the mind that had not its counterpart in the sensuous life, and set himself to discover their true relations, wondering what there was in frankincense that made one mystical, and in ambergris that stirred one s passions, and in violets that woke the memory of dead romances, and in musk that troubled the brain, and in champak that stained the imagination; and seeking often to elaborate a real psychology of perfumes, and to estimate the several influences of sweet-smelling roots and scented, pollen-laden flowers; of aromatic balms and of dark and fragrant woods; of spikenard, that sickens; of hovenia, that makes men mad; and of aloes, that are said to be able to expel melancholy from the soul. At another time he devoted himself entirely to music, and in a long latticed room, with a vermilion-and-gold ceiling and walls of olive-green lacquer, he used to give curious concerts in which mad gipsies tore wild music from little zithers, or grave, yellow-shawled Tunisians plucked at the strained strings of monstrous lutes, while grinning Negroes beat monotonously upon copper drums and, crouching upon scarlet mats, slim turbaned Indians blew through long pipes of reed or brass and charmed or feigned to charm great hooded snakes and horrible horned adders. The harsh intervals and shrill discords of barbaric music stirred him at times when Schubert s grace, and Chopin s beautiful sorrows, and the mighty harmonies of Beethoven himself, fell unheeded on his ear. He collected together from all parts of the world the strangest instruments that could be found, either in the tombs of dead nations or among the few savage tribes that have survived contact with Western civilizations, and loved to touch and try them. He had the mysterious _juruparis_ of the Rio Negro Indians, that women are not allowed to look at and that even youths may not see till they have been subjected to fasting and scourging, and the earthen jars of the Peruvians that have the shrill cries of birds, and flutes of human bones such as Alfonso de Ovalle heard in Chile, and the sonorous green jaspers that are found near Cuzco and give forth a note of singular sweetness. He had painted gourds filled with pebbles that rattled when they were shaken; the long _clarin_ of the Mexicans, into which the performer does not blow, but through which he inhales the air; the harsh _ture_ of the Amazon tribes, that is sounded by the sentinels who sit all day long in high trees, and can be heard, it is said, at a distance of three leagues; the _teponaztli_, that has two vibrating tongues of wood and is beaten with sticks that are smeared with an elastic gum obtained from the milky juice of plants; the _yotl_-bells of the Aztecs, that are hung in clusters like grapes; and a huge cylindrical drum, covered with the skins of great serpents, like the one that Bernal Diaz saw when he went with Cortes into the Mexican temple, and of whose doleful sound he has left us so vivid a description. The fantastic character of these instruments fascinated him, and he felt a curious delight in the thought that art, like Nature, has her monsters, things of bestial shape and with hideous voices. Yet, after some time, he wearied of them, and would sit in his box at the opera, either alone or with Lord Henry, listening in rapt pleasure to "Tannhauser" and seeing in the prelude to that great work of art a presentation of the tragedy of his own soul. On one occasion he took up the study of jewels, and appeared at a costume ball as Anne de Joyeuse, Admiral of France, in a dress covered with five hundred and sixty pearls. This taste enthralled him for years, and, indeed, may be said never to have left him. He would often spend a whole day settling and resettling in their cases the various stones that he had collected, such as the olive-green chrysoberyl that turns red by lamplight, the cymophane with its wirelike line of silver, the pistachio-coloured peridot, rose-pink and wine-yellow topazes, carbuncles of fiery scarlet with tremulous, four-rayed stars, flame-red cinnamon-stones, orange and violet spinels, and amethysts with their alternate layers of ruby and sapphire. He loved the red gold of the sunstone, and the moonstone s pearly whiteness, and the broken rainbow of the milky opal. He procured from Amsterdam three emeralds of extraordinary size and richness of colour, and had a turquoise _de la vieille roche_ that was the envy of all the connoisseurs. He discovered wonderful stories, also, about jewels. In Alphonso s Clericalis Disciplina a serpent was mentioned with eyes of real jacinth, and in the romantic history of Alexander, the Conqueror of Emathia was said to have found in the vale of Jordan snakes "with collars of real emeralds growing on their backs." There was a gem in the brain of the dragon, Philostratus told us, and "by the exhibition of golden letters and a scarlet robe" the monster could be thrown into a magical sleep and slain. According to the great alchemist, Pierre de Boniface, the diamond rendered a man invisible, and the agate of India made him eloquent. The cornelian appeased anger, and the hyacinth provoked sleep, and the amethyst drove away the fumes of wine. The garnet cast out demons, and the hydropicus deprived the moon of her colour. The selenite waxed and waned with the moon, and the meloceus, that discovers thieves, could be affected only by the blood of kids. Leonardus Camillus had seen a white stone taken from the brain of a newly killed toad, that was a certain antidote against poison. The bezoar, that was found in the heart of the Arabian deer, was a charm that could cure the plague. In the nests of Arabian birds was the aspilates, that, according to Democritus, kept the wearer from any danger by fire. The King of Ceilan rode through his city with a large ruby in his hand, as the ceremony of his coronation. The gates of the palace of John the Priest were "made of sardius, with the horn of the horned snake inwrought, so that no man might bring poison within." Over the gable were "two golden apples, in which were two carbuncles," so that the gold might shine by day and the carbuncles by night. In Lodge s strange romance A Margarite of America , it was stated that in the chamber of the queen one could behold "all the chaste ladies of the world, inchased out of silver, looking through fair mirrours of chrysolites, carbuncles, sapphires, and greene emeraults." Marco Polo had seen the inhabitants of Zipangu place rose-coloured pearls in the mouths of the dead. A sea-monster had been enamoured of the pearl that the diver brought to King Perozes, and had slain the thief, and mourned for seven moons over its loss. When the Huns lured the king into the great pit, he flung it away Procopius tells the story nor was it ever found again, though the Emperor Anastasius offered five hundred-weight of gold pieces for it. The King of Malabar had shown to a certain Venetian a rosary of three hundred and four pearls, one for every god that he worshipped. When the Duke de Valentinois, son of Alexander VI., visited Louis XII. of France, his horse was loaded with gold leaves, according to Brantome, and his cap had double rows of rubies that threw out a great light. Charles of England had ridden in stirrups hung with four hundred and twenty-one diamonds. Richard II had a coat, valued at thirty thousand marks, which was covered with balas rubies. Hall described Henry VIII., on his way to the Tower previous to his coronation, as wearing "a jacket of raised gold, the placard embroidered with diamonds and other rich stones, and a great bauderike about his neck of large balasses." The favourites of James I wore ear-rings of emeralds set in gold filigrane. Edward II gave to Piers Gaveston a suit of red-gold armour studded with jacinths, a collar of gold roses set with turquoise-stones, and a skull-cap _parsem _ with pearls. Henry II. wore jewelled gloves reaching to the elbow, and had a hawk-glove sewn with twelve rubies and fifty-two great orients. The ducal hat of Charles the Rash, the last Duke of Burgundy of his race, was hung with pear-shaped pearls and studded with sapphires. How exquisite life had once been! How gorgeous in its pomp and decoration! Even to read of the luxury of the dead was wonderful. Then he turned his attention to embroideries and to the tapestries that performed the office of frescoes in the chill rooms of the northern nations of Europe. As he investigated the subject and he always had an extraordinary faculty of becoming absolutely absorbed for the moment in whatever he took up he was almost saddened by the reflection of the ruin that time brought on beautiful and wonderful things. He, at any rate, had escaped that. Summer followed summer, and the yellow jonquils bloomed and died many times, and nights of horror repeated the story of their shame, but he was unchanged. No winter marred his face or stained his flowerlike bloom. How different it was with material things! Where had they passed to? Where was the great crocus-coloured robe, on which the gods fought against the giants, that had been worked by brown girls for the pleasure of Athena? Where the huge velarium that Nero had stretched across the Colosseum at Rome, that Titan sail of purple on which was represented the starry sky, and Apollo driving a chariot drawn by white, gilt-reined steeds? He longed to see the curious table-napkins wrought for the Priest of the Sun, on which were displayed all the dainties and viands that could be wanted for a feast; the mortuary cloth of King Chilperic, with its three hundred golden bees; the fantastic robes that excited the indignation of the Bishop of Pontus and were figured with "lions, panthers, bears, dogs, forests, rocks, hunters all, in fact, that a painter can copy from nature"; and the coat that Charles of Orleans once wore, on the sleeves of which were embroidered the verses of a song beginning "_Madame, je suis tout joyeux_," the musical accompaniment of the words being wrought in gold thread, and each note, of square shape in those days, formed with four pearls. He read of the room that was prepared at the palace at Rheims for the use of Queen Joan of Burgundy and was decorated with "thirteen hundred and twenty-one parrots, made in broidery, and blazoned with the king s arms, and five hundred and sixty-one butterflies, whose wings were similarly ornamented with the arms of the queen, the whole worked in gold." Catherine de Medicis had a mourning-bed made for her of black velvet powdered with crescents and suns. Its curtains were of damask, with leafy wreaths and garlands, figured upon a gold and silver ground, and fringed along the edges with broideries of pearls, and it stood in a room hung with rows of the queen s devices in cut black velvet upon cloth of silver. Louis XIV. had gold embroidered caryatides fifteen feet high in his apartment. The state bed of Sobieski, King of Poland, was made of Smyrna gold brocade embroidered in turquoises with verses from the Koran. Its supports were of silver gilt, beautifully chased, and profusely set with enamelled and jewelled medallions. It had been taken from the Turkish camp before Vienna, and the standard of Mohammed had stood beneath the tremulous gilt of its canopy. And so, for a whole year, he sought to accumulate the most exquisite specimens that he could find of textile and embroidered work, getting the dainty Delhi muslins, finely wrought with gold-thread palmates and stitched over with iridescent beetles wings; the Dacca gauzes, that from their transparency are known in the East as "woven air," and "running water," and "evening dew"; strange figured cloths from Java; elaborate yellow Chinese hangings; books bound in tawny satins or fair blue silks and wrought with _fleurs-de-lis_, birds and images; veils of _lacis_ worked in Hungary point; Sicilian brocades and stiff Spanish velvets; Georgian work, with its gilt coins, and Japanese _Foukousas_, with their green-toned golds and their marvellously plumaged birds. He had a special passion, also, for ecclesiastical vestments, as indeed he had for everything connected with the service of the Church. In the long cedar chests that lined the west gallery of his house, he had stored away many rare and beautiful specimens of what is really the raiment of the Bride of Christ, who must wear purple and jewels and fine linen that she may hide the pallid macerated body that is worn by the suffering that she seeks for and wounded by self-inflicted pain. He possessed a gorgeous cope of crimson silk and gold-thread damask, figured with a repeating pattern of golden pomegranates set in six-petalled formal blossoms, beyond which on either side was the pine-apple device wrought in seed-pearls. The orphreys were divided into panels representing scenes from the life of the Virgin, and the coronation of the Virgin was figured in coloured silks upon the hood. This was Italian work of the fifteenth century. Another cope was of green velvet, embroidered with heart-shaped groups of acanthus-leaves, from which spread long-stemmed white blossoms, the details of which were picked out with silver thread and coloured crystals. The morse bore a seraph s head in gold-thread raised work. The orphreys were woven in a diaper of red and gold silk, and were starred with medallions of many saints and martyrs, among whom was St. Sebastian. He had chasubles, also, of amber-coloured silk, and blue silk and gold brocade, and yellow silk damask and cloth of gold, figured with representations of the Passion and Crucifixion of Christ, and embroidered with lions and peacocks and other emblems; dalmatics of white satin and pink silk damask, decorated with tulips and dolphins and _fleurs-de-lis_; altar frontals of crimson velvet and blue linen; and many corporals, chalice-veils, and sudaria. In the mystic offices to which such things were put, there was something that quickened his imagination. For these treasures, and everything that he collected in his lovely house, were to be to him means of forgetfulness, modes by which he could escape, for a season, from the fear that seemed to him at times to be almost too great to be borne. Upon the walls of the lonely locked room where he had spent so much of his boyhood, he had hung with his own hands the terrible portrait whose changing features showed him the real degradation of his life, and in front of it had draped the purple-and-gold pall as a curtain. For weeks he would not go there, would forget the hideous painted thing, and get back his light heart, his wonderful joyousness, his passionate absorption in mere existence. Then, suddenly, some night he would creep out of the house, go down to dreadful places near Blue Gate Fields, and stay there, day after day, until he was driven away. On his return he would sit in front of the picture, sometimes loathing it and himself, but filled, at other times, with that pride of individualism that is half the fascination of sin, and smiling with secret pleasure at the misshapen shadow that had to bear the burden that should have been his own. After a few years he could not endure to be long out of England, and gave up the villa that he had shared at Trouville with Lord Henry, as well as the little white walled-in house at Algiers where they had more than once spent the winter. He hated to be separated from the picture that was such a part of his life, and was also afraid that during his absence some one might gain access to the room, in spite of the elaborate bars that he had caused to be placed upon the door. He was quite conscious that this would tell them nothing. It was true that the portrait still preserved, under all the foulness and ugliness of the face, its marked likeness to himself; but what could they learn from that? He would laugh at any one who tried to taunt him. He had not painted it. What was it to him how vile and full of shame it looked? Even if he told them, would they believe it? Yet he was afraid. Sometimes when he was down at his great house in Nottinghamshire, entertaining the fashionable young men of his own rank who were his chief companions, and astounding the county by the wanton luxury and gorgeous splendour of his mode of life, he would suddenly leave his guests and rush back to town to see that the door had not been tampered with and that the picture was still there. What if it should be stolen? The mere thought made him cold with horror. Surely the world would know his secret then. Perhaps the world already suspected it. For, while he fascinated many, there were not a few who distrusted him. He was very nearly blackballed at a West End club of which his birth and social position fully entitled him to become a member, and it was said that on one occasion, when he was brought by a friend into the smoking-room of the Churchill, the Duke of Berwick and another gentleman got up in a marked manner and went out. Curious stories became current about him after he had passed his twenty-fifth year. It was rumoured that he had been seen brawling with foreign sailors in a low den in the distant parts of Whitechapel, and that he consorted with thieves and coiners and knew the mysteries of their trade. His extraordinary absences became notorious, and, when he used to reappear again in society, men would whisper to each other in corners, or pass him with a sneer, or look at him with cold searching eyes, as though they were determined to discover his secret. Of such insolences and attempted slights he, of course, took no notice, and in the opinion of most people his frank debonair manner, his charming boyish smile, and the infinite grace of that wonderful youth that seemed never to leave him, were in themselves a sufficient answer to the calumnies, for so they termed them, that were circulated about him. It was remarked, however, that some of those who had been most intimate with him appeared, after a time, to shun him. Women who had wildly adored him, and for his sake had braved all social censure and set convention at defiance, were seen to grow pallid with shame or horror if Dorian Gray entered the room. Yet these whispered scandals only increased in the eyes of many his strange and dangerous charm. His great wealth was a certain element of security. Society civilized society, at least is never very ready to believe anything to the detriment of those who are both rich and fascinating. It feels instinctively that manners are of more importance than morals, and, in its opinion, the highest respectability is of much less value than the possession of a good _chef_. And, after all, it is a very poor consolation to be told that the man who has given one a bad dinner, or poor wine, is irreproachable in his private life. Even the cardinal virtues cannot atone for half-cold _entr es_, as Lord Henry remarked once, in a discussion on the subject, and there is possibly a good deal to be said for his view. For the canons of good society are, or should be, the same as the canons of art. Form is absolutely essential to it. It should have the dignity of a ceremony, as well as its unreality, and should combine the insincere character of a romantic play with the wit and beauty that make such plays delightful to us. Is insincerity such a terrible thing? I think not. It is merely a method by which we can multiply our personalities. Such, at any rate, was Dorian Gray s opinion. He used to wonder at the shallow psychology of those who conceive the ego in man as a thing simple, permanent, reliable, and of one essence. To him, man was a being with myriad lives and myriad sensations, a complex multiform creature that bore within itself strange legacies of thought and passion, and whose very flesh was tainted with the monstrous maladies of the dead. He loved to stroll through the gaunt cold picture-gallery of his country house and look at the various portraits of those whose blood flowed in his veins. Here was Philip Herbert, described by Francis Osborne, in his Memoires on the Reigns of Queen Elizabeth and King James, as one who was "caressed by the Court for his handsome face, which kept him not long company." Was it young Herbert s life that he sometimes led? Had some strange poisonous germ crept from body to body till it had reached his own? Was it some dim sense of that ruined grace that had made him so suddenly, and almost without cause, give utterance, in Basil Hallward s studio, to the mad prayer that had so changed his life? Here, in gold-embroidered red doublet, jewelled surcoat, and gilt-edged ruff and wristbands, stood Sir Anthony Sherard, with his silver-and-black armour piled at his feet. What had this man s legacy been? Had the lover of Giovanna of Naples bequeathed him some inheritance of sin and shame? Were his own actions merely the dreams that the dead man had not dared to realize? Here, from the fading canvas, smiled Lady Elizabeth Devereux, in her gauze hood, pearl stomacher, and pink slashed sleeves. A flower was in her right hand, and her left clasped an enamelled collar of white and damask roses. On a table by her side lay a mandolin and an apple. There were large green rosettes upon her little pointed shoes. He knew her life, and the strange stories that were told about her lovers. Had he something of her temperament in him? These oval, heavy-lidded eyes seemed to look curiously at him. What of George Willoughby, with his powdered hair and fantastic patches? How evil he looked! The face was saturnine and swarthy, and the sensual lips seemed to be twisted with disdain. Delicate lace ruffles fell over the lean yellow hands that were so overladen with rings. He had been a macaroni of the eighteenth century, and the friend, in his youth, of Lord Ferrars. What of the second Lord Beckenham, the companion of the Prince Regent in his wildest days, and one of the witnesses at the secret marriage with Mrs. Fitzherbert? How proud and handsome he was, with his chestnut curls and insolent pose! What passions had he bequeathed? The world had looked upon him as infamous. He had led the orgies at Carlton House. The star of the Garter glittered upon his breast. Beside him hung the portrait of his wife, a pallid, thin-lipped woman in black. Her blood, also, stirred within him. How curious it all seemed! And his mother with her Lady Hamilton face and her moist, wine-dashed lips he knew what he had got from her. He had got from her his beauty, and his passion for the beauty of others. She laughed at him in her loose Bacchante dress. There were vine leaves in her hair. The purple spilled from the cup she was holding. The carnations of the painting had withered, but the eyes were still wonderful in their depth and brilliancy of colour. They seemed to follow him wherever he went. Yet one had ancestors in literature as well as in one s own race, nearer perhaps in type and temperament, many of them, and certainly with an influence of which one was more absolutely conscious. There were times when it appeared to Dorian Gray that the whole of history was merely the record of his own life, not as he had lived it in act and circumstance, but as his imagination had created it for him, as it had been in his brain and in his passions. He felt that he had known them all, those strange terrible figures that had passed across the stage of the world and made sin so marvellous and evil so full of subtlety. It seemed to him that in some mysterious way their lives had been his own. The hero of the wonderful novel that had so influenced his life had himself known this curious fancy. In the seventh chapter he tells how, crowned with laurel, lest lightning might strike him, he had sat, as Tiberius, in a garden at Capri, reading the shameful books of Elephantis, while dwarfs and peacocks strutted round him and the flute-player mocked the swinger of the censer; and, as Caligula, had caroused with the green-shirted jockeys in their stables and supped in an ivory manger with a jewel-frontleted horse; and, as Domitian, had wandered through a corridor lined with marble mirrors, looking round with haggard eyes for the reflection of the dagger that was to end his days, and sick with that ennui, that terrible _t dium vit _, that comes on those to whom life denies nothing; and had peered through a clear emerald at the red shambles of the circus and then, in a litter of pearl and purple drawn by silver-shod mules, been carried through the Street of Pomegranates to a House of Gold and heard men cry on Nero Caesar as he passed by; and, as Elagabalus, had painted his face with colours, and plied the distaff among the women, and brought the Moon from Carthage and given her in mystic marriage to the Sun. Over and over again Dorian used to read this fantastic chapter, and the two chapters immediately following, in which, as in some curious tapestries or cunningly wrought enamels, were pictured the awful and beautiful forms of those whom vice and blood and weariness had made monstrous or mad: Filippo, Duke of Milan, who slew his wife and painted her lips with a scarlet poison that her lover might suck death from the dead thing he fondled; Pietro Barbi, the Venetian, known as Paul the Second, who sought in his vanity to assume the title of Formosus, and whose tiara, valued at two hundred thousand florins, was bought at the price of a terrible sin; Gian Maria Visconti, who used hounds to chase living men and whose murdered body was covered with roses by a harlot who had loved him; the Borgia on his white horse, with Fratricide riding beside him and his mantle stained with the blood of Perotto; Pietro Riario, the young Cardinal Archbishop of Florence, child and minion of Sixtus IV., whose beauty was equalled only by his debauchery, and who received Leonora of Aragon in a pavilion of white and crimson silk, filled with nymphs and centaurs, and gilded a boy that he might serve at the feast as Ganymede or Hylas; Ezzelin, whose melancholy could be cured only by the spectacle of death, and who had a passion for red blood, as other men have for red wine the son of the Fiend, as was reported, and one who had cheated his father at dice when gambling with him for his own soul; Giambattista Cibo, who in mockery took the name of Innocent and into whose torpid veins the blood of three lads was infused by a Jewish doctor; Sigismondo Malatesta, the lover of Isotta and the lord of Rimini, whose effigy was burned at Rome as the enemy of God and man, who strangled Polyssena with a napkin, and gave poison to Ginevra d Este in a cup of emerald, and in honour of a shameful passion built a pagan church for Christian worship; Charles VI., who had so wildly adored his brother s wife that a leper had warned him of the insanity that was coming on him, and who, when his brain had sickened and grown strange, could only be soothed by Saracen cards painted with the images of love and death and madness; and, in his trimmed jerkin and jewelled cap and acanthuslike curls, Grifonetto Baglioni, who slew Astorre with his bride, and Simonetto with his page, and whose comeliness was such that, as he lay dying in the yellow piazza of Perugia, those who had hated him could not choose but weep, and Atalanta, who had cursed him, blessed him. There was a horrible fascination in them all. He saw them at night, and they troubled his imagination in the day. The Renaissance knew of strange manners of poisoning poisoning by a helmet and a lighted torch, by an embroidered glove and a jewelled fan, by a gilded pomander and by an amber chain. Dorian Gray had been poisoned by a book. There were moments when he looked on evil simply as a mode through which he could realize his conception of the beautiful. CHAPTER XII It was on the ninth of November, the eve of his own thirty-eighth birthday, as he often remembered afterwards. He was walking home about eleven o clock from Lord Henry s, where he had been dining, and was wrapped in heavy furs, as the night was cold and foggy. At the corner of Grosvenor Square and South Audley Street, a man passed him in the mist, walking very fast and with the collar of his grey ulster turned up. He had a bag in his hand. Dorian recognized him. It was Basil Hallward. A strange sense of fear, for which he could not account, came over him. He made no sign of recognition and went on quickly in the direction of his own house. But Hallward had seen him. Dorian heard him first stopping on the pavement and then hurrying after him. In a few moments, his hand was on his arm.</\|quote\|>"Dorian! What an extraordinary piece of luck! I have been waiting for you in your library ever since nine o clock. Finally I took pity on your tired servant and told him to go to bed, as he let me out. I am off to Paris by the midnight train,	his bedside and began to dress for dinner. It was almost nine o clock before he reached the club, where he found Lord Henry sitting alone, in the morning-room, looking very much bored. "I am so sorry, Harry," he cried, "but really it is entirely your fault. That book you sent me so fascinated me that I forgot how the time was going." "Yes, I thought you would like it," replied his host, rising from his chair. "I didn t say I liked it, Harry. I said it fascinated me. There is a great difference." "Ah, you have discovered that?"<\|quote\|>murmured Lord Henry. And they passed into the dining-room. CHAPTER XI. For years, Dorian Gray could not free himself from the influence of this book. Or perhaps it would be more accurate to say that he never sought to free himself from it. He procured from Paris no less than nine large-paper copies of the first edition, and had them bound in different colours, so that they might suit his various moods and the changing fancies of a nature over which he seemed, at times, to have almost entirely lost control. The hero, the wonderful young Parisian in whom the romantic and the scientific temperaments were so strangely blended, became to him a kind of prefiguring type of himself. And, indeed, the whole book seemed to him to contain the story of his own life, written before he had lived it. In one point he was more fortunate than the novel s fantastic hero. He never knew never, indeed, had any cause to know that somewhat grotesque dread of mirrors, and polished metal surfaces, and still water which came upon the young Parisian so early in his life, and was occasioned by the sudden decay of a beau that had once, apparently, been so remarkable. It was with an almost cruel joy and perhaps in nearly every joy, as certainly in every pleasure, cruelty has its place that he used to read the latter part of the book, with its really tragic, if somewhat overemphasized, account of the sorrow and despair of one who had himself lost what in others, and the world, he had most dearly valued. For the wonderful beauty that had so fascinated Basil Hallward, and many others besides him, seemed never to leave him. Even those who had heard the most evil things against him and from time to time strange rumours about his mode of life crept through London and became the chatter of the clubs could not believe anything to his dishonour when they saw him. He had always the look of one who had kept himself unspotted from the world. Men who talked grossly became silent when Dorian Gray entered the room. There was something in the purity of his face that rebuked them. His mere presence seemed to recall to them the memory of the innocence that they had tarnished. They wondered how one so charming and graceful as he was could have escaped the stain of an age that was at once sordid and sensual. Often, on returning home from one of those mysterious and prolonged absences that gave rise to such strange conjecture among those who were his friends, or thought that they were so, he himself would creep upstairs to the locked room, open the door with the key that never left him now, and stand, with a mirror, in front of the portrait that Basil Hallward had painted of him, looking now at the evil and aging face on the canvas, and now at the fair young face that laughed back at him from the polished glass. The very sharpness of the contrast used to quicken his sense of pleasure. He grew more and more enamoured of his own beauty, more and more interested in the corruption of his own soul. He would examine with minute care, and sometimes with a monstrous and terrible delight, the hideous lines that seared the wrinkling forehead or crawled around the heavy sensual mouth, wondering sometimes which were the more horrible, the signs of sin or the signs of age. He would place his white hands beside the coarse bloated hands of the picture, and smile. He mocked the misshapen body and the failing limbs. There were moments, indeed, at night, when, lying sleepless in his own delicately scented chamber, or in the sordid room of the little ill-famed tavern near the docks which, under an assumed name and in disguise, it was his habit to frequent, he would think of the ruin he had brought upon his soul with a pity that was all the more poignant because it was purely selfish. But moments such as these were rare. That curiosity about life which Lord Henry had first stirred in him, as they sat together in the garden of their friend, seemed to increase with gratification. The more he knew, the more he desired to know. He had mad hungers that grew more ravenous as he fed them. Yet he was not really reckless, at any rate in his relations to society. Once or twice every month during the winter, and on each Wednesday evening while the season lasted, he would throw open to the world his beautiful house and have the most celebrated musicians of the day to charm his guests with the wonders of their art. His little dinners, in the settling of which Lord Henry always assisted him, were noted as much for the careful selection and placing of those invited, as for the exquisite taste shown in the decoration of the table, with its subtle symphonic arrangements of exotic flowers, and embroidered cloths, and antique plate of gold and silver. Indeed, there were many, especially among the very young men, who saw, or fancied that they saw, in Dorian Gray the true realization of a type of which they had often dreamed in Eton or Oxford days, a type that was to combine something of the real culture of the scholar with all the grace and distinction and perfect manner of a citizen of the world. To them he seemed to be of the company of those whom Dante describes as having sought to "make themselves perfect by the worship of beauty." Like Gautier, he was one for whom "the visible world existed." And, certainly, to him life itself was the first, the greatest, of the arts, and for it all the other arts seemed to be but a preparation. Fashion, by which what is really fantastic becomes for a moment universal, and dandyism, which, in its own way, is an attempt to assert the absolute modernity of beauty, had, of course, their fascination for him. His mode of dressing, and the particular styles that from time to time he affected, had their marked influence on the young exquisites of the Mayfair balls and Pall Mall club windows, who copied him in everything that he did, and tried to reproduce the accidental charm of his graceful, though to him only half-serious, fopperies. For, while he was but too ready to accept the position that was almost immediately offered to him on his coming of age, and found, indeed, a subtle pleasure in the thought that he might really become to the London of his own day what to imperial Neronian Rome the author of the Satyricon once had been, yet in his inmost heart he desired to be something more than a mere _arbiter elegantiarum_, to be consulted on the wearing of a jewel, or the knotting of a necktie, or the conduct of a cane. He sought to elaborate some new scheme of life that would have its reasoned philosophy and its ordered principles, and find in the spiritualizing of the senses its highest realization. The worship of the senses has often, and with much justice, been decried, men feeling a natural instinct of terror about passions and sensations that seem stronger than themselves, and that they are conscious of sharing with the less highly organized forms of existence. But it appeared to Dorian Gray that the true nature of the senses had never been understood, and that they had remained savage and animal merely because the world had sought to starve them into submission or to kill them by pain, instead of aiming at making them elements of a new spirituality, of which a fine instinct for beauty was to be the dominant characteristic. As he looked back upon man moving through history, he was haunted by a feeling of loss. So much had been surrendered! and to such little purpose! There had been mad wilful rejections, monstrous forms of self-torture and self-denial, whose origin was fear and whose result was a degradation infinitely more terrible than that fancied degradation from which, in their ignorance, they had sought to escape; Nature, in her wonderful irony, driving out the anchorite to feed with the wild animals of the desert and giving to the hermit the beasts of the field as his companions. Yes: there was to be, as Lord Henry had prophesied, a new Hedonism that was to recreate life and to save it from that harsh uncomely puritanism that is having, in our own day, its curious revival. It was to have its service of the intellect, certainly, yet it was never to accept any theory or system that would involve the sacrifice of any mode of passionate experience. Its aim, indeed, was to be experience itself, and not the fruits of experience, sweet or bitter as they might be. Of the asceticism that deadens the senses, as of the vulgar profligacy that dulls them, it was to know nothing. But it was to teach man to concentrate himself upon the moments of a life that is itself but a moment. There are few of us who have not sometimes wakened before dawn, either after one of those dreamless nights that make us almost enamoured of death, or one of those nights of horror and misshapen joy, when through the chambers of the brain sweep phantoms more terrible than reality itself, and instinct with that vivid life that lurks in all grotesques, and that lends to Gothic art its enduring vitality, this art being, one might fancy, especially the art of those whose minds have been troubled with the malady of reverie. Gradually white fingers creep through the curtains, and they appear to tremble. In black fantastic shapes, dumb shadows crawl into the corners of the room and crouch there. Outside, there is the stirring of birds among the leaves, or the sound of men going forth to their work, or the sigh and sob of the wind coming down from the hills and wandering round the silent house, as though it feared to wake the sleepers and yet must needs call forth sleep from her purple cave. Veil after veil of thin dusky gauze is lifted, and by degrees the forms and colours of things are restored to them, and we watch the dawn remaking the world in its antique pattern. The wan mirrors get back their mimic life. The flameless tapers stand where we had left them, and beside them lies the half-cut book that we had been studying, or the wired flower that we had worn at the ball, or the letter that we had been afraid to read, or that we had read too often. Nothing seems to us changed. Out of the unreal shadows of the night comes back the real life that we had known. We have to resume it where we had left off, and there steals over us a terrible sense of the necessity for the continuance of energy in the same wearisome round of stereotyped habits, or a wild longing, it may be, that our eyelids might open some morning upon a world that had been refashioned anew in the darkness for our pleasure, a world in which things would have fresh shapes and colours, and be changed, or have other secrets, a world in which the past would have little or no place, or survive, at any rate, in no conscious form of obligation or regret, the remembrance even of joy having its bitterness and the memories of pleasure their pain. It was the creation of such worlds as these that seemed to Dorian Gray to be the true object, or amongst the true objects, of life; and in his search for sensations that would be at once new and delightful, and possess that element of strangeness that is so essential to romance, he would often adopt certain modes of thought that he knew to be really alien to his nature, abandon himself to their subtle influences, and then, having, as it were, caught their colour and satisfied his intellectual curiosity, leave them with that curious indifference that is not incompatible with a real ardour of temperament, and that, indeed, according to certain modern psychologists, is often a condition of it. It was rumoured of him once that he was about to join the Roman Catholic communion, and certainly the Roman ritual had always a great attraction for him. The daily sacrifice, more awful really than all the sacrifices of the antique world, stirred him as much by its superb rejection of the evidence of the senses as by the primitive simplicity of its elements and the eternal pathos of the human tragedy that it sought to symbolize. He loved to kneel down on the cold marble pavement and watch the priest, in his stiff flowered dalmatic, slowly and with white hands moving aside the veil of the tabernacle, or raising aloft the jewelled, lantern-shaped monstrance with that pallid wafer that at times, one would fain think, is indeed the "_panis c lestis_," the bread of angels, or, robed in the garments of the Passion of Christ, breaking the Host into the chalice and smiting his breast for his sins. The fuming censers that the grave boys, in their lace and scarlet, tossed into the air like great gilt flowers had their subtle fascination for him. As he passed out, he used to look with wonder at the black confessionals and long to sit in the dim shadow of one of them and listen to men and women whispering through the worn grating the true story of their lives. But he never fell into the error of arresting his intellectual development by any formal acceptance of creed or system, or of mistaking, for a house in which to live, an inn that is but suitable for the sojourn of a night, or for a few hours of a night in which there are no stars and the moon is in travail. Mysticism, with its marvellous power of making common things strange to us, and the subtle antinomianism that always seems to accompany it, moved him for a season; and for a season he inclined to the materialistic doctrines of the _Darwinismus_ movement in Germany, and found a curious pleasure in tracing the thoughts and passions of men to some pearly cell in the brain, or some white nerve in the body, delighting in the conception of the absolute dependence of the spirit on certain physical conditions, morbid or healthy, normal or diseased. Yet, as has been said of him before, no theory of life seemed to him to be of any importance compared with life itself. He felt keenly conscious of how barren all intellectual speculation is when separated from action and experiment. He knew that the senses, no less than the soul, have their spiritual mysteries to reveal. And so he would now study perfumes and the secrets of their manufacture, distilling heavily scented oils and burning odorous gums from the East. He saw that there was no mood of the mind that had not its counterpart in the sensuous life, and set himself to discover their true relations, wondering what there was in frankincense that made one mystical, and in ambergris that stirred one s passions, and in violets that woke the memory of dead romances, and in musk that troubled the brain, and in champak that stained the imagination; and seeking often to elaborate a real psychology of perfumes, and to estimate the several influences of sweet-smelling roots and scented, pollen-laden flowers; of aromatic balms and of dark and fragrant woods; of spikenard, that sickens; of hovenia, that makes men mad; and of aloes, that are said to be able to expel melancholy from the soul. At another time he devoted himself entirely to music, and in a long latticed room, with a vermilion-and-gold ceiling and walls of olive-green lacquer, he used to give curious concerts in which mad gipsies tore wild music from little zithers, or grave, yellow-shawled Tunisians plucked at the strained strings of monstrous lutes, while grinning Negroes beat monotonously upon copper drums and, crouching upon scarlet mats, slim turbaned Indians blew through long pipes of reed or brass and charmed or feigned to charm great hooded snakes and horrible horned adders. The harsh intervals and shrill discords of barbaric music stirred him at times when Schubert s grace, and Chopin s beautiful sorrows, and the mighty harmonies of Beethoven himself, fell unheeded on his ear. He collected together from all parts of the world the strangest instruments that could be found, either in the tombs of dead nations or among the few savage tribes that have survived contact with Western civilizations, and loved to touch and try them. He had the mysterious _juruparis_ of the Rio Negro Indians, that women are not allowed to look at and that even youths may not see till they have been subjected to fasting and scourging, and the earthen jars of the Peruvians that have the shrill cries of birds, and flutes of human bones such as Alfonso de Ovalle heard in Chile, and the sonorous green jaspers that are found near Cuzco and give forth a note of singular sweetness. He had painted gourds filled with pebbles that rattled when they were shaken; the long _clarin_ of the Mexicans, into which the performer does not blow, but through which he inhales the air; the harsh _ture_ of the Amazon tribes, that is sounded by the sentinels who sit all day long in high trees, and can be heard, it is said, at a distance of three leagues; the _teponaztli_, that has two vibrating tongues of wood and is beaten with sticks that are smeared with an elastic gum obtained from the milky juice of plants; the _yotl_-bells of the Aztecs, that are hung in clusters like grapes; and a huge cylindrical drum, covered with the skins of great serpents, like the one that Bernal Diaz saw when he went with Cortes into the Mexican temple, and of whose doleful sound he has left us so vivid a description. The fantastic character of these instruments fascinated him, and he felt a curious delight in the thought that art, like Nature, has her monsters, things of bestial shape and with hideous voices. Yet, after some time, he wearied of them, and would sit in his box at the opera, either alone or with Lord Henry, listening in rapt pleasure to "Tannhauser" and seeing in the prelude to that great work of art a presentation of the tragedy of his own soul. On one occasion he took up the study of jewels, and appeared at a costume ball as Anne de Joyeuse, Admiral of France, in a dress covered with five hundred and sixty pearls. This taste enthralled him for years, and, indeed, may be said never to have left him. He would often spend a whole day settling and resettling in their cases the various stones that he had collected, such as the olive-green chrysoberyl that turns red by lamplight, the cymophane with its wirelike line of silver, the pistachio-coloured peridot, rose-pink and wine-yellow topazes, carbuncles of fiery scarlet with tremulous, four-rayed stars, flame-red cinnamon-stones, orange and violet spinels, and amethysts with their alternate layers of ruby and sapphire. He loved the red gold of the sunstone, and the moonstone s pearly whiteness, and the broken rainbow of the milky opal. He procured from Amsterdam three emeralds of extraordinary size and richness of colour, and had a turquoise _de la vieille roche_ that was the envy of all the connoisseurs. He discovered wonderful stories, also, about jewels. In Alphonso s Clericalis Disciplina a serpent was mentioned with eyes of real jacinth, and in the romantic history of Alexander, the Conqueror of Emathia was said to have found in the vale of Jordan snakes "with collars of real emeralds growing on their backs." There was a gem in the brain of the dragon, Philostratus told us, and "by the exhibition of golden letters and a scarlet robe" the monster could be thrown into a magical sleep and slain. According to the great alchemist, Pierre de Boniface, the diamond rendered a man invisible, and the agate of India made him eloquent. The cornelian appeased anger, and the hyacinth provoked sleep, and the amethyst drove away the fumes of wine. The garnet cast out demons, and the hydropicus deprived the moon of her colour. The selenite waxed and waned with the moon, and the meloceus, that discovers thieves, could be affected only by the blood of kids. Leonardus Camillus had seen a white stone taken from the brain of a newly killed toad, that was a certain antidote against poison. The bezoar, that was found in the heart of the Arabian deer, was a charm that could cure the plague. In the nests of Arabian birds was the aspilates, that, according to Democritus, kept the wearer from any danger by fire. The King of Ceilan rode through his city with a large ruby in his hand, as the ceremony of his coronation. The gates of the palace of John the Priest were "made of sardius, with the horn of the horned snake inwrought, so that no man might bring poison within." Over the gable were "two golden apples, in which were two carbuncles," so that the gold might shine by day and the carbuncles by night. In Lodge s strange romance A Margarite of America , it was stated that in the chamber of the queen one could behold "all the chaste ladies of the world, inchased out of silver, looking through fair mirrours of chrysolites, carbuncles, sapphires, and greene emeraults." Marco Polo had seen the inhabitants of Zipangu place rose-coloured pearls in the mouths of the dead. A sea-monster had been enamoured of the pearl that the diver brought to King Perozes, and had slain the thief, and mourned for seven moons over its loss. When the Huns lured the king into the great pit, he flung it away Procopius tells the story nor was it ever found again, though the Emperor Anastasius offered five hundred-weight of gold pieces for it. The King of Malabar had shown to a certain Venetian a rosary of three hundred and four pearls, one for every god that he worshipped. When the Duke de Valentinois, son of Alexander VI., visited Louis XII. of France, his horse was loaded with gold leaves, according to Brantome, and his cap had double rows of rubies that threw out a great light. Charles of England had ridden in stirrups hung with four hundred and twenty-one diamonds. Richard II had a coat, valued at thirty thousand marks, which was covered with balas rubies. Hall described Henry VIII., on his way to the Tower previous to his coronation, as wearing "a jacket of raised gold, the placard embroidered with diamonds and other rich stones, and a great bauderike about his neck of large balasses." The favourites of James I wore ear-rings of emeralds set in gold filigrane. Edward II gave to Piers Gaveston a suit of red-gold armour studded with jacinths, a collar of gold roses set with turquoise-stones, and a skull-cap _parsem _ with pearls. Henry II. wore jewelled gloves reaching to the elbow, and had a hawk-glove sewn with twelve rubies and fifty-two great orients. The ducal hat of Charles the Rash, the last Duke of Burgundy of his race, was hung with pear-shaped pearls and studded with sapphires. How exquisite life had once been! How gorgeous in its pomp and decoration! Even to read of the luxury of the dead was wonderful. Then he turned his attention to embroideries and to the tapestries that performed the office of frescoes in the chill rooms of the northern nations of Europe. As he investigated the subject and he always had an extraordinary faculty of becoming absolutely absorbed for the moment in whatever he took up he was almost saddened by the reflection of the ruin that time brought on beautiful and wonderful things. He, at any rate, had escaped that. Summer followed summer, and the yellow jonquils bloomed and died many times, and nights of horror repeated the story of their shame, but he was unchanged. No winter marred his face or stained his flowerlike bloom. How different it was with material things! Where had they passed to? Where was the great crocus-coloured robe, on which the gods fought against the giants, that had been worked by brown girls for the pleasure of Athena? Where the huge velarium that Nero had stretched across the Colosseum at Rome, that Titan sail of purple on which was represented the starry sky, and Apollo driving a chariot drawn by white, gilt-reined steeds? He longed to see the curious table-napkins wrought for the Priest of the Sun, on which were displayed all the dainties and viands that could be wanted for a feast; the mortuary cloth of King Chilperic, with its three hundred golden bees; the fantastic robes that excited the indignation of the Bishop of Pontus and were figured with "lions, panthers, bears, dogs, forests, rocks, hunters all, in fact, that a painter can copy from nature"; and the coat that Charles of Orleans once wore, on the sleeves of which were embroidered the verses of a song beginning "_Madame, je suis tout joyeux_," the musical accompaniment of the words being wrought in gold thread, and each note, of square shape in those days, formed with four pearls. He read of the room that was prepared at the palace at Rheims for the use of Queen Joan of Burgundy and was decorated with "thirteen hundred and twenty-one parrots, made in broidery, and blazoned with the king s arms, and five hundred and sixty-one butterflies, whose wings were similarly ornamented with the arms of the queen, the whole worked in gold." Catherine de Medicis had a mourning-bed made for her of black velvet powdered with crescents and suns. Its curtains were of damask, with leafy wreaths and garlands, figured upon a gold and silver ground, and fringed along the edges with broideries of pearls, and it stood in a room hung with rows of the queen s devices in cut black velvet upon cloth of silver. Louis XIV. had gold embroidered caryatides fifteen feet high in his apartment. The state bed of Sobieski, King of Poland, was made of Smyrna gold brocade embroidered in turquoises with verses from the Koran. Its supports were of silver gilt, beautifully chased, and profusely set with enamelled and jewelled medallions. It had been taken from the Turkish camp before Vienna, and the standard of Mohammed had stood beneath the tremulous gilt of its canopy. And so, for a whole year, he sought to accumulate the most exquisite specimens that he could find of textile and embroidered work, getting the dainty Delhi muslins, finely wrought with gold-thread palmates and stitched over with iridescent beetles wings; the Dacca gauzes, that from their transparency are known in the East as "woven air," and "running water," and "evening dew"; strange figured cloths from Java; elaborate yellow Chinese hangings; books bound in tawny satins or fair blue silks and wrought with _fleurs-de-lis_, birds and images; veils of _lacis_ worked in Hungary point; Sicilian brocades and stiff Spanish velvets; Georgian work, with its gilt coins, and Japanese _Foukousas_, with their green-toned golds and their marvellously plumaged birds. He had a special passion, also, for ecclesiastical vestments, as indeed he had for everything connected with the service of the Church. In the long cedar chests that lined the west gallery of his house, he had stored away many rare and beautiful specimens of what is really the raiment of the Bride of Christ, who must wear purple and jewels and fine linen that she may hide the pallid macerated body that is worn by the suffering that she seeks for and wounded by self-inflicted pain. He possessed a gorgeous cope of crimson silk and gold-thread damask, figured with a repeating pattern of golden pomegranates set in six-petalled formal blossoms, beyond which on either side was the pine-apple device wrought in seed-pearls. The orphreys were divided into panels representing scenes from the life of the Virgin, and the coronation of the Virgin was figured in coloured silks upon the hood. This was Italian work of the fifteenth century. Another cope was of green velvet, embroidered with heart-shaped groups of acanthus-leaves, from which spread long-stemmed white blossoms, the details of which were picked out with silver thread and coloured crystals. The morse bore a seraph s head in gold-thread raised work. The orphreys were woven in a diaper of red and gold silk, and were starred with medallions of many saints and martyrs, among whom was St. Sebastian. He had chasubles, also, of amber-coloured silk, and blue silk and gold brocade, and yellow silk damask and cloth of gold, figured with representations of the Passion and Crucifixion of Christ, and embroidered with lions and peacocks and other emblems; dalmatics of white satin and pink silk damask, decorated with tulips and dolphins and _fleurs-de-lis_; altar frontals of crimson velvet and blue linen; and many corporals, chalice-veils, and sudaria. In the mystic offices to which such things were put, there was something that quickened his imagination. For these treasures, and everything that he collected in his lovely house, were to be to him means of forgetfulness, modes by which he could escape, for a season, from the fear that seemed to him at times to be almost too great to be borne. Upon the walls of the lonely locked room where he had spent so much of his boyhood, he had hung with his own hands the terrible portrait whose changing features showed him the real degradation of his life, and in front of it had draped the purple-and-gold pall as a curtain. For weeks he would not go there, would forget the hideous painted thing, and get back his light heart, his wonderful joyousness, his passionate absorption in mere existence. Then, suddenly, some night he would creep out of the house, go down to dreadful places near Blue Gate Fields, and stay there, day after day, until he was driven away. On his return he would sit in front of the picture, sometimes loathing it and himself, but filled, at other times, with that pride of individualism that is half the fascination of sin, and smiling with secret pleasure at the misshapen shadow that had to bear the burden that should have been his own. After a few years he could not endure to be long out of England, and gave up the villa that he had shared at Trouville with Lord Henry, as well as the little white walled-in house at Algiers where they had more than once spent the winter. He hated to be separated from the picture that was such a part of his life, and was also afraid that during his absence some one might gain access to the room, in spite of the elaborate bars that he had caused to be placed upon the door. He was quite conscious that this would tell them nothing. It was true that the portrait still preserved, under all the foulness and ugliness of the face, its marked likeness to himself; but what could they learn from that? He would laugh at any one who tried to taunt him. He had not painted it. What was it to him how vile and full of shame it looked? Even if he told them, would they believe it? Yet he was afraid. Sometimes when he was down at his great house in Nottinghamshire, entertaining the fashionable young men of his own rank who were his chief companions, and astounding the county by the wanton luxury and gorgeous splendour of his mode of life, he would suddenly leave his guests and rush back to town to see that the door had not been tampered with and that the picture was still there. What if it should be stolen? The mere thought made him cold with horror. Surely the world would know his secret then. Perhaps the world already suspected it. For, while he fascinated many, there were not a few who distrusted him. He was very nearly blackballed at a West End club of which his birth and social position fully entitled him to become a member, and it was said that on one occasion, when he was brought by a friend into the smoking-room of the Churchill, the Duke of Berwick and another gentleman got up in a marked manner and went out. Curious stories became current about him after he had passed his twenty-fifth year. It was rumoured that he had been seen brawling with foreign sailors in a low den in the distant parts of Whitechapel, and that he consorted with thieves and coiners and knew the mysteries of their trade. His extraordinary absences became notorious, and, when he used to reappear again in society, men would whisper to each other in corners, or pass him with a sneer, or look at him with cold searching eyes, as though they were determined to discover his secret. Of such insolences and attempted slights he, of course, took no notice, and in the opinion of most people his frank debonair manner, his charming boyish smile, and the infinite grace of that wonderful youth that seemed never to leave him, were in themselves a sufficient answer to the calumnies, for so they termed them, that were circulated about him. It was remarked, however, that some of those who had been most intimate with him appeared, after a time, to shun him. Women who had wildly adored him, and for his sake had braved all social censure and set convention at defiance, were seen to grow pallid with shame or horror if Dorian Gray entered the room. Yet these whispered scandals only increased in the eyes of many his strange and dangerous charm. His great wealth was a certain element of security. Society civilized society, at least is never very ready to believe anything to the detriment of those who are both rich and fascinating. It feels instinctively that manners are of more importance than morals, and, in its opinion, the highest respectability is of much less value than the possession of a good _chef_. And, after all, it is a very poor consolation to be told that the man who has given one a bad dinner, or poor wine, is irreproachable in his private life. Even the cardinal virtues cannot atone for half-cold _entr es_, as Lord Henry remarked once, in a discussion on the subject, and there is possibly a good deal to be said for his view. For the canons of good society are, or should be, the same as the canons of art. Form is absolutely essential to it. It should have the dignity of a ceremony, as well as its unreality, and should combine the insincere character of a romantic play with the wit and beauty that make such plays delightful to us. Is insincerity such a terrible thing? I think not. It is merely a method by which we can multiply our personalities. Such, at any rate, was Dorian Gray s opinion. He used to wonder at the shallow psychology of those who conceive the ego in man as a thing simple, permanent, reliable, and of one essence. To him, man was a being with myriad lives and myriad sensations, a complex multiform creature that bore within itself strange legacies of thought and passion, and whose very flesh was tainted with the monstrous maladies of the dead. He loved to stroll through the gaunt cold picture-gallery of his country house and look at the various portraits of those whose blood flowed in his veins. Here was Philip Herbert, described by Francis Osborne, in his Memoires on the Reigns of Queen Elizabeth and King James, as one who was "caressed by the Court for his handsome face, which kept him not long company." Was it young Herbert s life that he sometimes led? Had some strange poisonous germ crept from body to body till it had reached his own? Was it some dim sense of that ruined grace that had made him so suddenly, and almost without cause, give utterance, in Basil Hallward s studio, to the mad prayer that had so changed his life? Here, in gold-embroidered red doublet, jewelled surcoat, and gilt-edged ruff and wristbands, stood Sir Anthony Sherard, with his silver-and-black armour piled at his feet. What had this man s legacy been? Had the lover of Giovanna of Naples bequeathed him some inheritance of sin and shame? Were his own actions merely the dreams that the dead man had not dared to realize? Here, from the fading canvas, smiled Lady Elizabeth Devereux, in her gauze hood, pearl stomacher, and pink slashed sleeves. A flower was in her right hand, and her left clasped an enamelled collar of white and damask roses. On a table by her side lay a mandolin and an apple. There were large green rosettes upon her little pointed shoes. He knew her life, and the strange stories that were told about her lovers. Had he something of her temperament in him? These oval, heavy-lidded eyes seemed to look curiously at him. What of George Willoughby, with his powdered hair and fantastic patches? How evil he looked! The face was saturnine and swarthy, and the sensual lips seemed to be twisted with disdain. Delicate lace ruffles fell over the lean yellow hands that were so overladen with rings. He had been a macaroni of the eighteenth century, and the friend, in his youth, of Lord Ferrars. What of the second Lord Beckenham, the companion of the Prince Regent in his wildest days, and one of the witnesses at the secret marriage with Mrs. Fitzherbert? How proud and handsome he was, with his chestnut curls and insolent pose! What passions had he bequeathed? The world had looked upon him as infamous. He had led the orgies at Carlton House. The star of the Garter glittered upon his breast. Beside him hung the portrait of his wife, a pallid, thin-lipped woman in black. Her blood, also, stirred within him. How curious it all seemed! And his mother with her Lady Hamilton face and her moist, wine-dashed lips he knew what he had got from her. He had got from her his beauty, and his passion for the beauty of others. She laughed at him in her loose Bacchante dress. There were vine leaves in her hair. The purple spilled from the cup she was holding. The carnations of the painting had withered, but the eyes were still wonderful in their depth and brilliancy of colour. They seemed to follow him wherever he went. Yet one had ancestors in literature as well as in one s own race, nearer perhaps in type and temperament, many of them, and certainly with an influence of which one was more absolutely conscious. There were times when it appeared to Dorian Gray that the whole of history was merely the record of his own life, not as he had lived it in act and circumstance, but as his imagination had created it for him, as it had been in his brain and in his passions. He felt that he had known them all, those strange terrible figures that had passed across the stage of the world and made sin so marvellous and evil so full of subtlety. It seemed to him that in some mysterious way their lives had been his own. The hero of the wonderful novel that had so influenced his life had himself known this curious fancy. In the seventh chapter he tells how, crowned with laurel, lest lightning might strike him, he had sat, as Tiberius, in a garden at Capri, reading the shameful books of Elephantis, while dwarfs and peacocks strutted round him and the flute-player mocked the swinger of the censer; and, as Caligula, had caroused with the green-shirted jockeys in their stables and supped in an ivory manger with a jewel-frontleted horse; and, as Domitian, had wandered through a corridor lined with marble mirrors, looking round with haggard eyes for the reflection of the dagger that was to end his days, and sick with that ennui, that terrible _t dium vit _, that comes on those to whom life denies nothing; and had peered through a clear emerald at the red shambles of the circus and then, in a litter of pearl and purple drawn by silver-shod mules, been carried through the Street of Pomegranates to a House of Gold and heard men cry on Nero Caesar as he passed by; and, as Elagabalus, had painted his face with colours, and plied the distaff among the women, and brought the Moon from Carthage and given her in mystic marriage to the Sun. Over and over again Dorian used to read this fantastic chapter, and the two chapters immediately following, in which, as in some curious tapestries or cunningly wrought enamels, were pictured the awful and beautiful forms of those whom vice and blood and weariness had made monstrous or mad: Filippo, Duke of Milan, who slew his wife and painted her lips with a scarlet poison that her lover might suck death from the dead thing he fondled; Pietro Barbi, the Venetian, known as Paul the Second, who sought in his vanity to assume the title of Formosus, and whose tiara, valued at two hundred thousand florins, was bought at the price of a terrible sin; Gian Maria Visconti, who used hounds to chase living men and whose murdered body was covered with roses by a harlot who had loved him; the Borgia on his white horse, with Fratricide riding beside him and his mantle stained with the blood of Perotto; Pietro Riario, the young Cardinal Archbishop of Florence, child and minion of Sixtus IV., whose beauty was equalled only by his debauchery, and who received Leonora of Aragon in a pavilion of white and crimson silk, filled with nymphs and centaurs, and gilded a boy that he might serve at the feast as Ganymede or Hylas; Ezzelin, whose melancholy could be cured only by the spectacle of death, and who had a passion for red blood, as other men have for red wine the son of the Fiend, as was reported, and one who had cheated his father at dice when gambling with him for his own soul; Giambattista Cibo, who in mockery took the name of Innocent and into whose torpid veins the blood of three lads was infused by a Jewish doctor; Sigismondo Malatesta, the lover of Isotta and the lord of Rimini, whose effigy was burned at Rome as the enemy of God and man, who strangled Polyssena with a napkin, and gave poison to Ginevra d Este in a cup of emerald, and in honour of a shameful passion built a pagan church for Christian worship; Charles VI., who had so wildly adored his brother s wife that a leper had warned him of the insanity that was coming on him, and who, when his brain had sickened and grown strange, could only be soothed by Saracen cards painted with the images of love and death and madness; and, in his trimmed jerkin and jewelled cap and acanthuslike curls, Grifonetto Baglioni, who slew Astorre with his bride, and Simonetto with his page, and whose comeliness was such that, as he lay dying in the yellow piazza of Perugia, those who had hated him could not choose but weep, and Atalanta, who had cursed him, blessed him. There was a horrible fascination in them all. He saw them at night, and they troubled his imagination in the day. The Renaissance knew of strange manners of poisoning poisoning by a helmet and a lighted torch, by an embroidered glove and a jewelled fan, by a gilded pomander and by an amber chain. Dorian Gray had been poisoned by a book. There were moments when he looked on evil simply as a mode through which he could realize his conception of the beautiful. CHAPTER XII It was on the ninth of November, the eve of his own thirty-eighth birthday, as he often remembered afterwards. He was walking home about eleven o clock from Lord Henry s, where he had been dining, and was wrapped in heavy furs, as the night was cold and foggy. At the corner of Grosvenor Square and South Audley Street, a man passed him in the mist, walking very fast and with the collar of his grey ulster turned up. He had a bag in his hand. Dorian recognized him. It was Basil Hallward. A strange sense of fear, for which he could not account, came over him. He made no sign of recognition and went on quickly in the direction of his own house. But Hallward had seen him. Dorian heard him first stopping on the pavement and then hurrying after him. In a few moments, his hand was on his arm.</\|quote\|>"Dorian! What an extraordinary piece of luck! I have been waiting for you in your library ever since nine o clock. Finally I took pity on your tired servant and told him to go to bed, as he let me out. I am off to Paris by the midnight train, and I particularly wanted to see you before I left. I thought it was you, or rather your fur coat, as you passed me. But I wasn t quite sure. Didn t you recognize me?" "In this fog, my dear Basil? Why, I can t even recognize Grosvenor Square. I	and movements elaborately repeated, produced in the mind of the lad, as he passed from chapter to chapter, a form of reverie, a malady of dreaming, that made him unconscious of the falling day and creeping shadows. Cloudless, and pierced by one solitary star, a copper-green sky gleamed through the windows. He read on by its wan light till he could read no more. Then, after his valet had reminded him several times of the lateness of the hour, he got up, and going into the next room, placed the book on the little Florentine table that always stood at his bedside and began to dress for dinner. It was almost nine o clock before he reached the club, where he found Lord Henry sitting alone, in the morning-room, looking very much bored. "I am so sorry, Harry," he cried, "but really it is entirely your fault. That book you sent me so fascinated me that I forgot how the time was going." "Yes, I thought you would like it," replied his host, rising from his chair. "I didn t say I liked it, Harry. I said it fascinated me. There is a great difference." "Ah, you have discovered that?"<\|quote\|>murmured Lord Henry. And they passed into the dining-room. CHAPTER XI. For years, Dorian Gray could not free himself from the influence of this book. Or perhaps it would be more accurate to say that he never sought to free himself from it. He procured from Paris no less than nine large-paper copies of the first edition, and had them bound in different colours, so that they might suit his various moods and the changing fancies of a nature over which he seemed, at times, to have almost entirely lost control. The hero, the wonderful young Parisian in whom the romantic and the scientific temperaments were so strangely blended, became to him a kind of prefiguring type of himself. And, indeed, the whole book seemed to him to contain the story of his own life, written before he had lived it. In one point he was more fortunate than the novel s fantastic hero. He never knew never, indeed, had any cause to know that somewhat grotesque dread of mirrors, and polished metal surfaces, and still water which came upon the young Parisian so early in his life, and was occasioned by the sudden decay of a beau that had once, apparently, been so remarkable. It was with an almost cruel joy and perhaps in nearly every joy, as certainly in every pleasure, cruelty has its place that he used to read the latter part of the book, with its really tragic, if somewhat overemphasized, account of the sorrow and despair of one who had himself lost what in others, and the world, he had most dearly valued. For the wonderful beauty that had so fascinated Basil Hallward, and many others besides him, seemed never to leave him. Even those who had heard the most evil things against him and from time to time strange rumours about his mode of life crept through London and became the chatter of the clubs could not believe anything to his dishonour when they saw him. He had always the look of one who had kept himself unspotted from the world. Men who talked grossly became silent when Dorian Gray entered the room. There was something in the purity of his face that rebuked them. His mere presence seemed to recall to them the memory of the innocence that they had tarnished. They wondered how one so charming and graceful as he was could have escaped the stain of an age that was at once sordid and sensual. Often, on returning home from one of those mysterious and prolonged absences that gave rise to such strange conjecture among those who were his friends, or thought that they were so, he himself would creep upstairs to the locked room, open the door with the key that never left him now, and stand, with a mirror, in front of the portrait that Basil Hallward had painted of him, looking now at the evil and aging face on the canvas, and now at the fair young face that laughed back at him from the polished glass. The very sharpness of the contrast used to quicken his sense of pleasure. He grew more and more enamoured of his own beauty, more and more interested in the corruption of his own soul. He would examine with minute care, and sometimes with a monstrous and terrible delight, the hideous lines that seared the wrinkling forehead or crawled around the heavy sensual mouth, wondering sometimes which were the more horrible, the signs of sin or the signs of age. He would place his white hands beside the coarse bloated hands of the picture, and smile. He mocked the misshapen body and the failing limbs. There were moments, indeed, at night, when, lying sleepless in his own delicately scented chamber, or in the sordid room of the little ill-famed tavern near the docks which, under an assumed name and in disguise, it was his habit to frequent, he would think of the ruin he had brought upon his soul with a pity that was all the more poignant because it was purely selfish. But moments such as these were rare. That curiosity about life which Lord Henry had first stirred in him, as they sat together in the garden of their friend, seemed to increase with gratification. The more he knew, the more he desired to know. He had mad hungers that grew more ravenous as he fed them. Yet he was not really reckless, at any rate in his relations to society. Once or twice every month during the winter, and on each Wednesday evening while the season lasted, he would throw open to the world his beautiful house and have the most celebrated musicians of the day to charm his guests with the wonders of their art. His little dinners, in the settling of which Lord Henry always assisted him, were noted as much for the careful selection and placing of those invited, as for the exquisite taste shown in the decoration of the table, with its subtle symphonic arrangements of exotic flowers, and embroidered cloths, and antique plate of gold and silver. Indeed, there were many, especially among the very young men, who saw, or fancied that they saw, in Dorian Gray the true realization of a type of which they had often dreamed in Eton or Oxford days, a type that was to combine something of the real culture of the scholar with all the grace and distinction and perfect manner of a citizen of the world. To them he seemed to be of the company of those whom Dante describes as having sought to "make themselves perfect by the worship of beauty." Like Gautier, he was one for whom "the visible world existed." And, certainly, to him life itself was the first, the greatest, of the arts, and for it all the other arts seemed to be but a preparation. Fashion, by which what is really fantastic becomes for a moment universal, and dandyism, which, in its own way, is an attempt to assert the absolute modernity of beauty, had, of course, their fascination for him. His mode of dressing, and the particular styles that from time to time he affected, had their marked influence on the young exquisites of the Mayfair balls and Pall Mall club windows, who copied him in everything that he did, and tried to reproduce the accidental charm of his graceful, though to him only half-serious, fopperies. For, while he was but too ready to accept the position that was almost immediately offered to him on his coming of age, and found, indeed, a subtle pleasure in the thought that he might really become to the London of his own day what to imperial Neronian Rome the author of the Satyricon once had been, yet in his inmost heart he desired to be something more than a mere _arbiter elegantiarum_, to be consulted on the wearing of a jewel, or the knotting of a necktie, or the conduct of a cane. He sought to elaborate some new scheme of life that would have its reasoned philosophy and its ordered principles, and find in the spiritualizing of the senses its highest realization. The worship of the senses has often, and with much justice, been decried, men feeling a natural instinct of terror about passions and sensations that seem stronger than themselves, and that they are conscious of sharing with the less highly organized forms of existence. But it appeared to Dorian Gray that the true nature of the senses had never been understood, and that they had remained savage and animal merely because the world had sought to starve them into submission or to kill them by pain, instead of aiming at making them elements of a new spirituality, of which a fine instinct for beauty was to be the dominant characteristic. As he looked back upon man moving through history, he was haunted by a feeling of loss. So much had been surrendered! and to such little purpose! There had been mad wilful rejections, monstrous forms of self-torture and self-denial, whose origin was fear and whose result was a degradation infinitely more terrible than that fancied degradation from which, in their ignorance, they had sought to escape; Nature, in her wonderful irony, driving out the anchorite to feed with the wild animals of the desert and giving to the hermit the beasts of the field as his companions. Yes: there was to be, as Lord Henry had prophesied, a new Hedonism that was to recreate life and to save it from that harsh uncomely puritanism that is having, in our own day, its curious revival. It was to have its service of the intellect, certainly, yet it was never to accept any theory or system that would involve the sacrifice of any mode of passionate experience. Its aim, indeed, was to be experience itself, and not the fruits of experience, sweet or bitter as they might be. Of the asceticism that deadens the senses, as of the vulgar profligacy that dulls them, it was to know nothing. But it was to teach man to concentrate himself upon the moments of a life that is itself but a moment. There are few of us who have not sometimes wakened before dawn, either after one of those dreamless nights that make us almost enamoured of death, or one of those nights of horror and misshapen joy, when through the chambers of the brain sweep phantoms more terrible than reality itself, and instinct with that vivid life that lurks in all grotesques, and that lends to Gothic art its enduring vitality, this art being, one might fancy, especially the art of those whose minds have been troubled with the malady of reverie. Gradually white fingers creep through the curtains, and they appear to tremble. In black fantastic shapes, dumb shadows crawl into the corners of the room and crouch there. Outside, there is the stirring of birds among the leaves, or the sound of men going forth to their work, or the sigh and sob of the wind coming down from the hills and wandering round the silent house, as though it feared to wake the sleepers and yet must needs call forth sleep from her purple cave. Veil after veil of thin dusky gauze is lifted, and by degrees the forms and colours of things are restored to them, and we watch the dawn remaking the world in its antique pattern. The wan mirrors get back their mimic life. The flameless tapers stand where we had left them, and beside them lies the half-cut book that we had been studying, or the wired flower that we had worn at the ball, or the letter that we had been afraid to read, or that we had read too often. Nothing seems to us changed. Out of the unreal shadows of the night comes back the real life that we had known. We have to resume it where we had left off, and there steals over us a terrible sense of the necessity for the continuance of energy in the same wearisome round of stereotyped habits, or a wild longing, it may be, that our eyelids might open some morning upon a world that had been refashioned anew in the darkness for our pleasure, a world in which things would have fresh shapes and colours, and be changed, or have other secrets, a world in which the past would have little or no place, or survive, at any rate, in no conscious form of obligation or regret, the remembrance even of joy having its bitterness and the memories of pleasure their pain. It was the creation of such worlds as these that seemed to Dorian Gray to be the true object, or amongst the true objects, of life; and in his search for sensations that would be at once new and delightful, and possess that element of strangeness that is so essential to romance, he would often adopt certain modes of thought that he knew to be really alien to his nature, abandon himself to their subtle influences, and then, having, as it were, caught their colour and satisfied his intellectual curiosity, leave them with that curious indifference that is not incompatible with a real ardour of temperament, and that, indeed, according to certain modern psychologists, is often a condition of it. It was rumoured of him once that he was about to join the Roman Catholic communion, and certainly the Roman ritual had always a great attraction for him. The daily sacrifice, more awful really than all the sacrifices of the antique world, stirred him as much by its superb rejection of the evidence of the senses as by the primitive simplicity of its elements and the eternal pathos of the human tragedy that it sought to symbolize. He loved to kneel down on the cold marble pavement and watch the priest, in his stiff flowered dalmatic, slowly and with white hands moving aside the veil of the tabernacle, or raising aloft the jewelled, lantern-shaped monstrance with that pallid wafer that at times, one would fain think, is indeed the "_panis c lestis_," the bread of angels, or, robed in the garments of the Passion of Christ, breaking the Host into the chalice and smiting his breast for his sins. The fuming censers that the grave boys, in their lace and scarlet, tossed into the air like great gilt flowers had their subtle fascination for him. As he passed out, he used to look with wonder at the black confessionals and long to sit in the dim shadow of one of them and listen to men and women whispering through the worn grating the true story of their lives. But he never fell into the error of arresting his intellectual development by any formal acceptance of creed or system, or of mistaking, for a house in which to live, an inn that is but suitable for the sojourn of a night, or for a few hours of a night in which there are no stars and the moon is in travail. Mysticism, with its marvellous power of making common things strange to us, and the subtle antinomianism that always seems to accompany it, moved him for a season; and for a season he inclined to the materialistic doctrines of the _Darwinismus_ movement in Germany, and found a curious pleasure in tracing the thoughts and passions of men to some pearly cell in the brain, or some white nerve in the body, delighting in the conception of the absolute dependence of the spirit on certain physical conditions, morbid or healthy, normal or diseased. Yet, as has been said of him before, no theory of life seemed to him to be of any importance compared with life itself. He felt keenly conscious of how barren all intellectual speculation is when separated from action and experiment. He knew that the senses, no less than the soul, have their spiritual mysteries to reveal. And so he would now study perfumes and the secrets of their manufacture, distilling heavily scented oils and burning odorous gums from the East. He saw that there was no mood of the mind that had not its counterpart in the sensuous life, and set himself to discover their true relations, wondering what there was in frankincense that made one mystical, and in ambergris that stirred one s passions, and in violets that woke the memory of dead romances, and in musk that troubled the brain, and in champak that stained the imagination; and seeking often to elaborate a real psychology of perfumes, and to estimate the several influences of sweet-smelling roots and scented, pollen-laden flowers; of aromatic balms and of dark and fragrant woods; of spikenard, that sickens; of hovenia, that makes men mad; and of aloes, that are said to be able to expel melancholy from the soul. At another time he devoted himself entirely to music, and in a long latticed room, with a vermilion-and-gold ceiling and walls of olive-green lacquer, he used to give curious concerts in which mad gipsies tore wild music from little zithers, or grave, yellow-shawled Tunisians plucked at the strained strings of monstrous lutes, while grinning Negroes beat monotonously upon copper drums and, crouching upon scarlet mats, slim turbaned Indians blew through long pipes of reed or brass and charmed or feigned to charm great hooded snakes and horrible horned adders. The harsh intervals and shrill discords of barbaric music stirred him at times when Schubert s grace, and Chopin s beautiful sorrows, and the mighty harmonies of Beethoven himself, fell unheeded on his ear. He collected together from all parts of the world the strangest instruments that could be found, either in the tombs of dead nations or among the few savage tribes that have survived contact with Western civilizations, and loved to touch and try them. He had the mysterious _juruparis_ of the Rio Negro Indians, that women are not allowed to look at and that even youths may not see till they have been subjected to fasting and scourging, and the earthen jars of the Peruvians that have the shrill cries of birds, and flutes of human bones such as Alfonso de Ovalle heard in Chile, and the sonorous green jaspers that are found near Cuzco and give forth a note of singular sweetness. He had painted gourds filled with pebbles that rattled when they were shaken; the long _clarin_ of the Mexicans, into which the performer does not blow, but through which he inhales the air; the harsh _ture_ of the Amazon tribes, that is sounded by the sentinels who sit all day long in high trees, and can be heard, it is said, at a distance of three leagues; the _teponaztli_, that has two vibrating tongues of wood and is beaten with sticks that are smeared with an elastic gum obtained from the milky juice of plants; the _yotl_-bells of the Aztecs, that are hung in clusters like grapes; and a huge cylindrical drum, covered with the skins of great serpents, like the one that Bernal Diaz saw when he went with Cortes into the Mexican temple, and of whose doleful sound he has left us so vivid a description. The fantastic character of these instruments fascinated him, and he felt a curious delight in the thought that art, like Nature, has her monsters, things of bestial shape and with hideous voices. Yet, after some time, he wearied of them, and would sit in his box at the opera, either alone or with Lord Henry, listening in rapt pleasure to "Tannhauser" and seeing in the prelude to that great work of art a presentation of the tragedy of his own soul. On one occasion he took up the study of jewels, and appeared at a costume ball as Anne de Joyeuse, Admiral of France, in a dress covered with five hundred and sixty pearls. This taste enthralled him for years, and, indeed, may be said never to have left him. He would often spend a whole day settling and resettling in their cases the various stones that he had collected, such as the olive-green chrysoberyl that turns red by lamplight, the cymophane with its wirelike line of silver, the pistachio-coloured peridot, rose-pink and wine-yellow topazes, carbuncles of fiery scarlet with tremulous, four-rayed stars, flame-red cinnamon-stones, orange and violet spinels, and amethysts with their alternate layers of ruby and sapphire. He loved the red gold of the sunstone, and the moonstone s pearly whiteness, and the broken rainbow of the milky opal. He procured from Amsterdam three emeralds of extraordinary size and richness of colour, and had a turquoise _de la vieille roche_ that was the envy of all the connoisseurs. He discovered wonderful stories, also, about jewels. In Alphonso s Clericalis Disciplina a serpent was mentioned with eyes of real jacinth, and in the romantic history of Alexander, the Conqueror of Emathia was said to have found in the vale of Jordan snakes "with collars of real emeralds growing on their backs." There was a gem in the brain of the dragon, Philostratus told us, and "by the exhibition of golden letters and a scarlet robe" the monster could be thrown into a magical sleep and slain. According to the great alchemist, Pierre de Boniface, the diamond rendered a man invisible, and the agate of India made him eloquent. The cornelian appeased anger, and the hyacinth provoked sleep, and the amethyst drove away the fumes of wine. The garnet cast out demons, and the hydropicus deprived the moon of her colour. The selenite waxed and waned with the moon, and the meloceus, that discovers thieves, could be affected only by the blood of kids. Leonardus Camillus had seen a white stone taken from the brain of a newly killed toad, that was a certain antidote against poison. The bezoar, that was found in the heart of the Arabian deer, was a charm that could cure the plague. In the nests of Arabian birds was the aspilates, that, according to Democritus, kept the wearer from any danger by fire. The King of Ceilan rode through his city with a large ruby in his hand, as the ceremony of his coronation. The gates of the palace of John the Priest were "made of sardius, with the horn of the horned snake inwrought, so that no man might bring poison within." Over the gable were "two golden apples, in which were two carbuncles," so that the gold might shine by day and the carbuncles by night. In Lodge s strange romance A Margarite of America , it was stated that in the chamber of the queen one could behold "all the chaste ladies of the world, inchased out of silver, looking through fair mirrours of chrysolites, carbuncles, sapphires, and greene emeraults." Marco Polo had seen the inhabitants of Zipangu place rose-coloured pearls in the mouths of the dead. A sea-monster had been enamoured of the pearl that the diver brought to King Perozes, and had slain the thief, and mourned for seven moons over its loss. When the Huns lured the king into the great pit, he flung it away Procopius tells the story nor was it ever found again, though the Emperor Anastasius offered five hundred-weight of gold pieces for it. The King of Malabar had shown to a certain Venetian a rosary of three hundred and four pearls, one for every god that he worshipped. When the Duke de Valentinois, son of Alexander VI., visited Louis XII. of France, his horse was loaded with gold leaves, according to Brantome, and his cap had double rows of rubies that threw out a great light. Charles of England had ridden in stirrups hung with four hundred and twenty-one diamonds. Richard II had a coat, valued at thirty thousand marks, which was covered with balas rubies. Hall described Henry VIII., on his way to the Tower previous to his coronation, as wearing "a jacket of raised gold, the placard embroidered with diamonds and other rich stones, and a great bauderike about his neck of large balasses." The favourites of James I wore ear-rings of emeralds set in gold filigrane. Edward II gave to Piers Gaveston a suit of red-gold armour studded with jacinths, a collar of gold roses set with turquoise-stones, and a skull-cap _parsem _ with pearls. Henry II. wore jewelled gloves reaching to the elbow, and had a hawk-glove sewn with twelve rubies and fifty-two great orients. The ducal hat of Charles the Rash, the last Duke of Burgundy of his race, was hung with pear-shaped pearls and studded with sapphires. How exquisite life had once been! How gorgeous in its pomp and decoration! Even to read of the luxury of the dead was wonderful. Then he turned his attention to embroideries and to the tapestries that performed the office of frescoes in the chill rooms of the northern nations of Europe. As he investigated the subject and he always had an extraordinary faculty of becoming absolutely absorbed for the moment in whatever he took up he was almost saddened by the reflection of the ruin that time brought on beautiful and wonderful things. He, at any rate, had escaped that. Summer followed summer, and the yellow jonquils bloomed and died many times, and nights of horror repeated the story of their shame, but he was unchanged. No winter marred his face or stained his flowerlike bloom. How different it was with material things! Where had they passed to? Where was the great crocus-coloured robe, on which the gods fought against the giants, that had been worked by brown girls for the pleasure of Athena? Where the huge velarium that Nero had stretched across the Colosseum at Rome, that Titan sail of purple on which was represented the starry sky, and Apollo driving a chariot drawn by white, gilt-reined steeds? He longed to see the curious table-napkins wrought for the Priest of the Sun, on which were displayed all the dainties and viands that could be wanted for a feast; the mortuary cloth of King Chilperic, with its three hundred golden bees; the fantastic robes that excited the indignation of the Bishop of Pontus and were figured with "lions, panthers, bears, dogs, forests, rocks, hunters all, in fact, that a painter can copy from nature"; and the coat that Charles of Orleans once wore, on the sleeves of which were embroidered the verses of a song beginning "_Madame, je suis tout joyeux_," the musical accompaniment of the words being wrought in gold thread, and each note, of square shape in those days, formed with four pearls. He read of the room that was prepared at the palace at Rheims for the use of Queen Joan of Burgundy and was decorated with "thirteen hundred and twenty-one parrots, made in broidery, and blazoned with the king s arms, and five hundred and sixty-one butterflies, whose wings were similarly ornamented with the arms of the queen, the whole worked in gold." Catherine de Medicis had a mourning-bed made for her of black velvet powdered with crescents and suns. Its curtains were of damask, with leafy wreaths and garlands, figured upon a gold and silver ground, and fringed along the edges with broideries of pearls, and it stood in a room hung with rows of the queen s devices in cut black velvet upon cloth of silver. Louis XIV. had gold embroidered caryatides fifteen feet high in his apartment. The state bed of Sobieski, King of Poland, was made of Smyrna gold brocade embroidered in turquoises with verses from the Koran. Its supports were of silver gilt, beautifully chased, and profusely set with enamelled and jewelled medallions. It had been taken from the Turkish camp before Vienna, and the standard of Mohammed had stood beneath the tremulous gilt of its canopy. And so, for a whole year, he sought to accumulate the most exquisite specimens that he could find of textile and embroidered work, getting the dainty Delhi muslins, finely wrought with gold-thread palmates and stitched over with iridescent beetles wings; the Dacca gauzes, that from their transparency are known in the East as "woven air," and "running water," and "evening dew"; strange figured cloths from Java; elaborate yellow Chinese hangings; books bound in tawny satins or fair blue silks and wrought with _fleurs-de-lis_, birds and images; veils of _lacis_ worked in Hungary point; Sicilian brocades and stiff Spanish velvets; Georgian work, with its gilt coins, and Japanese _Foukousas_, with their green-toned golds and their marvellously plumaged birds. He had a special passion, also, for ecclesiastical vestments, as indeed he had for everything connected with the service of the Church. In the long cedar chests that lined the west gallery of his house, he had stored away many rare and beautiful specimens of what is really the raiment of the Bride of Christ, who must wear purple and jewels and fine linen that she may hide the pallid macerated body that is worn by the suffering that she seeks for and wounded by self-inflicted pain. He possessed a gorgeous cope of crimson silk and gold-thread damask, figured with a repeating pattern of golden pomegranates set in six-petalled formal blossoms, beyond which on either side was the pine-apple device wrought in seed-pearls. The orphreys were divided into panels representing scenes from the life of the Virgin, and the coronation of the Virgin was figured in coloured silks upon the hood. This was Italian work of the fifteenth century. Another cope was of green velvet, embroidered with heart-shaped groups of acanthus-leaves, from which spread long-stemmed white blossoms, the details of which were picked out with silver thread and coloured crystals. The morse bore a seraph s head in gold-thread raised work. The orphreys were woven in a diaper of red and gold silk, and were starred with medallions of many saints and martyrs, among whom was St. Sebastian. He had chasubles, also, of amber-coloured silk, and blue silk and gold brocade, and yellow silk damask and cloth of gold, figured with representations of the Passion and Crucifixion of Christ, and embroidered with lions and peacocks and other emblems; dalmatics of white satin and pink silk damask, decorated with tulips and dolphins and _fleurs-de-lis_; altar frontals of crimson velvet and blue linen; and many corporals, chalice-veils, and sudaria. In the mystic offices to which such things were put, there was something that quickened his imagination. For these treasures, and everything that he collected in his lovely house, were to be to him means of forgetfulness, modes by which he could escape, for a season, from the fear that seemed to him at times to be almost too great to be borne. Upon the walls of the lonely locked room where he had spent so much of his boyhood, he had hung with his own hands the terrible portrait whose changing features showed him the real degradation of his life, and in front of it had draped the purple-and-gold pall as a curtain. For weeks he would not go there, would forget the hideous painted thing, and get back his light heart, his wonderful joyousness, his passionate absorption in mere existence. Then, suddenly, some night he would creep out of the house, go down to dreadful places near Blue Gate Fields, and stay there, day after day, until he was driven away. On his return he would sit in front of the picture, sometimes loathing it and himself, but filled, at other times, with that pride of individualism that is half the fascination of sin, and smiling with secret pleasure at the misshapen shadow that had to bear the burden that should have been his own. After a few years he could not endure to be long out of England, and gave up the villa that he had shared at Trouville with Lord Henry, as well as the little white walled-in house at Algiers where they had more than once spent the winter. He hated to be separated from the picture that was such a part of his life, and was also afraid that during his absence some one might gain access to the room, in spite of the elaborate bars that he had caused to be placed upon the door. He was quite conscious that this would tell them nothing. It was true that the portrait still preserved, under all the foulness and ugliness of the face, its marked likeness to himself; but what could they learn from that? He would laugh at any one who tried to taunt him. He had not painted it. What was it to him how vile and full of shame it looked? Even if he told them, would they believe it? Yet he was afraid. Sometimes when he was down at his great house in Nottinghamshire, entertaining the fashionable young men of his own rank who were his chief companions, and astounding the county by the wanton luxury and gorgeous splendour of his mode of life, he would suddenly leave his guests and rush back to town to see that the door had not been tampered with and that the picture was still there. What if it should be stolen? The mere thought made him cold with horror. Surely the world would know his secret then. Perhaps the world already suspected it. For, while he fascinated many, there were not a few who distrusted him. He was very nearly blackballed at a West End club of which his birth and social position fully entitled him to become a member, and it was said that on one occasion, when he was brought by a friend into the smoking-room of the Churchill, the Duke of Berwick and another gentleman got up in a marked manner and went out. Curious stories became current about him after he had passed his twenty-fifth year. It was rumoured that he had been seen brawling with foreign sailors in a low den in the distant parts of Whitechapel, and that he consorted with thieves and coiners and knew the mysteries of their trade. His extraordinary absences became notorious, and, when he used to reappear again in society, men would whisper to each other in corners, or pass him with a sneer, or look at him with cold searching eyes, as though they were determined to discover his secret. Of such insolences and attempted slights he, of course, took no notice, and in the opinion of most people his frank debonair manner, his charming boyish smile, and the infinite grace of that wonderful youth that seemed never to leave him, were in themselves a sufficient answer to the calumnies, for so they termed them, that were circulated about him. It was remarked, however, that some of those who had been most intimate with him appeared, after a time, to shun him. Women who had wildly adored him, and for his sake had braved all social censure and set convention at defiance, were seen to grow pallid with shame or horror if Dorian Gray entered the room. Yet these whispered scandals only increased in the eyes of many his strange and dangerous charm. His great wealth was a certain element of security. Society civilized society, at least is never very ready to believe anything to the detriment of those who are both rich and fascinating. It feels instinctively that manners are of more importance than morals, and, in its opinion, the highest respectability is of much less value than the possession of a good _chef_. And, after all, it is a very poor consolation to be told that the man who has given one a bad dinner, or poor wine, is irreproachable in his private life. Even the cardinal virtues cannot atone for half-cold _entr es_, as Lord Henry remarked once, in a discussion on the subject, and there is possibly a good deal to be said for his view. For the canons of good society are, or should be, the same as the canons of art. Form is absolutely essential to it. It should have the dignity of a ceremony, as well as its unreality, and should combine the insincere character of a romantic play with the wit and beauty that make such plays delightful to us. Is insincerity such a terrible thing? I think not. It is merely a method by which we can multiply our personalities. Such, at any rate, was Dorian Gray s opinion. He used to wonder at the shallow psychology of those who conceive the ego in man as a thing simple, permanent, reliable, and of one essence. To him, man was a being with myriad lives and myriad sensations, a complex multiform creature that bore within itself strange legacies of thought and passion, and whose very flesh was tainted with the monstrous maladies of the dead. He loved to stroll through the gaunt cold picture-gallery of his country house and look at the various portraits of those whose blood flowed in his veins. Here was Philip Herbert, described by Francis Osborne, in his Memoires on the Reigns of Queen Elizabeth and King James, as one who was "caressed by the Court for his handsome face, which kept him not long company." Was it young Herbert s life that he sometimes led? Had some strange poisonous germ crept from body to body till it had reached his own? Was it some dim sense of that ruined grace that had made him so suddenly, and almost without cause, give utterance, in Basil Hallward s studio, to the mad prayer that had so changed his life? Here, in gold-embroidered red doublet, jewelled surcoat, and gilt-edged ruff and wristbands, stood Sir Anthony Sherard, with his silver-and-black armour piled at his feet. What had this man s legacy been? Had the lover of Giovanna of Naples bequeathed him some inheritance of sin and shame? Were his own actions merely the dreams that the dead man had not dared to realize? Here, from the fading canvas, smiled Lady Elizabeth Devereux, in her gauze hood, pearl stomacher, and pink slashed sleeves. A flower was in her right hand, and her left clasped an enamelled collar of white and damask roses. On a table by her side lay a mandolin and an apple. There were large green rosettes upon her little pointed shoes. He knew her life, and the strange stories that were told about her lovers. Had he something of her temperament in him? These oval, heavy-lidded eyes seemed to look curiously at him. What of George Willoughby, with his powdered hair and fantastic patches? How evil he looked! The face was saturnine and swarthy, and the sensual lips seemed to be twisted with disdain. Delicate lace ruffles fell over the lean yellow hands that were so overladen with rings. He had been a macaroni of the eighteenth century, and the friend, in his youth, of Lord Ferrars. What of the second Lord Beckenham, the companion of the Prince Regent in his wildest days, and one of the witnesses at the secret marriage with Mrs. Fitzherbert? How proud and handsome he was, with his chestnut curls and insolent pose! What passions had he bequeathed? The world had looked upon him as infamous. He had led the orgies at Carlton House. The star of the Garter glittered upon his breast. Beside him hung the portrait of his wife, a pallid, thin-lipped woman in black. Her blood, also, stirred within him. How curious it all seemed! And his mother with her Lady Hamilton face and her moist, wine-dashed lips he knew what he had got from her. He had got from her his beauty, and his passion for the beauty of others. She laughed at him in her loose Bacchante dress. There were vine leaves in her hair. The purple spilled from the cup she was holding. The carnations of the painting had withered, but the eyes were still wonderful in their depth and brilliancy of colour. They seemed to follow him wherever he went. Yet one had ancestors in literature as well as in one s own race, nearer perhaps in type and temperament, many of them, and certainly with an influence of which one was more absolutely conscious. There were times when it appeared to Dorian Gray that the whole of history was merely the record of his own life, not as he had lived it in act and circumstance, but as his imagination had created it for him, as it had been in his brain and in his passions. He felt that he had known them all, those strange terrible figures that had passed across the stage of the world and made sin so marvellous and evil so full of subtlety. It seemed to him that in some mysterious way their lives had been his own. The hero of the wonderful novel that had so influenced his life had himself known this curious fancy. In the seventh chapter he tells how, crowned with laurel, lest lightning might strike him, he had sat, as Tiberius, in a garden at Capri, reading the shameful books of Elephantis, while dwarfs and peacocks strutted round him and the flute-player mocked the swinger of the censer; and, as Caligula, had caroused with the green-shirted jockeys in their stables and supped in an ivory manger with a jewel-frontleted horse; and, as Domitian, had wandered through a corridor lined with marble mirrors, looking round with haggard eyes for the reflection of the dagger that was to end his days, and sick with that ennui, that terrible _t dium vit _, that comes on those to whom life denies nothing; and had peered through a clear emerald at the red shambles of the circus and then, in a litter of pearl and purple drawn by silver-shod mules, been carried through the Street of Pomegranates to a House of Gold and heard men cry on Nero Caesar as he passed by; and, as Elagabalus, had painted his face with colours, and plied the distaff among the women, and brought the Moon from Carthage and given her in mystic marriage to the Sun. Over and over again Dorian used to read this fantastic chapter, and the two chapters immediately following, in which, as in some curious tapestries or cunningly wrought enamels, were pictured the awful and beautiful forms of those whom vice and blood and weariness had made monstrous or mad: Filippo, Duke of Milan, who slew his wife and painted her lips with a scarlet poison that her lover might suck death from the dead thing he fondled; Pietro Barbi, the Venetian, known as Paul the Second, who sought in his vanity to assume the title of Formosus, and whose tiara, valued at two hundred thousand florins, was bought at the price of a terrible sin; Gian Maria Visconti, who used hounds to chase living men and whose murdered body was covered with roses by a harlot who had loved him; the Borgia on his white horse, with Fratricide riding beside him and his mantle stained with the blood of Perotto; Pietro Riario, the young Cardinal Archbishop of Florence, child and minion of Sixtus IV., whose beauty was equalled only by his debauchery, and who received Leonora of Aragon in a pavilion of white and crimson silk, filled with nymphs and centaurs, and gilded a boy that he might serve at the feast as Ganymede or Hylas; Ezzelin, whose melancholy could be cured only by the spectacle of death, and who had a passion for red blood, as other men have for red wine the son of the Fiend, as was reported, and one who had cheated his father at dice when gambling with him for his own soul; Giambattista Cibo, who in mockery took the name of Innocent and into whose torpid veins the blood of three lads was infused by a Jewish doctor; Sigismondo Malatesta, the lover of Isotta and the lord of Rimini, whose effigy was burned at Rome as the enemy of God and man, who strangled Polyssena with a napkin, and gave poison to Ginevra d Este in a cup of emerald, and in honour of a shameful passion built a pagan church for Christian worship; Charles VI., who had so wildly adored his brother s wife that a leper had warned him of the insanity that was coming on him, and who, when his brain had sickened and grown strange, could only be soothed by Saracen cards painted with the images of love and death and madness; and, in his trimmed jerkin and jewelled cap and acanthuslike curls, Grifonetto Baglioni, who slew Astorre with his bride, and Simonetto with his page, and whose comeliness was such that, as he lay dying in the yellow piazza of Perugia, those who had hated him could not choose but weep, and Atalanta, who had cursed him, blessed him. There was a horrible fascination in them all. He saw them at night, and they troubled his imagination in the day. The Renaissance knew of strange manners of poisoning poisoning by a helmet and a lighted torch, by an embroidered glove and a jewelled fan, by a gilded pomander and by an amber chain. Dorian Gray had been poisoned by a book. There were moments when he looked on evil simply as a mode through which he could realize his conception of the beautiful. CHAPTER XII It was on the ninth of November, the eve of his own thirty-eighth birthday, as he often remembered afterwards. He was walking home about eleven o clock from Lord Henry s, where he had been dining, and was wrapped in heavy furs, as the night was cold and foggy. At the corner of Grosvenor Square and South Audley Street, a man passed him in the mist, walking very fast and with the collar of his grey ulster turned up. He had a bag in his hand. Dorian recognized him. It was Basil Hallward. A strange sense of fear, for which he could not account, came over him. He made no sign of recognition and went on quickly in the direction of his own house. But Hallward had seen him. Dorian heard him first stopping on the pavement and then hurrying after him. In a few moments, his hand was on his arm.</\|quote\|>"Dorian! What an extraordinary piece of luck! I have been waiting for you in your library ever since nine o clock. Finally I took pity on your tired servant and told him to go to bed, as he let me out. I am off to Paris by the midnight train, and I particularly wanted to see you before I left. I thought it was you, or rather your fur coat, as you passed me. But I wasn t quite sure. Didn t you recognize me?" "In this fog, my dear Basil? Why, I can t even recognize Grosvenor Square. I believe my house is somewhere about here, but I don t feel at all certain about it. I am sorry you are going away, as I have not seen you for ages. But I suppose you will be back soon?" "No: I am going to be out of England for six months. I intend to take a studio in Paris and shut myself up till I have finished a great picture I have in my head. However, it wasn t about myself I wanted to talk. Here we are at your door. Let me come in for a moment. I	nineteenth century all the passions and modes of thought that belonged to every century except his own, and to sum up, as it were, in himself the various moods through which the world-spirit had ever passed, loving for their mere artificiality those renunciations that men have unwisely called virtue, as much as those natural rebellions that wise men still call sin. The style in which it was written was that curious jewelled style, vivid and obscure at once, full of _argot_ and of archaisms, of technical expressions and of elaborate paraphrases, that characterizes the work of some of the finest artists of the French school of _Symbolistes_. There were in it metaphors as monstrous as orchids and as subtle in colour. The life of the senses was described in the terms of mystical philosophy. One hardly knew at times whether one was reading the spiritual ecstasies of some medi val saint or the morbid confessions of a modern sinner. It was a poisonous book. The heavy odour of incense seemed to cling about its pages and to trouble the brain. The mere cadence of the sentences, the subtle monotony of their music, so full as it was of complex refrains and movements elaborately repeated, produced in the mind of the lad, as he passed from chapter to chapter, a form of reverie, a malady of dreaming, that made him unconscious of the falling day and creeping shadows. Cloudless, and pierced by one solitary star, a copper-green sky gleamed through the windows. He read on by its wan light till he could read no more. Then, after his valet had reminded him several times of the lateness of the hour, he got up, and going into the next room, placed the book on the little Florentine table that always stood at his bedside and began to dress for dinner. It was almost nine o clock before he reached the club, where he found Lord Henry sitting alone, in the morning-room, looking very much bored. "I am so sorry, Harry," he cried, "but really it is entirely your fault. That book you sent me so fascinated me that I forgot how the time was going." "Yes, I thought you would like it," replied his host, rising from his chair. "I didn t say I liked it, Harry. I said it fascinated me. There is a great difference." "Ah, you have discovered that?"<\|quote\|>murmured Lord Henry. And they passed into the dining-room. CHAPTER XI. For years, Dorian Gray could not free himself from the influence of this book. Or perhaps it would be more accurate to say that he never sought to free himself from it. He procured from Paris no less than nine large-paper copies of the first edition, and had them bound in different colours, so that they might suit his various moods and the changing fancies of a nature over which he seemed, at times, to have almost entirely lost control. The hero, the wonderful young Parisian in whom the romantic and the scientific temperaments were so strangely blended, became to him a kind of prefiguring type of himself. And, indeed, the whole book seemed to him to contain the story of his own life, written before he had lived it. In one point he was more fortunate than the novel s fantastic hero. He never knew never, indeed, had any cause to know that somewhat grotesque dread of mirrors, and polished metal surfaces, and still water which came upon the young Parisian so early in his life, and was occasioned by the sudden decay of a beau that had once, apparently, been so remarkable. It was with an almost cruel joy and perhaps in nearly every joy, as certainly in every pleasure, cruelty has its place that he used to read the latter part of the book, with its really tragic, if somewhat overemphasized, account of the sorrow and despair of one who had himself lost what in others, and the world, he had most dearly valued. For the wonderful beauty that had so fascinated Basil Hallward, and many others besides him, seemed never to leave him. Even those who had heard the most evil things against him and from time to time strange rumours about his mode of life crept through London and became the chatter of the clubs could not believe anything to his dishonour when they saw him. He had always the look of one who had kept himself unspotted from the world. Men who talked grossly became silent when Dorian Gray entered the room. There was something in the purity of his face that rebuked them. His mere presence seemed to recall to them the memory of the innocence that they had tarnished. They wondered how one so charming and graceful as he was could have escaped the stain of an age that was at once sordid and sensual. Often, on returning home from one of those mysterious and prolonged absences that gave rise to such strange conjecture among those who were his friends, or thought that they were so, he himself would creep upstairs to the locked room, open the door with the key that never left him now, and stand, with a mirror, in front of the portrait that Basil Hallward had painted of him, looking now at the evil and aging face on the canvas, and now at the fair young face that laughed back at him from the polished glass. The very sharpness of the contrast used to quicken his sense of pleasure. He grew more and more enamoured of his own beauty, more and more interested in the corruption of his own soul. He would examine with minute care, and sometimes with a monstrous and terrible delight, the hideous lines that seared the wrinkling forehead or crawled around the heavy sensual mouth, wondering sometimes which were the more horrible, the signs of sin or the signs of age. He would place his white hands beside the coarse bloated hands of the picture, and smile. He mocked the misshapen body and the failing limbs. There were moments, indeed, at night, when, lying sleepless in his own delicately scented chamber, or in the sordid room of the little ill-famed tavern near the docks which, under an assumed name and in disguise, it was his habit to frequent, he would think of the ruin he had brought upon his soul with a pity that was all the more poignant because it was purely selfish. But moments such as these were rare. That curiosity about life which Lord Henry had first stirred in him, as they sat together in the garden of their friend, seemed to increase with gratification. The more he knew, the more he desired to know. He had mad hungers that grew more ravenous as he fed them. Yet he was not really reckless, at any rate in his relations to society. Once or twice every month during the winter, and on each Wednesday evening while the season lasted, he would throw open to the world his beautiful house and have the most celebrated musicians of the day to charm his guests with the wonders of their art. His little dinners, in the settling of which Lord Henry always assisted him, were noted as much for the careful selection and placing of those invited, as for the exquisite taste shown in the decoration of the table, with its subtle symphonic arrangements of exotic flowers, and embroidered cloths, and antique plate of gold and silver. Indeed, there were many, especially among the very young men, who saw, or fancied that they saw, in Dorian Gray the true realization of a type of which they had often dreamed in Eton or Oxford days, a type that was to combine something of the real culture of the scholar with all the grace and distinction and perfect manner of a citizen of the world. To them he seemed to be of the company of those whom Dante describes as having sought to "make themselves perfect by the worship of beauty." Like Gautier, he was one for whom "the visible world existed." And, certainly, to him life itself was the first, the greatest, of the arts, and for it all the other arts seemed to be but a preparation. Fashion, by which what is really fantastic becomes for a moment universal, and dandyism, which, in its own way, is an attempt to assert the absolute modernity of beauty, had, of course, their fascination for him. His mode of dressing, and the particular styles that from time to time he affected, had their marked influence on the young exquisites of the Mayfair balls and Pall Mall club windows, who copied him in everything that he did, and tried to reproduce the accidental charm of his graceful, though to him only half-serious, fopperies. For, while he was but too ready to accept the position that was almost immediately offered to him on his coming of age, and found, indeed, a subtle pleasure in the thought that he might really become to the London of his own day what to imperial Neronian Rome the author of the Satyricon once had been, yet in his inmost heart he desired to be something more than a mere _arbiter elegantiarum_, to be consulted on the wearing of a jewel, or the knotting of a necktie, or the conduct of a cane. He sought to elaborate some new scheme of life that would have its reasoned philosophy and its ordered principles, and find in the spiritualizing of the senses its highest realization. The worship of the senses has often, and with much justice, been decried, men feeling a natural instinct of terror about passions and sensations that seem stronger than themselves, and that they are conscious of sharing with the less highly organized forms of existence. But it appeared to Dorian Gray that the true nature of the senses had never been understood, and that they had remained savage and animal merely because the world had sought to starve them into submission or to kill them by pain, instead of aiming at making them elements of a new spirituality, of which a fine instinct for beauty was to be the dominant characteristic. As he looked back upon man moving through history, he was haunted by a feeling of loss. So much had been surrendered! and to such little purpose! There had been mad wilful rejections, monstrous forms of self-torture and self-denial, whose origin was fear and whose result was a degradation infinitely more terrible than that fancied degradation from which, in their ignorance, they had sought to escape; Nature, in her wonderful irony, driving out the anchorite to feed with the wild animals of the desert and giving to the hermit the beasts of the field as his companions. Yes: there was to be, as Lord Henry had prophesied, a new Hedonism that was to recreate life and to save it from that harsh uncomely puritanism that is having, in our own day, its curious revival. It was to have its service of the intellect, certainly, yet it was never to accept any theory or system that would involve the sacrifice of any mode of passionate experience. Its aim, indeed, was to be experience itself, and not the fruits of experience, sweet or bitter as they might be. Of the asceticism that deadens the senses, as of the vulgar profligacy that dulls them, it was to know nothing. But it was to teach man to concentrate himself upon the moments of a life that is itself but a moment. There are few of us who have not sometimes wakened before dawn, either after one of those dreamless nights that make us almost enamoured of death, or one of those nights of horror and misshapen joy, when through the chambers of the brain sweep phantoms more terrible than reality itself, and instinct with that vivid life that lurks in all grotesques, and that lends to Gothic art its enduring vitality, this art being, one might fancy, especially the art of those whose minds have been troubled with the malady of reverie. Gradually white fingers creep through the curtains, and they appear to tremble. In black fantastic shapes, dumb shadows crawl into the corners of the room and crouch there. Outside, there is the stirring of birds among the leaves, or the sound of men going forth to their work, or the sigh and sob of the wind coming down from the hills and wandering round the silent house, as though it feared to wake the sleepers and yet must needs call forth sleep from her purple cave. Veil after veil of thin dusky gauze is lifted, and by degrees the forms and colours of things are restored to them, and we watch the dawn remaking the world in its antique pattern. The wan mirrors get back their mimic life. The flameless tapers stand where we had left them, and beside them lies the half-cut book that we had been studying, or the wired flower that we had worn at the ball, or the letter that we had been afraid to read, or that we had read too often. Nothing seems to us changed. Out of the unreal shadows of the night comes back the real life that we had known. We have to resume it where we had left off, and there steals over us a terrible sense of the necessity for the continuance of energy in the same wearisome round of stereotyped habits, or a wild longing, it may be, that our eyelids might open some morning upon a world that had been refashioned anew in the darkness for our pleasure, a world in which things would have fresh shapes and colours, and be changed, or have other secrets, a world in which the past would have little or no place, or survive, at any rate, in no conscious form of obligation or regret, the remembrance even of joy having its bitterness and the memories of pleasure their pain. It was the creation of such worlds as these that seemed to Dorian Gray to be the true object, or amongst the true objects, of life; and in his search for sensations that would be at once new and delightful, and possess that element of strangeness that is so essential to romance, he would often adopt certain modes of thought that he knew to be really alien to his nature, abandon himself to their subtle influences, and then, having, as it were, caught their colour and satisfied his intellectual curiosity, leave them with that curious indifference that is not incompatible with a real ardour of temperament, and that, indeed, according to certain modern psychologists, is often a condition of it. It was rumoured of him once that he was about to join the Roman Catholic communion, and certainly the Roman ritual had always a great attraction for him. The daily sacrifice, more awful really than all the sacrifices of the antique world, stirred him as much by its superb rejection of the evidence of the senses as by the primitive simplicity of its elements and the eternal pathos of the human tragedy that it sought to symbolize. He loved to kneel down on the cold marble pavement and watch the priest, in his stiff flowered dalmatic, slowly and with white hands moving aside the veil of the tabernacle, or raising aloft the jewelled, lantern-shaped monstrance with that pallid wafer that at times, one would fain think, is indeed the "_panis c lestis_," the bread of angels, or, robed in the garments of the Passion of Christ, breaking the Host into the chalice and smiting his breast for his sins. The fuming censers that the grave boys, in their lace and scarlet, tossed into the air like great gilt flowers had their subtle fascination for him. As he passed out, he used to look with wonder at the black confessionals and long to sit in the dim shadow of one of them and listen to men and women whispering through the worn grating the true story of their lives. But he never fell into the error of arresting his intellectual development by any formal acceptance of creed or system, or of mistaking, for a house in which to live, an inn that is but suitable for the sojourn of a night, or for a few hours of a night in which there are no stars and the moon is in travail. Mysticism, with its marvellous power of making common things strange to us, and the subtle antinomianism that always seems to accompany it, moved him for a season; and for a season he inclined to the materialistic doctrines of the _Darwinismus_ movement in Germany, and found a curious pleasure in tracing the thoughts and passions of men to some pearly cell in the brain, or some white nerve in the body, delighting in the conception of the absolute dependence of the spirit on certain physical conditions, morbid or healthy, normal or diseased. Yet, as has been said of him before, no theory of life seemed to him to be of any importance compared with life itself. He felt keenly conscious of how barren all intellectual speculation is when separated from action and experiment. He knew that the senses, no less than the soul, have their spiritual mysteries to reveal. And so he would now study perfumes and the secrets of their manufacture, distilling heavily scented oils and burning odorous gums from the East. He saw that there was no mood of the mind that had not its counterpart in the sensuous life, and set himself to discover their true relations, wondering what there was in frankincense that made one mystical, and in ambergris that stirred one s passions, and in violets that woke the memory of dead romances, and in musk that troubled the brain, and in champak that stained the imagination; and seeking often to elaborate a real psychology of perfumes, and to estimate the several influences of sweet-smelling roots and scented, pollen-laden flowers; of aromatic balms and of dark and fragrant woods; of spikenard, that sickens; of hovenia, that makes men mad; and of aloes, that are said to be able to expel melancholy from the soul. At another time he devoted himself entirely to music, and in a long latticed room, with a vermilion-and-gold ceiling and walls of olive-green lacquer, he used to give curious concerts in which mad gipsies tore wild music from little zithers, or grave, yellow-shawled Tunisians plucked at the strained strings of monstrous lutes, while grinning Negroes beat monotonously upon copper drums and, crouching upon scarlet mats, slim turbaned Indians blew through long pipes of reed or brass and charmed or feigned to charm great hooded snakes and horrible horned adders. The harsh intervals and shrill discords of barbaric music stirred him at times when Schubert s grace, and Chopin s beautiful sorrows, and the mighty harmonies of Beethoven himself, fell unheeded on his ear. He collected together from all parts of the world the strangest instruments that could be found, either in the tombs of dead nations or among the few savage tribes that have survived contact with Western civilizations, and loved to touch and try them. He had the mysterious _juruparis_ of the Rio Negro Indians, that women are not allowed to look at and that even youths may not see till they have been subjected to fasting and scourging, and the earthen jars of the Peruvians that have the shrill cries of birds, and flutes of human bones such as Alfonso de Ovalle heard in Chile, and the sonorous green jaspers that are found near Cuzco and give forth a note of singular sweetness. He had painted gourds filled with pebbles that rattled when they were shaken; the long _clarin_ of the Mexicans, into which the performer does not blow, but through which he inhales the air; the harsh _ture_ of the Amazon tribes, that is sounded by the sentinels who sit all day long in high trees, and can be heard, it is said, at a distance of three leagues; the _teponaztli_, that has two vibrating tongues of wood and is beaten with sticks that are smeared with an elastic gum obtained from the milky juice of plants; the _yotl_-bells of the Aztecs, that are hung in clusters like grapes; and a huge cylindrical drum, covered with the skins of great serpents, like the one that Bernal Diaz saw when he went with Cortes into the Mexican temple, and of whose doleful sound he has left us so vivid a description. The fantastic character of these instruments fascinated him, and he felt a curious delight in the thought that art, like Nature, has her monsters, things of bestial shape and with hideous voices. Yet, after some time, he wearied of them, and would sit in his box at the opera, either alone or with Lord Henry, listening in rapt pleasure to "Tannhauser" and seeing in the prelude to that great work of art a presentation of the tragedy of his own soul. On one occasion he took up the study of jewels, and appeared at a costume ball as Anne de Joyeuse, Admiral of France, in a dress covered with five hundred and sixty pearls. This taste enthralled him for years, and, indeed, may be said never to have left him. He would often spend a whole day settling and resettling in their cases the various stones that he had collected, such as the olive-green chrysoberyl that turns red by lamplight, the cymophane with its wirelike line of silver, the pistachio-coloured peridot, rose-pink and wine-yellow topazes, carbuncles of fiery scarlet with tremulous, four-rayed stars, flame-red cinnamon-stones, orange and violet spinels, and amethysts with their alternate layers of ruby and sapphire. He loved the red gold of the sunstone, and the moonstone s pearly whiteness, and the broken rainbow of the milky opal. He procured from Amsterdam three emeralds of extraordinary size and richness of colour, and had a turquoise _de la vieille roche_ that was the envy of all the connoisseurs. He discovered wonderful stories, also, about jewels. In Alphonso s Clericalis Disciplina a serpent was mentioned with eyes of real jacinth, and in the romantic history of Alexander, the Conqueror of Emathia was said to have found in the vale of Jordan snakes "with collars of real emeralds growing on their backs." There was a gem in the brain of the dragon, Philostratus told us, and "by the exhibition of golden letters and a scarlet robe" the monster could be thrown into a magical sleep and slain. According to the great alchemist, Pierre de Boniface, the diamond rendered a man invisible, and the agate of India made him eloquent. The cornelian appeased anger, and the hyacinth provoked sleep, and the amethyst drove away the fumes of wine. The garnet cast out demons, and the hydropicus deprived the moon of her colour. The selenite waxed and waned with the moon, and the meloceus, that discovers thieves, could be affected only by the blood of kids. Leonardus Camillus had seen a white stone taken from the brain of a newly killed toad, that was a certain antidote against poison. The bezoar, that was found in the heart of the Arabian deer, was a charm that could cure the plague. In the nests of Arabian birds was the aspilates, that, according to Democritus, kept the wearer from any danger by fire. The King of Ceilan rode through his city with a large ruby in his hand, as the ceremony of his coronation. The gates of the palace of John the Priest were "made of sardius, with the horn of the horned snake inwrought, so that no man might bring poison within." Over the gable were "two golden apples, in which were two carbuncles," so that the gold might shine by day and the carbuncles by night. In Lodge s strange romance A Margarite of America , it was stated that in the chamber of the queen one could behold "all the chaste ladies of the world, inchased out of silver, looking through fair mirrours of chrysolites, carbuncles, sapphires, and greene emeraults." Marco Polo had seen the inhabitants of Zipangu place rose-coloured pearls in the mouths of the dead. A sea-monster had been enamoured of the pearl that the diver brought to King Perozes, and had slain the thief, and mourned for seven moons over its loss. When the Huns lured the king into the great pit, he flung it away Procopius tells the story nor was it ever found again, though the Emperor Anastasius offered five hundred-weight of gold pieces for it. The King of Malabar had shown to a certain Venetian a rosary of three hundred and four pearls, one for every god that he worshipped. When the Duke de Valentinois, son of Alexander VI., visited Louis XII. of France, his horse was loaded with gold leaves, according to Brantome, and his cap had double rows of rubies that threw out a great light. Charles of England had ridden in stirrups hung with four hundred and twenty-one diamonds. Richard II had a coat, valued at thirty thousand marks, which was covered with balas rubies. Hall described Henry VIII., on his way to the Tower previous to his coronation, as wearing "a jacket of raised gold, the placard embroidered with diamonds and other rich stones, and a great bauderike about his neck of large balasses." The favourites of James I wore ear-rings of emeralds set in gold filigrane. Edward II gave to Piers Gaveston a suit of red-gold armour studded with jacinths, a collar of gold roses set with turquoise-stones, and a skull-cap _parsem _ with pearls. Henry II. wore jewelled gloves reaching to the elbow, and had a hawk-glove sewn with twelve rubies and fifty-two great orients. The ducal hat of Charles the Rash, the last Duke of Burgundy of his race, was hung with pear-shaped pearls and studded with sapphires. How exquisite life had once been! How gorgeous in its pomp and decoration! Even to read of the luxury of the dead was wonderful. Then he turned his attention to embroideries and to the tapestries that performed the office of frescoes in the chill rooms of the northern nations of Europe. As he investigated the subject and he always had an extraordinary faculty of becoming absolutely absorbed for the moment in whatever he took up he was almost saddened by the reflection of the ruin that time brought on beautiful and wonderful things. He, at any rate, had escaped that. Summer followed summer, and the yellow jonquils bloomed and died many times, and nights of horror repeated the story of their shame, but he was unchanged. No winter marred his face or stained his flowerlike bloom. How different it was with material things! Where had they passed to? Where was the great crocus-coloured robe, on which the gods fought against the giants, that had been worked by brown girls for the pleasure of Athena? Where the huge velarium that Nero had stretched across the Colosseum at Rome, that Titan sail of purple on which was represented the starry sky, and Apollo driving a chariot drawn by white, gilt-reined steeds? He longed to see the curious table-napkins wrought for the Priest of the Sun, on which were displayed all the dainties and viands that could be wanted for a feast; the mortuary cloth of King Chilperic, with its three hundred golden bees; the fantastic robes that excited the indignation of the Bishop of Pontus and were figured with "lions, panthers, bears, dogs, forests, rocks, hunters all, in fact, that a painter can copy from nature"; and the coat that Charles of Orleans once wore, on the sleeves of which were embroidered the verses of a song beginning "_Madame, je suis tout joyeux_," the musical accompaniment of the words being wrought in gold thread, and each note, of square shape in those days, formed with four pearls. He read of the room that was prepared at the palace at Rheims for the use of Queen Joan of Burgundy and was decorated with "thirteen hundred and twenty-one parrots, made in broidery, and blazoned with the king s arms, and five hundred and sixty-one butterflies, whose wings were similarly ornamented with the arms of the queen, the whole worked in gold." Catherine de Medicis had a mourning-bed made for her of black velvet powdered with crescents and suns. Its curtains were of damask, with leafy wreaths and garlands, figured upon a gold and silver ground, and fringed along the edges with broideries of pearls, and it stood in a room hung with rows of the queen s devices in cut black velvet upon cloth of silver. Louis XIV. had gold embroidered caryatides fifteen feet high in his apartment. The state bed of Sobieski, King of Poland, was made of Smyrna gold brocade embroidered in turquoises with verses from the Koran. Its supports were of silver gilt, beautifully chased, and profusely set with enamelled and jewelled medallions. It had been taken from the Turkish camp before Vienna, and the standard of Mohammed had stood beneath the tremulous gilt of its canopy. And so, for a whole year, he sought to accumulate the most exquisite specimens that he could find of textile and embroidered work, getting the dainty Delhi muslins, finely wrought with gold-thread palmates and stitched over with iridescent beetles wings; the Dacca gauzes, that from their transparency are known in the East as "woven air," and "running water," and "evening dew"; strange figured cloths from Java; elaborate yellow Chinese hangings; books bound in tawny satins or fair blue silks and wrought with _fleurs-de-lis_, birds and images; veils of _lacis_ worked in Hungary point; Sicilian brocades and stiff Spanish velvets; Georgian work, with its gilt coins, and Japanese _Foukousas_, with their green-toned golds and their marvellously plumaged birds. He had a special passion, also, for ecclesiastical vestments, as indeed he had for everything connected with the service of the Church. In the long cedar chests that lined the west gallery of his house, he had stored away many rare and beautiful specimens of what is really the raiment of the Bride of Christ, who must wear purple and jewels and fine linen that she may hide the pallid macerated body that is worn by the suffering that she seeks for and wounded by self-inflicted pain. He possessed a gorgeous cope of crimson silk and gold-thread damask, figured with a repeating pattern of golden pomegranates set in six-petalled formal blossoms, beyond which on either side was the pine-apple device wrought in seed-pearls. The orphreys were divided into panels representing scenes from the life of the Virgin, and the coronation of the Virgin was figured in coloured silks upon the hood. This was Italian work of the fifteenth century. Another cope was of green velvet, embroidered with heart-shaped groups of acanthus-leaves, from which spread long-stemmed white blossoms, the details of which were picked out with silver thread and coloured crystals. The morse bore a seraph s head in gold-thread raised work. The orphreys were woven in a diaper of red and gold silk, and were starred with medallions of many saints and martyrs, among whom was St. Sebastian. He had chasubles, also, of amber-coloured silk, and blue silk and gold brocade, and yellow silk damask and cloth of gold, figured with representations of the Passion and Crucifixion of Christ, and embroidered with lions and peacocks and other emblems; dalmatics of white satin and pink silk damask, decorated with tulips and dolphins and _fleurs-de-lis_; altar frontals of crimson velvet and blue linen; and many corporals, chalice-veils, and sudaria. In the mystic offices to which such things were put, there was something that quickened his imagination. For these treasures, and everything that he collected in his lovely house, were to be to him means of forgetfulness, modes by which he could escape, for a season, from the fear that seemed to him at times to be almost too great to be borne. Upon the walls of the lonely locked room where he had spent so much of his boyhood, he had hung with his own hands the terrible portrait whose changing features showed him the real degradation of his life, and in front of it had draped the purple-and-gold pall as a curtain. For weeks he would not go there, would forget the hideous painted thing, and get back his light heart, his wonderful joyousness, his passionate absorption in mere existence. Then, suddenly, some night he would creep out of the house, go down to dreadful places near Blue Gate Fields, and stay there, day after day, until he was driven away. On his return he would sit in front of the picture, sometimes loathing it and himself, but filled, at other times, with that pride of individualism that is half the fascination of sin, and smiling with secret pleasure at the misshapen shadow that had to bear the burden that should have been his own. After a few years he could not endure to be long out of England, and gave up the villa that he had shared at Trouville with Lord Henry, as well as the little white walled-in house at Algiers where they had more than once spent the winter. He hated to be separated from the picture that was such a part of his life, and was also afraid that during his absence some one might gain access to the room, in spite of the elaborate bars that he had caused to be placed upon the door. He was quite conscious that this would tell them nothing. It was true that the portrait still preserved, under all the foulness and ugliness of the face, its marked likeness to himself; but what could they learn from that? He would laugh at any one who tried to taunt him. He had not painted it. What was it to him how vile and full of shame it looked? Even if he told them, would they believe it? Yet he was afraid. Sometimes when he was down at his great house in Nottinghamshire, entertaining the fashionable young men of his own rank who were his chief companions, and astounding the county by the wanton luxury and gorgeous splendour of his mode of life, he would suddenly leave his guests and rush back to town to see that the door had not been tampered with and that the picture was still there. What if it should be stolen? The mere thought made him cold with horror. Surely the world would know his secret then. Perhaps the world already suspected it. For, while he fascinated many, there were not a few who distrusted him. He was very nearly blackballed at a West End club of which his birth and social position fully entitled him to become a member, and it was said that on one occasion, when he was brought by a friend into the smoking-room of the Churchill, the Duke of Berwick and another gentleman got up in a marked manner and went out. Curious stories became current about him after he had passed his twenty-fifth year. It was rumoured that he had been seen brawling with foreign sailors in a low den in the distant parts of Whitechapel, and that he consorted with thieves and coiners and knew the mysteries of their trade. His extraordinary absences became notorious, and, when he used to reappear again in society, men would whisper to each other in corners, or pass him with a sneer, or look at him with cold searching eyes, as though they were determined to discover his secret. Of such insolences and attempted slights he, of course, took no notice, and in the opinion of most people his frank debonair manner, his charming boyish smile, and the infinite grace of that wonderful youth that seemed never to leave him, were in themselves a sufficient answer to the calumnies, for so they termed them, that were circulated about him. It was remarked, however, that some of those who had been most intimate with him appeared, after a time, to shun him. Women who had wildly adored him, and for his sake had braved all social censure and set convention at defiance, were seen to grow pallid with shame or horror if Dorian Gray entered the room. Yet these whispered scandals only increased in the eyes of many his strange and dangerous charm. His great wealth was a certain element of security. Society civilized society, at least is never very ready to believe anything to the detriment of those who are both rich and fascinating. It feels instinctively that manners are of more importance than morals, and, in its opinion, the highest respectability is of much less value than the possession of a good _chef_. And, after all, it is a very poor consolation to be told that the man who has given one a bad dinner, or poor wine, is irreproachable in his private life. Even the cardinal virtues cannot atone for half-cold _entr es_, as Lord Henry remarked once, in a discussion on the subject, and there is possibly a good deal to be said for his view. For the canons of good society are, or should be, the same as the canons of art. Form is absolutely essential to it. It should have the dignity of a ceremony, as well as its unreality, and should combine the insincere character of a romantic play with the wit and beauty that make such plays delightful to us. Is insincerity such a terrible thing? I think not. It is merely a method by which we can multiply our personalities. Such, at any rate, was Dorian Gray s opinion. He used to wonder at the shallow psychology of those who conceive the ego in man as a thing simple, permanent, reliable, and of one essence. To him, man was a being with myriad lives and myriad sensations, a complex multiform creature that bore within itself strange legacies of thought and passion, and whose very flesh was tainted with the monstrous maladies of the dead. He loved to stroll through the gaunt cold picture-gallery of his country house and look at the various portraits of those whose blood flowed in his veins. Here was Philip Herbert, described by Francis Osborne, in his Memoires on the Reigns of Queen Elizabeth and King James, as one who was "caressed by the Court for his handsome face, which kept him not long company." Was it young Herbert s life that he sometimes led? Had some strange poisonous germ crept from body to body till it had reached his own? Was it some dim sense of that ruined grace that had made him so suddenly, and almost without cause, give utterance, in Basil Hallward s studio, to the mad prayer that had so changed his life? Here, in gold-embroidered red doublet, jewelled surcoat, and gilt-edged ruff and wristbands, stood Sir Anthony Sherard, with his silver-and-black armour piled at his feet. What had this man s legacy been? Had the lover of Giovanna of Naples bequeathed him some inheritance of sin and shame? Were his own actions merely the dreams that the dead man had not dared to realize? Here, from the fading canvas, smiled Lady Elizabeth Devereux, in her gauze hood, pearl stomacher, and pink slashed sleeves. A flower was in her right hand, and her left clasped an enamelled collar of white and damask roses. On a table by her side lay a mandolin and an apple. There were large green rosettes upon her little pointed shoes. He knew her life, and the strange stories that were told about her lovers. Had he something of her temperament in him? These oval, heavy-lidded eyes seemed to look curiously at him. What of George Willoughby, with his powdered hair and fantastic patches? How evil he looked! The face was saturnine and swarthy, and the sensual lips seemed to be twisted with disdain. Delicate lace ruffles fell over the lean yellow hands that were so overladen with rings. He had been a macaroni of the eighteenth century, and the friend, in his youth, of Lord Ferrars. What of the second Lord Beckenham, the companion of the Prince Regent in his wildest days, and one of the witnesses at the secret marriage with Mrs. Fitzherbert? How proud and handsome he was, with his chestnut curls and insolent pose! What passions had he bequeathed? The world had looked upon him as infamous. He had led the orgies at Carlton House. The star of the Garter glittered upon his breast. Beside him hung the portrait of his wife, a pallid, thin-lipped woman in black. Her blood, also, stirred within him. How curious it all seemed! And his mother with her Lady Hamilton face and her moist, wine-dashed lips he knew what he had got from her. He had got from her his beauty, and his passion for the beauty of others. She laughed at him in her loose Bacchante dress. There were vine leaves in her hair. The purple spilled from the cup she was holding. The carnations of the painting had withered, but the eyes were still wonderful in their depth and brilliancy of colour. They seemed to follow him wherever he went. Yet one had ancestors in literature as well as in one s own race, nearer perhaps in type and temperament, many of them, and certainly with an influence of which one was more absolutely conscious. There were times when it appeared to Dorian Gray that the whole of history was merely the record of his own life, not as he had lived it in act and circumstance, but as his imagination had created it for him, as it had been in his brain and in his passions. He felt that he had known them all, those strange terrible figures that had passed across the stage of the world and made sin so marvellous and evil so full of subtlety. It seemed to him that in some mysterious way their lives had been his own. The hero of the wonderful novel that had so influenced his life had himself known this curious fancy. In the seventh chapter he tells how, crowned with laurel, lest lightning might strike him, he had sat, as Tiberius, in a garden at Capri, reading the shameful books of Elephantis, while dwarfs and peacocks strutted round him and the flute-player mocked the swinger of the censer; and, as Caligula, had caroused with the green-shirted jockeys in their stables and supped in an ivory manger with a jewel-frontleted horse; and, as Domitian, had wandered through a corridor lined with marble mirrors, looking round with haggard eyes for the reflection of the dagger that was to end his days, and sick with that ennui, that terrible _t dium vit _, that comes on those to whom life denies nothing; and had peered through a clear emerald at the red shambles of the circus and then, in a litter of pearl and purple drawn by silver-shod mules, been carried through the Street of Pomegranates to a House of Gold and heard men cry on Nero Caesar as he passed by; and, as Elagabalus, had painted his face with colours, and plied the distaff among the women, and brought the Moon from Carthage and given her in mystic marriage to the Sun. Over and over again Dorian used to read this fantastic chapter, and the two chapters immediately following, in which, as in some curious tapestries or cunningly wrought enamels, were pictured the awful and beautiful forms of those whom vice and blood and weariness had made monstrous or mad: Filippo, Duke of Milan, who slew his wife and painted her lips with a scarlet poison that her lover might suck death from the dead thing he fondled; Pietro Barbi, the Venetian, known as Paul the Second, who sought in his vanity to assume the title of Formosus, and whose tiara, valued at two hundred thousand florins, was bought at the price of a terrible sin; Gian Maria Visconti, who used hounds to chase living men and whose murdered body was covered with roses by a harlot who had loved him; the Borgia on his white horse, with Fratricide riding beside him and his mantle stained with the blood of Perotto; Pietro Riario, the young Cardinal Archbishop of Florence, child and minion of Sixtus IV., whose beauty was equalled only by his debauchery, and who received Leonora of Aragon in a pavilion of white and crimson silk, filled with nymphs and centaurs, and gilded a boy that he might serve at the feast as Ganymede or Hylas; Ezzelin, whose melancholy could be cured only by the spectacle of death, and who had a passion for red blood, as other men have for red wine the son of the Fiend, as was reported, and one who had cheated his father at dice when gambling with him for his own soul; Giambattista Cibo, who in mockery took the name of Innocent and into whose torpid veins the blood of three lads was infused by a Jewish doctor; Sigismondo Malatesta, the lover of Isotta and the lord of Rimini, whose effigy was burned at Rome as the enemy of God and man, who strangled Polyssena with a napkin, and gave poison to Ginevra d Este in a cup of emerald, and in honour of a shameful passion built a pagan church for Christian worship; Charles VI., who had so wildly adored his brother s wife that a leper had warned him of the insanity that was coming on him, and who, when his brain had sickened and grown strange, could only be soothed by Saracen cards painted with the images of love and death and madness; and, in his trimmed jerkin and jewelled cap and acanthuslike curls, Grifonetto Baglioni, who slew Astorre with his bride, and Simonetto with his page, and whose comeliness was such that, as he lay dying in the yellow piazza of Perugia, those who had hated him could not choose but weep, and Atalanta, who had cursed him, blessed him. There was a horrible fascination in them all. He saw them at night, and they troubled his imagination in the day. The Renaissance knew of strange manners of poisoning poisoning by a helmet and a lighted torch, by an embroidered glove and a jewelled fan, by a gilded pomander and by an amber chain. Dorian Gray had been poisoned by a book. There were moments when he looked on evil simply as a mode through which he could realize his conception of the beautiful. CHAPTER XII It was on the ninth of November, the eve of his own thirty-eighth birthday, as he often remembered afterwards. He was walking home about eleven o clock from Lord Henry s, where he had been dining, and was wrapped in heavy furs, as the night was cold and foggy. At the corner of Grosvenor Square and South Audley Street, a man passed him in the mist, walking very fast and with the collar of his grey ulster turned up. He had a bag in his hand. Dorian recognized him. It was Basil Hallward. A strange sense of fear, for which he could not account, came over him. He made no sign of recognition and went on quickly in the direction of his own house. But Hallward had seen him. Dorian heard him first stopping on the pavement and then hurrying after him. In a few moments, his hand was on his arm.</\|quote\|>"Dorian! What an extraordinary piece of luck! I have been waiting for you in your library ever since nine o clock. Finally I took pity on your tired servant and told him to go to bed, as he let me out. I am off to Paris by the midnight train, and I particularly wanted to see you before I left. I thought it was you, or rather your fur coat, as you passed me. But I wasn t quite sure. Didn t you recognize me?" "In this fog, my dear Basil? Why, I can t even recognize Grosvenor Square. I believe my house is somewhere about here, but I don t feel at all certain about it. I am sorry you are going away, as I have not seen you for ages. But I suppose you will be back soon?" "No: I am going to be out of England for six months. I intend to take a studio in Paris and shut myself up till I have finished a great picture I have in my head. However, it wasn t about myself I wanted to talk. Here we are at your door. Let me come in for a moment. I have something to say to you." "I shall be charmed. But won t you miss your train?" said Dorian Gray languidly as he passed up the steps and opened the door with his latch-key. The lamplight struggled out through the fog, and Hallward looked at his watch. "I have heaps of time," he answered. "The train doesn t go till twelve-fifteen, and it is only just eleven. In fact, I was on my way to the club to look for you, when I met you. You see, I shan t have any delay about luggage, as I have sent on my heavy things. All I have with me is in this bag, and I can easily get to Victoria in twenty minutes." Dorian looked at him and smiled. "What a way for a fashionable painter to travel! A Gladstone bag and an ulster! Come in, or the fog will get into the house. And mind you don t talk about anything serious. Nothing is serious nowadays. At least nothing should be." Hallward shook his head, as he entered, and followed Dorian into the library. There was a bright wood fire blazing in the large open hearth. The lamps were lit,	round the evening paper, and a book that might interest him, and that he would be at the club at eight-fifteen. He opened _The St. James s_ languidly, and looked through it. A red pencil-mark on the fifth page caught his eye. It drew attention to the following paragraph: INQUEST ON AN ACTRESS. An inquest was held this morning at the Bell Tavern, Hoxton Road, by Mr. Danby, the District Coroner, on the body of Sibyl Vane, a young actress recently engaged at the Royal Theatre, Holborn. A verdict of death by misadventure was returned. Considerable sympathy was expressed for the mother of the deceased, who was greatly affected during the giving of her own evidence, and that of Dr. Birrell, who had made the post-mortem examination of the deceased. He frowned, and tearing the paper in two, went across the room and flung the pieces away. How ugly it all was! And how horribly real ugliness made things! He felt a little annoyed with Lord Henry for having sent him the report. And it was certainly stupid of him to have marked it with red pencil. Victor might have read it. The man knew more than enough English for that. Perhaps he had read it and had begun to suspect something. And, yet, what did it matter? What had Dorian Gray to do with Sibyl Vane s death? There was nothing to fear. Dorian Gray had not killed her. His eye fell on the yellow book that Lord Henry had sent him. What was it, he wondered. He went towards the little, pearl-coloured octagonal stand that had always looked to him like the work of some strange Egyptian bees that wrought in silver, and taking up the volume, flung himself into an arm-chair and began to turn over the leaves. After a few minutes he became absorbed. It was the strangest book that he had ever read. It seemed to him that in exquisite raiment, and to the delicate sound of flutes, the sins of the world were passing in dumb show before him. Things that he had dimly dreamed of were suddenly made real to him. Things of which he had never dreamed were gradually revealed. It was a novel without a plot and with only one character, being, indeed, simply a psychological study of a certain young Parisian who spent his life trying to realize in the nineteenth century all the passions and modes of thought that belonged to every century except his own, and to sum up, as it were, in himself the various moods through which the world-spirit had ever passed, loving for their mere artificiality those renunciations that men have unwisely called virtue, as much as those natural rebellions that wise men still call sin. The style in which it was written was that curious jewelled style, vivid and obscure at once, full of _argot_ and of archaisms, of technical expressions and of elaborate paraphrases, that characterizes the work of some of the finest artists of the French school of _Symbolistes_. There were in it metaphors as monstrous as orchids and as subtle in colour. The life of the senses was described in the terms of mystical philosophy. One hardly knew at times whether one was reading the spiritual ecstasies of some medi val saint or the morbid confessions of a modern sinner. It was a poisonous book. The heavy odour of incense seemed to cling about its pages and to trouble the brain. The mere cadence of the sentences, the subtle monotony of their music, so full as it was of complex refrains and movements elaborately repeated, produced in the mind of the lad, as he passed from chapter to chapter, a form of reverie, a malady of dreaming, that made him unconscious of the falling day and creeping shadows. Cloudless, and pierced by one solitary star, a copper-green sky gleamed through the windows. He read on by its wan light till he could read no more. Then, after his valet had reminded him several times of the lateness of the hour, he got up, and going into the next room, placed the book on the little Florentine table that always stood at his bedside and began to dress for dinner. It was almost nine o clock before he reached the club, where he found Lord Henry sitting alone, in the morning-room, looking very much bored. "I am so sorry, Harry," he cried, "but really it is entirely your fault. That book you sent me so fascinated me that I forgot how the time was going." "Yes, I thought you would like it," replied his host, rising from his chair. "I didn t say I liked it, Harry. I said it fascinated me. There is a great difference." "Ah, you have discovered that?"<\|quote\|>murmured Lord Henry. And they passed into the dining-room. CHAPTER XI. For years, Dorian Gray could not free himself from the influence of this book. Or perhaps it would be more accurate to say that he never sought to free himself from it. He procured from Paris no less than nine large-paper copies of the first edition, and had them bound in different colours, so that they might suit his various moods and the changing fancies of a nature over which he seemed, at times, to have almost entirely lost control. The hero, the wonderful young Parisian in whom the romantic and the scientific temperaments were so strangely blended, became to him a kind of prefiguring type of himself. And, indeed, the whole book seemed to him to contain the story of his own life, written before he had lived it. In one point he was more fortunate than the novel s fantastic hero. He never knew never, indeed, had any cause to know that somewhat grotesque dread of mirrors, and polished metal surfaces, and still water which came upon the young Parisian so early in his life, and was occasioned by the sudden decay of a beau that had once, apparently, been so remarkable. It was with an almost cruel joy and perhaps in nearly every joy, as certainly in every pleasure, cruelty has its place that he used to read the latter part of the book, with its really tragic, if somewhat overemphasized, account of the sorrow and despair of one who had himself lost what in others, and the world, he had most dearly valued. For the wonderful beauty that had so fascinated Basil Hallward, and many others besides him, seemed never to leave him. Even those who had heard the most evil things against him and from time to time strange rumours about his mode of life crept through London and became the chatter of the clubs could not believe anything to his dishonour when they saw him. He had always the look of one who had kept himself unspotted from the world. Men who talked grossly became silent when Dorian Gray entered the room. There was something in the purity of his face that rebuked them. His mere presence seemed to recall to them the memory of the innocence that they had tarnished. They wondered how one so charming and graceful as he was could have escaped the stain of an age that was at once sordid and sensual. Often, on returning home from one of those mysterious and prolonged absences that gave rise to such strange conjecture among those who were his friends, or thought that they were so, he himself would creep upstairs to the locked room, open the door with the key that never left him now, and stand, with a mirror, in front of the portrait that Basil Hallward had painted of him, looking now at the evil and aging face on the canvas, and now at the fair young face that laughed back at him from the polished glass. The very sharpness of the contrast used to quicken his sense of pleasure. He grew more and more enamoured of his own beauty, more and more interested in the corruption of his own soul. He would examine with minute care, and sometimes with a monstrous and terrible delight, the hideous lines that seared the wrinkling forehead or crawled around the heavy sensual mouth, wondering sometimes which were the more horrible, the signs of sin or the signs of age. He would place his white hands beside the coarse bloated hands of the picture, and smile. He mocked the misshapen body and the failing limbs. There were moments, indeed, at night, when, lying sleepless in his own delicately scented chamber, or in the sordid room of the little ill-famed tavern near the docks which, under an assumed name and in disguise, it was his habit to frequent, he would think of the ruin he had brought upon his soul with a pity that was all the more poignant because it was purely selfish. But moments such as these were rare. That curiosity about life which Lord Henry had first stirred in him, as they sat together in the garden of their friend, seemed to increase with gratification. The more he knew, the more he desired to know. He had mad hungers that grew more ravenous as he fed them. Yet he was not really reckless, at any rate in his relations to society. Once or twice every month during the winter, and on each Wednesday evening while the season lasted, he would throw open to the world his beautiful house and have the most celebrated musicians of the day to charm his guests with the wonders of their art. His little dinners, in the settling of which Lord Henry always assisted him, were noted as much for the careful selection and placing of those invited, as for the exquisite taste shown in the decoration of the table, with its subtle symphonic arrangements of exotic flowers, and embroidered cloths, and antique plate of gold and silver. Indeed, there were many, especially among the very young men, who saw, or fancied that they saw, in Dorian Gray the true realization of a type of which they had often dreamed in Eton or Oxford days, a type that was to combine something of the real culture of the scholar with all the grace and distinction and perfect manner of a citizen of the world. To them he seemed to be of the company of those whom Dante describes as having sought to "make themselves perfect by the worship of beauty." Like Gautier, he was one for whom "the visible world existed." And, certainly, to him life itself was the first, the greatest, of the arts, and for it all the other arts seemed to be but a preparation. Fashion, by which what is really fantastic becomes for a moment universal, and dandyism, which, in its own way, is an attempt to assert the absolute modernity of beauty, had, of course, their fascination for him. His mode of dressing, and the particular styles that from time to time he affected, had their marked influence on the young exquisites of the Mayfair balls and Pall Mall club windows, who copied him in everything that he did, and tried to reproduce the accidental charm of his graceful, though to him only half-serious, fopperies. For, while he was but too ready to accept the position that was almost immediately offered to him on his coming of age, and found, indeed, a subtle pleasure in the thought that he might really become to the London of his own day what to imperial Neronian Rome the author of the Satyricon once had been, yet in his inmost heart he desired to be something more than a mere _arbiter elegantiarum_, to be consulted on the wearing of a jewel, or the knotting of a necktie, or the conduct of a cane. He sought to elaborate some new scheme of life that would have its reasoned philosophy and its ordered principles, and find in the spiritualizing of the senses its highest realization. The worship of the senses has often, and with much justice, been decried, men feeling a natural instinct of terror about passions and sensations that seem stronger than themselves, and that they are conscious of sharing with the less highly organized forms of existence. But it appeared to Dorian Gray that the true nature of the senses had never been understood, and that they had remained savage and animal merely because the world had sought to starve them into submission or to kill them by pain, instead of aiming at making them elements of a new spirituality, of which a fine instinct for beauty was to be the dominant characteristic. As he looked back upon man moving through history, he was haunted by a feeling of loss. So much had been surrendered! and to such little purpose! There had been mad wilful rejections, monstrous forms of self-torture and self-denial, whose origin was fear and whose result was a degradation infinitely more terrible than that fancied degradation from which, in their ignorance, they had sought to escape; Nature, in her wonderful irony, driving out the anchorite to feed with the wild animals of the desert and giving to the hermit the beasts of the field as his companions. Yes: there was to be, as Lord Henry had prophesied, a new Hedonism that was to recreate life and to save it from that harsh uncomely puritanism that is having, in our own day, its curious revival. It was to have its service of the intellect, certainly, yet it was never to accept any theory or system that would involve the sacrifice of any mode of passionate experience. Its aim, indeed, was to be experience itself, and not the fruits of experience, sweet or bitter as they might be. Of the asceticism that deadens the senses, as of the vulgar profligacy that dulls them, it was to know nothing. But it was to teach man to concentrate himself upon the moments of a life that is itself but a moment. There are few of us who have not sometimes wakened before dawn, either after one of those dreamless nights that make us almost enamoured of death, or one of those nights of horror and misshapen joy, when through the chambers of the brain sweep phantoms more terrible than reality itself, and instinct with that vivid life that lurks in all grotesques, and that lends to Gothic art its enduring vitality, this art being, one might fancy, especially the art of those whose minds have been troubled with the malady of reverie. Gradually white fingers creep through the curtains, and they appear to tremble. In black fantastic shapes, dumb shadows crawl into the corners of the room and crouch there. Outside, there is the stirring of birds among the leaves, or the sound of men going forth to their work, or the sigh and sob of the wind coming down from the hills and wandering round the silent house, as though it feared to wake the sleepers and yet must needs call forth sleep from her purple cave. Veil after veil of thin dusky gauze is lifted, and by degrees the forms and colours of things are restored to them, and we watch the dawn remaking the world in its antique pattern. The wan mirrors get back their mimic life. The flameless tapers stand where we had left them, and beside them lies the half-cut book that we had been studying, or the wired flower that we had worn at the ball, or the letter that we had been afraid to read, or that we had read too often. Nothing seems to us changed. Out of the unreal shadows of the night comes back the real life that we had known. We have to resume it where we had left off, and there steals over us a terrible sense of the necessity for the continuance of energy in the same wearisome round of stereotyped habits, or a wild longing, it may be, that our eyelids might open some morning upon a world that had been refashioned anew in the darkness for our pleasure, a world in which things would have fresh shapes and colours, and be changed, or have other secrets, a world in which the past would have little or no place, or survive, at any rate, in no conscious form of obligation or regret, the remembrance even of joy having its bitterness and the memories of pleasure their pain. It was the creation of such worlds as these that seemed to Dorian Gray to be the true object, or amongst the true objects, of life; and in his search for sensations that would be at once new and delightful, and possess that element of strangeness that is so essential to romance, he would often adopt certain modes of thought that he knew to be really alien to his nature, abandon himself to their subtle influences, and then, having, as it were, caught their colour and satisfied his intellectual curiosity, leave them with that curious indifference that is not incompatible with a real ardour of temperament, and that, indeed, according to certain modern psychologists, is often a condition of it. It was rumoured of him once that he was about to join the Roman Catholic communion, and certainly the Roman ritual had always a great attraction for him. The daily sacrifice, more awful really than all the sacrifices of the antique world, stirred him as much by its superb rejection of the evidence of the senses as by the primitive simplicity of its elements and the eternal pathos of the human tragedy that it sought to symbolize. He loved to kneel down on the cold marble pavement and watch the priest, in his stiff flowered dalmatic, slowly and with white hands moving aside the veil of the tabernacle, or raising aloft the jewelled, lantern-shaped monstrance with that pallid wafer that at times, one would fain think, is indeed the "_panis c lestis_," the bread of angels, or, robed in the garments of the Passion of Christ, breaking the Host into the chalice and smiting his breast for his sins. The fuming censers that the grave boys, in their lace and scarlet, tossed into the air like great gilt flowers had their subtle fascination for him. As he passed out, he used to look with wonder at the black confessionals and long to sit in the dim shadow of one of them and listen to men and women whispering through the worn grating the true story of their lives. But he never fell into the error of arresting his intellectual development by any formal acceptance of creed or system, or of mistaking, for a house in which to live, an inn that is but suitable for the sojourn of a night, or for a few hours of a night in which there are no stars and the moon is in travail. Mysticism, with its marvellous power of making common things strange to us, and the subtle antinomianism that always seems to accompany it, moved him for a season; and for a season he inclined to the materialistic doctrines of the _Darwinismus_ movement in Germany, and found a curious pleasure in tracing the thoughts and passions of men to some pearly cell in the brain, or some white nerve in the body, delighting in the conception of the absolute dependence of the spirit on certain physical conditions, morbid or healthy, normal or diseased. Yet, as has been said of him before, no theory of life seemed to him to be of any importance compared with life itself. He felt keenly conscious of how barren all intellectual speculation is when separated from action and experiment. He knew that the senses, no less than the soul, have their spiritual mysteries to reveal. And so he would now study perfumes and the secrets of their manufacture, distilling heavily scented oils and burning odorous gums from the East. He saw that there was no mood of the mind that had not its counterpart in the sensuous life, and set himself to discover their true relations, wondering what there was in frankincense that made one mystical, and in ambergris that stirred one s passions, and in violets that woke the memory of dead romances, and in musk that troubled the brain, and in champak that stained the imagination; and seeking often to elaborate a real psychology of perfumes, and to estimate the several influences of sweet-smelling roots and scented, pollen-laden flowers; of aromatic balms and of dark and fragrant woods; of spikenard, that sickens; of hovenia, that makes men mad; and of aloes, that are said to be able to expel melancholy from the soul. At another time he devoted himself entirely to music, and in a long latticed room, with a vermilion-and-gold ceiling and walls of olive-green lacquer, he used to give curious concerts in which mad gipsies tore wild music from little zithers, or grave, yellow-shawled Tunisians plucked at the strained strings of monstrous lutes, while grinning Negroes beat monotonously upon copper drums and, crouching upon scarlet mats, slim turbaned Indians blew through long pipes of reed or brass and charmed or feigned to charm great hooded snakes and horrible horned adders. The harsh intervals and shrill discords of barbaric music stirred him at times when Schubert s grace, and Chopin s beautiful sorrows, and the mighty harmonies of Beethoven himself, fell unheeded on his ear. He collected together from all parts of the world the strangest instruments that could be found, either in the tombs of dead nations or among the few savage tribes that have survived contact with Western civilizations, and loved to touch and try them. He had the mysterious _juruparis_ of the Rio Negro Indians, that women are not allowed to look at and that even youths may not see till they have been subjected to fasting and scourging, and the earthen jars of the Peruvians that have the shrill cries of birds, and flutes of human bones such as Alfonso de Ovalle heard in Chile, and the sonorous green jaspers that are found near Cuzco and give forth a note of singular sweetness. He had painted gourds filled with pebbles that rattled when they were shaken; the long _clarin_ of the Mexicans, into which the performer does not blow, but through which he inhales the air; the harsh _ture_ of the Amazon tribes, that is sounded by the sentinels who sit all day long in high trees, and can be heard, it is said, at a distance of three leagues; the _teponaztli_, that has two vibrating tongues of wood and is beaten with sticks that are smeared with an elastic gum obtained from the milky juice of plants; the _yotl_-bells of the Aztecs, that are hung in clusters like grapes; and a huge cylindrical drum, covered with the skins of great serpents, like the one that Bernal Diaz saw when he went with Cortes into the Mexican temple, and of whose doleful sound he has left us so vivid a description. The fantastic character of these instruments fascinated him, and he felt a curious delight in the thought that art, like Nature, has her monsters, things of bestial shape and with hideous voices. Yet, after some time, he wearied of them, and would sit in his box at the opera, either alone or with Lord Henry, listening in rapt pleasure to "Tannhauser" and seeing in the prelude to that great work of art a presentation of the tragedy of his own soul. On one occasion he took up the study of jewels, and appeared at a costume ball as Anne de Joyeuse, Admiral of France, in a dress covered with five hundred and sixty pearls. This taste enthralled him for years, and, indeed, may be said never to have left him. He would often spend a whole day settling and resettling in their cases the various stones that he had collected, such as the olive-green chrysoberyl that turns red by lamplight, the cymophane with its wirelike line of silver, the pistachio-coloured peridot, rose-pink and wine-yellow topazes, carbuncles of fiery scarlet with tremulous, four-rayed stars, flame-red cinnamon-stones, orange and violet spinels, and amethysts with their alternate layers of ruby and sapphire. He loved the red gold of the sunstone, and the moonstone s pearly whiteness, and the broken rainbow of the milky opal. He procured from Amsterdam three emeralds of extraordinary size and richness of colour, and had a turquoise _de la vieille roche_ that was the envy of all the connoisseurs. He discovered wonderful stories, also, about jewels. In Alphonso s Clericalis Disciplina a serpent was mentioned with eyes of real jacinth, and in the romantic history of Alexander, the Conqueror of Emathia was said to have found in the vale of Jordan snakes "with collars of real emeralds growing on their backs." There was a gem in the brain of the dragon, Philostratus told us, and "by the exhibition of golden letters and a scarlet robe" the monster could be thrown into a magical sleep and slain. According to the great alchemist, Pierre de Boniface, the diamond rendered a man invisible, and the agate of India made him eloquent. The cornelian appeased anger, and the hyacinth provoked sleep, and the amethyst drove away the fumes of wine. The garnet cast out demons, and the hydropicus deprived the moon of her colour. The selenite waxed and waned with the moon, and the meloceus, that discovers thieves, could be affected only by the blood of kids. Leonardus Camillus had seen a white stone taken from the brain of a newly killed toad, that was a certain antidote against poison. The bezoar, that was found in the heart of the Arabian deer, was a charm that could cure the plague. In the nests of Arabian birds was the aspilates, that, according to Democritus, kept the wearer from any danger by fire. The King of Ceilan rode through his city with a large ruby in his hand, as the ceremony of his coronation. The gates of the palace of John the Priest were "made of sardius, with the horn of the horned snake inwrought, so that no man might bring poison within." Over the gable were "two golden apples, in which were two carbuncles," so that the gold might shine by day and the carbuncles by night. In Lodge s strange romance A Margarite of America , it was stated that in the chamber of the queen one could behold "all the chaste ladies of the world, inchased out of silver, looking through fair mirrours of chrysolites, carbuncles, sapphires, and greene emeraults." Marco Polo had seen the inhabitants of Zipangu place rose-coloured pearls in the mouths of the dead. A sea-monster had been enamoured of the pearl that the diver brought to King Perozes, and had slain the thief, and mourned for seven moons over its loss. When the Huns lured the king into the great pit, he flung it away Procopius tells the story nor was it ever found again, though the Emperor Anastasius offered five hundred-weight of gold pieces for it. The King of Malabar had shown to a certain Venetian a rosary of three hundred and four pearls, one for every god that he worshipped. When the Duke de Valentinois, son of Alexander VI., visited Louis XII. of France, his horse was loaded with gold leaves, according to Brantome, and his cap had double rows of rubies that threw out a great light. Charles of England had ridden in stirrups hung with four hundred and twenty-one diamonds. Richard II had a coat, valued at thirty thousand marks, which was covered with balas rubies. Hall described Henry VIII., on his way to the Tower previous to his coronation, as wearing "a jacket of raised gold, the placard embroidered with diamonds and other rich stones, and a great bauderike about his neck of large balasses." The favourites of James I wore ear-rings of emeralds set in gold filigrane. Edward II gave to Piers Gaveston a suit of red-gold armour studded with jacinths, a collar of gold roses set with turquoise-stones, and a skull-cap _parsem _ with pearls. Henry II. wore jewelled gloves reaching to the elbow, and had a hawk-glove sewn with twelve rubies and fifty-two great orients. The ducal hat of Charles the Rash, the last Duke of Burgundy of his race, was hung with pear-shaped pearls and studded with sapphires. How exquisite life had once been! How gorgeous in its pomp and decoration! Even to read of the luxury of the dead was wonderful. Then he turned his attention to embroideries and to the tapestries that performed the office of frescoes in the chill rooms of the northern nations of Europe. As he investigated the subject and he always had an extraordinary faculty of becoming absolutely absorbed for the moment in whatever he took up he was almost saddened by the reflection of the ruin that time brought on beautiful and wonderful things. He, at any rate, had escaped that. Summer followed summer, and the yellow jonquils bloomed and died many times, and nights of horror repeated the story of their shame, but he was unchanged. No winter marred his face or stained his flowerlike bloom. How different it was with material things! Where had they passed to? Where was the great crocus-coloured robe, on which the gods fought against the giants, that had been worked by brown girls for the pleasure of Athena? Where the huge velarium that Nero had stretched across the Colosseum at Rome, that Titan sail of purple on which was represented the starry sky, and Apollo driving a chariot drawn by white, gilt-reined steeds? He longed to see the curious table-napkins wrought for the Priest of the Sun, on which were displayed all the dainties and viands that could be wanted for a feast; the mortuary cloth of King Chilperic, with its three hundred golden bees; the fantastic robes that excited the indignation of the Bishop of Pontus and were figured with "lions, panthers, bears, dogs, forests, rocks, hunters all, in fact, that a painter can copy from nature"; and the coat that Charles of Orleans once wore, on the sleeves of which were embroidered the verses of a song beginning "_Madame, je suis tout joyeux_," the musical accompaniment of the words being wrought in gold thread, and each note, of square shape in those days, formed with four pearls. He read of the room that was prepared at the palace at Rheims for the use of Queen Joan of Burgundy and was decorated with "thirteen hundred and twenty-one parrots, made in broidery, and blazoned with the king s arms, and five hundred and sixty-one butterflies, whose wings were similarly ornamented with the arms of the queen, the whole worked in gold." Catherine de Medicis had a mourning-bed made for her of black velvet powdered with crescents and suns. Its curtains were of damask, with leafy wreaths and garlands, figured upon a gold and silver ground, and fringed along the edges with broideries of pearls, and it stood in a room hung with rows of the queen s devices in cut black velvet upon cloth of silver. Louis XIV. had gold embroidered caryatides fifteen feet high in his apartment. The state bed of Sobieski, King of Poland, was made of Smyrna gold brocade embroidered in turquoises with verses from the Koran. Its supports were of silver gilt, beautifully chased, and profusely set with enamelled and jewelled medallions. It had been taken from the Turkish camp before Vienna, and the standard of Mohammed had stood beneath the tremulous gilt of its canopy. And so, for a whole year, he sought to accumulate the most exquisite specimens that he could find of textile and embroidered work, getting the dainty Delhi muslins, finely wrought with gold-thread palmates and stitched over with iridescent beetles wings; the Dacca gauzes, that from their transparency are known in the East as "woven air," and "running water," and "evening dew"; strange figured cloths from Java; elaborate yellow Chinese hangings; books bound in tawny satins or fair blue silks and wrought with _fleurs-de-lis_, birds and images; veils of _lacis_ worked in Hungary point; Sicilian brocades and stiff Spanish velvets; Georgian work, with its gilt coins, and Japanese _Foukousas_, with their green-toned golds and their marvellously plumaged birds. He had a special passion, also, for ecclesiastical vestments, as indeed he had for everything connected with the service of the Church. In the long cedar chests that lined the west gallery of his house, he had stored away many rare and beautiful specimens of what is really the raiment of the Bride of Christ, who must wear purple and jewels and fine linen that she may hide the pallid macerated body that is worn by the suffering that she seeks for and wounded by self-inflicted pain. He possessed a gorgeous cope of crimson silk and gold-thread damask, figured with a repeating pattern of golden pomegranates set in six-petalled formal blossoms, beyond which on either side was the pine-apple device wrought in seed-pearls. The orphreys were divided into panels representing scenes from the life of the Virgin, and the coronation of the Virgin was figured in coloured silks upon the hood. This was Italian work of the fifteenth century. Another cope was of green velvet, embroidered with heart-shaped groups of acanthus-leaves, from which spread long-stemmed white blossoms, the details of which were picked out with silver thread and coloured crystals. The morse bore a seraph s head in gold-thread raised work. The orphreys were woven in a diaper of red and gold silk, and were starred with medallions of many saints and martyrs, among whom was St. Sebastian. He had chasubles, also, of amber-coloured silk, and blue silk and gold brocade, and yellow silk damask and cloth of gold, figured with representations of the Passion and Crucifixion of Christ, and embroidered with lions and peacocks and other emblems; dalmatics of white satin and pink silk damask, decorated with tulips and dolphins and _fleurs-de-lis_; altar frontals of crimson velvet and blue linen; and many corporals, chalice-veils, and sudaria. In the mystic offices to which such things were put, there was something that quickened his imagination. For these treasures, and everything that he collected in his lovely house, were to be to him means of forgetfulness, modes by which he could escape, for a season, from the fear that seemed to him at times to be almost too great to be borne. Upon the walls of the lonely locked room where he had spent so much of his boyhood, he had hung with his own hands the terrible portrait whose changing features showed him the real degradation of his life, and in front of it had draped the purple-and-gold pall as a curtain. For weeks he would not go there, would forget the hideous painted thing, and get back his light heart, his wonderful joyousness, his passionate absorption in mere existence. Then, suddenly, some night he would creep out of the house, go down to dreadful places near Blue Gate Fields, and stay there, day after day, until he was driven away. On his return he would sit in front of the picture, sometimes loathing it and himself, but filled, at other times, with that pride of individualism that is half the fascination of sin, and smiling with secret pleasure at the misshapen shadow that had to bear the burden that should have been his own. After a few years he could not endure to be long out of England, and gave up the villa that he had shared at Trouville with Lord Henry, as well as the little white walled-in house at Algiers where they had more than once spent the winter. He hated to be separated from the picture that was such a part of his life, and was also afraid that during his absence some one might gain access to the room, in spite of the elaborate bars that he had caused to be placed upon the door. He was quite conscious that this would tell them nothing. It was true that the portrait still preserved, under all the foulness and ugliness of the face, its marked likeness to himself; but what could they learn from that? He would laugh at any one who tried to taunt him. He had not painted it. What was it to him how vile and full of shame it looked? Even if he told them, would they believe it? Yet he was afraid. Sometimes when he was down at his great house in Nottinghamshire, entertaining the fashionable young men of his own rank who were his chief companions, and astounding the county by the wanton luxury and gorgeous splendour of his mode of life, he would suddenly leave his guests and rush back to town to see that the door had not been tampered with and that the picture was still there. What if it should be stolen? The mere thought made him cold with horror. Surely the world would know his secret then. Perhaps the world already suspected it. For, while he fascinated many, there were not a few who distrusted him. He was very nearly blackballed at a West End club of which his birth and social position fully entitled him to become a member, and it was said that on one occasion, when he was brought by a friend into the smoking-room of the Churchill, the Duke of Berwick and another gentleman got up in a marked manner and went out. Curious stories became current about him after he had passed his twenty-fifth year. It was rumoured that he had been seen brawling with foreign sailors in a low den in the distant parts of Whitechapel, and that he consorted with thieves and coiners and knew the mysteries of their trade. His extraordinary absences became notorious, and, when he used to reappear again in society, men would whisper to each other in corners, or pass him with a sneer, or look at him with cold searching eyes, as though they were determined to discover his secret. Of such insolences and attempted slights he, of course, took no notice, and in the opinion of most people his frank debonair manner, his charming boyish smile, and the infinite grace of that wonderful youth that seemed never to leave him, were in themselves a sufficient answer to the calumnies, for so they termed them, that were circulated about him. It was remarked, however, that some of those who had been most intimate with him appeared, after a time, to shun him. Women who had wildly adored him, and for his sake had braved all social censure and set convention at defiance, were seen to grow pallid with shame or horror if Dorian Gray entered the room. Yet these whispered scandals only increased in the eyes of many his strange and dangerous charm. His great wealth was a certain element of security. Society civilized society, at least is never very ready to believe anything to the detriment of those who are both rich and fascinating. It feels instinctively that manners are of more importance than morals, and, in its opinion, the highest respectability is of much less value than the possession of a good _chef_. And, after all, it is a very poor consolation to be told that the man who has given one a bad dinner, or poor wine, is irreproachable in his private life. Even the cardinal virtues cannot atone for half-cold _entr es_, as Lord Henry remarked once, in a discussion on the subject, and there is possibly a good deal to be said for his view. For the canons of good society are, or should be, the same as the canons of art. Form is absolutely essential to it. It should have the dignity of a ceremony, as well as its unreality, and should combine the insincere character of a romantic play with the wit and beauty that make such plays delightful to us. Is insincerity such a terrible thing? I think not. It is merely a method by which we can multiply our personalities. Such, at any rate, was Dorian Gray s opinion. He used to wonder at the shallow psychology of those who conceive the ego in man as a thing simple, permanent, reliable, and of one essence. To him, man was a being with myriad lives and myriad sensations, a complex multiform creature that bore within itself strange legacies of thought and passion, and whose very flesh was tainted with the monstrous maladies of the dead. He loved to stroll through the gaunt cold picture-gallery of his country house and look at the various portraits of those whose blood flowed in his veins. Here was Philip Herbert, described by Francis Osborne, in his Memoires on the Reigns of Queen Elizabeth and King James, as one who was "caressed by the Court for his handsome face, which kept him not long company." Was it young Herbert s life that he sometimes led? Had some strange poisonous germ crept from body to body till it had reached his own? Was it some dim sense of that ruined grace that had made him so suddenly, and almost without cause, give utterance, in Basil Hallward s studio, to the mad prayer that had so changed his life? Here, in gold-embroidered red doublet, jewelled surcoat, and gilt-edged ruff and wristbands, stood Sir Anthony Sherard, with his silver-and-black armour piled at his feet. What had this man s legacy been? Had the lover of Giovanna of Naples bequeathed him some inheritance of sin and shame? Were his own actions merely the dreams that the dead man had not dared to realize? Here, from the fading canvas, smiled Lady Elizabeth Devereux, in her gauze hood, pearl stomacher, and pink slashed sleeves. A flower was in her right hand, and her left clasped an enamelled collar of white and damask roses. On a table by her side lay a mandolin and an apple. There were large green rosettes upon her little pointed shoes. He knew her life, and the strange stories that were told about her lovers. Had he something of her temperament in him? These oval, heavy-lidded eyes seemed to look curiously at him. What of George Willoughby, with his powdered hair and fantastic patches? How evil he looked! The face was saturnine and swarthy, and the sensual lips seemed to be twisted with disdain. Delicate lace ruffles fell over the lean yellow hands that were so overladen with rings. He had been a macaroni of the eighteenth century, and the friend, in his youth, of Lord Ferrars. What of the second Lord Beckenham, the companion of the Prince Regent in his wildest days, and one of the witnesses at the secret marriage with Mrs. Fitzherbert? How proud and handsome he was, with his chestnut curls and insolent pose! What passions had he bequeathed? The world had looked upon him as infamous. He had led the orgies at Carlton House. The star of the Garter glittered upon his breast. Beside him hung the portrait of his wife, a pallid, thin-lipped woman in black. Her blood, also, stirred within him. How curious it all seemed! And his mother with her Lady Hamilton face and her moist, wine-dashed lips he knew what he had got from her. He had got from her his beauty, and his passion for the beauty of others. She laughed at him in her loose Bacchante dress. There were vine leaves in her hair. The purple spilled from the cup she was holding. The carnations of the painting had withered, but the eyes were still wonderful in their depth and brilliancy of colour. They seemed to follow him wherever he went. Yet one had ancestors in literature as well as in one s own race, nearer perhaps in type and temperament, many of them, and certainly with an influence of which one was more absolutely conscious. There were times when it appeared to Dorian Gray that the whole of history was merely the record of his own life, not as he had lived it in act and circumstance, but as his imagination had created it for him, as it had been in his brain and in his passions. He felt that he had known them all, those strange terrible figures that had passed across the stage of the world and made sin so marvellous and evil so full of subtlety. It seemed to him that in some mysterious way their lives had been his own. The hero of the wonderful novel that had so influenced his life had himself known this curious fancy. In the seventh chapter he tells how, crowned with laurel, lest lightning might strike him, he had sat, as Tiberius, in a garden at Capri, reading the shameful books of Elephantis, while dwarfs and peacocks strutted round him and the flute-player mocked the swinger of the censer; and, as Caligula, had caroused with the green-shirted jockeys in their stables and supped in an ivory manger with a jewel-frontleted horse; and, as Domitian, had wandered through a corridor lined with marble mirrors, looking round with haggard eyes for the reflection of the dagger that was to end his days, and sick with that ennui, that terrible _t dium vit _, that comes on those to whom life denies nothing; and had peered through a clear emerald at the red shambles of the circus and then, in a litter of pearl and purple drawn by silver-shod mules, been carried through the Street of Pomegranates to a House of Gold and heard men cry on Nero Caesar as he passed by; and, as Elagabalus, had painted his face with colours, and plied the distaff among the women, and brought the Moon from Carthage and given her in mystic marriage to the Sun. Over and over again Dorian used to read this fantastic chapter, and the two chapters immediately following, in which, as in some curious tapestries or cunningly wrought enamels, were pictured the awful and beautiful forms of those whom vice and blood and weariness had made monstrous or mad: Filippo, Duke of Milan, who slew his wife and painted her lips with a scarlet poison that her lover might suck death from the dead thing he fondled; Pietro Barbi, the Venetian, known as Paul the Second, who sought in his vanity to assume the title of Formosus, and whose tiara, valued at two hundred thousand florins, was bought at the price of a terrible sin; Gian Maria Visconti, who used hounds to chase living men and whose murdered body was covered with roses by a harlot who had loved him; the Borgia on his white horse, with Fratricide riding beside him and his mantle stained with the blood of Perotto; Pietro Riario, the young Cardinal Archbishop of Florence, child and minion of Sixtus IV., whose beauty was equalled only by his debauchery, and who received Leonora of Aragon in a pavilion of white and crimson silk, filled with nymphs and centaurs, and gilded a boy that he might serve at the feast as Ganymede or Hylas; Ezzelin, whose melancholy could be cured only by the spectacle of death, and who had a passion for red blood, as other men have for red wine the son of the Fiend, as was reported, and one who had cheated his father at dice when gambling with him for his own soul; Giambattista Cibo, who in mockery took the name of Innocent and into whose torpid veins the blood of three lads was infused by a Jewish doctor; Sigismondo Malatesta, the lover of Isotta and the lord of Rimini, whose effigy was burned at Rome as the enemy of God and man, who strangled Polyssena with a napkin, and gave poison to Ginevra d Este in a cup of emerald, and in honour of a shameful passion built a pagan church for Christian worship; Charles VI., who had so wildly adored his brother s wife that a leper had warned him of the insanity that was coming on him, and who, when his brain had sickened and grown strange, could only be soothed by Saracen cards painted with the images of love and death and madness; and, in his trimmed jerkin and jewelled cap and acanthuslike curls, Grifonetto Baglioni, who slew Astorre with his bride, and Simonetto with his page, and whose comeliness was such that, as he lay dying in the yellow piazza of Perugia, those who had hated him could not choose but weep, and Atalanta, who had cursed him, blessed him. There was a horrible fascination in them all. He saw them at night, and they troubled his imagination in the day. The Renaissance knew of strange manners of poisoning poisoning by a helmet and a lighted torch, by an embroidered glove and a jewelled fan, by a gilded pomander and by an amber chain. Dorian Gray had been poisoned by a book. There were moments when he looked on evil simply as a mode through which he could realize his conception of the beautiful. CHAPTER XII It was on the ninth of November, the eve of his own thirty-eighth birthday, as he often remembered afterwards. He was walking home about eleven o clock from Lord Henry s, where he had been dining, and was wrapped in heavy furs, as the night was cold and foggy. At the corner of Grosvenor Square and South Audley Street, a man passed him in the mist, walking very fast and with the collar of his grey ulster turned up. He had a bag in his hand. Dorian recognized him. It was Basil Hallward. A strange sense of fear, for which he could not account, came over him. He made no sign of recognition and went on quickly in the direction of his own house. But Hallward had seen him. Dorian heard him first stopping on the pavement and then hurrying after him. In a few moments, his hand was on his arm.</\|quote\|>"Dorian! What an extraordinary piece of luck! I have been waiting for you in your library ever since nine o clock. Finally I took pity on your tired servant and told him to go to bed, as he let me out. I am off to Paris by the midnight train, and I particularly wanted to see you before I left. I thought it was you, or rather your fur coat, as you passed me. But I wasn t quite sure. Didn t you recognize me?" "In this fog, my dear Basil? Why, I can t even recognize Grosvenor Square. I believe my house is somewhere about here, but I don t feel at all certain about it. I am sorry you are going away, as I have not seen you for ages. But I suppose you will be back soon?" "No: I am going to be out of England for six months. I intend to take a studio in Paris and shut myself up till I have finished a great picture I have in my head. However, it wasn t about myself I wanted to talk. Here we are at your door. Let me come in for a moment. I have something to say to you." "I shall be charmed. But won t you miss your train?" said Dorian Gray languidly as he passed up the steps and opened the door with his latch-key. The lamplight struggled out through the fog, and Hallward looked at his watch. "I have heaps of time," he answered. "The train doesn t go till twelve-fifteen, and it is only just eleven. In fact, I was on my way to the club to look for you, when I met you. You see, I shan t have any delay about luggage, as I have sent on my heavy things. All I have with me is in this bag, and I can easily get to Victoria in twenty minutes." Dorian looked at him and smiled. "What a way for a fashionable painter to travel! A Gladstone bag and an ulster! Come in, or the fog will get into the house. And mind you don t talk about anything serious. Nothing is serious nowadays. At least nothing should be." Hallward shook his head, as he entered, and followed Dorian into the library. There was a bright wood fire blazing in the large open hearth. The lamps were lit, and an open Dutch silver spirit-case stood, with some siphons of soda-water and large cut-glass tumblers, on a little marqueterie table. "You see your servant made me quite at home, Dorian. He gave me everything I wanted, including your best gold-tipped cigarettes. He is a most hospitable creature. I like him much better than the Frenchman you used to have. What has become of the Frenchman, by the bye?" Dorian shrugged his shoulders. "I believe he married Lady Radley s maid, and has established her in Paris as an English dressmaker. _Anglomanie_ is very fashionable over there now, I hear. It seems silly of the French, doesn t it? But do you know? he was not at all a bad servant. I never liked him, but I had nothing to complain about. One often imagines things that are quite absurd. He was really very devoted to me and seemed quite sorry when he went away. Have another brandy-and-soda? Or would you like hock-and-seltzer? I always take hock-and-seltzer myself. There is sure to be some in the next room." "Thanks, I won t have anything more," said the painter, taking his cap and coat off and throwing them on the bag that he had placed in the corner. "And now, my dear fellow, I want to speak to you seriously. Don t frown like that. You make it so much more difficult for me." "What is it all about?" cried Dorian in his petulant way, flinging himself down on the sofa. "I hope it is not about myself. I am tired of myself to-night. I should like to be somebody else." "It is about yourself," answered Hallward in his grave deep voice, "and I must say it to you. I shall only keep you half an hour." Dorian sighed and lit a cigarette. "Half an hour!" he murmured. "It is not much to ask of you, Dorian, and it is entirely for your own sake that I am speaking. I think it right that you should know that the most dreadful things are being said against you in London." "I don t wish to know anything about them. I love scandals about other people, but scandals about myself don t interest me. They have not got the charm of novelty." "They must interest you, Dorian. Every gentleman is interested in his good name. You don t want people to talk of	and modes of thought that belonged to every century except his own, and to sum up, as it were, in himself the various moods through which the world-spirit had ever passed, loving for their mere artificiality those renunciations that men have unwisely called virtue, as much as those natural rebellions that wise men still call sin. The style in which it was written was that curious jewelled style, vivid and obscure at once, full of _argot_ and of archaisms, of technical expressions and of elaborate paraphrases, that characterizes the work of some of the finest artists of the French school of _Symbolistes_. There were in it metaphors as monstrous as orchids and as subtle in colour. The life of the senses was described in the terms of mystical philosophy. One hardly knew at times whether one was reading the spiritual ecstasies of some medi val saint or the morbid confessions of a modern sinner. It was a poisonous book. The heavy odour of incense seemed to cling about its pages and to trouble the brain. The mere cadence of the sentences, the subtle monotony of their music, so full as it was of complex refrains and movements elaborately repeated, produced in the mind of the lad, as he passed from chapter to chapter, a form of reverie, a malady of dreaming, that made him unconscious of the falling day and creeping shadows. Cloudless, and pierced by one solitary star, a copper-green sky gleamed through the windows. He read on by its wan light till he could read no more. Then, after his valet had reminded him several times of the lateness of the hour, he got up, and going into the next room, placed the book on the little Florentine table that always stood at his bedside and began to dress for dinner. It was almost nine o clock before he reached the club, where he found Lord Henry sitting alone, in the morning-room, looking very much bored. "I am so sorry, Harry," he cried, "but really it is entirely your fault. That book you sent me so fascinated me that I forgot how the time was going." "Yes, I thought you would like it," replied his host, rising from his chair. "I didn t say I liked it, Harry. I said it fascinated me. There is a great difference." "Ah, you have discovered that?"<\|quote\|>murmured Lord Henry. And they passed into the dining-room. CHAPTER XI. For years, Dorian Gray could not free himself from the influence of this book. Or perhaps it would be more accurate to say that he never sought to free himself from it. He procured from Paris no less than nine large-paper copies of the first edition, and had them bound in different colours, so that they might suit his various moods and the changing fancies of a nature over which he seemed, at times, to have almost entirely lost control. The hero, the wonderful young Parisian in whom the romantic and the scientific temperaments were so strangely blended, became to him a kind of prefiguring type of himself. And, indeed, the whole book seemed to him to contain the story of his own life, written before he had lived it. In one point he was more fortunate than the novel s fantastic hero. He never knew never, indeed, had any cause to know that somewhat grotesque dread of mirrors, and polished metal surfaces, and still water which came upon the young Parisian so early in his life, and was occasioned by the sudden decay of a beau that had once, apparently, been so remarkable. It was with an almost cruel joy and perhaps in nearly every joy, as certainly in every pleasure, cruelty has its place that he used to read the latter part of the book, with its really tragic, if somewhat overemphasized, account of the sorrow and despair of one who had himself lost what in others, and the world, he had most dearly valued. For the wonderful beauty that had so fascinated Basil Hallward, and many others besides him, seemed never to leave him. Even those who had heard the most evil things against him and from time to time strange rumours about his mode of life crept through London and became the chatter of the clubs could not believe anything to his dishonour when they saw him. He had always the look of one who had kept himself unspotted from the world. Men who talked grossly became silent when Dorian Gray entered the room. There was something in the purity of his face that rebuked them. His mere presence seemed to recall to them the memory of the innocence that they had tarnished. They wondered how one so charming and graceful as he was could have escaped the stain of an age that was at once sordid and sensual. Often, on returning home from one of those mysterious and prolonged absences that gave rise to such strange conjecture among those who were his friends, or thought that they were so, he himself would creep upstairs to the locked room, open the door with the key that never left him now, and stand, with a mirror, in front of the portrait that Basil Hallward had painted of him, looking now at the evil and aging face on the canvas, and now at the fair young face that laughed back at him from the polished glass. The very sharpness of the contrast used to quicken his sense of pleasure. He grew more and more enamoured of his own beauty, more and more interested in the corruption of his own soul. He would examine with minute care, and sometimes with a monstrous and terrible delight, the hideous lines that seared the wrinkling forehead or crawled around the heavy sensual mouth, wondering sometimes which were the more horrible, the signs of sin or the signs of age. He would place his white hands beside the coarse bloated hands of the picture, and smile. He mocked the misshapen body and the failing limbs. There were moments, indeed, at night, when, lying sleepless in his own delicately scented chamber, or in the sordid room of the little ill-famed tavern near the docks which, under an assumed name and in disguise, it was his habit to frequent, he would think of the ruin he had brought upon his soul with a pity that was all the more poignant because it was purely selfish. But moments such as these were rare. That curiosity about life which Lord Henry had first stirred in him, as they sat together in the garden of their friend, seemed to increase with gratification. The more he knew, the more he desired to know. He had mad hungers that grew more ravenous as he fed them. Yet he was not really reckless, at any rate in his relations to society. Once or twice every month during the winter, and on each Wednesday evening while the season lasted, he would throw open to the world his beautiful house and have the most celebrated musicians of the day to charm his guests with the wonders of their art. His little dinners, in the settling of which Lord Henry always assisted him, were noted as much for the careful selection and placing of those invited, as for the exquisite taste shown in the decoration of the table, with its subtle symphonic arrangements of exotic flowers, and embroidered cloths, and antique plate of gold and silver. Indeed, there were many, especially among the very young men, who saw, or fancied that they saw, in Dorian Gray the true realization of a type of which they had often dreamed in Eton or Oxford days, a type that was to combine something of the real culture of the scholar with all the grace and distinction and perfect manner of a citizen of the world. To them he seemed to be of the company of those whom Dante describes as having sought to "make themselves perfect by the worship of beauty." Like Gautier, he was one for whom "the visible world existed." And, certainly, to him life itself was the first, the greatest, of the arts, and for it all the other arts seemed to be but a preparation. Fashion, by which what is really fantastic becomes for a moment universal, and dandyism, which, in its own way, is an attempt to assert the absolute modernity of beauty, had, of course, their fascination for him. His mode of dressing, and the particular styles that from time to time he affected, had their marked influence on the young exquisites of the Mayfair balls and Pall Mall club windows, who copied him in everything that he did, and tried to reproduce the accidental charm of his graceful, though to him only half-serious, fopperies. For, while he was but too ready to accept the position that was almost immediately offered to him on his coming of age, and found, indeed, a subtle pleasure in the thought that he might really become to the London of his own day what to imperial Neronian Rome the author of the Satyricon once had been, yet in his inmost heart he desired to be something more than a mere _arbiter elegantiarum_, to be consulted on the wearing of a jewel, or the knotting of a necktie, or the conduct of a cane. He sought to elaborate some new scheme of life that would have its reasoned philosophy and its ordered principles, and find in the spiritualizing of the senses its highest realization. The worship of the senses has often, and with much justice, been decried, men feeling a natural instinct of terror about passions and sensations that seem stronger than themselves, and that they are conscious of sharing with the less highly organized forms of existence. But it appeared to Dorian Gray that the true nature of the senses had never been understood, and that they had remained savage and animal merely because the world had sought to starve them into submission or to kill them by pain, instead of aiming at making them elements of a new spirituality, of which a fine instinct for beauty was to be the dominant characteristic. As he looked back upon man moving through history, he was haunted by a feeling of loss. So much had been surrendered! and to such little purpose! There had been mad wilful rejections, monstrous forms of self-torture and self-denial, whose origin was fear and whose result was a degradation infinitely more terrible than that fancied degradation from which, in their ignorance, they had sought to escape; Nature, in her wonderful irony, driving out the anchorite to feed with the wild animals of the desert and giving to the hermit the beasts of the field as his companions. Yes: there was to be, as Lord Henry had prophesied, a new Hedonism that was to recreate life and to save it from that harsh uncomely puritanism that is having, in our own day, its curious revival. It was to have its service of the intellect, certainly, yet it was never to accept any theory or system that would involve the sacrifice of any mode of passionate experience. Its aim, indeed, was to be experience itself, and not the fruits of experience, sweet or bitter as they might be. Of the asceticism that deadens the senses, as of the vulgar profligacy that dulls them, it was to know nothing. But it was to teach man to concentrate himself upon the moments of a life that is itself but a moment. There are few of us who have not sometimes wakened before dawn, either after one of those dreamless nights that make us almost enamoured of death, or one of those nights of horror and misshapen joy, when through the chambers of the brain sweep phantoms more terrible than reality itself, and instinct with that vivid life that lurks in all grotesques, and that lends to Gothic art its enduring vitality, this art being, one might fancy, especially the art of those whose minds have been troubled with the malady of reverie. Gradually white fingers creep through the curtains, and they appear to tremble. In black fantastic shapes, dumb shadows crawl into the corners of the room and crouch there. Outside, there is the stirring of birds among the leaves, or the sound of men going forth to their work, or the sigh and sob of the wind coming down from the hills and wandering round the silent house, as though it feared to wake the sleepers and yet must needs call forth sleep from her purple cave. Veil after veil of thin dusky gauze is lifted, and by degrees the forms and colours of things are restored to them, and we watch the dawn remaking the world in its antique pattern. The wan mirrors get back their mimic life. The flameless tapers stand where we had left them, and beside them lies the half-cut book that we had been studying, or the wired flower that we had worn at the ball, or the letter that we had been afraid to read, or that we had read too often. Nothing seems to us changed. Out of the unreal shadows of the night comes back the real life that we had known. We have to resume it where we had left off, and there steals over us a terrible sense of the necessity for the continuance of energy in the same wearisome round of stereotyped habits, or a wild longing, it may be, that our eyelids might open some morning upon a world that had been refashioned anew in the darkness for our pleasure, a world in which things would have fresh shapes and colours, and be changed, or have other secrets, a world in which the past would have little or no place, or survive, at any rate, in no conscious form of obligation or regret, the remembrance even of joy having its bitterness and the memories of pleasure their pain. It was the creation of such worlds as these that seemed to Dorian Gray to be the true object, or amongst the true objects, of life; and in his search for sensations that would be at once new and delightful, and possess that element of strangeness that is so essential to romance, he would often adopt certain modes of thought that he knew to be really alien to his nature, abandon himself to their subtle influences, and then, having, as it were, caught their colour and satisfied his intellectual curiosity, leave them with that curious indifference that is not incompatible with a real ardour of temperament, and that, indeed, according to certain modern psychologists, is often a condition of it. It was rumoured of him once that he was about to join the Roman Catholic communion, and certainly the Roman ritual had always a great attraction for him. The daily sacrifice, more awful really than all the sacrifices of the antique world, stirred him as much by its superb rejection of the evidence of the senses as by the primitive simplicity of its elements and the eternal pathos of the human tragedy that it sought to symbolize. He loved to kneel down on the cold marble pavement and watch the priest, in his stiff flowered dalmatic, slowly and with white hands moving aside the veil of the tabernacle, or raising aloft the jewelled, lantern-shaped monstrance with that pallid wafer that at times, one would fain think, is indeed the "_panis c lestis_," the bread of angels, or, robed in the garments of the Passion of Christ, breaking the Host into the chalice and smiting his breast for his sins. The fuming censers that the grave boys, in their lace and scarlet, tossed into the air like great gilt flowers had their subtle fascination for him. As he passed out, he used to look with wonder at the black confessionals and long to sit in the dim shadow of one of them and listen to men and women whispering through the worn grating the true story of their lives. But he never fell into the error of arresting his intellectual development by any formal acceptance of creed or system, or of mistaking, for a house in which to live, an inn that is but suitable for the sojourn of a night, or for a few hours of a night in which there are no stars and the moon is in travail. Mysticism, with its marvellous power of making common things strange to us, and the subtle antinomianism that always seems to accompany it, moved him for a season; and for a season he inclined to the materialistic doctrines of the _Darwinismus_ movement in Germany, and found a curious pleasure in tracing the thoughts and passions of men to some pearly cell in the brain, or some white nerve in the body, delighting in the conception of the absolute dependence of the spirit on certain physical conditions, morbid or healthy, normal or diseased. Yet, as has been said of him before, no theory of life seemed to him to be of any importance compared with life itself. He felt keenly conscious of how barren all intellectual speculation is when separated from action and experiment. He knew that the senses, no less than the soul, have their spiritual mysteries to reveal. And so he would now study perfumes and the secrets of their manufacture, distilling heavily scented oils and burning odorous gums from the East. He saw that there was no mood of the mind that had not its counterpart in the sensuous life, and set himself to discover their true relations, wondering what there was in frankincense that made one mystical, and in ambergris that stirred one s passions, and in violets that woke the memory of dead romances, and in musk that troubled the brain, and in champak that stained the imagination; and seeking often to elaborate a real psychology of perfumes, and to estimate the several influences of sweet-smelling roots and scented, pollen-laden flowers; of aromatic balms and of dark and fragrant woods; of spikenard, that sickens; of hovenia, that makes men mad; and of aloes, that are said to be able to expel melancholy from the soul. At another time he devoted himself entirely to music, and in a long latticed room, with a vermilion-and-gold ceiling and walls of olive-green lacquer, he used to give curious concerts in which mad gipsies tore wild music from little zithers, or grave, yellow-shawled Tunisians plucked at the strained strings of monstrous lutes, while grinning Negroes beat monotonously upon copper drums and, crouching upon scarlet mats, slim turbaned Indians blew through long pipes of reed or brass and charmed or feigned to charm great hooded snakes and horrible horned adders. The harsh intervals and shrill discords of barbaric music stirred him at times when Schubert s grace, and Chopin s beautiful sorrows, and the mighty harmonies of Beethoven himself, fell unheeded on his ear. He collected together from all parts of the world the strangest instruments that could be found, either in the tombs of dead nations or among the few savage tribes that have survived contact with Western civilizations, and loved to touch and try them. He had the mysterious _juruparis_ of the Rio Negro Indians, that women are not allowed to look at and that even youths may not see till they have been subjected to fasting and scourging, and the earthen jars of the Peruvians that have the shrill cries of birds, and flutes of human bones such as Alfonso de Ovalle heard in Chile, and the sonorous green jaspers that are found near Cuzco and give forth a note of singular sweetness. He had painted gourds filled with pebbles that rattled when they were shaken; the long _clarin_ of the Mexicans, into which the performer does not blow, but through which he inhales the air; the harsh _ture_ of the Amazon tribes, that is sounded by the sentinels who sit all day long in high trees, and can be heard, it is said, at a distance of three leagues; the _teponaztli_, that has two vibrating tongues of wood and is beaten with sticks that are smeared with an elastic gum obtained from the milky juice of plants; the _yotl_-bells of the Aztecs, that are hung in clusters like grapes; and a huge cylindrical drum, covered with the skins of great serpents, like the one that Bernal Diaz saw when he went with Cortes into the Mexican temple, and of whose doleful sound he has left us so vivid a description. The fantastic character of these instruments fascinated him, and he felt a curious delight in the thought that art, like Nature, has her monsters, things of bestial shape and with hideous voices. Yet, after some time, he wearied of them, and would sit in his box at the opera, either alone or with Lord Henry, listening in rapt pleasure to "Tannhauser" and seeing in the prelude to that great work of art a presentation of the tragedy of his own soul. On one occasion he took up the study of jewels, and appeared at a costume ball as Anne de Joyeuse, Admiral of France, in a dress covered with five hundred and sixty pearls. This taste enthralled him for years, and, indeed, may be said never to have left him. He would often spend a whole day settling and resettling in their cases the various stones that he had collected, such as the olive-green chrysoberyl that turns red by lamplight, the cymophane with its wirelike line of silver, the pistachio-coloured peridot, rose-pink and wine-yellow topazes, carbuncles of fiery scarlet with tremulous, four-rayed stars, flame-red cinnamon-stones, orange and violet spinels, and amethysts with their alternate layers of ruby and sapphire. He loved the red gold of the sunstone, and the moonstone s pearly whiteness, and the broken rainbow of the milky opal. He procured from Amsterdam three emeralds of extraordinary size and richness of colour, and had a turquoise _de la vieille roche_ that was the envy of all the connoisseurs. He discovered wonderful stories, also, about jewels. In Alphonso s Clericalis Disciplina a serpent was mentioned with eyes of real jacinth, and in the romantic history of Alexander, the Conqueror of Emathia was said to have found in the vale of Jordan snakes "with collars of real emeralds growing on their backs." There was a gem in the brain of the dragon, Philostratus told us, and "by the exhibition of golden letters and a scarlet robe" the monster could be thrown into a magical sleep and slain. According to the great alchemist, Pierre de Boniface, the diamond rendered a man invisible, and the agate of India made him eloquent. The cornelian appeased anger, and the hyacinth provoked sleep, and the amethyst drove away the fumes of wine. The garnet cast out demons, and the hydropicus deprived the moon of her colour. The selenite waxed and waned with the moon, and the meloceus, that discovers thieves, could be affected only by the blood of kids. Leonardus Camillus had seen a white stone taken from the brain of a newly killed toad, that was a certain antidote against poison. The bezoar, that was found in the heart of the Arabian deer, was a charm that could cure the plague. In the nests of Arabian birds was the aspilates, that, according to Democritus, kept the wearer from any danger by fire. The King of Ceilan rode through his city with a large ruby in his hand, as the ceremony of his coronation. The gates of the palace of John the Priest were "made of sardius, with the horn of the horned snake inwrought, so that no man might bring poison within." Over the gable were "two golden apples, in which were two carbuncles," so that the gold might shine by day and the carbuncles by night. In Lodge s strange romance A Margarite of America , it was stated that in the chamber of the queen one could behold "all the chaste ladies of the world, inchased out of silver, looking through fair mirrours of chrysolites, carbuncles, sapphires, and greene emeraults." Marco Polo had seen the inhabitants of Zipangu place rose-coloured pearls in the mouths of the dead. A sea-monster had been enamoured of the pearl that the diver brought to King Perozes, and had slain the thief, and mourned for seven moons over its loss. When the Huns lured the king into the great pit, he flung it away Procopius tells the story nor was it ever found again, though the Emperor Anastasius offered five hundred-weight of gold pieces for it. The King of Malabar had shown to a certain Venetian a rosary of three hundred and four pearls, one for every god that he worshipped. When the Duke de Valentinois, son of Alexander VI., visited Louis XII. of France, his horse was loaded with gold leaves, according to Brantome, and his cap had double rows of rubies that threw out a great light. Charles of England had ridden in stirrups hung with four hundred and twenty-one diamonds. Richard II had a coat, valued at thirty thousand marks, which was covered with balas rubies. Hall described Henry VIII., on his way to the Tower previous to his coronation, as wearing "a jacket of raised gold, the placard embroidered with diamonds and other rich stones, and a great bauderike about his neck of large balasses." The favourites of James I wore ear-rings of emeralds set in gold filigrane. Edward II gave to Piers Gaveston a suit of red-gold armour studded with jacinths, a collar of gold roses set with turquoise-stones, and a skull-cap _parsem _ with pearls. Henry II. wore jewelled gloves reaching to the elbow, and had a hawk-glove sewn with twelve rubies and fifty-two great orients. The ducal hat of Charles the Rash, the last Duke of Burgundy of his race, was hung with pear-shaped pearls and studded with sapphires. How exquisite life had once been! How gorgeous in its pomp and decoration! Even to read of the luxury of the dead was wonderful. Then he turned his attention to embroideries and to the tapestries that performed the office of frescoes in the chill rooms of the northern nations of Europe. As he investigated the subject and he always had an extraordinary faculty of becoming absolutely absorbed for the moment in whatever he took up he was almost saddened by the reflection of the ruin that time brought on beautiful and wonderful things. He, at any rate, had escaped that. Summer followed summer, and the yellow jonquils bloomed and died many times, and nights of horror repeated the story of their shame, but he was unchanged. No winter marred his face or stained his flowerlike bloom. How different it was with material things! Where had they passed to? Where was the great crocus-coloured robe, on which the gods fought against the giants, that had been worked by brown girls for the pleasure of Athena? Where the huge velarium that Nero had stretched across the Colosseum at Rome, that Titan sail of purple on which was represented the starry sky, and Apollo driving a chariot drawn by white, gilt-reined steeds? He longed to see the curious table-napkins wrought for the Priest of the Sun, on which were displayed all the dainties and viands that could be wanted for a feast; the mortuary cloth of King Chilperic, with its three hundred golden bees; the fantastic robes that excited the indignation of the Bishop of Pontus and were figured with "lions, panthers, bears, dogs, forests, rocks, hunters all, in fact, that a painter can copy from nature"; and the coat that Charles of Orleans once wore, on the sleeves of which were embroidered the verses of a song beginning "_Madame, je suis tout joyeux_," the musical accompaniment of the words being wrought in gold thread, and each note, of square shape in those days, formed with four pearls. He read of the room that was prepared at the palace at Rheims for the use of Queen Joan of Burgundy and was decorated with "thirteen hundred and twenty-one parrots, made in broidery, and blazoned with the king s arms, and five hundred and sixty-one butterflies, whose wings were similarly ornamented with the arms of the queen, the whole worked in gold." Catherine de Medicis had a mourning-bed made for her of black velvet powdered with crescents and suns. Its curtains were of damask, with leafy wreaths and garlands, figured upon a gold and silver ground, and fringed along the edges with broideries of pearls, and it stood in a room hung with rows of the queen s devices in cut black velvet upon cloth of silver. Louis XIV. had gold embroidered caryatides fifteen feet high in his apartment. The state bed of Sobieski, King of Poland, was made of Smyrna gold brocade embroidered in turquoises with verses from the Koran. Its supports were of silver gilt, beautifully chased, and profusely set with enamelled and jewelled medallions. It had been taken from the Turkish camp before Vienna, and the standard of Mohammed had stood beneath the tremulous gilt of its canopy. And so, for a whole year, he sought to accumulate the most exquisite specimens that he could find of textile and embroidered work, getting the dainty Delhi muslins, finely wrought with gold-thread palmates and stitched over with iridescent beetles wings; the Dacca gauzes, that from their transparency are known in the East as "woven air," and "running water," and "evening dew"; strange figured cloths from Java; elaborate yellow Chinese hangings; books bound in tawny satins or fair blue silks and wrought with _fleurs-de-lis_, birds and images; veils of _lacis_ worked in Hungary point; Sicilian brocades and stiff Spanish velvets; Georgian work, with its gilt coins, and Japanese _Foukousas_, with their green-toned golds and their marvellously plumaged birds. He had a special passion, also, for ecclesiastical vestments, as indeed he had for everything connected with the service of the Church. In the long cedar chests that lined the west gallery of his house, he had stored away many rare and beautiful specimens of what is really the raiment of the Bride of Christ, who must wear purple and jewels and fine linen that she may hide the pallid macerated body that is worn by the suffering that she seeks for and wounded by self-inflicted pain. He possessed a gorgeous cope of crimson silk and gold-thread damask, figured with a repeating pattern of golden pomegranates set in six-petalled formal blossoms, beyond which on either side was the pine-apple device wrought in seed-pearls. The orphreys were divided into panels representing scenes from the life of the Virgin, and the coronation of the Virgin was figured in coloured silks upon the hood. This was Italian work of the fifteenth century. Another cope was of green velvet, embroidered with heart-shaped groups of acanthus-leaves, from which spread long-stemmed white blossoms, the details of which were picked out with silver thread and coloured crystals. The morse bore a seraph s head in gold-thread raised work. The orphreys were woven in a diaper of red and gold silk, and were starred with medallions of many saints and martyrs, among whom was St. Sebastian. He had chasubles, also, of amber-coloured silk, and blue silk and gold brocade, and yellow silk damask and cloth of gold, figured with representations of the Passion and Crucifixion of Christ, and embroidered with lions and peacocks and other emblems; dalmatics of white satin and pink silk damask, decorated with tulips and dolphins and _fleurs-de-lis_; altar frontals of crimson velvet and blue linen; and many corporals, chalice-veils, and sudaria. In the mystic offices to which such things were put, there was something that quickened his imagination. For these treasures, and everything that he collected in his lovely house, were to be to him means of forgetfulness, modes by which he could escape, for a season, from the fear that seemed to him at times to be almost too great to be borne. Upon the walls of the lonely locked room where he had spent so much of his boyhood, he had hung with his own hands the terrible portrait whose changing features showed him the real degradation of his life, and in front of it had draped the purple-and-gold pall as a curtain. For weeks he would not go there, would forget the hideous painted thing, and get back his light heart, his wonderful joyousness, his passionate absorption in mere existence. Then, suddenly, some night he would creep out of the house, go down to dreadful places near Blue Gate Fields, and stay there, day after day, until he was driven away. On his return he would sit in front of the picture, sometimes loathing it and himself, but filled, at other times, with that pride of individualism that is half the fascination of sin, and smiling with secret pleasure at the misshapen shadow that had to bear the burden that should have been his own. After a few years he could not endure to be long out of England, and gave up the villa that he had shared at Trouville with Lord Henry, as well as the little white walled-in house at Algiers where they had more than once spent the winter. He hated to be separated from the picture that was such a part of his life, and was also afraid that during his absence some one might gain access to the room, in spite of the elaborate bars that he had caused to be placed upon the door. He was quite conscious that this would tell them nothing. It was true that the portrait still preserved, under all the foulness and ugliness of the face, its marked likeness to himself; but what could they learn from that? He would laugh at any one who tried to taunt him. He had not painted it. What was it to him how vile and full of shame it looked? Even if he told them, would they believe it? Yet he was afraid. Sometimes when he was down at his great house in Nottinghamshire, entertaining the fashionable young men of his own rank who were his chief companions, and astounding the county by the wanton luxury and gorgeous splendour of his mode of life, he would suddenly leave his guests and rush back to town to see that the door had not been tampered with and that the picture was still there. What if it should be stolen? The mere thought made him cold with horror. Surely the world would know his secret then. Perhaps the world already suspected it. For, while he fascinated many, there were not a few who distrusted him. He was very nearly blackballed at a West End club of which his birth and social position fully entitled him to become a member, and it was said that on one occasion, when he was brought by a friend into the smoking-room of the Churchill, the Duke of Berwick and another gentleman got up in a marked manner and went out. Curious stories became current about him after he had passed his twenty-fifth year. It was rumoured that he had been seen brawling with foreign sailors in a low den in the distant parts of Whitechapel, and that he consorted with thieves and coiners and knew the mysteries of their trade. His extraordinary absences became notorious, and, when he used to reappear again in society, men would whisper to each other in corners, or pass him with a sneer, or look at him with cold searching eyes, as though they were determined to discover his secret. Of such insolences and attempted slights he, of course, took no notice, and in the opinion of most people his frank debonair manner, his charming boyish smile, and the infinite grace of that wonderful youth that seemed never to leave him, were in themselves a sufficient answer to the calumnies, for so they termed them, that were circulated about him. It was remarked, however, that some of those who had been most intimate with him appeared, after a time, to shun him. Women who had wildly adored him, and for his sake had braved all social censure and set convention at defiance, were seen to grow pallid with shame or horror if Dorian Gray entered the room. Yet these whispered scandals only increased in the eyes of many his strange and dangerous charm. His great wealth was a certain element of security. Society civilized society, at least is never very ready to believe anything to the detriment of those who are both rich and fascinating. It feels instinctively that manners are of more importance than morals, and, in its opinion, the highest respectability is of much less value than the possession of a good _chef_. And, after all, it is a very poor consolation to be told that the man who has given one a bad dinner, or poor wine, is irreproachable in his private life. Even the cardinal virtues cannot atone for half-cold _entr es_, as Lord Henry remarked once, in a discussion on the subject, and there is possibly a good deal to be said for his view. For the canons of good society are, or should be, the same as the canons of art. Form is absolutely essential to it. It should have the dignity of a ceremony, as well as its unreality, and should combine the insincere character of a romantic play with the wit and beauty that make such plays delightful to us. Is insincerity such a terrible thing? I think not. It is merely a method by which we can multiply our personalities. Such, at any rate, was Dorian Gray s opinion. He used to wonder at the shallow psychology of those who conceive the ego in man as a thing simple, permanent, reliable, and of one essence. To him, man was a being with myriad lives and myriad sensations, a complex multiform creature that bore within itself strange legacies of thought and passion, and whose very flesh was tainted with the monstrous maladies of the dead. He loved to stroll through the gaunt cold picture-gallery of his country house and look at the various portraits of those whose blood flowed in his veins. Here was Philip Herbert, described by Francis Osborne, in his Memoires on the Reigns of Queen Elizabeth and King James, as one who was "caressed by the Court for his handsome face, which kept him not long company." Was it young Herbert s life that he sometimes led? Had some strange poisonous germ crept from body to body till it had reached his own? Was it some dim sense of that ruined grace that had made him so suddenly, and almost without cause, give utterance, in Basil Hallward s studio, to the mad prayer that had so changed his life? Here, in gold-embroidered red doublet, jewelled surcoat, and gilt-edged ruff and wristbands, stood Sir Anthony Sherard, with his silver-and-black armour piled at his feet. What had this man s legacy been? Had the lover of Giovanna of Naples bequeathed him some inheritance of sin and shame? Were his own actions merely the dreams that the dead man had not dared to realize? Here, from the fading canvas, smiled Lady Elizabeth Devereux, in her gauze hood, pearl stomacher, and pink slashed sleeves. A flower was in her right hand, and her left clasped an enamelled collar of white and damask roses. On a table by her side lay a mandolin and an apple. There were large green rosettes upon her little pointed shoes. He knew her life, and the strange stories that were told about her lovers. Had he something of her temperament in him? These oval, heavy-lidded eyes seemed to look curiously at him. What of George Willoughby, with his powdered hair and fantastic patches? How evil he looked! The face was saturnine and swarthy, and the sensual lips seemed to be twisted with disdain. Delicate lace ruffles fell over the lean yellow hands that were so overladen with rings. He had been a macaroni of the eighteenth century, and the friend, in his youth, of Lord Ferrars. What of the second Lord Beckenham, the companion of the Prince Regent in his wildest days, and one of the witnesses at the secret marriage with Mrs. Fitzherbert? How proud and handsome he was, with his chestnut curls and insolent pose! What passions had he bequeathed? The world had looked upon him as infamous. He had led the orgies at Carlton House. The star of the Garter glittered upon his breast. Beside him hung the portrait of his wife, a pallid, thin-lipped woman in black. Her blood, also, stirred within him. How curious it all seemed! And his mother with her Lady Hamilton face and her moist, wine-dashed lips he knew what he had got from her. He had got from her his beauty, and his passion for the beauty of others. She laughed at him in her loose Bacchante dress. There were vine leaves in her hair. The purple spilled from the cup she was holding. The carnations of the painting had withered, but the eyes were still wonderful in their depth and brilliancy of colour. They seemed to follow him wherever he went. Yet one had ancestors in literature as well as in one s own race, nearer perhaps in type and temperament, many of them, and certainly with an influence of which one was more absolutely conscious. There were times when it appeared to Dorian Gray that the whole of history was merely the record of his own life, not as he had lived it in act and circumstance, but as his imagination had created it for him, as it had been in his brain and in his passions. He felt that he had known them all, those strange terrible figures that had passed across the stage of the world and made sin so marvellous and evil so full of subtlety. It seemed to him that in some mysterious way their lives had been his own. The hero of the wonderful novel that had so influenced his life had himself known this curious fancy. In the seventh chapter he tells how, crowned with laurel, lest lightning might strike him, he had sat, as Tiberius, in a garden at Capri, reading the shameful books of Elephantis, while dwarfs and peacocks strutted round him and the flute-player mocked the swinger of the censer; and, as Caligula, had caroused with the green-shirted jockeys in their stables and supped in an ivory manger with a jewel-frontleted horse; and, as Domitian, had wandered through a corridor lined with marble mirrors, looking round with haggard eyes for the reflection of the dagger that was to end his days, and sick with that ennui, that terrible _t dium vit _, that comes on those to whom life denies nothing; and had peered through a clear emerald at the red shambles of the circus and then, in a litter of pearl and purple drawn by silver-shod mules, been carried through the Street of Pomegranates to a House of Gold and heard men cry on Nero Caesar as he passed by; and, as Elagabalus, had painted his face with colours, and plied the distaff among the women, and brought the Moon from Carthage and given her in mystic marriage to the Sun. Over and over again Dorian used to read this fantastic chapter, and the two chapters immediately following, in which, as in some curious tapestries or cunningly wrought enamels, were pictured the awful and beautiful forms of those whom vice and blood and weariness had made monstrous or mad: Filippo, Duke of Milan, who slew his wife and painted her lips with a scarlet poison that her lover might suck death from the dead thing he fondled; Pietro Barbi, the Venetian, known as Paul the Second, who sought in his vanity to assume the title of Formosus, and whose tiara, valued at two hundred thousand florins, was bought at the price of a terrible sin; Gian Maria Visconti, who used hounds to chase living men and whose murdered body was covered with roses by a harlot who had loved him; the Borgia on his white horse, with Fratricide riding beside him and his mantle stained with the blood of Perotto; Pietro Riario, the young Cardinal Archbishop of Florence, child and minion of Sixtus IV., whose beauty was equalled only by his debauchery, and who received Leonora of Aragon in a pavilion of white and crimson silk, filled with nymphs and centaurs, and gilded a boy that he might serve at the feast as Ganymede or Hylas; Ezzelin, whose melancholy could be cured only by the spectacle of death, and who had a passion for red blood, as other men have for red wine the son of the Fiend, as was reported, and one who had cheated his father at dice when gambling with him for his own soul; Giambattista Cibo, who in mockery took the name of Innocent and into whose torpid veins the blood of three lads was infused by a Jewish doctor; Sigismondo Malatesta, the lover of Isotta and the lord of Rimini, whose effigy was burned at Rome as the enemy of God and man, who strangled Polyssena with a napkin, and gave poison to Ginevra d Este in a cup of emerald, and in honour of a shameful passion built a pagan church for Christian worship; Charles VI., who had so wildly adored his brother s wife that a leper had warned him of the insanity that was coming on him, and who, when his brain had sickened and grown strange, could only be soothed by Saracen cards painted with the images of love and death and madness; and, in his trimmed jerkin and jewelled cap and acanthuslike curls, Grifonetto Baglioni, who slew Astorre with his bride, and Simonetto with his page, and whose comeliness was such that, as he lay dying in the yellow piazza of Perugia, those who had hated him could not choose but weep, and Atalanta, who had cursed him, blessed him. There was a horrible fascination in them all. He saw them at night, and they troubled his imagination in the day. The Renaissance knew of strange manners of poisoning poisoning by a helmet and a lighted torch, by an embroidered glove and a jewelled fan, by a gilded pomander and by an amber chain. Dorian Gray had been poisoned by a book. There were moments when he looked on evil simply as a mode through which he could realize his conception of the beautiful. CHAPTER XII It was on the ninth of November, the eve of his own thirty-eighth birthday, as he often remembered afterwards. He was walking home about eleven o clock from Lord Henry s, where he had been dining, and was wrapped in heavy furs, as the night was cold and foggy. At the corner of Grosvenor Square and South Audley Street, a man passed him in the mist, walking very fast and with the collar of his grey ulster turned up. He had a bag in his hand. Dorian recognized him. It was Basil Hallward. A strange sense of fear, for which he could not account, came over him. He made no sign of recognition and went on quickly in the direction of his own house. But Hallward had seen him. Dorian heard him first stopping on the pavement and then hurrying after him. In a few moments, his hand was on his arm.</\|quote\|>"Dorian! What an extraordinary piece of luck! I have been waiting for you in your library ever since nine o clock. Finally I took pity on your tired servant and told him to go to bed, as he let me out. I am off to Paris by the midnight train, and I particularly wanted to see you before I left. I thought it was you, or rather your fur coat, as you passed me. But I wasn t quite sure. Didn t you recognize me?" "In this fog, my dear Basil? Why, I can t even recognize Grosvenor Square. I believe my house is somewhere about here, but I don t feel at all certain about it. I am sorry you are going away, as I have not seen you for ages. But I suppose you will be back soon?" "No: I am going to be out of England for six months. I intend to take a studio in Paris and shut myself up till I have finished a great picture I have in my head. However, it wasn t about myself I wanted to talk. Here we are at your door. Let me come in for a moment. I have something to say to you." "I shall be charmed. But won t you miss your train?" said Dorian Gray languidly as he passed up the steps and opened the door with his latch-key. The lamplight struggled out through the fog, and Hallward looked at his watch. "I have heaps of time," he answered. "The train doesn t go till twelve-fifteen, and it is only just eleven. In fact, I was on my way to the club to look for you, when I met you. You see, I shan t have any delay about luggage, as I have sent on my heavy things. All I have with me is in this bag, and I can easily get to Victoria in twenty minutes." Dorian looked at him and smiled. "What a way for a fashionable painter to travel! A Gladstone bag and an ulster! Come in, or the fog will get into the house. And mind you don t talk about anything serious. Nothing is serious nowadays. At least nothing should be." Hallward shook his head, as he entered, and followed Dorian into the library. There was a bright wood fire blazing in the large open hearth. The lamps were lit, and an open Dutch silver spirit-case stood, with some siphons of soda-water and large cut-glass tumblers, on a little marqueterie table. "You see your servant made me quite at home, Dorian. He gave me everything I wanted, including your best gold-tipped cigarettes. He is a most hospitable creature. I like him much better than the Frenchman you used to have. What has become of the Frenchman, by the bye?" Dorian shrugged his shoulders. "I believe he married Lady Radley s maid, and has established her in Paris as an English dressmaker. _Anglomanie_ is very fashionable over there now, I hear. It seems silly of the French, doesn t it? But do you know? he was not at all a bad servant. I never liked him, but I had nothing to complain about. One often imagines things that are	The Picture Of Dorian Gray
"You wouldn't mind, really? I've been at Pamplona, you know. Brett's mad to go. You're sure we wouldn't just be a bloody nuisance?"	Mike Campbell	you?" "It would be grand."<\|quote\|>"You wouldn't mind, really? I've been at Pamplona, you know. Brett's mad to go. You're sure we wouldn't just be a bloody nuisance?"</\|quote\|>"Don't talk like a fool."	if we came down with you?" "It would be grand."<\|quote\|>"You wouldn't mind, really? I've been at Pamplona, you know. Brett's mad to go. You're sure we wouldn't just be a bloody nuisance?"</\|quote\|>"Don't talk like a fool." "I'm a little tight, you	the bar. "Hello, darling." Brett put out her hand. "Hello, Jake," Mike said. "I understand I was tight last night." "Weren't you, though," Brett said. "Disgraceful business." "Look," said Mike, "when do you go down to Spain? Would you mind if we came down with you?" "It would be grand."<\|quote\|>"You wouldn't mind, really? I've been at Pamplona, you know. Brett's mad to go. You're sure we wouldn't just be a bloody nuisance?"</\|quote\|>"Don't talk like a fool." "I'm a little tight, you know. I wouldn't ask you like this if I weren't. You're sure you don't mind?" "Oh, shut up, Michael," Brett said. "How can the man say he'd mind now? I'll ask him later." "But you don't mind, do you?" "Don't	and would meet him at Bayonne, where we could get a bus over the mountains to Pamplona. The same evening about seven o'clock I stopped in at the Select to see Michael and Brett. They were not there, and I went over to the Dingo. They were inside sitting at the bar. "Hello, darling." Brett put out her hand. "Hello, Jake," Mike said. "I understand I was tight last night." "Weren't you, though," Brett said. "Disgraceful business." "Look," said Mike, "when do you go down to Spain? Would you mind if we came down with you?" "It would be grand."<\|quote\|>"You wouldn't mind, really? I've been at Pamplona, you know. Brett's mad to go. You're sure we wouldn't just be a bloody nuisance?"</\|quote\|>"Don't talk like a fool." "I'm a little tight, you know. I wouldn't ask you like this if I weren't. You're sure you don't mind?" "Oh, shut up, Michael," Brett said. "How can the man say he'd mind now? I'll ask him later." "But you don't mind, do you?" "Don't ask that again unless you want to make me sore. Bill and I go down on the morning of the 25th." "By the way, where is Bill?" Brett asked. "He's out at Chantilly dining with some people." "He's a good chap." "Splendid chap," said Mike. "He is, you know." "You	of the 20th of June. It was a good fight. The morning after the fight I had a letter from Robert Cohn, written from Hendaye. He was having a very quiet time, he said, bathing, playing some golf and much bridge. Hendaye had a splendid beach, but he was anxious to start on the fishing-trip. When would I be down? If I would buy him a double-tapered line he would pay me when I came down. That same morning I wrote Cohn from the office that Bill and I would leave Paris on the 25th unless I wired him otherwise, and would meet him at Bayonne, where we could get a bus over the mountains to Pamplona. The same evening about seven o'clock I stopped in at the Select to see Michael and Brett. They were not there, and I went over to the Dingo. They were inside sitting at the bar. "Hello, darling." Brett put out her hand. "Hello, Jake," Mike said. "I understand I was tight last night." "Weren't you, though," Brett said. "Disgraceful business." "Look," said Mike, "when do you go down to Spain? Would you mind if we came down with you?" "It would be grand."<\|quote\|>"You wouldn't mind, really? I've been at Pamplona, you know. Brett's mad to go. You're sure we wouldn't just be a bloody nuisance?"</\|quote\|>"Don't talk like a fool." "I'm a little tight, you know. I wouldn't ask you like this if I weren't. You're sure you don't mind?" "Oh, shut up, Michael," Brett said. "How can the man say he'd mind now? I'll ask him later." "But you don't mind, do you?" "Don't ask that again unless you want to make me sore. Bill and I go down on the morning of the 25th." "By the way, where is Bill?" Brett asked. "He's out at Chantilly dining with some people." "He's a good chap." "Splendid chap," said Mike. "He is, you know." "You don't remember him," Brett said. "I do. Remember him perfectly. Look, Jake, we'll come down the night of the 25th. Brett can't get up in the morning." "Indeed not!" "If our money comes and you're sure you don't mind." "It will come, all right. I'll see to that." "Tell me what tackle to send for." "Get two or three rods with reels, and lines, and some flies." "I won't fish," Brett put in. "Get two rods, then, and Bill won't have to buy one." "Right," said Mike. "I'll send a wire to the keeper." "Won't it be splendid," Brett said.	together--" "but I can't go. I had a date with this thing here. I say, Brett, do get a new hat." Brett pulled the felt hat down far over one eye and smiled out from under it. "You two run along to the fight. I'll have to be taking Mr. Campbell home directly." "I'm not tight," Mike said. "Perhaps just a little. I say, Brett, you are a lovely piece." "Go on to the fight," Brett said. "Mr. Campbell's getting difficult. What are these outbursts of affection, Michael?" "I say, you are a lovely piece." We said good night. "I'm sorry I can't go," Mike said. Brett laughed. I looked back from the door. Mike had one hand on the bar and was leaning toward Brett, talking. Brett was looking at him quite coolly, but the corners of her eyes were smiling. Outside on the pavement I said: "Do you want to go to the fight?" "Sure," said Bill. "If we don't have to walk." "Mike was pretty excited about his girl friend," I said in the taxi. "Well," said Bill. "You can't blame him such a hell of a lot." CHAPTER 9 The Ledoux-Kid Francis fight was the night of the 20th of June. It was a good fight. The morning after the fight I had a letter from Robert Cohn, written from Hendaye. He was having a very quiet time, he said, bathing, playing some golf and much bridge. Hendaye had a splendid beach, but he was anxious to start on the fishing-trip. When would I be down? If I would buy him a double-tapered line he would pay me when I came down. That same morning I wrote Cohn from the office that Bill and I would leave Paris on the 25th unless I wired him otherwise, and would meet him at Bayonne, where we could get a bus over the mountains to Pamplona. The same evening about seven o'clock I stopped in at the Select to see Michael and Brett. They were not there, and I went over to the Dingo. They were inside sitting at the bar. "Hello, darling." Brett put out her hand. "Hello, Jake," Mike said. "I understand I was tight last night." "Weren't you, though," Brett said. "Disgraceful business." "Look," said Mike, "when do you go down to Spain? Would you mind if we came down with you?" "It would be grand."<\|quote\|>"You wouldn't mind, really? I've been at Pamplona, you know. Brett's mad to go. You're sure we wouldn't just be a bloody nuisance?"</\|quote\|>"Don't talk like a fool." "I'm a little tight, you know. I wouldn't ask you like this if I weren't. You're sure you don't mind?" "Oh, shut up, Michael," Brett said. "How can the man say he'd mind now? I'll ask him later." "But you don't mind, do you?" "Don't ask that again unless you want to make me sore. Bill and I go down on the morning of the 25th." "By the way, where is Bill?" Brett asked. "He's out at Chantilly dining with some people." "He's a good chap." "Splendid chap," said Mike. "He is, you know." "You don't remember him," Brett said. "I do. Remember him perfectly. Look, Jake, we'll come down the night of the 25th. Brett can't get up in the morning." "Indeed not!" "If our money comes and you're sure you don't mind." "It will come, all right. I'll see to that." "Tell me what tackle to send for." "Get two or three rods with reels, and lines, and some flies." "I won't fish," Brett put in. "Get two rods, then, and Bill won't have to buy one." "Right," said Mike. "I'll send a wire to the keeper." "Won't it be splendid," Brett said. "Spain! We _will_ have fun." "The 25th. When is that?" "Saturday." "We _will_ have to get ready." "I say," said Mike, "I'm going to the barber's." "I must bathe," said Brett. "Walk up to the hotel with me, Jake. Be a good chap." "We _have_ got the loveliest hotel," Mike said. "I think it's a brothel!" "We left our bags here at the Dingo when we got in, and they asked us at this hotel if we wanted a room for the afternoon only. Seemed frightfully pleased we were going to stay all night." "_I_ believe it's a brothel," Mike said. "And _I_ should know." "Oh, shut it and go and get your hair cut." Mike went out. Brett and I sat on at the bar. "Have another?" "Might." "I needed that," Brett said. We walked up the Rue Delambre. "I haven't seen you since I've been back," Brett said. "No." "How _are_ you, Jake?" "Fine." Brett looked at me. "I say," she said, "is Robert Cohn going on this trip?" "Yes. Why?" "Don't you think it will be a bit rough on him?" "Why should it?" "Who did you think I went down to San Sebastian with?" "Congratulations," I	little caf s, Damoy's, crossed the street to the Rotonde, past its lights and tables to the Select. Michael came toward us from the tables. He was tanned and healthy-looking. "Hel-lo, Jake," he said. "Hel-lo! Hel-lo! How are you, old lad?" "You look very fit, Mike." "Oh, I am. I'm frightfully fit. I've done nothing but walk. Walk all day long. One drink a day with my mother at tea." Bill had gone into the bar. He was standing talking with Brett, who was sitting on a high stool, her legs crossed. She had no stockings on. "It's good to see you, Jake," Michael said. "I'm a little tight you know. Amazing, isn't it? Did you see my nose?" There was a patch of dried blood on the bridge of his nose. "An old lady's bags did that," Mike said. "I reached up to help her with them and they fell on me." Brett gestured at him from the bar with her cigarette-holder and wrinkled the corners of her eyes. "An old lady," said Mike. "Her bags _fell_ on me. Let's go in and see Brett. I say, she is a piece." "You _are_ a lovely lady, Brett. Where did you get that hat?" "Chap bought it for me. Don't you like it?" "It's a dreadful hat. Do get a good hat." "Oh, we've so much money now," Brett said. "I say, haven't you met Bill yet? You _are_ a lovely host, Jake." She turned to Mike. "This is Bill Gorton. This drunkard is Mike Campbell. Mr. Campbell is an undischarged bankrupt." "Aren't I, though? You know I met my ex-partner yesterday in London. Chap who did me in." "What did he say?" "Bought me a drink. I thought I might as well take it. I say, Brett, you _are_ a lovely piece. Don't you think she's beautiful?" "Beautiful. With this nose?" "It's a lovely nose. Go on, point it at me. Isn't she a lovely piece?" "Couldn't we have kept the man in Scotland?" "I say, Brett, let's turn in early." "Don't be indecent, Michael. Remember there are ladies at this bar." "Isn't she a lovely piece? Don't you think so, Jake?" "There's a fight to-night," Bill said. "Like to go?" "Fight," said Mike. "Who's fighting?" "Ledoux and somebody." "He's very good, Ledoux," Mike said. "I'd like to see it, rather" "--he was making an effort to pull himself together--" "but I can't go. I had a date with this thing here. I say, Brett, do get a new hat." Brett pulled the felt hat down far over one eye and smiled out from under it. "You two run along to the fight. I'll have to be taking Mr. Campbell home directly." "I'm not tight," Mike said. "Perhaps just a little. I say, Brett, you are a lovely piece." "Go on to the fight," Brett said. "Mr. Campbell's getting difficult. What are these outbursts of affection, Michael?" "I say, you are a lovely piece." We said good night. "I'm sorry I can't go," Mike said. Brett laughed. I looked back from the door. Mike had one hand on the bar and was leaning toward Brett, talking. Brett was looking at him quite coolly, but the corners of her eyes were smiling. Outside on the pavement I said: "Do you want to go to the fight?" "Sure," said Bill. "If we don't have to walk." "Mike was pretty excited about his girl friend," I said in the taxi. "Well," said Bill. "You can't blame him such a hell of a lot." CHAPTER 9 The Ledoux-Kid Francis fight was the night of the 20th of June. It was a good fight. The morning after the fight I had a letter from Robert Cohn, written from Hendaye. He was having a very quiet time, he said, bathing, playing some golf and much bridge. Hendaye had a splendid beach, but he was anxious to start on the fishing-trip. When would I be down? If I would buy him a double-tapered line he would pay me when I came down. That same morning I wrote Cohn from the office that Bill and I would leave Paris on the 25th unless I wired him otherwise, and would meet him at Bayonne, where we could get a bus over the mountains to Pamplona. The same evening about seven o'clock I stopped in at the Select to see Michael and Brett. They were not there, and I went over to the Dingo. They were inside sitting at the bar. "Hello, darling." Brett put out her hand. "Hello, Jake," Mike said. "I understand I was tight last night." "Weren't you, though," Brett said. "Disgraceful business." "Look," said Mike, "when do you go down to Spain? Would you mind if we came down with you?" "It would be grand."<\|quote\|>"You wouldn't mind, really? I've been at Pamplona, you know. Brett's mad to go. You're sure we wouldn't just be a bloody nuisance?"</\|quote\|>"Don't talk like a fool." "I'm a little tight, you know. I wouldn't ask you like this if I weren't. You're sure you don't mind?" "Oh, shut up, Michael," Brett said. "How can the man say he'd mind now? I'll ask him later." "But you don't mind, do you?" "Don't ask that again unless you want to make me sore. Bill and I go down on the morning of the 25th." "By the way, where is Bill?" Brett asked. "He's out at Chantilly dining with some people." "He's a good chap." "Splendid chap," said Mike. "He is, you know." "You don't remember him," Brett said. "I do. Remember him perfectly. Look, Jake, we'll come down the night of the 25th. Brett can't get up in the morning." "Indeed not!" "If our money comes and you're sure you don't mind." "It will come, all right. I'll see to that." "Tell me what tackle to send for." "Get two or three rods with reels, and lines, and some flies." "I won't fish," Brett put in. "Get two rods, then, and Bill won't have to buy one." "Right," said Mike. "I'll send a wire to the keeper." "Won't it be splendid," Brett said. "Spain! We _will_ have fun." "The 25th. When is that?" "Saturday." "We _will_ have to get ready." "I say," said Mike, "I'm going to the barber's." "I must bathe," said Brett. "Walk up to the hotel with me, Jake. Be a good chap." "We _have_ got the loveliest hotel," Mike said. "I think it's a brothel!" "We left our bags here at the Dingo when we got in, and they asked us at this hotel if we wanted a room for the afternoon only. Seemed frightfully pleased we were going to stay all night." "_I_ believe it's a brothel," Mike said. "And _I_ should know." "Oh, shut it and go and get your hair cut." Mike went out. Brett and I sat on at the bar. "Have another?" "Might." "I needed that," Brett said. We walked up the Rue Delambre. "I haven't seen you since I've been back," Brett said. "No." "How _are_ you, Jake?" "Fine." Brett looked at me. "I say," she said, "is Robert Cohn going on this trip?" "Yes. Why?" "Don't you think it will be a bit rough on him?" "Why should it?" "Who did you think I went down to San Sebastian with?" "Congratulations," I said. We walked along. "What did you say that for?" "I don't know. What would you like me to say?" We walked along and turned a corner. "He behaved rather well, too. He gets a little dull." "Does he?" "I rather thought it would be good for him." "You might take up social service." "Don't be nasty." "I won't." "Didn't you really know?" "No," I said. "I guess I didn't think about it." "Do you think it will be too rough on him?" "That's up to him," I said. "Tell him you're coming. He can always not come." "I'll write him and give him a chance to pull out of it." I did not see Brett again until the night of the 24th of June. "Did you hear from Cohn?" "Rather. He's keen about it." "My God!" "I thought it was rather odd myself." "Says he can't wait to see me." "Does he think you're coming alone?" "No. I told him we were all coming down together. Michael and all." "He's wonderful." "Isn't he?" They expected their money the next day. We arranged to meet at Pamplona. They would go directly to San Sebastian and take the train from there. We would all meet at the Montoya in Pamplona. If they did not turn up on Monday at the latest we would go on ahead up to Burguete in the mountains, to start fishing. There was a bus to Burguete. I wrote out an itinerary so they could follow us. Bill and I took the morning train from the Gare d'Orsay. It was a lovely day, not too hot, and the country was beautiful from the start. We went back into the diner and had breakfast. Leaving the dining-car I asked the conductor for tickets for the first service. "Nothing until the fifth." "What's this?" There were never more than two servings of lunch on that train, and always plenty of places for both of them. "They're all reserved," the dining-car conductor said. "There will be a fifth service at three-thirty." "This is serious," I said to Bill. "Give him ten francs." "Here," I said. "We want to eat in the first service." The conductor put the ten francs in his pocket. "Thank you," he said. "I would advise you gentlemen to get some sandwiches. All the places for the first four services were reserved at the office of the	in Scotland?" "I say, Brett, let's turn in early." "Don't be indecent, Michael. Remember there are ladies at this bar." "Isn't she a lovely piece? Don't you think so, Jake?" "There's a fight to-night," Bill said. "Like to go?" "Fight," said Mike. "Who's fighting?" "Ledoux and somebody." "He's very good, Ledoux," Mike said. "I'd like to see it, rather" "--he was making an effort to pull himself together--" "but I can't go. I had a date with this thing here. I say, Brett, do get a new hat." Brett pulled the felt hat down far over one eye and smiled out from under it. "You two run along to the fight. I'll have to be taking Mr. Campbell home directly." "I'm not tight," Mike said. "Perhaps just a little. I say, Brett, you are a lovely piece." "Go on to the fight," Brett said. "Mr. Campbell's getting difficult. What are these outbursts of affection, Michael?" "I say, you are a lovely piece." We said good night. "I'm sorry I can't go," Mike said. Brett laughed. I looked back from the door. Mike had one hand on the bar and was leaning toward Brett, talking. Brett was looking at him quite coolly, but the corners of her eyes were smiling. Outside on the pavement I said: "Do you want to go to the fight?" "Sure," said Bill. "If we don't have to walk." "Mike was pretty excited about his girl friend," I said in the taxi. "Well," said Bill. "You can't blame him such a hell of a lot." CHAPTER 9 The Ledoux-Kid Francis fight was the night of the 20th of June. It was a good fight. The morning after the fight I had a letter from Robert Cohn, written from Hendaye. He was having a very quiet time, he said, bathing, playing some golf and much bridge. Hendaye had a splendid beach, but he was anxious to start on the fishing-trip. When would I be down? If I would buy him a double-tapered line he would pay me when I came down. That same morning I wrote Cohn from the office that Bill and I would leave Paris on the 25th unless I wired him otherwise, and would meet him at Bayonne, where we could get a bus over the mountains to Pamplona. The same evening about seven o'clock I stopped in at the Select to see Michael and Brett. They were not there, and I went over to the Dingo. They were inside sitting at the bar. "Hello, darling." Brett put out her hand. "Hello, Jake," Mike said. "I understand I was tight last night." "Weren't you, though," Brett said. "Disgraceful business." "Look," said Mike, "when do you go down to Spain? Would you mind if we came down with you?" "It would be grand."<\|quote\|>"You wouldn't mind, really? I've been at Pamplona, you know. Brett's mad to go. You're sure we wouldn't just be a bloody nuisance?"</\|quote\|>"Don't talk like a fool." "I'm a little tight, you know. I wouldn't ask you like this if I weren't. You're sure you don't mind?" "Oh, shut up, Michael," Brett said. "How can the man say he'd mind now? I'll ask him later." "But you don't mind, do you?" "Don't ask that again unless you want to make me sore. Bill and I go down on the morning of the 25th." "By the way, where is Bill?" Brett asked. "He's out at Chantilly dining with some people." "He's a good chap." "Splendid chap," said Mike. "He is, you know." "You don't remember him," Brett said. "I do. Remember him perfectly. Look, Jake, we'll come down the night of the 25th. Brett can't get up in the morning." "Indeed not!" "If our money comes and you're sure you don't mind." "It will come, all right. I'll see to that." "Tell me what tackle to send for." "Get two or three rods with reels, and lines, and some flies." "I won't fish," Brett put in. "Get two rods, then, and Bill won't have to buy one." "Right," said Mike. "I'll send a wire to the keeper." "Won't it be splendid," Brett said. "Spain! We _will_ have fun." "The 25th. When is that?" "Saturday." "We _will_ have to get ready." "I say," said Mike, "I'm going to the barber's." "I must bathe," said Brett. "Walk up to the hotel with me, Jake. Be a good chap." "We _have_ got the loveliest hotel," Mike said. "I think it's a brothel!" "We left our bags here at the Dingo when we got in, and they asked us at this hotel if we wanted a room for the afternoon only. Seemed frightfully pleased we were going to stay all night." "_I_ believe it's a brothel," Mike said. "And _I_ should know." "Oh, shut it and go and get your hair cut." Mike went out. Brett and I sat on at the bar. "Have another?" "Might." "I needed that," Brett said. We walked up the Rue Delambre. "I haven't seen you since I've been back," Brett said. "No." "How _are_ you, Jake?" "Fine." Brett looked at me. "I say," she said, "is Robert Cohn going on this trip?" "Yes. Why?" "Don't you think it will be a bit rough on him?" "Why should it?" "Who did you think I went down to San Sebastian with?" "Congratulations," I said. We walked along. "What did you say that for?"	The Sun Also Rises
"Well, I shan't go, at any rate,"	Alice	miles high," added the Queen.<\|quote\|>"Well, I shan't go, at any rate,"</\|quote\|>said Alice: "besides, that's not	said the King. "Nearly two miles high," added the Queen.<\|quote\|>"Well, I shan't go, at any rate,"</\|quote\|>said Alice: "besides, that's not a regular rule: you invented	busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen.<\|quote\|>"Well, I shan't go, at any rate,"</\|quote\|>said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in	which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen.<\|quote\|>"Well, I shan't go, at any rate,"</\|quote\|>said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be	roof of the court. "What do you know about this business?" the King said to Alice. "Nothing," said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen.<\|quote\|>"Well, I shan't go, at any rate,"</\|quote\|>said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it." (The	and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die. "The trial cannot proceed," said the King in a very grave voice, "until all the jurymen are back in their proper places--_all_," he repeated with great emphasis, looking hard at Alice as he said so. Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; "not that it signifies much," she said to herself; "I should think it would be _quite_ as much use in the trial one way up as the other." As soon as the jury had a little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice. "Nothing," said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen.<\|quote\|>"Well, I shan't go, at any rate,"</\|quote\|>said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word I had not gone	out of sight before the officer could get to the door. "Call the next witness!" said the King. The next witness was the Duchess's cook. She carried the pepper-box in her hand, and Alice guessed who it was, even before she got into the court, by the way the people near the door began sneezing all at once. "Give your evidence," said the King. "Shan't," said the cook. The King looked anxiously at the White Rabbit, who said in a low voice, "Your Majesty must cross-examine _this_ witness." "Well, if I must, I must," the King said, with a melancholy air, and, after folding his arms and frowning at the cook till his eyes were nearly out of sight, he said in a deep voice, "What are tarts made of?" "Pepper, mostly," said the cook. "Treacle," said a sleepy voice behind her. "Collar that Dormouse," the Queen shrieked out. "Behead that Dormouse! Turn that Dormouse out of court! Suppress him! Pinch him! Off with his whiskers!" For some minutes the whole court was in confusion, getting the Dormouse turned out, and, by the time they had settled down again, the cook had disappeared. "Never mind!" said the King, with an air of great relief. "Call the next witness." And he added in an undertone to the Queen, "Really, my dear, _you_ must cross-examine the next witness. It quite makes my forehead ache!" Alice watched the White Rabbit as he fumbled over the list, feeling very curious to see what the next witness would be like, "--for they haven't got much evidence _yet_," she said to herself. Imagine her surprise, when the White Rabbit read out, at the top of his shrill little voice, the name "Alice!" CHAPTER XII. Alice's Evidence "Here!" cried Alice, quite forgetting in the flurry of the moment how large she had grown in the last few minutes, and she jumped up in such a hurry that she tipped over the jury-box with the edge of her skirt, upsetting all the jurymen on to the heads of the crowd below, and there they lay sprawling about, reminding her very much of a globe of goldfish she had accidentally upset the week before. "Oh, I _beg_ your pardon!" she exclaimed in a tone of great dismay, and began picking them up again as quickly as she could, for the accident of the goldfish kept running in her head, and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die. "The trial cannot proceed," said the King in a very grave voice, "until all the jurymen are back in their proper places--_all_," he repeated with great emphasis, looking hard at Alice as he said so. Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; "not that it signifies much," she said to herself; "I should think it would be _quite_ as much use in the trial one way up as the other." As soon as the jury had a little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice. "Nothing," said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen.<\|quote\|>"Well, I shan't go, at any rate,"</\|quote\|>said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word I had not gone (We know it to be true): If she should push the matter on, What would become of you? I gave her one, they gave him two, You gave us three or more; They all returned from him to you, Though they were mine before. If I or she should chance to be Involved in this affair, He trusts to you to set them free, Exactly as we were. My notion was that you had been (Before she had this fit) An obstacle that came between Him, and ourselves, and it. Don't let him know she liked them best, For this must ever be A secret, kept from all the rest, Between yourself and me." "That's the most important piece of evidence we've heard yet," said the King, rubbing his hands; "so now let the jury--" "If any one of them can explain it," said Alice, (she had grown so large in the last few minutes that she wasn't a bit afraid of interrupting him,) "I'll give him sixpence. _I_ don't believe there's an atom of meaning in it." The jury all wrote down on their slates, "_She_ doesn't believe there's an atom of meaning in it," but none of them attempted to explain the paper. "If there's no meaning in it," said the King, "that saves a world of trouble, you know, as we needn't try to find any. And yet I don't know," he went on, spreading out the verses on his knee, and looking at them with one eye; "I seem to see some meaning in them, after all." "--_said I could not swim_--" "you can't swim, can you?" he added, turning to the Knave. The Knave shook his head sadly. "Do I look like it?" he said. (Which he certainly did _not_, being made entirely of cardboard.) "All right, so far," said the King, and he went on muttering over the verses to himself: "'_We know it to be true_--' "that's the jury, of course-" -'_I gave her one, they gave him two_--' "why, that must be what he did with the tarts, you know--" "But, it goes on" '_they all returned from him to you_,'" said Alice. "Why, there they are!" said the King triumphantly, pointing to the tarts on the table. "Nothing can be clearer than _that_. Then again--" '_before she had this fit_--' "you never had fits, my dear, I think?" he said to	your pardon!" she exclaimed in a tone of great dismay, and began picking them up again as quickly as she could, for the accident of the goldfish kept running in her head, and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die. "The trial cannot proceed," said the King in a very grave voice, "until all the jurymen are back in their proper places--_all_," he repeated with great emphasis, looking hard at Alice as he said so. Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; "not that it signifies much," she said to herself; "I should think it would be _quite_ as much use in the trial one way up as the other." As soon as the jury had a little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice. "Nothing," said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen.<\|quote\|>"Well, I shan't go, at any rate,"</\|quote\|>said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You	Alices Adventures In Wonderland
cried Daisy with tense gaiety. She sat down, glanced searchingly at Miss Baker and then at me, and continued:	No speaker	table. “It couldn’t be helped!”<\|quote\|>cried Daisy with tense gaiety. She sat down, glanced searchingly at Miss Baker and then at me, and continued:</\|quote\|>“I looked outdoors for a	Daisy were back at the table. “It couldn’t be helped!”<\|quote\|>cried Daisy with tense gaiety. She sat down, glanced searchingly at Miss Baker and then at me, and continued:</\|quote\|>“I looked outdoors for a minute, and it’s very romantic	Baker nodded. “She might have the decency not to telephone him at dinner time. Don’t you think?” Almost before I had grasped her meaning there was the flutter of a dress and the crunch of leather boots, and Tom and Daisy were back at the table. “It couldn’t be helped!”<\|quote\|>cried Daisy with tense gaiety. She sat down, glanced searchingly at Miss Baker and then at me, and continued:</\|quote\|>“I looked outdoors for a minute, and it’s very romantic outdoors. There’s a bird on the lawn that I think must be a nightingale come over on the Cunard or White Star Line. He’s singing away—” Her voice sang: “It’s romantic, isn’t it, Tom?” “Very romantic,” he said, and then	“Don’t talk. I want to hear what happens.” “Is something happening?” I inquired innocently. “You mean to say you don’t know?” said Miss Baker, honestly surprised. “I thought everybody knew.” “I don’t.” “Why—” she said hesitantly. “Tom’s got some woman in New York.” “Got some woman?” I repeated blankly. Miss Baker nodded. “She might have the decency not to telephone him at dinner time. Don’t you think?” Almost before I had grasped her meaning there was the flutter of a dress and the crunch of leather boots, and Tom and Daisy were back at the table. “It couldn’t be helped!”<\|quote\|>cried Daisy with tense gaiety. She sat down, glanced searchingly at Miss Baker and then at me, and continued:</\|quote\|>“I looked outdoors for a minute, and it’s very romantic outdoors. There’s a bird on the lawn that I think must be a nightingale come over on the Cunard or White Star Line. He’s singing away—” Her voice sang: “It’s romantic, isn’t it, Tom?” “Very romantic,” he said, and then miserably to me: “If it’s light enough after dinner, I want to take you down to the stables.” The telephone rang inside, startlingly, and as Daisy shook her head decisively at Tom the subject of the stables, in fact all subjects, vanished into air. Among the broken fragments of the	concealed in one of those breathless, thrilling words. Then suddenly she threw her napkin on the table and excused herself and went into the house. Miss Baker and I exchanged a short glance consciously devoid of meaning. I was about to speak when she sat up alertly and said “Sh!” in a warning voice. A subdued impassioned murmur was audible in the room beyond, and Miss Baker leaned forward unashamed, trying to hear. The murmur trembled on the verge of coherence, sank down, mounted excitedly, and then ceased altogether. “This Mr. Gatsby you spoke of is my neighbour—” I began. “Don’t talk. I want to hear what happens.” “Is something happening?” I inquired innocently. “You mean to say you don’t know?” said Miss Baker, honestly surprised. “I thought everybody knew.” “I don’t.” “Why—” she said hesitantly. “Tom’s got some woman in New York.” “Got some woman?” I repeated blankly. Miss Baker nodded. “She might have the decency not to telephone him at dinner time. Don’t you think?” Almost before I had grasped her meaning there was the flutter of a dress and the crunch of leather boots, and Tom and Daisy were back at the table. “It couldn’t be helped!”<\|quote\|>cried Daisy with tense gaiety. She sat down, glanced searchingly at Miss Baker and then at me, and continued:</\|quote\|>“I looked outdoors for a minute, and it’s very romantic outdoors. There’s a bird on the lawn that I think must be a nightingale come over on the Cunard or White Star Line. He’s singing away—” Her voice sang: “It’s romantic, isn’t it, Tom?” “Very romantic,” he said, and then miserably to me: “If it’s light enough after dinner, I want to take you down to the stables.” The telephone rang inside, startlingly, and as Daisy shook her head decisively at Tom the subject of the stables, in fact all subjects, vanished into air. Among the broken fragments of the last five minutes at table I remember the candles being lit again, pointlessly, and I was conscious of wanting to look squarely at everyone, and yet to avoid all eyes. I couldn’t guess what Daisy and Tom were thinking, but I doubt if even Miss Baker, who seemed to have mastered a certain hardy scepticism, was able utterly to put this fifth guest’s shrill metallic urgency out of mind. To a certain temperament the situation might have seemed intriguing—my own instinct was to telephone immediately for the police. The horses, needless to say, were not mentioned again. Tom and Miss	in New York that had a silver service for two hundred people. He had to polish it from morning till night, until finally it began to affect his nose—” “Things went from bad to worse,” suggested Miss Baker. “Yes. Things went from bad to worse, until finally he had to give up his position.” For a moment the last sunshine fell with romantic affection upon her glowing face; her voice compelled me forward breathlessly as I listened—then the glow faded, each light deserting her with lingering regret, like children leaving a pleasant street at dusk. The butler came back and murmured something close to Tom’s ear, whereupon Tom frowned, pushed back his chair, and without a word went inside. As if his absence quickened something within her, Daisy leaned forward again, her voice glowing and singing. “I love to see you at my table, Nick. You remind me of a—of a rose, an absolute rose. Doesn’t he?” She turned to Miss Baker for confirmation: “An absolute rose?” This was untrue. I am not even faintly like a rose. She was only extemporizing, but a stirring warmth flowed from her, as if her heart was trying to come out to you concealed in one of those breathless, thrilling words. Then suddenly she threw her napkin on the table and excused herself and went into the house. Miss Baker and I exchanged a short glance consciously devoid of meaning. I was about to speak when she sat up alertly and said “Sh!” in a warning voice. A subdued impassioned murmur was audible in the room beyond, and Miss Baker leaned forward unashamed, trying to hear. The murmur trembled on the verge of coherence, sank down, mounted excitedly, and then ceased altogether. “This Mr. Gatsby you spoke of is my neighbour—” I began. “Don’t talk. I want to hear what happens.” “Is something happening?” I inquired innocently. “You mean to say you don’t know?” said Miss Baker, honestly surprised. “I thought everybody knew.” “I don’t.” “Why—” she said hesitantly. “Tom’s got some woman in New York.” “Got some woman?” I repeated blankly. Miss Baker nodded. “She might have the decency not to telephone him at dinner time. Don’t you think?” Almost before I had grasped her meaning there was the flutter of a dress and the crunch of leather boots, and Tom and Daisy were back at the table. “It couldn’t be helped!”<\|quote\|>cried Daisy with tense gaiety. She sat down, glanced searchingly at Miss Baker and then at me, and continued:</\|quote\|>“I looked outdoors for a minute, and it’s very romantic outdoors. There’s a bird on the lawn that I think must be a nightingale come over on the Cunard or White Star Line. He’s singing away—” Her voice sang: “It’s romantic, isn’t it, Tom?” “Very romantic,” he said, and then miserably to me: “If it’s light enough after dinner, I want to take you down to the stables.” The telephone rang inside, startlingly, and as Daisy shook her head decisively at Tom the subject of the stables, in fact all subjects, vanished into air. Among the broken fragments of the last five minutes at table I remember the candles being lit again, pointlessly, and I was conscious of wanting to look squarely at everyone, and yet to avoid all eyes. I couldn’t guess what Daisy and Tom were thinking, but I doubt if even Miss Baker, who seemed to have mastered a certain hardy scepticism, was able utterly to put this fifth guest’s shrill metallic urgency out of mind. To a certain temperament the situation might have seemed intriguing—my own instinct was to telephone immediately for the police. The horses, needless to say, were not mentioned again. Tom and Miss Baker, with several feet of twilight between them, strolled back into the library, as if to a vigil beside a perfectly tangible body, while, trying to look pleasantly interested and a little deaf, I followed Daisy around a chain of connecting verandas to the porch in front. In its deep gloom we sat down side by side on a wicker settee. Daisy took her face in her hands as if feeling its lovely shape, and her eyes moved gradually out into the velvet dusk. I saw that turbulent emotions possessed her, so I asked what I thought would be some sedative questions about her little girl. “We don’t know each other very well, Nick,” she said suddenly. “Even if we are cousins. You didn’t come to my wedding.” “I wasn’t back from the war.” “That’s true.” She hesitated. “Well, I’ve had a very bad time, Nick, and I’m pretty cynical about everything.” Evidently she had reason to be. I waited but she didn’t say any more, and after a moment I returned rather feebly to the subject of her daughter. “I suppose she talks, and—eats, and everything.” “Oh, yes.” She looked at me absently. “Listen, Nick; let me tell you	too would be over and casually put away. It was sharply different from the West, where an evening was hurried from phase to phase towards its close, in a continually disappointed anticipation or else in sheer nervous dread of the moment itself. “You make me feel uncivilized, Daisy,” I confessed on my second glass of corky but rather impressive claret. “Can’t you talk about crops or something?” I meant nothing in particular by this remark, but it was taken up in an unexpected way. “Civilization’s going to pieces,” broke out Tom violently. “I’ve gotten to be a terrible pessimist about things. Have you read The Rise of the Coloured Empires by this man Goddard?” “Why, no,” I answered, rather surprised by his tone. “Well, it’s a fine book, and everybody ought to read it. The idea is if we don’t look out the white race will be—will be utterly submerged. It’s all scientific stuff; it’s been proved.” “Tom’s getting very profound,” said Daisy, with an expression of unthoughtful sadness. “He reads deep books with long words in them. What was that word we—” “Well, these books are all scientific,” insisted Tom, glancing at her impatiently. “This fellow has worked out the whole thing. It’s up to us, who are the dominant race, to watch out or these other races will have control of things.” “We’ve got to beat them down,” whispered Daisy, winking ferociously toward the fervent sun. “You ought to live in California—” began Miss Baker, but Tom interrupted her by shifting heavily in his chair. “This idea is that we’re Nordics. I am, and you are, and you are, and—” After an infinitesimal hesitation he included Daisy with a slight nod, and she winked at me again. “—And we’ve produced all the things that go to make civilization—oh, science and art, and all that. Do you see?” There was something pathetic in his concentration, as if his complacency, more acute than of old, was not enough to him any more. When, almost immediately, the telephone rang inside and the butler left the porch Daisy seized upon the momentary interruption and leaned towards me. “I’ll tell you a family secret,” she whispered enthusiastically. “It’s about the butler’s nose. Do you want to hear about the butler’s nose?” “That’s why I came over tonight.” “Well, he wasn’t always a butler; he used to be the silver polisher for some people in New York that had a silver service for two hundred people. He had to polish it from morning till night, until finally it began to affect his nose—” “Things went from bad to worse,” suggested Miss Baker. “Yes. Things went from bad to worse, until finally he had to give up his position.” For a moment the last sunshine fell with romantic affection upon her glowing face; her voice compelled me forward breathlessly as I listened—then the glow faded, each light deserting her with lingering regret, like children leaving a pleasant street at dusk. The butler came back and murmured something close to Tom’s ear, whereupon Tom frowned, pushed back his chair, and without a word went inside. As if his absence quickened something within her, Daisy leaned forward again, her voice glowing and singing. “I love to see you at my table, Nick. You remind me of a—of a rose, an absolute rose. Doesn’t he?” She turned to Miss Baker for confirmation: “An absolute rose?” This was untrue. I am not even faintly like a rose. She was only extemporizing, but a stirring warmth flowed from her, as if her heart was trying to come out to you concealed in one of those breathless, thrilling words. Then suddenly she threw her napkin on the table and excused herself and went into the house. Miss Baker and I exchanged a short glance consciously devoid of meaning. I was about to speak when she sat up alertly and said “Sh!” in a warning voice. A subdued impassioned murmur was audible in the room beyond, and Miss Baker leaned forward unashamed, trying to hear. The murmur trembled on the verge of coherence, sank down, mounted excitedly, and then ceased altogether. “This Mr. Gatsby you spoke of is my neighbour—” I began. “Don’t talk. I want to hear what happens.” “Is something happening?” I inquired innocently. “You mean to say you don’t know?” said Miss Baker, honestly surprised. “I thought everybody knew.” “I don’t.” “Why—” she said hesitantly. “Tom’s got some woman in New York.” “Got some woman?” I repeated blankly. Miss Baker nodded. “She might have the decency not to telephone him at dinner time. Don’t you think?” Almost before I had grasped her meaning there was the flutter of a dress and the crunch of leather boots, and Tom and Daisy were back at the table. “It couldn’t be helped!”<\|quote\|>cried Daisy with tense gaiety. She sat down, glanced searchingly at Miss Baker and then at me, and continued:</\|quote\|>“I looked outdoors for a minute, and it’s very romantic outdoors. There’s a bird on the lawn that I think must be a nightingale come over on the Cunard or White Star Line. He’s singing away—” Her voice sang: “It’s romantic, isn’t it, Tom?” “Very romantic,” he said, and then miserably to me: “If it’s light enough after dinner, I want to take you down to the stables.” The telephone rang inside, startlingly, and as Daisy shook her head decisively at Tom the subject of the stables, in fact all subjects, vanished into air. Among the broken fragments of the last five minutes at table I remember the candles being lit again, pointlessly, and I was conscious of wanting to look squarely at everyone, and yet to avoid all eyes. I couldn’t guess what Daisy and Tom were thinking, but I doubt if even Miss Baker, who seemed to have mastered a certain hardy scepticism, was able utterly to put this fifth guest’s shrill metallic urgency out of mind. To a certain temperament the situation might have seemed intriguing—my own instinct was to telephone immediately for the police. The horses, needless to say, were not mentioned again. Tom and Miss Baker, with several feet of twilight between them, strolled back into the library, as if to a vigil beside a perfectly tangible body, while, trying to look pleasantly interested and a little deaf, I followed Daisy around a chain of connecting verandas to the porch in front. In its deep gloom we sat down side by side on a wicker settee. Daisy took her face in her hands as if feeling its lovely shape, and her eyes moved gradually out into the velvet dusk. I saw that turbulent emotions possessed her, so I asked what I thought would be some sedative questions about her little girl. “We don’t know each other very well, Nick,” she said suddenly. “Even if we are cousins. You didn’t come to my wedding.” “I wasn’t back from the war.” “That’s true.” She hesitated. “Well, I’ve had a very bad time, Nick, and I’m pretty cynical about everything.” Evidently she had reason to be. I waited but she didn’t say any more, and after a moment I returned rather feebly to the subject of her daughter. “I suppose she talks, and—eats, and everything.” “Oh, yes.” She looked at me absently. “Listen, Nick; let me tell you what I said when she was born. Would you like to hear?” “Very much.” “It’ll show you how I’ve gotten to feel about—things. Well, she was less than an hour old and Tom was God knows where. I woke up out of the ether with an utterly abandoned feeling, and asked the nurse right away if it was a boy or a girl. She told me it was a girl, and so I turned my head away and wept. ‘All right,’ I said, ‘I’m glad it’s a girl. And I hope she’ll be a fool—that’s the best thing a girl can be in this world, a beautiful little fool.’ “You see I think everything’s terrible anyhow,” she went on in a convinced way. “Everybody thinks so—the most advanced people. And I know. I’ve been everywhere and seen everything and done everything.” Her eyes flashed around her in a defiant way, rather like Tom’s, and she laughed with thrilling scorn. “Sophisticated—God, I’m sophisticated!” The instant her voice broke off, ceasing to compel my attention, my belief, I felt the basic insincerity of what she had said. It made me uneasy, as though the whole evening had been a trick of some sort to exact a contributory emotion from me. I waited, and sure enough, in a moment she looked at me with an absolute smirk on her lovely face, as if she had asserted her membership in a rather distinguished secret society to which she and Tom belonged. ------------------------------------------------------------------------ Inside, the crimson room bloomed with light. Tom and Miss Baker sat at either end of the long couch and she read aloud to him from the Saturday Evening Post—the words, murmurous and uninflected, running together in a soothing tune. The lamplight, bright on his boots and dull on the autumn-leaf yellow of her hair, glinted along the paper as she turned a page with a flutter of slender muscles in her arms. When we came in she held us silent for a moment with a lifted hand. “To be continued,” she said, tossing the magazine on the table, “in our very next issue.” Her body asserted itself with a restless movement of her knee, and she stood up. “Ten o’clock,” she remarked, apparently finding the time on the ceiling. “Time for this good girl to go to bed.” “Jordan’s going to play in the tournament tomorrow,” explained Daisy, “over at Westchester.”	I am, and you are, and you are, and—” After an infinitesimal hesitation he included Daisy with a slight nod, and she winked at me again. “—And we’ve produced all the things that go to make civilization—oh, science and art, and all that. Do you see?” There was something pathetic in his concentration, as if his complacency, more acute than of old, was not enough to him any more. When, almost immediately, the telephone rang inside and the butler left the porch Daisy seized upon the momentary interruption and leaned towards me. “I’ll tell you a family secret,” she whispered enthusiastically. “It’s about the butler’s nose. Do you want to hear about the butler’s nose?” “That’s why I came over tonight.” “Well, he wasn’t always a butler; he used to be the silver polisher for some people in New York that had a silver service for two hundred people. He had to polish it from morning till night, until finally it began to affect his nose—” “Things went from bad to worse,” suggested Miss Baker. “Yes. Things went from bad to worse, until finally he had to give up his position.” For a moment the last sunshine fell with romantic affection upon her glowing face; her voice compelled me forward breathlessly as I listened—then the glow faded, each light deserting her with lingering regret, like children leaving a pleasant street at dusk. The butler came back and murmured something close to Tom’s ear, whereupon Tom frowned, pushed back his chair, and without a word went inside. As if his absence quickened something within her, Daisy leaned forward again, her voice glowing and singing. “I love to see you at my table, Nick. You remind me of a—of a rose, an absolute rose. Doesn’t he?” She turned to Miss Baker for confirmation: “An absolute rose?” This was untrue. I am not even faintly like a rose. She was only extemporizing, but a stirring warmth flowed from her, as if her heart was trying to come out to you concealed in one of those breathless, thrilling words. Then suddenly she threw her napkin on the table and excused herself and went into the house. Miss Baker and I exchanged a short glance consciously devoid of meaning. I was about to speak when she sat up alertly and said “Sh!” in a warning voice. A subdued impassioned murmur was audible in the room beyond, and Miss Baker leaned forward unashamed, trying to hear. The murmur trembled on the verge of coherence, sank down, mounted excitedly, and then ceased altogether. “This Mr. Gatsby you spoke of is my neighbour—” I began. “Don’t talk. I want to hear what happens.” “Is something happening?” I inquired innocently. “You mean to say you don’t know?” said Miss Baker, honestly surprised. “I thought everybody knew.” “I don’t.” “Why—” she said hesitantly. “Tom’s got some woman in New York.” “Got some woman?” I repeated blankly. Miss Baker nodded. “She might have the decency not to telephone him at dinner time. Don’t you think?” Almost before I had grasped her meaning there was the flutter of a dress and the crunch of leather boots, and Tom and Daisy were back at the table. “It couldn’t be helped!”<\|quote\|>cried Daisy with tense gaiety. She sat down, glanced searchingly at Miss Baker and then at me, and continued:</\|quote\|>“I looked outdoors for a minute, and it’s very romantic outdoors. There’s a bird on the lawn that I think must be a nightingale come over on the Cunard or White Star Line. He’s singing away—” Her voice sang: “It’s romantic, isn’t it, Tom?” “Very romantic,” he said, and then miserably to me: “If it’s light enough after dinner, I want to take you down to the stables.” The telephone rang inside, startlingly, and as Daisy shook her head decisively at Tom the subject of the stables, in fact all subjects, vanished into air. Among the broken fragments of the last five minutes at table I remember the candles being lit again, pointlessly, and I was conscious of wanting to look squarely at everyone, and yet to avoid all eyes. I couldn’t guess what Daisy and Tom were thinking, but I doubt if even Miss Baker, who seemed to have mastered a certain hardy scepticism, was able utterly to put this fifth guest’s shrill metallic urgency out of mind. To a certain temperament the situation might have seemed intriguing—my own instinct was to telephone immediately for the police. The horses, needless to say, were not mentioned again. Tom and Miss Baker, with several feet of twilight between them, strolled back into the library, as if to a vigil beside a perfectly tangible body, while, trying to look pleasantly interested and a little deaf, I followed Daisy around a chain of connecting verandas to the porch in front. In its deep gloom we sat down side by side on a wicker settee. Daisy	The Great Gatsby
"only choose in what manner thou wilt die."	Genie	resolved on," said the genie,<\|quote\|>"only choose in what manner thou wilt die."</\|quote\|>The fisherman, perceiving the genie	own." "No, thy death is resolved on," said the genie,<\|quote\|>"only choose in what manner thou wilt die."</\|quote\|>The fisherman, perceiving the genie to be resolute, was extremely	one that is so ungrateful. I beg you to consider your injustice, and revoke such an unreasonable oath; pardon me, and Heaven will pardon you; if you grant me my life, Heaven will protect you from all attempts against your own." "No, thy death is resolved on," said the genie,<\|quote\|>"only choose in what manner thou wilt die."</\|quote\|>The fisherman, perceiving the genie to be resolute, was extremely grieved, not so much for himself, as on account of his three children, and bewailed the misery they must be reduced to by his death. He endeavoured still to appease the genie, and said, "Alas! be pleased to take pity	delivered me to-day, I give thee that choice." [Illustration] _The smoke ascended to the clouds, and extending itself along the sea and upon the shore formed a great mist._ This discourse afflicted the fisherman extremely: "I am very unfortunate," cried he, "to come hither to do such a kindness to one that is so ungrateful. I beg you to consider your injustice, and revoke such an unreasonable oath; pardon me, and Heaven will pardon you; if you grant me my life, Heaven will protect you from all attempts against your own." "No, thy death is resolved on," said the genie,<\|quote\|>"only choose in what manner thou wilt die."</\|quote\|>The fisherman, perceiving the genie to be resolute, was extremely grieved, not so much for himself, as on account of his three children, and bewailed the misery they must be reduced to by his death. He endeavoured still to appease the genie, and said, "Alas! be pleased to take pity on me, in consideration of the service I have done you." "I have told thee already," replied the genie, "it is for that very reason I must kill thee." "That is strange," said the fisherman, "are you resolved to reward good with evil? The proverb truly says, 'He who does	any one that might set me at liberty; but with no better success. In the third, I promised to make my deliverer a potent monarch, and to grant him every day three requests, of what nature soever they might be; but this century passed as well as the two former, and I continued in prison. At last, being angry to find myself a prisoner so long, I swore that if afterward any one should deliver me, I would kill him without mercy, and grant him no favour but to choose the manner of his death; and, therefore, since thou hast delivered me to-day, I give thee that choice." [Illustration] _The smoke ascended to the clouds, and extending itself along the sea and upon the shore formed a great mist._ This discourse afflicted the fisherman extremely: "I am very unfortunate," cried he, "to come hither to do such a kindness to one that is so ungrateful. I beg you to consider your injustice, and revoke such an unreasonable oath; pardon me, and Heaven will pardon you; if you grant me my life, Heaven will protect you from all attempts against your own." "No, thy death is resolved on," said the genie,<\|quote\|>"only choose in what manner thou wilt die."</\|quote\|>The fisherman, perceiving the genie to be resolute, was extremely grieved, not so much for himself, as on account of his three children, and bewailed the misery they must be reduced to by his death. He endeavoured still to appease the genie, and said, "Alas! be pleased to take pity on me, in consideration of the service I have done you." "I have told thee already," replied the genie, "it is for that very reason I must kill thee." "That is strange," said the fisherman, "are you resolved to reward good with evil? The proverb truly says, 'He who does good to one who deserves it not, is always ill rewarded.'" "Do not lose time," interrupted the genie; "all thy chattering shall not divert me from my purpose; make haste, and tell me what kind of death thou preferrest?" Necessity is the mother of invention. The fisherman bethought himself of a stratagem. "Since I must die then," said he to the genie, "I submit to the will of Heaven; but before I choose the manner of my death, I conjure you, by the great name which was engraven upon the seal of the prophet Solomon, to answer me truly the	one of those rebellious spirits that opposed the will of Solomon, the son of David, and to avenge himself, that monarch sent Asaph, the son of Barakhia, his chief minister, to apprehend me. Asaph seized my person, and brought me by force before his master's throne. " Solomon commanded me to acknowledge his power, and to submit to his commands. I bravely refused, and told him I would rather expose myself to his resentment, than swear fealty as he required. To punish me, he shut me up in this copper vessel; and that I might not break my prison, he himself stamped upon this leaden cover his seal with the great name of God engraven upon it. He then gave the vessel to one of the genies who had submitted, with orders to throw me into the sea. "During the first hundred years of my imprisonment, I swore that if any one should deliver me before the expiration of that period, I would make him rich, even after his death; but that century ran out, and nobody did me the good office. During the second, I made an oath that I would open all the treasures of the earth to any one that might set me at liberty; but with no better success. In the third, I promised to make my deliverer a potent monarch, and to grant him every day three requests, of what nature soever they might be; but this century passed as well as the two former, and I continued in prison. At last, being angry to find myself a prisoner so long, I swore that if afterward any one should deliver me, I would kill him without mercy, and grant him no favour but to choose the manner of his death; and, therefore, since thou hast delivered me to-day, I give thee that choice." [Illustration] _The smoke ascended to the clouds, and extending itself along the sea and upon the shore formed a great mist._ This discourse afflicted the fisherman extremely: "I am very unfortunate," cried he, "to come hither to do such a kindness to one that is so ungrateful. I beg you to consider your injustice, and revoke such an unreasonable oath; pardon me, and Heaven will pardon you; if you grant me my life, Heaven will protect you from all attempts against your own." "No, thy death is resolved on," said the genie,<\|quote\|>"only choose in what manner thou wilt die."</\|quote\|>The fisherman, perceiving the genie to be resolute, was extremely grieved, not so much for himself, as on account of his three children, and bewailed the misery they must be reduced to by his death. He endeavoured still to appease the genie, and said, "Alas! be pleased to take pity on me, in consideration of the service I have done you." "I have told thee already," replied the genie, "it is for that very reason I must kill thee." "That is strange," said the fisherman, "are you resolved to reward good with evil? The proverb truly says, 'He who does good to one who deserves it not, is always ill rewarded.'" "Do not lose time," interrupted the genie; "all thy chattering shall not divert me from my purpose; make haste, and tell me what kind of death thou preferrest?" Necessity is the mother of invention. The fisherman bethought himself of a stratagem. "Since I must die then," said he to the genie, "I submit to the will of Heaven; but before I choose the manner of my death, I conjure you, by the great name which was engraven upon the seal of the prophet Solomon, to answer me truly the question I am going to ask you." The genie finding himself obliged to a positive answer by this adjuration, trembled, and replied to the fisherman: "Ask what thou wilt, but make haste." The genie having thus promised to speak the truth, the fisherman said to him: "I wish to know if you were actually in this vessel: dare you swear it by the name of the great God?" "Yes," replied the genie, "I do swear by His great name that I was." "In good faith," answered the fisherman, "I cannot believe you; the vessel is not capable of holding one of your size, and how should it be possible that your whole body could lie in it?" "I swear to thee, notwithstanding," replied the genie, "that I was there just as you see me here. Is it possible that thou dost not believe me after the solemn oath I have taken?" "Truly not I," said the fisherman; "nor will I believe you, unless you go into the vessel again." Upon this the body of the genie dissolved and changed itself into smoke, extending as before upon the seashore; and at last being collected, it began to re-enter the vessel, which	see if its contents made any noise, but heard nothing. This circumstance, with the impression of the seal upon the cover, made him think it enclosed something precious. To try this, he took a knife and opened it with very little labour. He turned the mouth downward, but nothing came out, which surprised him extremely. He placed it before him, but while he viewed it attentively, there burst forth a very thick smoke, which obliged him to retire two or three paces back. The smoke ascended to the clouds, and, extending itself along the sea and upon the shore, formed a great mist, which filled the fisherman with astonishment. When the smoke was all out of the vessel, it reunited, and became a solid body, of which was formed a genie twice as high as the greatest of giants. At the sight of such a monster the fisherman would fain have fled, but was so frightened that he could not move. "Solomon," cried the genie immediately, "Solomon, the great prophet, pardon, pardon; I will never more oppose your will, I will obey all your commands." The fisherman, when he heard these words of the genie, recovered his courage and said to him: "Thou proud spirit, what is it you say? It is above eighteen hundred years since the prophet Solomon died, and we are now at the end of time. Tell me your history, and how you came to be shut up in this vessel." The genie, turning to the fisherman with a fierce look, said: "Thou must address me with more courtesy; thou art a presumptuous fellow to call me a proud spirit; speak to me more respectfully, or I will kill thee." "Ah!" replied the fisherman, "why should you kill me? Did I not just now set you at liberty, and have you already forgotten my services?" "No, I remember it," said the genie, "but that shall not save thy life: I have only one favour to grant thee." "And what is that?" asked the fisherman. "It is," answered the genie, "to give thee thy choice in what manner thou wouldst have me put thee to death." "But wherein have I offended you?" demanded the fisherman. "Is that your reward for the service I have rendered you?" "I cannot treat thee otherwise," said the genie; "and that thou mayest know the reason, hearken to my story." "I am one of those rebellious spirits that opposed the will of Solomon, the son of David, and to avenge himself, that monarch sent Asaph, the son of Barakhia, his chief minister, to apprehend me. Asaph seized my person, and brought me by force before his master's throne. " Solomon commanded me to acknowledge his power, and to submit to his commands. I bravely refused, and told him I would rather expose myself to his resentment, than swear fealty as he required. To punish me, he shut me up in this copper vessel; and that I might not break my prison, he himself stamped upon this leaden cover his seal with the great name of God engraven upon it. He then gave the vessel to one of the genies who had submitted, with orders to throw me into the sea. "During the first hundred years of my imprisonment, I swore that if any one should deliver me before the expiration of that period, I would make him rich, even after his death; but that century ran out, and nobody did me the good office. During the second, I made an oath that I would open all the treasures of the earth to any one that might set me at liberty; but with no better success. In the third, I promised to make my deliverer a potent monarch, and to grant him every day three requests, of what nature soever they might be; but this century passed as well as the two former, and I continued in prison. At last, being angry to find myself a prisoner so long, I swore that if afterward any one should deliver me, I would kill him without mercy, and grant him no favour but to choose the manner of his death; and, therefore, since thou hast delivered me to-day, I give thee that choice." [Illustration] _The smoke ascended to the clouds, and extending itself along the sea and upon the shore formed a great mist._ This discourse afflicted the fisherman extremely: "I am very unfortunate," cried he, "to come hither to do such a kindness to one that is so ungrateful. I beg you to consider your injustice, and revoke such an unreasonable oath; pardon me, and Heaven will pardon you; if you grant me my life, Heaven will protect you from all attempts against your own." "No, thy death is resolved on," said the genie,<\|quote\|>"only choose in what manner thou wilt die."</\|quote\|>The fisherman, perceiving the genie to be resolute, was extremely grieved, not so much for himself, as on account of his three children, and bewailed the misery they must be reduced to by his death. He endeavoured still to appease the genie, and said, "Alas! be pleased to take pity on me, in consideration of the service I have done you." "I have told thee already," replied the genie, "it is for that very reason I must kill thee." "That is strange," said the fisherman, "are you resolved to reward good with evil? The proverb truly says, 'He who does good to one who deserves it not, is always ill rewarded.'" "Do not lose time," interrupted the genie; "all thy chattering shall not divert me from my purpose; make haste, and tell me what kind of death thou preferrest?" Necessity is the mother of invention. The fisherman bethought himself of a stratagem. "Since I must die then," said he to the genie, "I submit to the will of Heaven; but before I choose the manner of my death, I conjure you, by the great name which was engraven upon the seal of the prophet Solomon, to answer me truly the question I am going to ask you." The genie finding himself obliged to a positive answer by this adjuration, trembled, and replied to the fisherman: "Ask what thou wilt, but make haste." The genie having thus promised to speak the truth, the fisherman said to him: "I wish to know if you were actually in this vessel: dare you swear it by the name of the great God?" "Yes," replied the genie, "I do swear by His great name that I was." "In good faith," answered the fisherman, "I cannot believe you; the vessel is not capable of holding one of your size, and how should it be possible that your whole body could lie in it?" "I swear to thee, notwithstanding," replied the genie, "that I was there just as you see me here. Is it possible that thou dost not believe me after the solemn oath I have taken?" "Truly not I," said the fisherman; "nor will I believe you, unless you go into the vessel again." Upon this the body of the genie dissolved and changed itself into smoke, extending as before upon the seashore; and at last being collected, it began to re-enter the vessel, which it continued to do by a slow and equal motion, till no part remained out; when immediately a voice came forth, which said to the fisherman: "Well, incredulous fellow, dost thou not believe me now?" The fisherman, instead of answering the genie, took the cover of lead, and having speedily replaced it on the vessel, "Genie," cried he, "now it is your turn to beg my favour, and to choose which way I shall put you to death; but it is better that I should throw you into the sea, whence I took you: and then I will build a house upon the shore, where I will reside and give notice to all fishermen who come to throw in their nets, to beware of such a wicked genie as you are, who have made an oath to kill him that shall set you at liberty." The genie, enraged at these expressions, struggled to free himself; but it was impossible, for the impression of Solomon's seal prevented him. Perceiving that the fisherman had the advantage of him, he thought fit to dissemble his anger; "Fisherman," said he, "take heed you do not what you threaten; for what I spoke to you was only by way of jest." "O genie!" replied the fisherman, "thou who wast but a moment ago the greatest of all genies, and now art the least of them, thy crafty discourse will signify nothing, to the sea thou shalt return. If thou hast been there already so long as thou hast told me, thou mayest very well stay there till the day of judgment. I begged of thee, in God's name, not to take away my life, and thou didst reject my prayers; I am obliged to treat thee in the same manner." The genie omitted nothing that he thought likely to prevail with the fisherman: "Open the vessel," said he, "give me my liberty, and I promise to satisfy you to your own content." "Thou art a traitor," replied the fisherman, "I should deserve to lose my life, if I were such a fool as to trust thee." "My good fisherman," replied the genie, "I conjure you once more not to be guilty of such cruelty; consider that it is not good to avenge one's self, and that, on the other hand, it is commendable to do good for evil; do not treat me as Imama formerly	fisherman. "It is," answered the genie, "to give thee thy choice in what manner thou wouldst have me put thee to death." "But wherein have I offended you?" demanded the fisherman. "Is that your reward for the service I have rendered you?" "I cannot treat thee otherwise," said the genie; "and that thou mayest know the reason, hearken to my story." "I am one of those rebellious spirits that opposed the will of Solomon, the son of David, and to avenge himself, that monarch sent Asaph, the son of Barakhia, his chief minister, to apprehend me. Asaph seized my person, and brought me by force before his master's throne. " Solomon commanded me to acknowledge his power, and to submit to his commands. I bravely refused, and told him I would rather expose myself to his resentment, than swear fealty as he required. To punish me, he shut me up in this copper vessel; and that I might not break my prison, he himself stamped upon this leaden cover his seal with the great name of God engraven upon it. He then gave the vessel to one of the genies who had submitted, with orders to throw me into the sea. "During the first hundred years of my imprisonment, I swore that if any one should deliver me before the expiration of that period, I would make him rich, even after his death; but that century ran out, and nobody did me the good office. During the second, I made an oath that I would open all the treasures of the earth to any one that might set me at liberty; but with no better success. In the third, I promised to make my deliverer a potent monarch, and to grant him every day three requests, of what nature soever they might be; but this century passed as well as the two former, and I continued in prison. At last, being angry to find myself a prisoner so long, I swore that if afterward any one should deliver me, I would kill him without mercy, and grant him no favour but to choose the manner of his death; and, therefore, since thou hast delivered me to-day, I give thee that choice." [Illustration] _The smoke ascended to the clouds, and extending itself along the sea and upon the shore formed a great mist._ This discourse afflicted the fisherman extremely: "I am very unfortunate," cried he, "to come hither to do such a kindness to one that is so ungrateful. I beg you to consider your injustice, and revoke such an unreasonable oath; pardon me, and Heaven will pardon you; if you grant me my life, Heaven will protect you from all attempts against your own." "No, thy death is resolved on," said the genie,<\|quote\|>"only choose in what manner thou wilt die."</\|quote\|>The fisherman, perceiving the genie to be resolute, was extremely grieved, not so much for himself, as on account of his three children, and bewailed the misery they must be reduced to by his death. He endeavoured still to appease the genie, and said, "Alas! be pleased to take pity on me, in consideration of the service I have done you." "I have told thee already," replied the genie, "it is for that very reason I must kill thee." "That is strange," said the fisherman, "are you resolved to reward good with evil? The proverb truly says, 'He who does good to one who deserves it not, is always ill rewarded.'" "Do not lose time," interrupted the genie; "all thy chattering shall not divert me from my purpose; make haste, and tell me what kind of death thou preferrest?" Necessity is the mother of invention. The fisherman bethought himself of a stratagem. "Since I must die then," said he to the genie, "I submit to the will of Heaven; but before I choose the manner of my death, I conjure you, by the great name which was engraven upon the seal of the prophet Solomon, to answer me truly the question I am going to ask you." The genie finding himself obliged to a positive answer by this adjuration, trembled, and replied to the fisherman: "Ask what thou wilt, but make haste." The genie having thus promised to speak the truth, the fisherman said to him: "I wish to know	Arabian Nights (2)
"Gaiety. Song-and-dance. Here we go round the mulberry bush."	Eeyore	said Pooh, rubbing his nose.<\|quote\|>"Gaiety. Song-and-dance. Here we go round the mulberry bush."</\|quote\|>"Oh!" said Pooh. He thought	to it." "Can't all _what_?" said Pooh, rubbing his nose.<\|quote\|>"Gaiety. Song-and-dance. Here we go round the mulberry bush."</\|quote\|>"Oh!" said Pooh. He thought for a long time, and	"Good morning, Pooh Bear," said Eeyore gloomily. "If it _is_ a good morning," he said. "Which I doubt," said he. "Why, what's the matter?" "Nothing, Pooh Bear, nothing. We can't all, and some of us don't. That's all there is to it." "Can't all _what_?" said Pooh, rubbing his nose.<\|quote\|>"Gaiety. Song-and-dance. Here we go round the mulberry bush."</\|quote\|>"Oh!" said Pooh. He thought for a long time, and then asked, "What mulberry bush is that?" "Bon-hommy," went on Eeyore gloomily. "French word meaning bonhommy," he explained. "I'm not complaining, but There It Is." Pooh sat down on a large stone, and tried to think this out. It sounded	other side. Then he looked at himself in the water again. "As I thought," he said. "No better from _this_ side. But nobody minds. Nobody cares. Pathetic, that's what it is." There was a crackling noise in the bracken behind him, and out came Pooh. "Good morning, Eeyore," said Pooh. "Good morning, Pooh Bear," said Eeyore gloomily. "If it _is_ a good morning," he said. "Which I doubt," said he. "Why, what's the matter?" "Nothing, Pooh Bear, nothing. We can't all, and some of us don't. That's all there is to it." "Can't all _what_?" said Pooh, rubbing his nose.<\|quote\|>"Gaiety. Song-and-dance. Here we go round the mulberry bush."</\|quote\|>"Oh!" said Pooh. He thought for a long time, and then asked, "What mulberry bush is that?" "Bon-hommy," went on Eeyore gloomily. "French word meaning bonhommy," he explained. "I'm not complaining, but There It Is." Pooh sat down on a large stone, and tried to think this out. It sounded to him like a riddle, and he was never much good at riddles, being a Bear of Very Little Brain. So he sang _Cottleston Pie_ instead: "Cottleston, Cottleston, Cottleston Pie, A fly can't bird, but a bird can fly. Ask me a riddle and I reply: "_Cottleston, Cottleston, Cottleston Pie._""	ashamed of himself that he ran straight off home and went to bed with a headache. But Christopher Robin and Pooh went home to breakfast together. "Oh, Bear!" said Christopher Robin. "How I do love you!" "So do I," said Pooh. CHAPTER VI IN WHICH EEYORE HAS A BIRTHDAY AND GETS TWO PRESENTS Eeyore, the old grey Donkey, stood by the side of the stream, and looked at himself in the water. "Pathetic," he said. "That's what it is. Pathetic." He turned and walked slowly down the stream for twenty yards, splashed across it, and walked slowly back on the other side. Then he looked at himself in the water again. "As I thought," he said. "No better from _this_ side. But nobody minds. Nobody cares. Pathetic, that's what it is." There was a crackling noise in the bracken behind him, and out came Pooh. "Good morning, Eeyore," said Pooh. "Good morning, Pooh Bear," said Eeyore gloomily. "If it _is_ a good morning," he said. "Which I doubt," said he. "Why, what's the matter?" "Nothing, Pooh Bear, nothing. We can't all, and some of us don't. That's all there is to it." "Can't all _what_?" said Pooh, rubbing his nose.<\|quote\|>"Gaiety. Song-and-dance. Here we go round the mulberry bush."</\|quote\|>"Oh!" said Pooh. He thought for a long time, and then asked, "What mulberry bush is that?" "Bon-hommy," went on Eeyore gloomily. "French word meaning bonhommy," he explained. "I'm not complaining, but There It Is." Pooh sat down on a large stone, and tried to think this out. It sounded to him like a riddle, and he was never much good at riddles, being a Bear of Very Little Brain. So he sang _Cottleston Pie_ instead: "Cottleston, Cottleston, Cottleston Pie, A fly can't bird, but a bird can fly. Ask me a riddle and I reply: "_Cottleston, Cottleston, Cottleston Pie._"" That was the first verse. When he had finished it, Eeyore didn't actually say that he didn't like it, so Pooh very kindly sang the second verse to him: "Cottleston, Cottleston, Cottleston Pie, A fish can't whistle and neither can I. Ask me a riddle and I reply: "_Cottleston, Cottleston, Cottleston Pie_."" Eeyore still said nothing at all, so Pooh hummed the third verse quietly to himself: "Cottleston, Cottleston, Cottleston Pie, Why does a chicken, I don't know why. Ask me a riddle and I reply: "_Cottleston, Cottleston, Cottleston Pie_."" "That's right," said Eeyore. "Sing. Umty-tiddly, umty-too. Here we go	Piglet?" said Christopher Robin, who was just getting up. "Heff," said Piglet, breathing so hard that he could hardly speak, "a Heff--a Heff--a Heffalump." "Where?" "Up there," said Piglet, waving his paw. "What did it look like?" "Like--like----It had the biggest head you ever saw, Christopher Robin. A great enormous thing, like--like nothing. A huge big--well, like a--I don't know--like an enormous big nothing. Like a jar." "Well," said Christopher Robin, putting on his shoes, "I shall go and look at it. Come on." Piglet wasn't afraid if he had Christopher Robin with him, so off they went.... "I can hear it, can't you?" said Piglet anxiously, as they got near. "I can hear _something_," said Christopher Robin. It was Pooh bumping his head against a tree-root he had found. "There!" said Piglet. "Isn't it _awful_?" And he held on tight to Christopher Robin's hand. Suddenly Christopher Robin began to laugh ... and he laughed ... and he laughed ... and he laughed. And while he was still laughing--_Crash_ went the Heffalump's head against the tree-root, Smash went the jar, and out came Pooh's head again.... Then Piglet saw what a Foolish Piglet he had been, and he was so ashamed of himself that he ran straight off home and went to bed with a headache. But Christopher Robin and Pooh went home to breakfast together. "Oh, Bear!" said Christopher Robin. "How I do love you!" "So do I," said Pooh. CHAPTER VI IN WHICH EEYORE HAS A BIRTHDAY AND GETS TWO PRESENTS Eeyore, the old grey Donkey, stood by the side of the stream, and looked at himself in the water. "Pathetic," he said. "That's what it is. Pathetic." He turned and walked slowly down the stream for twenty yards, splashed across it, and walked slowly back on the other side. Then he looked at himself in the water again. "As I thought," he said. "No better from _this_ side. But nobody minds. Nobody cares. Pathetic, that's what it is." There was a crackling noise in the bracken behind him, and out came Pooh. "Good morning, Eeyore," said Pooh. "Good morning, Pooh Bear," said Eeyore gloomily. "If it _is_ a good morning," he said. "Which I doubt," said he. "Why, what's the matter?" "Nothing, Pooh Bear, nothing. We can't all, and some of us don't. That's all there is to it." "Can't all _what_?" said Pooh, rubbing his nose.<\|quote\|>"Gaiety. Song-and-dance. Here we go round the mulberry bush."</\|quote\|>"Oh!" said Pooh. He thought for a long time, and then asked, "What mulberry bush is that?" "Bon-hommy," went on Eeyore gloomily. "French word meaning bonhommy," he explained. "I'm not complaining, but There It Is." Pooh sat down on a large stone, and tried to think this out. It sounded to him like a riddle, and he was never much good at riddles, being a Bear of Very Little Brain. So he sang _Cottleston Pie_ instead: "Cottleston, Cottleston, Cottleston Pie, A fly can't bird, but a bird can fly. Ask me a riddle and I reply: "_Cottleston, Cottleston, Cottleston Pie._"" That was the first verse. When he had finished it, Eeyore didn't actually say that he didn't like it, so Pooh very kindly sang the second verse to him: "Cottleston, Cottleston, Cottleston Pie, A fish can't whistle and neither can I. Ask me a riddle and I reply: "_Cottleston, Cottleston, Cottleston Pie_."" Eeyore still said nothing at all, so Pooh hummed the third verse quietly to himself: "Cottleston, Cottleston, Cottleston Pie, Why does a chicken, I don't know why. Ask me a riddle and I reply: "_Cottleston, Cottleston, Cottleston Pie_."" "That's right," said Eeyore. "Sing. Umty-tiddly, umty-too. Here we go gathering Nuts and May. Enjoy yourself." "I am," said Pooh. "Some can," said Eeyore. "Why, what's the matter?" "_Is_ anything the matter?" "You seem so sad, Eeyore." "Sad? Why should I be sad? It's my birthday. The happiest day of the year." "Your birthday?" said Pooh in great surprise. "Of course it is. Can't you see? Look at all the presents I have had." He waved a foot from side to side. "Look at the birthday cake. Candles and pink sugar." Pooh looked--first to the right and then to the left. "Presents?" said Pooh. "Birthday cake?" said Pooh. "_Where?_" "Can't you see them?" "No," said Pooh. "Neither can I," said Eeyore. "Joke," he explained. "Ha ha!" Pooh scratched his head, being a little puzzled by all this. "But is it really your birthday?" he asked. "It is." "Oh! Well, Many happy returns of the day, Eeyore." "And many happy returns to you, Pooh Bear." "But it isn't _my_ birthday." "No, it's mine." "But you said 'Many happy returns'----" "Well, why not? You don't always want to be miserable on my birthday, do you?" "Oh, I see," said Pooh. "It's bad enough," said Eeyore, almost breaking down, "being miserable myself, what	about an hour from now! Of course Pooh would be with him, and it was much more Friendly with two. But suppose Heffalumps were Very Fierce with Pigs _and_ Bears? Wouldn't it be better to pretend that he had a headache, and couldn't go up to the Six Pine Trees this morning? But then suppose that it was a very fine day, and there was no Heffalump in the trap, here he would be, in bed all the morning, simply wasting his time for nothing. What should he do? And then he had a Clever Idea. He would go up very quietly to the Six Pine Trees now, peep very cautiously into the Trap, and see if there _was_ a Heffalump there. And if there was, he would go back to bed, and if there wasn't, he wouldn't. So off he went. At first he thought that there wouldn't be a Heffalump in the Trap, and then he thought that there would, and as he got nearer he was _sure_ that there would, because he could hear it heffalumping about it like anything. "Oh, dear, oh, dear, oh, dear!" said Piglet to himself. And he wanted to run away. But somehow, having got so near, he felt that he must just see what a Heffalump was like. So he crept to the side of the Trap and looked in.... And all the time Winnie-the-Pooh had been trying to get the honey-jar off his head. The more he shook it, the more tightly it stuck. "_Bother!_" he said, inside the jar, and "_Oh, help!_" and, mostly, "_Ow!_" And he tried bumping it against things, but as he couldn't see what he was bumping it against, it didn't help him; and he tried to climb out of the Trap, but as he could see nothing but jar, and not much of that, he couldn't find his way. So at last he lifted up his head, jar and all, and made a loud, roaring noise of Sadness and Despair ... and it was at that moment that Piglet looked down. "Help, help!" cried Piglet, "a Heffalump, a Horrible Heffalump!" and he scampered off as hard as he could, still crying out, "Help, help, a Herrible Hoffalump! Hoff, Hoff, a Hellible Horralump! Holl, Holl, a Hoffable Hellerump!" And he didn't stop crying and scampering until he got to Christopher Robin's house. "Whatever's the matter, Piglet?" said Christopher Robin, who was just getting up. "Heff," said Piglet, breathing so hard that he could hardly speak, "a Heff--a Heff--a Heffalump." "Where?" "Up there," said Piglet, waving his paw. "What did it look like?" "Like--like----It had the biggest head you ever saw, Christopher Robin. A great enormous thing, like--like nothing. A huge big--well, like a--I don't know--like an enormous big nothing. Like a jar." "Well," said Christopher Robin, putting on his shoes, "I shall go and look at it. Come on." Piglet wasn't afraid if he had Christopher Robin with him, so off they went.... "I can hear it, can't you?" said Piglet anxiously, as they got near. "I can hear _something_," said Christopher Robin. It was Pooh bumping his head against a tree-root he had found. "There!" said Piglet. "Isn't it _awful_?" And he held on tight to Christopher Robin's hand. Suddenly Christopher Robin began to laugh ... and he laughed ... and he laughed ... and he laughed. And while he was still laughing--_Crash_ went the Heffalump's head against the tree-root, Smash went the jar, and out came Pooh's head again.... Then Piglet saw what a Foolish Piglet he had been, and he was so ashamed of himself that he ran straight off home and went to bed with a headache. But Christopher Robin and Pooh went home to breakfast together. "Oh, Bear!" said Christopher Robin. "How I do love you!" "So do I," said Pooh. CHAPTER VI IN WHICH EEYORE HAS A BIRTHDAY AND GETS TWO PRESENTS Eeyore, the old grey Donkey, stood by the side of the stream, and looked at himself in the water. "Pathetic," he said. "That's what it is. Pathetic." He turned and walked slowly down the stream for twenty yards, splashed across it, and walked slowly back on the other side. Then he looked at himself in the water again. "As I thought," he said. "No better from _this_ side. But nobody minds. Nobody cares. Pathetic, that's what it is." There was a crackling noise in the bracken behind him, and out came Pooh. "Good morning, Eeyore," said Pooh. "Good morning, Pooh Bear," said Eeyore gloomily. "If it _is_ a good morning," he said. "Which I doubt," said he. "Why, what's the matter?" "Nothing, Pooh Bear, nothing. We can't all, and some of us don't. That's all there is to it." "Can't all _what_?" said Pooh, rubbing his nose.<\|quote\|>"Gaiety. Song-and-dance. Here we go round the mulberry bush."</\|quote\|>"Oh!" said Pooh. He thought for a long time, and then asked, "What mulberry bush is that?" "Bon-hommy," went on Eeyore gloomily. "French word meaning bonhommy," he explained. "I'm not complaining, but There It Is." Pooh sat down on a large stone, and tried to think this out. It sounded to him like a riddle, and he was never much good at riddles, being a Bear of Very Little Brain. So he sang _Cottleston Pie_ instead: "Cottleston, Cottleston, Cottleston Pie, A fly can't bird, but a bird can fly. Ask me a riddle and I reply: "_Cottleston, Cottleston, Cottleston Pie._"" That was the first verse. When he had finished it, Eeyore didn't actually say that he didn't like it, so Pooh very kindly sang the second verse to him: "Cottleston, Cottleston, Cottleston Pie, A fish can't whistle and neither can I. Ask me a riddle and I reply: "_Cottleston, Cottleston, Cottleston Pie_."" Eeyore still said nothing at all, so Pooh hummed the third verse quietly to himself: "Cottleston, Cottleston, Cottleston Pie, Why does a chicken, I don't know why. Ask me a riddle and I reply: "_Cottleston, Cottleston, Cottleston Pie_."" "That's right," said Eeyore. "Sing. Umty-tiddly, umty-too. Here we go gathering Nuts and May. Enjoy yourself." "I am," said Pooh. "Some can," said Eeyore. "Why, what's the matter?" "_Is_ anything the matter?" "You seem so sad, Eeyore." "Sad? Why should I be sad? It's my birthday. The happiest day of the year." "Your birthday?" said Pooh in great surprise. "Of course it is. Can't you see? Look at all the presents I have had." He waved a foot from side to side. "Look at the birthday cake. Candles and pink sugar." Pooh looked--first to the right and then to the left. "Presents?" said Pooh. "Birthday cake?" said Pooh. "_Where?_" "Can't you see them?" "No," said Pooh. "Neither can I," said Eeyore. "Joke," he explained. "Ha ha!" Pooh scratched his head, being a little puzzled by all this. "But is it really your birthday?" he asked. "It is." "Oh! Well, Many happy returns of the day, Eeyore." "And many happy returns to you, Pooh Bear." "But it isn't _my_ birthday." "No, it's mine." "But you said 'Many happy returns'----" "Well, why not? You don't always want to be miserable on my birthday, do you?" "Oh, I see," said Pooh. "It's bad enough," said Eeyore, almost breaking down, "being miserable myself, what with no presents and no cake and no candles, and no proper notice taken of me at all, but if everybody else is going to be miserable too----" This was too much for Pooh. "Stay there!" he called to Eeyore, as he turned and hurried back home as quick as he could; for he felt that he must get poor Eeyore a present of _some_ sort at once, and he could always think of a proper one afterwards. Outside his house he found Piglet, jumping up and down trying to reach the knocker. "Hallo, Piglet," he said. "Hallo, Pooh," said Piglet. "What are _you_ trying to do?" "I was trying to reach the knocker," said Piglet. "I just came round----" "Let me do it for you," said Pooh kindly. So he reached up and knocked at the door. "I have just seen Eeyore," he began, "and poor Eeyore is in a Very Sad Condition, because it's his birthday, and nobody has taken any notice of it, and he's very Gloomy--you know what Eeyore is--and there he was, and----What a long time whoever lives here is answering this door." And he knocked again. "But Pooh," said Piglet, "it's your own house!" "Oh!" said Pooh. "So it is," he said. "Well, let's go in." So in they went. The first thing Pooh did was to go to the cupboard to see if he had quite a small jar of honey left; and he had, so he took it down. "I'm giving this to Eeyore," he explained, "as a present. What are _you_ going to give?" "Couldn't I give it too?" said Piglet. "From both of us?" "No," said Pooh. "That would _not_ be a good plan." "All right, then, I'll give him a balloon. I've got one left from my party. I'll go and get it now, shall I?" "That, Piglet, is a _very_ good idea. It is just what Eeyore wants to cheer him up. Nobody can be uncheered with a balloon." So off Piglet trotted; and in the other direction went Pooh, with his jar of honey. It was a warm day, and he had a long way to go. He hadn't gone more than half-way when a sort of funny feeling began to creep all over him. It began at the tip of his nose and trickled all through him and out at the soles of his feet. It	said, inside the jar, and "_Oh, help!_" and, mostly, "_Ow!_" And he tried bumping it against things, but as he couldn't see what he was bumping it against, it didn't help him; and he tried to climb out of the Trap, but as he could see nothing but jar, and not much of that, he couldn't find his way. So at last he lifted up his head, jar and all, and made a loud, roaring noise of Sadness and Despair ... and it was at that moment that Piglet looked down. "Help, help!" cried Piglet, "a Heffalump, a Horrible Heffalump!" and he scampered off as hard as he could, still crying out, "Help, help, a Herrible Hoffalump! Hoff, Hoff, a Hellible Horralump! Holl, Holl, a Hoffable Hellerump!" And he didn't stop crying and scampering until he got to Christopher Robin's house. "Whatever's the matter, Piglet?" said Christopher Robin, who was just getting up. "Heff," said Piglet, breathing so hard that he could hardly speak, "a Heff--a Heff--a Heffalump." "Where?" "Up there," said Piglet, waving his paw. "What did it look like?" "Like--like----It had the biggest head you ever saw, Christopher Robin. A great enormous thing, like--like nothing. A huge big--well, like a--I don't know--like an enormous big nothing. Like a jar." "Well," said Christopher Robin, putting on his shoes, "I shall go and look at it. Come on." Piglet wasn't afraid if he had Christopher Robin with him, so off they went.... "I can hear it, can't you?" said Piglet anxiously, as they got near. "I can hear _something_," said Christopher Robin. It was Pooh bumping his head against a tree-root he had found. "There!" said Piglet. "Isn't it _awful_?" And he held on tight to Christopher Robin's hand. Suddenly Christopher Robin began to laugh ... and he laughed ... and he laughed ... and he laughed. And while he was still laughing--_Crash_ went the Heffalump's head against the tree-root, Smash went the jar, and out came Pooh's head again.... Then Piglet saw what a Foolish Piglet he had been, and he was so ashamed of himself that he ran straight off home and went to bed with a headache. But Christopher Robin and Pooh went home to breakfast together. "Oh, Bear!" said Christopher Robin. "How I do love you!" "So do I," said Pooh. CHAPTER VI IN WHICH EEYORE HAS A BIRTHDAY AND GETS TWO PRESENTS Eeyore, the old grey Donkey, stood by the side of the stream, and looked at himself in the water. "Pathetic," he said. "That's what it is. Pathetic." He turned and walked slowly down the stream for twenty yards, splashed across it, and walked slowly back on the other side. Then he looked at himself in the water again. "As I thought," he said. "No better from _this_ side. But nobody minds. Nobody cares. Pathetic, that's what it is." There was a crackling noise in the bracken behind him, and out came Pooh. "Good morning, Eeyore," said Pooh. "Good morning, Pooh Bear," said Eeyore gloomily. "If it _is_ a good morning," he said. "Which I doubt," said he. "Why, what's the matter?" "Nothing, Pooh Bear, nothing. We can't all, and some of us don't. That's all there is to it." "Can't all _what_?" said Pooh, rubbing his nose.<\|quote\|>"Gaiety. Song-and-dance. Here we go round the mulberry bush."</\|quote\|>"Oh!" said Pooh. He thought for a long time, and then asked, "What mulberry bush is that?" "Bon-hommy," went on Eeyore gloomily. "French word meaning bonhommy," he explained. "I'm not complaining, but There It Is." Pooh sat down on a large stone, and tried to think this out. It sounded to him like a riddle, and he was never much good at riddles, being a Bear of Very Little Brain. So he sang _Cottleston Pie_ instead: "Cottleston, Cottleston, Cottleston Pie, A fly can't bird, but a bird can fly. Ask me a riddle and I reply: "_Cottleston, Cottleston, Cottleston Pie._"" That was the first verse. When he had finished it, Eeyore didn't actually say that he didn't like it, so Pooh very kindly sang the second verse to him: "Cottleston, Cottleston, Cottleston Pie, A fish can't whistle and neither can I. Ask me a riddle and I reply: "_Cottleston, Cottleston, Cottleston Pie_."" Eeyore still said nothing at all, so Pooh hummed the third verse quietly to himself: "Cottleston, Cottleston, Cottleston Pie, Why does a chicken, I don't know why. Ask me a riddle and I reply: "_Cottleston, Cottleston, Cottleston Pie_."" "That's right," said Eeyore. "Sing. Umty-tiddly, umty-too. Here we go gathering Nuts and May. Enjoy yourself." "I am," said Pooh. "Some can," said Eeyore. "Why, what's the matter?" "_Is_ anything the matter?" "You seem so sad, Eeyore." "Sad? Why should I be sad? It's my birthday. The happiest day of the year." "Your birthday?" said Pooh in great surprise. "Of course it is. Can't you see? Look at all the presents I have had." He waved a foot from side to side. "Look at the birthday cake. Candles and pink sugar." Pooh looked--first to the right and then to the left. "Presents?" said Pooh. "Birthday cake?" said Pooh. "_Where?_" "Can't you see them?" "No," said Pooh. "Neither can I," said Eeyore. "Joke," he explained. "Ha ha!" Pooh scratched his head, being a little puzzled by all this. "But is it really your birthday?" he asked. "It is." "Oh! Well, Many happy returns of the day, Eeyore." "And many happy returns to you, Pooh Bear." "But it isn't _my_ birthday." "No, it's mine." "But you said 'Many happy returns'----" "Well, why not? You don't always want to be miserable on my birthday, do you?" "Oh, I see," said Pooh. "It's bad enough," said Eeyore, almost breaking down, "being miserable myself, what with no presents and no cake and no candles, and no proper notice taken of me at all, but if everybody else is going to be miserable too----" This was too much for Pooh. "Stay there!" he called to Eeyore, as he turned and hurried back home as quick as he could; for he felt that he must get poor Eeyore a present of _some_ sort at once, and he could always think of a proper one afterwards. Outside his house he found Piglet, jumping up and down trying to reach the knocker. "Hallo, Piglet," he said. "Hallo, Pooh," said Piglet. "What are _you_ trying to do?" "I was trying to reach the knocker," said Piglet. "I just came round----" "Let me do it for you," said	Winnie The Pooh
"will you set against your expected promotion?"	Thomas Gradgrind	of money," said Mr. Gradgrind,<\|quote\|>"will you set against your expected promotion?"</\|quote\|>"Thank you, sir," returned Bitzer,	you are aware." "What sum of money," said Mr. Gradgrind,<\|quote\|>"will you set against your expected promotion?"</\|quote\|>"Thank you, sir," returned Bitzer, "for hinting at the proposal;	whole social system is a question of self-interest. What you must always appeal to, is a person's self-interest. It's your only hold. We are so constituted. I was brought up in that catechism when I was very young, sir, as you are aware." "What sum of money," said Mr. Gradgrind,<\|quote\|>"will you set against your expected promotion?"</\|quote\|>"Thank you, sir," returned Bitzer, "for hinting at the proposal; but I will not set any sum against it. Knowing that your clear head would propose that alternative, I have gone over the calculations in my mind; and I find that to compound a felony, even on very high terms	wish to have his situation, sir, for it will be a rise to me, and will do me good." "If this is solely a question of self-interest with you" Mr. Gradgrind began. "I beg your pardon for interrupting you, sir," returned Bitzer; "but I am sure you know that the whole social system is a question of self-interest. What you must always appeal to, is a person's self-interest. It's your only hold. We are so constituted. I was brought up in that catechism when I was very young, sir, as you are aware." "What sum of money," said Mr. Gradgrind,<\|quote\|>"will you set against your expected promotion?"</\|quote\|>"Thank you, sir," returned Bitzer, "for hinting at the proposal; but I will not set any sum against it. Knowing that your clear head would propose that alternative, I have gone over the calculations in my mind; and I find that to compound a felony, even on very high terms indeed, would not be as safe and good for me as my improved prospects in the Bank." "Bitzer," said Mr. Gradgrind, stretching out his hands as though he would have said, See how miserable I am! "Bitzer, I have but one chance left to soften you. You were many years	before that time, for I knew his ways. I have kept my observations to myself, but I have made them; and I have got ample proofs against him now, besides his running away, and besides his own confession, which I was just in time to overhear. I had the pleasure of watching your house yesterday morning, and following you here. I am going to take young Mr. Tom back to Coketown, in order to deliver him over to Mr. Bounderby. Sir, I have no doubt whatever that Mr. Bounderby will then promote me to young Mr. Tom's situation. And I wish to have his situation, sir, for it will be a rise to me, and will do me good." "If this is solely a question of self-interest with you" Mr. Gradgrind began. "I beg your pardon for interrupting you, sir," returned Bitzer; "but I am sure you know that the whole social system is a question of self-interest. What you must always appeal to, is a person's self-interest. It's your only hold. We are so constituted. I was brought up in that catechism when I was very young, sir, as you are aware." "What sum of money," said Mr. Gradgrind,<\|quote\|>"will you set against your expected promotion?"</\|quote\|>"Thank you, sir," returned Bitzer, "for hinting at the proposal; but I will not set any sum against it. Knowing that your clear head would propose that alternative, I have gone over the calculations in my mind; and I find that to compound a felony, even on very high terms indeed, would not be as safe and good for me as my improved prospects in the Bank." "Bitzer," said Mr. Gradgrind, stretching out his hands as though he would have said, See how miserable I am! "Bitzer, I have but one chance left to soften you. You were many years at my school. If, in remembrance of the pains bestowed upon you there, you can persuade yourself in any degree to disregard your present interest and release my son, I entreat and pray you to give him the benefit of that remembrance." "I really wonder, sir," rejoined the old pupil in an argumentative manner, "to find you taking a position so untenable. My schooling was paid for; it was a bargain; and when I came away, the bargain ended." It was a fundamental principle of the Gradgrind philosophy that everything was to be paid for. Nobody was ever on any	the collar, stood in the Ring, blinking at his old patron through the darkness of the twilight. "Bitzer," said Mr. Gradgrind, broken down, and miserably submissive to him, "have you a heart?" "The circulation, sir," returned Bitzer, smiling at the oddity of the question, "couldn't be carried on without one. No man, sir, acquainted with the facts established by Harvey relating to the circulation of the blood, can doubt that I have a heart." "Is it accessible," cried Mr. Gradgrind, "to any compassionate influence?" "It is accessible to Reason, sir," returned the excellent young man. "And to nothing else." They stood looking at each other; Mr. Gradgrind's face as white as the pursuer's. "What motive even what motive in reason can you have for preventing the escape of this wretched youth," said Mr. Gradgrind, "and crushing his miserable father? See his sister here. Pity us!" "Sir," returned Bitzer, in a very business-like and logical manner, "since you ask me what motive I have in reason, for taking young Mr. Tom back to Coketown, it is only reasonable to let you know. I have suspected young Mr. Tom of this bank-robbery from the first. I had had my eye upon him before that time, for I knew his ways. I have kept my observations to myself, but I have made them; and I have got ample proofs against him now, besides his running away, and besides his own confession, which I was just in time to overhear. I had the pleasure of watching your house yesterday morning, and following you here. I am going to take young Mr. Tom back to Coketown, in order to deliver him over to Mr. Bounderby. Sir, I have no doubt whatever that Mr. Bounderby will then promote me to young Mr. Tom's situation. And I wish to have his situation, sir, for it will be a rise to me, and will do me good." "If this is solely a question of self-interest with you" Mr. Gradgrind began. "I beg your pardon for interrupting you, sir," returned Bitzer; "but I am sure you know that the whole social system is a question of self-interest. What you must always appeal to, is a person's self-interest. It's your only hold. We are so constituted. I was brought up in that catechism when I was very young, sir, as you are aware." "What sum of money," said Mr. Gradgrind,<\|quote\|>"will you set against your expected promotion?"</\|quote\|>"Thank you, sir," returned Bitzer, "for hinting at the proposal; but I will not set any sum against it. Knowing that your clear head would propose that alternative, I have gone over the calculations in my mind; and I find that to compound a felony, even on very high terms indeed, would not be as safe and good for me as my improved prospects in the Bank." "Bitzer," said Mr. Gradgrind, stretching out his hands as though he would have said, See how miserable I am! "Bitzer, I have but one chance left to soften you. You were many years at my school. If, in remembrance of the pains bestowed upon you there, you can persuade yourself in any degree to disregard your present interest and release my son, I entreat and pray you to give him the benefit of that remembrance." "I really wonder, sir," rejoined the old pupil in an argumentative manner, "to find you taking a position so untenable. My schooling was paid for; it was a bargain; and when I came away, the bargain ended." It was a fundamental principle of the Gradgrind philosophy that everything was to be paid for. Nobody was ever on any account to give anybody anything, or render anybody help without purchase. Gratitude was to be abolished, and the virtues springing from it were not to be. Every inch of the existence of mankind, from birth to death, was to be a bargain across a counter. And if we didn't get to Heaven that way, it was not a politico-economical place, and we had no business there. "I don't deny," added Bitzer, "that my schooling was cheap. But that comes right, sir. I was made in the cheapest market, and have to dispose of myself in the dearest." He was a little troubled here, by Louisa and Sissy crying. "Pray don't do that," said he, "it's of no use doing that: it only worries. You seem to think that I have some animosity against young Mr. Tom; whereas I have none at all. I am only going, on the reasonable grounds I have mentioned, to take him back to Coketown. If he was to resist, I should set up the cry of Stop thief! But, he won't resist, you may depend upon it." Mr. Sleary, who with his mouth open and his rolling eye as immovably jammed in his head as	retired. "Here is your letter," said Mr. Gradgrind. "All necessary means will be provided for you. Atone, by repentance and better conduct, for the shocking action you have committed, and the dreadful consequences to which it has led. Give me your hand, my poor boy, and may God forgive you as I do!" The culprit was moved to a few abject tears by these words and their pathetic tone. But, when Louisa opened her arms, he repulsed her afresh. "Not you. I don't want to have anything to say to you!" "O Tom, Tom, do we end so, after all my love!" "After all your love!" he returned, obdurately. "Pretty love! Leaving old Bounderby to himself, and packing my best friend Mr. Harthouse off, and going home just when I was in the greatest danger. Pretty love that! Coming out with every word about our having gone to that place, when you saw the net was gathering round me. Pretty love that! You have regularly given me up. You never cared for me." "Tharp'th the word!" said Sleary, at the door. They all confusedly went out: Louisa crying to him that she forgave him, and loved him still, and that he would one day be sorry to have left her so, and glad to think of these her last words, far away: when some one ran against them. Mr. Gradgrind and Sissy, who were both before him while his sister yet clung to his shoulder, stopped and recoiled. For, there was Bitzer, out of breath, his thin lips parted, his thin nostrils distended, his white eyelashes quivering, his colourless face more colourless than ever, as if he ran himself into a white heat, when other people ran themselves into a glow. There he stood, panting and heaving, as if he had never stopped since the night, now long ago, when he had run them down before. "I'm sorry to interfere with your plans," said Bitzer, shaking his head, "but I can't allow myself to be done by horse-riders. I must have young Mr. Tom; he mustn't be got away by horse-riders; here he is in a smock frock, and I must have him!" By the collar, too, it seemed. For, so he took possession of him. CHAPTER VIII PHILOSOPHICAL THEY went back into the booth, Sleary shutting the door to keep intruders out. Bitzer, still holding the paralysed culprit by the collar, stood in the Ring, blinking at his old patron through the darkness of the twilight. "Bitzer," said Mr. Gradgrind, broken down, and miserably submissive to him, "have you a heart?" "The circulation, sir," returned Bitzer, smiling at the oddity of the question, "couldn't be carried on without one. No man, sir, acquainted with the facts established by Harvey relating to the circulation of the blood, can doubt that I have a heart." "Is it accessible," cried Mr. Gradgrind, "to any compassionate influence?" "It is accessible to Reason, sir," returned the excellent young man. "And to nothing else." They stood looking at each other; Mr. Gradgrind's face as white as the pursuer's. "What motive even what motive in reason can you have for preventing the escape of this wretched youth," said Mr. Gradgrind, "and crushing his miserable father? See his sister here. Pity us!" "Sir," returned Bitzer, in a very business-like and logical manner, "since you ask me what motive I have in reason, for taking young Mr. Tom back to Coketown, it is only reasonable to let you know. I have suspected young Mr. Tom of this bank-robbery from the first. I had had my eye upon him before that time, for I knew his ways. I have kept my observations to myself, but I have made them; and I have got ample proofs against him now, besides his running away, and besides his own confession, which I was just in time to overhear. I had the pleasure of watching your house yesterday morning, and following you here. I am going to take young Mr. Tom back to Coketown, in order to deliver him over to Mr. Bounderby. Sir, I have no doubt whatever that Mr. Bounderby will then promote me to young Mr. Tom's situation. And I wish to have his situation, sir, for it will be a rise to me, and will do me good." "If this is solely a question of self-interest with you" Mr. Gradgrind began. "I beg your pardon for interrupting you, sir," returned Bitzer; "but I am sure you know that the whole social system is a question of self-interest. What you must always appeal to, is a person's self-interest. It's your only hold. We are so constituted. I was brought up in that catechism when I was very young, sir, as you are aware." "What sum of money," said Mr. Gradgrind,<\|quote\|>"will you set against your expected promotion?"</\|quote\|>"Thank you, sir," returned Bitzer, "for hinting at the proposal; but I will not set any sum against it. Knowing that your clear head would propose that alternative, I have gone over the calculations in my mind; and I find that to compound a felony, even on very high terms indeed, would not be as safe and good for me as my improved prospects in the Bank." "Bitzer," said Mr. Gradgrind, stretching out his hands as though he would have said, See how miserable I am! "Bitzer, I have but one chance left to soften you. You were many years at my school. If, in remembrance of the pains bestowed upon you there, you can persuade yourself in any degree to disregard your present interest and release my son, I entreat and pray you to give him the benefit of that remembrance." "I really wonder, sir," rejoined the old pupil in an argumentative manner, "to find you taking a position so untenable. My schooling was paid for; it was a bargain; and when I came away, the bargain ended." It was a fundamental principle of the Gradgrind philosophy that everything was to be paid for. Nobody was ever on any account to give anybody anything, or render anybody help without purchase. Gratitude was to be abolished, and the virtues springing from it were not to be. Every inch of the existence of mankind, from birth to death, was to be a bargain across a counter. And if we didn't get to Heaven that way, it was not a politico-economical place, and we had no business there. "I don't deny," added Bitzer, "that my schooling was cheap. But that comes right, sir. I was made in the cheapest market, and have to dispose of myself in the dearest." He was a little troubled here, by Louisa and Sissy crying. "Pray don't do that," said he, "it's of no use doing that: it only worries. You seem to think that I have some animosity against young Mr. Tom; whereas I have none at all. I am only going, on the reasonable grounds I have mentioned, to take him back to Coketown. If he was to resist, I should set up the cry of Stop thief! But, he won't resist, you may depend upon it." Mr. Sleary, who with his mouth open and his rolling eye as immovably jammed in his head as his fixed one, had listened to these doctrines with profound attention, here stepped forward. "Thquire, you know perfectly well, and your daughter knowth perfectly well (better than you, becauthe I thed it to her), that I didn't know what your thon had done, and that I didn't want to know I thed it wath better not, though I only thought, then, it wath thome thkylarking. However, thith young man having made it known to be a robbery of a bank, why, that'h a theriouth thing; muth too theriouth a thing for me to compound, ath thith young man hath very properly called it. Conthequently, Thquire, you muthn't quarrel with me if I take thith young man'th thide, and thay he'th right and there'th no help for it. But I tell you what I'll do, Thquire; I'll drive your thon and thith young man over to the rail, and prevent expothure here. I can't conthent to do more, but I'll do that." Fresh lamentations from Louisa, and deeper affliction on Mr. Gradgrind's part, followed this desertion of them by their last friend. But, Sissy glanced at him with great attention; nor did she in her own breast misunderstand him. As they were all going out again, he favoured her with one slight roll of his movable eye, desiring her to linger behind. As he locked the door, he said excitedly: "The Thquire thtood by you, Thethilia, and I'll thtand by the Thquire. More than that: thith ith a prethiouth rathcal, and belongth to that bluthtering Cove that my people nearly pitht out o' winder. It'll be a dark night; I've got a horthe that'll do anything but thpeak; I've got a pony that'll go fifteen mile an hour with Childerth driving of him; I've got a dog that'll keep a man to one plathe four-and-twenty hourth. Get a word with the young Thquire. Tell him, when he theeth our horthe begin to danthe, not to be afraid of being thpilt, but to look out for a pony-gig coming up. Tell him, when he theeth that gig clothe by, to jump down, and it'll take him off at a rattling pathe. If my dog leth thith young man thtir a peg on foot, I give him leave to go. And if my horthe ever thtirth from that thpot where he beginth a danthing, till the morning I don't know him? Tharp'th the	you ask me what motive I have in reason, for taking young Mr. Tom back to Coketown, it is only reasonable to let you know. I have suspected young Mr. Tom of this bank-robbery from the first. I had had my eye upon him before that time, for I knew his ways. I have kept my observations to myself, but I have made them; and I have got ample proofs against him now, besides his running away, and besides his own confession, which I was just in time to overhear. I had the pleasure of watching your house yesterday morning, and following you here. I am going to take young Mr. Tom back to Coketown, in order to deliver him over to Mr. Bounderby. Sir, I have no doubt whatever that Mr. Bounderby will then promote me to young Mr. Tom's situation. And I wish to have his situation, sir, for it will be a rise to me, and will do me good." "If this is solely a question of self-interest with you" Mr. Gradgrind began. "I beg your pardon for interrupting you, sir," returned Bitzer; "but I am sure you know that the whole social system is a question of self-interest. What you must always appeal to, is a person's self-interest. It's your only hold. We are so constituted. I was brought up in that catechism when I was very young, sir, as you are aware." "What sum of money," said Mr. Gradgrind,<\|quote\|>"will you set against your expected promotion?"</\|quote\|>"Thank you, sir," returned Bitzer, "for hinting at the proposal; but I will not set any sum against it. Knowing that your clear head would propose that alternative, I have gone over the calculations in my mind; and I find that to compound a felony, even on very high terms indeed, would not be as safe and good for me as my improved prospects in the Bank." "Bitzer," said Mr. Gradgrind, stretching out his hands as though he would have said, See how miserable I am! "Bitzer, I have but one chance left to soften you. You were many years at my school. If, in remembrance of the pains bestowed upon you there, you can persuade yourself in any degree to disregard your present interest and release my son, I entreat and pray you to give him the benefit of that remembrance." "I really wonder, sir," rejoined the old pupil in an argumentative manner, "to find you taking a position so untenable. My schooling was paid for; it was a bargain; and when I came away, the bargain ended." It was a fundamental principle of the Gradgrind philosophy that everything was to be paid for. Nobody was ever on any account to give anybody anything, or render anybody help without purchase. Gratitude was to be abolished, and the virtues springing from it were not to be. Every inch of the existence of mankind, from birth to death, was to be a bargain across a counter. And if we didn't get to Heaven that way, it was not a politico-economical place, and we had no business there. "I don't deny," added Bitzer, "that my schooling was cheap. But that comes right, sir. I was made in the cheapest market, and have to dispose of myself in the dearest." He was a little troubled here, by Louisa and Sissy crying. "Pray don't do that," said he, "it's of no use doing that: it only worries. You seem to think that I have some animosity against young Mr. Tom; whereas I have none at all. I am only going, on the reasonable grounds I have mentioned, to take him back to Coketown. If he was to resist, I should set up the cry of Stop thief! But, he won't resist, you may depend upon it." Mr. Sleary, who with his mouth open and his rolling eye as immovably jammed in his head as his fixed one, had listened to these doctrines with profound attention, here stepped forward. "Thquire, you know perfectly well, and your daughter knowth perfectly well (better than you, becauthe I thed it to her), that I didn't know what your thon had done, and that I didn't want to know I thed it wath better not, though I only thought, then, it wath thome thkylarking. However, thith young man having made it known to be a	Hard Times
"You're right for once,"	Bill Sikes	quite ready to be done."<\|quote\|>"You're right for once,"</\|quote\|>replied Sikes gruffly. "It is	my dear, that there's none quite ready to be done."<\|quote\|>"You're right for once,"</\|quote\|>replied Sikes gruffly. "It is a pity, for I'm in	too. Eleven. "An hour this side of midnight," said Sikes, raising the blind to look out and returning to his seat. "Dark and heavy it is too. A good night for business this." "Ah!" replied Fagin. "What a pity, Bill, my dear, that there's none quite ready to be done."<\|quote\|>"You're right for once,"</\|quote\|>replied Sikes gruffly. "It is a pity, for I'm in the humour too." Fagin sighed, and shook his head despondingly. "We must make up for lost time when we've got things into a good train. That's all I know," said Sikes. "That's the way to talk, my dear," replied Fagin,	distant from those in the course of discussion by her companions. It was Sunday night, and the bell of the nearest church struck the hour. Sikes and the Jew were talking, but they paused to listen. The girl looked up from the low seat on which she crouched, and listened too. Eleven. "An hour this side of midnight," said Sikes, raising the blind to look out and returning to his seat. "Dark and heavy it is too. A good night for business this." "Ah!" replied Fagin. "What a pity, Bill, my dear, that there's none quite ready to be done."<\|quote\|>"You're right for once,"</\|quote\|>replied Sikes gruffly. "It is a pity, for I'm in the humour too." Fagin sighed, and shook his head despondingly. "We must make up for lost time when we've got things into a good train. That's all I know," said Sikes. "That's the way to talk, my dear," replied Fagin, venturing to pat him on the shoulder. "It does me good to hear you." "Does you good, does it!" cried Sikes. "Well, so be it." "Ha! ha! ha!" laughed Fagin, as if he were relieved by even this concession. "You're like yourself to-night, Bill. Quite like yourself." "I don't feel	again, and left their traces too. She grew pale and thin, even within a few days. At times, she took no heed of what was passing before her, or no part in conversations where once, she would have been the loudest. At other times, she laughed without merriment, and was noisy without a moment afterwards she sat silent and dejected, brooding with her head upon her hands, while the very effort by which she roused herself, told, more forcibly than even these indications, that she was ill at ease, and that her thoughts were occupied with matters very different and distant from those in the course of discussion by her companions. It was Sunday night, and the bell of the nearest church struck the hour. Sikes and the Jew were talking, but they paused to listen. The girl looked up from the low seat on which she crouched, and listened too. Eleven. "An hour this side of midnight," said Sikes, raising the blind to look out and returning to his seat. "Dark and heavy it is too. A good night for business this." "Ah!" replied Fagin. "What a pity, Bill, my dear, that there's none quite ready to be done."<\|quote\|>"You're right for once,"</\|quote\|>replied Sikes gruffly. "It is a pity, for I'm in the humour too." Fagin sighed, and shook his head despondingly. "We must make up for lost time when we've got things into a good train. That's all I know," said Sikes. "That's the way to talk, my dear," replied Fagin, venturing to pat him on the shoulder. "It does me good to hear you." "Does you good, does it!" cried Sikes. "Well, so be it." "Ha! ha! ha!" laughed Fagin, as if he were relieved by even this concession. "You're like yourself to-night, Bill. Quite like yourself." "I don't feel like myself when you lay that withered old claw on my shoulder, so take it away," said Sikes, casting off the Jew's hand. "It make you nervous, Bill, reminds you of being nabbed, does it?" said Fagin, determined not to be offended. "Reminds me of being nabbed by the devil," returned Sikes. "There never was another man with such a face as yours, unless it was your father, and I suppose _he_ is singeing his grizzled red beard by this time, unless you came straight from the old 'un without any father at all betwixt you; which I shouldn't wonder	schemes were, desperate as were their originators, and bitter as were her feelings towards Fagin, who had led her, step by step, deeper and deeper down into an abyss of crime and misery, whence was no escape; still, there were times when, even towards him, she felt some relenting, lest her disclosure should bring him within the iron grasp he had so long eluded, and he should fall at last richly as he merited such a fate by her hand. But, these were the mere wanderings of a mind unable wholly to detach itself from old companions and associations, though enabled to fix itself steadily on one object, and resolved not to be turned aside by any consideration. Her fears for Sikes would have been more powerful inducements to recoil while there was yet time; but she had stipulated that her secret should be rigidly kept, she had dropped no clue which could lead to his discovery, she had refused, even for his sake, a refuge from all the guilt and wretchedness that encompasses her and what more could she do! She was resolved. Though all her mental struggles terminated in this conclusion, they forced themselves upon her, again and again, and left their traces too. She grew pale and thin, even within a few days. At times, she took no heed of what was passing before her, or no part in conversations where once, she would have been the loudest. At other times, she laughed without merriment, and was noisy without a moment afterwards she sat silent and dejected, brooding with her head upon her hands, while the very effort by which she roused herself, told, more forcibly than even these indications, that she was ill at ease, and that her thoughts were occupied with matters very different and distant from those in the course of discussion by her companions. It was Sunday night, and the bell of the nearest church struck the hour. Sikes and the Jew were talking, but they paused to listen. The girl looked up from the low seat on which she crouched, and listened too. Eleven. "An hour this side of midnight," said Sikes, raising the blind to look out and returning to his seat. "Dark and heavy it is too. A good night for business this." "Ah!" replied Fagin. "What a pity, Bill, my dear, that there's none quite ready to be done."<\|quote\|>"You're right for once,"</\|quote\|>replied Sikes gruffly. "It is a pity, for I'm in the humour too." Fagin sighed, and shook his head despondingly. "We must make up for lost time when we've got things into a good train. That's all I know," said Sikes. "That's the way to talk, my dear," replied Fagin, venturing to pat him on the shoulder. "It does me good to hear you." "Does you good, does it!" cried Sikes. "Well, so be it." "Ha! ha! ha!" laughed Fagin, as if he were relieved by even this concession. "You're like yourself to-night, Bill. Quite like yourself." "I don't feel like myself when you lay that withered old claw on my shoulder, so take it away," said Sikes, casting off the Jew's hand. "It make you nervous, Bill, reminds you of being nabbed, does it?" said Fagin, determined not to be offended. "Reminds me of being nabbed by the devil," returned Sikes. "There never was another man with such a face as yours, unless it was your father, and I suppose _he_ is singeing his grizzled red beard by this time, unless you came straight from the old 'un without any father at all betwixt you; which I shouldn't wonder at, a bit." Fagin offered no reply to this compliment: but, pulling Sikes by the sleeve, pointed his finger towards Nancy, who had taken advantage of the foregoing conversation to put on her bonnet, and was now leaving the room. "Hallo!" cried Sikes. "Nance. Where's the gal going to at this time of night?" "Not far." "What answer's that?" retorted Sikes. "Do you hear me?" "I don't know where," replied the girl. "Then I do," said Sikes, more in the spirit of obstinacy than because he had any real objection to the girl going where she listed. "Nowhere. Sit down." "I'm not well. I told you that before," rejoined the girl. "I want a breath of air." "Put your head out of the winder," replied Sikes. "There's not enough there," said the girl. "I want it in the street." "Then you won't have it," replied Sikes. With which assurance he rose, locked the door, took the key out, and pulling her bonnet from her head, flung it up to the top of an old press. "There," said the robber. "Now stop quietly where you are, will you?" "It's not such a matter as a bonnet would keep me," said the	which, my attorney is a-breakfasting this morning with the Wice President of the House of Commons; but I shall have something to say elsewhere, and so will he, and so will a wery numerous and 'spectable circle of acquaintance as'll make them beaks wish they'd never been born, or that they'd got their footmen to hang 'em up to their own hat-pegs, afore they let 'em come out this morning to try it on upon me. I'll" "There! He's fully committed!" interposed the clerk. "Take him away." "Come on," said the jailer. "Oh ah! I'll come on," replied the Dodger, brushing his hat with the palm of his hand. "Ah! (to the Bench) it's no use your looking frightened; I won't show you no mercy, not a ha'porth of it. _You'll_ pay for this, my fine fellers. I wouldn't be you for something! I wouldn't go free, now, if you was to fall down on your knees and ask me. Here, carry me off to prison! Take me away!" With these last words, the Dodger suffered himself to be led off by the collar; threatening, till he got into the yard, to make a parliamentary business of it; and then grinning in the officer's face, with great glee and self-approval. Having seen him locked up by himself in a little cell, Noah made the best of his way back to where he had left Master Bates. After waiting here some time, he was joined by that young gentleman, who had prudently abstained from showing himself until he had looked carefully abroad from a snug retreat, and ascertained that his new friend had not been followed by any impertinent person. The two hastened back together, to bear to Mr. Fagin the animating news that the Dodger was doing full justice to his bringing-up, and establishing for himself a glorious reputation. CHAPTER XLIV. THE TIME ARRIVES FOR NANCY TO REDEEM HER PLEDGE TO ROSE MAYLIE. SHE FAILS. Adept as she was, in all the arts of cunning and dissimulation, the girl Nancy could not wholly conceal the effect which the knowledge of the step she had taken, wrought upon her mind. She remembered that both the crafty Jew and the brutal Sikes had confided to her schemes, which had been hidden from all others: in the full confidence that she was trustworthy and beyond the reach of their suspicion. Vile as those schemes were, desperate as were their originators, and bitter as were her feelings towards Fagin, who had led her, step by step, deeper and deeper down into an abyss of crime and misery, whence was no escape; still, there were times when, even towards him, she felt some relenting, lest her disclosure should bring him within the iron grasp he had so long eluded, and he should fall at last richly as he merited such a fate by her hand. But, these were the mere wanderings of a mind unable wholly to detach itself from old companions and associations, though enabled to fix itself steadily on one object, and resolved not to be turned aside by any consideration. Her fears for Sikes would have been more powerful inducements to recoil while there was yet time; but she had stipulated that her secret should be rigidly kept, she had dropped no clue which could lead to his discovery, she had refused, even for his sake, a refuge from all the guilt and wretchedness that encompasses her and what more could she do! She was resolved. Though all her mental struggles terminated in this conclusion, they forced themselves upon her, again and again, and left their traces too. She grew pale and thin, even within a few days. At times, she took no heed of what was passing before her, or no part in conversations where once, she would have been the loudest. At other times, she laughed without merriment, and was noisy without a moment afterwards she sat silent and dejected, brooding with her head upon her hands, while the very effort by which she roused herself, told, more forcibly than even these indications, that she was ill at ease, and that her thoughts were occupied with matters very different and distant from those in the course of discussion by her companions. It was Sunday night, and the bell of the nearest church struck the hour. Sikes and the Jew were talking, but they paused to listen. The girl looked up from the low seat on which she crouched, and listened too. Eleven. "An hour this side of midnight," said Sikes, raising the blind to look out and returning to his seat. "Dark and heavy it is too. A good night for business this." "Ah!" replied Fagin. "What a pity, Bill, my dear, that there's none quite ready to be done."<\|quote\|>"You're right for once,"</\|quote\|>replied Sikes gruffly. "It is a pity, for I'm in the humour too." Fagin sighed, and shook his head despondingly. "We must make up for lost time when we've got things into a good train. That's all I know," said Sikes. "That's the way to talk, my dear," replied Fagin, venturing to pat him on the shoulder. "It does me good to hear you." "Does you good, does it!" cried Sikes. "Well, so be it." "Ha! ha! ha!" laughed Fagin, as if he were relieved by even this concession. "You're like yourself to-night, Bill. Quite like yourself." "I don't feel like myself when you lay that withered old claw on my shoulder, so take it away," said Sikes, casting off the Jew's hand. "It make you nervous, Bill, reminds you of being nabbed, does it?" said Fagin, determined not to be offended. "Reminds me of being nabbed by the devil," returned Sikes. "There never was another man with such a face as yours, unless it was your father, and I suppose _he_ is singeing his grizzled red beard by this time, unless you came straight from the old 'un without any father at all betwixt you; which I shouldn't wonder at, a bit." Fagin offered no reply to this compliment: but, pulling Sikes by the sleeve, pointed his finger towards Nancy, who had taken advantage of the foregoing conversation to put on her bonnet, and was now leaving the room. "Hallo!" cried Sikes. "Nance. Where's the gal going to at this time of night?" "Not far." "What answer's that?" retorted Sikes. "Do you hear me?" "I don't know where," replied the girl. "Then I do," said Sikes, more in the spirit of obstinacy than because he had any real objection to the girl going where she listed. "Nowhere. Sit down." "I'm not well. I told you that before," rejoined the girl. "I want a breath of air." "Put your head out of the winder," replied Sikes. "There's not enough there," said the girl. "I want it in the street." "Then you won't have it," replied Sikes. With which assurance he rose, locked the door, took the key out, and pulling her bonnet from her head, flung it up to the top of an old press. "There," said the robber. "Now stop quietly where you are, will you?" "It's not such a matter as a bonnet would keep me," said the girl turning very pale. "What do you mean, Bill? Do you know what you're doing?" "Know what I'm Oh!" cried Sikes, turning to Fagin, "she's out of her senses, you know, or she daren't talk to me in that way." "You'll drive me on the something desperate," muttered the girl placing both hands upon her breast, as though to keep down by force some violent outbreak. "Let me go, will you, this minute this instant." "No!" said Sikes. "Tell him to let me go, Fagin. He had better. It'll be better for him. Do you hear me?" cried Nancy stamping her foot upon the ground. "Hear you!" repeated Sikes turning round in his chair to confront her. "Aye! And if I hear you for half a minute longer, the dog shall have such a grip on your throat as'll tear some of that screaming voice out. Wot has come over you, you jade! Wot is it?" "Let me go," said the girl with great earnestness; then sitting herself down on the floor, before the door, she said, "Bill, let me go; you don't know what you are doing. You don't, indeed. For only one hour do do!" "Cut my limbs off one by one!" cried Sikes, seizing her roughly by the arm, "If I don't think the gal's stark raving mad. Get up." "Not till you let me go not till you let me go Never never!" screamed the girl. Sikes looked on, for a minute, watching his opportunity, and suddenly pinioning her hands dragged her, struggling and wrestling with him by the way, into a small room adjoining, where he sat himself on a bench, and thrusting her into a chair, held her down by force. She struggled and implored by turns until twelve o'clock had struck, and then, wearied and exhausted, ceased to contest the point any further. With a caution, backed by many oaths, to make no more efforts to go out that night, Sikes left her to recover at leisure and rejoined Fagin. "Whew!" said the housebreaker wiping the perspiration from his face. "Wot a precious strange gal that is!" "You may say that, Bill," replied Fagin thoughtfully. "You may say that." "Wot did she take it into her head to go out to-night for, do you think?" asked Sikes. "Come; you should know her better than me. Wot does it mean?" "Obstinacy; woman's obstinacy, I	that she was trustworthy and beyond the reach of their suspicion. Vile as those schemes were, desperate as were their originators, and bitter as were her feelings towards Fagin, who had led her, step by step, deeper and deeper down into an abyss of crime and misery, whence was no escape; still, there were times when, even towards him, she felt some relenting, lest her disclosure should bring him within the iron grasp he had so long eluded, and he should fall at last richly as he merited such a fate by her hand. But, these were the mere wanderings of a mind unable wholly to detach itself from old companions and associations, though enabled to fix itself steadily on one object, and resolved not to be turned aside by any consideration. Her fears for Sikes would have been more powerful inducements to recoil while there was yet time; but she had stipulated that her secret should be rigidly kept, she had dropped no clue which could lead to his discovery, she had refused, even for his sake, a refuge from all the guilt and wretchedness that encompasses her and what more could she do! She was resolved. Though all her mental struggles terminated in this conclusion, they forced themselves upon her, again and again, and left their traces too. She grew pale and thin, even within a few days. At times, she took no heed of what was passing before her, or no part in conversations where once, she would have been the loudest. At other times, she laughed without merriment, and was noisy without a moment afterwards she sat silent and dejected, brooding with her head upon her hands, while the very effort by which she roused herself, told, more forcibly than even these indications, that she was ill at ease, and that her thoughts were occupied with matters very different and distant from those in the course of discussion by her companions. It was Sunday night, and the bell of the nearest church struck the hour. Sikes and the Jew were talking, but they paused to listen. The girl looked up from the low seat on which she crouched, and listened too. Eleven. "An hour this side of midnight," said Sikes, raising the blind to look out and returning to his seat. "Dark and heavy it is too. A good night for business this." "Ah!" replied Fagin. "What a pity, Bill, my dear, that there's none quite ready to be done."<\|quote\|>"You're right for once,"</\|quote\|>replied Sikes gruffly. "It is a pity, for I'm in the humour too." Fagin sighed, and shook his head despondingly. "We must make up for lost time when we've got things into a good train. That's all I know," said Sikes. "That's the way to talk, my dear," replied Fagin, venturing to pat him on the shoulder. "It does me good to hear you." "Does you good, does it!" cried Sikes. "Well, so be it." "Ha! ha! ha!" laughed Fagin, as if he were relieved by even this concession. "You're like yourself to-night, Bill. Quite like yourself." "I don't feel like myself when you lay that withered old claw on my shoulder, so take it away," said Sikes, casting off the Jew's hand. "It make you nervous, Bill, reminds you of being nabbed, does it?" said Fagin, determined not to be offended. "Reminds me of being nabbed by the devil," returned Sikes. "There never was another man with such a face as yours, unless it was your father, and I suppose _he_ is singeing his grizzled red beard by this time, unless you came straight from the old 'un without any father at all betwixt you; which I shouldn't wonder at, a bit." Fagin offered no reply to this compliment: but, pulling Sikes by the sleeve, pointed his finger towards Nancy, who had taken advantage of the foregoing conversation to put on her bonnet, and was now leaving the room. "Hallo!" cried Sikes. "Nance. Where's the gal going to at this time of night?" "Not far." "What answer's that?" retorted Sikes. "Do you hear me?" "I don't know where," replied the girl. "Then I do," said Sikes, more in the spirit of obstinacy than because he had any real objection to the girl going where she listed. "Nowhere. Sit down." "I'm not well. I told you that before," rejoined the girl. "I want a breath of air." "Put your head out of the winder," replied Sikes. "There's not enough there," said the girl. "I want it in the street." "Then you won't have it," replied Sikes. With which assurance he rose, locked the door, took the key out, and pulling her bonnet from her head, flung it up to the top of an old press. "There," said the robber. "Now stop quietly where you are, will you?" "It's not such a matter as a bonnet would keep me," said the girl turning very pale. "What do you mean, Bill? Do you know what you're doing?" "Know what I'm Oh!" cried Sikes, turning to Fagin, "she's out of her senses, you know, or she daren't talk to me in that way." "You'll drive me on the something desperate," muttered the girl placing both hands upon her breast, as though to keep down by force some violent outbreak. "Let me go, will you, this minute this instant." "No!" said Sikes. "Tell him to let me go, Fagin. He had better. It'll be better for him. Do you hear me?" cried Nancy stamping her foot upon the ground. "Hear you!" repeated Sikes turning round in his chair to confront her. "Aye! And if I hear you for half a minute longer, the dog shall have such a grip on your throat as'll tear some of that screaming voice out. Wot has come over you, you jade! Wot is it?" "Let me go," said the girl with great earnestness; then sitting herself down on the floor, before the door, she said, "Bill, let me go; you don't know what you are doing. You don't, indeed. For only one hour do	Oliver Twist
"for those who would have fetched you, if I had not, would have been far more rough than me. I have promised for your being quiet and silent; if you are not, you will only do harm to yourself and me too, and perhaps be my death. See here! I have borne all this for you already, as true as God sees me show it."	Nance	now," continued the girl aloud;<\|quote\|>"for those who would have fetched you, if I had not, would have been far more rough than me. I have promised for your being quiet and silent; if you are not, you will only do harm to yourself and me too, and perhaps be my death. See here! I have borne all this for you already, as true as God sees me show it."</\|quote\|>She pointed, hastily, to some	will again, and I do now," continued the girl aloud;<\|quote\|>"for those who would have fetched you, if I had not, would have been far more rough than me. I have promised for your being quiet and silent; if you are not, you will only do harm to yourself and me too, and perhaps be my death. See here! I have borne all this for you already, as true as God sees me show it."</\|quote\|>She pointed, hastily, to some livid bruises on her neck	of her manner, Oliver looked up in her face with great surprise. She seemed to speak the truth; her countenance was white and agitated; and she trembled with very earnestness. "I have saved you from being ill-used once, and I will again, and I do now," continued the girl aloud;<\|quote\|>"for those who would have fetched you, if I had not, would have been far more rough than me. I have promised for your being quiet and silent; if you are not, you will only do harm to yourself and me too, and perhaps be my death. See here! I have borne all this for you already, as true as God sees me show it."</\|quote\|>She pointed, hastily, to some livid bruises on her neck and arms; and continued, with great rapidity: "Remember this! And don't let me suffer more for you, just now. If I could help you, I would; but I have not the power. They don't mean to harm you; whatever they	him, and pointing to the door as she looked cautiously round. "You can't help yourself. I have tried hard for you, but all to no purpose. You are hedged round and round. If ever you are to get loose from here, this is not the time." Struck by the energy of her manner, Oliver looked up in her face with great surprise. She seemed to speak the truth; her countenance was white and agitated; and she trembled with very earnestness. "I have saved you from being ill-used once, and I will again, and I do now," continued the girl aloud;<\|quote\|>"for those who would have fetched you, if I had not, would have been far more rough than me. I have promised for your being quiet and silent; if you are not, you will only do harm to yourself and me too, and perhaps be my death. See here! I have borne all this for you already, as true as God sees me show it."</\|quote\|>She pointed, hastily, to some livid bruises on her neck and arms; and continued, with great rapidity: "Remember this! And don't let me suffer more for you, just now. If I could help you, I would; but I have not the power. They don't mean to harm you; whatever they make you do, is no fault of yours. Hush! Every word from you is a blow for me. Give me your hand. Make haste! Your hand!" She caught the hand which Oliver instinctively placed in hers, and, blowing out the light, drew him after her up the stairs. The door	state. But, then, the thought darted across his mind that it was barely eleven o'clock; and that many people were still in the streets: of whom surely some might be found to give credence to his tale. As the reflection occured to him, he stepped forward: and said, somewhat hastily, that he was ready. Neither his brief consideration, nor its purport, was lost on his companion. She eyed him narrowly, while he spoke; and cast upon him a look of intelligence which sufficiently showed that she guessed what had been passing in his thoughts. "Hush!" said the girl, stooping over him, and pointing to the door as she looked cautiously round. "You can't help yourself. I have tried hard for you, but all to no purpose. You are hedged round and round. If ever you are to get loose from here, this is not the time." Struck by the energy of her manner, Oliver looked up in her face with great surprise. She seemed to speak the truth; her countenance was white and agitated; and she trembled with very earnestness. "I have saved you from being ill-used once, and I will again, and I do now," continued the girl aloud;<\|quote\|>"for those who would have fetched you, if I had not, would have been far more rough than me. I have promised for your being quiet and silent; if you are not, you will only do harm to yourself and me too, and perhaps be my death. See here! I have borne all this for you already, as true as God sees me show it."</\|quote\|>She pointed, hastily, to some livid bruises on her neck and arms; and continued, with great rapidity: "Remember this! And don't let me suffer more for you, just now. If I could help you, I would; but I have not the power. They don't mean to harm you; whatever they make you do, is no fault of yours. Hush! Every word from you is a blow for me. Give me your hand. Make haste! Your hand!" She caught the hand which Oliver instinctively placed in hers, and, blowing out the light, drew him after her up the stairs. The door was opened, quickly, by some one shrouded in the darkness, and was as quickly closed, when they had passed out. A hackney-cabriolet was in waiting; with the same vehemence which she had exhibited in addressing Oliver, the girl pulled him in with her, and drew the curtains close. The driver wanted no directions, but lashed his horse into full speed, without the delay of an instant. The girl still held Oliver fast by the hand, and continued to pour into his ear, the warnings and assurances she had already imparted. All was so quick and hurried, that he had scarcely	sound, gasped for breath. "Nancy!" cried Oliver, "What is it?" The girl beat her hands upon her knees, and her feet upon the ground; and, suddenly stopping, drew her shawl close round her: and shivered with cold. Oliver stirred the fire. Drawing her chair close to it, she sat there, for a little time, without speaking; but at length she raised her head, and looked round. "I don't know what comes over me sometimes," said she, affecting to busy herself in arranging her dress; "it's this damp dirty room, I think. Now, Nolly, dear, are you ready?" "Am I to go with you?" asked Oliver. "Yes. I have come from Bill," replied the girl. "You are to go with me." "What for?" asked Oliver, recoiling. "What for?" echoed the girl, raising her eyes, and averting them again, the moment they encountered the boy's face. "Oh! For no harm." "I don't believe it," said Oliver: who had watched her closely. "Have it your own way," rejoined the girl, affecting to laugh. "For no good, then." Oliver could see that he had some power over the girl's better feelings, and, for an instant, thought of appealing to her compassion for his helpless state. But, then, the thought darted across his mind that it was barely eleven o'clock; and that many people were still in the streets: of whom surely some might be found to give credence to his tale. As the reflection occured to him, he stepped forward: and said, somewhat hastily, that he was ready. Neither his brief consideration, nor its purport, was lost on his companion. She eyed him narrowly, while he spoke; and cast upon him a look of intelligence which sufficiently showed that she guessed what had been passing in his thoughts. "Hush!" said the girl, stooping over him, and pointing to the door as she looked cautiously round. "You can't help yourself. I have tried hard for you, but all to no purpose. You are hedged round and round. If ever you are to get loose from here, this is not the time." Struck by the energy of her manner, Oliver looked up in her face with great surprise. She seemed to speak the truth; her countenance was white and agitated; and she trembled with very earnestness. "I have saved you from being ill-used once, and I will again, and I do now," continued the girl aloud;<\|quote\|>"for those who would have fetched you, if I had not, would have been far more rough than me. I have promised for your being quiet and silent; if you are not, you will only do harm to yourself and me too, and perhaps be my death. See here! I have borne all this for you already, as true as God sees me show it."</\|quote\|>She pointed, hastily, to some livid bruises on her neck and arms; and continued, with great rapidity: "Remember this! And don't let me suffer more for you, just now. If I could help you, I would; but I have not the power. They don't mean to harm you; whatever they make you do, is no fault of yours. Hush! Every word from you is a blow for me. Give me your hand. Make haste! Your hand!" She caught the hand which Oliver instinctively placed in hers, and, blowing out the light, drew him after her up the stairs. The door was opened, quickly, by some one shrouded in the darkness, and was as quickly closed, when they had passed out. A hackney-cabriolet was in waiting; with the same vehemence which she had exhibited in addressing Oliver, the girl pulled him in with her, and drew the curtains close. The driver wanted no directions, but lashed his horse into full speed, without the delay of an instant. The girl still held Oliver fast by the hand, and continued to pour into his ear, the warnings and assurances she had already imparted. All was so quick and hurried, that he had scarcely time to recollect where he was, or how he came there, when the carriage stopped at the house to which the Jew's steps had been directed on the previous evening. For one brief moment, Oliver cast a hurried glance along the empty street, and a cry for help hung upon his lips. But the girl's voice was in his ear, beseeching him in such tones of agony to remember her, that he had not the heart to utter it. While he hesitated, the opportunity was gone; he was already in the house, and the door was shut. "This way," said the girl, releasing her hold for the first time. "Bill!" "Hallo!" replied Sikes: appearing at the head of the stairs, with a candle. "Oh! That's the time of day. Come on!" This was a very strong expression of approbation, an uncommonly hearty welcome, from a person of Mr. Sikes' temperament. Nancy, appearing much gratified thereby, saluted him cordially. "Bull's-eye's gone home with Tom," observed Sikes, as he lighted them up. "He'd have been in the way." "That's right," rejoined Nancy. "So you've got the kid," said Sikes when they had all reached the room: closing the door as he spoke.	them down, deep as they were, but had yielded them up at last, after many years, and so maddened the murderers with the sight, that in their horror they had confessed their guilt, and yelled for the gibbet to end their agony. Here, too, he read of men who, lying in their beds at dead of night, had been tempted (so they said) and led on, by their own bad thoughts, to such dreadful bloodshed as it made the flesh creep, and the limbs quail, to think of. The terrible descriptions were so real and vivid, that the sallow pages seemed to turn red with gore; and the words upon them, to be sounded in his ears, as if they were whispered, in hollow murmurs, by the spirits of the dead. In a paroxysm of fear, the boy closed the book, and thrust it from him. Then, falling upon his knees, he prayed Heaven to spare him from such deeds; and rather to will that he should die at once, than be reserved for crimes, so fearful and appalling. By degrees, he grew more calm, and besought, in a low and broken voice, that he might be rescued from his present dangers; and that if any aid were to be raised up for a poor outcast boy who had never known the love of friends or kindred, it might come to him now, when, desolate and deserted, he stood alone in the midst of wickedness and guilt. He had concluded his prayer, but still remained with his head buried in his hands, when a rustling noise aroused him. "What's that!" he cried, starting up, and catching sight of a figure standing by the door. "Who's there?" "Me. Only me," replied a tremulous voice. Oliver raised the candle above his head: and looked towards the door. It was Nancy. "Put down the light," said the girl, turning away her head. "It hurts my eyes." Oliver saw that she was very pale, and gently inquired if she were ill. The girl threw herself into a chair, with her back towards him: and wrung her hands; but made no reply. "God forgive me!" she cried after a while, "I never thought of this." "Has anything happened?" asked Oliver. "Can I help you? I will if I can. I will, indeed." She rocked herself to and fro; caught her throat; and, uttering a gurgling sound, gasped for breath. "Nancy!" cried Oliver, "What is it?" The girl beat her hands upon her knees, and her feet upon the ground; and, suddenly stopping, drew her shawl close round her: and shivered with cold. Oliver stirred the fire. Drawing her chair close to it, she sat there, for a little time, without speaking; but at length she raised her head, and looked round. "I don't know what comes over me sometimes," said she, affecting to busy herself in arranging her dress; "it's this damp dirty room, I think. Now, Nolly, dear, are you ready?" "Am I to go with you?" asked Oliver. "Yes. I have come from Bill," replied the girl. "You are to go with me." "What for?" asked Oliver, recoiling. "What for?" echoed the girl, raising her eyes, and averting them again, the moment they encountered the boy's face. "Oh! For no harm." "I don't believe it," said Oliver: who had watched her closely. "Have it your own way," rejoined the girl, affecting to laugh. "For no good, then." Oliver could see that he had some power over the girl's better feelings, and, for an instant, thought of appealing to her compassion for his helpless state. But, then, the thought darted across his mind that it was barely eleven o'clock; and that many people were still in the streets: of whom surely some might be found to give credence to his tale. As the reflection occured to him, he stepped forward: and said, somewhat hastily, that he was ready. Neither his brief consideration, nor its purport, was lost on his companion. She eyed him narrowly, while he spoke; and cast upon him a look of intelligence which sufficiently showed that she guessed what had been passing in his thoughts. "Hush!" said the girl, stooping over him, and pointing to the door as she looked cautiously round. "You can't help yourself. I have tried hard for you, but all to no purpose. You are hedged round and round. If ever you are to get loose from here, this is not the time." Struck by the energy of her manner, Oliver looked up in her face with great surprise. She seemed to speak the truth; her countenance was white and agitated; and she trembled with very earnestness. "I have saved you from being ill-used once, and I will again, and I do now," continued the girl aloud;<\|quote\|>"for those who would have fetched you, if I had not, would have been far more rough than me. I have promised for your being quiet and silent; if you are not, you will only do harm to yourself and me too, and perhaps be my death. See here! I have borne all this for you already, as true as God sees me show it."</\|quote\|>She pointed, hastily, to some livid bruises on her neck and arms; and continued, with great rapidity: "Remember this! And don't let me suffer more for you, just now. If I could help you, I would; but I have not the power. They don't mean to harm you; whatever they make you do, is no fault of yours. Hush! Every word from you is a blow for me. Give me your hand. Make haste! Your hand!" She caught the hand which Oliver instinctively placed in hers, and, blowing out the light, drew him after her up the stairs. The door was opened, quickly, by some one shrouded in the darkness, and was as quickly closed, when they had passed out. A hackney-cabriolet was in waiting; with the same vehemence which she had exhibited in addressing Oliver, the girl pulled him in with her, and drew the curtains close. The driver wanted no directions, but lashed his horse into full speed, without the delay of an instant. The girl still held Oliver fast by the hand, and continued to pour into his ear, the warnings and assurances she had already imparted. All was so quick and hurried, that he had scarcely time to recollect where he was, or how he came there, when the carriage stopped at the house to which the Jew's steps had been directed on the previous evening. For one brief moment, Oliver cast a hurried glance along the empty street, and a cry for help hung upon his lips. But the girl's voice was in his ear, beseeching him in such tones of agony to remember her, that he had not the heart to utter it. While he hesitated, the opportunity was gone; he was already in the house, and the door was shut. "This way," said the girl, releasing her hold for the first time. "Bill!" "Hallo!" replied Sikes: appearing at the head of the stairs, with a candle. "Oh! That's the time of day. Come on!" This was a very strong expression of approbation, an uncommonly hearty welcome, from a person of Mr. Sikes' temperament. Nancy, appearing much gratified thereby, saluted him cordially. "Bull's-eye's gone home with Tom," observed Sikes, as he lighted them up. "He'd have been in the way." "That's right," rejoined Nancy. "So you've got the kid," said Sikes when they had all reached the room: closing the door as he spoke. "Yes, here he is," replied Nancy. "Did he come quiet?" inquired Sikes. "Like a lamb," rejoined Nancy. "I'm glad to hear it," said Sikes, looking grimly at Oliver; "for the sake of his young carcase: as would otherways have suffered for it. Come here, young 'un; and let me read you a lectur', which is as well got over at once." Thus addressing his new pupil, Mr. Sikes pulled off Oliver's cap and threw it into a corner; and then, taking him by the shoulder, sat himself down by the table, and stood the boy in front of him. "Now, first: do you know wot this is?" inquired Sikes, taking up a pocket-pistol which lay on the table. Oliver replied in the affirmative. "Well, then, look here," continued Sikes. "This is powder; that 'ere's a bullet; and this is a little bit of a old hat for waddin'." Oliver murmured his comprehension of the different bodies referred to; and Mr. Sikes proceeded to load the pistol, with great nicety and deliberation. "Now it's loaded," said Mr. Sikes, when he had finished. "Yes, I see it is, sir," replied Oliver. "Well," said the robber, grasping Oliver's wrist, and putting the barrel so close to his temple that they touched; at which moment the boy could not repress a start; "if you speak a word when you're out o'doors with me, except when I speak to you, that loading will be in your head without notice. So, if you _do_ make up your mind to speak without leave, say your prayers first." Having bestowed a scowl upon the object of this warning, to increase its effect, Mr. Sikes continued. "As near as I know, there isn't anybody as would be asking very partickler arter you, if you _was_ disposed of; so I needn't take this devil-and-all of trouble to explain matters to you, if it warn't for your own good. D'ye hear me?" "The short and the long of what you mean," said Nancy: speaking very emphatically, and slightly frowning at Oliver as if to bespeak his serious attention to her words: "is, that if you're crossed by him in this job you have on hand, you'll prevent his ever telling tales afterwards, by shooting him through the head, and will take your chance of swinging for it, as you do for a great many other things in the way of business,	for?" echoed the girl, raising her eyes, and averting them again, the moment they encountered the boy's face. "Oh! For no harm." "I don't believe it," said Oliver: who had watched her closely. "Have it your own way," rejoined the girl, affecting to laugh. "For no good, then." Oliver could see that he had some power over the girl's better feelings, and, for an instant, thought of appealing to her compassion for his helpless state. But, then, the thought darted across his mind that it was barely eleven o'clock; and that many people were still in the streets: of whom surely some might be found to give credence to his tale. As the reflection occured to him, he stepped forward: and said, somewhat hastily, that he was ready. Neither his brief consideration, nor its purport, was lost on his companion. She eyed him narrowly, while he spoke; and cast upon him a look of intelligence which sufficiently showed that she guessed what had been passing in his thoughts. "Hush!" said the girl, stooping over him, and pointing to the door as she looked cautiously round. "You can't help yourself. I have tried hard for you, but all to no purpose. You are hedged round and round. If ever you are to get loose from here, this is not the time." Struck by the energy of her manner, Oliver looked up in her face with great surprise. She seemed to speak the truth; her countenance was white and agitated; and she trembled with very earnestness. "I have saved you from being ill-used once, and I will again, and I do now," continued the girl aloud;<\|quote\|>"for those who would have fetched you, if I had not, would have been far more rough than me. I have promised for your being quiet and silent; if you are not, you will only do harm to yourself and me too, and perhaps be my death. See here! I have borne all this for you already, as true as God sees me show it."</\|quote\|>She pointed, hastily, to some livid bruises on her neck and arms; and continued, with great rapidity: "Remember this! And don't let me suffer more for you, just now. If I could help you, I would; but I have not the power. They don't mean to harm you; whatever they make you do, is no fault of yours. Hush! Every word from you is a blow for me. Give me your hand. Make haste! Your hand!" She caught the hand which Oliver instinctively placed in hers, and, blowing out the light, drew him after her up the stairs. The door was opened, quickly, by some one shrouded in the darkness, and was as quickly closed, when they had passed out. A hackney-cabriolet was in waiting; with the same vehemence which she had exhibited in addressing Oliver, the girl pulled him in with her, and drew the curtains close. The driver wanted no directions, but lashed his horse into full speed, without the delay of an instant. The girl still held Oliver fast by the hand, and continued to pour into his ear, the warnings and assurances she had already imparted. All was so quick and hurried, that he had scarcely time to recollect where he was, or how he came there, when the carriage stopped at the house to which the Jew's steps had been directed on the previous evening. For one brief moment, Oliver cast a hurried glance along the empty street, and a cry for help hung upon his lips. But the girl's voice was in his ear, beseeching him in such tones of agony to remember her, that he had not the heart to utter it. While he hesitated, the opportunity was gone; he was already in the house, and the door was shut. "This way," said the girl, releasing her hold for the first time. "Bill!" "Hallo!" replied Sikes: appearing at the head of the stairs, with a candle. "Oh! That's the time of day. Come on!" This was a very strong expression of approbation, an uncommonly hearty welcome, from a person of Mr. Sikes' temperament. Nancy, appearing much gratified thereby, saluted him cordially. "Bull's-eye's gone home with Tom," observed Sikes, as he lighted them up. "He'd have been in the way." "That's right," rejoined Nancy. "So you've got the kid," said Sikes when they had all reached the room: closing the door as he spoke. "Yes, here he is," replied Nancy. "Did he come quiet?" inquired Sikes. "Like a lamb," rejoined Nancy. "I'm glad to hear it," said Sikes, looking grimly at Oliver; "for the sake of his young carcase: as would otherways have suffered for it. Come here, young 'un; and let me read you a lectur', which is as well got over at once." Thus addressing his new pupil, Mr. Sikes pulled off Oliver's cap and threw it into a corner; and then, taking him by the shoulder, sat himself down by the table, and stood the boy in front of him. "Now, first: do you know wot this is?" inquired Sikes, taking	Oliver Twist
said Pooh.	No speaker	this boot on." "That's bad,"<\|quote\|>said Pooh.</\|quote\|>"Do you think you could	Pooh Bear. I can't get this boot on." "That's bad,"<\|quote\|>said Pooh.</\|quote\|>"Do you think you could very kindly lean against me,	going to happen, and he brushed the honey off his nose with the back of his paw, and spruced himself up as well as he could, so as to look Ready for Anything. "Good-morning, Christopher Robin," he called out. "Hallo, Pooh Bear. I can't get this boot on." "That's bad,"<\|quote\|>said Pooh.</\|quote\|>"Do you think you could very kindly lean against me, 'cos I keep pulling so hard that I fall over backwards." Pooh sat down, dug his feet into the ground, and pushed hard against Christopher Robin's back, and Christopher Robin pushed hard against his, and pulled and pulled at his	"it will be time for the little something, and then the last line won't be true." So he turned it into a hum instead. Christopher Robin was sitting outside his door, putting on his Big Boots. As soon as he saw the Big Boots, Pooh knew that an Adventure was going to happen, and he brushed the honey off his nose with the back of his paw, and spruced himself up as well as he could, so as to look Ready for Anything. "Good-morning, Christopher Robin," he called out. "Hallo, Pooh Bear. I can't get this boot on." "That's bad,"<\|quote\|>said Pooh.</\|quote\|>"Do you think you could very kindly lean against me, 'cos I keep pulling so hard that I fall over backwards." Pooh sat down, dug his feet into the ground, and pushed hard against Christopher Robin's back, and Christopher Robin pushed hard against his, and pulled and pulled at his boot until he had got it on. "And that's that," said Pooh. "What do we do next?" "We are all going on an Expedition," said Christopher Robin, as he got up and brushed himself. "Thank you, Pooh." "Going on an Expotition?" said Pooh eagerly. "I don't think I've ever been	for the life of a Bear! I don't much mind if it rains or snows, 'Cos I've got a lot of honey on my nice new nose, I don't much care if it snows or thaws, 'Cos I've got a lot of honey on my nice clean paws! Sing Ho! for a Bear! Sing Ho! for a Pooh! And I'll have a little something in an hour or two!" He was so pleased with this song that he sang it all the way to the top of the Forest, "and if I go on singing it much longer," he thought, "it will be time for the little something, and then the last line won't be true." So he turned it into a hum instead. Christopher Robin was sitting outside his door, putting on his Big Boots. As soon as he saw the Big Boots, Pooh knew that an Adventure was going to happen, and he brushed the honey off his nose with the back of his paw, and spruced himself up as well as he could, so as to look Ready for Anything. "Good-morning, Christopher Robin," he called out. "Hallo, Pooh Bear. I can't get this boot on." "That's bad,"<\|quote\|>said Pooh.</\|quote\|>"Do you think you could very kindly lean against me, 'cos I keep pulling so hard that I fall over backwards." Pooh sat down, dug his feet into the ground, and pushed hard against Christopher Robin's back, and Christopher Robin pushed hard against his, and pulled and pulled at his boot until he had got it on. "And that's that," said Pooh. "What do we do next?" "We are all going on an Expedition," said Christopher Robin, as he got up and brushed himself. "Thank you, Pooh." "Going on an Expotition?" said Pooh eagerly. "I don't think I've ever been on one of those. Where are we going to on this Expotition?" "Expedition, silly old Bear. It's got an 'x' in it." "Oh!" said Pooh. "I know." But he didn't really. "We're going to discover the North Pole." "Oh!" said Pooh again. "What _is_ the North Pole?" he asked. "It's just a thing you discover," said Christopher Robin carelessly, not being quite sure himself. "Oh! I see," said Pooh. "Are bears any good at discovering it?" "Of course they are. And Rabbit and Kanga and all of you. It's an Expedition. That's what an Expedition means. A long line of	VIII IN WHICH CHRISTOPHER ROBIN LEADS AN EXPOTITION TO THE NORTH POLE One fine day Pooh had stumped up to the top of the Forest to see if his friend Christopher Robin was interested in Bears at all. At breakfast that morning (a simple meal of marmalade spread lightly over a honeycomb or two) he had suddenly thought of a new song. It began like this: "_Sing Ho! for the life of a Bear._" When he had got as far as this, he scratched his head, and thought to himself "That's a very good start for a song, but what about the second line?" He tried singing "Ho," two or three times, but it didn't seem to help. "Perhaps it would be better," he thought, "if I sang Hi for the life of a Bear." So he sang it ... but it wasn't. "Very well, then," he said, "I shall sing that first line twice, and perhaps if I sing it very quickly, I shall find myself singing the third and fourth lines before I have time to think of them, and that will be a Good Song. Now then:" "Sing Ho! for the life of a Bear! Sing Ho! for the life of a Bear! I don't much mind if it rains or snows, 'Cos I've got a lot of honey on my nice new nose, I don't much care if it snows or thaws, 'Cos I've got a lot of honey on my nice clean paws! Sing Ho! for a Bear! Sing Ho! for a Pooh! And I'll have a little something in an hour or two!" He was so pleased with this song that he sang it all the way to the top of the Forest, "and if I go on singing it much longer," he thought, "it will be time for the little something, and then the last line won't be true." So he turned it into a hum instead. Christopher Robin was sitting outside his door, putting on his Big Boots. As soon as he saw the Big Boots, Pooh knew that an Adventure was going to happen, and he brushed the honey off his nose with the back of his paw, and spruced himself up as well as he could, so as to look Ready for Anything. "Good-morning, Christopher Robin," he called out. "Hallo, Pooh Bear. I can't get this boot on." "That's bad,"<\|quote\|>said Pooh.</\|quote\|>"Do you think you could very kindly lean against me, 'cos I keep pulling so hard that I fall over backwards." Pooh sat down, dug his feet into the ground, and pushed hard against Christopher Robin's back, and Christopher Robin pushed hard against his, and pulled and pulled at his boot until he had got it on. "And that's that," said Pooh. "What do we do next?" "We are all going on an Expedition," said Christopher Robin, as he got up and brushed himself. "Thank you, Pooh." "Going on an Expotition?" said Pooh eagerly. "I don't think I've ever been on one of those. Where are we going to on this Expotition?" "Expedition, silly old Bear. It's got an 'x' in it." "Oh!" said Pooh. "I know." But he didn't really. "We're going to discover the North Pole." "Oh!" said Pooh again. "What _is_ the North Pole?" he asked. "It's just a thing you discover," said Christopher Robin carelessly, not being quite sure himself. "Oh! I see," said Pooh. "Are bears any good at discovering it?" "Of course they are. And Rabbit and Kanga and all of you. It's an Expedition. That's what an Expedition means. A long line of everybody. You'd better tell the others to get ready, while I see if my gun's all right. And we must all bring Provisions." "Bring what?" "Things to eat." "Oh!" said Pooh happily. "I thought you said Provisions. I'll go and tell them." And he stumped off. The first person he met was Rabbit. "Hallo, Rabbit," he said, "is that you?" "Let's pretend it isn't," said Rabbit, "and see what happens." "I've got a message for you." "I'll give it to him." "We're all going on an Expotition with Christopher Robin!" "What is it when we're on it?" "A sort of boat, I think," said Pooh. "Oh! that sort." "Yes. And we're going to discover a Pole or something. Or was it a Mole? Anyhow we're going to discover it." "We are, are we?" said Rabbit. "Yes. And we've got to bring Pro--things to eat with us. In case we want to eat them. Now I'm going down to Piglet's. Tell Kanga, will you?" He left Rabbit and hurried down to Piglet's house. The Piglet was sitting on the ground at the door of his house blowing happily at a dandelion, and wondering whether it would be this year, next year,	you grow big and strong, dear. You don't want to grow up small and weak like Piglet, do you? Well, then!" At that moment there was a knock at the door. "Come in," said Kanga, and in came Christopher Robin. "Christopher Robin, Christopher Robin!" cried Piglet. "Tell Kanga who I am! She keeps saying I'm Roo. I'm _not_ Roo, am I?" Christopher Robin looked at him very carefully, and shook his head. "You can't be Roo," he said, "because I've just seen Roo playing in Rabbit's house." "Well!" said Kanga. "Fancy that! Fancy my making a mistake like that." "There you are!" said Piglet. "I told you so. I'm Piglet." Christopher Robin shook his head again. "Oh, you're not Piglet," he said. "I know Piglet well, and he's _quite_ a different colour." Piglet began to say that this was because he had just had a bath, and then he thought that perhaps he wouldn't say that, and as he opened his mouth to say something else, Kanga slipped the medicine spoon in, and then patted him on the back and told him that it was really quite a nice taste when you got used to it. "I knew it wasn't Piglet," said Kanga. "I wonder who it can be." "Perhaps it's some relation of Pooh's," said Christopher Robin. "What about a nephew or an uncle or something?" Kanga agreed that this was probably what it was, and said that they would have to call it by some name. "I shall call it Pootel," said Christopher Robin. "Henry Pootel for short." And just when it was decided, Henry Pootel wriggled out of Kanga's arms and jumped to the ground. To his great joy Christopher Robin had left the door open. Never had Henry Pootel Piglet run so fast as he ran then, and he didn't stop running until he had got quite close to his house. But when he was a hundred yards away he stopped running, and rolled the rest of the way home, so as to get his own nice comfortable colour again.... So Kanga and Roo stayed in the Forest. And every Tuesday Roo spent the day with his great friend Rabbit, and every Tuesday Kanga spent the day with her great friend Pooh, teaching him to jump, and every Tuesday Piglet spent the day with his great friend Christopher Robin. So they were all happy again. CHAPTER VIII IN WHICH CHRISTOPHER ROBIN LEADS AN EXPOTITION TO THE NORTH POLE One fine day Pooh had stumped up to the top of the Forest to see if his friend Christopher Robin was interested in Bears at all. At breakfast that morning (a simple meal of marmalade spread lightly over a honeycomb or two) he had suddenly thought of a new song. It began like this: "_Sing Ho! for the life of a Bear._" When he had got as far as this, he scratched his head, and thought to himself "That's a very good start for a song, but what about the second line?" He tried singing "Ho," two or three times, but it didn't seem to help. "Perhaps it would be better," he thought, "if I sang Hi for the life of a Bear." So he sang it ... but it wasn't. "Very well, then," he said, "I shall sing that first line twice, and perhaps if I sing it very quickly, I shall find myself singing the third and fourth lines before I have time to think of them, and that will be a Good Song. Now then:" "Sing Ho! for the life of a Bear! Sing Ho! for the life of a Bear! I don't much mind if it rains or snows, 'Cos I've got a lot of honey on my nice new nose, I don't much care if it snows or thaws, 'Cos I've got a lot of honey on my nice clean paws! Sing Ho! for a Bear! Sing Ho! for a Pooh! And I'll have a little something in an hour or two!" He was so pleased with this song that he sang it all the way to the top of the Forest, "and if I go on singing it much longer," he thought, "it will be time for the little something, and then the last line won't be true." So he turned it into a hum instead. Christopher Robin was sitting outside his door, putting on his Big Boots. As soon as he saw the Big Boots, Pooh knew that an Adventure was going to happen, and he brushed the honey off his nose with the back of his paw, and spruced himself up as well as he could, so as to look Ready for Anything. "Good-morning, Christopher Robin," he called out. "Hallo, Pooh Bear. I can't get this boot on." "That's bad,"<\|quote\|>said Pooh.</\|quote\|>"Do you think you could very kindly lean against me, 'cos I keep pulling so hard that I fall over backwards." Pooh sat down, dug his feet into the ground, and pushed hard against Christopher Robin's back, and Christopher Robin pushed hard against his, and pulled and pulled at his boot until he had got it on. "And that's that," said Pooh. "What do we do next?" "We are all going on an Expedition," said Christopher Robin, as he got up and brushed himself. "Thank you, Pooh." "Going on an Expotition?" said Pooh eagerly. "I don't think I've ever been on one of those. Where are we going to on this Expotition?" "Expedition, silly old Bear. It's got an 'x' in it." "Oh!" said Pooh. "I know." But he didn't really. "We're going to discover the North Pole." "Oh!" said Pooh again. "What _is_ the North Pole?" he asked. "It's just a thing you discover," said Christopher Robin carelessly, not being quite sure himself. "Oh! I see," said Pooh. "Are bears any good at discovering it?" "Of course they are. And Rabbit and Kanga and all of you. It's an Expedition. That's what an Expedition means. A long line of everybody. You'd better tell the others to get ready, while I see if my gun's all right. And we must all bring Provisions." "Bring what?" "Things to eat." "Oh!" said Pooh happily. "I thought you said Provisions. I'll go and tell them." And he stumped off. The first person he met was Rabbit. "Hallo, Rabbit," he said, "is that you?" "Let's pretend it isn't," said Rabbit, "and see what happens." "I've got a message for you." "I'll give it to him." "We're all going on an Expotition with Christopher Robin!" "What is it when we're on it?" "A sort of boat, I think," said Pooh. "Oh! that sort." "Yes. And we're going to discover a Pole or something. Or was it a Mole? Anyhow we're going to discover it." "We are, are we?" said Rabbit. "Yes. And we've got to bring Pro--things to eat with us. In case we want to eat them. Now I'm going down to Piglet's. Tell Kanga, will you?" He left Rabbit and hurried down to Piglet's house. The Piglet was sitting on the ground at the door of his house blowing happily at a dandelion, and wondering whether it would be this year, next year, sometime or never. He had just discovered that it would be never, and was trying to remember what "_it_" was, and hoping it wasn't anything nice, when Pooh came up. "Oh! Piglet," said Pooh excitedly, "we're going on an Expotition, all of us, with things to eat. To discover something." "To discover what?" said Piglet anxiously. "Oh! just something." "Nothing fierce?" "Christopher Robin didn't say anything about fierce. He just said it had an 'x'." "It isn't their necks I mind," said Piglet earnestly. "It's their teeth. But if Christopher Robin is coming I don't mind anything." In a little while they were all ready at the top of the Forest, and the Expotition started. First came Christopher Robin and Rabbit, then Piglet and Pooh; then Kanga, with Roo in her pocket, and Owl; then Eeyore; and, at the end, in a long line, all Rabbit's friends-and-relations. "I didn't ask them," explained Rabbit carelessly. "They just came. They always do. They can march at the end, after Eeyore." "What I say," said Eeyore, "is that it's unsettling. I didn't want to come on this Expo--what Pooh said. I only came to oblige. But here I am; and if I am the end of the Expo--what we're talking about--then let me _be_ the end. But if, every time I want to sit down for a little rest, I have to brush away half a dozen of Rabbit's smaller friends-and-relations first, then this isn't an Expo--whatever it is--at all, it's simply a Confused Noise. That's what _I_ say." "I see what Eeyore means," said Owl. "If you ask me----" "I'm not asking anybody," said Eeyore. "I'm just telling everybody. We can look for the North Pole, or we can play 'Here we go gathering Nuts and May' with the end part of an ant's nest. It's all the same to me." There was a shout from the top of the line. "Come on!" called Christopher Robin. "Come on!" called Pooh and Piglet "Come on!" called Owl. "We're starting," said Rabbit. "I must go." And he hurried off to the front of the Expotition with Christopher Robin. "All right," said Eeyore. "We're going. Only Don't Blame Me." So off they all went to discover the Pole. And as they walked, they chattered to each other of this and that, all except Pooh, who was making up a song. "This is the first verse,"	his friend Christopher Robin was interested in Bears at all. At breakfast that morning (a simple meal of marmalade spread lightly over a honeycomb or two) he had suddenly thought of a new song. It began like this: "_Sing Ho! for the life of a Bear._" When he had got as far as this, he scratched his head, and thought to himself "That's a very good start for a song, but what about the second line?" He tried singing "Ho," two or three times, but it didn't seem to help. "Perhaps it would be better," he thought, "if I sang Hi for the life of a Bear." So he sang it ... but it wasn't. "Very well, then," he said, "I shall sing that first line twice, and perhaps if I sing it very quickly, I shall find myself singing the third and fourth lines before I have time to think of them, and that will be a Good Song. Now then:" "Sing Ho! for the life of a Bear! Sing Ho! for the life of a Bear! I don't much mind if it rains or snows, 'Cos I've got a lot of honey on my nice new nose, I don't much care if it snows or thaws, 'Cos I've got a lot of honey on my nice clean paws! Sing Ho! for a Bear! Sing Ho! for a Pooh! And I'll have a little something in an hour or two!" He was so pleased with this song that he sang it all the way to the top of the Forest, "and if I go on singing it much longer," he thought, "it will be time for the little something, and then the last line won't be true." So he turned it into a hum instead. Christopher Robin was sitting outside his door, putting on his Big Boots. As soon as he saw the Big Boots, Pooh knew that an Adventure was going to happen, and he brushed the honey off his nose with the back of his paw, and spruced himself up as well as he could, so as to look Ready for Anything. "Good-morning, Christopher Robin," he called out. "Hallo, Pooh Bear. I can't get this boot on." "That's bad,"<\|quote\|>said Pooh.</\|quote\|>"Do you think you could very kindly lean against me, 'cos I keep pulling so hard that I fall over backwards." Pooh sat down, dug his feet into the ground, and pushed hard against Christopher Robin's back, and Christopher Robin pushed hard against his, and pulled and pulled at his boot until he had got it on. "And that's that," said Pooh. "What do we do next?" "We are all going on an Expedition," said Christopher Robin, as he got up and brushed himself. "Thank you, Pooh." "Going on an Expotition?" said Pooh eagerly. "I don't think I've ever been on one of those. Where are we going to on this Expotition?" "Expedition, silly old Bear. It's got an 'x' in it." "Oh!" said Pooh. "I know." But he didn't really. "We're going to discover the North Pole." "Oh!" said Pooh again. "What _is_ the North Pole?" he asked. "It's just a thing you discover," said Christopher Robin carelessly, not being quite sure himself. "Oh! I see," said Pooh. "Are bears any good at discovering it?" "Of course they are. And Rabbit and Kanga and all of you. It's an Expedition. That's what an Expedition means. A long line of everybody. You'd better tell the others to get ready, while I see if my gun's all right. And we must all bring Provisions." "Bring what?" "Things to eat." "Oh!" said Pooh happily. "I thought you said Provisions. I'll go and tell them." And he stumped off. The first person he met was Rabbit. "Hallo, Rabbit," he said, "is that you?" "Let's pretend it isn't," said Rabbit, "and see what happens." "I've got a message for you." "I'll give it to him." "We're all going on an Expotition with Christopher Robin!" "What is it when we're on it?" "A sort of boat, I think," said Pooh. "Oh! that sort." "Yes. And we're going to discover a Pole or something. Or was it a Mole? Anyhow we're going to discover it." "We are, are we?" said Rabbit. "Yes. And we've got to bring Pro--things to eat with us. In case we want to eat them. Now I'm going down to Piglet's. Tell Kanga, will you?"	Winnie The Pooh
"But Bertram saw it all and he at once plunged into the current, exclaiming,"	Anne Shirley	wild, mocking," ?Ha, ha, ha.'<\|quote\|>"But Bertram saw it all and he at once plunged into the current, exclaiming,"</\|quote\|>?I will save thee, my	over the brink with a wild, mocking," ?Ha, ha, ha.'<\|quote\|>"But Bertram saw it all and he at once plunged into the current, exclaiming,"</\|quote\|>?I will save thee, my peerless Geraldine.' "But alas, he	she vowed that she should never marry Bertram. But she pretended to be Geraldine's friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking," ?Ha, ha, ha.'<\|quote\|>"But Bertram saw it all and he at once plunged into the current, exclaiming,"</\|quote\|>?I will save thee, my peerless Geraldine.' "But alas, he had forgotten he couldn't swim, and they were both drowned, clasped in each other's arms. Their bodies were washed ashore soon afterwards. They were buried in the one grave and their funeral was most imposing, Diana. It's so much more	But then, alas, shadows began to darken over their path. Cordelia was secretly in love with Bertram herself and when Geraldine told her about the engagement she was simply furious, especially when she saw the necklace and the diamond ring. All her affection for Geraldine turned to bitter hate and she vowed that she should never marry Bertram. But she pretended to be Geraldine's friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking," ?Ha, ha, ha.'<\|quote\|>"But Bertram saw it all and he at once plunged into the current, exclaiming,"</\|quote\|>?I will save thee, my peerless Geraldine.' "But alas, he had forgotten he couldn't swim, and they were both drowned, clasped in each other's arms. Their bodies were washed ashore soon afterwards. They were buried in the one grave and their funeral was most imposing, Diana. It's so much more romantic to end a story up with a funeral than a wedding. As for Cordelia, she went insane with remorse and was shut up in a lunatic asylum. I thought that was a poetical retribution for her crime." "How perfectly lovely!" sighed Diana, who belonged to Matthew's school of critics.	romantic one, so in the end I had to imagine it out as well as I could. I made it very flowery and poetical and Bertram went on his knees, although Ruby Gillis says it isn't done nowadays. Geraldine accepted him in a speech a page long. I can tell you I took a lot of trouble with that speech. I rewrote it five times and I look upon it as my masterpiece. Bertram gave her a diamond ring and a ruby necklace and told her they would go to Europe for a wedding tour, for he was immensely wealthy. But then, alas, shadows began to darken over their path. Cordelia was secretly in love with Bertram herself and when Geraldine told her about the engagement she was simply furious, especially when she saw the necklace and the diamond ring. All her affection for Geraldine turned to bitter hate and she vowed that she should never marry Bertram. But she pretended to be Geraldine's friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking," ?Ha, ha, ha.'<\|quote\|>"But Bertram saw it all and he at once plunged into the current, exclaiming,"</\|quote\|>?I will save thee, my peerless Geraldine.' "But alas, he had forgotten he couldn't swim, and they were both drowned, clasped in each other's arms. Their bodies were washed ashore soon afterwards. They were buried in the one grave and their funeral was most imposing, Diana. It's so much more romantic to end a story up with a funeral than a wedding. As for Cordelia, she went insane with remorse and was shut up in a lunatic asylum. I thought that was a poetical retribution for her crime." "How perfectly lovely!" sighed Diana, who belonged to Matthew's school of critics. "I don't see how you can make up such thrilling things out of your own head, Anne. I wish my imagination was as good as yours." "It would be if you'd only cultivate it," said Anne cheeringly. "I've just thought of a plan, Diana. Let you and me have a story club all our own and write stories for practice. I'll help you along until you can do them by yourself. You ought to cultivate your imagination, you know. Miss Stacy says so. Only we must take the right way. I told her about the Haunted Wood, but she said	Geraldine?" asked Diana, who was beginning to feel rather interested in their fate. "They grew in beauty side by side until they were sixteen. Then Bertram DeVere came to their native village and fell in love with the fair Geraldine. He saved her life when her horse ran away with her in a carriage, and she fainted in his arms and he carried her home three miles; because, you understand, the carriage was all smashed up. I found it rather hard to imagine the proposal because I had no experience to go by. I asked Ruby Gillis if she knew anything about how men proposed because I thought she'd likely be an authority on the subject, having so many sisters married. Ruby told me she was hid in the hall pantry when Malcolm Andres proposed to her sister Susan. She said Malcolm told Susan that his dad had given him the farm in his own name and then said," ?What do you say, darling pet, if we get hitched this fall?' "And Susan said," ?Yes--no--I don't know--let me see' "--and there they were, engaged as quick as that. But I didn't think that sort of a proposal was a very romantic one, so in the end I had to imagine it out as well as I could. I made it very flowery and poetical and Bertram went on his knees, although Ruby Gillis says it isn't done nowadays. Geraldine accepted him in a speech a page long. I can tell you I took a lot of trouble with that speech. I rewrote it five times and I look upon it as my masterpiece. Bertram gave her a diamond ring and a ruby necklace and told her they would go to Europe for a wedding tour, for he was immensely wealthy. But then, alas, shadows began to darken over their path. Cordelia was secretly in love with Bertram herself and when Geraldine told her about the engagement she was simply furious, especially when she saw the necklace and the diamond ring. All her affection for Geraldine turned to bitter hate and she vowed that she should never marry Bertram. But she pretended to be Geraldine's friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking," ?Ha, ha, ha.'<\|quote\|>"But Bertram saw it all and he at once plunged into the current, exclaiming,"</\|quote\|>?I will save thee, my peerless Geraldine.' "But alas, he had forgotten he couldn't swim, and they were both drowned, clasped in each other's arms. Their bodies were washed ashore soon afterwards. They were buried in the one grave and their funeral was most imposing, Diana. It's so much more romantic to end a story up with a funeral than a wedding. As for Cordelia, she went insane with remorse and was shut up in a lunatic asylum. I thought that was a poetical retribution for her crime." "How perfectly lovely!" sighed Diana, who belonged to Matthew's school of critics. "I don't see how you can make up such thrilling things out of your own head, Anne. I wish my imagination was as good as yours." "It would be if you'd only cultivate it," said Anne cheeringly. "I've just thought of a plan, Diana. Let you and me have a story club all our own and write stories for practice. I'll help you along until you can do them by yourself. You ought to cultivate your imagination, you know. Miss Stacy says so. Only we must take the right way. I told her about the Haunted Wood, but she said we went the wrong way about it in that." This was how the story club came into existence. It was limited to Diana and Anne at first, but soon it was extended to include Jane Andrews and Ruby Gillis and one or two others who felt that their imaginations needed cultivating. No boys were allowed in it--although Ruby Gillis opined that their admission would make it more exciting--and each member had to produce one story a week. "It's extremely interesting," Anne told Marilla. "Each girl has to read her story out loud and then we talk it over. We are going to keep them all sacredly and have them to read to our descendants. We each write under a nom-de-plume. Mine is Rosamond Montmorency. All the girls do pretty well. Ruby Gillis is rather sentimental. She puts too much lovemaking into her stories and you know too much is worse than too little. Jane never puts any because she says it makes her feel so silly when she had to read it out loud. Jane's stories are extremely sensible. Then Diana puts too many murders into hers. She says most of the time she doesn't know what to do with	up, but I think that's ridiculous. I shall wait until I'm seventeen." "If I had Alice Bell's crooked nose," said Anne decidedly, "I wouldn't--but there! I won't say what I was going to because it was extremely uncharitable. Besides, I was comparing it with my own nose and that's vanity. I'm afraid I think too much about my nose ever since I heard that compliment about it long ago. It really is a great comfort to me. Oh, Diana, look, there's a rabbit. That's something to remember for our woods composition. I really think the woods are just as lovely in winter as in summer. They're so white and still, as if they were asleep and dreaming pretty dreams." "I won't mind writing that composition when its time comes," sighed Diana. "I can manage to write about the woods, but the one we're to hand in Monday is terrible. The idea of Miss Stacy telling us to write a story out of our own heads!" "Why, it's as easy as wink," said Anne. "It's easy for you because you have an imagination," retorted Diana, "but what would you do if you had been born without one? I suppose you have your composition all done?" Anne nodded, trying hard not to look virtuously complacent and failing miserably. "I wrote it last Monday evening. It's called ?The Jealous Rival; or In Death Not Divided.' I read it to Marilla and she said it was stuff and nonsense. Then I read it to Matthew and he said it was fine. That is the kind of critic I like. It's a sad, sweet story. I just cried like a child while I was writing it. It's about two beautiful maidens called Cordelia Montmorency and Geraldine Seymour who lived in the same village and were devotedly attached to each other. Cordelia was a regal brunette with a coronet of midnight hair and duskly flashing eyes. Geraldine was a queenly blonde with hair like spun gold and velvety purple eyes." "I never saw anybody with purple eyes," said Diana dubiously. "Neither did I. I just imagined them. I wanted something out of the common. Geraldine had an alabaster brow too. I've found out what an alabaster brow is. That is one of the advantages of being thirteen. You know so much more than you did when you were only twelve." "Well, what became of Cordelia and Geraldine?" asked Diana, who was beginning to feel rather interested in their fate. "They grew in beauty side by side until they were sixteen. Then Bertram DeVere came to their native village and fell in love with the fair Geraldine. He saved her life when her horse ran away with her in a carriage, and she fainted in his arms and he carried her home three miles; because, you understand, the carriage was all smashed up. I found it rather hard to imagine the proposal because I had no experience to go by. I asked Ruby Gillis if she knew anything about how men proposed because I thought she'd likely be an authority on the subject, having so many sisters married. Ruby told me she was hid in the hall pantry when Malcolm Andres proposed to her sister Susan. She said Malcolm told Susan that his dad had given him the farm in his own name and then said," ?What do you say, darling pet, if we get hitched this fall?' "And Susan said," ?Yes--no--I don't know--let me see' "--and there they were, engaged as quick as that. But I didn't think that sort of a proposal was a very romantic one, so in the end I had to imagine it out as well as I could. I made it very flowery and poetical and Bertram went on his knees, although Ruby Gillis says it isn't done nowadays. Geraldine accepted him in a speech a page long. I can tell you I took a lot of trouble with that speech. I rewrote it five times and I look upon it as my masterpiece. Bertram gave her a diamond ring and a ruby necklace and told her they would go to Europe for a wedding tour, for he was immensely wealthy. But then, alas, shadows began to darken over their path. Cordelia was secretly in love with Bertram herself and when Geraldine told her about the engagement she was simply furious, especially when she saw the necklace and the diamond ring. All her affection for Geraldine turned to bitter hate and she vowed that she should never marry Bertram. But she pretended to be Geraldine's friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking," ?Ha, ha, ha.'<\|quote\|>"But Bertram saw it all and he at once plunged into the current, exclaiming,"</\|quote\|>?I will save thee, my peerless Geraldine.' "But alas, he had forgotten he couldn't swim, and they were both drowned, clasped in each other's arms. Their bodies were washed ashore soon afterwards. They were buried in the one grave and their funeral was most imposing, Diana. It's so much more romantic to end a story up with a funeral than a wedding. As for Cordelia, she went insane with remorse and was shut up in a lunatic asylum. I thought that was a poetical retribution for her crime." "How perfectly lovely!" sighed Diana, who belonged to Matthew's school of critics. "I don't see how you can make up such thrilling things out of your own head, Anne. I wish my imagination was as good as yours." "It would be if you'd only cultivate it," said Anne cheeringly. "I've just thought of a plan, Diana. Let you and me have a story club all our own and write stories for practice. I'll help you along until you can do them by yourself. You ought to cultivate your imagination, you know. Miss Stacy says so. Only we must take the right way. I told her about the Haunted Wood, but she said we went the wrong way about it in that." This was how the story club came into existence. It was limited to Diana and Anne at first, but soon it was extended to include Jane Andrews and Ruby Gillis and one or two others who felt that their imaginations needed cultivating. No boys were allowed in it--although Ruby Gillis opined that their admission would make it more exciting--and each member had to produce one story a week. "It's extremely interesting," Anne told Marilla. "Each girl has to read her story out loud and then we talk it over. We are going to keep them all sacredly and have them to read to our descendants. We each write under a nom-de-plume. Mine is Rosamond Montmorency. All the girls do pretty well. Ruby Gillis is rather sentimental. She puts too much lovemaking into her stories and you know too much is worse than too little. Jane never puts any because she says it makes her feel so silly when she had to read it out loud. Jane's stories are extremely sensible. Then Diana puts too many murders into hers. She says most of the time she doesn't know what to do with the people so she kills them off to get rid of them. I mostly always have to tell them what to write about, but that isn't hard for I've millions of ideas." "I think this story-writing business is the foolishest yet," scoffed Marilla. "You'll get a pack of nonsense into your heads and waste time that should be put on your lessons. Reading stories is bad enough but writing them is worse." "But we're so careful to put a moral into them all, Marilla," explained Anne. "I insist upon that. All the good people are rewarded and all the bad ones are suitably punished. I'm sure that must have a wholesome effect. The moral is the great thing. Mr. Allan says so. I read one of my stories to him and Mrs. Allan and they both agreed that the moral was excellent. Only they laughed in the wrong places. I like it better when people cry. Jane and Ruby almost always cry when I come to the pathetic parts. Diana wrote her Aunt Josephine about our club and her Aunt Josephine wrote back that we were to send her some of our stories. So we copied out four of our very best and sent them. Miss Josephine Barry wrote back that she had never read anything so amusing in her life. That kind of puzzled us because the stories were all very pathetic and almost everybody died. But I'm glad Miss Barry liked them. It shows our club is doing some good in the world. Mrs. Allan says that ought to be our object in everything. I do really try to make it my object but I forget so often when I'm having fun. I hope I shall be a little like Mrs. Allan when I grow up. Do you think there is any prospect of it, Marilla?" "I shouldn't say there was a great deal" was Marilla's encouraging answer. "I'm sure Mrs. Allan was never such a silly, forgetful little girl as you are." "No; but she wasn't always so good as she is now either," said Anne seriously. "She told me so herself--that is, she said she was a dreadful mischief when she was a girl and was always getting into scrapes. I felt so encouraged when I heard that. Is it very wicked of me, Marilla, to feel encouraged when I hear that other people have been	I wanted something out of the common. Geraldine had an alabaster brow too. I've found out what an alabaster brow is. That is one of the advantages of being thirteen. You know so much more than you did when you were only twelve." "Well, what became of Cordelia and Geraldine?" asked Diana, who was beginning to feel rather interested in their fate. "They grew in beauty side by side until they were sixteen. Then Bertram DeVere came to their native village and fell in love with the fair Geraldine. He saved her life when her horse ran away with her in a carriage, and she fainted in his arms and he carried her home three miles; because, you understand, the carriage was all smashed up. I found it rather hard to imagine the proposal because I had no experience to go by. I asked Ruby Gillis if she knew anything about how men proposed because I thought she'd likely be an authority on the subject, having so many sisters married. Ruby told me she was hid in the hall pantry when Malcolm Andres proposed to her sister Susan. She said Malcolm told Susan that his dad had given him the farm in his own name and then said," ?What do you say, darling pet, if we get hitched this fall?' "And Susan said," ?Yes--no--I don't know--let me see' "--and there they were, engaged as quick as that. But I didn't think that sort of a proposal was a very romantic one, so in the end I had to imagine it out as well as I could. I made it very flowery and poetical and Bertram went on his knees, although Ruby Gillis says it isn't done nowadays. Geraldine accepted him in a speech a page long. I can tell you I took a lot of trouble with that speech. I rewrote it five times and I look upon it as my masterpiece. Bertram gave her a diamond ring and a ruby necklace and told her they would go to Europe for a wedding tour, for he was immensely wealthy. But then, alas, shadows began to darken over their path. Cordelia was secretly in love with Bertram herself and when Geraldine told her about the engagement she was simply furious, especially when she saw the necklace and the diamond ring. All her affection for Geraldine turned to bitter hate and she vowed that she should never marry Bertram. But she pretended to be Geraldine's friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking," ?Ha, ha, ha.'<\|quote\|>"But Bertram saw it all and he at once plunged into the current, exclaiming,"</\|quote\|>?I will save thee, my peerless Geraldine.' "But alas, he had forgotten he couldn't swim, and they were both drowned, clasped in each other's arms. Their bodies were washed ashore soon afterwards. They were buried in the one grave and their funeral was most imposing, Diana. It's so much more romantic to end a story up with a funeral than a wedding. As for Cordelia, she went insane with remorse and was shut up in a lunatic asylum. I thought that was a poetical retribution for her crime." "How perfectly lovely!" sighed Diana, who belonged to Matthew's school of critics. "I don't see how you can make up such thrilling things out of your own head, Anne. I wish my imagination was as good as yours." "It would be if you'd only cultivate it," said Anne cheeringly. "I've just thought of a plan, Diana. Let you and me have a story club all our own and write stories for practice. I'll help you along until you can do them by yourself. You ought to cultivate your imagination, you know. Miss Stacy says so. Only we must take the right way. I told her about the Haunted Wood, but she said we went the wrong way about it in that." This was how the story club came into existence. It was limited to Diana and Anne at first, but soon it was extended to include Jane Andrews and Ruby Gillis and one or two others who felt that their imaginations needed cultivating. No boys were allowed in it--although Ruby Gillis opined that their admission would make it more exciting--and each member had to produce one story a week. "It's extremely interesting," Anne told Marilla. "Each girl has to read her story out loud and then we talk it over. We are going to keep them all sacredly and have them to read to our descendants. We each write under a nom-de-plume. Mine is Rosamond Montmorency. All the girls do pretty well. Ruby Gillis is rather sentimental. She puts too much lovemaking into her stories and you know too much is worse than too little. Jane never puts any because she says it makes her feel so silly when she had to read it out loud. Jane's stories are extremely sensible. Then Diana puts too many murders into hers. She says most of the time she doesn't know what to do with the people so she kills them off to get rid of them. I mostly always have to tell them what to write about, but that isn't hard for I've millions of ideas." "I think this story-writing business is the foolishest yet," scoffed Marilla. "You'll get a pack of nonsense into your heads and waste time that should be put on your lessons. Reading stories is bad enough but writing them is worse." "But we're so careful to put a moral into them all, Marilla," explained Anne. "I insist upon that. All the good people are rewarded and all the bad ones are suitably punished. I'm sure that must have a wholesome effect. The moral is the great thing. Mr. Allan says so. I read one of my stories to him and Mrs. Allan and they both agreed that the moral was excellent. Only they laughed in the wrong places. I like it better when people cry. Jane and Ruby almost always cry when I come to the pathetic parts. Diana wrote her Aunt Josephine about our club and her Aunt Josephine wrote back	Anne Of Green Gables
"If you try to look at it, Basil, on my word of honour I will never speak to you again as long as I live. I am quite serious. I don t offer any explanation, and you are not to ask for any. But, remember, if you touch this screen, everything is over between us."	Dorian Gray	at it?" exclaimed Hallward, laughing.<\|quote\|>"If you try to look at it, Basil, on my word of honour I will never speak to you again as long as I live. I am quite serious. I don t offer any explanation, and you are not to ask for any. But, remember, if you touch this screen, everything is over between us."</\|quote\|>Hallward was thunderstruck. He looked	Why shouldn t I look at it?" exclaimed Hallward, laughing.<\|quote\|>"If you try to look at it, Basil, on my word of honour I will never speak to you again as long as I live. I am quite serious. I don t offer any explanation, and you are not to ask for any. But, remember, if you touch this screen, everything is over between us."</\|quote\|>Hallward was thunderstruck. He looked at Dorian Gray in absolute	Gray s lips, and he rushed between the painter and the screen. "Basil," he said, looking very pale, "you must not look at it. I don t wish you to." "Not look at my own work! You are not serious. Why shouldn t I look at it?" exclaimed Hallward, laughing.<\|quote\|>"If you try to look at it, Basil, on my word of honour I will never speak to you again as long as I live. I am quite serious. I don t offer any explanation, and you are not to ask for any. But, remember, if you touch this screen, everything is over between us."</\|quote\|>Hallward was thunderstruck. He looked at Dorian Gray in absolute amazement. He had never seen him like this before. The lad was actually pallid with rage. His hands were clenched, and the pupils of his eyes were like disks of blue fire. He was trembling all over. "Dorian!" "Don t	that is all. No; I did it myself. The light was too strong on the portrait." "Too strong! Surely not, my dear fellow? It is an admirable place for it. Let me see it." And Hallward walked towards the corner of the room. A cry of terror broke from Dorian Gray s lips, and he rushed between the painter and the screen. "Basil," he said, looking very pale, "you must not look at it. I don t wish you to." "Not look at my own work! You are not serious. Why shouldn t I look at it?" exclaimed Hallward, laughing.<\|quote\|>"If you try to look at it, Basil, on my word of honour I will never speak to you again as long as I live. I am quite serious. I don t offer any explanation, and you are not to ask for any. But, remember, if you touch this screen, everything is over between us."</\|quote\|>Hallward was thunderstruck. He looked at Dorian Gray in absolute amazement. He had never seen him like this before. The lad was actually pallid with rage. His hands were clenched, and the pupils of his eyes were like disks of blue fire. He was trembling all over. "Dorian!" "Don t speak!" "But what is the matter? Of course I won t look at it if you don t want me to," he said, rather coldly, turning on his heel and going over towards the window. "But, really, it seems rather absurd that I shouldn t see my own work, especially	nonsense!" he cried. "Do you mean to say you don t like what I did of you? Where is it? Why have you pulled the screen in front of it? Let me look at it. It is the best thing I have ever done. Do take the screen away, Dorian. It is simply disgraceful of your servant hiding my work like that. I felt the room looked different as I came in." "My servant has nothing to do with it, Basil. You don t imagine I let him arrange my room for me? He settles my flowers for me sometimes that is all. No; I did it myself. The light was too strong on the portrait." "Too strong! Surely not, my dear fellow? It is an admirable place for it. Let me see it." And Hallward walked towards the corner of the room. A cry of terror broke from Dorian Gray s lips, and he rushed between the painter and the screen. "Basil," he said, looking very pale, "you must not look at it. I don t wish you to." "Not look at my own work! You are not serious. Why shouldn t I look at it?" exclaimed Hallward, laughing.<\|quote\|>"If you try to look at it, Basil, on my word of honour I will never speak to you again as long as I live. I am quite serious. I don t offer any explanation, and you are not to ask for any. But, remember, if you touch this screen, everything is over between us."</\|quote\|>Hallward was thunderstruck. He looked at Dorian Gray in absolute amazement. He had never seen him like this before. The lad was actually pallid with rage. His hands were clenched, and the pupils of his eyes were like disks of blue fire. He was trembling all over. "Dorian!" "Don t speak!" "But what is the matter? Of course I won t look at it if you don t want me to," he said, rather coldly, turning on his heel and going over towards the window. "But, really, it seems rather absurd that I shouldn t see my own work, especially as I am going to exhibit it in Paris in the autumn. I shall probably have to give it another coat of varnish before that, so I must see it some day, and why not to-day?" "To exhibit it! You want to exhibit it?" exclaimed Dorian Gray, a strange sense of terror creeping over him. Was the world going to be shown his secret? Were people to gape at the mystery of his life? That was impossible. Something he did not know what had to be done at once. "Yes; I don t suppose you will object to that. Georges	to-day. I only trust your name won t be mentioned in connection with it. The inquest is to take place this afternoon. Have they summoned you?" Dorian shook his head, and a look of annoyance passed over his face at the mention of the word "inquest." There was something so crude and vulgar about everything of the kind. "They don t know my name," he answered. "But surely she did?" "Only my Christian name, and that I am quite sure she never mentioned to any one. She told me once that they were all rather curious to learn who I was, and that she invariably told them my name was Prince Charming. It was pretty of her. You must do me a drawing of Sibyl, Basil. I should like to have something more of her than the memory of a few kisses and some broken pathetic words." "I will try and do something, Dorian, if it would please you. But you must come and sit to me yourself again. I can t get on without you." "I can never sit to you again, Basil. It is impossible!" he exclaimed, starting back. The painter stared at him. "My dear boy, what nonsense!" he cried. "Do you mean to say you don t like what I did of you? Where is it? Why have you pulled the screen in front of it? Let me look at it. It is the best thing I have ever done. Do take the screen away, Dorian. It is simply disgraceful of your servant hiding my work like that. I felt the room looked different as I came in." "My servant has nothing to do with it, Basil. You don t imagine I let him arrange my room for me? He settles my flowers for me sometimes that is all. No; I did it myself. The light was too strong on the portrait." "Too strong! Surely not, my dear fellow? It is an admirable place for it. Let me see it." And Hallward walked towards the corner of the room. A cry of terror broke from Dorian Gray s lips, and he rushed between the painter and the screen. "Basil," he said, looking very pale, "you must not look at it. I don t wish you to." "Not look at my own work! You are not serious. Why shouldn t I look at it?" exclaimed Hallward, laughing.<\|quote\|>"If you try to look at it, Basil, on my word of honour I will never speak to you again as long as I live. I am quite serious. I don t offer any explanation, and you are not to ask for any. But, remember, if you touch this screen, everything is over between us."</\|quote\|>Hallward was thunderstruck. He looked at Dorian Gray in absolute amazement. He had never seen him like this before. The lad was actually pallid with rage. His hands were clenched, and the pupils of his eyes were like disks of blue fire. He was trembling all over. "Dorian!" "Don t speak!" "But what is the matter? Of course I won t look at it if you don t want me to," he said, rather coldly, turning on his heel and going over towards the window. "But, really, it seems rather absurd that I shouldn t see my own work, especially as I am going to exhibit it in Paris in the autumn. I shall probably have to give it another coat of varnish before that, so I must see it some day, and why not to-day?" "To exhibit it! You want to exhibit it?" exclaimed Dorian Gray, a strange sense of terror creeping over him. Was the world going to be shown his secret? Were people to gape at the mystery of his life? That was impossible. Something he did not know what had to be done at once. "Yes; I don t suppose you will object to that. Georges Petit is going to collect all my best pictures for a special exhibition in the Rue de S ze, which will open the first week in October. The portrait will only be away a month. I should think you could easily spare it for that time. In fact, you are sure to be out of town. And if you keep it always behind a screen, you can t care much about it." Dorian Gray passed his hand over his forehead. There were beads of perspiration there. He felt that he was on the brink of a horrible danger. "You told me a month ago that you would never exhibit it," he cried. "Why have you changed your mind? You people who go in for being consistent have just as many moods as others have. The only difference is that your moods are rather meaningless. You can t have forgotten that you assured me most solemnly that nothing in the world would induce you to send it to any exhibition. You told Harry exactly the same thing." He stopped suddenly, and a gleam of light came into his eyes. He remembered that Lord Henry had said to him once, half seriously	and nothing could exceed his disappointment. He had absolutely nothing to do, almost died of _ennui_, and became a confirmed misanthrope. And besides, my dear old Basil, if you really want to console me, teach me rather to forget what has happened, or to see it from a proper artistic point of view. Was it not Gautier who used to write about _la consolation des arts_? I remember picking up a little vellum-covered book in your studio one day and chancing on that delightful phrase. Well, I am not like that young man you told me of when we were down at Marlow together, the young man who used to say that yellow satin could console one for all the miseries of life. I love beautiful things that one can touch and handle. Old brocades, green bronzes, lacquer-work, carved ivories, exquisite surroundings, luxury, pomp there is much to be got from all these. But the artistic temperament that they create, or at any rate reveal, is still more to me. To become the spectator of one s own life, as Harry says, is to escape the suffering of life. I know you are surprised at my talking to you like this. You have not realized how I have developed. I was a schoolboy when you knew me. I am a man now. I have new passions, new thoughts, new ideas. I am different, but you must not like me less. I am changed, but you must always be my friend. Of course, I am very fond of Harry. But I know that you are better than he is. You are not stronger you are too much afraid of life but you are better. And how happy we used to be together! Don t leave me, Basil, and don t quarrel with me. I am what I am. There is nothing more to be said." The painter felt strangely moved. The lad was infinitely dear to him, and his personality had been the great turning point in his art. He could not bear the idea of reproaching him any more. After all, his indifference was probably merely a mood that would pass away. There was so much in him that was good, so much in him that was noble. "Well, Dorian," he said at length, with a sad smile, "I won t speak to you again about this horrible thing, after to-day. I only trust your name won t be mentioned in connection with it. The inquest is to take place this afternoon. Have they summoned you?" Dorian shook his head, and a look of annoyance passed over his face at the mention of the word "inquest." There was something so crude and vulgar about everything of the kind. "They don t know my name," he answered. "But surely she did?" "Only my Christian name, and that I am quite sure she never mentioned to any one. She told me once that they were all rather curious to learn who I was, and that she invariably told them my name was Prince Charming. It was pretty of her. You must do me a drawing of Sibyl, Basil. I should like to have something more of her than the memory of a few kisses and some broken pathetic words." "I will try and do something, Dorian, if it would please you. But you must come and sit to me yourself again. I can t get on without you." "I can never sit to you again, Basil. It is impossible!" he exclaimed, starting back. The painter stared at him. "My dear boy, what nonsense!" he cried. "Do you mean to say you don t like what I did of you? Where is it? Why have you pulled the screen in front of it? Let me look at it. It is the best thing I have ever done. Do take the screen away, Dorian. It is simply disgraceful of your servant hiding my work like that. I felt the room looked different as I came in." "My servant has nothing to do with it, Basil. You don t imagine I let him arrange my room for me? He settles my flowers for me sometimes that is all. No; I did it myself. The light was too strong on the portrait." "Too strong! Surely not, my dear fellow? It is an admirable place for it. Let me see it." And Hallward walked towards the corner of the room. A cry of terror broke from Dorian Gray s lips, and he rushed between the painter and the screen. "Basil," he said, looking very pale, "you must not look at it. I don t wish you to." "Not look at my own work! You are not serious. Why shouldn t I look at it?" exclaimed Hallward, laughing.<\|quote\|>"If you try to look at it, Basil, on my word of honour I will never speak to you again as long as I live. I am quite serious. I don t offer any explanation, and you are not to ask for any. But, remember, if you touch this screen, everything is over between us."</\|quote\|>Hallward was thunderstruck. He looked at Dorian Gray in absolute amazement. He had never seen him like this before. The lad was actually pallid with rage. His hands were clenched, and the pupils of his eyes were like disks of blue fire. He was trembling all over. "Dorian!" "Don t speak!" "But what is the matter? Of course I won t look at it if you don t want me to," he said, rather coldly, turning on his heel and going over towards the window. "But, really, it seems rather absurd that I shouldn t see my own work, especially as I am going to exhibit it in Paris in the autumn. I shall probably have to give it another coat of varnish before that, so I must see it some day, and why not to-day?" "To exhibit it! You want to exhibit it?" exclaimed Dorian Gray, a strange sense of terror creeping over him. Was the world going to be shown his secret? Were people to gape at the mystery of his life? That was impossible. Something he did not know what had to be done at once. "Yes; I don t suppose you will object to that. Georges Petit is going to collect all my best pictures for a special exhibition in the Rue de S ze, which will open the first week in October. The portrait will only be away a month. I should think you could easily spare it for that time. In fact, you are sure to be out of town. And if you keep it always behind a screen, you can t care much about it." Dorian Gray passed his hand over his forehead. There were beads of perspiration there. He felt that he was on the brink of a horrible danger. "You told me a month ago that you would never exhibit it," he cried. "Why have you changed your mind? You people who go in for being consistent have just as many moods as others have. The only difference is that your moods are rather meaningless. You can t have forgotten that you assured me most solemnly that nothing in the world would induce you to send it to any exhibition. You told Harry exactly the same thing." He stopped suddenly, and a gleam of light came into his eyes. He remembered that Lord Henry had said to him once, half seriously and half in jest, "If you want to have a strange quarter of an hour, get Basil to tell you why he won t exhibit your picture. He told me why he wouldn t, and it was a revelation to me." Yes, perhaps Basil, too, had his secret. He would ask him and try. "Basil," he said, coming over quite close and looking him straight in the face, "we have each of us a secret. Let me know yours, and I shall tell you mine. What was your reason for refusing to exhibit my picture?" The painter shuddered in spite of himself. "Dorian, if I told you, you might like me less than you do, and you would certainly laugh at me. I could not bear your doing either of those two things. If you wish me never to look at your picture again, I am content. I have always you to look at. If you wish the best work I have ever done to be hidden from the world, I am satisfied. Your friendship is dearer to me than any fame or reputation." "No, Basil, you must tell me," insisted Dorian Gray. "I think I have a right to know." His feeling of terror had passed away, and curiosity had taken its place. He was determined to find out Basil Hallward s mystery. "Let us sit down, Dorian," said the painter, looking troubled. "Let us sit down. And just answer me one question. Have you noticed in the picture something curious? something that probably at first did not strike you, but that revealed itself to you suddenly?" "Basil!" cried the lad, clutching the arms of his chair with trembling hands and gazing at him with wild startled eyes. "I see you did. Don t speak. Wait till you hear what I have to say. Dorian, from the moment I met you, your personality had the most extraordinary influence over me. I was dominated, soul, brain, and power, by you. You became to me the visible incarnation of that unseen ideal whose memory haunts us artists like an exquisite dream. I worshipped you. I grew jealous of every one to whom you spoke. I wanted to have you all to myself. I was only happy when I was with you. When you were away from me, you were still present in my art.... Of course, I never let you know	probably merely a mood that would pass away. There was so much in him that was good, so much in him that was noble. "Well, Dorian," he said at length, with a sad smile, "I won t speak to you again about this horrible thing, after to-day. I only trust your name won t be mentioned in connection with it. The inquest is to take place this afternoon. Have they summoned you?" Dorian shook his head, and a look of annoyance passed over his face at the mention of the word "inquest." There was something so crude and vulgar about everything of the kind. "They don t know my name," he answered. "But surely she did?" "Only my Christian name, and that I am quite sure she never mentioned to any one. She told me once that they were all rather curious to learn who I was, and that she invariably told them my name was Prince Charming. It was pretty of her. You must do me a drawing of Sibyl, Basil. I should like to have something more of her than the memory of a few kisses and some broken pathetic words." "I will try and do something, Dorian, if it would please you. But you must come and sit to me yourself again. I can t get on without you." "I can never sit to you again, Basil. It is impossible!" he exclaimed, starting back. The painter stared at him. "My dear boy, what nonsense!" he cried. "Do you mean to say you don t like what I did of you? Where is it? Why have you pulled the screen in front of it? Let me look at it. It is the best thing I have ever done. Do take the screen away, Dorian. It is simply disgraceful of your servant hiding my work like that. I felt the room looked different as I came in." "My servant has nothing to do with it, Basil. You don t imagine I let him arrange my room for me? He settles my flowers for me sometimes that is all. No; I did it myself. The light was too strong on the portrait." "Too strong! Surely not, my dear fellow? It is an admirable place for it. Let me see it." And Hallward walked towards the corner of the room. A cry of terror broke from Dorian Gray s lips, and he rushed between the painter and the screen. "Basil," he said, looking very pale, "you must not look at it. I don t wish you to." "Not look at my own work! You are not serious. Why shouldn t I look at it?" exclaimed Hallward, laughing.<\|quote\|>"If you try to look at it, Basil, on my word of honour I will never speak to you again as long as I live. I am quite serious. I don t offer any explanation, and you are not to ask for any. But, remember, if you touch this screen, everything is over between us."</\|quote\|>Hallward was thunderstruck. He looked at Dorian Gray in absolute amazement. He had never seen him like this before. The lad was actually pallid with rage. His hands were clenched, and the pupils of his eyes were like disks of blue fire. He was trembling all over. "Dorian!" "Don t speak!" "But what is the matter? Of course I won t look at it if you don t want me to," he said, rather coldly, turning on his heel and going over towards the window. "But, really, it seems rather absurd that I shouldn t see my own work, especially as I am going to exhibit it in Paris in the autumn. I shall probably have to give it another coat of varnish before that, so I must see it some day, and why not to-day?" "To exhibit it! You want to exhibit it?" exclaimed Dorian Gray, a strange sense of terror creeping over him. Was the world going to be shown his secret? Were people to gape at the mystery of his life? That was impossible. Something he did not know what had to be done at once. "Yes; I don t suppose you will object to that. Georges Petit is going to collect all my best pictures for a special exhibition in the Rue de S ze, which will open the first week in October. The portrait will only be away a month. I should think you could easily spare it for that time. In fact, you are sure to be out of town. And if you keep it always behind a screen, you can t care much about it." Dorian Gray passed his hand over his forehead. There were beads of perspiration there. He felt that he was on the brink of a horrible danger. "You told me a month ago that you would never exhibit it," he cried. "Why have you changed your mind? You people who go in for being consistent have just as many moods as others have. The only difference is that	The Picture Of Dorian Gray
he replied, and accepted it. As well this ending to his day as any. But Lucy, a mortal maid, was disappointed in him. There was an explosion up the road. The storm had struck the overhead wire of the tramline, and one of the great supports had fallen. If they had not stopped perhaps they might have been hurt. They chose to regard it as a miraculous preservation, and the floods of love and sincerity, which fructify every hour of life, burst forth in tumult. They descended from the carriages; they embraced each other. It was as joyful to be forgiven past unworthinesses as to forgive them. For a moment they realized vast possibilities of good. The older people recovered quickly. In the very height of their emotion they knew it to be unmanly or unladylike. Miss Lavish calculated that, even if they had continued, they would not have been caught in the accident. Mr. Eager mumbled a temperate prayer. But the drivers, through miles of dark squalid road, poured out their souls to the dryads and the saints, and Lucy poured out hers to her cousin.	No speaker	him a franc. "Va bene,"<\|quote\|>he replied, and accepted it. As well this ending to his day as any. But Lucy, a mortal maid, was disappointed in him. There was an explosion up the road. The storm had struck the overhead wire of the tramline, and one of the great supports had fallen. If they had not stopped perhaps they might have been hurt. They chose to regard it as a miraculous preservation, and the floods of love and sincerity, which fructify every hour of life, burst forth in tumult. They descended from the carriages; they embraced each other. It was as joyful to be forgiven past unworthinesses as to forgive them. For a moment they realized vast possibilities of good. The older people recovered quickly. In the very height of their emotion they knew it to be unmanly or unladylike. Miss Lavish calculated that, even if they had continued, they would not have been caught in the accident. Mr. Eager mumbled a temperate prayer. But the drivers, through miles of dark squalid road, poured out their souls to the dryads and the saints, and Lucy poured out hers to her cousin.</\|quote\|>"Charlotte, dear Charlotte, kiss me.	she said, "Silenzio!" and offered him a franc. "Va bene,"<\|quote\|>he replied, and accepted it. As well this ending to his day as any. But Lucy, a mortal maid, was disappointed in him. There was an explosion up the road. The storm had struck the overhead wire of the tramline, and one of the great supports had fallen. If they had not stopped perhaps they might have been hurt. They chose to regard it as a miraculous preservation, and the floods of love and sincerity, which fructify every hour of life, burst forth in tumult. They descended from the carriages; they embraced each other. It was as joyful to be forgiven past unworthinesses as to forgive them. For a moment they realized vast possibilities of good. The older people recovered quickly. In the very height of their emotion they knew it to be unmanly or unladylike. Miss Lavish calculated that, even if they had continued, they would not have been caught in the accident. Mr. Eager mumbled a temperate prayer. But the drivers, through miles of dark squalid road, poured out their souls to the dryads and the saints, and Lucy poured out hers to her cousin.</\|quote\|>"Charlotte, dear Charlotte, kiss me. Kiss me again. Only you	nothing. But--" she pointed at the driver-" "HE knows everything. Dearest, had we better? Shall I?" She took out her purse. "It is dreadful to be entangled with low-class people. He saw it all." Tapping Phaethon's back with her guide-book, she said, "Silenzio!" and offered him a franc. "Va bene,"<\|quote\|>he replied, and accepted it. As well this ending to his day as any. But Lucy, a mortal maid, was disappointed in him. There was an explosion up the road. The storm had struck the overhead wire of the tramline, and one of the great supports had fallen. If they had not stopped perhaps they might have been hurt. They chose to regard it as a miraculous preservation, and the floods of love and sincerity, which fructify every hour of life, burst forth in tumult. They descended from the carriages; they embraced each other. It was as joyful to be forgiven past unworthinesses as to forgive them. For a moment they realized vast possibilities of good. The older people recovered quickly. In the very height of their emotion they knew it to be unmanly or unladylike. Miss Lavish calculated that, even if they had continued, they would not have been caught in the accident. Mr. Eager mumbled a temperate prayer. But the drivers, through miles of dark squalid road, poured out their souls to the dryads and the saints, and Lucy poured out hers to her cousin.</\|quote\|>"Charlotte, dear Charlotte, kiss me. Kiss me again. Only you can understand me. You warned me to be careful. And I--I thought I was developing." "Do not cry, dearest. Take your time." "I have been obstinate and silly--worse than you know, far worse. Once by the river--Oh, but he isn't	man. "He may be killed!" "Typical behaviour," said the chaplain, as he quitted the carriage. "In the presence of reality that kind of person invariably breaks down." "What does he know?" whispered Lucy as soon as they were alone. "Charlotte, how much does Mr. Eager know?" "Nothing, dearest; he knows nothing. But--" she pointed at the driver-" "HE knows everything. Dearest, had we better? Shall I?" She took out her purse. "It is dreadful to be entangled with low-class people. He saw it all." Tapping Phaethon's back with her guide-book, she said, "Silenzio!" and offered him a franc. "Va bene,"<\|quote\|>he replied, and accepted it. As well this ending to his day as any. But Lucy, a mortal maid, was disappointed in him. There was an explosion up the road. The storm had struck the overhead wire of the tramline, and one of the great supports had fallen. If they had not stopped perhaps they might have been hurt. They chose to regard it as a miraculous preservation, and the floods of love and sincerity, which fructify every hour of life, burst forth in tumult. They descended from the carriages; they embraced each other. It was as joyful to be forgiven past unworthinesses as to forgive them. For a moment they realized vast possibilities of good. The older people recovered quickly. In the very height of their emotion they knew it to be unmanly or unladylike. Miss Lavish calculated that, even if they had continued, they would not have been caught in the accident. Mr. Eager mumbled a temperate prayer. But the drivers, through miles of dark squalid road, poured out their souls to the dryads and the saints, and Lucy poured out hers to her cousin.</\|quote\|>"Charlotte, dear Charlotte, kiss me. Kiss me again. Only you can understand me. You warned me to be careful. And I--I thought I was developing." "Do not cry, dearest. Take your time." "I have been obstinate and silly--worse than you know, far worse. Once by the river--Oh, but he isn't killed--he wouldn't be killed, would he?" The thought disturbed her repentance. As a matter of fact, the storm was worst along the road; but she had been near danger, and so she thought it must be near to everyone. "I trust not. One would always pray against that." "He is	Bartlett, by this timely exercise of her muscles, gained more than she would have got in hours of preaching or cross examination. She renewed it when the two carriages stopped, half into Florence. "Mr. Eager!" called Mr. Beebe. "We want your assistance. Will you interpret for us?" "George!" cried Mr. Emerson. "Ask your driver which way George went. The boy may lose his way. He may be killed." "Go, Mr. Eager," said Miss Bartlett, "don't ask our driver; our driver is no help. Go and support poor Mr. Beebe--, he is nearly demented." "He may be killed!" cried the old man. "He may be killed!" "Typical behaviour," said the chaplain, as he quitted the carriage. "In the presence of reality that kind of person invariably breaks down." "What does he know?" whispered Lucy as soon as they were alone. "Charlotte, how much does Mr. Eager know?" "Nothing, dearest; he knows nothing. But--" she pointed at the driver-" "HE knows everything. Dearest, had we better? Shall I?" She took out her purse. "It is dreadful to be entangled with low-class people. He saw it all." Tapping Phaethon's back with her guide-book, she said, "Silenzio!" and offered him a franc. "Va bene,"<\|quote\|>he replied, and accepted it. As well this ending to his day as any. But Lucy, a mortal maid, was disappointed in him. There was an explosion up the road. The storm had struck the overhead wire of the tramline, and one of the great supports had fallen. If they had not stopped perhaps they might have been hurt. They chose to regard it as a miraculous preservation, and the floods of love and sincerity, which fructify every hour of life, burst forth in tumult. They descended from the carriages; they embraced each other. It was as joyful to be forgiven past unworthinesses as to forgive them. For a moment they realized vast possibilities of good. The older people recovered quickly. In the very height of their emotion they knew it to be unmanly or unladylike. Miss Lavish calculated that, even if they had continued, they would not have been caught in the accident. Mr. Eager mumbled a temperate prayer. But the drivers, through miles of dark squalid road, poured out their souls to the dryads and the saints, and Lucy poured out hers to her cousin.</\|quote\|>"Charlotte, dear Charlotte, kiss me. Kiss me again. Only you can understand me. You warned me to be careful. And I--I thought I was developing." "Do not cry, dearest. Take your time." "I have been obstinate and silly--worse than you know, far worse. Once by the river--Oh, but he isn't killed--he wouldn't be killed, would he?" The thought disturbed her repentance. As a matter of fact, the storm was worst along the road; but she had been near danger, and so she thought it must be near to everyone. "I trust not. One would always pray against that." "He is really--I think he was taken by surprise, just as I was before. But this time I'm not to blame; I want you to believe that. I simply slipped into those violets. No, I want to be really truthful. I am a little to blame. I had silly thoughts. The sky, you know, was gold, and the ground all blue, and for a moment he looked like someone in a book." "In a book?" "Heroes--gods--the nonsense of schoolgirls." "And then?" "But, Charlotte, you know what happened then." Miss Bartlett was silent. Indeed, she had little more to learn. With a certain	beside her; Mr. Eager sat opposite, trying to catch her eye; he was vaguely suspicious. They spoke of Alessio Baldovinetti. Rain and darkness came on together. The two ladies huddled together under an inadequate parasol. There was a lightning flash, and Miss Lavish who was nervous, screamed from the carriage in front. At the next flash, Lucy screamed also. Mr. Eager addressed her professionally: "Courage, Miss Honeychurch, courage and faith. If I might say so, there is something almost blasphemous in this horror of the elements. Are we seriously to suppose that all these clouds, all this immense electrical display, is simply called into existence to extinguish you or me?" "No--of course--" "Even from the scientific standpoint the chances against our being struck are enormous. The steel knives, the only articles which might attract the current, are in the other carriage. And, in any case, we are infinitely safer than if we were walking. Courage--courage and faith." Under the rug, Lucy felt the kindly pressure of her cousin's hand. At times our need for a sympathetic gesture is so great that we care not what exactly it signifies or how much we may have to pay for it afterwards. Miss Bartlett, by this timely exercise of her muscles, gained more than she would have got in hours of preaching or cross examination. She renewed it when the two carriages stopped, half into Florence. "Mr. Eager!" called Mr. Beebe. "We want your assistance. Will you interpret for us?" "George!" cried Mr. Emerson. "Ask your driver which way George went. The boy may lose his way. He may be killed." "Go, Mr. Eager," said Miss Bartlett, "don't ask our driver; our driver is no help. Go and support poor Mr. Beebe--, he is nearly demented." "He may be killed!" cried the old man. "He may be killed!" "Typical behaviour," said the chaplain, as he quitted the carriage. "In the presence of reality that kind of person invariably breaks down." "What does he know?" whispered Lucy as soon as they were alone. "Charlotte, how much does Mr. Eager know?" "Nothing, dearest; he knows nothing. But--" she pointed at the driver-" "HE knows everything. Dearest, had we better? Shall I?" She took out her purse. "It is dreadful to be entangled with low-class people. He saw it all." Tapping Phaethon's back with her guide-book, she said, "Silenzio!" and offered him a franc. "Va bene,"<\|quote\|>he replied, and accepted it. As well this ending to his day as any. But Lucy, a mortal maid, was disappointed in him. There was an explosion up the road. The storm had struck the overhead wire of the tramline, and one of the great supports had fallen. If they had not stopped perhaps they might have been hurt. They chose to regard it as a miraculous preservation, and the floods of love and sincerity, which fructify every hour of life, burst forth in tumult. They descended from the carriages; they embraced each other. It was as joyful to be forgiven past unworthinesses as to forgive them. For a moment they realized vast possibilities of good. The older people recovered quickly. In the very height of their emotion they knew it to be unmanly or unladylike. Miss Lavish calculated that, even if they had continued, they would not have been caught in the accident. Mr. Eager mumbled a temperate prayer. But the drivers, through miles of dark squalid road, poured out their souls to the dryads and the saints, and Lucy poured out hers to her cousin.</\|quote\|>"Charlotte, dear Charlotte, kiss me. Kiss me again. Only you can understand me. You warned me to be careful. And I--I thought I was developing." "Do not cry, dearest. Take your time." "I have been obstinate and silly--worse than you know, far worse. Once by the river--Oh, but he isn't killed--he wouldn't be killed, would he?" The thought disturbed her repentance. As a matter of fact, the storm was worst along the road; but she had been near danger, and so she thought it must be near to everyone. "I trust not. One would always pray against that." "He is really--I think he was taken by surprise, just as I was before. But this time I'm not to blame; I want you to believe that. I simply slipped into those violets. No, I want to be really truthful. I am a little to blame. I had silly thoughts. The sky, you know, was gold, and the ground all blue, and for a moment he looked like someone in a book." "In a book?" "Heroes--gods--the nonsense of schoolgirls." "And then?" "But, Charlotte, you know what happened then." Miss Bartlett was silent. Indeed, she had little more to learn. With a certain amount of insight she drew her young cousin affectionately to her. All the way back Lucy's body was shaken by deep sighs, which nothing could repress. "I want to be truthful," she whispered. "It is so hard to be absolutely truthful." "Don't be troubled, dearest. Wait till you are calmer. We will talk it over before bed-time in my room." So they re-entered the city with hands clasped. It was a shock to the girl to find how far emotion had ebbed in others. The storm had ceased, and Mr. Emerson was easier about his son. Mr. Beebe had regained good humour, and Mr. Eager was already snubbing Miss Lavish. Charlotte alone she was sure of--Charlotte, whose exterior concealed so much insight and love. The luxury of self-exposure kept her almost happy through the long evening. She thought not so much of what had happened as of how she should describe it. All her sensations, her spasms of courage, her moments of unreasonable joy, her mysterious discontent, should be carefully laid before her cousin. And together in divine confidence they would disentangle and interpret them all. "At last," thought she, "I shall understand myself. I shan't again be troubled by	it was and exactly how the players had sided, Lucy was slow to discover. Mr. Eager had met them with a questioning eye. Charlotte had repulsed him with much small talk. Mr. Emerson, seeking his son, was told whereabouts to find him. Mr. Beebe, who wore the heated aspect of a neutral, was bidden to collect the factions for the return home. There was a general sense of groping and bewilderment. Pan had been amongst them--not the great god Pan, who has been buried these two thousand years, but the little god Pan, who presides over social contretemps and unsuccessful picnics. Mr. Beebe had lost everyone, and had consumed in solitude the tea-basket which he had brought up as a pleasant surprise. Miss Lavish had lost Miss Bartlett. Lucy had lost Mr. Eager. Mr. Emerson had lost George. Miss Bartlett had lost a mackintosh square. Phaethon had lost the game. That last fact was undeniable. He climbed on to the box shivering, with his collar up, prophesying the swift approach of bad weather. "Let us go immediately," he told them. "The signorino will walk." "All the way? He will be hours," said Mr. Beebe. "Apparently. I told him it was unwise." He would look no one in the face; perhaps defeat was particularly mortifying for him. He alone had played skilfully, using the whole of his instinct, while the others had used scraps of their intelligence. He alone had divined what things were, and what he wished them to be. He alone had interpreted the message that Lucy had received five days before from the lips of a dying man. Persephone, who spends half her life in the grave--she could interpret it also. Not so these English. They gain knowledge slowly, and perhaps too late. The thoughts of a cab-driver, however just, seldom affect the lives of his employers. He was the most competent of Miss Bartlett's opponents, but infinitely the least dangerous. Once back in the town, he and his insight and his knowledge would trouble English ladies no more. Of course, it was most unpleasant; she had seen his black head in the bushes; he might make a tavern story out of it. But after all, what have we to do with taverns? Real menace belongs to the drawing-room. It was of drawing-room people that Miss Bartlett thought as she journeyed downwards towards the fading sun. Lucy sat beside her; Mr. Eager sat opposite, trying to catch her eye; he was vaguely suspicious. They spoke of Alessio Baldovinetti. Rain and darkness came on together. The two ladies huddled together under an inadequate parasol. There was a lightning flash, and Miss Lavish who was nervous, screamed from the carriage in front. At the next flash, Lucy screamed also. Mr. Eager addressed her professionally: "Courage, Miss Honeychurch, courage and faith. If I might say so, there is something almost blasphemous in this horror of the elements. Are we seriously to suppose that all these clouds, all this immense electrical display, is simply called into existence to extinguish you or me?" "No--of course--" "Even from the scientific standpoint the chances against our being struck are enormous. The steel knives, the only articles which might attract the current, are in the other carriage. And, in any case, we are infinitely safer than if we were walking. Courage--courage and faith." Under the rug, Lucy felt the kindly pressure of her cousin's hand. At times our need for a sympathetic gesture is so great that we care not what exactly it signifies or how much we may have to pay for it afterwards. Miss Bartlett, by this timely exercise of her muscles, gained more than she would have got in hours of preaching or cross examination. She renewed it when the two carriages stopped, half into Florence. "Mr. Eager!" called Mr. Beebe. "We want your assistance. Will you interpret for us?" "George!" cried Mr. Emerson. "Ask your driver which way George went. The boy may lose his way. He may be killed." "Go, Mr. Eager," said Miss Bartlett, "don't ask our driver; our driver is no help. Go and support poor Mr. Beebe--, he is nearly demented." "He may be killed!" cried the old man. "He may be killed!" "Typical behaviour," said the chaplain, as he quitted the carriage. "In the presence of reality that kind of person invariably breaks down." "What does he know?" whispered Lucy as soon as they were alone. "Charlotte, how much does Mr. Eager know?" "Nothing, dearest; he knows nothing. But--" she pointed at the driver-" "HE knows everything. Dearest, had we better? Shall I?" She took out her purse. "It is dreadful to be entangled with low-class people. He saw it all." Tapping Phaethon's back with her guide-book, she said, "Silenzio!" and offered him a franc. "Va bene,"<\|quote\|>he replied, and accepted it. As well this ending to his day as any. But Lucy, a mortal maid, was disappointed in him. There was an explosion up the road. The storm had struck the overhead wire of the tramline, and one of the great supports had fallen. If they had not stopped perhaps they might have been hurt. They chose to regard it as a miraculous preservation, and the floods of love and sincerity, which fructify every hour of life, burst forth in tumult. They descended from the carriages; they embraced each other. It was as joyful to be forgiven past unworthinesses as to forgive them. For a moment they realized vast possibilities of good. The older people recovered quickly. In the very height of their emotion they knew it to be unmanly or unladylike. Miss Lavish calculated that, even if they had continued, they would not have been caught in the accident. Mr. Eager mumbled a temperate prayer. But the drivers, through miles of dark squalid road, poured out their souls to the dryads and the saints, and Lucy poured out hers to her cousin.</\|quote\|>"Charlotte, dear Charlotte, kiss me. Kiss me again. Only you can understand me. You warned me to be careful. And I--I thought I was developing." "Do not cry, dearest. Take your time." "I have been obstinate and silly--worse than you know, far worse. Once by the river--Oh, but he isn't killed--he wouldn't be killed, would he?" The thought disturbed her repentance. As a matter of fact, the storm was worst along the road; but she had been near danger, and so she thought it must be near to everyone. "I trust not. One would always pray against that." "He is really--I think he was taken by surprise, just as I was before. But this time I'm not to blame; I want you to believe that. I simply slipped into those violets. No, I want to be really truthful. I am a little to blame. I had silly thoughts. The sky, you know, was gold, and the ground all blue, and for a moment he looked like someone in a book." "In a book?" "Heroes--gods--the nonsense of schoolgirls." "And then?" "But, Charlotte, you know what happened then." Miss Bartlett was silent. Indeed, she had little more to learn. With a certain amount of insight she drew her young cousin affectionately to her. All the way back Lucy's body was shaken by deep sighs, which nothing could repress. "I want to be truthful," she whispered. "It is so hard to be absolutely truthful." "Don't be troubled, dearest. Wait till you are calmer. We will talk it over before bed-time in my room." So they re-entered the city with hands clasped. It was a shock to the girl to find how far emotion had ebbed in others. The storm had ceased, and Mr. Emerson was easier about his son. Mr. Beebe had regained good humour, and Mr. Eager was already snubbing Miss Lavish. Charlotte alone she was sure of--Charlotte, whose exterior concealed so much insight and love. The luxury of self-exposure kept her almost happy through the long evening. She thought not so much of what had happened as of how she should describe it. All her sensations, her spasms of courage, her moments of unreasonable joy, her mysterious discontent, should be carefully laid before her cousin. And together in divine confidence they would disentangle and interpret them all. "At last," thought she, "I shall understand myself. I shan't again be troubled by things that come out of nothing, and mean I don't know what." Miss Alan asked her to play. She refused vehemently. Music seemed to her the employment of a child. She sat close to her cousin, who, with commendable patience, was listening to a long story about lost luggage. When it was over she capped it by a story of her own. Lucy became rather hysterical with the delay. In vain she tried to check, or at all events to accelerate, the tale. It was not till a late hour that Miss Bartlett had recovered her luggage and could say in her usual tone of gentle reproach: "Well, dear, I at all events am ready for Bedfordshire. Come into my room, and I will give a good brush to your hair." With some solemnity the door was shut, and a cane chair placed for the girl. Then Miss Bartlett said "So what is to be done?" She was unprepared for the question. It had not occurred to her that she would have to do anything. A detailed exhibition of her emotions was all that she had counted upon. "What is to be done? A point, dearest, which you alone can settle." The rain was streaming down the black windows, and the great room felt damp and chilly, One candle burnt trembling on the chest of drawers close to Miss Bartlett's toque, which cast monstrous and fantastic shadows on the bolted door. A tram roared by in the dark, and Lucy felt unaccountably sad, though she had long since dried her eyes. She lifted them to the ceiling, where the griffins and bassoons were colourless and vague, the very ghosts of joy. "It has been raining for nearly four hours," she said at last. Miss Bartlett ignored the remark. "How do you propose to silence him?" "The driver?" "My dear girl, no; Mr. George Emerson." Lucy began to pace up and down the room. "I don't understand," she said at last. She understood very well, but she no longer wished to be absolutely truthful. "How are you going to stop him talking about it?" "I have a feeling that talk is a thing he will never do." "I, too, intend to judge him charitably. But unfortunately I have met the type before. They seldom keep their exploits to themselves." "Exploits?" cried Lucy, wincing under the horrible plural. "My poor dear, did	had seen his black head in the bushes; he might make a tavern story out of it. But after all, what have we to do with taverns? Real menace belongs to the drawing-room. It was of drawing-room people that Miss Bartlett thought as she journeyed downwards towards the fading sun. Lucy sat beside her; Mr. Eager sat opposite, trying to catch her eye; he was vaguely suspicious. They spoke of Alessio Baldovinetti. Rain and darkness came on together. The two ladies huddled together under an inadequate parasol. There was a lightning flash, and Miss Lavish who was nervous, screamed from the carriage in front. At the next flash, Lucy screamed also. Mr. Eager addressed her professionally: "Courage, Miss Honeychurch, courage and faith. If I might say so, there is something almost blasphemous in this horror of the elements. Are we seriously to suppose that all these clouds, all this immense electrical display, is simply called into existence to extinguish you or me?" "No--of course--" "Even from the scientific standpoint the chances against our being struck are enormous. The steel knives, the only articles which might attract the current, are in the other carriage. And, in any case, we are infinitely safer than if we were walking. Courage--courage and faith." Under the rug, Lucy felt the kindly pressure of her cousin's hand. At times our need for a sympathetic gesture is so great that we care not what exactly it signifies or how much we may have to pay for it afterwards. Miss Bartlett, by this timely exercise of her muscles, gained more than she would have got in hours of preaching or cross examination. She renewed it when the two carriages stopped, half into Florence. "Mr. Eager!" called Mr. Beebe. "We want your assistance. Will you interpret for us?" "George!" cried Mr. Emerson. "Ask your driver which way George went. The boy may lose his way. He may be killed." "Go, Mr. Eager," said Miss Bartlett, "don't ask our driver; our driver is no help. Go and support poor Mr. Beebe--, he is nearly demented." "He may be killed!" cried the old man. "He may be killed!" "Typical behaviour," said the chaplain, as he quitted the carriage. "In the presence of reality that kind of person invariably breaks down." "What does he know?" whispered Lucy as soon as they were alone. "Charlotte, how much does Mr. Eager know?" "Nothing, dearest; he knows nothing. But--" she pointed at the driver-" "HE knows everything. Dearest, had we better? Shall I?" She took out her purse. "It is dreadful to be entangled with low-class people. He saw it all." Tapping Phaethon's back with her guide-book, she said, "Silenzio!" and offered him a franc. "Va bene,"<\|quote\|>he replied, and accepted it. As well this ending to his day as any. But Lucy, a mortal maid, was disappointed in him. There was an explosion up the road. The storm had struck the overhead wire of the tramline, and one of the great supports had fallen. If they had not stopped perhaps they might have been hurt. They chose to regard it as a miraculous preservation, and the floods of love and sincerity, which fructify every hour of life, burst forth in tumult. They descended from the carriages; they embraced each other. It was as joyful to be forgiven past unworthinesses as to forgive them. For a moment they realized vast possibilities of good. The older people recovered quickly. In the very height of their emotion they knew it to be unmanly or unladylike. Miss Lavish calculated that, even if they had continued, they would not have been caught in the accident. Mr. Eager mumbled a temperate prayer. But the drivers, through miles of dark squalid road, poured out their souls to the dryads and the saints, and Lucy poured out hers to her cousin.</\|quote\|>"Charlotte, dear Charlotte, kiss me. Kiss me again. Only you can understand me. You warned me to be careful. And I--I thought I was developing." "Do not cry, dearest. Take your time." "I have been obstinate and silly--worse than you know, far worse. Once by the river--Oh, but he isn't killed--he wouldn't be killed, would he?" The thought disturbed her repentance. As a matter of fact, the storm was worst along the road; but she had been near danger, and so she thought it must be near to everyone. "I trust not. One would always pray against that." "He is really--I think he was taken by surprise, just as I was before. But this time I'm not to blame; I want you to believe that. I simply slipped into those violets. No, I want to be really truthful. I am a little to blame. I had silly thoughts. The sky, you know, was gold, and the ground all blue, and for a moment he looked like someone in a book." "In a book?" "Heroes--gods--the nonsense of schoolgirls." "And then?" "But, Charlotte, you know what happened then." Miss Bartlett was silent. Indeed, she had little more to learn. With a certain amount of insight she drew her young cousin affectionately to her. All the way back Lucy's body was shaken by deep sighs, which nothing could repress. "I want to be truthful," she whispered. "It is so hard to be absolutely truthful." "Don't be troubled, dearest. Wait till you are calmer. We will talk it over before bed-time in my room." So they re-entered the city with hands clasped. It was a shock to the girl to find how far emotion had ebbed in others. The storm had ceased, and Mr. Emerson was easier about his son. Mr. Beebe had regained good humour, and Mr. Eager was already snubbing Miss Lavish. Charlotte alone she was sure of--Charlotte, whose exterior concealed so much insight and love. The luxury of self-exposure kept her almost happy through the long evening. She thought not so much of what had happened as of how she should describe it. All her sensations, her spasms of courage, her moments of unreasonable joy, her mysterious discontent, should be carefully laid before her cousin. And together in divine confidence they would disentangle and interpret them all. "At last," thought she, "I shall understand myself. I shan't again be troubled by things that come out of nothing, and mean I don't know what." Miss Alan asked her to play. She refused vehemently. Music seemed to her the employment of a child. She sat close to her cousin, who, with commendable patience, was listening to a	A Room With A View
here she nudged the croupier who was sitting on her left, and preparing to spin	No speaker	you are wrong? Monsieur, monsieur"<\|quote\|>here she nudged the croupier who was sitting on her left, and preparing to spin</\|quote\|>"combien zero? Douze? Douze?" I	do not allow ? Surely you are wrong? Monsieur, monsieur"<\|quote\|>here she nudged the croupier who was sitting on her left, and preparing to spin</\|quote\|>"combien zero? Douze? Douze?" I hastened to translate. "Oui, Madame,"	a chattering tongue you have! I know perfectly well what I am doing." The old lady was shaking with excitement. "But the rules do not allow of more than 120 g lden being staked upon zero at a time." "How do not allow ? Surely you are wrong? Monsieur, monsieur"<\|quote\|>here she nudged the croupier who was sitting on her left, and preparing to spin</\|quote\|>"combien zero? Douze? Douze?" I hastened to translate. "Oui, Madame," was the croupier s polite reply. "No single stake must exceed four thousand florins. That is the regulation." "Then there is nothing else for it. We must risk in g lden." "Le jeu est fait!" the croupier called. The wheel	lden pieces? We shall not miss them, so stake twenty pieces at a time." "Think a moment, Madame. Sometimes zero does not turn up for two hundred rounds in succession. I assure you that you may lose all your capital." "You are wrong utterly wrong. Stake, I tell you! What a chattering tongue you have! I know perfectly well what I am doing." The old lady was shaking with excitement. "But the rules do not allow of more than 120 g lden being staked upon zero at a time." "How do not allow ? Surely you are wrong? Monsieur, monsieur"<\|quote\|>here she nudged the croupier who was sitting on her left, and preparing to spin</\|quote\|>"combien zero? Douze? Douze?" I hastened to translate. "Oui, Madame," was the croupier s polite reply. "No single stake must exceed four thousand florins. That is the regulation." "Then there is nothing else for it. We must risk in g lden." "Le jeu est fait!" the croupier called. The wheel revolved, and stopped at thirty. We had lost! "Again, again, again! Stake again!" shouted the old lady. Without attempting to oppose her further, but merely shrugging my shoulders, I placed twelve more ten-g lden pieces upon the table. The wheel whirled around and around, with the Grandmother simply quaking as	lady in a money-shovel. "Faites le jeu, messieurs! Faites le jeu, messieurs! Rien ne va plus," proclaimed the croupier as once more he invited the company to stake, and prepared to turn the wheel. "We shall be too late! He is going to spin again! Stake, stake!" The Grandmother was in a perfect fever. "Do not hang back! Be quick!" She seemed almost beside herself, and nudged me as hard as she could. "Upon what shall I stake, Madame?" "Upon zero, upon zero! Again upon zero! Stake as much as ever you can. How much have we got? Seventy ten-g lden pieces? We shall not miss them, so stake twenty pieces at a time." "Think a moment, Madame. Sometimes zero does not turn up for two hundred rounds in succession. I assure you that you may lose all your capital." "You are wrong utterly wrong. Stake, I tell you! What a chattering tongue you have! I know perfectly well what I am doing." The old lady was shaking with excitement. "But the rules do not allow of more than 120 g lden being staked upon zero at a time." "How do not allow ? Surely you are wrong? Monsieur, monsieur"<\|quote\|>here she nudged the croupier who was sitting on her left, and preparing to spin</\|quote\|>"combien zero? Douze? Douze?" I hastened to translate. "Oui, Madame," was the croupier s polite reply. "No single stake must exceed four thousand florins. That is the regulation." "Then there is nothing else for it. We must risk in g lden." "Le jeu est fait!" the croupier called. The wheel revolved, and stopped at thirty. We had lost! "Again, again, again! Stake again!" shouted the old lady. Without attempting to oppose her further, but merely shrugging my shoulders, I placed twelve more ten-g lden pieces upon the table. The wheel whirled around and around, with the Grandmother simply quaking as she watched its revolutions. "Does she again think that zero is going to be the winning coup?" thought I, as I stared at her in astonishment. Yet an absolute assurance of winning was shining on her face; she looked perfectly convinced that zero was about to be called again. At length the ball dropped off into one of the notches. "Zero!" cried the croupier. "Ah!!!" screamed the old lady as she turned to me in a whirl of triumph. I myself was at heart a gambler. At that moment I became acutely conscious both of that fact and of the	this time. The moment we cease to stake, that cursed zero will come turning up, and we shall get nothing." "My good Madame" "Stake, stake! It is not _your_ money." Accordingly I staked two ten-g lden pieces. The ball went hopping round the wheel until it began to settle through the notches. Meanwhile the Grandmother sat as though petrified, with my hand convulsively clutched in hers. "Zero!" called the croupier. "There! You see, you see!" cried the old lady, as she turned and faced me, wreathed in smiles. "I told you so! It was the Lord God himself who suggested to me to stake those two coins. Now, how much ought I to receive? Why do they not pay it out to me? Potapitch! Martha! Where are they? What has become of our party? Potapitch, Potapitch!" "Presently, Madame," I whispered. "Potapitch is outside, and they would decline to admit him to these rooms. See! You are being paid out your money. Pray take it." The croupiers were making up a heavy packet of coins, sealed in blue paper, and containing fifty ten g lden pieces, together with an unsealed packet containing another twenty. I handed the whole to the old lady in a money-shovel. "Faites le jeu, messieurs! Faites le jeu, messieurs! Rien ne va plus," proclaimed the croupier as once more he invited the company to stake, and prepared to turn the wheel. "We shall be too late! He is going to spin again! Stake, stake!" The Grandmother was in a perfect fever. "Do not hang back! Be quick!" She seemed almost beside herself, and nudged me as hard as she could. "Upon what shall I stake, Madame?" "Upon zero, upon zero! Again upon zero! Stake as much as ever you can. How much have we got? Seventy ten-g lden pieces? We shall not miss them, so stake twenty pieces at a time." "Think a moment, Madame. Sometimes zero does not turn up for two hundred rounds in succession. I assure you that you may lose all your capital." "You are wrong utterly wrong. Stake, I tell you! What a chattering tongue you have! I know perfectly well what I am doing." The old lady was shaking with excitement. "But the rules do not allow of more than 120 g lden being staked upon zero at a time." "How do not allow ? Surely you are wrong? Monsieur, monsieur"<\|quote\|>here she nudged the croupier who was sitting on her left, and preparing to spin</\|quote\|>"combien zero? Douze? Douze?" I hastened to translate. "Oui, Madame," was the croupier s polite reply. "No single stake must exceed four thousand florins. That is the regulation." "Then there is nothing else for it. We must risk in g lden." "Le jeu est fait!" the croupier called. The wheel revolved, and stopped at thirty. We had lost! "Again, again, again! Stake again!" shouted the old lady. Without attempting to oppose her further, but merely shrugging my shoulders, I placed twelve more ten-g lden pieces upon the table. The wheel whirled around and around, with the Grandmother simply quaking as she watched its revolutions. "Does she again think that zero is going to be the winning coup?" thought I, as I stared at her in astonishment. Yet an absolute assurance of winning was shining on her face; she looked perfectly convinced that zero was about to be called again. At length the ball dropped off into one of the notches. "Zero!" cried the croupier. "Ah!!!" screamed the old lady as she turned to me in a whirl of triumph. I myself was at heart a gambler. At that moment I became acutely conscious both of that fact and of the fact that my hands and knees were shaking, and that the blood was beating in my brain. Of course this was a rare occasion an occasion on which zero had turned up no less than three times within a dozen rounds; yet in such an event there was nothing so very surprising, seeing that, only three days ago, I myself had been a witness to zero turning up _three times in succession_, so that one of the players who was recording the coups on paper was moved to remark that for several days past zero had never turned up at all! With the Grandmother, as with any one who has won a very large sum, the management settled up with great attention and respect, since she was fortunate to have to receive no less than 4200 g lden. Of these g lden the odd 200 were paid her in gold, and the remainder in bank notes. This time the old lady did not call for Potapitch; for that she was too preoccupied. Though not outwardly shaken by the event (indeed, she seemed perfectly calm), she was trembling inwardly from head to foot. At length, completely absorbed in the game, she	was vastly pleased. "But what is zero?" she inquired. "Just now I heard the flaxen-haired croupier call out zero! And why does he keep raking in all the money that is on the table? To think that he should grab the whole pile for himself! What does zero mean?" "Zero is what the bank takes for itself. If the wheel stops at that figure, everything lying on the table becomes the absolute property of the bank. Also, whenever the wheel has begun to turn, the bank ceases to pay out anything." "Then I should receive nothing if I were staking?" "No; unless by any chance you had _purposely_ staked on zero; in which case you would receive thirty-five times the value of your stake." "Why thirty-five times, when zero so often turns up? And if so, why do not more of these fools stake upon it?" "Because the number of chances against its occurrence is thirty-six." "Rubbish! Potapitch, Potapitch! Come here, and I will give you some money." The old lady took out of her pocket a tightly-clasped purse, and extracted from its depths a ten-g lden piece. "Go at once, and stake that upon zero." "But, Madame, zero has only this moment turned up," I remonstrated; "wherefore, it may not do so again for ever so long. Wait a little, and you may then have a better chance." "Rubbish! Stake, please." "Pardon me, but zero might not turn up again until, say, tonight, even though you had staked thousands upon it. It often happens so." "Rubbish, rubbish! Who fears the wolf should never enter the forest. What? We have lost? Then stake again." A second ten-g lden piece did we lose, and then I put down a third. The Grandmother could scarcely remain seated in her chair, so intent was she upon the little ball as it leapt through the notches of the ever-revolving wheel. However, the third ten-g lden piece followed the first two. Upon this the Grandmother went perfectly crazy. She could no longer sit still, and actually struck the table with her fist when the croupier cried out, "Trente-six," instead of the desiderated zero. "To listen to him!" fumed the old lady. "When will that accursed zero ever turn up? I cannot breathe until I see it. I believe that that infernal croupier is _purposely_ keeping it from turning up. Alexis Ivanovitch, stake TWO golden pieces this time. The moment we cease to stake, that cursed zero will come turning up, and we shall get nothing." "My good Madame" "Stake, stake! It is not _your_ money." Accordingly I staked two ten-g lden pieces. The ball went hopping round the wheel until it began to settle through the notches. Meanwhile the Grandmother sat as though petrified, with my hand convulsively clutched in hers. "Zero!" called the croupier. "There! You see, you see!" cried the old lady, as she turned and faced me, wreathed in smiles. "I told you so! It was the Lord God himself who suggested to me to stake those two coins. Now, how much ought I to receive? Why do they not pay it out to me? Potapitch! Martha! Where are they? What has become of our party? Potapitch, Potapitch!" "Presently, Madame," I whispered. "Potapitch is outside, and they would decline to admit him to these rooms. See! You are being paid out your money. Pray take it." The croupiers were making up a heavy packet of coins, sealed in blue paper, and containing fifty ten g lden pieces, together with an unsealed packet containing another twenty. I handed the whole to the old lady in a money-shovel. "Faites le jeu, messieurs! Faites le jeu, messieurs! Rien ne va plus," proclaimed the croupier as once more he invited the company to stake, and prepared to turn the wheel. "We shall be too late! He is going to spin again! Stake, stake!" The Grandmother was in a perfect fever. "Do not hang back! Be quick!" She seemed almost beside herself, and nudged me as hard as she could. "Upon what shall I stake, Madame?" "Upon zero, upon zero! Again upon zero! Stake as much as ever you can. How much have we got? Seventy ten-g lden pieces? We shall not miss them, so stake twenty pieces at a time." "Think a moment, Madame. Sometimes zero does not turn up for two hundred rounds in succession. I assure you that you may lose all your capital." "You are wrong utterly wrong. Stake, I tell you! What a chattering tongue you have! I know perfectly well what I am doing." The old lady was shaking with excitement. "But the rules do not allow of more than 120 g lden being staked upon zero at a time." "How do not allow ? Surely you are wrong? Monsieur, monsieur"<\|quote\|>here she nudged the croupier who was sitting on her left, and preparing to spin</\|quote\|>"combien zero? Douze? Douze?" I hastened to translate. "Oui, Madame," was the croupier s polite reply. "No single stake must exceed four thousand florins. That is the regulation." "Then there is nothing else for it. We must risk in g lden." "Le jeu est fait!" the croupier called. The wheel revolved, and stopped at thirty. We had lost! "Again, again, again! Stake again!" shouted the old lady. Without attempting to oppose her further, but merely shrugging my shoulders, I placed twelve more ten-g lden pieces upon the table. The wheel whirled around and around, with the Grandmother simply quaking as she watched its revolutions. "Does she again think that zero is going to be the winning coup?" thought I, as I stared at her in astonishment. Yet an absolute assurance of winning was shining on her face; she looked perfectly convinced that zero was about to be called again. At length the ball dropped off into one of the notches. "Zero!" cried the croupier. "Ah!!!" screamed the old lady as she turned to me in a whirl of triumph. I myself was at heart a gambler. At that moment I became acutely conscious both of that fact and of the fact that my hands and knees were shaking, and that the blood was beating in my brain. Of course this was a rare occasion an occasion on which zero had turned up no less than three times within a dozen rounds; yet in such an event there was nothing so very surprising, seeing that, only three days ago, I myself had been a witness to zero turning up _three times in succession_, so that one of the players who was recording the coups on paper was moved to remark that for several days past zero had never turned up at all! With the Grandmother, as with any one who has won a very large sum, the management settled up with great attention and respect, since she was fortunate to have to receive no less than 4200 g lden. Of these g lden the odd 200 were paid her in gold, and the remainder in bank notes. This time the old lady did not call for Potapitch; for that she was too preoccupied. Though not outwardly shaken by the event (indeed, she seemed perfectly calm), she was trembling inwardly from head to foot. At length, completely absorbed in the game, she burst out: "Alexis Ivanovitch, did not the croupier just say that 4000 florins were the most that could be staked at any one time? Well, take these 4000, and stake them upon the red." To oppose her was useless. Once more the wheel revolved. "Rouge!" proclaimed the croupier. Again 4000 florins in all 8000! "Give me them," commanded the Grandmother, "and stake the other 4000 upon the red again." I did so. "Rouge!" proclaimed the croupier. "Twelve thousand!" cried the old lady. "Hand me the whole lot. Put the gold into this purse here, and count the bank notes. Enough! Let us go home. Wheel my chair away." XI The chair, with the old lady beaming in it, was wheeled away towards the doors at the further end of the salon, while our party hastened to crowd around her, and to offer her their congratulations. In fact, eccentric as was her conduct, it was also overshadowed by her triumph; with the result that the General no longer feared to be publicly compromised by being seen with such a strange woman, but, smiling in a condescending, cheerfully familiar way, as though he were soothing a child, he offered his greetings to the old lady. At the same time, both he and the rest of the spectators were visibly impressed. Everywhere people kept pointing to the Grandmother, and talking about her. Many people even walked beside her chair, in order to view her the better while, at a little distance, Astley was carrying on a conversation on the subject with two English acquaintances of his. De Griers was simply overflowing with smiles and compliments, and a number of fine ladies were staring at the Grandmother as though she had been something curious. "Quelle victoire!" exclaimed De Griers. "Mais, Madame, c tait du feu!" added Mlle. Blanche with an elusive smile. "Yes, I have won twelve thousand florins," replied the old lady. "And then there is all this gold. With it the total ought to come to nearly thirteen thousand. How much is that in Russian money? Six thousand roubles, I think?" However, I calculated that the sum would exceed seven thousand roubles or, at the present rate of exchange, even eight thousand. "Eight thousand roubles! What a splendid thing! And to think of you simpletons sitting there and doing nothing! Potapitch! Martha! See what I have won!" "How _did_ you do it,	sealed in blue paper, and containing fifty ten g lden pieces, together with an unsealed packet containing another twenty. I handed the whole to the old lady in a money-shovel. "Faites le jeu, messieurs! Faites le jeu, messieurs! Rien ne va plus," proclaimed the croupier as once more he invited the company to stake, and prepared to turn the wheel. "We shall be too late! He is going to spin again! Stake, stake!" The Grandmother was in a perfect fever. "Do not hang back! Be quick!" She seemed almost beside herself, and nudged me as hard as she could. "Upon what shall I stake, Madame?" "Upon zero, upon zero! Again upon zero! Stake as much as ever you can. How much have we got? Seventy ten-g lden pieces? We shall not miss them, so stake twenty pieces at a time." "Think a moment, Madame. Sometimes zero does not turn up for two hundred rounds in succession. I assure you that you may lose all your capital." "You are wrong utterly wrong. Stake, I tell you! What a chattering tongue you have! I know perfectly well what I am doing." The old lady was shaking with excitement. "But the rules do not allow of more than 120 g lden being staked upon zero at a time." "How do not allow ? Surely you are wrong? Monsieur, monsieur"<\|quote\|>here she nudged the croupier who was sitting on her left, and preparing to spin</\|quote\|>"combien zero? Douze? Douze?" I hastened to translate. "Oui, Madame," was the croupier s polite reply. "No single stake must exceed four thousand florins. That is the regulation." "Then there is nothing else for it. We must risk in g lden." "Le jeu est fait!" the croupier called. The wheel revolved, and stopped at thirty. We had lost! "Again, again, again! Stake again!" shouted the old lady. Without attempting to oppose her further, but merely shrugging my shoulders, I placed twelve more ten-g lden pieces upon the table. The wheel whirled around and around, with the Grandmother simply quaking as she watched its revolutions. "Does she again think that zero is going to be the winning coup?" thought I, as I stared at her in astonishment. Yet an absolute assurance of winning was shining on her face; she looked perfectly convinced that zero was about to be called again. At length the ball dropped off into one of the notches. "Zero!" cried the croupier. "Ah!!!" screamed the old lady as she turned to me in a whirl of triumph. I myself was at heart a gambler. At that moment I became acutely conscious both of that fact and of the fact that my hands and knees were shaking, and that the blood was beating in my brain. Of course this was a rare occasion an occasion on which zero had turned up no less than three times within a dozen rounds; yet in such an event there was nothing so very surprising, seeing that, only three days ago, I myself had been a witness to	The Gambler
"Dow."	Barney	lad who held the door.<\|quote\|>"Dow."</\|quote\|>Noah exchanged a look with	had entered. "Hist!" cried the lad who held the door.<\|quote\|>"Dow."</\|quote\|>Noah exchanged a look with Fagin, and darted out. "To	the girl came out. Fagin drew him behind a small partition which was curtained off, and they held their breaths as she passed within a few feet of their place of concealment, and emerged by the door at which they had entered. "Hist!" cried the lad who held the door.<\|quote\|>"Dow."</\|quote\|>Noah exchanged a look with Fagin, and darted out. "To the left," whispered the lad; "take the left had, and keep od the other side." He did so; and, by the light of the lamps, saw the girl's retreating figure, already at some distance before him. He advanced as near	the room adjoining, and, under pretence of snuffing the candle, moved it in the required position, and, speaking to the girl, caused her to raise her face. "I see her now," cried the spy. "Plainly?" "I should know her among a thousand." He hastily descended, as the room-door opened, and the girl came out. Fagin drew him behind a small partition which was curtained off, and they held their breaths as she passed within a few feet of their place of concealment, and emerged by the door at which they had entered. "Hist!" cried the lad who held the door.<\|quote\|>"Dow."</\|quote\|>Noah exchanged a look with Fagin, and darted out. "To the left," whispered the lad; "take the left had, and keep od the other side." He did so; and, by the light of the lamps, saw the girl's retreating figure, already at some distance before him. He advanced as near as he considered prudent, and kept on the opposite side of the street, the better to observe her motions. She looked nervously round, twice or thrice, and once stopped to let two men who were following close behind her, pass on. She seemed to gather courage as she advanced, and	They entered, without noise; and the door was closed behind them. Scarcely venturing to whisper, but substituting dumb show for words, Fagin, and the young Jew who had admitted them, pointed out the pane of glass to Noah, and signed to him to climb up and observe the person in the adjoining room. "Is that the woman?" he asked, scarcely above his breath. Fagin nodded yes. "I can't see her face well," whispered Noah. "She is looking down, and the candle is behind her." "Stay there," whispered Fagin. He signed to Barney, who withdrew. In an instant, the lad entered the room adjoining, and, under pretence of snuffing the candle, moved it in the required position, and, speaking to the girl, caused her to raise her face. "I see her now," cried the spy. "Plainly?" "I should know her among a thousand." He hastily descended, as the room-door opened, and the girl came out. Fagin drew him behind a small partition which was curtained off, and they held their breaths as she passed within a few feet of their place of concealment, and emerged by the door at which they had entered. "Hist!" cried the lad who held the door.<\|quote\|>"Dow."</\|quote\|>Noah exchanged a look with Fagin, and darted out. "To the left," whispered the lad; "take the left had, and keep od the other side." He did so; and, by the light of the lamps, saw the girl's retreating figure, already at some distance before him. He advanced as near as he considered prudent, and kept on the opposite side of the street, the better to observe her motions. She looked nervously round, twice or thrice, and once stopped to let two men who were following close behind her, pass on. She seemed to gather courage as she advanced, and to walk with a steadier and firmer step. The spy preserved the same relative distance between them, and followed: with his eye upon her. CHAPTER XLVI. THE APPOINTMENT KEPT The church clocks chimed three quarters past eleven, as two figures emerged on London Bridge. One, which advanced with a swift and rapid step, was that of a woman who looked eagerly about her as though in quest of some expected object; the other figure was that of a man, who slunk along in the deepest shadow he could find, and, at some distance, accommodated his pace to hers: stopping when	Fagin. "You keep ready, and leave the rest to me." That night, and the next, and the next again, the spy sat booted and equipped in his carter's dress: ready to turn out at a word from Fagin. Six nights passed six long weary nights and on each, Fagin came home with a disappointed face, and briefly intimated that it was not yet time. On the seventh, he returned earlier, and with an exultation he could not conceal. It was Sunday. "She goes abroad to-night," said Fagin, "and on the right errand, I'm sure; for she has been alone all day, and the man she is afraid of will not be back much before daybreak. Come with me. Quick!" Noah started up without saying a word; for the Jew was in a state of such intense excitement that it infected him. They left the house stealthily, and hurrying through a labyrinth of streets, arrived at length before a public-house, which Noah recognised as the same in which he had slept, on the night of his arrival in London. It was past eleven o'clock, and the door was closed. It opened softly on its hinges as Fagin gave a low whistle. They entered, without noise; and the door was closed behind them. Scarcely venturing to whisper, but substituting dumb show for words, Fagin, and the young Jew who had admitted them, pointed out the pane of glass to Noah, and signed to him to climb up and observe the person in the adjoining room. "Is that the woman?" he asked, scarcely above his breath. Fagin nodded yes. "I can't see her face well," whispered Noah. "She is looking down, and the candle is behind her." "Stay there," whispered Fagin. He signed to Barney, who withdrew. In an instant, the lad entered the room adjoining, and, under pretence of snuffing the candle, moved it in the required position, and, speaking to the girl, caused her to raise her face. "I see her now," cried the spy. "Plainly?" "I should know her among a thousand." He hastily descended, as the room-door opened, and the girl came out. Fagin drew him behind a small partition which was curtained off, and they held their breaths as she passed within a few feet of their place of concealment, and emerged by the door at which they had entered. "Hist!" cried the lad who held the door.<\|quote\|>"Dow."</\|quote\|>Noah exchanged a look with Fagin, and darted out. "To the left," whispered the lad; "take the left had, and keep od the other side." He did so; and, by the light of the lamps, saw the girl's retreating figure, already at some distance before him. He advanced as near as he considered prudent, and kept on the opposite side of the street, the better to observe her motions. She looked nervously round, twice or thrice, and once stopped to let two men who were following close behind her, pass on. She seemed to gather courage as she advanced, and to walk with a steadier and firmer step. The spy preserved the same relative distance between them, and followed: with his eye upon her. CHAPTER XLVI. THE APPOINTMENT KEPT The church clocks chimed three quarters past eleven, as two figures emerged on London Bridge. One, which advanced with a swift and rapid step, was that of a woman who looked eagerly about her as though in quest of some expected object; the other figure was that of a man, who slunk along in the deepest shadow he could find, and, at some distance, accommodated his pace to hers: stopping when she stopped: and as she moved again, creeping stealthily on: but never allowing himself, in the ardour of his pursuit, to gain upon her footsteps. Thus, they crossed the bridge, from the Middlesex to the Surrey shore, when the woman, apparently disappointed in her anxious scrutiny of the foot-passengers, turned back. The movement was sudden; but he who watched her, was not thrown off his guard by it; for, shrinking into one of the recesses which surmount the piers of the bridge, and leaning over the parapet the better to conceal his figure, he suffered her to pass on the opposite pavement. When she was about the same distance in advance as she had been before, he slipped quietly down, and followed her again. At nearly the centre of the bridge, she stopped. The man stopped too. It was a very dark night. The day had been unfavourable, and at that hour and place there were few people stirring. Such as there were, hurried quickly past: very possibly without seeing, but certainly without noticing, either the woman, or the man who kept her in view. Their appearance was not calculated to attract the importunate regards of such of London's destitute	by itself outside a public-house. I thought it might get rusty with the rain, or catch cold, yer know. Eh? Ha! ha! ha!" Fagin affected to laugh very heartily; and Mr. Bolter having had his laugh out, took a series of large bites, which finished his first hunk of bread and butter, and assisted himself to a second. "I want you, Bolter," said Fagin, leaning over the table, "to do a piece of work for me, my dear, that needs great care and caution." "I say," rejoined Bolter, "don't yer go shoving me into danger, or sending me any more o' yer police-offices. That don't suit me, that don't; and so I tell yer." "That's not the smallest danger in it not the very smallest," said the Jew; "it's only to dodge a woman." "An old woman?" demanded Mr. Bolter. "A young one," replied Fagin. "I can do that pretty well, I know," said Bolter. "I was a regular cunning sneak when I was at school. What am I to dodge her for? Not to" "Not to do anything, but to tell me where she goes, who she sees, and, if possible, what she says; to remember the street, if it is a street, or the house, if it is a house; and to bring me back all the information you can." "What'll yer give me?" asked Noah, setting down his cup, and looking his employer, eagerly, in the face. "If you do it well, a pound, my dear. One pound," said Fagin, wishing to interest him in the scent as much as possible. "And that's what I never gave yet, for any job of work where there wasn't valuable consideration to be gained." "Who is she?" inquired Noah. "One of us." "Oh Lor!" cried Noah, curling up his nose. "Yer doubtful of her, are yer?" "She has found out some new friends, my dear, and I must know who they are," replied Fagin. "I see," said Noah. "Just to have the pleasure of knowing them, if they're respectable people, eh? Ha! ha! ha! I'm your man." "I knew you would be," cried Fagin, elated by the success of his proposal. "Of course, of course," replied Noah. "Where is she? Where am I to wait for her? Where am I to go?" "All that, my dear, you shall hear from me. I'll point her out at the proper time," said Fagin. "You keep ready, and leave the rest to me." That night, and the next, and the next again, the spy sat booted and equipped in his carter's dress: ready to turn out at a word from Fagin. Six nights passed six long weary nights and on each, Fagin came home with a disappointed face, and briefly intimated that it was not yet time. On the seventh, he returned earlier, and with an exultation he could not conceal. It was Sunday. "She goes abroad to-night," said Fagin, "and on the right errand, I'm sure; for she has been alone all day, and the man she is afraid of will not be back much before daybreak. Come with me. Quick!" Noah started up without saying a word; for the Jew was in a state of such intense excitement that it infected him. They left the house stealthily, and hurrying through a labyrinth of streets, arrived at length before a public-house, which Noah recognised as the same in which he had slept, on the night of his arrival in London. It was past eleven o'clock, and the door was closed. It opened softly on its hinges as Fagin gave a low whistle. They entered, without noise; and the door was closed behind them. Scarcely venturing to whisper, but substituting dumb show for words, Fagin, and the young Jew who had admitted them, pointed out the pane of glass to Noah, and signed to him to climb up and observe the person in the adjoining room. "Is that the woman?" he asked, scarcely above his breath. Fagin nodded yes. "I can't see her face well," whispered Noah. "She is looking down, and the candle is behind her." "Stay there," whispered Fagin. He signed to Barney, who withdrew. In an instant, the lad entered the room adjoining, and, under pretence of snuffing the candle, moved it in the required position, and, speaking to the girl, caused her to raise her face. "I see her now," cried the spy. "Plainly?" "I should know her among a thousand." He hastily descended, as the room-door opened, and the girl came out. Fagin drew him behind a small partition which was curtained off, and they held their breaths as she passed within a few feet of their place of concealment, and emerged by the door at which they had entered. "Hist!" cried the lad who held the door.<\|quote\|>"Dow."</\|quote\|>Noah exchanged a look with Fagin, and darted out. "To the left," whispered the lad; "take the left had, and keep od the other side." He did so; and, by the light of the lamps, saw the girl's retreating figure, already at some distance before him. He advanced as near as he considered prudent, and kept on the opposite side of the street, the better to observe her motions. She looked nervously round, twice or thrice, and once stopped to let two men who were following close behind her, pass on. She seemed to gather courage as she advanced, and to walk with a steadier and firmer step. The spy preserved the same relative distance between them, and followed: with his eye upon her. CHAPTER XLVI. THE APPOINTMENT KEPT The church clocks chimed three quarters past eleven, as two figures emerged on London Bridge. One, which advanced with a swift and rapid step, was that of a woman who looked eagerly about her as though in quest of some expected object; the other figure was that of a man, who slunk along in the deepest shadow he could find, and, at some distance, accommodated his pace to hers: stopping when she stopped: and as she moved again, creeping stealthily on: but never allowing himself, in the ardour of his pursuit, to gain upon her footsteps. Thus, they crossed the bridge, from the Middlesex to the Surrey shore, when the woman, apparently disappointed in her anxious scrutiny of the foot-passengers, turned back. The movement was sudden; but he who watched her, was not thrown off his guard by it; for, shrinking into one of the recesses which surmount the piers of the bridge, and leaning over the parapet the better to conceal his figure, he suffered her to pass on the opposite pavement. When she was about the same distance in advance as she had been before, he slipped quietly down, and followed her again. At nearly the centre of the bridge, she stopped. The man stopped too. It was a very dark night. The day had been unfavourable, and at that hour and place there were few people stirring. Such as there were, hurried quickly past: very possibly without seeing, but certainly without noticing, either the woman, or the man who kept her in view. Their appearance was not calculated to attract the importunate regards of such of London's destitute population, as chanced to take their way over the bridge that night in search of some cold arch or doorless hovel wherein to lay their heads; they stood there in silence: neither speaking nor spoken to, by any one who passed. A mist hung over the river, deepening the red glare of the fires that burnt upon the small craft moored off the different wharfs, and rendering darker and more indistinct the murky buildings on the banks. The old smoke-stained storehouses on either side, rose heavy and dull from the dense mass of roofs and gables, and frowned sternly upon water too black to reflect even their lumbering shapes. The tower of old Saint Saviour's Church, and the spire of Saint Magnus, so long the giant-warders of the ancient bridge, were visible in the gloom; but the forest of shipping below bridge, and the thickly scattered spires of churches above, were nearly all hidden from sight. The girl had taken a few restless turns to and fro closely watched meanwhile by her hidden observer when the heavy bell of St. Paul's tolled for the death of another day. Midnight had come upon the crowded city. The palace, the night-cellar, the jail, the madhouse: the chambers of birth and death, of health and sickness, the rigid face of the corpse and the calm sleep of the child: midnight was upon them all. The hour had not struck two minutes, when a young lady, accompanied by a grey-haired gentleman, alighted from a hackney-carriage within a short distance of the bridge, and, having dismissed the vehicle, walked straight towards it. They had scarcely set foot upon its pavement, when the girl started, and immediately made towards them. They walked onward, looking about them with the air of persons who entertained some very slight expectation which had little chance of being realised, when they were suddenly joined by this new associate. They halted with an exclamation of surprise, but suppressed it immediately; for a man in the garments of a countryman came close up brushed against them, indeed at that precise moment. "Not here," said Nancy hurriedly, "I am afraid to speak to you here. Come away out of the public road down the steps yonder!" As she uttered these words, and indicated, with her hand, the direction in which she wished them to proceed, the countryman looked round, and roughly asking what they	am I to go?" "All that, my dear, you shall hear from me. I'll point her out at the proper time," said Fagin. "You keep ready, and leave the rest to me." That night, and the next, and the next again, the spy sat booted and equipped in his carter's dress: ready to turn out at a word from Fagin. Six nights passed six long weary nights and on each, Fagin came home with a disappointed face, and briefly intimated that it was not yet time. On the seventh, he returned earlier, and with an exultation he could not conceal. It was Sunday. "She goes abroad to-night," said Fagin, "and on the right errand, I'm sure; for she has been alone all day, and the man she is afraid of will not be back much before daybreak. Come with me. Quick!" Noah started up without saying a word; for the Jew was in a state of such intense excitement that it infected him. They left the house stealthily, and hurrying through a labyrinth of streets, arrived at length before a public-house, which Noah recognised as the same in which he had slept, on the night of his arrival in London. It was past eleven o'clock, and the door was closed. It opened softly on its hinges as Fagin gave a low whistle. They entered, without noise; and the door was closed behind them. Scarcely venturing to whisper, but substituting dumb show for words, Fagin, and the young Jew who had admitted them, pointed out the pane of glass to Noah, and signed to him to climb up and observe the person in the adjoining room. "Is that the woman?" he asked, scarcely above his breath. Fagin nodded yes. "I can't see her face well," whispered Noah. "She is looking down, and the candle is behind her." "Stay there," whispered Fagin. He signed to Barney, who withdrew. In an instant, the lad entered the room adjoining, and, under pretence of snuffing the candle, moved it in the required position, and, speaking to the girl, caused her to raise her face. "I see her now," cried the spy. "Plainly?" "I should know her among a thousand." He hastily descended, as the room-door opened, and the girl came out. Fagin drew him behind a small partition which was curtained off, and they held their breaths as she passed within a few feet of their place of concealment, and emerged by the door at which they had entered. "Hist!" cried the lad who held the door.<\|quote\|>"Dow."</\|quote\|>Noah exchanged a look with Fagin, and darted out. "To the left," whispered the lad; "take the left had, and keep od the other side." He did so; and, by the light of the lamps, saw the girl's retreating figure, already at some distance before him. He advanced as near as he considered prudent, and kept on the opposite side of the street, the better to observe her motions. She looked nervously round, twice or thrice, and once stopped to let two men who were following close behind her, pass on. She seemed to gather courage as she advanced, and to walk with a steadier and firmer step. The spy preserved the same relative distance between them, and followed: with his eye upon her. CHAPTER XLVI. THE APPOINTMENT KEPT The church clocks chimed three quarters past eleven, as two figures emerged on London Bridge. One, which advanced with a swift and rapid step, was that of a woman who looked eagerly about her as though in quest of some expected object; the other figure was that of a man, who slunk along in the deepest shadow he could find, and, at some distance, accommodated his pace to hers: stopping when she stopped: and as she moved again, creeping stealthily on: but never allowing himself, in the ardour of his pursuit, to gain upon her footsteps. Thus, they crossed the bridge, from the Middlesex to the Surrey shore, when the woman, apparently disappointed in her anxious scrutiny of the foot-passengers, turned back. The movement was sudden; but he who watched her, was not thrown off his guard by it; for, shrinking into one of the recesses which surmount the piers of the bridge, and leaning over the parapet the better to conceal his figure, he suffered her to pass on the opposite pavement. When she was about the same distance in advance as she had been before, he slipped quietly down, and followed	Oliver Twist
"Oh! here it is. I was sure it could not be far off; but I had put my huswife upon it, you see, without being aware, and so it was quite hid, but I had it in my hand so very lately that I was almost sure it must be on the table. I was reading it to Mrs. Cole, and since she went away, I was reading it again to my mother, for it is such a pleasure to her--a letter from Jane--that she can never hear it often enough; so I knew it could not be far off, and here it is, only just under my huswife--and since you are so kind as to wish to hear what she says;--but, first of all, I really must, in justice to Jane, apologise for her writing so short a letter--only two pages you see--hardly two--and in general she fills the whole paper and crosses half. My mother often wonders that I can make it out so well. She often says, when the letter is first opened,"	Miss Bates	eagerly hunting for the letter.--"<\|quote\|>"Oh! here it is. I was sure it could not be far off; but I had put my huswife upon it, you see, without being aware, and so it was quite hid, but I had it in my hand so very lately that I was almost sure it must be on the table. I was reading it to Mrs. Cole, and since she went away, I was reading it again to my mother, for it is such a pleasure to her--a letter from Jane--that she can never hear it often enough; so I knew it could not be far off, and here it is, only just under my huswife--and since you are so kind as to wish to hear what she says;--but, first of all, I really must, in justice to Jane, apologise for her writing so short a letter--only two pages you see--hardly two--and in general she fills the whole paper and crosses half. My mother often wonders that I can make it out so well. She often says, when the letter is first opened,"</\|quote\|>'Well, Hetty, now I think	the happily deceived aunt, while eagerly hunting for the letter.--"<\|quote\|>"Oh! here it is. I was sure it could not be far off; but I had put my huswife upon it, you see, without being aware, and so it was quite hid, but I had it in my hand so very lately that I was almost sure it must be on the table. I was reading it to Mrs. Cole, and since she went away, I was reading it again to my mother, for it is such a pleasure to her--a letter from Jane--that she can never hear it often enough; so I knew it could not be far off, and here it is, only just under my huswife--and since you are so kind as to wish to hear what she says;--but, first of all, I really must, in justice to Jane, apologise for her writing so short a letter--only two pages you see--hardly two--and in general she fills the whole paper and crosses half. My mother often wonders that I can make it out so well. She often says, when the letter is first opened,"</\|quote\|>'Well, Hetty, now I think you will be put to	me hear what she says.'" Emma's politeness was at hand directly, to say, with smiling interest-- "Have you heard from Miss Fairfax so lately? I am extremely happy. I hope she is well?" "Thank you. You are so kind!" replied the happily deceived aunt, while eagerly hunting for the letter.--"<\|quote\|>"Oh! here it is. I was sure it could not be far off; but I had put my huswife upon it, you see, without being aware, and so it was quite hid, but I had it in my hand so very lately that I was almost sure it must be on the table. I was reading it to Mrs. Cole, and since she went away, I was reading it again to my mother, for it is such a pleasure to her--a letter from Jane--that she can never hear it often enough; so I knew it could not be far off, and here it is, only just under my huswife--and since you are so kind as to wish to hear what she says;--but, first of all, I really must, in justice to Jane, apologise for her writing so short a letter--only two pages you see--hardly two--and in general she fills the whole paper and crosses half. My mother often wonders that I can make it out so well. She often says, when the letter is first opened,"</\|quote\|>'Well, Hetty, now I think you will be put to it to make out all that checker-work' "--don't you, ma'am?--And then I tell her, I am sure she would contrive to make it out herself, if she had nobody to do it for her--every word of it--I am sure she	because it is not her time for writing;' "and when I immediately said," 'But indeed we have, we had a letter this very morning,' "I do not know that I ever saw any body more surprized." 'Have you, upon your honour?' "said she;" 'well, that is quite unexpected. Do let me hear what she says.'" Emma's politeness was at hand directly, to say, with smiling interest-- "Have you heard from Miss Fairfax so lately? I am extremely happy. I hope she is well?" "Thank you. You are so kind!" replied the happily deceived aunt, while eagerly hunting for the letter.--"<\|quote\|>"Oh! here it is. I was sure it could not be far off; but I had put my huswife upon it, you see, without being aware, and so it was quite hid, but I had it in my hand so very lately that I was almost sure it must be on the table. I was reading it to Mrs. Cole, and since she went away, I was reading it again to my mother, for it is such a pleasure to her--a letter from Jane--that she can never hear it often enough; so I knew it could not be far off, and here it is, only just under my huswife--and since you are so kind as to wish to hear what she says;--but, first of all, I really must, in justice to Jane, apologise for her writing so short a letter--only two pages you see--hardly two--and in general she fills the whole paper and crosses half. My mother often wonders that I can make it out so well. She often says, when the letter is first opened,"</\|quote\|>'Well, Hetty, now I think you will be put to it to make out all that checker-work' "--don't you, ma'am?--And then I tell her, I am sure she would contrive to make it out herself, if she had nobody to do it for her--every word of it--I am sure she would pore over it till she had made out every word. And, indeed, though my mother's eyes are not so good as they were, she can see amazingly well still, thank God! with the help of spectacles. It is such a blessing! My mother's are really very good indeed. Jane	Elton, I understand--certainly as to dancing--Mrs. Cole was telling me that dancing at the rooms at Bath was--Mrs. Cole was so kind as to sit some time with us, talking of Jane; for as soon as she came in, she began inquiring after her, Jane is so very great a favourite there. Whenever she is with us, Mrs. Cole does not know how to shew her kindness enough; and I must say that Jane deserves it as much as any body can. And so she began inquiring after her directly, saying," 'I know you cannot have heard from Jane lately, because it is not her time for writing;' "and when I immediately said," 'But indeed we have, we had a letter this very morning,' "I do not know that I ever saw any body more surprized." 'Have you, upon your honour?' "said she;" 'well, that is quite unexpected. Do let me hear what she says.'" Emma's politeness was at hand directly, to say, with smiling interest-- "Have you heard from Miss Fairfax so lately? I am extremely happy. I hope she is well?" "Thank you. You are so kind!" replied the happily deceived aunt, while eagerly hunting for the letter.--"<\|quote\|>"Oh! here it is. I was sure it could not be far off; but I had put my huswife upon it, you see, without being aware, and so it was quite hid, but I had it in my hand so very lately that I was almost sure it must be on the table. I was reading it to Mrs. Cole, and since she went away, I was reading it again to my mother, for it is such a pleasure to her--a letter from Jane--that she can never hear it often enough; so I knew it could not be far off, and here it is, only just under my huswife--and since you are so kind as to wish to hear what she says;--but, first of all, I really must, in justice to Jane, apologise for her writing so short a letter--only two pages you see--hardly two--and in general she fills the whole paper and crosses half. My mother often wonders that I can make it out so well. She often says, when the letter is first opened,"</\|quote\|>'Well, Hetty, now I think you will be put to it to make out all that checker-work' "--don't you, ma'am?--And then I tell her, I am sure she would contrive to make it out herself, if she had nobody to do it for her--every word of it--I am sure she would pore over it till she had made out every word. And, indeed, though my mother's eyes are not so good as they were, she can see amazingly well still, thank God! with the help of spectacles. It is such a blessing! My mother's are really very good indeed. Jane often says, when she is here," 'I am sure, grandmama, you must have had very strong eyes to see as you do--and so much fine work as you have done too!--I only wish my eyes may last me as well.'" All this spoken extremely fast obliged Miss Bates to stop for breath; and Emma said something very civil about the excellence of Miss Fairfax's handwriting. "You are extremely kind," replied Miss Bates, highly gratified; "you who are such a judge, and write so beautifully yourself. I am sure there is nobody's praise that could give us so much pleasure as	piece too." The mention of the Coles was sure to be followed by that of Mr. Elton. There was intimacy between them, and Mr. Cole had heard from Mr. Elton since his going away. Emma knew what was coming; they must have the letter over again, and settle how long he had been gone, and how much he was engaged in company, and what a favourite he was wherever he went, and how full the Master of the Ceremonies' ball had been; and she went through it very well, with all the interest and all the commendation that could be requisite, and always putting forward to prevent Harriet's being obliged to say a word. This she had been prepared for when she entered the house; but meant, having once talked him handsomely over, to be no farther incommoded by any troublesome topic, and to wander at large amongst all the Mistresses and Misses of Highbury, and their card-parties. She had not been prepared to have Jane Fairfax succeed Mr. Elton; but he was actually hurried off by Miss Bates, she jumped away from him at last abruptly to the Coles, to usher in a letter from her niece. "Oh! yes--Mr. Elton, I understand--certainly as to dancing--Mrs. Cole was telling me that dancing at the rooms at Bath was--Mrs. Cole was so kind as to sit some time with us, talking of Jane; for as soon as she came in, she began inquiring after her, Jane is so very great a favourite there. Whenever she is with us, Mrs. Cole does not know how to shew her kindness enough; and I must say that Jane deserves it as much as any body can. And so she began inquiring after her directly, saying," 'I know you cannot have heard from Jane lately, because it is not her time for writing;' "and when I immediately said," 'But indeed we have, we had a letter this very morning,' "I do not know that I ever saw any body more surprized." 'Have you, upon your honour?' "said she;" 'well, that is quite unexpected. Do let me hear what she says.'" Emma's politeness was at hand directly, to say, with smiling interest-- "Have you heard from Miss Fairfax so lately? I am extremely happy. I hope she is well?" "Thank you. You are so kind!" replied the happily deceived aunt, while eagerly hunting for the letter.--"<\|quote\|>"Oh! here it is. I was sure it could not be far off; but I had put my huswife upon it, you see, without being aware, and so it was quite hid, but I had it in my hand so very lately that I was almost sure it must be on the table. I was reading it to Mrs. Cole, and since she went away, I was reading it again to my mother, for it is such a pleasure to her--a letter from Jane--that she can never hear it often enough; so I knew it could not be far off, and here it is, only just under my huswife--and since you are so kind as to wish to hear what she says;--but, first of all, I really must, in justice to Jane, apologise for her writing so short a letter--only two pages you see--hardly two--and in general she fills the whole paper and crosses half. My mother often wonders that I can make it out so well. She often says, when the letter is first opened,"</\|quote\|>'Well, Hetty, now I think you will be put to it to make out all that checker-work' "--don't you, ma'am?--And then I tell her, I am sure she would contrive to make it out herself, if she had nobody to do it for her--every word of it--I am sure she would pore over it till she had made out every word. And, indeed, though my mother's eyes are not so good as they were, she can see amazingly well still, thank God! with the help of spectacles. It is such a blessing! My mother's are really very good indeed. Jane often says, when she is here," 'I am sure, grandmama, you must have had very strong eyes to see as you do--and so much fine work as you have done too!--I only wish my eyes may last me as well.'" All this spoken extremely fast obliged Miss Bates to stop for breath; and Emma said something very civil about the excellence of Miss Fairfax's handwriting. "You are extremely kind," replied Miss Bates, highly gratified; "you who are such a judge, and write so beautifully yourself. I am sure there is nobody's praise that could give us so much pleasure as Miss Woodhouse's. My mother does not hear; she is a little deaf you know. Ma'am," addressing her, "do you hear what Miss Woodhouse is so obliging to say about Jane's handwriting?" And Emma had the advantage of hearing her own silly compliment repeated twice over before the good old lady could comprehend it. She was pondering, in the meanwhile, upon the possibility, without seeming very rude, of making her escape from Jane Fairfax's letter, and had almost resolved on hurrying away directly under some slight excuse, when Miss Bates turned to her again and seized her attention. "My mother's deafness is very trifling you see--just nothing at all. By only raising my voice, and saying any thing two or three times over, she is sure to hear; but then she is used to my voice. But it is very remarkable that she should always hear Jane better than she does me. Jane speaks so distinct! However, she will not find her grandmama at all deafer than she was two years ago; which is saying a great deal at my mother's time of life--and it really is full two years, you know, since she was here. We never were so long	rid of the subject as they returned;--but it burst out again when she thought she had succeeded, and after speaking some time of what the poor must suffer in winter, and receiving no other answer than a very plaintive--" "Mr. Elton is so good to the poor!" she found something else must be done. They were just approaching the house where lived Mrs. and Miss Bates. She determined to call upon them and seek safety in numbers. There was always sufficient reason for such an attention; Mrs. and Miss Bates loved to be called on, and she knew she was considered by the very few who presumed ever to see imperfection in her, as rather negligent in that respect, and as not contributing what she ought to the stock of their scanty comforts. She had had many a hint from Mr. Knightley and some from her own heart, as to her deficiency--but none were equal to counteract the persuasion of its being very disagreeable,--a waste of time--tiresome women--and all the horror of being in danger of falling in with the second-rate and third-rate of Highbury, who were calling on them for ever, and therefore she seldom went near them. But now she made the sudden resolution of not passing their door without going in--observing, as she proposed it to Harriet, that, as well as she could calculate, they were just now quite safe from any letter from Jane Fairfax. The house belonged to people in business. Mrs. and Miss Bates occupied the drawing-room floor; and there, in the very moderate-sized apartment, which was every thing to them, the visitors were most cordially and even gratefully welcomed; the quiet neat old lady, who with her knitting was seated in the warmest corner, wanting even to give up her place to Miss Woodhouse, and her more active, talking daughter, almost ready to overpower them with care and kindness, thanks for their visit, solicitude for their shoes, anxious inquiries after Mr. Woodhouse's health, cheerful communications about her mother's, and sweet-cake from the beaufet--"Mrs. Cole had just been there, just called in for ten minutes, and had been so good as to sit an hour with them, and _she_ had taken a piece of cake and been so kind as to say she liked it very much; and, therefore, she hoped Miss Woodhouse and Miss Smith would do them the favour to eat a piece too." The mention of the Coles was sure to be followed by that of Mr. Elton. There was intimacy between them, and Mr. Cole had heard from Mr. Elton since his going away. Emma knew what was coming; they must have the letter over again, and settle how long he had been gone, and how much he was engaged in company, and what a favourite he was wherever he went, and how full the Master of the Ceremonies' ball had been; and she went through it very well, with all the interest and all the commendation that could be requisite, and always putting forward to prevent Harriet's being obliged to say a word. This she had been prepared for when she entered the house; but meant, having once talked him handsomely over, to be no farther incommoded by any troublesome topic, and to wander at large amongst all the Mistresses and Misses of Highbury, and their card-parties. She had not been prepared to have Jane Fairfax succeed Mr. Elton; but he was actually hurried off by Miss Bates, she jumped away from him at last abruptly to the Coles, to usher in a letter from her niece. "Oh! yes--Mr. Elton, I understand--certainly as to dancing--Mrs. Cole was telling me that dancing at the rooms at Bath was--Mrs. Cole was so kind as to sit some time with us, talking of Jane; for as soon as she came in, she began inquiring after her, Jane is so very great a favourite there. Whenever she is with us, Mrs. Cole does not know how to shew her kindness enough; and I must say that Jane deserves it as much as any body can. And so she began inquiring after her directly, saying," 'I know you cannot have heard from Jane lately, because it is not her time for writing;' "and when I immediately said," 'But indeed we have, we had a letter this very morning,' "I do not know that I ever saw any body more surprized." 'Have you, upon your honour?' "said she;" 'well, that is quite unexpected. Do let me hear what she says.'" Emma's politeness was at hand directly, to say, with smiling interest-- "Have you heard from Miss Fairfax so lately? I am extremely happy. I hope she is well?" "Thank you. You are so kind!" replied the happily deceived aunt, while eagerly hunting for the letter.--"<\|quote\|>"Oh! here it is. I was sure it could not be far off; but I had put my huswife upon it, you see, without being aware, and so it was quite hid, but I had it in my hand so very lately that I was almost sure it must be on the table. I was reading it to Mrs. Cole, and since she went away, I was reading it again to my mother, for it is such a pleasure to her--a letter from Jane--that she can never hear it often enough; so I knew it could not be far off, and here it is, only just under my huswife--and since you are so kind as to wish to hear what she says;--but, first of all, I really must, in justice to Jane, apologise for her writing so short a letter--only two pages you see--hardly two--and in general she fills the whole paper and crosses half. My mother often wonders that I can make it out so well. She often says, when the letter is first opened,"</\|quote\|>'Well, Hetty, now I think you will be put to it to make out all that checker-work' "--don't you, ma'am?--And then I tell her, I am sure she would contrive to make it out herself, if she had nobody to do it for her--every word of it--I am sure she would pore over it till she had made out every word. And, indeed, though my mother's eyes are not so good as they were, she can see amazingly well still, thank God! with the help of spectacles. It is such a blessing! My mother's are really very good indeed. Jane often says, when she is here," 'I am sure, grandmama, you must have had very strong eyes to see as you do--and so much fine work as you have done too!--I only wish my eyes may last me as well.'" All this spoken extremely fast obliged Miss Bates to stop for breath; and Emma said something very civil about the excellence of Miss Fairfax's handwriting. "You are extremely kind," replied Miss Bates, highly gratified; "you who are such a judge, and write so beautifully yourself. I am sure there is nobody's praise that could give us so much pleasure as Miss Woodhouse's. My mother does not hear; she is a little deaf you know. Ma'am," addressing her, "do you hear what Miss Woodhouse is so obliging to say about Jane's handwriting?" And Emma had the advantage of hearing her own silly compliment repeated twice over before the good old lady could comprehend it. She was pondering, in the meanwhile, upon the possibility, without seeming very rude, of making her escape from Jane Fairfax's letter, and had almost resolved on hurrying away directly under some slight excuse, when Miss Bates turned to her again and seized her attention. "My mother's deafness is very trifling you see--just nothing at all. By only raising my voice, and saying any thing two or three times over, she is sure to hear; but then she is used to my voice. But it is very remarkable that she should always hear Jane better than she does me. Jane speaks so distinct! However, she will not find her grandmama at all deafer than she was two years ago; which is saying a great deal at my mother's time of life--and it really is full two years, you know, since she was here. We never were so long without seeing her before, and as I was telling Mrs. Cole, we shall hardly know how to make enough of her now." "Are you expecting Miss Fairfax here soon?" "Oh yes; next week." "Indeed!--that must be a very great pleasure." "Thank you. You are very kind. Yes, next week. Every body is so surprized; and every body says the same obliging things. I am sure she will be as happy to see her friends at Highbury, as they can be to see her. Yes, Friday or Saturday; she cannot say which, because Colonel Campbell will be wanting the carriage himself one of those days. So very good of them to send her the whole way! But they always do, you know. Oh yes, Friday or Saturday next. That is what she writes about. That is the reason of her writing out of rule, as we call it; for, in the common course, we should not have heard from her before next Tuesday or Wednesday." "Yes, so I imagined. I was afraid there could be little chance of my hearing any thing of Miss Fairfax to-day." "So obliging of you! No, we should not have heard, if it had not been for this particular circumstance, of her being to come here so soon. My mother is so delighted!--for she is to be three months with us at least. Three months, she says so, positively, as I am going to have the pleasure of reading to you. The case is, you see, that the Campbells are going to Ireland. Mrs. Dixon has persuaded her father and mother to come over and see her directly. They had not intended to go over till the summer, but she is so impatient to see them again--for till she married, last October, she was never away from them so much as a week, which must make it very strange to be in different kingdoms, I was going to say, but however different countries, and so she wrote a very urgent letter to her mother--or her father, I declare I do not know which it was, but we shall see presently in Jane's letter--wrote in Mr. Dixon's name as well as her own, to press their coming over directly, and they would give them the meeting in Dublin, and take them back to their country seat, Baly-craig, a beautiful place, I fancy. Jane has heard a great	and always putting forward to prevent Harriet's being obliged to say a word. This she had been prepared for when she entered the house; but meant, having once talked him handsomely over, to be no farther incommoded by any troublesome topic, and to wander at large amongst all the Mistresses and Misses of Highbury, and their card-parties. She had not been prepared to have Jane Fairfax succeed Mr. Elton; but he was actually hurried off by Miss Bates, she jumped away from him at last abruptly to the Coles, to usher in a letter from her niece. "Oh! yes--Mr. Elton, I understand--certainly as to dancing--Mrs. Cole was telling me that dancing at the rooms at Bath was--Mrs. Cole was so kind as to sit some time with us, talking of Jane; for as soon as she came in, she began inquiring after her, Jane is so very great a favourite there. Whenever she is with us, Mrs. Cole does not know how to shew her kindness enough; and I must say that Jane deserves it as much as any body can. And so she began inquiring after her directly, saying," 'I know you cannot have heard from Jane lately, because it is not her time for writing;' "and when I immediately said," 'But indeed we have, we had a letter this very morning,' "I do not know that I ever saw any body more surprized." 'Have you, upon your honour?' "said she;" 'well, that is quite unexpected. Do let me hear what she says.'" Emma's politeness was at hand directly, to say, with smiling interest-- "Have you heard from Miss Fairfax so lately? I am extremely happy. I hope she is well?" "Thank you. You are so kind!" replied the happily deceived aunt, while eagerly hunting for the letter.--"<\|quote\|>"Oh! here it is. I was sure it could not be far off; but I had put my huswife upon it, you see, without being aware, and so it was quite hid, but I had it in my hand so very lately that I was almost sure it must be on the table. I was reading it to Mrs. Cole, and since she went away, I was reading it again to my mother, for it is such a pleasure to her--a letter from Jane--that she can never hear it often enough; so I knew it could not be far off, and here it is, only just under my huswife--and since you are so kind as to wish to hear what she says;--but, first of all, I really must, in justice to Jane, apologise for her writing so short a letter--only two pages you see--hardly two--and in general she fills the whole paper and crosses half. My mother often wonders that I can make it out so well. She often says, when the letter is first opened,"</\|quote\|>'Well, Hetty, now I think you will be put to it to make out all that checker-work' "--don't you, ma'am?--And then I tell her, I am sure she would contrive to make it out herself, if she had nobody to do it for her--every word of it--I am sure she would pore over it till she had made out every word. And, indeed, though my mother's eyes are not so good as they were, she can see amazingly well still, thank God! with the help of spectacles. It is such a blessing! My mother's are really very good indeed. Jane often says, when she is here," 'I am sure, grandmama, you must have had very strong eyes to see as you do--and so much fine work as you have done too!--I only wish my eyes may last me as well.'" All this spoken extremely fast obliged Miss Bates to stop for breath; and Emma said something very civil about the excellence of Miss Fairfax's handwriting. "You are extremely kind," replied Miss Bates, highly gratified; "you who are such a judge, and write so beautifully yourself. I am sure there is nobody's praise that could give us so much pleasure as Miss Woodhouse's. My mother does not hear; she is a little deaf you know. Ma'am," addressing her, "do you hear what Miss Woodhouse is so obliging to say about Jane's handwriting?" And Emma had the advantage of hearing her own silly compliment repeated twice over before the good old lady could comprehend it. She was pondering, in the meanwhile, upon the possibility, without seeming very rude, of making her escape from Jane Fairfax's letter, and had almost resolved on hurrying away directly under some slight excuse, when Miss Bates turned to her again and seized her attention. "My mother's deafness is very trifling you see--just nothing at all. By only raising my voice, and saying any thing two or three times over, she is sure to hear; but then she is used to my voice. But it is very remarkable that she should always hear Jane better than she does me. Jane speaks so distinct! However, she will not find her grandmama at all deafer than she was two years ago; which is saying a great deal at my mother's time of life--and it really is full two years, you know, since she was here. We never were so long without seeing her before, and as I was telling Mrs. Cole, we shall hardly know how to make enough of her now." "Are you expecting Miss	Emma
"in telling you all this. I have not known you long to be sure, personally at least, but I have known you and all your family by description a great while; and as soon as I saw you, I felt almost as if you was an old acquaintance. Besides in the present case, I really thought some explanation was due to you after my making such particular inquiries about Edward s mother; and I am so unfortunate, that I have not a creature whose advice I can ask. Anne is the only person that knows of it, and she has no judgment at all; indeed, she does me a great deal more harm than good, for I am in constant fear of her betraying me. She does not know how to hold her tongue, as you must perceive, and I am sure I was in the greatest fright in the world t other day, when Edward s name was mentioned by Sir John, lest she should out with it all. You can t think how much I go through in my mind from it altogether. I only wonder that I am alive after what I have suffered for Edward s sake these last four years. Every thing in such suspense and uncertainty; and seeing him so seldom we can hardly meet above twice a-year. I am sure I wonder my heart is not quite broke."	Lucy Steele	liberty with you," said she,<\|quote\|>"in telling you all this. I have not known you long to be sure, personally at least, but I have known you and all your family by description a great while; and as soon as I saw you, I felt almost as if you was an old acquaintance. Besides in the present case, I really thought some explanation was due to you after my making such particular inquiries about Edward s mother; and I am so unfortunate, that I have not a creature whose advice I can ask. Anne is the only person that knows of it, and she has no judgment at all; indeed, she does me a great deal more harm than good, for I am in constant fear of her betraying me. She does not know how to hold her tongue, as you must perceive, and I am sure I was in the greatest fright in the world t other day, when Edward s name was mentioned by Sir John, lest she should out with it all. You can t think how much I go through in my mind from it altogether. I only wonder that I am alive after what I have suffered for Edward s sake these last four years. Every thing in such suspense and uncertainty; and seeing him so seldom we can hardly meet above twice a-year. I am sure I wonder my heart is not quite broke."</\|quote\|>Here she took out her	I was taking a great liberty with you," said she,<\|quote\|>"in telling you all this. I have not known you long to be sure, personally at least, but I have known you and all your family by description a great while; and as soon as I saw you, I felt almost as if you was an old acquaintance. Besides in the present case, I really thought some explanation was due to you after my making such particular inquiries about Edward s mother; and I am so unfortunate, that I have not a creature whose advice I can ask. Anne is the only person that knows of it, and she has no judgment at all; indeed, she does me a great deal more harm than good, for I am in constant fear of her betraying me. She does not know how to hold her tongue, as you must perceive, and I am sure I was in the greatest fright in the world t other day, when Edward s name was mentioned by Sir John, lest she should out with it all. You can t think how much I go through in my mind from it altogether. I only wonder that I am alive after what I have suffered for Edward s sake these last four years. Every thing in such suspense and uncertainty; and seeing him so seldom we can hardly meet above twice a-year. I am sure I wonder my heart is not quite broke."</\|quote\|>Here she took out her handkerchief; but Elinor did not	said this, she looked earnestly at Lucy, hoping to discover something in her countenance; perhaps the falsehood of the greatest part of what she had been saying; but Lucy s countenance suffered no change. "I was afraid you would think I was taking a great liberty with you," said she,<\|quote\|>"in telling you all this. I have not known you long to be sure, personally at least, but I have known you and all your family by description a great while; and as soon as I saw you, I felt almost as if you was an old acquaintance. Besides in the present case, I really thought some explanation was due to you after my making such particular inquiries about Edward s mother; and I am so unfortunate, that I have not a creature whose advice I can ask. Anne is the only person that knows of it, and she has no judgment at all; indeed, she does me a great deal more harm than good, for I am in constant fear of her betraying me. She does not know how to hold her tongue, as you must perceive, and I am sure I was in the greatest fright in the world t other day, when Edward s name was mentioned by Sir John, lest she should out with it all. You can t think how much I go through in my mind from it altogether. I only wonder that I am alive after what I have suffered for Edward s sake these last four years. Every thing in such suspense and uncertainty; and seeing him so seldom we can hardly meet above twice a-year. I am sure I wonder my heart is not quite broke."</\|quote\|>Here she took out her handkerchief; but Elinor did not feel very compassionate. "Sometimes." continued Lucy, after wiping her eyes, "I think whether it would not be better for us both to break off the matter entirely." As she said this, she looked directly at her companion. "But then at	more than justice in imagining that I may be depended on. Your secret is safe with me; but pardon me if I express some surprise at so unnecessary a communication. You must at least have felt that my being acquainted with it could not add to its safety." As she said this, she looked earnestly at Lucy, hoping to discover something in her countenance; perhaps the falsehood of the greatest part of what she had been saying; but Lucy s countenance suffered no change. "I was afraid you would think I was taking a great liberty with you," said she,<\|quote\|>"in telling you all this. I have not known you long to be sure, personally at least, but I have known you and all your family by description a great while; and as soon as I saw you, I felt almost as if you was an old acquaintance. Besides in the present case, I really thought some explanation was due to you after my making such particular inquiries about Edward s mother; and I am so unfortunate, that I have not a creature whose advice I can ask. Anne is the only person that knows of it, and she has no judgment at all; indeed, she does me a great deal more harm than good, for I am in constant fear of her betraying me. She does not know how to hold her tongue, as you must perceive, and I am sure I was in the greatest fright in the world t other day, when Edward s name was mentioned by Sir John, lest she should out with it all. You can t think how much I go through in my mind from it altogether. I only wonder that I am alive after what I have suffered for Edward s sake these last four years. Every thing in such suspense and uncertainty; and seeing him so seldom we can hardly meet above twice a-year. I am sure I wonder my heart is not quite broke."</\|quote\|>Here she took out her handkerchief; but Elinor did not feel very compassionate. "Sometimes." continued Lucy, after wiping her eyes, "I think whether it would not be better for us both to break off the matter entirely." As she said this, she looked directly at her companion. "But then at other times I have not resolution enough for it. I cannot bear the thoughts of making him so miserable, as I know the very mention of such a thing would do. And on my own account too so dear as he is to me I don t think I could	for it the very first opportunity." "You are quite in the right," replied Elinor calmly. They then proceeded a few paces in silence. Lucy spoke first. "I am sure," said she, "I have no doubt in the world of your faithfully keeping this secret, because you must know of what importance it is to us, not to have it reach his mother; for she would never approve of it, I dare say. I shall have no fortune, and I fancy she is an exceeding proud woman." "I certainly did not seek your confidence," said Elinor; "but you do me no more than justice in imagining that I may be depended on. Your secret is safe with me; but pardon me if I express some surprise at so unnecessary a communication. You must at least have felt that my being acquainted with it could not add to its safety." As she said this, she looked earnestly at Lucy, hoping to discover something in her countenance; perhaps the falsehood of the greatest part of what she had been saying; but Lucy s countenance suffered no change. "I was afraid you would think I was taking a great liberty with you," said she,<\|quote\|>"in telling you all this. I have not known you long to be sure, personally at least, but I have known you and all your family by description a great while; and as soon as I saw you, I felt almost as if you was an old acquaintance. Besides in the present case, I really thought some explanation was due to you after my making such particular inquiries about Edward s mother; and I am so unfortunate, that I have not a creature whose advice I can ask. Anne is the only person that knows of it, and she has no judgment at all; indeed, she does me a great deal more harm than good, for I am in constant fear of her betraying me. She does not know how to hold her tongue, as you must perceive, and I am sure I was in the greatest fright in the world t other day, when Edward s name was mentioned by Sir John, lest she should out with it all. You can t think how much I go through in my mind from it altogether. I only wonder that I am alive after what I have suffered for Edward s sake these last four years. Every thing in such suspense and uncertainty; and seeing him so seldom we can hardly meet above twice a-year. I am sure I wonder my heart is not quite broke."</\|quote\|>Here she took out her handkerchief; but Elinor did not feel very compassionate. "Sometimes." continued Lucy, after wiping her eyes, "I think whether it would not be better for us both to break off the matter entirely." As she said this, she looked directly at her companion. "But then at other times I have not resolution enough for it. I cannot bear the thoughts of making him so miserable, as I know the very mention of such a thing would do. And on my own account too so dear as he is to me I don t think I could be equal to it. What would you advise me to do in such a case, Miss Dashwood? What would you do yourself?" "Pardon me," replied Elinor, startled by the question; "but I can give you no advice under such circumstances. Your own judgment must direct you." "To be sure," continued Lucy, after a few minutes silence on both sides, "his mother must provide for him sometime or other; but poor Edward is so cast down by it! Did you not think him dreadful low-spirited when he was at Barton? He was so miserable when he left us at Longstaple, to	it." She was silent. Elinor s security sunk; but her self-command did not sink with it. "Four years you have been engaged," said she with a firm voice. "Yes; and heaven knows how much longer we may have to wait. Poor Edward! It puts him quite out of heart." Then taking a small miniature from her pocket, she added, "To prevent the possibility of mistake, be so good as to look at this face. It does not do him justice, to be sure, but yet I think you cannot be deceived as to the person it was drew for. I have had it above these three years." She put it into her hands as she spoke; and when Elinor saw the painting, whatever other doubts her fear of a too hasty decision, or her wish of detecting falsehood might suffer to linger in her mind, she could have none of its being Edward s face. She returned it almost instantly, acknowledging the likeness. "I have never been able," continued Lucy, "to give him my picture in return, which I am very much vexed at, for he has been always so anxious to get it! But I am determined to set for it the very first opportunity." "You are quite in the right," replied Elinor calmly. They then proceeded a few paces in silence. Lucy spoke first. "I am sure," said she, "I have no doubt in the world of your faithfully keeping this secret, because you must know of what importance it is to us, not to have it reach his mother; for she would never approve of it, I dare say. I shall have no fortune, and I fancy she is an exceeding proud woman." "I certainly did not seek your confidence," said Elinor; "but you do me no more than justice in imagining that I may be depended on. Your secret is safe with me; but pardon me if I express some surprise at so unnecessary a communication. You must at least have felt that my being acquainted with it could not add to its safety." As she said this, she looked earnestly at Lucy, hoping to discover something in her countenance; perhaps the falsehood of the greatest part of what she had been saying; but Lucy s countenance suffered no change. "I was afraid you would think I was taking a great liberty with you," said she,<\|quote\|>"in telling you all this. I have not known you long to be sure, personally at least, but I have known you and all your family by description a great while; and as soon as I saw you, I felt almost as if you was an old acquaintance. Besides in the present case, I really thought some explanation was due to you after my making such particular inquiries about Edward s mother; and I am so unfortunate, that I have not a creature whose advice I can ask. Anne is the only person that knows of it, and she has no judgment at all; indeed, she does me a great deal more harm than good, for I am in constant fear of her betraying me. She does not know how to hold her tongue, as you must perceive, and I am sure I was in the greatest fright in the world t other day, when Edward s name was mentioned by Sir John, lest she should out with it all. You can t think how much I go through in my mind from it altogether. I only wonder that I am alive after what I have suffered for Edward s sake these last four years. Every thing in such suspense and uncertainty; and seeing him so seldom we can hardly meet above twice a-year. I am sure I wonder my heart is not quite broke."</\|quote\|>Here she took out her handkerchief; but Elinor did not feel very compassionate. "Sometimes." continued Lucy, after wiping her eyes, "I think whether it would not be better for us both to break off the matter entirely." As she said this, she looked directly at her companion. "But then at other times I have not resolution enough for it. I cannot bear the thoughts of making him so miserable, as I know the very mention of such a thing would do. And on my own account too so dear as he is to me I don t think I could be equal to it. What would you advise me to do in such a case, Miss Dashwood? What would you do yourself?" "Pardon me," replied Elinor, startled by the question; "but I can give you no advice under such circumstances. Your own judgment must direct you." "To be sure," continued Lucy, after a few minutes silence on both sides, "his mother must provide for him sometime or other; but poor Edward is so cast down by it! Did you not think him dreadful low-spirited when he was at Barton? He was so miserable when he left us at Longstaple, to go to you, that I was afraid you would think him quite ill." "Did he come from your uncle s, then, when he visited us?" "Oh, yes; he had been staying a fortnight with us. Did you think he came directly from town?" "No," replied Elinor, most feelingly sensible of every fresh circumstance in favour of Lucy s veracity; "I remember he told us, that he had been staying a fortnight with some friends near Plymouth." She remembered too, her own surprise at the time, at his mentioning nothing farther of those friends, at his total silence with respect even to their names. "Did not you think him sadly out of spirits?" repeated Lucy. "We did, indeed, particularly so when he first arrived." "I begged him to exert himself for fear you should suspect what was the matter; but it made him so melancholy, not being able to stay more than a fortnight with us, and seeing me so much affected. Poor fellow! I am afraid it is just the same with him now; for he writes in wretched spirits. I heard from him just before I left Exeter;" taking a letter from her pocket and carelessly showing the direction	even acquainted till the other day." "Our acquaintance, however, is of many years date. He was under my uncle s care, you know, a considerable while." "Your uncle!" "Yes; Mr. Pratt. Did you never hear him talk of Mr. Pratt?" "I think I have," replied Elinor, with an exertion of spirits, which increased with her increase of emotion. "He was four years with my uncle, who lives at Longstaple, near Plymouth. It was there our acquaintance begun, for my sister and me was often staying with my uncle, and it was there our engagement was formed, though not till a year after he had quitted as a pupil; but he was almost always with us afterwards. I was very unwilling to enter into it, as you may imagine, without the knowledge and approbation of his mother; but I was too young, and loved him too well, to be so prudent as I ought to have been. Though you do not know him so well as me, Miss Dashwood, you must have seen enough of him to be sensible he is very capable of making a woman sincerely attached to him." "Certainly," answered Elinor, without knowing what she said; but after a moment s reflection, she added, with revived security of Edward s honour and love, and her companion s falsehood "Engaged to Mr. Edward Ferrars! I confess myself so totally surprised at what you tell me, that really I beg your pardon; but surely there must be some mistake of person or name. We cannot mean the same Mr. Ferrars." "We can mean no other," cried Lucy, smiling. "Mr. Edward Ferrars, the eldest son of Mrs. Ferrars, of Park Street, and brother of your sister-in-law, Mrs. John Dashwood, is the person I mean; you must allow that I am not likely to be deceived as to the name of the man on who all my happiness depends." "It is strange," replied Elinor, in a most painful perplexity, "that I should never have heard him even mention your name." "No; considering our situation, it was not strange. Our first care has been to keep the matter secret. You knew nothing of me, or my family, and, therefore, there could be no _occasion_ for ever mentioning my name to you; and, as he was always particularly afraid of his sister s suspecting any thing, _that_ was reason enough for his not mentioning it." She was silent. Elinor s security sunk; but her self-command did not sink with it. "Four years you have been engaged," said she with a firm voice. "Yes; and heaven knows how much longer we may have to wait. Poor Edward! It puts him quite out of heart." Then taking a small miniature from her pocket, she added, "To prevent the possibility of mistake, be so good as to look at this face. It does not do him justice, to be sure, but yet I think you cannot be deceived as to the person it was drew for. I have had it above these three years." She put it into her hands as she spoke; and when Elinor saw the painting, whatever other doubts her fear of a too hasty decision, or her wish of detecting falsehood might suffer to linger in her mind, she could have none of its being Edward s face. She returned it almost instantly, acknowledging the likeness. "I have never been able," continued Lucy, "to give him my picture in return, which I am very much vexed at, for he has been always so anxious to get it! But I am determined to set for it the very first opportunity." "You are quite in the right," replied Elinor calmly. They then proceeded a few paces in silence. Lucy spoke first. "I am sure," said she, "I have no doubt in the world of your faithfully keeping this secret, because you must know of what importance it is to us, not to have it reach his mother; for she would never approve of it, I dare say. I shall have no fortune, and I fancy she is an exceeding proud woman." "I certainly did not seek your confidence," said Elinor; "but you do me no more than justice in imagining that I may be depended on. Your secret is safe with me; but pardon me if I express some surprise at so unnecessary a communication. You must at least have felt that my being acquainted with it could not add to its safety." As she said this, she looked earnestly at Lucy, hoping to discover something in her countenance; perhaps the falsehood of the greatest part of what she had been saying; but Lucy s countenance suffered no change. "I was afraid you would think I was taking a great liberty with you," said she,<\|quote\|>"in telling you all this. I have not known you long to be sure, personally at least, but I have known you and all your family by description a great while; and as soon as I saw you, I felt almost as if you was an old acquaintance. Besides in the present case, I really thought some explanation was due to you after my making such particular inquiries about Edward s mother; and I am so unfortunate, that I have not a creature whose advice I can ask. Anne is the only person that knows of it, and she has no judgment at all; indeed, she does me a great deal more harm than good, for I am in constant fear of her betraying me. She does not know how to hold her tongue, as you must perceive, and I am sure I was in the greatest fright in the world t other day, when Edward s name was mentioned by Sir John, lest she should out with it all. You can t think how much I go through in my mind from it altogether. I only wonder that I am alive after what I have suffered for Edward s sake these last four years. Every thing in such suspense and uncertainty; and seeing him so seldom we can hardly meet above twice a-year. I am sure I wonder my heart is not quite broke."</\|quote\|>Here she took out her handkerchief; but Elinor did not feel very compassionate. "Sometimes." continued Lucy, after wiping her eyes, "I think whether it would not be better for us both to break off the matter entirely." As she said this, she looked directly at her companion. "But then at other times I have not resolution enough for it. I cannot bear the thoughts of making him so miserable, as I know the very mention of such a thing would do. And on my own account too so dear as he is to me I don t think I could be equal to it. What would you advise me to do in such a case, Miss Dashwood? What would you do yourself?" "Pardon me," replied Elinor, startled by the question; "but I can give you no advice under such circumstances. Your own judgment must direct you." "To be sure," continued Lucy, after a few minutes silence on both sides, "his mother must provide for him sometime or other; but poor Edward is so cast down by it! Did you not think him dreadful low-spirited when he was at Barton? He was so miserable when he left us at Longstaple, to go to you, that I was afraid you would think him quite ill." "Did he come from your uncle s, then, when he visited us?" "Oh, yes; he had been staying a fortnight with us. Did you think he came directly from town?" "No," replied Elinor, most feelingly sensible of every fresh circumstance in favour of Lucy s veracity; "I remember he told us, that he had been staying a fortnight with some friends near Plymouth." She remembered too, her own surprise at the time, at his mentioning nothing farther of those friends, at his total silence with respect even to their names. "Did not you think him sadly out of spirits?" repeated Lucy. "We did, indeed, particularly so when he first arrived." "I begged him to exert himself for fear you should suspect what was the matter; but it made him so melancholy, not being able to stay more than a fortnight with us, and seeing me so much affected. Poor fellow! I am afraid it is just the same with him now; for he writes in wretched spirits. I heard from him just before I left Exeter;" taking a letter from her pocket and carelessly showing the direction to Elinor. "You know his hand, I dare say, a charming one it is; but that is not written so well as usual. He was tired, I dare say, for he had just filled the sheet to me as full as possible." Elinor saw that it _was_ his hand, and she could doubt no longer. This picture, she had allowed herself to believe, might have been accidentally obtained; it might not have been Edward s gift; but a correspondence between them by letter, could subsist only under a positive engagement, could be authorised by nothing else; for a few moments, she was almost overcome her heart sunk within her, and she could hardly stand; but exertion was indispensably necessary; and she struggled so resolutely against the oppression of her feelings, that her success was speedy, and for the time complete. "Writing to each other," said Lucy, returning the letter into her pocket, "is the only comfort we have in such long separations. Yes, _I_ have one other comfort in his picture, but poor Edward has not even _that_. If he had but my picture, he says he should be easy. I gave him a lock of my hair set in a ring when he was at Longstaple last, and that was some comfort to him, he said, but not equal to a picture. Perhaps you might notice the ring when you saw him?" "I did," said Elinor, with a composure of voice, under which was concealed an emotion and distress beyond any thing she had ever felt before. She was mortified, shocked, confounded. Fortunately for her, they had now reached the cottage, and the conversation could be continued no farther. After sitting with them a few minutes, the Miss Steeles returned to the Park, and Elinor was then at liberty to think and be wretched. END OF THE FIRST VOLUME CHAPTER XXIII. However small Elinor s general dependence on Lucy s veracity might be, it was impossible for her on serious reflection to suspect it in the present case, where no temptation could be answerable to the folly of inventing a falsehood of such a description. What Lucy had asserted to be true, therefore, Elinor could not, dared not longer doubt; supported as it was too on every side by such probabilities and proofs, and contradicted by nothing but her own wishes. Their opportunity of acquaintance in the house of	Mr. Ferrars." "We can mean no other," cried Lucy, smiling. "Mr. Edward Ferrars, the eldest son of Mrs. Ferrars, of Park Street, and brother of your sister-in-law, Mrs. John Dashwood, is the person I mean; you must allow that I am not likely to be deceived as to the name of the man on who all my happiness depends." "It is strange," replied Elinor, in a most painful perplexity, "that I should never have heard him even mention your name." "No; considering our situation, it was not strange. Our first care has been to keep the matter secret. You knew nothing of me, or my family, and, therefore, there could be no _occasion_ for ever mentioning my name to you; and, as he was always particularly afraid of his sister s suspecting any thing, _that_ was reason enough for his not mentioning it." She was silent. Elinor s security sunk; but her self-command did not sink with it. "Four years you have been engaged," said she with a firm voice. "Yes; and heaven knows how much longer we may have to wait. Poor Edward! It puts him quite out of heart." Then taking a small miniature from her pocket, she added, "To prevent the possibility of mistake, be so good as to look at this face. It does not do him justice, to be sure, but yet I think you cannot be deceived as to the person it was drew for. I have had it above these three years." She put it into her hands as she spoke; and when Elinor saw the painting, whatever other doubts her fear of a too hasty decision, or her wish of detecting falsehood might suffer to linger in her mind, she could have none of its being Edward s face. She returned it almost instantly, acknowledging the likeness. "I have never been able," continued Lucy, "to give him my picture in return, which I am very much vexed at, for he has been always so anxious to get it! But I am determined to set for it the very first opportunity." "You are quite in the right," replied Elinor calmly. They then proceeded a few paces in silence. Lucy spoke first. "I am sure," said she, "I have no doubt in the world of your faithfully keeping this secret, because you must know of what importance it is to us, not to have it reach his mother; for she would never approve of it, I dare say. I shall have no fortune, and I fancy she is an exceeding proud woman." "I certainly did not seek your confidence," said Elinor; "but you do me no more than justice in imagining that I may be depended on. Your secret is safe with me; but pardon me if I express some surprise at so unnecessary a communication. You must at least have felt that my being acquainted with it could not add to its safety." As she said this, she looked earnestly at Lucy, hoping to discover something in her countenance; perhaps the falsehood of the greatest part of what she had been saying; but Lucy s countenance suffered no change. "I was afraid you would think I was taking a great liberty with you," said she,<\|quote\|>"in telling you all this. I have not known you long to be sure, personally at least, but I have known you and all your family by description a great while; and as soon as I saw you, I felt almost as if you was an old acquaintance. Besides in the present case, I really thought some explanation was due to you after my making such particular inquiries about Edward s mother; and I am so unfortunate, that I have not a creature whose advice I can ask. Anne is the only person that knows of it, and she has no judgment at all; indeed, she does me a great deal more harm than good, for I am in constant fear of her betraying me. She does not know how to hold her tongue, as you must perceive, and I am sure I was in the greatest fright in the world t other day, when Edward s name was mentioned by Sir John, lest she should out with it all. You can t think how much I go through in my mind from it altogether. I only wonder that I am alive after what I have suffered for Edward s sake these last four years. Every thing in such suspense and uncertainty; and seeing him so seldom we can hardly meet above twice a-year. I am sure I wonder my heart is not quite broke."</\|quote\|>Here she took out her handkerchief; but Elinor did not feel very compassionate. "Sometimes." continued Lucy, after wiping her eyes, "I think whether it would not be better for us both to break off the matter entirely." As she said this, she looked directly at her companion. "But then at other times I have not resolution enough for it. I cannot bear the thoughts of making him so miserable, as I know the very mention of such a thing would do. And on my own account too so dear as he is to me I don t think I could be equal to it. What would you advise me to do in such a case, Miss Dashwood? What would you do yourself?" "Pardon me," replied Elinor, startled by the question; "but I can give you no advice under such circumstances. Your own judgment must direct you." "To be sure," continued Lucy, after a few minutes silence on both sides, "his mother must provide for him sometime or other; but poor Edward is so cast down by it! Did you not think him dreadful low-spirited when he was at Barton? He was so miserable when he left us at Longstaple, to go to you, that I was afraid you would think him quite ill." "Did he come from your uncle s, then, when he visited us?" "Oh, yes; he had been staying a fortnight with us. Did you think he came directly from town?" "No," replied Elinor, most feelingly sensible of every fresh circumstance in favour of Lucy s veracity; "I remember he told us, that he had been staying a fortnight with some friends near Plymouth." She remembered too, her own surprise at the time, at his mentioning nothing farther of those friends, at his total silence with respect even to their names. "Did not you think him sadly out of spirits?" repeated Lucy. "We did, indeed, particularly so when he first arrived." "I begged him to exert himself for fear you should suspect what was the matter; but it made him so melancholy, not being able to stay more than a fortnight with us, and seeing me so much affected. Poor fellow! I am afraid it is just the same with him now; for he writes in wretched spirits. I heard from him just before I left Exeter;" taking a letter from her pocket and carelessly showing the direction to Elinor. "You know his hand, I dare say, a charming one it is; but that is not written so well as usual. He was tired, I dare say, for he had just filled the sheet to me as full as possible." Elinor saw that it _was_ his hand, and she could doubt no longer. This picture, she had allowed herself to believe, might have been accidentally obtained; it might not have been Edward s gift; but a correspondence between them by letter, could subsist only under a positive engagement, could be authorised by nothing else; for a few moments, she was almost overcome her heart sunk within her, and she could hardly	Sense And Sensibility
--she made her escape. II Lord John, reannounced the next instant from the nearest quarter and quite waiving salutations, left no doubt of the high pitch of his eagerness and tension as soon as the door had closed behind him.	No speaker	room. “Then you’ll excuse me!”<\|quote\|>--she made her escape. II Lord John, reannounced the next instant from the nearest quarter and quite waiving salutations, left no doubt of the high pitch of his eagerness and tension as soon as the door had closed behind him.</\|quote\|>“What on earth then do	the passage to the other room. “Then you’ll excuse me!”<\|quote\|>--she made her escape. II Lord John, reannounced the next instant from the nearest quarter and quite waiving salutations, left no doubt of the high pitch of his eagerness and tension as soon as the door had closed behind him.</\|quote\|>“What on earth then do you suppose he has come	expected.” She had a pause till they were alone again, when she went on to her companion: “You asked me just now if I understood. Well--I do understand!” Lady Grace, with Gotch’s withdrawal, which left the door open, had reached the passage to the other room. “Then you’ll excuse me!”<\|quote\|>--she made her escape. II Lord John, reannounced the next instant from the nearest quarter and quite waiving salutations, left no doubt of the high pitch of his eagerness and tension as soon as the door had closed behind him.</\|quote\|>“What on earth then do you suppose he has come back to _do_--?” To which he added while his hostess’s gesture impatiently disclaimed conjecture: “Because when a fellow really finds himself the centre of a cyclone----!” “Isn’t it just at the centre,” she interrupted, “that you keep remarkably still, and	but Lord John has--to know if he’s expected _here_, and in that case, by your ladyship’s leave, to come up.” Her ladyship turned to the girl. “May Lord John--as we do await your father--come up?” “As suits _you_, please!” “He may come up,” said Lady Sandgate to Gotch. “His lordship’s expected.” She had a pause till they were alone again, when she went on to her companion: “You asked me just now if I understood. Well--I do understand!” Lady Grace, with Gotch’s withdrawal, which left the door open, had reached the passage to the other room. “Then you’ll excuse me!”<\|quote\|>--she made her escape. II Lord John, reannounced the next instant from the nearest quarter and quite waiving salutations, left no doubt of the high pitch of his eagerness and tension as soon as the door had closed behind him.</\|quote\|>“What on earth then do you suppose he has come back to _do_--?” To which he added while his hostess’s gesture impatiently disclaimed conjecture: “Because when a fellow really finds himself the centre of a cyclone----!” “Isn’t it just at the centre,” she interrupted, “that you keep remarkably still, and only in the suburbs that you feel the rage? I count on dear Theign’s doing nothing in the least foolish--!” “Ah, but he can’t have chucked everything for nothing,” Lord John sharply returned; “and wherever you place him in the rumpus he can’t not meet somehow, hang it, such an	show herself as still under the impression she might have received on entering. “He’ll only oppose _you!_” “If he does,” said Lady Grace, “we’re at present two to bear it.” “Heaven save us then” --the elder woman was quick, was even cordial, for the sense of this-- “your good friend _is_ clever!” Lady Grace honoured the remark. “Mr. Crim-ble’s remarkably clever.” “And you’ve arranged----?” “We haven’t arranged--but we’ve understood. So that, dear Amy, if _you_ understand--!” Lady Grace paused, for Gotch had come in from the hall. “His lordship has arrived?” his mistress immediately put to him. “No, my lady, but Lord John has--to know if he’s expected _here_, and in that case, by your ladyship’s leave, to come up.” Her ladyship turned to the girl. “May Lord John--as we do await your father--come up?” “As suits _you_, please!” “He may come up,” said Lady Sandgate to Gotch. “His lordship’s expected.” She had a pause till they were alone again, when she went on to her companion: “You asked me just now if I understood. Well--I do understand!” Lady Grace, with Gotch’s withdrawal, which left the door open, had reached the passage to the other room. “Then you’ll excuse me!”<\|quote\|>--she made her escape. II Lord John, reannounced the next instant from the nearest quarter and quite waiving salutations, left no doubt of the high pitch of his eagerness and tension as soon as the door had closed behind him.</\|quote\|>“What on earth then do you suppose he has come back to _do_--?” To which he added while his hostess’s gesture impatiently disclaimed conjecture: “Because when a fellow really finds himself the centre of a cyclone----!” “Isn’t it just at the centre,” she interrupted, “that you keep remarkably still, and only in the suburbs that you feel the rage? I count on dear Theign’s doing nothing in the least foolish--!” “Ah, but he can’t have chucked everything for nothing,” Lord John sharply returned; “and wherever you place him in the rumpus he can’t not meet somehow, hang it, such an assault on his character as a great nobleman and good citizen.” “It’s his luck to have become with the public of the newspapers the scapegoat-in-chief: for the sins, so-called, of a lot of people!” Lady Sandgate inconclusively sighed. “Yes,” Lord John concluded for her, “the mercenary millions on whose traffic in their trumpery values--when they’re so lucky as to have any!--_this_ isn’t a patch!” “Oh, there are cases _and_ cases: situations and responsibilities so intensely differ!” --that appeared on the whole, for her ladyship, the moral to be gathered. “Of course everything differs, all round, from everything,” Lord John went	Grace was sharply struck. “He arrives this afternoon and appears to go straight to Kitty--according to a wire that I find downstairs on coming back late from my luncheon. He has returned with a rush--as,” said his correspondent in the elation of triumph, “I was _sure_ he would!” Her young friend was more at sea. “Brought back, you mean, by the outcry--even though he so hates it?” But she was more and more all lucidity--save in so far as she was now almost all authority. “Ah, hating still more to seem afraid, he has come back to face the music!” Lady Grace, turning away as in vague despair for the manner in which the music might affect him, yet wheeled about again, after thought, to a positive recognition and even to quite an inconsequent pride. “Yes--that’s dear old father!” And what was Lady Sandgate moreover but mistress now of the subject? “At the point the row has reached he couldn’t stand it another day; so he has thrown up his cure and--lest we should oppose him!--not even announced his start.” “Well,” her companion returned, “now that I’ve _done_ it all I shall never oppose him again!” Lady Sandgate appeared to show herself as still under the impression she might have received on entering. “He’ll only oppose _you!_” “If he does,” said Lady Grace, “we’re at present two to bear it.” “Heaven save us then” --the elder woman was quick, was even cordial, for the sense of this-- “your good friend _is_ clever!” Lady Grace honoured the remark. “Mr. Crim-ble’s remarkably clever.” “And you’ve arranged----?” “We haven’t arranged--but we’ve understood. So that, dear Amy, if _you_ understand--!” Lady Grace paused, for Gotch had come in from the hall. “His lordship has arrived?” his mistress immediately put to him. “No, my lady, but Lord John has--to know if he’s expected _here_, and in that case, by your ladyship’s leave, to come up.” Her ladyship turned to the girl. “May Lord John--as we do await your father--come up?” “As suits _you_, please!” “He may come up,” said Lady Sandgate to Gotch. “His lordship’s expected.” She had a pause till they were alone again, when she went on to her companion: “You asked me just now if I understood. Well--I do understand!” Lady Grace, with Gotch’s withdrawal, which left the door open, had reached the passage to the other room. “Then you’ll excuse me!”<\|quote\|>--she made her escape. II Lord John, reannounced the next instant from the nearest quarter and quite waiving salutations, left no doubt of the high pitch of his eagerness and tension as soon as the door had closed behind him.</\|quote\|>“What on earth then do you suppose he has come back to _do_--?” To which he added while his hostess’s gesture impatiently disclaimed conjecture: “Because when a fellow really finds himself the centre of a cyclone----!” “Isn’t it just at the centre,” she interrupted, “that you keep remarkably still, and only in the suburbs that you feel the rage? I count on dear Theign’s doing nothing in the least foolish--!” “Ah, but he can’t have chucked everything for nothing,” Lord John sharply returned; “and wherever you place him in the rumpus he can’t not meet somehow, hang it, such an assault on his character as a great nobleman and good citizen.” “It’s his luck to have become with the public of the newspapers the scapegoat-in-chief: for the sins, so-called, of a lot of people!” Lady Sandgate inconclusively sighed. “Yes,” Lord John concluded for her, “the mercenary millions on whose traffic in their trumpery values--when they’re so lucky as to have any!--_this_ isn’t a patch!” “Oh, there are cases _and_ cases: situations and responsibilities so intensely differ!” --that appeared on the whole, for her ladyship, the moral to be gathered. “Of course everything differs, all round, from everything,” Lord John went on; “and who in the world knows anything of his own case but the victim of circumstances exposing himself, for the highest and purest motives, to be literally torn to pieces?” “Well,” said Lady Sandgate as, in her strained suspense, she freshly consulted her bracelet watch, “I hope he isn’t already torn--if you tell me you’ve been to Kitty’s.” “Oh, he was all right so far: he had arrived and gone out again,” the young man explained, “as Lady Imber hadn’t been at home.” “Ah cool Kitty!” his hostess sighed again--but diverted, as she spoke, by the reappearance of her butler, this time positively preceding Lord Theign, whom she met, when he presently stood before her, his garb of travel exchanged for consummate afternoon dress, with yearning tenderness and compassionate curiosity. “At last, dearest friend--what a joy! But with Kitty not at home to receive you?” That young woman’s parent made light of it for the indulged creature’s sake. “Oh I knew my Kitty! I dressed and I find her at five-thirty.” To which he added as he only took in further, without expression, Lord John: “But Bender, who came there before my arrival--he hasn’t tried for me here?” It	to bring us--and to keep us--blessedly together?” She seemed for a moment to question his “simply.” “Do you regard us as so much ‘together’ when you remember where, in spite of everything, I’ve put myself?” “By telling him to do what he likes?” he recalled without embarrassment. “Oh, that wasn’t in spite of ‘everything’--it was only in spite of the Manto-vano.” “‘Only’?” she flushed-- “when I’ve given the picture up?” “Ah,” Hugh cried, “I don’t care a hang for the picture!” And then as she let him, closer, close to her with this, possess himself of her hands: “We both only care, don’t we, that we’re given to each other thus? We both only care, don’t we, that nothing can keep us apart?” “Oh, if you’ve forgiven me--!” she sighed into his fond face. “Why, since you gave the thing up _for_ me,” he pleadingly laughed, “it isn’t as if you had given _me_ up----!” “For anything, anything? Ah never, never!” she breathed. “Then why aren’t we all right?” “Well, if you will----!” “Oh for ever and ever and ever!” --and with this ardent cry of his devotion his arms closed in their strength and she was clasped to his breast and to his lips. The next moment, however, she had checked him with the warning “Amy Sandgate!” --as if she had heard their hostess enter the other room. Lady Sand-gate was in fact almost already upon them--their disjunction had scarce been effected and she had reached the nearer threshold. They had at once put the widest space possible between them--a little of the flurry of which transaction agitated doubtless their clutch at composure. They gave back a shade awkwardly and consciously, on one side and the other, the speculative though gracious attention she for a few moments made them and their recent intimate relation the subject of; from all of which indeed Lady Grace sought and found cover in a prompt and responsible address to Hugh. “Mustn’t you go without more delay to Clifford Street?” He came back to it all alert “At once!” He had recovered his hat and reached the other door, whence he gesticulated farewell to the elder lady. “Please pardon me” --and he disappeared. Lady Sandgate hereupon stood for a little silently confronted with the girl. “Have you freedom of mind for the fact that your father’s suddenly at hand?” “He has come back?” --Lady Grace was sharply struck. “He arrives this afternoon and appears to go straight to Kitty--according to a wire that I find downstairs on coming back late from my luncheon. He has returned with a rush--as,” said his correspondent in the elation of triumph, “I was _sure_ he would!” Her young friend was more at sea. “Brought back, you mean, by the outcry--even though he so hates it?” But she was more and more all lucidity--save in so far as she was now almost all authority. “Ah, hating still more to seem afraid, he has come back to face the music!” Lady Grace, turning away as in vague despair for the manner in which the music might affect him, yet wheeled about again, after thought, to a positive recognition and even to quite an inconsequent pride. “Yes--that’s dear old father!” And what was Lady Sandgate moreover but mistress now of the subject? “At the point the row has reached he couldn’t stand it another day; so he has thrown up his cure and--lest we should oppose him!--not even announced his start.” “Well,” her companion returned, “now that I’ve _done_ it all I shall never oppose him again!” Lady Sandgate appeared to show herself as still under the impression she might have received on entering. “He’ll only oppose _you!_” “If he does,” said Lady Grace, “we’re at present two to bear it.” “Heaven save us then” --the elder woman was quick, was even cordial, for the sense of this-- “your good friend _is_ clever!” Lady Grace honoured the remark. “Mr. Crim-ble’s remarkably clever.” “And you’ve arranged----?” “We haven’t arranged--but we’ve understood. So that, dear Amy, if _you_ understand--!” Lady Grace paused, for Gotch had come in from the hall. “His lordship has arrived?” his mistress immediately put to him. “No, my lady, but Lord John has--to know if he’s expected _here_, and in that case, by your ladyship’s leave, to come up.” Her ladyship turned to the girl. “May Lord John--as we do await your father--come up?” “As suits _you_, please!” “He may come up,” said Lady Sandgate to Gotch. “His lordship’s expected.” She had a pause till they were alone again, when she went on to her companion: “You asked me just now if I understood. Well--I do understand!” Lady Grace, with Gotch’s withdrawal, which left the door open, had reached the passage to the other room. “Then you’ll excuse me!”<\|quote\|>--she made her escape. II Lord John, reannounced the next instant from the nearest quarter and quite waiving salutations, left no doubt of the high pitch of his eagerness and tension as soon as the door had closed behind him.</\|quote\|>“What on earth then do you suppose he has come back to _do_--?” To which he added while his hostess’s gesture impatiently disclaimed conjecture: “Because when a fellow really finds himself the centre of a cyclone----!” “Isn’t it just at the centre,” she interrupted, “that you keep remarkably still, and only in the suburbs that you feel the rage? I count on dear Theign’s doing nothing in the least foolish--!” “Ah, but he can’t have chucked everything for nothing,” Lord John sharply returned; “and wherever you place him in the rumpus he can’t not meet somehow, hang it, such an assault on his character as a great nobleman and good citizen.” “It’s his luck to have become with the public of the newspapers the scapegoat-in-chief: for the sins, so-called, of a lot of people!” Lady Sandgate inconclusively sighed. “Yes,” Lord John concluded for her, “the mercenary millions on whose traffic in their trumpery values--when they’re so lucky as to have any!--_this_ isn’t a patch!” “Oh, there are cases _and_ cases: situations and responsibilities so intensely differ!” --that appeared on the whole, for her ladyship, the moral to be gathered. “Of course everything differs, all round, from everything,” Lord John went on; “and who in the world knows anything of his own case but the victim of circumstances exposing himself, for the highest and purest motives, to be literally torn to pieces?” “Well,” said Lady Sandgate as, in her strained suspense, she freshly consulted her bracelet watch, “I hope he isn’t already torn--if you tell me you’ve been to Kitty’s.” “Oh, he was all right so far: he had arrived and gone out again,” the young man explained, “as Lady Imber hadn’t been at home.” “Ah cool Kitty!” his hostess sighed again--but diverted, as she spoke, by the reappearance of her butler, this time positively preceding Lord Theign, whom she met, when he presently stood before her, his garb of travel exchanged for consummate afternoon dress, with yearning tenderness and compassionate curiosity. “At last, dearest friend--what a joy! But with Kitty not at home to receive you?” That young woman’s parent made light of it for the indulged creature’s sake. “Oh I knew my Kitty! I dressed and I find her at five-thirty.” To which he added as he only took in further, without expression, Lord John: “But Bender, who came there before my arrival--he hasn’t tried for me here?” It was a point on which Lord John himself could at least be expressive. “I met him at the club at luncheon; he had had your letter--but for which chance, my dear man, I should have known nothing. You’ll see him all right at this house; but I’m glad, if I may say so, Theign,” the speaker pursued with some emphasis-- “I’m glad, you know, to get hold of you first.” Lord Theign seemed about to ask for the meaning of this remark, but his other companion’s apprehension had already overflowed. “You haven’t come back, have you--to whatever it may be!--for _trouble_ of any sort with Breckenridge?” His lordship transferred his penetration to this fair friend, “Have you become so intensely absorbed--these remarkable days!--in ‘Breckenridge’?” She felt the shadow, you would have seen, of his claimed right, or at least privilege, of search--yet easily, after an instant, emerged clear. “I’ve thought and dreamt but of _you_--suspicious man!--in proportion as the clamour has spread; and Mr. Bender meanwhile, if you want to know, hasn’t been near me once!” Lord John came in a manner, and however unconsciously, to her aid. “You’d have seen, if he had been, what’s the matter with him, I think--and what perhaps Theign has seen from his own letter: since,” he went on to his fellow-visitor, “I understood him a week ago to have been much taken up with writing you.” Lord Theign received this without comment, only again with an air of expertly sounding the speaker; after which he gave himself afresh for a moment to Lady Sandgate. “I’ve not come home for any clamour, as you surely know me well enough to believe; or to notice for a minute the cheapest insolence and aggression--which frankly scarce reached me out there; or which, so far as it did, I was daily washed clean of by those blest waters. I returned on Mr. Bender’s letter,” he then vouchsafed to Lord John-- “three extraordinarily vulgar pages about the egregious Pap-pendick!” “About his having suddenly turned up in person, yes, and, as Breckenridge says, marked the picture down?” --the young man was clearly all-knowing. “That _has_ of course weighed on Bender--being confirmed apparently, on the whole, by the drift of public opinion.” Lord Theign took, on this, with a frank show of reaction from some of his friend’s terms, a sharp turn off; he even ironically indicated the babbler or	back, you mean, by the outcry--even though he so hates it?” But she was more and more all lucidity--save in so far as she was now almost all authority. “Ah, hating still more to seem afraid, he has come back to face the music!” Lady Grace, turning away as in vague despair for the manner in which the music might affect him, yet wheeled about again, after thought, to a positive recognition and even to quite an inconsequent pride. “Yes--that’s dear old father!” And what was Lady Sandgate moreover but mistress now of the subject? “At the point the row has reached he couldn’t stand it another day; so he has thrown up his cure and--lest we should oppose him!--not even announced his start.” “Well,” her companion returned, “now that I’ve _done_ it all I shall never oppose him again!” Lady Sandgate appeared to show herself as still under the impression she might have received on entering. “He’ll only oppose _you!_” “If he does,” said Lady Grace, “we’re at present two to bear it.” “Heaven save us then” --the elder woman was quick, was even cordial, for the sense of this-- “your good friend _is_ clever!” Lady Grace honoured the remark. “Mr. Crim-ble’s remarkably clever.” “And you’ve arranged----?” “We haven’t arranged--but we’ve understood. So that, dear Amy, if _you_ understand--!” Lady Grace paused, for Gotch had come in from the hall. “His lordship has arrived?” his mistress immediately put to him. “No, my lady, but Lord John has--to know if he’s expected _here_, and in that case, by your ladyship’s leave, to come up.” Her ladyship turned to the girl. “May Lord John--as we do await your father--come up?” “As suits _you_, please!” “He may come up,” said Lady Sandgate to Gotch. “His lordship’s expected.” She had a pause till they were alone again, when she went on to her companion: “You asked me just now if I understood. Well--I do understand!” Lady Grace, with Gotch’s withdrawal, which left the door open, had reached the passage to the other room. “Then you’ll excuse me!”<\|quote\|>--she made her escape. II Lord John, reannounced the next instant from the nearest quarter and quite waiving salutations, left no doubt of the high pitch of his eagerness and tension as soon as the door had closed behind him.</\|quote\|>“What on earth then do you suppose he has come back to _do_--?” To which he added while his hostess’s gesture impatiently disclaimed conjecture: “Because when a fellow really finds himself the centre of a cyclone----!” “Isn’t it just at the centre,” she interrupted, “that you keep remarkably still, and only in the suburbs that you feel the rage? I count on dear Theign’s doing nothing in the least foolish--!” “Ah, but he can’t have chucked everything for nothing,” Lord John sharply returned; “and wherever you place him in the rumpus he can’t not meet somehow, hang it, such an assault on his character as a great nobleman and good citizen.” “It’s his luck to have become with the public of the newspapers the scapegoat-in-chief: for the sins, so-called, of a lot of people!” Lady Sandgate inconclusively sighed. “Yes,” Lord John concluded for her, “the mercenary millions on whose traffic in their trumpery values--when they’re so lucky as to have any!--_this_ isn’t a patch!” “Oh, there are cases _and_ cases: situations and responsibilities so intensely differ!” --that appeared on the whole, for her ladyship, the moral to be gathered. “Of course everything differs, all round, from everything,” Lord John went on; “and who in the world knows anything of his own case but the victim of circumstances exposing himself, for the highest and purest motives, to be literally torn to pieces?” “Well,” said Lady Sandgate as, in her strained suspense, she freshly consulted her bracelet watch, “I hope he isn’t already torn--if you tell me you’ve been to Kitty’s.” “Oh, he was all right so far: he had arrived and gone out again,” the young man explained, “as Lady Imber hadn’t been at home.” “Ah cool Kitty!” his hostess sighed again--but diverted, as she spoke, by the reappearance of her butler, this time positively preceding Lord Theign, whom she met, when he presently stood before her, his garb of travel exchanged for consummate afternoon dress, with yearning tenderness and compassionate curiosity. “At last, dearest friend--what a joy! But with Kitty not at home to receive you?” That young woman’s parent made light of it for the indulged creature’s sake. “Oh I knew my Kitty! I dressed and I find her at five-thirty.” To which he added as he only took in further, without expression, Lord John: “But Bender, who came there before my arrival--he hasn’t tried for me here?” It was a point on which Lord John himself could at least be expressive. “I met him at the club at luncheon; he had had your letter--but for which chance, my dear man, I should have known nothing. You’ll see him all right at this house; but I’m glad, if I may say so, Theign,” the speaker pursued with some emphasis-- “I’m glad, you know, to get hold of you first.” Lord Theign seemed about to	The Outcry
“Excuse me”	Jordan	the floor, whereupon Jordan whispered,<\|quote\|>“Excuse me”</\|quote\|>—but this time no one	its nail and splashed to the floor, whereupon Jordan whispered,<\|quote\|>“Excuse me”</\|quote\|>—but this time no one laughed. “I’ll pick it up,”	of whisky from the towel and put it on the table. “Why not let her alone, old sport?” remarked Gatsby. “You’re the one that wanted to come to town.” There was a moment of silence. The telephone book slipped from its nail and splashed to the floor, whereupon Jordan whispered,<\|quote\|>“Excuse me”</\|quote\|>—but this time no one laughed. “I’ll pick it up,” I offered. “I’ve got it.” Gatsby examined the parted string, muttered “Hum!” in an interested way, and tossed the book on a chair. “That’s a great expression of yours, isn’t it?” said Tom sharply. “What is?” “All this ‘old sport’	respectfully, and everyone laughed. “Open another window,” commanded Daisy, without turning around. “There aren’t any more.” “Well, we’d better telephone for an axe—” “The thing to do is to forget about the heat,” said Tom impatiently. “You make it ten times worse by crabbing about it.” He unrolled the bottle of whisky from the towel and put it on the table. “Why not let her alone, old sport?” remarked Gatsby. “You’re the one that wanted to come to town.” There was a moment of silence. The telephone book slipped from its nail and splashed to the floor, whereupon Jordan whispered,<\|quote\|>“Excuse me”</\|quote\|>—but this time no one laughed. “I’ll pick it up,” I offered. “I’ve got it.” Gatsby examined the parted string, muttered “Hum!” in an interested way, and tossed the book on a chair. “That’s a great expression of yours, isn’t it?” said Tom sharply. “What is?” “All this ‘old sport’ business. Where’d you pick that up?” “Now see here, Tom,” said Daisy, turning around from the mirror, “if you’re going to make personal remarks I won’t stay here a minute. Call up and order some ice for the mint julep.” As Tom took up the receiver the compressed heat exploded	and take cold baths, and then assumed more tangible form as “a place to have a mint julep.” Each of us said over and over that it was a “crazy idea” —we all talked at once to a baffled clerk and thought, or pretended to think, that we were being very funny … The room was large and stifling, and, though it was already four o’clock, opening the windows admitted only a gust of hot shrubbery from the Park. Daisy went to the mirror and stood with her back to us, fixing her hair. “It’s a swell suite,” whispered Jordan respectfully, and everyone laughed. “Open another window,” commanded Daisy, without turning around. “There aren’t any more.” “Well, we’d better telephone for an axe—” “The thing to do is to forget about the heat,” said Tom impatiently. “You make it ten times worse by crabbing about it.” He unrolled the bottle of whisky from the towel and put it on the table. “Why not let her alone, old sport?” remarked Gatsby. “You’re the one that wanted to come to town.” There was a moment of silence. The telephone book slipped from its nail and splashed to the floor, whereupon Jordan whispered,<\|quote\|>“Excuse me”</\|quote\|>—but this time no one laughed. “I’ll pick it up,” I offered. “I’ve got it.” Gatsby examined the parted string, muttered “Hum!” in an interested way, and tossed the book on a chair. “That’s a great expression of yours, isn’t it?” said Tom sharply. “What is?” “All this ‘old sport’ business. Where’d you pick that up?” “Now see here, Tom,” said Daisy, turning around from the mirror, “if you’re going to make personal remarks I won’t stay here a minute. Call up and order some ice for the mint julep.” As Tom took up the receiver the compressed heat exploded into sound and we were listening to the portentous chords of Mendelssohn’s Wedding March from the ballroom below. “Imagine marrying anybody in this heat!” cried Jordan dismally. “Still—I was married in the middle of June,” Daisy remembered. “Louisville in June! Somebody fainted. Who was it fainted, Tom?” “Biloxi,” he answered shortly. “A man named Biloxi. ‘Blocks’ Biloxi, and he made boxes—that’s a fact—and he was from Biloxi, Tennessee.” “They carried him into my house,” appended Jordan, “because we lived just two doors from the church. And he stayed three weeks, until Daddy told him he had to get out. The	going?” she cried. “How about the movies?” “It’s so hot,” she complained. “You go. We’ll ride around and meet you after.” With an effort her wit rose faintly. “We’ll meet you on some corner. I’ll be the man smoking two cigarettes.” “We can’t argue about it here,” Tom said impatiently, as a truck gave out a cursing whistle behind us. “You follow me to the south side of Central Park, in front of the Plaza.” Several times he turned his head and looked back for their car, and if the traffic delayed them he slowed up until they came into sight. I think he was afraid they would dart down a side-street and out of his life forever. But they didn’t. And we all took the less explicable step of engaging the parlour of a suite in the Plaza Hotel. The prolonged and tumultuous argument that ended by herding us into that room eludes me, though I have a sharp physical memory that, in the course of it, my underwear kept climbing like a damp snake around my legs and intermittent beads of sweat raced cool across my back. The notion originated with Daisy’s suggestion that we hire five bathrooms and take cold baths, and then assumed more tangible form as “a place to have a mint julep.” Each of us said over and over that it was a “crazy idea” —we all talked at once to a baffled clerk and thought, or pretended to think, that we were being very funny … The room was large and stifling, and, though it was already four o’clock, opening the windows admitted only a gust of hot shrubbery from the Park. Daisy went to the mirror and stood with her back to us, fixing her hair. “It’s a swell suite,” whispered Jordan respectfully, and everyone laughed. “Open another window,” commanded Daisy, without turning around. “There aren’t any more.” “Well, we’d better telephone for an axe—” “The thing to do is to forget about the heat,” said Tom impatiently. “You make it ten times worse by crabbing about it.” He unrolled the bottle of whisky from the towel and put it on the table. “Why not let her alone, old sport?” remarked Gatsby. “You’re the one that wanted to come to town.” There was a moment of silence. The telephone book slipped from its nail and splashed to the floor, whereupon Jordan whispered,<\|quote\|>“Excuse me”</\|quote\|>—but this time no one laughed. “I’ll pick it up,” I offered. “I’ve got it.” Gatsby examined the parted string, muttered “Hum!” in an interested way, and tossed the book on a chair. “That’s a great expression of yours, isn’t it?” said Tom sharply. “What is?” “All this ‘old sport’ business. Where’d you pick that up?” “Now see here, Tom,” said Daisy, turning around from the mirror, “if you’re going to make personal remarks I won’t stay here a minute. Call up and order some ice for the mint julep.” As Tom took up the receiver the compressed heat exploded into sound and we were listening to the portentous chords of Mendelssohn’s Wedding March from the ballroom below. “Imagine marrying anybody in this heat!” cried Jordan dismally. “Still—I was married in the middle of June,” Daisy remembered. “Louisville in June! Somebody fainted. Who was it fainted, Tom?” “Biloxi,” he answered shortly. “A man named Biloxi. ‘Blocks’ Biloxi, and he made boxes—that’s a fact—and he was from Biloxi, Tennessee.” “They carried him into my house,” appended Jordan, “because we lived just two doors from the church. And he stayed three weeks, until Daddy told him he had to get out. The day after he left Daddy died.” After a moment she added as if she might have sounded irreverent, “There wasn’t any connection.” “I used to know a Bill Biloxi from Memphis,” I remarked. “That was his cousin. I knew his whole family history before he left. He gave me an aluminium putter that I use today.” The music had died down as the ceremony began and now a long cheer floated in at the window, followed by intermittent cries of “Yea—ea—ea!” and finally by a burst of jazz as the dancing began. “We’re getting old,” said Daisy. “If we were young we’d rise and dance.” “Remember Biloxi,” Jordan warned her. “Where’d you know him, Tom?” “Biloxi?” He concentrated with an effort. “I didn’t know him. He was a friend of Daisy’s.” “He was not,” she denied. “I’d never seen him before. He came down in the private car.” “Well, he said he knew you. He said he was raised in Louisville. Asa Bird brought him around at the last minute and asked if we had room for him.” Jordan smiled. “He was probably bumming his way home. He told me he was president of your class at Yale.” Tom and	had made a parallel discovery less than an hour before—and it occurred to me that there was no difference between men, in intelligence or race, so profound as the difference between the sick and the well. Wilson was so sick that he looked guilty, unforgivably guilty—as if he had just got some poor girl with child. “I’ll let you have that car,” said Tom. “I’ll send it over tomorrow afternoon.” That locality was always vaguely disquieting, even in the broad glare of afternoon, and now I turned my head as though I had been warned of something behind. Over the ash-heaps the giant eyes of Doctor T. J. Eckleburg kept their vigil, but I perceived, after a moment, that other eyes were regarding us with peculiar intensity from less than twenty feet away. In one of the windows over the garage the curtains had been moved aside a little, and Myrtle Wilson was peering down at the car. So engrossed was she that she had no consciousness of being observed, and one emotion after another crept into her face like objects into a slowly developing picture. Her expression was curiously familiar—it was an expression I had often seen on women’s faces, but on Myrtle Wilson’s face it seemed purposeless and inexplicable until I realized that her eyes, wide with jealous terror, were fixed not on Tom, but on Jordan Baker, whom she took to be his wife. ------------------------------------------------------------------------ There is no confusion like the confusion of a simple mind, and as we drove away Tom was feeling the hot whips of panic. His wife and his mistress, until an hour ago secure and inviolate, were slipping precipitately from his control. Instinct made him step on the accelerator with the double purpose of overtaking Daisy and leaving Wilson behind, and we sped along toward Astoria at fifty miles an hour, until, among the spidery girders of the elevated, we came in sight of the easygoing blue coupé. “Those big movies around Fiftieth Street are cool,” suggested Jordan. “I love New York on summer afternoons when everyone’s away. There’s something very sensuous about it—overripe, as if all sorts of funny fruits were going to fall into your hands.” The word “sensuous” had the effect of further disquieting Tom, but before he could invent a protest the coupé came to a stop, and Daisy signalled us to draw up alongside. “Where are we going?” she cried. “How about the movies?” “It’s so hot,” she complained. “You go. We’ll ride around and meet you after.” With an effort her wit rose faintly. “We’ll meet you on some corner. I’ll be the man smoking two cigarettes.” “We can’t argue about it here,” Tom said impatiently, as a truck gave out a cursing whistle behind us. “You follow me to the south side of Central Park, in front of the Plaza.” Several times he turned his head and looked back for their car, and if the traffic delayed them he slowed up until they came into sight. I think he was afraid they would dart down a side-street and out of his life forever. But they didn’t. And we all took the less explicable step of engaging the parlour of a suite in the Plaza Hotel. The prolonged and tumultuous argument that ended by herding us into that room eludes me, though I have a sharp physical memory that, in the course of it, my underwear kept climbing like a damp snake around my legs and intermittent beads of sweat raced cool across my back. The notion originated with Daisy’s suggestion that we hire five bathrooms and take cold baths, and then assumed more tangible form as “a place to have a mint julep.” Each of us said over and over that it was a “crazy idea” —we all talked at once to a baffled clerk and thought, or pretended to think, that we were being very funny … The room was large and stifling, and, though it was already four o’clock, opening the windows admitted only a gust of hot shrubbery from the Park. Daisy went to the mirror and stood with her back to us, fixing her hair. “It’s a swell suite,” whispered Jordan respectfully, and everyone laughed. “Open another window,” commanded Daisy, without turning around. “There aren’t any more.” “Well, we’d better telephone for an axe—” “The thing to do is to forget about the heat,” said Tom impatiently. “You make it ten times worse by crabbing about it.” He unrolled the bottle of whisky from the towel and put it on the table. “Why not let her alone, old sport?” remarked Gatsby. “You’re the one that wanted to come to town.” There was a moment of silence. The telephone book slipped from its nail and splashed to the floor, whereupon Jordan whispered,<\|quote\|>“Excuse me”</\|quote\|>—but this time no one laughed. “I’ll pick it up,” I offered. “I’ve got it.” Gatsby examined the parted string, muttered “Hum!” in an interested way, and tossed the book on a chair. “That’s a great expression of yours, isn’t it?” said Tom sharply. “What is?” “All this ‘old sport’ business. Where’d you pick that up?” “Now see here, Tom,” said Daisy, turning around from the mirror, “if you’re going to make personal remarks I won’t stay here a minute. Call up and order some ice for the mint julep.” As Tom took up the receiver the compressed heat exploded into sound and we were listening to the portentous chords of Mendelssohn’s Wedding March from the ballroom below. “Imagine marrying anybody in this heat!” cried Jordan dismally. “Still—I was married in the middle of June,” Daisy remembered. “Louisville in June! Somebody fainted. Who was it fainted, Tom?” “Biloxi,” he answered shortly. “A man named Biloxi. ‘Blocks’ Biloxi, and he made boxes—that’s a fact—and he was from Biloxi, Tennessee.” “They carried him into my house,” appended Jordan, “because we lived just two doors from the church. And he stayed three weeks, until Daddy told him he had to get out. The day after he left Daddy died.” After a moment she added as if she might have sounded irreverent, “There wasn’t any connection.” “I used to know a Bill Biloxi from Memphis,” I remarked. “That was his cousin. I knew his whole family history before he left. He gave me an aluminium putter that I use today.” The music had died down as the ceremony began and now a long cheer floated in at the window, followed by intermittent cries of “Yea—ea—ea!” and finally by a burst of jazz as the dancing began. “We’re getting old,” said Daisy. “If we were young we’d rise and dance.” “Remember Biloxi,” Jordan warned her. “Where’d you know him, Tom?” “Biloxi?” He concentrated with an effort. “I didn’t know him. He was a friend of Daisy’s.” “He was not,” she denied. “I’d never seen him before. He came down in the private car.” “Well, he said he knew you. He said he was raised in Louisville. Asa Bird brought him around at the last minute and asked if we had room for him.” Jordan smiled. “He was probably bumming his way home. He told me he was president of your class at Yale.” Tom and I looked at each other blankly. “Biloxi?” “First place, we didn’t have any president—” Gatsby’s foot beat a short, restless tattoo and Tom eyed him suddenly. “By the way, Mr. Gatsby, I understand you’re an Oxford man.” “Not exactly.” “Oh, yes, I understand you went to Oxford.” “Yes—I went there.” A pause. Then Tom’s voice, incredulous and insulting: “You must have gone there about the time Biloxi went to New Haven.” Another pause. A waiter knocked and came in with crushed mint and ice but the silence was unbroken by his “thank you” and the soft closing of the door. This tremendous detail was to be cleared up at last. “I told you I went there,” said Gatsby. “I heard you, but I’d like to know when.” “It was in nineteen-nineteen, I only stayed five months. That’s why I can’t really call myself an Oxford man.” Tom glanced around to see if we mirrored his unbelief. But we were all looking at Gatsby. “It was an opportunity they gave to some of the officers after the armistice,” he continued. “We could go to any of the universities in England or France.” I wanted to get up and slap him on the back. I had one of those renewals of complete faith in him that I’d experienced before. Daisy rose, smiling faintly, and went to the table. “Open the whisky, Tom,” she ordered, “and I’ll make you a mint julep. Then you won’t seem so stupid to yourself … Look at the mint!” “Wait a minute,” snapped Tom, “I want to ask Mr. Gatsby one more question.” “Go on,” Gatsby said politely. “What kind of a row are you trying to cause in my house anyhow?” They were out in the open at last and Gatsby was content. “He isn’t causing a row,” Daisy looked desperately from one to the other. “You’re causing a row. Please have a little self-control.” “Self-control!” repeated Tom incredulously. “I suppose the latest thing is to sit back and let Mr. Nobody from Nowhere make love to your wife. Well, if that’s the idea you can count me out … Nowadays people begin by sneering at family life and family institutions, and next they’ll throw everything overboard and have intermarriage between black and white.” Flushed with his impassioned gibberish, he saw himself standing alone on the last barrier of civilization. “We’re all white here,” murmured Jordan.	beads of sweat raced cool across my back. The notion originated with Daisy’s suggestion that we hire five bathrooms and take cold baths, and then assumed more tangible form as “a place to have a mint julep.” Each of us said over and over that it was a “crazy idea” —we all talked at once to a baffled clerk and thought, or pretended to think, that we were being very funny … The room was large and stifling, and, though it was already four o’clock, opening the windows admitted only a gust of hot shrubbery from the Park. Daisy went to the mirror and stood with her back to us, fixing her hair. “It’s a swell suite,” whispered Jordan respectfully, and everyone laughed. “Open another window,” commanded Daisy, without turning around. “There aren’t any more.” “Well, we’d better telephone for an axe—” “The thing to do is to forget about the heat,” said Tom impatiently. “You make it ten times worse by crabbing about it.” He unrolled the bottle of whisky from the towel and put it on the table. “Why not let her alone, old sport?” remarked Gatsby. “You’re the one that wanted to come to town.” There was a moment of silence. The telephone book slipped from its nail and splashed to the floor, whereupon Jordan whispered,<\|quote\|>“Excuse me”</\|quote\|>—but this time no one laughed. “I’ll pick it up,” I offered. “I’ve got it.” Gatsby examined the parted string, muttered “Hum!” in an interested way, and tossed the book on a chair. “That’s a great expression of yours, isn’t it?” said Tom sharply. “What is?” “All this ‘old sport’ business. Where’d you pick that up?” “Now see here, Tom,” said Daisy, turning around from the mirror, “if you’re going to make personal remarks I won’t stay here a minute. Call up and order some ice for the mint julep.” As Tom took up the receiver the compressed heat exploded into sound and we were listening to the portentous chords of Mendelssohn’s Wedding March from the ballroom below. “Imagine marrying anybody in this heat!” cried Jordan dismally. “Still—I was married in the middle of June,” Daisy remembered. “Louisville in June! Somebody fainted. Who was it fainted, Tom?” “Biloxi,” he answered shortly. “A man named Biloxi. ‘Blocks’ Biloxi, and he made boxes—that’s a fact—and he was from Biloxi, Tennessee.” “They carried him into my house,” appended Jordan, “because we lived just two doors from the church. And he stayed three weeks, until Daddy told him he had to get out. The day after he left Daddy died.” After a moment she added as if she might have sounded irreverent, “There wasn’t any connection.” “I used to know a Bill Biloxi from Memphis,” I remarked. “That was his cousin. I knew his whole family history before he left. He gave me an aluminium putter that I use today.” The music had died down as the ceremony began and now a long cheer floated in at the window, followed by intermittent cries of “Yea—ea—ea!” and finally by a burst of jazz as the dancing began. “We’re getting old,” said Daisy. “If we were young we’d rise and dance.” “Remember Biloxi,” Jordan warned her. “Where’d you know him, Tom?” “Biloxi?” He concentrated with an effort. “I didn’t know him. He was a friend of Daisy’s.” “He was not,” she denied. “I’d never seen him before. He came down in the private car.” “Well, he said he knew you. He said he was raised in Louisville. Asa Bird brought him around at the last minute and asked if we had room for him.” Jordan smiled. “He was probably bumming his way home. He told me he was president of your class at Yale.” Tom and I looked at each other blankly. “Biloxi?” “First place, we didn’t have any president—” Gatsby’s foot beat a short, restless tattoo and Tom eyed him suddenly. “By the way, Mr. Gatsby, I understand you’re an Oxford man.” “Not exactly.” “Oh, yes, I understand you went to Oxford.” “Yes—I went there.” A pause. Then Tom’s voice, incredulous and insulting: “You must have gone there about the	The Great Gatsby
"I cannot speak to you till I have seen and embraced my daughter."	Sultan	staircase. "Aladdin," said the sultan,<\|quote\|>"I cannot speak to you till I have seen and embraced my daughter."</\|quote\|>The happy father was then	the foot of the great staircase. "Aladdin," said the sultan,<\|quote\|>"I cannot speak to you till I have seen and embraced my daughter."</\|quote\|>The happy father was then led to the princess's apartment	that morning by daybreak, put on one of the most magnificent habits his wardrobe afforded, and went up into the hall of twenty-four windows, from whence he perceived the sultan approaching, and got down soon enough to receive him at the foot of the great staircase. "Aladdin," said the sultan,<\|quote\|>"I cannot speak to you till I have seen and embraced my daughter."</\|quote\|>The happy father was then led to the princess's apartment and embraced her with his face bathed in tears of joy. The sultan was some time before he could open his lips, so great was his surprise and joy to find his daughter again, after he had given her up	palace. Joy and gladness succeeded to sorrow and grief. He returned immediately into his apartment, and ordered a horse to be saddled and brought to him without delay, which he mounted that instant, thinking he could not make haste enough to the palace. Aladdin, who foresaw what would happen, rose that morning by daybreak, put on one of the most magnificent habits his wardrobe afforded, and went up into the hall of twenty-four windows, from whence he perceived the sultan approaching, and got down soon enough to receive him at the foot of the great staircase. "Aladdin," said the sultan,<\|quote\|>"I cannot speak to you till I have seen and embraced my daughter."</\|quote\|>The happy father was then led to the princess's apartment and embraced her with his face bathed in tears of joy. The sultan was some time before he could open his lips, so great was his surprise and joy to find his daughter again, after he had given her up for lost; and the princess, upon seeing her father, let fall tears of rapture and affection. At last the sultan broke silence, and said: "I would believe, daughter, your joy to see me makes you seem as little changed as if no misfortune had befallen you; yet I cannot be	his tears, and plunge himself into the deepest melancholy, by reflecting how he had lost what was most dear to him in this world. The very morning of the return to the palace, the sultan went into his closet to indulge his sorrows. Absorbed in himself, and in a pensive mood, he cast his eyes toward the spot, expecting only to see an open space; but perceiving the vacancy filled up, he at first imagined the appearance to be the effect of a fog; looking more attentively, he was convinced beyond the power of doubt that it was his son-in-law's palace. Joy and gladness succeeded to sorrow and grief. He returned immediately into his apartment, and ordered a horse to be saddled and brought to him without delay, which he mounted that instant, thinking he could not make haste enough to the palace. Aladdin, who foresaw what would happen, rose that morning by daybreak, put on one of the most magnificent habits his wardrobe afforded, and went up into the hall of twenty-four windows, from whence he perceived the sultan approaching, and got down soon enough to receive him at the foot of the great staircase. "Aladdin," said the sultan,<\|quote\|>"I cannot speak to you till I have seen and embraced my daughter."</\|quote\|>The happy father was then led to the princess's apartment and embraced her with his face bathed in tears of joy. The sultan was some time before he could open his lips, so great was his surprise and joy to find his daughter again, after he had given her up for lost; and the princess, upon seeing her father, let fall tears of rapture and affection. At last the sultan broke silence, and said: "I would believe, daughter, your joy to see me makes you seem as little changed as if no misfortune had befallen you; yet I cannot be persuaded but that you have suffered much alarm; for a large palace cannot be so suddenly transported as yours has been, without causing great fright and apprehension. I would have you tell me all that has happened, and conceal nothing from me." The princess, who took great pleasure in giving the sultan the satisfaction he demanded, said: "If I appear so little altered, I beg of your majesty to consider that I received new life yesterday morning by the presence of my dear husband and deliverer, Aladdin, whom I looked upon and bewailed as lost to me. My greatest suffering	you back to China as speedily as you were brought from thence." When the princess, her women and eunuchs, were gone out of the hall, Aladdin shut the door, and, going directly to the dead body of the magician, opened his vest, took out the lamp which was carefully wrapped up, as the princess had told him, and unfolding and rubbing it, the genie immediately appeared. "Genie," said Aladdin, "I have called to command thee, on the part of thy good mistress, this lamp, to transport this palace instantly into China, to the place from whence it was brought hither." The genie bowed his head in token of obedience, and disappeared. Immediately the palace was transported into China, and its removal was only felt by two little shocks, the one when it was lifted up, the other when it was set down, and both in a very short interval of time. From the time of the transportation of Aladdin's palace, the princess's father had been inconsolable for the loss of her. Before the disaster he used to go every morning into his closet to please himself with viewing the palace; he went now many times in the day to renew his tears, and plunge himself into the deepest melancholy, by reflecting how he had lost what was most dear to him in this world. The very morning of the return to the palace, the sultan went into his closet to indulge his sorrows. Absorbed in himself, and in a pensive mood, he cast his eyes toward the spot, expecting only to see an open space; but perceiving the vacancy filled up, he at first imagined the appearance to be the effect of a fog; looking more attentively, he was convinced beyond the power of doubt that it was his son-in-law's palace. Joy and gladness succeeded to sorrow and grief. He returned immediately into his apartment, and ordered a horse to be saddled and brought to him without delay, which he mounted that instant, thinking he could not make haste enough to the palace. Aladdin, who foresaw what would happen, rose that morning by daybreak, put on one of the most magnificent habits his wardrobe afforded, and went up into the hall of twenty-four windows, from whence he perceived the sultan approaching, and got down soon enough to receive him at the foot of the great staircase. "Aladdin," said the sultan,<\|quote\|>"I cannot speak to you till I have seen and embraced my daughter."</\|quote\|>The happy father was then led to the princess's apartment and embraced her with his face bathed in tears of joy. The sultan was some time before he could open his lips, so great was his surprise and joy to find his daughter again, after he had given her up for lost; and the princess, upon seeing her father, let fall tears of rapture and affection. At last the sultan broke silence, and said: "I would believe, daughter, your joy to see me makes you seem as little changed as if no misfortune had befallen you; yet I cannot be persuaded but that you have suffered much alarm; for a large palace cannot be so suddenly transported as yours has been, without causing great fright and apprehension. I would have you tell me all that has happened, and conceal nothing from me." The princess, who took great pleasure in giving the sultan the satisfaction he demanded, said: "If I appear so little altered, I beg of your majesty to consider that I received new life yesterday morning by the presence of my dear husband and deliverer, Aladdin, whom I looked upon and bewailed as lost to me. My greatest suffering was to find myself forced not only from your majesty, but from my dear husband; not only from the love I bore him, but from the uneasiness I laboured under through fear that he, though innocent, might feel the effects of your anger. As to what relates to my transportation, I was myself the innocent cause of it." To persuade the sultan of the truth of what she said, she gave him a full account of how the African magician had disguised himself, and offered to change new lamps for old ones; how she had amused herself in making that exchange; how the palace and herself were carried away and transported into Africa, with the magician, who was recognised by two of her women and the eunuch who made the exchange of the lamp, when he had the audacity, after the success of his daring enterprise, to propose himself for her husband; how he persecuted her till Aladdin's arrival; how they had concerted measures to get the lamp from him again, and the success they had fortunately met with by her dissimulation in inviting him to supper, and giving him the cup with the powder prepared for him. "For the	with wine, bidding her bring the cup which had been filled for herself, and at the same time bring the magician a full goblet. When they both had their cups in their hands, she said to him: "I know not how you express your loves in these parts when drinking together. With us in China lovers reciprocally exchange cups, and drink each other's health:" at the same time she presented to him the cup which was in her hand, and held out her hand to receive his. He hastened to make the exchange with the more pleasure, because he looked upon this favour as a token of conquest over the princess, which raised his rapture to the highest pitch. Before he drank, he said to her, with the cup in his hand: "Indeed, princess, we Africans are not so refined in the art of love as you Chinese: and your instructing me in a lesson I was ignorant of, informs me how sensible I ought to be of the favour done me. I shall never, lovely princess, forget my recovering, by drinking out of your cup, that life, which your cruelty, had it continued, must have made me despair of." The princess, who began to be tired with his declarations, interrupted him and said: "Let us drink first, and then say what you will afterward:" at the same time she set the cup to her lips, while the African magician, who was eager to get his wine off first, drank up the very last drop. In finishing it, he leaned his head back to show his eagerness, and remained some time in that state. The princess kept the cup at her lips till she saw his eyes turn in his head, when he fell backward lifeless on the sofa. The princess had no occasion to order the private door to be opened to Aladdin; for her women were so disposed from the great hall to the foot of the staircase, that the word was no sooner given that the magician was fallen, than the door was immediately opened. As soon as Aladdin entered the hall, he saw the magician stretched backward on the sofa. The princess rose from her seat, and ran overjoyed to embrace him; but he stopped her and said: "Princess, it is not yet time; let me be left alone a moment, while I endeavour to transport you back to China as speedily as you were brought from thence." When the princess, her women and eunuchs, were gone out of the hall, Aladdin shut the door, and, going directly to the dead body of the magician, opened his vest, took out the lamp which was carefully wrapped up, as the princess had told him, and unfolding and rubbing it, the genie immediately appeared. "Genie," said Aladdin, "I have called to command thee, on the part of thy good mistress, this lamp, to transport this palace instantly into China, to the place from whence it was brought hither." The genie bowed his head in token of obedience, and disappeared. Immediately the palace was transported into China, and its removal was only felt by two little shocks, the one when it was lifted up, the other when it was set down, and both in a very short interval of time. From the time of the transportation of Aladdin's palace, the princess's father had been inconsolable for the loss of her. Before the disaster he used to go every morning into his closet to please himself with viewing the palace; he went now many times in the day to renew his tears, and plunge himself into the deepest melancholy, by reflecting how he had lost what was most dear to him in this world. The very morning of the return to the palace, the sultan went into his closet to indulge his sorrows. Absorbed in himself, and in a pensive mood, he cast his eyes toward the spot, expecting only to see an open space; but perceiving the vacancy filled up, he at first imagined the appearance to be the effect of a fog; looking more attentively, he was convinced beyond the power of doubt that it was his son-in-law's palace. Joy and gladness succeeded to sorrow and grief. He returned immediately into his apartment, and ordered a horse to be saddled and brought to him without delay, which he mounted that instant, thinking he could not make haste enough to the palace. Aladdin, who foresaw what would happen, rose that morning by daybreak, put on one of the most magnificent habits his wardrobe afforded, and went up into the hall of twenty-four windows, from whence he perceived the sultan approaching, and got down soon enough to receive him at the foot of the great staircase. "Aladdin," said the sultan,<\|quote\|>"I cannot speak to you till I have seen and embraced my daughter."</\|quote\|>The happy father was then led to the princess's apartment and embraced her with his face bathed in tears of joy. The sultan was some time before he could open his lips, so great was his surprise and joy to find his daughter again, after he had given her up for lost; and the princess, upon seeing her father, let fall tears of rapture and affection. At last the sultan broke silence, and said: "I would believe, daughter, your joy to see me makes you seem as little changed as if no misfortune had befallen you; yet I cannot be persuaded but that you have suffered much alarm; for a large palace cannot be so suddenly transported as yours has been, without causing great fright and apprehension. I would have you tell me all that has happened, and conceal nothing from me." The princess, who took great pleasure in giving the sultan the satisfaction he demanded, said: "If I appear so little altered, I beg of your majesty to consider that I received new life yesterday morning by the presence of my dear husband and deliverer, Aladdin, whom I looked upon and bewailed as lost to me. My greatest suffering was to find myself forced not only from your majesty, but from my dear husband; not only from the love I bore him, but from the uneasiness I laboured under through fear that he, though innocent, might feel the effects of your anger. As to what relates to my transportation, I was myself the innocent cause of it." To persuade the sultan of the truth of what she said, she gave him a full account of how the African magician had disguised himself, and offered to change new lamps for old ones; how she had amused herself in making that exchange; how the palace and herself were carried away and transported into Africa, with the magician, who was recognised by two of her women and the eunuch who made the exchange of the lamp, when he had the audacity, after the success of his daring enterprise, to propose himself for her husband; how he persecuted her till Aladdin's arrival; how they had concerted measures to get the lamp from him again, and the success they had fortunately met with by her dissimulation in inviting him to supper, and giving him the cup with the powder prepared for him. "For the rest," added she, "I leave it to Aladdin to recount." Aladdin had not much to tell the sultan, but only said: "When the private door was opened I went up into the great hall, where I found the magician lying dead on the sofa; and as I thought it not proper for the princess to stay there any longer, I desired her to go down into her own apartment, with her women and eunuchs. As soon as I was alone, and had taken the lamp out of the magician's breast, I made use of the same secret he had done, to remove the palace, and carry off the princess; and by that means the palace was reconveyed to the place where it stood before; and I have the happiness to restore the princess to your majesty. But that your majesty may not think that I impose upon you, if you will give yourself the trouble to go up into the hall, you may see the magician punished as he deserved." The sultan rose instantly and went into the hall, where, when he saw the African magician dead, and his face already livid by the strength of the poison, he embraced Aladdin with great tenderness, and said: "My son, be not displeased at my proceedings against you; they arose from my paternal love; and therefore you ought to forgive the excesses to which it hurried me." "Sir," replied Aladdin, "I have not the least reason to complain of your majesty's conduct, since you did nothing but what your duty required. This infamous magician, the basest of men, was the sole cause of my misfortune. When your majesty has leisure, I will give you an account of another villainous action he was guilty of toward me, which was no less black and base than this." "I will take an opportunity, and that very shortly," replied the sultan, "to hear it; but in the meantime let us think only of rejoicing." The sultan then commanded the drums, trumpets, cymbals, and other instruments of music to announce his joy to the public, and a festival of ten days to be proclaimed for the return of the princess and Aladdin. Within a few years afterward, the sultan died in a good old age, and as he left no male children, the Princess Badroulboudour, as lawful heir of the throne, succeeded him, and communicating the power	and both in a very short interval of time. From the time of the transportation of Aladdin's palace, the princess's father had been inconsolable for the loss of her. Before the disaster he used to go every morning into his closet to please himself with viewing the palace; he went now many times in the day to renew his tears, and plunge himself into the deepest melancholy, by reflecting how he had lost what was most dear to him in this world. The very morning of the return to the palace, the sultan went into his closet to indulge his sorrows. Absorbed in himself, and in a pensive mood, he cast his eyes toward the spot, expecting only to see an open space; but perceiving the vacancy filled up, he at first imagined the appearance to be the effect of a fog; looking more attentively, he was convinced beyond the power of doubt that it was his son-in-law's palace. Joy and gladness succeeded to sorrow and grief. He returned immediately into his apartment, and ordered a horse to be saddled and brought to him without delay, which he mounted that instant, thinking he could not make haste enough to the palace. Aladdin, who foresaw what would happen, rose that morning by daybreak, put on one of the most magnificent habits his wardrobe afforded, and went up into the hall of twenty-four windows, from whence he perceived the sultan approaching, and got down soon enough to receive him at the foot of the great staircase. "Aladdin," said the sultan,<\|quote\|>"I cannot speak to you till I have seen and embraced my daughter."</\|quote\|>The happy father was then led to the princess's apartment and embraced her with his face bathed in tears of joy. The sultan was some time before he could open his lips, so great was his surprise and joy to find his daughter again, after he had given her up for lost; and the princess, upon seeing her father, let fall tears of rapture and affection. At last the sultan broke silence, and said: "I would believe, daughter, your joy to see me makes you seem as little changed as if no misfortune had befallen you; yet I cannot be persuaded but that you have suffered much alarm; for a large palace cannot be so suddenly transported as yours has been, without causing great fright and apprehension. I would have you tell me all that has happened, and conceal nothing from me." The princess, who took great pleasure in giving the sultan the satisfaction he demanded, said: "If I appear so little altered, I beg of your majesty to consider that I received new life yesterday morning by the presence of my dear husband and deliverer, Aladdin, whom I looked upon and bewailed as lost to me. My greatest suffering was to find myself forced not only from your majesty, but from my dear husband; not only from the love I bore him, but from the uneasiness I laboured under through fear that he, though innocent, might feel the effects of your anger. As to what relates to my transportation, I was myself the innocent cause of it." To persuade the sultan of the truth of what she said, she gave him a full account of how the African magician had disguised himself, and offered to change new lamps for old ones; how she had amused herself in making that exchange; how the palace and herself were carried away and transported into Africa, with the magician, who was recognised by two of her women and the eunuch who made the exchange of the lamp, when he had the audacity, after the success of his daring enterprise, to propose himself for her husband; how he persecuted her till Aladdin's arrival; how they had concerted measures to get the lamp from him again, and the success they had fortunately met with by her dissimulation in inviting him to supper, and giving him the cup with the powder prepared for him. "For the rest," added she, "I leave it to Aladdin to recount." Aladdin had not much to tell the sultan, but only said: "When the private door was opened I went up into the great hall, where I found the magician lying dead on the sofa; and as I thought it not proper for the princess to stay there any longer, I desired her to go down into her own apartment, with her women and eunuchs. As soon as I was alone, and had taken the lamp out of the magician's breast, I made use of the same secret he had done, to remove the palace, and carry off the princess; and by that means the palace was reconveyed to the place where it stood	Arabian Nights (4)
she said to Mr. Wilcox,	No speaker	at such incongruities. "Next time,"<\|quote\|>she said to Mr. Wilcox,</\|quote\|>"you shall come to lunch	of a clergyman. She smiled at such incongruities. "Next time,"<\|quote\|>she said to Mr. Wilcox,</\|quote\|>"you shall come to lunch with me at Mr. Eustace	or Tom Jones. Scraps of their talk jarred oddly on the ear. "Right you are! I ll cable out to Uganda this evening," came from the table behind. "Their Emperor wants war; well, let him have it," was the opinion of a clergyman. She smiled at such incongruities. "Next time,"<\|quote\|>she said to Mr. Wilcox,</\|quote\|>"you shall come to lunch with me at Mr. Eustace Miles s." "With pleasure." "No, you d hate it," she said, pushing her glass towards him for some more cider. "It s all proteids and body buildings, and people come up to you and beg your pardon, but you have	and aired its well-calculated tributes to the solidity of our past. Though no more Old English than the works of Kipling, it had selected its reminiscences so adroitly that her criticism was lulled, and the guests whom it was nourishing for imperial purposes bore the outer semblance of Parson Adams or Tom Jones. Scraps of their talk jarred oddly on the ear. "Right you are! I ll cable out to Uganda this evening," came from the table behind. "Their Emperor wants war; well, let him have it," was the opinion of a clergyman. She smiled at such incongruities. "Next time,"<\|quote\|>she said to Mr. Wilcox,</\|quote\|>"you shall come to lunch with me at Mr. Eustace Miles s." "With pleasure." "No, you d hate it," she said, pushing her glass towards him for some more cider. "It s all proteids and body buildings, and people come up to you and beg your pardon, but you have such a beautiful aura." "A what?" "Never heard of an aura? Oh, happy, happy man! I scrub at mine for hours. Nor of an astral plane?" He had heard of astral planes, and censured them. "Just so. Luckily it was Helen s aura, not mine, and she had to chaperone	must find it. I can t." "Percy, do you know of anything?" "I can t say I do," said Mr. Cahill. "How like you! You re never any good." "Never any good. Just listen to her! Never any good. Oh, come!" "Well, you aren t. Miss Schlegel, is he?" The torrent of their love, having splashed these drops at Margaret, swept away on its habitual course. She sympathised with it now, for a little comfort had restored her geniality. Speech and silence pleased her equally, and while Mr. Wilcox made some preliminary inquiries about cheese, her eyes surveyed the restaurant, and aired its well-calculated tributes to the solidity of our past. Though no more Old English than the works of Kipling, it had selected its reminiscences so adroitly that her criticism was lulled, and the guests whom it was nourishing for imperial purposes bore the outer semblance of Parson Adams or Tom Jones. Scraps of their talk jarred oddly on the ear. "Right you are! I ll cable out to Uganda this evening," came from the table behind. "Their Emperor wants war; well, let him have it," was the opinion of a clergyman. She smiled at such incongruities. "Next time,"<\|quote\|>she said to Mr. Wilcox,</\|quote\|>"you shall come to lunch with me at Mr. Eustace Miles s." "With pleasure." "No, you d hate it," she said, pushing her glass towards him for some more cider. "It s all proteids and body buildings, and people come up to you and beg your pardon, but you have such a beautiful aura." "A what?" "Never heard of an aura? Oh, happy, happy man! I scrub at mine for hours. Nor of an astral plane?" He had heard of astral planes, and censured them. "Just so. Luckily it was Helen s aura, not mine, and she had to chaperone it and do the politenesses. I just sat with my handkerchief in my mouth till the man went." "Funny experiences seem to come to you two girls. No one s ever asked me about my--what d ye call it? Perhaps I ve not got one." "You re bound to have one, but it may be such a terrible colour that no one dares mention it." "Tell me, though, Miss Schlegel, do you really believe in the supernatural and all that?" "Too difficult a question." "Why s that? Gruyere or Stilton?" "Gruyere, please." "Better have Stilton." "Stilton. Because, though I don	those who are engaged in it, neither desires nor deserves the attention of others. "It s a golden rule to tip the carver. Tip everywhere s my motto." "Perhaps it does make life more human." "Then the fellows know one again. Especially in the East, if you tip, they remember you from year s end to year s end." "Have you been in the East?" "Oh, Greece and the Levant. I used to go out for sport and business to Cyprus; some military society of a sort there. A few piastres, properly distributed, help to keep one s memory green. But you, of course, think this shockingly cynical. How s your discussion society getting on? Any new Utopias lately?" "No, I m house-hunting, Mr. Wilcox, as I ve already told you once. Do you know of any houses?" "Afraid I don t." "Well, what s the point of being practical if you can t find two distressed females a house? We merely want a small house with large rooms, and plenty of them." "Evie, I like that! Miss Schlegel expects me to turn house-agent for her!" "What s that, father?" "I want a new home in September, and some one must find it. I can t." "Percy, do you know of anything?" "I can t say I do," said Mr. Cahill. "How like you! You re never any good." "Never any good. Just listen to her! Never any good. Oh, come!" "Well, you aren t. Miss Schlegel, is he?" The torrent of their love, having splashed these drops at Margaret, swept away on its habitual course. She sympathised with it now, for a little comfort had restored her geniality. Speech and silence pleased her equally, and while Mr. Wilcox made some preliminary inquiries about cheese, her eyes surveyed the restaurant, and aired its well-calculated tributes to the solidity of our past. Though no more Old English than the works of Kipling, it had selected its reminiscences so adroitly that her criticism was lulled, and the guests whom it was nourishing for imperial purposes bore the outer semblance of Parson Adams or Tom Jones. Scraps of their talk jarred oddly on the ear. "Right you are! I ll cable out to Uganda this evening," came from the table behind. "Their Emperor wants war; well, let him have it," was the opinion of a clergyman. She smiled at such incongruities. "Next time,"<\|quote\|>she said to Mr. Wilcox,</\|quote\|>"you shall come to lunch with me at Mr. Eustace Miles s." "With pleasure." "No, you d hate it," she said, pushing her glass towards him for some more cider. "It s all proteids and body buildings, and people come up to you and beg your pardon, but you have such a beautiful aura." "A what?" "Never heard of an aura? Oh, happy, happy man! I scrub at mine for hours. Nor of an astral plane?" He had heard of astral planes, and censured them. "Just so. Luckily it was Helen s aura, not mine, and she had to chaperone it and do the politenesses. I just sat with my handkerchief in my mouth till the man went." "Funny experiences seem to come to you two girls. No one s ever asked me about my--what d ye call it? Perhaps I ve not got one." "You re bound to have one, but it may be such a terrible colour that no one dares mention it." "Tell me, though, Miss Schlegel, do you really believe in the supernatural and all that?" "Too difficult a question." "Why s that? Gruyere or Stilton?" "Gruyere, please." "Better have Stilton." "Stilton. Because, though I don t believe in auras, and think Theosophy s only a halfway-house--" "--Yet there may be something in it all the same," he concluded, with a frown. "Not even that. It may be halfway in the wrong direction. I can t explain. I don t believe in all these fads, and yet I don t like saying that I don t believe in them." He seemed unsatisfied, and said: "So you wouldn t give me your word that you DON T hold with astral bodies and all the rest of it?" "I could," said Margaret, surprised that the point was of any importance to him. "Indeed, I will. When I talked about scrubbing my aura, I was only trying to be funny. But why do you want this settled?" "I don t know." "Now, Mr. Wilcox, you do know." "Yes, I am," "No, you re not," burst from the lovers opposite. Margaret was silent for a moment, and then changed the subject. "How s your house?" "Much the same as when you honoured it last week." "I don t mean Ducie Street. Howards End, of course." "Why of course ?" "Can t you turn out your tenant and let it to	but the vessel of life itself slipping past her, with people like Evie and Mr. Cahill on board. There are moments when virtue and wisdom fail us, and one of them came to her at Simpson s in the Strand. As she trod the staircase, narrow, but carpeted thickly, as she entered the eating-room, where saddles of mutton were being trundled up to expectant clergymen, she had a strong, if erroneous, conviction of her own futility, and wished she had never come out of her backwater, where nothing happened except art and literature, and where no one ever got married or succeeded in remaining engaged. Then came a little surprise. "Father might be of the party--yes, father was." With a smile of pleasure she moved forward to greet him, and her feeling of loneliness vanished. "I thought I d get round if I could," said he. "Evie told me of her little plan, so I just slipped in and secured a table. Always secure a table first. Evie, don t pretend you want to sit by your old father, because you don t. Miss Schlegel, come in my side, out of pity. My goodness, but you look tired! Been worrying round after your young clerks?" "No, after houses," said Margaret, edging past him into the box. "I m hungry, not tired; I want to eat heaps." "That s good. What ll you have?" "Fish pie," said she, with a glance at the menu. "Fish pie! Fancy coming for fish pie to Simpson s. It s not a bit the thing to go for here." "Go for something for me, then," said Margaret, pulling off her gloves. Her spirits were rising, and his reference to Leonard Bast had warmed her curiously. "Saddle of mutton," said he after profound reflection; "and cider to drink. That s the type of thing. I like this place, for a joke, once in a way. It is so thoroughly Old English. Don t you agree?" "Yes," said Margaret, who didn t. The order was given, the joint rolled up, and the carver, under Mr. Wilcox s direction, cut the meat where it was succulent, and piled their plates high. Mr. Cahill insisted on sirloin, but admitted that he had made a mistake later on. He and Evie soon fell into a conversation of the "No, I didn t; yes, you did" type--conversation which, though fascinating to those who are engaged in it, neither desires nor deserves the attention of others. "It s a golden rule to tip the carver. Tip everywhere s my motto." "Perhaps it does make life more human." "Then the fellows know one again. Especially in the East, if you tip, they remember you from year s end to year s end." "Have you been in the East?" "Oh, Greece and the Levant. I used to go out for sport and business to Cyprus; some military society of a sort there. A few piastres, properly distributed, help to keep one s memory green. But you, of course, think this shockingly cynical. How s your discussion society getting on? Any new Utopias lately?" "No, I m house-hunting, Mr. Wilcox, as I ve already told you once. Do you know of any houses?" "Afraid I don t." "Well, what s the point of being practical if you can t find two distressed females a house? We merely want a small house with large rooms, and plenty of them." "Evie, I like that! Miss Schlegel expects me to turn house-agent for her!" "What s that, father?" "I want a new home in September, and some one must find it. I can t." "Percy, do you know of anything?" "I can t say I do," said Mr. Cahill. "How like you! You re never any good." "Never any good. Just listen to her! Never any good. Oh, come!" "Well, you aren t. Miss Schlegel, is he?" The torrent of their love, having splashed these drops at Margaret, swept away on its habitual course. She sympathised with it now, for a little comfort had restored her geniality. Speech and silence pleased her equally, and while Mr. Wilcox made some preliminary inquiries about cheese, her eyes surveyed the restaurant, and aired its well-calculated tributes to the solidity of our past. Though no more Old English than the works of Kipling, it had selected its reminiscences so adroitly that her criticism was lulled, and the guests whom it was nourishing for imperial purposes bore the outer semblance of Parson Adams or Tom Jones. Scraps of their talk jarred oddly on the ear. "Right you are! I ll cable out to Uganda this evening," came from the table behind. "Their Emperor wants war; well, let him have it," was the opinion of a clergyman. She smiled at such incongruities. "Next time,"<\|quote\|>she said to Mr. Wilcox,</\|quote\|>"you shall come to lunch with me at Mr. Eustace Miles s." "With pleasure." "No, you d hate it," she said, pushing her glass towards him for some more cider. "It s all proteids and body buildings, and people come up to you and beg your pardon, but you have such a beautiful aura." "A what?" "Never heard of an aura? Oh, happy, happy man! I scrub at mine for hours. Nor of an astral plane?" He had heard of astral planes, and censured them. "Just so. Luckily it was Helen s aura, not mine, and she had to chaperone it and do the politenesses. I just sat with my handkerchief in my mouth till the man went." "Funny experiences seem to come to you two girls. No one s ever asked me about my--what d ye call it? Perhaps I ve not got one." "You re bound to have one, but it may be such a terrible colour that no one dares mention it." "Tell me, though, Miss Schlegel, do you really believe in the supernatural and all that?" "Too difficult a question." "Why s that? Gruyere or Stilton?" "Gruyere, please." "Better have Stilton." "Stilton. Because, though I don t believe in auras, and think Theosophy s only a halfway-house--" "--Yet there may be something in it all the same," he concluded, with a frown. "Not even that. It may be halfway in the wrong direction. I can t explain. I don t believe in all these fads, and yet I don t like saying that I don t believe in them." He seemed unsatisfied, and said: "So you wouldn t give me your word that you DON T hold with astral bodies and all the rest of it?" "I could," said Margaret, surprised that the point was of any importance to him. "Indeed, I will. When I talked about scrubbing my aura, I was only trying to be funny. But why do you want this settled?" "I don t know." "Now, Mr. Wilcox, you do know." "Yes, I am," "No, you re not," burst from the lovers opposite. Margaret was silent for a moment, and then changed the subject. "How s your house?" "Much the same as when you honoured it last week." "I don t mean Ducie Street. Howards End, of course." "Why of course ?" "Can t you turn out your tenant and let it to us? We re nearly demented." "Let me think. I wish I could help you. But I thought you wanted to be in town. One bit of advice: fix your district, then fix your price, and then don t budge. That s how I got both Ducie Street and Oniton. I said to myself, I mean to be exactly here, and I was, and Oniton s a place in a thousand." "But I do budge. Gentlemen seem to mesmerise houses--cow them with an eye, and up they come, trembling. Ladies can t. It s the houses that are mesmerising me. I ve no control over the saucy things. Houses are alive. No?" "I m out of my depth," he said, and added: "Didn t you talk rather like that to your office boy?" "Did I?--I mean I did, more or less. I talk the same way to every one--or try to." "Yes, I know. And how much of it do you suppose he understood?" "That s his lookout. I don t believe in suiting my conversation to my company. One can doubtless hit upon some medium of exchange that seems to do well enough, but it s no more like the real thing than money is like food. There s no nourishment in it. You pass it to the lower classes, and they pass it back to you, and this you call social intercourse or mutual endeavour, when it s mutual priggishness if it s anything. Our friends at Chelsea don t see this. They say one ought to be at all costs intelligible, and sacrifice--" "Lower classes," interrupted Mr. Wilcox, as it were thrusting his hand into her speech. "Well, you do admit that there are rich and poor. That s something." Margaret could not reply. Was he incredibly stupid, or did he understand her better than she understood herself? "You do admit that, if wealth was divided up equally, in a few years there would be rich and poor again just the same. The hard-working man would come to the top, the wastrel sink to the bottom." "Every one admits that." "Your Socialists don t." "My Socialists do. Yours mayn t; but I strongly suspect yours of being not Socialists, but ninepins, which you have constructed for your own amusement. I can t imagine any living creature who would bowl over quite so easily." He would have resented this	Bast had warmed her curiously. "Saddle of mutton," said he after profound reflection; "and cider to drink. That s the type of thing. I like this place, for a joke, once in a way. It is so thoroughly Old English. Don t you agree?" "Yes," said Margaret, who didn t. The order was given, the joint rolled up, and the carver, under Mr. Wilcox s direction, cut the meat where it was succulent, and piled their plates high. Mr. Cahill insisted on sirloin, but admitted that he had made a mistake later on. He and Evie soon fell into a conversation of the "No, I didn t; yes, you did" type--conversation which, though fascinating to those who are engaged in it, neither desires nor deserves the attention of others. "It s a golden rule to tip the carver. Tip everywhere s my motto." "Perhaps it does make life more human." "Then the fellows know one again. Especially in the East, if you tip, they remember you from year s end to year s end." "Have you been in the East?" "Oh, Greece and the Levant. I used to go out for sport and business to Cyprus; some military society of a sort there. A few piastres, properly distributed, help to keep one s memory green. But you, of course, think this shockingly cynical. How s your discussion society getting on? Any new Utopias lately?" "No, I m house-hunting, Mr. Wilcox, as I ve already told you once. Do you know of any houses?" "Afraid I don t." "Well, what s the point of being practical if you can t find two distressed females a house? We merely want a small house with large rooms, and plenty of them." "Evie, I like that! Miss Schlegel expects me to turn house-agent for her!" "What s that, father?" "I want a new home in September, and some one must find it. I can t." "Percy, do you know of anything?" "I can t say I do," said Mr. Cahill. "How like you! You re never any good." "Never any good. Just listen to her! Never any good. Oh, come!" "Well, you aren t. Miss Schlegel, is he?" The torrent of their love, having splashed these drops at Margaret, swept away on its habitual course. She sympathised with it now, for a little comfort had restored her geniality. Speech and silence pleased her equally, and while Mr. Wilcox made some preliminary inquiries about cheese, her eyes surveyed the restaurant, and aired its well-calculated tributes to the solidity of our past. Though no more Old English than the works of Kipling, it had selected its reminiscences so adroitly that her criticism was lulled, and the guests whom it was nourishing for imperial purposes bore the outer semblance of Parson Adams or Tom Jones. Scraps of their talk jarred oddly on the ear. "Right you are! I ll cable out to Uganda this evening," came from the table behind. "Their Emperor wants war; well, let him have it," was the opinion of a clergyman. She smiled at such incongruities. "Next time,"<\|quote\|>she said to Mr. Wilcox,</\|quote\|>"you shall come to lunch with me at Mr. Eustace Miles s." "With pleasure." "No, you d hate it," she said, pushing her glass towards him for some more cider. "It s all proteids and body buildings, and people come up to you and beg your pardon, but you have such a beautiful aura." "A what?" "Never heard of an aura? Oh, happy, happy man! I scrub at mine for hours. Nor of an astral plane?" He had heard of astral planes, and censured them. "Just so. Luckily it was Helen s aura, not mine, and she had to chaperone it and do the politenesses. I just sat with my handkerchief in my mouth till the man went." "Funny experiences seem to come to you two girls. No one s ever asked me about my--what d ye call it? Perhaps I ve not got one." "You re bound to have one, but it may be such a terrible colour that no one dares mention it." "Tell me, though, Miss Schlegel, do you really believe in the supernatural and all that?" "Too difficult a question." "Why s that? Gruyere or Stilton?" "Gruyere, please." "Better have Stilton." "Stilton. Because, though I don t believe in auras, and think Theosophy s only a halfway-house--" "--Yet there may be something in it all	Howards End
said her father,	No speaker	a hint to me, Lizzy,"<\|quote\|>said her father,</\|quote\|>"to send for the horses?"	all I want." "Is this a hint to me, Lizzy,"<\|quote\|>said her father,</\|quote\|>"to send for the horses?" "No, indeed. I do not	can you be so silly," cried her mother, "as to think of such a thing, in all this dirt! You will not be fit to be seen when you get there." "I shall be very fit to see Jane--which is all I want." "Is this a hint to me, Lizzy,"<\|quote\|>said her father,</\|quote\|>"to send for the horses?" "No, indeed. I do not wish to avoid the walk. The distance is nothing, when one has a motive; only three miles. I shall be back by dinner." "I admire the activity of your benevolence," observed Mary, "but every impulse of feeling should be guided	is all very well. I would go and see her, if I could have the carriage." Elizabeth, feeling really anxious, was determined to go to her, though the carriage was not to be had; and as she was no horse-woman, walking was her only alternative. She declared her resolution. "How can you be so silly," cried her mother, "as to think of such a thing, in all this dirt! You will not be fit to be seen when you get there." "I shall be very fit to see Jane--which is all I want." "Is this a hint to me, Lizzy,"<\|quote\|>said her father,</\|quote\|>"to send for the horses?" "No, indeed. I do not wish to avoid the walk. The distance is nothing, when one has a motive; only three miles. I shall be back by dinner." "I admire the activity of your benevolence," observed Mary, "but every impulse of feeling should be guided by reason; and, in my opinion, exertion should always be in proportion to what is required." "We will go as far as Meryton with you," said Catherine and Lydia.--Elizabeth accepted their company, and the three young ladies set off together. "If we make haste," said Lydia, as they walked along,	of his having been to me--and excepting a sore-throat and head-ache there is not much the matter with me." "Yours, &c." "Well, my dear," said Mr. Bennet, when Elizabeth had read the note aloud, "if your daughter should have a dangerous fit of illness, if she should die, it would be a comfort to know that it was all in pursuit of Mr. Bingley, and under your orders." "Oh! I am not at all afraid of her dying. People do not die of little trifling colds. She will be taken good care of. As long as she stays there, it is all very well. I would go and see her, if I could have the carriage." Elizabeth, feeling really anxious, was determined to go to her, though the carriage was not to be had; and as she was no horse-woman, walking was her only alternative. She declared her resolution. "How can you be so silly," cried her mother, "as to think of such a thing, in all this dirt! You will not be fit to be seen when you get there." "I shall be very fit to see Jane--which is all I want." "Is this a hint to me, Lizzy,"<\|quote\|>said her father,</\|quote\|>"to send for the horses?" "No, indeed. I do not wish to avoid the walk. The distance is nothing, when one has a motive; only three miles. I shall be back by dinner." "I admire the activity of your benevolence," observed Mary, "but every impulse of feeling should be guided by reason; and, in my opinion, exertion should always be in proportion to what is required." "We will go as far as Meryton with you," said Catherine and Lydia.--Elizabeth accepted their company, and the three young ladies set off together. "If we make haste," said Lydia, as they walked along, "perhaps we may see something of Captain Carter before he goes." In Meryton they parted; the two youngest repaired to the lodgings of one of the officers' wives, and Elizabeth continued her walk alone, crossing field after field at a quick pace, jumping over stiles and springing over puddles with impatient activity, and finding herself at last within view of the house, with weary ancles, dirty stockings, and a face glowing with the warmth of exercise. She was shewn into the breakfast-parlour, where all but Jane were assembled, and where her appearance created a great deal of surprise.--That she should	have got them to-day," said Elizabeth, "my mother's purpose will be answered." She did at last extort from her father an acknowledgment that the horses were engaged. Jane was therefore obliged to go on horseback, and her mother attended her to the door with many cheerful prognostics of a bad day. Her hopes were answered; Jane had not been gone long before it rained hard. Her sisters were uneasy for her, but her mother was delighted. The rain continued the whole evening without intermission; Jane certainly could not come back. "This was a lucky idea of mine, indeed!" said Mrs. Bennet, more than once, as if the credit of making it rain were all her own. Till the next morning, however, she was not aware of all the felicity of her contrivance. Breakfast was scarcely over when a servant from Netherfield brought the following note for Elizabeth: "My dearest Lizzy," "I FIND myself very unwell this morning, which, I suppose, is to be imputed to my getting wet through yesterday. My kind friends will not hear of my returning home till I am better. They insist also on my seeing Mr. Jones--therefore do not be alarmed if you should hear of his having been to me--and excepting a sore-throat and head-ache there is not much the matter with me." "Yours, &c." "Well, my dear," said Mr. Bennet, when Elizabeth had read the note aloud, "if your daughter should have a dangerous fit of illness, if she should die, it would be a comfort to know that it was all in pursuit of Mr. Bingley, and under your orders." "Oh! I am not at all afraid of her dying. People do not die of little trifling colds. She will be taken good care of. As long as she stays there, it is all very well. I would go and see her, if I could have the carriage." Elizabeth, feeling really anxious, was determined to go to her, though the carriage was not to be had; and as she was no horse-woman, walking was her only alternative. She declared her resolution. "How can you be so silly," cried her mother, "as to think of such a thing, in all this dirt! You will not be fit to be seen when you get there." "I shall be very fit to see Jane--which is all I want." "Is this a hint to me, Lizzy,"<\|quote\|>said her father,</\|quote\|>"to send for the horses?" "No, indeed. I do not wish to avoid the walk. The distance is nothing, when one has a motive; only three miles. I shall be back by dinner." "I admire the activity of your benevolence," observed Mary, "but every impulse of feeling should be guided by reason; and, in my opinion, exertion should always be in proportion to what is required." "We will go as far as Meryton with you," said Catherine and Lydia.--Elizabeth accepted their company, and the three young ladies set off together. "If we make haste," said Lydia, as they walked along, "perhaps we may see something of Captain Carter before he goes." In Meryton they parted; the two youngest repaired to the lodgings of one of the officers' wives, and Elizabeth continued her walk alone, crossing field after field at a quick pace, jumping over stiles and springing over puddles with impatient activity, and finding herself at last within view of the house, with weary ancles, dirty stockings, and a face glowing with the warmth of exercise. She was shewn into the breakfast-parlour, where all but Jane were assembled, and where her appearance created a great deal of surprise.--That she should have walked three miles so early in the day, in such dirty weather, and by herself, was almost incredible to Mrs. Hurst and Miss Bingley; and Elizabeth was convinced that they held her in contempt for it. She was received, however, very politely by them; and in their brother's manners there was something better than politeness; there was good humour and kindness.--Mr. Darcy said very little, and Mr. Hurst nothing at all. The former was divided between admiration of the brilliancy which exercise had given to her complexion, and doubt as to the occasion's justifying her coming so far alone. The latter was thinking only of his breakfast. Her enquiries after her sister were not very favourably answered. Miss Bennet had slept ill, and though up, was very feverish and not well enough to leave her room. Elizabeth was glad to be taken to her immediately; and Jane, who had only been withheld by the fear of giving alarm or inconvenience, from expressing in her note how much she longed for such a visit, was delighted at her entrance. She was not equal, however, to much conversation, and when Miss Bingley left them together, could attempt little beside expressions of	more than we do. I remember the time when I liked a red coat myself very well--and indeed so I do still at my heart; and if a smart young colonel, with five or six thousand a year, should want one of my girls, I shall not say nay to him; and I thought Colonel Forster looked very becoming the other night at Sir William's in his regimentals." "Mama," cried Lydia, "my aunt says that Colonel Forster and Captain Carter do not go so often to Miss Watson's as they did when they first came; she sees them now very often standing in Clarke's library." Mrs. Bennet was prevented replying by the entrance of the footman with a note for Miss Bennet; it came from Netherfield, and the servant waited for an answer. Mrs. Bennet's eyes sparkled with pleasure, and she was eagerly calling out, while her daughter read, "Well, Jane, who is it from? what is it about? what does he say? Well, Jane, make haste and tell us; make haste, my love." "It is from Miss Bingley," said Jane, and then read it aloud. "My dear Friend, "If you are not so compassionate as to dine to-day with Louisa and me, we shall be in danger of hating each other for the rest of our lives, for a whole day's t?te-?-t?te between two women can never end without a quarrel. Come as soon as you can on the receipt of this. My brother and the gentlemen are to dine with the officers. Yours ever, "CAROLINE BINGLEY." "With the officers!" cried Lydia. "I wonder my aunt did not tell us of _that_." "Dining out," said Mrs. Bennet, "that is very unlucky." "Can I have the carriage?" said Jane. "No, my dear, you had better go on horseback, because it seems likely to rain; and then you must stay all night." "That would be a good scheme," said Elizabeth, "if you were sure that they would not offer to send her home." "Oh! but the gentlemen will have Mr. Bingley's chaise to go to Meryton; and the Hursts have no horses to theirs." "I had much rather go in the coach." "But, my dear, your father cannot spare the horses, I am sure. They are wanted in the farm, Mr. Bennet, are not they?" "They are wanted in the farm much oftener than I can get them." "But if you have got them to-day," said Elizabeth, "my mother's purpose will be answered." She did at last extort from her father an acknowledgment that the horses were engaged. Jane was therefore obliged to go on horseback, and her mother attended her to the door with many cheerful prognostics of a bad day. Her hopes were answered; Jane had not been gone long before it rained hard. Her sisters were uneasy for her, but her mother was delighted. The rain continued the whole evening without intermission; Jane certainly could not come back. "This was a lucky idea of mine, indeed!" said Mrs. Bennet, more than once, as if the credit of making it rain were all her own. Till the next morning, however, she was not aware of all the felicity of her contrivance. Breakfast was scarcely over when a servant from Netherfield brought the following note for Elizabeth: "My dearest Lizzy," "I FIND myself very unwell this morning, which, I suppose, is to be imputed to my getting wet through yesterday. My kind friends will not hear of my returning home till I am better. They insist also on my seeing Mr. Jones--therefore do not be alarmed if you should hear of his having been to me--and excepting a sore-throat and head-ache there is not much the matter with me." "Yours, &c." "Well, my dear," said Mr. Bennet, when Elizabeth had read the note aloud, "if your daughter should have a dangerous fit of illness, if she should die, it would be a comfort to know that it was all in pursuit of Mr. Bingley, and under your orders." "Oh! I am not at all afraid of her dying. People do not die of little trifling colds. She will be taken good care of. As long as she stays there, it is all very well. I would go and see her, if I could have the carriage." Elizabeth, feeling really anxious, was determined to go to her, though the carriage was not to be had; and as she was no horse-woman, walking was her only alternative. She declared her resolution. "How can you be so silly," cried her mother, "as to think of such a thing, in all this dirt! You will not be fit to be seen when you get there." "I shall be very fit to see Jane--which is all I want." "Is this a hint to me, Lizzy,"<\|quote\|>said her father,</\|quote\|>"to send for the horses?" "No, indeed. I do not wish to avoid the walk. The distance is nothing, when one has a motive; only three miles. I shall be back by dinner." "I admire the activity of your benevolence," observed Mary, "but every impulse of feeling should be guided by reason; and, in my opinion, exertion should always be in proportion to what is required." "We will go as far as Meryton with you," said Catherine and Lydia.--Elizabeth accepted their company, and the three young ladies set off together. "If we make haste," said Lydia, as they walked along, "perhaps we may see something of Captain Carter before he goes." In Meryton they parted; the two youngest repaired to the lodgings of one of the officers' wives, and Elizabeth continued her walk alone, crossing field after field at a quick pace, jumping over stiles and springing over puddles with impatient activity, and finding herself at last within view of the house, with weary ancles, dirty stockings, and a face glowing with the warmth of exercise. She was shewn into the breakfast-parlour, where all but Jane were assembled, and where her appearance created a great deal of surprise.--That she should have walked three miles so early in the day, in such dirty weather, and by herself, was almost incredible to Mrs. Hurst and Miss Bingley; and Elizabeth was convinced that they held her in contempt for it. She was received, however, very politely by them; and in their brother's manners there was something better than politeness; there was good humour and kindness.--Mr. Darcy said very little, and Mr. Hurst nothing at all. The former was divided between admiration of the brilliancy which exercise had given to her complexion, and doubt as to the occasion's justifying her coming so far alone. The latter was thinking only of his breakfast. Her enquiries after her sister were not very favourably answered. Miss Bennet had slept ill, and though up, was very feverish and not well enough to leave her room. Elizabeth was glad to be taken to her immediately; and Jane, who had only been withheld by the fear of giving alarm or inconvenience, from expressing in her note how much she longed for such a visit, was delighted at her entrance. She was not equal, however, to much conversation, and when Miss Bingley left them together, could attempt little beside expressions of gratitude for the extraordinary kindness she was treated with. Elizabeth silently attended her. When breakfast was over, they were joined by the sisters; and Elizabeth began to like them herself, when she saw how much affection and solicitude they shewed for Jane. The apothecary came, and having examined his patient, said, as might be supposed, that she had caught a violent cold, and that they must endeavour to get the better of it; advised her to return to bed, and promised her some draughts. The advice was followed readily, for the feverish symptoms increased, and her head ached acutely. Elizabeth did not quit her room for a moment, nor were the other ladies often absent; the gentlemen being out, they had in fact nothing to do elsewhere. When the clock struck three, Elizabeth felt that she must go; and very unwillingly said so. Miss Bingley offered her the carriage, and she only wanted a little pressing to accept it, when Jane testified such concern in parting with her, that Miss Bingley was obliged to convert the offer of the chaise into an invitation to remain at Netherfield for the present. Elizabeth most thankfully consented, and a servant was dispatched to Longbourn to acquaint the family with her stay, and bring back a supply of clothes. CHAPTER VIII. At five o'clock the two ladies retired to dress, and at half past six Elizabeth was summoned to dinner. To the civil enquiries which then poured in, and amongst which she had the pleasure of distinguishing the much superior solicitude of Mr. Bingley's, she could not make a very favourable answer. Jane was by no means better. The sisters, on hearing this, repeated three or four times how much they were grieved, how shocking it was to have a bad cold, and how excessively they disliked being ill themselves; and then thought no more of the matter: and their indifference towards Jane when not immediately before them, restored Elizabeth to the enjoyment of all her original dislike. Their brother, indeed, was the only one of the party whom she could regard with any complacency. His anxiety for Jane was evident, and his attentions to herself most pleasing, and they prevented her feeling herself so much an intruder as she believed she was considered by the others. She had very little notice from any but him. Miss Bingley was engrossed by Mr. Darcy, her	not come back. "This was a lucky idea of mine, indeed!" said Mrs. Bennet, more than once, as if the credit of making it rain were all her own. Till the next morning, however, she was not aware of all the felicity of her contrivance. Breakfast was scarcely over when a servant from Netherfield brought the following note for Elizabeth: "My dearest Lizzy," "I FIND myself very unwell this morning, which, I suppose, is to be imputed to my getting wet through yesterday. My kind friends will not hear of my returning home till I am better. They insist also on my seeing Mr. Jones--therefore do not be alarmed if you should hear of his having been to me--and excepting a sore-throat and head-ache there is not much the matter with me." "Yours, &c." "Well, my dear," said Mr. Bennet, when Elizabeth had read the note aloud, "if your daughter should have a dangerous fit of illness, if she should die, it would be a comfort to know that it was all in pursuit of Mr. Bingley, and under your orders." "Oh! I am not at all afraid of her dying. People do not die of little trifling colds. She will be taken good care of. As long as she stays there, it is all very well. I would go and see her, if I could have the carriage." Elizabeth, feeling really anxious, was determined to go to her, though the carriage was not to be had; and as she was no horse-woman, walking was her only alternative. She declared her resolution. "How can you be so silly," cried her mother, "as to think of such a thing, in all this dirt! You will not be fit to be seen when you get there." "I shall be very fit to see Jane--which is all I want." "Is this a hint to me, Lizzy,"<\|quote\|>said her father,</\|quote\|>"to send for the horses?" "No, indeed. I do not wish to avoid the walk. The distance is nothing, when one has a motive; only three miles. I shall be back by dinner." "I admire the activity of your benevolence," observed Mary, "but every impulse of feeling should be guided by reason; and, in my opinion, exertion should always be in proportion to what is required." "We will go as far as Meryton with you," said Catherine and Lydia.--Elizabeth accepted their company, and the three young ladies set off together. "If we make haste," said Lydia, as they walked along, "perhaps we may see something of Captain Carter before he goes." In Meryton they parted; the two youngest repaired to the lodgings of one of the officers' wives, and Elizabeth continued her walk alone, crossing field after field at a quick pace, jumping over stiles and springing over puddles with impatient activity, and finding herself at last within view of the house, with weary ancles, dirty stockings, and a face glowing with the warmth of exercise. She was shewn into the breakfast-parlour, where all but Jane were assembled, and where her appearance created a great deal of surprise.--That she should have walked three miles so early in the day, in such dirty weather, and by herself, was almost incredible to Mrs. Hurst and Miss Bingley; and Elizabeth was convinced that they held her in contempt for it. She was received, however, very politely by them; and in their brother's manners there was something better than politeness; there was good humour and kindness.--Mr. Darcy said very little, and Mr. Hurst nothing at all. The former was divided between admiration of the brilliancy which exercise had given to her complexion, and doubt as to the occasion's justifying her coming so far alone. The latter was thinking only of his breakfast. Her enquiries after her sister were not very favourably answered. Miss Bennet had slept ill, and though up, was very feverish and not well enough to leave her room. Elizabeth was glad to be taken to her immediately; and Jane, who had only been withheld by the fear of giving alarm or inconvenience, from expressing in her note how much she longed for such a visit, was delighted at her entrance. She was not equal, however, to much conversation, and when Miss Bingley left them together, could attempt little beside expressions of gratitude for the extraordinary	Pride And Prejudice
replied the girl.	No speaker	"Yes, the other gentleman's paid,"<\|quote\|>replied the girl.</\|quote\|>"I say!" said the man,	other. "Is all paid, Becky?" "Yes, the other gentleman's paid,"<\|quote\|>replied the girl.</\|quote\|>"I say!" said the man, with tipsy gravity; "that won't	ale towards his new friend. "If you're going directly, I can," replied the man, looking out of the pot. "Are you going to Halliford?" "Going on to Shepperton," replied Sikes. "I'm your man, as far as I go," replied the other. "Is all paid, Becky?" "Yes, the other gentleman's paid,"<\|quote\|>replied the girl.</\|quote\|>"I say!" said the man, with tipsy gravity; "that won't do, you know." "Why not?" rejoined Sikes. "You're a-going to accommodate us, and wot's to prevent my standing treat for a pint or so, in return?" The stranger reflected upon this argument, with a very profound face; having done so,	hasn't got a load behind him going back, as he had coming up in the mornin'; and he won't be long a-doing of it. Here's luck to him. Ecod! he's a good 'un!" "Could you give my boy and me a lift as far as there?" demanded Sikes, pushing the ale towards his new friend. "If you're going directly, I can," replied the man, looking out of the pot. "Are you going to Halliford?" "Going on to Shepperton," replied Sikes. "I'm your man, as far as I go," replied the other. "Is all paid, Becky?" "Yes, the other gentleman's paid,"<\|quote\|>replied the girl.</\|quote\|>"I say!" said the man, with tipsy gravity; "that won't do, you know." "Why not?" rejoined Sikes. "You're a-going to accommodate us, and wot's to prevent my standing treat for a pint or so, in return?" The stranger reflected upon this argument, with a very profound face; having done so, he seized Sikes by the hand: and declared he was a real good fellow. To which Mr. Sikes replied, he was joking; as, if he had been sober, there would have been strong reason to suppose he was. After the exchange of a few more compliments, they bade the company	he dozed a little at first; then, quite overpowered by fatigue and the fumes of the tobacco, fell asleep. It was quite dark when he was awakened by a push from Sikes. Rousing himself sufficiently to sit up and look about him, he found that worthy in close fellowship and communication with a labouring man, over a pint of ale. "So, you're going on to Lower Halliford, are you?" inquired Sikes. "Yes, I am," replied the man, who seemed a little the worse or better, as the case might be for drinking; "and not slow about it neither. My horse hasn't got a load behind him going back, as he had coming up in the mornin'; and he won't be long a-doing of it. Here's luck to him. Ecod! he's a good 'un!" "Could you give my boy and me a lift as far as there?" demanded Sikes, pushing the ale towards his new friend. "If you're going directly, I can," replied the man, looking out of the pot. "Are you going to Halliford?" "Going on to Shepperton," replied Sikes. "I'm your man, as far as I go," replied the other. "Is all paid, Becky?" "Yes, the other gentleman's paid,"<\|quote\|>replied the girl.</\|quote\|>"I say!" said the man, with tipsy gravity; "that won't do, you know." "Why not?" rejoined Sikes. "You're a-going to accommodate us, and wot's to prevent my standing treat for a pint or so, in return?" The stranger reflected upon this argument, with a very profound face; having done so, he seized Sikes by the hand: and declared he was a real good fellow. To which Mr. Sikes replied, he was joking; as, if he had been sober, there would have been strong reason to suppose he was. After the exchange of a few more compliments, they bade the company good-night, and went out; the girl gathering up the pots and glasses as they did so, and lounging out to the door, with her hands full, to see the party start. The horse, whose health had been drunk in his absence, was standing outside: ready harnessed to the cart. Oliver and Sikes got in without any further ceremony; and the man to whom he belonged, having lingered for a minute or two "to bear him up," and to defy the hostler and the world to produce his equal, mounted also. Then, the hostler was told to give the horse his	passing many large gardens and gentlemen's houses on both sides of the way, and stopping for nothing but a little beer, until they reached a town. Here against the wall of a house, Oliver saw written up in pretty large letters, "Hampton." They lingered about, in the fields, for some hours. At length they came back into the town; and, turning into an old public-house with a defaced sign-board, ordered some dinner by the kitchen fire. The kitchen was an old, low-roofed room; with a great beam across the middle of the ceiling, and benches, with high backs to them, by the fire; on which were seated several rough men in smock-frocks, drinking and smoking. They took no notice of Oliver; and very little of Sikes; and, as Sikes took very little notice of them, he and his young comrade sat in a corner by themselves, without being much troubled by their company. They had some cold meat for dinner, and sat so long after it, while Mr. Sikes indulged himself with three or four pipes, that Oliver began to feel quite certain they were not going any further. Being much tired with the walk, and getting up so early, he dozed a little at first; then, quite overpowered by fatigue and the fumes of the tobacco, fell asleep. It was quite dark when he was awakened by a push from Sikes. Rousing himself sufficiently to sit up and look about him, he found that worthy in close fellowship and communication with a labouring man, over a pint of ale. "So, you're going on to Lower Halliford, are you?" inquired Sikes. "Yes, I am," replied the man, who seemed a little the worse or better, as the case might be for drinking; "and not slow about it neither. My horse hasn't got a load behind him going back, as he had coming up in the mornin'; and he won't be long a-doing of it. Here's luck to him. Ecod! he's a good 'un!" "Could you give my boy and me a lift as far as there?" demanded Sikes, pushing the ale towards his new friend. "If you're going directly, I can," replied the man, looking out of the pot. "Are you going to Halliford?" "Going on to Shepperton," replied Sikes. "I'm your man, as far as I go," replied the other. "Is all paid, Becky?" "Yes, the other gentleman's paid,"<\|quote\|>replied the girl.</\|quote\|>"I say!" said the man, with tipsy gravity; "that won't do, you know." "Why not?" rejoined Sikes. "You're a-going to accommodate us, and wot's to prevent my standing treat for a pint or so, in return?" The stranger reflected upon this argument, with a very profound face; having done so, he seized Sikes by the hand: and declared he was a real good fellow. To which Mr. Sikes replied, he was joking; as, if he had been sober, there would have been strong reason to suppose he was. After the exchange of a few more compliments, they bade the company good-night, and went out; the girl gathering up the pots and glasses as they did so, and lounging out to the door, with her hands full, to see the party start. The horse, whose health had been drunk in his absence, was standing outside: ready harnessed to the cart. Oliver and Sikes got in without any further ceremony; and the man to whom he belonged, having lingered for a minute or two "to bear him up," and to defy the hostler and the world to produce his equal, mounted also. Then, the hostler was told to give the horse his head; and, his head being given him, he made a very unpleasant use of it: tossing it into the air with great disdain, and running into the parlour windows over the way; after performing those feats, and supporting himself for a short time on his hind-legs, he started off at great speed, and rattled out of the town right gallantly. The night was very dark. A damp mist rose from the river, and the marshy ground about; and spread itself over the dreary fields. It was piercing cold, too; all was gloomy and black. Not a word was spoken; for the driver had grown sleepy; and Sikes was in no mood to lead him into conversation. Oliver sat huddled together, in a corner of the cart; bewildered with alarm and apprehension; and figuring strange objects in the gaunt trees, whose branches waved grimly to and fro, as if in some fantastic joy at the desolation of the scene. As they passed Sunbury Church, the clock struck seven. There was a light in the ferry-house window opposite: which streamed across the road, and threw into more sombre shadow a dark yew-tree with graves beneath it. There was a dull sound of	his little companion's wrist; Oliver, quickening his pace into a kind of trot between a fast walk and a run, kept up with the rapid strides of the house-breaker as well as he could. They held their course at this rate, until they had passed Hyde Park corner, and were on their way to Kensington: when Sikes relaxed his pace, until an empty cart which was at some little distance behind, came up. Seeing "Hounslow" written on it, he asked the driver with as much civility as he could assume, if he would give them a lift as far as Isleworth. "Jump up," said the man. "Is that your boy?" "Yes; he's my boy," replied Sikes, looking hard at Oliver, and putting his hand abstractedly into the pocket where the pistol was. "Your father walks rather too quick for you, don't he, my man?" inquired the driver: seeing that Oliver was out of breath. "Not a bit of it," replied Sikes, interposing. "He's used to it. Here, take hold of my hand, Ned. In with you!" Thus addressing Oliver, he helped him into the cart; and the driver, pointing to a heap of sacks, told him to lie down there, and rest himself. As they passed the different mile-stones, Oliver wondered, more and more, where his companion meant to take him. Kensington, Hammersmith, Chiswick, Kew Bridge, Brentford, were all passed; and yet they went on as steadily as if they had only just begun their journey. At length, they came to a public-house called the Coach and Horses; a little way beyond which, another road appeared to run off. And here, the cart stopped. Sikes dismounted with great precipitation, holding Oliver by the hand all the while; and lifting him down directly, bestowed a furious look upon him, and rapped the side-pocket with his fist, in a significant manner. "Good-bye, boy," said the man. "He's sulky," replied Sikes, giving him a shake; "he's sulky. A young dog! Don't mind him." "Not I!" rejoined the other, getting into his cart. "It's a fine day, after all." And he drove away. Sikes waited until he had fairly gone; and then, telling Oliver he might look about him if he wanted, once again led him onward on his journey. They turned round to the left, a short way past the public-house; and then, taking a right-hand road, walked on for a long time: passing many large gardens and gentlemen's houses on both sides of the way, and stopping for nothing but a little beer, until they reached a town. Here against the wall of a house, Oliver saw written up in pretty large letters, "Hampton." They lingered about, in the fields, for some hours. At length they came back into the town; and, turning into an old public-house with a defaced sign-board, ordered some dinner by the kitchen fire. The kitchen was an old, low-roofed room; with a great beam across the middle of the ceiling, and benches, with high backs to them, by the fire; on which were seated several rough men in smock-frocks, drinking and smoking. They took no notice of Oliver; and very little of Sikes; and, as Sikes took very little notice of them, he and his young comrade sat in a corner by themselves, without being much troubled by their company. They had some cold meat for dinner, and sat so long after it, while Mr. Sikes indulged himself with three or four pipes, that Oliver began to feel quite certain they were not going any further. Being much tired with the walk, and getting up so early, he dozed a little at first; then, quite overpowered by fatigue and the fumes of the tobacco, fell asleep. It was quite dark when he was awakened by a push from Sikes. Rousing himself sufficiently to sit up and look about him, he found that worthy in close fellowship and communication with a labouring man, over a pint of ale. "So, you're going on to Lower Halliford, are you?" inquired Sikes. "Yes, I am," replied the man, who seemed a little the worse or better, as the case might be for drinking; "and not slow about it neither. My horse hasn't got a load behind him going back, as he had coming up in the mornin'; and he won't be long a-doing of it. Here's luck to him. Ecod! he's a good 'un!" "Could you give my boy and me a lift as far as there?" demanded Sikes, pushing the ale towards his new friend. "If you're going directly, I can," replied the man, looking out of the pot. "Are you going to Halliford?" "Going on to Shepperton," replied Sikes. "I'm your man, as far as I go," replied the other. "Is all paid, Becky?" "Yes, the other gentleman's paid,"<\|quote\|>replied the girl.</\|quote\|>"I say!" said the man, with tipsy gravity; "that won't do, you know." "Why not?" rejoined Sikes. "You're a-going to accommodate us, and wot's to prevent my standing treat for a pint or so, in return?" The stranger reflected upon this argument, with a very profound face; having done so, he seized Sikes by the hand: and declared he was a real good fellow. To which Mr. Sikes replied, he was joking; as, if he had been sober, there would have been strong reason to suppose he was. After the exchange of a few more compliments, they bade the company good-night, and went out; the girl gathering up the pots and glasses as they did so, and lounging out to the door, with her hands full, to see the party start. The horse, whose health had been drunk in his absence, was standing outside: ready harnessed to the cart. Oliver and Sikes got in without any further ceremony; and the man to whom he belonged, having lingered for a minute or two "to bear him up," and to defy the hostler and the world to produce his equal, mounted also. Then, the hostler was told to give the horse his head; and, his head being given him, he made a very unpleasant use of it: tossing it into the air with great disdain, and running into the parlour windows over the way; after performing those feats, and supporting himself for a short time on his hind-legs, he started off at great speed, and rattled out of the town right gallantly. The night was very dark. A damp mist rose from the river, and the marshy ground about; and spread itself over the dreary fields. It was piercing cold, too; all was gloomy and black. Not a word was spoken; for the driver had grown sleepy; and Sikes was in no mood to lead him into conversation. Oliver sat huddled together, in a corner of the cart; bewildered with alarm and apprehension; and figuring strange objects in the gaunt trees, whose branches waved grimly to and fro, as if in some fantastic joy at the desolation of the scene. As they passed Sunbury Church, the clock struck seven. There was a light in the ferry-house window opposite: which streamed across the road, and threw into more sombre shadow a dark yew-tree with graves beneath it. There was a dull sound of falling water not far off; and the leaves of the old tree stirred gently in the night wind. It seemed like quiet music for the repose of the dead. Sunbury was passed through, and they came again into the lonely road. Two or three miles more, and the cart stopped. Sikes alighted, took Oliver by the hand, and they once again walked on. They turned into no house at Shepperton, as the weary boy had expected; but still kept walking on, in mud and darkness, through gloomy lanes and over cold open wastes, until they came within sight of the lights of a town at no great distance. On looking intently forward, Oliver saw that the water was just below them, and that they were coming to the foot of a bridge. Sikes kept straight on, until they were close upon the bridge; then turned suddenly down a bank upon the left. "The water!" thought Oliver, turning sick with fear. "He has brought me to this lonely place to murder me!" He was about to throw himself on the ground, and make one struggle for his young life, when he saw that they stood before a solitary house: all ruinous and decayed. There was a window on each side of the dilapidated entrance; and one story above; but no light was visible. The house was dark, dismantled: and, to all appearance, uninhabited. Sikes, with Oliver's hand still in his, softly approached the low porch, and raised the latch. The door yielded to the pressure, and they passed in together. CHAPTER XXII. THE BURGLARY "Hallo!" cried a loud, hoarse voice, as soon as they set foot in the passage. "Don't make such a row," said Sikes, bolting the door. "Show a glim, Toby." "Aha! my pal!" cried the same voice. "A glim, Barney, a glim! Show the gentleman in, Barney; wake up first, if convenient." The speaker appeared to throw a boot-jack, or some such article, at the person he addressed, to rouse him from his slumbers: for the noise of a wooden body, falling violently, was heard; and then an indistinct muttering, as of a man between sleep and awake. "Do you hear?" cried the same voice. "There's Bill Sikes in the passage with nobody to do the civil to him; and you sleeping there, as if you took laudanum with your meals, and nothing stronger. Are you any fresher	the side-pocket with his fist, in a significant manner. "Good-bye, boy," said the man. "He's sulky," replied Sikes, giving him a shake; "he's sulky. A young dog! Don't mind him." "Not I!" rejoined the other, getting into his cart. "It's a fine day, after all." And he drove away. Sikes waited until he had fairly gone; and then, telling Oliver he might look about him if he wanted, once again led him onward on his journey. They turned round to the left, a short way past the public-house; and then, taking a right-hand road, walked on for a long time: passing many large gardens and gentlemen's houses on both sides of the way, and stopping for nothing but a little beer, until they reached a town. Here against the wall of a house, Oliver saw written up in pretty large letters, "Hampton." They lingered about, in the fields, for some hours. At length they came back into the town; and, turning into an old public-house with a defaced sign-board, ordered some dinner by the kitchen fire. The kitchen was an old, low-roofed room; with a great beam across the middle of the ceiling, and benches, with high backs to them, by the fire; on which were seated several rough men in smock-frocks, drinking and smoking. They took no notice of Oliver; and very little of Sikes; and, as Sikes took very little notice of them, he and his young comrade sat in a corner by themselves, without being much troubled by their company. They had some cold meat for dinner, and sat so long after it, while Mr. Sikes indulged himself with three or four pipes, that Oliver began to feel quite certain they were not going any further. Being much tired with the walk, and getting up so early, he dozed a little at first; then, quite overpowered by fatigue and the fumes of the tobacco, fell asleep. It was quite dark when he was awakened by a push from Sikes. Rousing himself sufficiently to sit up and look about him, he found that worthy in close fellowship and communication with a labouring man, over a pint of ale. "So, you're going on to Lower Halliford, are you?" inquired Sikes. "Yes, I am," replied the man, who seemed a little the worse or better, as the case might be for drinking; "and not slow about it neither. My horse hasn't got a load behind him going back, as he had coming up in the mornin'; and he won't be long a-doing of it. Here's luck to him. Ecod! he's a good 'un!" "Could you give my boy and me a lift as far as there?" demanded Sikes, pushing the ale towards his new friend. "If you're going directly, I can," replied the man, looking out of the pot. "Are you going to Halliford?" "Going on to Shepperton," replied Sikes. "I'm your man, as far as I go," replied the other. "Is all paid, Becky?" "Yes, the other gentleman's paid,"<\|quote\|>replied the girl.</\|quote\|>"I say!" said the man, with tipsy gravity; "that won't do, you know." "Why not?" rejoined Sikes. "You're a-going to accommodate us, and wot's to prevent my standing treat for a pint or so, in return?" The stranger reflected upon this argument, with a very profound face; having done so, he seized Sikes by the hand: and declared he was a real good fellow. To which Mr. Sikes replied, he was joking; as, if he had been sober, there would have been strong reason to suppose he was. After the exchange of a few more compliments, they bade the company good-night, and went out; the girl gathering up the pots and glasses as they did so, and lounging out to the door, with her hands full, to see the party start. The horse, whose health had been drunk in his absence, was standing outside: ready harnessed to the cart. Oliver and Sikes got in without any further ceremony; and the man to whom he belonged, having lingered for a minute or two "to bear him up," and to defy the hostler and the world to produce his equal, mounted also. Then, the hostler was told to give the horse his head; and, his head being given him, he made a very unpleasant use of it: tossing it into the air with great disdain, and running into the parlour windows over the way; after performing those feats, and supporting himself for a short time on his hind-legs, he started off at great speed, and rattled out of the town right gallantly. The night was very dark. A damp mist rose from the river, and the marshy ground about; and spread itself over the dreary fields. It was piercing cold, too; all was gloomy and black. Not a word was spoken; for the driver had grown sleepy; and Sikes was in no mood to lead him into conversation. Oliver sat huddled together, in a corner of the cart; bewildered with alarm and apprehension; and figuring strange objects in the gaunt trees, whose branches waved grimly to and fro, as if in some fantastic joy at the desolation of the scene. As they passed Sunbury Church, the clock struck seven. There was a light in the ferry-house window opposite: which streamed across the road, and threw into more sombre shadow a dark yew-tree with graves beneath it. There was a dull sound of falling water not far off; and the leaves of the old tree stirred gently in the night wind. It seemed like quiet music for the repose of the dead. Sunbury was passed through, and they came again into the lonely road. Two or three miles more, and the cart stopped. Sikes alighted, took Oliver by the hand, and they once again walked on. They turned into no house at Shepperton, as the weary boy had expected; but still kept walking on, in mud and darkness, through gloomy lanes and over cold open wastes, until they came within sight of the lights of a town at no great distance. On looking intently forward, Oliver saw that the water was just below them, and that they were coming to the foot of a bridge. Sikes kept straight on, until they were close upon the bridge; then turned suddenly down a bank upon the left. "The	Oliver Twist
"The brilliant young man who writes for the Review, I mean? Only yesterday my husband was telling me he thought you one of the cleverest young men he knew. Certainly, you ve been the messenger of Providence to me, for unless I d seen you I m sure I should never have found the ruins at all."	Mrs. Hilbery	suspicion of her own accuracy.<\|quote\|>"The brilliant young man who writes for the Review, I mean? Only yesterday my husband was telling me he thought you one of the cleverest young men he knew. Certainly, you ve been the messenger of Providence to me, for unless I d seen you I m sure I should never have found the ruins at all."</\|quote\|>They had reached the Roman	at him with a sudden suspicion of her own accuracy.<\|quote\|>"The brilliant young man who writes for the Review, I mean? Only yesterday my husband was telling me he thought you one of the cleverest young men he knew. Certainly, you ve been the messenger of Providence to me, for unless I d seen you I m sure I should never have found the ruins at all."</\|quote\|>They had reached the Roman arch when Mrs. Hilbery caught	shops, it was impossible for one person all alone to find her way to the ruins. "Now," she exclaimed, "please tell me what you re doing here, Mr. Denham for you _are_ Mr. Denham, aren t you?" she inquired, gazing at him with a sudden suspicion of her own accuracy.<\|quote\|>"The brilliant young man who writes for the Review, I mean? Only yesterday my husband was telling me he thought you one of the cleverest young men he knew. Certainly, you ve been the messenger of Providence to me, for unless I d seen you I m sure I should never have found the ruins at all."</\|quote\|>They had reached the Roman arch when Mrs. Hilbery caught sight of her own party, standing like sentinels facing up and down the road so as to intercept her if, as they expected, she had got lodged in some shop. "I ve found something much better than ruins!" she exclaimed.	and the pot of honey, having been introduced to Mary, and having insisted that they should accompany her back to the ruins, since in a town with so many turnings, such prospects, such delightful little half-naked boys dabbling in pools, such Venetian canals, such old blue china in the curiosity shops, it was impossible for one person all alone to find her way to the ruins. "Now," she exclaimed, "please tell me what you re doing here, Mr. Denham for you _are_ Mr. Denham, aren t you?" she inquired, gazing at him with a sudden suspicion of her own accuracy.<\|quote\|>"The brilliant young man who writes for the Review, I mean? Only yesterday my husband was telling me he thought you one of the cleverest young men he knew. Certainly, you ve been the messenger of Providence to me, for unless I d seen you I m sure I should never have found the ruins at all."</\|quote\|>They had reached the Roman arch when Mrs. Hilbery caught sight of her own party, standing like sentinels facing up and down the road so as to intercept her if, as they expected, she had got lodged in some shop. "I ve found something much better than ruins!" she exclaimed. "I ve found two friends who told me how to find you, which I could never have done without them. They must come and have tea with us. What a pity that we ve just had luncheon." Could they not somehow revoke that meal? Katharine, who had gone a few	where I am," she demanded, but, catching sight of the attentive shopman, she appealed to him. "The ruins my party is waiting for me at the ruins. The Roman ruins or Greek, Mr. Denham? Your town has a great many beautiful things in it, but I wish it hadn t so many ruins. I never saw such delightful little pots of honey in my life are they made by your own bees? Please give me one of those little pots, and tell me how I shall find my way to the ruins." "And now," she continued, having received the information and the pot of honey, having been introduced to Mary, and having insisted that they should accompany her back to the ruins, since in a town with so many turnings, such prospects, such delightful little half-naked boys dabbling in pools, such Venetian canals, such old blue china in the curiosity shops, it was impossible for one person all alone to find her way to the ruins. "Now," she exclaimed, "please tell me what you re doing here, Mr. Denham for you _are_ Mr. Denham, aren t you?" she inquired, gazing at him with a sudden suspicion of her own accuracy.<\|quote\|>"The brilliant young man who writes for the Review, I mean? Only yesterday my husband was telling me he thought you one of the cleverest young men he knew. Certainly, you ve been the messenger of Providence to me, for unless I d seen you I m sure I should never have found the ruins at all."</\|quote\|>They had reached the Roman arch when Mrs. Hilbery caught sight of her own party, standing like sentinels facing up and down the road so as to intercept her if, as they expected, she had got lodged in some shop. "I ve found something much better than ruins!" she exclaimed. "I ve found two friends who told me how to find you, which I could never have done without them. They must come and have tea with us. What a pity that we ve just had luncheon." Could they not somehow revoke that meal? Katharine, who had gone a few steps by herself down the road, and was investigating the window of an ironmonger, as if her mother might have got herself concealed among mowing-machines and garden-shears, turned sharply on hearing her voice, and came towards them. She was a great deal surprised to see Denham and Mary Datchet. Whether the cordiality with which she greeted them was merely that which is natural to a surprise meeting in the country, or whether she was really glad to see them both, at any rate she exclaimed with unusual pleasure as she shook hands: "I never knew you lived here. Why didn	must be in trim for a long and stormy walk. Next, standing in the middle of the road, she took a slip of paper from her purse, and read out loud a list of commissions entrusted to her fruit, butter, string, and so on; and all the time she never spoke directly to Ralph or looked at him. Ralph heard her giving orders to attentive, rosy-checked men in white aprons, and in spite of his own preoccupation, he commented upon the determination with which she made her wishes known. Once more he began, automatically, to take stock of her characteristics. Standing thus, superficially observant and stirring the sawdust on the floor meditatively with the toe of his boot, he was roused by a musical and familiar voice behind him, accompanied by a light touch upon his shoulder. "I m not mistaken? Surely Mr. Denham? I caught a glimpse of your coat through the window, and I felt sure that I knew your coat. Have you seen Katharine or William? I m wandering about Lincoln looking for the ruins." It was Mrs. Hilbery; her entrance created some stir in the shop; many people looked at her. "First of all, tell me where I am," she demanded, but, catching sight of the attentive shopman, she appealed to him. "The ruins my party is waiting for me at the ruins. The Roman ruins or Greek, Mr. Denham? Your town has a great many beautiful things in it, but I wish it hadn t so many ruins. I never saw such delightful little pots of honey in my life are they made by your own bees? Please give me one of those little pots, and tell me how I shall find my way to the ruins." "And now," she continued, having received the information and the pot of honey, having been introduced to Mary, and having insisted that they should accompany her back to the ruins, since in a town with so many turnings, such prospects, such delightful little half-naked boys dabbling in pools, such Venetian canals, such old blue china in the curiosity shops, it was impossible for one person all alone to find her way to the ruins. "Now," she exclaimed, "please tell me what you re doing here, Mr. Denham for you _are_ Mr. Denham, aren t you?" she inquired, gazing at him with a sudden suspicion of her own accuracy.<\|quote\|>"The brilliant young man who writes for the Review, I mean? Only yesterday my husband was telling me he thought you one of the cleverest young men he knew. Certainly, you ve been the messenger of Providence to me, for unless I d seen you I m sure I should never have found the ruins at all."</\|quote\|>They had reached the Roman arch when Mrs. Hilbery caught sight of her own party, standing like sentinels facing up and down the road so as to intercept her if, as they expected, she had got lodged in some shop. "I ve found something much better than ruins!" she exclaimed. "I ve found two friends who told me how to find you, which I could never have done without them. They must come and have tea with us. What a pity that we ve just had luncheon." Could they not somehow revoke that meal? Katharine, who had gone a few steps by herself down the road, and was investigating the window of an ironmonger, as if her mother might have got herself concealed among mowing-machines and garden-shears, turned sharply on hearing her voice, and came towards them. She was a great deal surprised to see Denham and Mary Datchet. Whether the cordiality with which she greeted them was merely that which is natural to a surprise meeting in the country, or whether she was really glad to see them both, at any rate she exclaimed with unusual pleasure as she shook hands: "I never knew you lived here. Why didn t you say so, and we could have met? And are you staying with Mary?" she continued, turning to Ralph. "What a pity we didn t meet before." Thus confronted at a distance of only a few feet by the real body of the woman about whom he had dreamt so many million dreams, Ralph stammered; he made a clutch at his self-control; the color either came to his cheeks or left them, he knew not which; but he was determined to face her and track down in the cold light of day whatever vestige of truth there might be in his persistent imaginations. He did not succeed in saying anything. It was Mary who spoke for both of them. He was struck dumb by finding that Katharine was quite different, in some strange way, from his memory, so that he had to dismiss his old view in order to accept the new one. The wind was blowing her crimson scarf across her face; the wind had already loosened her hair, which looped across the corner of one of the large, dark eyes which, so he used to think, looked sad; now they looked bright with the brightness of the	had seen him. This sudden apparition had an extraordinary effect upon him. It was as if he had thought of her so intensely that his mind had formed the shape of her, rather than that he had seen her in the flesh outside in the street. And yet he had not been thinking of her at all. The impression was so intense that he could not dismiss it, nor even think whether he had seen her or merely imagined her. He sat down at once, and said, briefly and strangely, rather to himself than to Mary: "That was Katharine Hilbery." "Katharine Hilbery? What do you mean?" she asked, hardly understanding from his manner whether he had seen her or not. "Katharine Hilbery," he repeated. "But she s gone now." "Katharine Hilbery!" Mary thought, in an instant of blinding revelation; "I ve always known it was Katharine Hilbery!" She knew it all now. After a moment of downcast stupor, she raised her eyes, looked steadily at Ralph, and caught his fixed and dreamy gaze leveled at a point far beyond their surroundings, a point that she had never reached in all the time that she had known him. She noticed the lips just parted, the fingers loosely clenched, the whole attitude of rapt contemplation, which fell like a veil between them. She noticed everything about him; if there had been other signs of his utter alienation she would have sought them out, too, for she felt that it was only by heaping one truth upon another that she could keep herself sitting there, upright. The truth seemed to support her; it struck her, even as she looked at his face, that the light of truth was shining far away beyond him; the light of truth, she seemed to frame the words as she rose to go, shines on a world not to be shaken by our personal calamities. Ralph handed her her coat and her stick. She took them, fastened the coat securely, grasped the stick firmly. The ivy spray was still twisted about the handle; this one sacrifice, she thought, she might make to sentimentality and personality, and she picked two leaves from the ivy and put them in her pocket before she disencumbered her stick of the rest of it. She grasped the stick in the middle, and settled her fur cap closely upon her head, as if she must be in trim for a long and stormy walk. Next, standing in the middle of the road, she took a slip of paper from her purse, and read out loud a list of commissions entrusted to her fruit, butter, string, and so on; and all the time she never spoke directly to Ralph or looked at him. Ralph heard her giving orders to attentive, rosy-checked men in white aprons, and in spite of his own preoccupation, he commented upon the determination with which she made her wishes known. Once more he began, automatically, to take stock of her characteristics. Standing thus, superficially observant and stirring the sawdust on the floor meditatively with the toe of his boot, he was roused by a musical and familiar voice behind him, accompanied by a light touch upon his shoulder. "I m not mistaken? Surely Mr. Denham? I caught a glimpse of your coat through the window, and I felt sure that I knew your coat. Have you seen Katharine or William? I m wandering about Lincoln looking for the ruins." It was Mrs. Hilbery; her entrance created some stir in the shop; many people looked at her. "First of all, tell me where I am," she demanded, but, catching sight of the attentive shopman, she appealed to him. "The ruins my party is waiting for me at the ruins. The Roman ruins or Greek, Mr. Denham? Your town has a great many beautiful things in it, but I wish it hadn t so many ruins. I never saw such delightful little pots of honey in my life are they made by your own bees? Please give me one of those little pots, and tell me how I shall find my way to the ruins." "And now," she continued, having received the information and the pot of honey, having been introduced to Mary, and having insisted that they should accompany her back to the ruins, since in a town with so many turnings, such prospects, such delightful little half-naked boys dabbling in pools, such Venetian canals, such old blue china in the curiosity shops, it was impossible for one person all alone to find her way to the ruins. "Now," she exclaimed, "please tell me what you re doing here, Mr. Denham for you _are_ Mr. Denham, aren t you?" she inquired, gazing at him with a sudden suspicion of her own accuracy.<\|quote\|>"The brilliant young man who writes for the Review, I mean? Only yesterday my husband was telling me he thought you one of the cleverest young men he knew. Certainly, you ve been the messenger of Providence to me, for unless I d seen you I m sure I should never have found the ruins at all."</\|quote\|>They had reached the Roman arch when Mrs. Hilbery caught sight of her own party, standing like sentinels facing up and down the road so as to intercept her if, as they expected, she had got lodged in some shop. "I ve found something much better than ruins!" she exclaimed. "I ve found two friends who told me how to find you, which I could never have done without them. They must come and have tea with us. What a pity that we ve just had luncheon." Could they not somehow revoke that meal? Katharine, who had gone a few steps by herself down the road, and was investigating the window of an ironmonger, as if her mother might have got herself concealed among mowing-machines and garden-shears, turned sharply on hearing her voice, and came towards them. She was a great deal surprised to see Denham and Mary Datchet. Whether the cordiality with which she greeted them was merely that which is natural to a surprise meeting in the country, or whether she was really glad to see them both, at any rate she exclaimed with unusual pleasure as she shook hands: "I never knew you lived here. Why didn t you say so, and we could have met? And are you staying with Mary?" she continued, turning to Ralph. "What a pity we didn t meet before." Thus confronted at a distance of only a few feet by the real body of the woman about whom he had dreamt so many million dreams, Ralph stammered; he made a clutch at his self-control; the color either came to his cheeks or left them, he knew not which; but he was determined to face her and track down in the cold light of day whatever vestige of truth there might be in his persistent imaginations. He did not succeed in saying anything. It was Mary who spoke for both of them. He was struck dumb by finding that Katharine was quite different, in some strange way, from his memory, so that he had to dismiss his old view in order to accept the new one. The wind was blowing her crimson scarf across her face; the wind had already loosened her hair, which looped across the corner of one of the large, dark eyes which, so he used to think, looked sad; now they looked bright with the brightness of the sea struck by an unclouded ray; everything about her seemed rapid, fragmentary, and full of a kind of racing speed. He realized suddenly that he had never seen her in the daylight before. Meanwhile, it was decided that it was too late to go in search of ruins as they had intended; and the whole party began to walk towards the stables where the carriage had been put up. "Do you know," said Katharine, keeping slightly in advance of the rest with Ralph, "I thought I saw you this morning, standing at a window. But I decided that it couldn t be you. And it must have been you all the same." "Yes, I thought I saw you but it wasn t you," he replied. This remark, and the rough strain in his voice, recalled to her memory so many difficult speeches and abortive meetings that she was jerked directly back to the London drawing-room, the family relics, and the tea-table; and at the same time recalled some half-finished or interrupted remark which she had wanted to make herself or to hear from him she could not remember what it was. "I expect it was me," she said. "I was looking for my mother. It happens every time we come to Lincoln. In fact, there never was a family so unable to take care of itself as ours is. Not that it very much matters, because some one always turns up in the nick of time to help us out of our scrapes. Once I was left in a field with a bull when I was a baby but where did we leave the carriage? Down that street or the next? The next, I think." She glanced back and saw that the others were following obediently, listening to certain memories of Lincoln upon which Mrs. Hilbery had started. "But what are you doing here?" she asked. "I m buying a cottage. I m going to live here as soon as I can find a cottage, and Mary tells me there ll be no difficulty about that." "But," she exclaimed, almost standing still in her surprise, "you will give up the Bar, then?" It flashed across her mind that he must already be engaged to Mary. "The solicitor s office? Yes. I m giving that up." "But why?" she asked. She answered herself at once, with a curious change from rapid	there had been other signs of his utter alienation she would have sought them out, too, for she felt that it was only by heaping one truth upon another that she could keep herself sitting there, upright. The truth seemed to support her; it struck her, even as she looked at his face, that the light of truth was shining far away beyond him; the light of truth, she seemed to frame the words as she rose to go, shines on a world not to be shaken by our personal calamities. Ralph handed her her coat and her stick. She took them, fastened the coat securely, grasped the stick firmly. The ivy spray was still twisted about the handle; this one sacrifice, she thought, she might make to sentimentality and personality, and she picked two leaves from the ivy and put them in her pocket before she disencumbered her stick of the rest of it. She grasped the stick in the middle, and settled her fur cap closely upon her head, as if she must be in trim for a long and stormy walk. Next, standing in the middle of the road, she took a slip of paper from her purse, and read out loud a list of commissions entrusted to her fruit, butter, string, and so on; and all the time she never spoke directly to Ralph or looked at him. Ralph heard her giving orders to attentive, rosy-checked men in white aprons, and in spite of his own preoccupation, he commented upon the determination with which she made her wishes known. Once more he began, automatically, to take stock of her characteristics. Standing thus, superficially observant and stirring the sawdust on the floor meditatively with the toe of his boot, he was roused by a musical and familiar voice behind him, accompanied by a light touch upon his shoulder. "I m not mistaken? Surely Mr. Denham? I caught a glimpse of your coat through the window, and I felt sure that I knew your coat. Have you seen Katharine or William? I m wandering about Lincoln looking for the ruins." It was Mrs. Hilbery; her entrance created some stir in the shop; many people looked at her. "First of all, tell me where I am," she demanded, but, catching sight of the attentive shopman, she appealed to him. "The ruins my party is waiting for me at the ruins. The Roman ruins or Greek, Mr. Denham? Your town has a great many beautiful things in it, but I wish it hadn t so many ruins. I never saw such delightful little pots of honey in my life are they made by your own bees? Please give me one of those little pots, and tell me how I shall find my way to the ruins." "And now," she continued, having received the information and the pot of honey, having been introduced to Mary, and having insisted that they should accompany her back to the ruins, since in a town with so many turnings, such prospects, such delightful little half-naked boys dabbling in pools, such Venetian canals, such old blue china in the curiosity shops, it was impossible for one person all alone to find her way to the ruins. "Now," she exclaimed, "please tell me what you re doing here, Mr. Denham for you _are_ Mr. Denham, aren t you?" she inquired, gazing at him with a sudden suspicion of her own accuracy.<\|quote\|>"The brilliant young man who writes for the Review, I mean? Only yesterday my husband was telling me he thought you one of the cleverest young men he knew. Certainly, you ve been the messenger of Providence to me, for unless I d seen you I m sure I should never have found the ruins at all."</\|quote\|>They had reached the Roman arch when Mrs. Hilbery caught sight of her own party, standing like sentinels facing up and down the road so as to intercept her if, as they expected, she had got lodged in some shop. "I ve found something much better than ruins!" she exclaimed. "I ve found two friends who told me how to find you, which I could never have done without them. They must come and have tea with us. What a pity that we ve just had luncheon." Could they not somehow revoke that meal? Katharine, who had gone a few steps by herself down the road, and was investigating the window of an ironmonger, as if her mother might have got herself concealed among mowing-machines and garden-shears, turned sharply on hearing her voice, and came towards them. She was a great deal surprised to see Denham and Mary Datchet. Whether the cordiality with which she greeted them was merely that which is natural to a surprise meeting in the country, or whether she was really glad to see them both, at any rate she exclaimed with unusual pleasure as she shook hands: "I never knew you lived here. Why didn t you say so, and we could have met? And are you staying with Mary?" she continued, turning to Ralph. "What a pity we didn t meet before." Thus confronted at a distance of only a few feet by the real body of the woman about whom he had dreamt so many million dreams, Ralph stammered; he made a clutch at his self-control; the color either came to his cheeks or left them, he knew not which; but he was determined to face her and track down in the cold light of day whatever vestige of truth there might be in his persistent imaginations. He did not succeed in saying anything. It was Mary who spoke for both of them. He was struck dumb by finding that Katharine was quite different, in some strange way, from his memory, so that he had to dismiss his old view	Night And Day
"Oh, Marilla,"	Anne Shirley	and somebody entered the room.<\|quote\|>"Oh, Marilla,"</\|quote\|>sobbed Anne, without looking up,	step sounded on the stairs and somebody entered the room.<\|quote\|>"Oh, Marilla,"</\|quote\|>sobbed Anne, without looking up, "I'm disgraced forever. I shall	tears under this double disgrace. "I couldn't--I had such a cold!" and with this she fairly fled to the gable chamber, where she cast herself on the bed and wept as one who refuses to be comforted. Presently a light step sounded on the stairs and somebody entered the room.<\|quote\|>"Oh, Marilla,"</\|quote\|>sobbed Anne, without looking up, "I'm disgraced forever. I shall never be able to live this down. It will get out--things always do get out in Avonlea. Diana will ask me how my cake turned out and I shall have to tell her the truth. I shall always be pointed	on us, Anne, you've flavored that cake with _Anodyne Liniment_. I broke the liniment bottle last week and poured what was left into an old empty vanilla bottle. I suppose it's partly my fault--I should have warned you--but for pity's sake why couldn't you have smelled it?" Anne dissolved into tears under this double disgrace. "I couldn't--I had such a cold!" and with this she fairly fled to the gable chamber, where she cast herself on the bed and wept as one who refuses to be comforted. Presently a light step sounded on the stairs and somebody entered the room.<\|quote\|>"Oh, Marilla,"</\|quote\|>sobbed Anne, without looking up, "I'm disgraced forever. I shall never be able to live this down. It will get out--things always do get out in Avonlea. Diana will ask me how my cake turned out and I shall have to tell her the truth. I shall always be pointed at as the girl who flavored a cake with anodyne liniment. Gil--the boys in school will never get over laughing at it. Oh, Marilla, if you have a spark of Christian pity don't tell me that I must go down and wash the dishes after this. I'll wash them when	anguish. "Oh, isn't it all right?" "All right! It's simply horrible. Mr. Allan, don't try to eat it. Anne, taste it yourself. What flavoring did you use?" "Vanilla," said Anne, her face scarlet with mortification after tasting the cake. "Only vanilla. Oh, Marilla, it must have been the baking powder. I had my suspicions of that bak--" "Baking powder fiddlesticks! Go and bring me the bottle of vanilla you used." Anne fled to the pantry and returned with a small bottle partially filled with a brown liquid and labeled yellowly, "Best Vanilla." Marilla took it, uncorked it, smelled it. "Mercy on us, Anne, you've flavored that cake with _Anodyne Liniment_. I broke the liniment bottle last week and poured what was left into an old empty vanilla bottle. I suppose it's partly my fault--I should have warned you--but for pity's sake why couldn't you have smelled it?" Anne dissolved into tears under this double disgrace. "I couldn't--I had such a cold!" and with this she fairly fled to the gable chamber, where she cast herself on the bed and wept as one who refuses to be comforted. Presently a light step sounded on the stairs and somebody entered the room.<\|quote\|>"Oh, Marilla,"</\|quote\|>sobbed Anne, without looking up, "I'm disgraced forever. I shall never be able to live this down. It will get out--things always do get out in Avonlea. Diana will ask me how my cake turned out and I shall have to tell her the truth. I shall always be pointed at as the girl who flavored a cake with anodyne liniment. Gil--the boys in school will never get over laughing at it. Oh, Marilla, if you have a spark of Christian pity don't tell me that I must go down and wash the dishes after this. I'll wash them when the minister and his wife are gone, but I cannot ever look Mrs. Allan in the face again. Perhaps she'll think I tried to poison her. Mrs. Lynde says she knows an orphan girl who tried to poison her benefactor. But the liniment isn't poisonous. It's meant to be taken internally--although not in cakes. Won't you tell Mrs. Allan so, Marilla?" "Suppose you jump up and tell her so yourself," said a merry voice. Anne flew up, to find Mrs. Allan standing by her bed, surveying her with laughing eyes. "My dear little girl, you mustn't cry like this," she	in such a state of shyness and nervousness that Marilla had given him up in despair, but Anne took him in hand so successfully that he now sat at the table in his best clothes and white collar and talked to the minister not uninterestingly. He never said a word to Mrs. Allan, but that perhaps was not to be expected. All went merry as a marriage bell until Anne's layer cake was passed. Mrs. Allan, having already been helped to a bewildering variety, declined it. But Marilla, seeing the disappointment on Anne's face, said smilingly: "Oh, you must take a piece of this, Mrs. Allan. Anne made it on purpose for you." "In that case I must sample it," laughed Mrs. Allan, helping herself to a plump triangle, as did also the minister and Marilla. Mrs. Allan took a mouthful of hers and a most peculiar expression crossed her face; not a word did she say, however, but steadily ate away at it. Marilla saw the expression and hastened to taste the cake. "Anne Shirley!" she exclaimed, "what on earth did you put into that cake?" "Nothing but what the recipe said, Marilla," cried Anne with a look of anguish. "Oh, isn't it all right?" "All right! It's simply horrible. Mr. Allan, don't try to eat it. Anne, taste it yourself. What flavoring did you use?" "Vanilla," said Anne, her face scarlet with mortification after tasting the cake. "Only vanilla. Oh, Marilla, it must have been the baking powder. I had my suspicions of that bak--" "Baking powder fiddlesticks! Go and bring me the bottle of vanilla you used." Anne fled to the pantry and returned with a small bottle partially filled with a brown liquid and labeled yellowly, "Best Vanilla." Marilla took it, uncorked it, smelled it. "Mercy on us, Anne, you've flavored that cake with _Anodyne Liniment_. I broke the liniment bottle last week and poured what was left into an old empty vanilla bottle. I suppose it's partly my fault--I should have warned you--but for pity's sake why couldn't you have smelled it?" Anne dissolved into tears under this double disgrace. "I couldn't--I had such a cold!" and with this she fairly fled to the gable chamber, where she cast herself on the bed and wept as one who refuses to be comforted. Presently a light step sounded on the stairs and somebody entered the room.<\|quote\|>"Oh, Marilla,"</\|quote\|>sobbed Anne, without looking up, "I'm disgraced forever. I shall never be able to live this down. It will get out--things always do get out in Avonlea. Diana will ask me how my cake turned out and I shall have to tell her the truth. I shall always be pointed at as the girl who flavored a cake with anodyne liniment. Gil--the boys in school will never get over laughing at it. Oh, Marilla, if you have a spark of Christian pity don't tell me that I must go down and wash the dishes after this. I'll wash them when the minister and his wife are gone, but I cannot ever look Mrs. Allan in the face again. Perhaps she'll think I tried to poison her. Mrs. Lynde says she knows an orphan girl who tried to poison her benefactor. But the liniment isn't poisonous. It's meant to be taken internally--although not in cakes. Won't you tell Mrs. Allan so, Marilla?" "Suppose you jump up and tell her so yourself," said a merry voice. Anne flew up, to find Mrs. Allan standing by her bed, surveying her with laughing eyes. "My dear little girl, you mustn't cry like this," she said, genuinely disturbed by Anne's tragic face. "Why, it's all just a funny mistake that anybody might make." "Oh, no, it takes me to make such a mistake," said Anne forlornly. "And I wanted to have that cake so nice for you, Mrs. Allan." "Yes, I know, dear. And I assure you I appreciate your kindness and thoughtfulness just as much as if it had turned out all right. Now, you mustn't cry any more, but come down with me and show me your flower garden. Miss Cuthbert tells me you have a little plot all your own. I want to see it, for I'm very much interested in flowers." Anne permitted herself to be led down and comforted, reflecting that it was really providential that Mrs. Allan was a kindred spirit. Nothing more was said about the liniment cake, and when the guests went away Anne found that she had enjoyed the evening more than could have been expected, considering that terrible incident. Nevertheless, she sighed deeply. "Marilla, isn't it nice to think that tomorrow is a new day with no mistakes in it yet?" "I'll warrant you'll make plenty in it," said Marilla. "I never saw your beat	preceding evening; but nothing short of absolute pneumonia could have quenched her interest in culinary matters that morning. After breakfast she proceeded to make her cake. When she finally shut the oven door upon it she drew a long breath. "I'm sure I haven't forgotten anything this time, Marilla. But do you think it will rise? Just suppose perhaps the baking powder isn't good? I used it out of the new can. And Mrs. Lynde says you can never be sure of getting good baking powder nowadays when everything is so adulterated. Mrs. Lynde says the Government ought to take the matter up, but she says we'll never see the day when a Tory Government will do it. Marilla, what if that cake doesn't rise?" "We'll have plenty without it" was Marilla's unimpassioned way of looking at the subject. The cake did rise, however, and came out of the oven as light and feathery as golden foam. Anne, flushed with delight, clapped it together with layers of ruby jelly and, in imagination, saw Mrs. Allan eating it and possibly asking for another piece! "You'll be using the best tea set, of course, Marilla," she said. "Can I fix the table with ferns and wild roses?" "I think that's all nonsense," sniffed Marilla. "In my opinion it's the eatables that matter and not flummery decorations." "Mrs. Barry had _her_ table decorated," said Anne, who was not entirely guiltless of the wisdom of the serpent, "and the minister paid her an elegant compliment. He said it was a feast for the eye as well as the palate." "Well, do as you like," said Marilla, who was quite determined not to be surpassed by Mrs. Barry or anybody else. "Only mind you leave enough room for the dishes and the food." Anne laid herself out to decorate in a manner and after a fashion that should leave Mrs. Barry's nowhere. Having abundance of roses and ferns and a very artistic taste of her own, she made that tea table such a thing of beauty that when the minister and his wife sat down to it they exclaimed in chorus over it loveliness. "It's Anne's doings," said Marilla, grimly just; and Anne felt that Mrs. Allan's approving smile was almost too much happiness for this world. Matthew was there, having been inveigled into the party only goodness and Anne knew how. He had been in such a state of shyness and nervousness that Marilla had given him up in despair, but Anne took him in hand so successfully that he now sat at the table in his best clothes and white collar and talked to the minister not uninterestingly. He never said a word to Mrs. Allan, but that perhaps was not to be expected. All went merry as a marriage bell until Anne's layer cake was passed. Mrs. Allan, having already been helped to a bewildering variety, declined it. But Marilla, seeing the disappointment on Anne's face, said smilingly: "Oh, you must take a piece of this, Mrs. Allan. Anne made it on purpose for you." "In that case I must sample it," laughed Mrs. Allan, helping herself to a plump triangle, as did also the minister and Marilla. Mrs. Allan took a mouthful of hers and a most peculiar expression crossed her face; not a word did she say, however, but steadily ate away at it. Marilla saw the expression and hastened to taste the cake. "Anne Shirley!" she exclaimed, "what on earth did you put into that cake?" "Nothing but what the recipe said, Marilla," cried Anne with a look of anguish. "Oh, isn't it all right?" "All right! It's simply horrible. Mr. Allan, don't try to eat it. Anne, taste it yourself. What flavoring did you use?" "Vanilla," said Anne, her face scarlet with mortification after tasting the cake. "Only vanilla. Oh, Marilla, it must have been the baking powder. I had my suspicions of that bak--" "Baking powder fiddlesticks! Go and bring me the bottle of vanilla you used." Anne fled to the pantry and returned with a small bottle partially filled with a brown liquid and labeled yellowly, "Best Vanilla." Marilla took it, uncorked it, smelled it. "Mercy on us, Anne, you've flavored that cake with _Anodyne Liniment_. I broke the liniment bottle last week and poured what was left into an old empty vanilla bottle. I suppose it's partly my fault--I should have warned you--but for pity's sake why couldn't you have smelled it?" Anne dissolved into tears under this double disgrace. "I couldn't--I had such a cold!" and with this she fairly fled to the gable chamber, where she cast herself on the bed and wept as one who refuses to be comforted. Presently a light step sounded on the stairs and somebody entered the room.<\|quote\|>"Oh, Marilla,"</\|quote\|>sobbed Anne, without looking up, "I'm disgraced forever. I shall never be able to live this down. It will get out--things always do get out in Avonlea. Diana will ask me how my cake turned out and I shall have to tell her the truth. I shall always be pointed at as the girl who flavored a cake with anodyne liniment. Gil--the boys in school will never get over laughing at it. Oh, Marilla, if you have a spark of Christian pity don't tell me that I must go down and wash the dishes after this. I'll wash them when the minister and his wife are gone, but I cannot ever look Mrs. Allan in the face again. Perhaps she'll think I tried to poison her. Mrs. Lynde says she knows an orphan girl who tried to poison her benefactor. But the liniment isn't poisonous. It's meant to be taken internally--although not in cakes. Won't you tell Mrs. Allan so, Marilla?" "Suppose you jump up and tell her so yourself," said a merry voice. Anne flew up, to find Mrs. Allan standing by her bed, surveying her with laughing eyes. "My dear little girl, you mustn't cry like this," she said, genuinely disturbed by Anne's tragic face. "Why, it's all just a funny mistake that anybody might make." "Oh, no, it takes me to make such a mistake," said Anne forlornly. "And I wanted to have that cake so nice for you, Mrs. Allan." "Yes, I know, dear. And I assure you I appreciate your kindness and thoughtfulness just as much as if it had turned out all right. Now, you mustn't cry any more, but come down with me and show me your flower garden. Miss Cuthbert tells me you have a little plot all your own. I want to see it, for I'm very much interested in flowers." Anne permitted herself to be led down and comforted, reflecting that it was really providential that Mrs. Allan was a kindred spirit. Nothing more was said about the liniment cake, and when the guests went away Anne found that she had enjoyed the evening more than could have been expected, considering that terrible incident. Nevertheless, she sighed deeply. "Marilla, isn't it nice to think that tomorrow is a new day with no mistakes in it yet?" "I'll warrant you'll make plenty in it," said Marilla. "I never saw your beat for making mistakes, Anne." "Yes, and well I know it," admitted Anne mournfully. "But have you ever noticed one encouraging thing about me, Marilla? I never make the same mistake twice." "I don't know as that's much benefit when you're always making new ones." "Oh, don't you see, Marilla? There must be a limit to the mistakes one person can make, and when I get to the end of them, then I'll be through with them. That's a very comforting thought." "Well, you'd better go and give that cake to the pigs," said Marilla. "It isn't fit for any human to eat, not even Jerry Boute." CHAPTER XXII. Anne is Invited Out to Tea "AND what are your eyes popping out of your head about. Now?" asked Marilla, when Anne had just come in from a run to the post office. "Have you discovered another kindred spirit?" Excitement hung around Anne like a garment, shone in her eyes, kindled in every feature. She had come dancing up the lane, like a wind-blown sprite, through the mellow sunshine and lazy shadows of the August evening. "No, Marilla, but oh, what do you think? I am invited to tea at the manse tomorrow afternoon! Mrs. Allan left the letter for me at the post office. Just look at it, Marilla. ?Miss Anne Shirley, Green Gables.' That is the first time I was ever called ?Miss.' Such a thrill as it gave me! I shall cherish it forever among my choicest treasures." "Mrs. Allan told me she meant to have all the members of her Sunday-school class to tea in turn," said Marilla, regarding the wonderful event very coolly. "You needn't get in such a fever over it. Do learn to take things calmly, child." For Anne to take things calmly would have been to change her nature. All "spirit and fire and dew," as she was, the pleasures and pains of life came to her with trebled intensity. Marilla felt this and was vaguely troubled over it, realizing that the ups and downs of existence would probably bear hardly on this impulsive soul and not sufficiently understanding that the equally great capacity for delight might more than compensate. Therefore Marilla conceived it to be her duty to drill Anne into a tranquil uniformity of disposition as impossible and alien to her as to a dancing sunbeam in one of the brook shallows.	her own, she made that tea table such a thing of beauty that when the minister and his wife sat down to it they exclaimed in chorus over it loveliness. "It's Anne's doings," said Marilla, grimly just; and Anne felt that Mrs. Allan's approving smile was almost too much happiness for this world. Matthew was there, having been inveigled into the party only goodness and Anne knew how. He had been in such a state of shyness and nervousness that Marilla had given him up in despair, but Anne took him in hand so successfully that he now sat at the table in his best clothes and white collar and talked to the minister not uninterestingly. He never said a word to Mrs. Allan, but that perhaps was not to be expected. All went merry as a marriage bell until Anne's layer cake was passed. Mrs. Allan, having already been helped to a bewildering variety, declined it. But Marilla, seeing the disappointment on Anne's face, said smilingly: "Oh, you must take a piece of this, Mrs. Allan. Anne made it on purpose for you." "In that case I must sample it," laughed Mrs. Allan, helping herself to a plump triangle, as did also the minister and Marilla. Mrs. Allan took a mouthful of hers and a most peculiar expression crossed her face; not a word did she say, however, but steadily ate away at it. Marilla saw the expression and hastened to taste the cake. "Anne Shirley!" she exclaimed, "what on earth did you put into that cake?" "Nothing but what the recipe said, Marilla," cried Anne with a look of anguish. "Oh, isn't it all right?" "All right! It's simply horrible. Mr. Allan, don't try to eat it. Anne, taste it yourself. What flavoring did you use?" "Vanilla," said Anne, her face scarlet with mortification after tasting the cake. "Only vanilla. Oh, Marilla, it must have been the baking powder. I had my suspicions of that bak--" "Baking powder fiddlesticks! Go and bring me the bottle of vanilla you used." Anne fled to the pantry and returned with a small bottle partially filled with a brown liquid and labeled yellowly, "Best Vanilla." Marilla took it, uncorked it, smelled it. "Mercy on us, Anne, you've flavored that cake with _Anodyne Liniment_. I broke the liniment bottle last week and poured what was left into an old empty vanilla bottle. I suppose it's partly my fault--I should have warned you--but for pity's sake why couldn't you have smelled it?" Anne dissolved into tears under this double disgrace. "I couldn't--I had such a cold!" and with this she fairly fled to the gable chamber, where she cast herself on the bed and wept as one who refuses to be comforted. Presently a light step sounded on the stairs and somebody entered the room.<\|quote\|>"Oh, Marilla,"</\|quote\|>sobbed Anne, without looking up, "I'm disgraced forever. I shall never be able to live this down. It will get out--things always do get out in Avonlea. Diana will ask me how my cake turned out and I shall have to tell her the truth. I shall always be pointed at as the girl who flavored a cake with anodyne liniment. Gil--the boys in school will never get over laughing at it. Oh, Marilla, if you have a spark of Christian pity don't tell me that I must go down and wash the dishes after this. I'll wash them when the minister and his wife are gone, but I cannot ever look Mrs. Allan in the face again. Perhaps she'll think I tried to poison her. Mrs. Lynde says she knows an orphan girl who tried to poison her benefactor. But the liniment isn't poisonous. It's meant to be taken internally--although not in cakes. Won't you tell Mrs. Allan so, Marilla?" "Suppose you jump up and tell her so yourself," said a merry voice. Anne flew up, to find Mrs. Allan standing by her bed, surveying her with laughing eyes. "My dear little girl, you mustn't cry like this," she said, genuinely disturbed by Anne's tragic face. "Why, it's all just a funny mistake that anybody might make." "Oh, no, it takes me to make such a mistake," said Anne forlornly. "And I wanted to have that cake so nice for you, Mrs. Allan." "Yes, I know, dear. And I assure you I appreciate your kindness and thoughtfulness just as much as if it had turned out all right. Now, you mustn't cry any more, but come down with me and show me your flower garden. Miss Cuthbert tells me you have a little plot all your own. I want to see it, for I'm very much interested in flowers." Anne permitted herself to be led down and comforted, reflecting that it was really providential that Mrs. Allan was a kindred spirit. Nothing more was said about the liniment cake, and when the guests went away Anne found that she had enjoyed the evening more than could have been expected, considering that terrible incident. Nevertheless, she sighed deeply. "Marilla, isn't it nice to think that tomorrow is a new day with no mistakes in it yet?" "I'll warrant you'll make plenty in it," said Marilla. "I never saw your beat for making mistakes, Anne." "Yes, and well I know it," admitted Anne mournfully. "But have you ever noticed one encouraging thing about me, Marilla? I never make the same mistake twice." "I don't know as that's much benefit when you're always making new ones." "Oh, don't you see, Marilla? There must be a limit to the	Anne Of Green Gables
"and listened. In a few minutes a bell rang violently. Dorcas came running down and woke my husband, and we all went to my mother-in-law's room, but it was locked"	Mary Cavendish	opened my door," continued Mary,<\|quote\|>"and listened. In a few minutes a bell rang violently. Dorcas came running down and woke my husband, and we all went to my mother-in-law's room, but it was locked"</\|quote\|>The Coroner interrupted her. "I	bed?" commented the Coroner. "I opened my door," continued Mary,<\|quote\|>"and listened. In a few minutes a bell rang violently. Dorcas came running down and woke my husband, and we all went to my mother-in-law's room, but it was locked"</\|quote\|>The Coroner interrupted her. "I really do not think we	answer to the Coroner's question, she told how, her alarm clock having aroused her at four-thirty as usual, she was dressing, when she was startled by the sound of something heavy falling. "That would have been the table by the bed?" commented the Coroner. "I opened my door," continued Mary,<\|quote\|>"and listened. In a few minutes a bell rang violently. Dorcas came running down and woke my husband, and we all went to my mother-in-law's room, but it was locked"</\|quote\|>The Coroner interrupted her. "I really do not think we need trouble you further on that point. We know all that can be known of the subsequent happenings. But I should be obliged if you would tell us all you overheard of the quarrel the day before." "I?" There was	subject of the quarrel on the preceding afternoon. Dorcas's evidence on this point was substantially what Poirot and I had already heard, so I will not repeat it here. The next witness was Mary Cavendish. She stood very upright, and spoke in a low, clear, and perfectly composed voice. In answer to the Coroner's question, she told how, her alarm clock having aroused her at four-thirty as usual, she was dressing, when she was startled by the sound of something heavy falling. "That would have been the table by the bed?" commented the Coroner. "I opened my door," continued Mary,<\|quote\|>"and listened. In a few minutes a bell rang violently. Dorcas came running down and woke my husband, and we all went to my mother-in-law's room, but it was locked"</\|quote\|>The Coroner interrupted her. "I really do not think we need trouble you further on that point. We know all that can be known of the subsequent happenings. But I should be obliged if you would tell us all you overheard of the quarrel the day before." "I?" There was a faint insolence in her voice. She raised her hand and adjusted the ruffle of lace at her neck, turning her head a little as she did so. And quite spontaneously the thought flashed across my mind: "She is gaining time!" "Yes. I understand," continued the Coroner deliberately, "that you	the chemist who made up the medicine might have committed an error. "That, of course, is always possible," replied the doctor. But Dorcas, who was the next witness called, dispelled even that possibility. The medicine had not been newly made up. On the contrary, Mrs. Inglethorp had taken the last dose on the day of her death. So the question of the tonic was finally abandoned, and the Coroner proceeded with his task. Having elicited from Dorcas how she had been awakened by the violent ringing of her mistress's bell, and had subsequently roused the household, he passed to the subject of the quarrel on the preceding afternoon. Dorcas's evidence on this point was substantially what Poirot and I had already heard, so I will not repeat it here. The next witness was Mary Cavendish. She stood very upright, and spoke in a low, clear, and perfectly composed voice. In answer to the Coroner's question, she told how, her alarm clock having aroused her at four-thirty as usual, she was dressing, when she was startled by the sound of something heavy falling. "That would have been the table by the bed?" commented the Coroner. "I opened my door," continued Mary,<\|quote\|>"and listened. In a few minutes a bell rang violently. Dorcas came running down and woke my husband, and we all went to my mother-in-law's room, but it was locked"</\|quote\|>The Coroner interrupted her. "I really do not think we need trouble you further on that point. We know all that can be known of the subsequent happenings. But I should be obliged if you would tell us all you overheard of the quarrel the day before." "I?" There was a faint insolence in her voice. She raised her hand and adjusted the ruffle of lace at her neck, turning her head a little as she did so. And quite spontaneously the thought flashed across my mind: "She is gaining time!" "Yes. I understand," continued the Coroner deliberately, "that you were sitting reading on the bench just outside the long window of the boudoir. That is so, is it not?" This was news to me and glancing sideways at Poirot, I fancied that it was news to him as well. There was the faintest pause, the mere hesitation of a moment, before she answered: "Yes, that is so." "And the boudoir window was open, was it not?" Surely her face grew a little paler as she answered: "Yes." "Then you cannot have failed to hear the voices inside, especially as they were raised in anger. In fact, they would be	first we have heard of the deceased taking strychnine at the time of her death. We are much obliged to you, Mr. Cavendish." Dr. Wilkins was recalled and ridiculed the idea. "What Mr. Cavendish suggests is quite impossible. Any doctor would tell you the same. Strychnine is, in a certain sense, a cumulative poison, but it would be quite impossible for it to result in sudden death in this way. There would have to be a long period of chronic symptoms which would at once have attracted my attention. The whole thing is absurd." "And the second suggestion? That Mrs. Inglethorp may have inadvertently taken an overdose?" "Three, or even four doses, would not have resulted in death. Mrs. Inglethorp always had an extra large amount of medicine made up at a time, as she dealt with Coot's, the Cash Chemists in Tadminster. She would have had to take very nearly the whole bottle to account for the amount of strychnine found at the post-mortem." "Then you consider that we may dismiss the tonic as not being in any way instrumental in causing her death?" "Certainly. The supposition is ridiculous." The same juryman who had interrupted before here suggested that the chemist who made up the medicine might have committed an error. "That, of course, is always possible," replied the doctor. But Dorcas, who was the next witness called, dispelled even that possibility. The medicine had not been newly made up. On the contrary, Mrs. Inglethorp had taken the last dose on the day of her death. So the question of the tonic was finally abandoned, and the Coroner proceeded with his task. Having elicited from Dorcas how she had been awakened by the violent ringing of her mistress's bell, and had subsequently roused the household, he passed to the subject of the quarrel on the preceding afternoon. Dorcas's evidence on this point was substantially what Poirot and I had already heard, so I will not repeat it here. The next witness was Mary Cavendish. She stood very upright, and spoke in a low, clear, and perfectly composed voice. In answer to the Coroner's question, she told how, her alarm clock having aroused her at four-thirty as usual, she was dressing, when she was startled by the sound of something heavy falling. "That would have been the table by the bed?" commented the Coroner. "I opened my door," continued Mary,<\|quote\|>"and listened. In a few minutes a bell rang violently. Dorcas came running down and woke my husband, and we all went to my mother-in-law's room, but it was locked"</\|quote\|>The Coroner interrupted her. "I really do not think we need trouble you further on that point. We know all that can be known of the subsequent happenings. But I should be obliged if you would tell us all you overheard of the quarrel the day before." "I?" There was a faint insolence in her voice. She raised her hand and adjusted the ruffle of lace at her neck, turning her head a little as she did so. And quite spontaneously the thought flashed across my mind: "She is gaining time!" "Yes. I understand," continued the Coroner deliberately, "that you were sitting reading on the bench just outside the long window of the boudoir. That is so, is it not?" This was news to me and glancing sideways at Poirot, I fancied that it was news to him as well. There was the faintest pause, the mere hesitation of a moment, before she answered: "Yes, that is so." "And the boudoir window was open, was it not?" Surely her face grew a little paler as she answered: "Yes." "Then you cannot have failed to hear the voices inside, especially as they were raised in anger. In fact, they would be more audible where you were than in the hall." "Possibly." "Will you repeat to us what you overheard of the quarrel?" "I really do not remember hearing anything." "Do you mean to say you did not hear voices?" "Oh, yes, I heard the voices, but I did not hear what they said." A faint spot of colour came into her cheek. "I am not in the habit of listening to private conversations." The Coroner persisted. "And you remember nothing at all? _Nothing_, Mrs. Cavendish? Not one stray word or phrase to make you realize that it _was_ a private conversation?" She paused, and seemed to reflect, still outwardly as calm as ever. "Yes; I remember. Mrs. Inglethorp said something I do not remember exactly what about causing scandal between husband and wife." "Ah!" the Coroner leant back satisfied. "That corresponds with what Dorcas heard. But excuse me, Mrs. Cavendish, although you realized it was a private conversation, you did not move away? You remained where you were?" I caught the momentary gleam of her tawny eyes as she raised them. I felt certain that at that moment she would willingly have torn the little lawyer, with his insinuations, into pieces,	the saucepan and had it analysed. There was no strychnine present." I heard Poirot chuckle softly beside me. "How did you know?" I whispered. "Listen." "I should say" the doctor was continuing "that I would have been considerably surprised at any other result." "Why?" "Simply because strychnine has an unusually bitter taste. It can be detected in a solution of one in seventy thousand, and can only be disguised by some strongly flavoured substance. Cocoa would be quite powerless to mask it." One of the jury wanted to know if the same objection applied to coffee. "No. Coffee has a bitter taste of its own which would probably cover the taste of strychnine." "Then you consider it more likely that the drug was administered in the coffee, but that for some unknown reason its action was delayed." "Yes, but, the cup being completely smashed, there is no possibility of analyzing its contents." This concluded Dr. Bauerstein's evidence. Dr. Wilkins corroborated it on all points. Sounded as to the possibility of suicide, he repudiated it utterly. The deceased, he said, suffered from a weak heart, but otherwise enjoyed perfect health, and was of a cheerful and well-balanced disposition. She would be one of the last people to take her own life. Lawrence Cavendish was next called. His evidence was quite unimportant, being a mere repetition of that of his brother. Just as he was about to step down, he paused, and said rather hesitatingly: "I should like to make a suggestion if I may?" He glanced deprecatingly at the Coroner, who replied briskly: "Certainly, Mr. Cavendish, we are here to arrive at the truth of this matter, and welcome anything that may lead to further elucidation." "It is just an idea of mine," explained Lawrence. "Of course I may be quite wrong, but it still seems to me that my mother's death might be accounted for by natural means." "How do you make that out, Mr. Cavendish?" "My mother, at the time of her death, and for some time before it, was taking a tonic containing strychnine." "Ah!" said the Coroner. The jury looked up, interested. "I believe," continued Lawrence, "that there have been cases where the cumulative effect of a drug, administered for some time, has ended by causing death. Also, is it not possible that she may have taken an overdose of her medicine by accident?" "This is the first we have heard of the deceased taking strychnine at the time of her death. We are much obliged to you, Mr. Cavendish." Dr. Wilkins was recalled and ridiculed the idea. "What Mr. Cavendish suggests is quite impossible. Any doctor would tell you the same. Strychnine is, in a certain sense, a cumulative poison, but it would be quite impossible for it to result in sudden death in this way. There would have to be a long period of chronic symptoms which would at once have attracted my attention. The whole thing is absurd." "And the second suggestion? That Mrs. Inglethorp may have inadvertently taken an overdose?" "Three, or even four doses, would not have resulted in death. Mrs. Inglethorp always had an extra large amount of medicine made up at a time, as she dealt with Coot's, the Cash Chemists in Tadminster. She would have had to take very nearly the whole bottle to account for the amount of strychnine found at the post-mortem." "Then you consider that we may dismiss the tonic as not being in any way instrumental in causing her death?" "Certainly. The supposition is ridiculous." The same juryman who had interrupted before here suggested that the chemist who made up the medicine might have committed an error. "That, of course, is always possible," replied the doctor. But Dorcas, who was the next witness called, dispelled even that possibility. The medicine had not been newly made up. On the contrary, Mrs. Inglethorp had taken the last dose on the day of her death. So the question of the tonic was finally abandoned, and the Coroner proceeded with his task. Having elicited from Dorcas how she had been awakened by the violent ringing of her mistress's bell, and had subsequently roused the household, he passed to the subject of the quarrel on the preceding afternoon. Dorcas's evidence on this point was substantially what Poirot and I had already heard, so I will not repeat it here. The next witness was Mary Cavendish. She stood very upright, and spoke in a low, clear, and perfectly composed voice. In answer to the Coroner's question, she told how, her alarm clock having aroused her at four-thirty as usual, she was dressing, when she was startled by the sound of something heavy falling. "That would have been the table by the bed?" commented the Coroner. "I opened my door," continued Mary,<\|quote\|>"and listened. In a few minutes a bell rang violently. Dorcas came running down and woke my husband, and we all went to my mother-in-law's room, but it was locked"</\|quote\|>The Coroner interrupted her. "I really do not think we need trouble you further on that point. We know all that can be known of the subsequent happenings. But I should be obliged if you would tell us all you overheard of the quarrel the day before." "I?" There was a faint insolence in her voice. She raised her hand and adjusted the ruffle of lace at her neck, turning her head a little as she did so. And quite spontaneously the thought flashed across my mind: "She is gaining time!" "Yes. I understand," continued the Coroner deliberately, "that you were sitting reading on the bench just outside the long window of the boudoir. That is so, is it not?" This was news to me and glancing sideways at Poirot, I fancied that it was news to him as well. There was the faintest pause, the mere hesitation of a moment, before she answered: "Yes, that is so." "And the boudoir window was open, was it not?" Surely her face grew a little paler as she answered: "Yes." "Then you cannot have failed to hear the voices inside, especially as they were raised in anger. In fact, they would be more audible where you were than in the hall." "Possibly." "Will you repeat to us what you overheard of the quarrel?" "I really do not remember hearing anything." "Do you mean to say you did not hear voices?" "Oh, yes, I heard the voices, but I did not hear what they said." A faint spot of colour came into her cheek. "I am not in the habit of listening to private conversations." The Coroner persisted. "And you remember nothing at all? _Nothing_, Mrs. Cavendish? Not one stray word or phrase to make you realize that it _was_ a private conversation?" She paused, and seemed to reflect, still outwardly as calm as ever. "Yes; I remember. Mrs. Inglethorp said something I do not remember exactly what about causing scandal between husband and wife." "Ah!" the Coroner leant back satisfied. "That corresponds with what Dorcas heard. But excuse me, Mrs. Cavendish, although you realized it was a private conversation, you did not move away? You remained where you were?" I caught the momentary gleam of her tawny eyes as she raised them. I felt certain that at that moment she would willingly have torn the little lawyer, with his insinuations, into pieces, but she replied quietly enough: "No. I was very comfortable where I was. I fixed my mind on my book." "And that is all you can tell us?" "That is all." The examination was over, though I doubted if the Coroner was entirely satisfied with it. I think he suspected that Mary Cavendish could tell more if she chose. Amy Hill, shop assistant, was next called, and deposed to having sold a will form on the afternoon of the 17th to William Earl, under-gardener at Styles. William Earl and Manning succeeded her, and testified to witnessing a document. Manning fixed the time at about four-thirty, William was of the opinion that it was rather earlier. Cynthia Murdoch came next. She had, however, little to tell. She had known nothing of the tragedy, until awakened by Mrs. Cavendish. "You did not hear the table fall?" "No. I was fast asleep." The Coroner smiled. "A good conscience makes a sound sleeper," he observed. "Thank you, Miss Murdoch, that is all." "Miss Howard." Miss Howard produced the letter written to her by Mrs. Inglethorp on the evening of the 17th. Poirot and I had, of course already seen it. It added nothing to our knowledge of the tragedy. The following is a facsimile: STYLES COURT ESSEX hand written note: July 17th My dear Evelyn Can we not bury the hachet? I have found it hard to forgive the things you said against my dear husband but I am an old woman & very fond of you Yours affectionately, Emily Inglethorpe It was handed to the jury who scrutinized it attentively. "I fear it does not help us much," said the Coroner, with a sigh. "There is no mention of any of the events of that afternoon." "Plain as a pikestaff to me," said Miss Howard shortly. "It shows clearly enough that my poor old friend had just found out she'd been made a fool of!" "It says nothing of the kind in the letter," the Coroner pointed out. "No, because Emily never could bear to put herself in the wrong. But _I_ know her. She wanted me back. But she wasn't going to own that I'd been right. She went round about. Most people do. Don't believe in it myself." Mr. Wells smiled faintly. So, I noticed, did several of the jury. Miss Howard was obviously quite a public character. "Anyway, all this	if I may?" He glanced deprecatingly at the Coroner, who replied briskly: "Certainly, Mr. Cavendish, we are here to arrive at the truth of this matter, and welcome anything that may lead to further elucidation." "It is just an idea of mine," explained Lawrence. "Of course I may be quite wrong, but it still seems to me that my mother's death might be accounted for by natural means." "How do you make that out, Mr. Cavendish?" "My mother, at the time of her death, and for some time before it, was taking a tonic containing strychnine." "Ah!" said the Coroner. The jury looked up, interested. "I believe," continued Lawrence, "that there have been cases where the cumulative effect of a drug, administered for some time, has ended by causing death. Also, is it not possible that she may have taken an overdose of her medicine by accident?" "This is the first we have heard of the deceased taking strychnine at the time of her death. We are much obliged to you, Mr. Cavendish." Dr. Wilkins was recalled and ridiculed the idea. "What Mr. Cavendish suggests is quite impossible. Any doctor would tell you the same. Strychnine is, in a certain sense, a cumulative poison, but it would be quite impossible for it to result in sudden death in this way. There would have to be a long period of chronic symptoms which would at once have attracted my attention. The whole thing is absurd." "And the second suggestion? That Mrs. Inglethorp may have inadvertently taken an overdose?" "Three, or even four doses, would not have resulted in death. Mrs. Inglethorp always had an extra large amount of medicine made up at a time, as she dealt with Coot's, the Cash Chemists in Tadminster. She would have had to take very nearly the whole bottle to account for the amount of strychnine found at the post-mortem." "Then you consider that we may dismiss the tonic as not being in any way instrumental in causing her death?" "Certainly. The supposition is ridiculous." The same juryman who had interrupted before here suggested that the chemist who made up the medicine might have committed an error. "That, of course, is always possible," replied the doctor. But Dorcas, who was the next witness called, dispelled even that possibility. The medicine had not been newly made up. On the contrary, Mrs. Inglethorp had taken the last dose on the day of her death. So the question of the tonic was finally abandoned, and the Coroner proceeded with his task. Having elicited from Dorcas how she had been awakened by the violent ringing of her mistress's bell, and had subsequently roused the household, he passed to the subject of the quarrel on the preceding afternoon. Dorcas's evidence on this point was substantially what Poirot and I had already heard, so I will not repeat it here. The next witness was Mary Cavendish. She stood very upright, and spoke in a low, clear, and perfectly composed voice. In answer to the Coroner's question, she told how, her alarm clock having aroused her at four-thirty as usual, she was dressing, when she was startled by the sound of something heavy falling. "That would have been the table by the bed?" commented the Coroner. "I opened my door," continued Mary,<\|quote\|>"and listened. In a few minutes a bell rang violently. Dorcas came running down and woke my husband, and we all went to my mother-in-law's room, but it was locked"</\|quote\|>The Coroner interrupted her. "I really do not think we need trouble you further on that point. We know all that can be known of the subsequent happenings. But I should be obliged if you would tell us all you overheard of the quarrel the day before." "I?" There was a faint insolence in her voice. She raised her hand and adjusted the ruffle of lace at her neck, turning her head a little as she did so. And quite spontaneously the thought flashed across my mind: "She is gaining time!" "Yes. I understand," continued the Coroner deliberately, "that you were sitting reading on the bench just outside the long window of the boudoir. That is so, is it not?" This was news to me and glancing sideways at Poirot, I fancied that it was news to him as well. There was the faintest pause, the mere hesitation of a moment, before she answered: "Yes, that is so." "And the boudoir window was open, was it not?" Surely her face grew a little paler as she answered: "Yes." "Then you cannot have failed to hear the voices inside, especially as they were raised in anger. In fact, they would be more audible where you were than in the hall." "Possibly." "Will you repeat to us what you overheard of the quarrel?" "I really do not remember hearing anything." "Do you mean to say you did not hear voices?" "Oh, yes, I heard the voices, but I did not hear what they said." A faint spot of colour came into her cheek. "I am not in the habit of listening to private conversations." The Coroner persisted. "And you remember nothing at all? _Nothing_, Mrs. Cavendish? Not one stray word or phrase to make you realize that it _was_ a private conversation?" She paused, and seemed to reflect, still outwardly as calm as ever. "Yes; I remember. Mrs. Inglethorp said something I do not remember exactly what about causing scandal between husband and wife." "Ah!" the Coroner leant back satisfied. "That corresponds with what Dorcas heard. But excuse me, Mrs. Cavendish, although you realized it was a private conversation, you did not move away? You remained where you were?" I caught the momentary gleam of her tawny eyes as she raised them. I felt certain that at that moment she would willingly have torn the little lawyer, with his insinuations, into pieces, but she replied quietly enough: "No. I was very comfortable where I was. I fixed my mind on my book." "And that is all you can tell us?" "That is all." The examination was over, though I	The Mysterious Affair At Styles
"Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go."	Matthew Cuthbert	admitted Matthew. "Don't interfere then."<\|quote\|>"Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go."</\|quote\|>"You'd think I ought to	or me?" "Well now, you," admitted Matthew. "Don't interfere then."<\|quote\|>"Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go."</\|quote\|>"You'd think I ought to let Anne go to the	been apparently sound asleep on the lounge during the whole dialogue, opened his eyes and said decidedly: "Well now, Marilla, I think you ought to let Anne go." "I don't then," retorted Marilla. "Who's bringing this child up, Matthew, you or me?" "Well now, you," admitted Matthew. "Don't interfere then."<\|quote\|>"Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go."</\|quote\|>"You'd think I ought to let Anne go to the moon if she took the notion, I've no doubt" was Marilla's amiable rejoinder. "I might have let her spend the night with Diana, if that was all. But I don't approve of this concert plan. She'd go there and catch	the honor of your little Anne being put in the spare-room bed." "It's an honor you'll have to get along without. Go to bed, Anne, and don't let me hear another word out of you." When Anne, with tears rolling over her cheeks, had gone sorrowfully upstairs, Matthew, who had been apparently sound asleep on the lounge during the whole dialogue, opened his eyes and said decidedly: "Well now, Marilla, I think you ought to let Anne go." "I don't then," retorted Marilla. "Who's bringing this child up, Matthew, you or me?" "Well now, you," admitted Matthew. "Don't interfere then."<\|quote\|>"Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go."</\|quote\|>"You'd think I ought to let Anne go to the moon if she took the notion, I've no doubt" was Marilla's amiable rejoinder. "I might have let her spend the night with Diana, if that was all. But I don't approve of this concert plan. She'd go there and catch cold like as not, and have her head filled up with nonsense and excitement. It would unsettle her for a week. I understand that child's disposition and what's good for it better than you, Matthew." "I think you ought to let Anne go," repeated Matthew firmly. Argument was not his	lovely pathetic songs that are pretty near as good as hymns. And oh, Marilla, the minister is going to take part; yes, indeed, he is; he's going to give an address. That will be just about the same thing as a sermon. Please, mayn't I go, Marilla?" "You heard what I said, Anne, didn't you? Take off your boots now and go to bed. It's past eight." "There's just one more thing, Marilla," said Anne, with the air of producing the last shot in her locker. "Mrs. Barry told Diana that we might sleep in the spare-room bed. Think of the honor of your little Anne being put in the spare-room bed." "It's an honor you'll have to get along without. Go to bed, Anne, and don't let me hear another word out of you." When Anne, with tears rolling over her cheeks, had gone sorrowfully upstairs, Matthew, who had been apparently sound asleep on the lounge during the whole dialogue, opened his eyes and said decidedly: "Well now, Marilla, I think you ought to let Anne go." "I don't then," retorted Marilla. "Who's bringing this child up, Matthew, you or me?" "Well now, you," admitted Matthew. "Don't interfere then."<\|quote\|>"Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go."</\|quote\|>"You'd think I ought to let Anne go to the moon if she took the notion, I've no doubt" was Marilla's amiable rejoinder. "I might have let her spend the night with Diana, if that was all. But I don't approve of this concert plan. She'd go there and catch cold like as not, and have her head filled up with nonsense and excitement. It would unsettle her for a week. I understand that child's disposition and what's good for it better than you, Matthew." "I think you ought to let Anne go," repeated Matthew firmly. Argument was not his strong point, but holding fast to his opinion certainly was. Marilla gave a gasp of helplessness and took refuge in silence. The next morning, when Anne was washing the breakfast dishes in the pantry, Matthew paused on his way out to the barn to say to Marilla again: "I think you ought to let Anne go, Marilla." For a moment Marilla looked things not lawful to be uttered. Then she yielded to the inevitable and said tartly: "Very well, she can go, since nothing else ?ll please you." Anne flew out of the pantry, dripping dishcloth in hand. "Oh, Marilla,	pung sleigh to go to the Debating Club concert at the hall tomorrow night. And they are going to take Diana and me to the concert--if you'll let me go, that is. You will, won't you, Marilla? Oh, I feel so excited." "You can calm down then, because you're not going. You're better at home in your own bed, and as for that club concert, it's all nonsense, and little girls should not be allowed to go out to such places at all." "I'm sure the Debating Club is a most respectable affair," pleaded Anne. "I'm not saying it isn't. But you're not going to begin gadding about to concerts and staying out all hours of the night. Pretty doings for children. I'm surprised at Mrs. Barry's letting Diana go." "But it's such a very special occasion," mourned Anne, on the verge of tears. "Diana has only one birthday in a year. It isn't as if birthdays were common things, Marilla. Prissy Andrews is going to recite ?Curfew Must Not Ring Tonight.' That is such a good moral piece, Marilla, I'm sure it would do me lots of good to hear it. And the choir are going to sing four lovely pathetic songs that are pretty near as good as hymns. And oh, Marilla, the minister is going to take part; yes, indeed, he is; he's going to give an address. That will be just about the same thing as a sermon. Please, mayn't I go, Marilla?" "You heard what I said, Anne, didn't you? Take off your boots now and go to bed. It's past eight." "There's just one more thing, Marilla," said Anne, with the air of producing the last shot in her locker. "Mrs. Barry told Diana that we might sleep in the spare-room bed. Think of the honor of your little Anne being put in the spare-room bed." "It's an honor you'll have to get along without. Go to bed, Anne, and don't let me hear another word out of you." When Anne, with tears rolling over her cheeks, had gone sorrowfully upstairs, Matthew, who had been apparently sound asleep on the lounge during the whole dialogue, opened his eyes and said decidedly: "Well now, Marilla, I think you ought to let Anne go." "I don't then," retorted Marilla. "Who's bringing this child up, Matthew, you or me?" "Well now, you," admitted Matthew. "Don't interfere then."<\|quote\|>"Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go."</\|quote\|>"You'd think I ought to let Anne go to the moon if she took the notion, I've no doubt" was Marilla's amiable rejoinder. "I might have let her spend the night with Diana, if that was all. But I don't approve of this concert plan. She'd go there and catch cold like as not, and have her head filled up with nonsense and excitement. It would unsettle her for a week. I understand that child's disposition and what's good for it better than you, Matthew." "I think you ought to let Anne go," repeated Matthew firmly. Argument was not his strong point, but holding fast to his opinion certainly was. Marilla gave a gasp of helplessness and took refuge in silence. The next morning, when Anne was washing the breakfast dishes in the pantry, Matthew paused on his way out to the barn to say to Marilla again: "I think you ought to let Anne go, Marilla." For a moment Marilla looked things not lawful to be uttered. Then she yielded to the inevitable and said tartly: "Very well, she can go, since nothing else ?ll please you." Anne flew out of the pantry, dripping dishcloth in hand. "Oh, Marilla, Marilla, say those blessed words again." "I guess once is enough to say them. This is Matthew's doings and I wash my hands of it. If you catch pneumonia sleeping in a strange bed or coming out of that hot hall in the middle of the night, don't blame me, blame Matthew. Anne Shirley, you're dripping greasy water all over the floor. I never saw such a careless child." "Oh, I know I'm a great trial to you, Marilla," said Anne repentantly. "I make so many mistakes. But then just think of all the mistakes I don't make, although I might. I'll get some sand and scrub up the spots before I go to school. Oh, Marilla, my heart was just set on going to that concert. I never was to a concert in my life, and when the other girls talk about them in school I feel so out of it. You didn't know just how I felt about it, but you see Matthew did. Matthew understands me, and it's so nice to be understood, Marilla." Anne was too excited to do herself justice as to lessons that morning in school. Gilbert Blythe spelled her down in class and	often as I could and Diana stood at the window and threw kisses to me all the way down to Lover's Lane. I assure you, Marilla, that I feel like praying tonight and I'm going to think out a special brand-new prayer in honor of the occasion." CHAPTER XIX. A Concert a Catastrophe and a Confession "MARILLA, can I go over to see Diana just for a minute?" asked Anne, running breathlessly down from the east gable one February evening. "I don't see what you want to be traipsing about after dark for," said Marilla shortly. "You and Diana walked home from school together and then stood down there in the snow for half an hour more, your tongues going the whole blessed time, clickety-clack. So I don't think you're very badly off to see her again." "But she wants to see me," pleaded Anne. "She has something very important to tell me." "How do you know she has?" "Because she just signaled to me from her window. We have arranged a way to signal with our candles and cardboard. We set the candle on the window sill and make flashes by passing the cardboard back and forth. So many flashes mean a certain thing. It was my idea, Marilla." "I'll warrant you it was," said Marilla emphatically. "And the next thing you'll be setting fire to the curtains with your signaling nonsense." "Oh, we're very careful, Marilla. And it's so interesting. Two flashes mean, ?Are you there?' Three mean ?yes' and four ?no.' Five mean, ?Come over as soon as possible, because I have something important to reveal.' Diana has just signaled five flashes, and I'm really suffering to know what it is." "Well, you needn't suffer any longer," said Marilla sarcastically. "You can go, but you're to be back here in just ten minutes, remember that." Anne did remember it and was back in the stipulated time, although probably no mortal will ever know just what it cost her to confine the discussion of Diana's important communication within the limits of ten minutes. But at least she had made good use of them. "Oh, Marilla, what do you think? You know tomorrow is Diana's birthday. Well, her mother told her she could ask me to go home with her from school and stay all night with her. And her cousins are coming over from Newbridge in a big pung sleigh to go to the Debating Club concert at the hall tomorrow night. And they are going to take Diana and me to the concert--if you'll let me go, that is. You will, won't you, Marilla? Oh, I feel so excited." "You can calm down then, because you're not going. You're better at home in your own bed, and as for that club concert, it's all nonsense, and little girls should not be allowed to go out to such places at all." "I'm sure the Debating Club is a most respectable affair," pleaded Anne. "I'm not saying it isn't. But you're not going to begin gadding about to concerts and staying out all hours of the night. Pretty doings for children. I'm surprised at Mrs. Barry's letting Diana go." "But it's such a very special occasion," mourned Anne, on the verge of tears. "Diana has only one birthday in a year. It isn't as if birthdays were common things, Marilla. Prissy Andrews is going to recite ?Curfew Must Not Ring Tonight.' That is such a good moral piece, Marilla, I'm sure it would do me lots of good to hear it. And the choir are going to sing four lovely pathetic songs that are pretty near as good as hymns. And oh, Marilla, the minister is going to take part; yes, indeed, he is; he's going to give an address. That will be just about the same thing as a sermon. Please, mayn't I go, Marilla?" "You heard what I said, Anne, didn't you? Take off your boots now and go to bed. It's past eight." "There's just one more thing, Marilla," said Anne, with the air of producing the last shot in her locker. "Mrs. Barry told Diana that we might sleep in the spare-room bed. Think of the honor of your little Anne being put in the spare-room bed." "It's an honor you'll have to get along without. Go to bed, Anne, and don't let me hear another word out of you." When Anne, with tears rolling over her cheeks, had gone sorrowfully upstairs, Matthew, who had been apparently sound asleep on the lounge during the whole dialogue, opened his eyes and said decidedly: "Well now, Marilla, I think you ought to let Anne go." "I don't then," retorted Marilla. "Who's bringing this child up, Matthew, you or me?" "Well now, you," admitted Matthew. "Don't interfere then."<\|quote\|>"Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go."</\|quote\|>"You'd think I ought to let Anne go to the moon if she took the notion, I've no doubt" was Marilla's amiable rejoinder. "I might have let her spend the night with Diana, if that was all. But I don't approve of this concert plan. She'd go there and catch cold like as not, and have her head filled up with nonsense and excitement. It would unsettle her for a week. I understand that child's disposition and what's good for it better than you, Matthew." "I think you ought to let Anne go," repeated Matthew firmly. Argument was not his strong point, but holding fast to his opinion certainly was. Marilla gave a gasp of helplessness and took refuge in silence. The next morning, when Anne was washing the breakfast dishes in the pantry, Matthew paused on his way out to the barn to say to Marilla again: "I think you ought to let Anne go, Marilla." For a moment Marilla looked things not lawful to be uttered. Then she yielded to the inevitable and said tartly: "Very well, she can go, since nothing else ?ll please you." Anne flew out of the pantry, dripping dishcloth in hand. "Oh, Marilla, Marilla, say those blessed words again." "I guess once is enough to say them. This is Matthew's doings and I wash my hands of it. If you catch pneumonia sleeping in a strange bed or coming out of that hot hall in the middle of the night, don't blame me, blame Matthew. Anne Shirley, you're dripping greasy water all over the floor. I never saw such a careless child." "Oh, I know I'm a great trial to you, Marilla," said Anne repentantly. "I make so many mistakes. But then just think of all the mistakes I don't make, although I might. I'll get some sand and scrub up the spots before I go to school. Oh, Marilla, my heart was just set on going to that concert. I never was to a concert in my life, and when the other girls talk about them in school I feel so out of it. You didn't know just how I felt about it, but you see Matthew did. Matthew understands me, and it's so nice to be understood, Marilla." Anne was too excited to do herself justice as to lessons that morning in school. Gilbert Blythe spelled her down in class and left her clear out of sight in mental arithmetic. Anne's consequent humiliation was less than it might have been, however, in view of the concert and the spare-room bed. She and Diana talked so constantly about it all day that with a stricter teacher than Mr. Phillips dire disgrace must inevitably have been their portion. Anne felt that she could not have borne it if she had not been going to the concert, for nothing else was discussed that day in school. The Avonlea Debating Club, which met fortnightly all winter, had had several smaller free entertainments; but this was to be a big affair, admission ten cents, in aid of the library. The Avonlea young people had been practicing for weeks, and all the scholars were especially interested in it by reason of older brothers and sisters who were going to take part. Everybody in school over nine years of age expected to go, except Carrie Sloane, whose father shared Marilla's opinions about small girls going out to night concerts. Carrie Sloane cried into her grammar all the afternoon and felt that life was not worth living. For Anne the real excitement began with the dismissal of school and increased therefrom in crescendo until it reached to a crash of positive ecstasy in the concert itself. They had a "perfectly elegant tea;" and then came the delicious occupation of dressing in Diana's little room upstairs. Diana did Anne's front hair in the new pompadour style and Anne tied Diana's bows with the especial knack she possessed; and they experimented with at least half a dozen different ways of arranging their back hair. At last they were ready, cheeks scarlet and eyes glowing with excitement. True, Anne could not help a little pang when she contrasted her plain black tam and shapeless, tight-sleeved, homemade gray-cloth coat with Diana's jaunty fur cap and smart little jacket. But she remembered in time that she had an imagination and could use it. Then Diana's cousins, the Murrays from Newbridge, came; they all crowded into the big pung sleigh, among straw and furry robes. Anne reveled in the drive to the hall, slipping along over the satin-smooth roads with the snow crisping under the runners. There was a magnificent sunset, and the snowy hills and deep-blue water of the St. Lawrence Gulf seemed to rim in the splendor like a huge bowl of pearl	and as for that club concert, it's all nonsense, and little girls should not be allowed to go out to such places at all." "I'm sure the Debating Club is a most respectable affair," pleaded Anne. "I'm not saying it isn't. But you're not going to begin gadding about to concerts and staying out all hours of the night. Pretty doings for children. I'm surprised at Mrs. Barry's letting Diana go." "But it's such a very special occasion," mourned Anne, on the verge of tears. "Diana has only one birthday in a year. It isn't as if birthdays were common things, Marilla. Prissy Andrews is going to recite ?Curfew Must Not Ring Tonight.' That is such a good moral piece, Marilla, I'm sure it would do me lots of good to hear it. And the choir are going to sing four lovely pathetic songs that are pretty near as good as hymns. And oh, Marilla, the minister is going to take part; yes, indeed, he is; he's going to give an address. That will be just about the same thing as a sermon. Please, mayn't I go, Marilla?" "You heard what I said, Anne, didn't you? Take off your boots now and go to bed. It's past eight." "There's just one more thing, Marilla," said Anne, with the air of producing the last shot in her locker. "Mrs. Barry told Diana that we might sleep in the spare-room bed. Think of the honor of your little Anne being put in the spare-room bed." "It's an honor you'll have to get along without. Go to bed, Anne, and don't let me hear another word out of you." When Anne, with tears rolling over her cheeks, had gone sorrowfully upstairs, Matthew, who had been apparently sound asleep on the lounge during the whole dialogue, opened his eyes and said decidedly: "Well now, Marilla, I think you ought to let Anne go." "I don't then," retorted Marilla. "Who's bringing this child up, Matthew, you or me?" "Well now, you," admitted Matthew. "Don't interfere then."<\|quote\|>"Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go."</\|quote\|>"You'd think I ought to let Anne go to the moon if she took the notion, I've no doubt" was Marilla's amiable rejoinder. "I might have let her spend the night with Diana, if that was all. But I don't approve of this concert plan. She'd go there and catch cold like as not, and have her head filled up with nonsense and excitement. It would unsettle her for a week. I understand that child's disposition and what's good for it better than you, Matthew." "I think you ought to let Anne go," repeated Matthew firmly. Argument was not his strong point, but holding fast to his opinion certainly was. Marilla gave a gasp of helplessness and took refuge in silence. The next morning, when Anne was washing the breakfast dishes in the pantry, Matthew paused on his way out to the barn to say to Marilla again: "I think you ought to let Anne go, Marilla." For a moment Marilla looked things not lawful to be uttered. Then she yielded to the inevitable and said tartly: "Very well, she can go, since nothing else ?ll please you." Anne flew out of the pantry, dripping dishcloth in hand. "Oh, Marilla, Marilla, say those blessed words again." "I guess once is enough to say them. This is Matthew's doings and I wash my hands of it. If you catch pneumonia sleeping in a strange bed or coming out of that hot hall in the middle of the night, don't blame me, blame Matthew. Anne Shirley, you're dripping greasy water all over the floor. I never saw such a careless child." "Oh, I know I'm a great trial to you, Marilla," said Anne repentantly. "I make so many mistakes. But then just think of all the mistakes I don't make, although I might. I'll get some sand and scrub up the spots before I go to school. Oh, Marilla, my heart was just set on going to that concert. I never was to a concert in my life, and when the other girls talk about them in school I feel so out of it. You didn't know just how I felt about it, but you see Matthew did. Matthew understands me, and it's so nice to be understood, Marilla." Anne was too excited to do herself justice as to lessons that morning in school. Gilbert Blythe spelled her down in class and left her clear out of sight in mental arithmetic. Anne's consequent humiliation was less than it might have been, however, in view of the concert and the spare-room bed. She and Diana talked so constantly about it all day that with a stricter teacher than Mr. Phillips dire disgrace must inevitably have been their portion. Anne felt that she could	Anne Of Green Gables
asked the other, Michelangelesque on the flooded margin. The bank broke away, and he fell into the pool before he had weighed the question properly.	No speaker	mud. "Is it worth it?"<\|quote\|>asked the other, Michelangelesque on the flooded margin. The bank broke away, and he fell into the pool before he had weighed the question properly.</\|quote\|>"Hee-poof--I've swallowed a pollywog, Mr.	becoming involved in reeds or mud. "Is it worth it?"<\|quote\|>asked the other, Michelangelesque on the flooded margin. The bank broke away, and he fell into the pool before he had weighed the question properly.</\|quote\|>"Hee-poof--I've swallowed a pollywog, Mr. Beebe, water's wonderful, water's simply	to use his muscles. It was necessary to keep clean. Mr. Beebe watched them, and watched the seeds of the willow-herb dance chorically above their heads. "Apooshoo, apooshoo, apooshoo," went Freddy, swimming for two strokes in either direction, and then becoming involved in reeds or mud. "Is it worth it?"<\|quote\|>asked the other, Michelangelesque on the flooded margin. The bank broke away, and he fell into the pool before he had weighed the question properly.</\|quote\|>"Hee-poof--I've swallowed a pollywog, Mr. Beebe, water's wonderful, water's simply ripping." "Water's not so bad," said George, reappearing from his plunge, and sputtering at the sun. "Water's wonderful. Mr. Beebe, do." "Apooshoo, kouf." Mr. Beebe, who was hot, and who always acquiesced where possible, looked around him. He could detect	he stripped himself. Mr. Beebe thought he was not. "Water's wonderful!" cried Freddy, prancing in. "Water's water," murmured George. Wetting his hair first--a sure sign of apathy--he followed Freddy into the divine, as indifferent as if he were a statue and the pond a pail of soapsuds. It was necessary to use his muscles. It was necessary to keep clean. Mr. Beebe watched them, and watched the seeds of the willow-herb dance chorically above their heads. "Apooshoo, apooshoo, apooshoo," went Freddy, swimming for two strokes in either direction, and then becoming involved in reeds or mud. "Is it worth it?"<\|quote\|>asked the other, Michelangelesque on the flooded margin. The bank broke away, and he fell into the pool before he had weighed the question properly.</\|quote\|>"Hee-poof--I've swallowed a pollywog, Mr. Beebe, water's wonderful, water's simply ripping." "Water's not so bad," said George, reappearing from his plunge, and sputtering at the sun. "Water's wonderful. Mr. Beebe, do." "Apooshoo, kouf." Mr. Beebe, who was hot, and who always acquiesced where possible, looked around him. He could detect no parishioners except the pine-trees, rising up steeply on all sides, and gesturing to each other against the blue. How glorious it was! The world of motor-cars and rural Deans receded inimitably. Water, sky, evergreens, a wind--these things not even the seasons can touch, and surely they lie beyond the	tempting these feet towards the central pool. "It's distinctly successful, as ponds go," said Mr. Beebe. "No apologies are necessary for the pond." George sat down where the ground was dry, and drearily unlaced his boots. "Aren't those masses of willow-herb splendid? I love willow-herb in seed. What's the name of this aromatic plant?" No one knew, or seemed to care. "These abrupt changes of vegetation--this little spongeous tract of water plants, and on either side of it all the growths are tough or brittle--heather, bracken, hurts, pines. Very charming, very charming." "Mr. Beebe, aren't you bathing?" called Freddy, as he stripped himself. Mr. Beebe thought he was not. "Water's wonderful!" cried Freddy, prancing in. "Water's water," murmured George. Wetting his hair first--a sure sign of apathy--he followed Freddy into the divine, as indifferent as if he were a statue and the pond a pail of soapsuds. It was necessary to use his muscles. It was necessary to keep clean. Mr. Beebe watched them, and watched the seeds of the willow-herb dance chorically above their heads. "Apooshoo, apooshoo, apooshoo," went Freddy, swimming for two strokes in either direction, and then becoming involved in reeds or mud. "Is it worth it?"<\|quote\|>asked the other, Michelangelesque on the flooded margin. The bank broke away, and he fell into the pool before he had weighed the question properly.</\|quote\|>"Hee-poof--I've swallowed a pollywog, Mr. Beebe, water's wonderful, water's simply ripping." "Water's not so bad," said George, reappearing from his plunge, and sputtering at the sun. "Water's wonderful. Mr. Beebe, do." "Apooshoo, kouf." Mr. Beebe, who was hot, and who always acquiesced where possible, looked around him. He could detect no parishioners except the pine-trees, rising up steeply on all sides, and gesturing to each other against the blue. How glorious it was! The world of motor-cars and rural Deans receded inimitably. Water, sky, evergreens, a wind--these things not even the seasons can touch, and surely they lie beyond the intrusion of man? "I may as well wash too" "; and soon his garments made a third little pile on the sward, and he too asserted the wonder of the water. It was ordinary water, nor was there very much of it, and, as Freddy said, it reminded one of swimming in a salad. The three gentlemen rotated in the pool breast high, after the fashion of the nymphs in Gotterdammerung. But either because the rains had given a freshness or because the sun was shedding a most glorious heat, or because two of the gentlemen were young in years	"Looking at Italian art. There you are, and yet you talk of coincidence and Fate. You naturally seek out things Italian, and so do we and our friends. This narrows the field immeasurably we meet again in it." "It is Fate that I am here," persisted George. "But you can call it Italy if it makes you less unhappy." Mr. Beebe slid away from such heavy treatment of the subject. But he was infinitely tolerant of the young, and had no desire to snub George. "And so for this and for other reasons my 'History of Coincidence' is still to write." Silence. Wishing to round off the episode, he added; "We are all so glad that you have come." Silence. "Here we are!" called Freddy. "Oh, good!" exclaimed Mr. Beebe, mopping his brow. "In there's the pond. I wish it was bigger," he added apologetically. They climbed down a slippery bank of pine-needles. There lay the pond, set in its little alp of green--only a pond, but large enough to contain the human body, and pure enough to reflect the sky. On account of the rains, the waters had flooded the surrounding grass, which showed like a beautiful emerald path, tempting these feet towards the central pool. "It's distinctly successful, as ponds go," said Mr. Beebe. "No apologies are necessary for the pond." George sat down where the ground was dry, and drearily unlaced his boots. "Aren't those masses of willow-herb splendid? I love willow-herb in seed. What's the name of this aromatic plant?" No one knew, or seemed to care. "These abrupt changes of vegetation--this little spongeous tract of water plants, and on either side of it all the growths are tough or brittle--heather, bracken, hurts, pines. Very charming, very charming." "Mr. Beebe, aren't you bathing?" called Freddy, as he stripped himself. Mr. Beebe thought he was not. "Water's wonderful!" cried Freddy, prancing in. "Water's water," murmured George. Wetting his hair first--a sure sign of apathy--he followed Freddy into the divine, as indifferent as if he were a statue and the pond a pail of soapsuds. It was necessary to use his muscles. It was necessary to keep clean. Mr. Beebe watched them, and watched the seeds of the willow-herb dance chorically above their heads. "Apooshoo, apooshoo, apooshoo," went Freddy, swimming for two strokes in either direction, and then becoming involved in reeds or mud. "Is it worth it?"<\|quote\|>asked the other, Michelangelesque on the flooded margin. The bank broke away, and he fell into the pool before he had weighed the question properly.</\|quote\|>"Hee-poof--I've swallowed a pollywog, Mr. Beebe, water's wonderful, water's simply ripping." "Water's not so bad," said George, reappearing from his plunge, and sputtering at the sun. "Water's wonderful. Mr. Beebe, do." "Apooshoo, kouf." Mr. Beebe, who was hot, and who always acquiesced where possible, looked around him. He could detect no parishioners except the pine-trees, rising up steeply on all sides, and gesturing to each other against the blue. How glorious it was! The world of motor-cars and rural Deans receded inimitably. Water, sky, evergreens, a wind--these things not even the seasons can touch, and surely they lie beyond the intrusion of man? "I may as well wash too" "; and soon his garments made a third little pile on the sward, and he too asserted the wonder of the water. It was ordinary water, nor was there very much of it, and, as Freddy said, it reminded one of swimming in a salad. The three gentlemen rotated in the pool breast high, after the fashion of the nymphs in Gotterdammerung. But either because the rains had given a freshness or because the sun was shedding a most glorious heat, or because two of the gentlemen were young in years and the third young in spirit--for some reason or other a change came over them, and they forgot Italy and Botany and Fate. They began to play. Mr. Beebe and Freddy splashed each other. A little deferentially, they splashed George. He was quiet: they feared they had offended him. Then all the forces of youth burst out. He smiled, flung himself at them, splashed them, ducked them, kicked them, muddied them, and drove them out of the pool. "Race you round it, then," cried Freddy, and they raced in the sunshine, and George took a short cut and dirtied his shins, and had to bathe a second time. Then Mr. Beebe consented to run--a memorable sight. They ran to get dry, they bathed to get cool, they played at being Indians in the willow-herbs and in the bracken, they bathed to get clean. And all the time three little bundles lay discreetly on the sward, proclaiming: "No. We are what matters. Without us shall no enterprise begin. To us shall all flesh turn in the end." "A try! A try!" yelled Freddy, snatching up George's bundle and placing it beside an imaginary goal-post. "Socker rules," George retorted, scattering Freddy's bundle	with the stair-eyes yesterday. It does not count that they are going to bathe this afternoon." "Yes, go and bathe, George. Why do you dawdle talking? Bring them back to tea. Bring back some milk, cakes, honey. The change will do you good. George has been working very hard at his office. I can't believe he's well." George bowed his head, dusty and sombre, exhaling the peculiar smell of one who has handled furniture. "Do you really want this bathe?" Freddy asked him. "It is only a pond, don't you know. I dare say you are used to something better." "Yes--I have said 'Yes' already." Mr. Beebe felt bound to assist his young friend, and led the way out of the house and into the pine-woods. How glorious it was! For a little time the voice of old Mr. Emerson pursued them dispensing good wishes and philosophy. It ceased, and they only heard the fair wind blowing the bracken and the trees. Mr. Beebe, who could be silent, but who could not bear silence, was compelled to chatter, since the expedition looked like a failure, and neither of his companions would utter a word. He spoke of Florence. George attended gravely, assenting or dissenting with slight but determined gestures that were as inexplicable as the motions of the tree-tops above their heads. "And what a coincidence that you should meet Mr. Vyse! Did you realize that you would find all the Pension Bertolini down here?" "I did not. Miss Lavish told me." "When I was a young man, I always meant to write a 'History of Coincidence.'" No enthusiasm. "Though, as a matter of fact, coincidences are much rarer than we suppose. For example, it isn't purely coincidentally that you are here now, when one comes to reflect." To his relief, George began to talk. "It is. I have reflected. It is Fate. Everything is Fate. We are flung together by Fate, drawn apart by Fate--flung together, drawn apart. The twelve winds blow us--we settle nothing--" "You have not reflected at all," rapped the clergyman. "Let me give you a useful tip, Emerson: attribute nothing to Fate. Don't say, 'I didn't do this,' for you did it, ten to one. Now I'll cross-question you. Where did you first meet Miss Honeychurch and myself?" "Italy." "And where did you meet Mr. Vyse, who is going to marry Miss Honeychurch?" "National Gallery." "Looking at Italian art. There you are, and yet you talk of coincidence and Fate. You naturally seek out things Italian, and so do we and our friends. This narrows the field immeasurably we meet again in it." "It is Fate that I am here," persisted George. "But you can call it Italy if it makes you less unhappy." Mr. Beebe slid away from such heavy treatment of the subject. But he was infinitely tolerant of the young, and had no desire to snub George. "And so for this and for other reasons my 'History of Coincidence' is still to write." Silence. Wishing to round off the episode, he added; "We are all so glad that you have come." Silence. "Here we are!" called Freddy. "Oh, good!" exclaimed Mr. Beebe, mopping his brow. "In there's the pond. I wish it was bigger," he added apologetically. They climbed down a slippery bank of pine-needles. There lay the pond, set in its little alp of green--only a pond, but large enough to contain the human body, and pure enough to reflect the sky. On account of the rains, the waters had flooded the surrounding grass, which showed like a beautiful emerald path, tempting these feet towards the central pool. "It's distinctly successful, as ponds go," said Mr. Beebe. "No apologies are necessary for the pond." George sat down where the ground was dry, and drearily unlaced his boots. "Aren't those masses of willow-herb splendid? I love willow-herb in seed. What's the name of this aromatic plant?" No one knew, or seemed to care. "These abrupt changes of vegetation--this little spongeous tract of water plants, and on either side of it all the growths are tough or brittle--heather, bracken, hurts, pines. Very charming, very charming." "Mr. Beebe, aren't you bathing?" called Freddy, as he stripped himself. Mr. Beebe thought he was not. "Water's wonderful!" cried Freddy, prancing in. "Water's water," murmured George. Wetting his hair first--a sure sign of apathy--he followed Freddy into the divine, as indifferent as if he were a statue and the pond a pail of soapsuds. It was necessary to use his muscles. It was necessary to keep clean. Mr. Beebe watched them, and watched the seeds of the willow-herb dance chorically above their heads. "Apooshoo, apooshoo, apooshoo," went Freddy, swimming for two strokes in either direction, and then becoming involved in reeds or mud. "Is it worth it?"<\|quote\|>asked the other, Michelangelesque on the flooded margin. The bank broke away, and he fell into the pool before he had weighed the question properly.</\|quote\|>"Hee-poof--I've swallowed a pollywog, Mr. Beebe, water's wonderful, water's simply ripping." "Water's not so bad," said George, reappearing from his plunge, and sputtering at the sun. "Water's wonderful. Mr. Beebe, do." "Apooshoo, kouf." Mr. Beebe, who was hot, and who always acquiesced where possible, looked around him. He could detect no parishioners except the pine-trees, rising up steeply on all sides, and gesturing to each other against the blue. How glorious it was! The world of motor-cars and rural Deans receded inimitably. Water, sky, evergreens, a wind--these things not even the seasons can touch, and surely they lie beyond the intrusion of man? "I may as well wash too" "; and soon his garments made a third little pile on the sward, and he too asserted the wonder of the water. It was ordinary water, nor was there very much of it, and, as Freddy said, it reminded one of swimming in a salad. The three gentlemen rotated in the pool breast high, after the fashion of the nymphs in Gotterdammerung. But either because the rains had given a freshness or because the sun was shedding a most glorious heat, or because two of the gentlemen were young in years and the third young in spirit--for some reason or other a change came over them, and they forgot Italy and Botany and Fate. They began to play. Mr. Beebe and Freddy splashed each other. A little deferentially, they splashed George. He was quiet: they feared they had offended him. Then all the forces of youth burst out. He smiled, flung himself at them, splashed them, ducked them, kicked them, muddied them, and drove them out of the pool. "Race you round it, then," cried Freddy, and they raced in the sunshine, and George took a short cut and dirtied his shins, and had to bathe a second time. Then Mr. Beebe consented to run--a memorable sight. They ran to get dry, they bathed to get cool, they played at being Indians in the willow-herbs and in the bracken, they bathed to get clean. And all the time three little bundles lay discreetly on the sward, proclaiming: "No. We are what matters. Without us shall no enterprise begin. To us shall all flesh turn in the end." "A try! A try!" yelled Freddy, snatching up George's bundle and placing it beside an imaginary goal-post. "Socker rules," George retorted, scattering Freddy's bundle with a kick. "Goal!" "Goal!" "Pass!" "Take care my watch!" cried Mr. Beebe. Clothes flew in all directions. "Take care my hat! No, that's enough, Freddy. Dress now. No, I say!" But the two young men were delirious. Away they twinkled into the trees, Freddy with a clerical waistcoat under his arm, George with a wide-awake hat on his dripping hair. "That'll do!" shouted Mr. Beebe, remembering that after all he was in his own parish. Then his voice changed as if every pine-tree was a Rural Dean. "Hi! Steady on! I see people coming you fellows!" Yells, and widening circles over the dappled earth. "Hi! hi! LADIES!" Neither George nor Freddy was truly refined. Still, they did not hear Mr. Beebe's last warning or they would have avoided Mrs. Honeychurch, Cecil, and Lucy, who were walking down to call on old Mrs. Butterworth. Freddy dropped the waistcoat at their feet, and dashed into some bracken. George whooped in their faces, turned and scudded away down the path to the pond, still clad in Mr. Beebe's hat. "Gracious alive!" cried Mrs. Honeychurch. "Whoever were those unfortunate people? Oh, dears, look away! And poor Mr. Beebe, too! Whatever has happened?" "Come this way immediately," commanded Cecil, who always felt that he must lead women, though he knew not whither, and protect them, though he knew not against what. He led them now towards the bracken where Freddy sat concealed. "Oh, poor Mr. Beebe! Was that his waistcoat we left in the path? Cecil, Mr. Beebe's waistcoat--" "No business of ours," said Cecil, glancing at Lucy, who was all parasol and evidently 'minded.' "I fancy Mr. Beebe jumped back into the pond." "This way, please, Mrs. Honeychurch, this way." They followed him up the bank attempting the tense yet nonchalant expression that is suitable for ladies on such occasions. "Well, I can't help it," said a voice close ahead, and Freddy reared a freckled face and a pair of snowy shoulders out of the fronds. "I can't be trodden on, can I?" "Good gracious me, dear; so it's you! What miserable management! Why not have a comfortable bath at home, with hot and cold laid on?" "Look here, mother, a fellow must wash, and a fellow's got to dry, and if another fellow--" "Dear, no doubt you're right as usual, but you are in no position to argue. Come, Lucy." They turned.	come." Silence. "Here we are!" called Freddy. "Oh, good!" exclaimed Mr. Beebe, mopping his brow. "In there's the pond. I wish it was bigger," he added apologetically. They climbed down a slippery bank of pine-needles. There lay the pond, set in its little alp of green--only a pond, but large enough to contain the human body, and pure enough to reflect the sky. On account of the rains, the waters had flooded the surrounding grass, which showed like a beautiful emerald path, tempting these feet towards the central pool. "It's distinctly successful, as ponds go," said Mr. Beebe. "No apologies are necessary for the pond." George sat down where the ground was dry, and drearily unlaced his boots. "Aren't those masses of willow-herb splendid? I love willow-herb in seed. What's the name of this aromatic plant?" No one knew, or seemed to care. "These abrupt changes of vegetation--this little spongeous tract of water plants, and on either side of it all the growths are tough or brittle--heather, bracken, hurts, pines. Very charming, very charming." "Mr. Beebe, aren't you bathing?" called Freddy, as he stripped himself. Mr. Beebe thought he was not. "Water's wonderful!" cried Freddy, prancing in. "Water's water," murmured George. Wetting his hair first--a sure sign of apathy--he followed Freddy into the divine, as indifferent as if he were a statue and the pond a pail of soapsuds. It was necessary to use his muscles. It was necessary to keep clean. Mr. Beebe watched them, and watched the seeds of the willow-herb dance chorically above their heads. "Apooshoo, apooshoo, apooshoo," went Freddy, swimming for two strokes in either direction, and then becoming involved in reeds or mud. "Is it worth it?"<\|quote\|>asked the other, Michelangelesque on the flooded margin. The bank broke away, and he fell into the pool before he had weighed the question properly.</\|quote\|>"Hee-poof--I've swallowed a pollywog, Mr. Beebe, water's wonderful, water's simply ripping." "Water's not so bad," said George, reappearing from his plunge, and sputtering at the sun. "Water's wonderful. Mr. Beebe, do." "Apooshoo, kouf." Mr. Beebe, who was hot, and who always acquiesced where possible, looked around him. He could detect no parishioners except the pine-trees, rising up steeply on all sides, and gesturing to each other against the blue. How glorious it was! The world of motor-cars and rural Deans receded inimitably. Water, sky, evergreens, a wind--these things not even the seasons can touch, and surely they lie beyond the intrusion of man? "I may as well wash too" "; and soon his garments made a third little pile on the sward, and he too asserted the wonder of the water. It was ordinary water, nor was there very much of it, and, as Freddy said, it reminded one of swimming in a salad. The three gentlemen rotated in the pool breast high, after the fashion of the nymphs in Gotterdammerung. But either because the rains had given a freshness or because the sun was shedding a most glorious heat, or because two of the gentlemen were young in years and the third young in spirit--for some reason or other a change came over them, and they forgot Italy and Botany and Fate. They began to play. Mr. Beebe and Freddy splashed each other. A little deferentially, they splashed George. He was quiet: they feared they had offended him. Then all the forces of youth burst out. He smiled, flung himself at them, splashed them, ducked them, kicked them, muddied them, and drove them out of the pool. "Race you round it, then," cried Freddy, and they raced in the sunshine, and George took a short cut and dirtied his shins, and had to bathe a second time. Then Mr. Beebe consented to run--a memorable sight. They ran to get dry, they bathed to get cool, they played at being Indians in the willow-herbs and in the bracken, they bathed to get clean. And all the time three little bundles lay discreetly on the sward, proclaiming: "No. We are what matters. Without us shall no enterprise begin. To us shall all flesh turn in the end." "A try! A try!" yelled Freddy, snatching up George's bundle and placing it beside an imaginary goal-post. "Socker rules,"	A Room With A View
"No! no! no!"	Gabriel Syme	is extremely comfortable. He is"<\|quote\|>"No! no! no!"</\|quote\|>cried Syme in a kind	with a pale sneer. "He is extremely comfortable. He is"<\|quote\|>"No! no! no!"</\|quote\|>cried Syme in a kind of frenzy, "not the Colonel	cried Bull, "where on earth is the Colonel?" "He went to speak to Renard," said the Professor. "We cannot leave him among all those beasts," cried Syme. "Let us die like gentlemen if" "Do not pity the Colonel," said Ratcliffe, with a pale sneer. "He is extremely comfortable. He is"<\|quote\|>"No! no! no!"</\|quote\|>cried Syme in a kind of frenzy, "not the Colonel too! I will never believe it!" "Will you believe your eyes?" asked the other, and pointed to the beach. Many of their pursuers had waded into the water shaking their fists, but the sea was rough, and they could not	"I also am holding hard on to the thing I never saw." All of a sudden Syme, who was standing as if blind with introspective thought, swung round and cried out, like a man waking from sleep "Where is the Colonel? I thought he was with us!" "The Colonel! Yes," cried Bull, "where on earth is the Colonel?" "He went to speak to Renard," said the Professor. "We cannot leave him among all those beasts," cried Syme. "Let us die like gentlemen if" "Do not pity the Colonel," said Ratcliffe, with a pale sneer. "He is extremely comfortable. He is"<\|quote\|>"No! no! no!"</\|quote\|>cried Syme in a kind of frenzy, "not the Colonel too! I will never believe it!" "Will you believe your eyes?" asked the other, and pointed to the beach. Many of their pursuers had waded into the water shaking their fists, but the sea was rough, and they could not reach the pier. Two or three figures, however, stood on the beginning of the stone footway, and seemed to be cautiously advancing down it. The glare of a chance lantern lit up the faces of the two foremost. One face wore a black half-mask, and under it the mouth was	planet is against us, yet I cannot help wondering whether this one silly little hope is hopeless yet." "In what or whom is your hope?" asked Syme with curiosity. "In a man I never saw," said the other, looking at the leaden sea. "I know what you mean," said Syme in a low voice, "the man in the dark room. But Sunday must have killed him by now." "Perhaps," said the other steadily; "but if so, he was the only man whom Sunday found it hard to kill." "I heard what you said," said the Professor, with his back turned. "I also am holding hard on to the thing I never saw." All of a sudden Syme, who was standing as if blind with introspective thought, swung round and cried out, like a man waking from sleep "Where is the Colonel? I thought he was with us!" "The Colonel! Yes," cried Bull, "where on earth is the Colonel?" "He went to speak to Renard," said the Professor. "We cannot leave him among all those beasts," cried Syme. "Let us die like gentlemen if" "Do not pity the Colonel," said Ratcliffe, with a pale sneer. "He is extremely comfortable. He is"<\|quote\|>"No! no! no!"</\|quote\|>cried Syme in a kind of frenzy, "not the Colonel too! I will never believe it!" "Will you believe your eyes?" asked the other, and pointed to the beach. Many of their pursuers had waded into the water shaking their fists, but the sea was rough, and they could not reach the pier. Two or three figures, however, stood on the beginning of the stone footway, and seemed to be cautiously advancing down it. The glare of a chance lantern lit up the faces of the two foremost. One face wore a black half-mask, and under it the mouth was twisting about in such a madness of nerves that the black tuft of beard wriggled round and round like a restless, living thing. The other was the red face and white moustache of Colonel Ducroix. They were in earnest consultation. "Yes, he is gone too," said the Professor, and sat down on a stone. "Everything's gone. I'm gone! I can't trust my own bodily machinery. I feel as if my own hand might fly up and strike me." "When my hand flies up," said Syme, "it will strike somebody else," and he strode along the pier towards the Colonel, the	of the police station were indeed blotted and broken with hurrying figures, and they heard through the darkness the clash and jingle of a disciplined cavalry. "They are charging the mob!" cried Bull in ecstacy or alarm. "No," said Syme, "they are formed along the parade." "They have unslung their carbines," cried Bull dancing with excitement. "Yes," said Ratcliffe, "and they are going to fire on us." As he spoke there came a long crackle of musketry, and bullets seemed to hop like hailstones on the stones in front of them. "The gendarmes have joined them!" cried the Professor, and struck his forehead. "I am in the padded cell," said Bull solidly. There was a long silence, and then Ratcliffe said, looking out over the swollen sea, all a sort of grey purple "What does it matter who is mad or who is sane? We shall all be dead soon." Syme turned to him and said "You are quite hopeless, then?" Mr. Ratcliffe kept a stony silence; then at last he said quietly "No; oddly enough I am not quite hopeless. There is one insane little hope that I cannot get out of my mind. The power of this whole planet is against us, yet I cannot help wondering whether this one silly little hope is hopeless yet." "In what or whom is your hope?" asked Syme with curiosity. "In a man I never saw," said the other, looking at the leaden sea. "I know what you mean," said Syme in a low voice, "the man in the dark room. But Sunday must have killed him by now." "Perhaps," said the other steadily; "but if so, he was the only man whom Sunday found it hard to kill." "I heard what you said," said the Professor, with his back turned. "I also am holding hard on to the thing I never saw." All of a sudden Syme, who was standing as if blind with introspective thought, swung round and cried out, like a man waking from sleep "Where is the Colonel? I thought he was with us!" "The Colonel! Yes," cried Bull, "where on earth is the Colonel?" "He went to speak to Renard," said the Professor. "We cannot leave him among all those beasts," cried Syme. "Let us die like gentlemen if" "Do not pity the Colonel," said Ratcliffe, with a pale sneer. "He is extremely comfortable. He is"<\|quote\|>"No! no! no!"</\|quote\|>cried Syme in a kind of frenzy, "not the Colonel too! I will never believe it!" "Will you believe your eyes?" asked the other, and pointed to the beach. Many of their pursuers had waded into the water shaking their fists, but the sea was rough, and they could not reach the pier. Two or three figures, however, stood on the beginning of the stone footway, and seemed to be cautiously advancing down it. The glare of a chance lantern lit up the faces of the two foremost. One face wore a black half-mask, and under it the mouth was twisting about in such a madness of nerves that the black tuft of beard wriggled round and round like a restless, living thing. The other was the red face and white moustache of Colonel Ducroix. They were in earnest consultation. "Yes, he is gone too," said the Professor, and sat down on a stone. "Everything's gone. I'm gone! I can't trust my own bodily machinery. I feel as if my own hand might fly up and strike me." "When my hand flies up," said Syme, "it will strike somebody else," and he strode along the pier towards the Colonel, the sword in one hand and the lantern in the other. As if to destroy the last hope or doubt, the Colonel, who saw him coming, pointed his revolver at him and fired. The shot missed Syme, but struck his sword, breaking it short at the hilt. Syme rushed on, and swung the iron lantern above his head. "Judas before Herod!" he said, and struck the Colonel down upon the stones. Then he turned to the Secretary, whose frightful mouth was almost foaming now, and held the lamp high with so rigid and arresting a gesture, that the man was, as it were, frozen for a moment, and forced to hear. "Do you see this lantern?" cried Syme in a terrible voice. "Do you see the cross carved on it, and the flame inside? You did not make it. You did not light it. Better men than you, men who could believe and obey, twisted the entrails of iron and preserved the legend of fire. There is not a street you walk on, there is not a thread you wear, that was not made as this lantern was, by denying your philosophy of dirt and rats. You can make nothing. You	out. Keep after me." They followed him as he went crunching down the beach, and in a second or two their boots broke not on the sea gravel, but on broad, flat stones. They marched down a long, low jetty, running out in one arm into the dim, boiling sea, and when they came to the end of it they felt that they had come to the end of their story. They turned and faced the town. That town was transfigured with uproar. All along the high parade from which they had just descended was a dark and roaring stream of humanity, with tossing arms and fiery faces, groping and glaring towards them. The long dark line was dotted with torches and lanterns; but even where no flame lit up a furious face, they could see in the farthest figure, in the most shadowy gesture, an organised hate. It was clear that they were the accursed of all men, and they knew not why. Two or three men, looking little and black like monkeys, leapt over the edge as they had done and dropped on to the beach. These came ploughing down the deep sand, shouting horribly, and strove to wade into the sea at random. The example was followed, and the whole black mass of men began to run and drip over the edge like black treacle. Foremost among the men on the beach Syme saw the peasant who had driven their cart. He splashed into the surf on a huge cart-horse, and shook his axe at them. "The peasant!" cried Syme. "They have not risen since the Middle Ages." "Even if the police do come now," said the Professor mournfully, "they can do nothing with this mob." "Nonsense!" said Bull desperately; "there must be some people left in the town who are human." "No," said the hopeless Inspector, "the human being will soon be extinct. We are the last of mankind." "It may be," said the Professor absently. Then he added in his dreamy voice, "What is all that at the end of the 'Dunciad'?" 'Nor public flame; nor private, dares to shine; Nor human light is left, nor glimpse divine! Lo! thy dread Empire, Chaos, is restored; Light dies before thine uncreating word: Thy hand, great Anarch, lets the curtain fall; And universal darkness buries all.'" "Stop!" cried Bull suddenly, "the gendarmes are out." The low lights of the police station were indeed blotted and broken with hurrying figures, and they heard through the darkness the clash and jingle of a disciplined cavalry. "They are charging the mob!" cried Bull in ecstacy or alarm. "No," said Syme, "they are formed along the parade." "They have unslung their carbines," cried Bull dancing with excitement. "Yes," said Ratcliffe, "and they are going to fire on us." As he spoke there came a long crackle of musketry, and bullets seemed to hop like hailstones on the stones in front of them. "The gendarmes have joined them!" cried the Professor, and struck his forehead. "I am in the padded cell," said Bull solidly. There was a long silence, and then Ratcliffe said, looking out over the swollen sea, all a sort of grey purple "What does it matter who is mad or who is sane? We shall all be dead soon." Syme turned to him and said "You are quite hopeless, then?" Mr. Ratcliffe kept a stony silence; then at last he said quietly "No; oddly enough I am not quite hopeless. There is one insane little hope that I cannot get out of my mind. The power of this whole planet is against us, yet I cannot help wondering whether this one silly little hope is hopeless yet." "In what or whom is your hope?" asked Syme with curiosity. "In a man I never saw," said the other, looking at the leaden sea. "I know what you mean," said Syme in a low voice, "the man in the dark room. But Sunday must have killed him by now." "Perhaps," said the other steadily; "but if so, he was the only man whom Sunday found it hard to kill." "I heard what you said," said the Professor, with his back turned. "I also am holding hard on to the thing I never saw." All of a sudden Syme, who was standing as if blind with introspective thought, swung round and cried out, like a man waking from sleep "Where is the Colonel? I thought he was with us!" "The Colonel! Yes," cried Bull, "where on earth is the Colonel?" "He went to speak to Renard," said the Professor. "We cannot leave him among all those beasts," cried Syme. "Let us die like gentlemen if" "Do not pity the Colonel," said Ratcliffe, with a pale sneer. "He is extremely comfortable. He is"<\|quote\|>"No! no! no!"</\|quote\|>cried Syme in a kind of frenzy, "not the Colonel too! I will never believe it!" "Will you believe your eyes?" asked the other, and pointed to the beach. Many of their pursuers had waded into the water shaking their fists, but the sea was rough, and they could not reach the pier. Two or three figures, however, stood on the beginning of the stone footway, and seemed to be cautiously advancing down it. The glare of a chance lantern lit up the faces of the two foremost. One face wore a black half-mask, and under it the mouth was twisting about in such a madness of nerves that the black tuft of beard wriggled round and round like a restless, living thing. The other was the red face and white moustache of Colonel Ducroix. They were in earnest consultation. "Yes, he is gone too," said the Professor, and sat down on a stone. "Everything's gone. I'm gone! I can't trust my own bodily machinery. I feel as if my own hand might fly up and strike me." "When my hand flies up," said Syme, "it will strike somebody else," and he strode along the pier towards the Colonel, the sword in one hand and the lantern in the other. As if to destroy the last hope or doubt, the Colonel, who saw him coming, pointed his revolver at him and fired. The shot missed Syme, but struck his sword, breaking it short at the hilt. Syme rushed on, and swung the iron lantern above his head. "Judas before Herod!" he said, and struck the Colonel down upon the stones. Then he turned to the Secretary, whose frightful mouth was almost foaming now, and held the lamp high with so rigid and arresting a gesture, that the man was, as it were, frozen for a moment, and forced to hear. "Do you see this lantern?" cried Syme in a terrible voice. "Do you see the cross carved on it, and the flame inside? You did not make it. You did not light it. Better men than you, men who could believe and obey, twisted the entrails of iron and preserved the legend of fire. There is not a street you walk on, there is not a thread you wear, that was not made as this lantern was, by denying your philosophy of dirt and rats. You can make nothing. You can only destroy. You will destroy mankind; you will destroy the world. Let that suffice you. Yet this one old Christian lantern you shall not destroy. It shall go where your empire of apes will never have the wit to find it." He struck the Secretary once with the lantern so that he staggered; and then, whirling it twice round his head, sent it flying far out to sea, where it flared like a roaring rocket and fell. "Swords!" shouted Syme, turning his flaming face to the three behind him. "Let us charge these dogs, for our time has come to die." His three companions came after him sword in hand. Syme's sword was broken, but he rent a bludgeon from the fist of a fisherman, flinging him down. In a moment they would have flung themselves upon the face of the mob and perished, when an interruption came. The Secretary, ever since Syme's speech, had stood with his hand to his stricken head as if dazed; now he suddenly pulled off his black mask. The pale face thus peeled in the lamplight revealed not so much rage as astonishment. He put up his hand with an anxious authority. "There is some mistake," he said. "Mr. Syme, I hardly think you understand your position. I arrest you in the name of the law." "Of the law?" said Syme, and dropped his stick. "Certainly!" said the Secretary. "I am a detective from Scotland Yard," and he took a small blue card from his pocket. "And what do you suppose we are?" asked the Professor, and threw up his arms. "You," said the Secretary stiffly, "are, as I know for a fact, members of the Supreme Anarchist Council. Disguised as one of you, I" Dr. Bull tossed his sword into the sea. "There never was any Supreme Anarchist Council," he said. "We were all a lot of silly policemen looking at each other. And all these nice people who have been peppering us with shot thought we were the dynamiters. I knew I couldn't be wrong about the mob," he said, beaming over the enormous multitude, which stretched away to the distance on both sides. "Vulgar people are never mad. I'm vulgar myself, and I know. I am now going on shore to stand a drink to everybody here." CHAPTER XIII. THE PURSUIT OF THE PRESIDENT Next morning five bewildered but hilarious	darkness the clash and jingle of a disciplined cavalry. "They are charging the mob!" cried Bull in ecstacy or alarm. "No," said Syme, "they are formed along the parade." "They have unslung their carbines," cried Bull dancing with excitement. "Yes," said Ratcliffe, "and they are going to fire on us." As he spoke there came a long crackle of musketry, and bullets seemed to hop like hailstones on the stones in front of them. "The gendarmes have joined them!" cried the Professor, and struck his forehead. "I am in the padded cell," said Bull solidly. There was a long silence, and then Ratcliffe said, looking out over the swollen sea, all a sort of grey purple "What does it matter who is mad or who is sane? We shall all be dead soon." Syme turned to him and said "You are quite hopeless, then?" Mr. Ratcliffe kept a stony silence; then at last he said quietly "No; oddly enough I am not quite hopeless. There is one insane little hope that I cannot get out of my mind. The power of this whole planet is against us, yet I cannot help wondering whether this one silly little hope is hopeless yet." "In what or whom is your hope?" asked Syme with curiosity. "In a man I never saw," said the other, looking at the leaden sea. "I know what you mean," said Syme in a low voice, "the man in the dark room. But Sunday must have killed him by now." "Perhaps," said the other steadily; "but if so, he was the only man whom Sunday found it hard to kill." "I heard what you said," said the Professor, with his back turned. "I also am holding hard on to the thing I never saw." All of a sudden Syme, who was standing as if blind with introspective thought, swung round and cried out, like a man waking from sleep "Where is the Colonel? I thought he was with us!" "The Colonel! Yes," cried Bull, "where on earth is the Colonel?" "He went to speak to Renard," said the Professor. "We cannot leave him among all those beasts," cried Syme. "Let us die like gentlemen if" "Do not pity the Colonel," said Ratcliffe, with a pale sneer. "He is extremely comfortable. He is"<\|quote\|>"No! no! no!"</\|quote\|>cried Syme in a kind of frenzy, "not the Colonel too! I will never believe it!" "Will you believe your eyes?" asked the other, and pointed to the beach. Many of their pursuers had waded into the water shaking their fists, but the sea was rough, and they could not reach the pier. Two or three figures, however, stood on the beginning of the stone footway, and seemed to be cautiously advancing down it. The glare of a chance lantern lit up the faces of the two foremost. One face wore a black half-mask, and under it the mouth was twisting about in such a madness of nerves that the black tuft of beard wriggled round and round like a restless, living thing. The other was the red face and white moustache of Colonel Ducroix. They were in earnest consultation. "Yes, he is gone too," said the Professor, and sat down on a stone. "Everything's gone. I'm gone! I can't trust my own bodily machinery. I feel as if my own hand might fly up and strike me." "When my hand flies up," said Syme, "it will strike somebody else," and he strode along the pier towards the Colonel, the sword in one hand and the lantern in the other. As if to destroy the last hope or doubt, the Colonel, who saw him coming, pointed his revolver at him and fired. The shot missed Syme, but struck his sword, breaking it short at the hilt. Syme rushed on, and swung the iron lantern above his head. "Judas before Herod!" he said, and struck the Colonel down upon the stones. Then he turned to the Secretary, whose frightful mouth was almost foaming now, and held the lamp high with so rigid and arresting a gesture, that the man was, as it were, frozen for a moment, and forced to hear. "Do you see this lantern?" cried Syme in a terrible voice. "Do you see the cross carved on it, and the flame inside? You did not make it. You did not light it. Better men than you, men who could believe and obey, twisted the entrails of iron and preserved the legend of fire. There is not a street you walk on, there is not a thread you wear, that was not made as this lantern was, by denying your philosophy of dirt and rats. You can make nothing. You can only destroy. You will destroy mankind; you will destroy the world. Let that suffice you. Yet this one old Christian lantern you shall not destroy.	The Man Who Was Thursday
"at my father s open grave."	The Invisible Man	to ashes, dust to dust,<\|quote\|>"at my father s open grave."</\|quote\|>You also, "said a voice,	mumbling" Earth to earth, ashes to ashes, dust to dust,<\|quote\|>"at my father s open grave."</\|quote\|>You also, "said a voice, and suddenly I was being	marvelling, and the wrinkled old woman s gnarled face as she asked for her cat. I experienced again the strange sensation of seeing the cloth disappear, and so I came round to the windy hillside and the sniffing old clergyman mumbling" Earth to earth, ashes to ashes, dust to dust,<\|quote\|>"at my father s open grave."</\|quote\|>You also, "said a voice, and suddenly I was being forced towards the grave. I struggled, shouted, appealed to the mourners, but they continued stonily following the service; the old clergyman, too, never faltered droning and sniffing through the ritual. I realised I was invisible and inaudible, that overwhelming forces	the money I had taken, spectacles and so forth, and so complete my disguise. I lapsed into disorderly dreams of all the fantastic things that had happened during the last few days. I saw the ugly little Jew of a landlord vociferating in his rooms; I saw his two sons marvelling, and the wrinkled old woman s gnarled face as she asked for her cat. I experienced again the strange sensation of seeing the cloth disappear, and so I came round to the windy hillside and the sniffing old clergyman mumbling" Earth to earth, ashes to ashes, dust to dust,<\|quote\|>"at my father s open grave."</\|quote\|>You also, "said a voice, and suddenly I was being forced towards the grave. I struggled, shouted, appealed to the mourners, but they continued stonily following the service; the old clergyman, too, never faltered droning and sniffing through the ritual. I realised I was invisible and inaudible, that overwhelming forces had their grip on me. I struggled in vain, I was forced over the brink, the coffin rang hollow as I fell upon it, and the gravel came flying after me in spadefuls. Nobody heeded me, nobody was aware of me. I made convulsive struggles and awoke." "The pale London	had been a difficulty indeed I had thought of paint. But the discovery set my mind running on wigs and masks and the like. Finally I went to sleep in a heap of down quilts, very warm and comfortable." "My last thoughts before sleeping were the most agreeable I had had since the change. I was in a state of physical serenity, and that was reflected in my mind. I thought that I should be able to slip out unobserved in the morning with my clothes upon me, muffling my face with a white wrapper I had taken, purchase, with the money I had taken, spectacles and so forth, and so complete my disguise. I lapsed into disorderly dreams of all the fantastic things that had happened during the last few days. I saw the ugly little Jew of a landlord vociferating in his rooms; I saw his two sons marvelling, and the wrinkled old woman s gnarled face as she asked for her cat. I experienced again the strange sensation of seeing the cloth disappear, and so I came round to the windy hillside and the sniffing old clergyman mumbling" Earth to earth, ashes to ashes, dust to dust,<\|quote\|>"at my father s open grave."</\|quote\|>You also, "said a voice, and suddenly I was being forced towards the grave. I struggled, shouted, appealed to the mourners, but they continued stonily following the service; the old clergyman, too, never faltered droning and sniffing through the ritual. I realised I was invisible and inaudible, that overwhelming forces had their grip on me. I struggled in vain, I was forced over the brink, the coffin rang hollow as I fell upon it, and the gravel came flying after me in spadefuls. Nobody heeded me, nobody was aware of me. I made convulsive struggles and awoke." "The pale London dawn had come, the place was full of a chilly grey light that filtered round the edges of the window blinds. I sat up, and for a time I could not think where this ample apartment, with its counters, its piles of rolled stuff, its heap of quilts and cushions, its iron pillars, might be. Then, as recollection came back to me, I heard voices in conversation." "Then far down the place, in the brighter light of some department which had already raised its blinds, I saw two men approaching. I scrambled to my feet, looking about me for some	to tear down wrappings and ransack a number of boxes and drawers, but at last I managed to turn out what I sought; the box label called them lambswool pants, and lambswool vests. Then socks, a thick comforter, and then I went to the clothing place and got trousers, a lounge jacket, an overcoat and a slouch hat a clerical sort of hat with the brim turned down. I began to feel a human being again, and my next thought was food." "Upstairs was a refreshment department, and there I got cold meat. There was coffee still in the urn, and I lit the gas and warmed it up again, and altogether I did not do badly. Afterwards, prowling through the place in search of blankets I had to put up at last with a heap of down quilts I came upon a grocery section with a lot of chocolate and candied fruits, more than was good for me indeed and some white burgundy. And near that was a toy department, and I had a brilliant idea. I found some artificial noses dummy noses, you know, and I thought of dark spectacles. But Omniums had no optical department. My nose had been a difficulty indeed I had thought of paint. But the discovery set my mind running on wigs and masks and the like. Finally I went to sleep in a heap of down quilts, very warm and comfortable." "My last thoughts before sleeping were the most agreeable I had had since the change. I was in a state of physical serenity, and that was reflected in my mind. I thought that I should be able to slip out unobserved in the morning with my clothes upon me, muffling my face with a white wrapper I had taken, purchase, with the money I had taken, spectacles and so forth, and so complete my disguise. I lapsed into disorderly dreams of all the fantastic things that had happened during the last few days. I saw the ugly little Jew of a landlord vociferating in his rooms; I saw his two sons marvelling, and the wrinkled old woman s gnarled face as she asked for her cat. I experienced again the strange sensation of seeing the cloth disappear, and so I came round to the windy hillside and the sniffing old clergyman mumbling" Earth to earth, ashes to ashes, dust to dust,<\|quote\|>"at my father s open grave."</\|quote\|>You also, "said a voice, and suddenly I was being forced towards the grave. I struggled, shouted, appealed to the mourners, but they continued stonily following the service; the old clergyman, too, never faltered droning and sniffing through the ritual. I realised I was invisible and inaudible, that overwhelming forces had their grip on me. I struggled in vain, I was forced over the brink, the coffin rang hollow as I fell upon it, and the gravel came flying after me in spadefuls. Nobody heeded me, nobody was aware of me. I made convulsive struggles and awoke." "The pale London dawn had come, the place was full of a chilly grey light that filtered round the edges of the window blinds. I sat up, and for a time I could not think where this ample apartment, with its counters, its piles of rolled stuff, its heap of quilts and cushions, its iron pillars, might be. Then, as recollection came back to me, I heard voices in conversation." "Then far down the place, in the brighter light of some department which had already raised its blinds, I saw two men approaching. I scrambled to my feet, looking about me for some way of escape, and even as I did so the sound of my movement made them aware of me. I suppose they saw merely a figure moving quietly and quickly away." Who s that? "cried one, and" Stop there! "shouted the other. I dashed around a corner and came full tilt a faceless figure, mind you! on a lanky lad of fifteen. He yelled and I bowled him over, rushed past him, turned another corner, and by a happy inspiration threw myself behind a counter. In another moment feet went running past and I heard voices shouting, All hands to the doors! asking what was up, and giving one another advice how to catch me." "Lying on the ground, I felt scared out of my wits. But odd as it may seem it did not occur to me at the moment to take off my clothes as I should have done. I had made up my mind, I suppose, to get away in them, and that ruled me. And then down the vista of the counters came a bawling of" Here he is! "I sprang to my feet, whipped a chair off the counter, and sent it whirling at the	somewhere and elaborate plans for the complete realisation of the advantages my invisibility gave me (as I still imagined) over my fellow-men." "Closing time arrived quickly enough. It could not have been more than an hour after I took up my position on the mattresses before I noticed the blinds of the windows being drawn, and customers being marched doorward. And then a number of brisk young men began with remarkable alacrity to tidy up the goods that remained disturbed. I left my lair as the crowds diminished, and prowled cautiously out into the less desolate parts of the shop. I was really surprised to observe how rapidly the young men and women whipped away the goods displayed for sale during the day. All the boxes of goods, the hanging fabrics, the festoons of lace, the boxes of sweets in the grocery section, the displays of this and that, were being whipped down, folded up, slapped into tidy receptacles, and everything that could not be taken down and put away had sheets of some coarse stuff like sacking flung over them. Finally all the chairs were turned up on to the counters, leaving the floor clear. Directly each of these young people had done, he or she made promptly for the door with such an expression of animation as I have rarely observed in a shop assistant before. Then came a lot of youngsters scattering sawdust and carrying pails and brooms. I had to dodge to get out of the way, and as it was, my ankle got stung with the sawdust. For some time, wandering through the swathed and darkened departments, I could hear the brooms at work. And at last a good hour or more after the shop had been closed, came a noise of locking doors. Silence came upon the place, and I found myself wandering through the vast and intricate shops, galleries, show-rooms of the place, alone. It was very still; in one place I remember passing near one of the Tottenham Court Road entrances and listening to the tapping of boot-heels of the passers-by." "My first visit was to the place where I had seen stockings and gloves for sale. It was dark, and I had the devil of a hunt after matches, which I found at last in the drawer of the little cash desk. Then I had to get a candle. I had to tear down wrappings and ransack a number of boxes and drawers, but at last I managed to turn out what I sought; the box label called them lambswool pants, and lambswool vests. Then socks, a thick comforter, and then I went to the clothing place and got trousers, a lounge jacket, an overcoat and a slouch hat a clerical sort of hat with the brim turned down. I began to feel a human being again, and my next thought was food." "Upstairs was a refreshment department, and there I got cold meat. There was coffee still in the urn, and I lit the gas and warmed it up again, and altogether I did not do badly. Afterwards, prowling through the place in search of blankets I had to put up at last with a heap of down quilts I came upon a grocery section with a lot of chocolate and candied fruits, more than was good for me indeed and some white burgundy. And near that was a toy department, and I had a brilliant idea. I found some artificial noses dummy noses, you know, and I thought of dark spectacles. But Omniums had no optical department. My nose had been a difficulty indeed I had thought of paint. But the discovery set my mind running on wigs and masks and the like. Finally I went to sleep in a heap of down quilts, very warm and comfortable." "My last thoughts before sleeping were the most agreeable I had had since the change. I was in a state of physical serenity, and that was reflected in my mind. I thought that I should be able to slip out unobserved in the morning with my clothes upon me, muffling my face with a white wrapper I had taken, purchase, with the money I had taken, spectacles and so forth, and so complete my disguise. I lapsed into disorderly dreams of all the fantastic things that had happened during the last few days. I saw the ugly little Jew of a landlord vociferating in his rooms; I saw his two sons marvelling, and the wrinkled old woman s gnarled face as she asked for her cat. I experienced again the strange sensation of seeing the cloth disappear, and so I came round to the windy hillside and the sniffing old clergyman mumbling" Earth to earth, ashes to ashes, dust to dust,<\|quote\|>"at my father s open grave."</\|quote\|>You also, "said a voice, and suddenly I was being forced towards the grave. I struggled, shouted, appealed to the mourners, but they continued stonily following the service; the old clergyman, too, never faltered droning and sniffing through the ritual. I realised I was invisible and inaudible, that overwhelming forces had their grip on me. I struggled in vain, I was forced over the brink, the coffin rang hollow as I fell upon it, and the gravel came flying after me in spadefuls. Nobody heeded me, nobody was aware of me. I made convulsive struggles and awoke." "The pale London dawn had come, the place was full of a chilly grey light that filtered round the edges of the window blinds. I sat up, and for a time I could not think where this ample apartment, with its counters, its piles of rolled stuff, its heap of quilts and cushions, its iron pillars, might be. Then, as recollection came back to me, I heard voices in conversation." "Then far down the place, in the brighter light of some department which had already raised its blinds, I saw two men approaching. I scrambled to my feet, looking about me for some way of escape, and even as I did so the sound of my movement made them aware of me. I suppose they saw merely a figure moving quietly and quickly away." Who s that? "cried one, and" Stop there! "shouted the other. I dashed around a corner and came full tilt a faceless figure, mind you! on a lanky lad of fifteen. He yelled and I bowled him over, rushed past him, turned another corner, and by a happy inspiration threw myself behind a counter. In another moment feet went running past and I heard voices shouting, All hands to the doors! asking what was up, and giving one another advice how to catch me." "Lying on the ground, I felt scared out of my wits. But odd as it may seem it did not occur to me at the moment to take off my clothes as I should have done. I had made up my mind, I suppose, to get away in them, and that ruled me. And then down the vista of the counters came a bawling of" Here he is! "I sprang to my feet, whipped a chair off the counter, and sent it whirling at the fool who had shouted, turned, came into another round a corner, sent him spinning, and rushed up the stairs. He kept his footing, gave a view hallo, and came up the staircase hot after me. Up the staircase were piled a multitude of those bright-coloured pot things what are they?" "Art pots," suggested Kemp. "That s it! Art pots. Well, I turned at the top step and swung round, plucked one out of a pile and smashed it on his silly head as he came at me. The whole pile of pots went headlong, and I heard shouting and footsteps running from all parts. I made a mad rush for the refreshment place, and there was a man in white like a man cook, who took up the chase. I made one last desperate turn and found myself among lamps and ironmongery. I went behind the counter of this, and waited for my cook, and as he bolted in at the head of the chase, I doubled him up with a lamp. Down he went, and I crouched down behind the counter and began whipping off my clothes as fast as I could. Coat, jacket, trousers, shoes were all right, but a lambswool vest fits a man like a skin. I heard more men coming, my cook was lying quiet on the other side of the counter, stunned or scared speechless, and I had to make another dash for it, like a rabbit hunted out of a wood-pile." This way, policeman! "I heard someone shouting. I found myself in my bedstead storeroom again, and at the end of a wilderness of wardrobes. I rushed among them, went flat, got rid of my vest after infinite wriggling, and stood a free man again, panting and scared, as the policeman and three of the shopmen came round the corner. They made a rush for the vest and pants, and collared the trousers." He s dropping his plunder, "said one of the young men." He _must_ be somewhere here. "But they did not find me all the same." "I stood watching them hunt for me for a time, and cursing my ill-luck in losing the clothes. Then I went into the refreshment-room, drank a little milk I found there, and sat down by the fire to consider my position." "In a little while two assistants came in and began to talk over the	get out of the way, and as it was, my ankle got stung with the sawdust. For some time, wandering through the swathed and darkened departments, I could hear the brooms at work. And at last a good hour or more after the shop had been closed, came a noise of locking doors. Silence came upon the place, and I found myself wandering through the vast and intricate shops, galleries, show-rooms of the place, alone. It was very still; in one place I remember passing near one of the Tottenham Court Road entrances and listening to the tapping of boot-heels of the passers-by." "My first visit was to the place where I had seen stockings and gloves for sale. It was dark, and I had the devil of a hunt after matches, which I found at last in the drawer of the little cash desk. Then I had to get a candle. I had to tear down wrappings and ransack a number of boxes and drawers, but at last I managed to turn out what I sought; the box label called them lambswool pants, and lambswool vests. Then socks, a thick comforter, and then I went to the clothing place and got trousers, a lounge jacket, an overcoat and a slouch hat a clerical sort of hat with the brim turned down. I began to feel a human being again, and my next thought was food." "Upstairs was a refreshment department, and there I got cold meat. There was coffee still in the urn, and I lit the gas and warmed it up again, and altogether I did not do badly. Afterwards, prowling through the place in search of blankets I had to put up at last with a heap of down quilts I came upon a grocery section with a lot of chocolate and candied fruits, more than was good for me indeed and some white burgundy. And near that was a toy department, and I had a brilliant idea. I found some artificial noses dummy noses, you know, and I thought of dark spectacles. But Omniums had no optical department. My nose had been a difficulty indeed I had thought of paint. But the discovery set my mind running on wigs and masks and the like. Finally I went to sleep in a heap of down quilts, very warm and comfortable." "My last thoughts before sleeping were the most agreeable I had had since the change. I was in a state of physical serenity, and that was reflected in my mind. I thought that I should be able to slip out unobserved in the morning with my clothes upon me, muffling my face with a white wrapper I had taken, purchase, with the money I had taken, spectacles and so forth, and so complete my disguise. I lapsed into disorderly dreams of all the fantastic things that had happened during the last few days. I saw the ugly little Jew of a landlord vociferating in his rooms; I saw his two sons marvelling, and the wrinkled old woman s gnarled face as she asked for her cat. I experienced again the strange sensation of seeing the cloth disappear, and so I came round to the windy hillside and the sniffing old clergyman mumbling" Earth to earth, ashes to ashes, dust to dust,<\|quote\|>"at my father s open grave."</\|quote\|>You also, "said a voice, and suddenly I was being forced towards the grave. I struggled, shouted, appealed to the mourners, but they continued stonily following the service; the old clergyman, too, never faltered droning and sniffing through the ritual. I realised I was invisible and inaudible, that overwhelming forces had their grip on me. I struggled in vain, I was forced over the brink, the coffin rang hollow as I fell upon it, and the gravel came flying after me in spadefuls. Nobody heeded me, nobody was aware of me. I made convulsive struggles and awoke." "The pale London dawn had come, the place was full of a chilly grey light that filtered round the edges of the window blinds. I sat up, and for a time I could not think where this ample apartment, with its counters, its piles of rolled stuff, its heap of quilts and cushions, its iron pillars, might be. Then, as recollection came back to me, I heard voices in conversation." "Then far down the place, in the brighter light of some department which had already raised its blinds, I saw two men approaching. I scrambled to my feet, looking about me for some way of escape, and even as I did so the sound of my movement made them aware of me. I suppose they saw merely a figure moving quietly and quickly away." Who s that? "cried one, and" Stop there! "shouted the other. I dashed around a corner and came full tilt a faceless figure, mind you! on a lanky lad of fifteen. He yelled and I bowled him over, rushed past him, turned another corner, and by a happy inspiration threw myself behind a counter. In another moment feet went running past and I heard voices shouting, All hands to the doors! asking what was up, and giving one another advice how to catch me." "Lying on the	The Invisible Man
Tom held out his arms.	No speaker	as careful as all that?"<\|quote\|>Tom held out his arms.</\|quote\|>"That child is a wonderful	the cutter. Will you be as careful as all that?"<\|quote\|>Tom held out his arms.</\|quote\|>"That child is a wonderful nursemaid," remarked Margaret. "He is	stand; he is not to lie on his face; he is not to lie so that his head wags; he is not to be teased or tickled; and he is not to be cut into two or more pieces by the cutter. Will you be as careful as all that?"<\|quote\|>Tom held out his arms.</\|quote\|>"That child is a wonderful nursemaid," remarked Margaret. "He is fond of baby. That s why he does it!" was Helen s answer. "They re going to be lifelong friends." "Starting at the ages of six and one?" "Of course. It will be a great thing for Tom." "It may	baby may, Meg?" Margaret put down her work and regarded them absently. "What was that?" she asked. "Tom wants to know whether baby is old enough to play with hay?" "I haven t the least notion," answered Margaret, and took up her work again. "Now, Tom, baby is not to stand; he is not to lie on his face; he is not to lie so that his head wags; he is not to be teased or tickled; and he is not to be cut into two or more pieces by the cutter. Will you be as careful as all that?"<\|quote\|>Tom held out his arms.</\|quote\|>"That child is a wonderful nursemaid," remarked Margaret. "He is fond of baby. That s why he does it!" was Helen s answer. "They re going to be lifelong friends." "Starting at the ages of six and one?" "Of course. It will be a great thing for Tom." "It may be a greater thing for baby." Fourteen months had passed, but Margaret still stopped at Howards End. No better plan had occurred to her. The meadow was being recut, the great red poppies were reopening in the garden. July would follow with the little red poppies among the wheat, August	the law, notwithstanding, sentenced him to three years imprisonment. Then Henry s fortress gave way. He could bear no one but his wife; he shambled up to Margaret afterwards and asked her to do what she could with him. She did what seemed easiest--she took him down to recruit at Howards End. CHAPTER XLIV Tom s father was cutting the big meadow. He passed again and again amid whirring blades and sweet odours of grass, encompassing with narrowing circles the sacred centre of the field. Tom was negotiating with Helen. "I haven t any idea," she replied. "Do you suppose baby may, Meg?" Margaret put down her work and regarded them absently. "What was that?" she asked. "Tom wants to know whether baby is old enough to play with hay?" "I haven t the least notion," answered Margaret, and took up her work again. "Now, Tom, baby is not to stand; he is not to lie on his face; he is not to lie so that his head wags; he is not to be teased or tickled; and he is not to be cut into two or more pieces by the cutter. Will you be as careful as all that?"<\|quote\|>Tom held out his arms.</\|quote\|>"That child is a wonderful nursemaid," remarked Margaret. "He is fond of baby. That s why he does it!" was Helen s answer. "They re going to be lifelong friends." "Starting at the ages of six and one?" "Of course. It will be a great thing for Tom." "It may be a greater thing for baby." Fourteen months had passed, but Margaret still stopped at Howards End. No better plan had occurred to her. The meadow was being recut, the great red poppies were reopening in the garden. July would follow with the little red poppies among the wheat, August with the cutting of the wheat. These little events would become part of her year after year. Every summer she would fear lest the well should give out, every winter lest the pipes should freeze; every westerly gale might blow the wych-elm down and bring the end of all things, and so she could not read or talk during a westerly gale. The air was tranquil now. She and her sister were sitting on the remains of Evie s rockery, where the lawn merged into the field. "What a time they all are!" said Helen. "What can they be doing	superficial gentleness, this confession of hastiness, that was only intended to enhance her admiration of the male. "I don t want to hear it," she replied. "My sister is going to be ill. My life is going to be with her now. We must manage to build up something, she and I and her child." "Where are you going?" "Munich. We start after the inquest, if she is not too ill." "After the inquest?" "Yes." "Have you realised what the verdict at the inquest will be?" "Yes, heart disease." "No, my dear; manslaughter." Margaret drove her fingers through the grass. The hill beneath her moved as if it were alive. "Manslaughter," repeated Mr. Wilcox. "Charles may go to prison. I dare not tell him. I don t know what to do--what to do. I m broken--I m ended." No sudden warmth arose in her. She did not see that to break him was her only hope. She did not enfold the sufferer in her arms. But all through that day and the next a new life began to move. The verdict was brought in. Charles was committed for trial. It was against all reason that he should be punished, but the law, notwithstanding, sentenced him to three years imprisonment. Then Henry s fortress gave way. He could bear no one but his wife; he shambled up to Margaret afterwards and asked her to do what she could with him. She did what seemed easiest--she took him down to recruit at Howards End. CHAPTER XLIV Tom s father was cutting the big meadow. He passed again and again amid whirring blades and sweet odours of grass, encompassing with narrowing circles the sacred centre of the field. Tom was negotiating with Helen. "I haven t any idea," she replied. "Do you suppose baby may, Meg?" Margaret put down her work and regarded them absently. "What was that?" she asked. "Tom wants to know whether baby is old enough to play with hay?" "I haven t the least notion," answered Margaret, and took up her work again. "Now, Tom, baby is not to stand; he is not to lie on his face; he is not to lie so that his head wags; he is not to be teased or tickled; and he is not to be cut into two or more pieces by the cutter. Will you be as careful as all that?"<\|quote\|>Tom held out his arms.</\|quote\|>"That child is a wonderful nursemaid," remarked Margaret. "He is fond of baby. That s why he does it!" was Helen s answer. "They re going to be lifelong friends." "Starting at the ages of six and one?" "Of course. It will be a great thing for Tom." "It may be a greater thing for baby." Fourteen months had passed, but Margaret still stopped at Howards End. No better plan had occurred to her. The meadow was being recut, the great red poppies were reopening in the garden. July would follow with the little red poppies among the wheat, August with the cutting of the wheat. These little events would become part of her year after year. Every summer she would fear lest the well should give out, every winter lest the pipes should freeze; every westerly gale might blow the wych-elm down and bring the end of all things, and so she could not read or talk during a westerly gale. The air was tranquil now. She and her sister were sitting on the remains of Evie s rockery, where the lawn merged into the field. "What a time they all are!" said Helen. "What can they be doing inside?" Margaret, who was growing less talkative, made no answer. The noise of the cutter came intermittently, like the breaking of waves. Close by them a man was preparing to scythe out one of the dell-holes. "I wish Henry was out to enjoy this," said Helen. "This lovely weather and to be shut up in the house! It s very hard." "It has to be," said Margaret. "The hay fever is his chief objection against living here, but he thinks it worth while." "Meg, is or isn t he ill? I can t make out." "Not ill. Eternally tired. He has worked very hard all his life, and noticed nothing. Those are the people who collapse when they do notice a thing." "I suppose he worries dreadfully about his part of the tangle." "Dreadfully. That is why I wish Dolly had not come, too, to-day. Still, he wanted them all to come. It has to be." "Why does he want them?" Margaret did not answer. "Meg, may I tell you something? I like Henry." "You d be odd if you didn t," said Margaret. "I usen t to." "Usen t!" She lowered her eyes a moment to the black abyss	Yet, would they meet again? Are there not rather endless levels beyond the grave, as the theory that he had censured teaches? And his level, whether higher or lower, could it possibly be the same as hers? Thus gravely meditating, she was summoned by him. He sent up Crane in the motor. Other servants passed like water, but the chauffeur remained, though impertinent and disloyal. Margaret disliked Crane, and he knew it. "Is it the keys that Mr. Wilcox wants?" she asked. "He didn t say, madam." "You haven t any note for me?" "He didn t say, madam." After a moment s thought she locked up Howards End. It was pitiable to see in it the stirrings of warmth that would be quenched for ever. She raked out the fire that was blazing in the kitchen, and spread the coals in the gravelled yard. She closed the windows and drew the curtains. Henry would probably sell the place now. She was determined not to spare him, for nothing new had happened as far as they were concerned. Her mood might never have altered from yesterday evening. He was standing a little outside Charles s gate, and motioned the car to stop. When his wife got out he said hoarsely: "I prefer to discuss things with you outside." "It will be more appropriate in the road, I am afraid," said Margaret. "Did you get my message?" "What about?" "I am going to Germany with my sister. I must tell you now that I shall make it my permanent home. Our talk last night was more important than you have realised. I am unable to forgive you and am leaving you." "I am extremely tired," said Henry, in injured tones. "I have been walking about all the morning, and wish to sit down." "Certainly, if you will consent to sit on the grass." The Great North Road should have been bordered all its length with glebe. Henry s kind had filched most of it. She moved to the scrap opposite, wherein were the Six Hills. They sat down on the farther side, so that they could not be seen by Charles or Dolly. "Here are your keys," said Margaret. She tossed them towards him. They fell on the sunlit slope of grass, and he did not pick them up. "I have something to tell you," he said gently. She knew this superficial gentleness, this confession of hastiness, that was only intended to enhance her admiration of the male. "I don t want to hear it," she replied. "My sister is going to be ill. My life is going to be with her now. We must manage to build up something, she and I and her child." "Where are you going?" "Munich. We start after the inquest, if she is not too ill." "After the inquest?" "Yes." "Have you realised what the verdict at the inquest will be?" "Yes, heart disease." "No, my dear; manslaughter." Margaret drove her fingers through the grass. The hill beneath her moved as if it were alive. "Manslaughter," repeated Mr. Wilcox. "Charles may go to prison. I dare not tell him. I don t know what to do--what to do. I m broken--I m ended." No sudden warmth arose in her. She did not see that to break him was her only hope. She did not enfold the sufferer in her arms. But all through that day and the next a new life began to move. The verdict was brought in. Charles was committed for trial. It was against all reason that he should be punished, but the law, notwithstanding, sentenced him to three years imprisonment. Then Henry s fortress gave way. He could bear no one but his wife; he shambled up to Margaret afterwards and asked her to do what she could with him. She did what seemed easiest--she took him down to recruit at Howards End. CHAPTER XLIV Tom s father was cutting the big meadow. He passed again and again amid whirring blades and sweet odours of grass, encompassing with narrowing circles the sacred centre of the field. Tom was negotiating with Helen. "I haven t any idea," she replied. "Do you suppose baby may, Meg?" Margaret put down her work and regarded them absently. "What was that?" she asked. "Tom wants to know whether baby is old enough to play with hay?" "I haven t the least notion," answered Margaret, and took up her work again. "Now, Tom, baby is not to stand; he is not to lie on his face; he is not to lie so that his head wags; he is not to be teased or tickled; and he is not to be cut into two or more pieces by the cutter. Will you be as careful as all that?"<\|quote\|>Tom held out his arms.</\|quote\|>"That child is a wonderful nursemaid," remarked Margaret. "He is fond of baby. That s why he does it!" was Helen s answer. "They re going to be lifelong friends." "Starting at the ages of six and one?" "Of course. It will be a great thing for Tom." "It may be a greater thing for baby." Fourteen months had passed, but Margaret still stopped at Howards End. No better plan had occurred to her. The meadow was being recut, the great red poppies were reopening in the garden. July would follow with the little red poppies among the wheat, August with the cutting of the wheat. These little events would become part of her year after year. Every summer she would fear lest the well should give out, every winter lest the pipes should freeze; every westerly gale might blow the wych-elm down and bring the end of all things, and so she could not read or talk during a westerly gale. The air was tranquil now. She and her sister were sitting on the remains of Evie s rockery, where the lawn merged into the field. "What a time they all are!" said Helen. "What can they be doing inside?" Margaret, who was growing less talkative, made no answer. The noise of the cutter came intermittently, like the breaking of waves. Close by them a man was preparing to scythe out one of the dell-holes. "I wish Henry was out to enjoy this," said Helen. "This lovely weather and to be shut up in the house! It s very hard." "It has to be," said Margaret. "The hay fever is his chief objection against living here, but he thinks it worth while." "Meg, is or isn t he ill? I can t make out." "Not ill. Eternally tired. He has worked very hard all his life, and noticed nothing. Those are the people who collapse when they do notice a thing." "I suppose he worries dreadfully about his part of the tangle." "Dreadfully. That is why I wish Dolly had not come, too, to-day. Still, he wanted them all to come. It has to be." "Why does he want them?" Margaret did not answer. "Meg, may I tell you something? I like Henry." "You d be odd if you didn t," said Margaret. "I usen t to." "Usen t!" She lowered her eyes a moment to the black abyss of the past. They had crossed it, always excepting Leonard and Charles. They were building up a new life, obscure, yet gilded with tranquillity. Leonard was dead; Charles had two years more in prison. One usen t always to see clearly before that time. It was different now. "I like Henry because he does worry." "And he likes you because you don t." Helen sighed. She seemed humiliated, and buried her face in her hands. After a time she said: "About love," a transition less abrupt than it appeared. Margaret never stopped working. "I mean a woman s love for a man. I supposed I should hang my life on to that once, and was driven up and down and about as if something was worrying through me. But everything is peaceful now; I seem cured. That Herr Forstmeister, whom Frieda keeps writing about, must be a noble character, but he doesn t see that I shall never marry him or anyone. It isn t shame or mistrust of myself. I simply couldn t. I m ended. I used to be so dreamy about a man s love as a girl, and think that for good or evil love must be the great thing. But it hasn t been; it has been itself a dream. Do you agree?" "I do not agree. I do not." "I ought to remember Leonard as my lover," said Helen, stepping down into the field. "I tempted him, and killed him, and it is surely the least I can do. I would like to throw out all my heart to Leonard on such an afternoon as this. But I cannot. It is no good pretending. I am forgetting him." Her eyes filled with tears. "How nothing seems to match--how, my darling, my precious--" She broke off. "Tommy!" "Yes, please?" "Baby s not to try and stand.--There s something wanting in me. I see you loving Henry, and understanding him better daily, and I know that death wouldn t part you in the least. But I--Is it some awful, appalling, criminal defect?" Margaret silenced her. She said: "It is only that people are far more different than is pretended. All over the world men and women are worrying because they cannot develop as they are supposed to develop. Here and there they have the matter out, and it comforts them. Don t fret yourself, Helen. Develop	ended." No sudden warmth arose in her. She did not see that to break him was her only hope. She did not enfold the sufferer in her arms. But all through that day and the next a new life began to move. The verdict was brought in. Charles was committed for trial. It was against all reason that he should be punished, but the law, notwithstanding, sentenced him to three years imprisonment. Then Henry s fortress gave way. He could bear no one but his wife; he shambled up to Margaret afterwards and asked her to do what she could with him. She did what seemed easiest--she took him down to recruit at Howards End. CHAPTER XLIV Tom s father was cutting the big meadow. He passed again and again amid whirring blades and sweet odours of grass, encompassing with narrowing circles the sacred centre of the field. Tom was negotiating with Helen. "I haven t any idea," she replied. "Do you suppose baby may, Meg?" Margaret put down her work and regarded them absently. "What was that?" she asked. "Tom wants to know whether baby is old enough to play with hay?" "I haven t the least notion," answered Margaret, and took up her work again. "Now, Tom, baby is not to stand; he is not to lie on his face; he is not to lie so that his head wags; he is not to be teased or tickled; and he is not to be cut into two or more pieces by the cutter. Will you be as careful as all that?"<\|quote\|>Tom held out his arms.</\|quote\|>"That child is a wonderful nursemaid," remarked Margaret. "He is fond of baby. That s why he does it!" was Helen s answer. "They re going to be lifelong friends." "Starting at the ages of six and one?" "Of course. It will be a great thing for Tom." "It may be a greater thing for baby." Fourteen months had passed, but Margaret still stopped at Howards End. No better plan had occurred to her. The meadow was being recut, the great red poppies were reopening in the garden. July would follow with the little red poppies among the wheat, August with the cutting of the wheat. These little events would become part of her year after year. Every summer she would fear lest the well should give out, every winter lest the pipes should freeze; every westerly gale might blow the wych-elm down and bring the end of all things, and so she could not read or talk during a westerly gale. The air was tranquil now. She and her sister were sitting on the remains of Evie s rockery, where the lawn merged into the field. "What a time they all are!" said Helen. "What can they be doing inside?" Margaret, who was growing less talkative, made no answer. The noise of the cutter came intermittently, like the breaking of waves. Close by them a man was preparing to scythe out one of the dell-holes. "I wish Henry was out to enjoy this," said Helen. "This lovely weather and to be shut up in the house! It s very hard." "It has to be," said Margaret. "The hay fever is his chief objection against living here, but he thinks it worth while." "Meg, is or isn t he ill? I can t make out." "Not ill. Eternally tired. He has worked very hard all his life, and noticed nothing. Those are the people who collapse when they do notice a thing." "I suppose he worries dreadfully about his part of the tangle." "Dreadfully. That	Howards End
"Louisa, my dear, you are the subject of a proposal of marriage that has been made to me."	Thomas Gradgrind	she said never a word.<\|quote\|>"Louisa, my dear, you are the subject of a proposal of marriage that has been made to me."</\|quote\|>Again he waited, and again	that she said something. But she said never a word.<\|quote\|>"Louisa, my dear, you are the subject of a proposal of marriage that has been made to me."</\|quote\|>Again he waited, and again she answered not one word.	are accustomed to view everything from the strong dispassionate ground of reason and calculation. From that ground alone, I know you will view and consider what I am going to communicate." He waited, as if he would have been glad that she said something. But she said never a word.<\|quote\|>"Louisa, my dear, you are the subject of a proposal of marriage that has been made to me."</\|quote\|>Again he waited, and again she answered not one word. This so far surprised him, as to induce him gently to repeat, "a proposal of marriage, my dear." To which she returned, without any visible emotion whatever: "I hear you, father. I am attending, I assure you." "Well!" said Mr.	the conversation we are now going to have together. You have been so well trained, and you do, I am happy to say, so much justice to the education you have received, that I have perfect confidence in your good sense. You are not impulsive, you are not romantic, you are accustomed to view everything from the strong dispassionate ground of reason and calculation. From that ground alone, I know you will view and consider what I am going to communicate." He waited, as if he would have been glad that she said something. But she said never a word.<\|quote\|>"Louisa, my dear, you are the subject of a proposal of marriage that has been made to me."</\|quote\|>Again he waited, and again she answered not one word. This so far surprised him, as to induce him gently to repeat, "a proposal of marriage, my dear." To which she returned, without any visible emotion whatever: "I hear you, father. I am attending, I assure you." "Well!" said Mr. Gradgrind, breaking into a smile, after being for the moment at a loss, "you are even more dispassionate than I expected, Louisa. Or, perhaps, you are not unprepared for the announcement I have it in charge to make?" "I cannot say that, father, until I hear it. Prepared or unprepared,	their destinies on a slate, and wipe out all their tears with one dirty little bit of sponge. To this Observatory, then: a stern room, with a deadly statistical clock in it, which measured every second with a beat like a rap upon a coffin-lid; Louisa repaired on the appointed morning. A window looked towards Coketown; and when she sat down near her father's table, she saw the high chimneys and the long tracts of smoke looming in the heavy distance gloomily. "My dear Louisa," said her father, "I prepared you last night to give me your serious attention in the conversation we are now going to have together. You have been so well trained, and you do, I am happy to say, so much justice to the education you have received, that I have perfect confidence in your good sense. You are not impulsive, you are not romantic, you are accustomed to view everything from the strong dispassionate ground of reason and calculation. From that ground alone, I know you will view and consider what I am going to communicate." He waited, as if he would have been glad that she said something. But she said never a word.<\|quote\|>"Louisa, my dear, you are the subject of a proposal of marriage that has been made to me."</\|quote\|>Again he waited, and again she answered not one word. This so far surprised him, as to induce him gently to repeat, "a proposal of marriage, my dear." To which she returned, without any visible emotion whatever: "I hear you, father. I am attending, I assure you." "Well!" said Mr. Gradgrind, breaking into a smile, after being for the moment at a loss, "you are even more dispassionate than I expected, Louisa. Or, perhaps, you are not unprepared for the announcement I have it in charge to make?" "I cannot say that, father, until I hear it. Prepared or unprepared, I wish to hear it all from you. I wish to hear you state it to me, father." Strange to relate, Mr. Gradgrind was not so collected at this moment as his daughter was. He took a paper-knife in his hand, turned it over, laid it down, took it up again, and even then had to look along the blade of it, considering how to go on. "What you say, my dear Louisa, is perfectly reasonable. I have undertaken then to let you know that in short, that Mr. Bounderby has informed me that he has long watched your progress	if, first in her own fire within the house, and then in the fiery haze without, she tried to discover what kind of woof Old Time, that greatest and longest-established Spinner of all, would weave from the threads he had already spun into a woman. But his factory is a secret place, his work is noiseless, and his Hands are mutes. CHAPTER XV FATHER AND DAUGHTER ALTHOUGH Mr. Gradgrind did not take after Blue Beard, his room was quite a blue chamber in its abundance of blue books. Whatever they could prove (which is usually anything you like), they proved there, in an army constantly strengthening by the arrival of new recruits. In that charmed apartment, the most complicated social questions were cast up, got into exact totals, and finally settled if those concerned could only have been brought to know it. As if an astronomical observatory should be made without any windows, and the astronomer within should arrange the starry universe solely by pen, ink, and paper, so Mr. Gradgrind, in _his_ Observatory (and there are many like it), had no need to cast an eye upon the teeming myriads of human beings around him, but could settle all their destinies on a slate, and wipe out all their tears with one dirty little bit of sponge. To this Observatory, then: a stern room, with a deadly statistical clock in it, which measured every second with a beat like a rap upon a coffin-lid; Louisa repaired on the appointed morning. A window looked towards Coketown; and when she sat down near her father's table, she saw the high chimneys and the long tracts of smoke looming in the heavy distance gloomily. "My dear Louisa," said her father, "I prepared you last night to give me your serious attention in the conversation we are now going to have together. You have been so well trained, and you do, I am happy to say, so much justice to the education you have received, that I have perfect confidence in your good sense. You are not impulsive, you are not romantic, you are accustomed to view everything from the strong dispassionate ground of reason and calculation. From that ground alone, I know you will view and consider what I am going to communicate." He waited, as if he would have been glad that she said something. But she said never a word.<\|quote\|>"Louisa, my dear, you are the subject of a proposal of marriage that has been made to me."</\|quote\|>Again he waited, and again she answered not one word. This so far surprised him, as to induce him gently to repeat, "a proposal of marriage, my dear." To which she returned, without any visible emotion whatever: "I hear you, father. I am attending, I assure you." "Well!" said Mr. Gradgrind, breaking into a smile, after being for the moment at a loss, "you are even more dispassionate than I expected, Louisa. Or, perhaps, you are not unprepared for the announcement I have it in charge to make?" "I cannot say that, father, until I hear it. Prepared or unprepared, I wish to hear it all from you. I wish to hear you state it to me, father." Strange to relate, Mr. Gradgrind was not so collected at this moment as his daughter was. He took a paper-knife in his hand, turned it over, laid it down, took it up again, and even then had to look along the blade of it, considering how to go on. "What you say, my dear Louisa, is perfectly reasonable. I have undertaken then to let you know that in short, that Mr. Bounderby has informed me that he has long watched your progress with particular interest and pleasure, and has long hoped that the time might ultimately arrive when he should offer you his hand in marriage. That time, to which he has so long, and certainly with great constancy, looked forward, is now come. Mr. Bounderby has made his proposal of marriage to me, and has entreated me to make it known to you, and to express his hope that you will take it into your favourable consideration." Silence between them. The deadly statistical clock very hollow. The distant smoke very black and heavy. "Father," said Louisa, "do you think I love Mr. Bounderby?" Mr. Gradgrind was extremely discomfited by this unexpected question. "Well, my child," he returned, "I really cannot take upon myself to say." "Father," pursued Louisa in exactly the same voice as before, "do you ask me to love Mr. Bounderby?" "My dear Louisa, no. No. I ask nothing." "Father," she still pursued, "does Mr. Bounderby ask me to love him?" "Really, my dear," said Mr. Gradgrind, "it is difficult to answer your question" "Difficult to answer it, Yes or No, father?" "Certainly, my dear. Because;" here was something to demonstrate, and it set him up again; "because the	rather. But I touch him up with you when he comes it too strong, and so we preserve an understanding. I say! Has father said anything particular to you to-day or yesterday, Loo?" "No, Tom. But he told me to-night that he wished to do so in the morning." "Ah! That's what I mean," said Tom. "Do you know where he is to-night?" with a very deep expression. "No." "Then I'll tell you. He's with old Bounderby. They are having a regular confab together up at the Bank. Why at the Bank, do you think? Well, I'll tell you again. To keep Mrs. Sparsit's ears as far off as possible, I expect." With her hand upon her brother's shoulder, Louisa still stood looking at the fire. Her brother glanced at her face with greater interest than usual, and, encircling her waist with his arm, drew her coaxingly to him. "You are very fond of me, an't you, Loo?" "Indeed I am, Tom, though you do let such long intervals go by without coming to see me." "Well, sister of mine," said Tom, "when you say that, you are near my thoughts. We might be so much oftener together mightn't we? Always together, almost mightn't we? It would do me a great deal of good if you were to make up your mind to I know what, Loo. It would be a splendid thing for me. It would be uncommonly jolly!" Her thoughtfulness baffled his cunning scrutiny. He could make nothing of her face. He pressed her in his arm, and kissed her cheek. She returned the kiss, but still looked at the fire. "I say, Loo! I thought I'd come, and just hint to you what was going on: though I supposed you'd most likely guess, even if you didn't know. I can't stay, because I'm engaged to some fellows to-night. You won't forget how fond you are of me?" "No, dear Tom, I won't forget." "That's a capital girl," said Tom. "Good-bye, Loo." She gave him an affectionate good-night, and went out with him to the door, whence the fires of Coketown could be seen, making the distance lurid. She stood there, looking steadfastly towards them, and listening to his departing steps. They retreated quickly, as glad to get away from Stone Lodge; and she stood there yet, when he was gone and all was quiet. It seemed as if, first in her own fire within the house, and then in the fiery haze without, she tried to discover what kind of woof Old Time, that greatest and longest-established Spinner of all, would weave from the threads he had already spun into a woman. But his factory is a secret place, his work is noiseless, and his Hands are mutes. CHAPTER XV FATHER AND DAUGHTER ALTHOUGH Mr. Gradgrind did not take after Blue Beard, his room was quite a blue chamber in its abundance of blue books. Whatever they could prove (which is usually anything you like), they proved there, in an army constantly strengthening by the arrival of new recruits. In that charmed apartment, the most complicated social questions were cast up, got into exact totals, and finally settled if those concerned could only have been brought to know it. As if an astronomical observatory should be made without any windows, and the astronomer within should arrange the starry universe solely by pen, ink, and paper, so Mr. Gradgrind, in _his_ Observatory (and there are many like it), had no need to cast an eye upon the teeming myriads of human beings around him, but could settle all their destinies on a slate, and wipe out all their tears with one dirty little bit of sponge. To this Observatory, then: a stern room, with a deadly statistical clock in it, which measured every second with a beat like a rap upon a coffin-lid; Louisa repaired on the appointed morning. A window looked towards Coketown; and when she sat down near her father's table, she saw the high chimneys and the long tracts of smoke looming in the heavy distance gloomily. "My dear Louisa," said her father, "I prepared you last night to give me your serious attention in the conversation we are now going to have together. You have been so well trained, and you do, I am happy to say, so much justice to the education you have received, that I have perfect confidence in your good sense. You are not impulsive, you are not romantic, you are accustomed to view everything from the strong dispassionate ground of reason and calculation. From that ground alone, I know you will view and consider what I am going to communicate." He waited, as if he would have been glad that she said something. But she said never a word.<\|quote\|>"Louisa, my dear, you are the subject of a proposal of marriage that has been made to me."</\|quote\|>Again he waited, and again she answered not one word. This so far surprised him, as to induce him gently to repeat, "a proposal of marriage, my dear." To which she returned, without any visible emotion whatever: "I hear you, father. I am attending, I assure you." "Well!" said Mr. Gradgrind, breaking into a smile, after being for the moment at a loss, "you are even more dispassionate than I expected, Louisa. Or, perhaps, you are not unprepared for the announcement I have it in charge to make?" "I cannot say that, father, until I hear it. Prepared or unprepared, I wish to hear it all from you. I wish to hear you state it to me, father." Strange to relate, Mr. Gradgrind was not so collected at this moment as his daughter was. He took a paper-knife in his hand, turned it over, laid it down, took it up again, and even then had to look along the blade of it, considering how to go on. "What you say, my dear Louisa, is perfectly reasonable. I have undertaken then to let you know that in short, that Mr. Bounderby has informed me that he has long watched your progress with particular interest and pleasure, and has long hoped that the time might ultimately arrive when he should offer you his hand in marriage. That time, to which he has so long, and certainly with great constancy, looked forward, is now come. Mr. Bounderby has made his proposal of marriage to me, and has entreated me to make it known to you, and to express his hope that you will take it into your favourable consideration." Silence between them. The deadly statistical clock very hollow. The distant smoke very black and heavy. "Father," said Louisa, "do you think I love Mr. Bounderby?" Mr. Gradgrind was extremely discomfited by this unexpected question. "Well, my child," he returned, "I really cannot take upon myself to say." "Father," pursued Louisa in exactly the same voice as before, "do you ask me to love Mr. Bounderby?" "My dear Louisa, no. No. I ask nothing." "Father," she still pursued, "does Mr. Bounderby ask me to love him?" "Really, my dear," said Mr. Gradgrind, "it is difficult to answer your question" "Difficult to answer it, Yes or No, father?" "Certainly, my dear. Because;" here was something to demonstrate, and it set him up again; "because the reply depends so materially, Louisa, on the sense in which we use the expression. Now, Mr. Bounderby does not do you the injustice, and does not do himself the injustice, of pretending to anything fanciful, fantastic, or (I am using synonymous terms) sentimental. Mr. Bounderby would have seen you grow up under his eyes, to very little purpose, if he could so far forget what is due to your good sense, not to say to his, as to address you from any such ground. Therefore, perhaps the expression itself I merely suggest this to you, my dear may be a little misplaced." "What would you advise me to use in its stead, father?" "Why, my dear Louisa," said Mr. Gradgrind, completely recovered by this time, "I would advise you (since you ask me) to consider this question, as you have been accustomed to consider every other question, simply as one of tangible Fact. The ignorant and the giddy may embarrass such subjects with irrelevant fancies, and other absurdities that have no existence, properly viewed really no existence but it is no compliment to you to say, that you know better. Now, what are the Facts of this case? You are, we will say in round numbers, twenty years of age; Mr. Bounderby is, we will say in round numbers, fifty. There is some disparity in your respective years, but in your means and positions there is none; on the contrary, there is a great suitability. Then the question arises, Is this one disparity sufficient to operate as a bar to such a marriage? In considering this question, it is not unimportant to take into account the statistics of marriage, so far as they have yet been obtained, in England and Wales. I find, on reference to the figures, that a large proportion of these marriages are contracted between parties of very unequal ages, and that the elder of these contracting parties is, in rather more than three-fourths of these instances, the bridegroom. It is remarkable as showing the wide prevalence of this law, that among the natives of the British possessions in India, also in a considerable part of China, and among the Calmucks of Tartary, the best means of computation yet furnished us by travellers, yield similar results. The disparity I have mentioned, therefore, almost ceases to be disparity, and (virtually) all but disappears." "What do you recommend, father,"	so Mr. Gradgrind, in _his_ Observatory (and there are many like it), had no need to cast an eye upon the teeming myriads of human beings around him, but could settle all their destinies on a slate, and wipe out all their tears with one dirty little bit of sponge. To this Observatory, then: a stern room, with a deadly statistical clock in it, which measured every second with a beat like a rap upon a coffin-lid; Louisa repaired on the appointed morning. A window looked towards Coketown; and when she sat down near her father's table, she saw the high chimneys and the long tracts of smoke looming in the heavy distance gloomily. "My dear Louisa," said her father, "I prepared you last night to give me your serious attention in the conversation we are now going to have together. You have been so well trained, and you do, I am happy to say, so much justice to the education you have received, that I have perfect confidence in your good sense. You are not impulsive, you are not romantic, you are accustomed to view everything from the strong dispassionate ground of reason and calculation. From that ground alone, I know you will view and consider what I am going to communicate." He waited, as if he would have been glad that she said something. But she said never a word.<\|quote\|>"Louisa, my dear, you are the subject of a proposal of marriage that has been made to me."</\|quote\|>Again he waited, and again she answered not one word. This so far surprised him, as to induce him gently to repeat, "a proposal of marriage, my dear." To which she returned, without any visible emotion whatever: "I hear you, father. I am attending, I assure you." "Well!" said Mr. Gradgrind, breaking into a smile, after being for the moment at a loss, "you are even more dispassionate than I expected, Louisa. Or, perhaps, you are not unprepared for the announcement I have it in charge to make?" "I cannot say that, father, until I hear it. Prepared or unprepared, I wish to hear it all from you. I wish to hear you state it to me, father." Strange to relate, Mr. Gradgrind was not so collected at this moment as his daughter was. He took a paper-knife in his hand, turned it over, laid it down, took it up again, and even then had to look along the blade of it, considering how to go on. "What you say, my dear Louisa, is perfectly reasonable. I have undertaken then to let you know that in short, that Mr. Bounderby has informed me that he has long watched your progress with particular interest and pleasure, and has long hoped that the time might ultimately arrive when he should offer you his hand in marriage. That time, to which he has so long, and certainly with great constancy, looked forward, is now come. Mr. Bounderby has made his proposal of marriage to me, and has entreated me to make it known to you, and to express his hope that you will take it into your favourable consideration." Silence between them. The deadly statistical clock very hollow. The distant smoke very black and heavy. "Father," said Louisa, "do you think I love Mr. Bounderby?" Mr. Gradgrind was extremely discomfited by this unexpected question. "Well, my child," he returned, "I really cannot take upon myself to say." "Father," pursued Louisa in exactly the same voice as before, "do you ask me	Hard Times
laughs my sister,	No speaker	have known you were coming,"<\|quote\|>laughs my sister,</\|quote\|>"there is just your favourite	long time." "We might almost have known you were coming,"<\|quote\|>laughs my sister,</\|quote\|>"there is just your favourite dish, potato-cakes, and even whortle-berries	my sister, who is continually running to the kitchen to watch that the food does not burn: "And put out the jar of preserved whortleberries--you like that, don't you?" she asks me. "Yes, mother, I haven't had any for a long time." "We might almost have known you were coming,"<\|quote\|>laughs my sister,</\|quote\|>"there is just your favourite dish, potato-cakes, and even whortle-berries to go with them too." "And it is Saturday," I add. "Sit here beside me," says my mother. She looks at me. Her hands are white and sickly and frail compared with mine. We say very little, and I am	glance. "No, I have got leave." My mother is very pale. I am afraid to make a light. "Here I lie now," says she, "and cry instead of being glad." "Are you sick, mother?" I ask. "I am going to get up a little to-day," she says and turns to my sister, who is continually running to the kitchen to watch that the food does not burn: "And put out the jar of preserved whortleberries--you like that, don't you?" she asks me. "Yes, mother, I haven't had any for a long time." "We might almost have known you were coming,"<\|quote\|>laughs my sister,</\|quote\|>"there is just your favourite dish, potato-cakes, and even whortle-berries to go with them too." "And it is Saturday," I add. "Sit here beside me," says my mother. She looks at me. Her hands are white and sickly and frail compared with mine. We say very little, and I am thankful that she asks nothing. What ought I to say? Everything I could have wished for has happened. I have come out of it safely and sit here beside her. And in the kitchen stands my sister making the evening bread and singing. "Dear boy," says my mother softly. We	Then I say fiercely: "Bring me a handkerchief." She gives me one from the cupboard and I dry my face. Above me on the wall hangs the glass case with the coloured butterflies that once I collected. Now I hear my mother's voice. It comes from the bedroom. "Is she in bed?" I ask my sister. "She is ill--" she replies. I go in to her, give her my hand and say as calmly as I can: "Here I am, mother." She lies still in the dim light. Then she asks anxiously: "Are you wounded?" and I feel her searching glance. "No, I have got leave." My mother is very pale. I am afraid to make a light. "Here I lie now," says she, "and cry instead of being glad." "Are you sick, mother?" I ask. "I am going to get up a little to-day," she says and turns to my sister, who is continually running to the kitchen to watch that the food does not burn: "And put out the jar of preserved whortleberries--you like that, don't you?" she asks me. "Yes, mother, I haven't had any for a long time." "We might almost have known you were coming,"<\|quote\|>laughs my sister,</\|quote\|>"there is just your favourite dish, potato-cakes, and even whortle-berries to go with them too." "And it is Saturday," I add. "Sit here beside me," says my mother. She looks at me. Her hands are white and sickly and frail compared with mine. We say very little, and I am thankful that she asks nothing. What ought I to say? Everything I could have wished for has happened. I have come out of it safely and sit here beside her. And in the kitchen stands my sister making the evening bread and singing. "Dear boy," says my mother softly. We were never very demonstrative in our family; poor folk who toil and are full of cares are not so. It is not their way to protest what they already know. When my mother says to me "dear boy," it means much more than when another uses it. I know well enough that the jar of whortleberries is the only one they have had for months, and that she has kept it for me; and the somewhat stale cakes that she gives me too. She has taken a favourable opportunity of getting a few and has put them all by for	my head, then I take off my helmet and look up. Yes, it is my eldest sister. "Paul," she cries, "Paul----" I nod, my pack bumps against the banisters; my rifle is so heavy. She pulls a door open and calls: "Mother, mother, Paul is here." I can go no further--mother, mother, Paul is here. I lean against the wall and grip my helmet and rifle. I hold them as tight as I can, but I cannot take another step, the staircase fades before my eyes, I support myself with the butt of my rifle against my feet and clench my teeth fiercely, but I cannot speak a word, my sister's call has made me powerless, I can do nothing, I struggle to make myself laugh, to speak, but no word comes, and so I stand on the steps, miserable, helpless, paralysed, and against my will the tears run down my cheeks. My sister comes back and says: "Why, what is the matter?" Then I pull myself together and stagger on to the landing. I lean my rifle in a corner, I set my pack against the wall, place my helmet on it, and fling down my equipment and baggage. Then I say fiercely: "Bring me a handkerchief." She gives me one from the cupboard and I dry my face. Above me on the wall hangs the glass case with the coloured butterflies that once I collected. Now I hear my mother's voice. It comes from the bedroom. "Is she in bed?" I ask my sister. "She is ill--" she replies. I go in to her, give her my hand and say as calmly as I can: "Here I am, mother." She lies still in the dim light. Then she asks anxiously: "Are you wounded?" and I feel her searching glance. "No, I have got leave." My mother is very pale. I am afraid to make a light. "Here I lie now," says she, "and cry instead of being glad." "Are you sick, mother?" I ask. "I am going to get up a little to-day," she says and turns to my sister, who is continually running to the kitchen to watch that the food does not burn: "And put out the jar of preserved whortleberries--you like that, don't you?" she asks me. "Yes, mother, I haven't had any for a long time." "We might almost have known you were coming,"<\|quote\|>laughs my sister,</\|quote\|>"there is just your favourite dish, potato-cakes, and even whortle-berries to go with them too." "And it is Saturday," I add. "Sit here beside me," says my mother. She looks at me. Her hands are white and sickly and frail compared with mine. We say very little, and I am thankful that she asks nothing. What ought I to say? Everything I could have wished for has happened. I have come out of it safely and sit here beside her. And in the kitchen stands my sister making the evening bread and singing. "Dear boy," says my mother softly. We were never very demonstrative in our family; poor folk who toil and are full of cares are not so. It is not their way to protest what they already know. When my mother says to me "dear boy," it means much more than when another uses it. I know well enough that the jar of whortleberries is the only one they have had for months, and that she has kept it for me; and the somewhat stale cakes that she gives me too. She has taken a favourable opportunity of getting a few and has put them all by for me. I sit by her bed, and through the window the chestnut trees in the beer garden opposite glow in brown and gold. I breathe deeply and say over to myself:-- "You are at home, you are at home." But a sense of strangeness will not leave me, I can find nothing of myself in all these things. There is my mother, there is my sister, there my case of butterflies, and there the mahogany piano--but I am not myself there. There is a distance, a veil between us. I go and fetch my pack to the bedside and turn out the things I have brought--a whole Edamer cheese, that Kat provided me with, two loaves of army bread, three-quarters of a pound of butter, two tins of liver-sausage, a pound of dripping and a little bag of rice. "I suppose you can make some use of that----" They nod. "Is it pretty bad for food here?" I enquire. "Yes, there's not much. Do you get enough out there?" I smile and point to the things I have brought. "Not always quite so much as that, of course, but we fare reasonably well." Erna goes out to bring in the	sentries. I pick up my pack and fasten the straps, I take my rifle in my hand and stumble down the steps. On the platform I look round; I know no one among all the people hurrying to and fro. A red-cross sister offers me something to drink. I turn away, she smiles at me too foolishly, so obsessed with her own importance: "Just look, I am giving a soldier coffee!" --She calls me "Comrade," but I will have none of it. Outside in front of the station the stream roars alongside the street, it rushes foaming from the sluices of the mill bridge. There stands the old, square watch-tower, in front of it the great mottled lime tree and behind it the evening. Here we have often sat--how long ago it is--; we have passed over this bridge and breathed the cool, acid smell of the stagnant water; we have leaned over the still water on this side of the lock, where the green creepers and weeds hang from the piles of the bridge;--and on hot days we rejoiced in the spouting foam on the other side of the lock and told tales about our school-teachers. I pass over the bridge, I look right and left; the water is as full of weeds as ever, and it still shoots over in gleaming arches; in the tower-building laundresses still stand with bare arms as they used to over the clean linen, and the heat from the ironing pours out through the open windows. Dogs trot along the narrow street, before the doors of the houses people stand and follow me with their gaze as I pass by, dirty and heavy laden. In this confectioner's we used to eat ices, and there we learned to smoke cigarettes. Walking down the street I know every shop, the colonial warehouse, the chemist's, the tobacconist's. Then at last I stand before the brown door with its worn latch and my hand grows heavy. I open the door and a wonderful freshness comes out to meet me, my eyes are dim. The stairs creak under my boots. Upstairs a door rattles, someone is looking over the railing. It is the kitchen door that was opened, they are cooking potato-cakes, the house reeks of it, and to-day of course is Saturday; that will be my sister leaning over. For a moment I am shy and lower my head, then I take off my helmet and look up. Yes, it is my eldest sister. "Paul," she cries, "Paul----" I nod, my pack bumps against the banisters; my rifle is so heavy. She pulls a door open and calls: "Mother, mother, Paul is here." I can go no further--mother, mother, Paul is here. I lean against the wall and grip my helmet and rifle. I hold them as tight as I can, but I cannot take another step, the staircase fades before my eyes, I support myself with the butt of my rifle against my feet and clench my teeth fiercely, but I cannot speak a word, my sister's call has made me powerless, I can do nothing, I struggle to make myself laugh, to speak, but no word comes, and so I stand on the steps, miserable, helpless, paralysed, and against my will the tears run down my cheeks. My sister comes back and says: "Why, what is the matter?" Then I pull myself together and stagger on to the landing. I lean my rifle in a corner, I set my pack against the wall, place my helmet on it, and fling down my equipment and baggage. Then I say fiercely: "Bring me a handkerchief." She gives me one from the cupboard and I dry my face. Above me on the wall hangs the glass case with the coloured butterflies that once I collected. Now I hear my mother's voice. It comes from the bedroom. "Is she in bed?" I ask my sister. "She is ill--" she replies. I go in to her, give her my hand and say as calmly as I can: "Here I am, mother." She lies still in the dim light. Then she asks anxiously: "Are you wounded?" and I feel her searching glance. "No, I have got leave." My mother is very pale. I am afraid to make a light. "Here I lie now," says she, "and cry instead of being glad." "Are you sick, mother?" I ask. "I am going to get up a little to-day," she says and turns to my sister, who is continually running to the kitchen to watch that the food does not burn: "And put out the jar of preserved whortleberries--you like that, don't you?" she asks me. "Yes, mother, I haven't had any for a long time." "We might almost have known you were coming,"<\|quote\|>laughs my sister,</\|quote\|>"there is just your favourite dish, potato-cakes, and even whortle-berries to go with them too." "And it is Saturday," I add. "Sit here beside me," says my mother. She looks at me. Her hands are white and sickly and frail compared with mine. We say very little, and I am thankful that she asks nothing. What ought I to say? Everything I could have wished for has happened. I have come out of it safely and sit here beside her. And in the kitchen stands my sister making the evening bread and singing. "Dear boy," says my mother softly. We were never very demonstrative in our family; poor folk who toil and are full of cares are not so. It is not their way to protest what they already know. When my mother says to me "dear boy," it means much more than when another uses it. I know well enough that the jar of whortleberries is the only one they have had for months, and that she has kept it for me; and the somewhat stale cakes that she gives me too. She has taken a favourable opportunity of getting a few and has put them all by for me. I sit by her bed, and through the window the chestnut trees in the beer garden opposite glow in brown and gold. I breathe deeply and say over to myself:-- "You are at home, you are at home." But a sense of strangeness will not leave me, I can find nothing of myself in all these things. There is my mother, there is my sister, there my case of butterflies, and there the mahogany piano--but I am not myself there. There is a distance, a veil between us. I go and fetch my pack to the bedside and turn out the things I have brought--a whole Edamer cheese, that Kat provided me with, two loaves of army bread, three-quarters of a pound of butter, two tins of liver-sausage, a pound of dripping and a little bag of rice. "I suppose you can make some use of that----" They nod. "Is it pretty bad for food here?" I enquire. "Yes, there's not much. Do you get enough out there?" I smile and point to the things I have brought. "Not always quite so much as that, of course, but we fare reasonably well." Erna goes out to bring in the food. Suddenly my mother seizes hold of my hand and asks falteringly: "Was it very bad out there, Paul?" Mother, what should I answer to that! You would not understand, and never realize it. And you never should realize it. Was it bad, you ask.--You, Mother,--I shake my head and say: "No, mother, not so very. There are always a lot of us together so it isn't so bad." "Yes, but Heinrich Bredemeyer was here just lately and he said it was terrible out there now, with the gas and all the rest of it." It is my mother who says that. She says: "With the gas and all the rest of it." She does not know what she is saying, she is merely anxious for me. Should I tell her how we once found three enemy trenches with their garrison all stiff as though stricken with apoplexy? Against the parapet, in the dugouts, just where they were, the men stood and lay about, with blue faces, dead. "No, mother, that's only talk," I answer, "there's not very much in what Bredemeyer says. You see for instance, I'm well and fit----" Before my mother's tremulous anxiety I recover my composure. Now I can walk about and talk and answer questions without fear of having suddenly to lean against the wall because the world turns soft as rubber and my veins become brimstone. My mother wants to get up. So I go for a while to my sister in the kitchen. "What is the matter with her?" I ask. She shrugs her shoulders: "She has been in bed two months now, but we did not want to write and tell you. Several doctors have been to see her. One of them said it is probably cancer again." * * I go to the district commandant to report myself. Slowly I wander through the streets. Occasionally someone speaks to me. I do not delay long for I have little inclination to talk. On my way back from the barracks a loud voice calls out to me. Still lost in thought I turn round and find myself confronted by a Major. "Can't you salute?" he blusters. "Sorry, Major," I say in embarrassment, "I didn't notice you." "Don't you know how to speak properly?" he roars. I would like to hit him in the face, but control myself, for my leave depends on it.	Then I pull myself together and stagger on to the landing. I lean my rifle in a corner, I set my pack against the wall, place my helmet on it, and fling down my equipment and baggage. Then I say fiercely: "Bring me a handkerchief." She gives me one from the cupboard and I dry my face. Above me on the wall hangs the glass case with the coloured butterflies that once I collected. Now I hear my mother's voice. It comes from the bedroom. "Is she in bed?" I ask my sister. "She is ill--" she replies. I go in to her, give her my hand and say as calmly as I can: "Here I am, mother." She lies still in the dim light. Then she asks anxiously: "Are you wounded?" and I feel her searching glance. "No, I have got leave." My mother is very pale. I am afraid to make a light. "Here I lie now," says she, "and cry instead of being glad." "Are you sick, mother?" I ask. "I am going to get up a little to-day," she says and turns to my sister, who is continually running to the kitchen to watch that the food does not burn: "And put out the jar of preserved whortleberries--you like that, don't you?" she asks me. "Yes, mother, I haven't had any for a long time." "We might almost have known you were coming,"<\|quote\|>laughs my sister,</\|quote\|>"there is just your favourite dish, potato-cakes, and even whortle-berries to go with them too." "And it is Saturday," I add. "Sit here beside me," says my mother. She looks at me. Her hands are white and sickly and frail compared with mine. We say very little, and I am thankful that she asks nothing. What ought I to say? Everything I could have wished for has happened. I have come out of it safely and sit here beside her. And in the kitchen stands my sister making the evening bread and singing. "Dear boy," says my mother softly. We were never very demonstrative in our family; poor folk who toil and are full of cares are not so. It is not their way to protest what they already know. When my mother says to me "dear boy," it means much more than when another uses it. I know well enough that the jar of whortleberries is the only one they have had for months, and that she has kept it for me; and the somewhat stale cakes that she gives me too. She has taken a favourable opportunity of getting a few and has put them all by for me. I sit by her bed, and through the window the chestnut trees in the beer garden opposite glow in brown and gold. I breathe deeply and say over to myself:-- "You are at home, you are at home." But a sense of strangeness will not leave me, I can find nothing of myself in all these things. There is my mother, there is my sister, there my case of butterflies, and there the mahogany piano--but I am not myself there. There is a distance, a veil between us. I go and fetch my pack to the bedside and turn out the things I have brought--a whole Edamer cheese, that Kat provided me with, two loaves of army	All Quiet on the Western Front
"Down in the field? Oh, come! I think we might have had the whole establishment, piccaninnies included."	Paul	manly and cynical, he said:<\|quote\|>"Down in the field? Oh, come! I think we might have had the whole establishment, piccaninnies included."</\|quote\|>Mrs. Cahill whispered: "Don t,	out of the Englishman. Feeling manly and cynical, he said:<\|quote\|>"Down in the field? Oh, come! I think we might have had the whole establishment, piccaninnies included."</\|quote\|>Mrs. Cahill whispered: "Don t, Paul. You promised you d	years; she intends when she dies to leave the house to her nephew, down in the field. Is all that clear? Does everyone understand?" Paul rose to his feet. He was accustomed to natives, and a very little shook him out of the Englishman. Feeling manly and cynical, he said:<\|quote\|>"Down in the field? Oh, come! I think we might have had the whole establishment, piccaninnies included."</\|quote\|>Mrs. Cahill whispered: "Don t, Paul. You promised you d take care." Feeling a woman of the world, she rose and prepared to take her leave. Her father kissed her. "Good-bye, old girl," he said; "don t you worry about me." "Good-bye, dad." Then it was Dolly s turn. Anxious	be divided among you. I am also giving you a great deal in my lifetime, so that you may be independent of me. That is her wish, too. She also is giving away a great deal of money. She intends to diminish her income by half during the next ten years; she intends when she dies to leave the house to her nephew, down in the field. Is all that clear? Does everyone understand?" Paul rose to his feet. He was accustomed to natives, and a very little shook him out of the Englishman. Feeling manly and cynical, he said:<\|quote\|>"Down in the field? Oh, come! I think we might have had the whole establishment, piccaninnies included."</\|quote\|>Mrs. Cahill whispered: "Don t, Paul. You promised you d take care." Feeling a woman of the world, she rose and prepared to take her leave. Her father kissed her. "Good-bye, old girl," he said; "don t you worry about me." "Good-bye, dad." Then it was Dolly s turn. Anxious to contribute, she laughed nervously, and said: "Good-bye, Mr. Wilcox. It does seem curious that Mrs. Wilcox should have left Margaret Howards End, and yet she get it, after all." From Evie came a sharply-drawn breath. "Goodbye," she said to Margaret, and kissed her. And again and again fell the	a general silence. Dolly looked nervously round, fearing that she had been inappropriate. Paul continued to scratch his arm. "Then I leave Howards End to my wife absolutely," said Henry. "And let everyone understand that; and after I am dead let there be no jealousy and no surprise." Margaret did not answer. There was something uncanny in her triumph. She, who had never expected to conquer anyone, had charged straight through these Wilcoxes and broken up their lives. "In consequence, I leave my wife no money," said Henry. "That is her own wish. All that she would have had will be divided among you. I am also giving you a great deal in my lifetime, so that you may be independent of me. That is her wish, too. She also is giving away a great deal of money. She intends to diminish her income by half during the next ten years; she intends when she dies to leave the house to her nephew, down in the field. Is all that clear? Does everyone understand?" Paul rose to his feet. He was accustomed to natives, and a very little shook him out of the Englishman. Feeling manly and cynical, he said:<\|quote\|>"Down in the field? Oh, come! I think we might have had the whole establishment, piccaninnies included."</\|quote\|>Mrs. Cahill whispered: "Don t, Paul. You promised you d take care." Feeling a woman of the world, she rose and prepared to take her leave. Her father kissed her. "Good-bye, old girl," he said; "don t you worry about me." "Good-bye, dad." Then it was Dolly s turn. Anxious to contribute, she laughed nervously, and said: "Good-bye, Mr. Wilcox. It does seem curious that Mrs. Wilcox should have left Margaret Howards End, and yet she get it, after all." From Evie came a sharply-drawn breath. "Goodbye," she said to Margaret, and kissed her. And again and again fell the word, like the ebb of a dying sea. "Good-bye." "Good-bye, Dolly." "So long, father." "Good-bye, my boy; always take care of yourself." "Good-bye, Mrs. Wilcox." "Good-bye." Margaret saw their visitors to the gate. Then she returned to her husband and laid her head in his hands. He was pitiably tired. But Dolly s remark had interested her. At last she said: "Could you tell me, Henry, what was that about Mrs. Wilcox having left me Howards End?" Tranquilly he replied: "Yes, she did. But that is a very old story. When she was ill and you were so kind to	phrases, but their effect was unexpected and shadowy. "Because I don t want you all coming here later on and complaining that I have been unfair." "It s apparently got to suit us," said Paul. "I beg your pardon, my boy. You have only to speak, and I will leave the house to you instead." Paul frowned ill-temperedly, and began scratching at his arm. "As I ve given up the outdoor life that suited me, and I have come home to look after the business, it s no good my settling down here," he said at last. "It s not really the country, and it s not the town." "Very well. Does my arrangement suit you, Evie?" "Of course, father." "And you, Dolly?" Dolly raised her faded little face, which sorrow could wither but not steady. "Perfectly splendidly," she said. "I thought Charles wanted it for the boys, but last time I saw him he said no, because we cannot possibly live in this part of England again. Charles says we ought to change our name, but I cannot think what to, for Wilcox just suits Charles and me, and I can t think of any other name." There was a general silence. Dolly looked nervously round, fearing that she had been inappropriate. Paul continued to scratch his arm. "Then I leave Howards End to my wife absolutely," said Henry. "And let everyone understand that; and after I am dead let there be no jealousy and no surprise." Margaret did not answer. There was something uncanny in her triumph. She, who had never expected to conquer anyone, had charged straight through these Wilcoxes and broken up their lives. "In consequence, I leave my wife no money," said Henry. "That is her own wish. All that she would have had will be divided among you. I am also giving you a great deal in my lifetime, so that you may be independent of me. That is her wish, too. She also is giving away a great deal of money. She intends to diminish her income by half during the next ten years; she intends when she dies to leave the house to her nephew, down in the field. Is all that clear? Does everyone understand?" Paul rose to his feet. He was accustomed to natives, and a very little shook him out of the Englishman. Feeling manly and cynical, he said:<\|quote\|>"Down in the field? Oh, come! I think we might have had the whole establishment, piccaninnies included."</\|quote\|>Mrs. Cahill whispered: "Don t, Paul. You promised you d take care." Feeling a woman of the world, she rose and prepared to take her leave. Her father kissed her. "Good-bye, old girl," he said; "don t you worry about me." "Good-bye, dad." Then it was Dolly s turn. Anxious to contribute, she laughed nervously, and said: "Good-bye, Mr. Wilcox. It does seem curious that Mrs. Wilcox should have left Margaret Howards End, and yet she get it, after all." From Evie came a sharply-drawn breath. "Goodbye," she said to Margaret, and kissed her. And again and again fell the word, like the ebb of a dying sea. "Good-bye." "Good-bye, Dolly." "So long, father." "Good-bye, my boy; always take care of yourself." "Good-bye, Mrs. Wilcox." "Good-bye." Margaret saw their visitors to the gate. Then she returned to her husband and laid her head in his hands. He was pitiably tired. But Dolly s remark had interested her. At last she said: "Could you tell me, Henry, what was that about Mrs. Wilcox having left me Howards End?" Tranquilly he replied: "Yes, she did. But that is a very old story. When she was ill and you were so kind to her she wanted to make you some return, and, not being herself at the time, scribbled Howards End on a piece of paper. I went into it thoroughly, and, as it was clearly fanciful, I set it aside, little knowing what my Margaret would be to me in the future." Margaret was silent. Something shook her life in its inmost recesses, and she shivered. "I didn t do wrong, did I?" he asked, bending down. "You didn t, darling. Nothing has been done wrong." From the garden came laughter. "Here they are at last!" exclaimed Henry, disengaging himself with a smile. Helen rushed into the gloom, holding Tom by one hand and carrying her baby on the other. There were shouts of infectious joy. "The field s cut!" Helen cried excitedly--" "the big meadow! We ve seen to the very end, and it ll be such a crop of hay as never!" WEYBRIDGE, 1908-1910.	Downs, the Oderberge, were all survivals, and the melting-pot was being prepared for them. Logically, they had no right to be alive. One s hope was in the weakness of logic. Were they possibly the earth beating time? "Because a thing is going strong now, it need not go strong for ever," she said. "This craze for motion has only set in during the last hundred years. It may be followed by a civilisation that won t be a movement, because it will rest on the earth. All the signs are against it now, but I can t help hoping, and very early in the morning in the garden I feel that our house is the future as well as the past." They turned and looked at it. Their own memories coloured it now, for Helen s child had been born in the central room of the nine. Then Margaret said, "Oh, take care--!" for something moved behind the window of the hall, and the door opened. "The conclave s breaking at last. I ll go." It was Paul. Helen retreated with the children far into the field. Friendly voices greeted her. Margaret rose, to encounter a man with a heavy black moustache. "My father has asked for you," he said with hostility. She took her work and followed him. "We have been talking business," he continued, "but I dare say you knew all about it beforehand." "Yes, I did." Clumsy of movement--for he had spent all his life in the saddle--Paul drove his foot against the paint of the front door. Mrs. Wilcox gave a little cry of annoyance. She did not like anything scratched; she stopped in the hall to take Dolly s boa and gloves out of a vase. Her husband was lying in a great leather chair in the dining-room, and by his side, holding his hand rather ostentatiously, was Evie. Dolly, dressed in purple, sat near the window. The room was a little dark and airless; they were obliged to keep it like this until the carting of the hay. Margaret joined the family without speaking; the five of them had met already at tea, and she knew quite well what was going to be said. Averse to wasting her time, she went on sewing. The clock struck six. "Is this going to suit everyone?" said Henry in a weary voice. He used the old phrases, but their effect was unexpected and shadowy. "Because I don t want you all coming here later on and complaining that I have been unfair." "It s apparently got to suit us," said Paul. "I beg your pardon, my boy. You have only to speak, and I will leave the house to you instead." Paul frowned ill-temperedly, and began scratching at his arm. "As I ve given up the outdoor life that suited me, and I have come home to look after the business, it s no good my settling down here," he said at last. "It s not really the country, and it s not the town." "Very well. Does my arrangement suit you, Evie?" "Of course, father." "And you, Dolly?" Dolly raised her faded little face, which sorrow could wither but not steady. "Perfectly splendidly," she said. "I thought Charles wanted it for the boys, but last time I saw him he said no, because we cannot possibly live in this part of England again. Charles says we ought to change our name, but I cannot think what to, for Wilcox just suits Charles and me, and I can t think of any other name." There was a general silence. Dolly looked nervously round, fearing that she had been inappropriate. Paul continued to scratch his arm. "Then I leave Howards End to my wife absolutely," said Henry. "And let everyone understand that; and after I am dead let there be no jealousy and no surprise." Margaret did not answer. There was something uncanny in her triumph. She, who had never expected to conquer anyone, had charged straight through these Wilcoxes and broken up their lives. "In consequence, I leave my wife no money," said Henry. "That is her own wish. All that she would have had will be divided among you. I am also giving you a great deal in my lifetime, so that you may be independent of me. That is her wish, too. She also is giving away a great deal of money. She intends to diminish her income by half during the next ten years; she intends when she dies to leave the house to her nephew, down in the field. Is all that clear? Does everyone understand?" Paul rose to his feet. He was accustomed to natives, and a very little shook him out of the Englishman. Feeling manly and cynical, he said:<\|quote\|>"Down in the field? Oh, come! I think we might have had the whole establishment, piccaninnies included."</\|quote\|>Mrs. Cahill whispered: "Don t, Paul. You promised you d take care." Feeling a woman of the world, she rose and prepared to take her leave. Her father kissed her. "Good-bye, old girl," he said; "don t you worry about me." "Good-bye, dad." Then it was Dolly s turn. Anxious to contribute, she laughed nervously, and said: "Good-bye, Mr. Wilcox. It does seem curious that Mrs. Wilcox should have left Margaret Howards End, and yet she get it, after all." From Evie came a sharply-drawn breath. "Goodbye," she said to Margaret, and kissed her. And again and again fell the word, like the ebb of a dying sea. "Good-bye." "Good-bye, Dolly." "So long, father." "Good-bye, my boy; always take care of yourself." "Good-bye, Mrs. Wilcox." "Good-bye." Margaret saw their visitors to the gate. Then she returned to her husband and laid her head in his hands. He was pitiably tired. But Dolly s remark had interested her. At last she said: "Could you tell me, Henry, what was that about Mrs. Wilcox having left me Howards End?" Tranquilly he replied: "Yes, she did. But that is a very old story. When she was ill and you were so kind to her she wanted to make you some return, and, not being herself at the time, scribbled Howards End on a piece of paper. I went into it thoroughly, and, as it was clearly fanciful, I set it aside, little knowing what my Margaret would be to me in the future." Margaret was silent. Something shook her life in its inmost recesses, and she shivered. "I didn t do wrong, did I?" he asked, bending down. "You didn t, darling. Nothing has been done wrong." From the garden came laughter. "Here they are at last!" exclaimed Henry, disengaging himself with a smile. Helen rushed into the gloom, holding Tom by one hand and carrying her baby on the other. There were shouts of infectious joy. "The field s cut!" Helen cried excitedly--" "the big meadow! We ve seen to the very end, and it ll be such a crop of hay as never!" WEYBRIDGE, 1908-1910.	all his life in the saddle--Paul drove his foot against the paint of the front door. Mrs. Wilcox gave a little cry of annoyance. She did not like anything scratched; she stopped in the hall to take Dolly s boa and gloves out of a vase. Her husband was lying in a great leather chair in the dining-room, and by his side, holding his hand rather ostentatiously, was Evie. Dolly, dressed in purple, sat near the window. The room was a little dark and airless; they were obliged to keep it like this until the carting of the hay. Margaret joined the family without speaking; the five of them had met already at tea, and she knew quite well what was going to be said. Averse to wasting her time, she went on sewing. The clock struck six. "Is this going to suit everyone?" said Henry in a weary voice. He used the old phrases, but their effect was unexpected and shadowy. "Because I don t want you all coming here later on and complaining that I have been unfair." "It s apparently got to suit us," said Paul. "I beg your pardon, my boy. You have only to speak, and I will leave the house to you instead." Paul frowned ill-temperedly, and began scratching at his arm. "As I ve given up the outdoor life that suited me, and I have come home to look after the business, it s no good my settling down here," he said at last. "It s not really the country, and it s not the town." "Very well. Does my arrangement suit you, Evie?" "Of course, father." "And you, Dolly?" Dolly raised her faded little face, which sorrow could wither but not steady. "Perfectly splendidly," she said. "I thought Charles wanted it for the boys, but last time I saw him he said no, because we cannot possibly live in this part of England again. Charles says we ought to change our name, but I cannot think what to, for Wilcox just suits Charles and me, and I can t think of any other name." There was a general silence. Dolly looked nervously round, fearing that she had been inappropriate. Paul continued to scratch his arm. "Then I leave Howards End to my wife absolutely," said Henry. "And let everyone understand that; and after I am dead let there be no jealousy and no surprise." Margaret did not answer. There was something uncanny in her triumph. She, who had never expected to conquer anyone, had charged straight through these Wilcoxes and broken up their lives. "In consequence, I leave my wife no money," said Henry. "That is her own wish. All that she would have had will be divided among you. I am also giving you a great deal in my lifetime, so that you may be independent of me. That is her wish, too. She also is giving away a great deal of money. She intends to diminish her income by half during the next ten years; she intends when she dies to leave the house to her nephew, down in the field. Is all that clear? Does everyone understand?" Paul rose to his feet. He was accustomed to natives, and a very little shook him out of the Englishman. Feeling manly and cynical, he said:<\|quote\|>"Down in the field? Oh, come! I think we might have had the whole establishment, piccaninnies included."</\|quote\|>Mrs. Cahill whispered: "Don t, Paul. You promised you d take care." Feeling a woman of the world, she rose and prepared to take her leave. Her father kissed her. "Good-bye, old girl," he said; "don t you worry about me." "Good-bye, dad." Then it was Dolly s turn. Anxious to contribute, she laughed nervously, and said: "Good-bye, Mr. Wilcox. It does seem curious that Mrs. Wilcox should have left Margaret Howards End, and yet she get it, after all." From Evie came a sharply-drawn breath. "Goodbye," she said to Margaret, and kissed her. And again and again fell the word, like the ebb of a dying sea. "Good-bye." "Good-bye, Dolly." "So long, father." "Good-bye, my boy; always take care of yourself." "Good-bye, Mrs. Wilcox." "Good-bye." Margaret saw their visitors to the gate. Then she returned to her husband and laid her head in his hands. He was pitiably tired. But Dolly s remark had interested her. At last she said: "Could you tell me, Henry, what was that about Mrs. Wilcox having left me Howards End?" Tranquilly he replied: "Yes, she did. But that is a very old story. When she was ill and you were so kind to her she wanted to make you some return, and, not being herself at the time, scribbled Howards End on a piece of paper. I went into it thoroughly, and, as it was clearly fanciful, I set it aside, little knowing what my Margaret would be to me in the future." Margaret was silent. Something shook her life in its inmost recesses, and she shivered. "I didn t do wrong, did I?" he asked,	Howards End
“The thing to do is to forget about the heat,”	Tom	better telephone for an axe—”<\|quote\|>“The thing to do is to forget about the heat,”</\|quote\|>said Tom impatiently. “You make	aren’t any more.” “Well, we’d better telephone for an axe—”<\|quote\|>“The thing to do is to forget about the heat,”</\|quote\|>said Tom impatiently. “You make it ten times worse by	of hot shrubbery from the Park. Daisy went to the mirror and stood with her back to us, fixing her hair. “It’s a swell suite,” whispered Jordan respectfully, and everyone laughed. “Open another window,” commanded Daisy, without turning around. “There aren’t any more.” “Well, we’d better telephone for an axe—”<\|quote\|>“The thing to do is to forget about the heat,”</\|quote\|>said Tom impatiently. “You make it ten times worse by crabbing about it.” He unrolled the bottle of whisky from the towel and put it on the table. “Why not let her alone, old sport?” remarked Gatsby. “You’re the one that wanted to come to town.” There was a moment	and over that it was a “crazy idea” —we all talked at once to a baffled clerk and thought, or pretended to think, that we were being very funny … The room was large and stifling, and, though it was already four o’clock, opening the windows admitted only a gust of hot shrubbery from the Park. Daisy went to the mirror and stood with her back to us, fixing her hair. “It’s a swell suite,” whispered Jordan respectfully, and everyone laughed. “Open another window,” commanded Daisy, without turning around. “There aren’t any more.” “Well, we’d better telephone for an axe—”<\|quote\|>“The thing to do is to forget about the heat,”</\|quote\|>said Tom impatiently. “You make it ten times worse by crabbing about it.” He unrolled the bottle of whisky from the towel and put it on the table. “Why not let her alone, old sport?” remarked Gatsby. “You’re the one that wanted to come to town.” There was a moment of silence. The telephone book slipped from its nail and splashed to the floor, whereupon Jordan whispered, “Excuse me” —but this time no one laughed. “I’ll pick it up,” I offered. “I’ve got it.” Gatsby examined the parted string, muttered “Hum!” in an interested way, and tossed the book on	all took the less explicable step of engaging the parlour of a suite in the Plaza Hotel. The prolonged and tumultuous argument that ended by herding us into that room eludes me, though I have a sharp physical memory that, in the course of it, my underwear kept climbing like a damp snake around my legs and intermittent beads of sweat raced cool across my back. The notion originated with Daisy’s suggestion that we hire five bathrooms and take cold baths, and then assumed more tangible form as “a place to have a mint julep.” Each of us said over and over that it was a “crazy idea” —we all talked at once to a baffled clerk and thought, or pretended to think, that we were being very funny … The room was large and stifling, and, though it was already four o’clock, opening the windows admitted only a gust of hot shrubbery from the Park. Daisy went to the mirror and stood with her back to us, fixing her hair. “It’s a swell suite,” whispered Jordan respectfully, and everyone laughed. “Open another window,” commanded Daisy, without turning around. “There aren’t any more.” “Well, we’d better telephone for an axe—”<\|quote\|>“The thing to do is to forget about the heat,”</\|quote\|>said Tom impatiently. “You make it ten times worse by crabbing about it.” He unrolled the bottle of whisky from the towel and put it on the table. “Why not let her alone, old sport?” remarked Gatsby. “You’re the one that wanted to come to town.” There was a moment of silence. The telephone book slipped from its nail and splashed to the floor, whereupon Jordan whispered, “Excuse me” —but this time no one laughed. “I’ll pick it up,” I offered. “I’ve got it.” Gatsby examined the parted string, muttered “Hum!” in an interested way, and tossed the book on a chair. “That’s a great expression of yours, isn’t it?” said Tom sharply. “What is?” “All this ‘old sport’ business. Where’d you pick that up?” “Now see here, Tom,” said Daisy, turning around from the mirror, “if you’re going to make personal remarks I won’t stay here a minute. Call up and order some ice for the mint julep.” As Tom took up the receiver the compressed heat exploded into sound and we were listening to the portentous chords of Mendelssohn’s Wedding March from the ballroom below. “Imagine marrying anybody in this heat!” cried Jordan dismally. “Still—I was married in	easygoing blue coupé. “Those big movies around Fiftieth Street are cool,” suggested Jordan. “I love New York on summer afternoons when everyone’s away. There’s something very sensuous about it—overripe, as if all sorts of funny fruits were going to fall into your hands.” The word “sensuous” had the effect of further disquieting Tom, but before he could invent a protest the coupé came to a stop, and Daisy signalled us to draw up alongside. “Where are we going?” she cried. “How about the movies?” “It’s so hot,” she complained. “You go. We’ll ride around and meet you after.” With an effort her wit rose faintly. “We’ll meet you on some corner. I’ll be the man smoking two cigarettes.” “We can’t argue about it here,” Tom said impatiently, as a truck gave out a cursing whistle behind us. “You follow me to the south side of Central Park, in front of the Plaza.” Several times he turned his head and looked back for their car, and if the traffic delayed them he slowed up until they came into sight. I think he was afraid they would dart down a side-street and out of his life forever. But they didn’t. And we all took the less explicable step of engaging the parlour of a suite in the Plaza Hotel. The prolonged and tumultuous argument that ended by herding us into that room eludes me, though I have a sharp physical memory that, in the course of it, my underwear kept climbing like a damp snake around my legs and intermittent beads of sweat raced cool across my back. The notion originated with Daisy’s suggestion that we hire five bathrooms and take cold baths, and then assumed more tangible form as “a place to have a mint julep.” Each of us said over and over that it was a “crazy idea” —we all talked at once to a baffled clerk and thought, or pretended to think, that we were being very funny … The room was large and stifling, and, though it was already four o’clock, opening the windows admitted only a gust of hot shrubbery from the Park. Daisy went to the mirror and stood with her back to us, fixing her hair. “It’s a swell suite,” whispered Jordan respectfully, and everyone laughed. “Open another window,” commanded Daisy, without turning around. “There aren’t any more.” “Well, we’d better telephone for an axe—”<\|quote\|>“The thing to do is to forget about the heat,”</\|quote\|>said Tom impatiently. “You make it ten times worse by crabbing about it.” He unrolled the bottle of whisky from the towel and put it on the table. “Why not let her alone, old sport?” remarked Gatsby. “You’re the one that wanted to come to town.” There was a moment of silence. The telephone book slipped from its nail and splashed to the floor, whereupon Jordan whispered, “Excuse me” —but this time no one laughed. “I’ll pick it up,” I offered. “I’ve got it.” Gatsby examined the parted string, muttered “Hum!” in an interested way, and tossed the book on a chair. “That’s a great expression of yours, isn’t it?” said Tom sharply. “What is?” “All this ‘old sport’ business. Where’d you pick that up?” “Now see here, Tom,” said Daisy, turning around from the mirror, “if you’re going to make personal remarks I won’t stay here a minute. Call up and order some ice for the mint julep.” As Tom took up the receiver the compressed heat exploded into sound and we were listening to the portentous chords of Mendelssohn’s Wedding March from the ballroom below. “Imagine marrying anybody in this heat!” cried Jordan dismally. “Still—I was married in the middle of June,” Daisy remembered. “Louisville in June! Somebody fainted. Who was it fainted, Tom?” “Biloxi,” he answered shortly. “A man named Biloxi. ‘Blocks’ Biloxi, and he made boxes—that’s a fact—and he was from Biloxi, Tennessee.” “They carried him into my house,” appended Jordan, “because we lived just two doors from the church. And he stayed three weeks, until Daddy told him he had to get out. The day after he left Daddy died.” After a moment she added as if she might have sounded irreverent, “There wasn’t any connection.” “I used to know a Bill Biloxi from Memphis,” I remarked. “That was his cousin. I knew his whole family history before he left. He gave me an aluminium putter that I use today.” The music had died down as the ceremony began and now a long cheer floated in at the window, followed by intermittent cries of “Yea—ea—ea!” and finally by a burst of jazz as the dancing began. “We’re getting old,” said Daisy. “If we were young we’d rise and dance.” “Remember Biloxi,” Jordan warned her. “Where’d you know him, Tom?” “Biloxi?” He concentrated with an effort. “I didn’t know him. He was a friend of Daisy’s.”	That’s why I been bothering you about the car.” “What do I owe you?” “Dollar twenty.” The relentless beating heat was beginning to confuse me and I had a bad moment there before I realized that so far his suspicions hadn’t alighted on Tom. He had discovered that Myrtle had some sort of life apart from him in another world, and the shock had made him physically sick. I stared at him and then at Tom, who had made a parallel discovery less than an hour before—and it occurred to me that there was no difference between men, in intelligence or race, so profound as the difference between the sick and the well. Wilson was so sick that he looked guilty, unforgivably guilty—as if he had just got some poor girl with child. “I’ll let you have that car,” said Tom. “I’ll send it over tomorrow afternoon.” That locality was always vaguely disquieting, even in the broad glare of afternoon, and now I turned my head as though I had been warned of something behind. Over the ash-heaps the giant eyes of Doctor T. J. Eckleburg kept their vigil, but I perceived, after a moment, that other eyes were regarding us with peculiar intensity from less than twenty feet away. In one of the windows over the garage the curtains had been moved aside a little, and Myrtle Wilson was peering down at the car. So engrossed was she that she had no consciousness of being observed, and one emotion after another crept into her face like objects into a slowly developing picture. Her expression was curiously familiar—it was an expression I had often seen on women’s faces, but on Myrtle Wilson’s face it seemed purposeless and inexplicable until I realized that her eyes, wide with jealous terror, were fixed not on Tom, but on Jordan Baker, whom she took to be his wife. ------------------------------------------------------------------------ There is no confusion like the confusion of a simple mind, and as we drove away Tom was feeling the hot whips of panic. His wife and his mistress, until an hour ago secure and inviolate, were slipping precipitately from his control. Instinct made him step on the accelerator with the double purpose of overtaking Daisy and leaving Wilson behind, and we sped along toward Astoria at fifty miles an hour, until, among the spidery girders of the elevated, we came in sight of the easygoing blue coupé. “Those big movies around Fiftieth Street are cool,” suggested Jordan. “I love New York on summer afternoons when everyone’s away. There’s something very sensuous about it—overripe, as if all sorts of funny fruits were going to fall into your hands.” The word “sensuous” had the effect of further disquieting Tom, but before he could invent a protest the coupé came to a stop, and Daisy signalled us to draw up alongside. “Where are we going?” she cried. “How about the movies?” “It’s so hot,” she complained. “You go. We’ll ride around and meet you after.” With an effort her wit rose faintly. “We’ll meet you on some corner. I’ll be the man smoking two cigarettes.” “We can’t argue about it here,” Tom said impatiently, as a truck gave out a cursing whistle behind us. “You follow me to the south side of Central Park, in front of the Plaza.” Several times he turned his head and looked back for their car, and if the traffic delayed them he slowed up until they came into sight. I think he was afraid they would dart down a side-street and out of his life forever. But they didn’t. And we all took the less explicable step of engaging the parlour of a suite in the Plaza Hotel. The prolonged and tumultuous argument that ended by herding us into that room eludes me, though I have a sharp physical memory that, in the course of it, my underwear kept climbing like a damp snake around my legs and intermittent beads of sweat raced cool across my back. The notion originated with Daisy’s suggestion that we hire five bathrooms and take cold baths, and then assumed more tangible form as “a place to have a mint julep.” Each of us said over and over that it was a “crazy idea” —we all talked at once to a baffled clerk and thought, or pretended to think, that we were being very funny … The room was large and stifling, and, though it was already four o’clock, opening the windows admitted only a gust of hot shrubbery from the Park. Daisy went to the mirror and stood with her back to us, fixing her hair. “It’s a swell suite,” whispered Jordan respectfully, and everyone laughed. “Open another window,” commanded Daisy, without turning around. “There aren’t any more.” “Well, we’d better telephone for an axe—”<\|quote\|>“The thing to do is to forget about the heat,”</\|quote\|>said Tom impatiently. “You make it ten times worse by crabbing about it.” He unrolled the bottle of whisky from the towel and put it on the table. “Why not let her alone, old sport?” remarked Gatsby. “You’re the one that wanted to come to town.” There was a moment of silence. The telephone book slipped from its nail and splashed to the floor, whereupon Jordan whispered, “Excuse me” —but this time no one laughed. “I’ll pick it up,” I offered. “I’ve got it.” Gatsby examined the parted string, muttered “Hum!” in an interested way, and tossed the book on a chair. “That’s a great expression of yours, isn’t it?” said Tom sharply. “What is?” “All this ‘old sport’ business. Where’d you pick that up?” “Now see here, Tom,” said Daisy, turning around from the mirror, “if you’re going to make personal remarks I won’t stay here a minute. Call up and order some ice for the mint julep.” As Tom took up the receiver the compressed heat exploded into sound and we were listening to the portentous chords of Mendelssohn’s Wedding March from the ballroom below. “Imagine marrying anybody in this heat!” cried Jordan dismally. “Still—I was married in the middle of June,” Daisy remembered. “Louisville in June! Somebody fainted. Who was it fainted, Tom?” “Biloxi,” he answered shortly. “A man named Biloxi. ‘Blocks’ Biloxi, and he made boxes—that’s a fact—and he was from Biloxi, Tennessee.” “They carried him into my house,” appended Jordan, “because we lived just two doors from the church. And he stayed three weeks, until Daddy told him he had to get out. The day after he left Daddy died.” After a moment she added as if she might have sounded irreverent, “There wasn’t any connection.” “I used to know a Bill Biloxi from Memphis,” I remarked. “That was his cousin. I knew his whole family history before he left. He gave me an aluminium putter that I use today.” The music had died down as the ceremony began and now a long cheer floated in at the window, followed by intermittent cries of “Yea—ea—ea!” and finally by a burst of jazz as the dancing began. “We’re getting old,” said Daisy. “If we were young we’d rise and dance.” “Remember Biloxi,” Jordan warned her. “Where’d you know him, Tom?” “Biloxi?” He concentrated with an effort. “I didn’t know him. He was a friend of Daisy’s.” “He was not,” she denied. “I’d never seen him before. He came down in the private car.” “Well, he said he knew you. He said he was raised in Louisville. Asa Bird brought him around at the last minute and asked if we had room for him.” Jordan smiled. “He was probably bumming his way home. He told me he was president of your class at Yale.” Tom and I looked at each other blankly. “Biloxi?” “First place, we didn’t have any president—” Gatsby’s foot beat a short, restless tattoo and Tom eyed him suddenly. “By the way, Mr. Gatsby, I understand you’re an Oxford man.” “Not exactly.” “Oh, yes, I understand you went to Oxford.” “Yes—I went there.” A pause. Then Tom’s voice, incredulous and insulting: “You must have gone there about the time Biloxi went to New Haven.” Another pause. A waiter knocked and came in with crushed mint and ice but the silence was unbroken by his “thank you” and the soft closing of the door. This tremendous detail was to be cleared up at last. “I told you I went there,” said Gatsby. “I heard you, but I’d like to know when.” “It was in nineteen-nineteen, I only stayed five months. That’s why I can’t really call myself an Oxford man.” Tom glanced around to see if we mirrored his unbelief. But we were all looking at Gatsby. “It was an opportunity they gave to some of the officers after the armistice,” he continued. “We could go to any of the universities in England or France.” I wanted to get up and slap him on the back. I had one of those renewals of complete faith in him that I’d experienced before. Daisy rose, smiling faintly, and went to the table. “Open the whisky, Tom,” she ordered, “and I’ll make you a mint julep. Then you won’t seem so stupid to yourself … Look at the mint!” “Wait a minute,” snapped Tom, “I want to ask Mr. Gatsby one more question.” “Go on,” Gatsby said politely. “What kind of a row are you trying to cause in my house anyhow?” They were out in the open at last and Gatsby was content. “He isn’t causing a row,” Daisy looked desperately from one to the other. “You’re causing a row. Please have a little self-control.” “Self-control!” repeated Tom incredulously. “I suppose the latest thing is to sit	and inviolate, were slipping precipitately from his control. Instinct made him step on the accelerator with the double purpose of overtaking Daisy and leaving Wilson behind, and we sped along toward Astoria at fifty miles an hour, until, among the spidery girders of the elevated, we came in sight of the easygoing blue coupé. “Those big movies around Fiftieth Street are cool,” suggested Jordan. “I love New York on summer afternoons when everyone’s away. There’s something very sensuous about it—overripe, as if all sorts of funny fruits were going to fall into your hands.” The word “sensuous” had the effect of further disquieting Tom, but before he could invent a protest the coupé came to a stop, and Daisy signalled us to draw up alongside. “Where are we going?” she cried. “How about the movies?” “It’s so hot,” she complained. “You go. We’ll ride around and meet you after.” With an effort her wit rose faintly. “We’ll meet you on some corner. I’ll be the man smoking two cigarettes.” “We can’t argue about it here,” Tom said impatiently, as a truck gave out a cursing whistle behind us. “You follow me to the south side of Central Park, in front of the Plaza.” Several times he turned his head and looked back for their car, and if the traffic delayed them he slowed up until they came into sight. I think he was afraid they would dart down a side-street and out of his life forever. But they didn’t. And we all took the less explicable step of engaging the parlour of a suite in the Plaza Hotel. The prolonged and tumultuous argument that ended by herding us into that room eludes me, though I have a sharp physical memory that, in the course of it, my underwear kept climbing like a damp snake around my legs and intermittent beads of sweat raced cool across my back. The notion originated with Daisy’s suggestion that we hire five bathrooms and take cold baths, and then assumed more tangible form as “a place to have a mint julep.” Each of us said over and over that it was a “crazy idea” —we all talked at once to a baffled clerk and thought, or pretended to think, that we were being very funny … The room was large and stifling, and, though it was already four o’clock, opening the windows admitted only a gust of hot shrubbery from the Park. Daisy went to the mirror and stood with her back to us, fixing her hair. “It’s a swell suite,” whispered Jordan respectfully, and everyone laughed. “Open another window,” commanded Daisy, without turning around. “There aren’t any more.” “Well, we’d better telephone for an axe—”<\|quote\|>“The thing to do is to forget about the heat,”</\|quote\|>said Tom impatiently. “You make it ten times worse by crabbing about it.” He unrolled the bottle of whisky from the towel and put it on the table. “Why not let her alone, old sport?” remarked Gatsby. “You’re the one that wanted to come to town.” There was a moment of silence. The telephone book slipped from its nail and splashed to the floor, whereupon Jordan whispered, “Excuse me” —but this time no one laughed. “I’ll pick it up,” I offered. “I’ve got it.” Gatsby examined the parted string, muttered “Hum!” in an interested way, and tossed the book on a chair. “That’s a great expression of yours, isn’t it?” said Tom sharply. “What is?” “All this ‘old sport’ business. Where’d you pick that up?” “Now see here, Tom,” said Daisy, turning around from the mirror, “if you’re going to make personal remarks I won’t stay here a minute. Call up and order some ice for the mint julep.” As Tom took up the receiver the compressed heat exploded into sound and we were listening to the portentous chords of Mendelssohn’s Wedding March from the ballroom below. “Imagine marrying anybody in this heat!” cried Jordan dismally. “Still—I was married in the middle of June,” Daisy remembered. “Louisville in June! Somebody fainted. Who was it fainted, Tom?” “Biloxi,” he answered shortly. “A man named Biloxi. ‘Blocks’ Biloxi, and he made boxes—that’s a fact—and he was from Biloxi, Tennessee.” “They carried him into my house,” appended Jordan, “because we lived just two doors from the church. And he stayed three weeks, until Daddy told him he had to get out. The day after he left Daddy died.” After a moment she added as if she might have sounded irreverent, “There wasn’t any connection.” “I used to know a Bill Biloxi from Memphis,” I remarked. “That was his	The Great Gatsby

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"It s enlarging the space in which you may be strong."	Margaret	away the strength," she protested.<\|quote\|>"It s enlarging the space in which you may be strong."</\|quote\|>He answered: "You re a	thing." "It isn t frittering away the strength," she protested.<\|quote\|>"It s enlarging the space in which you may be strong."</\|quote\|>He answered: "You re a clever little woman, but my	finger-posts, the milestones, the collisions, the illimitable views. Once--on another occasion--she scolded him about it. He was puzzled, but replied with a laugh: "My motto is Concentrate. I ve no intention of frittering away my strength on that sort of thing." "It isn t frittering away the strength," she protested.<\|quote\|>"It s enlarging the space in which you may be strong."</\|quote\|>He answered: "You re a clever little woman, but my motto s Concentrate." And this morning he concentrated with a vengeance. They met in the rhododendrons of yesterday. In the daylight the bushes were inconsiderable and the path was bright in the morning sun. She was with Helen, who had	of it: his obtuseness. He simply did not notice things, and there was no more to be said. He never noticed that Helen and Frieda were hostile, or that Tibby was not interested in currant plantations; he never noticed the lights and shades that exist in the greyest conversation, the finger-posts, the milestones, the collisions, the illimitable views. Once--on another occasion--she scolded him about it. He was puzzled, but replied with a laugh: "My motto is Concentrate. I ve no intention of frittering away my strength on that sort of thing." "It isn t frittering away the strength," she protested.<\|quote\|>"It s enlarging the space in which you may be strong."</\|quote\|>He answered: "You re a clever little woman, but my motto s Concentrate." And this morning he concentrated with a vengeance. They met in the rhododendrons of yesterday. In the daylight the bushes were inconsiderable and the path was bright in the morning sun. She was with Helen, who had been ominously quiet since the affair was settled. "Here we all are!" she cried, and took him by one hand, retaining her sister s in the other. "Here we are. Good-morning, Helen." Helen replied, "Good-morning, Mr. Wilcox." "Henry, she has had such a nice letter from the queer, cross boy.	of her sermon. Only connect the prose and the passion, and both will be exalted, and human love will be seen at its height. Live in fragments no longer. Only connect and the beast and the monk, robbed of the isolation that is life to either, will die. Nor was the message difficult to give. It need not take the form of a good "talking." By quiet indications the bridge would be built and span their lives with beauty. But she failed. For there was one quality in Henry for which she was never prepared, however much she reminded herself of it: his obtuseness. He simply did not notice things, and there was no more to be said. He never noticed that Helen and Frieda were hostile, or that Tibby was not interested in currant plantations; he never noticed the lights and shades that exist in the greyest conversation, the finger-posts, the milestones, the collisions, the illimitable views. Once--on another occasion--she scolded him about it. He was puzzled, but replied with a laugh: "My motto is Concentrate. I ve no intention of frittering away my strength on that sort of thing." "It isn t frittering away the strength," she protested.<\|quote\|>"It s enlarging the space in which you may be strong."</\|quote\|>He answered: "You re a clever little woman, but my motto s Concentrate." And this morning he concentrated with a vengeance. They met in the rhododendrons of yesterday. In the daylight the bushes were inconsiderable and the path was bright in the morning sun. She was with Helen, who had been ominously quiet since the affair was settled. "Here we all are!" she cried, and took him by one hand, retaining her sister s in the other. "Here we are. Good-morning, Helen." Helen replied, "Good-morning, Mr. Wilcox." "Henry, she has had such a nice letter from the queer, cross boy. Do you remember him? He had a sad moustache, but the back of his head was young." "I have had a letter too. Not a nice one--I want to talk it over with you" "; for Leonard Bast was nothing to him now that she had given him her word; the triangle of sex was broken for ever. "Thanks to your hint, he s clearing out of the Porphyrion." "Not a bad business that Porphyrion," he said absently, as he took his own letter out of his pocket. "Not a BAD--" she exclaimed, dropping his hand. "Surely, on Chelsea Embankment--"	the roads of Mr. Wilcox s soul. From boyhood he had neglected them. "I am not a fellow who bothers about my own inside." Outwardly he was cheerful, reliable, and brave; but within, all had reverted to chaos, ruled, so far as it was ruled at all, by an incomplete asceticism. Whether as boy, husband, or widower, he had always the sneaking belief that bodily passion is bad, a belief that is desirable only when held passionately. Religion had confirmed him. The words that were read aloud on Sunday to him and to other respectable men were the words that had once kindled the souls of St. Catherine and St. Francis into a white-hot hatred of the carnal. He could not be as the saints and love the Infinite with a seraphic ardour, but he could be a little ashamed of loving a wife. Amabat, amare timebat. And it was here that Margaret hoped to help him. It did not seem so difficult. She need trouble him with no gift of her own. She would only point out the salvation that was latent in his own soul, and in the soul of every man. Only connect! That was the whole of her sermon. Only connect the prose and the passion, and both will be exalted, and human love will be seen at its height. Live in fragments no longer. Only connect and the beast and the monk, robbed of the isolation that is life to either, will die. Nor was the message difficult to give. It need not take the form of a good "talking." By quiet indications the bridge would be built and span their lives with beauty. But she failed. For there was one quality in Henry for which she was never prepared, however much she reminded herself of it: his obtuseness. He simply did not notice things, and there was no more to be said. He never noticed that Helen and Frieda were hostile, or that Tibby was not interested in currant plantations; he never noticed the lights and shades that exist in the greyest conversation, the finger-posts, the milestones, the collisions, the illimitable views. Once--on another occasion--she scolded him about it. He was puzzled, but replied with a laugh: "My motto is Concentrate. I ve no intention of frittering away my strength on that sort of thing." "It isn t frittering away the strength," she protested.<\|quote\|>"It s enlarging the space in which you may be strong."</\|quote\|>He answered: "You re a clever little woman, but my motto s Concentrate." And this morning he concentrated with a vengeance. They met in the rhododendrons of yesterday. In the daylight the bushes were inconsiderable and the path was bright in the morning sun. She was with Helen, who had been ominously quiet since the affair was settled. "Here we all are!" she cried, and took him by one hand, retaining her sister s in the other. "Here we are. Good-morning, Helen." Helen replied, "Good-morning, Mr. Wilcox." "Henry, she has had such a nice letter from the queer, cross boy. Do you remember him? He had a sad moustache, but the back of his head was young." "I have had a letter too. Not a nice one--I want to talk it over with you" "; for Leonard Bast was nothing to him now that she had given him her word; the triangle of sex was broken for ever. "Thanks to your hint, he s clearing out of the Porphyrion." "Not a bad business that Porphyrion," he said absently, as he took his own letter out of his pocket. "Not a BAD--" she exclaimed, dropping his hand. "Surely, on Chelsea Embankment--" "Here s our hostess. Good-morning, Mrs. Munt. Fine rhododendrons. Good-morning, Frau Liesecke; we manage to grow flowers in England, don t we?" "Not a BAD business?" "No. My letter s about Howards End. Bryce has been ordered abroad, and wants to sublet it--I am far from sure that I shall give him permission. There was no clause in the agreement. In my opinion, subletting is a mistake. If he can find me another tenant, whom I consider suitable, I may cancel the agreement. Morning, Schlegel. Don t you think that s better than subletting?" Helen had dropped her hand now, and he had steered her past the whole party to the seaward side of the house. Beneath them was the bourgeois little bay, which must have yearned all through the centuries for just such a watering-place as Swanage to be built on its margin. The waves were colourless, and the Bournemouth steamer gave a further touch of insipidity, drawn up against the pier and hooting wildly for excursionists. "When there is a sublet I find that damage--" "Do excuse me, but about the Porphyrion. I don t feel easy--might I just bother you, Henry?" Her manner was so serious that	tootle, playing on the pootle!" exclaimed Dolly, suddenly devoting herself to the child. "It s all very well to turn the conversation, but father would never have dreamt of marrying as long as Evie was there to make him comfortable. But you must needs start match-making. Besides, Cahill s too old." "Of course, if you re going to be rude to Uncle Percy." "Miss Schlegel always meant to get hold of Howards End, and, thanks to you, she s got it." "I call the way you twist things round and make them hang together most unfair. You couldn t have been nastier if you d caught me flirting. Could he, diddums?" "We re in a bad hole, and must make the best of it. I shall answer the pater s letter civilly. He s evidently anxious to do the decent thing. But I do not intend to forget these Schlegels in a hurry. As long as they re on their best behaviour--Dolly, are you listening?--we ll behave, too. But if I find them giving themselves airs or monopolising my father, or at all ill-treating him, or worrying him with their artistic beastliness, I intend to put my foot down, yes, firmly. Taking my mother s place! Heaven knows what poor old Paul will say when the news reaches him." The interlude closes. It has taken place in Charles s garden at Hilton. He and Dolly are sitting in deckchairs, and their motor is regarding them placidly from its garage across the lawn. A short-frocked edition of Charles also regards them placidly; a perambulator edition is squeaking; a third edition is expected shortly. Nature is turning out Wilcoxes in this peaceful abode, so that they may inherit the earth. CHAPTER XXII Margaret greeted her lord with peculiar tenderness on the morrow. Mature as he was, she might yet be able to help him to the building of the rainbow bridge that should connect the prose in us with the passion. Without it we are meaningless fragments, half monks, half beasts, unconnected arches that have never joined into a man. With it love is born, and alights on the highest curve, glowing against the grey, sober against the fire. Happy the man who sees from either aspect the glory of these outspread wings. The roads of his soul lie clear, and he and his friends shall find easy-going. It was hard-going in the roads of Mr. Wilcox s soul. From boyhood he had neglected them. "I am not a fellow who bothers about my own inside." Outwardly he was cheerful, reliable, and brave; but within, all had reverted to chaos, ruled, so far as it was ruled at all, by an incomplete asceticism. Whether as boy, husband, or widower, he had always the sneaking belief that bodily passion is bad, a belief that is desirable only when held passionately. Religion had confirmed him. The words that were read aloud on Sunday to him and to other respectable men were the words that had once kindled the souls of St. Catherine and St. Francis into a white-hot hatred of the carnal. He could not be as the saints and love the Infinite with a seraphic ardour, but he could be a little ashamed of loving a wife. Amabat, amare timebat. And it was here that Margaret hoped to help him. It did not seem so difficult. She need trouble him with no gift of her own. She would only point out the salvation that was latent in his own soul, and in the soul of every man. Only connect! That was the whole of her sermon. Only connect the prose and the passion, and both will be exalted, and human love will be seen at its height. Live in fragments no longer. Only connect and the beast and the monk, robbed of the isolation that is life to either, will die. Nor was the message difficult to give. It need not take the form of a good "talking." By quiet indications the bridge would be built and span their lives with beauty. But she failed. For there was one quality in Henry for which she was never prepared, however much she reminded herself of it: his obtuseness. He simply did not notice things, and there was no more to be said. He never noticed that Helen and Frieda were hostile, or that Tibby was not interested in currant plantations; he never noticed the lights and shades that exist in the greyest conversation, the finger-posts, the milestones, the collisions, the illimitable views. Once--on another occasion--she scolded him about it. He was puzzled, but replied with a laugh: "My motto is Concentrate. I ve no intention of frittering away my strength on that sort of thing." "It isn t frittering away the strength," she protested.<\|quote\|>"It s enlarging the space in which you may be strong."</\|quote\|>He answered: "You re a clever little woman, but my motto s Concentrate." And this morning he concentrated with a vengeance. They met in the rhododendrons of yesterday. In the daylight the bushes were inconsiderable and the path was bright in the morning sun. She was with Helen, who had been ominously quiet since the affair was settled. "Here we all are!" she cried, and took him by one hand, retaining her sister s in the other. "Here we are. Good-morning, Helen." Helen replied, "Good-morning, Mr. Wilcox." "Henry, she has had such a nice letter from the queer, cross boy. Do you remember him? He had a sad moustache, but the back of his head was young." "I have had a letter too. Not a nice one--I want to talk it over with you" "; for Leonard Bast was nothing to him now that she had given him her word; the triangle of sex was broken for ever. "Thanks to your hint, he s clearing out of the Porphyrion." "Not a bad business that Porphyrion," he said absently, as he took his own letter out of his pocket. "Not a BAD--" she exclaimed, dropping his hand. "Surely, on Chelsea Embankment--" "Here s our hostess. Good-morning, Mrs. Munt. Fine rhododendrons. Good-morning, Frau Liesecke; we manage to grow flowers in England, don t we?" "Not a BAD business?" "No. My letter s about Howards End. Bryce has been ordered abroad, and wants to sublet it--I am far from sure that I shall give him permission. There was no clause in the agreement. In my opinion, subletting is a mistake. If he can find me another tenant, whom I consider suitable, I may cancel the agreement. Morning, Schlegel. Don t you think that s better than subletting?" Helen had dropped her hand now, and he had steered her past the whole party to the seaward side of the house. Beneath them was the bourgeois little bay, which must have yearned all through the centuries for just such a watering-place as Swanage to be built on its margin. The waves were colourless, and the Bournemouth steamer gave a further touch of insipidity, drawn up against the pier and hooting wildly for excursionists. "When there is a sublet I find that damage--" "Do excuse me, but about the Porphyrion. I don t feel easy--might I just bother you, Henry?" Her manner was so serious that he stopped, and asked her a little sharply what she wanted. "You said on Chelsea Embankment, surely, that it was a bad concern, so we advised this clerk to clear out. He writes this morning that he s taken our advice, and now you say it s not a bad concern." "A clerk who clears out of any concern, good or bad, without securing a berth somewhere else first, is a fool, and I ve no pity for him." "He has not done that. He s going into a bank in Camden Town, he says. The salary s much lower, but he hopes to manage--a branch of Dempster s Bank. Is that all right?" "Dempster! Why goodness me, yes." "More right than the Porphyrion?" "Yes, yes, yes; safe as houses--safer." "Very many thanks. I m sorry--if you sublet--?" "If he sublets, I shan t have the same control. In theory there should be no more damage done at Howards End; in practice there will be. Things may be done for which no money can compensate. For instance, I shouldn t want that fine wych-elm spoilt. It hangs--Margaret, we must go and see the old place some time. It s pretty in its way. We ll motor down and have lunch with Charles." "I should enjoy that," said Margaret bravely. "What about next Wednesday?" "Wednesday? No, I couldn t well do that. Aunt Juley expects us to stop here another week at least." "But you can give that up now." "Er--no," said Margaret, after a moment s thought. "Oh, that ll be all right. I ll speak to her." "This visit is a high solemnity. My aunt counts on it year after year. She turns the house upside down for us; she invites our special friends--she scarcely knows Frieda, and we can t leave her on her hands. I missed one day, and she would be so hurt if I didn t stay the full ten." "But I ll say a word to her. Don t you bother." "Henry, I won t go. Don t bully me." "You want to see the house, though?" "Very much--I ve heard so much about it, one way or the other. Aren t there pigs teeth in the wych-elm?" "PIGS TEETH?" "And you chew the bark for toothache." "What a rum notion! Of course not!" "Perhaps I have confused it with some other tree. There	it we are meaningless fragments, half monks, half beasts, unconnected arches that have never joined into a man. With it love is born, and alights on the highest curve, glowing against the grey, sober against the fire. Happy the man who sees from either aspect the glory of these outspread wings. The roads of his soul lie clear, and he and his friends shall find easy-going. It was hard-going in the roads of Mr. Wilcox s soul. From boyhood he had neglected them. "I am not a fellow who bothers about my own inside." Outwardly he was cheerful, reliable, and brave; but within, all had reverted to chaos, ruled, so far as it was ruled at all, by an incomplete asceticism. Whether as boy, husband, or widower, he had always the sneaking belief that bodily passion is bad, a belief that is desirable only when held passionately. Religion had confirmed him. The words that were read aloud on Sunday to him and to other respectable men were the words that had once kindled the souls of St. Catherine and St. Francis into a white-hot hatred of the carnal. He could not be as the saints and love the Infinite with a seraphic ardour, but he could be a little ashamed of loving a wife. Amabat, amare timebat. And it was here that Margaret hoped to help him. It did not seem so difficult. She need trouble him with no gift of her own. She would only point out the salvation that was latent in his own soul, and in the soul of every man. Only connect! That was the whole of her sermon. Only connect the prose and the passion, and both will be exalted, and human love will be seen at its height. Live in fragments no longer. Only connect and the beast and the monk, robbed of the isolation that is life to either, will die. Nor was the message difficult to give. It need not take the form of a good "talking." By quiet indications the bridge would be built and span their lives with beauty. But she failed. For there was one quality in Henry for which she was never prepared, however much she reminded herself of it: his obtuseness. He simply did not notice things, and there was no more to be said. He never noticed that Helen and Frieda were hostile, or that Tibby was not interested in currant plantations; he never noticed the lights and shades that exist in the greyest conversation, the finger-posts, the milestones, the collisions, the illimitable views. Once--on another occasion--she scolded him about it. He was puzzled, but replied with a laugh: "My motto is Concentrate. I ve no intention of frittering away my strength on that sort of thing." "It isn t frittering away the strength," she protested.<\|quote\|>"It s enlarging the space in which you may be strong."</\|quote\|>He answered: "You re a clever little woman, but my motto s Concentrate." And this morning he concentrated with a vengeance. They met in the rhododendrons of yesterday. In the daylight the bushes were inconsiderable and the path was bright in the morning sun. She was with Helen, who had been ominously quiet since the affair was settled. "Here we all are!" she cried, and took him by one hand, retaining her sister s in the other. "Here we are. Good-morning, Helen." Helen replied, "Good-morning, Mr. Wilcox." "Henry, she has had such a nice letter from the queer, cross boy. Do you remember him? He had a sad moustache, but the back of his head was young." "I have had a letter too. Not a nice one--I want to talk it over with you" "; for Leonard Bast was nothing to him now that she had given him her word; the triangle of sex was broken for ever. "Thanks to your hint, he s clearing out of the Porphyrion." "Not a bad business that Porphyrion," he said absently, as he took his own letter out of his pocket. "Not a BAD--" she exclaimed, dropping his hand. "Surely, on Chelsea Embankment--" "Here s our hostess. Good-morning, Mrs. Munt. Fine rhododendrons. Good-morning, Frau Liesecke; we manage to grow flowers in England, don t we?" "Not a BAD business?" "No. My letter s about Howards End. Bryce has been ordered abroad, and wants to sublet it--I am far from sure that I shall give him permission. There was no clause in the agreement. In my opinion, subletting is a mistake. If he can find me another tenant, whom I consider suitable, I may cancel the agreement. Morning, Schlegel. Don t you think that s better than subletting?" Helen had dropped her hand now, and he had steered her past the whole party to the seaward side of the house. Beneath them was the bourgeois little bay, which must have yearned all through the centuries for just such a watering-place	Howards End
"I dreamt of that alphabet of yours. Did it take you long to make it up?"	Gabriel Syme	he pulled on his trousers,<\|quote\|>"I dreamt of that alphabet of yours. Did it take you long to make it up?"</\|quote\|>The Professor made no answer,	with a forced cheerfulness as he pulled on his trousers,<\|quote\|>"I dreamt of that alphabet of yours. Did it take you long to make it up?"</\|quote\|>The Professor made no answer, but gazed in front of	the bedclothes off him, and he stood up in an air of cold danger. He still felt an entire trust and loyalty towards his companion; but it was the trust between two men going to the scaffold. "Well," said Syme with a forced cheerfulness as he pulled on his trousers,<\|quote\|>"I dreamt of that alphabet of yours. Did it take you long to make it up?"</\|quote\|>The Professor made no answer, but gazed in front of him with eyes the colour of a wintry sea; so Syme repeated his question. "I say, did it take you long to invent all this? I'm considered good at these things, and it was a good hour's grind. Did you	and found his grey-bearded ally standing like a ghost beside his bed. Syme sat up in bed blinking; then slowly collected his thoughts, threw off the bed-clothes, and stood up. It seemed to him in some curious way that all the safety and sociability of the night before fell with the bedclothes off him, and he stood up in an air of cold danger. He still felt an entire trust and loyalty towards his companion; but it was the trust between two men going to the scaffold. "Well," said Syme with a forced cheerfulness as he pulled on his trousers,<\|quote\|>"I dreamt of that alphabet of yours. Did it take you long to make it up?"</\|quote\|>The Professor made no answer, but gazed in front of him with eyes the colour of a wintry sea; so Syme repeated his question. "I say, did it take you long to invent all this? I'm considered good at these things, and it was a good hour's grind. Did you learn it all on the spot?" The Professor was silent; his eyes were wide open, and he wore a fixed but very small smile. "How long did it take you?" The Professor did not move. "Confound you, can't you answer?" called out Syme, in a sudden anger that had something	the other, "that this is a tragedy?" "Perfectly," replied Syme; "always be comic in a tragedy. What the deuce else can you do? I wish this language of yours had a wider scope. I suppose we could not extend it from the fingers to the toes? That would involve pulling off our boots and socks during the conversation, which however unobtrusively performed" "Syme," said his friend with a stern simplicity, "go to bed!" Syme, however, sat up in bed for a considerable time mastering the new code. He was awakened next morning while the east was still sealed with darkness, and found his grey-bearded ally standing like a ghost beside his bed. Syme sat up in bed blinking; then slowly collected his thoughts, threw off the bed-clothes, and stood up. It seemed to him in some curious way that all the safety and sociability of the night before fell with the bedclothes off him, and he stood up in an air of cold danger. He still felt an entire trust and loyalty towards his companion; but it was the trust between two men going to the scaffold. "Well," said Syme with a forced cheerfulness as he pulled on his trousers,<\|quote\|>"I dreamt of that alphabet of yours. Did it take you long to make it up?"</\|quote\|>The Professor made no answer, but gazed in front of him with eyes the colour of a wintry sea; so Syme repeated his question. "I say, did it take you long to invent all this? I'm considered good at these things, and it was a good hour's grind. Did you learn it all on the spot?" The Professor was silent; his eyes were wide open, and he wore a fixed but very small smile. "How long did it take you?" The Professor did not move. "Confound you, can't you answer?" called out Syme, in a sudden anger that had something like fear underneath. Whether or no the Professor could answer, he did not. Syme stood staring back at the stiff face like parchment and the blank, blue eyes. His first thought was that the Professor had gone mad, but his second thought was more frightful. After all, what did he know about this queer creature whom he had heedlessly accepted as a friend? What did he know, except that the man had been at the anarchist breakfast and had told him a ridiculous tale? How improbable it was that there should be another friend there beside Gogol! Was this man's	take him long to learn how he might convey simple messages by what would seem to be idle taps upon a table or knee. But wine and companionship had always the effect of inspiring him to a farcical ingenuity, and the Professor soon found himself struggling with the too vast energy of the new language, as it passed through the heated brain of Syme. "We must have several word-signs," said Syme seriously "words that we are likely to want, fine shades of meaning. My favourite word is coeval'. What's yours?" "Do stop playing the goat," said the Professor plaintively. "You don't know how serious this is." "Lush' too," said Syme, shaking his head sagaciously, "we must have lush' word applied to grass, don't you know?" "Do you imagine," asked the Professor furiously, "that we are going to talk to Dr. Bull about grass?" "There are several ways in which the subject could be approached," said Syme reflectively, "and the word introduced without appearing forced. We might say, Dr. Bull, as a revolutionist, you remember that a tyrant once advised us to eat grass; and indeed many of us, looking on the fresh lush grass of summer...'" "Do you understand," said the other, "that this is a tragedy?" "Perfectly," replied Syme; "always be comic in a tragedy. What the deuce else can you do? I wish this language of yours had a wider scope. I suppose we could not extend it from the fingers to the toes? That would involve pulling off our boots and socks during the conversation, which however unobtrusively performed" "Syme," said his friend with a stern simplicity, "go to bed!" Syme, however, sat up in bed for a considerable time mastering the new code. He was awakened next morning while the east was still sealed with darkness, and found his grey-bearded ally standing like a ghost beside his bed. Syme sat up in bed blinking; then slowly collected his thoughts, threw off the bed-clothes, and stood up. It seemed to him in some curious way that all the safety and sociability of the night before fell with the bedclothes off him, and he stood up in an air of cold danger. He still felt an entire trust and loyalty towards his companion; but it was the trust between two men going to the scaffold. "Well," said Syme with a forced cheerfulness as he pulled on his trousers,<\|quote\|>"I dreamt of that alphabet of yours. Did it take you long to make it up?"</\|quote\|>The Professor made no answer, but gazed in front of him with eyes the colour of a wintry sea; so Syme repeated his question. "I say, did it take you long to invent all this? I'm considered good at these things, and it was a good hour's grind. Did you learn it all on the spot?" The Professor was silent; his eyes were wide open, and he wore a fixed but very small smile. "How long did it take you?" The Professor did not move. "Confound you, can't you answer?" called out Syme, in a sudden anger that had something like fear underneath. Whether or no the Professor could answer, he did not. Syme stood staring back at the stiff face like parchment and the blank, blue eyes. His first thought was that the Professor had gone mad, but his second thought was more frightful. After all, what did he know about this queer creature whom he had heedlessly accepted as a friend? What did he know, except that the man had been at the anarchist breakfast and had told him a ridiculous tale? How improbable it was that there should be another friend there beside Gogol! Was this man's silence a sensational way of declaring war? Was this adamantine stare after all only the awful sneer of some threefold traitor, who had turned for the last time? He stood and strained his ears in this heartless silence. He almost fancied he could hear dynamiters come to capture him shifting softly in the corridor outside. Then his eye strayed downwards, and he burst out laughing. Though the Professor himself stood there as voiceless as a statue, his five dumb fingers were dancing alive upon the dead table. Syme watched the twinkling movements of the talking hand, and read clearly the message "I will only talk like this. We must get used to it." He rapped out the answer with the impatience of relief "All right. Let's get out to breakfast." They took their hats and sticks in silence; but as Syme took his sword-stick, he held it hard. They paused for a few minutes only to stuff down coffee and coarse thick sandwiches at a coffee stall, and then made their way across the river, which under the grey and growing light looked as desolate as Acheron. They reached the bottom of the huge block of buildings which they had	he sank his bald brow in his two hands. Then he said in a low voice "Can you play the piano?" "Yes," said Syme in simple wonder, "I'm supposed to have a good touch." Then, as the other did not speak, he added "I trust the great cloud is lifted." After a long silence, the Professor said out of the cavernous shadow of his hands "It would have done just as well if you could work a typewriter." "Thank you," said Syme, "you flatter me." "Listen to me," said the other, "and remember whom we have to see tomorrow. You and I are going tomorrow to attempt something which is very much more dangerous than trying to steal the Crown Jewels out of the Tower. We are trying to steal a secret from a very sharp, very strong, and very wicked man. I believe there is no man, except the President, of course, who is so seriously startling and formidable as that little grinning fellow in goggles. He has not perhaps the white-hot enthusiasm unto death, the mad martyrdom for anarchy, which marks the Secretary. But then that very fanaticism in the Secretary has a human pathos, and is almost a redeeming trait. But the little Doctor has a brutal sanity that is more shocking than the Secretary's disease. Don't you notice his detestable virility and vitality. He bounces like an india-rubber ball. Depend on it, Sunday was not asleep (I wonder if he ever sleeps?) when he locked up all the plans of this outrage in the round, black head of Dr. Bull." "And you think," said Syme, "that this unique monster will be soothed if I play the piano to him?" "Don't be an ass," said his mentor. "I mentioned the piano because it gives one quick and independent fingers. Syme, if we are to go through this interview and come out sane or alive, we must have some code of signals between us that this brute will not see. I have made a rough alphabetical cypher corresponding to the five fingers like this, see," and he rippled with his fingers on the wooden table "B A D, bad, a word we may frequently require." Syme poured himself out another glass of wine, and began to study the scheme. He was abnormally quick with his brains at puzzles, and with his hands at conjuring, and it did not take him long to learn how he might convey simple messages by what would seem to be idle taps upon a table or knee. But wine and companionship had always the effect of inspiring him to a farcical ingenuity, and the Professor soon found himself struggling with the too vast energy of the new language, as it passed through the heated brain of Syme. "We must have several word-signs," said Syme seriously "words that we are likely to want, fine shades of meaning. My favourite word is coeval'. What's yours?" "Do stop playing the goat," said the Professor plaintively. "You don't know how serious this is." "Lush' too," said Syme, shaking his head sagaciously, "we must have lush' word applied to grass, don't you know?" "Do you imagine," asked the Professor furiously, "that we are going to talk to Dr. Bull about grass?" "There are several ways in which the subject could be approached," said Syme reflectively, "and the word introduced without appearing forced. We might say, Dr. Bull, as a revolutionist, you remember that a tyrant once advised us to eat grass; and indeed many of us, looking on the fresh lush grass of summer...'" "Do you understand," said the other, "that this is a tragedy?" "Perfectly," replied Syme; "always be comic in a tragedy. What the deuce else can you do? I wish this language of yours had a wider scope. I suppose we could not extend it from the fingers to the toes? That would involve pulling off our boots and socks during the conversation, which however unobtrusively performed" "Syme," said his friend with a stern simplicity, "go to bed!" Syme, however, sat up in bed for a considerable time mastering the new code. He was awakened next morning while the east was still sealed with darkness, and found his grey-bearded ally standing like a ghost beside his bed. Syme sat up in bed blinking; then slowly collected his thoughts, threw off the bed-clothes, and stood up. It seemed to him in some curious way that all the safety and sociability of the night before fell with the bedclothes off him, and he stood up in an air of cold danger. He still felt an entire trust and loyalty towards his companion; but it was the trust between two men going to the scaffold. "Well," said Syme with a forced cheerfulness as he pulled on his trousers,<\|quote\|>"I dreamt of that alphabet of yours. Did it take you long to make it up?"</\|quote\|>The Professor made no answer, but gazed in front of him with eyes the colour of a wintry sea; so Syme repeated his question. "I say, did it take you long to invent all this? I'm considered good at these things, and it was a good hour's grind. Did you learn it all on the spot?" The Professor was silent; his eyes were wide open, and he wore a fixed but very small smile. "How long did it take you?" The Professor did not move. "Confound you, can't you answer?" called out Syme, in a sudden anger that had something like fear underneath. Whether or no the Professor could answer, he did not. Syme stood staring back at the stiff face like parchment and the blank, blue eyes. His first thought was that the Professor had gone mad, but his second thought was more frightful. After all, what did he know about this queer creature whom he had heedlessly accepted as a friend? What did he know, except that the man had been at the anarchist breakfast and had told him a ridiculous tale? How improbable it was that there should be another friend there beside Gogol! Was this man's silence a sensational way of declaring war? Was this adamantine stare after all only the awful sneer of some threefold traitor, who had turned for the last time? He stood and strained his ears in this heartless silence. He almost fancied he could hear dynamiters come to capture him shifting softly in the corridor outside. Then his eye strayed downwards, and he burst out laughing. Though the Professor himself stood there as voiceless as a statue, his five dumb fingers were dancing alive upon the dead table. Syme watched the twinkling movements of the talking hand, and read clearly the message "I will only talk like this. We must get used to it." He rapped out the answer with the impatience of relief "All right. Let's get out to breakfast." They took their hats and sticks in silence; but as Syme took his sword-stick, he held it hard. They paused for a few minutes only to stuff down coffee and coarse thick sandwiches at a coffee stall, and then made their way across the river, which under the grey and growing light looked as desolate as Acheron. They reached the bottom of the huge block of buildings which they had seen from across the river, and began in silence to mount the naked and numberless stone steps, only pausing now and then to make short remarks on the rail of the banisters. At about every other flight they passed a window; each window showed them a pale and tragic dawn lifting itself laboriously over London. From each the innumerable roofs of slate looked like the leaden surges of a grey, troubled sea after rain. Syme was increasingly conscious that his new adventure had somehow a quality of cold sanity worse than the wild adventures of the past. Last night, for instance, the tall tenements had seemed to him like a tower in a dream. As he now went up the weary and perpetual steps, he was daunted and bewildered by their almost infinite series. But it was not the hot horror of a dream or of anything that might be exaggeration or delusion. Their infinity was more like the empty infinity of arithmetic, something unthinkable, yet necessary to thought. Or it was like the stunning statements of astronomy about the distance of the fixed stars. He was ascending the house of reason, a thing more hideous than unreason itself. By the time they reached Dr. Bull's landing, a last window showed them a harsh, white dawn edged with banks of a kind of coarse red, more like red clay than red cloud. And when they entered Dr. Bull's bare garret it was full of light. Syme had been haunted by a half historic memory in connection with these empty rooms and that austere daybreak. The moment he saw the garret and Dr. Bull sitting writing at a table, he remembered what the memory was the French Revolution. There should have been the black outline of a guillotine against that heavy red and white of the morning. Dr. Bull was in his white shirt and black breeches only; his cropped, dark head might well have just come out of its wig; he might have been Marat or a more slipshod Robespierre. Yet when he was seen properly, the French fancy fell away. The Jacobins were idealists; there was about this man a murderous materialism. His position gave him a somewhat new appearance. The strong, white light of morning coming from one side creating sharp shadows, made him seem both more pale and more angular than he had looked at the breakfast	the goat," said the Professor plaintively. "You don't know how serious this is." "Lush' too," said Syme, shaking his head sagaciously, "we must have lush' word applied to grass, don't you know?" "Do you imagine," asked the Professor furiously, "that we are going to talk to Dr. Bull about grass?" "There are several ways in which the subject could be approached," said Syme reflectively, "and the word introduced without appearing forced. We might say, Dr. Bull, as a revolutionist, you remember that a tyrant once advised us to eat grass; and indeed many of us, looking on the fresh lush grass of summer...'" "Do you understand," said the other, "that this is a tragedy?" "Perfectly," replied Syme; "always be comic in a tragedy. What the deuce else can you do? I wish this language of yours had a wider scope. I suppose we could not extend it from the fingers to the toes? That would involve pulling off our boots and socks during the conversation, which however unobtrusively performed" "Syme," said his friend with a stern simplicity, "go to bed!" Syme, however, sat up in bed for a considerable time mastering the new code. He was awakened next morning while the east was still sealed with darkness, and found his grey-bearded ally standing like a ghost beside his bed. Syme sat up in bed blinking; then slowly collected his thoughts, threw off the bed-clothes, and stood up. It seemed to him in some curious way that all the safety and sociability of the night before fell with the bedclothes off him, and he stood up in an air of cold danger. He still felt an entire trust and loyalty towards his companion; but it was the trust between two men going to the scaffold. "Well," said Syme with a forced cheerfulness as he pulled on his trousers,<\|quote\|>"I dreamt of that alphabet of yours. Did it take you long to make it up?"</\|quote\|>The Professor made no answer, but gazed in front of him with eyes the colour of a wintry sea; so Syme repeated his question. "I say, did it take you long to invent all this? I'm considered good at these things, and it was a good hour's grind. Did you learn it all on the spot?" The Professor was silent; his eyes were wide open, and he wore a fixed but very small smile. "How long did it take you?" The Professor did not move. "Confound you, can't you answer?" called out Syme, in a sudden anger that had something like fear underneath. Whether or no the Professor could answer, he did not. Syme stood staring back at the stiff face like parchment and the blank, blue eyes. His first thought was that the Professor had gone mad, but his second thought was more frightful. After all, what did he know about this queer creature whom he had heedlessly accepted as a friend? What did he know, except that the man had been at the anarchist breakfast and had told him a ridiculous tale? How improbable it was that there should be another friend there beside Gogol! Was this man's silence a sensational way of declaring war? Was this adamantine stare after all only the awful sneer of some threefold traitor, who had turned for the last time? He stood and strained his ears in this heartless silence. He almost fancied he could hear dynamiters come to capture him shifting softly in the corridor outside. Then his eye strayed downwards, and he burst out laughing. Though the Professor himself stood there as voiceless as a statue, his five dumb fingers were dancing alive upon the dead table. Syme watched the twinkling movements of the talking hand, and read clearly the message "I will only talk like this. We must get used to it." He rapped out the answer with the impatience of relief "All right. Let's get out to breakfast." They took their hats and sticks in silence; but as Syme took his sword-stick, he held it hard. They paused for a few minutes only to stuff down coffee and coarse thick sandwiches at a coffee stall, and then made their way across the river, which under the grey and growing light looked as desolate as Acheron. They reached the bottom of the huge block of buildings which they had seen from across the river, and began in silence to mount the naked and numberless stone steps, only pausing now and then to make short remarks on the rail of the banisters. At about every other flight they passed a window; each window showed them a pale and tragic dawn lifting itself laboriously over London. From each the innumerable roofs of slate looked like the leaden surges of a grey, troubled sea after rain. Syme was increasingly conscious that his new adventure had somehow a quality of cold sanity worse than the wild adventures of the past. Last night, for instance, the tall tenements had seemed to him like a tower in a dream. As he now went up the weary and perpetual steps, he was daunted and bewildered by their almost infinite series. But it was not the hot horror of a dream or of anything that might be exaggeration or delusion. Their infinity was more like the empty infinity of arithmetic, something unthinkable, yet necessary to thought. Or it was like the stunning statements of astronomy about the distance of the fixed stars. He was ascending the house of reason, a thing more hideous than	The Man Who Was Thursday
"But I can't get my irons off, and you can get yours."	Jem Wimble	I'm going away without you."<\|quote\|>"But I can't get my irons off, and you can get yours."</\|quote\|>"I don't know that," said	And besides, you don't suppose I'm going away without you."<\|quote\|>"But I can't get my irons off, and you can get yours."</\|quote\|>"I don't know that," said Don, trying; and, to his	alongside--" "When it's swinging from the davits, Jem?" "There you go again," grumbled Jem. "I never did see such a fellow for chucking stumbling-blocks all over the place for a man to hit his shins against." "Then propose something possible. And besides, you don't suppose I'm going away without you."<\|quote\|>"But I can't get my irons off, and you can get yours."</\|quote\|>"I don't know that," said Don, trying; and, to his great surprise, finding that he could drag the ring over his ankle without much difficulty. "There, I told you so. Slip it on again 'fore the sentry sees." The marine was not likely to see, for the place was very	no, you're not, and I dessay it'll be a tight fit; but you do it." "And suppose I do get out of them, what about you?" "About me, Mas' Don? Ah, I don't know about me; but you could get right away, slide down the rope, get the gig up alongside--" "When it's swinging from the davits, Jem?" "There you go again," grumbled Jem. "I never did see such a fellow for chucking stumbling-blocks all over the place for a man to hit his shins against." "Then propose something possible. And besides, you don't suppose I'm going away without you."<\|quote\|>"But I can't get my irons off, and you can get yours."</\|quote\|>"I don't know that," said Don, trying; and, to his great surprise, finding that he could drag the ring over his ankle without much difficulty. "There, I told you so. Slip it on again 'fore the sentry sees." The marine was not likely to see, for the place was very dark where they sat, and for a long time they discussed the matter in a whisper, but only to be obliged to come to the conclusion that it was impossible to escape, unless Don would go alone. "Well, if you won't go alone, you won't, Mas' Don," said Jem, in	got it, Mas' Don," he said. "What, can you see your way to escape?" "I've hit it out, my lad. Look here. Do you know them's men's irons you've got on?" "Yes. They don't make irons for boys." "Then look here, my lad; it may mean a bit of skin off; but all you've got to do is to squeeze your feet through those rings, and then I'll be bound to say a thin slip of a fellow like you can creep out of the iron round your waist." "I don't think so, Jem. I'm stouter than you fancy." "Oh no, you're not, and I dessay it'll be a tight fit; but you do it." "And suppose I do get out of them, what about you?" "About me, Mas' Don? Ah, I don't know about me; but you could get right away, slide down the rope, get the gig up alongside--" "When it's swinging from the davits, Jem?" "There you go again," grumbled Jem. "I never did see such a fellow for chucking stumbling-blocks all over the place for a man to hit his shins against." "Then propose something possible. And besides, you don't suppose I'm going away without you."<\|quote\|>"But I can't get my irons off, and you can get yours."</\|quote\|>"I don't know that," said Don, trying; and, to his great surprise, finding that he could drag the ring over his ankle without much difficulty. "There, I told you so. Slip it on again 'fore the sentry sees." The marine was not likely to see, for the place was very dark where they sat, and for a long time they discussed the matter in a whisper, but only to be obliged to come to the conclusion that it was impossible to escape, unless Don would go alone. "Well, if you won't go alone, you won't, Mas' Don," said Jem, in an ill-used tone; "but I do say as it's shabby of you, after I've thought about it so much." The second night of their imprisonment passed slowly, and they were cudgelling their brains next day, when they were summoned on deck, received a severe reprimand, and, after their irons had been taken off, were told to go to their duty. Then a week passed of land surveying and chart making, during which time the intercourse with the natives had been kept on a very friendly footing; and then a rumour ran round the ship that they were to sail after	your uncle said he'd be obliged to have the doorposts cut, but I thought that out after I'd measured it, and I found that it would just go in at the top warehouse doors if we hauled it up with the crane." "You used to call it winding anything up, Jem." "Ay, but I hadn't been to sea then, Mas' Don. Well, didn't I have that there case up to the top floor, and then lower it down through all the traps, and get it into the ground floor without the door being cut; and when your uncle come in, he stared, and asked me how I'd managed it?" "Yes, I remember it all," said Don sadly. "Look here, you two. I don't want to be hard," said the marine; "but you'll get me into a row. Now, are you going to clap on the hatchways, or am I to report you?" "All right, Jolly; we won't talk any more," said Jem; and he kept his word that night. There was no release next day, and very drearily it passed till towards evening, when Jem waited till the sentry's back was turned, and put his lips to Don's ear. "I've got it, Mas' Don," he said. "What, can you see your way to escape?" "I've hit it out, my lad. Look here. Do you know them's men's irons you've got on?" "Yes. They don't make irons for boys." "Then look here, my lad; it may mean a bit of skin off; but all you've got to do is to squeeze your feet through those rings, and then I'll be bound to say a thin slip of a fellow like you can creep out of the iron round your waist." "I don't think so, Jem. I'm stouter than you fancy." "Oh no, you're not, and I dessay it'll be a tight fit; but you do it." "And suppose I do get out of them, what about you?" "About me, Mas' Don? Ah, I don't know about me; but you could get right away, slide down the rope, get the gig up alongside--" "When it's swinging from the davits, Jem?" "There you go again," grumbled Jem. "I never did see such a fellow for chucking stumbling-blocks all over the place for a man to hit his shins against." "Then propose something possible. And besides, you don't suppose I'm going away without you."<\|quote\|>"But I can't get my irons off, and you can get yours."</\|quote\|>"I don't know that," said Don, trying; and, to his great surprise, finding that he could drag the ring over his ankle without much difficulty. "There, I told you so. Slip it on again 'fore the sentry sees." The marine was not likely to see, for the place was very dark where they sat, and for a long time they discussed the matter in a whisper, but only to be obliged to come to the conclusion that it was impossible to escape, unless Don would go alone. "Well, if you won't go alone, you won't, Mas' Don," said Jem, in an ill-used tone; "but I do say as it's shabby of you, after I've thought about it so much." The second night of their imprisonment passed slowly, and they were cudgelling their brains next day, when they were summoned on deck, received a severe reprimand, and, after their irons had been taken off, were told to go to their duty. Then a week passed of land surveying and chart making, during which time the intercourse with the natives had been kept on a very friendly footing; and then a rumour ran round the ship that they were to sail after a certain channel had been sounded and the chart made. "It's all over, Mas' Don," said Jem gloomily. "We shall go sailing away all over the world, and be took by the French, and never see home again!" Don made no reply, but went about his duty gloomily enough till toward afternoon, when a canoe came off from the shore, manned by about fifty of the New Zealanders, and with Tomati and Ngati in the stern. These two were soon on board, and were entertained by the captain, who made them several useful presents. How he managed it Don hardly knew himself, but he contrived to get close behind the tattooed Englishman, and said softly, just as the officers were laughing and watching Ngati, who was going through his war-dance for their delectation, and distorting his features to the greatest extent,-- "Could you come after dark to-night in your canoe, and take us ashore?" "Hist! Mind what you're saying," replied the man, clapping his legs loudly, as if to encourage his companion to fresh exertions and distortions of his countenance. "I want to come," said Don softly, in the midst of the applause. "I daren't do it, my lad. They'd	chance." "You do?" "I do. See how we have been served: dragged from our homes, roughly used; bullied and ill-treated; and with that man's word taken before ours. It's too bad--too bad." "Well, it is, Mas' Don," whispered Jem. "But you see it was awkward. You couldn't swear as you hadn't thoughts of deserting." "Deserting?" said Don hotly. "I will not have it called deserting. I say it is only claiming our liberty, when we have been seized upon and treated like slaves." "What a weather-cocky way you have got, Mas' Don. Only t'other day you was all on the other tack, and says, says you, `It's deserting, and cowardly,' and a lot more to that tune, and the way you went on at me, sir, made my hair curl." "I had not had this last blow, Jem. I had not been put in irons then like a common thief." "Silence, below there!" cried an angry voice. "Sentry, stop that talking by the prisoners." The marine marched slowly toward them, and growled out his orders. Then, settling his head in his stiff stock, he faced round and marched away. "All right, Jolly," said Jem, good-humouredly; and then drawing closer to his companion in misfortune, he went on talking in a whisper. "Say, Mas' Don, do you mean it now?" "Mean what?" "Going? It's now or never. If we waits till we goes off to sea again our chance is gone." "I mean it, Jem." "That's a good bargain, my lad," said Jem, slapping him on the knee. "Then the sooner we're off the better." "How can we go?" "How? Easy enough. Get on deck, slide down a rope over the side when it's dark." "In irons?" "They don't weigh much. We could get hold of an oar or two, or lower down a grating, and hold on by that till we'd swam ashore." "And the sharks, Jem?" "Oh, those sharks!" cried Jem, pettishly. "I always forget them. I wish there wasn't such a thing as a shark on the face of the earth. Well, we must try some other way." "That's easy enough to say, Jem; but what way is there?" "Oh, I don't know yet, Mas' Don; but they say, `where there's a will there's a way.' P'r'aps I can think it out. 'Member that big case as was too wide to come into the lower warehouse?" "Yes." "Well, your uncle said he'd be obliged to have the doorposts cut, but I thought that out after I'd measured it, and I found that it would just go in at the top warehouse doors if we hauled it up with the crane." "You used to call it winding anything up, Jem." "Ay, but I hadn't been to sea then, Mas' Don. Well, didn't I have that there case up to the top floor, and then lower it down through all the traps, and get it into the ground floor without the door being cut; and when your uncle come in, he stared, and asked me how I'd managed it?" "Yes, I remember it all," said Don sadly. "Look here, you two. I don't want to be hard," said the marine; "but you'll get me into a row. Now, are you going to clap on the hatchways, or am I to report you?" "All right, Jolly; we won't talk any more," said Jem; and he kept his word that night. There was no release next day, and very drearily it passed till towards evening, when Jem waited till the sentry's back was turned, and put his lips to Don's ear. "I've got it, Mas' Don," he said. "What, can you see your way to escape?" "I've hit it out, my lad. Look here. Do you know them's men's irons you've got on?" "Yes. They don't make irons for boys." "Then look here, my lad; it may mean a bit of skin off; but all you've got to do is to squeeze your feet through those rings, and then I'll be bound to say a thin slip of a fellow like you can creep out of the iron round your waist." "I don't think so, Jem. I'm stouter than you fancy." "Oh no, you're not, and I dessay it'll be a tight fit; but you do it." "And suppose I do get out of them, what about you?" "About me, Mas' Don? Ah, I don't know about me; but you could get right away, slide down the rope, get the gig up alongside--" "When it's swinging from the davits, Jem?" "There you go again," grumbled Jem. "I never did see such a fellow for chucking stumbling-blocks all over the place for a man to hit his shins against." "Then propose something possible. And besides, you don't suppose I'm going away without you."<\|quote\|>"But I can't get my irons off, and you can get yours."</\|quote\|>"I don't know that," said Don, trying; and, to his great surprise, finding that he could drag the ring over his ankle without much difficulty. "There, I told you so. Slip it on again 'fore the sentry sees." The marine was not likely to see, for the place was very dark where they sat, and for a long time they discussed the matter in a whisper, but only to be obliged to come to the conclusion that it was impossible to escape, unless Don would go alone. "Well, if you won't go alone, you won't, Mas' Don," said Jem, in an ill-used tone; "but I do say as it's shabby of you, after I've thought about it so much." The second night of their imprisonment passed slowly, and they were cudgelling their brains next day, when they were summoned on deck, received a severe reprimand, and, after their irons had been taken off, were told to go to their duty. Then a week passed of land surveying and chart making, during which time the intercourse with the natives had been kept on a very friendly footing; and then a rumour ran round the ship that they were to sail after a certain channel had been sounded and the chart made. "It's all over, Mas' Don," said Jem gloomily. "We shall go sailing away all over the world, and be took by the French, and never see home again!" Don made no reply, but went about his duty gloomily enough till toward afternoon, when a canoe came off from the shore, manned by about fifty of the New Zealanders, and with Tomati and Ngati in the stern. These two were soon on board, and were entertained by the captain, who made them several useful presents. How he managed it Don hardly knew himself, but he contrived to get close behind the tattooed Englishman, and said softly, just as the officers were laughing and watching Ngati, who was going through his war-dance for their delectation, and distorting his features to the greatest extent,-- "Could you come after dark to-night in your canoe, and take us ashore?" "Hist! Mind what you're saying," replied the man, clapping his legs loudly, as if to encourage his companion to fresh exertions and distortions of his countenance. "I want to come," said Don softly, in the midst of the applause. "I daren't do it, my lad. They'd come down after me if I did; but I'll send Ngati. He'll come in his little canoe." Don's heart beat wildly at these words, and he had no chance to say more, for Tomati went toward the officers, talked with them for a while; and then, as Don watched, he saw him go to the big chief, clap him on the shoulder, and say something which made the great fellow smile. The New Zealanders seemed to show more interest in the appointments of the ship than they had displayed before, and the officers were civil enough to them, exchanging presents, and getting from the dusky warriors greenstone ornaments and weapons in exchange for powder and tobacco. Don's heart had ceased to beat, and he was thinking despondently that he might as well give up all idea of evasion, when a hand was laid upon his shoulder, and looking up, it was to encounter the hideous face of the big chief, who said, with a peculiar laugh,-- "My pakeha. Bring gunpowder plenty. Wait by big ship. Dark." It was not a very clear promise, but Don realised that it meant a chance of escape, and his eyes flashed with excitement, as the chief went on. "Plenty gunpowder. Bring, bring. My pakeha." He went off directly to where some of his fellows were standing about the deck, and hardly realising whether the chief was to be depended on, Don was about to go in search of Jem, when he felt a chill of despair, for, as he turned, he encountered the sinister countenance of Ramsden, his eye fixed upon him in a watchful way, and a satisfied smile playing about his lips. Did he hear? Did he know? If he did, Don felt certain that the scoundrel would go and report all to one of the officers, and so get it to the captain's ears. Still there was hope. He might not have heard, and as to the New Zealand men speaking to him, they were doing that to nearly every sailor they encountered on the deck. Still he felt that it would be better not to be seen speaking to Jem, and he crossed to another part of the ship, and stood watching the leave-taking of the visitors, who descended into their canoe laden with presents and the objects they had obtained by barter. Tomati was the last to descend, and	Jolly; we won't talk any more," said Jem; and he kept his word that night. There was no release next day, and very drearily it passed till towards evening, when Jem waited till the sentry's back was turned, and put his lips to Don's ear. "I've got it, Mas' Don," he said. "What, can you see your way to escape?" "I've hit it out, my lad. Look here. Do you know them's men's irons you've got on?" "Yes. They don't make irons for boys." "Then look here, my lad; it may mean a bit of skin off; but all you've got to do is to squeeze your feet through those rings, and then I'll be bound to say a thin slip of a fellow like you can creep out of the iron round your waist." "I don't think so, Jem. I'm stouter than you fancy." "Oh no, you're not, and I dessay it'll be a tight fit; but you do it." "And suppose I do get out of them, what about you?" "About me, Mas' Don? Ah, I don't know about me; but you could get right away, slide down the rope, get the gig up alongside--" "When it's swinging from the davits, Jem?" "There you go again," grumbled Jem. "I never did see such a fellow for chucking stumbling-blocks all over the place for a man to hit his shins against." "Then propose something possible. And besides, you don't suppose I'm going away without you."<\|quote\|>"But I can't get my irons off, and you can get yours."</\|quote\|>"I don't know that," said Don, trying; and, to his great surprise, finding that he could drag the ring over his ankle without much difficulty. "There, I told you so. Slip it on again 'fore the sentry sees." The marine was not likely to see, for the place was very dark where they sat, and for a long time they discussed the matter in a whisper, but only to be obliged to come to the conclusion that it was impossible to escape, unless Don would go alone. "Well, if you won't go alone, you won't, Mas' Don," said Jem, in an ill-used tone; "but I do say as it's shabby of you, after I've thought about it so much." The second night of their imprisonment passed slowly, and they were cudgelling their brains next day, when they were summoned on deck, received a severe reprimand, and, after their irons had been taken off, were told to go to their duty. Then a week passed of land surveying and chart making, during which time the intercourse with the natives had been kept on a very friendly footing; and then a rumour ran round the ship that they were to sail after a certain channel had been sounded and the chart made. "It's all over, Mas' Don," said Jem gloomily. "We shall go sailing away all over the world, and be took by the French, and never see home again!" Don made no reply, but went about his duty gloomily enough till toward afternoon, when a canoe came off from the shore, manned by about fifty of the New Zealanders, and with Tomati and Ngati in the stern. These two were soon on board, and were entertained by the captain, who made them several useful presents. How he managed it Don hardly knew himself, but he contrived to get close behind the tattooed Englishman, and said softly, just as the officers were laughing and watching Ngati, who was going through his war-dance for their delectation, and distorting his features to the greatest extent,-- "Could you come after dark to-night in your canoe, and take us ashore?" "Hist! Mind what you're saying," replied the man, clapping his legs loudly, as if to encourage his companion to fresh exertions and distortions of his countenance. "I want to come," said Don softly, in the midst of the applause. "I daren't do it, my lad. They'd come down after me if I did; but I'll send Ngati. He'll come in his little canoe." Don's heart beat wildly at these words, and he had no chance to say more, for Tomati went toward the officers, talked with them for a while; and then, as Don watched, he saw him go to the big chief, clap him on the shoulder, and say something which made the great fellow smile. The New Zealanders seemed to show more interest in the appointments of the ship than they had displayed before, and the officers were civil enough to them, exchanging presents, and getting from the dusky warriors greenstone ornaments and weapons	Don Lavington
It was a fundamental principle of the Gradgrind philosophy that everything was to be paid for. Nobody was ever on any account to give anybody anything, or render anybody help without purchase. Gratitude was to be abolished, and the virtues springing from it were not to be. Every inch of the existence of mankind, from birth to death, was to be a bargain across a counter. And if we didn't get to Heaven that way, it was not a politico-economical place, and we had no business there.	No speaker	came away, the bargain ended."<\|quote\|>It was a fundamental principle of the Gradgrind philosophy that everything was to be paid for. Nobody was ever on any account to give anybody anything, or render anybody help without purchase. Gratitude was to be abolished, and the virtues springing from it were not to be. Every inch of the existence of mankind, from birth to death, was to be a bargain across a counter. And if we didn't get to Heaven that way, it was not a politico-economical place, and we had no business there.</\|quote\|>"I don't deny," added Bitzer,	a bargain; and when I came away, the bargain ended."<\|quote\|>It was a fundamental principle of the Gradgrind philosophy that everything was to be paid for. Nobody was ever on any account to give anybody anything, or render anybody help without purchase. Gratitude was to be abolished, and the virtues springing from it were not to be. Every inch of the existence of mankind, from birth to death, was to be a bargain across a counter. And if we didn't get to Heaven that way, it was not a politico-economical place, and we had no business there.</\|quote\|>"I don't deny," added Bitzer, "that my schooling was cheap.	I entreat and pray you to give him the benefit of that remembrance." "I really wonder, sir," rejoined the old pupil in an argumentative manner, "to find you taking a position so untenable. My schooling was paid for; it was a bargain; and when I came away, the bargain ended."<\|quote\|>It was a fundamental principle of the Gradgrind philosophy that everything was to be paid for. Nobody was ever on any account to give anybody anything, or render anybody help without purchase. Gratitude was to be abolished, and the virtues springing from it were not to be. Every inch of the existence of mankind, from birth to death, was to be a bargain across a counter. And if we didn't get to Heaven that way, it was not a politico-economical place, and we had no business there.</\|quote\|>"I don't deny," added Bitzer, "that my schooling was cheap. But that comes right, sir. I was made in the cheapest market, and have to dispose of myself in the dearest." He was a little troubled here, by Louisa and Sissy crying. "Pray don't do that," said he, "it's of	have said, See how miserable I am! "Bitzer, I have but one chance left to soften you. You were many years at my school. If, in remembrance of the pains bestowed upon you there, you can persuade yourself in any degree to disregard your present interest and release my son, I entreat and pray you to give him the benefit of that remembrance." "I really wonder, sir," rejoined the old pupil in an argumentative manner, "to find you taking a position so untenable. My schooling was paid for; it was a bargain; and when I came away, the bargain ended."<\|quote\|>It was a fundamental principle of the Gradgrind philosophy that everything was to be paid for. Nobody was ever on any account to give anybody anything, or render anybody help without purchase. Gratitude was to be abolished, and the virtues springing from it were not to be. Every inch of the existence of mankind, from birth to death, was to be a bargain across a counter. And if we didn't get to Heaven that way, it was not a politico-economical place, and we had no business there.</\|quote\|>"I don't deny," added Bitzer, "that my schooling was cheap. But that comes right, sir. I was made in the cheapest market, and have to dispose of myself in the dearest." He was a little troubled here, by Louisa and Sissy crying. "Pray don't do that," said he, "it's of no use doing that: it only worries. You seem to think that I have some animosity against young Mr. Tom; whereas I have none at all. I am only going, on the reasonable grounds I have mentioned, to take him back to Coketown. If he was to resist, I should	very young, sir, as you are aware." "What sum of money," said Mr. Gradgrind, "will you set against your expected promotion?" "Thank you, sir," returned Bitzer, "for hinting at the proposal; but I will not set any sum against it. Knowing that your clear head would propose that alternative, I have gone over the calculations in my mind; and I find that to compound a felony, even on very high terms indeed, would not be as safe and good for me as my improved prospects in the Bank." "Bitzer," said Mr. Gradgrind, stretching out his hands as though he would have said, See how miserable I am! "Bitzer, I have but one chance left to soften you. You were many years at my school. If, in remembrance of the pains bestowed upon you there, you can persuade yourself in any degree to disregard your present interest and release my son, I entreat and pray you to give him the benefit of that remembrance." "I really wonder, sir," rejoined the old pupil in an argumentative manner, "to find you taking a position so untenable. My schooling was paid for; it was a bargain; and when I came away, the bargain ended."<\|quote\|>It was a fundamental principle of the Gradgrind philosophy that everything was to be paid for. Nobody was ever on any account to give anybody anything, or render anybody help without purchase. Gratitude was to be abolished, and the virtues springing from it were not to be. Every inch of the existence of mankind, from birth to death, was to be a bargain across a counter. And if we didn't get to Heaven that way, it was not a politico-economical place, and we had no business there.</\|quote\|>"I don't deny," added Bitzer, "that my schooling was cheap. But that comes right, sir. I was made in the cheapest market, and have to dispose of myself in the dearest." He was a little troubled here, by Louisa and Sissy crying. "Pray don't do that," said he, "it's of no use doing that: it only worries. You seem to think that I have some animosity against young Mr. Tom; whereas I have none at all. I am only going, on the reasonable grounds I have mentioned, to take him back to Coketown. If he was to resist, I should set up the cry of Stop thief! But, he won't resist, you may depend upon it." Mr. Sleary, who with his mouth open and his rolling eye as immovably jammed in his head as his fixed one, had listened to these doctrines with profound attention, here stepped forward. "Thquire, you know perfectly well, and your daughter knowth perfectly well (better than you, becauthe I thed it to her), that I didn't know what your thon had done, and that I didn't want to know I thed it wath better not, though I only thought, then, it wath thome thkylarking. However,	Tom of this bank-robbery from the first. I had had my eye upon him before that time, for I knew his ways. I have kept my observations to myself, but I have made them; and I have got ample proofs against him now, besides his running away, and besides his own confession, which I was just in time to overhear. I had the pleasure of watching your house yesterday morning, and following you here. I am going to take young Mr. Tom back to Coketown, in order to deliver him over to Mr. Bounderby. Sir, I have no doubt whatever that Mr. Bounderby will then promote me to young Mr. Tom's situation. And I wish to have his situation, sir, for it will be a rise to me, and will do me good." "If this is solely a question of self-interest with you" Mr. Gradgrind began. "I beg your pardon for interrupting you, sir," returned Bitzer; "but I am sure you know that the whole social system is a question of self-interest. What you must always appeal to, is a person's self-interest. It's your only hold. We are so constituted. I was brought up in that catechism when I was very young, sir, as you are aware." "What sum of money," said Mr. Gradgrind, "will you set against your expected promotion?" "Thank you, sir," returned Bitzer, "for hinting at the proposal; but I will not set any sum against it. Knowing that your clear head would propose that alternative, I have gone over the calculations in my mind; and I find that to compound a felony, even on very high terms indeed, would not be as safe and good for me as my improved prospects in the Bank." "Bitzer," said Mr. Gradgrind, stretching out his hands as though he would have said, See how miserable I am! "Bitzer, I have but one chance left to soften you. You were many years at my school. If, in remembrance of the pains bestowed upon you there, you can persuade yourself in any degree to disregard your present interest and release my son, I entreat and pray you to give him the benefit of that remembrance." "I really wonder, sir," rejoined the old pupil in an argumentative manner, "to find you taking a position so untenable. My schooling was paid for; it was a bargain; and when I came away, the bargain ended."<\|quote\|>It was a fundamental principle of the Gradgrind philosophy that everything was to be paid for. Nobody was ever on any account to give anybody anything, or render anybody help without purchase. Gratitude was to be abolished, and the virtues springing from it were not to be. Every inch of the existence of mankind, from birth to death, was to be a bargain across a counter. And if we didn't get to Heaven that way, it was not a politico-economical place, and we had no business there.</\|quote\|>"I don't deny," added Bitzer, "that my schooling was cheap. But that comes right, sir. I was made in the cheapest market, and have to dispose of myself in the dearest." He was a little troubled here, by Louisa and Sissy crying. "Pray don't do that," said he, "it's of no use doing that: it only worries. You seem to think that I have some animosity against young Mr. Tom; whereas I have none at all. I am only going, on the reasonable grounds I have mentioned, to take him back to Coketown. If he was to resist, I should set up the cry of Stop thief! But, he won't resist, you may depend upon it." Mr. Sleary, who with his mouth open and his rolling eye as immovably jammed in his head as his fixed one, had listened to these doctrines with profound attention, here stepped forward. "Thquire, you know perfectly well, and your daughter knowth perfectly well (better than you, becauthe I thed it to her), that I didn't know what your thon had done, and that I didn't want to know I thed it wath better not, though I only thought, then, it wath thome thkylarking. However, thith young man having made it known to be a robbery of a bank, why, that'h a theriouth thing; muth too theriouth a thing for me to compound, ath thith young man hath very properly called it. Conthequently, Thquire, you muthn't quarrel with me if I take thith young man'th thide, and thay he'th right and there'th no help for it. But I tell you what I'll do, Thquire; I'll drive your thon and thith young man over to the rail, and prevent expothure here. I can't conthent to do more, but I'll do that." Fresh lamentations from Louisa, and deeper affliction on Mr. Gradgrind's part, followed this desertion of them by their last friend. But, Sissy glanced at him with great attention; nor did she in her own breast misunderstand him. As they were all going out again, he favoured her with one slight roll of his movable eye, desiring her to linger behind. As he locked the door, he said excitedly: "The Thquire thtood by you, Thethilia, and I'll thtand by the Thquire. More than that: thith ith a prethiouth rathcal, and belongth to that bluthtering Cove that my people nearly pitht out o' winder. It'll be a	Louisa crying to him that she forgave him, and loved him still, and that he would one day be sorry to have left her so, and glad to think of these her last words, far away: when some one ran against them. Mr. Gradgrind and Sissy, who were both before him while his sister yet clung to his shoulder, stopped and recoiled. For, there was Bitzer, out of breath, his thin lips parted, his thin nostrils distended, his white eyelashes quivering, his colourless face more colourless than ever, as if he ran himself into a white heat, when other people ran themselves into a glow. There he stood, panting and heaving, as if he had never stopped since the night, now long ago, when he had run them down before. "I'm sorry to interfere with your plans," said Bitzer, shaking his head, "but I can't allow myself to be done by horse-riders. I must have young Mr. Tom; he mustn't be got away by horse-riders; here he is in a smock frock, and I must have him!" By the collar, too, it seemed. For, so he took possession of him. CHAPTER VIII PHILOSOPHICAL THEY went back into the booth, Sleary shutting the door to keep intruders out. Bitzer, still holding the paralysed culprit by the collar, stood in the Ring, blinking at his old patron through the darkness of the twilight. "Bitzer," said Mr. Gradgrind, broken down, and miserably submissive to him, "have you a heart?" "The circulation, sir," returned Bitzer, smiling at the oddity of the question, "couldn't be carried on without one. No man, sir, acquainted with the facts established by Harvey relating to the circulation of the blood, can doubt that I have a heart." "Is it accessible," cried Mr. Gradgrind, "to any compassionate influence?" "It is accessible to Reason, sir," returned the excellent young man. "And to nothing else." They stood looking at each other; Mr. Gradgrind's face as white as the pursuer's. "What motive even what motive in reason can you have for preventing the escape of this wretched youth," said Mr. Gradgrind, "and crushing his miserable father? See his sister here. Pity us!" "Sir," returned Bitzer, in a very business-like and logical manner, "since you ask me what motive I have in reason, for taking young Mr. Tom back to Coketown, it is only reasonable to let you know. I have suspected young Mr. Tom of this bank-robbery from the first. I had had my eye upon him before that time, for I knew his ways. I have kept my observations to myself, but I have made them; and I have got ample proofs against him now, besides his running away, and besides his own confession, which I was just in time to overhear. I had the pleasure of watching your house yesterday morning, and following you here. I am going to take young Mr. Tom back to Coketown, in order to deliver him over to Mr. Bounderby. Sir, I have no doubt whatever that Mr. Bounderby will then promote me to young Mr. Tom's situation. And I wish to have his situation, sir, for it will be a rise to me, and will do me good." "If this is solely a question of self-interest with you" Mr. Gradgrind began. "I beg your pardon for interrupting you, sir," returned Bitzer; "but I am sure you know that the whole social system is a question of self-interest. What you must always appeal to, is a person's self-interest. It's your only hold. We are so constituted. I was brought up in that catechism when I was very young, sir, as you are aware." "What sum of money," said Mr. Gradgrind, "will you set against your expected promotion?" "Thank you, sir," returned Bitzer, "for hinting at the proposal; but I will not set any sum against it. Knowing that your clear head would propose that alternative, I have gone over the calculations in my mind; and I find that to compound a felony, even on very high terms indeed, would not be as safe and good for me as my improved prospects in the Bank." "Bitzer," said Mr. Gradgrind, stretching out his hands as though he would have said, See how miserable I am! "Bitzer, I have but one chance left to soften you. You were many years at my school. If, in remembrance of the pains bestowed upon you there, you can persuade yourself in any degree to disregard your present interest and release my son, I entreat and pray you to give him the benefit of that remembrance." "I really wonder, sir," rejoined the old pupil in an argumentative manner, "to find you taking a position so untenable. My schooling was paid for; it was a bargain; and when I came away, the bargain ended."<\|quote\|>It was a fundamental principle of the Gradgrind philosophy that everything was to be paid for. Nobody was ever on any account to give anybody anything, or render anybody help without purchase. Gratitude was to be abolished, and the virtues springing from it were not to be. Every inch of the existence of mankind, from birth to death, was to be a bargain across a counter. And if we didn't get to Heaven that way, it was not a politico-economical place, and we had no business there.</\|quote\|>"I don't deny," added Bitzer, "that my schooling was cheap. But that comes right, sir. I was made in the cheapest market, and have to dispose of myself in the dearest." He was a little troubled here, by Louisa and Sissy crying. "Pray don't do that," said he, "it's of no use doing that: it only worries. You seem to think that I have some animosity against young Mr. Tom; whereas I have none at all. I am only going, on the reasonable grounds I have mentioned, to take him back to Coketown. If he was to resist, I should set up the cry of Stop thief! But, he won't resist, you may depend upon it." Mr. Sleary, who with his mouth open and his rolling eye as immovably jammed in his head as his fixed one, had listened to these doctrines with profound attention, here stepped forward. "Thquire, you know perfectly well, and your daughter knowth perfectly well (better than you, becauthe I thed it to her), that I didn't know what your thon had done, and that I didn't want to know I thed it wath better not, though I only thought, then, it wath thome thkylarking. However, thith young man having made it known to be a robbery of a bank, why, that'h a theriouth thing; muth too theriouth a thing for me to compound, ath thith young man hath very properly called it. Conthequently, Thquire, you muthn't quarrel with me if I take thith young man'th thide, and thay he'th right and there'th no help for it. But I tell you what I'll do, Thquire; I'll drive your thon and thith young man over to the rail, and prevent expothure here. I can't conthent to do more, but I'll do that." Fresh lamentations from Louisa, and deeper affliction on Mr. Gradgrind's part, followed this desertion of them by their last friend. But, Sissy glanced at him with great attention; nor did she in her own breast misunderstand him. As they were all going out again, he favoured her with one slight roll of his movable eye, desiring her to linger behind. As he locked the door, he said excitedly: "The Thquire thtood by you, Thethilia, and I'll thtand by the Thquire. More than that: thith ith a prethiouth rathcal, and belongth to that bluthtering Cove that my people nearly pitht out o' winder. It'll be a dark night; I've got a horthe that'll do anything but thpeak; I've got a pony that'll go fifteen mile an hour with Childerth driving of him; I've got a dog that'll keep a man to one plathe four-and-twenty hourth. Get a word with the young Thquire. Tell him, when he theeth our horthe begin to danthe, not to be afraid of being thpilt, but to look out for a pony-gig coming up. Tell him, when he theeth that gig clothe by, to jump down, and it'll take him off at a rattling pathe. If my dog leth thith young man thtir a peg on foot, I give him leave to go. And if my horthe ever thtirth from that thpot where he beginth a danthing, till the morning I don't know him? Tharp'th the word!" The word was so sharp, that in ten minutes Mr. Childers, sauntering about the market-place in a pair of slippers, had his cue, and Mr. Sleary's equipage was ready. It was a fine sight, to behold the learned dog barking round it, and Mr. Sleary instructing him, with his one practicable eye, that Bitzer was the object of his particular attentions. Soon after dark they all three got in and started; the learned dog (a formidable creature) already pinning Bitzer with his eye, and sticking close to the wheel on his side, that he might be ready for him in the event of his showing the slightest disposition to alight. The other three sat up at the inn all night in great suspense. At eight o'clock in the morning Mr. Sleary and the dog reappeared: both in high spirits. "All right, Thquire!" said Mr. Sleary, "your thon may be aboard-a-thip by thith time. Childerth took him off, an hour and a half after we left there latht night. The horthe danthed the polka till he wath dead beat (he would have walthed if he hadn't been in harneth), and then I gave him the word and he went to thleep comfortable. When that prethiouth young Rathcal thed he'd go for'ard afoot, the dog hung on to hith neck-hankercher with all four legth in the air and pulled him down and rolled him over. Tho he come back into the drag, and there he that, 'till I turned the horthe'th head, at half-patht thixth thith morning." Mr. Gradgrind overwhelmed him with thanks, of course; and hinted	to him, "have you a heart?" "The circulation, sir," returned Bitzer, smiling at the oddity of the question, "couldn't be carried on without one. No man, sir, acquainted with the facts established by Harvey relating to the circulation of the blood, can doubt that I have a heart." "Is it accessible," cried Mr. Gradgrind, "to any compassionate influence?" "It is accessible to Reason, sir," returned the excellent young man. "And to nothing else." They stood looking at each other; Mr. Gradgrind's face as white as the pursuer's. "What motive even what motive in reason can you have for preventing the escape of this wretched youth," said Mr. Gradgrind, "and crushing his miserable father? See his sister here. Pity us!" "Sir," returned Bitzer, in a very business-like and logical manner, "since you ask me what motive I have in reason, for taking young Mr. Tom back to Coketown, it is only reasonable to let you know. I have suspected young Mr. Tom of this bank-robbery from the first. I had had my eye upon him before that time, for I knew his ways. I have kept my observations to myself, but I have made them; and I have got ample proofs against him now, besides his running away, and besides his own confession, which I was just in time to overhear. I had the pleasure of watching your house yesterday morning, and following you here. I am going to take young Mr. Tom back to Coketown, in order to deliver him over to Mr. Bounderby. Sir, I have no doubt whatever that Mr. Bounderby will then promote me to young Mr. Tom's situation. And I wish to have his situation, sir, for it will be a rise to me, and will do me good." "If this is solely a question of self-interest with you" Mr. Gradgrind began. "I beg your pardon for interrupting you, sir," returned Bitzer; "but I am sure you know that the whole social system is a question of self-interest. What you must always appeal to, is a person's self-interest. It's your only hold. We are so constituted. I was brought up in that catechism when I was very young, sir, as you are aware." "What sum of money," said Mr. Gradgrind, "will you set against your expected promotion?" "Thank you, sir," returned Bitzer, "for hinting at the proposal; but I will not set any sum against it. Knowing that your clear head would propose that alternative, I have gone over the calculations in my mind; and I find that to compound a felony, even on very high terms indeed, would not be as safe and good for me as my improved prospects in the Bank." "Bitzer," said Mr. Gradgrind, stretching out his hands as though he would have said, See how miserable I am! "Bitzer, I have but one chance left to soften you. You were many years at my school. If, in remembrance of the pains bestowed upon you there, you can persuade yourself in any degree to disregard your present interest and release my son, I entreat and pray you to give him the benefit of that remembrance." "I really wonder, sir," rejoined the old pupil in an argumentative manner, "to find you taking a position so untenable. My schooling was paid for; it was a bargain; and when I came away, the bargain ended."<\|quote\|>It was a fundamental principle of the Gradgrind philosophy that everything was to be paid for. Nobody was ever on any account to give anybody anything, or render anybody help without purchase. Gratitude was to be abolished, and the virtues springing from it were not to be. Every inch of the existence of mankind, from birth to death, was to be a bargain across a counter. And if we didn't get to Heaven that way, it was not a politico-economical place, and we had no business there.</\|quote\|>"I don't deny," added Bitzer, "that my schooling was cheap. But that comes right, sir. I was made in the cheapest market, and have to dispose of myself in the dearest." He was a little troubled here, by Louisa and Sissy crying. "Pray don't do that," said he, "it's of no use doing that: it only worries. You seem to think that I have some animosity against young Mr. Tom; whereas I have none at all. I am only going, on the reasonable grounds I have mentioned, to take him back to Coketown. If he was to resist, I should set up the cry of Stop thief! But, he won't resist, you may depend upon it." Mr. Sleary, who with his mouth open and his rolling eye as immovably jammed in his head as his fixed one, had listened to these doctrines with profound attention, here stepped forward. "Thquire, you know perfectly well, and your daughter knowth perfectly well (better than you, becauthe I thed it to her), that I didn't know what your thon had done, and that I didn't want to know I thed it wath better not, though I only thought, then, it wath thome thkylarking. However, thith young man having made it known to be a robbery of a bank, why, that'h a theriouth thing; muth too theriouth a thing for me to compound, ath thith young man hath very properly called it. Conthequently, Thquire, you muthn't quarrel with me if I take thith young man'th thide, and thay he'th right and there'th no help for it. But I tell you what I'll do, Thquire; I'll drive your thon and thith young man over to the rail, and prevent expothure here. I can't conthent to do more, but I'll do that." Fresh lamentations from Louisa, and deeper affliction on Mr. Gradgrind's part, followed this desertion of them by their last friend. But, Sissy glanced at him with great attention; nor did she in her own breast misunderstand him. As they were all going out again, he favoured her with one slight roll of his movable eye, desiring her to linger behind. As he locked the door, he said excitedly: "The Thquire thtood by you, Thethilia, and I'll thtand by the Thquire. More than that: thith ith a prethiouth rathcal, and belongth to that bluthtering Cove that my people nearly pitht out o' winder. It'll be a dark night; I've got a horthe that'll do anything	Hard Times
"That's not ironical. I wish I could talk Spanish."	Bill Gorton	"Have you got any jam?"<\|quote\|>"That's not ironical. I wish I could talk Spanish."</\|quote\|>The coffee was good and	said. "Be ironical with her." "Have you got any jam?"<\|quote\|>"That's not ironical. I wish I could talk Spanish."</\|quote\|>The coffee was good and we drank it out of	mad about it in New York. It's just like the Fratellinis used to be." The girl came in with the coffee and buttered toast. Or, rather, it was bread toasted and buttered. "Ask her if she's got any jam," Bill said. "Be ironical with her." "Have you got any jam?"<\|quote\|>"That's not ironical. I wish I could talk Spanish."</\|quote\|>The coffee was good and we drank it out of big bowls. The girl brought in a glass dish of raspberry jam. "Thank you." "Hey! that's not the way," Bill said. "Say something ironical. Make some crack about Primo de Rivera." "I could ask her what kind of a jam	. ." He kept on singing until he came down-stairs. The tune was: "The Bells are Ringing for Me and my Gal." I was reading a week-old Spanish paper. "What's all this irony and pity?" "What? Don't you know about Irony and Pity?" "No. Who got it up?" "Everybody. They're mad about it in New York. It's just like the Fratellinis used to be." The girl came in with the coffee and buttered toast. Or, rather, it was bread toasted and buttered. "Ask her if she's got any jam," Bill said. "Be ironical with her." "Have you got any jam?"<\|quote\|>"That's not ironical. I wish I could talk Spanish."</\|quote\|>The coffee was good and we drank it out of big bowls. The girl brought in a glass dish of raspberry jam. "Thank you." "Hey! that's not the way," Bill said. "Say something ironical. Make some crack about Primo de Rivera." "I could ask her what kind of a jam they think they've gotten into in the Riff." "Poor," said Bill. "Very poor. You can't do it. That's all. You don't understand irony. You have no pity. Say something pitiful." "Robert Cohn." "Not so bad. That's better. Now why is Cohn pitiful? Be ironic." He took a big gulp of	"Work for the good of all." Bill stepped into his underclothes. "Show irony and pity." I started out of the room with the tackle-bag, the nets, and the rod-case. "Hey! come back!" I put my head in the door. "Aren't you going to show a little irony and pity?" I thumbed my nose. "That's not irony." As I went down-stairs I heard Bill singing, "Irony and Pity. When you're feeling . . . Oh, Give them Irony and Give them Pity. Oh, give them Irony. When they're feeling . . . Just a little irony. Just a little pity . . ." He kept on singing until he came down-stairs. The tune was: "The Bells are Ringing for Me and my Gal." I was reading a week-old Spanish paper. "What's all this irony and pity?" "What? Don't you know about Irony and Pity?" "No. Who got it up?" "Everybody. They're mad about it in New York. It's just like the Fratellinis used to be." The girl came in with the coffee and buttered toast. Or, rather, it was bread toasted and buttered. "Ask her if she's got any jam," Bill said. "Be ironical with her." "Have you got any jam?"<\|quote\|>"That's not ironical. I wish I could talk Spanish."</\|quote\|>The coffee was good and we drank it out of big bowls. The girl brought in a glass dish of raspberry jam. "Thank you." "Hey! that's not the way," Bill said. "Say something ironical. Make some crack about Primo de Rivera." "I could ask her what kind of a jam they think they've gotten into in the Riff." "Poor," said Bill. "Very poor. You can't do it. That's all. You don't understand irony. You have no pity. Say something pitiful." "Robert Cohn." "Not so bad. That's better. Now why is Cohn pitiful? Be ironic." He took a big gulp of coffee. "Aw, hell!" I said. "It's too early in the morning." "There you go. And you claim you want to be a writer, too. You're only a newspaper man. An expatriated newspaper man. You ought to be ironical the minute you get out of bed. You ought to wake up with your mouth full of pity." "Go on," I said. "Who did you get this stuff from?" "Everybody. Don't you read? Don't you ever see anybody? You know what you are? You're an expatriate. Why don't you live in New York? Then you'd know these things. What do you want	Digging at the edge of the damp ground I filled two empty tobacco-tins with worms and sifted dirt onto them. The goats watched me dig. When I went back into the inn the woman was down in the kitchen, and I asked her to get coffee for us, and that we wanted a lunch. Bill was awake and sitting on the edge of the bed. "I saw you out of the window," he said. "Didn't want to interrupt you. What were you doing? Burying your money?" "You lazy bum!" "Been working for the common good? Splendid. I want you to do that every morning." "Come on," I said. "Get up." "What? Get up? I never get up." He climbed into bed and pulled the sheet up to his chin. "Try and argue me into getting up." I went on looking for the tackle and putting it all together in the tackle-bag. "Aren't you interested?" Bill asked. "I'm going down and eat." "Eat? Why didn't you say eat? I thought you just wanted me to get up for fun. Eat? Fine. Now you're reasonable. You go out and dig some more worms and I'll be right down." "Oh, go to hell!" "Work for the good of all." Bill stepped into his underclothes. "Show irony and pity." I started out of the room with the tackle-bag, the nets, and the rod-case. "Hey! come back!" I put my head in the door. "Aren't you going to show a little irony and pity?" I thumbed my nose. "That's not irony." As I went down-stairs I heard Bill singing, "Irony and Pity. When you're feeling . . . Oh, Give them Irony and Give them Pity. Oh, give them Irony. When they're feeling . . . Just a little irony. Just a little pity . . ." He kept on singing until he came down-stairs. The tune was: "The Bells are Ringing for Me and my Gal." I was reading a week-old Spanish paper. "What's all this irony and pity?" "What? Don't you know about Irony and Pity?" "No. Who got it up?" "Everybody. They're mad about it in New York. It's just like the Fratellinis used to be." The girl came in with the coffee and buttered toast. Or, rather, it was bread toasted and buttered. "Ask her if she's got any jam," Bill said. "Be ironical with her." "Have you got any jam?"<\|quote\|>"That's not ironical. I wish I could talk Spanish."</\|quote\|>The coffee was good and we drank it out of big bowls. The girl brought in a glass dish of raspberry jam. "Thank you." "Hey! that's not the way," Bill said. "Say something ironical. Make some crack about Primo de Rivera." "I could ask her what kind of a jam they think they've gotten into in the Riff." "Poor," said Bill. "Very poor. You can't do it. That's all. You don't understand irony. You have no pity. Say something pitiful." "Robert Cohn." "Not so bad. That's better. Now why is Cohn pitiful? Be ironic." He took a big gulp of coffee. "Aw, hell!" I said. "It's too early in the morning." "There you go. And you claim you want to be a writer, too. You're only a newspaper man. An expatriated newspaper man. You ought to be ironical the minute you get out of bed. You ought to wake up with your mouth full of pity." "Go on," I said. "Who did you get this stuff from?" "Everybody. Don't you read? Don't you ever see anybody? You know what you are? You're an expatriate. Why don't you live in New York? Then you'd know these things. What do you want me to do? Come over here and tell you every year?" "Take some more coffee," I said. "Good. Coffee is good for you. It's the caffeine in it. Caffeine, we are here. Caffeine puts a man on her horse and a woman in his grave. You know what's the trouble with you? You're an expatriate. One of the worst type. Haven't you heard that? Nobody that ever left their own country ever wrote anything worth printing. Not even in the newspapers." He drank the coffee. "You're an expatriate. You've lost touch with the soil. You get precious. Fake European standards have ruined you. You drink yourself to death. You become obsessed by sex. You spend all your time talking, not working. You are an expatriate, see? You hang around caf s." "It sounds like a swell life," I said. "When do I work?" "You don't work. One group claims women support you. Another group claims you're impotent." "No," I said. "I just had an accident." "Never mention that," Bill said. "That's the sort of thing that can't be spoken of. That's what you ought to work up into a mystery. Like Henry's bicycle." He had been going splendidly, but he	room. Bill came over from the piano and we drank the hot punch and listened to the wind. "There isn't too much rum in that." I went over to the cupboard and brought the rum bottle and poured a half-tumblerful into the pitcher. "Direct action," said Bill. "It beats legislation." The girl came in and laid the table for supper. "It blows like hell up here," Bill said. The girl brought in a big bowl of hot vegetable soup and the wine. We had fried trout afterward and some sort of a stew and a big bowl full of wild strawberries. We did not lose money on the wine, and the girl was shy but nice about bringing it The old woman looked in once and counted the empty bottles. After supper we went up-stairs and smoked and read in bed to keep warm. Once in the night I woke and heard the wind blowing. It felt good to be warm and in bed. CHAPTER 12 When I woke in the morning I went to the window and looked out. It had cleared and there were no clouds on the mountains. Outside under the window were some carts and an old diligence, the wood of the roof cracked and split by the weather. It must have been left from the days before the motor-buses. A goat hopped up on one of the carts and then to the roof of the diligence. He jerked his head at the other goats below and when I waved at him he bounded down. Bill was still sleeping, so I dressed, put on my shoes outside in the hall, and went down-stairs. No one was stirring down-stairs, so I unbolted the door and went out. It was cool outside in the early morning and the sun had not yet dried the dew that had come when the wind died down. I hunted around in the shed behind the inn and found a sort of mattock, and went down toward the stream to try and dig some worms for bait. The stream was clear and shallow but it did not look trouty. On the grassy bank where it was damp I drove the mattock into the earth and loosened a chunk of sod. There were worms underneath. They slid out of sight as I lifted the sod and I dug carefully and got a good many. Digging at the edge of the damp ground I filled two empty tobacco-tins with worms and sifted dirt onto them. The goats watched me dig. When I went back into the inn the woman was down in the kitchen, and I asked her to get coffee for us, and that we wanted a lunch. Bill was awake and sitting on the edge of the bed. "I saw you out of the window," he said. "Didn't want to interrupt you. What were you doing? Burying your money?" "You lazy bum!" "Been working for the common good? Splendid. I want you to do that every morning." "Come on," I said. "Get up." "What? Get up? I never get up." He climbed into bed and pulled the sheet up to his chin. "Try and argue me into getting up." I went on looking for the tackle and putting it all together in the tackle-bag. "Aren't you interested?" Bill asked. "I'm going down and eat." "Eat? Why didn't you say eat? I thought you just wanted me to get up for fun. Eat? Fine. Now you're reasonable. You go out and dig some more worms and I'll be right down." "Oh, go to hell!" "Work for the good of all." Bill stepped into his underclothes. "Show irony and pity." I started out of the room with the tackle-bag, the nets, and the rod-case. "Hey! come back!" I put my head in the door. "Aren't you going to show a little irony and pity?" I thumbed my nose. "That's not irony." As I went down-stairs I heard Bill singing, "Irony and Pity. When you're feeling . . . Oh, Give them Irony and Give them Pity. Oh, give them Irony. When they're feeling . . . Just a little irony. Just a little pity . . ." He kept on singing until he came down-stairs. The tune was: "The Bells are Ringing for Me and my Gal." I was reading a week-old Spanish paper. "What's all this irony and pity?" "What? Don't you know about Irony and Pity?" "No. Who got it up?" "Everybody. They're mad about it in New York. It's just like the Fratellinis used to be." The girl came in with the coffee and buttered toast. Or, rather, it was bread toasted and buttered. "Ask her if she's got any jam," Bill said. "Be ironical with her." "Have you got any jam?"<\|quote\|>"That's not ironical. I wish I could talk Spanish."</\|quote\|>The coffee was good and we drank it out of big bowls. The girl brought in a glass dish of raspberry jam. "Thank you." "Hey! that's not the way," Bill said. "Say something ironical. Make some crack about Primo de Rivera." "I could ask her what kind of a jam they think they've gotten into in the Riff." "Poor," said Bill. "Very poor. You can't do it. That's all. You don't understand irony. You have no pity. Say something pitiful." "Robert Cohn." "Not so bad. That's better. Now why is Cohn pitiful? Be ironic." He took a big gulp of coffee. "Aw, hell!" I said. "It's too early in the morning." "There you go. And you claim you want to be a writer, too. You're only a newspaper man. An expatriated newspaper man. You ought to be ironical the minute you get out of bed. You ought to wake up with your mouth full of pity." "Go on," I said. "Who did you get this stuff from?" "Everybody. Don't you read? Don't you ever see anybody? You know what you are? You're an expatriate. Why don't you live in New York? Then you'd know these things. What do you want me to do? Come over here and tell you every year?" "Take some more coffee," I said. "Good. Coffee is good for you. It's the caffeine in it. Caffeine, we are here. Caffeine puts a man on her horse and a woman in his grave. You know what's the trouble with you? You're an expatriate. One of the worst type. Haven't you heard that? Nobody that ever left their own country ever wrote anything worth printing. Not even in the newspapers." He drank the coffee. "You're an expatriate. You've lost touch with the soil. You get precious. Fake European standards have ruined you. You drink yourself to death. You become obsessed by sex. You spend all your time talking, not working. You are an expatriate, see? You hang around caf s." "It sounds like a swell life," I said. "When do I work?" "You don't work. One group claims women support you. Another group claims you're impotent." "No," I said. "I just had an accident." "Never mention that," Bill said. "That's the sort of thing that can't be spoken of. That's what you ought to work up into a mystery. Like Henry's bicycle." He had been going splendidly, but he stopped. I was afraid he thought he had hurt me with that crack about being impotent. I wanted to start him again. "It wasn't a bicycle," I said. "He was riding horseback." "I heard it was a tricycle." "Well," I said. "A plane is sort of like a tricycle. The joystick works the same way." "But you don't pedal it." "No," I said, "I guess you don't pedal it." "Let's lay off that," Bill said. "All right. I was just standing up for the tricycle." "I think he's a good writer, too," Bill said. "And you're a hell of a good guy. Anybody ever tell you you were a good guy?" "I'm not a good guy." "Listen. You're a hell of a good guy, and I'm fonder of you than anybody on earth. I couldn't tell you that in New York. It'd mean I was a faggot. That was what the Civil War was about. Abraham Lincoln was a faggot. He was in love with General Grant. So was Jefferson Davis. Lincoln just freed the slaves on a bet. The Dred Scott case was framed by the Anti-Saloon League. Sex explains it all. The Colonel's Lady and Judy O'Grady are Lesbians under their skin." He stopped. "Want to hear some more?" "Shoot," I said. "I don't know any more. Tell you some more at lunch." "Old Bill," I said. "You bum!" We packed the lunch and two bottles of wine in the rucksack, and Bill put it on. I carried the rod-case and the landing-nets slung over my back. We started up the road and then went across a meadow and found a path that crossed the fields and went toward the woods on the slope of the first hill. We walked across the fields on the sandy path. The fields were rolling and grassy and the grass was short from the sheep grazing. The cattle were up in the hills. We heard their bells in the woods. The path crossed a stream on a foot-log. The log was surfaced off, and there was a sapling bent across for a rail. In the flat pool beside the stream tadpoles spotted the sand. We went up a steep bank and across the rolling fields. Looking back we saw Burguete, white houses and red roofs, and the white road with a truck going along it and the dust rising. Beyond the fields	the motor-buses. A goat hopped up on one of the carts and then to the roof of the diligence. He jerked his head at the other goats below and when I waved at him he bounded down. Bill was still sleeping, so I dressed, put on my shoes outside in the hall, and went down-stairs. No one was stirring down-stairs, so I unbolted the door and went out. It was cool outside in the early morning and the sun had not yet dried the dew that had come when the wind died down. I hunted around in the shed behind the inn and found a sort of mattock, and went down toward the stream to try and dig some worms for bait. The stream was clear and shallow but it did not look trouty. On the grassy bank where it was damp I drove the mattock into the earth and loosened a chunk of sod. There were worms underneath. They slid out of sight as I lifted the sod and I dug carefully and got a good many. Digging at the edge of the damp ground I filled two empty tobacco-tins with worms and sifted dirt onto them. The goats watched me dig. When I went back into the inn the woman was down in the kitchen, and I asked her to get coffee for us, and that we wanted a lunch. Bill was awake and sitting on the edge of the bed. "I saw you out of the window," he said. "Didn't want to interrupt you. What were you doing? Burying your money?" "You lazy bum!" "Been working for the common good? Splendid. I want you to do that every morning." "Come on," I said. "Get up." "What? Get up? I never get up." He climbed into bed and pulled the sheet up to his chin. "Try and argue me into getting up." I went on looking for the tackle and putting it all together in the tackle-bag. "Aren't you interested?" Bill asked. "I'm going down and eat." "Eat? Why didn't you say eat? I thought you just wanted me to get up for fun. Eat? Fine. Now you're reasonable. You go out and dig some more worms and I'll be right down." "Oh, go to hell!" "Work for the good of all." Bill stepped into his underclothes. "Show irony and pity." I started out of the room with the tackle-bag, the nets, and the rod-case. "Hey! come back!" I put my head in the door. "Aren't you going to show a little irony and pity?" I thumbed my nose. "That's not irony." As I went down-stairs I heard Bill singing, "Irony and Pity. When you're feeling . . . Oh, Give them Irony and Give them Pity. Oh, give them Irony. When they're feeling . . . Just a little irony. Just a little pity . . ." He kept on singing until he came down-stairs. The tune was: "The Bells are Ringing for Me and my Gal." I was reading a week-old Spanish paper. "What's all this irony and pity?" "What? Don't you know about Irony and Pity?" "No. Who got it up?" "Everybody. They're mad about it in New York. It's just like the Fratellinis used to be." The girl came in with the coffee and buttered toast. Or, rather, it was bread toasted and buttered. "Ask her if she's got any jam," Bill said. "Be ironical with her." "Have you got any jam?"<\|quote\|>"That's not ironical. I wish I could talk Spanish."</\|quote\|>The coffee was good and we drank it out of big bowls. The girl brought in a glass dish of raspberry jam. "Thank you." "Hey! that's not the way," Bill said. "Say something ironical. Make some crack about Primo de Rivera." "I could ask her what kind of a jam they think they've gotten into in the Riff." "Poor," said Bill. "Very poor. You can't do it. That's all. You don't understand irony. You have no pity. Say something pitiful." "Robert Cohn." "Not so bad. That's better. Now why is Cohn pitiful? Be ironic." He took a big gulp of coffee. "Aw, hell!" I said. "It's too early in the morning." "There you go. And you claim you want to be a writer, too. You're only a newspaper man. An expatriated newspaper man. You ought to be ironical the minute you get out of bed. You ought to wake up with your mouth full of pity." "Go on," I said. "Who did you get this stuff from?" "Everybody. Don't you read? Don't you ever see anybody? You know what you are? You're an expatriate. Why don't you live in New York? Then you'd know these things. What do you want me to do? Come over here and tell you every year?" "Take some more coffee," I said. "Good. Coffee is good for you. It's the caffeine in it. Caffeine, we are here. Caffeine puts a man on her horse and a woman in his grave. You know what's the trouble with you? You're an expatriate. One of the worst type. Haven't you heard that? Nobody that ever left their own country ever wrote anything worth printing. Not even in the newspapers." He drank the coffee. "You're an expatriate. You've lost touch with the soil. You get precious. Fake European standards have ruined you. You drink yourself to death. You become obsessed by sex. You spend all your time talking, not working. You are an expatriate, see? You hang around caf s." "It sounds like a swell life," I said. "When do I work?" "You don't work. One group claims women support you. Another group claims you're impotent." "No," I said. "I just had an accident." "Never mention that," Bill said. "That's the sort of thing that can't be spoken of. That's what you ought to work up into a mystery. Like Henry's bicycle." He had been going splendidly, but he stopped. I was afraid he thought he had hurt me with that crack about being impotent. I wanted to start him again. "It wasn't a bicycle," I said. "He was riding horseback." "I heard it was a tricycle." "Well," I said. "A plane is sort of like a tricycle. The joystick works the same way." "But you don't pedal it." "No," I said, "I guess you don't pedal it." "Let's lay off that," Bill said. "All right. I was just standing up for the tricycle." "I think he's a good writer, too," Bill said. "And you're a hell of a good guy. Anybody ever tell you you were a good guy?" "I'm not a good guy." "Listen. You're a hell of a good	The Sun Also Rises
Lord John observed with emphasis, but with his eyes for the time on Lord Theign;	No speaker	find her then still there,”<\|quote\|>Lord John observed with emphasis, but with his eyes for the time on Lord Theign;</\|quote\|>“and if you want another	out for me again.” “You’ll find her then still there,”<\|quote\|>Lord John observed with emphasis, but with his eyes for the time on Lord Theign;</\|quote\|>“and if you want another look at her I’ll presently	protested, “it ought to be handsome if the thing’s marked _up_!” After which he looked at his watch. “But I guess I’ve got to go, Lord Theign, though your lovely old Duchess--for it’s to _her_ I’ve lost my heart--does cry out for me again.” “You’ll find her then still there,”<\|quote\|>Lord John observed with emphasis, but with his eyes for the time on Lord Theign;</\|quote\|>“and if you want another look at her I’ll presently come and take one too.” “I’ll order your car to the garden-front,” Lord Theign added to this; “you’ll reach it from the saloon, but I’ll see you again first.” Mr. Bender glared as with the round full force of his	blankness. “‘Business’?” “If I consent to the inquiry I pay for the inquiry.” Hugh demurred. “Even if I turn out mistaken?” “You make me in any event your proper charge.” The young man thought again, and then as for vague accommodation: “Oh, my charge won’t be high!” “Ah,” Mr. Bender protested, “it ought to be handsome if the thing’s marked _up_!” After which he looked at his watch. “But I guess I’ve got to go, Lord Theign, though your lovely old Duchess--for it’s to _her_ I’ve lost my heart--does cry out for me again.” “You’ll find her then still there,”<\|quote\|>Lord John observed with emphasis, but with his eyes for the time on Lord Theign;</\|quote\|>“and if you want another look at her I’ll presently come and take one too.” “I’ll order your car to the garden-front,” Lord Theign added to this; “you’ll reach it from the saloon, but I’ll see you again first.” Mr. Bender glared as with the round full force of his pair of motor lamps. “Well, if you’re ready to talk about anything, I am. Good-bye, Mr. Crimble.” “Good-bye, Mr. Bender.” But Hugh, addressing their host while his fellow-guest returned to the saloon, broke into the familiarity of confidence. “As if you _could_ be ready to ‘talk’!” This produced on the	you shall have a full report. And,” he conscientiously added, “if I’m proved to have been unfortunately wrong----!” His lordship easily pointed the moral. “You’ll have caused me some inconvenience.” “Of course I shall,” the young man unreservedly agreed-- “like a wanton meddling ass!” His candour, his freedom had decidedly a note of their own. “But my conviction, after those moments with your picture, was too strong for me not to speak--and, since you allow it, I face the danger and risk the test.” “I allow it of course in the form of business.” This produced in Hugh a certain blankness. “‘Business’?” “If I consent to the inquiry I pay for the inquiry.” Hugh demurred. “Even if I turn out mistaken?” “You make me in any event your proper charge.” The young man thought again, and then as for vague accommodation: “Oh, my charge won’t be high!” “Ah,” Mr. Bender protested, “it ought to be handsome if the thing’s marked _up_!” After which he looked at his watch. “But I guess I’ve got to go, Lord Theign, though your lovely old Duchess--for it’s to _her_ I’ve lost my heart--does cry out for me again.” “You’ll find her then still there,”<\|quote\|>Lord John observed with emphasis, but with his eyes for the time on Lord Theign;</\|quote\|>“and if you want another look at her I’ll presently come and take one too.” “I’ll order your car to the garden-front,” Lord Theign added to this; “you’ll reach it from the saloon, but I’ll see you again first.” Mr. Bender glared as with the round full force of his pair of motor lamps. “Well, if you’re ready to talk about anything, I am. Good-bye, Mr. Crimble.” “Good-bye, Mr. Bender.” But Hugh, addressing their host while his fellow-guest returned to the saloon, broke into the familiarity of confidence. “As if you _could_ be ready to ‘talk’!” This produced on the part of the others present a mute exchange that could only have denoted surprise at all the irrepressible young outsider thus projected upon them took for granted. “I’ve an idea,” said Lord John to his friend, “that you’re quite ready to talk with _me_.” Hugh then, with his appetite so richly quickened, could but rejoice. “Lady Grace spoke to me of things in the library.” “You’ll find it _that_ way” --Lord Theign gave the indication. “Thanks,” said Hugh elatedly, and hastened away. Lord John, when he had gone, found relief in a quick comment. “Very sharp, no doubt--but he wants	“The obligation will be to we” --Lord Theign spoke more formally. “Well, the satisfaction,” said Hugh, “will be to all of us. The things Pappendick has seen he intensely, ineffaceably keeps in mind, to every detail; so that he’ll tell me--as no one else really can--if the Verona man is _your_ man.” “But then,” asked Mr. Bender, “we’ve got to believe anyway what he says?” “The market,” said Lord John with emphasis, “would have to believe it--that’s the point.” “Oh,” Hugh returned lightly, “the market will have nothing to do with it, I hope; but I think you’ll feel when he has spoken that you really know where you are.” Mr. Bender couldn’t doubt of that. “Oh, if he gives us a bigger thing we won’t complain. Only, how long will it take him to get there? I want him to start right away.” “Well, as I’m sure he’ll be deeply interested----” “We _may_” --Mr. Bender took it straight up-- “get news next week?” Hugh addressed his reply to Lord Theign; it was already a little too much as if he and the American between them were snatching the case from that possessor’s hands. “The day I hear from Pappendick you shall have a full report. And,” he conscientiously added, “if I’m proved to have been unfortunately wrong----!” His lordship easily pointed the moral. “You’ll have caused me some inconvenience.” “Of course I shall,” the young man unreservedly agreed-- “like a wanton meddling ass!” His candour, his freedom had decidedly a note of their own. “But my conviction, after those moments with your picture, was too strong for me not to speak--and, since you allow it, I face the danger and risk the test.” “I allow it of course in the form of business.” This produced in Hugh a certain blankness. “‘Business’?” “If I consent to the inquiry I pay for the inquiry.” Hugh demurred. “Even if I turn out mistaken?” “You make me in any event your proper charge.” The young man thought again, and then as for vague accommodation: “Oh, my charge won’t be high!” “Ah,” Mr. Bender protested, “it ought to be handsome if the thing’s marked _up_!” After which he looked at his watch. “But I guess I’ve got to go, Lord Theign, though your lovely old Duchess--for it’s to _her_ I’ve lost my heart--does cry out for me again.” “You’ll find her then still there,”<\|quote\|>Lord John observed with emphasis, but with his eyes for the time on Lord Theign;</\|quote\|>“and if you want another look at her I’ll presently come and take one too.” “I’ll order your car to the garden-front,” Lord Theign added to this; “you’ll reach it from the saloon, but I’ll see you again first.” Mr. Bender glared as with the round full force of his pair of motor lamps. “Well, if you’re ready to talk about anything, I am. Good-bye, Mr. Crimble.” “Good-bye, Mr. Bender.” But Hugh, addressing their host while his fellow-guest returned to the saloon, broke into the familiarity of confidence. “As if you _could_ be ready to ‘talk’!” This produced on the part of the others present a mute exchange that could only have denoted surprise at all the irrepressible young outsider thus projected upon them took for granted. “I’ve an idea,” said Lord John to his friend, “that you’re quite ready to talk with _me_.” Hugh then, with his appetite so richly quickened, could but rejoice. “Lady Grace spoke to me of things in the library.” “You’ll find it _that_ way” --Lord Theign gave the indication. “Thanks,” said Hugh elatedly, and hastened away. Lord John, when he had gone, found relief in a quick comment. “Very sharp, no doubt--but he wants taking down.” The master of Dedborough wouldn’t have put it so crudely, but the young expert did bring certain things home. “The people my daughters, in the exercise of a wild freedom, do pick up----!” “Well, don’t you see that all you’ve got to do--on the question we’re dealing with--is to claim your very own wild freedom? Surely I’m right in feeling you,” Lord John further remarked, “to have jumped at once to my idea that Bender is heaven-sent--and at what they call the psychologic moment, don’t they?--to point that moral. Why look anywhere else for a sum of money that--smaller or greater--you can find with perfect ease in that extraordinarily bulging pocket?” Lord Theign, slowly pacing the hall again, threw up his hands. “Ah, with ‘perfect ease’ can scarcely be said!” “Why not?--when he absolutely thrusts his dirty dollars down your throat.” “Oh, I’m not talking of ease to _him_,” Lord Theign returned-- “I’m talking of ease to myself. I shall have to make a sacrifice.” “Why not then--for so great a convenience--gallantly make it?” “Ah, my dear chap, if you want me to sell my Sir Joshua----!” But the horror in the words said enough, and Lord John	said, “in view of the very great interest combined with the very great rarity, more than--ah more than can be estimated off-hand.” It made Lord Theign turn round. “But a fine Moretto has a very great rarity and a very great interest.” “Yes--but not on the whole the same amount of either.” “No, not on the whole the same amount of either!” --Mr. Bender judiciously echoed it. “But how,” he freely pursued, “are you going to find out?” “Have I your permission, Lord Theign,” Hugh brightly asked, “to attempt to find out?” The question produced on his lordship’s part a visible, a natural anxiety. “What would it be your idea then to _do_ with my property?” “Nothing at all here--it could all be done, I think, at Verona. What besets, what quite haunts me,” Hugh explained, “is the vivid image of a Mantovano--one of the glories of the short list--in a private collection in that place. The conviction grows in me that the two portraits must be of the same original. In fact I’ll bet my head,” the young man quite ardently wound up, “that the wonderful subject of the Verona picture, a very great person clearly, is none other than the very great person of yours.” Lord Theign had listened with interest. “Mayn’t he be that and yet from another hand?” “It isn’t another hand” --oh Hugh was quite positive. “It’s the hand of the very same painter.” “How can you prove it’s the same?” “Only by the most intimate internal evidence, I admit--and evidence that of course has to be estimated.” “Then who,” Lord Theign asked, “is to estimate it?” “Well,” --Hugh was all ready-- “will you let Pap-pendick, one of the first authorities in Europe, a good friend of mine, in fact more or less my master, and who is generally to be found at Brussels? I happen to know he knows your picture--he once spoke to me of it; and he’ll go and look again at the Verona one, he’ll go and judge our issue, if I apply to him, in the light of certain new tips that I shall be able to give him.” Lord Theign appeared to wonder. “If you ‘apply’ to him?” “Like a shot, I believe, if I ask it of him--as a service.” “A service to _you?_ He’ll be very obliging,” his lordship smiled. “Well, I’ve obliged _him!_” Hugh readily retorted. “The obligation will be to we” --Lord Theign spoke more formally. “Well, the satisfaction,” said Hugh, “will be to all of us. The things Pappendick has seen he intensely, ineffaceably keeps in mind, to every detail; so that he’ll tell me--as no one else really can--if the Verona man is _your_ man.” “But then,” asked Mr. Bender, “we’ve got to believe anyway what he says?” “The market,” said Lord John with emphasis, “would have to believe it--that’s the point.” “Oh,” Hugh returned lightly, “the market will have nothing to do with it, I hope; but I think you’ll feel when he has spoken that you really know where you are.” Mr. Bender couldn’t doubt of that. “Oh, if he gives us a bigger thing we won’t complain. Only, how long will it take him to get there? I want him to start right away.” “Well, as I’m sure he’ll be deeply interested----” “We _may_” --Mr. Bender took it straight up-- “get news next week?” Hugh addressed his reply to Lord Theign; it was already a little too much as if he and the American between them were snatching the case from that possessor’s hands. “The day I hear from Pappendick you shall have a full report. And,” he conscientiously added, “if I’m proved to have been unfortunately wrong----!” His lordship easily pointed the moral. “You’ll have caused me some inconvenience.” “Of course I shall,” the young man unreservedly agreed-- “like a wanton meddling ass!” His candour, his freedom had decidedly a note of their own. “But my conviction, after those moments with your picture, was too strong for me not to speak--and, since you allow it, I face the danger and risk the test.” “I allow it of course in the form of business.” This produced in Hugh a certain blankness. “‘Business’?” “If I consent to the inquiry I pay for the inquiry.” Hugh demurred. “Even if I turn out mistaken?” “You make me in any event your proper charge.” The young man thought again, and then as for vague accommodation: “Oh, my charge won’t be high!” “Ah,” Mr. Bender protested, “it ought to be handsome if the thing’s marked _up_!” After which he looked at his watch. “But I guess I’ve got to go, Lord Theign, though your lovely old Duchess--for it’s to _her_ I’ve lost my heart--does cry out for me again.” “You’ll find her then still there,”<\|quote\|>Lord John observed with emphasis, but with his eyes for the time on Lord Theign;</\|quote\|>“and if you want another look at her I’ll presently come and take one too.” “I’ll order your car to the garden-front,” Lord Theign added to this; “you’ll reach it from the saloon, but I’ll see you again first.” Mr. Bender glared as with the round full force of his pair of motor lamps. “Well, if you’re ready to talk about anything, I am. Good-bye, Mr. Crimble.” “Good-bye, Mr. Bender.” But Hugh, addressing their host while his fellow-guest returned to the saloon, broke into the familiarity of confidence. “As if you _could_ be ready to ‘talk’!” This produced on the part of the others present a mute exchange that could only have denoted surprise at all the irrepressible young outsider thus projected upon them took for granted. “I’ve an idea,” said Lord John to his friend, “that you’re quite ready to talk with _me_.” Hugh then, with his appetite so richly quickened, could but rejoice. “Lady Grace spoke to me of things in the library.” “You’ll find it _that_ way” --Lord Theign gave the indication. “Thanks,” said Hugh elatedly, and hastened away. Lord John, when he had gone, found relief in a quick comment. “Very sharp, no doubt--but he wants taking down.” The master of Dedborough wouldn’t have put it so crudely, but the young expert did bring certain things home. “The people my daughters, in the exercise of a wild freedom, do pick up----!” “Well, don’t you see that all you’ve got to do--on the question we’re dealing with--is to claim your very own wild freedom? Surely I’m right in feeling you,” Lord John further remarked, “to have jumped at once to my idea that Bender is heaven-sent--and at what they call the psychologic moment, don’t they?--to point that moral. Why look anywhere else for a sum of money that--smaller or greater--you can find with perfect ease in that extraordinarily bulging pocket?” Lord Theign, slowly pacing the hall again, threw up his hands. “Ah, with ‘perfect ease’ can scarcely be said!” “Why not?--when he absolutely thrusts his dirty dollars down your throat.” “Oh, I’m not talking of ease to _him_,” Lord Theign returned-- “I’m talking of ease to myself. I shall have to make a sacrifice.” “Why not then--for so great a convenience--gallantly make it?” “Ah, my dear chap, if you want me to sell my Sir Joshua----!” But the horror in the words said enough, and Lord John felt its chill. “I don’t make a point of that--God forbid! But there are other things to which the objection wouldn’t apply.” “You see how it applies--in the case of the Moret-to--for _him_. A mere Moretto,” said Lord Theign, “is too cheap--for a Yankee ‘on the spend.’” “Then the Mantovano wouldn’t be.” “It remains to be proved that it _is_ a Mantovano.” “Well,” said Lord John, “go into it.” “Hanged if I won’t!” his friend broke out after a moment. “It _would_ suit me. I mean” --the explanation came after a brief intensity of thought-- “the possible size of his cheque would.” “Oh,” said Lord John gaily, “I guess there’s no limit to the possible size of his cheque!” “Yes, it would suit me, it would suit me!” the elder man, standing there, audibly mused. But his air changed and a lighter question came up to him as he saw his daughter reappear at the door from the terrace. “Well, the infant horde?” he immediately put to her. Lady Grace came in, dutifully accounting for them. “They’ve marched off--in a huge procession.” “Thank goodness! And our friends?” “All playing tennis,” she said-- “save those who are sitting it out.” To which she added, as to explain her return: “Mr. Crimble has gone?” Lord John took upon him to say. “He’s in the library, to which you addressed him--making discoveries.” “Not then, I hope,” she smiled, “to our disadvantage!” “To your very great honour and glory.” Lord John clearly valued the effect he might produce. “Your Moretto of Brescia--do you know what it really and spendidly is?” And then as the girl, in her surprise, but wondered: “A Mantovano, neither more nor less. Ever so much more swagger.” “A Mantovano?” Lady Grace echoed. “Why, how tremendously jolly!” Her father was struck. “Do you know the artist--of whom I had never heard?” “Yes, something of the little that _is_ known.” And she rejoiced as her knowledge came to her. “He’s a tremendous swell, because, great as he was, there are but seven proved examples----” “With this of yours,” Lord John broke in, “there are eight.” “Then why haven’t I known about him?” Lord Theign put it as if so many other people were guilty for this. His daughter was the first to plead for the vague body. “Why, I suppose in order that you should have exactly this pleasure, father.” “Oh, pleasures	be to all of us. The things Pappendick has seen he intensely, ineffaceably keeps in mind, to every detail; so that he’ll tell me--as no one else really can--if the Verona man is _your_ man.” “But then,” asked Mr. Bender, “we’ve got to believe anyway what he says?” “The market,” said Lord John with emphasis, “would have to believe it--that’s the point.” “Oh,” Hugh returned lightly, “the market will have nothing to do with it, I hope; but I think you’ll feel when he has spoken that you really know where you are.” Mr. Bender couldn’t doubt of that. “Oh, if he gives us a bigger thing we won’t complain. Only, how long will it take him to get there? I want him to start right away.” “Well, as I’m sure he’ll be deeply interested----” “We _may_” --Mr. Bender took it straight up-- “get news next week?” Hugh addressed his reply to Lord Theign; it was already a little too much as if he and the American between them were snatching the case from that possessor’s hands. “The day I hear from Pappendick you shall have a full report. And,” he conscientiously added, “if I’m proved to have been unfortunately wrong----!” His lordship easily pointed the moral. “You’ll have caused me some inconvenience.” “Of course I shall,” the young man unreservedly agreed-- “like a wanton meddling ass!” His candour, his freedom had decidedly a note of their own. “But my conviction, after those moments with your picture, was too strong for me not to speak--and, since you allow it, I face the danger and risk the test.” “I allow it of course in the form of business.” This produced in Hugh a certain blankness. “‘Business’?” “If I consent to the inquiry I pay for the inquiry.” Hugh demurred. “Even if I turn out mistaken?” “You make me in any event your proper charge.” The young man thought again, and then as for vague accommodation: “Oh, my charge won’t be high!” “Ah,” Mr. Bender protested, “it ought to be handsome if the thing’s marked _up_!” After which he looked at his watch. “But I guess I’ve got to go, Lord Theign, though your lovely old Duchess--for it’s to _her_ I’ve lost my heart--does cry out for me again.” “You’ll find her then still there,”<\|quote\|>Lord John observed with emphasis, but with his eyes for the time on Lord Theign;</\|quote\|>“and if you want another look at her I’ll presently come and take one too.” “I’ll order your car to the garden-front,” Lord Theign added to this; “you’ll reach it from the saloon, but I’ll see you again first.” Mr. Bender glared as with the round full force of his pair of motor lamps. “Well, if you’re ready to talk about anything, I am. Good-bye, Mr. Crimble.” “Good-bye, Mr. Bender.” But Hugh, addressing their host while his fellow-guest returned to the saloon, broke into the familiarity of confidence. “As if you _could_ be ready to ‘talk’!” This produced on the part of the others present a mute exchange that could only have denoted surprise at all the irrepressible young outsider thus projected upon them took for granted. “I’ve an idea,” said Lord John to his friend, “that you’re quite ready to talk with _me_.” Hugh then, with his appetite so richly quickened, could but rejoice. “Lady Grace spoke to me of things in the library.” “You’ll find it _that_ way” --Lord Theign gave the indication. “Thanks,” said Hugh elatedly, and hastened away. Lord John, when he had gone, found relief in a quick comment. “Very sharp, no doubt--but he wants taking down.” The master of Dedborough wouldn’t have put it so crudely, but the young expert did bring certain things home. “The people my daughters, in the exercise of a wild freedom, do pick up----!” “Well, don’t you see that all you’ve got to do--on the question we’re dealing with--is to claim your very own wild freedom? Surely I’m right in feeling you,” Lord John further remarked, “to have jumped at once to my idea that Bender is heaven-sent--and at what they call the psychologic moment, don’t they?--to point that moral. Why look anywhere else for a sum of money that--smaller or greater--you can find with perfect ease in that extraordinarily bulging pocket?” Lord Theign, slowly pacing the hall again, threw up his hands. “Ah, with ‘perfect ease’ can scarcely be said!” “Why not?--when he absolutely thrusts his dirty dollars down your throat.” “Oh, I’m not talking of ease to _him_,” Lord Theign returned-- “I’m talking of ease to myself. I shall have to make a sacrifice.” “Why not then--for so great a convenience--gallantly make it?” “Ah, my dear chap, if you want me to sell my Sir Joshua----!” But the horror in the words said enough, and Lord John felt its chill. “I don’t make a point of that--God forbid! But there are other things	The Outcry
"If you can get the chance, Jem.--How lovely it looks!"	Don Lavington	you. Let's go ashore here."<\|quote\|>"If you can get the chance, Jem.--How lovely it looks!"</\|quote\|>"Lovely's nothing to it, sir.	way. I quite agree with you. Let's go ashore here."<\|quote\|>"If you can get the chance, Jem.--How lovely it looks!"</\|quote\|>"Lovely's nothing to it, sir. Mike used to brag about	as I thinks something sensible and good, you always ketches me up and says you had thought it before." "Nonsense, Jem! Well, have it your way. I quite agree with you." "No, I won't, sir; you're master. Have it your way. I quite agree with you. Let's go ashore here."<\|quote\|>"If you can get the chance, Jem.--How lovely it looks!"</\|quote\|>"Lovely's nothing to it, sir. Mike used to brag about what he'd seen in foreign countries, but he never see anything to come up to this." "I don't think any one could see a more beautiful place, Jem." "But I don't like the look o' that, sir." "Of what?" "That	to make remarks." "Don't talk nonsense, Jem; we are both common sailors." "Well then, sir, as one sailor to another sailor, I says I wish you wouldn't get into bad habits." "I wish so too, Jem." "There you are again!" said Jem testily. "What do you mean?" "Why, so sure as I thinks something sensible and good, you always ketches me up and says you had thought it before." "Nonsense, Jem! Well, have it your way. I quite agree with you." "No, I won't, sir; you're master. Have it your way. I quite agree with you. Let's go ashore here."<\|quote\|>"If you can get the chance, Jem.--How lovely it looks!"</\|quote\|>"Lovely's nothing to it, sir. Mike used to brag about what he'd seen in foreign countries, but he never see anything to come up to this." "I don't think any one could see a more beautiful place, Jem." "But I don't like the look o' that, sir." "Of what?" "That there yonder. That smoke." "What, on that little island? No, Jem; it's steam." "Well, don't you know what that means?" "No." "Then I've got something at last as you arn't got first!" cried Jem excitedly, as he sheltered his eyes from the glare of the sun. "Yes; that's it's, sure.	distance from the shore it was impossible to make out the individual trees, but there seemed to be clumps of noble pines some distance in, and the valleys were made ornamental with some kind of feathery growth. "Well, all I've got to say, Mas' Don, is this here--Singpore arn't to be grumbled at, and China's all very well, only hot; but if you and me's going to say good-bye to sailoring, let's do it here." "That's exactly what I was thinking, Jem," replied Don. "Say, Mas' Don, p'r'aps it arn't for me, being a servant and you a young master, to make remarks." "Don't talk nonsense, Jem; we are both common sailors." "Well then, sir, as one sailor to another sailor, I says I wish you wouldn't get into bad habits." "I wish so too, Jem." "There you are again!" said Jem testily. "What do you mean?" "Why, so sure as I thinks something sensible and good, you always ketches me up and says you had thought it before." "Nonsense, Jem! Well, have it your way. I quite agree with you." "No, I won't, sir; you're master. Have it your way. I quite agree with you. Let's go ashore here."<\|quote\|>"If you can get the chance, Jem.--How lovely it looks!"</\|quote\|>"Lovely's nothing to it, sir. Mike used to brag about what he'd seen in foreign countries, but he never see anything to come up to this." "I don't think any one could see a more beautiful place, Jem." "But I don't like the look o' that, sir." "Of what?" "That there yonder. That smoke." "What, on that little island? No, Jem; it's steam." "Well, don't you know what that means?" "No." "Then I've got something at last as you arn't got first!" cried Jem excitedly, as he sheltered his eyes from the glare of the sun. "Yes; that's it's, sure. Cooking!" "Cooking? What's cooking?" "That place where the steam is, Mas' Don. I say, you know what they do here? That's the place where they do it." "Do what?" "Cook people. That's the spot, safe." "Nonsense!" said Don laughing. "Ah! You may call it nonsense, Mas' Don; but if them sort o' things is done here, I think we'd better stop on board." Just at that moment the captain, who was busy with his spyglass examining the place and looking for a snug anchorage, suddenly gave an order, which was passed on, and with the rapidity customary on board a	yonder smoking puts one in mind of a factory chimney. And look yonder too!--there's another one smoking ever so far off. I say, are those burning mountains?" "I suppose so, unless it's steam. But what a lovely place!" There were orders for shortening sail given just then, and they had no more opportunity for talking during the next quarter of an hour, when, much closer in, they lay in the top once more, gazing eagerly at the glorious prospect of sea and sky, and verdant land and mountain. The vessel slowly rounded what appeared to be a headland, and in a short time the wind seemed to have dropped, and the sea to have grown calm. It was like entering a lovely lake; and as they went slowly on and on, it was to find that they were forging ahead in a perfect archipelago, with fresh beauties opening up each minute. The land was deliciously green, and cut up into valley, hill, and mountain. One island they were passing sent forth into the clear sunny air a cloud of silvery steam, which floated slowly away, like a white ensign spread to welcome the newcomers from a civilised land. At their distance from the shore it was impossible to make out the individual trees, but there seemed to be clumps of noble pines some distance in, and the valleys were made ornamental with some kind of feathery growth. "Well, all I've got to say, Mas' Don, is this here--Singpore arn't to be grumbled at, and China's all very well, only hot; but if you and me's going to say good-bye to sailoring, let's do it here." "That's exactly what I was thinking, Jem," replied Don. "Say, Mas' Don, p'r'aps it arn't for me, being a servant and you a young master, to make remarks." "Don't talk nonsense, Jem; we are both common sailors." "Well then, sir, as one sailor to another sailor, I says I wish you wouldn't get into bad habits." "I wish so too, Jem." "There you are again!" said Jem testily. "What do you mean?" "Why, so sure as I thinks something sensible and good, you always ketches me up and says you had thought it before." "Nonsense, Jem! Well, have it your way. I quite agree with you." "No, I won't, sir; you're master. Have it your way. I quite agree with you. Let's go ashore here."<\|quote\|>"If you can get the chance, Jem.--How lovely it looks!"</\|quote\|>"Lovely's nothing to it, sir. Mike used to brag about what he'd seen in foreign countries, but he never see anything to come up to this." "I don't think any one could see a more beautiful place, Jem." "But I don't like the look o' that, sir." "Of what?" "That there yonder. That smoke." "What, on that little island? No, Jem; it's steam." "Well, don't you know what that means?" "No." "Then I've got something at last as you arn't got first!" cried Jem excitedly, as he sheltered his eyes from the glare of the sun. "Yes; that's it's, sure. Cooking!" "Cooking? What's cooking?" "That place where the steam is, Mas' Don. I say, you know what they do here? That's the place where they do it." "Do what?" "Cook people. That's the spot, safe." "Nonsense!" said Don laughing. "Ah! You may call it nonsense, Mas' Don; but if them sort o' things is done here, I think we'd better stop on board." Just at that moment the captain, who was busy with his spyglass examining the place and looking for a snug anchorage, suddenly gave an order, which was passed on, and with the rapidity customary on board a man-of-war, the stout boarding nettings, ready for use on an emergency, were triced up to the lower rigging, so that before long the vessel, from its bulwarks high up toward the lower yards, presented the appearance of a cage. While this was going on, others of the men stood to their arms, guns were cast loose and loaded, and every precaution taken against a surprise. The reason for all this was that quite a fleet of long canoes, propelled by paddles, suddenly began to glide out from behind one of the islands, each canoe seeming to contain from eighty to a hundred men. The effect was beautiful, for the long, dark vessels, with their grotesque, quaintly carved prows and sterns, seemed to be like some strange living creatures working along paths of silver, so regularly went the paddles, turning the sea into lines of dazzling light. The men were armed with spears and tomahawks, and as they came nearer, some could be seen wearing black feathers tipped with white stuck in their hair, while their dark, nearly naked bodies glistened in the sun like bronze. "Are they coming to attack us, Jem?" said Don, who began to feel a strange	home." Don smiled sadly, and they were separated directly after. The time went swiftly on in their busy life, and though his absence from home could only be counted in months, Don had shot up and altered wonderfully. They had touched at the Cape, at Ceylon, and then made a short stay at Singapore before going on to their station farther east, and cruising to and fro. During that period Don's experience had been varied, but the opportunity he was always looking for did not seem to come. Then a year had passed away, and they were back at Singapore, where letters reached both, and made them go about the deck looking depressed for the rest of the week. Then came one morning when there was no little excitement on board, the news having oozed out that the sloop was bound for New Zealand, a place in those days little known, save as a wonderful country of tree-fern, pine, and volcano, where the natives were a fierce fighting race, and did not scruple to eat those whom they took captive in war. "Noo Zealand, eh?" said Jem. "Port Jackson and Botany Bay, I hear, Jem, and then on to New Zealand. We shall see something of the world." "Ay, so we shall, Mas' Don. Bot'ny Bay! That's where they sends the chaps they transports, arn't it?" "Yes, I believe so." "Then we shall be like transported ones when we get there. You're right, after all, Mas' Don. First chance there is, let me and you give up sailoring, and go ashore." "I mean to, Jem; and somehow, come what may, we will." CHAPTER TWENTY. A NATURALISED NEW ZEALANDER. Three months had passed since the conversation in the last chapter, when after an adverse voyage from Port Jackson, His Majesty's sloop-of-war under shortened sail made her way slowly towards what was in those days a land of mystery. A stiff breeze was blowing, and the watch were on deck, ready for reducing sail or any emergency. More were ready in the tops, and all on board watching the glorious scene unfolding before them. "I say, Mas' Don, look ye there," whispered Jem, as they sat together in the foretop. "If this don't beat Bristol, I'm a Dutchman." "Beat Bristol!" said Don contemptuously; "why, it's as different as can be." "Well, I dunno so much about that," said Jem. "There's that mountain yonder smoking puts one in mind of a factory chimney. And look yonder too!--there's another one smoking ever so far off. I say, are those burning mountains?" "I suppose so, unless it's steam. But what a lovely place!" There were orders for shortening sail given just then, and they had no more opportunity for talking during the next quarter of an hour, when, much closer in, they lay in the top once more, gazing eagerly at the glorious prospect of sea and sky, and verdant land and mountain. The vessel slowly rounded what appeared to be a headland, and in a short time the wind seemed to have dropped, and the sea to have grown calm. It was like entering a lovely lake; and as they went slowly on and on, it was to find that they were forging ahead in a perfect archipelago, with fresh beauties opening up each minute. The land was deliciously green, and cut up into valley, hill, and mountain. One island they were passing sent forth into the clear sunny air a cloud of silvery steam, which floated slowly away, like a white ensign spread to welcome the newcomers from a civilised land. At their distance from the shore it was impossible to make out the individual trees, but there seemed to be clumps of noble pines some distance in, and the valleys were made ornamental with some kind of feathery growth. "Well, all I've got to say, Mas' Don, is this here--Singpore arn't to be grumbled at, and China's all very well, only hot; but if you and me's going to say good-bye to sailoring, let's do it here." "That's exactly what I was thinking, Jem," replied Don. "Say, Mas' Don, p'r'aps it arn't for me, being a servant and you a young master, to make remarks." "Don't talk nonsense, Jem; we are both common sailors." "Well then, sir, as one sailor to another sailor, I says I wish you wouldn't get into bad habits." "I wish so too, Jem." "There you are again!" said Jem testily. "What do you mean?" "Why, so sure as I thinks something sensible and good, you always ketches me up and says you had thought it before." "Nonsense, Jem! Well, have it your way. I quite agree with you." "No, I won't, sir; you're master. Have it your way. I quite agree with you. Let's go ashore here."<\|quote\|>"If you can get the chance, Jem.--How lovely it looks!"</\|quote\|>"Lovely's nothing to it, sir. Mike used to brag about what he'd seen in foreign countries, but he never see anything to come up to this." "I don't think any one could see a more beautiful place, Jem." "But I don't like the look o' that, sir." "Of what?" "That there yonder. That smoke." "What, on that little island? No, Jem; it's steam." "Well, don't you know what that means?" "No." "Then I've got something at last as you arn't got first!" cried Jem excitedly, as he sheltered his eyes from the glare of the sun. "Yes; that's it's, sure. Cooking!" "Cooking? What's cooking?" "That place where the steam is, Mas' Don. I say, you know what they do here? That's the place where they do it." "Do what?" "Cook people. That's the spot, safe." "Nonsense!" said Don laughing. "Ah! You may call it nonsense, Mas' Don; but if them sort o' things is done here, I think we'd better stop on board." Just at that moment the captain, who was busy with his spyglass examining the place and looking for a snug anchorage, suddenly gave an order, which was passed on, and with the rapidity customary on board a man-of-war, the stout boarding nettings, ready for use on an emergency, were triced up to the lower rigging, so that before long the vessel, from its bulwarks high up toward the lower yards, presented the appearance of a cage. While this was going on, others of the men stood to their arms, guns were cast loose and loaded, and every precaution taken against a surprise. The reason for all this was that quite a fleet of long canoes, propelled by paddles, suddenly began to glide out from behind one of the islands, each canoe seeming to contain from eighty to a hundred men. The effect was beautiful, for the long, dark vessels, with their grotesque, quaintly carved prows and sterns, seemed to be like some strange living creatures working along paths of silver, so regularly went the paddles, turning the sea into lines of dazzling light. The men were armed with spears and tomahawks, and as they came nearer, some could be seen wearing black feathers tipped with white stuck in their hair, while their dark, nearly naked bodies glistened in the sun like bronze. "Are they coming to attack us, Jem?" said Don, who began to feel a strange thrill of excitement. "Dessay they'd like to, Mas' Don; but it strikes me they'd think twice about it. Why, we could sail right over those long thin boats of theirs, and send 'em all to the bottom." Just then there was an order from the deck, and more sail was taken in, till the ship hardly moved, as the canoes came dashing up, the men of the foremost singing a mournful kind of chorus as they paddled on. "Ship ahoy!" suddenly came from the first canoe. "What ship's that?" "His Majesty's sloop-of-war _Golden Danae_," shouted back the first lieutenant from the chains. "Tell your other boats to keep back, or we shall fire." "No, no, no: don't do that, sir! They don't mean fighting," came back from the boat; and a big savage, whose face was blue with tattooing, stood up in the canoe, and then turned and spoke to one of his companions, who rose and shouted to the occupants of the other canoes to cease paddling. "Speaks good English, sir," said the lieutenant to the captain. "Yes. Ask them what they want, and if it's peace." The lieutenant shouted this communication to the savage in the canoe. "Want, sir?" came back; "to trade with you for guns and powder, and to come aboard." "How is it you speak good English?" "Why, what should an Englishman speak?" "Then you are not a savage?" "Now do I look like one?" cried the man indignantly. "Of course; I forgot--I'm an Englishman on a visit to the country, and I've adopted their customs, sir--that's all." "Oh, I see," said the lieutenant, laughing; "ornaments and all." "May they come aboard, sir?" "Oh, yes; if they leave their arms." The man communicated this to the occupants of the boat, and there was a good deal of excited conversation for a time. "That fellow's a runaway convict for certain, sir," said the lieutenant. "Shall we get him aboard, and keep him?" "No. Let him be. Perhaps he will prove very useful." "The chiefs say it isn't fair to ask them to come without their arms," said the tattooed Englishman. "How are they to know that you will not be treacherous?" "Tell them this is a king's ship, and if they behave themselves they have nothing to fear," said the captain. "Stop! Six of them can come aboard armed if they like. You can lead them	"There's that mountain yonder smoking puts one in mind of a factory chimney. And look yonder too!--there's another one smoking ever so far off. I say, are those burning mountains?" "I suppose so, unless it's steam. But what a lovely place!" There were orders for shortening sail given just then, and they had no more opportunity for talking during the next quarter of an hour, when, much closer in, they lay in the top once more, gazing eagerly at the glorious prospect of sea and sky, and verdant land and mountain. The vessel slowly rounded what appeared to be a headland, and in a short time the wind seemed to have dropped, and the sea to have grown calm. It was like entering a lovely lake; and as they went slowly on and on, it was to find that they were forging ahead in a perfect archipelago, with fresh beauties opening up each minute. The land was deliciously green, and cut up into valley, hill, and mountain. One island they were passing sent forth into the clear sunny air a cloud of silvery steam, which floated slowly away, like a white ensign spread to welcome the newcomers from a civilised land. At their distance from the shore it was impossible to make out the individual trees, but there seemed to be clumps of noble pines some distance in, and the valleys were made ornamental with some kind of feathery growth. "Well, all I've got to say, Mas' Don, is this here--Singpore arn't to be grumbled at, and China's all very well, only hot; but if you and me's going to say good-bye to sailoring, let's do it here." "That's exactly what I was thinking, Jem," replied Don. "Say, Mas' Don, p'r'aps it arn't for me, being a servant and you a young master, to make remarks." "Don't talk nonsense, Jem; we are both common sailors." "Well then, sir, as one sailor to another sailor, I says I wish you wouldn't get into bad habits." "I wish so too, Jem." "There you are again!" said Jem testily. "What do you mean?" "Why, so sure as I thinks something sensible and good, you always ketches me up and says you had thought it before." "Nonsense, Jem! Well, have it your way. I quite agree with you." "No, I won't, sir; you're master. Have it your way. I quite agree with you. Let's go ashore here."<\|quote\|>"If you can get the chance, Jem.--How lovely it looks!"</\|quote\|>"Lovely's nothing to it, sir. Mike used to brag about what he'd seen in foreign countries, but he never see anything to come up to this." "I don't think any one could see a more beautiful place, Jem." "But I don't like the look o' that, sir." "Of what?" "That there yonder. That smoke." "What, on that little island? No, Jem; it's steam." "Well, don't you know what that means?" "No." "Then I've got something at last as you arn't got first!" cried Jem excitedly, as he sheltered his eyes from the glare of the sun. "Yes; that's it's, sure. Cooking!" "Cooking? What's cooking?" "That place where the steam is, Mas' Don. I say, you know what they do here? That's the place where they do it." "Do what?" "Cook people. That's the spot, safe." "Nonsense!" said Don laughing. "Ah! You may call it nonsense, Mas' Don; but if them sort o' things is done here, I think we'd better stop on board." Just at that moment the captain, who was busy with his spyglass examining the place and looking for a snug anchorage, suddenly gave an order, which was passed on, and with the rapidity customary on board a man-of-war, the stout boarding nettings, ready for use on an emergency, were triced up to the lower rigging, so that before long the vessel, from its bulwarks high up toward the lower yards, presented the appearance of a cage. While this was going on, others of the men stood to their arms, guns were cast loose and loaded, and every precaution taken against a surprise. The reason for all this was that quite a fleet of long canoes, propelled by paddles, suddenly began to glide out from behind one of the islands, each canoe seeming to contain from eighty to a hundred men. The effect was beautiful, for the long, dark vessels, with their grotesque, quaintly carved prows and sterns, seemed to be like some strange living creatures working along paths of silver, so regularly went the paddles, turning the sea into lines of dazzling light. The men were armed with spears and tomahawks, and as they came nearer, some could be seen wearing black feathers tipped with white stuck in their hair, while their dark, nearly naked bodies glistened in the sun like bronze. "Are they coming to attack us, Jem?" said Don, who began to feel a strange thrill of excitement. "Dessay they'd like to, Mas' Don; but it strikes me they'd think twice about it. Why, we could sail right over those long thin boats of theirs, and send 'em all to the bottom." Just then there was an order from the deck, and more sail was taken in, till the ship hardly moved, as the canoes came dashing up, the men of the foremost singing a mournful kind of chorus as they paddled on. "Ship ahoy!" suddenly came from the first canoe. "What ship's that?" "His Majesty's sloop-of-war _Golden Danae_," shouted back the first lieutenant from the chains. "Tell your other boats to	Don Lavington
"We can mean no other,"	Lucy Steele	mean the same Mr. Ferrars."<\|quote\|>"We can mean no other,"</\|quote\|>cried Lucy, smiling. "Mr. Edward	person or name. We cannot mean the same Mr. Ferrars."<\|quote\|>"We can mean no other,"</\|quote\|>cried Lucy, smiling. "Mr. Edward Ferrars, the eldest son of	Edward s honour and love, and her companion s falsehood "Engaged to Mr. Edward Ferrars! I confess myself so totally surprised at what you tell me, that really I beg your pardon; but surely there must be some mistake of person or name. We cannot mean the same Mr. Ferrars."<\|quote\|>"We can mean no other,"</\|quote\|>cried Lucy, smiling. "Mr. Edward Ferrars, the eldest son of Mrs. Ferrars, of Park Street, and brother of your sister-in-law, Mrs. John Dashwood, is the person I mean; you must allow that I am not likely to be deceived as to the name of the man on who all my	know him so well as me, Miss Dashwood, you must have seen enough of him to be sensible he is very capable of making a woman sincerely attached to him." "Certainly," answered Elinor, without knowing what she said; but after a moment s reflection, she added, with revived security of Edward s honour and love, and her companion s falsehood "Engaged to Mr. Edward Ferrars! I confess myself so totally surprised at what you tell me, that really I beg your pardon; but surely there must be some mistake of person or name. We cannot mean the same Mr. Ferrars."<\|quote\|>"We can mean no other,"</\|quote\|>cried Lucy, smiling. "Mr. Edward Ferrars, the eldest son of Mrs. Ferrars, of Park Street, and brother of your sister-in-law, Mrs. John Dashwood, is the person I mean; you must allow that I am not likely to be deceived as to the name of the man on who all my happiness depends." "It is strange," replied Elinor, in a most painful perplexity, "that I should never have heard him even mention your name." "No; considering our situation, it was not strange. Our first care has been to keep the matter secret. You knew nothing of me, or my family, and,	four years with my uncle, who lives at Longstaple, near Plymouth. It was there our acquaintance begun, for my sister and me was often staying with my uncle, and it was there our engagement was formed, though not till a year after he had quitted as a pupil; but he was almost always with us afterwards. I was very unwilling to enter into it, as you may imagine, without the knowledge and approbation of his mother; but I was too young, and loved him too well, to be so prudent as I ought to have been. Though you do not know him so well as me, Miss Dashwood, you must have seen enough of him to be sensible he is very capable of making a woman sincerely attached to him." "Certainly," answered Elinor, without knowing what she said; but after a moment s reflection, she added, with revived security of Edward s honour and love, and her companion s falsehood "Engaged to Mr. Edward Ferrars! I confess myself so totally surprised at what you tell me, that really I beg your pardon; but surely there must be some mistake of person or name. We cannot mean the same Mr. Ferrars."<\|quote\|>"We can mean no other,"</\|quote\|>cried Lucy, smiling. "Mr. Edward Ferrars, the eldest son of Mrs. Ferrars, of Park Street, and brother of your sister-in-law, Mrs. John Dashwood, is the person I mean; you must allow that I am not likely to be deceived as to the name of the man on who all my happiness depends." "It is strange," replied Elinor, in a most painful perplexity, "that I should never have heard him even mention your name." "No; considering our situation, it was not strange. Our first care has been to keep the matter secret. You knew nothing of me, or my family, and, therefore, there could be no _occasion_ for ever mentioning my name to you; and, as he was always particularly afraid of his sister s suspecting any thing, _that_ was reason enough for his not mentioning it." She was silent. Elinor s security sunk; but her self-command did not sink with it. "Four years you have been engaged," said she with a firm voice. "Yes; and heaven knows how much longer we may have to wait. Poor Edward! It puts him quite out of heart." Then taking a small miniature from her pocket, she added, "To prevent the possibility of mistake,	so odd, that it ought to be explained. And I do not think Mr. Ferrars can be displeased, when he knows I have trusted you, because I know he has the highest opinion in the world of all your family, and looks upon yourself and the other Miss Dashwoods quite as his own sisters." She paused. Elinor for a few moments remained silent. Her astonishment at what she heard was at first too great for words; but at length forcing herself to speak, and to speak cautiously, she said, with calmness of manner, which tolerably well concealed her surprise and solicitude "May I ask if your engagement is of long standing?" "We have been engaged these four years." "Four years!" "Yes." Elinor, though greatly shocked, still felt unable to believe it. "I did not know," said she, "that you were even acquainted till the other day." "Our acquaintance, however, is of many years date. He was under my uncle s care, you know, a considerable while." "Your uncle!" "Yes; Mr. Pratt. Did you never hear him talk of Mr. Pratt?" "I think I have," replied Elinor, with an exertion of spirits, which increased with her increase of emotion. "He was four years with my uncle, who lives at Longstaple, near Plymouth. It was there our acquaintance begun, for my sister and me was often staying with my uncle, and it was there our engagement was formed, though not till a year after he had quitted as a pupil; but he was almost always with us afterwards. I was very unwilling to enter into it, as you may imagine, without the knowledge and approbation of his mother; but I was too young, and loved him too well, to be so prudent as I ought to have been. Though you do not know him so well as me, Miss Dashwood, you must have seen enough of him to be sensible he is very capable of making a woman sincerely attached to him." "Certainly," answered Elinor, without knowing what she said; but after a moment s reflection, she added, with revived security of Edward s honour and love, and her companion s falsehood "Engaged to Mr. Edward Ferrars! I confess myself so totally surprised at what you tell me, that really I beg your pardon; but surely there must be some mistake of person or name. We cannot mean the same Mr. Ferrars."<\|quote\|>"We can mean no other,"</\|quote\|>cried Lucy, smiling. "Mr. Edward Ferrars, the eldest son of Mrs. Ferrars, of Park Street, and brother of your sister-in-law, Mrs. John Dashwood, is the person I mean; you must allow that I am not likely to be deceived as to the name of the man on who all my happiness depends." "It is strange," replied Elinor, in a most painful perplexity, "that I should never have heard him even mention your name." "No; considering our situation, it was not strange. Our first care has been to keep the matter secret. You knew nothing of me, or my family, and, therefore, there could be no _occasion_ for ever mentioning my name to you; and, as he was always particularly afraid of his sister s suspecting any thing, _that_ was reason enough for his not mentioning it." She was silent. Elinor s security sunk; but her self-command did not sink with it. "Four years you have been engaged," said she with a firm voice. "Yes; and heaven knows how much longer we may have to wait. Poor Edward! It puts him quite out of heart." Then taking a small miniature from her pocket, she added, "To prevent the possibility of mistake, be so good as to look at this face. It does not do him justice, to be sure, but yet I think you cannot be deceived as to the person it was drew for. I have had it above these three years." She put it into her hands as she spoke; and when Elinor saw the painting, whatever other doubts her fear of a too hasty decision, or her wish of detecting falsehood might suffer to linger in her mind, she could have none of its being Edward s face. She returned it almost instantly, acknowledging the likeness. "I have never been able," continued Lucy, "to give him my picture in return, which I am very much vexed at, for he has been always so anxious to get it! But I am determined to set for it the very first opportunity." "You are quite in the right," replied Elinor calmly. They then proceeded a few paces in silence. Lucy spoke first. "I am sure," said she, "I have no doubt in the world of your faithfully keeping this secret, because you must know of what importance it is to us, not to have it reach his mother; for she would	am; but, however, there is no occasion to trouble _you_. I am sorry you do not happen to know Mrs. Ferrars." "I am sorry I do _not_," said Elinor, in great astonishment, "if it could be of any use to YOU to know my opinion of her. But really I never understood that you were at all connected with that family, and therefore I am a little surprised, I confess, at so serious an inquiry into her character." "I dare say you are, and I am sure I do not at all wonder at it. But if I dared tell you all, you would not be so much surprised. Mrs. Ferrars is certainly nothing to me at present but the time _may_ come how soon it will come must depend upon herself when we may be very intimately connected." She looked down as she said this, amiably bashful, with only one side glance at her companion to observe its effect on her. "Good heavens!" cried Elinor, "what do you mean? Are you acquainted with Mr. Robert Ferrars? Can you be?" And she did not feel much delighted with the idea of such a sister-in-law. "No," replied Lucy, "not to Mr. _Robert_ Ferrars I never saw him in my life; but," fixing her eyes upon Elinor, "to his eldest brother." What felt Elinor at that moment? Astonishment, that would have been as painful as it was strong, had not an immediate disbelief of the assertion attended it. She turned towards Lucy in silent amazement, unable to divine the reason or object of such a declaration; and though her complexion varied, she stood firm in incredulity, and felt in no danger of an hysterical fit, or a swoon. "You may well be surprised," continued Lucy; "for to be sure you could have had no idea of it before; for I dare say he never dropped the smallest hint of it to you or any of your family; because it was always meant to be a great secret, and I am sure has been faithfully kept so by me to this hour. Not a soul of all my relations know of it but Anne, and I never should have mentioned it to you, if I had not felt the greatest dependence in the world upon your secrecy; and I really thought my behaviour in asking so many questions about Mrs. Ferrars must seem so odd, that it ought to be explained. And I do not think Mr. Ferrars can be displeased, when he knows I have trusted you, because I know he has the highest opinion in the world of all your family, and looks upon yourself and the other Miss Dashwoods quite as his own sisters." She paused. Elinor for a few moments remained silent. Her astonishment at what she heard was at first too great for words; but at length forcing herself to speak, and to speak cautiously, she said, with calmness of manner, which tolerably well concealed her surprise and solicitude "May I ask if your engagement is of long standing?" "We have been engaged these four years." "Four years!" "Yes." Elinor, though greatly shocked, still felt unable to believe it. "I did not know," said she, "that you were even acquainted till the other day." "Our acquaintance, however, is of many years date. He was under my uncle s care, you know, a considerable while." "Your uncle!" "Yes; Mr. Pratt. Did you never hear him talk of Mr. Pratt?" "I think I have," replied Elinor, with an exertion of spirits, which increased with her increase of emotion. "He was four years with my uncle, who lives at Longstaple, near Plymouth. It was there our acquaintance begun, for my sister and me was often staying with my uncle, and it was there our engagement was formed, though not till a year after he had quitted as a pupil; but he was almost always with us afterwards. I was very unwilling to enter into it, as you may imagine, without the knowledge and approbation of his mother; but I was too young, and loved him too well, to be so prudent as I ought to have been. Though you do not know him so well as me, Miss Dashwood, you must have seen enough of him to be sensible he is very capable of making a woman sincerely attached to him." "Certainly," answered Elinor, without knowing what she said; but after a moment s reflection, she added, with revived security of Edward s honour and love, and her companion s falsehood "Engaged to Mr. Edward Ferrars! I confess myself so totally surprised at what you tell me, that really I beg your pardon; but surely there must be some mistake of person or name. We cannot mean the same Mr. Ferrars."<\|quote\|>"We can mean no other,"</\|quote\|>cried Lucy, smiling. "Mr. Edward Ferrars, the eldest son of Mrs. Ferrars, of Park Street, and brother of your sister-in-law, Mrs. John Dashwood, is the person I mean; you must allow that I am not likely to be deceived as to the name of the man on who all my happiness depends." "It is strange," replied Elinor, in a most painful perplexity, "that I should never have heard him even mention your name." "No; considering our situation, it was not strange. Our first care has been to keep the matter secret. You knew nothing of me, or my family, and, therefore, there could be no _occasion_ for ever mentioning my name to you; and, as he was always particularly afraid of his sister s suspecting any thing, _that_ was reason enough for his not mentioning it." She was silent. Elinor s security sunk; but her self-command did not sink with it. "Four years you have been engaged," said she with a firm voice. "Yes; and heaven knows how much longer we may have to wait. Poor Edward! It puts him quite out of heart." Then taking a small miniature from her pocket, she added, "To prevent the possibility of mistake, be so good as to look at this face. It does not do him justice, to be sure, but yet I think you cannot be deceived as to the person it was drew for. I have had it above these three years." She put it into her hands as she spoke; and when Elinor saw the painting, whatever other doubts her fear of a too hasty decision, or her wish of detecting falsehood might suffer to linger in her mind, she could have none of its being Edward s face. She returned it almost instantly, acknowledging the likeness. "I have never been able," continued Lucy, "to give him my picture in return, which I am very much vexed at, for he has been always so anxious to get it! But I am determined to set for it the very first opportunity." "You are quite in the right," replied Elinor calmly. They then proceeded a few paces in silence. Lucy spoke first. "I am sure," said she, "I have no doubt in the world of your faithfully keeping this secret, because you must know of what importance it is to us, not to have it reach his mother; for she would never approve of it, I dare say. I shall have no fortune, and I fancy she is an exceeding proud woman." "I certainly did not seek your confidence," said Elinor; "but you do me no more than justice in imagining that I may be depended on. Your secret is safe with me; but pardon me if I express some surprise at so unnecessary a communication. You must at least have felt that my being acquainted with it could not add to its safety." As she said this, she looked earnestly at Lucy, hoping to discover something in her countenance; perhaps the falsehood of the greatest part of what she had been saying; but Lucy s countenance suffered no change. "I was afraid you would think I was taking a great liberty with you," said she, "in telling you all this. I have not known you long to be sure, personally at least, but I have known you and all your family by description a great while; and as soon as I saw you, I felt almost as if you was an old acquaintance. Besides in the present case, I really thought some explanation was due to you after my making such particular inquiries about Edward s mother; and I am so unfortunate, that I have not a creature whose advice I can ask. Anne is the only person that knows of it, and she has no judgment at all; indeed, she does me a great deal more harm than good, for I am in constant fear of her betraying me. She does not know how to hold her tongue, as you must perceive, and I am sure I was in the greatest fright in the world t other day, when Edward s name was mentioned by Sir John, lest she should out with it all. You can t think how much I go through in my mind from it altogether. I only wonder that I am alive after what I have suffered for Edward s sake these last four years. Every thing in such suspense and uncertainty; and seeing him so seldom we can hardly meet above twice a-year. I am sure I wonder my heart is not quite broke." Here she took out her handkerchief; but Elinor did not feel very compassionate. "Sometimes." continued Lucy, after wiping her eyes, "I think whether it would not be better for us	upon yourself and the other Miss Dashwoods quite as his own sisters." She paused. Elinor for a few moments remained silent. Her astonishment at what she heard was at first too great for words; but at length forcing herself to speak, and to speak cautiously, she said, with calmness of manner, which tolerably well concealed her surprise and solicitude "May I ask if your engagement is of long standing?" "We have been engaged these four years." "Four years!" "Yes." Elinor, though greatly shocked, still felt unable to believe it. "I did not know," said she, "that you were even acquainted till the other day." "Our acquaintance, however, is of many years date. He was under my uncle s care, you know, a considerable while." "Your uncle!" "Yes; Mr. Pratt. Did you never hear him talk of Mr. Pratt?" "I think I have," replied Elinor, with an exertion of spirits, which increased with her increase of emotion. "He was four years with my uncle, who lives at Longstaple, near Plymouth. It was there our acquaintance begun, for my sister and me was often staying with my uncle, and it was there our engagement was formed, though not till a year after he had quitted as a pupil; but he was almost always with us afterwards. I was very unwilling to enter into it, as you may imagine, without the knowledge and approbation of his mother; but I was too young, and loved him too well, to be so prudent as I ought to have been. Though you do not know him so well as me, Miss Dashwood, you must have seen enough of him to be sensible he is very capable of making a woman sincerely attached to him." "Certainly," answered Elinor, without knowing what she said; but after a moment s reflection, she added, with revived security of Edward s honour and love, and her companion s falsehood "Engaged to Mr. Edward Ferrars! I confess myself so totally surprised at what you tell me, that really I beg your pardon; but surely there must be some mistake of person or name. We cannot mean the same Mr. Ferrars."<\|quote\|>"We can mean no other,"</\|quote\|>cried Lucy, smiling. "Mr. Edward Ferrars, the eldest son of Mrs. Ferrars, of Park Street, and brother of your sister-in-law, Mrs. John Dashwood, is the person I mean; you must allow that I am not likely to be deceived as to the name of the man on who all my happiness depends." "It is strange," replied Elinor, in a most painful perplexity, "that I should never have heard him even mention your name." "No; considering our situation, it was not strange. Our first care has been to keep the matter secret. You knew nothing of me, or my family, and, therefore, there could be no _occasion_ for ever mentioning my name to you; and, as he was always particularly afraid of his sister s suspecting any thing, _that_ was reason enough for his not mentioning it." She was silent. Elinor s security sunk; but her self-command did not sink with it. "Four years you have been engaged," said she with a firm voice. "Yes; and heaven knows how much longer we may have to wait. Poor Edward! It puts him quite out of heart." Then taking a small miniature from her pocket, she added, "To prevent the possibility of mistake, be so good as to look at this face. It does not do him justice, to be sure, but yet I think you cannot be deceived as to the person it was drew for. I have had it above these three years." She put it into her hands as she spoke; and when Elinor saw the painting, whatever other doubts her fear of a too hasty decision, or her wish of detecting falsehood might suffer to linger in her mind, she could have none of its being Edward s face. She returned it almost instantly, acknowledging the likeness. "I have never been able," continued Lucy, "to give him my picture in return, which I am very much vexed at, for he has been always so anxious to get it! But I am determined to set for it the very first opportunity." "You are quite in the right," replied Elinor calmly. They then proceeded a few paces in silence. Lucy	Sense And Sensibility
"I I won't scream or cry not once hear me speak to me tell me what I have done!"	Nance	the strength of mortal fear,<\|quote\|>"I I won't scream or cry not once hear me speak to me tell me what I have done!"</\|quote\|>"You know, you she devil!"	gasped the girl, wrestling with the strength of mortal fear,<\|quote\|>"I I won't scream or cry not once hear me speak to me tell me what I have done!"</\|quote\|>"You know, you she devil!" returned the robber, suppressing his	few seconds, with dilated nostrils and heaving breast; and then, grasping her by the head and throat, dragged her into the middle of the room, and looking once towards the door, placed his heavy hand upon her mouth. "Bill, Bill!" gasped the girl, wrestling with the strength of mortal fear,<\|quote\|>"I I won't scream or cry not once hear me speak to me tell me what I have done!"</\|quote\|>"You know, you she devil!" returned the robber, suppressing his breath. "You were watched to-night; every word you said was heard." "Then spare my life for the love of Heaven, as I spared yours," rejoined the girl, clinging to him. "Bill, dear Bill, you cannot have the heart to kill	girl rose to undraw the curtain. "Let it be," said Sikes, thrusting his hand before her. "There's enough light for wot I've got to do." "Bill," said the girl, in the low voice of alarm, "why do you look like that at me!" The robber sat regarding her, for a few seconds, with dilated nostrils and heaving breast; and then, grasping her by the head and throat, dragged her into the middle of the room, and looking once towards the door, placed his heavy hand upon her mouth. "Bill, Bill!" gasped the girl, wrestling with the strength of mortal fear,<\|quote\|>"I I won't scream or cry not once hear me speak to me tell me what I have done!"</\|quote\|>"You know, you she devil!" returned the robber, suppressing his breath. "You were watched to-night; every word you said was heard." "Then spare my life for the love of Heaven, as I spared yours," rejoined the girl, clinging to him. "Bill, dear Bill, you cannot have the heart to kill me. Oh! think of all I have given up, only this one night, for you. You _shall_ have time to think, and save yourself this crime; I will not loose my hold, you cannot throw me off. Bill, Bill, for dear God's sake, for your own, for mine, stop before	his own room, double-locked the door, and lifting a heavy table against it, drew back the curtain of the bed. The girl was lying, half-dressed, upon it. He had roused her from her sleep, for she raised herself with a hurried and startled look. "Get up!" said the man. "It is you, Bill!" said the girl, with an expression of pleasure at his return. "It is," was the reply. "Get up." There was a candle burning, but the man hastily drew it from the candlestick, and hurled it under the grate. Seeing the faint light of early day without, the girl rose to undraw the curtain. "Let it be," said Sikes, thrusting his hand before her. "There's enough light for wot I've got to do." "Bill," said the girl, in the low voice of alarm, "why do you look like that at me!" The robber sat regarding her, for a few seconds, with dilated nostrils and heaving breast; and then, grasping her by the head and throat, dragged her into the middle of the room, and looking once towards the door, placed his heavy hand upon her mouth. "Bill, Bill!" gasped the girl, wrestling with the strength of mortal fear,<\|quote\|>"I I won't scream or cry not once hear me speak to me tell me what I have done!"</\|quote\|>"You know, you she devil!" returned the robber, suppressing his breath. "You were watched to-night; every word you said was heard." "Then spare my life for the love of Heaven, as I spared yours," rejoined the girl, clinging to him. "Bill, dear Bill, you cannot have the heart to kill me. Oh! think of all I have given up, only this one night, for you. You _shall_ have time to think, and save yourself this crime; I will not loose my hold, you cannot throw me off. Bill, Bill, for dear God's sake, for your own, for mine, stop before you spill my blood! I have been true to you, upon my guilty soul I have!" The man struggled violently, to release his arms; but those of the girl were clasped round his, and tear her as he would, he could not tear them away. "Bill," cried the girl, striving to lay her head upon his breast, "the gentleman and that dear lady, told me to-night of a home in some foreign country where I could end my days in solitude and peace. Let me see them again, and beg them, on my knees, to show the same mercy and	safe. Let me out, I say!" "Hear me speak a word," rejoined Fagin, laying his hand upon the lock. "You won't be" "Well," replied the other. "You won't be too violent, Bill?" The day was breaking, and there was light enough for the men to see each other's faces. They exchanged one brief glance; there was a fire in the eyes of both, which could not be mistaken. "I mean," said Fagin, showing that he felt all disguise was now useless, "not too violent for safety. Be crafty, Bill, and not too bold." Sikes made no reply; but, pulling open the door, of which Fagin had turned the lock, dashed into the silent streets. Without one pause, or moment's consideration; without once turning his head to the right or left, or raising his eyes to the sky, or lowering them to the ground, but looking straight before him with savage resolution: his teeth so tightly compressed that the strained jaw seemed starting through his skin; the robber held on his headlong course, nor muttered a word, nor relaxed a muscle, until he reached his own door. He opened it, softly, with a key; strode lightly up the stairs; and entering his own room, double-locked the door, and lifting a heavy table against it, drew back the curtain of the bed. The girl was lying, half-dressed, upon it. He had roused her from her sleep, for she raised herself with a hurried and startled look. "Get up!" said the man. "It is you, Bill!" said the girl, with an expression of pleasure at his return. "It is," was the reply. "Get up." There was a candle burning, but the man hastily drew it from the candlestick, and hurled it under the grate. Seeing the faint light of early day without, the girl rose to undraw the curtain. "Let it be," said Sikes, thrusting his hand before her. "There's enough light for wot I've got to do." "Bill," said the girl, in the low voice of alarm, "why do you look like that at me!" The robber sat regarding her, for a few seconds, with dilated nostrils and heaving breast; and then, grasping her by the head and throat, dragged her into the middle of the room, and looking once towards the door, placed his heavy hand upon her mouth. "Bill, Bill!" gasped the girl, wrestling with the strength of mortal fear,<\|quote\|>"I I won't scream or cry not once hear me speak to me tell me what I have done!"</\|quote\|>"You know, you she devil!" returned the robber, suppressing his breath. "You were watched to-night; every word you said was heard." "Then spare my life for the love of Heaven, as I spared yours," rejoined the girl, clinging to him. "Bill, dear Bill, you cannot have the heart to kill me. Oh! think of all I have given up, only this one night, for you. You _shall_ have time to think, and save yourself this crime; I will not loose my hold, you cannot throw me off. Bill, Bill, for dear God's sake, for your own, for mine, stop before you spill my blood! I have been true to you, upon my guilty soul I have!" The man struggled violently, to release his arms; but those of the girl were clasped round his, and tear her as he would, he could not tear them away. "Bill," cried the girl, striving to lay her head upon his breast, "the gentleman and that dear lady, told me to-night of a home in some foreign country where I could end my days in solitude and peace. Let me see them again, and beg them, on my knees, to show the same mercy and goodness to you; and let us both leave this dreadful place, and far apart lead better lives, and forget how we have lived, except in prayers, and never see each other more. It is never too late to repent. They told me so I feel it now but we must have time a little, little time!" The housebreaker freed one arm, and grasped his pistol. The certainty of immediate detection if he fired, flashed across his mind even in the midst of his fury; and he beat it twice with all the force he could summon, upon the upturned face that almost touched his own. She staggered and fell: nearly blinded with the blood that rained down from a deep gash in her forehead; but raising herself, with difficulty, on her knees, drew from her bosom a white handkerchief Rose Maylie's own and holding it up, in her folded hands, as high towards Heaven as her feeble strength would allow, breathed one prayer for mercy to her Maker. It was a ghastly figure to look upon. The murderer staggering backward to the wall, and shutting out the sight with his hand, seized a heavy club and struck her down. CHAPTER	he had heard enough. "You followed her?" "Yes." "To London Bridge?" "Yes." "Where she met two people." "So she did." "A gentleman and a lady that she had gone to of her own accord before, who asked her to give up all her pals, and Monks first, which she did and to describe him, which she did and to tell her what house it was that we meet at, and go to, which she did and where it could be best watched from, which she did and what time the people went there, which she did. She did all this. She told it all every word without a threat, without a murmur she did did she not?" cried Fagin, half mad with fury. "All right," replied Noah, scratching his head. "That's just what it was!" "What did they say, about last Sunday?" "About last Sunday!" replied Noah, considering. "Why I told yer that before." "Again. Tell it again!" cried Fagin, tightening his grasp on Sikes, and brandishing his other hand aloft, as the foam flew from his lips. "They asked her," said Noah, who, as he grew more wakeful, seemed to have a dawning perception who Sikes was, "they asked her why she didn't come, last Sunday, as she promised. She said she couldn't." "Why why? Tell him that." "Because she was forcibly kept at home by Bill, the man she had told them of before," replied Noah. "What more of him?" cried Fagin. "What more of the man she had told them of before? Tell him that, tell him that." "Why, that she couldn't very easily get out of doors unless he knew where she was going to," said Noah; "and so the first time she went to see the lady, she ha! ha! ha! it made me laugh when she said it, that it did she gave him a drink of laudanum." "Hell's fire!" cried Sikes, breaking fiercely from the Jew. "Let me go!" Flinging the old man from him, he rushed from the room, and darted, wildly and furiously, up the stairs. "Bill, Bill!" cried Fagin, following him hastily. "A word. Only a word." The word would not have been exchanged, but that the housebreaker was unable to open the door: on which he was expending fruitless oaths and violence, when the Jew came panting up. "Let me out," said Sikes. "Don't speak to me; it's not safe. Let me out, I say!" "Hear me speak a word," rejoined Fagin, laying his hand upon the lock. "You won't be" "Well," replied the other. "You won't be too violent, Bill?" The day was breaking, and there was light enough for the men to see each other's faces. They exchanged one brief glance; there was a fire in the eyes of both, which could not be mistaken. "I mean," said Fagin, showing that he felt all disguise was now useless, "not too violent for safety. Be crafty, Bill, and not too bold." Sikes made no reply; but, pulling open the door, of which Fagin had turned the lock, dashed into the silent streets. Without one pause, or moment's consideration; without once turning his head to the right or left, or raising his eyes to the sky, or lowering them to the ground, but looking straight before him with savage resolution: his teeth so tightly compressed that the strained jaw seemed starting through his skin; the robber held on his headlong course, nor muttered a word, nor relaxed a muscle, until he reached his own door. He opened it, softly, with a key; strode lightly up the stairs; and entering his own room, double-locked the door, and lifting a heavy table against it, drew back the curtain of the bed. The girl was lying, half-dressed, upon it. He had roused her from her sleep, for she raised herself with a hurried and startled look. "Get up!" said the man. "It is you, Bill!" said the girl, with an expression of pleasure at his return. "It is," was the reply. "Get up." There was a candle burning, but the man hastily drew it from the candlestick, and hurled it under the grate. Seeing the faint light of early day without, the girl rose to undraw the curtain. "Let it be," said Sikes, thrusting his hand before her. "There's enough light for wot I've got to do." "Bill," said the girl, in the low voice of alarm, "why do you look like that at me!" The robber sat regarding her, for a few seconds, with dilated nostrils and heaving breast; and then, grasping her by the head and throat, dragged her into the middle of the room, and looking once towards the door, placed his heavy hand upon her mouth. "Bill, Bill!" gasped the girl, wrestling with the strength of mortal fear,<\|quote\|>"I I won't scream or cry not once hear me speak to me tell me what I have done!"</\|quote\|>"You know, you she devil!" returned the robber, suppressing his breath. "You were watched to-night; every word you said was heard." "Then spare my life for the love of Heaven, as I spared yours," rejoined the girl, clinging to him. "Bill, dear Bill, you cannot have the heart to kill me. Oh! think of all I have given up, only this one night, for you. You _shall_ have time to think, and save yourself this crime; I will not loose my hold, you cannot throw me off. Bill, Bill, for dear God's sake, for your own, for mine, stop before you spill my blood! I have been true to you, upon my guilty soul I have!" The man struggled violently, to release his arms; but those of the girl were clasped round his, and tear her as he would, he could not tear them away. "Bill," cried the girl, striving to lay her head upon his breast, "the gentleman and that dear lady, told me to-night of a home in some foreign country where I could end my days in solitude and peace. Let me see them again, and beg them, on my knees, to show the same mercy and goodness to you; and let us both leave this dreadful place, and far apart lead better lives, and forget how we have lived, except in prayers, and never see each other more. It is never too late to repent. They told me so I feel it now but we must have time a little, little time!" The housebreaker freed one arm, and grasped his pistol. The certainty of immediate detection if he fired, flashed across his mind even in the midst of his fury; and he beat it twice with all the force he could summon, upon the upturned face that almost touched his own. She staggered and fell: nearly blinded with the blood that rained down from a deep gash in her forehead; but raising herself, with difficulty, on her knees, drew from her bosom a white handkerchief Rose Maylie's own and holding it up, in her folded hands, as high towards Heaven as her feeble strength would allow, breathed one prayer for mercy to her Maker. It was a ghastly figure to look upon. The murderer staggering backward to the wall, and shutting out the sight with his hand, seized a heavy club and struck her down. CHAPTER XLVIII. THE FLIGHT OF SIKES Of all bad deeds that, under cover of the darkness, had been committed within wide London's bounds since night hung over it, that was the worst. Of all the horrors that rose with an ill scent upon the morning air, that was the foulest and most cruel. The sun the bright sun, that brings back, not light alone, but new life, and hope, and freshness to man burst upon the crowded city in clear and radiant glory. Through costly-coloured glass and paper-mended window, through cathedral dome and rotten crevice, it shed its equal ray. It lighted up the room where the murdered woman lay. It did. He tried to shut it out, but it would stream in. If the sight had been a ghastly one in the dull morning, what was it, now, in all that brilliant light! He had not moved; he had been afraid to stir. There had been a moan and motion of the hand; and, with terror added to rage, he had struck and struck again. Once he threw a rug over it; but it was worse to fancy the eyes, and imagine them moving towards him, than to see them glaring upward, as if watching the reflection of the pool of gore that quivered and danced in the sunlight on the ceiling. He had plucked it off again. And there was the body mere flesh and blood, no more but such flesh, and so much blood! He struck a light, kindled a fire, and thrust the club into it. There was hair upon the end, which blazed and shrunk into a light cinder, and, caught by the air, whirled up the chimney. Even that frightened him, sturdy as he was; but he held the weapon till it broke, and then piled it on the coals to burn away, and smoulder into ashes. He washed himself, and rubbed his clothes; there were spots that would not be removed, but he cut the pieces out, and burnt them. How those stains were dispersed about the room! The very feet of the dog were bloody. All this time he had, never once, turned his back upon the corpse; no, not for a moment. Such preparations completed, he moved, backward, towards the door: dragging the dog with him, lest he should soil his feet anew and carry out new evidence of the crime into	unable to open the door: on which he was expending fruitless oaths and violence, when the Jew came panting up. "Let me out," said Sikes. "Don't speak to me; it's not safe. Let me out, I say!" "Hear me speak a word," rejoined Fagin, laying his hand upon the lock. "You won't be" "Well," replied the other. "You won't be too violent, Bill?" The day was breaking, and there was light enough for the men to see each other's faces. They exchanged one brief glance; there was a fire in the eyes of both, which could not be mistaken. "I mean," said Fagin, showing that he felt all disguise was now useless, "not too violent for safety. Be crafty, Bill, and not too bold." Sikes made no reply; but, pulling open the door, of which Fagin had turned the lock, dashed into the silent streets. Without one pause, or moment's consideration; without once turning his head to the right or left, or raising his eyes to the sky, or lowering them to the ground, but looking straight before him with savage resolution: his teeth so tightly compressed that the strained jaw seemed starting through his skin; the robber held on his headlong course, nor muttered a word, nor relaxed a muscle, until he reached his own door. He opened it, softly, with a key; strode lightly up the stairs; and entering his own room, double-locked the door, and lifting a heavy table against it, drew back the curtain of the bed. The girl was lying, half-dressed, upon it. He had roused her from her sleep, for she raised herself with a hurried and startled look. "Get up!" said the man. "It is you, Bill!" said the girl, with an expression of pleasure at his return. "It is," was the reply. "Get up." There was a candle burning, but the man hastily drew it from the candlestick, and hurled it under the grate. Seeing the faint light of early day without, the girl rose to undraw the curtain. "Let it be," said Sikes, thrusting his hand before her. "There's enough light for wot I've got to do." "Bill," said the girl, in the low voice of alarm, "why do you look like that at me!" The robber sat regarding her, for a few seconds, with dilated nostrils and heaving breast; and then, grasping her by the head and throat, dragged her into the middle of the room, and looking once towards the door, placed his heavy hand upon her mouth. "Bill, Bill!" gasped the girl, wrestling with the strength of mortal fear,<\|quote\|>"I I won't scream or cry not once hear me speak to me tell me what I have done!"</\|quote\|>"You know, you she devil!" returned the robber, suppressing his breath. "You were watched to-night; every word you said was heard." "Then spare my life for the love of Heaven, as I spared yours," rejoined the girl, clinging to him. "Bill, dear Bill, you cannot have the heart to kill me. Oh! think of all I have given up, only this one night, for you. You _shall_ have time to think, and save yourself this crime; I will not loose my hold, you cannot throw me off. Bill, Bill, for dear God's sake, for your own, for mine, stop before you spill my blood! I have been true to you, upon my guilty soul I have!" The man struggled violently, to release his arms; but those of the girl were clasped round his, and tear her as he would, he could not tear them away. "Bill," cried the girl, striving to lay her head upon his breast, "the gentleman and that dear lady, told me to-night of a home in some foreign country where I could end my days in solitude and peace. Let me see them again, and beg them, on my knees, to show the same mercy and goodness to you; and let us both leave this dreadful place, and far apart lead better lives, and forget how we have lived, except in prayers, and never see each other more. It is never too late to repent. They told me so I feel it now but we must have time a little, little time!" The housebreaker freed one arm, and grasped his pistol. The certainty of immediate detection if he fired, flashed across his mind even in the midst of his fury; and he beat it twice with all the force he could summon, upon the upturned face that almost touched his own. She staggered and fell: nearly blinded with the blood that rained down from a deep gash in her forehead; but raising herself, with	Oliver Twist
and suddenly the drawing-room re-echoed to a vulgar row.	No speaker	on me like that for?"<\|quote\|>and suddenly the drawing-room re-echoed to a vulgar row.</\|quote\|>"You ask me why I	do you want to turn on me like that for?"<\|quote\|>and suddenly the drawing-room re-echoed to a vulgar row.</\|quote\|>"You ask me why I turn on you?" "Yes." "What	have let him go. "A little mistake. We tried knowing another class--impossible." But the Schlegels had never played with life. They had attempted friendship, and they would take the consequences. Helen retorted, "I call that a very rude remark. What do you want to turn on me like that for?"<\|quote\|>and suddenly the drawing-room re-echoed to a vulgar row.</\|quote\|>"You ask me why I turn on you?" "Yes." "What do you want to have me here for?" "To help you, you silly boy!" cried Helen. "And don t shout." "I don t want your patronage. I don t want your tea. I was quite happy. What do you want	notice him. "Mr. Wilcox, Mr. Ba--Must you be really? Good-bye!" "Come again," said Helen from the floor. Then Leonard s gorge arose. Why should he come again? What was the good of it? He said roundly: "No, I shan t; I knew it would be a failure." Most people would have let him go. "A little mistake. We tried knowing another class--impossible." But the Schlegels had never played with life. They had attempted friendship, and they would take the consequences. Helen retorted, "I call that a very rude remark. What do you want to turn on me like that for?"<\|quote\|>and suddenly the drawing-room re-echoed to a vulgar row.</\|quote\|>"You ask me why I turn on you?" "Yes." "What do you want to have me here for?" "To help you, you silly boy!" cried Helen. "And don t shout." "I don t want your patronage. I don t want your tea. I was quite happy. What do you want to unsettle me for?" He turned to Mr. Wilcox. "I put it to this gentleman. I ask you, sir, am I to have my brain picked?" Mr. Wilcox turned to Margaret with the air of humorous strength that he could so well command. "Are we intruding, Miss Schlegel? Can we	preceded by two prancing puppies. "Oh, the dears! Oh, Evie, how too impossibly sweet!" screamed Helen, falling on her hands and knees. "We brought the little fellows round," said Mr. Wilcox. "I bred em myself." "Oh, really! Mr. Bast, come and play with puppies." "I ve got to be going now," said Leonard sourly. "But play with puppies a little first." "This is Ahab, that s Jezebel," said Evie, who was one of those who name animals after the less successful characters of Old Testament history. "I ve got to be going." Helen was too much occupied with puppies to notice him. "Mr. Wilcox, Mr. Ba--Must you be really? Good-bye!" "Come again," said Helen from the floor. Then Leonard s gorge arose. Why should he come again? What was the good of it? He said roundly: "No, I shan t; I knew it would be a failure." Most people would have let him go. "A little mistake. We tried knowing another class--impossible." But the Schlegels had never played with life. They had attempted friendship, and they would take the consequences. Helen retorted, "I call that a very rude remark. What do you want to turn on me like that for?"<\|quote\|>and suddenly the drawing-room re-echoed to a vulgar row.</\|quote\|>"You ask me why I turn on you?" "Yes." "What do you want to have me here for?" "To help you, you silly boy!" cried Helen. "And don t shout." "I don t want your patronage. I don t want your tea. I was quite happy. What do you want to unsettle me for?" He turned to Mr. Wilcox. "I put it to this gentleman. I ask you, sir, am I to have my brain picked?" Mr. Wilcox turned to Margaret with the air of humorous strength that he could so well command. "Are we intruding, Miss Schlegel? Can we be of any use, or shall we go?" But Margaret ignored him. "I m connected with a leading insurance company, sir. I receive what I take to be an invitation from these--ladies" (he drawled the word). "I come, and it s to have my brain picked. I ask you, is it fair?" "Highly unfair," said Mr. Wilcox, drawing a gasp from Evie, who knew that her father was becoming dangerous. "There, you hear that? Most unfair, the gentleman says. There! Not content with" "--pointing at Margaret--" "you can t deny it." His voice rose; he was falling into the rhythm	imperfect skill, discussed the subject of reinsurance or praised their anonymous friend. Leonard grew annoyed--perhaps rightly. He made vague remarks about not being one of those who minded their affairs being talked over by others, but they did not take the hint. Men might have shown more tact. Women, however tactful elsewhere, are heavy-handed here. They cannot see why we should shroud our incomes and our prospects in a veil. "How much exactly have you, and how much do you expect to have next June?" And these were women with a theory, who held that reticence about money matters is absurd, and that life would be truer if each would state the exact size of the golden island upon which he stands, the exact stretch of warp over which he throws the woof that is not money. How can we do justice to the pattern otherwise? And the precious minutes slipped away, and Jacky and squalor came nearer. At last he could bear it no longer, and broke in, reciting the names of books feverishly. There was a moment of piercing joy when Margaret said, "So YOU like Carlyle" and then the door opened, and "Mr. Wilcox, Miss Wilcox" entered, preceded by two prancing puppies. "Oh, the dears! Oh, Evie, how too impossibly sweet!" screamed Helen, falling on her hands and knees. "We brought the little fellows round," said Mr. Wilcox. "I bred em myself." "Oh, really! Mr. Bast, come and play with puppies." "I ve got to be going now," said Leonard sourly. "But play with puppies a little first." "This is Ahab, that s Jezebel," said Evie, who was one of those who name animals after the less successful characters of Old Testament history. "I ve got to be going." Helen was too much occupied with puppies to notice him. "Mr. Wilcox, Mr. Ba--Must you be really? Good-bye!" "Come again," said Helen from the floor. Then Leonard s gorge arose. Why should he come again? What was the good of it? He said roundly: "No, I shan t; I knew it would be a failure." Most people would have let him go. "A little mistake. We tried knowing another class--impossible." But the Schlegels had never played with life. They had attempted friendship, and they would take the consequences. Helen retorted, "I call that a very rude remark. What do you want to turn on me like that for?"<\|quote\|>and suddenly the drawing-room re-echoed to a vulgar row.</\|quote\|>"You ask me why I turn on you?" "Yes." "What do you want to have me here for?" "To help you, you silly boy!" cried Helen. "And don t shout." "I don t want your patronage. I don t want your tea. I was quite happy. What do you want to unsettle me for?" He turned to Mr. Wilcox. "I put it to this gentleman. I ask you, sir, am I to have my brain picked?" Mr. Wilcox turned to Margaret with the air of humorous strength that he could so well command. "Are we intruding, Miss Schlegel? Can we be of any use, or shall we go?" But Margaret ignored him. "I m connected with a leading insurance company, sir. I receive what I take to be an invitation from these--ladies" (he drawled the word). "I come, and it s to have my brain picked. I ask you, is it fair?" "Highly unfair," said Mr. Wilcox, drawing a gasp from Evie, who knew that her father was becoming dangerous. "There, you hear that? Most unfair, the gentleman says. There! Not content with" "--pointing at Margaret--" "you can t deny it." His voice rose; he was falling into the rhythm of a scene with Jacky. "But as soon as I m useful it s a very different thing. Oh yes, send for him. Cross-question him. Pick his brains. Oh yes. Now, take me on the whole, I m a quiet fellow: I m law-abiding, I don t wish any unpleasantness; but I--I--" "You," said Margaret--" "you--you--" Laughter from Evie as at a repartee. "You are the man who tried to walk by the Pole Star." More laughter. "You saw the sunrise." Laughter. "You tried to get away from the fogs that are stifling us all--away past books and houses to the truth. You were looking for a real home." "I fail to see the connection," said Leonard, hot with stupid anger. "So do I." There was a pause. "You were that last Sunday--you are this to-day. Mr. Bast! I and my sister have talked you over. We wanted to help you; we also supposed you might help us. We did not have you here out of charity--which bores us--but because we hoped there would be a connection between last Sunday and other days. What is the good of your stars and trees, your sunrise and the wind, if they do	are powerful, we learn little about them. It is only in the days of their decadence that a strong light beats into heaven. "We were told the Porphyrion s no go," blurted Helen. "We wanted to tell you; that s why we wrote." "A friend of ours did think that it is insufficiently reinsured," said Margaret. Now Leonard had his clue. He must praise the Porphyrion. "You can tell your friend," he said, "that he s quite wrong." "Oh, good!" The young man coloured a little. In his circle to be wrong was fatal. The Miss Schlegels did not mind being wrong. They were genuinely glad that they had been misinformed. To them nothing was fatal but evil. "Wrong, so to speak," he added. "How so to speak ?" "I mean I wouldn t say he s right altogether." But this was a blunder. "Then he is right partly," said the elder woman, quick as lightning. Leonard replied that every one was right partly, if it came to that. "Mr. Bast, I don t understand business, and I dare say my questions are stupid, but can you tell me what makes a concern right or wrong ?" Leonard sat back with a sigh. "Our friend, who is also a business man, was so positive. He said before Christmas--" "And advised you to clear out of it," concluded Helen. "But I don t see why he should know better than you do." Leonard rubbed his hands. He was tempted to say that he knew nothing about the thing at all. But a commercial training was too strong for him. Nor could he say it was a bad thing, for this would be giving it away; nor yet that it was good, for this would be giving it away equally. He attempted to suggest that it was something between the two, with vast possibilities in either direction, but broke down under the gaze of four sincere eyes. And yet he scarcely distinguished between the two sisters. One was more beautiful and more lively, but "the Miss Schlegels" still remained a composite Indian god, whose waving arms and contradictory speeches were the product of a single mind. "One can but see," he remarked, adding, "as Ibsen says, things happen." He was itching to talk about books and make the most of his romantic hour. Minute after minute slipped away, while the ladies, with imperfect skill, discussed the subject of reinsurance or praised their anonymous friend. Leonard grew annoyed--perhaps rightly. He made vague remarks about not being one of those who minded their affairs being talked over by others, but they did not take the hint. Men might have shown more tact. Women, however tactful elsewhere, are heavy-handed here. They cannot see why we should shroud our incomes and our prospects in a veil. "How much exactly have you, and how much do you expect to have next June?" And these were women with a theory, who held that reticence about money matters is absurd, and that life would be truer if each would state the exact size of the golden island upon which he stands, the exact stretch of warp over which he throws the woof that is not money. How can we do justice to the pattern otherwise? And the precious minutes slipped away, and Jacky and squalor came nearer. At last he could bear it no longer, and broke in, reciting the names of books feverishly. There was a moment of piercing joy when Margaret said, "So YOU like Carlyle" and then the door opened, and "Mr. Wilcox, Miss Wilcox" entered, preceded by two prancing puppies. "Oh, the dears! Oh, Evie, how too impossibly sweet!" screamed Helen, falling on her hands and knees. "We brought the little fellows round," said Mr. Wilcox. "I bred em myself." "Oh, really! Mr. Bast, come and play with puppies." "I ve got to be going now," said Leonard sourly. "But play with puppies a little first." "This is Ahab, that s Jezebel," said Evie, who was one of those who name animals after the less successful characters of Old Testament history. "I ve got to be going." Helen was too much occupied with puppies to notice him. "Mr. Wilcox, Mr. Ba--Must you be really? Good-bye!" "Come again," said Helen from the floor. Then Leonard s gorge arose. Why should he come again? What was the good of it? He said roundly: "No, I shan t; I knew it would be a failure." Most people would have let him go. "A little mistake. We tried knowing another class--impossible." But the Schlegels had never played with life. They had attempted friendship, and they would take the consequences. Helen retorted, "I call that a very rude remark. What do you want to turn on me like that for?"<\|quote\|>and suddenly the drawing-room re-echoed to a vulgar row.</\|quote\|>"You ask me why I turn on you?" "Yes." "What do you want to have me here for?" "To help you, you silly boy!" cried Helen. "And don t shout." "I don t want your patronage. I don t want your tea. I was quite happy. What do you want to unsettle me for?" He turned to Mr. Wilcox. "I put it to this gentleman. I ask you, sir, am I to have my brain picked?" Mr. Wilcox turned to Margaret with the air of humorous strength that he could so well command. "Are we intruding, Miss Schlegel? Can we be of any use, or shall we go?" But Margaret ignored him. "I m connected with a leading insurance company, sir. I receive what I take to be an invitation from these--ladies" (he drawled the word). "I come, and it s to have my brain picked. I ask you, is it fair?" "Highly unfair," said Mr. Wilcox, drawing a gasp from Evie, who knew that her father was becoming dangerous. "There, you hear that? Most unfair, the gentleman says. There! Not content with" "--pointing at Margaret--" "you can t deny it." His voice rose; he was falling into the rhythm of a scene with Jacky. "But as soon as I m useful it s a very different thing. Oh yes, send for him. Cross-question him. Pick his brains. Oh yes. Now, take me on the whole, I m a quiet fellow: I m law-abiding, I don t wish any unpleasantness; but I--I--" "You," said Margaret--" "you--you--" Laughter from Evie as at a repartee. "You are the man who tried to walk by the Pole Star." More laughter. "You saw the sunrise." Laughter. "You tried to get away from the fogs that are stifling us all--away past books and houses to the truth. You were looking for a real home." "I fail to see the connection," said Leonard, hot with stupid anger. "So do I." There was a pause. "You were that last Sunday--you are this to-day. Mr. Bast! I and my sister have talked you over. We wanted to help you; we also supposed you might help us. We did not have you here out of charity--which bores us--but because we hoped there would be a connection between last Sunday and other days. What is the good of your stars and trees, your sunrise and the wind, if they do not enter into our daily lives? They have never entered into mine, but into yours, we thought--Haven t we all to struggle against life s daily greyness, against pettiness, against mechanical cheerfulness, against suspicion? I struggle by remembering my friends; others I have known by remembering some place--some beloved place or tree--we thought you one of these." "Of course, if there s been any misunderstanding," mumbled Leonard, "all I can do is to go. But I beg to state--" He paused. Ahab and Jezebel danced at his boots and made him look ridiculous. "You were picking my brain for official information--I can prove it--I--" He blew his nose and left them. "Can I help you now?" said Mr. Wilcox, turning to Margaret. "May I have one quiet word with him in the hall?" "Helen, go after him--do anything--anything--to make the noodle understand." Helen hesitated. "But really--" said their visitor. "Ought she to?" At once she went. He resumed. "I would have chimed in, but I felt that you could polish him off for yourselves--I didn t interfere. You were splendid, Miss Schlegel--absolutely splendid. You can take my word for it, but there are very few women who could have managed him." "Oh yes," said Margaret distractedly. "Bowling him over with those long sentences was what fetched me," cried Evie. "Yes, indeed," chuckled her father; "all that part about mechanical cheerfulness --oh, fine!" "I m very sorry," said Margaret, collecting herself. "He s a nice creature really. I cannot think what set him off. It has been most unpleasant for you." "Oh, I didn t mind." Then he changed his mood. He asked if he might speak as an old friend, and, permission given, said: "Oughtn t you really to be more careful?" Margaret laughed, though her thoughts still strayed after Helen. "Do you realise that it s all your fault?" she said. "You re responsible." "I?" "This is the young man whom we were to warn against the Porphyrion. We warn him, and--look!" Mr. Wilcox was annoyed. "I hardly consider that a fair deduction," he said. "Obviously unfair," said Margaret. "I was only thinking how tangled things are. It s our fault mostly--neither yours nor his." "Not his?" "No." "Miss Schlegel, you are too kind." "Yes, indeed," nodded Evie, a little contemptuously. "You behave much too well to people, and then they impose on you. I know the world and	much exactly have you, and how much do you expect to have next June?" And these were women with a theory, who held that reticence about money matters is absurd, and that life would be truer if each would state the exact size of the golden island upon which he stands, the exact stretch of warp over which he throws the woof that is not money. How can we do justice to the pattern otherwise? And the precious minutes slipped away, and Jacky and squalor came nearer. At last he could bear it no longer, and broke in, reciting the names of books feverishly. There was a moment of piercing joy when Margaret said, "So YOU like Carlyle" and then the door opened, and "Mr. Wilcox, Miss Wilcox" entered, preceded by two prancing puppies. "Oh, the dears! Oh, Evie, how too impossibly sweet!" screamed Helen, falling on her hands and knees. "We brought the little fellows round," said Mr. Wilcox. "I bred em myself." "Oh, really! Mr. Bast, come and play with puppies." "I ve got to be going now," said Leonard sourly. "But play with puppies a little first." "This is Ahab, that s Jezebel," said Evie, who was one of those who name animals after the less successful characters of Old Testament history. "I ve got to be going." Helen was too much occupied with puppies to notice him. "Mr. Wilcox, Mr. Ba--Must you be really? Good-bye!" "Come again," said Helen from the floor. Then Leonard s gorge arose. Why should he come again? What was the good of it? He said roundly: "No, I shan t; I knew it would be a failure." Most people would have let him go. "A little mistake. We tried knowing another class--impossible." But the Schlegels had never played with life. They had attempted friendship, and they would take the consequences. Helen retorted, "I call that a very rude remark. What do you want to turn on me like that for?"<\|quote\|>and suddenly the drawing-room re-echoed to a vulgar row.</\|quote\|>"You ask me why I turn on you?" "Yes." "What do you want to have me here for?" "To help you, you silly boy!" cried Helen. "And don t shout." "I don t want your patronage. I don t want your tea. I was quite happy. What do you want to unsettle me for?" He turned to Mr. Wilcox. "I put it to this gentleman. I ask you, sir, am I to have my brain picked?" Mr. Wilcox turned to Margaret with the air of humorous strength that he could so well command. "Are we intruding, Miss Schlegel? Can we be of any use, or shall we go?" But Margaret ignored him. "I m connected with a leading insurance company, sir. I receive what I take to be an invitation from these--ladies" (he drawled the word). "I come, and it s to have my brain picked. I ask you, is it fair?" "Highly unfair," said Mr. Wilcox, drawing a gasp from Evie, who knew that her father was becoming dangerous. "There, you hear that? Most unfair, the gentleman says. There! Not content with" "--pointing at Margaret--" "you can t deny it." His voice rose; he was falling into the rhythm of a scene with Jacky. "But as soon as I m useful it s a very different thing. Oh yes, send for him. Cross-question him. Pick his brains. Oh yes. Now, take me on the whole, I m a quiet fellow: I m law-abiding, I don t wish any unpleasantness; but I--I--" "You," said Margaret--" "you--you--" Laughter from Evie as at a repartee. "You are the man who tried to walk by the Pole Star." More laughter. "You saw the sunrise." Laughter. "You tried to get away from the fogs that are stifling us all--away past books and houses to	Howards End
sobbed Diana,	No speaker	caress thee?" "Indeed I will,"<\|quote\|>sobbed Diana,</\|quote\|>"and I'll never have another	matter what dearer friends may caress thee?" "Indeed I will,"<\|quote\|>sobbed Diana,</\|quote\|>"and I'll never have another bosom friend--I don't want to	stay ten minutes and she's timing me by the clock." "Ten minutes isn't very long to say an eternal farewell in," said Anne tearfully. "Oh, Diana, will you promise faithfully never to forget me, the friend of your youth, no matter what dearer friends may caress thee?" "Indeed I will,"<\|quote\|>sobbed Diana,</\|quote\|>"and I'll never have another bosom friend--I don't want to have. I couldn't love anybody as I love you." "Oh, Diana," cried Anne, clasping her hands, "do you _love_ me?" "Why, of course I do. Didn't you know that?" "No." Anne drew a long breath. "I thought you _liked_ me	she says I'm never to play with you again. I've cried and cried and I told her it wasn't your fault, but it wasn't any use. I had ever such a time coaxing her to let me come down and say good-bye to you. She said I was only to stay ten minutes and she's timing me by the clock." "Ten minutes isn't very long to say an eternal farewell in," said Anne tearfully. "Oh, Diana, will you promise faithfully never to forget me, the friend of your youth, no matter what dearer friends may caress thee?" "Indeed I will,"<\|quote\|>sobbed Diana,</\|quote\|>"and I'll never have another bosom friend--I don't want to have. I couldn't love anybody as I love you." "Oh, Diana," cried Anne, clasping her hands, "do you _love_ me?" "Why, of course I do. Didn't you know that?" "No." Anne drew a long breath. "I thought you _liked_ me of course but I never hoped you _loved_ me. Why, Diana, I didn't think anybody could love me. Nobody ever has loved me since I can remember. Oh, this is wonderful! It's a ray of light which will forever shine on the darkness of a path severed from thee, Diana.	of hair from the child's tear-stained face. Then she bent down and kissed the flushed cheek on the pillow. CHAPTER XVII. A New Interest in Life THE next afternoon Anne, bending over her patchwork at the kitchen window, happened to glance out and beheld Diana down by the Dryad's Bubble beckoning mysteriously. In a trice Anne was out of the house and flying down to the hollow, astonishment and hope struggling in her expressive eyes. But the hope faded when she saw Diana's dejected countenance. "Your mother hasn't relented?" she gasped. Diana shook her head mournfully. "No; and oh, Anne, she says I'm never to play with you again. I've cried and cried and I told her it wasn't your fault, but it wasn't any use. I had ever such a time coaxing her to let me come down and say good-bye to you. She said I was only to stay ten minutes and she's timing me by the clock." "Ten minutes isn't very long to say an eternal farewell in," said Anne tearfully. "Oh, Diana, will you promise faithfully never to forget me, the friend of your youth, no matter what dearer friends may caress thee?" "Indeed I will,"<\|quote\|>sobbed Diana,</\|quote\|>"and I'll never have another bosom friend--I don't want to have. I couldn't love anybody as I love you." "Oh, Diana," cried Anne, clasping her hands, "do you _love_ me?" "Why, of course I do. Didn't you know that?" "No." Anne drew a long breath. "I thought you _liked_ me of course but I never hoped you _loved_ me. Why, Diana, I didn't think anybody could love me. Nobody ever has loved me since I can remember. Oh, this is wonderful! It's a ray of light which will forever shine on the darkness of a path severed from thee, Diana. Oh, just say it once again." "I love you devotedly, Anne," said Diana stanchly, "and I always will, you may be sure of that." "And I will always love thee, Diana," said Anne, solemnly extending her hand. "In the years to come thy memory will shine like a star over my lonely life, as that last story we read together says. Diana, wilt thou give me a lock of thy jet-black tresses in parting to treasure forevermore?" "Have you got anything to cut it with?" queried Diana, wiping away the tears which Anne's affecting accents had caused to flow afresh,	home and behave yourself." Anne's lips quivered. "Won't you let me see Diana just once to say farewell?" she implored. "Diana has gone over to Carmody with her father," said Mrs. Barry, going in and shutting the door. Anne went back to Green Gables calm with despair. "My last hope is gone," she told Marilla. "I went up and saw Mrs. Barry myself and she treated me very insultingly. Marilla, I do _not_ think she is a well-bred woman. There is nothing more to do except to pray and I haven't much hope that that'll do much good because, Marilla, I do not believe that God Himself can do very much with such an obstinate person as Mrs. Barry." "Anne, you shouldn't say such things" rebuked Marilla, striving to overcome that unholy tendency to laughter which she was dismayed to find growing upon her. And indeed, when she told the whole story to Matthew that night, she did laugh heartily over Anne's tribulations. But when she slipped into the east gable before going to bed and found that Anne had cried herself to sleep an unaccustomed softness crept into her face. "Poor little soul," she murmured, lifting a loose curl of hair from the child's tear-stained face. Then she bent down and kissed the flushed cheek on the pillow. CHAPTER XVII. A New Interest in Life THE next afternoon Anne, bending over her patchwork at the kitchen window, happened to glance out and beheld Diana down by the Dryad's Bubble beckoning mysteriously. In a trice Anne was out of the house and flying down to the hollow, astonishment and hope struggling in her expressive eyes. But the hope faded when she saw Diana's dejected countenance. "Your mother hasn't relented?" she gasped. Diana shook her head mournfully. "No; and oh, Anne, she says I'm never to play with you again. I've cried and cried and I told her it wasn't your fault, but it wasn't any use. I had ever such a time coaxing her to let me come down and say good-bye to you. She said I was only to stay ten minutes and she's timing me by the clock." "Ten minutes isn't very long to say an eternal farewell in," said Anne tearfully. "Oh, Diana, will you promise faithfully never to forget me, the friend of your youth, no matter what dearer friends may caress thee?" "Indeed I will,"<\|quote\|>sobbed Diana,</\|quote\|>"and I'll never have another bosom friend--I don't want to have. I couldn't love anybody as I love you." "Oh, Diana," cried Anne, clasping her hands, "do you _love_ me?" "Why, of course I do. Didn't you know that?" "No." Anne drew a long breath. "I thought you _liked_ me of course but I never hoped you _loved_ me. Why, Diana, I didn't think anybody could love me. Nobody ever has loved me since I can remember. Oh, this is wonderful! It's a ray of light which will forever shine on the darkness of a path severed from thee, Diana. Oh, just say it once again." "I love you devotedly, Anne," said Diana stanchly, "and I always will, you may be sure of that." "And I will always love thee, Diana," said Anne, solemnly extending her hand. "In the years to come thy memory will shine like a star over my lonely life, as that last story we read together says. Diana, wilt thou give me a lock of thy jet-black tresses in parting to treasure forevermore?" "Have you got anything to cut it with?" queried Diana, wiping away the tears which Anne's affecting accents had caused to flow afresh, and returning to practicalities. "Yes. I've got my patchwork scissors in my apron pocket fortunately," said Anne. She solemnly clipped one of Diana's curls. "Fare thee well, my beloved friend. Henceforth we must be as strangers though living side by side. But my heart will ever be faithful to thee." Anne stood and watched Diana out of sight, mournfully waving her hand to the latter whenever she turned to look back. Then she returned to the house, not a little consoled for the time being by this romantic parting. "It is all over," she informed Marilla. "I shall never have another friend. I'm really worse off than ever before, for I haven't Katie Maurice and Violetta now. And even if I had it wouldn't be the same. Somehow, little dream girls are not satisfying after a real friend. Diana and I had such an affecting farewell down by the spring. It will be sacred in my memory forever. I used the most pathetic language I could think of and said ?thou' and ?thee.' ?Thou' and ?thee' seem so much more romantic than ?you.' Diana gave me a lock of her hair and I'm going to sew it up in a	all a mistake and you weren't to blame, but she just simply didn't believe me. And she rubbed it well in about my currant wine and how I'd always said it couldn't have the least effect on anybody. I just told her plainly that currant wine wasn't meant to be drunk three tumblerfuls at a time and that if a child I had to do with was so greedy I'd sober her up with a right good spanking." Marilla whisked into the kitchen, grievously disturbed, leaving a very much distracted little soul in the porch behind her. Presently Anne stepped out bareheaded into the chill autumn dusk; very determinedly and steadily she took her way down through the sere clover field over the log bridge and up through the spruce grove, lighted by a pale little moon hanging low over the western woods. Mrs. Barry, coming to the door in answer to a timid knock, found a white-lipped eager-eyed suppliant on the doorstep. Her face hardened. Mrs. Barry was a woman of strong prejudices and dislikes, and her anger was of the cold, sullen sort which is always hardest to overcome. To do her justice, she really believed Anne had made Diana drunk out of sheer malice prepense, and she was honestly anxious to preserve her little daughter from the contamination of further intimacy with such a child. "What do you want?" she said stiffly. Anne clasped her hands. "Oh, Mrs. Barry, please forgive me. I did not mean to--to--intoxicate Diana. How could I? Just imagine if you were a poor little orphan girl that kind people had adopted and you had just one bosom friend in all the world. Do you think you would intoxicate her on purpose? I thought it was only raspberry cordial. I was firmly convinced it was raspberry cordial. Oh, please don't say that you won't let Diana play with me any more. If you do you will cover my life with a dark cloud of woe." This speech which would have softened good Mrs. Lynde's heart in a twinkling, had no effect on Mrs. Barry except to irritate her still more. She was suspicious of Anne's big words and dramatic gestures and imagined that the child was making fun of her. So she said, coldly and cruelly: "I don't think you are a fit little girl for Diana to associate with. You'd better go home and behave yourself." Anne's lips quivered. "Won't you let me see Diana just once to say farewell?" she implored. "Diana has gone over to Carmody with her father," said Mrs. Barry, going in and shutting the door. Anne went back to Green Gables calm with despair. "My last hope is gone," she told Marilla. "I went up and saw Mrs. Barry myself and she treated me very insultingly. Marilla, I do _not_ think she is a well-bred woman. There is nothing more to do except to pray and I haven't much hope that that'll do much good because, Marilla, I do not believe that God Himself can do very much with such an obstinate person as Mrs. Barry." "Anne, you shouldn't say such things" rebuked Marilla, striving to overcome that unholy tendency to laughter which she was dismayed to find growing upon her. And indeed, when she told the whole story to Matthew that night, she did laugh heartily over Anne's tribulations. But when she slipped into the east gable before going to bed and found that Anne had cried herself to sleep an unaccustomed softness crept into her face. "Poor little soul," she murmured, lifting a loose curl of hair from the child's tear-stained face. Then she bent down and kissed the flushed cheek on the pillow. CHAPTER XVII. A New Interest in Life THE next afternoon Anne, bending over her patchwork at the kitchen window, happened to glance out and beheld Diana down by the Dryad's Bubble beckoning mysteriously. In a trice Anne was out of the house and flying down to the hollow, astonishment and hope struggling in her expressive eyes. But the hope faded when she saw Diana's dejected countenance. "Your mother hasn't relented?" she gasped. Diana shook her head mournfully. "No; and oh, Anne, she says I'm never to play with you again. I've cried and cried and I told her it wasn't your fault, but it wasn't any use. I had ever such a time coaxing her to let me come down and say good-bye to you. She said I was only to stay ten minutes and she's timing me by the clock." "Ten minutes isn't very long to say an eternal farewell in," said Anne tearfully. "Oh, Diana, will you promise faithfully never to forget me, the friend of your youth, no matter what dearer friends may caress thee?" "Indeed I will,"<\|quote\|>sobbed Diana,</\|quote\|>"and I'll never have another bosom friend--I don't want to have. I couldn't love anybody as I love you." "Oh, Diana," cried Anne, clasping her hands, "do you _love_ me?" "Why, of course I do. Didn't you know that?" "No." Anne drew a long breath. "I thought you _liked_ me of course but I never hoped you _loved_ me. Why, Diana, I didn't think anybody could love me. Nobody ever has loved me since I can remember. Oh, this is wonderful! It's a ray of light which will forever shine on the darkness of a path severed from thee, Diana. Oh, just say it once again." "I love you devotedly, Anne," said Diana stanchly, "and I always will, you may be sure of that." "And I will always love thee, Diana," said Anne, solemnly extending her hand. "In the years to come thy memory will shine like a star over my lonely life, as that last story we read together says. Diana, wilt thou give me a lock of thy jet-black tresses in parting to treasure forevermore?" "Have you got anything to cut it with?" queried Diana, wiping away the tears which Anne's affecting accents had caused to flow afresh, and returning to practicalities. "Yes. I've got my patchwork scissors in my apron pocket fortunately," said Anne. She solemnly clipped one of Diana's curls. "Fare thee well, my beloved friend. Henceforth we must be as strangers though living side by side. But my heart will ever be faithful to thee." Anne stood and watched Diana out of sight, mournfully waving her hand to the latter whenever she turned to look back. Then she returned to the house, not a little consoled for the time being by this romantic parting. "It is all over," she informed Marilla. "I shall never have another friend. I'm really worse off than ever before, for I haven't Katie Maurice and Violetta now. And even if I had it wouldn't be the same. Somehow, little dream girls are not satisfying after a real friend. Diana and I had such an affecting farewell down by the spring. It will be sacred in my memory forever. I used the most pathetic language I could think of and said ?thou' and ?thee.' ?Thou' and ?thee' seem so much more romantic than ?you.' Diana gave me a lock of her hair and I'm going to sew it up in a little bag and wear it around my neck all my life. Please see that it is buried with me, for I don't believe I'll live very long. Perhaps when she sees me lying cold and dead before her Mrs. Barry may feel remorse for what she has done and will let Diana come to my funeral." "I don't think there is much fear of your dying of grief as long as you can talk, Anne," said Marilla unsympathetically. The following Monday Anne surprised Marilla by coming down from her room with her basket of books on her arm and hip and her lips primmed up into a line of determination. "I'm going back to school," she announced. "That is all there is left in life for me, now that my friend has been ruthlessly torn from me. In school I can look at her and muse over days departed." "You'd better muse over your lessons and sums," said Marilla, concealing her delight at this development of the situation. "If you're going back to school I hope we'll hear no more of breaking slates over people's heads and such carryings on. Behave yourself and do just what your teacher tells you." "I'll try to be a model pupil," agreed Anne dolefully. "There won't be much fun in it, I expect. Mr. Phillips said Minnie Andrews was a model pupil and there isn't a spark of imagination or life in her. She is just dull and poky and never seems to have a good time. But I feel so depressed that perhaps it will come easy to me now. I'm going round by the road. I couldn't bear to go by the Birch Path all alone. I should weep bitter tears if I did." Anne was welcomed back to school with open arms. Her imagination had been sorely missed in games, her voice in the singing and her dramatic ability in the perusal aloud of books at dinner hour. Ruby Gillis smuggled three blue plums over to her during testament reading; Ella May MacPherson gave her an enormous yellow pansy cut from the covers of a floral catalogue--a species of desk decoration much prized in Avonlea school. Sophia Sloane offered to teach her a perfectly elegant new pattern of knit lace, so nice for trimming aprons. Katie Boulter gave her a perfume bottle to keep slate water in, and Julia Bell copied	hands. "Oh, Mrs. Barry, please forgive me. I did not mean to--to--intoxicate Diana. How could I? Just imagine if you were a poor little orphan girl that kind people had adopted and you had just one bosom friend in all the world. Do you think you would intoxicate her on purpose? I thought it was only raspberry cordial. I was firmly convinced it was raspberry cordial. Oh, please don't say that you won't let Diana play with me any more. If you do you will cover my life with a dark cloud of woe." This speech which would have softened good Mrs. Lynde's heart in a twinkling, had no effect on Mrs. Barry except to irritate her still more. She was suspicious of Anne's big words and dramatic gestures and imagined that the child was making fun of her. So she said, coldly and cruelly: "I don't think you are a fit little girl for Diana to associate with. You'd better go home and behave yourself." Anne's lips quivered. "Won't you let me see Diana just once to say farewell?" she implored. "Diana has gone over to Carmody with her father," said Mrs. Barry, going in and shutting the door. Anne went back to Green Gables calm with despair. "My last hope is gone," she told Marilla. "I went up and saw Mrs. Barry myself and she treated me very insultingly. Marilla, I do _not_ think she is a well-bred woman. There is nothing more to do except to pray and I haven't much hope that that'll do much good because, Marilla, I do not believe that God Himself can do very much with such an obstinate person as Mrs. Barry." "Anne, you shouldn't say such things" rebuked Marilla, striving to overcome that unholy tendency to laughter which she was dismayed to find growing upon her. And indeed, when she told the whole story to Matthew that night, she did laugh heartily over Anne's tribulations. But when she slipped into the east gable before going to bed and found that Anne had cried herself to sleep an unaccustomed softness crept into her face. "Poor little soul," she murmured, lifting a loose curl of hair from the child's tear-stained face. Then she bent down and kissed the flushed cheek on the pillow. CHAPTER XVII. A New Interest in Life THE next afternoon Anne, bending over her patchwork at the kitchen window, happened to glance out and beheld Diana down by the Dryad's Bubble beckoning mysteriously. In a trice Anne was out of the house and flying down to the hollow, astonishment and hope struggling in her expressive eyes. But the hope faded when she saw Diana's dejected countenance. "Your mother hasn't relented?" she gasped. Diana shook her head mournfully. "No; and oh, Anne, she says I'm never to play with you again. I've cried and cried and I told her it wasn't your fault, but it wasn't any use. I had ever such a time coaxing her to let me come down and say good-bye to you. She said I was only to stay ten minutes and she's timing me by the clock." "Ten minutes isn't very long to say an eternal farewell in," said Anne tearfully. "Oh, Diana, will you promise faithfully never to forget me, the friend of your youth, no matter what dearer friends may caress thee?" "Indeed I will,"<\|quote\|>sobbed Diana,</\|quote\|>"and I'll never have another bosom friend--I don't want to have. I couldn't love anybody as I love you." "Oh, Diana," cried Anne, clasping her hands, "do you _love_ me?" "Why, of course I do. Didn't you know that?" "No." Anne drew a long breath. "I thought you _liked_ me of course but I never hoped you _loved_ me. Why, Diana, I didn't think anybody could love me. Nobody ever has loved me since I can remember. Oh, this is wonderful! It's a ray of light which will forever shine on the darkness of a path severed from thee, Diana. Oh, just say it once again." "I love you devotedly, Anne," said Diana stanchly, "and I always will, you may be sure of that." "And I will always love thee, Diana," said Anne, solemnly extending her hand. "In the years to come thy memory will shine like a star over my lonely life, as that last story we read together says. Diana, wilt thou give me a lock of thy jet-black tresses in parting to treasure forevermore?" "Have you got anything to cut it with?" queried Diana, wiping away the tears which Anne's affecting accents had caused to flow afresh, and returning to practicalities. "Yes. I've got my patchwork scissors in my apron pocket fortunately," said Anne. She solemnly clipped one of Diana's curls. "Fare thee well, my beloved friend. Henceforth we must be as strangers though living side by side. But my heart will ever be faithful to thee." Anne stood and watched Diana out of sight, mournfully waving her hand to the latter whenever she turned to look back. Then she returned to the house, not a little consoled for the time being by this romantic parting. "It is all over," she informed Marilla. "I shall never have another friend. I'm really worse off than ever before, for I haven't Katie Maurice and Violetta now. And even if I had it wouldn't be the same. Somehow, little dream girls are not satisfying after a real friend. Diana and I had such an affecting farewell down by the spring. It will be sacred in my memory forever. I used the most pathetic language I could think of and said ?thou' and ?thee.' ?Thou' and ?thee' seem so much more romantic than ?you.' Diana gave me a lock of her hair and I'm going to sew it up in a little bag and wear it around my neck all my life. Please see that it is buried with me, for I don't believe I'll live very long. Perhaps when she sees me lying cold and dead before her Mrs. Barry may feel remorse for what she has done and will let Diana come to my funeral." "I don't think there is much fear of your dying of grief as long as you can talk, Anne," said Marilla unsympathetically. The following Monday Anne surprised Marilla by coming down from her room with her basket of books on her arm and hip and her lips primmed up into a line of determination. "I'm going back to school," she announced. "That is all there is left in life for me, now that my friend has been ruthlessly torn from me. In school I can look at her and muse over days departed." "You'd better muse over your lessons and sums," said Marilla, concealing her delight at this development of the situation. "If you're	Anne Of Green Gables
"They haven't met yet, have they?"	Mr. Hastings	turn the conversation by saying:<\|quote\|>"They haven't met yet, have they?"</\|quote\|>"Who?" "Mr. Inglethorp and Miss	I endeavoured to try and turn the conversation by saying:<\|quote\|>"They haven't met yet, have they?"</\|quote\|>"Who?" "Mr. Inglethorp and Miss Howard." She looked at me	rushed past me like a mad bull." "He's rather upset about something," I remarked feebly. I really did not know how much Poirot would wish me to disclose. As I saw a faint smile gather on Mrs. Cavendish's expressive mouth, I endeavoured to try and turn the conversation by saying:<\|quote\|>"They haven't met yet, have they?"</\|quote\|>"Who?" "Mr. Inglethorp and Miss Howard." She looked at me in rather a disconcerting manner. "Do you think it would be such a disaster if they did meet?" "Well, don't you?" I said, rather taken aback. "No." She was smiling in her quiet way. "I should like to see a	by the time I had reached the top of the stairs, he was out of sight. Mary Cavendish was standing where the staircase branched, staring down into the hall in the direction in which he had disappeared. "What has happened to your extraordinary little friend, Mr. Hastings? He has just rushed past me like a mad bull." "He's rather upset about something," I remarked feebly. I really did not know how much Poirot would wish me to disclose. As I saw a faint smile gather on Mrs. Cavendish's expressive mouth, I endeavoured to try and turn the conversation by saying:<\|quote\|>"They haven't met yet, have they?"</\|quote\|>"Who?" "Mr. Inglethorp and Miss Howard." She looked at me in rather a disconcerting manner. "Do you think it would be such a disaster if they did meet?" "Well, don't you?" I said, rather taken aback. "No." She was smiling in her quiet way. "I should like to see a good flare up. It would clear the air. At present we are all thinking so much, and saying so little." "John doesn't think so," I remarked. "He's anxious to keep them apart." "Oh, John!" Something in her tone fired me, and I blurted out: "Old John's an awfully good sort."	without doubt, possibly the scrap of paper Dorcas saw in her hand yesterday afternoon. And I" his anger burst forth freely "miserable animal that I am! I guessed nothing! I have behaved like an imbecile! I should never have left that case here. I should have carried it away with me. Ah, triple pig! And now it is gone. It is destroyed but is it destroyed? Is there not yet a chance we must leave no stone unturned" He rushed like a madman from the room, and I followed him as soon as I had sufficiently recovered my wits. But, by the time I had reached the top of the stairs, he was out of sight. Mary Cavendish was standing where the staircase branched, staring down into the hall in the direction in which he had disappeared. "What has happened to your extraordinary little friend, Mr. Hastings? He has just rushed past me like a mad bull." "He's rather upset about something," I remarked feebly. I really did not know how much Poirot would wish me to disclose. As I saw a faint smile gather on Mrs. Cavendish's expressive mouth, I endeavoured to try and turn the conversation by saying:<\|quote\|>"They haven't met yet, have they?"</\|quote\|>"Who?" "Mr. Inglethorp and Miss Howard." She looked at me in rather a disconcerting manner. "Do you think it would be such a disaster if they did meet?" "Well, don't you?" I said, rather taken aback. "No." She was smiling in her quiet way. "I should like to see a good flare up. It would clear the air. At present we are all thinking so much, and saying so little." "John doesn't think so," I remarked. "He's anxious to keep them apart." "Oh, John!" Something in her tone fired me, and I blurted out: "Old John's an awfully good sort." She studied me curiously for a minute or two, and then said, to my great surprise: "You are loyal to your friend. I like you for that." "Aren't you my friend too?" "I am a very bad friend." "Why do you say that?" "Because it is true. I am charming to my friends one day, and forget all about them the next." I don't know what impelled me, but I was nettled, and I said foolishly and not in the best of taste: "Yet you seem to be invariably charming to Dr. Bauerstein!" Instantly I regretted my words. Her face	"Who? That is the question. Why? Ah, if I only knew. When? Since I was here an hour ago. As to the door being locked, it is a very ordinary lock. Probably any other of the doorkeys in this passage would fit it." We stared at one another blankly. Poirot had walked over to the mantelpiece. He was outwardly calm, but I noticed his hands, which from long force of habit were mechanically straightening the spill vases on the mantelpiece, were shaking violently. "See here, it was like this," he said at last. "There was something in that case some piece of evidence, slight in itself perhaps, but still enough of a clue to connect the murderer with the crime. It was vital to him that it should be destroyed before it was discovered and its significance appreciated. Therefore, he took the risk, the great risk, of coming in here. Finding the case locked, he was obliged to force it, thus betraying his presence. For him to take that risk, it must have been something of great importance." "But what was it?" "Ah!" cried Poirot, with a gesture of anger. "That, I do not know! A document of some kind, without doubt, possibly the scrap of paper Dorcas saw in her hand yesterday afternoon. And I" his anger burst forth freely "miserable animal that I am! I guessed nothing! I have behaved like an imbecile! I should never have left that case here. I should have carried it away with me. Ah, triple pig! And now it is gone. It is destroyed but is it destroyed? Is there not yet a chance we must leave no stone unturned" He rushed like a madman from the room, and I followed him as soon as I had sufficiently recovered my wits. But, by the time I had reached the top of the stairs, he was out of sight. Mary Cavendish was standing where the staircase branched, staring down into the hall in the direction in which he had disappeared. "What has happened to your extraordinary little friend, Mr. Hastings? He has just rushed past me like a mad bull." "He's rather upset about something," I remarked feebly. I really did not know how much Poirot would wish me to disclose. As I saw a faint smile gather on Mrs. Cavendish's expressive mouth, I endeavoured to try and turn the conversation by saying:<\|quote\|>"They haven't met yet, have they?"</\|quote\|>"Who?" "Mr. Inglethorp and Miss Howard." She looked at me in rather a disconcerting manner. "Do you think it would be such a disaster if they did meet?" "Well, don't you?" I said, rather taken aback. "No." She was smiling in her quiet way. "I should like to see a good flare up. It would clear the air. At present we are all thinking so much, and saying so little." "John doesn't think so," I remarked. "He's anxious to keep them apart." "Oh, John!" Something in her tone fired me, and I blurted out: "Old John's an awfully good sort." She studied me curiously for a minute or two, and then said, to my great surprise: "You are loyal to your friend. I like you for that." "Aren't you my friend too?" "I am a very bad friend." "Why do you say that?" "Because it is true. I am charming to my friends one day, and forget all about them the next." I don't know what impelled me, but I was nettled, and I said foolishly and not in the best of taste: "Yet you seem to be invariably charming to Dr. Bauerstein!" Instantly I regretted my words. Her face stiffened. I had the impression of a steel curtain coming down and blotting out the real woman. Without a word, she turned and went swiftly up the stairs, whilst I stood like an idiot gaping after her. I was recalled to other matters by a frightful row going on below. I could hear Poirot shouting and expounding. I was vexed to think that my diplomacy had been in vain. The little man appeared to be taking the whole house into his confidence, a proceeding of which I, for one, doubted the wisdom. Once again I could not help regretting that my friend was so prone to lose his head in moments of excitement. I stepped briskly down the stairs. The sight of me calmed Poirot almost immediately. I drew him aside. "My dear fellow," I said, "is this wise? Surely you don't want the whole house to know of this occurrence? You are actually playing into the criminal's hands." "You think so, Hastings?" "I am sure of it." "Well, well, my friend, I will be guided by you." "Good. Although, unfortunately, it is a little too late now." "Sure." He looked so crestfallen and abashed that I felt quite sorry,	a different footing. I took my stand from the first." So many pounds a year I'm worth to you. Well and good. But not a penny piece besides not a pair of gloves, nor a theatre ticket.' "She didn't understand was very offended sometimes. Said I was foolishly proud. It wasn't that but I couldn't explain. Anyway, I kept my self-respect. And so, out of the whole bunch, I was the only one who could allow myself to be fond of her. I watched over her. I guarded her from the lot of them, and then a glib-tongued scoundrel comes along, and pooh! all my years of devotion go for nothing." Poirot nodded sympathetically. "I understand, mademoiselle, I understand all you feel. It is most natural. You think that we are lukewarm that we lack fire and energy but trust me, it is not so." John stuck his head in at this juncture, and invited us both to come up to Mrs. Inglethorp's room, as he and Mr. Wells had finished looking through the desk in the boudoir. As we went up the stairs, John looked back to the dining-room door, and lowered his voice confidentially: "Look here, what's going to happen when these two meet?" I shook my head helplessly. "I've told Mary to keep them apart if she can." "Will she be able to do so?" "The Lord only knows. There's one thing, Inglethorp himself won't be too keen on meeting her." "You've got the keys still, haven't you, Poirot?" I asked, as we reached the door of the locked room. Taking the keys from Poirot, John unlocked it, and we all passed in. The lawyer went straight to the desk, and John followed him. "My mother kept most of her important papers in this despatch-case, I believe," he said. Poirot drew out the small bunch of keys. "Permit me. I locked it, out of precaution, this morning." "But it's not locked now." "Impossible!" "See." And John lifted the lid as he spoke. "_Milles tonnerres!_" cried Poirot, dumbfounded. "And I who have both the keys in my pocket!" He flung himself upon the case. Suddenly he stiffened. "_Eh voil une affaire!_ This lock has been forced." "What?" Poirot laid down the case again. "But who forced it? Why should they? When? But the door was locked?" These exclamations burst from us disjointedly. Poirot answered them categorically almost mechanically. "Who? That is the question. Why? Ah, if I only knew. When? Since I was here an hour ago. As to the door being locked, it is a very ordinary lock. Probably any other of the doorkeys in this passage would fit it." We stared at one another blankly. Poirot had walked over to the mantelpiece. He was outwardly calm, but I noticed his hands, which from long force of habit were mechanically straightening the spill vases on the mantelpiece, were shaking violently. "See here, it was like this," he said at last. "There was something in that case some piece of evidence, slight in itself perhaps, but still enough of a clue to connect the murderer with the crime. It was vital to him that it should be destroyed before it was discovered and its significance appreciated. Therefore, he took the risk, the great risk, of coming in here. Finding the case locked, he was obliged to force it, thus betraying his presence. For him to take that risk, it must have been something of great importance." "But what was it?" "Ah!" cried Poirot, with a gesture of anger. "That, I do not know! A document of some kind, without doubt, possibly the scrap of paper Dorcas saw in her hand yesterday afternoon. And I" his anger burst forth freely "miserable animal that I am! I guessed nothing! I have behaved like an imbecile! I should never have left that case here. I should have carried it away with me. Ah, triple pig! And now it is gone. It is destroyed but is it destroyed? Is there not yet a chance we must leave no stone unturned" He rushed like a madman from the room, and I followed him as soon as I had sufficiently recovered my wits. But, by the time I had reached the top of the stairs, he was out of sight. Mary Cavendish was standing where the staircase branched, staring down into the hall in the direction in which he had disappeared. "What has happened to your extraordinary little friend, Mr. Hastings? He has just rushed past me like a mad bull." "He's rather upset about something," I remarked feebly. I really did not know how much Poirot would wish me to disclose. As I saw a faint smile gather on Mrs. Cavendish's expressive mouth, I endeavoured to try and turn the conversation by saying:<\|quote\|>"They haven't met yet, have they?"</\|quote\|>"Who?" "Mr. Inglethorp and Miss Howard." She looked at me in rather a disconcerting manner. "Do you think it would be such a disaster if they did meet?" "Well, don't you?" I said, rather taken aback. "No." She was smiling in her quiet way. "I should like to see a good flare up. It would clear the air. At present we are all thinking so much, and saying so little." "John doesn't think so," I remarked. "He's anxious to keep them apart." "Oh, John!" Something in her tone fired me, and I blurted out: "Old John's an awfully good sort." She studied me curiously for a minute or two, and then said, to my great surprise: "You are loyal to your friend. I like you for that." "Aren't you my friend too?" "I am a very bad friend." "Why do you say that?" "Because it is true. I am charming to my friends one day, and forget all about them the next." I don't know what impelled me, but I was nettled, and I said foolishly and not in the best of taste: "Yet you seem to be invariably charming to Dr. Bauerstein!" Instantly I regretted my words. Her face stiffened. I had the impression of a steel curtain coming down and blotting out the real woman. Without a word, she turned and went swiftly up the stairs, whilst I stood like an idiot gaping after her. I was recalled to other matters by a frightful row going on below. I could hear Poirot shouting and expounding. I was vexed to think that my diplomacy had been in vain. The little man appeared to be taking the whole house into his confidence, a proceeding of which I, for one, doubted the wisdom. Once again I could not help regretting that my friend was so prone to lose his head in moments of excitement. I stepped briskly down the stairs. The sight of me calmed Poirot almost immediately. I drew him aside. "My dear fellow," I said, "is this wise? Surely you don't want the whole house to know of this occurrence? You are actually playing into the criminal's hands." "You think so, Hastings?" "I am sure of it." "Well, well, my friend, I will be guided by you." "Good. Although, unfortunately, it is a little too late now." "Sure." He looked so crestfallen and abashed that I felt quite sorry, though I still thought my rebuke a just and wise one. "Well," he said at last, "let us go, _mon ami_." "You have finished here?" "For the moment, yes. You will walk back with me to the village?" "Willingly." He picked up his little suit-case, and we went out through the open window in the drawing-room. Cynthia Murdoch was just coming in, and Poirot stood aside to let her pass. "Excuse me, mademoiselle, one minute." "Yes?" she turned inquiringly. "Did you ever make up Mrs. Inglethorp's medicines?" A slight flush rose in her face, as she answered rather constrainedly: "No." "Only her powders?" The flush deepened as Cynthia replied: "Oh, yes, I did make up some sleeping powders for her once." "These?" Poirot produced the empty box which had contained powders. She nodded. "Can you tell me what they were? Sulphonal? Veronal?" "No, they were bromide powders." "Ah! Thank you, mademoiselle; good morning." As we walked briskly away from the house, I glanced at him more than once. I had often before noticed that, if anything excited him, his eyes turned green like a cat's. They were shining like emeralds now. "My friend," he broke out at last, "I have a little idea, a very strange, and probably utterly impossible idea. And yet it fits in." I shrugged my shoulders. I privately thought that Poirot was rather too much given to these fantastic ideas. In this case, surely, the truth was only too plain and apparent. "So that is the explanation of the blank label on the box," I remarked. "Very simple, as you said. I really wonder that I did not think of it myself." Poirot did not appear to be listening to me. "They have made one more discovery, _l -bas_," he observed, jerking his thumb over his shoulder in the direction of Styles. "Mr. Wells told me as we were going upstairs." "What was it?" "Locked up in the desk in the boudoir, they found a will of Mrs. Inglethorp's, dated before her marriage, leaving her fortune to Alfred Inglethorp. It must have been made just at the time they were engaged. It came quite as a surprise to Wells and to John Cavendish also. It was written on one of those printed will forms, and witnessed by two of the servants not Dorcas." "Did Mr. Inglethorp know of it?" "He says not." "One might take that	great importance." "But what was it?" "Ah!" cried Poirot, with a gesture of anger. "That, I do not know! A document of some kind, without doubt, possibly the scrap of paper Dorcas saw in her hand yesterday afternoon. And I" his anger burst forth freely "miserable animal that I am! I guessed nothing! I have behaved like an imbecile! I should never have left that case here. I should have carried it away with me. Ah, triple pig! And now it is gone. It is destroyed but is it destroyed? Is there not yet a chance we must leave no stone unturned" He rushed like a madman from the room, and I followed him as soon as I had sufficiently recovered my wits. But, by the time I had reached the top of the stairs, he was out of sight. Mary Cavendish was standing where the staircase branched, staring down into the hall in the direction in which he had disappeared. "What has happened to your extraordinary little friend, Mr. Hastings? He has just rushed past me like a mad bull." "He's rather upset about something," I remarked feebly. I really did not know how much Poirot would wish me to disclose. As I saw a faint smile gather on Mrs. Cavendish's expressive mouth, I endeavoured to try and turn the conversation by saying:<\|quote\|>"They haven't met yet, have they?"</\|quote\|>"Who?" "Mr. Inglethorp and Miss Howard." She looked at me in rather a disconcerting manner. "Do you think it would be such a disaster if they did meet?" "Well, don't you?" I said, rather taken aback. "No." She was smiling in her quiet way. "I should like to see a good flare up. It would clear the air. At present we are all thinking so much, and saying so little." "John doesn't think so," I remarked. "He's anxious to keep them apart." "Oh, John!" Something in her tone fired me, and I blurted out: "Old John's an awfully good sort." She studied me curiously for a minute or two, and then said, to my great surprise: "You are loyal to your friend. I like you for that." "Aren't you my friend too?" "I am a very bad friend." "Why do you say that?" "Because it is true. I am charming to my friends one day, and forget all about them the next." I don't know what impelled me, but I was nettled, and I said foolishly and not in the best of taste: "Yet you seem to be invariably charming to Dr. Bauerstein!" Instantly I regretted my words. Her face stiffened. I had the impression of a steel curtain coming down and blotting out the real woman. Without a word, she turned and went swiftly up the stairs, whilst I stood like an idiot gaping after her. I was recalled to other matters by a frightful row going on below. I could hear Poirot shouting and expounding. I was vexed to think that my diplomacy had been in vain. The little man appeared to be taking the whole house into his confidence, a proceeding of which I, for one, doubted the wisdom. Once again I could not help regretting that my friend was so prone to lose his head in moments of excitement. I stepped briskly down the stairs. The sight of me calmed Poirot almost immediately. I drew him aside. "My dear fellow," I said, "is this wise? Surely you don't want the whole house to know of this occurrence? You are actually playing into the criminal's hands." "You think so, Hastings?" "I am sure of it." "Well, well, my friend, I will be guided by you." "Good. Although, unfortunately, it is a little too late now." "Sure." He looked so crestfallen and abashed that I felt quite sorry, though I still thought my rebuke a just and wise one. "Well," he said at last, "let us go, _mon ami_." "You have finished here?" "For the moment, yes. You will walk back with me to the village?" "Willingly." He picked up his little suit-case, and we went out through the open window in the drawing-room. Cynthia Murdoch was just coming in, and Poirot stood aside to let her pass. "Excuse me, mademoiselle, one minute." "Yes?" she turned inquiringly. "Did you ever make up Mrs. Inglethorp's medicines?" A slight flush rose in her face, as she answered rather constrainedly: "No." "Only her powders?" The flush deepened as Cynthia replied: "Oh, yes, I did make up some sleeping powders for her once." "These?" Poirot produced the empty box which had contained powders. She nodded. "Can you tell me what	The Mysterious Affair At Styles
"to take example by you, Bitzer."	Mrs. Sparsit	do well," returned Mrs. Sparsit,<\|quote\|>"to take example by you, Bitzer."</\|quote\|>"Thank you, ma'am. But, since	your eminence does." "They would do well," returned Mrs. Sparsit,<\|quote\|>"to take example by you, Bitzer."</\|quote\|>"Thank you, ma'am. But, since you do refer to me,	said Bitzer, dropping his voice and drawing nearer, "he is as improvident as any of the people in this town. And you know what _their_ improvidence is, ma'am. No one could wish to know it better than a lady of your eminence does." "They would do well," returned Mrs. Sparsit,<\|quote\|>"to take example by you, Bitzer."</\|quote\|>"Thank you, ma'am. But, since you do refer to me, now look at me, ma'am. I have put by a little, ma'am, already. That gratuity which I receive at Christmas, ma'am: I never touch it. I don't even go the length of my wages, though they're not high, ma'am. Why	"Ah h!" sighed Mrs. Sparsit again, with another melancholy shake of her head. "He is to be pitied, ma'am. The last party I have alluded to, is to be pitied, ma'am," said Bitzer. "Yes, Bitzer," said Mrs. Sparsit. "I have always pitied the delusion, always." "As to an individual, ma'am," said Bitzer, dropping his voice and drawing nearer, "he is as improvident as any of the people in this town. And you know what _their_ improvidence is, ma'am. No one could wish to know it better than a lady of your eminence does." "They would do well," returned Mrs. Sparsit,<\|quote\|>"to take example by you, Bitzer."</\|quote\|>"Thank you, ma'am. But, since you do refer to me, now look at me, ma'am. I have put by a little, ma'am, already. That gratuity which I receive at Christmas, ma'am: I never touch it. I don't even go the length of my wages, though they're not high, ma'am. Why can't they do as I have done, ma'am? What one person can do, another can do." This, again, was among the fictions of Coketown. Any capitalist there, who had made sixty thousand pounds out of sixpence, always professed to wonder why the sixty thousand nearest Hands didn't each make sixty	the point where it had been interrupted. "An individual, ma'am," said Bitzer, "has never been what he ought to have been, since he first came into the place. He is a dissipated, extravagant idler. He is not worth his salt, ma'am. He wouldn't get it either, if he hadn't a friend and relation at court, ma'am!" "Ah h!" said Mrs. Sparsit, with another melancholy shake of her head. "I only hope, ma'am," pursued Bitzer, "that his friend and relation may not supply him with the means of carrying on. Otherwise, ma'am, we know out of whose pocket _that_ money comes." "Ah h!" sighed Mrs. Sparsit again, with another melancholy shake of her head. "He is to be pitied, ma'am. The last party I have alluded to, is to be pitied, ma'am," said Bitzer. "Yes, Bitzer," said Mrs. Sparsit. "I have always pitied the delusion, always." "As to an individual, ma'am," said Bitzer, dropping his voice and drawing nearer, "he is as improvident as any of the people in this town. And you know what _their_ improvidence is, ma'am. No one could wish to know it better than a lady of your eminence does." "They would do well," returned Mrs. Sparsit,<\|quote\|>"to take example by you, Bitzer."</\|quote\|>"Thank you, ma'am. But, since you do refer to me, now look at me, ma'am. I have put by a little, ma'am, already. That gratuity which I receive at Christmas, ma'am: I never touch it. I don't even go the length of my wages, though they're not high, ma'am. Why can't they do as I have done, ma'am? What one person can do, another can do." This, again, was among the fictions of Coketown. Any capitalist there, who had made sixty thousand pounds out of sixpence, always professed to wonder why the sixty thousand nearest Hands didn't each make sixty thousand pounds out of sixpence, and more or less reproached them every one for not accomplishing the little feat. What I did you can do. Why don't you go and do it? "As to their wanting recreations, ma'am," said Bitzer, "it's stuff and nonsense. _I_ don't want recreations. I never did, and I never shall; I don't like 'em. As to their combining together; there are many of them, I have no doubt, that by watching and informing upon one another could earn a trifle now and then, whether in money or good will, and improve their livelihood. Then, why	"I hold a trust here, Bitzer, under Mr. Bounderby. However improbable both Mr. Bounderby and myself might have deemed it years ago, that he would ever become my patron, making me an annual compliment, I cannot but regard him in that light. From Mr. Bounderby I have received every acknowledgment of my social station, and every recognition of my family descent, that I could possibly expect. More, far more. Therefore, to my patron I will be scrupulously true. And I do not consider, I will not consider, I cannot consider," said Mrs. Sparsit, with a most extensive stock on hand of honour and morality, "that I _should_ be scrupulously true, if I allowed names to be mentioned under this roof, that are unfortunately most unfortunately no doubt of that connected with his." Bitzer knuckled his forehead again, and again begged pardon. "No, Bitzer," continued Mrs. Sparsit, "say an individual, and I will hear you; say Mr. Thomas, and you must excuse me." "With the usual exception, ma'am," said Bitzer, trying back, "of an individual." "Ah h!" Mrs. Sparsit repeated the ejaculation, the shake of the head over her tea-cup, and the long gulp, as taking up the conversation again at the point where it had been interrupted. "An individual, ma'am," said Bitzer, "has never been what he ought to have been, since he first came into the place. He is a dissipated, extravagant idler. He is not worth his salt, ma'am. He wouldn't get it either, if he hadn't a friend and relation at court, ma'am!" "Ah h!" said Mrs. Sparsit, with another melancholy shake of her head. "I only hope, ma'am," pursued Bitzer, "that his friend and relation may not supply him with the means of carrying on. Otherwise, ma'am, we know out of whose pocket _that_ money comes." "Ah h!" sighed Mrs. Sparsit again, with another melancholy shake of her head. "He is to be pitied, ma'am. The last party I have alluded to, is to be pitied, ma'am," said Bitzer. "Yes, Bitzer," said Mrs. Sparsit. "I have always pitied the delusion, always." "As to an individual, ma'am," said Bitzer, dropping his voice and drawing nearer, "he is as improvident as any of the people in this town. And you know what _their_ improvidence is, ma'am. No one could wish to know it better than a lady of your eminence does." "They would do well," returned Mrs. Sparsit,<\|quote\|>"to take example by you, Bitzer."</\|quote\|>"Thank you, ma'am. But, since you do refer to me, now look at me, ma'am. I have put by a little, ma'am, already. That gratuity which I receive at Christmas, ma'am: I never touch it. I don't even go the length of my wages, though they're not high, ma'am. Why can't they do as I have done, ma'am? What one person can do, another can do." This, again, was among the fictions of Coketown. Any capitalist there, who had made sixty thousand pounds out of sixpence, always professed to wonder why the sixty thousand nearest Hands didn't each make sixty thousand pounds out of sixpence, and more or less reproached them every one for not accomplishing the little feat. What I did you can do. Why don't you go and do it? "As to their wanting recreations, ma'am," said Bitzer, "it's stuff and nonsense. _I_ don't want recreations. I never did, and I never shall; I don't like 'em. As to their combining together; there are many of them, I have no doubt, that by watching and informing upon one another could earn a trifle now and then, whether in money or good will, and improve their livelihood. Then, why don't they improve it, ma'am! It's the first consideration of a rational creature, and it's what they pretend to want." "Pretend indeed!" said Mrs. Sparsit. "I am sure we are constantly hearing, ma'am, till it becomes quite nauseous, concerning their wives and families," said Bitzer. "Why look at me, ma'am! I don't want a wife and family. Why should they?" "Because they are improvident," said Mrs. Sparsit. "Yes, ma'am," returned Bitzer, "that's where it is. If they were more provident and less perverse, ma'am, what would they do? They would say," "While my hat covers my family," "or" "while my bonnet covers my family," "as the case might be, ma'am" "I have only one to feed, and that's the person I most like to feed."" "To be sure," assented Mrs. Sparsit, eating muffin. "Thank you, ma'am," said Bitzer, knuckling his forehead again, in return for the favour of Mrs. Sparsit's improving conversation. "Would you wish a little more hot water, ma'am, or is there anything else that I could fetch you?" "Nothing just now, Bitzer." "Thank you, ma'am. I shouldn't wish to disturb you at your meals, ma'am, particularly tea, knowing your partiality for it," said Bitzer, craning a little	now and then slided into my lady, instead of ma'am, as an involuntary acknowledgment of Mrs. Sparsit's personal dignity and claims to reverence. "The clerks," said Mrs. Sparsit, carefully brushing an imperceptible crumb of bread and butter from her left-hand mitten, "are trustworthy, punctual, and industrious, of course?" "Yes, ma'am, pretty fair, ma'am. With the usual exception." He held the respectable office of general spy and informer in the establishment, for which volunteer service he received a present at Christmas, over and above his weekly wage. He had grown into an extremely clear-headed, cautious, prudent young man, who was safe to rise in the world. His mind was so exactly regulated, that he had no affections or passions. All his proceedings were the result of the nicest and coldest calculation; and it was not without cause that Mrs. Sparsit habitually observed of him, that he was a young man of the steadiest principle she had ever known. Having satisfied himself, on his father's death, that his mother had a right of settlement in Coketown, this excellent young economist had asserted that right for her with such a steadfast adherence to the principle of the case, that she had been shut up in the workhouse ever since. It must be admitted that he allowed her half a pound of tea a year, which was weak in him: first, because all gifts have an inevitable tendency to pauperise the recipient, and secondly, because his only reasonable transaction in that commodity would have been to buy it for as little as he could possibly give, and sell it for as much as he could possibly get; it having been clearly ascertained by philosophers that in this is comprised the whole duty of man not a part of man's duty, but the whole. "Pretty fair, ma'am. With the usual exception, ma'am," repeated Bitzer. "Ah h!" said Mrs. Sparsit, shaking her head over her tea-cup, and taking a long gulp. "Mr. Thomas, ma'am, I doubt Mr. Thomas very much, ma'am, I don't like his ways at all." "Bitzer," said Mrs. Sparsit, in a very impressive manner, "do you recollect my having said anything to you respecting names?" "I beg your pardon, ma'am. It's quite true that you did object to names being used, and they're always best avoided." "Please to remember that I have a charge here," said Mrs. Sparsit, with her air of state. "I hold a trust here, Bitzer, under Mr. Bounderby. However improbable both Mr. Bounderby and myself might have deemed it years ago, that he would ever become my patron, making me an annual compliment, I cannot but regard him in that light. From Mr. Bounderby I have received every acknowledgment of my social station, and every recognition of my family descent, that I could possibly expect. More, far more. Therefore, to my patron I will be scrupulously true. And I do not consider, I will not consider, I cannot consider," said Mrs. Sparsit, with a most extensive stock on hand of honour and morality, "that I _should_ be scrupulously true, if I allowed names to be mentioned under this roof, that are unfortunately most unfortunately no doubt of that connected with his." Bitzer knuckled his forehead again, and again begged pardon. "No, Bitzer," continued Mrs. Sparsit, "say an individual, and I will hear you; say Mr. Thomas, and you must excuse me." "With the usual exception, ma'am," said Bitzer, trying back, "of an individual." "Ah h!" Mrs. Sparsit repeated the ejaculation, the shake of the head over her tea-cup, and the long gulp, as taking up the conversation again at the point where it had been interrupted. "An individual, ma'am," said Bitzer, "has never been what he ought to have been, since he first came into the place. He is a dissipated, extravagant idler. He is not worth his salt, ma'am. He wouldn't get it either, if he hadn't a friend and relation at court, ma'am!" "Ah h!" said Mrs. Sparsit, with another melancholy shake of her head. "I only hope, ma'am," pursued Bitzer, "that his friend and relation may not supply him with the means of carrying on. Otherwise, ma'am, we know out of whose pocket _that_ money comes." "Ah h!" sighed Mrs. Sparsit again, with another melancholy shake of her head. "He is to be pitied, ma'am. The last party I have alluded to, is to be pitied, ma'am," said Bitzer. "Yes, Bitzer," said Mrs. Sparsit. "I have always pitied the delusion, always." "As to an individual, ma'am," said Bitzer, dropping his voice and drawing nearer, "he is as improvident as any of the people in this town. And you know what _their_ improvidence is, ma'am. No one could wish to know it better than a lady of your eminence does." "They would do well," returned Mrs. Sparsit,<\|quote\|>"to take example by you, Bitzer."</\|quote\|>"Thank you, ma'am. But, since you do refer to me, now look at me, ma'am. I have put by a little, ma'am, already. That gratuity which I receive at Christmas, ma'am: I never touch it. I don't even go the length of my wages, though they're not high, ma'am. Why can't they do as I have done, ma'am? What one person can do, another can do." This, again, was among the fictions of Coketown. Any capitalist there, who had made sixty thousand pounds out of sixpence, always professed to wonder why the sixty thousand nearest Hands didn't each make sixty thousand pounds out of sixpence, and more or less reproached them every one for not accomplishing the little feat. What I did you can do. Why don't you go and do it? "As to their wanting recreations, ma'am," said Bitzer, "it's stuff and nonsense. _I_ don't want recreations. I never did, and I never shall; I don't like 'em. As to their combining together; there are many of them, I have no doubt, that by watching and informing upon one another could earn a trifle now and then, whether in money or good will, and improve their livelihood. Then, why don't they improve it, ma'am! It's the first consideration of a rational creature, and it's what they pretend to want." "Pretend indeed!" said Mrs. Sparsit. "I am sure we are constantly hearing, ma'am, till it becomes quite nauseous, concerning their wives and families," said Bitzer. "Why look at me, ma'am! I don't want a wife and family. Why should they?" "Because they are improvident," said Mrs. Sparsit. "Yes, ma'am," returned Bitzer, "that's where it is. If they were more provident and less perverse, ma'am, what would they do? They would say," "While my hat covers my family," "or" "while my bonnet covers my family," "as the case might be, ma'am" "I have only one to feed, and that's the person I most like to feed."" "To be sure," assented Mrs. Sparsit, eating muffin. "Thank you, ma'am," said Bitzer, knuckling his forehead again, in return for the favour of Mrs. Sparsit's improving conversation. "Would you wish a little more hot water, ma'am, or is there anything else that I could fetch you?" "Nothing just now, Bitzer." "Thank you, ma'am. I shouldn't wish to disturb you at your meals, ma'am, particularly tea, knowing your partiality for it," said Bitzer, craning a little to look over into the street from where he stood; "but there's a gentleman been looking up here for a minute or so, ma'am, and he has come across as if he was going to knock. That _is_ his knock, ma'am, no doubt." He stepped to the window; and looking out, and drawing in his head again, confirmed himself with, "Yes, ma'am. Would you wish the gentleman to be shown in, ma'am?" "I don't know who it can be," said Mrs. Sparsit, wiping her mouth and arranging her mittens. "A stranger, ma'am, evidently." "What a stranger can want at the Bank at this time of the evening, unless he comes upon some business for which he is too late, I don't know," said Mrs. Sparsit, "but I hold a charge in this establishment from Mr. Bounderby, and I will never shrink from it. If to see him is any part of the duty I have accepted, I will see him. Use your own discretion, Bitzer." Here the visitor, all unconscious of Mrs. Sparsit's magnanimous words, repeated his knock so loudly that the light porter hastened down to open the door; while Mrs. Sparsit took the precaution of concealing her little table, with all its appliances upon it, in a cupboard, and then decamped up-stairs, that she might appear, if needful, with the greater dignity. "If you please, ma'am, the gentleman would wish to see you," said Bitzer, with his light eye at Mrs. Sparsit's keyhole. So, Mrs. Sparsit, who had improved the interval by touching up her cap, took her classical features down-stairs again, and entered the board-room in the manner of a Roman matron going outside the city walls to treat with an invading general. The visitor having strolled to the window, and being then engaged in looking carelessly out, was as unmoved by this impressive entry as man could possibly be. He stood whistling to himself with all imaginable coolness, with his hat still on, and a certain air of exhaustion upon him, in part arising from excessive summer, and in part from excessive gentility. For it was to be seen with half an eye that he was a thorough gentleman, made to the model of the time; weary of everything, and putting no more faith in anything than Lucifer. "I believe, sir," quoth Mrs. Sparsit, "you wished to see me." "I beg your pardon," he said, turning	be scrupulously true, if I allowed names to be mentioned under this roof, that are unfortunately most unfortunately no doubt of that connected with his." Bitzer knuckled his forehead again, and again begged pardon. "No, Bitzer," continued Mrs. Sparsit, "say an individual, and I will hear you; say Mr. Thomas, and you must excuse me." "With the usual exception, ma'am," said Bitzer, trying back, "of an individual." "Ah h!" Mrs. Sparsit repeated the ejaculation, the shake of the head over her tea-cup, and the long gulp, as taking up the conversation again at the point where it had been interrupted. "An individual, ma'am," said Bitzer, "has never been what he ought to have been, since he first came into the place. He is a dissipated, extravagant idler. He is not worth his salt, ma'am. He wouldn't get it either, if he hadn't a friend and relation at court, ma'am!" "Ah h!" said Mrs. Sparsit, with another melancholy shake of her head. "I only hope, ma'am," pursued Bitzer, "that his friend and relation may not supply him with the means of carrying on. Otherwise, ma'am, we know out of whose pocket _that_ money comes." "Ah h!" sighed Mrs. Sparsit again, with another melancholy shake of her head. "He is to be pitied, ma'am. The last party I have alluded to, is to be pitied, ma'am," said Bitzer. "Yes, Bitzer," said Mrs. Sparsit. "I have always pitied the delusion, always." "As to an individual, ma'am," said Bitzer, dropping his voice and drawing nearer, "he is as improvident as any of the people in this town. And you know what _their_ improvidence is, ma'am. No one could wish to know it better than a lady of your eminence does." "They would do well," returned Mrs. Sparsit,<\|quote\|>"to take example by you, Bitzer."</\|quote\|>"Thank you, ma'am. But, since you do refer to me, now look at me, ma'am. I have put by a little, ma'am, already. That gratuity which I receive at Christmas, ma'am: I never touch it. I don't even go the length of my wages, though they're not high, ma'am. Why can't they do as I have done, ma'am? What one person can do, another can do." This, again, was among the fictions of Coketown. Any capitalist there, who had made sixty thousand pounds out of sixpence, always professed to wonder why the sixty thousand nearest Hands didn't each make sixty thousand pounds out of sixpence, and more or less reproached them every one for not accomplishing the little feat. What I did you can do. Why don't you go and do it? "As to their wanting recreations, ma'am," said Bitzer, "it's stuff and nonsense. _I_ don't want recreations. I never did, and I never shall; I don't like 'em. As to their combining together; there are many of them, I have no doubt, that by watching and informing upon one another could earn a trifle now and then, whether in money or good will, and improve their livelihood. Then, why don't they improve it, ma'am! It's the first consideration of a rational creature, and it's what they pretend to want." "Pretend indeed!" said Mrs. Sparsit. "I am sure we are constantly hearing, ma'am, till it becomes quite nauseous, concerning their wives and families," said Bitzer. "Why look at me, ma'am! I don't want a wife and family. Why should they?" "Because they are improvident," said Mrs. Sparsit. "Yes, ma'am," returned Bitzer, "that's where it is. If they were more provident and less perverse, ma'am, what would they do? They would say," "While my hat covers my family," "or" "while my bonnet covers my family," "as the case might be, ma'am" "I have only one to feed, and that's the person I most like to feed."" "To be sure," assented Mrs. Sparsit, eating muffin. "Thank you, ma'am," said Bitzer, knuckling his	Hard Times
"My dearest creature, what can have made you so late? I have been waiting for you at least this age!"	Isabella Thorpe	her first address naturally was,<\|quote\|>"My dearest creature, what can have made you so late? I have been waiting for you at least this age!"</\|quote\|>"Have you, indeed! I am	five minutes before her friend, her first address naturally was,<\|quote\|>"My dearest creature, what can have made you so late? I have been waiting for you at least this age!"</\|quote\|>"Have you, indeed! I am very sorry for it; but	nine days, is given as a specimen of their very warm attachment, and of the delicacy, discretion, originality of thought, and literary taste which marked the reasonableness of that attachment. They met by appointment; and as Isabella had arrived nearly five minutes before her friend, her first address naturally was,<\|quote\|>"My dearest creature, what can have made you so late? I have been waiting for you at least this age!"</\|quote\|>"Have you, indeed! I am very sorry for it; but really I thought I was in very good time. It is but just one. I hope you have not been here long?" "Oh! These ten ages at least. I am sure I have been here this half hour. But now,	which no longer concern anyone living; and their language, too, frequently so coarse as to give no very favourable idea of the age that could endure it. CHAPTER 6 The following conversation, which took place between the two friends in the pump-room one morning, after an acquaintance of eight or nine days, is given as a specimen of their very warm attachment, and of the delicacy, discretion, originality of thought, and literary taste which marked the reasonableness of that attachment. They met by appointment; and as Isabella had arrived nearly five minutes before her friend, her first address naturally was,<\|quote\|>"My dearest creature, what can have made you so late? I have been waiting for you at least this age!"</\|quote\|>"Have you, indeed! I am very sorry for it; but really I thought I was in very good time. It is but just one. I hope you have not been here long?" "Oh! These ten ages at least. I am sure I have been here this half hour. But now, let us go and sit down at the other end of the room, and enjoy ourselves. I have an hundred things to say to you. In the first place, I was so afraid it would rain this morning, just as I wanted to set off; it looked very showery, and	its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best-chosen language. Now, had the same young lady been engaged with a volume of the Spectator, instead of such a work, how proudly would she have produced the book, and told its name; though the chances must be against her being occupied by any part of that voluminous publication, of which either the matter or manner would not disgust a young person of taste: the substance of its papers so often consisting in the statement of improbable circumstances, unnatural characters, and topics of conversation which no longer concern anyone living; and their language, too, frequently so coarse as to give no very favourable idea of the age that could endure it. CHAPTER 6 The following conversation, which took place between the two friends in the pump-room one morning, after an acquaintance of eight or nine days, is given as a specimen of their very warm attachment, and of the delicacy, discretion, originality of thought, and literary taste which marked the reasonableness of that attachment. They met by appointment; and as Isabella had arrived nearly five minutes before her friend, her first address naturally was,<\|quote\|>"My dearest creature, what can have made you so late? I have been waiting for you at least this age!"</\|quote\|>"Have you, indeed! I am very sorry for it; but really I thought I was in very good time. It is but just one. I hope you have not been here long?" "Oh! These ten ages at least. I am sure I have been here this half hour. But now, let us go and sit down at the other end of the room, and enjoy ourselves. I have an hundred things to say to you. In the first place, I was so afraid it would rain this morning, just as I wanted to set off; it looked very showery, and that would have thrown me into agonies! Do you know, I saw the prettiest hat you can imagine, in a shop window in Milsom Street just now very like yours, only with coquelicot ribbons instead of green; I quite longed for it. But, my dearest Catherine, what have you been doing with yourself all this morning? Have you gone on with Udolpho?" "Yes, I have been reading it ever since I woke; and I am got to the black veil." "Are you, indeed? How delightful! Oh! I would not tell you what is behind the black veil for the world!	no species of composition has been so much decried. From pride, ignorance, or fashion, our foes are almost as many as our readers. And while the abilities of the nine-hundredth abridger of the History of England, or of the man who collects and publishes in a volume some dozen lines of Milton, Pope, and Prior, with a paper from the Spectator, and a chapter from Sterne, are eulogized by a thousand pens there seems almost a general wish of decrying the capacity and undervaluing the labour of the novelist, and of slighting the performances which have only genius, wit, and taste to recommend them. "I am no novel-reader I seldom look into novels Do not imagine that _I_ often read novels It is really very well for a novel." Such is the common cant. "And what are you reading, Miss ?" "Oh! It is only a novel!" replies the young lady, while she lays down her book with affected indifference, or momentary shame. "It is only Cecilia, or Camilla, or Belinda"; or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best-chosen language. Now, had the same young lady been engaged with a volume of the Spectator, instead of such a work, how proudly would she have produced the book, and told its name; though the chances must be against her being occupied by any part of that voluminous publication, of which either the matter or manner would not disgust a young person of taste: the substance of its papers so often consisting in the statement of improbable circumstances, unnatural characters, and topics of conversation which no longer concern anyone living; and their language, too, frequently so coarse as to give no very favourable idea of the age that could endure it. CHAPTER 6 The following conversation, which took place between the two friends in the pump-room one morning, after an acquaintance of eight or nine days, is given as a specimen of their very warm attachment, and of the delicacy, discretion, originality of thought, and literary taste which marked the reasonableness of that attachment. They met by appointment; and as Isabella had arrived nearly five minutes before her friend, her first address naturally was,<\|quote\|>"My dearest creature, what can have made you so late? I have been waiting for you at least this age!"</\|quote\|>"Have you, indeed! I am very sorry for it; but really I thought I was in very good time. It is but just one. I hope you have not been here long?" "Oh! These ten ages at least. I am sure I have been here this half hour. But now, let us go and sit down at the other end of the room, and enjoy ourselves. I have an hundred things to say to you. In the first place, I was so afraid it would rain this morning, just as I wanted to set off; it looked very showery, and that would have thrown me into agonies! Do you know, I saw the prettiest hat you can imagine, in a shop window in Milsom Street just now very like yours, only with coquelicot ribbons instead of green; I quite longed for it. But, my dearest Catherine, what have you been doing with yourself all this morning? Have you gone on with Udolpho?" "Yes, I have been reading it ever since I woke; and I am got to the black veil." "Are you, indeed? How delightful! Oh! I would not tell you what is behind the black veil for the world! Are not you wild to know?" "Oh! Yes, quite; what can it be? But do not tell me I would not be told upon any account. I know it must be a skeleton, I am sure it is Laurentina s skeleton. Oh! I am delighted with the book! I should like to spend my whole life in reading it. I assure you, if it had not been to meet you, I would not have come away from it for all the world." "Dear creature! How much I am obliged to you; and when you have finished Udolpho, we will read the Italian together; and I have made out a list of ten or twelve more of the same kind for you." "Have you, indeed! How glad I am! What are they all?" "I will read you their names directly; here they are, in my pocketbook. Castle of Wolfenbach, Clermont, Mysterious Warnings, Necromancer of the Black Forest, Midnight Bell, Orphan of the Rhine, and Horrid Mysteries. Those will last us some time." "Yes, pretty well; but are they all horrid, are you sure they are all horrid?" "Yes, quite sure; for a particular friend of mine, a Miss Andrews, a sweet	of good fortune, had found these friends by no means so expensively dressed as herself. Her daily expressions were no longer, "I wish we had some acquaintance in Bath!" They were changed into, "How glad I am we have met with Mrs. Thorpe!" and she was as eager in promoting the intercourse of the two families, as her young charge and Isabella themselves could be; never satisfied with the day unless she spent the chief of it by the side of Mrs. Thorpe, in what they called conversation, but in which there was scarcely ever any exchange of opinion, and not often any resemblance of subject, for Mrs. Thorpe talked chiefly of her children, and Mrs. Allen of her gowns. The progress of the friendship between Catherine and Isabella was quick as its beginning had been warm, and they passed so rapidly through every gradation of increasing tenderness that there was shortly no fresh proof of it to be given to their friends or themselves. They called each other by their Christian name, were always arm in arm when they walked, pinned up each other s train for the dance, and were not to be divided in the set; and if a rainy morning deprived them of other enjoyments, they were still resolute in meeting in defiance of wet and dirt, and shut themselves up, to read novels together. Yes, novels; for I will not adopt that ungenerous and impolitic custom so common with novel-writers, of degrading by their contemptuous censure the very performances, to the number of which they are themselves adding joining with their greatest enemies in bestowing the harshest epithets on such works, and scarcely ever permitting them to be read by their own heroine, who, if she accidentally take up a novel, is sure to turn over its insipid pages with disgust. Alas! If the heroine of one novel be not patronized by the heroine of another, from whom can she expect protection and regard? I cannot approve of it. Let us leave it to the reviewers to abuse such effusions of fancy at their leisure, and over every new novel to talk in threadbare strains of the trash with which the press now groans. Let us not desert one another; we are an injured body. Although our productions have afforded more extensive and unaffected pleasure than those of any other literary corporation in the world, no species of composition has been so much decried. From pride, ignorance, or fashion, our foes are almost as many as our readers. And while the abilities of the nine-hundredth abridger of the History of England, or of the man who collects and publishes in a volume some dozen lines of Milton, Pope, and Prior, with a paper from the Spectator, and a chapter from Sterne, are eulogized by a thousand pens there seems almost a general wish of decrying the capacity and undervaluing the labour of the novelist, and of slighting the performances which have only genius, wit, and taste to recommend them. "I am no novel-reader I seldom look into novels Do not imagine that _I_ often read novels It is really very well for a novel." Such is the common cant. "And what are you reading, Miss ?" "Oh! It is only a novel!" replies the young lady, while she lays down her book with affected indifference, or momentary shame. "It is only Cecilia, or Camilla, or Belinda"; or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best-chosen language. Now, had the same young lady been engaged with a volume of the Spectator, instead of such a work, how proudly would she have produced the book, and told its name; though the chances must be against her being occupied by any part of that voluminous publication, of which either the matter or manner would not disgust a young person of taste: the substance of its papers so often consisting in the statement of improbable circumstances, unnatural characters, and topics of conversation which no longer concern anyone living; and their language, too, frequently so coarse as to give no very favourable idea of the age that could endure it. CHAPTER 6 The following conversation, which took place between the two friends in the pump-room one morning, after an acquaintance of eight or nine days, is given as a specimen of their very warm attachment, and of the delicacy, discretion, originality of thought, and literary taste which marked the reasonableness of that attachment. They met by appointment; and as Isabella had arrived nearly five minutes before her friend, her first address naturally was,<\|quote\|>"My dearest creature, what can have made you so late? I have been waiting for you at least this age!"</\|quote\|>"Have you, indeed! I am very sorry for it; but really I thought I was in very good time. It is but just one. I hope you have not been here long?" "Oh! These ten ages at least. I am sure I have been here this half hour. But now, let us go and sit down at the other end of the room, and enjoy ourselves. I have an hundred things to say to you. In the first place, I was so afraid it would rain this morning, just as I wanted to set off; it looked very showery, and that would have thrown me into agonies! Do you know, I saw the prettiest hat you can imagine, in a shop window in Milsom Street just now very like yours, only with coquelicot ribbons instead of green; I quite longed for it. But, my dearest Catherine, what have you been doing with yourself all this morning? Have you gone on with Udolpho?" "Yes, I have been reading it ever since I woke; and I am got to the black veil." "Are you, indeed? How delightful! Oh! I would not tell you what is behind the black veil for the world! Are not you wild to know?" "Oh! Yes, quite; what can it be? But do not tell me I would not be told upon any account. I know it must be a skeleton, I am sure it is Laurentina s skeleton. Oh! I am delighted with the book! I should like to spend my whole life in reading it. I assure you, if it had not been to meet you, I would not have come away from it for all the world." "Dear creature! How much I am obliged to you; and when you have finished Udolpho, we will read the Italian together; and I have made out a list of ten or twelve more of the same kind for you." "Have you, indeed! How glad I am! What are they all?" "I will read you their names directly; here they are, in my pocketbook. Castle of Wolfenbach, Clermont, Mysterious Warnings, Necromancer of the Black Forest, Midnight Bell, Orphan of the Rhine, and Horrid Mysteries. Those will last us some time." "Yes, pretty well; but are they all horrid, are you sure they are all horrid?" "Yes, quite sure; for a particular friend of mine, a Miss Andrews, a sweet girl, one of the sweetest creatures in the world, has read every one of them. I wish you knew Miss Andrews, you would be delighted with her. She is netting herself the sweetest cloak you can conceive. I think her as beautiful as an angel, and I am so vexed with the men for not admiring her! I scold them all amazingly about it." "Scold them! Do you scold them for not admiring her?" "Yes, that I do. There is nothing I would not do for those who are really my friends. I have no notion of loving people by halves; it is not my nature. My attachments are always excessively strong. I told Captain Hunt at one of our assemblies this winter that if he was to tease me all night, I would not dance with him, unless he would allow Miss Andrews to be as beautiful as an angel. The men think us incapable of real friendship, you know, and I am determined to show them the difference. Now, if I were to hear anybody speak slightingly of you, I should fire up in a moment: but that is not at all likely, for _you_ are just the kind of girl to be a great favourite with the men." "Oh, dear!" cried Catherine, colouring. "How can you say so?" "I know you very well; you have so much animation, which is exactly what Miss Andrews wants, for I must confess there is something amazingly insipid about her. Oh! I must tell you, that just after we parted yesterday, I saw a young man looking at you so earnestly I am sure he is in love with you." Catherine coloured, and disclaimed again. Isabella laughed. "It is very true, upon my honour, but I see how it is; you are indifferent to everybody s admiration, except that of one gentleman, who shall be nameless. Nay, I cannot blame you" speaking more seriously "your feelings are easily understood. Where the heart is really attached, I know very well how little one can be pleased with the attention of anybody else. Everything is so insipid, so uninteresting, that does not relate to the beloved object! I can perfectly comprehend your feelings." "But you should not persuade me that I think so very much about Mr. Tilney, for perhaps I may never see him again." "Not see him again! My dearest creature,	groans. Let us not desert one another; we are an injured body. Although our productions have afforded more extensive and unaffected pleasure than those of any other literary corporation in the world, no species of composition has been so much decried. From pride, ignorance, or fashion, our foes are almost as many as our readers. And while the abilities of the nine-hundredth abridger of the History of England, or of the man who collects and publishes in a volume some dozen lines of Milton, Pope, and Prior, with a paper from the Spectator, and a chapter from Sterne, are eulogized by a thousand pens there seems almost a general wish of decrying the capacity and undervaluing the labour of the novelist, and of slighting the performances which have only genius, wit, and taste to recommend them. "I am no novel-reader I seldom look into novels Do not imagine that _I_ often read novels It is really very well for a novel." Such is the common cant. "And what are you reading, Miss ?" "Oh! It is only a novel!" replies the young lady, while she lays down her book with affected indifference, or momentary shame. "It is only Cecilia, or Camilla, or Belinda"; or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best-chosen language. Now, had the same young lady been engaged with a volume of the Spectator, instead of such a work, how proudly would she have produced the book, and told its name; though the chances must be against her being occupied by any part of that voluminous publication, of which either the matter or manner would not disgust a young person of taste: the substance of its papers so often consisting in the statement of improbable circumstances, unnatural characters, and topics of conversation which no longer concern anyone living; and their language, too, frequently so coarse as to give no very favourable idea of the age that could endure it. CHAPTER 6 The following conversation, which took place between the two friends in the pump-room one morning, after an acquaintance of eight or nine days, is given as a specimen of their very warm attachment, and of the delicacy, discretion, originality of thought, and literary taste which marked the reasonableness of that attachment. They met by appointment; and as Isabella had arrived nearly five minutes before her friend, her first address naturally was,<\|quote\|>"My dearest creature, what can have made you so late? I have been waiting for you at least this age!"</\|quote\|>"Have you, indeed! I am very sorry for it; but really I thought I was in very good time. It is but just one. I hope you have not been here long?" "Oh! These ten ages at least. I am sure I have been here this half hour. But now, let us go and sit down at the other end of the room, and enjoy ourselves. I have an hundred things to say to you. In the first place, I was so afraid it would rain this morning, just as I wanted to set off; it looked very showery, and that would have thrown me into agonies! Do you know, I saw the prettiest hat you can imagine, in a shop window in Milsom Street just now very like yours, only with coquelicot ribbons instead of green; I quite longed for it. But, my dearest Catherine, what have you been doing with yourself all this morning? Have you gone on with Udolpho?" "Yes, I have been reading it ever since I woke; and I am got to the black veil." "Are you, indeed? How delightful! Oh! I would not tell you what is behind the black veil for the world! Are not you wild to know?" "Oh! Yes, quite; what can it be? But do not tell me I would not be told upon any account. I know it must be a skeleton, I am sure it is Laurentina s skeleton. Oh! I am delighted with the book! I should like to spend my whole life in reading it. I assure you, if it had not been to meet you, I would not have come away from it for all the world." "Dear creature! How much I am obliged to you; and when you have finished Udolpho, we will read the Italian together; and I have made out a list of ten or twelve more of the same kind for you." "Have you, indeed! How glad I am! What are they all?" "I will read you their names directly;	Northanger Abbey
Then he changed his mood. He asked if he might speak as an old friend, and, permission given, said:	No speaker	"Oh, I didn t mind."<\|quote\|>Then he changed his mood. He asked if he might speak as an old friend, and, permission given, said:</\|quote\|>"Oughtn t you really to	been most unpleasant for you." "Oh, I didn t mind."<\|quote\|>Then he changed his mood. He asked if he might speak as an old friend, and, permission given, said:</\|quote\|>"Oughtn t you really to be more careful?" Margaret laughed,	fetched me," cried Evie. "Yes, indeed," chuckled her father; "all that part about mechanical cheerfulness --oh, fine!" "I m very sorry," said Margaret, collecting herself. "He s a nice creature really. I cannot think what set him off. It has been most unpleasant for you." "Oh, I didn t mind."<\|quote\|>Then he changed his mood. He asked if he might speak as an old friend, and, permission given, said:</\|quote\|>"Oughtn t you really to be more careful?" Margaret laughed, though her thoughts still strayed after Helen. "Do you realise that it s all your fault?" she said. "You re responsible." "I?" "This is the young man whom we were to warn against the Porphyrion. We warn him, and--look!" Mr.	felt that you could polish him off for yourselves--I didn t interfere. You were splendid, Miss Schlegel--absolutely splendid. You can take my word for it, but there are very few women who could have managed him." "Oh yes," said Margaret distractedly. "Bowling him over with those long sentences was what fetched me," cried Evie. "Yes, indeed," chuckled her father; "all that part about mechanical cheerfulness --oh, fine!" "I m very sorry," said Margaret, collecting herself. "He s a nice creature really. I cannot think what set him off. It has been most unpleasant for you." "Oh, I didn t mind."<\|quote\|>Then he changed his mood. He asked if he might speak as an old friend, and, permission given, said:</\|quote\|>"Oughtn t you really to be more careful?" Margaret laughed, though her thoughts still strayed after Helen. "Do you realise that it s all your fault?" she said. "You re responsible." "I?" "This is the young man whom we were to warn against the Porphyrion. We warn him, and--look!" Mr. Wilcox was annoyed. "I hardly consider that a fair deduction," he said. "Obviously unfair," said Margaret. "I was only thinking how tangled things are. It s our fault mostly--neither yours nor his." "Not his?" "No." "Miss Schlegel, you are too kind." "Yes, indeed," nodded Evie, a little contemptuously. "You behave	mumbled Leonard, "all I can do is to go. But I beg to state--" He paused. Ahab and Jezebel danced at his boots and made him look ridiculous. "You were picking my brain for official information--I can prove it--I--" He blew his nose and left them. "Can I help you now?" said Mr. Wilcox, turning to Margaret. "May I have one quiet word with him in the hall?" "Helen, go after him--do anything--anything--to make the noodle understand." Helen hesitated. "But really--" said their visitor. "Ought she to?" At once she went. He resumed. "I would have chimed in, but I felt that you could polish him off for yourselves--I didn t interfere. You were splendid, Miss Schlegel--absolutely splendid. You can take my word for it, but there are very few women who could have managed him." "Oh yes," said Margaret distractedly. "Bowling him over with those long sentences was what fetched me," cried Evie. "Yes, indeed," chuckled her father; "all that part about mechanical cheerfulness --oh, fine!" "I m very sorry," said Margaret, collecting herself. "He s a nice creature really. I cannot think what set him off. It has been most unpleasant for you." "Oh, I didn t mind."<\|quote\|>Then he changed his mood. He asked if he might speak as an old friend, and, permission given, said:</\|quote\|>"Oughtn t you really to be more careful?" Margaret laughed, though her thoughts still strayed after Helen. "Do you realise that it s all your fault?" she said. "You re responsible." "I?" "This is the young man whom we were to warn against the Porphyrion. We warn him, and--look!" Mr. Wilcox was annoyed. "I hardly consider that a fair deduction," he said. "Obviously unfair," said Margaret. "I was only thinking how tangled things are. It s our fault mostly--neither yours nor his." "Not his?" "No." "Miss Schlegel, you are too kind." "Yes, indeed," nodded Evie, a little contemptuously. "You behave much too well to people, and then they impose on you. I know the world and that type of man, and as soon as I entered the room I saw you had not been treating him properly. You must keep that type at a distance. Otherwise they forget themselves. Sad, but true. They aren t our sort, and one must face the fact." "Ye--es." "Do admit that we should never have had the outburst if he was a gentleman." "I admit it willingly," said Margaret, who was pacing up and down the room. "A gentleman would have kept his suspicions	the man who tried to walk by the Pole Star." More laughter. "You saw the sunrise." Laughter. "You tried to get away from the fogs that are stifling us all--away past books and houses to the truth. You were looking for a real home." "I fail to see the connection," said Leonard, hot with stupid anger. "So do I." There was a pause. "You were that last Sunday--you are this to-day. Mr. Bast! I and my sister have talked you over. We wanted to help you; we also supposed you might help us. We did not have you here out of charity--which bores us--but because we hoped there would be a connection between last Sunday and other days. What is the good of your stars and trees, your sunrise and the wind, if they do not enter into our daily lives? They have never entered into mine, but into yours, we thought--Haven t we all to struggle against life s daily greyness, against pettiness, against mechanical cheerfulness, against suspicion? I struggle by remembering my friends; others I have known by remembering some place--some beloved place or tree--we thought you one of these." "Of course, if there s been any misunderstanding," mumbled Leonard, "all I can do is to go. But I beg to state--" He paused. Ahab and Jezebel danced at his boots and made him look ridiculous. "You were picking my brain for official information--I can prove it--I--" He blew his nose and left them. "Can I help you now?" said Mr. Wilcox, turning to Margaret. "May I have one quiet word with him in the hall?" "Helen, go after him--do anything--anything--to make the noodle understand." Helen hesitated. "But really--" said their visitor. "Ought she to?" At once she went. He resumed. "I would have chimed in, but I felt that you could polish him off for yourselves--I didn t interfere. You were splendid, Miss Schlegel--absolutely splendid. You can take my word for it, but there are very few women who could have managed him." "Oh yes," said Margaret distractedly. "Bowling him over with those long sentences was what fetched me," cried Evie. "Yes, indeed," chuckled her father; "all that part about mechanical cheerfulness --oh, fine!" "I m very sorry," said Margaret, collecting herself. "He s a nice creature really. I cannot think what set him off. It has been most unpleasant for you." "Oh, I didn t mind."<\|quote\|>Then he changed his mood. He asked if he might speak as an old friend, and, permission given, said:</\|quote\|>"Oughtn t you really to be more careful?" Margaret laughed, though her thoughts still strayed after Helen. "Do you realise that it s all your fault?" she said. "You re responsible." "I?" "This is the young man whom we were to warn against the Porphyrion. We warn him, and--look!" Mr. Wilcox was annoyed. "I hardly consider that a fair deduction," he said. "Obviously unfair," said Margaret. "I was only thinking how tangled things are. It s our fault mostly--neither yours nor his." "Not his?" "No." "Miss Schlegel, you are too kind." "Yes, indeed," nodded Evie, a little contemptuously. "You behave much too well to people, and then they impose on you. I know the world and that type of man, and as soon as I entered the room I saw you had not been treating him properly. You must keep that type at a distance. Otherwise they forget themselves. Sad, but true. They aren t our sort, and one must face the fact." "Ye--es." "Do admit that we should never have had the outburst if he was a gentleman." "I admit it willingly," said Margaret, who was pacing up and down the room. "A gentleman would have kept his suspicions to himself." Mr. Wilcox watched her with a vague uneasiness. "What did he suspect you of?" "Of wanting to make money out of him." "Intolerable brute! But how were you to benefit?" "Exactly. How indeed! Just horrible, corroding suspicion. One touch of thought or of goodwill would have brushed it away. Just the senseless fear that does make men intolerable brutes." "I come back to my original point. You ought to be more careful, Miss Schlegel. Your servants ought to have orders not to let such people in." She turned to him frankly. "Let me explain exactly why we like this man, and want to see him again." "That s your clever way of talking. I shall never believe you like him." "I do. Firstly, because he cares for physical adventure, just as you do. Yes, you go motoring and shooting; he would like to go camping out. Secondly, he cares for something special IN adventure. It is quickest to call that special something poetry--" "Oh, he s one of that writer sort." "No--oh no! I mean he may be, but it would be loathsome stuff. His brain is filled with the husks of books, culture--horrible; we want him to	who name animals after the less successful characters of Old Testament history. "I ve got to be going." Helen was too much occupied with puppies to notice him. "Mr. Wilcox, Mr. Ba--Must you be really? Good-bye!" "Come again," said Helen from the floor. Then Leonard s gorge arose. Why should he come again? What was the good of it? He said roundly: "No, I shan t; I knew it would be a failure." Most people would have let him go. "A little mistake. We tried knowing another class--impossible." But the Schlegels had never played with life. They had attempted friendship, and they would take the consequences. Helen retorted, "I call that a very rude remark. What do you want to turn on me like that for?" and suddenly the drawing-room re-echoed to a vulgar row. "You ask me why I turn on you?" "Yes." "What do you want to have me here for?" "To help you, you silly boy!" cried Helen. "And don t shout." "I don t want your patronage. I don t want your tea. I was quite happy. What do you want to unsettle me for?" He turned to Mr. Wilcox. "I put it to this gentleman. I ask you, sir, am I to have my brain picked?" Mr. Wilcox turned to Margaret with the air of humorous strength that he could so well command. "Are we intruding, Miss Schlegel? Can we be of any use, or shall we go?" But Margaret ignored him. "I m connected with a leading insurance company, sir. I receive what I take to be an invitation from these--ladies" (he drawled the word). "I come, and it s to have my brain picked. I ask you, is it fair?" "Highly unfair," said Mr. Wilcox, drawing a gasp from Evie, who knew that her father was becoming dangerous. "There, you hear that? Most unfair, the gentleman says. There! Not content with" "--pointing at Margaret--" "you can t deny it." His voice rose; he was falling into the rhythm of a scene with Jacky. "But as soon as I m useful it s a very different thing. Oh yes, send for him. Cross-question him. Pick his brains. Oh yes. Now, take me on the whole, I m a quiet fellow: I m law-abiding, I don t wish any unpleasantness; but I--I--" "You," said Margaret--" "you--you--" Laughter from Evie as at a repartee. "You are the man who tried to walk by the Pole Star." More laughter. "You saw the sunrise." Laughter. "You tried to get away from the fogs that are stifling us all--away past books and houses to the truth. You were looking for a real home." "I fail to see the connection," said Leonard, hot with stupid anger. "So do I." There was a pause. "You were that last Sunday--you are this to-day. Mr. Bast! I and my sister have talked you over. We wanted to help you; we also supposed you might help us. We did not have you here out of charity--which bores us--but because we hoped there would be a connection between last Sunday and other days. What is the good of your stars and trees, your sunrise and the wind, if they do not enter into our daily lives? They have never entered into mine, but into yours, we thought--Haven t we all to struggle against life s daily greyness, against pettiness, against mechanical cheerfulness, against suspicion? I struggle by remembering my friends; others I have known by remembering some place--some beloved place or tree--we thought you one of these." "Of course, if there s been any misunderstanding," mumbled Leonard, "all I can do is to go. But I beg to state--" He paused. Ahab and Jezebel danced at his boots and made him look ridiculous. "You were picking my brain for official information--I can prove it--I--" He blew his nose and left them. "Can I help you now?" said Mr. Wilcox, turning to Margaret. "May I have one quiet word with him in the hall?" "Helen, go after him--do anything--anything--to make the noodle understand." Helen hesitated. "But really--" said their visitor. "Ought she to?" At once she went. He resumed. "I would have chimed in, but I felt that you could polish him off for yourselves--I didn t interfere. You were splendid, Miss Schlegel--absolutely splendid. You can take my word for it, but there are very few women who could have managed him." "Oh yes," said Margaret distractedly. "Bowling him over with those long sentences was what fetched me," cried Evie. "Yes, indeed," chuckled her father; "all that part about mechanical cheerfulness --oh, fine!" "I m very sorry," said Margaret, collecting herself. "He s a nice creature really. I cannot think what set him off. It has been most unpleasant for you." "Oh, I didn t mind."<\|quote\|>Then he changed his mood. He asked if he might speak as an old friend, and, permission given, said:</\|quote\|>"Oughtn t you really to be more careful?" Margaret laughed, though her thoughts still strayed after Helen. "Do you realise that it s all your fault?" she said. "You re responsible." "I?" "This is the young man whom we were to warn against the Porphyrion. We warn him, and--look!" Mr. Wilcox was annoyed. "I hardly consider that a fair deduction," he said. "Obviously unfair," said Margaret. "I was only thinking how tangled things are. It s our fault mostly--neither yours nor his." "Not his?" "No." "Miss Schlegel, you are too kind." "Yes, indeed," nodded Evie, a little contemptuously. "You behave much too well to people, and then they impose on you. I know the world and that type of man, and as soon as I entered the room I saw you had not been treating him properly. You must keep that type at a distance. Otherwise they forget themselves. Sad, but true. They aren t our sort, and one must face the fact." "Ye--es." "Do admit that we should never have had the outburst if he was a gentleman." "I admit it willingly," said Margaret, who was pacing up and down the room. "A gentleman would have kept his suspicions to himself." Mr. Wilcox watched her with a vague uneasiness. "What did he suspect you of?" "Of wanting to make money out of him." "Intolerable brute! But how were you to benefit?" "Exactly. How indeed! Just horrible, corroding suspicion. One touch of thought or of goodwill would have brushed it away. Just the senseless fear that does make men intolerable brutes." "I come back to my original point. You ought to be more careful, Miss Schlegel. Your servants ought to have orders not to let such people in." She turned to him frankly. "Let me explain exactly why we like this man, and want to see him again." "That s your clever way of talking. I shall never believe you like him." "I do. Firstly, because he cares for physical adventure, just as you do. Yes, you go motoring and shooting; he would like to go camping out. Secondly, he cares for something special IN adventure. It is quickest to call that special something poetry--" "Oh, he s one of that writer sort." "No--oh no! I mean he may be, but it would be loathsome stuff. His brain is filled with the husks of books, culture--horrible; we want him to wash out his brain and go to the real thing. We want to show him how he may get upsides with life. As I said, either friends or the country, some" "--she hesitated--" "either some very dear person or some very dear place seems necessary to relieve life s daily grey, and to show that it is grey. If possible, one should have both." Some of her words ran past Mr. Wilcox. He let them run past. Others he caught and criticised with admirable lucidity. "Your mistake is this, and it is a very common mistake. This young bounder has a life of his own. What right have you to conclude it is an unsuccessful life, or, as you call it, grey ?" "Because--" "One minute. You know nothing about him. He probably has his own joys and interests--wife, children, snug little home. That s where we practical fellows" he smiled--" "are more tolerant than you intellectuals. We live and let live, and assume that things are jogging on fairly well elsewhere, and that the ordinary plain man may be trusted to look after his own affairs. I quite grant--I look at the faces of the clerks in my own office, and observe them to be dull, but I don t know what s going on beneath. So, by the way, with London. I have heard you rail against London, Miss Schlegel, and it seems a funny thing to say but I was very angry with you. What do you know about London? You only see civilisation from the outside. I don t say in your case, but in too many cases that attitude leads to morbidity, discontent, and Socialism." She admitted the strength of his position, though it undermined imagination. As he spoke, some outposts of poetry and perhaps of sympathy fell ruining, and she retreated to what she called her "second line"--to the special facts of the case. "His wife is an old bore," she said simply. "He never came home last Saturday night because he wanted to be alone, and she thought he was with us." "With YOU?" "Yes." Evie tittered. "He hasn t got the cosy home that you assumed. He needs outside interests." "Naughty young man!" cried the girl. "Naughty?" said Margaret, who hated naughtiness more than sin. "When you re married Miss Wilcox, won t you want outside interests?" "He has apparently got them,"	insurance company, sir. I receive what I take to be an invitation from these--ladies" (he drawled the word). "I come, and it s to have my brain picked. I ask you, is it fair?" "Highly unfair," said Mr. Wilcox, drawing a gasp from Evie, who knew that her father was becoming dangerous. "There, you hear that? Most unfair, the gentleman says. There! Not content with" "--pointing at Margaret--" "you can t deny it." His voice rose; he was falling into the rhythm of a scene with Jacky. "But as soon as I m useful it s a very different thing. Oh yes, send for him. Cross-question him. Pick his brains. Oh yes. Now, take me on the whole, I m a quiet fellow: I m law-abiding, I don t wish any unpleasantness; but I--I--" "You," said Margaret--" "you--you--" Laughter from Evie as at a repartee. "You are the man who tried to walk by the Pole Star." More laughter. "You saw the sunrise." Laughter. "You tried to get away from the fogs that are stifling us all--away past books and houses to the truth. You were looking for a real home." "I fail to see the connection," said Leonard, hot with stupid anger. "So do I." There was a pause. "You were that last Sunday--you are this to-day. Mr. Bast! I and my sister have talked you over. We wanted to help you; we also supposed you might help us. We did not have you here out of charity--which bores us--but because we hoped there would be a connection between last Sunday and other days. What is the good of your stars and trees, your sunrise and the wind, if they do not enter into our daily lives? They have never entered into mine, but into yours, we thought--Haven t we all to struggle against life s daily greyness, against pettiness, against mechanical cheerfulness, against suspicion? I struggle by remembering my friends; others I have known by remembering some place--some beloved place or tree--we thought you one of these." "Of course, if there s been any misunderstanding," mumbled Leonard, "all I can do is to go. But I beg to state--" He paused. Ahab and Jezebel danced at his boots and made him look ridiculous. "You were picking my brain for official information--I can prove it--I--" He blew his nose and left them. "Can I help you now?" said Mr. Wilcox, turning to Margaret. "May I have one quiet word with him in the hall?" "Helen, go after him--do anything--anything--to make the noodle understand." Helen hesitated. "But really--" said their visitor. "Ought she to?" At once she went. He resumed. "I would have chimed in, but I felt that you could polish him off for yourselves--I didn t interfere. You were splendid, Miss Schlegel--absolutely splendid. You can take my word for it, but there are very few women who could have managed him." "Oh yes," said Margaret distractedly. "Bowling him over with those long sentences was what fetched me," cried Evie. "Yes, indeed," chuckled her father; "all that part about mechanical cheerfulness --oh, fine!" "I m very sorry," said Margaret, collecting herself. "He s a nice creature really. I cannot think what set him off. It has been most unpleasant for you." "Oh, I didn t mind."<\|quote\|>Then he changed his mood. He asked if he might speak as an old friend, and, permission given, said:</\|quote\|>"Oughtn t you really to be more careful?" Margaret laughed, though her thoughts still strayed after Helen. "Do you realise that it s all your fault?" she said. "You re responsible." "I?" "This is the young man whom we were to warn against the Porphyrion. We warn him, and--look!" Mr. Wilcox was annoyed. "I hardly consider that a fair deduction," he said. "Obviously unfair," said Margaret. "I was only thinking how tangled things are. It s our fault mostly--neither yours nor his." "Not his?" "No." "Miss Schlegel, you are too kind." "Yes, indeed," nodded Evie, a little contemptuously. "You behave much too well to people, and then they impose on you. I know the world and that type of man, and as soon as I entered the room I saw you had not been treating him properly. You must keep that type at a distance. Otherwise they forget themselves. Sad, but true. They aren t our sort, and one must face the fact." "Ye--es." "Do admit that we should never have had the outburst if he was a gentleman." "I admit it willingly," said Margaret, who was pacing up and down the room. "A gentleman would have kept his suspicions to himself." Mr. Wilcox watched her with a vague uneasiness. "What did he suspect you of?" "Of wanting to make money out of him." "Intolerable brute! But how were you to benefit?" "Exactly. How indeed! Just horrible, corroding suspicion. One touch of thought or of goodwill would have brushed it away. Just the senseless fear that does make men intolerable brutes." "I come back to my original point. You ought to be more careful, Miss Schlegel. Your servants ought to have orders not to let such people in." She turned to him frankly. "Let me explain exactly why we like this man, and want to see him again." "That s your clever way of talking. I shall never believe you like him."	Howards End
"But I thought it was uninhabited."	Leonard	in the moon?" "Of course."<\|quote\|>"But I thought it was uninhabited."</\|quote\|>"Not by Time, Death, Judgment,	to it. "Is there life in the moon?" "Of course."<\|quote\|>"But I thought it was uninhabited."</\|quote\|>"Not by Time, Death, Judgment, and the smaller snakes." "Smaller	"So does the moon." "But it is a clenched fist." "Why not?" "But it is going to touch me." "Let it." And, seeming to gather motion, the patch ran up his blanket. Presently a blue snake appeared; then another parallel to it. "Is there life in the moon?" "Of course."<\|quote\|>"But I thought it was uninhabited."</\|quote\|>"Not by Time, Death, Judgment, and the smaller snakes." "Smaller snakes!" said Leonard indignantly and aloud. "What a notion!" By a rending effort of the will he woke the rest of the room up. Jacky, the bed, their food, their clothes on the chair, gradually entered his consciousness, and the	and, as sometimes happens when the mind is overtaxed, he fell asleep for the rest of the room, but kept awake for the patch of moonlight. Horrible! Then began one of those disintegrating dialogues. Part of him said: "Why horrible? It s ordinary light from the moon." "But it moves." "So does the moon." "But it is a clenched fist." "Why not?" "But it is going to touch me." "Let it." And, seeming to gather motion, the patch ran up his blanket. Presently a blue snake appeared; then another parallel to it. "Is there life in the moon?" "Of course."<\|quote\|>"But I thought it was uninhabited."</\|quote\|>"Not by Time, Death, Judgment, and the smaller snakes." "Smaller snakes!" said Leonard indignantly and aloud. "What a notion!" By a rending effort of the will he woke the rest of the room up. Jacky, the bed, their food, their clothes on the chair, gradually entered his consciousness, and the horror vanished outwards, like a ring that is spreading through water. "I say, Jacky, I m going out for a bit." She was breathing regularly. The patch of light fell clear of the striped blanket, and began to cover the shawl that lay over her feet. Why had he been	that Howards End was in Hertfordshire. "Is it a village, please?" "Village! It s Mr. Wilcox s private house--at least, it s one of them. Mrs. Wilcox keeps her furniture there. Hilton is the village." "Yes. And when will they be back?" "Mr. Schlegel doesn t know. We can t know everything, can we?" She shut him out, and went to attend to the telephone, which was ringing furiously. He loitered away another night of agony. Confession grew more difficult. As soon as possible he went to bed. He watched a patch of moonlight cross the floor of their lodging, and, as sometimes happens when the mind is overtaxed, he fell asleep for the rest of the room, but kept awake for the patch of moonlight. Horrible! Then began one of those disintegrating dialogues. Part of him said: "Why horrible? It s ordinary light from the moon." "But it moves." "So does the moon." "But it is a clenched fist." "Why not?" "But it is going to touch me." "Let it." And, seeming to gather motion, the patch ran up his blanket. Presently a blue snake appeared; then another parallel to it. "Is there life in the moon?" "Of course."<\|quote\|>"But I thought it was uninhabited."</\|quote\|>"Not by Time, Death, Judgment, and the smaller snakes." "Smaller snakes!" said Leonard indignantly and aloud. "What a notion!" By a rending effort of the will he woke the rest of the room up. Jacky, the bed, their food, their clothes on the chair, gradually entered his consciousness, and the horror vanished outwards, like a ring that is spreading through water. "I say, Jacky, I m going out for a bit." She was breathing regularly. The patch of light fell clear of the striped blanket, and began to cover the shawl that lay over her feet. Why had he been afraid? He went to the window, and saw that the moon was descending through a clear sky. He saw her volcanoes, and the bright expanses that a gracious error has named seas. They paled, for the sun, who had lit them up, was coming to light the earth. Sea of Serenity, Sea of Tranquillity, Ocean of the Lunar Storms, merged into one lucent drop, itself to slip into the sempiternal dawn. And he had been afraid of the moon! He dressed among the contending lights, and went through his money. It was running low again, but enough for a return	bell. He felt in curious health; doors seemed to be opening and shutting inside his body, and he had been obliged to sleep sitting up in bed, with his back propped against the wall. When the parlourmaid came he could not see her face; the brown rain had descended suddenly. "Does Mrs. Wilcox live here?" he asked. "She s out," was the answer. "When will she be back?" "I ll ask," said the parlourmaid. Margaret had given instructions that no one who mentioned her name should ever be rebuffed. Putting the door on the chain--for Leonard s appearance demanded this--she went through to the smoking-room, which was occupied by Tibby. Tibby was asleep. He had had a good lunch. Charles Wilcox had not yet rung him up for the distracting interview. He said drowsily: "I don t know. Hilton. Howards End. Who is it?" "I ll ask, sir." "No, don t bother." "They have taken the car to Howards End," said the parlourmaid to Leonard. He thanked her, and asked whereabouts that place was. "You appear to want to know a good deal," she remarked. But Margaret had forbidden her to be mysterious. She told him against her better judgment that Howards End was in Hertfordshire. "Is it a village, please?" "Village! It s Mr. Wilcox s private house--at least, it s one of them. Mrs. Wilcox keeps her furniture there. Hilton is the village." "Yes. And when will they be back?" "Mr. Schlegel doesn t know. We can t know everything, can we?" She shut him out, and went to attend to the telephone, which was ringing furiously. He loitered away another night of agony. Confession grew more difficult. As soon as possible he went to bed. He watched a patch of moonlight cross the floor of their lodging, and, as sometimes happens when the mind is overtaxed, he fell asleep for the rest of the room, but kept awake for the patch of moonlight. Horrible! Then began one of those disintegrating dialogues. Part of him said: "Why horrible? It s ordinary light from the moon." "But it moves." "So does the moon." "But it is a clenched fist." "Why not?" "But it is going to touch me." "Let it." And, seeming to gather motion, the patch ran up his blanket. Presently a blue snake appeared; then another parallel to it. "Is there life in the moon?" "Of course."<\|quote\|>"But I thought it was uninhabited."</\|quote\|>"Not by Time, Death, Judgment, and the smaller snakes." "Smaller snakes!" said Leonard indignantly and aloud. "What a notion!" By a rending effort of the will he woke the rest of the room up. Jacky, the bed, their food, their clothes on the chair, gradually entered his consciousness, and the horror vanished outwards, like a ring that is spreading through water. "I say, Jacky, I m going out for a bit." She was breathing regularly. The patch of light fell clear of the striped blanket, and began to cover the shawl that lay over her feet. Why had he been afraid? He went to the window, and saw that the moon was descending through a clear sky. He saw her volcanoes, and the bright expanses that a gracious error has named seas. They paled, for the sun, who had lit them up, was coming to light the earth. Sea of Serenity, Sea of Tranquillity, Ocean of the Lunar Storms, merged into one lucent drop, itself to slip into the sempiternal dawn. And he had been afraid of the moon! He dressed among the contending lights, and went through his money. It was running low again, but enough for a return ticket to Hilton. As it clinked, Jacky opened her eyes. "Hullo, Len! What ho, Len!" "What ho, Jacky! see you again later." She turned over and slept. The house was unlocked, their landlord being a salesman at Covent Garden. Leonard passed out and made his way down to the station. The train, though it did not start for an hour, was already drawn up at the end of the platform, and he lay down in it and slept. With the first jolt he was in daylight; they had left the gateways of King s Cross, and were under blue sky. Tunnels followed, and after each the sky grew bluer, and from the embankment at Finsbury Park he had his first sight of the sun. It rolled along behind the eastern smokes--a wheel, whose fellow was the descending moon--and as yet it seemed the servant of the blue sky, not its lord. He dozed again. Over Tewin Water it was day. To the left fell the shadow of the embankment and its arches; to the right Leonard saw up into the Tewin Woods and towards the church, with its wild legend of immortality. Six forest trees--that is a fact--grow out of	would tell them everything he knew. He re-entered St. Paul s. But they had moved in his absence, and had gone to lay their difficulties before Mr. Wilcox and Charles. The sight of Margaret turned remorse into new channels. He desired to confess, and though the desire is proof of a weakened nature, which is about to lose the essence of human intercourse, it did not take an ignoble form. He did not suppose that confession would bring him happiness. It was rather that he yearned to get clear of the tangle. So does the suicide yearn. The impulses are akin, and the crime of suicide lies rather in its disregard for the feelings of those whom we leave behind. Confession need harm no one--it can satisfy that test--and though it was un-English, and ignored by our Anglican cathedral, Leonard had a right to decide upon it. Moreover, he trusted Margaret. He wanted her hardness now. That cold, intellectual nature of hers would be just, if unkind. He would do whatever she told him, even if he had to see Helen. That was the supreme punishment she would exact. And perhaps she would tell him how Helen was. That was the supreme reward. He knew nothing about Margaret, not even whether she was married to Mr. Wilcox, and tracking her out took several days. That evening he toiled through the wet to Wickham Place, where the new flats were now appearing. Was he also the cause of their move? Were they expelled from society on his account? Thence to a public library, but could find no satisfactory Schlegel in the directory. On the morrow he searched again. He hung about outside Mr. Wilcox s office at lunch time, and, as the clerks came out said, "Excuse me, sir, but is your boss married?" Most of them stared, some said, "What s that to you?" but one, who had not yet acquired reticence, told him what he wished. Leonard could not learn the private address. That necessitated more trouble with directories and tubes. Ducie Street was not discovered till the Monday, the day that Margaret and her husband went down on their hunting expedition to Howards End. He called at about four o clock. The weather had changed, and the sun shone gaily on the ornamental steps--black and white marble in triangles. Leonard lowered his eyes to them after ringing the bell. He felt in curious health; doors seemed to be opening and shutting inside his body, and he had been obliged to sleep sitting up in bed, with his back propped against the wall. When the parlourmaid came he could not see her face; the brown rain had descended suddenly. "Does Mrs. Wilcox live here?" he asked. "She s out," was the answer. "When will she be back?" "I ll ask," said the parlourmaid. Margaret had given instructions that no one who mentioned her name should ever be rebuffed. Putting the door on the chain--for Leonard s appearance demanded this--she went through to the smoking-room, which was occupied by Tibby. Tibby was asleep. He had had a good lunch. Charles Wilcox had not yet rung him up for the distracting interview. He said drowsily: "I don t know. Hilton. Howards End. Who is it?" "I ll ask, sir." "No, don t bother." "They have taken the car to Howards End," said the parlourmaid to Leonard. He thanked her, and asked whereabouts that place was. "You appear to want to know a good deal," she remarked. But Margaret had forbidden her to be mysterious. She told him against her better judgment that Howards End was in Hertfordshire. "Is it a village, please?" "Village! It s Mr. Wilcox s private house--at least, it s one of them. Mrs. Wilcox keeps her furniture there. Hilton is the village." "Yes. And when will they be back?" "Mr. Schlegel doesn t know. We can t know everything, can we?" She shut him out, and went to attend to the telephone, which was ringing furiously. He loitered away another night of agony. Confession grew more difficult. As soon as possible he went to bed. He watched a patch of moonlight cross the floor of their lodging, and, as sometimes happens when the mind is overtaxed, he fell asleep for the rest of the room, but kept awake for the patch of moonlight. Horrible! Then began one of those disintegrating dialogues. Part of him said: "Why horrible? It s ordinary light from the moon." "But it moves." "So does the moon." "But it is a clenched fist." "Why not?" "But it is going to touch me." "Let it." And, seeming to gather motion, the patch ran up his blanket. Presently a blue snake appeared; then another parallel to it. "Is there life in the moon?" "Of course."<\|quote\|>"But I thought it was uninhabited."</\|quote\|>"Not by Time, Death, Judgment, and the smaller snakes." "Smaller snakes!" said Leonard indignantly and aloud. "What a notion!" By a rending effort of the will he woke the rest of the room up. Jacky, the bed, their food, their clothes on the chair, gradually entered his consciousness, and the horror vanished outwards, like a ring that is spreading through water. "I say, Jacky, I m going out for a bit." She was breathing regularly. The patch of light fell clear of the striped blanket, and began to cover the shawl that lay over her feet. Why had he been afraid? He went to the window, and saw that the moon was descending through a clear sky. He saw her volcanoes, and the bright expanses that a gracious error has named seas. They paled, for the sun, who had lit them up, was coming to light the earth. Sea of Serenity, Sea of Tranquillity, Ocean of the Lunar Storms, merged into one lucent drop, itself to slip into the sempiternal dawn. And he had been afraid of the moon! He dressed among the contending lights, and went through his money. It was running low again, but enough for a return ticket to Hilton. As it clinked, Jacky opened her eyes. "Hullo, Len! What ho, Len!" "What ho, Jacky! see you again later." She turned over and slept. The house was unlocked, their landlord being a salesman at Covent Garden. Leonard passed out and made his way down to the station. The train, though it did not start for an hour, was already drawn up at the end of the platform, and he lay down in it and slept. With the first jolt he was in daylight; they had left the gateways of King s Cross, and were under blue sky. Tunnels followed, and after each the sky grew bluer, and from the embankment at Finsbury Park he had his first sight of the sun. It rolled along behind the eastern smokes--a wheel, whose fellow was the descending moon--and as yet it seemed the servant of the blue sky, not its lord. He dozed again. Over Tewin Water it was day. To the left fell the shadow of the embankment and its arches; to the right Leonard saw up into the Tewin Woods and towards the church, with its wild legend of immortality. Six forest trees--that is a fact--grow out of one of the graves in Tewin churchyard. The grave s occupant--that is the legend--is an atheist, who declared that if God existed, six forest trees would grow out of her grave. These things in Hertfordshire; and farther afield lay the house of a hermit--Mrs. Wilcox had known him--who barred himself up, and wrote prophecies, and gave all he had to the poor. While, powdered in between, were the villas of business men, who saw life more steadily, though with the steadiness of the half-closed eye. Over all the sun was streaming, to all the birds were singing, to all the primroses were yellow, and the speedwell blue, and the country, however they interpreted her, was uttering her cry of "now." She did not free Leonard yet, and the knife plunged deeper into his heart as the train drew up at Hilton. But remorse had become beautiful. Hilton was asleep, or at the earliest, breakfasting. Leonard noticed the contrast when he stepped out of it into the country. Here men had been up since dawn. Their hours were ruled, not by a London office, but by the movements of the crops and the sun. That they were men of the finest type only the sentimentalists can declare. But they kept to the life of daylight. They are England s hope. Clumsily they carry forward the torch of the sun, until such time as the nation sees fit to take it up. Half clodhopper, half board-school prig, they can still throw back to a nobler stock, and breed yeomen. At the chalk pit a motor passed him. In it was another type, whom Nature favours--the Imperial. Healthy, ever in motion, it hopes to inherit the earth. It breeds as quickly as the yeoman, and as soundly; strong is the temptation to acclaim it as a super-yeoman, who carries his country s virtue overseas. But the Imperialist is not what he thinks or seems. He is a destroyer. He prepares the way for cosmopolitanism, and though his ambitions may be fulfilled, the earth that he inherits will be grey. To Leonard, intent on his private sin, there came the conviction of innate goodness elsewhere. It was not the optimism which he had been taught at school. Again and again must the drums tap, and the goblins stalk over the universe before joy can be purged of the superficial. It was rather paradoxical, and	was occupied by Tibby. Tibby was asleep. He had had a good lunch. Charles Wilcox had not yet rung him up for the distracting interview. He said drowsily: "I don t know. Hilton. Howards End. Who is it?" "I ll ask, sir." "No, don t bother." "They have taken the car to Howards End," said the parlourmaid to Leonard. He thanked her, and asked whereabouts that place was. "You appear to want to know a good deal," she remarked. But Margaret had forbidden her to be mysterious. She told him against her better judgment that Howards End was in Hertfordshire. "Is it a village, please?" "Village! It s Mr. Wilcox s private house--at least, it s one of them. Mrs. Wilcox keeps her furniture there. Hilton is the village." "Yes. And when will they be back?" "Mr. Schlegel doesn t know. We can t know everything, can we?" She shut him out, and went to attend to the telephone, which was ringing furiously. He loitered away another night of agony. Confession grew more difficult. As soon as possible he went to bed. He watched a patch of moonlight cross the floor of their lodging, and, as sometimes happens when the mind is overtaxed, he fell asleep for the rest of the room, but kept awake for the patch of moonlight. Horrible! Then began one of those disintegrating dialogues. Part of him said: "Why horrible? It s ordinary light from the moon." "But it moves." "So does the moon." "But it is a clenched fist." "Why not?" "But it is going to touch me." "Let it." And, seeming to gather motion, the patch ran up his blanket. Presently a blue snake appeared; then another parallel to it. "Is there life in the moon?" "Of course."<\|quote\|>"But I thought it was uninhabited."</\|quote\|>"Not by Time, Death, Judgment, and the smaller snakes." "Smaller snakes!" said Leonard indignantly and aloud. "What a notion!" By a rending effort of the will he woke the rest of the room up. Jacky, the bed, their food, their clothes on the chair, gradually entered his consciousness, and the horror vanished outwards, like a ring that is spreading through water. "I say, Jacky, I m going out for a bit." She was breathing regularly. The patch of light fell clear of the striped blanket, and began to cover the shawl that lay over her feet. Why had he been afraid? He went to the window, and saw that the moon was descending through a clear sky. He saw her volcanoes, and the bright expanses that a gracious error has named seas. They paled, for the sun, who had lit them up, was coming to light the earth. Sea of Serenity, Sea of Tranquillity, Ocean of the Lunar Storms, merged into one lucent drop, itself to slip into the sempiternal dawn. And he had been afraid of the moon! He dressed among the contending lights, and went through his money. It was running low again, but enough for a return ticket to Hilton. As it clinked, Jacky opened her eyes. "Hullo, Len! What ho, Len!" "What ho, Jacky! see you again later." She turned over and slept. The house was unlocked, their landlord being a salesman at Covent Garden. Leonard passed out and made his way down to the station. The train, though it did not start for an hour, was already drawn up at the end of the platform, and he lay down in it and slept. With the first jolt he was in daylight; they had left the gateways of King s Cross, and were under blue sky. Tunnels followed, and after each the sky grew bluer, and from the embankment at Finsbury Park he had his first sight of the sun. It rolled along behind the eastern smokes--a wheel, whose fellow was the descending moon--and as yet it seemed the servant of the blue sky, not its lord. He dozed again. Over Tewin Water it was day. To the left fell the shadow of the embankment and its arches; to the right Leonard saw up into the Tewin Woods and towards the church, with its wild legend of immortality. Six forest trees--that is a fact--grow out of one of the graves in Tewin churchyard. The grave s occupant--that is the legend--is an atheist, who declared that if God existed, six forest trees would grow out of her grave. These things in Hertfordshire; and farther afield lay the house of a hermit--Mrs. Wilcox had known him--who	Howards End
Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad.	No speaker	bad really. He's rather pathetic."<\|quote\|>Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad.</\|quote\|>"I hope you sleep well."	She said, "Oh, it wasn't bad really. He's rather pathetic."<\|quote\|>Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad.</\|quote\|>"I hope you sleep well." "I'm sure I shall." "D'you	dinner Tony came up behind Brenda as she sat at her dressing table and made a face over her shoulder in the glass. "I feel rather guilty about Beaver--going off and leaving you like that. You were heavenly to him." She said, "Oh, it wasn't bad really. He's rather pathetic."<\|quote\|>Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad.</\|quote\|>"I hope you sleep well." "I'm sure I shall." "D'you like to be called in the morning?" "May I ring?" "Certainly. Got everything you want?" "Yes, thanks. Good night." "Good night." But when he got back he said, "You know, I feel awful about Beaver." "Oh, Beaver's all right," said	nice about him. He's got a silly voice and a silly face, silly eyes and silly nose," John's voice fell into a liturgical sing-song, "silly feet and silly toes, silly head and silly clothes..." "Now you eat up your supper," said nanny.) * * * * * That evening before dinner Tony came up behind Brenda as she sat at her dressing table and made a face over her shoulder in the glass. "I feel rather guilty about Beaver--going off and leaving you like that. You were heavenly to him." She said, "Oh, it wasn't bad really. He's rather pathetic."<\|quote\|>Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad.</\|quote\|>"I hope you sleep well." "I'm sure I shall." "D'you like to be called in the morning?" "May I ring?" "Certainly. Got everything you want?" "Yes, thanks. Good night." "Good night." But when he got back he said, "You know, I feel awful about Beaver." "Oh, Beaver's all right," said Brenda. But he was far from being comfortable and as he rolled patiently about the bed in quest of a position in which it was possible to go to sleep, he reflected that, since he had no intention of coming to the house again, he would give the butler nothing	you talking like that?" "How old are you?" "Twenty-five. How old are you?" "What do you do?" "Nothing much." "Well, if I was you I'd do something and earn some money. Then you'd be able to hunt." "But I shouldn't be able to call people tarts." "I don't see any point in that anyway." (Later, in the nursery, while he was having his supper, John said: "I think Mr Beaver's a very silly man, don't you?" "I'm sure I don't know," said nanny. "I think he's the silliest man who's ever been here." "Comparisons are odious." "There just isn't anything nice about him. He's got a silly voice and a silly face, silly eyes and silly nose," John's voice fell into a liturgical sing-song, "silly feet and silly toes, silly head and silly clothes..." "Now you eat up your supper," said nanny.) * * * * * That evening before dinner Tony came up behind Brenda as she sat at her dressing table and made a face over her shoulder in the glass. "I feel rather guilty about Beaver--going off and leaving you like that. You were heavenly to him." She said, "Oh, it wasn't bad really. He's rather pathetic."<\|quote\|>Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad.</\|quote\|>"I hope you sleep well." "I'm sure I shall." "D'you like to be called in the morning?" "May I ring?" "Certainly. Got everything you want?" "Yes, thanks. Good night." "Good night." But when he got back he said, "You know, I feel awful about Beaver." "Oh, Beaver's all right," said Brenda. But he was far from being comfortable and as he rolled patiently about the bed in quest of a position in which it was possible to go to sleep, he reflected that, since he had no intention of coming to the house again, he would give the butler nothing and only five shillings to the footman who was looking after him. Presently he adapted himself to the rugged topography of the mattress and dozed, fitfully, until morning. But the new day began dismally with the information that all the Sunday papers had already gone to her ladyship's room. * * * * * Tony invariably wore a dark suit on Sundays and a stiff white collar. He went to church, where he sat in a large pitch-pine pew, put in by his great-grandfather at the time of rebuilding the house, furnished with very high crimson hassocks and a fireplace,	Billy Angmering?" "He's having a terrific walk out with a girl called Sheila Shrub." "And the Helm-Hubbards?" "That marriage isn't going too well either... Daisy has started a new restaurant. It's going very well... and there's a new night club called the Warren..." "Dear me," Brenda said at last. "What fun everyone seems to be having." After tea John Andrew was brought in and quickly usurped the conversation. "How do you do?" he said. "I didn't know you were coming. Daddy said he had a week-end to himself for once. Do you hunt?" "Not for a long time." "Ben says it stands to reason everyone ought to hunt who can afford to, for the good of the country." "Perhaps I can't afford to." "Are you poor?" "Please, Mr Beaver, you mustn't let him bore you." "Yes, very poor." "Poor enough to call people tarts?" "Yes, quite poor enough." "How did you get poor?" "I always have been." "Oh." John lost interest in this topic. "The grey horse at the farm has got worms." "How do you know?" "Ben says so. Besides, you've only got to look at his dung." "Oh dear," said Brenda, "what would nanny say if she heard you talking like that?" "How old are you?" "Twenty-five. How old are you?" "What do you do?" "Nothing much." "Well, if I was you I'd do something and earn some money. Then you'd be able to hunt." "But I shouldn't be able to call people tarts." "I don't see any point in that anyway." (Later, in the nursery, while he was having his supper, John said: "I think Mr Beaver's a very silly man, don't you?" "I'm sure I don't know," said nanny. "I think he's the silliest man who's ever been here." "Comparisons are odious." "There just isn't anything nice about him. He's got a silly voice and a silly face, silly eyes and silly nose," John's voice fell into a liturgical sing-song, "silly feet and silly toes, silly head and silly clothes..." "Now you eat up your supper," said nanny.) * * * * * That evening before dinner Tony came up behind Brenda as she sat at her dressing table and made a face over her shoulder in the glass. "I feel rather guilty about Beaver--going off and leaving you like that. You were heavenly to him." She said, "Oh, it wasn't bad really. He's rather pathetic."<\|quote\|>Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad.</\|quote\|>"I hope you sleep well." "I'm sure I shall." "D'you like to be called in the morning?" "May I ring?" "Certainly. Got everything you want?" "Yes, thanks. Good night." "Good night." But when he got back he said, "You know, I feel awful about Beaver." "Oh, Beaver's all right," said Brenda. But he was far from being comfortable and as he rolled patiently about the bed in quest of a position in which it was possible to go to sleep, he reflected that, since he had no intention of coming to the house again, he would give the butler nothing and only five shillings to the footman who was looking after him. Presently he adapted himself to the rugged topography of the mattress and dozed, fitfully, until morning. But the new day began dismally with the information that all the Sunday papers had already gone to her ladyship's room. * * * * * Tony invariably wore a dark suit on Sundays and a stiff white collar. He went to church, where he sat in a large pitch-pine pew, put in by his great-grandfather at the time of rebuilding the house, furnished with very high crimson hassocks and a fireplace, complete with iron grate and a little poker which his father used to rattle when any point in the sermon excited his disapproval. Since his father's day a fire had not been laid there; Tony had it in mind to revive the practice next winter. On Christmas Day and Harvest Thanksgiving Tony read the lessons from the back of the brass eagle. When service was over he stood for a few minutes at the porch chatting affably with the vicar's sister and the people from the village. Then he returned home by a path across the fields which led to a side door in the walled garden; he visited the hothouses and picked himself a buttonhole, stopped by the gardeners' cottages for a few words (the smell of Sunday dinners rising warm and overpowering from the little doorways) and then, rather solemnly, drank a glass of sherry in the library. That was the simple, mildly ceremonious order of his Sunday morning, which had evolved, more or less spontaneously, from the more severe practices of his parents; he adhered to it with great satisfaction. Brenda teased him whenever she caught him posing as an upright, God-fearing gentleman of the old school	up by the evening train. Does he have to work on Monday morning?" "I shouldn't know." * * * * * Three-eighteen was far from being the most convenient time for arrival. One reached the house at about a quarter to four and if, like Beaver, one was a stranger, there was an awkward time until tea; but without Tony there to make her self-conscious, Brenda could carry these things off quite gracefully and Beaver was so seldom wholly welcome anywhere that he was not sensitive to the slight constraint of his reception. She met him in what was still called the smoking-room; it was in some ways the least gloomy place in the house. She said, "It is nice that you were able to come. I must break it to you at once that we haven't got a party. I'm afraid you'll be terribly bored... Tony had to go out but he'll be in soon... was the train crowded? It often is on Saturdays... would you like to come outside? It'll be dark soon and we might get some of the sun while we can..." and so on. If Tony had been there it would have been difficult, for she would have caught his eye and her manner as ch?telaine would have collapsed. Beaver was well used to making conversation, so they went out together through the french windows on to the terrace, down the steps, into the Dutch garden, and back round the orangery without suffering a moment's real embarrassment. She even heard herself telling Beaver that his mother was one of her oldest friends. Tony returned in time for tea. He apologized for not being at home to greet his guest and almost immediately went out again to interview the agent in his study. Brenda asked about London and what parties there were. Beaver was particularly knowledgeable. "Polly Cockpurse is having one soon." "Yes, I know." "Are you coming up for it?" "I don't expect so. We never go anywhere nowadays." The jokes that had been going round for six weeks were all new to Brenda; they had become polished and perfected with repetition and Beaver was able to bring them out with good effect. He told her of numerous changes of alliance among her friends. "What's happening to Mary and Simon?" "Oh, didn't you know? That's broken up." "When?" "It began in Austria this summer..." "And Billy Angmering?" "He's having a terrific walk out with a girl called Sheila Shrub." "And the Helm-Hubbards?" "That marriage isn't going too well either... Daisy has started a new restaurant. It's going very well... and there's a new night club called the Warren..." "Dear me," Brenda said at last. "What fun everyone seems to be having." After tea John Andrew was brought in and quickly usurped the conversation. "How do you do?" he said. "I didn't know you were coming. Daddy said he had a week-end to himself for once. Do you hunt?" "Not for a long time." "Ben says it stands to reason everyone ought to hunt who can afford to, for the good of the country." "Perhaps I can't afford to." "Are you poor?" "Please, Mr Beaver, you mustn't let him bore you." "Yes, very poor." "Poor enough to call people tarts?" "Yes, quite poor enough." "How did you get poor?" "I always have been." "Oh." John lost interest in this topic. "The grey horse at the farm has got worms." "How do you know?" "Ben says so. Besides, you've only got to look at his dung." "Oh dear," said Brenda, "what would nanny say if she heard you talking like that?" "How old are you?" "Twenty-five. How old are you?" "What do you do?" "Nothing much." "Well, if I was you I'd do something and earn some money. Then you'd be able to hunt." "But I shouldn't be able to call people tarts." "I don't see any point in that anyway." (Later, in the nursery, while he was having his supper, John said: "I think Mr Beaver's a very silly man, don't you?" "I'm sure I don't know," said nanny. "I think he's the silliest man who's ever been here." "Comparisons are odious." "There just isn't anything nice about him. He's got a silly voice and a silly face, silly eyes and silly nose," John's voice fell into a liturgical sing-song, "silly feet and silly toes, silly head and silly clothes..." "Now you eat up your supper," said nanny.) * * * * * That evening before dinner Tony came up behind Brenda as she sat at her dressing table and made a face over her shoulder in the glass. "I feel rather guilty about Beaver--going off and leaving you like that. You were heavenly to him." She said, "Oh, it wasn't bad really. He's rather pathetic."<\|quote\|>Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad.</\|quote\|>"I hope you sleep well." "I'm sure I shall." "D'you like to be called in the morning?" "May I ring?" "Certainly. Got everything you want?" "Yes, thanks. Good night." "Good night." But when he got back he said, "You know, I feel awful about Beaver." "Oh, Beaver's all right," said Brenda. But he was far from being comfortable and as he rolled patiently about the bed in quest of a position in which it was possible to go to sleep, he reflected that, since he had no intention of coming to the house again, he would give the butler nothing and only five shillings to the footman who was looking after him. Presently he adapted himself to the rugged topography of the mattress and dozed, fitfully, until morning. But the new day began dismally with the information that all the Sunday papers had already gone to her ladyship's room. * * * * * Tony invariably wore a dark suit on Sundays and a stiff white collar. He went to church, where he sat in a large pitch-pine pew, put in by his great-grandfather at the time of rebuilding the house, furnished with very high crimson hassocks and a fireplace, complete with iron grate and a little poker which his father used to rattle when any point in the sermon excited his disapproval. Since his father's day a fire had not been laid there; Tony had it in mind to revive the practice next winter. On Christmas Day and Harvest Thanksgiving Tony read the lessons from the back of the brass eagle. When service was over he stood for a few minutes at the porch chatting affably with the vicar's sister and the people from the village. Then he returned home by a path across the fields which led to a side door in the walled garden; he visited the hothouses and picked himself a buttonhole, stopped by the gardeners' cottages for a few words (the smell of Sunday dinners rising warm and overpowering from the little doorways) and then, rather solemnly, drank a glass of sherry in the library. That was the simple, mildly ceremonious order of his Sunday morning, which had evolved, more or less spontaneously, from the more severe practices of his parents; he adhered to it with great satisfaction. Brenda teased him whenever she caught him posing as an upright, God-fearing gentleman of the old school and Tony saw the joke, but this did not at all diminish the pleasure he derived from his weekly routine, or his annoyance when the presence of guests suspended it. For this reason his heart sank when, emerging from his study into the great hall at a quarter to eleven, he met Beaver already dressed and prepared to be entertained; it was only a momentary vexation, however, for while he wished him good morning he noticed that his guest had an _A.B.C._ in his hands and was clearly looking out a train. "I hope you slept all right?" "Beautifully," said Beaver, though his wan expression did not confirm the word. "I'm so glad. I always sleep well here myself. I say, I don't like the look of that train guide. I hope you weren't thinking of leaving us yet?" "Alas, I've got to get up to-night, I'm afraid." "Too bad. I've hardly seen you. The trains aren't very good on Sundays. The best leaves at five-forty-five and gets up about nine. It stops a lot and there's no restaurant car." "That'll do fine." "Sure you can't stay until to-morrow?" "Quite sure." The church bells were ringing across the park. "Well, I'm just off to church. I don't suppose you'd care to come." Beaver always did what was expected of him when he was staying away, even on a visit as unsatisfactory as the present one. "Oh yes, I should like to very much." "No, really, I shouldn't if I were you. You wouldn't enjoy it. I only go because I more or less have to. You stay here. Brenda will be down directly. Ring for a drink when you feel like it." "Oh, all right." "See you later then." Tony took his hat and stick from the lobby and let himself out. "Now I've behaved inhospitably to that young man again," he reflected. The bells were clear and clamorous in the drive and Tony walked briskly towards them. Presently they ceased and gave place to a single note, warning the village that there was only five minutes to go before the organist started the first hymn. He caught up nanny and John, also on their way to church. John was in one of his rare, confidential moods; he put his small gloved hand into Tony's and, without introduction, embarked upon a story which lasted them all the way to the	for tea. He apologized for not being at home to greet his guest and almost immediately went out again to interview the agent in his study. Brenda asked about London and what parties there were. Beaver was particularly knowledgeable. "Polly Cockpurse is having one soon." "Yes, I know." "Are you coming up for it?" "I don't expect so. We never go anywhere nowadays." The jokes that had been going round for six weeks were all new to Brenda; they had become polished and perfected with repetition and Beaver was able to bring them out with good effect. He told her of numerous changes of alliance among her friends. "What's happening to Mary and Simon?" "Oh, didn't you know? That's broken up." "When?" "It began in Austria this summer..." "And Billy Angmering?" "He's having a terrific walk out with a girl called Sheila Shrub." "And the Helm-Hubbards?" "That marriage isn't going too well either... Daisy has started a new restaurant. It's going very well... and there's a new night club called the Warren..." "Dear me," Brenda said at last. "What fun everyone seems to be having." After tea John Andrew was brought in and quickly usurped the conversation. "How do you do?" he said. "I didn't know you were coming. Daddy said he had a week-end to himself for once. Do you hunt?" "Not for a long time." "Ben says it stands to reason everyone ought to hunt who can afford to, for the good of the country." "Perhaps I can't afford to." "Are you poor?" "Please, Mr Beaver, you mustn't let him bore you." "Yes, very poor." "Poor enough to call people tarts?" "Yes, quite poor enough." "How did you get poor?" "I always have been." "Oh." John lost interest in this topic. "The grey horse at the farm has got worms." "How do you know?" "Ben says so. Besides, you've only got to look at his dung." "Oh dear," said Brenda, "what would nanny say if she heard you talking like that?" "How old are you?" "Twenty-five. How old are you?" "What do you do?" "Nothing much." "Well, if I was you I'd do something and earn some money. Then you'd be able to hunt." "But I shouldn't be able to call people tarts." "I don't see any point in that anyway." (Later, in the nursery, while he was having his supper, John said: "I think Mr Beaver's a very silly man, don't you?" "I'm sure I don't know," said nanny. "I think he's the silliest man who's ever been here." "Comparisons are odious." "There just isn't anything nice about him. He's got a silly voice and a silly face, silly eyes and silly nose," John's voice fell into a liturgical sing-song, "silly feet and silly toes, silly head and silly clothes..." "Now you eat up your supper," said nanny.) * * * * * That evening before dinner Tony came up behind Brenda as she sat at her dressing table and made a face over her shoulder in the glass. "I feel rather guilty about Beaver--going off and leaving you like that. You were heavenly to him." She said, "Oh, it wasn't bad really. He's rather pathetic."<\|quote\|>Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad.</\|quote\|>"I hope you sleep well." "I'm sure I shall." "D'you like to be called in the morning?" "May I ring?" "Certainly. Got everything you want?" "Yes, thanks. Good night." "Good night." But when he got back he said, "You know, I feel awful about Beaver." "Oh, Beaver's all right," said Brenda. But he was far from being comfortable and as he rolled patiently about the bed in quest of a position in which it was possible to go to sleep, he reflected that, since he had no intention of coming to the house again, he would give the butler nothing and only five shillings to the footman who was looking after him. Presently he adapted himself to the rugged topography of the mattress and dozed, fitfully, until morning. But the new day began dismally with the information that all the Sunday papers had already gone to her ladyship's room. * * * * * Tony invariably wore a dark suit on Sundays and a stiff white collar. He went to church, where he sat in a large pitch-pine pew, put in by his great-grandfather at the time of rebuilding the house, furnished with very high crimson hassocks and a fireplace, complete with iron grate	A Handful Of Dust
"I shall soon bring him over to Hartfield,"	Mr. Weston	listened, and smiled, and congratulated.<\|quote\|>"I shall soon bring him over to Hartfield,"</\|quote\|>said he, at the conclusion.	of his journey; and she listened, and smiled, and congratulated.<\|quote\|>"I shall soon bring him over to Hartfield,"</\|quote\|>said he, at the conclusion. Emma could imagine she saw	would now be talked of no more. Mr. Weston gave her the history of the engagements at Enscombe, which allowed his son to answer for having an entire fortnight at his command, as well as the route and the method of his journey; and she listened, and smiled, and congratulated.<\|quote\|>"I shall soon bring him over to Hartfield,"</\|quote\|>said he, at the conclusion. Emma could imagine she saw a touch of the arm at this speech, from his wife. "We had better move on, Mr. Weston," said she, "we are detaining the girls." "Well, well, I am ready;" "--and turning again to Emma, "but you must not be	was enough to make Emma consider it so, and sincerely did she rejoice in their joy. It was a most delightful reanimation of exhausted spirits. The worn-out past was sunk in the freshness of what was coming; and in the rapidity of half a moment's thought, she hoped Mr. Elton would now be talked of no more. Mr. Weston gave her the history of the engagements at Enscombe, which allowed his son to answer for having an entire fortnight at his command, as well as the route and the method of his journey; and she listened, and smiled, and congratulated.<\|quote\|>"I shall soon bring him over to Hartfield,"</\|quote\|>said he, at the conclusion. Emma could imagine she saw a touch of the arm at this speech, from his wife. "We had better move on, Mr. Weston," said she, "we are detaining the girls." "Well, well, I am ready;" "--and turning again to Emma, "but you must not be expecting such a _very_ fine young man; you have only had _my_ account you know; I dare say he is really nothing extraordinary:" "--though his own sparkling eyes at the moment were speaking a very different conviction. Emma could look perfectly unconscious and innocent, and answer in a manner that	Christmas he could not have staid three days; I was always glad he did not come at Christmas; now we are going to have just the right weather for him, fine, dry, settled weather. We shall enjoy him completely; every thing has turned out exactly as we could wish." There was no resisting such news, no possibility of avoiding the influence of such a happy face as Mr. Weston's, confirmed as it all was by the words and the countenance of his wife, fewer and quieter, but not less to the purpose. To know that _she_ thought his coming certain was enough to make Emma consider it so, and sincerely did she rejoice in their joy. It was a most delightful reanimation of exhausted spirits. The worn-out past was sunk in the freshness of what was coming; and in the rapidity of half a moment's thought, she hoped Mr. Elton would now be talked of no more. Mr. Weston gave her the history of the engagements at Enscombe, which allowed his son to answer for having an entire fortnight at his command, as well as the route and the method of his journey; and she listened, and smiled, and congratulated.<\|quote\|>"I shall soon bring him over to Hartfield,"</\|quote\|>said he, at the conclusion. Emma could imagine she saw a touch of the arm at this speech, from his wife. "We had better move on, Mr. Weston," said she, "we are detaining the girls." "Well, well, I am ready;" "--and turning again to Emma, "but you must not be expecting such a _very_ fine young man; you have only had _my_ account you know; I dare say he is really nothing extraordinary:" "--though his own sparkling eyes at the moment were speaking a very different conviction. Emma could look perfectly unconscious and innocent, and answer in a manner that appropriated nothing. "Think of me to-morrow, my dear Emma, about four o'clock," was Mrs. Weston's parting injunction; spoken with some anxiety, and meant only for her. "Four o'clock!--depend upon it he will be here by three," was Mr. Weston's quick amendment; and so ended a most satisfactory meeting. Emma's spirits were mounted quite up to happiness; every thing wore a different air; James and his horses seemed not half so sluggish as before. When she looked at the hedges, she thought the elder at least must soon be coming out; and when she turned round to Harriet, she saw something	The refreshment of Randalls was absolutely necessary. It was a good scheme; but on driving to the door they heard that neither "master nor mistress was at home;" they had both been out some time; the man believed they were gone to Hartfield. "This is too bad," cried Emma, as they turned away. "And now we shall just miss them; too provoking!--I do not know when I have been so disappointed." And she leaned back in the corner, to indulge her murmurs, or to reason them away; probably a little of both--such being the commonest process of a not ill-disposed mind. Presently the carriage stopt; she looked up; it was stopt by Mr. and Mrs. Weston, who were standing to speak to her. There was instant pleasure in the sight of them, and still greater pleasure was conveyed in sound--for Mr. Weston immediately accosted her with, "How d'ye do?--how d'ye do?--We have been sitting with your father--glad to see him so well. Frank comes to-morrow--I had a letter this morning--we see him to-morrow by dinner-time to a certainty--he is at Oxford to-day, and he comes for a whole fortnight; I knew it would be so. If he had come at Christmas he could not have staid three days; I was always glad he did not come at Christmas; now we are going to have just the right weather for him, fine, dry, settled weather. We shall enjoy him completely; every thing has turned out exactly as we could wish." There was no resisting such news, no possibility of avoiding the influence of such a happy face as Mr. Weston's, confirmed as it all was by the words and the countenance of his wife, fewer and quieter, but not less to the purpose. To know that _she_ thought his coming certain was enough to make Emma consider it so, and sincerely did she rejoice in their joy. It was a most delightful reanimation of exhausted spirits. The worn-out past was sunk in the freshness of what was coming; and in the rapidity of half a moment's thought, she hoped Mr. Elton would now be talked of no more. Mr. Weston gave her the history of the engagements at Enscombe, which allowed his son to answer for having an entire fortnight at his command, as well as the route and the method of his journey; and she listened, and smiled, and congratulated.<\|quote\|>"I shall soon bring him over to Hartfield,"</\|quote\|>said he, at the conclusion. Emma could imagine she saw a touch of the arm at this speech, from his wife. "We had better move on, Mr. Weston," said she, "we are detaining the girls." "Well, well, I am ready;" "--and turning again to Emma, "but you must not be expecting such a _very_ fine young man; you have only had _my_ account you know; I dare say he is really nothing extraordinary:" "--though his own sparkling eyes at the moment were speaking a very different conviction. Emma could look perfectly unconscious and innocent, and answer in a manner that appropriated nothing. "Think of me to-morrow, my dear Emma, about four o'clock," was Mrs. Weston's parting injunction; spoken with some anxiety, and meant only for her. "Four o'clock!--depend upon it he will be here by three," was Mr. Weston's quick amendment; and so ended a most satisfactory meeting. Emma's spirits were mounted quite up to happiness; every thing wore a different air; James and his horses seemed not half so sluggish as before. When she looked at the hedges, she thought the elder at least must soon be coming out; and when she turned round to Harriet, she saw something like a look of spring, a tender smile even there. "Will Mr. Frank Churchill pass through Bath as well as Oxford?" "--was a question, however, which did not augur much. But neither geography nor tranquillity could come all at once, and Emma was now in a humour to resolve that they should both come in time. The morning of the interesting day arrived, and Mrs. Weston's faithful pupil did not forget either at ten, or eleven, or twelve o'clock, that she was to think of her at four. "My dear, dear anxious friend," "--said she, in mental soliloquy, while walking downstairs from her own room, "always overcareful for every body's comfort but your own; I see you now in all your little fidgets, going again and again into his room, to be sure that all is right." The clock struck twelve as she passed through the hall. "'Tis twelve; I shall not forget to think of you four hours hence; and by this time to-morrow, perhaps, or a little later, I may be thinking of the possibility of their all calling here. I am sure they will bring him soon." She opened the parlour door, and saw two gentlemen sitting	of an hour brought her punctually to the white gate again; and Miss Smith receiving her summons, was with her without delay, and unattended by any alarming young man. She came solitarily down the gravel walk--a Miss Martin just appearing at the door, and parting with her seemingly with ceremonious civility. Harriet could not very soon give an intelligible account. She was feeling too much; but at last Emma collected from her enough to understand the sort of meeting, and the sort of pain it was creating. She had seen only Mrs. Martin and the two girls. They had received her doubtingly, if not coolly; and nothing beyond the merest commonplace had been talked almost all the time--till just at last, when Mrs. Martin's saying, all of a sudden, that she thought Miss Smith was grown, had brought on a more interesting subject, and a warmer manner. In that very room she had been measured last September, with her two friends. There were the pencilled marks and memorandums on the wainscot by the window. _He_ had done it. They all seemed to remember the day, the hour, the party, the occasion--to feel the same consciousness, the same regrets--to be ready to return to the same good understanding; and they were just growing again like themselves, (Harriet, as Emma must suspect, as ready as the best of them to be cordial and happy,) when the carriage reappeared, and all was over. The style of the visit, and the shortness of it, were then felt to be decisive. Fourteen minutes to be given to those with whom she had thankfully passed six weeks not six months ago!--Emma could not but picture it all, and feel how justly they might resent, how naturally Harriet must suffer. It was a bad business. She would have given a great deal, or endured a great deal, to have had the Martins in a higher rank of life. They were so deserving, that a _little_ higher should have been enough: but as it was, how could she have done otherwise?--Impossible!--She could not repent. They must be separated; but there was a great deal of pain in the process--so much to herself at this time, that she soon felt the necessity of a little consolation, and resolved on going home by way of Randalls to procure it. Her mind was quite sick of Mr. Elton and the Martins. The refreshment of Randalls was absolutely necessary. It was a good scheme; but on driving to the door they heard that neither "master nor mistress was at home;" they had both been out some time; the man believed they were gone to Hartfield. "This is too bad," cried Emma, as they turned away. "And now we shall just miss them; too provoking!--I do not know when I have been so disappointed." And she leaned back in the corner, to indulge her murmurs, or to reason them away; probably a little of both--such being the commonest process of a not ill-disposed mind. Presently the carriage stopt; she looked up; it was stopt by Mr. and Mrs. Weston, who were standing to speak to her. There was instant pleasure in the sight of them, and still greater pleasure was conveyed in sound--for Mr. Weston immediately accosted her with, "How d'ye do?--how d'ye do?--We have been sitting with your father--glad to see him so well. Frank comes to-morrow--I had a letter this morning--we see him to-morrow by dinner-time to a certainty--he is at Oxford to-day, and he comes for a whole fortnight; I knew it would be so. If he had come at Christmas he could not have staid three days; I was always glad he did not come at Christmas; now we are going to have just the right weather for him, fine, dry, settled weather. We shall enjoy him completely; every thing has turned out exactly as we could wish." There was no resisting such news, no possibility of avoiding the influence of such a happy face as Mr. Weston's, confirmed as it all was by the words and the countenance of his wife, fewer and quieter, but not less to the purpose. To know that _she_ thought his coming certain was enough to make Emma consider it so, and sincerely did she rejoice in their joy. It was a most delightful reanimation of exhausted spirits. The worn-out past was sunk in the freshness of what was coming; and in the rapidity of half a moment's thought, she hoped Mr. Elton would now be talked of no more. Mr. Weston gave her the history of the engagements at Enscombe, which allowed his son to answer for having an entire fortnight at his command, as well as the route and the method of his journey; and she listened, and smiled, and congratulated.<\|quote\|>"I shall soon bring him over to Hartfield,"</\|quote\|>said he, at the conclusion. Emma could imagine she saw a touch of the arm at this speech, from his wife. "We had better move on, Mr. Weston," said she, "we are detaining the girls." "Well, well, I am ready;" "--and turning again to Emma, "but you must not be expecting such a _very_ fine young man; you have only had _my_ account you know; I dare say he is really nothing extraordinary:" "--though his own sparkling eyes at the moment were speaking a very different conviction. Emma could look perfectly unconscious and innocent, and answer in a manner that appropriated nothing. "Think of me to-morrow, my dear Emma, about four o'clock," was Mrs. Weston's parting injunction; spoken with some anxiety, and meant only for her. "Four o'clock!--depend upon it he will be here by three," was Mr. Weston's quick amendment; and so ended a most satisfactory meeting. Emma's spirits were mounted quite up to happiness; every thing wore a different air; James and his horses seemed not half so sluggish as before. When she looked at the hedges, she thought the elder at least must soon be coming out; and when she turned round to Harriet, she saw something like a look of spring, a tender smile even there. "Will Mr. Frank Churchill pass through Bath as well as Oxford?" "--was a question, however, which did not augur much. But neither geography nor tranquillity could come all at once, and Emma was now in a humour to resolve that they should both come in time. The morning of the interesting day arrived, and Mrs. Weston's faithful pupil did not forget either at ten, or eleven, or twelve o'clock, that she was to think of her at four. "My dear, dear anxious friend," "--said she, in mental soliloquy, while walking downstairs from her own room, "always overcareful for every body's comfort but your own; I see you now in all your little fidgets, going again and again into his room, to be sure that all is right." The clock struck twelve as she passed through the hall. "'Tis twelve; I shall not forget to think of you four hours hence; and by this time to-morrow, perhaps, or a little later, I may be thinking of the possibility of their all calling here. I am sure they will bring him soon." She opened the parlour door, and saw two gentlemen sitting with her father--Mr. Weston and his son. They had been arrived only a few minutes, and Mr. Weston had scarcely finished his explanation of Frank's being a day before his time, and her father was yet in the midst of his very civil welcome and congratulations, when she appeared, to have her share of surprize, introduction, and pleasure. The Frank Churchill so long talked of, so high in interest, was actually before her--he was presented to her, and she did not think too much had been said in his praise; he was a _very_ good looking young man; height, air, address, all were unexceptionable, and his countenance had a great deal of the spirit and liveliness of his father's; he looked quick and sensible. She felt immediately that she should like him; and there was a well-bred ease of manner, and a readiness to talk, which convinced her that he came intending to be acquainted with her, and that acquainted they soon must be. He had reached Randalls the evening before. She was pleased with the eagerness to arrive which had made him alter his plan, and travel earlier, later, and quicker, that he might gain half a day. "I told you yesterday," cried Mr. Weston with exultation, "I told you all that he would be here before the time named. I remembered what I used to do myself. One cannot creep upon a journey; one cannot help getting on faster than one has planned; and the pleasure of coming in upon one's friends before the look-out begins, is worth a great deal more than any little exertion it needs." "It is a great pleasure where one can indulge in it," said the young man, "though there are not many houses that I should presume on so far; but in coming _home_ I felt I might do any thing." The word _home_ made his father look on him with fresh complacency. Emma was directly sure that he knew how to make himself agreeable; the conviction was strengthened by what followed. He was very much pleased with Randalls, thought it a most admirably arranged house, would hardly allow it even to be very small, admired the situation, the walk to Highbury, Highbury itself, Hartfield still more, and professed himself to have always felt the sort of interest in the country which none but one's _own_ country gives, and the greatest curiosity	just growing again like themselves, (Harriet, as Emma must suspect, as ready as the best of them to be cordial and happy,) when the carriage reappeared, and all was over. The style of the visit, and the shortness of it, were then felt to be decisive. Fourteen minutes to be given to those with whom she had thankfully passed six weeks not six months ago!--Emma could not but picture it all, and feel how justly they might resent, how naturally Harriet must suffer. It was a bad business. She would have given a great deal, or endured a great deal, to have had the Martins in a higher rank of life. They were so deserving, that a _little_ higher should have been enough: but as it was, how could she have done otherwise?--Impossible!--She could not repent. They must be separated; but there was a great deal of pain in the process--so much to herself at this time, that she soon felt the necessity of a little consolation, and resolved on going home by way of Randalls to procure it. Her mind was quite sick of Mr. Elton and the Martins. The refreshment of Randalls was absolutely necessary. It was a good scheme; but on driving to the door they heard that neither "master nor mistress was at home;" they had both been out some time; the man believed they were gone to Hartfield. "This is too bad," cried Emma, as they turned away. "And now we shall just miss them; too provoking!--I do not know when I have been so disappointed." And she leaned back in the corner, to indulge her murmurs, or to reason them away; probably a little of both--such being the commonest process of a not ill-disposed mind. Presently the carriage stopt; she looked up; it was stopt by Mr. and Mrs. Weston, who were standing to speak to her. There was instant pleasure in the sight of them, and still greater pleasure was conveyed in sound--for Mr. Weston immediately accosted her with, "How d'ye do?--how d'ye do?--We have been sitting with your father--glad to see him so well. Frank comes to-morrow--I had a letter this morning--we see him to-morrow by dinner-time to a certainty--he is at Oxford to-day, and he comes for a whole fortnight; I knew it would be so. If he had come at Christmas he could not have staid three days; I was always glad he did not come at Christmas; now we are going to have just the right weather for him, fine, dry, settled weather. We shall enjoy him completely; every thing has turned out exactly as we could wish." There was no resisting such news, no possibility of avoiding the influence of such a happy face as Mr. Weston's, confirmed as it all was by the words and the countenance of his wife, fewer and quieter, but not less to the purpose. To know that _she_ thought his coming certain was enough to make Emma consider it so, and sincerely did she rejoice in their joy. It was a most delightful reanimation of exhausted spirits. The worn-out past was sunk in the freshness of what was coming; and in the rapidity of half a moment's thought, she hoped Mr. Elton would now be talked of no more. Mr. Weston gave her the history of the engagements at Enscombe, which allowed his son to answer for having an entire fortnight at his command, as well as the route and the method of his journey; and she listened, and smiled, and congratulated.<\|quote\|>"I shall soon bring him over to Hartfield,"</\|quote\|>said he, at the conclusion. Emma could imagine she saw a touch of the arm at this speech, from his wife. "We had better move on, Mr. Weston," said she, "we are detaining the girls." "Well, well, I am ready;" "--and turning again to Emma, "but you must not be expecting such a _very_ fine young man; you have only had _my_ account you know; I dare say he is really nothing extraordinary:" "--though his own sparkling eyes at the moment were speaking a very different conviction. Emma could look perfectly unconscious and innocent, and answer in a manner that appropriated nothing. "Think of me to-morrow, my dear Emma, about four o'clock," was Mrs. Weston's parting injunction; spoken with some anxiety, and meant only for her. "Four o'clock!--depend upon it he will be here by three," was Mr. Weston's quick amendment; and so ended a most satisfactory meeting. Emma's spirits were mounted quite up to happiness; every thing wore a different air; James and his horses seemed not half so sluggish as before. When she looked at the hedges, she thought the elder at least must soon be coming out; and when she turned round to Harriet, she saw something like a look of spring, a tender smile even there. "Will Mr. Frank Churchill pass through Bath as well as Oxford?" "--was a question, however, which did not augur much. But neither geography nor tranquillity could come all at once, and Emma was now in a humour to resolve that they should both come in time. The morning of the interesting day arrived, and Mrs. Weston's faithful pupil did not forget either at ten, or eleven, or twelve o'clock, that she was to think of her at four. "My dear, dear anxious friend," "--said she, in mental soliloquy, while walking downstairs from her own room, "always overcareful for every body's comfort but your own; I see you now in all your little fidgets, going again and again into his room, to be sure that all is right." The clock struck twelve as she passed through the hall. "'Tis twelve; I shall not forget to think of you four hours hence; and by this time to-morrow, perhaps, or a little later, I may be thinking of the possibility of their all calling here. I am sure they will bring him soon." She opened the parlour door, and saw two gentlemen sitting with her father--Mr. Weston and his son. They had been arrived only a few minutes, and Mr. Weston had scarcely finished his explanation of Frank's being a day before his time, and her father was yet in the midst of his very civil welcome	Emma
"I can never get Mr. Allen to know one of my gowns from another. You must be a great comfort to your sister, sir."	Mrs. Allen	of those things," said she;<\|quote\|>"I can never get Mr. Allen to know one of my gowns from another. You must be a great comfort to your sister, sir."</\|quote\|>"I hope I am, madam."	commonly take so little notice of those things," said she;<\|quote\|>"I can never get Mr. Allen to know one of my gowns from another. You must be a great comfort to your sister, sir."</\|quote\|>"I hope I am, madam." "And pray, sir, what do	other day, and it was pronounced to be a prodigious bargain by every lady who saw it. I gave but five shillings a yard for it, and a true Indian muslin." Mrs. Allen was quite struck by his genius. "Men commonly take so little notice of those things," said she;<\|quote\|>"I can never get Mr. Allen to know one of my gowns from another. You must be a great comfort to your sister, sir."</\|quote\|>"I hope I am, madam." "And pray, sir, what do you think of Miss Morland s gown?" "It is very pretty, madam," said he, gravely examining it; "but I do not think it will wash well; I am afraid it will fray." "How can you," said Catherine, laughing, "be so"	guessed it, madam," said Mr. Tilney, looking at the muslin. "Do you understand muslins, sir?" "Particularly well; I always buy my own cravats, and am allowed to be an excellent judge; and my sister has often trusted me in the choice of a gown. I bought one for her the other day, and it was pronounced to be a prodigious bargain by every lady who saw it. I gave but five shillings a yard for it, and a true Indian muslin." Mrs. Allen was quite struck by his genius. "Men commonly take so little notice of those things," said she;<\|quote\|>"I can never get Mr. Allen to know one of my gowns from another. You must be a great comfort to your sister, sir."</\|quote\|>"I hope I am, madam." "And pray, sir, what do you think of Miss Morland s gown?" "It is very pretty, madam," said he, gravely examining it; "but I do not think it will wash well; I am afraid it will fray." "How can you," said Catherine, laughing, "be so" She had almost said "strange." "I am quite of your opinion, sir," replied Mrs. Allen; "and so I told Miss Morland when she bought it." "But then you know, madam, muslin always turns to some account or other; Miss Morland will get enough out of it for a handkerchief, or	no more lay it down as a general rule that women write better letters than men, than that they sing better duets, or draw better landscapes. In every power, of which taste is the foundation, excellence is pretty fairly divided between the sexes." They were interrupted by Mrs. Allen: "My dear Catherine," said she, "do take this pin out of my sleeve; I am afraid it has torn a hole already; I shall be quite sorry if it has, for this is a favourite gown, though it cost but nine shillings a yard." "That is exactly what I should have guessed it, madam," said Mr. Tilney, looking at the muslin. "Do you understand muslins, sir?" "Particularly well; I always buy my own cravats, and am allowed to be an excellent judge; and my sister has often trusted me in the choice of a gown. I bought one for her the other day, and it was pronounced to be a prodigious bargain by every lady who saw it. I gave but five shillings a yard for it, and a true Indian muslin." Mrs. Allen was quite struck by his genius. "Men commonly take so little notice of those things," said she;<\|quote\|>"I can never get Mr. Allen to know one of my gowns from another. You must be a great comfort to your sister, sir."</\|quote\|>"I hope I am, madam." "And pray, sir, what do you think of Miss Morland s gown?" "It is very pretty, madam," said he, gravely examining it; "but I do not think it will wash well; I am afraid it will fray." "How can you," said Catherine, laughing, "be so" She had almost said "strange." "I am quite of your opinion, sir," replied Mrs. Allen; "and so I told Miss Morland when she bought it." "But then you know, madam, muslin always turns to some account or other; Miss Morland will get enough out of it for a handkerchief, or a cap, or a cloak. Muslin can never be said to be wasted. I have heard my sister say so forty times, when she has been extravagant in buying more than she wanted, or careless in cutting it to pieces." "Bath is a charming place, sir; there are so many good shops here. We are sadly off in the country; not but what we have very good shops in Salisbury, but it is so far to go eight miles is a long way; Mr. Allen says it is nine, measured nine; but I am sure it cannot be more than	your complexion, and curl of your hair to be described in all their diversities, without having constant recourse to a journal? My dear madam, I am not so ignorant of young ladies ways as you wish to believe me; it is this delightful habit of journaling which largely contributes to form the easy style of writing for which ladies are so generally celebrated. Everybody allows that the talent of writing agreeable letters is peculiarly female. Nature may have done something, but I am sure it must be essentially assisted by the practice of keeping a journal." "I have sometimes thought," said Catherine, doubtingly, "whether ladies do write so much better letters than gentlemen! That is I should not think the superiority was always on our side." "As far as I have had opportunity of judging, it appears to me that the usual style of letter-writing among women is faultless, except in three particulars." "And what are they?" "A general deficiency of subject, a total inattention to stops, and a very frequent ignorance of grammar." "Upon my word! I need not have been afraid of disclaiming the compliment. You do not think too highly of us in that way." "I should no more lay it down as a general rule that women write better letters than men, than that they sing better duets, or draw better landscapes. In every power, of which taste is the foundation, excellence is pretty fairly divided between the sexes." They were interrupted by Mrs. Allen: "My dear Catherine," said she, "do take this pin out of my sleeve; I am afraid it has torn a hole already; I shall be quite sorry if it has, for this is a favourite gown, though it cost but nine shillings a yard." "That is exactly what I should have guessed it, madam," said Mr. Tilney, looking at the muslin. "Do you understand muslins, sir?" "Particularly well; I always buy my own cravats, and am allowed to be an excellent judge; and my sister has often trusted me in the choice of a gown. I bought one for her the other day, and it was pronounced to be a prodigious bargain by every lady who saw it. I gave but five shillings a yard for it, and a true Indian muslin." Mrs. Allen was quite struck by his genius. "Men commonly take so little notice of those things," said she;<\|quote\|>"I can never get Mr. Allen to know one of my gowns from another. You must be a great comfort to your sister, sir."</\|quote\|>"I hope I am, madam." "And pray, sir, what do you think of Miss Morland s gown?" "It is very pretty, madam," said he, gravely examining it; "but I do not think it will wash well; I am afraid it will fray." "How can you," said Catherine, laughing, "be so" She had almost said "strange." "I am quite of your opinion, sir," replied Mrs. Allen; "and so I told Miss Morland when she bought it." "But then you know, madam, muslin always turns to some account or other; Miss Morland will get enough out of it for a handkerchief, or a cap, or a cloak. Muslin can never be said to be wasted. I have heard my sister say so forty times, when she has been extravagant in buying more than she wanted, or careless in cutting it to pieces." "Bath is a charming place, sir; there are so many good shops here. We are sadly off in the country; not but what we have very good shops in Salisbury, but it is so far to go eight miles is a long way; Mr. Allen says it is nine, measured nine; but I am sure it cannot be more than eight; and it is such a fag I come back tired to death. Now, here one can step out of doors and get a thing in five minutes." Mr. Tilney was polite enough to seem interested in what she said; and she kept him on the subject of muslins till the dancing recommenced. Catherine feared, as she listened to their discourse, that he indulged himself a little too much with the foibles of others. "What are you thinking of so earnestly?" said he, as they walked back to the ballroom; "not of your partner, I hope, for, by that shake of the head, your meditations are not satisfactory." Catherine coloured, and said, "I was not thinking of anything." "That is artful and deep, to be sure; but I had rather be told at once that you will not tell me." "Well then, I will not." "Thank you; for now we shall soon be acquainted, as I am authorized to tease you on this subject whenever we meet, and nothing in the world advances intimacy so much." They danced again; and, when the assembly closed, parted, on the lady s side at least, with a strong inclination for continuing the acquaintance.	yourself that trouble, sir." "No trouble, I assure you, madam." Then forming his features into a set smile, and affectedly softening his voice, he added, with a simpering air, "Have you been long in Bath, madam?" "About a week, sir," replied Catherine, trying not to laugh. "Really!" with affected astonishment. "Why should you be surprised, sir?" "Why, indeed!" said he, in his natural tone. "But some emotion must appear to be raised by your reply, and surprise is more easily assumed, and not less reasonable than any other. Now let us go on. Were you never here before, madam?" "Never, sir." "Indeed! Have you yet honoured the Upper Rooms?" "Yes, sir, I was there last Monday." "Have you been to the theatre?" "Yes, sir, I was at the play on Tuesday." "To the concert?" "Yes, sir, on Wednesday." "And are you altogether pleased with Bath?" "Yes I like it very well." "Now I must give one smirk, and then we may be rational again." Catherine turned away her head, not knowing whether she might venture to laugh. "I see what you think of me," said he gravely "I shall make but a poor figure in your journal tomorrow." "My journal!" "Yes, I know exactly what you will say: Friday, went to the Lower Rooms; wore my sprigged muslin robe with blue trimmings plain black shoes appeared to much advantage; but was strangely harassed by a queer, half-witted man, who would make me dance with him, and distressed me by his nonsense." "Indeed I shall say no such thing." "Shall I tell you what you ought to say?" "If you please." "I danced with a very agreeable young man, introduced by Mr. King; had a great deal of conversation with him seems a most extraordinary genius hope I may know more of him. _That_, madam, is what I _wish_ you to say." "But, perhaps, I keep no journal." "Perhaps you are not sitting in this room, and I am not sitting by you. These are points in which a doubt is equally possible. Not keep a journal! How are your absent cousins to understand the tenour of your life in Bath without one? How are the civilities and compliments of every day to be related as they ought to be, unless noted down every evening in a journal? How are your various dresses to be remembered, and the particular state of your complexion, and curl of your hair to be described in all their diversities, without having constant recourse to a journal? My dear madam, I am not so ignorant of young ladies ways as you wish to believe me; it is this delightful habit of journaling which largely contributes to form the easy style of writing for which ladies are so generally celebrated. Everybody allows that the talent of writing agreeable letters is peculiarly female. Nature may have done something, but I am sure it must be essentially assisted by the practice of keeping a journal." "I have sometimes thought," said Catherine, doubtingly, "whether ladies do write so much better letters than gentlemen! That is I should not think the superiority was always on our side." "As far as I have had opportunity of judging, it appears to me that the usual style of letter-writing among women is faultless, except in three particulars." "And what are they?" "A general deficiency of subject, a total inattention to stops, and a very frequent ignorance of grammar." "Upon my word! I need not have been afraid of disclaiming the compliment. You do not think too highly of us in that way." "I should no more lay it down as a general rule that women write better letters than men, than that they sing better duets, or draw better landscapes. In every power, of which taste is the foundation, excellence is pretty fairly divided between the sexes." They were interrupted by Mrs. Allen: "My dear Catherine," said she, "do take this pin out of my sleeve; I am afraid it has torn a hole already; I shall be quite sorry if it has, for this is a favourite gown, though it cost but nine shillings a yard." "That is exactly what I should have guessed it, madam," said Mr. Tilney, looking at the muslin. "Do you understand muslins, sir?" "Particularly well; I always buy my own cravats, and am allowed to be an excellent judge; and my sister has often trusted me in the choice of a gown. I bought one for her the other day, and it was pronounced to be a prodigious bargain by every lady who saw it. I gave but five shillings a yard for it, and a true Indian muslin." Mrs. Allen was quite struck by his genius. "Men commonly take so little notice of those things," said she;<\|quote\|>"I can never get Mr. Allen to know one of my gowns from another. You must be a great comfort to your sister, sir."</\|quote\|>"I hope I am, madam." "And pray, sir, what do you think of Miss Morland s gown?" "It is very pretty, madam," said he, gravely examining it; "but I do not think it will wash well; I am afraid it will fray." "How can you," said Catherine, laughing, "be so" She had almost said "strange." "I am quite of your opinion, sir," replied Mrs. Allen; "and so I told Miss Morland when she bought it." "But then you know, madam, muslin always turns to some account or other; Miss Morland will get enough out of it for a handkerchief, or a cap, or a cloak. Muslin can never be said to be wasted. I have heard my sister say so forty times, when she has been extravagant in buying more than she wanted, or careless in cutting it to pieces." "Bath is a charming place, sir; there are so many good shops here. We are sadly off in the country; not but what we have very good shops in Salisbury, but it is so far to go eight miles is a long way; Mr. Allen says it is nine, measured nine; but I am sure it cannot be more than eight; and it is such a fag I come back tired to death. Now, here one can step out of doors and get a thing in five minutes." Mr. Tilney was polite enough to seem interested in what she said; and she kept him on the subject of muslins till the dancing recommenced. Catherine feared, as she listened to their discourse, that he indulged himself a little too much with the foibles of others. "What are you thinking of so earnestly?" said he, as they walked back to the ballroom; "not of your partner, I hope, for, by that shake of the head, your meditations are not satisfactory." Catherine coloured, and said, "I was not thinking of anything." "That is artful and deep, to be sure; but I had rather be told at once that you will not tell me." "Well then, I will not." "Thank you; for now we shall soon be acquainted, as I am authorized to tease you on this subject whenever we meet, and nothing in the world advances intimacy so much." They danced again; and, when the assembly closed, parted, on the lady s side at least, with a strong inclination for continuing the acquaintance. Whether she thought of him so much, while she drank her warm wine and water, and prepared herself for bed, as to dream of him when there, cannot be ascertained; but I hope it was no more than in a slight slumber, or a morning doze at most; for if it be true, as a celebrated writer has maintained, that no young lady can be justified in falling in love before the gentleman s love is declared,[1] it must be very improper that a young lady should dream of a gentleman before the gentleman is first known to have dreamt of her. How proper Mr. Tilney might be as a dreamer or a lover had not yet perhaps entered Mr. Allen s head, but that he was not objectionable as a common acquaintance for his young charge he was on inquiry satisfied; for he had early in the evening taken pains to know who her partner was, and had been assured of Mr. Tilney s being a clergyman, and of a very respectable family in Gloucestershire. [1] Vide a letter from Mr. Richardson, No. 97, Vol. ii, Rambler. CHAPTER 4 With more than usual eagerness did Catherine hasten to the pump-room the next day, secure within herself of seeing Mr. Tilney there before the morning were over, and ready to meet him with a smile; but no smile was demanded Mr. Tilney did not appear. Every creature in Bath, except himself, was to be seen in the room at different periods of the fashionable hours; crowds of people were every moment passing in and out, up the steps and down; people whom nobody cared about, and nobody wanted to see; and he only was absent. "What a delightful place Bath is," said Mrs. Allen as they sat down near the great clock, after parading the room till they were tired; "and how pleasant it would be if we had any acquaintance here." This sentiment had been uttered so often in vain that Mrs. Allen had no particular reason to hope it would be followed with more advantage now; but we are told to "despair of nothing we would attain," as "unwearied diligence our point would gain"; and the unwearied diligence with which she had every day wished for the same thing was at length to have its just reward, for hardly had she been seated ten minutes before a lady	not think the superiority was always on our side." "As far as I have had opportunity of judging, it appears to me that the usual style of letter-writing among women is faultless, except in three particulars." "And what are they?" "A general deficiency of subject, a total inattention to stops, and a very frequent ignorance of grammar." "Upon my word! I need not have been afraid of disclaiming the compliment. You do not think too highly of us in that way." "I should no more lay it down as a general rule that women write better letters than men, than that they sing better duets, or draw better landscapes. In every power, of which taste is the foundation, excellence is pretty fairly divided between the sexes." They were interrupted by Mrs. Allen: "My dear Catherine," said she, "do take this pin out of my sleeve; I am afraid it has torn a hole already; I shall be quite sorry if it has, for this is a favourite gown, though it cost but nine shillings a yard." "That is exactly what I should have guessed it, madam," said Mr. Tilney, looking at the muslin. "Do you understand muslins, sir?" "Particularly well; I always buy my own cravats, and am allowed to be an excellent judge; and my sister has often trusted me in the choice of a gown. I bought one for her the other day, and it was pronounced to be a prodigious bargain by every lady who saw it. I gave but five shillings a yard for it, and a true Indian muslin." Mrs. Allen was quite struck by his genius. "Men commonly take so little notice of those things," said she;<\|quote\|>"I can never get Mr. Allen to know one of my gowns from another. You must be a great comfort to your sister, sir."</\|quote\|>"I hope I am, madam." "And pray, sir, what do you think of Miss Morland s gown?" "It is very pretty, madam," said he, gravely examining it; "but I do not think it will wash well; I am afraid it will fray." "How can you," said Catherine, laughing, "be so" She had almost said "strange." "I am quite of your opinion, sir," replied Mrs. Allen; "and so I told Miss Morland when she bought it." "But then you know, madam, muslin always turns to some account or other; Miss Morland will get enough out of it for a handkerchief, or a cap, or a cloak. Muslin can never be said to be wasted. I have heard my sister say so forty times, when she has been extravagant in buying more than she wanted, or careless in cutting it to pieces." "Bath is a charming place, sir; there are so many good shops here. We are sadly off in the country; not but what we have very good shops in Salisbury, but it is so far to go eight miles is a long way; Mr. Allen says it is nine, measured nine; but I am sure it cannot be more than eight; and it is such a fag I come back tired to death. Now, here one can step out of doors and get a thing in five minutes." Mr. Tilney was polite enough to seem interested in what she said; and she kept him on the subject of muslins till the dancing recommenced. Catherine feared,	Northanger Abbey
"Gentlemen,"	Bill Gorton	the egg he was peeling.<\|quote\|>"Gentlemen,"</\|quote\|>he said, and unwrapped a	Bryan's dead." Bill laid down the egg he was peeling.<\|quote\|>"Gentlemen,"</\|quote\|>he said, and unwrapped a drumstick from a piece of	We unwrapped the little parcels of lunch. "Chicken." "There's hard-boiled eggs." "Find any salt?" "First the egg," said Bill. "Then the chicken. Even Bryan could see that." "He's dead. I read it in the paper yesterday." "No. Not really?" "Yes. Bryan's dead." Bill laid down the egg he was peeling.<\|quote\|>"Gentlemen,"</\|quote\|>he said, and unwrapped a drumstick from a piece of newspaper. "I reverse the order. For Bryan's sake. As a tribute to the Great Commoner. First the chicken; then the egg." "Wonder what day God created the chicken?" "Oh," said Bill, sucking the drumstick, "how should we know? We should	with ferns. "Let's see that bottle," he said. He pulled the cork, and tipped up the bottle and drank. "Whew! That makes my eyes ache." "Let's try it." The wine was icy cold and tasted faintly rusty. "That's not such filthy wine," Bill said. "The cold helps it," I said. We unwrapped the little parcels of lunch. "Chicken." "There's hard-boiled eggs." "Find any salt?" "First the egg," said Bill. "Then the chicken. Even Bryan could see that." "He's dead. I read it in the paper yesterday." "No. Not really?" "Yes. Bryan's dead." Bill laid down the egg he was peeling.<\|quote\|>"Gentlemen,"</\|quote\|>he said, and unwrapped a drumstick from a piece of newspaper. "I reverse the order. For Bryan's sake. As a tribute to the Great Commoner. First the chicken; then the egg." "Wonder what day God created the chicken?" "Oh," said Bill, sucking the drumstick, "how should we know? We should not question. Our stay on earth is not for long. Let us rejoice and believe and give thanks." "Eat an egg." Bill gestured with the drumstick in one hand and the bottle of wine in the other. "Let us rejoice in our blessings. Let us utilize the fowls of the	were." "Get them all on worms?" "Yes." "You lazy bum!" Bill put the trout in the bag and started for the river, swinging the open bag. He was wet from the waist down and I knew he must have been wading the stream. I walked up the road and got out the two bottles of wine. They were cold. Moisture beaded on the bottles as I walked back to the trees. I spread the lunch on a newspaper, and uncorked one of the bottles and leaned the other against a tree. Bill came up drying his hands, his bag plump with ferns. "Let's see that bottle," he said. He pulled the cork, and tipped up the bottle and drank. "Whew! That makes my eyes ache." "Let's try it." The wine was icy cold and tasted faintly rusty. "That's not such filthy wine," Bill said. "The cold helps it," I said. We unwrapped the little parcels of lunch. "Chicken." "There's hard-boiled eggs." "Find any salt?" "First the egg," said Bill. "Then the chicken. Even Bryan could see that." "He's dead. I read it in the paper yesterday." "No. Not really?" "Yes. Bryan's dead." Bill laid down the egg he was peeling.<\|quote\|>"Gentlemen,"</\|quote\|>he said, and unwrapped a drumstick from a piece of newspaper. "I reverse the order. For Bryan's sake. As a tribute to the Great Commoner. First the chicken; then the egg." "Wonder what day God created the chicken?" "Oh," said Bill, sucking the drumstick, "how should we know? We should not question. Our stay on earth is not for long. Let us rejoice and believe and give thanks." "Eat an egg." Bill gestured with the drumstick in one hand and the bottle of wine in the other. "Let us rejoice in our blessings. Let us utilize the fowls of the air. Let us utilize the product of the vine. Will you utilize a little, brother?" "After you, brother." Bill took a long drink. "Utilize a little, brother," he handed me the bottle. "Let us not doubt, brother. Let us not pry into the holy mysteries of the hen-coop with simian fingers. Let us accept on faith and simply say--I want you to join with me in saying--What shall we say, brother?" He pointed the drumstick at me and went on. "Let me tell you. We will say, and I for one am proud to say--and I want you to say	but I sat against the trunk of two of the trees that grew together, and read. The book was something by A. E. W. Mason, and I was reading a wonderful story about a man who had been frozen in the Alps and then fallen into a glacier and disappeared, and his bride was going to wait twenty-four years exactly for his body to come out on the moraine, while her true love waited too, and they were still waiting when Bill came up. "Get any?" he asked. He had his rod and his bag and his net all in one hand, and he was sweating. I hadn't heard him come up, because of the noise from the dam. "Six. What did you get?" Bill sat down, opened up his bag, laid a big trout on the grass. He took out three more, each one a little bigger than the last, and laid them side by side in the shade from the tree. His face was sweaty and happy. "How are yours?" "Smaller." "Let's see them." "They're packed." "How big are they really?" "They're all about the size of your smallest." "You're not holding out on me?" "I wish I were." "Get them all on worms?" "Yes." "You lazy bum!" Bill put the trout in the bag and started for the river, swinging the open bag. He was wet from the waist down and I knew he must have been wading the stream. I walked up the road and got out the two bottles of wine. They were cold. Moisture beaded on the bottles as I walked back to the trees. I spread the lunch on a newspaper, and uncorked one of the bottles and leaned the other against a tree. Bill came up drying his hands, his bag plump with ferns. "Let's see that bottle," he said. He pulled the cork, and tipped up the bottle and drank. "Whew! That makes my eyes ache." "Let's try it." The wine was icy cold and tasted faintly rusty. "That's not such filthy wine," Bill said. "The cold helps it," I said. We unwrapped the little parcels of lunch. "Chicken." "There's hard-boiled eggs." "Find any salt?" "First the egg," said Bill. "Then the chicken. Even Bryan could see that." "He's dead. I read it in the paper yesterday." "No. Not really?" "Yes. Bryan's dead." Bill laid down the egg he was peeling.<\|quote\|>"Gentlemen,"</\|quote\|>he said, and unwrapped a drumstick from a piece of newspaper. "I reverse the order. For Bryan's sake. As a tribute to the Great Commoner. First the chicken; then the egg." "Wonder what day God created the chicken?" "Oh," said Bill, sucking the drumstick, "how should we know? We should not question. Our stay on earth is not for long. Let us rejoice and believe and give thanks." "Eat an egg." Bill gestured with the drumstick in one hand and the bottle of wine in the other. "Let us rejoice in our blessings. Let us utilize the fowls of the air. Let us utilize the product of the vine. Will you utilize a little, brother?" "After you, brother." Bill took a long drink. "Utilize a little, brother," he handed me the bottle. "Let us not doubt, brother. Let us not pry into the holy mysteries of the hen-coop with simian fingers. Let us accept on faith and simply say--I want you to join with me in saying--What shall we say, brother?" He pointed the drumstick at me and went on. "Let me tell you. We will say, and I for one am proud to say--and I want you to say with me, on your knees, brother. Let no man be ashamed to kneel here in the great out-of-doors. Remember the woods were God's first temples. Let us kneel and say: 'Don't eat that, Lady--that's Mencken.'" "Here," I said. "Utilize a little of this." We uncorked the other bottle. "What's the matter?" I said. "Didn't you like Bryan?" "I loved Bryan," said Bill. "We were like brothers." "Where did you know him?" "He and Mencken and I all went to Holy Cross together." "And Frankie Fritsch." "It's a lie. Frankie Fritsch went to Fordham." "Well," I said, "I went to Loyola with Bishop Manning." "It's a lie," Bill said. "I went to Loyola with Bishop Manning myself." "You're cock-eyed," I said. "On wine?" "Why not?" "It's the humidity," Bill said. "They ought to take this damn humidity away." "Have another shot." "Is this all we've got?" "Only the two bottles." "Do you know what you are?" Bill looked at the bottle affectionately. "No," I said. "You're in the pay of the Anti-Saloon League." "I went to Notre Dame with Wayne B. Wheeler." "It's a lie," said Bill. "I went to Austin Business College with Wayne B. Wheeler. He was class president."	one of the squared timbers and watched the smooth apron of water before the river tumbled into the falls. In the white water at the foot of the dam it was deep. As I baited up, a trout shot up out of the white water into the falls and was carried down. Before I could finish baiting, another trout jumped at the falls, making the same lovely arc and disappearing into the water that was thundering down. I put on a good-sized sinker and dropped into the white water close to the edge of the timbers of the dam. I did not feel the first trout strike. When I started to pull up I felt that I had one and brought him, fighting and bending the rod almost double, out of the boiling water at the foot of the falls, and swung him up and onto the dam. He was a good trout, and I banged his head against the timber so that he quivered out straight, and then slipped him into my bag. While I had him on, several trout had jumped at the falls. As soon as I baited up and dropped in again I hooked another and brought him in the same way. In a little while I had six. They were all about the same size. I laid them out, side by side, all their heads pointing the same way, and looked at them. They were beautifully colored and firm and hard from the cold water. It was a hot day, so I slit them all and shucked out the insides, gills and all, and tossed them over across the river. I took the trout ashore, washed them in the cold, smoothly heavy water above the dam, and then picked some ferns and packed them all in the bag, three trout on a layer of ferns, then another layer of fems, then three more trout, and then covered them with ferns. They looked nice in the ferns, and now the bag was bulky, and I put it in the shade of the tree. It was very hot on the dam, so I put my worm-can in the shade with the bag, and got a book out of the pack and settled down under the tree to read until Bill should come up for lunch. It was a little past noon and there was not much shade, but I sat against the trunk of two of the trees that grew together, and read. The book was something by A. E. W. Mason, and I was reading a wonderful story about a man who had been frozen in the Alps and then fallen into a glacier and disappeared, and his bride was going to wait twenty-four years exactly for his body to come out on the moraine, while her true love waited too, and they were still waiting when Bill came up. "Get any?" he asked. He had his rod and his bag and his net all in one hand, and he was sweating. I hadn't heard him come up, because of the noise from the dam. "Six. What did you get?" Bill sat down, opened up his bag, laid a big trout on the grass. He took out three more, each one a little bigger than the last, and laid them side by side in the shade from the tree. His face was sweaty and happy. "How are yours?" "Smaller." "Let's see them." "They're packed." "How big are they really?" "They're all about the size of your smallest." "You're not holding out on me?" "I wish I were." "Get them all on worms?" "Yes." "You lazy bum!" Bill put the trout in the bag and started for the river, swinging the open bag. He was wet from the waist down and I knew he must have been wading the stream. I walked up the road and got out the two bottles of wine. They were cold. Moisture beaded on the bottles as I walked back to the trees. I spread the lunch on a newspaper, and uncorked one of the bottles and leaned the other against a tree. Bill came up drying his hands, his bag plump with ferns. "Let's see that bottle," he said. He pulled the cork, and tipped up the bottle and drank. "Whew! That makes my eyes ache." "Let's try it." The wine was icy cold and tasted faintly rusty. "That's not such filthy wine," Bill said. "The cold helps it," I said. We unwrapped the little parcels of lunch. "Chicken." "There's hard-boiled eggs." "Find any salt?" "First the egg," said Bill. "Then the chicken. Even Bryan could see that." "He's dead. I read it in the paper yesterday." "No. Not really?" "Yes. Bryan's dead." Bill laid down the egg he was peeling.<\|quote\|>"Gentlemen,"</\|quote\|>he said, and unwrapped a drumstick from a piece of newspaper. "I reverse the order. For Bryan's sake. As a tribute to the Great Commoner. First the chicken; then the egg." "Wonder what day God created the chicken?" "Oh," said Bill, sucking the drumstick, "how should we know? We should not question. Our stay on earth is not for long. Let us rejoice and believe and give thanks." "Eat an egg." Bill gestured with the drumstick in one hand and the bottle of wine in the other. "Let us rejoice in our blessings. Let us utilize the fowls of the air. Let us utilize the product of the vine. Will you utilize a little, brother?" "After you, brother." Bill took a long drink. "Utilize a little, brother," he handed me the bottle. "Let us not doubt, brother. Let us not pry into the holy mysteries of the hen-coop with simian fingers. Let us accept on faith and simply say--I want you to join with me in saying--What shall we say, brother?" He pointed the drumstick at me and went on. "Let me tell you. We will say, and I for one am proud to say--and I want you to say with me, on your knees, brother. Let no man be ashamed to kneel here in the great out-of-doors. Remember the woods were God's first temples. Let us kneel and say: 'Don't eat that, Lady--that's Mencken.'" "Here," I said. "Utilize a little of this." We uncorked the other bottle. "What's the matter?" I said. "Didn't you like Bryan?" "I loved Bryan," said Bill. "We were like brothers." "Where did you know him?" "He and Mencken and I all went to Holy Cross together." "And Frankie Fritsch." "It's a lie. Frankie Fritsch went to Fordham." "Well," I said, "I went to Loyola with Bishop Manning." "It's a lie," Bill said. "I went to Loyola with Bishop Manning myself." "You're cock-eyed," I said. "On wine?" "Why not?" "It's the humidity," Bill said. "They ought to take this damn humidity away." "Have another shot." "Is this all we've got?" "Only the two bottles." "Do you know what you are?" Bill looked at the bottle affectionately. "No," I said. "You're in the pay of the Anti-Saloon League." "I went to Notre Dame with Wayne B. Wheeler." "It's a lie," said Bill. "I went to Austin Business College with Wayne B. Wheeler. He was class president." "Well," I said, "the saloon must go." "You're right there, old classmate," Bill said. "The saloon must go, and I will take it with me." "You're cock-eyed." "On wine?" "On wine." "Well, maybe I am." "Want to take a nap?" "All right." We lay with our heads in the shade and looked up into the trees. "You asleep?" "No," Bill said. "I was thinking." I shut my eyes. It felt good lying on the ground. "Say," Bill said, "what about this Brett business?" "What about it?" "Were you ever in love with her?" "Sure." "For how long?" "Off and on for a hell of a long time." "Oh, hell!" Bill said. "I'm sorry, fella." "It's all right," I said. "I don't give a damn any more." "Really?" "Really. Only I'd a hell of a lot rather not talk about it." "You aren't sore I asked you?" "Why the hell should I be?" "I'm going to sleep," Bill said. He put a newspaper over his face. "Listen, Jake," he said, "are you really a Catholic?" "Technically." "What does that mean?" "I don't know." "All right, I'll go to sleep now," he said. "Don't keep me awake by talking so much." I went to sleep, too. When I woke up Bill was packing the rucksack. It was late in the afternoon and the shadow from the trees was long and went out over the dam. I was stiff from sleeping on the ground. "What did you do? Wake up?" Bill asked. "Why didn't you spend the night?" I stretched and rubbed my eyes. "I had a lovely dream," Bill said. "I don't remember what it was about, but it was a lovely dream." "I don't think I dreamt." "You ought to dream," Bill said. "All our biggest business men have been dreamers. Look at Ford. Look at President Coolidge. Look at Rockefeller. Look at Jo Davidson." I disjointed my rod and Bill's and packed them in the rod-case. I put the reels in the tackle-bag. Bill had packed the rucksack and we put one of the trout-bags in. I carried the other. "Well," said Bill, "have we got everything?" "The worms." "Your worms. Put them in there." He had the pack on his back and I put the worm-cans in one of the outside flap pockets. "You got everything now?" I looked around on the grass at the foot of the elm-trees.	"Smaller." "Let's see them." "They're packed." "How big are they really?" "They're all about the size of your smallest." "You're not holding out on me?" "I wish I were." "Get them all on worms?" "Yes." "You lazy bum!" Bill put the trout in the bag and started for the river, swinging the open bag. He was wet from the waist down and I knew he must have been wading the stream. I walked up the road and got out the two bottles of wine. They were cold. Moisture beaded on the bottles as I walked back to the trees. I spread the lunch on a newspaper, and uncorked one of the bottles and leaned the other against a tree. Bill came up drying his hands, his bag plump with ferns. "Let's see that bottle," he said. He pulled the cork, and tipped up the bottle and drank. "Whew! That makes my eyes ache." "Let's try it." The wine was icy cold and tasted faintly rusty. "That's not such filthy wine," Bill said. "The cold helps it," I said. We unwrapped the little parcels of lunch. "Chicken." "There's hard-boiled eggs." "Find any salt?" "First the egg," said Bill. "Then the chicken. Even Bryan could see that." "He's dead. I read it in the paper yesterday." "No. Not really?" "Yes. Bryan's dead." Bill laid down the egg he was peeling.<\|quote\|>"Gentlemen,"</\|quote\|>he said, and unwrapped a drumstick from a piece of newspaper. "I reverse the order. For Bryan's sake. As a tribute to the Great Commoner. First the chicken; then the egg." "Wonder what day God created the chicken?" "Oh," said Bill, sucking the drumstick, "how should we know? We should not question. Our stay on earth is not for long. Let us rejoice and believe and give thanks." "Eat an egg." Bill gestured with the drumstick in one hand and the bottle of wine in the other. "Let us rejoice in our blessings. Let us utilize the fowls of the air. Let us utilize the product of the vine. Will you utilize a little, brother?" "After you, brother." Bill took a long drink. "Utilize a little, brother," he handed me the bottle. "Let us not doubt, brother. Let us not pry into the holy mysteries of the hen-coop with simian fingers. Let us accept on faith and simply say--I want you to join with me in saying--What shall we say, brother?" He pointed the drumstick at me and went on. "Let me tell you. We will say, and I for one am proud to say--and I want you to say with me, on your knees, brother. Let no man be ashamed to kneel here in the great out-of-doors. Remember the woods were God's first temples. Let us kneel and say: 'Don't eat that, Lady--that's Mencken.'" "Here," I said. "Utilize a little of this." We uncorked the other bottle. "What's the matter?" I said. "Didn't you like Bryan?" "I loved Bryan," said Bill. "We were like brothers." "Where did you know him?" "He and Mencken and I all went to Holy Cross together." "And Frankie Fritsch." "It's a lie. Frankie Fritsch went to Fordham." "Well," I said, "I went to Loyola with Bishop Manning." "It's a lie," Bill said. "I went to Loyola with Bishop Manning myself." "You're cock-eyed," I said. "On wine?" "Why not?" "It's the humidity," Bill said. "They ought to take this damn humidity away." "Have another shot." "Is this all we've got?" "Only the two bottles." "Do you know what you are?" Bill looked at the bottle affectionately. "No," I said. "You're in the pay of the Anti-Saloon League." "I went to Notre Dame with Wayne B. Wheeler." "It's a lie," said Bill. "I went to Austin Business College with Wayne B. Wheeler. He was class president." "Well," I said, "the saloon must go." "You're right there, old classmate," Bill said. "The saloon must go, and I will take it with me." "You're cock-eyed." "On wine?" "On wine." "Well, maybe I am." "Want to take a nap?" "All right." We lay with our heads in the shade and looked up into the trees. "You asleep?" "No," Bill said. "I was thinking." I shut my eyes. It felt good lying on the ground. "Say," Bill said, "what about this Brett business?" "What about it?" "Were you ever in love with her?" "Sure." "For how long?" "Off and on for a hell of	The Sun Also Rises
His voice shot up rather crossly.	No speaker	produces a bad impression here?"<\|quote\|>His voice shot up rather crossly.</\|quote\|>"Yes, but the scale, the	Do I not know what produces a bad impression here?"<\|quote\|>His voice shot up rather crossly.</\|quote\|>"Yes, but the scale, the scale. You always get the	I could scarcely get a wink of sleep. First my name was coupled with her and now it is yours." "Don't use such exaggerated phrases." "As what?" "As dismay and anxiety." "Have I not lived all my life in India? Do I not know what produces a bad impression here?"<\|quote\|>His voice shot up rather crossly.</\|quote\|>"Yes, but the scale, the scale. You always get the scale wrong, my dear fellow. A pity there is this rumour, but such a very small pity so small that we may as well talk of something else." "You mind for Miss Quested's sake, though. I can see from your	everyone is by no means your supporter. I have tried all I could to silence such a story." "Don't bother. Miss Quested has cleared out at last." "It is those who stop in the country, not those who leave it, whom such a story injures. Imagine my dismay and anxiety. I could scarcely get a wink of sleep. First my name was coupled with her and now it is yours." "Don't use such exaggerated phrases." "As what?" "As dismay and anxiety." "Have I not lived all my life in India? Do I not know what produces a bad impression here?"<\|quote\|>His voice shot up rather crossly.</\|quote\|>"Yes, but the scale, the scale. You always get the scale wrong, my dear fellow. A pity there is this rumour, but such a very small pity so small that we may as well talk of something else." "You mind for Miss Quested's sake, though. I can see from your face." "As far as I do mind. I travel light." "Cyril, that boastfulness about travelling light will be your ruin. It is raising up enemies against you on all sides, and makes me feel excessively uneasy." "What enemies?" Since Aziz had only himself in mind, he could not reply. Feeling	fact, the whole of life is somewhat sad. The new Civil Surgeon is the same as the last, but does not yet dare to be. That is all any administrative change amounts to. All my suffering has won nothing for us. But look here, Cyril, while I remember it. There's gossip about you as well as McBryde. They say that you and Miss Quested became also rather too intimate friends. To speak perfectly frankly, they say you and she have been guilty of impropriety." "They would say that." "It's all over the town, and may injure your reputation. You know, everyone is by no means your supporter. I have tried all I could to silence such a story." "Don't bother. Miss Quested has cleared out at last." "It is those who stop in the country, not those who leave it, whom such a story injures. Imagine my dismay and anxiety. I could scarcely get a wink of sleep. First my name was coupled with her and now it is yours." "Don't use such exaggerated phrases." "As what?" "As dismay and anxiety." "Have I not lived all my life in India? Do I not know what produces a bad impression here?"<\|quote\|>His voice shot up rather crossly.</\|quote\|>"Yes, but the scale, the scale. You always get the scale wrong, my dear fellow. A pity there is this rumour, but such a very small pity so small that we may as well talk of something else." "You mind for Miss Quested's sake, though. I can see from your face." "As far as I do mind. I travel light." "Cyril, that boastfulness about travelling light will be your ruin. It is raising up enemies against you on all sides, and makes me feel excessively uneasy." "What enemies?" Since Aziz had only himself in mind, he could not reply. Feeling a fool, he became angrier. "I have given you list after list of the people who cannot be trusted in this city. In your position I should have the sense to know I was surrounded by enemies. You observe I speak in a low voice. It is because I see your sais is new. How do I know he isn't a spy?" He lowered his voice: "Every third servant is a spy." "Now, what is the matter?" he asked, smiling. "Do you contradict my last remark?" "It simply doesn't affect me. Spies are as thick as mosquitoes, but it's years	his amusement where he could find it. But he resented him making up to this particular woman, whom he still regarded as his enemy; also, why had he not been told? What is friendship without confidences? He himself had told things sometimes regarded as shocking, and the Englishman had listened, tolerant, but surrendering nothing in return. He met Fielding at the railway station on his return, agreed to dine with him, and then started taxing him by the oblique method, outwardly merry. An avowed European scandal there was Mr. McBryde and Miss Derek. Miss Derek's faithful attachment to Chandrapore was now explained: Mr. McBryde had been caught in her room, and his wife was divorcing him. "That pure-minded fellow. However, he will blame the Indian climate. Everything is our fault really. Now, have I not discovered an important piece of news for you, Cyril?" "Not very," said Fielding, who took little interest in distant sins. "Listen to mine." Aziz' face lit up. "At the conference, it was settled. . . ." "This evening will do for schoolmastery. I should go straight to the Minto now, the cholera looks bad. We begin to have local cases as well as imported. In fact, the whole of life is somewhat sad. The new Civil Surgeon is the same as the last, but does not yet dare to be. That is all any administrative change amounts to. All my suffering has won nothing for us. But look here, Cyril, while I remember it. There's gossip about you as well as McBryde. They say that you and Miss Quested became also rather too intimate friends. To speak perfectly frankly, they say you and she have been guilty of impropriety." "They would say that." "It's all over the town, and may injure your reputation. You know, everyone is by no means your supporter. I have tried all I could to silence such a story." "Don't bother. Miss Quested has cleared out at last." "It is those who stop in the country, not those who leave it, whom such a story injures. Imagine my dismay and anxiety. I could scarcely get a wink of sleep. First my name was coupled with her and now it is yours." "Don't use such exaggerated phrases." "As what?" "As dismay and anxiety." "Have I not lived all my life in India? Do I not know what produces a bad impression here?"<\|quote\|>His voice shot up rather crossly.</\|quote\|>"Yes, but the scale, the scale. You always get the scale wrong, my dear fellow. A pity there is this rumour, but such a very small pity so small that we may as well talk of something else." "You mind for Miss Quested's sake, though. I can see from your face." "As far as I do mind. I travel light." "Cyril, that boastfulness about travelling light will be your ruin. It is raising up enemies against you on all sides, and makes me feel excessively uneasy." "What enemies?" Since Aziz had only himself in mind, he could not reply. Feeling a fool, he became angrier. "I have given you list after list of the people who cannot be trusted in this city. In your position I should have the sense to know I was surrounded by enemies. You observe I speak in a low voice. It is because I see your sais is new. How do I know he isn't a spy?" He lowered his voice: "Every third servant is a spy." "Now, what is the matter?" he asked, smiling. "Do you contradict my last remark?" "It simply doesn't affect me. Spies are as thick as mosquitoes, but it's years before I shall meet the one that kills me. You've something else in your mind." "I've not; don't be ridiculous." "You have. You're cross with me about something or other." Any direct attack threw him out of action. Presently he said: "So you and Madamsell Adela used to amuse one another in the evening, naughty boy." Those drab and high-minded talks had scarcely made for dalliance. Fielding was so startled at the story being taken seriously, and so disliked being called a naughty boy, that he lost his head and cried: "You little rotter! Well, I'm damned. Amusement indeed. Is it likely at such a time?" "Oh, I beg your pardon, I'm sure. The licentious Oriental imagination was at work," he replied, speaking gaily, but cut to the heart; for hours after his mistake he bled inwardly. "You see, Aziz, the circumstances . . . also the girl was still engaged to Heaslop, also I never felt . . ." "Yes, yes; but you didn't contradict what I said, so I thought it was true. Oh dear, East and West. Most misleading. Will you please put your little rotter down at his hospital?" "You're not offended?" "Most certainly I am	The problem is, about what? You give me no assistance." Then, surprising both Hamidullah and himself, he had an explosion of nerves. "But who does give me assistance? No one is my friend. All are traitors, even my own children. I have had enough of friends." "I was going to suggest we go behind the purdah, but your three treacherous children are there, so you will not want to." "I am sorry, it is ever since I was in prison my temper is strange; take me, forgive me." "Nureddin's mother is visiting my wife now. That is all right, I think." "They come before me separately, but not so far together. You had better prepare them for the united shock of my face." "No, let us surprise them without warning, far too much nonsense still goes on among our ladies. They pretended at the time of your trial they would give up purdah; indeed, those of them who can write composed a document to that effect, and now it ends in humbug. You know how deeply they all respect Fielding, but not one of them has seen him. My wife says she will, but always when he calls there is some excuse she is not feeling well, she is ashamed of the room, she has no nice sweets to offer him, only Elephants' Ears, and if I say Elephants' Ears are Mr. Fielding's favourite sweet, she replies that he will know how badly hers are made, so she cannot see him on their account. For fifteen years, my dear boy, have I argued with my begum, for fifteen years, and never gained a point, yet the missionaries inform us our women are down-trodden. If you want a subject for a poem, take this: The Indian lady as she is and not as she is supposed to be." CHAPTER XXXI Aziz had no sense of evidence. The sequence of his emotions decided his beliefs, and led to the tragic coolness between himself and his English friend. They had conquered but were not to be crowned. Fielding was away at a conference, and after the rumour about Miss Quested had been with him undisturbed for a few days, he assumed it was true. He had no objection on moral grounds to his friends amusing themselves, and Cyril, being middle-aged, could no longer expect the pick of the female market, and must take his amusement where he could find it. But he resented him making up to this particular woman, whom he still regarded as his enemy; also, why had he not been told? What is friendship without confidences? He himself had told things sometimes regarded as shocking, and the Englishman had listened, tolerant, but surrendering nothing in return. He met Fielding at the railway station on his return, agreed to dine with him, and then started taxing him by the oblique method, outwardly merry. An avowed European scandal there was Mr. McBryde and Miss Derek. Miss Derek's faithful attachment to Chandrapore was now explained: Mr. McBryde had been caught in her room, and his wife was divorcing him. "That pure-minded fellow. However, he will blame the Indian climate. Everything is our fault really. Now, have I not discovered an important piece of news for you, Cyril?" "Not very," said Fielding, who took little interest in distant sins. "Listen to mine." Aziz' face lit up. "At the conference, it was settled. . . ." "This evening will do for schoolmastery. I should go straight to the Minto now, the cholera looks bad. We begin to have local cases as well as imported. In fact, the whole of life is somewhat sad. The new Civil Surgeon is the same as the last, but does not yet dare to be. That is all any administrative change amounts to. All my suffering has won nothing for us. But look here, Cyril, while I remember it. There's gossip about you as well as McBryde. They say that you and Miss Quested became also rather too intimate friends. To speak perfectly frankly, they say you and she have been guilty of impropriety." "They would say that." "It's all over the town, and may injure your reputation. You know, everyone is by no means your supporter. I have tried all I could to silence such a story." "Don't bother. Miss Quested has cleared out at last." "It is those who stop in the country, not those who leave it, whom such a story injures. Imagine my dismay and anxiety. I could scarcely get a wink of sleep. First my name was coupled with her and now it is yours." "Don't use such exaggerated phrases." "As what?" "As dismay and anxiety." "Have I not lived all my life in India? Do I not know what produces a bad impression here?"<\|quote\|>His voice shot up rather crossly.</\|quote\|>"Yes, but the scale, the scale. You always get the scale wrong, my dear fellow. A pity there is this rumour, but such a very small pity so small that we may as well talk of something else." "You mind for Miss Quested's sake, though. I can see from your face." "As far as I do mind. I travel light." "Cyril, that boastfulness about travelling light will be your ruin. It is raising up enemies against you on all sides, and makes me feel excessively uneasy." "What enemies?" Since Aziz had only himself in mind, he could not reply. Feeling a fool, he became angrier. "I have given you list after list of the people who cannot be trusted in this city. In your position I should have the sense to know I was surrounded by enemies. You observe I speak in a low voice. It is because I see your sais is new. How do I know he isn't a spy?" He lowered his voice: "Every third servant is a spy." "Now, what is the matter?" he asked, smiling. "Do you contradict my last remark?" "It simply doesn't affect me. Spies are as thick as mosquitoes, but it's years before I shall meet the one that kills me. You've something else in your mind." "I've not; don't be ridiculous." "You have. You're cross with me about something or other." Any direct attack threw him out of action. Presently he said: "So you and Madamsell Adela used to amuse one another in the evening, naughty boy." Those drab and high-minded talks had scarcely made for dalliance. Fielding was so startled at the story being taken seriously, and so disliked being called a naughty boy, that he lost his head and cried: "You little rotter! Well, I'm damned. Amusement indeed. Is it likely at such a time?" "Oh, I beg your pardon, I'm sure. The licentious Oriental imagination was at work," he replied, speaking gaily, but cut to the heart; for hours after his mistake he bled inwardly. "You see, Aziz, the circumstances . . . also the girl was still engaged to Heaslop, also I never felt . . ." "Yes, yes; but you didn't contradict what I said, so I thought it was true. Oh dear, East and West. Most misleading. Will you please put your little rotter down at his hospital?" "You're not offended?" "Most certainly I am not." "If you are, this must be cleared up later on." "It has been," he answered, dignified. "I believe absolutely what you say, and of that there need be no further question." "But the way I said it must be cleared up. I was unintentionally rude. Unreserved regrets." "The fault is entirely mine." Tangles like this still interrupted their intercourse. A pause in the wrong place, an intonation misunderstood, and a whole conversation went awry. Fielding had been startled, not shocked, but how convey the difference? There is always trouble when two people do not think of sex at the same moment, always mutual resentment and surprise, even when the two people are of the same race. He began to recapitulate his feelings about Miss Quested. Aziz cut him short with: "But I believe you, I believe. Mohammed Latif shall be severely punished for inventing this." "Oh, leave it alone, like all gossip it's merely one of those half-alive things that try to crowd out real life. Take no notice, it'll vanish, like poor old Mrs. Moore's tombs." "Mohammed Latif has taken to intriguing. We are already much displeased with him. Will it satisfy you if we send him back to his family without a present?" "We'll discuss M.L. at dinner." His eyes went clotted and hard. "Dinner. This is most unlucky I forgot. I have promised to dine with Das." "Bring Das to me." "He will have invited other friends." "You are coming to dinner with me as arranged," said Fielding, looking away. "I don't stand this. You are coming to dinner with me. You come." They had reached the hospital now. Fielding continued round the Maidan alone. He was annoyed with himself, but counted on dinner to pull things straight. At the post office he saw the Collector. Their vehicles were parked side by side while their servants competed in the interior of the building. "Good morning; so you are back," said Turton icily. "I should be glad if you will put in your appearance at the club this evening." "I have accepted re-election, sir. Do you regard it as necessary I should come? I should be glad to be excused; indeed, I have a dinner engagement this evening." "It is not a question of your feelings, but of the wish of the Lieutenant-Governor. Perhaps you will ask me whether I speak officially. I do. I shall expect	For fifteen years, my dear boy, have I argued with my begum, for fifteen years, and never gained a point, yet the missionaries inform us our women are down-trodden. If you want a subject for a poem, take this: The Indian lady as she is and not as she is supposed to be." CHAPTER XXXI Aziz had no sense of evidence. The sequence of his emotions decided his beliefs, and led to the tragic coolness between himself and his English friend. They had conquered but were not to be crowned. Fielding was away at a conference, and after the rumour about Miss Quested had been with him undisturbed for a few days, he assumed it was true. He had no objection on moral grounds to his friends amusing themselves, and Cyril, being middle-aged, could no longer expect the pick of the female market, and must take his amusement where he could find it. But he resented him making up to this particular woman, whom he still regarded as his enemy; also, why had he not been told? What is friendship without confidences? He himself had told things sometimes regarded as shocking, and the Englishman had listened, tolerant, but surrendering nothing in return. He met Fielding at the railway station on his return, agreed to dine with him, and then started taxing him by the oblique method, outwardly merry. An avowed European scandal there was Mr. McBryde and Miss Derek. Miss Derek's faithful attachment to Chandrapore was now explained: Mr. McBryde had been caught in her room, and his wife was divorcing him. "That pure-minded fellow. However, he will blame the Indian climate. Everything is our fault really. Now, have I not discovered an important piece of news for you, Cyril?" "Not very," said Fielding, who took little interest in distant sins. "Listen to mine." Aziz' face lit up. "At the conference, it was settled. . . ." "This evening will do for schoolmastery. I should go straight to the Minto now, the cholera looks bad. We begin to have local cases as well as imported. In fact, the whole of life is somewhat sad. The new Civil Surgeon is the same as the last, but does not yet dare to be. That is all any administrative change amounts to. All my suffering has won nothing for us. But look here, Cyril, while I remember it. There's gossip about you as well as McBryde. They say that you and Miss Quested became also rather too intimate friends. To speak perfectly frankly, they say you and she have been guilty of impropriety." "They would say that." "It's all over the town, and may injure your reputation. You know, everyone is by no means your supporter. I have tried all I could to silence such a story." "Don't bother. Miss Quested has cleared out at last." "It is those who stop in the country, not those who leave it, whom such a story injures. Imagine my dismay and anxiety. I could scarcely get a wink of sleep. First my name was coupled with her and now it is yours." "Don't use such exaggerated phrases." "As what?" "As dismay and anxiety." "Have I not lived all my life in India? Do I not know what produces a bad impression here?"<\|quote\|>His voice shot up rather crossly.</\|quote\|>"Yes, but the scale, the scale. You always get the scale wrong, my dear fellow. A pity there is this rumour, but such a very small pity so small that we may as well talk of something else." "You mind for Miss Quested's sake, though. I can see from your face." "As far as I do mind. I travel light." "Cyril, that boastfulness about travelling light will be your ruin. It is raising up enemies against you on all sides, and makes me feel excessively uneasy." "What enemies?" Since Aziz had only himself in mind, he could not reply. Feeling a fool, he became angrier. "I have given you list after list of the people who cannot be trusted in this city. In your position I should have the sense to know I was surrounded by enemies. You observe I speak in a low voice. It is because I see your sais is new. How do I know he isn't a spy?" He lowered his voice: "Every third servant is a spy." "Now, what is the matter?" he asked, smiling. "Do you contradict my last remark?" "It simply doesn't affect me. Spies are as thick as mosquitoes, but it's years before I shall meet the one that kills me. You've something	A Passage To India
"isn't it an awful face?"	Bill Gorton	lip. "My God!" he said,<\|quote\|>"isn't it an awful face?"</\|quote\|>He looked in the glass.	pulling down his long upper lip. "My God!" he said,<\|quote\|>"isn't it an awful face?"</\|quote\|>He looked in the glass. "And as for this Robert	the razor at me--" "go west with this face and grow up with the country." He ducked down to the bowl, rinsed his face with cold water, put on some alcohol, and then looked at himself carefully in the glass, pulling down his long upper lip. "My God!" he said,<\|quote\|>"isn't it an awful face?"</\|quote\|>He looked in the glass. "And as for this Robert Cohn," Bill said, "he makes me sick, and he can go to hell, and I'm damn glad he's staying here so we won't have him fishing with us." "You're damn right." "We're going trout-fishing. We're going trout-fishing in the Irati	"She should have. All women should see it. It's a face that ought to be thrown on every screen in the country. Every woman ought to be given a copy of this face as she leaves the altar. Mothers should tell their daughters about this face. My son" "--he pointed the razor at me--" "go west with this face and grow up with the country." He ducked down to the bowl, rinsed his face with cold water, put on some alcohol, and then looked at himself carefully in the glass, pulling down his long upper lip. "My God!" he said,<\|quote\|>"isn't it an awful face?"</\|quote\|>He looked in the glass. "And as for this Robert Cohn," Bill said, "he makes me sick, and he can go to hell, and I'm damn glad he's staying here so we won't have him fishing with us." "You're damn right." "We're going trout-fishing. We're going trout-fishing in the Irati River, and we're going to get tight now at lunch on the wine of the country, and then take a swell bus ride." "Come on. Let's go over to the Iru a and start," I said. CHAPTER 11 It was baking hot in the square when we came out after	San Sebastian with him." "What a damn-fool thing to do. Why did she do that?" "She wanted to get out of town and she can't go anywhere alone. She said she thought it would be good for him." "What bloody-fool things people do. Why didn't she go off with some of her own people? Or you?" "--he slurred that over--" "or me? Why not me?" He looked at his face carefully in the glass, put a big dab of lather on each cheek-bone. "It's an honest face. It's a face any woman would be safe with." "She'd never seen it." "She should have. All women should see it. It's a face that ought to be thrown on every screen in the country. Every woman ought to be given a copy of this face as she leaves the altar. Mothers should tell their daughters about this face. My son" "--he pointed the razor at me--" "go west with this face and grow up with the country." He ducked down to the bowl, rinsed his face with cold water, put on some alcohol, and then looked at himself carefully in the glass, pulling down his long upper lip. "My God!" he said,<\|quote\|>"isn't it an awful face?"</\|quote\|>He looked in the glass. "And as for this Robert Cohn," Bill said, "he makes me sick, and he can go to hell, and I'm damn glad he's staying here so we won't have him fishing with us." "You're damn right." "We're going trout-fishing. We're going trout-fishing in the Irati River, and we're going to get tight now at lunch on the wine of the country, and then take a swell bus ride." "Come on. Let's go over to the Iru a and start," I said. CHAPTER 11 It was baking hot in the square when we came out after lunch with our bags and the rod-case to go to Burguete. People were on top of the bus, and others were climbing up a ladder. Bill went up and Robert sat beside Bill to save a place for me, and I went back in the hotel to get a couple of bottles of wine to take with us. When I came out the bus was crowded. Men and women were sitting on all the baggage and boxes on top, and the women all had their fans going in the sun. It certainly was hot. Robert climbed down and I fitted	"The lying bastard!" "Oh, no," said Bill. "Don't get sore. Don't get sore at this stage of the trip. How did you ever happen to know this fellow, anyway?" "Don't rub it in." Bill looked around, half-shaved, and then went on talking into the mirror while he lathered his face. "Didn't you send him with a letter to me in New York last winter? Thank God, I'm a travelling man. Haven't you got some more Jewish friends you could bring along?" He rubbed his chin with his thumb, looked at it, and then started scraping again. "You've got some fine ones yourself." "Oh, yes. I've got some darbs. But not alongside of this Robert Cohn. The funny thing is he's nice, too. I like him. But he's just so awful." "He can be damn nice." "I know it. That's the terrible part." I laughed. "Yes. Go on and laugh," said Bill. "You weren't out with him last night until two o'clock." "Was he very bad?" "Awful. What's all this about him and Brett, anyway? Did she ever have anything to do with him?" He raised his chin up and pulled it from side to side. "Sure. She went down to San Sebastian with him." "What a damn-fool thing to do. Why did she do that?" "She wanted to get out of town and she can't go anywhere alone. She said she thought it would be good for him." "What bloody-fool things people do. Why didn't she go off with some of her own people? Or you?" "--he slurred that over--" "or me? Why not me?" He looked at his face carefully in the glass, put a big dab of lather on each cheek-bone. "It's an honest face. It's a face any woman would be safe with." "She'd never seen it." "She should have. All women should see it. It's a face that ought to be thrown on every screen in the country. Every woman ought to be given a copy of this face as she leaves the altar. Mothers should tell their daughters about this face. My son" "--he pointed the razor at me--" "go west with this face and grow up with the country." He ducked down to the bowl, rinsed his face with cold water, put on some alcohol, and then looked at himself carefully in the glass, pulling down his long upper lip. "My God!" he said,<\|quote\|>"isn't it an awful face?"</\|quote\|>He looked in the glass. "And as for this Robert Cohn," Bill said, "he makes me sick, and he can go to hell, and I'm damn glad he's staying here so we won't have him fishing with us." "You're damn right." "We're going trout-fishing. We're going trout-fishing in the Irati River, and we're going to get tight now at lunch on the wine of the country, and then take a swell bus ride." "Come on. Let's go over to the Iru a and start," I said. CHAPTER 11 It was baking hot in the square when we came out after lunch with our bags and the rod-case to go to Burguete. People were on top of the bus, and others were climbing up a ladder. Bill went up and Robert sat beside Bill to save a place for me, and I went back in the hotel to get a couple of bottles of wine to take with us. When I came out the bus was crowded. Men and women were sitting on all the baggage and boxes on top, and the women all had their fans going in the sun. It certainly was hot. Robert climbed down and I fitted into the place he had saved on the one wooden seat that ran across the top. Robert Cohn stood in the shade of the arcade waiting for us start. A Basque with a big leather wine-bag in his lap lay across the top of the bus in front of our seat, leaning back against our legs. He offered the wine-skin to Bill and to me, and when I tipped it up to drink he imitated the sound of a klaxon motor-horn so well and so suddenly that I spilled some of the wine, and everybody laughed. He apologized and made me take another drink. He made the klaxon again a little later, and it fooled me the second time. He was very good at it. The Basques liked it. The man next to Bill was talking to him in Spanish and Bill was not getting it, so he offered the man one of the bottles of wine. The man waved it away. He said it was too hot and he had drunk too much at lunch. When Bill offered the bottle the second time he took a long drink, and then the bottle went all over that part of the	the papers when I saw Robert Cohn coming across the square. He came up to the table and sat down in one of the wicker chairs. "This is a comfortable caf ," he said. "Did you have a good night, Jake?" "I slept like a log." "I didn't sleep very well. Bill and I were out late, too." "Where were you?" "Here. And after it shut we went over to that other caf . The old man there speaks German and English." "The Caf Suizo." "That's it. He seems like a nice old fellow. I think it's a better caf than this one." "It's not so good in the daytime," I said. "Too hot. By the way, I got the bus tickets." "I'm not going up to-day. You and Bill go on ahead." "I've got your ticket." "Give it to me. I'll get the money back." "It's five pesetas." Robert Cohn took out a silver five-peseta piece and gave it to me. "I ought to stay," he said. "You see I'm afraid there's some sort of misunderstanding." "Why," I said. "They may not come here for three or four days now if they start on parties at San Sebastian." "That's just it," said Robert. "I'm afraid they expected to meet me at San Sebastian, and that's why they stopped over." "What makes you think that?" "Well, I wrote suggesting it to Brett." "Why in hell didn't you stay there and meet them then?" I started to say, but I stopped. I thought that idea would come to him by itself, but I do not believe it ever did. He was being confidential now and it was giving him pleasure to be able to talk with the understanding that I knew there was something between him and Brett. "Well, Bill and I will go up right after lunch," I said. "I wish I could go. We've been looking forward to this fishing all winter." He was being sentimental about it. "But I ought to stay. I really ought. As soon as they come I'll bring them right up." "Let's find Bill." "I want to go over to the barber-shop." "See you at lunch." I found Bill up in his room. He was shaving. "Oh, yes, he told me all about it last night," Bill said. "He's a great little confider. He said he had a date with Brett at San Sebastian." "The lying bastard!" "Oh, no," said Bill. "Don't get sore. Don't get sore at this stage of the trip. How did you ever happen to know this fellow, anyway?" "Don't rub it in." Bill looked around, half-shaved, and then went on talking into the mirror while he lathered his face. "Didn't you send him with a letter to me in New York last winter? Thank God, I'm a travelling man. Haven't you got some more Jewish friends you could bring along?" He rubbed his chin with his thumb, looked at it, and then started scraping again. "You've got some fine ones yourself." "Oh, yes. I've got some darbs. But not alongside of this Robert Cohn. The funny thing is he's nice, too. I like him. But he's just so awful." "He can be damn nice." "I know it. That's the terrible part." I laughed. "Yes. Go on and laugh," said Bill. "You weren't out with him last night until two o'clock." "Was he very bad?" "Awful. What's all this about him and Brett, anyway? Did she ever have anything to do with him?" He raised his chin up and pulled it from side to side. "Sure. She went down to San Sebastian with him." "What a damn-fool thing to do. Why did she do that?" "She wanted to get out of town and she can't go anywhere alone. She said she thought it would be good for him." "What bloody-fool things people do. Why didn't she go off with some of her own people? Or you?" "--he slurred that over--" "or me? Why not me?" He looked at his face carefully in the glass, put a big dab of lather on each cheek-bone. "It's an honest face. It's a face any woman would be safe with." "She'd never seen it." "She should have. All women should see it. It's a face that ought to be thrown on every screen in the country. Every woman ought to be given a copy of this face as she leaves the altar. Mothers should tell their daughters about this face. My son" "--he pointed the razor at me--" "go west with this face and grow up with the country." He ducked down to the bowl, rinsed his face with cold water, put on some alcohol, and then looked at himself carefully in the glass, pulling down his long upper lip. "My God!" he said,<\|quote\|>"isn't it an awful face?"</\|quote\|>He looked in the glass. "And as for this Robert Cohn," Bill said, "he makes me sick, and he can go to hell, and I'm damn glad he's staying here so we won't have him fishing with us." "You're damn right." "We're going trout-fishing. We're going trout-fishing in the Irati River, and we're going to get tight now at lunch on the wine of the country, and then take a swell bus ride." "Come on. Let's go over to the Iru a and start," I said. CHAPTER 11 It was baking hot in the square when we came out after lunch with our bags and the rod-case to go to Burguete. People were on top of the bus, and others were climbing up a ladder. Bill went up and Robert sat beside Bill to save a place for me, and I went back in the hotel to get a couple of bottles of wine to take with us. When I came out the bus was crowded. Men and women were sitting on all the baggage and boxes on top, and the women all had their fans going in the sun. It certainly was hot. Robert climbed down and I fitted into the place he had saved on the one wooden seat that ran across the top. Robert Cohn stood in the shade of the arcade waiting for us start. A Basque with a big leather wine-bag in his lap lay across the top of the bus in front of our seat, leaning back against our legs. He offered the wine-skin to Bill and to me, and when I tipped it up to drink he imitated the sound of a klaxon motor-horn so well and so suddenly that I spilled some of the wine, and everybody laughed. He apologized and made me take another drink. He made the klaxon again a little later, and it fooled me the second time. He was very good at it. The Basques liked it. The man next to Bill was talking to him in Spanish and Bill was not getting it, so he offered the man one of the bottles of wine. The man waved it away. He said it was too hot and he had drunk too much at lunch. When Bill offered the bottle the second time he took a long drink, and then the bottle went all over that part of the bus. Every one took a drink very politely, and then they made us cork it up and put it away. They all wanted us to drink from their leather wine-bottles. They were peasants going up into the hills. Finally, after a couple more false klaxons, the bus started, and Robert Cohn waved good-by to us, and all the Basques waved good-by to him. As soon as we started out on the road outside of town it was cool. It felt nice riding high up and close under the trees. The bus went quite fast and made a good breeze, and as we went out along the road with the dust powdering the trees and down the hill, we had a fine view, back through the trees, of the town rising up from the bluff above the river. The Basque lying against my knees pointed out the view with the neck of the wine-bottle, and winked at us. He nodded his head. "Pretty nice, eh?" "These Basques are swell people," Bill said. The Basque lying against my legs was tanned the color of saddle-leather. He wore a black smock like all the rest. There were wrinkles in his tanned neck. He turned around and offered his wine-bag to Bill. Bill handed him one of our bottles. The Basque wagged a forefinger at him and handed the bottle back, slapping in the cork with the palm of his hand. He shoved the wine-bag up. "Arriba! Arriba!" he said. "Lift it up." Bill raised the wine-skin and let the stream of wine spurt out and into his mouth, his head tipped back. When he stopped drinking and tipped the leather bottle down a few drops ran down his chin. "No! No!" several Basques said. "Not like that." One snatched the bottle away from the owner, who was himself about to give a demonstration. He was a young fellow and he held the wine-bottle at full arms' length and raised it high up, squeezing the leather bag with his hand so the stream of wine hissed into his mouth. He held the bag out there, the wine making a flat, hard trajectory into his mouth, and he kept on swallowing smoothly and regularly. "Hey!" the owner of the bottle shouted. "Whose wine is that?" The drinker waggled his little finger at him and smiled at us with his eyes. Then he bit the stream	to know this fellow, anyway?" "Don't rub it in." Bill looked around, half-shaved, and then went on talking into the mirror while he lathered his face. "Didn't you send him with a letter to me in New York last winter? Thank God, I'm a travelling man. Haven't you got some more Jewish friends you could bring along?" He rubbed his chin with his thumb, looked at it, and then started scraping again. "You've got some fine ones yourself." "Oh, yes. I've got some darbs. But not alongside of this Robert Cohn. The funny thing is he's nice, too. I like him. But he's just so awful." "He can be damn nice." "I know it. That's the terrible part." I laughed. "Yes. Go on and laugh," said Bill. "You weren't out with him last night until two o'clock." "Was he very bad?" "Awful. What's all this about him and Brett, anyway? Did she ever have anything to do with him?" He raised his chin up and pulled it from side to side. "Sure. She went down to San Sebastian with him." "What a damn-fool thing to do. Why did she do that?" "She wanted to get out of town and she can't go anywhere alone. She said she thought it would be good for him." "What bloody-fool things people do. Why didn't she go off with some of her own people? Or you?" "--he slurred that over--" "or me? Why not me?" He looked at his face carefully in the glass, put a big dab of lather on each cheek-bone. "It's an honest face. It's a face any woman would be safe with." "She'd never seen it." "She should have. All women should see it. It's a face that ought to be thrown on every screen in the country. Every woman ought to be given a copy of this face as she leaves the altar. Mothers should tell their daughters about this face. My son" "--he pointed the razor at me--" "go west with this face and grow up with the country." He ducked down to the bowl, rinsed his face with cold water, put on some alcohol, and then looked at himself carefully in the glass, pulling down his long upper lip. "My God!" he said,<\|quote\|>"isn't it an awful face?"</\|quote\|>He looked in the glass. "And as for this Robert Cohn," Bill said, "he makes me sick, and he can go to hell, and I'm damn glad he's staying here so we won't have him fishing with us." "You're damn right." "We're going trout-fishing. We're going trout-fishing in the Irati River, and we're going to get tight now at lunch on the wine of the country, and then take a swell bus ride." "Come on. Let's go over to the Iru a and start," I said. CHAPTER 11 It was baking hot in the square when we came out after lunch with our bags and the rod-case to go to Burguete. People were on top of the bus, and others were climbing up a ladder. Bill went up and Robert sat beside Bill to save a place for me, and I went back in the hotel to get a couple of bottles of wine to take with us. When I came out the bus was crowded. Men and women were sitting on all the baggage and boxes on top, and the women all had their fans going in the sun. It certainly was hot. Robert climbed down and I fitted into the place he had saved on the one wooden seat that ran across the top. Robert Cohn stood in the shade of the arcade waiting for us start. A Basque with a big leather wine-bag in his lap lay across the top of the bus in front of our seat, leaning back against our legs. He offered the wine-skin to Bill and to me, and when I tipped it up to drink he imitated the sound of a klaxon motor-horn so well and so suddenly that I spilled some of the wine, and everybody laughed. He apologized and made me take another drink. He made the klaxon again a little later, and it fooled me the second time. He was very good at it. The Basques liked it. The man next to Bill was talking to him in Spanish and Bill was not getting it, so he offered the man one of the bottles of wine. The man waved it away. He said it was too hot and he had drunk too much at lunch. When Bill offered the bottle the second time he took a long drink, and then the bottle went all over that part of the bus. Every one took a drink very politely, and then they made us cork it up and put it away. They all wanted us to drink from their leather wine-bottles. They were peasants going up into the hills. Finally, after a couple more false klaxons, the bus started, and Robert Cohn waved good-by to us, and all the Basques waved good-by to him. As soon as we started out on the road outside of town it was cool. It felt nice riding high up and close under the trees. The bus went quite fast and made a good breeze, and as we went out along the road with the dust powdering the trees and down the hill, we had a fine view, back through the trees, of the town rising up from the bluff above the river. The Basque lying	The Sun Also Rises
“Will _he_ want your great-grandmother?”	Bender	but vaguely retraced its steps.<\|quote\|>“Will _he_ want your great-grandmother?”</\|quote\|>“Well, he may when he	lead it back, and it but vaguely retraced its steps.<\|quote\|>“Will _he_ want your great-grandmother?”</\|quote\|>“Well, he may when he sees her!” Lady Sandgate laughed.	my desk,” she said to Gotch, though waiting till he had departed again before she resumed to her visitor: “Mightn’t we conclude before he comes?” “The Prince?” Mr. Bender’s imagination had strayed from the ground to which she sought to lead it back, and it but vaguely retraced its steps.<\|quote\|>“Will _he_ want your great-grandmother?”</\|quote\|>“Well, he may when he sees her!” Lady Sandgate laughed. “And Theign, when he comes, will give you on his own question, I feel sure, every information. Shall I fish it out for you?” she encouragingly asked, beside him by her secretary-desk, at which he had arrived under her persuasive	he says!” In addition to which she was relieved by the reappearance of Gotch, who bore on a salver the object he had been sent for and to which he duly called attention. “The large red morocco case.” Lady Sandgate fairly jumped at it. “Your blessed cheque-book. Lay it on my desk,” she said to Gotch, though waiting till he had departed again before she resumed to her visitor: “Mightn’t we conclude before he comes?” “The Prince?” Mr. Bender’s imagination had strayed from the ground to which she sought to lead it back, and it but vaguely retraced its steps.<\|quote\|>“Will _he_ want your great-grandmother?”</\|quote\|>“Well, he may when he sees her!” Lady Sandgate laughed. “And Theign, when he comes, will give you on his own question, I feel sure, every information. Shall I fish it out for you?” she encouragingly asked, beside him by her secretary-desk, at which he had arrived under her persuasive guidance and where she sought solidly to establish him, opening out the gilded crimson case for his employ, so that he had but to help himself. “What enormous cheques! _You_ can never draw one for two-pound-ten!” “That’s exactly what you deserve I _should_ do!” He remained after this solemnly still,	a greater bewilderment. “What the h---- then (I beg your pardon!) is he talking about, and what ‘sentiments’ did he report round there that Lord Theign had been expressing?” His hostess faced it not otherwise than if she had resolved not to recognise the subject of his curiosity--for fear of other recognitions. “They put everything on _me_, my dear man--but I haven’t the least idea.” He looked at her askance. “Then why does the fellow say you have?” Much at a loss for the moment, she yet found her way. “Because the fellow’s so agog that he doesn’t know _what_ he says!” In addition to which she was relieved by the reappearance of Gotch, who bore on a salver the object he had been sent for and to which he duly called attention. “The large red morocco case.” Lady Sandgate fairly jumped at it. “Your blessed cheque-book. Lay it on my desk,” she said to Gotch, though waiting till he had departed again before she resumed to her visitor: “Mightn’t we conclude before he comes?” “The Prince?” Mr. Bender’s imagination had strayed from the ground to which she sought to lead it back, and it but vaguely retraced its steps.<\|quote\|>“Will _he_ want your great-grandmother?”</\|quote\|>“Well, he may when he sees her!” Lady Sandgate laughed. “And Theign, when he comes, will give you on his own question, I feel sure, every information. Shall I fish it out for you?” she encouragingly asked, beside him by her secretary-desk, at which he had arrived under her persuasive guidance and where she sought solidly to establish him, opening out the gilded crimson case for his employ, so that he had but to help himself. “What enormous cheques! _You_ can never draw one for two-pound-ten!” “That’s exactly what you deserve I _should_ do!” He remained after this solemnly still, however, like some high-priest circled with ceremonies; in consonance with which, the next moment, both her hands held out to him the open and immaculate page of the oblong series much as they might have presented a royal infant at the christening-font. He failed, in his preoccupation, to receive it; so she placed it before him on the table, coming away with a brave gay “Well, I leave it to you!” She had not, restlessly revolving, kept her discreet distance for many minutes before she found herself almost face to face with the recurrent Gotch, upright at the door with	again to Lord John. “He wants to ‘congratulate’?” “On Theign’s decision, as I’ve told you--which I announced to Mackintosh, by Theign’s extraordinary order, under his Highness’s nose, and which his Highness, by the same token, took up like a shot.” Her face, as she bethought herself, was convulsed as by some quick perception of what her informant must have done and what therefore the Prince’s interest rested on; all, however, to the effect, given their actual company, of her at once dodging and covering that issue. “The decision to remove the picture?” Lord John also observed a discretion. “He wouldn’t hear of such a thing--says it must stay stock still. So there you are!” This determined in Mr. Bender a not unnatural, in fact quite a clamorous, series of questions. “But _where_ are we, and what has the Prince to do with Lord Theign’s decision when that’s all _I’m_ here for? What in thunder _is_ Lord Theign’s decision--what was his ‘extraordinary order’?” Lord John, too long detained and his hand now on the door, put off this solicitor as he had already been put off. “Lady Sandgate, _you_ tell him! I rush!” Mr. Bender saw him vanish, but all to a greater bewilderment. “What the h---- then (I beg your pardon!) is he talking about, and what ‘sentiments’ did he report round there that Lord Theign had been expressing?” His hostess faced it not otherwise than if she had resolved not to recognise the subject of his curiosity--for fear of other recognitions. “They put everything on _me_, my dear man--but I haven’t the least idea.” He looked at her askance. “Then why does the fellow say you have?” Much at a loss for the moment, she yet found her way. “Because the fellow’s so agog that he doesn’t know _what_ he says!” In addition to which she was relieved by the reappearance of Gotch, who bore on a salver the object he had been sent for and to which he duly called attention. “The large red morocco case.” Lady Sandgate fairly jumped at it. “Your blessed cheque-book. Lay it on my desk,” she said to Gotch, though waiting till he had departed again before she resumed to her visitor: “Mightn’t we conclude before he comes?” “The Prince?” Mr. Bender’s imagination had strayed from the ground to which she sought to lead it back, and it but vaguely retraced its steps.<\|quote\|>“Will _he_ want your great-grandmother?”</\|quote\|>“Well, he may when he sees her!” Lady Sandgate laughed. “And Theign, when he comes, will give you on his own question, I feel sure, every information. Shall I fish it out for you?” she encouragingly asked, beside him by her secretary-desk, at which he had arrived under her persuasive guidance and where she sought solidly to establish him, opening out the gilded crimson case for his employ, so that he had but to help himself. “What enormous cheques! _You_ can never draw one for two-pound-ten!” “That’s exactly what you deserve I _should_ do!” He remained after this solemnly still, however, like some high-priest circled with ceremonies; in consonance with which, the next moment, both her hands held out to him the open and immaculate page of the oblong series much as they might have presented a royal infant at the christening-font. He failed, in his preoccupation, to receive it; so she placed it before him on the table, coming away with a brave gay “Well, I leave it to you!” She had not, restlessly revolving, kept her discreet distance for many minutes before she found herself almost face to face with the recurrent Gotch, upright at the door with a fresh announcement. “Mr. Crimble, please--for Lady Grace.” “Mr. Crimble _again?_” --she took it discomposedly. It reached Mr. Bender at the secretary, but to a different effect. “Mr. Crimble? Why he’s just the man I want to see!” Gotch, turning to the lobby, had only to make way for him. “Here he is, my lady.” “Then tell her ladyship.” “She has come down,” said Gotch while Hugh arrived and his companion withdrew, and while Lady Grace, reaching the scene from the other quarter, emerged in bright equipment--in her hat, scarf and gloves. IV These young persons were thus at once confronted across the room, and the girl explained her preparation. “I was listening hard--for your knock and your voice.” “Then know that, thank God, it’s all right!” --Hugh was breathless, jubilant, radiant. “A Mantovano?” she delightedly cried. “A Mantovano!” he proudly gave back. “A Mantovano!” --it carried even Lady Sandgate away. “A Mantovano--a sure thing?” Mr. Bender jumped up from his business, all gaping attention to Hugh. “I’ve just left our blest Bardi,” said that young man-- “who hasn’t the shadow of a doubt and is delighted to publish it everywhere.” “Will he publish it right here to _me?_” Mr.	hurried, flurried, breathless Lord John, strikingly different from the backward messenger she had lately seen despatched. “But Theign should be here!” --he addressed her excitedly. “I announce you a call from the Prince.” “The Prince?” --she gasped as for the burden of the honour. “He follows you?” Mr. Bender, with an eagerness and a candour there was no mistaking, recognised on behalf of his ampler action a world of associational advantage and auspicious possibility. “Is the Prince _after_ the thing?” Lord John remained, in spite of this challenge, conscious of nothing but his message. “He was there with Mackintosh--to see and admire the picture; which he thinks, by the way, a Mantovano pure and simple!--and did me the honour to remember me. When he heard me report to Mackintosh in his presence the sentiments expressed to me here by our noble friend and of which, embarrassed though I doubtless was,” the young man pursued to Lady Sandgate, “I gave as clear an account as I could, he was so delighted with it that he declared they mustn’t think then of taking the thing off, but must on the contrary keep putting it forward for all it’s worth, and he would come round and congratulate and thank Theign and explain him his reasons.” Their hostess cast about for a sign. “Why Theign is at Kitty’s, worse luck! The Prince calls on him _here?_” “He calls, you see, on _you_, my lady--at five-forty-five; and graciously desired me so to put it you.” “He’s very kind, but” --she took in her condition-- “I’m not even _dressed!_” “You’ll have time” --the young man was a comfort-- “while I rush to Berkeley Square. And pardon me, Bender--though it’s so near--if I just bag your car.” “That’s, that’s it, take his car!” --Lady Sandgate almost swept him away. “You may use my car all right,” Mr. Bender contributed-- “but what I want to know is what the man’s _after_.” “The man? what man?” his friend scarce paused to ask. “The Prince then--if you allow he _is_ a man! Is he after my picture?” Lord John vividly disclaimed authority. “If you’ll wait, my dear fellow, you’ll see.” “Oh why should he ‘wait’?” burst from their cautious companion--only to be caught up, however, in the next breath, so swift her gracious revolution. “Wait, wait indeed, Mr. Bender--I won’t give you up for any Prince!” With which she appealed again to Lord John. “He wants to ‘congratulate’?” “On Theign’s decision, as I’ve told you--which I announced to Mackintosh, by Theign’s extraordinary order, under his Highness’s nose, and which his Highness, by the same token, took up like a shot.” Her face, as she bethought herself, was convulsed as by some quick perception of what her informant must have done and what therefore the Prince’s interest rested on; all, however, to the effect, given their actual company, of her at once dodging and covering that issue. “The decision to remove the picture?” Lord John also observed a discretion. “He wouldn’t hear of such a thing--says it must stay stock still. So there you are!” This determined in Mr. Bender a not unnatural, in fact quite a clamorous, series of questions. “But _where_ are we, and what has the Prince to do with Lord Theign’s decision when that’s all _I’m_ here for? What in thunder _is_ Lord Theign’s decision--what was his ‘extraordinary order’?” Lord John, too long detained and his hand now on the door, put off this solicitor as he had already been put off. “Lady Sandgate, _you_ tell him! I rush!” Mr. Bender saw him vanish, but all to a greater bewilderment. “What the h---- then (I beg your pardon!) is he talking about, and what ‘sentiments’ did he report round there that Lord Theign had been expressing?” His hostess faced it not otherwise than if she had resolved not to recognise the subject of his curiosity--for fear of other recognitions. “They put everything on _me_, my dear man--but I haven’t the least idea.” He looked at her askance. “Then why does the fellow say you have?” Much at a loss for the moment, she yet found her way. “Because the fellow’s so agog that he doesn’t know _what_ he says!” In addition to which she was relieved by the reappearance of Gotch, who bore on a salver the object he had been sent for and to which he duly called attention. “The large red morocco case.” Lady Sandgate fairly jumped at it. “Your blessed cheque-book. Lay it on my desk,” she said to Gotch, though waiting till he had departed again before she resumed to her visitor: “Mightn’t we conclude before he comes?” “The Prince?” Mr. Bender’s imagination had strayed from the ground to which she sought to lead it back, and it but vaguely retraced its steps.<\|quote\|>“Will _he_ want your great-grandmother?”</\|quote\|>“Well, he may when he sees her!” Lady Sandgate laughed. “And Theign, when he comes, will give you on his own question, I feel sure, every information. Shall I fish it out for you?” she encouragingly asked, beside him by her secretary-desk, at which he had arrived under her persuasive guidance and where she sought solidly to establish him, opening out the gilded crimson case for his employ, so that he had but to help himself. “What enormous cheques! _You_ can never draw one for two-pound-ten!” “That’s exactly what you deserve I _should_ do!” He remained after this solemnly still, however, like some high-priest circled with ceremonies; in consonance with which, the next moment, both her hands held out to him the open and immaculate page of the oblong series much as they might have presented a royal infant at the christening-font. He failed, in his preoccupation, to receive it; so she placed it before him on the table, coming away with a brave gay “Well, I leave it to you!” She had not, restlessly revolving, kept her discreet distance for many minutes before she found herself almost face to face with the recurrent Gotch, upright at the door with a fresh announcement. “Mr. Crimble, please--for Lady Grace.” “Mr. Crimble _again?_” --she took it discomposedly. It reached Mr. Bender at the secretary, but to a different effect. “Mr. Crimble? Why he’s just the man I want to see!” Gotch, turning to the lobby, had only to make way for him. “Here he is, my lady.” “Then tell her ladyship.” “She has come down,” said Gotch while Hugh arrived and his companion withdrew, and while Lady Grace, reaching the scene from the other quarter, emerged in bright equipment--in her hat, scarf and gloves. IV These young persons were thus at once confronted across the room, and the girl explained her preparation. “I was listening hard--for your knock and your voice.” “Then know that, thank God, it’s all right!” --Hugh was breathless, jubilant, radiant. “A Mantovano?” she delightedly cried. “A Mantovano!” he proudly gave back. “A Mantovano!” --it carried even Lady Sandgate away. “A Mantovano--a sure thing?” Mr. Bender jumped up from his business, all gaping attention to Hugh. “I’ve just left our blest Bardi,” said that young man-- “who hasn’t the shadow of a doubt and is delighted to publish it everywhere.” “Will he publish it right here to _me?_” Mr. Bender hungrily asked. “Well,” Hugh smiled, “you can try him.” “But try him how, where?” The great collector, straining to instant action, cast about for his hat “Where _is_ he, hey?” “Don’t you wish I’d tell you?” Hugh, in his personal elation, almost cynically answered. “Won’t you wait for the Prince?” Lady Sandgate had meanwhile asked of her friend; but had turned more inspectingly to Lady Grace before he could reply. “My dear child--though you’re lovely!--are you sure you’re ready for him?” “For the Prince!” --the girl was vague. “Is he coming?” “At five-forty-five.” With which she consulted her bracelet watch, but only at once to wail for alarm. “Ah, it _is_ that, and I’m not dressed!” She hurried off through the other room. Mr. Bender, quite accepting her retreat, addressed himself again unabashed to Hugh: “It’s your blest Bardi I want first--I’ll take the Prince after.” The young man clearly could afford indulgence now. “Then I left him at Long’s Hotel.” “Why, right near! I’ll come back.” And Mr. Bender’s flight was on the wings of optimism. But it all gave Hugh a quick question for Lady Grace. “Why does the Prince come, and what in the world’s happening?” “My father has suddenly returned--it may have to do with that.” The shadow of his surprise darkened visibly to that of his fear. “Mayn’t it be more than anything else to give you and me his final curse?” “I don’t know--and I think I don’t care. I don’t care,” she said, “so long as you’re right and as the greatest light of all declares you are.” “He _is_ the greatest” --Hugh was vividly of that opinion now: “I could see it as soon as I got there with him, the charming creature! There, _before_ the holy thing, and with the place, by good luck, for those great moments, practically to ourselves--without Macintosh to take in what was happening or any one else at all to speak of--it was but a matter of ten minutes: he had come, he had seen, and _I_ had conquered.” “Naturally you had!” --the girl hung on him for it; “and what was happening beyond everything else was that for your original dear divination, one of the divinations of genius--with every creature all these ages so stupid--you were being baptized on the spot a great man.” “Well, he did let poor Pappendick have it at least-he	I rush!” Mr. Bender saw him vanish, but all to a greater bewilderment. “What the h---- then (I beg your pardon!) is he talking about, and what ‘sentiments’ did he report round there that Lord Theign had been expressing?” His hostess faced it not otherwise than if she had resolved not to recognise the subject of his curiosity--for fear of other recognitions. “They put everything on _me_, my dear man--but I haven’t the least idea.” He looked at her askance. “Then why does the fellow say you have?” Much at a loss for the moment, she yet found her way. “Because the fellow’s so agog that he doesn’t know _what_ he says!” In addition to which she was relieved by the reappearance of Gotch, who bore on a salver the object he had been sent for and to which he duly called attention. “The large red morocco case.” Lady Sandgate fairly jumped at it. “Your blessed cheque-book. Lay it on my desk,” she said to Gotch, though waiting till he had departed again before she resumed to her visitor: “Mightn’t we conclude before he comes?” “The Prince?” Mr. Bender’s imagination had strayed from the ground to which she sought to lead it back, and it but vaguely retraced its steps.<\|quote\|>“Will _he_ want your great-grandmother?”</\|quote\|>“Well, he may when he sees her!” Lady Sandgate laughed. “And Theign, when he comes, will give you on his own question, I feel sure, every information. Shall I fish it out for you?” she encouragingly asked, beside him by her secretary-desk, at which he had arrived under her persuasive guidance and where she sought solidly to establish him, opening out the gilded crimson case for his employ, so that he had but to help himself. “What enormous cheques! _You_ can never draw one for two-pound-ten!” “That’s exactly what you deserve I _should_ do!” He remained after this solemnly still, however, like some high-priest circled with ceremonies; in consonance with which, the next moment, both her hands held out to him the open and immaculate page of the oblong series much as they might have presented a royal infant at the christening-font. He failed, in his preoccupation, to receive it; so she placed it before him on the table, coming away with a brave gay “Well, I leave it to you!” She had not, restlessly revolving, kept her discreet distance for many minutes before she found herself almost face to face with the recurrent Gotch, upright at the door with a fresh announcement. “Mr. Crimble, please--for Lady Grace.” “Mr. Crimble _again?_” --she took it discomposedly. It reached Mr. Bender at the secretary, but to a different effect. “Mr. Crimble? Why he’s just the man I want to see!” Gotch, turning to the lobby, had only to make way for him. “Here he is, my lady.” “Then tell her ladyship.” “She has come down,” said Gotch while Hugh arrived and his companion withdrew, and while Lady Grace, reaching the scene from the other quarter, emerged in bright equipment--in her hat, scarf and gloves. IV These young persons were thus at once confronted across the room, and the girl explained her preparation. “I was listening hard--for your knock and your voice.” “Then know that, thank God, it’s all right!” --Hugh was breathless, jubilant, radiant. “A Mantovano?” she delightedly cried. “A Mantovano!” he proudly gave back. “A Mantovano!” --it carried even Lady Sandgate away. “A Mantovano--a sure thing?” Mr. Bender jumped up from his business, all gaping attention to Hugh. “I’ve just left our blest Bardi,” said that young man-- “who hasn’t the shadow of a doubt and is delighted to publish it everywhere.” “Will he publish it right here to _me?_” Mr. Bender hungrily asked. “Well,” Hugh smiled, “you can try him.” “But try him how, where?” The great collector, straining to instant action, cast about for his hat “Where _is_ he, hey?” “Don’t you wish I’d tell you?” Hugh, in his personal elation, almost cynically answered. “Won’t you wait for the Prince?” Lady Sandgate had meanwhile asked of her friend; but had turned more inspectingly to Lady Grace before he could reply. “My dear child--though you’re lovely!--are you sure you’re ready for him?” “For the Prince!” --the girl was vague. “Is he coming?” “At five-forty-five.” With which she consulted her bracelet watch, but only at once to wail for alarm. “Ah, it	The Outcry
"My brother gets hay fever too,"	Margaret	while he was courting Ruth."<\|quote\|>"My brother gets hay fever too,"</\|quote\|>said Margaret. "This house lies	June--I laughed fit to burst while he was courting Ruth."<\|quote\|>"My brother gets hay fever too,"</\|quote\|>said Margaret. "This house lies too much on the land	this--they mustn t do that--he d learn them to be lads. And just then the tickling took him. He has it from his father, with other things. There s not one Wilcox that can stand up against a field in June--I laughed fit to burst while he was courting Ruth."<\|quote\|>"My brother gets hay fever too,"</\|quote\|>said Margaret. "This house lies too much on the land for them. Naturally, they were glad enough to slip in at first. But Wilcoxes are better than nothing, as I see you ve found." Margaret laughed. "They keep a place going, don t they? Yes, it is just that." "They	a little green annex--a sort of powder-closet for the cows. "Yes, the maidy s well enough," said Miss Avery, "for those, that is, who don t suffer from sneezing." And she cackled maliciously. "I ve seen Charlie Wilcox go out to my lads in hay time--oh, they ought to do this--they mustn t do that--he d learn them to be lads. And just then the tickling took him. He has it from his father, with other things. There s not one Wilcox that can stand up against a field in June--I laughed fit to burst while he was courting Ruth."<\|quote\|>"My brother gets hay fever too,"</\|quote\|>said Margaret. "This house lies too much on the land for them. Naturally, they were glad enough to slip in at first. But Wilcoxes are better than nothing, as I see you ve found." Margaret laughed. "They keep a place going, don t they? Yes, it is just that." "They keep England going, it is my opinion." But Miss Avery upset her by replying: "Ay, they breed like rabbits. Well, well, it s a funny world. But He who made it knows what He wants in it, I suppose. If Mrs. Charlie is expecting her fourth, it isn t for	visit. The gravel sweep was weedy, and grass had sprung up at the very jaws of the garage. And Evie s rockery was only bumps. Perhaps Evie was responsible for Miss Avery s oddness. But Margaret suspected that the cause lay deeper, and that the girl s silly letter had but loosed the irritation of years. "It s a beautiful meadow," she remarked. It was one of those open-air drawing-rooms that have been formed, hundreds of years ago, out of the smaller fields. So the boundary hedge zigzagged down the hill at right angles, and at the bottom there was a little green annex--a sort of powder-closet for the cows. "Yes, the maidy s well enough," said Miss Avery, "for those, that is, who don t suffer from sneezing." And she cackled maliciously. "I ve seen Charlie Wilcox go out to my lads in hay time--oh, they ought to do this--they mustn t do that--he d learn them to be lads. And just then the tickling took him. He has it from his father, with other things. There s not one Wilcox that can stand up against a field in June--I laughed fit to burst while he was courting Ruth."<\|quote\|>"My brother gets hay fever too,"</\|quote\|>said Margaret. "This house lies too much on the land for them. Naturally, they were glad enough to slip in at first. But Wilcoxes are better than nothing, as I see you ve found." Margaret laughed. "They keep a place going, don t they? Yes, it is just that." "They keep England going, it is my opinion." But Miss Avery upset her by replying: "Ay, they breed like rabbits. Well, well, it s a funny world. But He who made it knows what He wants in it, I suppose. If Mrs. Charlie is expecting her fourth, it isn t for us to repine." "They breed and they also work," said Margaret, conscious of some invitation to disloyalty, which was echoed by the very breeze and by the songs of the birds. "It certainly is a funny world, but so long as men like my husband and his sons govern it, I think it ll never be a bad one--never really bad." "No, better n nothing," said Miss Avery, and turned to the wych-elm. On their way back to the farm she spoke of her old friend much more clearly than before. In the house Margaret had wondered whether she quite	present. We happen to need a much larger house. Circumstances oblige us to give big parties. Of course, some day--one never knows, does one?" Miss Avery retorted: "Some day! Tcha! tcha! Don t talk about some day. You are living here now." "Am I?" "You are living here, and have been for the last ten minutes, if you ask me." It was a senseless remark, but with a queer feeling of disloyalty Margaret rose from her chair. She felt that Henry had been obscurely censured. They went into the dining-room, where the sunlight poured in upon her mother s chiffonier, and upstairs, where many an old god peeped from a new niche. The furniture fitted extraordinarily well. In the central room--over the hall, the room that Helen had slept in four years ago--Miss Avery had placed Tibby s old bassinette. "The nursery," she said. Margaret turned away without speaking. At last everything was seen. The kitchen and lobby were still stacked with furniture and straw, but, as far as she could make out, nothing had been broken or scratched. A pathetic display of ingenuity! Then they took a friendly stroll in the garden. It had gone wild since her last visit. The gravel sweep was weedy, and grass had sprung up at the very jaws of the garage. And Evie s rockery was only bumps. Perhaps Evie was responsible for Miss Avery s oddness. But Margaret suspected that the cause lay deeper, and that the girl s silly letter had but loosed the irritation of years. "It s a beautiful meadow," she remarked. It was one of those open-air drawing-rooms that have been formed, hundreds of years ago, out of the smaller fields. So the boundary hedge zigzagged down the hill at right angles, and at the bottom there was a little green annex--a sort of powder-closet for the cows. "Yes, the maidy s well enough," said Miss Avery, "for those, that is, who don t suffer from sneezing." And she cackled maliciously. "I ve seen Charlie Wilcox go out to my lads in hay time--oh, they ought to do this--they mustn t do that--he d learn them to be lads. And just then the tickling took him. He has it from his father, with other things. There s not one Wilcox that can stand up against a field in June--I laughed fit to burst while he was courting Ruth."<\|quote\|>"My brother gets hay fever too,"</\|quote\|>said Margaret. "This house lies too much on the land for them. Naturally, they were glad enough to slip in at first. But Wilcoxes are better than nothing, as I see you ve found." Margaret laughed. "They keep a place going, don t they? Yes, it is just that." "They keep England going, it is my opinion." But Miss Avery upset her by replying: "Ay, they breed like rabbits. Well, well, it s a funny world. But He who made it knows what He wants in it, I suppose. If Mrs. Charlie is expecting her fourth, it isn t for us to repine." "They breed and they also work," said Margaret, conscious of some invitation to disloyalty, which was echoed by the very breeze and by the songs of the birds. "It certainly is a funny world, but so long as men like my husband and his sons govern it, I think it ll never be a bad one--never really bad." "No, better n nothing," said Miss Avery, and turned to the wych-elm. On their way back to the farm she spoke of her old friend much more clearly than before. In the house Margaret had wondered whether she quite distinguished the first wife from the second. Now she said: "I never saw much of Ruth after her grandmother died, but we stayed civil. It was a very civil family. Old Mrs. Howard never spoke against anybody, nor let any one be turned away without food. Then it was never Trespassers will be prosecuted in their land, but would people please not come in? Mrs. Howard was never created to run a farm." "Had they no men to help them?" Margaret asked. Miss Avery replied: "Things went on until there were no men." "Until Mr. Wilcox came along," corrected Margaret, anxious that her husband should receive his dues. "I suppose so; but Ruth should have married a--no disrespect to you to say this, for I take it you were intended to get Wilcox any way, whether she got him first or no." "Whom should she have married?" "A soldier!" exclaimed the old woman. "Some real soldier." Margaret was silent. It was a criticism of Henry s character far more trenchant than any of her own. She felt dissatisfied. "But that s all over," she went on. "A better time is coming now, though you ve kept me long enough waiting.	sister, who is abroad. When you kindly undertook to look after things, we never expected you to do so much." "The house has been empty long enough," said the old woman. Margaret refused to argue. "I dare say we didn t explain," she said civilly. "It has been a mistake, and very likely our mistake." "Mrs. Wilcox, it has been mistake upon mistake for fifty years. The house is Mrs. Wilcox s, and she would not desire it to stand empty any longer." To help the poor decaying brain, Margaret said: "Yes, Mrs. Wilcox s house, the mother of Mr. Charles." "Mistake upon mistake," said Miss Avery. "Mistake upon mistake." "Well, I don t know," said Margaret, sitting down in one of her own chairs. "I really don t know what s to be done." She could not help laughing. The other said: "Yes, it should be a merry house enough." "I don t know--I dare say. Well, thank you very much, Miss Avery. Yes, that s all right. Delightful." "There is still the parlour." She went through the door opposite and drew a curtain. Light flooded the drawing-room furniture from Wickham Place. "And the dining-room." More curtains were drawn, more windows were flung open to the spring. "Then through here--" Miss Avery continued passing and reprising through the hall. Her voice was lost, but Margaret heard her pulling up the kitchen blind. "I ve not finished here yet," she announced, returning. "There s still a deal to do. The farm lads will carry your great wardrobes upstairs, for there is no need to go into expense at Hilton." "It is all a mistake," repeated Margaret, feeling that she must put her foot down. "A misunderstanding. Mr. Wilcox and I are not going to live at Howards End." "Oh, indeed! On account of his hay fever?" "We have settled to build a new home for ourselves in Sussex, and part of this furniture--my part--will go down there presently." She looked at Miss Avery intently, trying to understand the kink in her brain. Here was no maundering old woman. Her wrinkles were shrewd and humorous. She looked capable of scathing wit and also of high but unostentatious nobility. "You think that you won t come back to live here, Mrs. Wilcox, but you will." "That remains to be seen," said Margaret, smiling. "We have no intention of doing so for the present. We happen to need a much larger house. Circumstances oblige us to give big parties. Of course, some day--one never knows, does one?" Miss Avery retorted: "Some day! Tcha! tcha! Don t talk about some day. You are living here now." "Am I?" "You are living here, and have been for the last ten minutes, if you ask me." It was a senseless remark, but with a queer feeling of disloyalty Margaret rose from her chair. She felt that Henry had been obscurely censured. They went into the dining-room, where the sunlight poured in upon her mother s chiffonier, and upstairs, where many an old god peeped from a new niche. The furniture fitted extraordinarily well. In the central room--over the hall, the room that Helen had slept in four years ago--Miss Avery had placed Tibby s old bassinette. "The nursery," she said. Margaret turned away without speaking. At last everything was seen. The kitchen and lobby were still stacked with furniture and straw, but, as far as she could make out, nothing had been broken or scratched. A pathetic display of ingenuity! Then they took a friendly stroll in the garden. It had gone wild since her last visit. The gravel sweep was weedy, and grass had sprung up at the very jaws of the garage. And Evie s rockery was only bumps. Perhaps Evie was responsible for Miss Avery s oddness. But Margaret suspected that the cause lay deeper, and that the girl s silly letter had but loosed the irritation of years. "It s a beautiful meadow," she remarked. It was one of those open-air drawing-rooms that have been formed, hundreds of years ago, out of the smaller fields. So the boundary hedge zigzagged down the hill at right angles, and at the bottom there was a little green annex--a sort of powder-closet for the cows. "Yes, the maidy s well enough," said Miss Avery, "for those, that is, who don t suffer from sneezing." And she cackled maliciously. "I ve seen Charlie Wilcox go out to my lads in hay time--oh, they ought to do this--they mustn t do that--he d learn them to be lads. And just then the tickling took him. He has it from his father, with other things. There s not one Wilcox that can stand up against a field in June--I laughed fit to burst while he was courting Ruth."<\|quote\|>"My brother gets hay fever too,"</\|quote\|>said Margaret. "This house lies too much on the land for them. Naturally, they were glad enough to slip in at first. But Wilcoxes are better than nothing, as I see you ve found." Margaret laughed. "They keep a place going, don t they? Yes, it is just that." "They keep England going, it is my opinion." But Miss Avery upset her by replying: "Ay, they breed like rabbits. Well, well, it s a funny world. But He who made it knows what He wants in it, I suppose. If Mrs. Charlie is expecting her fourth, it isn t for us to repine." "They breed and they also work," said Margaret, conscious of some invitation to disloyalty, which was echoed by the very breeze and by the songs of the birds. "It certainly is a funny world, but so long as men like my husband and his sons govern it, I think it ll never be a bad one--never really bad." "No, better n nothing," said Miss Avery, and turned to the wych-elm. On their way back to the farm she spoke of her old friend much more clearly than before. In the house Margaret had wondered whether she quite distinguished the first wife from the second. Now she said: "I never saw much of Ruth after her grandmother died, but we stayed civil. It was a very civil family. Old Mrs. Howard never spoke against anybody, nor let any one be turned away without food. Then it was never Trespassers will be prosecuted in their land, but would people please not come in? Mrs. Howard was never created to run a farm." "Had they no men to help them?" Margaret asked. Miss Avery replied: "Things went on until there were no men." "Until Mr. Wilcox came along," corrected Margaret, anxious that her husband should receive his dues. "I suppose so; but Ruth should have married a--no disrespect to you to say this, for I take it you were intended to get Wilcox any way, whether she got him first or no." "Whom should she have married?" "A soldier!" exclaimed the old woman. "Some real soldier." Margaret was silent. It was a criticism of Henry s character far more trenchant than any of her own. She felt dissatisfied. "But that s all over," she went on. "A better time is coming now, though you ve kept me long enough waiting. In a couple of weeks I ll see your light shining through the hedge of an evening. Have you ordered in coals?" "We are not coming," said Margaret firmly. She respected Miss Avery too much to humour her. "No. Not coming. Never coming. It has all been a mistake. The furniture must be repacked at once, and I am very sorry, but I am making other arrangements, and must ask you to give me the keys." "Certainly, Mrs. Wilcox," said Miss Avery, and resigned her duties with a smile. Relieved at this conclusion, and having sent her compliments to Madge, Margaret walked back to the station. She had intended to go to the furniture warehouse and give directions for removal, but the muddle had turned out more extensive than she expected, so she decided to consult Henry. It was as well that she did this. He was strongly against employing the local man whom he had previously recommended, and advised her to store in London after all. But before this could be done an unexpected trouble fell upon her. CHAPTER XXXIV It was not unexpected entirely. Aunt Juley s health had been bad all winter. She had had a long series of colds and coughs, and had been too busy to get rid of them. She had scarcely promised her niece "to really take my tiresome chest in hand," when she caught a chill and developed acute pneumonia. Margaret and Tibby went down to Swanage. Helen was telegraphed for, and that spring party that after all gathered in that hospitable house had all the pathos of fair memories. On a perfect day, when the sky seemed blue porcelain, and the waves of the discreet little bay beat gentlest of tattoos upon the sand, Margaret hurried up through the rhododendrons, confronted again by the senselessness of Death. One death may explain itself, but it throws no light upon another; the groping inquiry must begin anew. Preachers or scientists may generalise, but we know that no generality is possible about those whom we love; not one heaven awaits them, not even one oblivion. Aunt Juley, incapable of tragedy, slipped out of life with odd little laughs and apologies for having stopped in it so long. She was very weak; she could not rise to the occasion, or realise the great mystery which all agree must await her; it only seemed to her	happen to need a much larger house. Circumstances oblige us to give big parties. Of course, some day--one never knows, does one?" Miss Avery retorted: "Some day! Tcha! tcha! Don t talk about some day. You are living here now." "Am I?" "You are living here, and have been for the last ten minutes, if you ask me." It was a senseless remark, but with a queer feeling of disloyalty Margaret rose from her chair. She felt that Henry had been obscurely censured. They went into the dining-room, where the sunlight poured in upon her mother s chiffonier, and upstairs, where many an old god peeped from a new niche. The furniture fitted extraordinarily well. In the central room--over the hall, the room that Helen had slept in four years ago--Miss Avery had placed Tibby s old bassinette. "The nursery," she said. Margaret turned away without speaking. At last everything was seen. The kitchen and lobby were still stacked with furniture and straw, but, as far as she could make out, nothing had been broken or scratched. A pathetic display of ingenuity! Then they took a friendly stroll in the garden. It had gone wild since her last visit. The gravel sweep was weedy, and grass had sprung up at the very jaws of the garage. And Evie s rockery was only bumps. Perhaps Evie was responsible for Miss Avery s oddness. But Margaret suspected that the cause lay deeper, and that the girl s silly letter had but loosed the irritation of years. "It s a beautiful meadow," she remarked. It was one of those open-air drawing-rooms that have been formed, hundreds of years ago, out of the smaller fields. So the boundary hedge zigzagged down the hill at right angles, and at the bottom there was a little green annex--a sort of powder-closet for the cows. "Yes, the maidy s well enough," said Miss Avery, "for those, that is, who don t suffer from sneezing." And she cackled maliciously. "I ve seen Charlie Wilcox go out to my lads in hay time--oh, they ought to do this--they mustn t do that--he d learn them to be lads. And just then the tickling took him. He has it from his father, with other things. There s not one Wilcox that can stand up against a field in June--I laughed fit to burst while he was courting Ruth."<\|quote\|>"My brother gets hay fever too,"</\|quote\|>said Margaret. "This house lies too much on the land for them. Naturally, they were glad enough to slip in at first. But Wilcoxes are better than nothing, as I see you ve found." Margaret laughed. "They keep a place going, don t they? Yes, it is just that." "They keep England going, it is my opinion." But Miss Avery upset her by replying: "Ay, they breed like rabbits. Well, well, it s a funny world. But He who made it knows what He wants in it, I suppose. If Mrs. Charlie is expecting her fourth, it isn t for us to repine." "They breed and they also work," said Margaret, conscious of some invitation to disloyalty, which was echoed by the very breeze and by the songs of the birds. "It certainly is a funny world, but so long as men like my husband and his sons govern it, I think it ll never be a bad one--never really bad." "No, better n nothing," said Miss Avery, and turned to the wych-elm. On their way back to the farm she spoke of her old friend much more clearly than before. In the house Margaret had wondered whether she quite distinguished the first wife from the second. Now she said: "I never saw much of Ruth after her grandmother died, but we stayed civil. It was a very civil family. Old Mrs. Howard never spoke against anybody, nor let any one be turned away without food. Then it was never Trespassers will be prosecuted in their land, but would people please not come in? Mrs. Howard was never created to run a farm." "Had they no men to help them?" Margaret asked. Miss Avery replied: "Things went on until there were no men." "Until Mr. Wilcox came along," corrected Margaret, anxious that her husband should receive his dues. "I suppose so; but Ruth should have married a--no disrespect to you to say this, for I take it you were intended to get Wilcox any way, whether she got him first or no." "Whom should she have married?" "A soldier!" exclaimed the old woman. "Some real soldier." Margaret was silent. It was a criticism of Henry s character far more trenchant than any of her own. She felt dissatisfied. "But that s all over," she went on. "A better time is coming now, though you ve kept me long enough waiting. In a couple of weeks I ll see your light shining through the hedge of an evening. Have you ordered in coals?" "We are not coming," said Margaret firmly. She respected Miss Avery too much to humour her. "No. Not coming. Never coming. It has all been a mistake. The furniture must be repacked at once, and I am very sorry, but I am making other arrangements, and must ask you to give me the keys." "Certainly, Mrs. Wilcox," said Miss Avery, and resigned her duties with a smile. Relieved at this conclusion, and having sent her compliments to Madge, Margaret walked back to the station. She had intended to go to the furniture warehouse and give directions for removal, but the muddle had turned out more extensive than she expected, so she decided to consult Henry. It was as well that she did this. He was strongly against employing the local man whom he had previously recommended, and advised her to store in London after all. But before this could	Howards End
Lord John also observed a discretion.	No speaker	decision to remove the picture?”<\|quote\|>Lord John also observed a discretion.</\|quote\|>“He wouldn’t hear of such	and covering that issue. “The decision to remove the picture?”<\|quote\|>Lord John also observed a discretion.</\|quote\|>“He wouldn’t hear of such a thing--says it must stay	as she bethought herself, was convulsed as by some quick perception of what her informant must have done and what therefore the Prince’s interest rested on; all, however, to the effect, given their actual company, of her at once dodging and covering that issue. “The decision to remove the picture?”<\|quote\|>Lord John also observed a discretion.</\|quote\|>“He wouldn’t hear of such a thing--says it must stay stock still. So there you are!” This determined in Mr. Bender a not unnatural, in fact quite a clamorous, series of questions. “But _where_ are we, and what has the Prince to do with Lord Theign’s decision when that’s all	up for any Prince!” With which she appealed again to Lord John. “He wants to ‘congratulate’?” “On Theign’s decision, as I’ve told you--which I announced to Mackintosh, by Theign’s extraordinary order, under his Highness’s nose, and which his Highness, by the same token, took up like a shot.” Her face, as she bethought herself, was convulsed as by some quick perception of what her informant must have done and what therefore the Prince’s interest rested on; all, however, to the effect, given their actual company, of her at once dodging and covering that issue. “The decision to remove the picture?”<\|quote\|>Lord John also observed a discretion.</\|quote\|>“He wouldn’t hear of such a thing--says it must stay stock still. So there you are!” This determined in Mr. Bender a not unnatural, in fact quite a clamorous, series of questions. “But _where_ are we, and what has the Prince to do with Lord Theign’s decision when that’s all _I’m_ here for? What in thunder _is_ Lord Theign’s decision--what was his ‘extraordinary order’?” Lord John, too long detained and his hand now on the door, put off this solicitor as he had already been put off. “Lady Sandgate, _you_ tell him! I rush!” Mr. Bender saw him vanish, but	it, take his car!” --Lady Sandgate almost swept him away. “You may use my car all right,” Mr. Bender contributed-- “but what I want to know is what the man’s _after_.” “The man? what man?” his friend scarce paused to ask. “The Prince then--if you allow he _is_ a man! Is he after my picture?” Lord John vividly disclaimed authority. “If you’ll wait, my dear fellow, you’ll see.” “Oh why should he ‘wait’?” burst from their cautious companion--only to be caught up, however, in the next breath, so swift her gracious revolution. “Wait, wait indeed, Mr. Bender--I won’t give you up for any Prince!” With which she appealed again to Lord John. “He wants to ‘congratulate’?” “On Theign’s decision, as I’ve told you--which I announced to Mackintosh, by Theign’s extraordinary order, under his Highness’s nose, and which his Highness, by the same token, took up like a shot.” Her face, as she bethought herself, was convulsed as by some quick perception of what her informant must have done and what therefore the Prince’s interest rested on; all, however, to the effect, given their actual company, of her at once dodging and covering that issue. “The decision to remove the picture?”<\|quote\|>Lord John also observed a discretion.</\|quote\|>“He wouldn’t hear of such a thing--says it must stay stock still. So there you are!” This determined in Mr. Bender a not unnatural, in fact quite a clamorous, series of questions. “But _where_ are we, and what has the Prince to do with Lord Theign’s decision when that’s all _I’m_ here for? What in thunder _is_ Lord Theign’s decision--what was his ‘extraordinary order’?” Lord John, too long detained and his hand now on the door, put off this solicitor as he had already been put off. “Lady Sandgate, _you_ tell him! I rush!” Mr. Bender saw him vanish, but all to a greater bewilderment. “What the h---- then (I beg your pardon!) is he talking about, and what ‘sentiments’ did he report round there that Lord Theign had been expressing?” His hostess faced it not otherwise than if she had resolved not to recognise the subject of his curiosity--for fear of other recognitions. “They put everything on _me_, my dear man--but I haven’t the least idea.” He looked at her askance. “Then why does the fellow say you have?” Much at a loss for the moment, she yet found her way. “Because the fellow’s so agog that he doesn’t	his message. “He was there with Mackintosh--to see and admire the picture; which he thinks, by the way, a Mantovano pure and simple!--and did me the honour to remember me. When he heard me report to Mackintosh in his presence the sentiments expressed to me here by our noble friend and of which, embarrassed though I doubtless was,” the young man pursued to Lady Sandgate, “I gave as clear an account as I could, he was so delighted with it that he declared they mustn’t think then of taking the thing off, but must on the contrary keep putting it forward for all it’s worth, and he would come round and congratulate and thank Theign and explain him his reasons.” Their hostess cast about for a sign. “Why Theign is at Kitty’s, worse luck! The Prince calls on him _here?_” “He calls, you see, on _you_, my lady--at five-forty-five; and graciously desired me so to put it you.” “He’s very kind, but” --she took in her condition-- “I’m not even _dressed!_” “You’ll have time” --the young man was a comfort-- “while I rush to Berkeley Square. And pardon me, Bender--though it’s so near--if I just bag your car.” “That’s, that’s it, take his car!” --Lady Sandgate almost swept him away. “You may use my car all right,” Mr. Bender contributed-- “but what I want to know is what the man’s _after_.” “The man? what man?” his friend scarce paused to ask. “The Prince then--if you allow he _is_ a man! Is he after my picture?” Lord John vividly disclaimed authority. “If you’ll wait, my dear fellow, you’ll see.” “Oh why should he ‘wait’?” burst from their cautious companion--only to be caught up, however, in the next breath, so swift her gracious revolution. “Wait, wait indeed, Mr. Bender--I won’t give you up for any Prince!” With which she appealed again to Lord John. “He wants to ‘congratulate’?” “On Theign’s decision, as I’ve told you--which I announced to Mackintosh, by Theign’s extraordinary order, under his Highness’s nose, and which his Highness, by the same token, took up like a shot.” Her face, as she bethought herself, was convulsed as by some quick perception of what her informant must have done and what therefore the Prince’s interest rested on; all, however, to the effect, given their actual company, of her at once dodging and covering that issue. “The decision to remove the picture?”<\|quote\|>Lord John also observed a discretion.</\|quote\|>“He wouldn’t hear of such a thing--says it must stay stock still. So there you are!” This determined in Mr. Bender a not unnatural, in fact quite a clamorous, series of questions. “But _where_ are we, and what has the Prince to do with Lord Theign’s decision when that’s all _I’m_ here for? What in thunder _is_ Lord Theign’s decision--what was his ‘extraordinary order’?” Lord John, too long detained and his hand now on the door, put off this solicitor as he had already been put off. “Lady Sandgate, _you_ tell him! I rush!” Mr. Bender saw him vanish, but all to a greater bewilderment. “What the h---- then (I beg your pardon!) is he talking about, and what ‘sentiments’ did he report round there that Lord Theign had been expressing?” His hostess faced it not otherwise than if she had resolved not to recognise the subject of his curiosity--for fear of other recognitions. “They put everything on _me_, my dear man--but I haven’t the least idea.” He looked at her askance. “Then why does the fellow say you have?” Much at a loss for the moment, she yet found her way. “Because the fellow’s so agog that he doesn’t know _what_ he says!” In addition to which she was relieved by the reappearance of Gotch, who bore on a salver the object he had been sent for and to which he duly called attention. “The large red morocco case.” Lady Sandgate fairly jumped at it. “Your blessed cheque-book. Lay it on my desk,” she said to Gotch, though waiting till he had departed again before she resumed to her visitor: “Mightn’t we conclude before he comes?” “The Prince?” Mr. Bender’s imagination had strayed from the ground to which she sought to lead it back, and it but vaguely retraced its steps. “Will _he_ want your great-grandmother?” “Well, he may when he sees her!” Lady Sandgate laughed. “And Theign, when he comes, will give you on his own question, I feel sure, every information. Shall I fish it out for you?” she encouragingly asked, beside him by her secretary-desk, at which he had arrived under her persuasive guidance and where she sought solidly to establish him, opening out the gilded crimson case for his employ, so that he had but to help himself. “What enormous cheques! _You_ can never draw one for two-pound-ten!” “That’s exactly what you deserve I _should_	sharp rich thing!” “And you take in, I assume,” he pursued, “that I’m just going to lean on you, for what I want, with the full weight of a determined man.” “Well,” she laughed, “I promise you I’ll thoroughly obey the direction of your pressure.” “All right then!” And he stopped before her, in his unrest, monumentally pledged, yet still more massively immeasurable. “How’ll you have it?” She bristled as with all the possible beautiful choices; then she shed her selection as a heaving fruit-tree might have dropped some round ripeness. It was for her friend to pick up his plum and his privilege. “Will you write a cheque?” “Yes, if you want it right away.” To which, however, he added, clapping vainly a breast-pocket: “But my cheque-book’s down in my car.” “At the door?” She scarce required his assent to touch a bell. “I can easily send for it.” And she threw off while they waited: “It’s so sweet your ‘flying round’ with your cheque-book!” He put it with promptitude another way. “It flies round pretty well with _Mr_----!” “Mr. Bender’s cheque-book--in his car,” she went on to Gotch, who had answered her summons. The owner of the interesting object further instructed him: “You’ll find in the pocket a large red morocco case.” “Very good, sir,” said Gotch--but with another word for his mistress. “Lord John would like to know--” “Lord John’s there?” she interrupted. Gotch turned to the open door. “Here he is, my lady.” She accommodated herself at once, under Mr. Bender’s eye, to the complication involved in his lordship’s presence. “It’s he who went round to Bond Street.” Mr. Bender stared, but saw the connection. “To stop the show?” And then as the young man was already there: “You’ve stopped the show?” “It’s ‘on’ more than ever!” Lord John responded while Gotch retired: a hurried, flurried, breathless Lord John, strikingly different from the backward messenger she had lately seen despatched. “But Theign should be here!” --he addressed her excitedly. “I announce you a call from the Prince.” “The Prince?” --she gasped as for the burden of the honour. “He follows you?” Mr. Bender, with an eagerness and a candour there was no mistaking, recognised on behalf of his ampler action a world of associational advantage and auspicious possibility. “Is the Prince _after_ the thing?” Lord John remained, in spite of this challenge, conscious of nothing but his message. “He was there with Mackintosh--to see and admire the picture; which he thinks, by the way, a Mantovano pure and simple!--and did me the honour to remember me. When he heard me report to Mackintosh in his presence the sentiments expressed to me here by our noble friend and of which, embarrassed though I doubtless was,” the young man pursued to Lady Sandgate, “I gave as clear an account as I could, he was so delighted with it that he declared they mustn’t think then of taking the thing off, but must on the contrary keep putting it forward for all it’s worth, and he would come round and congratulate and thank Theign and explain him his reasons.” Their hostess cast about for a sign. “Why Theign is at Kitty’s, worse luck! The Prince calls on him _here?_” “He calls, you see, on _you_, my lady--at five-forty-five; and graciously desired me so to put it you.” “He’s very kind, but” --she took in her condition-- “I’m not even _dressed!_” “You’ll have time” --the young man was a comfort-- “while I rush to Berkeley Square. And pardon me, Bender--though it’s so near--if I just bag your car.” “That’s, that’s it, take his car!” --Lady Sandgate almost swept him away. “You may use my car all right,” Mr. Bender contributed-- “but what I want to know is what the man’s _after_.” “The man? what man?” his friend scarce paused to ask. “The Prince then--if you allow he _is_ a man! Is he after my picture?” Lord John vividly disclaimed authority. “If you’ll wait, my dear fellow, you’ll see.” “Oh why should he ‘wait’?” burst from their cautious companion--only to be caught up, however, in the next breath, so swift her gracious revolution. “Wait, wait indeed, Mr. Bender--I won’t give you up for any Prince!” With which she appealed again to Lord John. “He wants to ‘congratulate’?” “On Theign’s decision, as I’ve told you--which I announced to Mackintosh, by Theign’s extraordinary order, under his Highness’s nose, and which his Highness, by the same token, took up like a shot.” Her face, as she bethought herself, was convulsed as by some quick perception of what her informant must have done and what therefore the Prince’s interest rested on; all, however, to the effect, given their actual company, of her at once dodging and covering that issue. “The decision to remove the picture?”<\|quote\|>Lord John also observed a discretion.</\|quote\|>“He wouldn’t hear of such a thing--says it must stay stock still. So there you are!” This determined in Mr. Bender a not unnatural, in fact quite a clamorous, series of questions. “But _where_ are we, and what has the Prince to do with Lord Theign’s decision when that’s all _I’m_ here for? What in thunder _is_ Lord Theign’s decision--what was his ‘extraordinary order’?” Lord John, too long detained and his hand now on the door, put off this solicitor as he had already been put off. “Lady Sandgate, _you_ tell him! I rush!” Mr. Bender saw him vanish, but all to a greater bewilderment. “What the h---- then (I beg your pardon!) is he talking about, and what ‘sentiments’ did he report round there that Lord Theign had been expressing?” His hostess faced it not otherwise than if she had resolved not to recognise the subject of his curiosity--for fear of other recognitions. “They put everything on _me_, my dear man--but I haven’t the least idea.” He looked at her askance. “Then why does the fellow say you have?” Much at a loss for the moment, she yet found her way. “Because the fellow’s so agog that he doesn’t know _what_ he says!” In addition to which she was relieved by the reappearance of Gotch, who bore on a salver the object he had been sent for and to which he duly called attention. “The large red morocco case.” Lady Sandgate fairly jumped at it. “Your blessed cheque-book. Lay it on my desk,” she said to Gotch, though waiting till he had departed again before she resumed to her visitor: “Mightn’t we conclude before he comes?” “The Prince?” Mr. Bender’s imagination had strayed from the ground to which she sought to lead it back, and it but vaguely retraced its steps. “Will _he_ want your great-grandmother?” “Well, he may when he sees her!” Lady Sandgate laughed. “And Theign, when he comes, will give you on his own question, I feel sure, every information. Shall I fish it out for you?” she encouragingly asked, beside him by her secretary-desk, at which he had arrived under her persuasive guidance and where she sought solidly to establish him, opening out the gilded crimson case for his employ, so that he had but to help himself. “What enormous cheques! _You_ can never draw one for two-pound-ten!” “That’s exactly what you deserve I _should_ do!” He remained after this solemnly still, however, like some high-priest circled with ceremonies; in consonance with which, the next moment, both her hands held out to him the open and immaculate page of the oblong series much as they might have presented a royal infant at the christening-font. He failed, in his preoccupation, to receive it; so she placed it before him on the table, coming away with a brave gay “Well, I leave it to you!” She had not, restlessly revolving, kept her discreet distance for many minutes before she found herself almost face to face with the recurrent Gotch, upright at the door with a fresh announcement. “Mr. Crimble, please--for Lady Grace.” “Mr. Crimble _again?_” --she took it discomposedly. It reached Mr. Bender at the secretary, but to a different effect. “Mr. Crimble? Why he’s just the man I want to see!” Gotch, turning to the lobby, had only to make way for him. “Here he is, my lady.” “Then tell her ladyship.” “She has come down,” said Gotch while Hugh arrived and his companion withdrew, and while Lady Grace, reaching the scene from the other quarter, emerged in bright equipment--in her hat, scarf and gloves. IV These young persons were thus at once confronted across the room, and the girl explained her preparation. “I was listening hard--for your knock and your voice.” “Then know that, thank God, it’s all right!” --Hugh was breathless, jubilant, radiant. “A Mantovano?” she delightedly cried. “A Mantovano!” he proudly gave back. “A Mantovano!” --it carried even Lady Sandgate away. “A Mantovano--a sure thing?” Mr. Bender jumped up from his business, all gaping attention to Hugh. “I’ve just left our blest Bardi,” said that young man-- “who hasn’t the shadow of a doubt and is delighted to publish it everywhere.” “Will he publish it right here to _me?_” Mr. Bender hungrily asked. “Well,” Hugh smiled, “you can try him.” “But try him how, where?” The great collector, straining to instant action, cast about for his hat “Where _is_ he, hey?” “Don’t you wish I’d tell you?” Hugh, in his personal elation, almost cynically answered. “Won’t you wait for the Prince?” Lady Sandgate had meanwhile asked of her friend; but had turned more inspectingly to Lady Grace before he could reply. “My dear child--though you’re lovely!--are you sure you’re ready for him?” “For the Prince!” --the girl was vague. “Is he coming?” “At	calls, you see, on _you_, my lady--at five-forty-five; and graciously desired me so to put it you.” “He’s very kind, but” --she took in her condition-- “I’m not even _dressed!_” “You’ll have time” --the young man was a comfort-- “while I rush to Berkeley Square. And pardon me, Bender--though it’s so near--if I just bag your car.” “That’s, that’s it, take his car!” --Lady Sandgate almost swept him away. “You may use my car all right,” Mr. Bender contributed-- “but what I want to know is what the man’s _after_.” “The man? what man?” his friend scarce paused to ask. “The Prince then--if you allow he _is_ a man! Is he after my picture?” Lord John vividly disclaimed authority. “If you’ll wait, my dear fellow, you’ll see.” “Oh why should he ‘wait’?” burst from their cautious companion--only to be caught up, however, in the next breath, so swift her gracious revolution. “Wait, wait indeed, Mr. Bender--I won’t give you up for any Prince!” With which she appealed again to Lord John. “He wants to ‘congratulate’?” “On Theign’s decision, as I’ve told you--which I announced to Mackintosh, by Theign’s extraordinary order, under his Highness’s nose, and which his Highness, by the same token, took up like a shot.” Her face, as she bethought herself, was convulsed as by some quick perception of what her informant must have done and what therefore the Prince’s interest rested on; all, however, to the effect, given their actual company, of her at once dodging and covering that issue. “The decision to remove the picture?”<\|quote\|>Lord John also observed a discretion.</\|quote\|>“He wouldn’t hear of such a thing--says it must stay stock still. So there you are!” This determined in Mr. Bender a not unnatural, in fact quite a clamorous, series of questions. “But _where_ are we, and what has the Prince to do with Lord Theign’s decision when that’s all _I’m_ here for? What in thunder _is_ Lord Theign’s decision--what was his ‘extraordinary order’?” Lord John, too long detained and his hand now on the door, put off this solicitor as he had already been put off. “Lady Sandgate, _you_ tell him! I rush!” Mr. Bender saw him vanish, but all to a greater bewilderment. “What the h---- then (I beg your pardon!) is he talking about, and what ‘sentiments’ did he report round there that Lord Theign had been expressing?” His hostess faced it not otherwise than if she had resolved not to recognise the subject of his curiosity--for fear of other recognitions. “They put everything on _me_, my dear man--but I haven’t the least idea.” He looked at her askance. “Then why does the fellow say you have?” Much at a loss for the moment, she yet found her way. “Because the fellow’s so agog that he doesn’t know _what_ he says!” In addition to which she was relieved by the reappearance of Gotch, who bore on a salver the object he had been sent for and to which he duly called attention. “The large red morocco case.” Lady Sandgate fairly jumped at it. “Your blessed cheque-book. Lay it on my desk,” she said to Gotch, though waiting till he had departed again before she resumed to her visitor: “Mightn’t we conclude before he comes?” “The Prince?” Mr. Bender’s imagination had strayed from the ground to which she sought to lead it back, and it but vaguely retraced its steps. “Will _he_ want your great-grandmother?” “Well, he may when he sees her!” Lady Sandgate laughed. “And Theign, when he comes, will give you on his own question, I feel sure, every information. Shall I fish it out for you?” she encouragingly asked, beside him by her secretary-desk, at which he had arrived under her persuasive guidance and where she sought solidly to establish him, opening out the gilded crimson case for his employ, so that he had but to help himself. “What enormous cheques! _You_ can never draw one for two-pound-ten!” “That’s exactly what you deserve I _should_ do!” He remained after this solemnly still, however, like some high-priest circled with ceremonies; in consonance with which, the next moment, both her hands held out to him the open and immaculate page of the oblong series much as they might have presented a royal infant	The Outcry
"what are those? I entreat you to tell me what they are; I will spare nothing to get them."	Periezade	mother," replied the Princess Periezade,<\|quote\|>"what are those? I entreat you to tell me what they are; I will spare nothing to get them."</\|quote\|>"Madam," replied the devout woman,	to complete it." "My good mother," replied the Princess Periezade,<\|quote\|>"what are those? I entreat you to tell me what they are; I will spare nothing to get them."</\|quote\|>"Madam," replied the devout woman, "the first of these three	garden can be more delightful; but yet, if you will give me leave to speak my mind freely, I will take the liberty to tell you that this house would be incomparable if it had three things which are wanting to complete it." "My good mother," replied the Princess Periezade,<\|quote\|>"what are those? I entreat you to tell me what they are; I will spare nothing to get them."</\|quote\|>"Madam," replied the devout woman, "the first of these three things is the Talking Bird, so singular a creature, that it draws round it all the songsters of the neighbourhood which come to accompany its voice. The second is the Singing Tree, the leaves of which are so many mouths	how she liked it. "Madam," answered the devout woman, "I must certainly have very bad taste to disapprove anything in it, since it is beautiful, regular, and magnificently furnished with exactness and judgment, and all its ornaments adjusted in the best manner. Its situation is an agreeable spot, and no garden can be more delightful; but yet, if you will give me leave to speak my mind freely, I will take the liberty to tell you that this house would be incomparable if it had three things which are wanting to complete it." "My good mother," replied the Princess Periezade,<\|quote\|>"what are those? I entreat you to tell me what they are; I will spare nothing to get them."</\|quote\|>"Madam," replied the devout woman, "the first of these three things is the Talking Bird, so singular a creature, that it draws round it all the songsters of the neighbourhood which come to accompany its voice. The second is the Singing Tree, the leaves of which are so many mouths which form an harmonious concert of different voices and never cease. The third is the Golden Water, a single drop of which being poured into a vessel properly prepared, it increases so as to fill it immediately, and rises up in the middle like a fountain, which continually plays, and	what you like best; you had need to eat after coming so far." "Madam," replied the good woman, "I am not used to eat such delicacies, but will not refuse what God has sent me by so liberal a hand as yours." While the devout woman was eating, the princess ate a little too, to bear her company, and asked her many questions upon the exercise of devotion which she practised and how she lived; all of which she answered with great modesty. Talking of various things, at last the princess asked her what she thought of the house, and how she liked it. "Madam," answered the devout woman, "I must certainly have very bad taste to disapprove anything in it, since it is beautiful, regular, and magnificently furnished with exactness and judgment, and all its ornaments adjusted in the best manner. Its situation is an agreeable spot, and no garden can be more delightful; but yet, if you will give me leave to speak my mind freely, I will take the liberty to tell you that this house would be incomparable if it had three things which are wanting to complete it." "My good mother," replied the Princess Periezade,<\|quote\|>"what are those? I entreat you to tell me what they are; I will spare nothing to get them."</\|quote\|>"Madam," replied the devout woman, "the first of these three things is the Talking Bird, so singular a creature, that it draws round it all the songsters of the neighbourhood which come to accompany its voice. The second is the Singing Tree, the leaves of which are so many mouths which form an harmonious concert of different voices and never cease. The third is the Golden Water, a single drop of which being poured into a vessel properly prepared, it increases so as to fill it immediately, and rises up in the middle like a fountain, which continually plays, and yet the basin never overflows." "Ah! my good mother," cried the princess, "how much am I obliged to you for the knowledge of these curiosities! I never before heard there were such rarities in the world; but as I am persuaded that you know, I expect that you should do me the favour to inform me where they are to be found." "Madam," replied the good woman, "I should be unworthy the hospitality you have shown me if I should refuse to satisfy your curiosity on that point, and am glad to have the honour to tell you that these	sit down by me. I am overjoyed at the happiness of having the opportunity of profiting for some moments by the example and conversation of such a person as you, who have taken the right way by dedicating yourself to the service of God. I wish every one were as wise." The devout woman, instead of sitting on a sofa, would only sit upon the edge of one. The princess would not permit her to do so, but rising from her seat and taking her by the hand, obliged her to come and sit by her. The good woman, sensible of the civility, said: "Madam, I ought not to have so much respect shown me; but since you command, and are mistress of your own house, I will obey you." When she had seated herself, before they entered into any conversation, one of the princess's women brought a low stand of mother-of-pearl and ebony, with a china dish full of cakes upon it, and many others set round it full of fruits in season, and wet and dry sweetmeats. The princess took up one of the cakes, and presenting her with it, said: "Eat, good mother, and make choice of what you like best; you had need to eat after coming so far." "Madam," replied the good woman, "I am not used to eat such delicacies, but will not refuse what God has sent me by so liberal a hand as yours." While the devout woman was eating, the princess ate a little too, to bear her company, and asked her many questions upon the exercise of devotion which she practised and how she lived; all of which she answered with great modesty. Talking of various things, at last the princess asked her what she thought of the house, and how she liked it. "Madam," answered the devout woman, "I must certainly have very bad taste to disapprove anything in it, since it is beautiful, regular, and magnificently furnished with exactness and judgment, and all its ornaments adjusted in the best manner. Its situation is an agreeable spot, and no garden can be more delightful; but yet, if you will give me leave to speak my mind freely, I will take the liberty to tell you that this house would be incomparable if it had three things which are wanting to complete it." "My good mother," replied the Princess Periezade,<\|quote\|>"what are those? I entreat you to tell me what they are; I will spare nothing to get them."</\|quote\|>"Madam," replied the devout woman, "the first of these three things is the Talking Bird, so singular a creature, that it draws round it all the songsters of the neighbourhood which come to accompany its voice. The second is the Singing Tree, the leaves of which are so many mouths which form an harmonious concert of different voices and never cease. The third is the Golden Water, a single drop of which being poured into a vessel properly prepared, it increases so as to fill it immediately, and rises up in the middle like a fountain, which continually plays, and yet the basin never overflows." "Ah! my good mother," cried the princess, "how much am I obliged to you for the knowledge of these curiosities! I never before heard there were such rarities in the world; but as I am persuaded that you know, I expect that you should do me the favour to inform me where they are to be found." "Madam," replied the good woman, "I should be unworthy the hospitality you have shown me if I should refuse to satisfy your curiosity on that point, and am glad to have the honour to tell you that these curiosities are all to be met with in the same spot on the confines of this kingdom, toward India. The road lies before your house, and whoever you send needs but follow it for twenty days, and on the twentieth only let him ask the first person he meets where the Talking Bird, the Singing Tree, and the Golden Water are, and he will be informed." After saying this, she rose from her seat, took her leave, and went her way. The Princess Periezade's thoughts were so taken up with the Talking Bird, Singing Tree, and Golden Water, that she never perceived the devout woman's departure, till she wanted to ask her some question for her better information; for she thought that what she had been told was not a sufficient reason for exposing herself by undertaking a long journey. However, she would not send after her visitor, but endeavoured to remember all the directions, and when she thought she had recollected every word, took real pleasure in thinking of the satisfaction she should have if she could get these curiosities into her possession; but the difficulties she apprehended and the fear of not succeeding made her very uneasy. She	of dying in your favour." He took his leave of the emperor and retired with the two princes and the princess to the country retreat he had built. His wife had been dead some years, and he himself had not lived above six months with his charges before he was surprised by so sudden a death that he had not time to give them the least account of the manner in which he had discovered them. The Princes Bahman and Perviz, and the Princess Periezade, who knew no other father than the intendant of the emperor's gardens, regretted and bewailed him as such, and paid all the honours in his funeral obsequies which love and filial gratitude required of them. Satisfied with the plentiful fortune he had left them, they lived together in perfect union, free from the ambition of distinguishing themselves at court, or aspiring to places of honour and dignity, which they might easily have obtained. One day when the two princes were hunting, and the princess had remained at home, a religious old woman came to the gate, and desired leave to go in to say her prayers, it being then the hour. The servants asked the princess's permission, who ordered them to show her into the oratory, which the intendant of the emperor's gardens had taken care to fit up in his house, for want of a mosque in the neighbourhood. She bade them, also, after the good woman had finished her prayers, to show her the house and gardens and then bring her to the hall. The old woman went into the oratory, said her prayers, and when she came out two of the princess's women invited her to see the residence, which civility she accepted, followed them from one apartment to another, and observed, like a person who understood what belonged to furniture, the nice arrangement of everything. They conducted her also into the garden, the disposition of which she found so well planned, that she admired it, observing that the person who had formed it must have been an excellent master of his art. Afterward she was brought before the princess, who waited for her in the great hall, which in beauty and richness exceeded all that she had admired in the other apartments. As soon as the princess saw the devout woman, she said to her: "My good mother, come near and sit down by me. I am overjoyed at the happiness of having the opportunity of profiting for some moments by the example and conversation of such a person as you, who have taken the right way by dedicating yourself to the service of God. I wish every one were as wise." The devout woman, instead of sitting on a sofa, would only sit upon the edge of one. The princess would not permit her to do so, but rising from her seat and taking her by the hand, obliged her to come and sit by her. The good woman, sensible of the civility, said: "Madam, I ought not to have so much respect shown me; but since you command, and are mistress of your own house, I will obey you." When she had seated herself, before they entered into any conversation, one of the princess's women brought a low stand of mother-of-pearl and ebony, with a china dish full of cakes upon it, and many others set round it full of fruits in season, and wet and dry sweetmeats. The princess took up one of the cakes, and presenting her with it, said: "Eat, good mother, and make choice of what you like best; you had need to eat after coming so far." "Madam," replied the good woman, "I am not used to eat such delicacies, but will not refuse what God has sent me by so liberal a hand as yours." While the devout woman was eating, the princess ate a little too, to bear her company, and asked her many questions upon the exercise of devotion which she practised and how she lived; all of which she answered with great modesty. Talking of various things, at last the princess asked her what she thought of the house, and how she liked it. "Madam," answered the devout woman, "I must certainly have very bad taste to disapprove anything in it, since it is beautiful, regular, and magnificently furnished with exactness and judgment, and all its ornaments adjusted in the best manner. Its situation is an agreeable spot, and no garden can be more delightful; but yet, if you will give me leave to speak my mind freely, I will take the liberty to tell you that this house would be incomparable if it had three things which are wanting to complete it." "My good mother," replied the Princess Periezade,<\|quote\|>"what are those? I entreat you to tell me what they are; I will spare nothing to get them."</\|quote\|>"Madam," replied the devout woman, "the first of these three things is the Talking Bird, so singular a creature, that it draws round it all the songsters of the neighbourhood which come to accompany its voice. The second is the Singing Tree, the leaves of which are so many mouths which form an harmonious concert of different voices and never cease. The third is the Golden Water, a single drop of which being poured into a vessel properly prepared, it increases so as to fill it immediately, and rises up in the middle like a fountain, which continually plays, and yet the basin never overflows." "Ah! my good mother," cried the princess, "how much am I obliged to you for the knowledge of these curiosities! I never before heard there were such rarities in the world; but as I am persuaded that you know, I expect that you should do me the favour to inform me where they are to be found." "Madam," replied the good woman, "I should be unworthy the hospitality you have shown me if I should refuse to satisfy your curiosity on that point, and am glad to have the honour to tell you that these curiosities are all to be met with in the same spot on the confines of this kingdom, toward India. The road lies before your house, and whoever you send needs but follow it for twenty days, and on the twentieth only let him ask the first person he meets where the Talking Bird, the Singing Tree, and the Golden Water are, and he will be informed." After saying this, she rose from her seat, took her leave, and went her way. The Princess Periezade's thoughts were so taken up with the Talking Bird, Singing Tree, and Golden Water, that she never perceived the devout woman's departure, till she wanted to ask her some question for her better information; for she thought that what she had been told was not a sufficient reason for exposing herself by undertaking a long journey. However, she would not send after her visitor, but endeavoured to remember all the directions, and when she thought she had recollected every word, took real pleasure in thinking of the satisfaction she should have if she could get these curiosities into her possession; but the difficulties she apprehended and the fear of not succeeding made her very uneasy. She was absorbed in these thoughts when her brothers returned from hunting, who, when they entered the great hall, instead of finding her lively and gay, as she was wont to be, were amazed to see her so pensive and hanging down her head as if something troubled her. "Sister," said Prince Bahman, "what is become of all your mirth and gaiety? Are you not well? or has some misfortune befallen you? Tell us, that we may know how to act, and give you some relief. If any one has affronted you, we will resent his insolence." The princess remained in the same posture some time without answering, but at last lifted up her eyes to look at her brothers, and then held them down again, telling them nothing disturbed her. "Sister," said Prince Bahman, "you conceal the truth from us; there must be something of consequence. It is impossible we could observe so sudden a change if nothing was the matter with you. You would not have us satisfied with the evasive answer you have given; do not conceal anything, unless you would have us suspect that you renounce the strict union which has hitherto subsisted between us." The princess, who had not the smallest intention to offend her brothers, would not suffer them to entertain such a thought, but said: "When I told you nothing disturbed me, I meant nothing that was of importance to you, but to me it is of some consequence; and since you press me to tell you by our strict union and friendship, which are so dear to me, I will. You think, and I always believed so too, that this house was so complete that nothing was wanting. But this day I have learned that it lacks three rarities which would render it so perfect that no country seat in the world could be compared with it. These three things are the Talking Bird, the Singing Tree, and the Golden Water." After she had informed them wherein consisted the excellency of these rarities, "A devout woman," added she, "has made this discovery to me, told me the place where they are to be found, and the way thither. Perhaps you may imagine these things of little consequence; that without these additions our house will always be thought sufficiently elegant, and that we can do without them. You may think as you please, but	everything. They conducted her also into the garden, the disposition of which she found so well planned, that she admired it, observing that the person who had formed it must have been an excellent master of his art. Afterward she was brought before the princess, who waited for her in the great hall, which in beauty and richness exceeded all that she had admired in the other apartments. As soon as the princess saw the devout woman, she said to her: "My good mother, come near and sit down by me. I am overjoyed at the happiness of having the opportunity of profiting for some moments by the example and conversation of such a person as you, who have taken the right way by dedicating yourself to the service of God. I wish every one were as wise." The devout woman, instead of sitting on a sofa, would only sit upon the edge of one. The princess would not permit her to do so, but rising from her seat and taking her by the hand, obliged her to come and sit by her. The good woman, sensible of the civility, said: "Madam, I ought not to have so much respect shown me; but since you command, and are mistress of your own house, I will obey you." When she had seated herself, before they entered into any conversation, one of the princess's women brought a low stand of mother-of-pearl and ebony, with a china dish full of cakes upon it, and many others set round it full of fruits in season, and wet and dry sweetmeats. The princess took up one of the cakes, and presenting her with it, said: "Eat, good mother, and make choice of what you like best; you had need to eat after coming so far." "Madam," replied the good woman, "I am not used to eat such delicacies, but will not refuse what God has sent me by so liberal a hand as yours." While the devout woman was eating, the princess ate a little too, to bear her company, and asked her many questions upon the exercise of devotion which she practised and how she lived; all of which she answered with great modesty. Talking of various things, at last the princess asked her what she thought of the house, and how she liked it. "Madam," answered the devout woman, "I must certainly have very bad taste to disapprove anything in it, since it is beautiful, regular, and magnificently furnished with exactness and judgment, and all its ornaments adjusted in the best manner. Its situation is an agreeable spot, and no garden can be more delightful; but yet, if you will give me leave to speak my mind freely, I will take the liberty to tell you that this house would be incomparable if it had three things which are wanting to complete it." "My good mother," replied the Princess Periezade,<\|quote\|>"what are those? I entreat you to tell me what they are; I will spare nothing to get them."</\|quote\|>"Madam," replied the devout woman, "the first of these three things is the Talking Bird, so singular a creature, that it draws round it all the songsters of the neighbourhood which come to accompany its voice. The second is the Singing Tree, the leaves of which are so many mouths which form an harmonious concert of different voices and never cease. The third is the Golden Water, a single drop of which being poured into a vessel properly prepared, it increases so as to fill it immediately, and rises up in the middle like a fountain, which continually plays, and yet the basin never overflows." "Ah! my good mother," cried the princess, "how much am I obliged to you for the knowledge of these curiosities! I never before heard there were such rarities in the world; but as I am persuaded that you know, I expect that you should do me the favour to inform me where they are to be found." "Madam," replied the good woman, "I should be unworthy the hospitality you have shown me if I should refuse to satisfy your curiosity on that point, and am glad to have the honour to tell you that these curiosities are all to be met with in the same spot on the confines of this kingdom, toward India. The road lies before your house, and whoever you send needs but follow it for twenty days, and on the twentieth only let him ask the first person he meets where the Talking Bird, the Singing Tree, and the Golden Water are, and he will be informed." After saying this, she rose from her seat, took her leave, and went her way. The Princess Periezade's thoughts were so taken up with the Talking Bird, Singing Tree, and Golden Water, that she never perceived the devout woman's departure, till she wanted to ask her some question for her better information; for she thought that what she had been told was not a sufficient reason for exposing herself by undertaking a long journey. However, she would not send after her visitor, but endeavoured to remember all the directions, and when she thought she had recollected every word, took real pleasure in thinking of the satisfaction she should have if she could get these curiosities into her possession; but the difficulties she apprehended and the fear of not succeeding made her very uneasy. She was absorbed in these thoughts when her brothers returned from hunting, who, when they entered the great hall, instead of finding her lively and gay, as she was wont to be, were amazed to see her so pensive and hanging down her head as if	Arabian Nights (1)
Edmund was too angry to speak; but Miss Crawford, looking for a moment with astonished eyes at Mrs. Norris, and then at Fanny, whose tears were beginning to shew themselves, immediately said, with some keenness,	No speaker	who and what she is."<\|quote\|>Edmund was too angry to speak; but Miss Crawford, looking for a moment with astonished eyes at Mrs. Norris, and then at Fanny, whose tears were beginning to shew themselves, immediately said, with some keenness,</\|quote\|>"I do not like my	her very ungrateful, indeed, considering who and what she is."<\|quote\|>Edmund was too angry to speak; but Miss Crawford, looking for a moment with astonished eyes at Mrs. Norris, and then at Fanny, whose tears were beginning to shew themselves, immediately said, with some keenness,</\|quote\|>"I do not like my situation: this _place_ is too	safely trusted. Do not urge her any more." "I am not going to urge her," replied Mrs. Norris sharply; "but I shall think her a very obstinate, ungrateful girl, if she does not do what her aunt and cousins wish her very ungrateful, indeed, considering who and what she is."<\|quote\|>Edmund was too angry to speak; but Miss Crawford, looking for a moment with astonished eyes at Mrs. Norris, and then at Fanny, whose tears were beginning to shew themselves, immediately said, with some keenness,</\|quote\|>"I do not like my situation: this _place_ is too hot for me," and moved away her chair to the opposite side of the table, close to Fanny, saying to her, in a kind, low whisper, as she placed herself, "Never mind, my dear Miss Price, this is a cross	no more of the matter, I entreat." "Do not urge her, madam," said Edmund. "It is not fair to urge her in this manner. You see she does not like to act. Let her chuse for herself, as well as the rest of us. Her judgment may be quite as safely trusted. Do not urge her any more." "I am not going to urge her," replied Mrs. Norris sharply; "but I shall think her a very obstinate, ungrateful girl, if she does not do what her aunt and cousins wish her very ungrateful, indeed, considering who and what she is."<\|quote\|>Edmund was too angry to speak; but Miss Crawford, looking for a moment with astonished eyes at Mrs. Norris, and then at Fanny, whose tears were beginning to shew themselves, immediately said, with some keenness,</\|quote\|>"I do not like my situation: this _place_ is too hot for me," and moved away her chair to the opposite side of the table, close to Fanny, saying to her, in a kind, low whisper, as she placed herself, "Never mind, my dear Miss Price, this is a cross evening: everybody is cross and teasing, but do not let us mind them" "; and with pointed attention continued to talk to her and endeavour to raise her spirits, in spite of being out of spirits herself. By a look at her brother she prevented any farther entreaty from the	Crawford, and Mr. Yates, with an urgency which differed from his but in being more gentle or more ceremonious, and which altogether was quite overpowering to Fanny; and before she could breathe after it, Mrs. Norris completed the whole by thus addressing her in a whisper at once angry and audible "What a piece of work here is about nothing: I am quite ashamed of you, Fanny, to make such a difficulty of obliging your cousins in a trifle of this sort so kind as they are to you! Take the part with a good grace, and let us hear no more of the matter, I entreat." "Do not urge her, madam," said Edmund. "It is not fair to urge her in this manner. You see she does not like to act. Let her chuse for herself, as well as the rest of us. Her judgment may be quite as safely trusted. Do not urge her any more." "I am not going to urge her," replied Mrs. Norris sharply; "but I shall think her a very obstinate, ungrateful girl, if she does not do what her aunt and cousins wish her very ungrateful, indeed, considering who and what she is."<\|quote\|>Edmund was too angry to speak; but Miss Crawford, looking for a moment with astonished eyes at Mrs. Norris, and then at Fanny, whose tears were beginning to shew themselves, immediately said, with some keenness,</\|quote\|>"I do not like my situation: this _place_ is too hot for me," and moved away her chair to the opposite side of the table, close to Fanny, saying to her, in a kind, low whisper, as she placed herself, "Never mind, my dear Miss Price, this is a cross evening: everybody is cross and teasing, but do not let us mind them" "; and with pointed attention continued to talk to her and endeavour to raise her spirits, in spite of being out of spirits herself. By a look at her brother she prevented any farther entreaty from the theatrical board, and the really good feelings by which she was almost purely governed were rapidly restoring her to all the little she had lost in Edmund's favour. Fanny did not love Miss Crawford; but she felt very much obliged to her for her present kindness; and when, from taking notice of her work, and wishing _she_ could work as well, and begging for the pattern, and supposing Fanny was now preparing for her _appearance_, as of course she would come out when her cousin was married, Miss Crawford proceeded to inquire if she had heard lately from her brother	scenes, and as I shall be Cottager, I'll put you in and push you about, and you will do it very well, I'll answer for it." "No, indeed, Mr. Bertram, you must excuse me. You cannot have an idea. It would be absolutely impossible for me. If I were to undertake it, I should only disappoint you." "Phoo! Phoo! Do not be so shamefaced. You'll do it very well. Every allowance will be made for you. We do not expect perfection. You must get a brown gown, and a white apron, and a mob cap, and we must make you a few wrinkles, and a little of the crowsfoot at the corner of your eyes, and you will be a very proper, little old woman." "You must excuse me, indeed you must excuse me," cried Fanny, growing more and more red from excessive agitation, and looking distressfully at Edmund, who was kindly observing her; but unwilling to exasperate his brother by interference, gave her only an encouraging smile. Her entreaty had no effect on Tom: he only said again what he had said before; and it was not merely Tom, for the requisition was now backed by Maria, and Mr. Crawford, and Mr. Yates, with an urgency which differed from his but in being more gentle or more ceremonious, and which altogether was quite overpowering to Fanny; and before she could breathe after it, Mrs. Norris completed the whole by thus addressing her in a whisper at once angry and audible "What a piece of work here is about nothing: I am quite ashamed of you, Fanny, to make such a difficulty of obliging your cousins in a trifle of this sort so kind as they are to you! Take the part with a good grace, and let us hear no more of the matter, I entreat." "Do not urge her, madam," said Edmund. "It is not fair to urge her in this manner. You see she does not like to act. Let her chuse for herself, as well as the rest of us. Her judgment may be quite as safely trusted. Do not urge her any more." "I am not going to urge her," replied Mrs. Norris sharply; "but I shall think her a very obstinate, ungrateful girl, if she does not do what her aunt and cousins wish her very ungrateful, indeed, considering who and what she is."<\|quote\|>Edmund was too angry to speak; but Miss Crawford, looking for a moment with astonished eyes at Mrs. Norris, and then at Fanny, whose tears were beginning to shew themselves, immediately said, with some keenness,</\|quote\|>"I do not like my situation: this _place_ is too hot for me," and moved away her chair to the opposite side of the table, close to Fanny, saying to her, in a kind, low whisper, as she placed herself, "Never mind, my dear Miss Price, this is a cross evening: everybody is cross and teasing, but do not let us mind them" "; and with pointed attention continued to talk to her and endeavour to raise her spirits, in spite of being out of spirits herself. By a look at her brother she prevented any farther entreaty from the theatrical board, and the really good feelings by which she was almost purely governed were rapidly restoring her to all the little she had lost in Edmund's favour. Fanny did not love Miss Crawford; but she felt very much obliged to her for her present kindness; and when, from taking notice of her work, and wishing _she_ could work as well, and begging for the pattern, and supposing Fanny was now preparing for her _appearance_, as of course she would come out when her cousin was married, Miss Crawford proceeded to inquire if she had heard lately from her brother at sea, and said that she had quite a curiosity to see him, and imagined him a very fine young man, and advised Fanny to get his picture drawn before he went to sea again she could not help admitting it to be very agreeable flattery, or help listening, and answering with more animation than she had intended. The consultation upon the play still went on, and Miss Crawford's attention was first called from Fanny by Tom Bertram's telling her, with infinite regret, that he found it absolutely impossible for him to undertake the part of Anhalt in addition to the Butler: he had been most anxiously trying to make it out to be feasible, but it would not do; he must give it up. "But there will not be the smallest difficulty in filling it," he added. "We have but to speak the word; we may pick and chuse. I could name, at this moment, at least six young men within six miles of us, who are wild to be admitted into our company, and there are one or two that would not disgrace us: I should not be afraid to trust either of the Olivers or Charles Maddox.	certainly will not be taken." Edmund said no more. "If _any_ part could tempt _you_ to act, I suppose it would be Anhalt," observed the lady archly, after a short pause; "for he is a clergyman, you know." "_That_ circumstance would by no means tempt me," he replied, "for I should be sorry to make the character ridiculous by bad acting. It must be very difficult to keep Anhalt from appearing a formal, solemn lecturer; and the man who chuses the profession itself is, perhaps, one of the last who would wish to represent it on the stage." Miss Crawford was silenced, and with some feelings of resentment and mortification, moved her chair considerably nearer the tea-table, and gave all her attention to Mrs. Norris, who was presiding there. "Fanny," cried Tom Bertram, from the other table, where the conference was eagerly carrying on, and the conversation incessant, "we want your services." Fanny was up in a moment, expecting some errand; for the habit of employing her in that way was not yet overcome, in spite of all that Edmund could do. "Oh! we do not want to disturb you from your seat. We do not want your _present_ services. We shall only want you in our play. You must be Cottager's wife." "Me!" cried Fanny, sitting down again with a most frightened look. "Indeed you must excuse me. I could not act anything if you were to give me the world. No, indeed, I cannot act." "Indeed, but you must, for we cannot excuse you. It need not frighten you: it is a nothing of a part, a mere nothing, not above half a dozen speeches altogether, and it will not much signify if nobody hears a word you say; so you may be as creep-mouse as you like, but we must have you to look at." "If you are afraid of half a dozen speeches," cried Mr. Rushworth, "what would you do with such a part as mine? I have forty-two to learn." "It is not that I am afraid of learning by heart," said Fanny, shocked to find herself at that moment the only speaker in the room, and to feel that almost every eye was upon her; "but I really cannot act." "Yes, yes, you can act well enough for _us_. Learn your part, and we will teach you all the rest. You have only two scenes, and as I shall be Cottager, I'll put you in and push you about, and you will do it very well, I'll answer for it." "No, indeed, Mr. Bertram, you must excuse me. You cannot have an idea. It would be absolutely impossible for me. If I were to undertake it, I should only disappoint you." "Phoo! Phoo! Do not be so shamefaced. You'll do it very well. Every allowance will be made for you. We do not expect perfection. You must get a brown gown, and a white apron, and a mob cap, and we must make you a few wrinkles, and a little of the crowsfoot at the corner of your eyes, and you will be a very proper, little old woman." "You must excuse me, indeed you must excuse me," cried Fanny, growing more and more red from excessive agitation, and looking distressfully at Edmund, who was kindly observing her; but unwilling to exasperate his brother by interference, gave her only an encouraging smile. Her entreaty had no effect on Tom: he only said again what he had said before; and it was not merely Tom, for the requisition was now backed by Maria, and Mr. Crawford, and Mr. Yates, with an urgency which differed from his but in being more gentle or more ceremonious, and which altogether was quite overpowering to Fanny; and before she could breathe after it, Mrs. Norris completed the whole by thus addressing her in a whisper at once angry and audible "What a piece of work here is about nothing: I am quite ashamed of you, Fanny, to make such a difficulty of obliging your cousins in a trifle of this sort so kind as they are to you! Take the part with a good grace, and let us hear no more of the matter, I entreat." "Do not urge her, madam," said Edmund. "It is not fair to urge her in this manner. You see she does not like to act. Let her chuse for herself, as well as the rest of us. Her judgment may be quite as safely trusted. Do not urge her any more." "I am not going to urge her," replied Mrs. Norris sharply; "but I shall think her a very obstinate, ungrateful girl, if she does not do what her aunt and cousins wish her very ungrateful, indeed, considering who and what she is."<\|quote\|>Edmund was too angry to speak; but Miss Crawford, looking for a moment with astonished eyes at Mrs. Norris, and then at Fanny, whose tears were beginning to shew themselves, immediately said, with some keenness,</\|quote\|>"I do not like my situation: this _place_ is too hot for me," and moved away her chair to the opposite side of the table, close to Fanny, saying to her, in a kind, low whisper, as she placed herself, "Never mind, my dear Miss Price, this is a cross evening: everybody is cross and teasing, but do not let us mind them" "; and with pointed attention continued to talk to her and endeavour to raise her spirits, in spite of being out of spirits herself. By a look at her brother she prevented any farther entreaty from the theatrical board, and the really good feelings by which she was almost purely governed were rapidly restoring her to all the little she had lost in Edmund's favour. Fanny did not love Miss Crawford; but she felt very much obliged to her for her present kindness; and when, from taking notice of her work, and wishing _she_ could work as well, and begging for the pattern, and supposing Fanny was now preparing for her _appearance_, as of course she would come out when her cousin was married, Miss Crawford proceeded to inquire if she had heard lately from her brother at sea, and said that she had quite a curiosity to see him, and imagined him a very fine young man, and advised Fanny to get his picture drawn before he went to sea again she could not help admitting it to be very agreeable flattery, or help listening, and answering with more animation than she had intended. The consultation upon the play still went on, and Miss Crawford's attention was first called from Fanny by Tom Bertram's telling her, with infinite regret, that he found it absolutely impossible for him to undertake the part of Anhalt in addition to the Butler: he had been most anxiously trying to make it out to be feasible, but it would not do; he must give it up. "But there will not be the smallest difficulty in filling it," he added. "We have but to speak the word; we may pick and chuse. I could name, at this moment, at least six young men within six miles of us, who are wild to be admitted into our company, and there are one or two that would not disgrace us: I should not be afraid to trust either of the Olivers or Charles Maddox. Tom Oliver is a very clever fellow, and Charles Maddox is as gentlemanlike a man as you will see anywhere, so I will take my horse early to-morrow morning and ride over to Stoke, and settle with one of them." While he spoke, Maria was looking apprehensively round at Edmund in full expectation that he must oppose such an enlargement of the plan as this: so contrary to all their first protestations; but Edmund said nothing. After a moment's thought, Miss Crawford calmly replied, "As far as I am concerned, I can have no objection to anything that you all think eligible. Have I ever seen either of the gentlemen? Yes, Mr. Charles Maddox dined at my sister's one day, did not he, Henry? A quiet-looking young man. I remember him. Let _him_ be applied to, if you please, for it will be less unpleasant to me than to have a perfect stranger." Charles Maddox was to be the man. Tom repeated his resolution of going to him early on the morrow; and though Julia, who had scarcely opened her lips before, observed, in a sarcastic manner, and with a glance first at Maria and then at Edmund, that "the Mansfield theatricals would enliven the whole neighbourhood exceedingly," Edmund still held his peace, and shewed his feelings only by a determined gravity. "I am not very sanguine as to our play," said Miss Crawford, in an undervoice to Fanny, after some consideration; "and I can tell Mr. Maddox that I shall shorten some of _his_ speeches, and a great many of _my_ _own_, before we rehearse together. It will be very disagreeable, and by no means what I expected." CHAPTER XVI It was not in Miss Crawford's power to talk Fanny into any real forgetfulness of what had passed. When the evening was over, she went to bed full of it, her nerves still agitated by the shock of such an attack from her cousin Tom, so public and so persevered in, and her spirits sinking under her aunt's unkind reflection and reproach. To be called into notice in such a manner, to hear that it was but the prelude to something so infinitely worse, to be told that she must do what was so impossible as to act; and then to have the charge of obstinacy and ingratitude follow it, enforced with such a hint at the dependence of	enough for _us_. Learn your part, and we will teach you all the rest. You have only two scenes, and as I shall be Cottager, I'll put you in and push you about, and you will do it very well, I'll answer for it." "No, indeed, Mr. Bertram, you must excuse me. You cannot have an idea. It would be absolutely impossible for me. If I were to undertake it, I should only disappoint you." "Phoo! Phoo! Do not be so shamefaced. You'll do it very well. Every allowance will be made for you. We do not expect perfection. You must get a brown gown, and a white apron, and a mob cap, and we must make you a few wrinkles, and a little of the crowsfoot at the corner of your eyes, and you will be a very proper, little old woman." "You must excuse me, indeed you must excuse me," cried Fanny, growing more and more red from excessive agitation, and looking distressfully at Edmund, who was kindly observing her; but unwilling to exasperate his brother by interference, gave her only an encouraging smile. Her entreaty had no effect on Tom: he only said again what he had said before; and it was not merely Tom, for the requisition was now backed by Maria, and Mr. Crawford, and Mr. Yates, with an urgency which differed from his but in being more gentle or more ceremonious, and which altogether was quite overpowering to Fanny; and before she could breathe after it, Mrs. Norris completed the whole by thus addressing her in a whisper at once angry and audible "What a piece of work here is about nothing: I am quite ashamed of you, Fanny, to make such a difficulty of obliging your cousins in a trifle of this sort so kind as they are to you! Take the part with a good grace, and let us hear no more of the matter, I entreat." "Do not urge her, madam," said Edmund. "It is not fair to urge her in this manner. You see she does not like to act. Let her chuse for herself, as well as the rest of us. Her judgment may be quite as safely trusted. Do not urge her any more." "I am not going to urge her," replied Mrs. Norris sharply; "but I shall think her a very obstinate, ungrateful girl, if she does not do what her aunt and cousins wish her very ungrateful, indeed, considering who and what she is."<\|quote\|>Edmund was too angry to speak; but Miss Crawford, looking for a moment with astonished eyes at Mrs. Norris, and then at Fanny, whose tears were beginning to shew themselves, immediately said, with some keenness,</\|quote\|>"I do not like my situation: this _place_ is too hot for me," and moved away her chair to the opposite side of the table, close to Fanny, saying to her, in a kind, low whisper, as she placed herself, "Never mind, my dear Miss Price, this is a cross evening: everybody is cross and teasing, but do not let us mind them" "; and with pointed attention continued to talk to her and endeavour to raise her spirits, in spite of being out of spirits herself. By a look at her brother she prevented any farther entreaty from the theatrical board, and the really good feelings by which she was almost purely governed were rapidly restoring her to all the little she had lost in Edmund's favour. Fanny did not love Miss Crawford; but she felt very much obliged to her for her present kindness; and when, from taking notice of her work, and wishing _she_ could work as well, and begging for the pattern, and supposing Fanny was now preparing for her _appearance_, as of course she would come out when her cousin was married, Miss Crawford proceeded to inquire if she had heard lately from her brother at sea, and said that she had quite a curiosity to see him, and imagined him a very fine young man, and advised Fanny to get his picture drawn before he went to sea again she could not help admitting it to be very agreeable flattery, or help listening, and answering with more animation than she had intended. The consultation upon the play still went on, and Miss Crawford's attention was first called from Fanny by Tom Bertram's telling her, with infinite regret, that he found it absolutely impossible for him to undertake the part of Anhalt in addition to the Butler: he had been most anxiously trying to make it out to be feasible, but it would not do; he must give it up. "But there will not be the smallest difficulty in filling it," he added. "We have but to speak the word; we may pick and chuse. I could name, at this moment, at least six young men within six miles of us, who are wild to be admitted into our company, and there are one or two that would not disgrace us: I should not be afraid to trust either of the Olivers or Charles Maddox. Tom Oliver is a very clever fellow, and Charles Maddox is as gentlemanlike a man as you will see anywhere, so I will take my horse early to-morrow morning and ride over to Stoke, and settle with one of them." While he spoke, Maria was looking apprehensively round at Edmund in full expectation that he must oppose such an enlargement of the plan as this: so contrary to all their first protestations; but Edmund said nothing. After a moment's thought, Miss Crawford calmly replied, "As far as I am concerned, I can have no objection to anything that you all think eligible. Have I ever seen either of the gentlemen? Yes, Mr. Charles Maddox dined at my sister's one day, did not he, Henry? A quiet-looking young man. I remember him. Let _him_	Mansfield Park
"Yes. It's for us."	Jake Barnes	The address was: "Barnes, Burguete."<\|quote\|>"Yes. It's for us."</\|quote\|>She brought out a book	ustedes?" I looked at it. The address was: "Barnes, Burguete."<\|quote\|>"Yes. It's for us."</\|quote\|>She brought out a book for me to sign, and	inn and talking it over. I saw a girl coming up the road from the centre of the town. She stopped in front of us and took a telegram out of the leather wallet that hung against her skirt. "Por ustedes?" I looked at it. The address was: "Barnes, Burguete."<\|quote\|>"Yes. It's for us."</\|quote\|>She brought out a book for me to sign, and I gave her a couple of coppers. The telegram was in Spanish: "Vengo Jueves Cohn." I handed it to Bill. "What does the word Cohn mean?" he asked. "What a lousy telegram!" I said. "He could send ten words for	enormous trout there." "I'd like to try them once more." "Do. Stop over another day. Be a good chap." "We really have to get into town," I said. "What a pity." After breakfast Bill and I were sitting warming in the sun on a bench out in front of the inn and talking it over. I saw a girl coming up the road from the centre of the town. She stopped in front of us and took a telegram out of the leather wallet that hung against her skirt. "Por ustedes?" I looked at it. The address was: "Barnes, Burguete."<\|quote\|>"Yes. It's for us."</\|quote\|>She brought out a book for me to sign, and I gave her a couple of coppers. The telegram was in Spanish: "Vengo Jueves Cohn." I handed it to Bill. "What does the word Cohn mean?" he asked. "What a lousy telegram!" I said. "He could send ten words for the same price." 'I come Thursday.' "That gives you a lot of dope, doesn't it?" "It gives you all the dope that's of interest to Cohn." "We're going in, anyway," I said. "There's no use trying to move Brett and Mike out here and back before the fiesta. Should we	bus, I'm afraid." "What a rotten business. I had hoped we'd all have another go at the Irati together." "We have to go _into_ Pamplona. We're meeting people there." "What rotten luck for me. We've had a jolly time here at Burguete." "Come on in to Pamplona. We can play some bridge there, and there's going to be a damned fine fiesta." "I'd like to. Awfully nice of you to ask me. I'd best stop on here, though. I've not much more time to fish." "You want those big ones in the Irati." "I say, I do, you know. They're enormous trout there." "I'd like to try them once more." "Do. Stop over another day. Be a good chap." "We really have to get into town," I said. "What a pity." After breakfast Bill and I were sitting warming in the sun on a bench out in front of the inn and talking it over. I saw a girl coming up the road from the centre of the town. She stopped in front of us and took a telegram out of the leather wallet that hung against her skirt. "Por ustedes?" I looked at it. The address was: "Barnes, Burguete."<\|quote\|>"Yes. It's for us."</\|quote\|>She brought out a book for me to sign, and I gave her a couple of coppers. The telegram was in Spanish: "Vengo Jueves Cohn." I handed it to Bill. "What does the word Cohn mean?" he asked. "What a lousy telegram!" I said. "He could send ten words for the same price." 'I come Thursday.' "That gives you a lot of dope, doesn't it?" "It gives you all the dope that's of interest to Cohn." "We're going in, anyway," I said. "There's no use trying to move Brett and Mike out here and back before the fiesta. Should we answer it?" "We might as well," said Bill. "There's no need for us to be snooty." We walked up to the post-office and asked for a telegraph blank. "What will we say?" Bill asked. "'Arriving to-night.' That's enough." We paid for the message and walked back to the inn. Harris was there and the three of us walked up to Roncesvalles. We went through the monastery. "It's a remarkable place," Harris said, when we came out. "But you know I'm not much on those sort of places." "Me either," Bill said. "It's a remarkable place, though," Harris said. "I wouldn't	and they gave it me with mine." The letter was at my place at the table, leaning against a coffee-cup. Harris was reading the paper again. I opened the letter. It had been forwarded from Pamplona. It was dated San Sebastian, Sunday: DEAR JAKE, We got here Friday, Brett passed out on the train, so brought her here for 3 days rest with old friends of ours. We go to Montoya Hotel Pamplona Tuesday, arriving at I don't know what hour. Will you send a note by the bus to tell us what to do to rejoin you all on Wednesday. All our love and sorry to be late, but Brett was really done in and will be quite all right by Tues. and is practically so now. I know her so well and try to look after her but it's not so easy. Love to all the chaps, MICHAEL. "What day of the week is it?" I asked Harris. "Wednesday, I think. Yes, quite. Wednesday. Wonderful how one loses track of the days up here in the mountains." "Yes. We've been here nearly a week." "I hope you're not thinking of leaving?" "Yes. We'll go in on the afternoon bus, I'm afraid." "What a rotten business. I had hoped we'd all have another go at the Irati together." "We have to go _into_ Pamplona. We're meeting people there." "What rotten luck for me. We've had a jolly time here at Burguete." "Come on in to Pamplona. We can play some bridge there, and there's going to be a damned fine fiesta." "I'd like to. Awfully nice of you to ask me. I'd best stop on here, though. I've not much more time to fish." "You want those big ones in the Irati." "I say, I do, you know. They're enormous trout there." "I'd like to try them once more." "Do. Stop over another day. Be a good chap." "We really have to get into town," I said. "What a pity." After breakfast Bill and I were sitting warming in the sun on a bench out in front of the inn and talking it over. I saw a girl coming up the road from the centre of the town. She stopped in front of us and took a telegram out of the leather wallet that hung against her skirt. "Por ustedes?" I looked at it. The address was: "Barnes, Burguete."<\|quote\|>"Yes. It's for us."</\|quote\|>She brought out a book for me to sign, and I gave her a couple of coppers. The telegram was in Spanish: "Vengo Jueves Cohn." I handed it to Bill. "What does the word Cohn mean?" he asked. "What a lousy telegram!" I said. "He could send ten words for the same price." 'I come Thursday.' "That gives you a lot of dope, doesn't it?" "It gives you all the dope that's of interest to Cohn." "We're going in, anyway," I said. "There's no use trying to move Brett and Mike out here and back before the fiesta. Should we answer it?" "We might as well," said Bill. "There's no need for us to be snooty." We walked up to the post-office and asked for a telegraph blank. "What will we say?" Bill asked. "'Arriving to-night.' That's enough." We paid for the message and walked back to the inn. Harris was there and the three of us walked up to Roncesvalles. We went through the monastery. "It's a remarkable place," Harris said, when we came out. "But you know I'm not much on those sort of places." "Me either," Bill said. "It's a remarkable place, though," Harris said. "I wouldn't not have seen it. I'd been intending coming up each day." "It isn't the same as fishing, though, is it?" Bill asked. He liked Harris. "I say not." We were standing in front of the old chapel of the monastery. "Isn't that a pub across the way?" Harris asked. "Or do my eyes deceive me?" "It has the look of a pub," Bill said. "It looks to me like a pub," I said. "I say," said Harris, "let's utilize it." He had taken up utilizing from Bill. We had a bottle of wine apiece. Harris would not let us pay. He talked Spanish quite well, and the innkeeper would not take our money. "I say. You don't know what it's meant to me to have you chaps up here." "We've had a grand time, Harris." Harris was a little tight. "I say. Really you don't know how much it means. I've not had much fun since the war." "We'll fish together again, some time. Don't you forget it, Harris." "We must. We _have_ had such a jolly good time." "How about another bottle around?" "Jolly good idea," said Harris. "This is mine," said Bill. "Or we don't drink it." "I	afternoon and the shadow from the trees was long and went out over the dam. I was stiff from sleeping on the ground. "What did you do? Wake up?" Bill asked. "Why didn't you spend the night?" I stretched and rubbed my eyes. "I had a lovely dream," Bill said. "I don't remember what it was about, but it was a lovely dream." "I don't think I dreamt." "You ought to dream," Bill said. "All our biggest business men have been dreamers. Look at Ford. Look at President Coolidge. Look at Rockefeller. Look at Jo Davidson." I disjointed my rod and Bill's and packed them in the rod-case. I put the reels in the tackle-bag. Bill had packed the rucksack and we put one of the trout-bags in. I carried the other. "Well," said Bill, "have we got everything?" "The worms." "Your worms. Put them in there." He had the pack on his back and I put the worm-cans in one of the outside flap pockets. "You got everything now?" I looked around on the grass at the foot of the elm-trees. "Yes." We started up the road into the woods. It was a long walk home to Burguete, and it was dark when we came down across the fields to the road, and along the road between the houses of the town, their windows lighted, to the inn. We stayed five days at Burguete and had good fishing. The nights were cold and the days were hot, and there was always a breeze even in the heat of the day. It was hot enough so that it felt good to wade in a cold stream, and the sun dried you when you came out and sat on the bank. We found a stream with a pool deep enough to swim in. In the evenings we played three-handed bridge with an Englishman named Harris, who had walked over from Saint Jean Pied de Port and was stopping at the inn for the fishing. He was very pleasant and went with us twice to the Irati River. There was no word from Robert Cohn nor from Brett and Mike. CHAPTER 13 One morning I went down to breakfast and the Englishman, Harris, was already at the table. He was reading the paper through spectacles. He looked up and smiled. "Good morning," he said. "Letter for you. I stopped at the post and they gave it me with mine." The letter was at my place at the table, leaning against a coffee-cup. Harris was reading the paper again. I opened the letter. It had been forwarded from Pamplona. It was dated San Sebastian, Sunday: DEAR JAKE, We got here Friday, Brett passed out on the train, so brought her here for 3 days rest with old friends of ours. We go to Montoya Hotel Pamplona Tuesday, arriving at I don't know what hour. Will you send a note by the bus to tell us what to do to rejoin you all on Wednesday. All our love and sorry to be late, but Brett was really done in and will be quite all right by Tues. and is practically so now. I know her so well and try to look after her but it's not so easy. Love to all the chaps, MICHAEL. "What day of the week is it?" I asked Harris. "Wednesday, I think. Yes, quite. Wednesday. Wonderful how one loses track of the days up here in the mountains." "Yes. We've been here nearly a week." "I hope you're not thinking of leaving?" "Yes. We'll go in on the afternoon bus, I'm afraid." "What a rotten business. I had hoped we'd all have another go at the Irati together." "We have to go _into_ Pamplona. We're meeting people there." "What rotten luck for me. We've had a jolly time here at Burguete." "Come on in to Pamplona. We can play some bridge there, and there's going to be a damned fine fiesta." "I'd like to. Awfully nice of you to ask me. I'd best stop on here, though. I've not much more time to fish." "You want those big ones in the Irati." "I say, I do, you know. They're enormous trout there." "I'd like to try them once more." "Do. Stop over another day. Be a good chap." "We really have to get into town," I said. "What a pity." After breakfast Bill and I were sitting warming in the sun on a bench out in front of the inn and talking it over. I saw a girl coming up the road from the centre of the town. She stopped in front of us and took a telegram out of the leather wallet that hung against her skirt. "Por ustedes?" I looked at it. The address was: "Barnes, Burguete."<\|quote\|>"Yes. It's for us."</\|quote\|>She brought out a book for me to sign, and I gave her a couple of coppers. The telegram was in Spanish: "Vengo Jueves Cohn." I handed it to Bill. "What does the word Cohn mean?" he asked. "What a lousy telegram!" I said. "He could send ten words for the same price." 'I come Thursday.' "That gives you a lot of dope, doesn't it?" "It gives you all the dope that's of interest to Cohn." "We're going in, anyway," I said. "There's no use trying to move Brett and Mike out here and back before the fiesta. Should we answer it?" "We might as well," said Bill. "There's no need for us to be snooty." We walked up to the post-office and asked for a telegraph blank. "What will we say?" Bill asked. "'Arriving to-night.' That's enough." We paid for the message and walked back to the inn. Harris was there and the three of us walked up to Roncesvalles. We went through the monastery. "It's a remarkable place," Harris said, when we came out. "But you know I'm not much on those sort of places." "Me either," Bill said. "It's a remarkable place, though," Harris said. "I wouldn't not have seen it. I'd been intending coming up each day." "It isn't the same as fishing, though, is it?" Bill asked. He liked Harris. "I say not." We were standing in front of the old chapel of the monastery. "Isn't that a pub across the way?" Harris asked. "Or do my eyes deceive me?" "It has the look of a pub," Bill said. "It looks to me like a pub," I said. "I say," said Harris, "let's utilize it." He had taken up utilizing from Bill. We had a bottle of wine apiece. Harris would not let us pay. He talked Spanish quite well, and the innkeeper would not take our money. "I say. You don't know what it's meant to me to have you chaps up here." "We've had a grand time, Harris." Harris was a little tight. "I say. Really you don't know how much it means. I've not had much fun since the war." "We'll fish together again, some time. Don't you forget it, Harris." "We must. We _have_ had such a jolly good time." "How about another bottle around?" "Jolly good idea," said Harris. "This is mine," said Bill. "Or we don't drink it." "I wish you'd let me pay for it. It _does_ give me pleasure, you know." "This is going to give me pleasure," Bill said. The innkeeper brought in the fourth bottle. We had kept the same glasses. Harris lifted his glass. "I say. You know this does utilize well." Bill slapped him on the back. "Good old Harris." "I say. You know my name isn't really Harris. It's Wilson-Harris. All one name. With a hyphen, you know." "Good old Wilson-Harris," Bill said. "We call you Harris because we're so fond of you." "I say, Barnes. You don't know what this all means to me." "Come on and utilize another glass," I said. "Barnes. Really, Barnes, you can't know. That's all." "Drink up, Harris." We walked back down the road from Roncesvalles with Harris between us. We had lunch at the inn and Harris went with us to the bus. He gave us his card, with his address in London and his club and his business address, and as we got on the bus he handed us each an envelope. I opened mine and there were a dozen flies in it. Harris had tied them himself. He tied all his own flies. "I say, Harris--" I began. "No, no!" he said. He was climbing down from the bus. "They're not first-rate flies at all. I only thought if you fished them some time it might remind you of what a good time we had." The bus started. Harris stood in front of the post-office. He waved. As we started along the road he turned and walked back toward the inn. "Say, wasn't that Harris nice?" Bill said. "I think he really did have a good time." "Harris? You bet he did." "I wish he'd come into Pamplona." "He wanted to fish." "Yes. You couldn't tell how English would mix with each other, anyway." "I suppose not." We got into Pamplona late in the afternoon and the bus stopped in front of the Hotel Montoya. Out in the plaza they were stringing electric-light wires to light the plaza for the fiesta. A few kids came up when the bus stopped, and a customs officer for the town made all the people getting down from the bus open their bundles on the sidewalk. We went into the hotel and on the stairs I met Montoya. He shook hands with us, smiling in his embarrassed	rest with old friends of ours. We go to Montoya Hotel Pamplona Tuesday, arriving at I don't know what hour. Will you send a note by the bus to tell us what to do to rejoin you all on Wednesday. All our love and sorry to be late, but Brett was really done in and will be quite all right by Tues. and is practically so now. I know her so well and try to look after her but it's not so easy. Love to all the chaps, MICHAEL. "What day of the week is it?" I asked Harris. "Wednesday, I think. Yes, quite. Wednesday. Wonderful how one loses track of the days up here in the mountains." "Yes. We've been here nearly a week." "I hope you're not thinking of leaving?" "Yes. We'll go in on the afternoon bus, I'm afraid." "What a rotten business. I had hoped we'd all have another go at the Irati together." "We have to go _into_ Pamplona. We're meeting people there." "What rotten luck for me. We've had a jolly time here at Burguete." "Come on in to Pamplona. We can play some bridge there, and there's going to be a damned fine fiesta." "I'd like to. Awfully nice of you to ask me. I'd best stop on here, though. I've not much more time to fish." "You want those big ones in the Irati." "I say, I do, you know. They're enormous trout there." "I'd like to try them once more." "Do. Stop over another day. Be a good chap." "We really have to get into town," I said. "What a pity." After breakfast Bill and I were sitting warming in the sun on a bench out in front of the inn and talking it over. I saw a girl coming up the road from the centre of the town. She stopped in front of us and took a telegram out of the leather wallet that hung against her skirt. "Por ustedes?" I looked at it. The address was: "Barnes, Burguete."<\|quote\|>"Yes. It's for us."</\|quote\|>She brought out a book for me to sign, and I gave her a couple of coppers. The telegram was in Spanish: "Vengo Jueves Cohn." I handed it to Bill. "What does the word Cohn mean?" he asked. "What a lousy telegram!" I said. "He could send ten words for the same price." 'I come Thursday.' "That gives you a lot of dope, doesn't it?" "It gives you all the dope that's of interest to Cohn." "We're going in, anyway," I said. "There's no use trying to move Brett and Mike out here and back before the fiesta. Should we answer it?" "We might as well," said Bill. "There's no need for us to be snooty." We walked up to the post-office and asked for a telegraph blank. "What will we say?" Bill asked. "'Arriving to-night.' That's enough." We paid for the message and walked back to the inn. Harris was there and the three of us walked up to Roncesvalles. We went through the monastery. "It's a remarkable place," Harris said, when we came out. "But you know I'm not much on those sort of places." "Me either," Bill said. "It's a remarkable place, though," Harris said. "I wouldn't not have seen it. I'd been intending coming up each day." "It isn't the same as fishing, though, is it?" Bill asked. He liked Harris. "I say not." We were standing in front of the old chapel of the monastery. "Isn't that a pub across the way?" Harris asked. "Or do my	The Sun Also Rises
As a matter of fact, supper was a pleasant meal. Brett wore a black, sleeveless evening dress. She looked quite beautiful. Mike acted as though nothing had happened. I had to go up and bring Robert Cohn down. He was reserved and formal, and his face was still taut and sallow, but he cheered up finally. He could not stop looking at Brett. It seemed to make him happy. It must have been pleasant for him to see her looking so lovely, and know he had been away with her and that every one knew it. They could not take that away from him. Bill was very funny. So was Michael. They were good together. It was like certain dinners I remember from the war. There was much wine, an ignored tension, and a feeling of things coming that you could not prevent happening. Under the wine I lost the disgusted feeling and was happy. It seemed they were all such nice people. CHAPTER 14 I do not know what time I got to bed. I remember undressing, putting on a bathrobe, and standing out on the balcony. I knew I was quite drunk, and when I came in I put on the light over the head of the bed and started to read. I was reading a book by Turgenieff. Probably I read the same two pages over several times. It was one of the stories in "A Sportsman's Sketches." I had read it before, but it seemed quite new. The country became very clear and the feeling of pressure in my head seemed to loosen. I was very drunk and I did not want to shut my eyes because the room would go round and round. If I kept on reading that feeling would pass. I heard Brett and Robert Cohn come up the stairs. Cohn said good night outside the door and went on up to his room. I heard Brett go into the room next door. Mike was already in bed. He had come in with me an hour before. He woke as she came in, and they talked together. I heard them laugh. I turned off the light and tried to go to sleep. It was not necessary to read any more. I could shut my eyes without getting the wheeling sensation. But I could not sleep. There is no reason why because it is dark you should look at things differently from when it is light. The hell there isn't! I figured that all out once, and for six months I never slept with the electric light off. That was another bright idea. To hell with women, anyway. To hell with you, Brett Ashley. Women made such swell friends. Awfully swell. In the first place, you had to be in love with a woman to have a basis of friendship. I had been having Brett for a friend. I had not been thinking about her side of it. I had been getting something for nothing. That only delayed the presentation of the bill. The bill always came. That was one of the swell things you could count on. I thought I had paid for everything. Not like the woman pays and pays and pays. No idea of retribution or punishment. Just exchange of values. You gave up something and got something else. Or you worked for something. You paid some way for everything that was any good. I paid my way into enough things that I liked, so that I had a good time. Either you paid by learning about them, or by experience, or by taking chances, or by money. Enjoying living was learning to get your money's worth and knowing when you had it. You could get your money's worth. The world was a good place to buy in. It seemed like a fine philosophy. In five years, I thought, it will seem just as silly as all the other fine philosophies I've had. Perhaps that wasn't true, though. Perhaps as you went along you did learn something. I did not care what it was all about. All I wanted to know was how to live in it. Maybe if you found out how to live in it you learned from that what it was all about. I wished Mike would not behave so terribly to Cohn, though. Mike was a bad drunk. Brett was a good drunk. Bill was a good drunk. Cohn was never drunk. Mike was unpleasant after he passed a certain point. I liked to see him hurt Cohn. I wished he would not do it, though, because afterward it made me disgusted at myself. That was morality; things that made you disgusted afterward. No, that must be immorality. That was a large statement. What a lot of bilge I could think up at night. What rot, I could hear Brett say it. What rot! When you were with English you got into the habit of using English expressions in your thinking. The English spoken language--the upper classes, anyway--must have fewer words than the Eskimo. Of course I didn't know anything about the Eskimo. Maybe the Eskimo was a fine language. Say the Cherokee. I didn't know anything about the Cherokee, either. The English talked with inflected phrases. One phrase to mean everything. I liked them, though. I liked the way they talked. Take Harris. Still Harris was not the upper classes. I turned on the light again and read. I read the Turgenieff. I knew that now, reading it in the oversensitized state of my mind after much too much brandy, I would remember it somewhere, and afterward it would seem as though it had really happened to me. I would always have it. That was another good thing you paid for and then had. Some time along toward daylight I went to sleep. * * * * * The next two days in Pamplona were quiet, and there were no more rows. The town was getting ready for the fiesta. Workmen put up the gate-posts that were to shut off the side streets when the bulls were released from the corrals and came running through the streets in the morning on their way to the ring. The workmen dug holes and fitted in the timbers, each timber numbered for its regular place. Out on the plateau beyond the town employees of the bull-ring exercised picador horses, galloping them stiff-legged on the hard, sun-baked fields behind the bull-ring. The big gate of the bull-ring was open, and inside the amphitheatre was being swept. The ring was rolled and sprinkled, and carpenters replaced weakened or cracked planks in the barrera. Standing at the edge of the smooth rolled sand you could look up in the empty stands and see old women sweeping out the boxes. Outside, the fence that led from the last street of the town to the entrance of the bull-ring was already in place and made a long pen; the crowd would come running down with the bulls behind them on the morning of the day of the first bull-fight. Out across the plain, where the horse and cattle fair would be, some gypsies had camped under the trees. The wine and aguardiente sellers were putting up their booths. One booth advertised ANIS DEL TORO. The cloth sign hung against the planks in the hot sun. In the big square that was the centre of the town there was no change yet. We sat in the white wicker chairs on the terrasse of the caf and watched the motor-buses come in and unload peasants from the country coming in to the market, and we watched the buses fill up and start out with peasants sitting with their saddle-bags full of the things they had bought in the town. The tall gray motor-buses were the only life of the square except for the pigeons and the man with a hose who sprinkled the gravelled square and watered the streets. In the evening was the paseo. For an hour after dinner every one, all the good-looking girls, the officers from the garrison, all the fashionable people of the town, walked in the street on one side of the square while the caf tables filled with the regular after-dinner crowd. During the morning I usually sat in the caf and read the Madrid papers and then walked in the town or out into the country. Sometimes Bill went along. Sometimes he wrote in his room. Robert Cohn spent the mornings studying Spanish or trying to get a shave at the barber-shop. Brett and Mike never got up until noon. We all had a vermouth at the caf . It was a quiet life and no one was drunk. I went to church a couple of times, once with Brett. She said she wanted to hear me go to confession, but I told her that not only was it impossible but it was not as interesting as it sounded, and, besides, it would be in a language she did not know. We met Cohn as we came out of church, and although it was obvious he had followed us, yet he was very pleasant and nice, and we all three went for a walk out to the gypsy camp, and Brett had her fortune told. It was a good morning, there were high white clouds above the mountains. It had rained a little in the night and it was fresh and cool on the plateau, and there was a wonderful view. We all felt good and we felt healthy, and I felt quite friendly to Cohn. You could not be upset about anything on a day like that. That was the last day before the fiesta. CHAPTER 15 At noon of Sunday, the 6th of July, the fiesta exploded. There is no other way to describe it. People had been coming in all day from the country, but they were assimilated in the town and you did not notice them. The square was as quiet in the hot sun as on any other day. The peasants were in the outlying wine-shops. There they were drinking, getting ready for the fiesta. They had come in so recently from the plains and the hills that it was necessary that they make their shifting in values gradually. They could not start in paying caf prices. They got their money's worth in the wine-shops. Money still had a definite value in hours worked and bushels of grain sold. Late in the fiesta it would not matter what they paid, nor where they bought. Now on the day of the starting of the fiesta of San Fermin they had been in the wine-shops of the narrow streets of the town since early morning. Going down the streets in the morning on the way to mass in the cathedral, I heard them singing through the open doors of the shops. They were warming up. There were many people at the eleven o'clock mass. San Fermin is also a religious festival. I walked down the hill from the cathedral and up the street to the caf on the square. It was a little before noon. Robert Cohn and Bill were sitting at one of the tables. The marble-topped tables and the white wicker chairs were gone. They were replaced by cast-iron tables and severe folding chairs. The caf was like a battleship stripped for action. To-day the waiters did not leave you alone all morning to read without asking if you wanted to order something. A waiter came up as soon as I sat down.	No speaker	a pleasant meal." "Won't it?"<\|quote\|>As a matter of fact, supper was a pleasant meal. Brett wore a black, sleeveless evening dress. She looked quite beautiful. Mike acted as though nothing had happened. I had to go up and bring Robert Cohn down. He was reserved and formal, and his face was still taut and sallow, but he cheered up finally. He could not stop looking at Brett. It seemed to make him happy. It must have been pleasant for him to see her looking so lovely, and know he had been away with her and that every one knew it. They could not take that away from him. Bill was very funny. So was Michael. They were good together. It was like certain dinners I remember from the war. There was much wine, an ignored tension, and a feeling of things coming that you could not prevent happening. Under the wine I lost the disgusted feeling and was happy. It seemed they were all such nice people. CHAPTER 14 I do not know what time I got to bed. I remember undressing, putting on a bathrobe, and standing out on the balcony. I knew I was quite drunk, and when I came in I put on the light over the head of the bed and started to read. I was reading a book by Turgenieff. Probably I read the same two pages over several times. It was one of the stories in "A Sportsman's Sketches." I had read it before, but it seemed quite new. The country became very clear and the feeling of pressure in my head seemed to loosen. I was very drunk and I did not want to shut my eyes because the room would go round and round. If I kept on reading that feeling would pass. I heard Brett and Robert Cohn come up the stairs. Cohn said good night outside the door and went on up to his room. I heard Brett go into the room next door. Mike was already in bed. He had come in with me an hour before. He woke as she came in, and they talked together. I heard them laugh. I turned off the light and tried to go to sleep. It was not necessary to read any more. I could shut my eyes without getting the wheeling sensation. But I could not sleep. There is no reason why because it is dark you should look at things differently from when it is light. The hell there isn't! I figured that all out once, and for six months I never slept with the electric light off. That was another bright idea. To hell with women, anyway. To hell with you, Brett Ashley. Women made such swell friends. Awfully swell. In the first place, you had to be in love with a woman to have a basis of friendship. I had been having Brett for a friend. I had not been thinking about her side of it. I had been getting something for nothing. That only delayed the presentation of the bill. The bill always came. That was one of the swell things you could count on. I thought I had paid for everything. Not like the woman pays and pays and pays. No idea of retribution or punishment. Just exchange of values. You gave up something and got something else. Or you worked for something. You paid some way for everything that was any good. I paid my way into enough things that I liked, so that I had a good time. Either you paid by learning about them, or by experience, or by taking chances, or by money. Enjoying living was learning to get your money's worth and knowing when you had it. You could get your money's worth. The world was a good place to buy in. It seemed like a fine philosophy. In five years, I thought, it will seem just as silly as all the other fine philosophies I've had. Perhaps that wasn't true, though. Perhaps as you went along you did learn something. I did not care what it was all about. All I wanted to know was how to live in it. Maybe if you found out how to live in it you learned from that what it was all about. I wished Mike would not behave so terribly to Cohn, though. Mike was a bad drunk. Brett was a good drunk. Bill was a good drunk. Cohn was never drunk. Mike was unpleasant after he passed a certain point. I liked to see him hurt Cohn. I wished he would not do it, though, because afterward it made me disgusted at myself. That was morality; things that made you disgusted afterward. No, that must be immorality. That was a large statement. What a lot of bilge I could think up at night. What rot, I could hear Brett say it. What rot! When you were with English you got into the habit of using English expressions in your thinking. The English spoken language--the upper classes, anyway--must have fewer words than the Eskimo. Of course I didn't know anything about the Eskimo. Maybe the Eskimo was a fine language. Say the Cherokee. I didn't know anything about the Cherokee, either. The English talked with inflected phrases. One phrase to mean everything. I liked them, though. I liked the way they talked. Take Harris. Still Harris was not the upper classes. I turned on the light again and read. I read the Turgenieff. I knew that now, reading it in the oversensitized state of my mind after much too much brandy, I would remember it somewhere, and afterward it would seem as though it had really happened to me. I would always have it. That was another good thing you paid for and then had. Some time along toward daylight I went to sleep. * * * * * The next two days in Pamplona were quiet, and there were no more rows. The town was getting ready for the fiesta. Workmen put up the gate-posts that were to shut off the side streets when the bulls were released from the corrals and came running through the streets in the morning on their way to the ring. The workmen dug holes and fitted in the timbers, each timber numbered for its regular place. Out on the plateau beyond the town employees of the bull-ring exercised picador horses, galloping them stiff-legged on the hard, sun-baked fields behind the bull-ring. The big gate of the bull-ring was open, and inside the amphitheatre was being swept. The ring was rolled and sprinkled, and carpenters replaced weakened or cracked planks in the barrera. Standing at the edge of the smooth rolled sand you could look up in the empty stands and see old women sweeping out the boxes. Outside, the fence that led from the last street of the town to the entrance of the bull-ring was already in place and made a long pen; the crowd would come running down with the bulls behind them on the morning of the day of the first bull-fight. Out across the plain, where the horse and cattle fair would be, some gypsies had camped under the trees. The wine and aguardiente sellers were putting up their booths. One booth advertised ANIS DEL TORO. The cloth sign hung against the planks in the hot sun. In the big square that was the centre of the town there was no change yet. We sat in the white wicker chairs on the terrasse of the caf and watched the motor-buses come in and unload peasants from the country coming in to the market, and we watched the buses fill up and start out with peasants sitting with their saddle-bags full of the things they had bought in the town. The tall gray motor-buses were the only life of the square except for the pigeons and the man with a hose who sprinkled the gravelled square and watered the streets. In the evening was the paseo. For an hour after dinner every one, all the good-looking girls, the officers from the garrison, all the fashionable people of the town, walked in the street on one side of the square while the caf tables filled with the regular after-dinner crowd. During the morning I usually sat in the caf and read the Madrid papers and then walked in the town or out into the country. Sometimes Bill went along. Sometimes he wrote in his room. Robert Cohn spent the mornings studying Spanish or trying to get a shave at the barber-shop. Brett and Mike never got up until noon. We all had a vermouth at the caf . It was a quiet life and no one was drunk. I went to church a couple of times, once with Brett. She said she wanted to hear me go to confession, but I told her that not only was it impossible but it was not as interesting as it sounded, and, besides, it would be in a language she did not know. We met Cohn as we came out of church, and although it was obvious he had followed us, yet he was very pleasant and nice, and we all three went for a walk out to the gypsy camp, and Brett had her fortune told. It was a good morning, there were high white clouds above the mountains. It had rained a little in the night and it was fresh and cool on the plateau, and there was a wonderful view. We all felt good and we felt healthy, and I felt quite friendly to Cohn. You could not be upset about anything on a day like that. That was the last day before the fiesta. CHAPTER 15 At noon of Sunday, the 6th of July, the fiesta exploded. There is no other way to describe it. People had been coming in all day from the country, but they were assimilated in the town and you did not notice them. The square was as quiet in the hot sun as on any other day. The peasants were in the outlying wine-shops. There they were drinking, getting ready for the fiesta. They had come in so recently from the plains and the hills that it was necessary that they make their shifting in values gradually. They could not start in paying caf prices. They got their money's worth in the wine-shops. Money still had a definite value in hours worked and bushels of grain sold. Late in the fiesta it would not matter what they paid, nor where they bought. Now on the day of the starting of the fiesta of San Fermin they had been in the wine-shops of the narrow streets of the town since early morning. Going down the streets in the morning on the way to mass in the cathedral, I heard them singing through the open doors of the shops. They were warming up. There were many people at the eleven o'clock mass. San Fermin is also a religious festival. I walked down the hill from the cathedral and up the street to the caf on the square. It was a little before noon. Robert Cohn and Bill were sitting at one of the tables. The marble-topped tables and the white wicker chairs were gone. They were replaced by cast-iron tables and severe folding chairs. The caf was like a battleship stripped for action. To-day the waiters did not leave you alone all morning to read without asking if you wanted to order something. A waiter came up as soon as I sat down.</\|quote\|>"What are you drinking?" I	supper." "Yes. That will be a pleasant meal." "Won't it?"<\|quote\|>As a matter of fact, supper was a pleasant meal. Brett wore a black, sleeveless evening dress. She looked quite beautiful. Mike acted as though nothing had happened. I had to go up and bring Robert Cohn down. He was reserved and formal, and his face was still taut and sallow, but he cheered up finally. He could not stop looking at Brett. It seemed to make him happy. It must have been pleasant for him to see her looking so lovely, and know he had been away with her and that every one knew it. They could not take that away from him. Bill was very funny. So was Michael. They were good together. It was like certain dinners I remember from the war. There was much wine, an ignored tension, and a feeling of things coming that you could not prevent happening. Under the wine I lost the disgusted feeling and was happy. It seemed they were all such nice people. CHAPTER 14 I do not know what time I got to bed. I remember undressing, putting on a bathrobe, and standing out on the balcony. I knew I was quite drunk, and when I came in I put on the light over the head of the bed and started to read. I was reading a book by Turgenieff. Probably I read the same two pages over several times. It was one of the stories in "A Sportsman's Sketches." I had read it before, but it seemed quite new. The country became very clear and the feeling of pressure in my head seemed to loosen. I was very drunk and I did not want to shut my eyes because the room would go round and round. If I kept on reading that feeling would pass. I heard Brett and Robert Cohn come up the stairs. Cohn said good night outside the door and went on up to his room. I heard Brett go into the room next door. Mike was already in bed. He had come in with me an hour before. He woke as she came in, and they talked together. I heard them laugh. I turned off the light and tried to go to sleep. It was not necessary to read any more. I could shut my eyes without getting the wheeling sensation. But I could not sleep. There is no reason why because it is dark you should look at things differently from when it is light. The hell there isn't! I figured that all out once, and for six months I never slept with the electric light off. That was another bright idea. To hell with women, anyway. To hell with you, Brett Ashley. Women made such swell friends. Awfully swell. In the first place, you had to be in love with a woman to have a basis of friendship. I had been having Brett for a friend. I had not been thinking about her side of it. I had been getting something for nothing. That only delayed the presentation of the bill. The bill always came. That was one of the swell things you could count on. I thought I had paid for everything. Not like the woman pays and pays and pays. No idea of retribution or punishment. Just exchange of values. You gave up something and got something else. Or you worked for something. You paid some way for everything that was any good. I paid my way into enough things that I liked, so that I had a good time. Either you paid by learning about them, or by experience, or by taking chances, or by money. Enjoying living was learning to get your money's worth and knowing when you had it. You could get your money's worth. The world was a good place to buy in. It seemed like a fine philosophy. In five years, I thought, it will seem just as silly as all the other fine philosophies I've had. Perhaps that wasn't true, though. Perhaps as you went along you did learn something. I did not care what it was all about. All I wanted to know was how to live in it. Maybe if you found out how to live in it you learned from that what it was all about. I wished Mike would not behave so terribly to Cohn, though. Mike was a bad drunk. Brett was a good drunk. Bill was a good drunk. Cohn was never drunk. Mike was unpleasant after he passed a certain point. I liked to see him hurt Cohn. I wished he would not do it, though, because afterward it made me disgusted at myself. That was morality; things that made you disgusted afterward. No, that must be immorality. That was a large statement. What a lot of bilge I could think up at night. What rot, I could hear Brett say it. What rot! When you were with English you got into the habit of using English expressions in your thinking. The English spoken language--the upper classes, anyway--must have fewer words than the Eskimo. Of course I didn't know anything about the Eskimo. Maybe the Eskimo was a fine language. Say the Cherokee. I didn't know anything about the Cherokee, either. The English talked with inflected phrases. One phrase to mean everything. I liked them, though. I liked the way they talked. Take Harris. Still Harris was not the upper classes. I turned on the light again and read. I read the Turgenieff. I knew that now, reading it in the oversensitized state of my mind after much too much brandy, I would remember it somewhere, and afterward it would seem as though it had really happened to me. I would always have it. That was another good thing you paid for and then had. Some time along toward daylight I went to sleep. * * * * * The next two days in Pamplona were quiet, and there were no more rows. The town was getting ready for the fiesta. Workmen put up the gate-posts that were to shut off the side streets when the bulls were released from the corrals and came running through the streets in the morning on their way to the ring. The workmen dug holes and fitted in the timbers, each timber numbered for its regular place. Out on the plateau beyond the town employees of the bull-ring exercised picador horses, galloping them stiff-legged on the hard, sun-baked fields behind the bull-ring. The big gate of the bull-ring was open, and inside the amphitheatre was being swept. The ring was rolled and sprinkled, and carpenters replaced weakened or cracked planks in the barrera. Standing at the edge of the smooth rolled sand you could look up in the empty stands and see old women sweeping out the boxes. Outside, the fence that led from the last street of the town to the entrance of the bull-ring was already in place and made a long pen; the crowd would come running down with the bulls behind them on the morning of the day of the first bull-fight. Out across the plain, where the horse and cattle fair would be, some gypsies had camped under the trees. The wine and aguardiente sellers were putting up their booths. One booth advertised ANIS DEL TORO. The cloth sign hung against the planks in the hot sun. In the big square that was the centre of the town there was no change yet. We sat in the white wicker chairs on the terrasse of the caf and watched the motor-buses come in and unload peasants from the country coming in to the market, and we watched the buses fill up and start out with peasants sitting with their saddle-bags full of the things they had bought in the town. The tall gray motor-buses were the only life of the square except for the pigeons and the man with a hose who sprinkled the gravelled square and watered the streets. In the evening was the paseo. For an hour after dinner every one, all the good-looking girls, the officers from the garrison, all the fashionable people of the town, walked in the street on one side of the square while the caf tables filled with the regular after-dinner crowd. During the morning I usually sat in the caf and read the Madrid papers and then walked in the town or out into the country. Sometimes Bill went along. Sometimes he wrote in his room. Robert Cohn spent the mornings studying Spanish or trying to get a shave at the barber-shop. Brett and Mike never got up until noon. We all had a vermouth at the caf . It was a quiet life and no one was drunk. I went to church a couple of times, once with Brett. She said she wanted to hear me go to confession, but I told her that not only was it impossible but it was not as interesting as it sounded, and, besides, it would be in a language she did not know. We met Cohn as we came out of church, and although it was obvious he had followed us, yet he was very pleasant and nice, and we all three went for a walk out to the gypsy camp, and Brett had her fortune told. It was a good morning, there were high white clouds above the mountains. It had rained a little in the night and it was fresh and cool on the plateau, and there was a wonderful view. We all felt good and we felt healthy, and I felt quite friendly to Cohn. You could not be upset about anything on a day like that. That was the last day before the fiesta. CHAPTER 15 At noon of Sunday, the 6th of July, the fiesta exploded. There is no other way to describe it. People had been coming in all day from the country, but they were assimilated in the town and you did not notice them. The square was as quiet in the hot sun as on any other day. The peasants were in the outlying wine-shops. There they were drinking, getting ready for the fiesta. They had come in so recently from the plains and the hills that it was necessary that they make their shifting in values gradually. They could not start in paying caf prices. They got their money's worth in the wine-shops. Money still had a definite value in hours worked and bushels of grain sold. Late in the fiesta it would not matter what they paid, nor where they bought. Now on the day of the starting of the fiesta of San Fermin they had been in the wine-shops of the narrow streets of the town since early morning. Going down the streets in the morning on the way to mass in the cathedral, I heard them singing through the open doors of the shops. They were warming up. There were many people at the eleven o'clock mass. San Fermin is also a religious festival. I walked down the hill from the cathedral and up the street to the caf on the square. It was a little before noon. Robert Cohn and Bill were sitting at one of the tables. The marble-topped tables and the white wicker chairs were gone. They were replaced by cast-iron tables and severe folding chairs. The caf was like a battleship stripped for action. To-day the waiters did not leave you alone all morning to read without asking if you wanted to order something. A waiter came up as soon as I sat down.</\|quote\|>"What are you drinking?" I asked Bill and Robert. "Sherry,"	grand the way they bring them out." "To-morrow come the Miuras." "When does the fiesta start?" "Day after to-morrow." "We've got to keep Mike from getting so tight. That kind of stuff is terrible." "We'd better get cleaned up for supper." "Yes. That will be a pleasant meal." "Won't it?"<\|quote\|>As a matter of fact, supper was a pleasant meal. Brett wore a black, sleeveless evening dress. She looked quite beautiful. Mike acted as though nothing had happened. I had to go up and bring Robert Cohn down. He was reserved and formal, and his face was still taut and sallow, but he cheered up finally. He could not stop looking at Brett. It seemed to make him happy. It must have been pleasant for him to see her looking so lovely, and know he had been away with her and that every one knew it. They could not take that away from him. Bill was very funny. So was Michael. They were good together. It was like certain dinners I remember from the war. There was much wine, an ignored tension, and a feeling of things coming that you could not prevent happening. Under the wine I lost the disgusted feeling and was happy. It seemed they were all such nice people. CHAPTER 14 I do not know what time I got to bed. I remember undressing, putting on a bathrobe, and standing out on the balcony. I knew I was quite drunk, and when I came in I put on the light over the head of the bed and started to read. I was reading a book by Turgenieff. Probably I read the same two pages over several times. It was one of the stories in "A Sportsman's Sketches." I had read it before, but it seemed quite new. The country became very clear and the feeling of pressure in my head seemed to loosen. I was very drunk and I did not want to shut my eyes because the room would go round and round. If I kept on reading that feeling would pass. I heard Brett and Robert Cohn come up the stairs. Cohn said good night outside the door and went on up to his room. I heard Brett go into the room next door. Mike was already in bed. He had come in with me an hour before. He woke as she came in, and they talked together. I heard them laugh. I turned off the light and tried to go to sleep. It was not necessary to read any more. I could shut my eyes without getting the wheeling sensation. But I could not sleep. There is no reason why because it is dark you should look at things differently from when it is light. The hell there isn't! I figured that all out once, and for six months I never slept with the electric light off. That was another bright idea. To hell with women, anyway. To hell with you, Brett Ashley. Women made such swell friends. Awfully swell. In the first place, you had to be in love with a woman to have a basis of friendship. I had been having Brett for a friend. I had not been thinking about her side of it. I had been getting something for nothing. That only delayed the presentation of the bill. The bill always came. That was one of the swell things you could count on. I thought I had paid for everything. Not like the woman pays and pays and pays. No idea of retribution or punishment. Just exchange of values. You gave up something and got something else. Or you worked for something. You paid some way for everything that was any good. I paid my way into enough things that I liked, so that I had a good time. Either you paid by learning about them, or by experience, or by taking chances, or by money. Enjoying living was learning to get your money's worth and knowing when you had it. You could get your money's worth. The world was a good place to buy in. It seemed like a fine philosophy. In five years, I thought, it will seem just as silly as all the other fine philosophies I've had. Perhaps that wasn't true, though. Perhaps as you went along you did learn something. I did not care what it was all about. All I wanted to know was how to live in it. Maybe if you found out how to live in it you learned from that what it was all about. I wished Mike would not behave so terribly to Cohn, though. Mike was a bad drunk. Brett was a good drunk. Bill was a good drunk. Cohn was never drunk. Mike was unpleasant after he passed a certain point. I liked to see him hurt Cohn. I wished he would not do it, though, because afterward it made me disgusted at myself. That was morality; things that made you disgusted afterward. No, that must be immorality. That was a large statement. What a lot of bilge I could think up at night. What rot, I could hear Brett say it. What rot! When you were with English you got into the habit of using English expressions in your thinking. The English spoken language--the upper classes, anyway--must have fewer words than the Eskimo. Of course I didn't know anything about the Eskimo. Maybe the Eskimo was a fine language. Say the Cherokee. I didn't know anything about the Cherokee, either. The English talked with inflected phrases. One phrase to mean everything. I liked them, though. I liked the way they talked. Take Harris. Still Harris was not the upper classes. I turned on the light again and read. I read the Turgenieff. I knew that now, reading it in the oversensitized state of my mind after much too much brandy, I would remember it somewhere, and afterward it would seem as though it had really happened to me. I would always have it. That was another good thing you paid for and then had. Some time along toward daylight I went to sleep. * * * * * The next two days in Pamplona were quiet, and there were no more rows. The town was getting ready for the fiesta. Workmen put up the gate-posts that were to shut off the side streets when the bulls were released from the corrals and came running through the streets in the morning on their way to the ring. The workmen dug holes and fitted in the timbers, each timber numbered for its regular place. Out on the plateau beyond the town employees of the bull-ring exercised picador horses, galloping them stiff-legged on the hard, sun-baked fields behind the bull-ring. The big gate of the bull-ring was open, and inside the amphitheatre was being swept. The ring was rolled and sprinkled, and carpenters replaced weakened or cracked planks in the barrera. Standing at the edge of the smooth rolled sand you could look up in the empty stands and see old women sweeping out the boxes. Outside, the fence that led from the last street of the town to the entrance of the bull-ring was already in place and made a long pen; the crowd would come running down with the bulls behind them on the morning of the day of the first bull-fight. Out across the plain, where the horse and cattle fair would be, some gypsies had camped under the trees. The wine and aguardiente sellers were putting up their booths. One booth advertised ANIS DEL TORO. The cloth sign hung against the planks in the hot sun. In the big square that was the centre of the town there was no change yet. We sat in the white wicker chairs on the terrasse of the caf and watched the motor-buses come in and unload peasants from the country coming in to the market, and we watched the buses fill up and start out with peasants sitting with their saddle-bags full of the things they had bought in the town. The tall gray motor-buses were the only life of the square except for the pigeons and the man with a hose who sprinkled the gravelled square and watered the streets. In the evening was the paseo. For an hour after dinner every one, all the good-looking girls, the officers from the garrison, all the fashionable people of the town, walked in the street on one side of the square while the caf tables filled with the regular after-dinner crowd. During the morning I usually sat in the caf and read the Madrid papers and then walked in the town or out into the country. Sometimes Bill went along. Sometimes he wrote in his room. Robert Cohn spent the mornings studying Spanish or trying to get a shave at the barber-shop. Brett and Mike never got up until noon. We all had a vermouth at the caf . It was a quiet life and no one was drunk. I went to church a couple of times, once with Brett. She said she wanted to hear me go to confession, but I told her that not only was it impossible but it was not as interesting as it sounded, and, besides, it would be in a language she did not know. We met Cohn as we came out of church, and although it was obvious he had followed us, yet he was very pleasant and nice, and we all three went for a walk out to the gypsy camp, and Brett had her fortune told. It was a good morning, there were high white clouds above the mountains. It had rained a little in the night and it was fresh and cool on the plateau, and there was a wonderful view. We all felt good and we felt healthy, and I felt quite friendly to Cohn. You could not be upset about anything on a day like that. That was the last day before the fiesta. CHAPTER 15 At noon of Sunday, the 6th of July, the fiesta exploded. There is no other way to describe it. People had been coming in all day from the country, but they were assimilated in the town and you did not notice them. The square was as quiet in the hot sun as on any other day. The peasants were in the outlying wine-shops. There they were drinking, getting ready for the fiesta. They had come in so recently from the plains and the hills that it was necessary that they make their shifting in values gradually. They could not start in paying caf prices. They got their money's worth in the wine-shops. Money still had a definite value in hours worked and bushels of grain sold. Late in the fiesta it would not matter what they paid, nor where they bought. Now on the day of the starting of the fiesta of San Fermin they had been in the wine-shops of the narrow streets of the town since early morning. Going down the streets in the morning on the way to mass in the cathedral, I heard them singing through the open doors of the shops. They were warming up. There were many people at the eleven o'clock mass. San Fermin is also a religious festival. I walked down the hill from the cathedral and up the street to the caf on the square. It was a little before noon. Robert Cohn and Bill were sitting at one of the tables. The marble-topped tables and the white wicker chairs were gone. They were replaced by cast-iron tables and severe folding chairs. The caf was like a battleship stripped for action. To-day the waiters did not leave you alone all morning to read without asking if you wanted to order something. A waiter came up as soon as I sat down.</\|quote\|>"What are you drinking?" I asked Bill and Robert. "Sherry," Cohn said. "Jerez," I said to the waiter. Before the waiter brought the sherry the rocket that announced the fiesta went up in the square. It burst and there was a gray ball of smoke high up above the Theatre	to the caf ." "He sobered up afterward." "Good. He was terrible. I don't like Cohn, God knows, and I think it was a silly trick for him to go down to San Sebastian, but nobody has any business to talk like Mike." "How'd you like the bulls?" "Grand. It's grand the way they bring them out." "To-morrow come the Miuras." "When does the fiesta start?" "Day after to-morrow." "We've got to keep Mike from getting so tight. That kind of stuff is terrible." "We'd better get cleaned up for supper." "Yes. That will be a pleasant meal." "Won't it?"<\|quote\|>As a matter of fact, supper was a pleasant meal. Brett wore a black, sleeveless evening dress. She looked quite beautiful. Mike acted as though nothing had happened. I had to go up and bring Robert Cohn down. He was reserved and formal, and his face was still taut and sallow, but he cheered up finally. He could not stop looking at Brett. It seemed to make him happy. It must have been pleasant for him to see her looking so lovely, and know he had been away with her and that every one knew it. They could not take that away from him. Bill was very funny. So was Michael. They were good together. It was like certain dinners I remember from the war. There was much wine, an ignored tension, and a feeling of things coming that you could not prevent happening. Under the wine I lost the disgusted feeling and was happy. It seemed they were all such nice people. CHAPTER 14 I do not know what time I got to bed. I remember undressing, putting on a bathrobe, and standing out on the balcony. I knew I was quite drunk, and when I came in I put on the light over the head of the bed and started to read. I was reading a book by Turgenieff. Probably I read the same two pages over several times. It was one of the stories in "A Sportsman's Sketches." I had read it before, but it seemed quite new. The country became very clear and the feeling of pressure in my head seemed to loosen. I was very drunk and I did not want to shut my eyes because the room would go round and round. If I kept on reading that feeling would pass. I heard Brett and Robert Cohn come up the stairs. Cohn said good night outside the door and went on up to his room. I heard Brett go into the room next door. Mike was already in bed. He had come in with me an hour before. He woke as she came in, and they talked together. I heard them laugh. I turned off the light and tried to go to sleep. It was not necessary to read any more. I could shut my eyes without getting the wheeling sensation. But I could not sleep. There is no reason why because it is dark you should look at things differently from when it is light. The hell there isn't! I figured that all out once, and for six months I never slept with the electric light off. That was another bright idea. To hell with women, anyway. To hell with you, Brett Ashley. Women made such swell friends. Awfully swell. In the first place, you had to be in love with a woman to have a basis of friendship. I had been having Brett for a friend. I had not been thinking about her side of it. I had been getting something for nothing. That only delayed the presentation of the bill. The bill always came. That was one of the swell things you could count on. I thought I had paid for everything. Not like the woman pays and pays and pays. No idea of retribution or punishment. Just exchange of values. You gave up something and got something else. Or you worked for something. You paid some way for everything that was any good. I paid my way into enough things that I liked, so that I had a good time. Either you paid by learning about them, or by experience, or by taking chances, or by money. Enjoying living was learning to get your money's worth and knowing when you had it. You could get your money's worth. The world was a good place to buy in. It seemed like a fine philosophy. In five years, I thought, it will seem just as silly as all the other fine philosophies I've had. Perhaps that wasn't true, though. Perhaps as you went along you did learn something. I did not care what it was all about. All I wanted to know was how to live in it. Maybe if you found out how to live in it you learned from that what it was all about. I wished Mike would not behave so terribly to Cohn, though. Mike was a bad drunk. Brett was a good drunk. Bill was a good drunk. Cohn was never drunk. Mike was unpleasant after he passed a certain point. I liked to see him hurt Cohn. I wished he would not do it, though, because afterward it made me disgusted at myself. That was morality; things that made you disgusted afterward. No, that must be immorality. That was a large statement. What a lot of bilge I could think up at night. What rot, I could hear Brett say it. What rot! When you were with English you got into the habit of using English expressions in your thinking. The English spoken language--the upper classes, anyway--must have fewer words than the Eskimo. Of course I didn't know anything about the Eskimo. Maybe the Eskimo was a fine language. Say the Cherokee. I didn't know anything about the Cherokee, either. The English talked with inflected phrases. One phrase to mean everything. I liked them, though. I liked the way they talked. Take Harris. Still Harris was not the upper classes. I turned on the light again and read. I read the Turgenieff. I knew that now, reading it in the oversensitized state of my mind after much too much brandy, I would remember it somewhere, and afterward it would seem as though it had really happened to me. I would always have it. That was another good thing you paid for and then had. Some time along toward daylight I went to sleep. * * * * * The next two days in Pamplona were quiet, and there were no more rows. The town was getting ready for the fiesta. Workmen put up the gate-posts that were to shut off the side streets when the bulls were released from the corrals and came running through the streets in the morning on their way to the ring. The workmen dug holes and fitted in the timbers, each timber numbered for its regular place. Out on the plateau beyond the town employees of the bull-ring exercised picador horses, galloping them stiff-legged on the hard, sun-baked fields behind the bull-ring. The big gate of the bull-ring was open, and inside the amphitheatre was being swept. The ring was rolled and sprinkled, and carpenters replaced weakened or cracked planks in the barrera. Standing at the edge of the smooth rolled sand you could look up in the empty stands and see old women sweeping out the boxes. Outside, the fence that led from the last street of the town to the entrance of the bull-ring was already in place and made a long pen; the crowd would come running down with the bulls behind them on the morning of the day of the first bull-fight. Out across the plain, where the horse and cattle fair would be, some gypsies had camped under the trees. The wine and aguardiente sellers were putting up their booths. One booth advertised ANIS DEL TORO. The cloth sign hung against the planks in the hot sun. In the big square that was the centre of the town there was no change yet. We sat in the white wicker chairs on the terrasse of the caf and watched the motor-buses come in and unload peasants from the country coming in to the market, and we watched the buses fill up and start out with peasants sitting with their saddle-bags full of the things they had bought in the town. The tall gray motor-buses were the only life of the square except for the pigeons and the man with a hose who sprinkled the gravelled square and watered the streets. In the evening was the paseo. For an hour after dinner every one, all the good-looking girls, the officers from the garrison, all the fashionable people of the town, walked in the street on one side of the square while the caf tables filled with the regular after-dinner crowd. During the morning I usually sat in the caf and read the Madrid papers and then walked in the town or out into the country. Sometimes Bill went along. Sometimes he wrote in his room. Robert Cohn spent the mornings studying Spanish or trying to get a shave at the barber-shop. Brett and Mike never got up until noon. We all had a vermouth at the caf . It was a quiet life and no one was drunk. I went to church a couple of times, once with Brett. She said she wanted to hear me go to confession, but I told her that not only was it impossible but it was not as interesting as it sounded, and, besides, it would be in a language she did not know. We met Cohn as we came out of church, and although it was obvious he had followed us, yet he was very pleasant and nice, and we all three went for a walk out to the gypsy camp, and Brett had her fortune told. It was a good morning, there were high white clouds above the mountains. It had rained a little in the night and it was fresh and cool on the plateau, and there was a wonderful view. We all felt good and we felt healthy, and I felt quite friendly to Cohn. You could not be upset about anything on a day like that. That was the last day before the fiesta. CHAPTER 15 At noon of Sunday, the 6th of July, the fiesta exploded. There is no other way to describe it. People had been coming in all day from the country, but they were assimilated in the town and you did not notice them. The square was as quiet in the hot sun as on any other day. The peasants were in the outlying wine-shops. There they were drinking, getting ready for the fiesta. They had come in so recently from the plains and the hills that it was necessary that they make their shifting in values gradually. They could not start in paying caf prices. They got their money's worth in the wine-shops. Money still had a definite value in hours worked and bushels of grain sold. Late in the fiesta it would not matter what they paid, nor where they bought. Now on the day of the starting of the fiesta of San Fermin they had been in the wine-shops of the narrow streets of the town since early morning. Going down the streets in the morning on the way to mass in the cathedral, I heard them singing through the open doors of the shops. They were warming up. There were many people at the eleven o'clock mass. San Fermin is also a religious festival. I walked down the hill from the cathedral and up the street to the caf on the square. It was a little before noon. Robert Cohn and Bill were sitting at one of the tables. The marble-topped tables and the white wicker chairs were gone. They were replaced by cast-iron tables and severe folding chairs. The caf was like a battleship stripped for action. To-day the waiters did not leave you alone all morning to read without asking if you wanted to order something. A waiter came up as soon as I sat down.</\|quote\|>"What are you drinking?" I asked Bill and Robert. "Sherry," Cohn said. "Jerez," I said to the waiter. Before the waiter brought the sherry the rocket that announced the fiesta went up in the square. It burst and there was a gray ball of smoke high up above the Theatre Gayarre, across on the other side of the plaza. The ball of smoke hung in the sky like a shrapnel burst, and as I watched, another rocket came up to it, trickling smoke in the bright sunlight. I saw the bright flash as it burst and another little cloud of	didn't you like about them?" "I don't know. They just didn't give me the feeling that they were so good." "I know what you mean." "They're all right." "Yes. They're all right." "How did your friends like them?" "Fine." "Good," Montoya said. I went up-stairs. Bill was in his room standing on the balcony looking out at the square. I stood beside him. "Where's Cohn?" "Up-stairs in his room." "How does he feel?" "Like hell, naturally. Mike was awful. He's terrible when he's tight." "He wasn't so tight." "The hell he wasn't. I know what we had before we came to the caf ." "He sobered up afterward." "Good. He was terrible. I don't like Cohn, God knows, and I think it was a silly trick for him to go down to San Sebastian, but nobody has any business to talk like Mike." "How'd you like the bulls?" "Grand. It's grand the way they bring them out." "To-morrow come the Miuras." "When does the fiesta start?" "Day after to-morrow." "We've got to keep Mike from getting so tight. That kind of stuff is terrible." "We'd better get cleaned up for supper." "Yes. That will be a pleasant meal." "Won't it?"<\|quote\|>As a matter of fact, supper was a pleasant meal. Brett wore a black, sleeveless evening dress. She looked quite beautiful. Mike acted as though nothing had happened. I had to go up and bring Robert Cohn down. He was reserved and formal, and his face was still taut and sallow, but he cheered up finally. He could not stop looking at Brett. It seemed to make him happy. It must have been pleasant for him to see her looking so lovely, and know he had been away with her and that every one knew it. They could not take that away from him. Bill was very funny. So was Michael. They were good together. It was like certain dinners I remember from the war. There was much wine, an ignored tension, and a feeling of things coming that you could not prevent happening. Under the wine I lost the disgusted feeling and was happy. It seemed they were all such nice people. CHAPTER 14 I do not know what time I got to bed. I remember undressing, putting on a bathrobe, and standing out on the balcony. I knew I was quite drunk, and when I came in I put on the light over the head of the bed and started to read. I was reading a book by Turgenieff. Probably I read the same two pages over several times. It was one of the stories in "A Sportsman's Sketches." I had read it before, but it seemed quite new. The country became very clear and the feeling of pressure in my head seemed to loosen. I was very drunk and I did not want to shut my eyes because the room would go round and round. If I kept on reading that feeling would pass. I heard Brett and Robert Cohn come up the stairs. Cohn said good night outside the door and went on up to his room. I heard Brett go into the room next door. Mike was already in bed. He had come in with me an hour before. He woke as she came in, and they talked together. I heard them laugh. I turned off the light and tried to go to sleep. It was not necessary to read any more. I could shut my eyes without getting the wheeling sensation. But I could not sleep. There is no reason why because it is dark you should look at things differently from when it is light. The hell there isn't! I figured that all out once, and for six months I never slept with the electric light off. That was another bright idea. To hell with women, anyway. To hell with you, Brett Ashley. Women made such swell friends. Awfully swell. In the first place, you had to be in love with a woman to have a basis of friendship. I had been having Brett for a friend. I had not been thinking about her side of it. I had been getting something for nothing. That only delayed the presentation of the bill. The bill always came. That was one of the swell things you could count on. I thought I had paid for everything. Not like the woman pays and pays and pays. No idea of retribution or punishment. Just exchange of values. You gave up something and got something else. Or you worked for something. You paid some way for everything that was any good. I paid my way into enough things that I liked, so that I had a good time. Either you paid by learning about them, or by experience, or by taking chances, or by money. Enjoying living was learning to get your money's worth and knowing when you had it. You could get your money's worth. The world was a good place to buy in. It seemed like a fine philosophy. In five years, I thought, it will seem just as silly as all the other fine philosophies I've had. Perhaps that wasn't true, though. Perhaps as you went along you did learn something. I did not care what it was all about. All I wanted to know was how to live in it. Maybe if you found out how to live in it you learned from that what it was all about. I wished Mike would not behave so terribly to Cohn, though. Mike was a bad drunk. Brett was a good drunk. Bill was a good drunk. Cohn was never drunk. Mike was unpleasant after he passed a certain point. I liked to see him hurt Cohn. I wished he would not do it, though, because afterward it made me disgusted at myself. That was morality; things that made you disgusted afterward. No, that must be immorality. That was a large statement. What a lot of bilge I could think up at night. What rot, I could hear Brett say it. What rot! When you were with English you got into the habit of using English expressions in your thinking. The English spoken language--the upper classes, anyway--must have fewer words than the Eskimo. Of course I didn't know anything about the Eskimo. Maybe the Eskimo was a fine language. Say the Cherokee. I didn't know anything about the Cherokee, either. The English talked with inflected phrases. One phrase to mean everything. I liked them, though. I liked the way they talked. Take Harris. Still Harris was not the upper classes. I turned on the light again and read. I read the Turgenieff. I knew that now, reading it in the oversensitized state of my mind after much too much brandy, I would remember it somewhere, and afterward it would seem as though it had really happened to me. I would always have it. That was another good thing you paid for and then had. Some time along toward daylight I went to sleep. * * * * * The next two days in Pamplona were quiet, and there were no more rows. The town was getting ready for the fiesta. Workmen put up the gate-posts that were to shut off the side streets when the bulls were released from the corrals and came running through the streets in the morning on their way to the ring. The workmen dug holes and fitted in the timbers, each timber numbered for its regular place. Out on the plateau beyond the town employees of the bull-ring exercised picador horses, galloping them stiff-legged on the hard, sun-baked fields behind the bull-ring. The big gate of the bull-ring was open, and inside the amphitheatre was being swept. The ring was rolled and sprinkled, and carpenters replaced weakened or cracked planks in the barrera. Standing at the edge of the smooth rolled sand you could look up in the empty stands and see old women sweeping out the boxes. Outside, the fence that led from the last street of the town to the entrance of the bull-ring was already in place and made a long pen; the crowd would come running down with the bulls behind them on the morning of the day of the first bull-fight. Out across the plain, where the horse and cattle fair would be, some gypsies had camped under the trees. The wine and aguardiente sellers were putting up their booths. One booth advertised ANIS DEL TORO. The cloth sign hung against the planks in the hot sun. In the big square that was the centre of the town there was no change yet. We sat in the white wicker chairs on the terrasse of the caf and watched the motor-buses come in and unload peasants from the country coming in to the market, and we watched the buses fill up and start out with peasants sitting with their saddle-bags full of the things they had bought in the town. The tall gray motor-buses were the only life of the square except for the pigeons and the man with a hose who sprinkled the gravelled square and watered the streets. In the evening was the paseo. For an hour after dinner every one, all the good-looking girls, the officers from the garrison, all the fashionable people of the town, walked in the street on one side of the square while the caf tables filled with the regular after-dinner crowd. During the morning I usually sat in the caf and read the Madrid papers and then walked in the town or out into the country. Sometimes Bill went along. Sometimes he wrote in his room. Robert Cohn spent the mornings studying Spanish or trying to get a shave at the barber-shop. Brett and Mike never got up until noon. We all had a vermouth at the caf . It was a quiet life and no one was drunk. I went to church a couple of times, once with Brett. She said she wanted to hear me go to confession, but I told her that not only was it impossible but it was not as interesting as it sounded, and, besides, it would be in a language she did not know. We met Cohn as we came out of church, and although it was obvious he had followed us, yet he was very pleasant and nice, and we all three went for a walk out to the gypsy camp, and Brett had her fortune told. It was a good morning, there were high white clouds above the mountains. It had rained a little in the night and it was fresh and cool on the plateau, and there was a wonderful view. We all felt good and we felt healthy, and I felt quite friendly to Cohn. You could not be upset about anything on a day like that. That was the last day before the fiesta. CHAPTER 15 At noon of Sunday, the 6th of July, the fiesta exploded. There is no other way to describe it. People had been coming in all day from the country, but they were assimilated in the town and you did not notice them. The square was as quiet in the hot sun as on any other day. The peasants were in the outlying wine-shops. There they were drinking, getting ready for the fiesta. They had come in so recently from the plains and the hills that it was necessary that they make their shifting in values gradually. They could not start in paying caf prices. They got their money's worth in the wine-shops. Money still had a definite value in hours worked and bushels of grain sold. Late in the fiesta it would not matter what they paid, nor where they bought. Now on the day of the starting of the fiesta of San Fermin they had been in the wine-shops of the narrow streets of the town since early morning. Going down the streets in the morning on the way to mass in the cathedral, I heard them singing through the open doors of the shops. They were warming up. There were many people at the eleven o'clock mass. San Fermin is also a religious festival. I walked down the hill from the cathedral and up the street to the caf on the square. It was a little before noon. Robert Cohn and Bill were sitting at one of the tables. The marble-topped tables and the white wicker chairs were gone. They were replaced by cast-iron tables and severe folding chairs. The caf was like a battleship stripped for action. To-day the waiters did not leave you alone all morning to read without asking if you wanted to order something. A waiter came up as soon as I sat down.</\|quote\|>"What are you drinking?" I asked Bill and Robert. "Sherry," Cohn said. "Jerez," I said to the waiter. Before the waiter brought the sherry the rocket that announced the fiesta went up in the square. It burst and there was a gray ball of smoke high up above the Theatre Gayarre, across on the other side of the plaza. The ball of smoke hung in the sky like a shrapnel burst, and as I watched, another rocket came up to it, trickling smoke in the bright sunlight. I saw the bright flash as it burst and another little cloud of smoke appeared. By the time the second rocket had burst there were so many people in the arcade, that had been empty a minute before, that the waiter, holding the bottle high up over his head, could hardly get through the crowd to our table. People were coming into the square from all sides, and down the street we heard the pipes and the fifes and the drums coming. They were playing the _riau-riau_ music, the pipes shrill and the drums pounding, and behind them came the men and boys dancing. When the fifers stopped they all crouched down in	I wish I were one of these literary chaps." "He'd be good, you know," Brett said. "He writes a good letter." "I know," I said. "He wrote me from San Sebastian." "That was nothing," Brett said. "He can write a damned amusing letter." "She made me write that. She was supposed to be ill." "I damned well was, too." "Come on," I said, "we must go in and eat." "How should I meet Cohn?" Mike said. "Just act as though nothing had happened." "It's quite all right with me," Mike said. "I'm not embarrassed." "If he says anything, just say you were tight." "Quite. And the funny thing is I think I was tight." "Come on," Brett said. "Are these poisonous things paid for? I must bathe before dinner." We walked across the square. It was dark and all around the square were the lights from the caf s under the arcades. We walked across the gravel under the trees to the hotel. They went up-stairs and I stopped to speak with Montoya. "Well, how did you like the bulls?" he asked. "Good. They were nice bulls." "They're all right" "--Montoya shook his head--" "but they're not too good." "What didn't you like about them?" "I don't know. They just didn't give me the feeling that they were so good." "I know what you mean." "They're all right." "Yes. They're all right." "How did your friends like them?" "Fine." "Good," Montoya said. I went up-stairs. Bill was in his room standing on the balcony looking out at the square. I stood beside him. "Where's Cohn?" "Up-stairs in his room." "How does he feel?" "Like hell, naturally. Mike was awful. He's terrible when he's tight." "He wasn't so tight." "The hell he wasn't. I know what we had before we came to the caf ." "He sobered up afterward." "Good. He was terrible. I don't like Cohn, God knows, and I think it was a silly trick for him to go down to San Sebastian, but nobody has any business to talk like Mike." "How'd you like the bulls?" "Grand. It's grand the way they bring them out." "To-morrow come the Miuras." "When does the fiesta start?" "Day after to-morrow." "We've got to keep Mike from getting so tight. That kind of stuff is terrible." "We'd better get cleaned up for supper." "Yes. That will be a pleasant meal." "Won't it?"<\|quote\|>As a matter of fact, supper was a pleasant meal. Brett wore a black, sleeveless evening dress. She looked quite beautiful. Mike acted as though nothing had happened. I had to go up and bring Robert Cohn down. He was reserved and formal, and his face was still taut and sallow, but he cheered up finally. He could not stop looking at Brett. It seemed to make him happy. It must have been pleasant for him to see her looking so lovely, and know he had been away with her and that every one knew it. They could not take that away from him. Bill was very funny. So was Michael. They were good together. It was like certain dinners I remember from the war. There was much wine, an ignored tension, and a feeling of things coming that you could not prevent happening. Under the wine I lost the disgusted feeling and was happy. It seemed they were all such nice people. CHAPTER 14 I do not know what time I got to bed. I remember undressing, putting on a bathrobe, and standing out on the balcony. I knew I was quite drunk, and when I came in I put on the light over the head of the bed and started to read. I was reading a book by Turgenieff. Probably I read the same two pages over several times. It was one of the stories in "A Sportsman's Sketches." I had read it before, but it seemed quite new. The country became very clear and the feeling of pressure in my head seemed to loosen. I was very drunk and I did not want to shut my eyes because the room would go round and round. If I kept on reading that feeling would pass. I heard Brett and Robert Cohn come up the stairs. Cohn said good night outside the door and went on up to his room. I heard Brett go into the room next door. Mike was already in bed. He had come in with me an hour before. He woke as she came in, and they talked together. I heard them laugh. I turned off the light and tried to go to sleep. It was not necessary to read any more. I could shut my eyes without getting the wheeling sensation. But I could not sleep. There is no reason why because it is dark you should look at things differently from when it is light. The hell there isn't! I figured that all out once, and for six months I never slept with the electric light off. That was another bright idea. To hell with women, anyway. To hell with you, Brett Ashley. Women made such swell friends. Awfully swell. In the first place, you had to be in love with a woman to have a basis of friendship. I had been having Brett for a friend. I had not been thinking about her side of it. I had been getting something for nothing. That only delayed the presentation of the bill. The bill always came. That was one of the swell things you could count on. I thought I had paid for everything. Not like the woman pays and pays and pays. No idea of retribution or punishment. Just exchange of values. You gave up something and got something else. Or you worked for something. You paid some way for everything that was any good. I paid my way into enough things that I liked, so that I had a good time. Either you paid by learning about them, or by experience, or by taking chances, or by money. Enjoying living was learning to get your money's worth and knowing when you had it. You could get your money's worth. The world was a good place to buy in. It seemed like a fine philosophy. In five years, I thought, it will seem just as silly as all the other fine philosophies I've had. Perhaps that wasn't true, though. Perhaps as you went along you did learn something. I did not care what it was all about. All I wanted to know was how to live in it. Maybe if you found out how to live in it you learned from that what it was all about. I wished Mike would not behave so terribly to Cohn, though. Mike was a bad drunk. Brett was a good drunk. Bill was a good drunk. Cohn was never drunk. Mike was unpleasant after he passed a certain point. I liked to see him hurt Cohn. I wished he would not do it, though, because afterward it made me disgusted at myself. That was morality; things that made you disgusted afterward. No, that must be immorality. That was a large statement. What a lot of bilge I could think up at night. What rot, I could hear Brett say it. What rot! When you were with English you got into the habit of using English expressions in your thinking. The English spoken language--the upper classes, anyway--must have fewer words than the Eskimo. Of course I didn't know anything about the Eskimo. Maybe the Eskimo was a fine language. Say the Cherokee. I didn't know anything about the Cherokee, either. The English talked with inflected phrases. One phrase to mean everything. I liked them, though. I liked the way they talked. Take Harris. Still Harris was not the upper classes. I turned on the light again and read. I read the Turgenieff. I knew that now, reading it in the oversensitized state of my mind after much too much brandy, I would remember it somewhere, and afterward it would seem as though it had really happened to me. I would always have it. That was another good thing you paid for and then had. Some time along toward daylight I went to sleep. * * * * * The next two days in Pamplona were quiet, and there were no more rows. The town was getting ready for the fiesta. Workmen put up the gate-posts that were to shut off the side streets when the bulls were released from the corrals and came running through the streets in the morning on their way to the ring. The workmen dug holes and fitted in the timbers, each timber numbered for its regular place. Out on the plateau beyond the town employees of the bull-ring exercised picador horses, galloping them stiff-legged on the hard, sun-baked fields behind the bull-ring. The big gate of the bull-ring was open, and inside the amphitheatre was being swept. The ring was rolled and sprinkled, and carpenters replaced weakened or cracked planks in the barrera. Standing at the edge of the smooth rolled sand you could look up in the empty stands and see old women sweeping out the boxes. Outside, the fence that led from the last street of the town to the entrance of the bull-ring was already in place and made a long pen; the crowd would come running down with the bulls behind them on the morning of the day of the first bull-fight. Out across the plain, where the horse and cattle fair would be, some gypsies had camped under the trees. The wine and aguardiente sellers were putting up their booths. One booth advertised ANIS DEL TORO. The cloth sign hung against the planks in the hot sun. In the big square that was the centre of the town there was no change yet. We sat in the white wicker chairs on the terrasse of the caf and watched the motor-buses come in and unload peasants from the country coming in to the market, and we watched the buses fill up and start out with peasants sitting with their saddle-bags full of the things they had bought in the town. The tall gray motor-buses were the only life of the square except for the pigeons and the man with a hose who sprinkled the gravelled square and watered the streets. In the evening was the paseo. For an hour after dinner every one, all the good-looking girls, the officers from the garrison, all the fashionable people of the town, walked in the street on one side of the square while the caf tables filled with the regular after-dinner crowd. During the morning I usually sat in the caf and read the Madrid papers and then walked in the town or out into the country. Sometimes Bill went along. Sometimes he wrote in his room. Robert Cohn spent the mornings studying Spanish or trying to get a shave at the barber-shop. Brett and Mike never got up until noon. We all had a vermouth at the caf . It was a quiet life and no one was drunk. I went to church a couple of times, once with Brett. She said she wanted to hear me go to confession, but I told her that not only was it impossible but it was not as interesting as it sounded, and, besides, it would be in a language she did not know. We met Cohn as we came out of church, and although it was obvious he had followed us, yet he was very pleasant and nice, and we all three went for a walk out to the gypsy camp, and Brett had her fortune told. It was a good morning, there were high white clouds above the mountains. It had rained a little in the night and it was fresh and cool on the plateau, and there was a wonderful view. We all felt good and we felt healthy, and I felt quite friendly to Cohn. You could not be upset about anything on a day like that. That was the last day before the fiesta. CHAPTER 15 At noon of Sunday, the 6th of July, the fiesta exploded. There is no other way to describe it. People had been coming in all day from the country, but they were assimilated in the town and you did not notice them. The square was as quiet in the hot sun as on any other day. The peasants were in the outlying wine-shops. There they were drinking, getting ready for the fiesta. They had come in so recently from the plains and the hills that it was necessary that they make their shifting in values gradually. They could not start in paying caf prices. They got their money's worth in the wine-shops. Money still had a definite value in hours worked and bushels of grain sold. Late in the fiesta it would not matter what they paid, nor where they bought. Now on the day of the starting of the fiesta of San Fermin they had been in the wine-shops of the narrow streets of the town since early morning. Going down the streets in the morning on the way to mass in the cathedral, I heard them singing through the open doors of the shops. They were warming up. There were many people at the eleven o'clock mass. San Fermin is also a religious festival. I walked down the hill from the cathedral and up the street to the caf on the square. It was a little before noon. Robert Cohn and Bill were sitting at one of the tables. The marble-topped tables and the white wicker chairs were gone. They were replaced by cast-iron tables and severe folding chairs. The caf was like a battleship stripped for action. To-day the waiters did not leave you alone all morning to read without asking if you wanted to order something. A waiter came up as soon as I sat down.</\|quote\|>"What are you drinking?" I asked Bill and Robert. "Sherry," Cohn said. "Jerez," I said to the waiter. Before the waiter brought the sherry the rocket that announced the fiesta went up in the square. It burst and there was a gray ball of smoke high up above the Theatre Gayarre, across on the other side of the plaza. The ball of smoke hung in the sky like a shrapnel burst, and as I watched, another rocket came up to it, trickling smoke in the bright sunlight. I saw the bright flash as it burst and another little cloud of smoke appeared. By the time the second rocket had burst there were so many people in the arcade, that had been empty a minute before, that the waiter, holding the bottle high up over his head, could hardly get through the crowd to our table. People were coming into the square from all sides, and down the street we heard the pipes and the fifes and the drums coming. They were playing the _riau-riau_ music, the pipes shrill and the drums pounding, and behind them came the men and boys dancing. When the fifers stopped they all crouched down in the street, and when the reed-pipes and the fifes shrilled, and the flat, dry, hollow drums tapped it out again, they all went up in the air dancing. In the crowd you saw only the heads and shoulders of the dancers going up and down. In the square a man, bent over, was playing on a reed-pipe, and a crowd of children were following him shouting, and pulling at his clothes. He came out of the square, the children following him, and piped them past the caf and down a side street. We saw his blank pockmarked face as he went by, piping, the children close behind him shouting and pulling at him. "He must be the village idiot," Bill said. "My God! look at that!" Down the street came dancers. The street was solid with dancers, all men. They were all dancing in time behind their own fifers and drummers. They were a club of some sort, and all wore workmen's blue smocks, and red handkerchiefs around their necks, and carried a great banner on two poles. The banner danced up and down with them as they came down surrounded by the crowd. "Hurray for Wine! Hurray for the	"What do you follow her around for?" Bill stood up and took hold of Cohn. "Don't go," Mike said. "Robert Cohn's going to buy a drink." Bill went off with Cohn. Cohn's face was sallow. Mike went on talking. I sat and listened for a while. Brett looked disgusted. "I say, Michael, you might not be such a bloody ass," she interrupted. "I'm not saying he's not right, you know." She turned to me. The emotion left Mike's voice. We were all friends together. "I'm not so damn drunk as I sounded," he said. "I know you're not," Brett said. "We're none of us sober," I said. "I didn't say anything I didn't mean." "But you put it so badly," Brett laughed. "He was an ass, though. He came down to San Sebastian where he damn well wasn't wanted. He hung around Brett and just _looked_ at her. It made me damned well sick." "He did behave very badly," Brett said. "Mark you. Brett's had affairs with men before. She tells me all about everything. She gave me this chap Cohn's letters to read. I wouldn't read them." "Damned noble of you." "No, listen, Jake. Brett's gone off with men. But they weren't ever Jews, and they didn't come and hang about afterward." "Damned good chaps," Brett said. "It's all rot to talk about it. Michael and I understand each other." "She gave me Robert Cohn's letters. I wouldn't read them." "You wouldn't read any letters, darling. You wouldn't read mine." "I can't read letters," Mike said. "Funny, isn't it?" "You can't read anything." "No. You're wrong there. I read quite a bit. I read when I'm at home." "You'll be writing next," Brett said. "Come on, Michael. Do buck up. You've got to go through with this thing now. He's here. Don't spoil the fiesta." "Well, let him behave, then." "He'll behave. I'll tell him." "You tell him, Jake. Tell him either he must behave or get out." "Yes," I said, "it would be nice for me to tell him." "Look, Brett. Tell Jake what Robert calls you. That is perfect, you know." "Oh, no. I can't." "Go on. We're all friends. Aren't we all friends, Jake?" "I can't tell him. It's too ridiculous." "I'll tell him." "You won't, Michael. Don't be an ass." "He calls her Circe," Mike said. "He claims she turns men into swine. Damn good. I wish I were one of these literary chaps." "He'd be good, you know," Brett said. "He writes a good letter." "I know," I said. "He wrote me from San Sebastian." "That was nothing," Brett said. "He can write a damned amusing letter." "She made me write that. She was supposed to be ill." "I damned well was, too." "Come on," I said, "we must go in and eat." "How should I meet Cohn?" Mike said. "Just act as though nothing had happened." "It's quite all right with me," Mike said. "I'm not embarrassed." "If he says anything, just say you were tight." "Quite. And the funny thing is I think I was tight." "Come on," Brett said. "Are these poisonous things paid for? I must bathe before dinner." We walked across the square. It was dark and all around the square were the lights from the caf s under the arcades. We walked across the gravel under the trees to the hotel. They went up-stairs and I stopped to speak with Montoya. "Well, how did you like the bulls?" he asked. "Good. They were nice bulls." "They're all right" "--Montoya shook his head--" "but they're not too good." "What didn't you like about them?" "I don't know. They just didn't give me the feeling that they were so good." "I know what you mean." "They're all right." "Yes. They're all right." "How did your friends like them?" "Fine." "Good," Montoya said. I went up-stairs. Bill was in his room standing on the balcony looking out at the square. I stood beside him. "Where's Cohn?" "Up-stairs in his room." "How does he feel?" "Like hell, naturally. Mike was awful. He's terrible when he's tight." "He wasn't so tight." "The hell he wasn't. I know what we had before we came to the caf ." "He sobered up afterward." "Good. He was terrible. I don't like Cohn, God knows, and I think it was a silly trick for him to go down to San Sebastian, but nobody has any business to talk like Mike." "How'd you like the bulls?" "Grand. It's grand the way they bring them out." "To-morrow come the Miuras." "When does the fiesta start?" "Day after to-morrow." "We've got to keep Mike from getting so tight. That kind of stuff is terrible." "We'd better get cleaned up for supper." "Yes. That will be a pleasant meal." "Won't it?"<\|quote\|>As a matter of fact, supper was a pleasant meal. Brett wore a black, sleeveless evening dress. She looked quite beautiful. Mike acted as though nothing had happened. I had to go up and bring Robert Cohn down. He was reserved and formal, and his face was still taut and sallow, but he cheered up finally. He could not stop looking at Brett. It seemed to make him happy. It must have been pleasant for him to see her looking so lovely, and know he had been away with her and that every one knew it. They could not take that away from him. Bill was very funny. So was Michael. They were good together. It was like certain dinners I remember from the war. There was much wine, an ignored tension, and a feeling of things coming that you could not prevent happening. Under the wine I lost the disgusted feeling and was happy. It seemed they were all such nice people. CHAPTER 14 I do not know what time I got to bed. I remember undressing, putting on a bathrobe, and standing out on the balcony. I knew I was quite drunk, and when I came in I put on the light over the head of the bed and started to read. I was reading a book by Turgenieff. Probably I read the same two pages over several times. It was one of the stories in "A Sportsman's Sketches." I had read it before, but it seemed quite new. The country became very clear and the feeling of pressure in my head seemed to loosen. I was very drunk and I did not want to shut my eyes because the room would go round and round. If I kept on reading that feeling would pass. I heard Brett and Robert Cohn come up the stairs. Cohn said good night outside the door and went on up to his room. I heard Brett go into the room next door. Mike was already in bed. He had come in with me an hour before. He woke as she came in, and they talked together. I heard them laugh. I turned off the light and tried to go to sleep. It was not necessary to read any more. I could shut my eyes without getting the wheeling sensation. But I could not sleep. There is no reason why because it is dark you should look at things differently from when it is light. The hell there isn't! I figured that all out once, and for six months I never slept with the electric light off. That was another bright idea. To hell with women, anyway. To hell with you, Brett Ashley. Women made such swell friends. Awfully swell. In the first place, you had to be in love with a woman to have a basis of friendship. I had been having Brett for a friend. I had not been thinking about her side of it. I had been getting something for nothing. That only delayed the presentation of the bill. The bill always came. That was one of the swell things you could count on. I thought I had paid for everything. Not like the woman pays and pays and pays. No idea of retribution or punishment. Just exchange of values. You gave up something and got something else. Or you worked for something. You paid some way for everything that was any good. I paid my way into enough things that I liked, so that I had a good time. Either you paid by learning about them, or by experience, or by taking chances, or by money. Enjoying living was learning to get your money's worth and knowing when you had it. You could get your money's worth. The world was a good place to buy in. It seemed like a fine philosophy. In five years, I thought, it will seem just as silly as all the other fine philosophies I've had. Perhaps that wasn't true, though. Perhaps as you went along you did learn something. I did not care what it was all about. All I wanted to know was how to live in it. Maybe if you found out how to live in it you learned from that what it was all about. I wished Mike would not behave so terribly to Cohn, though. Mike was a bad drunk. Brett was a good drunk. Bill was a good drunk. Cohn was never drunk. Mike was unpleasant after he passed a certain point. I liked to see him hurt Cohn. I wished he would not do it, though, because afterward it made me disgusted at myself. That was morality; things that made you disgusted afterward. No, that must be immorality. That was a large statement. What a lot of bilge I could think up at night. What rot, I could hear Brett say it. What rot! When you were with English you got into the habit of using English expressions in your thinking. The English spoken language--the upper classes, anyway--must have fewer words than the Eskimo. Of course I didn't know anything about the Eskimo. Maybe the Eskimo was a fine language. Say the Cherokee. I didn't know anything about the Cherokee, either. The English talked with inflected phrases. One phrase to mean everything. I liked them, though. I liked the way they talked. Take Harris. Still Harris was not the upper classes. I turned on the light again and read. I read the Turgenieff. I knew that now, reading it in the oversensitized state of my mind after much too much brandy, I would remember it somewhere, and afterward it would seem as though it had really happened to me. I would always have it. That was another good thing you paid for and then had. Some time along toward daylight I went to sleep. * * * * * The next two days in Pamplona were quiet, and there were no more rows. The town was getting ready for the fiesta. Workmen put up the gate-posts that were to shut off the side streets when the bulls were released from the corrals and came running through the streets in the morning on their way to the ring. The workmen dug holes and fitted in the timbers, each timber numbered for its regular place. Out on the plateau beyond the town employees of the bull-ring exercised picador horses, galloping them stiff-legged on the hard, sun-baked fields behind the bull-ring. The big gate of the bull-ring was open, and inside the amphitheatre was being swept. The ring was rolled and sprinkled, and carpenters replaced weakened or cracked planks in the barrera. Standing at the edge of the smooth rolled sand you could look up in the empty stands and see old women sweeping out the boxes. Outside, the fence that led from the last street of the town to the entrance of the bull-ring was already in place and made a long pen; the crowd would come running down with the bulls behind them on the morning of the day of the first bull-fight. Out across the plain, where the horse and cattle fair would be, some gypsies had camped under the trees. The wine and aguardiente sellers were putting up their booths. One booth advertised ANIS DEL TORO. The cloth sign hung against the planks in the hot sun. In the big square that was the centre of the town there was no change yet. We sat in the white wicker chairs on the terrasse of the caf and watched the motor-buses come in and unload peasants from the country coming in to the market, and we watched the buses fill up and start out with peasants sitting with their saddle-bags full of the things they had bought in the town. The tall gray motor-buses were the only life of the square except for the pigeons and the man with a hose who sprinkled the gravelled square and watered the streets. In the evening was the paseo. For an hour after dinner every one, all the good-looking girls, the officers from the garrison, all the fashionable people of the town, walked in the street on one side of the square while the caf tables filled with the regular after-dinner crowd. During the morning I usually sat in the caf and read the Madrid papers and then walked in the town or out into the country. Sometimes Bill went along. Sometimes he wrote in his room. Robert Cohn spent the mornings studying Spanish or trying to get a shave at the barber-shop. Brett and Mike never got up until noon. We all had a vermouth at the caf . It was a quiet life and no one was drunk. I went to church a couple of times, once with Brett. She said she wanted to hear me go to confession, but I told her that not only was it impossible but it was not as interesting as it sounded, and, besides, it would be in a language she did not know. We met Cohn as we came out of church, and although it was obvious he had followed us, yet he was very pleasant and nice, and we all three went for a walk out to the gypsy camp, and Brett had her fortune told. It was a good morning, there were high white clouds above the mountains. It had rained a little in the night and it was fresh and cool on the plateau, and there was a wonderful view. We all felt good and we felt healthy, and I felt quite friendly to Cohn. You could not be upset about anything on a day like that. That was the last day before the fiesta. CHAPTER 15 At noon of Sunday, the 6th of July, the fiesta exploded. There is no other way to describe it. People had been coming in all day from the country, but they were assimilated in the town and you did not notice them. The square was as quiet in the hot sun as on any other day. The peasants were in the outlying wine-shops. There they were drinking, getting ready for the fiesta. They had come in so recently from the plains and the hills that it was necessary that they make their shifting in values gradually. They could not start in paying caf prices. They got their money's worth in the wine-shops. Money still had a definite value in hours worked and bushels of grain sold. Late in the fiesta it would not matter what they paid, nor where they bought. Now on the day of the starting of the fiesta of San Fermin they had been in the wine-shops of the narrow streets of the town since early morning. Going down the streets in the morning on the way to mass in the cathedral, I heard them singing through the open doors of the shops. They were warming up. There were many people at the eleven o'clock mass. San Fermin is also a religious festival. I walked down the hill from the cathedral and up the street to the caf on the square. It was a little before noon. Robert Cohn and Bill were sitting at one of the tables. The marble-topped tables and the white wicker chairs were gone. They were replaced by cast-iron tables and severe folding chairs. The caf was like a battleship stripped for action. To-day the waiters did not leave you alone all morning to read without asking if you wanted to order something. A waiter came up as soon as I sat down.</\|quote\|>"What are you drinking?" I asked Bill and Robert. "Sherry," Cohn said. "Jerez," I said to the waiter. Before the waiter brought the sherry the rocket that announced the fiesta went up in the square. It burst and there was a gray ball of smoke high up above the Theatre Gayarre, across on the other side of the plaza. The ball of smoke hung in the sky like a shrapnel burst, and as I watched, another rocket came up to it, trickling smoke in the bright sunlight. I saw the bright flash as it burst and another little cloud of smoke appeared. By the time the second rocket had burst there were so many people in the arcade, that had been empty a minute before, that the waiter, holding the bottle high up over his head, could hardly get through the crowd to our table. People were coming into the square from all sides, and down the street we heard the pipes and the fifes and the drums coming. They were playing the _riau-riau_ music, the pipes shrill and the drums pounding, and behind them came the men and boys dancing. When the fifers stopped they all crouched down in the street, and when the reed-pipes and the fifes shrilled, and the flat, dry, hollow drums tapped it out again, they all went up in the air dancing. In the crowd you saw only the heads and shoulders of the dancers going up and down. In the square a man, bent over, was playing on a reed-pipe, and a crowd of children were following him shouting, and pulling at his clothes. He came out of the square, the children following him, and piped them past the caf and down a side street. We saw his blank pockmarked face as he went by, piping, the children close behind him shouting and pulling at him. "He must be the village idiot," Bill said. "My God! look at that!" Down the street came dancers. The street was solid with dancers, all men. They were all dancing in time behind their own fifers and drummers. They were a club of some sort, and all wore workmen's blue smocks, and red handkerchiefs around their necks, and carried a great banner on two poles. The banner danced up and down with them as they came down surrounded by the crowd. "Hurray for Wine! Hurray for the Foreigners!" was painted on the banner. "Where are the foreigners?" Robert Cohn asked. "We're the foreigners," Bill said. All the time rockets were going up. The caf tables were all full now. The square was emptying of people and the crowd was filling the caf s. "Where's Brett and Mike?" Bill asked. "I'll go and get them," Cohn said. "Bring them here." The fiesta was really started. It kept up day and night for seven days. The dancing kept up, the drinking kept up, the noise went on. The things that happened could only have happened during a fiesta. Everything became quite unreal finally and it seemed as though nothing could have any consequences. It seemed out of place to think of consequences during the fiesta. All during the fiesta you had the feeling, even when it was quiet, that you had to shout any remark to make it heard. It was the same feeling about any action. It was a fiesta and it went on for seven days. That afternoon was the big religious procession. San Fermin was translated from one church to another. In the procession were all the dignitaries, civil and religious. We could not see them because the crowd was too great. Ahead of the formal procession and behind it danced the _riau-riau_ dancers. There was one mass of yellow shirts dancing up and down in the crowd. All we could see of the procession through the closely pressed people that crowded all the side streets and curbs were the great giants, cigar-store Indians, thirty feet high, Moors, a King and Queen, whirling and waltzing solemnly to the _riau-riau_. They were all standing outside the chapel where San Fermin and the dignitaries had passed in, leaving a guard of soldiers, the giants, with the men who danced in them standing beside their resting frames, and the dwarfs moving with their whacking bladders through the crowd. We started inside and there was a smell of incense and people filing back into the church, but Brett was stopped just inside the door because she had no hat, so we went out again and along the street that ran back from the chapel into town. The street was lined on both sides with people keeping their place at the curb for the return of the procession. Some dancers formed a circle around Brett and started to dance. They wore	then." "He'll behave. I'll tell him." "You tell him, Jake. Tell him either he must behave or get out." "Yes," I said, "it would be nice for me to tell him." "Look, Brett. Tell Jake what Robert calls you. That is perfect, you know." "Oh, no. I can't." "Go on. We're all friends. Aren't we all friends, Jake?" "I can't tell him. It's too ridiculous." "I'll tell him." "You won't, Michael. Don't be an ass." "He calls her Circe," Mike said. "He claims she turns men into swine. Damn good. I wish I were one of these literary chaps." "He'd be good, you know," Brett said. "He writes a good letter." "I know," I said. "He wrote me from San Sebastian." "That was nothing," Brett said. "He can write a damned amusing letter." "She made me write that. She was supposed to be ill." "I damned well was, too." "Come on," I said, "we must go in and eat." "How should I meet Cohn?" Mike said. "Just act as though nothing had happened." "It's quite all right with me," Mike said. "I'm not embarrassed." "If he says anything, just say you were tight." "Quite. And the funny thing is I think I was tight." "Come on," Brett said. "Are these poisonous things paid for? I must bathe before dinner." We walked across the square. It was dark and all around the square were the lights from the caf s under the arcades. We walked across the gravel under the trees to the hotel. They went up-stairs and I stopped to speak with Montoya. "Well, how did you like the bulls?" he asked. "Good. They were nice bulls." "They're all right" "--Montoya shook his head--" "but they're not too good." "What didn't you like about them?" "I don't know. They just didn't give me the feeling that they were so good." "I know what you mean." "They're all right." "Yes. They're all right." "How did your friends like them?" "Fine." "Good," Montoya said. I went up-stairs. Bill was in his room standing on the balcony looking out at the square. I stood beside him. "Where's Cohn?" "Up-stairs in his room." "How does he feel?" "Like hell, naturally. Mike was awful. He's terrible when he's tight." "He wasn't so tight." "The hell he wasn't. I know what we had before we came to the caf ." "He sobered up afterward." "Good. He was terrible. I don't like Cohn, God knows, and I think it was a silly trick for him to go down to San Sebastian, but nobody has any business to talk like Mike." "How'd you like the bulls?" "Grand. It's grand the way they bring them out." "To-morrow come the Miuras." "When does the fiesta start?" "Day after to-morrow." "We've got to keep Mike from getting so tight. That kind of stuff is terrible." "We'd better get cleaned up for supper." "Yes. That will be a pleasant meal." "Won't it?"<\|quote\|>As a matter of fact, supper was a pleasant meal. Brett wore a black, sleeveless evening dress. She looked quite beautiful. Mike acted as though nothing had happened. I had to go up and bring Robert Cohn down. He was reserved and formal, and his face was still taut and sallow, but he cheered up finally. He could not stop looking at Brett. It seemed to make him happy. It must have been pleasant for him to see her looking so lovely, and know he had been away with her and that every one knew it. They could not take that away from him. Bill was very funny. So was Michael. They were good together. It was like certain dinners I remember from the war. There was much wine, an ignored tension, and a feeling of things coming that you could not prevent happening. Under the wine I lost the disgusted feeling and was happy. It seemed they were all such nice people. CHAPTER 14 I do not know what time I got to bed. I remember undressing, putting on a bathrobe, and standing out on the balcony. I knew I was quite drunk, and when I came in I put on the light over the head of the bed and started to read. I was reading a book by Turgenieff. Probably I read the same two pages over several times. It was one of the stories in "A Sportsman's Sketches." I had read it before, but it seemed quite new. The country became very clear and the feeling of pressure in my head seemed to loosen. I was very drunk and I did not want to shut my eyes because the room would go round and round. If I kept on reading that feeling would pass. I heard Brett and Robert Cohn come up the stairs. Cohn said good night outside the door and went on up to his room. I heard Brett go into the room next door. Mike was already in bed. He had come in with me an hour before. He woke as she came in, and they talked together. I heard them laugh. I turned off the light and tried to go to sleep. It was not necessary to read any more. I could shut my eyes without getting the wheeling sensation. But I could not sleep. There is no reason why because it is dark you should look at things differently from when it is light. The hell there isn't! I figured that all out once, and for six months I never slept with the electric light off. That was another bright idea. To hell with women, anyway. To hell with you, Brett Ashley. Women made such swell friends. Awfully swell. In the first place, you had to be in love with a woman to have a basis of friendship. I had been having Brett for a friend. I had not been thinking about her side of it. I had been getting something for nothing. That only delayed the presentation of the bill. The bill always came. That was one of the swell things you could count on. I thought I had paid for everything. Not like the woman pays and pays and pays. No idea of retribution or punishment. Just exchange of values. You gave up something and got something else. Or you worked for something. You paid some way for everything that was any good. I paid my way into enough things that I liked, so that I had a good time. Either you paid by learning about them, or by experience, or by taking chances, or by money. Enjoying living was learning to get your money's worth and knowing when you had it. You could get your money's worth. The world was a good place to buy in. It seemed like a fine philosophy. In five years, I thought, it will seem just as silly as all the other fine philosophies I've had. Perhaps that wasn't true, though. Perhaps as you went along you did learn something. I did not care what it was all about. All I wanted to know was how to live in it. Maybe if you found out how to live in it you learned from that what it was all about. I wished Mike would not behave so terribly to Cohn, though. Mike was a bad drunk. Brett was a good drunk. Bill was a good drunk. Cohn was never drunk. Mike was unpleasant after he passed a certain point. I liked to see him hurt Cohn. I wished he would not do it, though, because afterward it made me disgusted at myself. That was morality; things that made you disgusted afterward. No, that must be immorality. That was a large statement. What a lot of bilge I could think up at night. What rot, I could hear Brett say it. What rot! When you were with English you got into the habit of using English expressions in your thinking. The English spoken language--the upper classes, anyway--must have fewer words than the Eskimo. Of course I didn't know anything about the Eskimo. Maybe the Eskimo was a fine language. Say the Cherokee. I didn't know anything about the Cherokee, either. The English talked with inflected phrases. One phrase to mean everything. I liked them, though. I liked the way they talked. Take Harris. Still Harris was not the upper classes. I turned on the light again and read. I read the Turgenieff. I knew that now, reading it in the oversensitized state of my mind after much too much brandy, I would remember it somewhere, and afterward it would seem as though it had really happened to me. I would always have it. That was another good thing you paid for and then had. Some time along toward daylight I went to sleep. * * * * * The next two days in Pamplona were quiet, and there were no more rows. The town was getting ready for the fiesta. Workmen put up the gate-posts that were to shut off the side streets when the bulls were released from the corrals and came running through the streets in the morning on their way to the ring. The workmen dug holes and fitted in the timbers, each timber numbered for its regular place. Out on the plateau beyond the town employees of the bull-ring exercised picador horses, galloping them stiff-legged on the hard, sun-baked fields behind the bull-ring. The big gate of the bull-ring was open, and inside the amphitheatre was being swept. The ring was rolled and sprinkled, and carpenters replaced weakened or cracked planks in the barrera. Standing at the edge of the smooth rolled sand you could look up in the empty stands and see old women sweeping out the boxes. Outside, the fence that led from the last street of the town to the entrance of the bull-ring was already in place and made a long pen; the crowd would come running down with the bulls behind them on the morning of the day of the first bull-fight. Out across the plain, where the horse and cattle fair would be, some gypsies had camped under the trees. The wine and aguardiente sellers were putting up their booths. One booth advertised ANIS DEL TORO. The cloth sign hung against the planks in the hot sun. In the big square that was the centre of the town there was no change yet. We sat in the white wicker chairs on the terrasse of the caf and watched the motor-buses come in and unload peasants from the country coming in to the market, and we watched the buses fill up and start out with peasants sitting with their saddle-bags full of the things they had bought in the town. The tall gray motor-buses were the only life of the square except for the pigeons and the man with a hose who sprinkled the gravelled square and watered the streets. In the evening was the paseo. For an hour after dinner every one, all the good-looking girls, the officers from the garrison, all the fashionable people of the town, walked in the street on one side of the square while the caf tables filled with the regular after-dinner crowd. During the morning I usually sat in the caf and read the Madrid papers and then walked in the town or out into the country. Sometimes Bill went along. Sometimes he wrote in his room. Robert Cohn spent the mornings studying Spanish or trying to get a shave at the barber-shop. Brett and Mike never got up until noon. We all had a vermouth at the caf . It was a quiet life and no one was drunk. I went to church a couple of times, once with Brett. She said she wanted to hear me go to confession, but I told her that not only was it impossible but it was not as interesting as it sounded, and, besides, it would be in a language she did not know. We met Cohn as we came out of church, and although it was obvious he had followed us, yet he was very pleasant and nice, and we all three went for a walk out to the gypsy camp, and Brett had her fortune told. It was a good morning, there were high white clouds above the mountains. It had rained a little in the night and it was fresh and cool on the plateau, and there was a wonderful view. We all felt good and we felt healthy, and I felt quite friendly to Cohn. You could not be upset about anything on a day like that. That was the last day before the fiesta. CHAPTER 15 At noon of Sunday, the 6th of July, the fiesta exploded. There is no other way to describe it. People had been coming in all day from the country, but they were assimilated in the town and you did not notice them. The square was as quiet in the hot sun as on any other day. The peasants were in the outlying wine-shops. There they were drinking, getting ready for the fiesta. They had come in so recently from the plains and the hills that it was necessary that they make their shifting in values gradually. They could not start in paying caf prices. They got their money's worth in the wine-shops. Money still had a definite value in hours worked and bushels of grain sold. Late in the fiesta it would not matter what they paid, nor where they bought. Now on the day of the starting of the fiesta of San Fermin they had been in the wine-shops of the narrow streets of the town since early morning. Going down the streets in the morning on the way to mass in the cathedral, I heard them singing through the open doors of the shops. They were warming up. There were many people at the eleven o'clock mass. San Fermin is also a religious festival. I walked down the hill from the cathedral and up the street to the caf on the square. It was a little before noon. Robert Cohn and Bill were sitting at one of the tables. The marble-topped tables and the white wicker chairs were gone. They were replaced by cast-iron tables and severe folding chairs. The caf was like a battleship stripped for action. To-day the waiters did not leave you alone all morning to read without asking if you wanted to order something. A waiter came up as soon as I sat down.</\|quote\|>"What are you drinking?" I asked Bill and Robert. "Sherry," Cohn said. "Jerez," I said to the waiter. Before the waiter brought the sherry the rocket that announced the fiesta went up in the square. It burst and there was a gray ball of smoke high up above the Theatre Gayarre, across on the other side of the plaza. The ball of smoke hung in the sky like a shrapnel burst, and as I watched, another rocket came up to it, trickling smoke in the bright sunlight. I saw the bright flash as it burst and another little cloud of smoke appeared. By the time the second rocket had burst there were so many people in the arcade, that had been empty a minute before, that the waiter, holding the bottle high up over his head, could hardly get through the crowd to our table. People were coming into the square from all sides, and down the street we heard the pipes and the fifes and the drums coming. They were playing the _riau-riau_ music, the pipes shrill and the drums pounding, and behind them came the men and boys dancing. When the fifers stopped they all crouched down in the street, and when the reed-pipes and the fifes shrilled, and the flat, dry, hollow drums tapped it out again, they all went up in the air dancing. In the crowd you saw only the heads and shoulders of the dancers going up and down. In the square a man, bent over, was playing on a reed-pipe, and a crowd of children were following him shouting, and pulling at his clothes. He came out of the square, the children following him, and piped them past the caf and down a side street. We saw his blank pockmarked face as he went by, piping, the children close behind him shouting and pulling at him. "He must be the village idiot," Bill said. "My God! look at that!" Down the street came dancers. The street was solid with dancers, all men. They were all dancing in time behind their own fifers and drummers. They were a club of some sort, and all wore workmen's blue smocks, and red handkerchiefs around their necks, and carried a great banner on two poles. The banner danced up and down with them as they came down	The Sun Also Rises
"are you still to be a great orator in spite of yourself?"	Mrs. Dashwood	had drawn round the fire;<\|quote\|>"are you still to be a great orator in spite of yourself?"</\|quote\|>"No. I hope my mother	dinner was over and they had drawn round the fire;<\|quote\|>"are you still to be a great orator in spite of yourself?"</\|quote\|>"No. I hope my mother is now convinced that I	whole family perceived it, and Mrs. Dashwood, attributing it to some want of liberality in his mother, sat down to table indignant against all selfish parents. "What are Mrs. Ferrars s views for you at present, Edward?" said she, when dinner was over and they had drawn round the fire;<\|quote\|>"are you still to be a great orator in spite of yourself?"</\|quote\|>"No. I hope my mother is now convinced that I have no more talents than inclination for a public life!" "But how is your fame to be established? for famous you must be to satisfy all your family; and with no inclination for expense, no affection for strangers, no profession,	of seeing him soon become more like himself. His affections seemed to reanimate towards them all, and his interest in their welfare again became perceptible. He was not in spirits, however; he praised their house, admired its prospect, was attentive, and kind; but still he was not in spirits. The whole family perceived it, and Mrs. Dashwood, attributing it to some want of liberality in his mother, sat down to table indignant against all selfish parents. "What are Mrs. Ferrars s views for you at present, Edward?" said she, when dinner was over and they had drawn round the fire;<\|quote\|>"are you still to be a great orator in spite of yourself?"</\|quote\|>"No. I hope my mother is now convinced that I have no more talents than inclination for a public life!" "But how is your fame to be established? for famous you must be to satisfy all your family; and with no inclination for expense, no affection for strangers, no profession, and no assurance, you may find it a difficult matter." "I shall not attempt it. I have no wish to be distinguished; and have every reason to hope I never shall. Thank Heaven! I cannot be forced into genius and eloquence." "You have no ambition, I well know. Your wishes	surprised only for a moment at seeing him; for his coming to Barton was, in her opinion, of all things the most natural. Her joy and expression of regard long outlived her wonder. He received the kindest welcome from her; and shyness, coldness, reserve could not stand against such a reception. They had begun to fail him before he entered the house, and they were quite overcome by the captivating manners of Mrs. Dashwood. Indeed a man could not very well be in love with either of her daughters, without extending the passion to her; and Elinor had the satisfaction of seeing him soon become more like himself. His affections seemed to reanimate towards them all, and his interest in their welfare again became perceptible. He was not in spirits, however; he praised their house, admired its prospect, was attentive, and kind; but still he was not in spirits. The whole family perceived it, and Mrs. Dashwood, attributing it to some want of liberality in his mother, sat down to table indignant against all selfish parents. "What are Mrs. Ferrars s views for you at present, Edward?" said she, when dinner was over and they had drawn round the fire;<\|quote\|>"are you still to be a great orator in spite of yourself?"</\|quote\|>"No. I hope my mother is now convinced that I have no more talents than inclination for a public life!" "But how is your fame to be established? for famous you must be to satisfy all your family; and with no inclination for expense, no affection for strangers, no profession, and no assurance, you may find it a difficult matter." "I shall not attempt it. I have no wish to be distinguished; and have every reason to hope I never shall. Thank Heaven! I cannot be forced into genius and eloquence." "You have no ambition, I well know. Your wishes are all moderate." "As moderate as those of the rest of the world, I believe. I wish as well as every body else to be perfectly happy; but, like every body else it must be in my own way. Greatness will not make me so." "Strange that it would!" cried Marianne. "What have wealth or grandeur to do with happiness?" "Grandeur has but little," said Elinor, "but wealth has much to do with it." "Elinor, for shame!" said Marianne, "money can only give happiness where there is nothing else to give it. Beyond a competence, it can afford no real	replied he, smiling, "among the rest of the objects before me, I see a very dirty lane." "How strange!" said Marianne to herself as she walked on. "Have you an agreeable neighbourhood here? Are the Middletons pleasant people?" "No, not all," answered Marianne; "we could not be more unfortunately situated." "Marianne," cried her sister, "how can you say so? How can you be so unjust? They are a very respectable family, Mr. Ferrars; and towards us have behaved in the friendliest manner. Have you forgot, Marianne, how many pleasant days we have owed to them?" "No," said Marianne, in a low voice, "nor how many painful moments." Elinor took no notice of this; and directing her attention to their visitor, endeavoured to support something like discourse with him, by talking of their present residence, its conveniences, &c. extorting from him occasional questions and remarks. His coldness and reserve mortified her severely; she was vexed and half angry; but resolving to regulate her behaviour to him by the past rather than the present, she avoided every appearance of resentment or displeasure, and treated him as she thought he ought to be treated from the family connection. CHAPTER XVII. Mrs. Dashwood was surprised only for a moment at seeing him; for his coming to Barton was, in her opinion, of all things the most natural. Her joy and expression of regard long outlived her wonder. He received the kindest welcome from her; and shyness, coldness, reserve could not stand against such a reception. They had begun to fail him before he entered the house, and they were quite overcome by the captivating manners of Mrs. Dashwood. Indeed a man could not very well be in love with either of her daughters, without extending the passion to her; and Elinor had the satisfaction of seeing him soon become more like himself. His affections seemed to reanimate towards them all, and his interest in their welfare again became perceptible. He was not in spirits, however; he praised their house, admired its prospect, was attentive, and kind; but still he was not in spirits. The whole family perceived it, and Mrs. Dashwood, attributing it to some want of liberality in his mother, sat down to table indignant against all selfish parents. "What are Mrs. Ferrars s views for you at present, Edward?" said she, when dinner was over and they had drawn round the fire;<\|quote\|>"are you still to be a great orator in spite of yourself?"</\|quote\|>"No. I hope my mother is now convinced that I have no more talents than inclination for a public life!" "But how is your fame to be established? for famous you must be to satisfy all your family; and with no inclination for expense, no affection for strangers, no profession, and no assurance, you may find it a difficult matter." "I shall not attempt it. I have no wish to be distinguished; and have every reason to hope I never shall. Thank Heaven! I cannot be forced into genius and eloquence." "You have no ambition, I well know. Your wishes are all moderate." "As moderate as those of the rest of the world, I believe. I wish as well as every body else to be perfectly happy; but, like every body else it must be in my own way. Greatness will not make me so." "Strange that it would!" cried Marianne. "What have wealth or grandeur to do with happiness?" "Grandeur has but little," said Elinor, "but wealth has much to do with it." "Elinor, for shame!" said Marianne, "money can only give happiness where there is nothing else to give it. Beyond a competence, it can afford no real satisfaction, as far as mere self is concerned." "Perhaps," said Elinor, smiling, "we may come to the same point. _Your_ competence and _my_ wealth are very much alike, I dare say; and without them, as the world goes now, we shall both agree that every kind of external comfort must be wanting. Your ideas are only more noble than mine. Come, what is your competence?" "About eighteen hundred or two thousand a year; not more than _that_." Elinor laughed. "_two_ thousand a year! _one_ is my wealth! I guessed how it would end." "And yet two thousand a-year is a very moderate income," said Marianne. "A family cannot well be maintained on a smaller. I am sure I am not extravagant in my demands. A proper establishment of servants, a carriage, perhaps two, and hunters, cannot be supported on less." Elinor smiled again, to hear her sister describing so accurately their future expenses at Combe Magna. "Hunters!" repeated Edward "but why must you have hunters? Every body does not hunt." Marianne coloured as she replied, "But most people do." "I wish," said Margaret, striking out a novel thought, "that somebody would give us all a large fortune apiece!" "Oh that	of pleasure in seeing them, looked neither rapturous nor gay, said little but what was forced from him by questions, and distinguished Elinor by no mark of affection. Marianne saw and listened with increasing surprise. She began almost to feel a dislike of Edward; and it ended, as every feeling must end with her, by carrying back her thoughts to Willoughby, whose manners formed a contrast sufficiently striking to those of his brother elect. After a short silence which succeeded the first surprise and enquiries of meeting, Marianne asked Edward if he came directly from London. No, he had been in Devonshire a fortnight. "A fortnight!" she repeated, surprised at his being so long in the same county with Elinor without seeing her before. He looked rather distressed as he added, that he had been staying with some friends near Plymouth. "Have you been lately in Sussex?" said Elinor. "I was at Norland about a month ago." "And how does dear, dear Norland look?" cried Marianne. "Dear, dear Norland," said Elinor, "probably looks much as it always does at this time of the year. The woods and walks thickly covered with dead leaves." "Oh," cried Marianne, "with what transporting sensation have I formerly seen them fall! How have I delighted, as I walked, to see them driven in showers about me by the wind! What feelings have they, the season, the air altogether inspired! Now there is no one to regard them. They are seen only as a nuisance, swept hastily off, and driven as much as possible from the sight." "It is not every one," said Elinor, "who has your passion for dead leaves." "No; my feelings are not often shared, not often understood. But _sometimes_ they are." As she said this, she sunk into a reverie for a few moments; but rousing herself again, "Now, Edward," said she, calling his attention to the prospect, "here is Barton valley. Look up to it, and be tranquil if you can. Look at those hills! Did you ever see their equals? To the left is Barton park, amongst those woods and plantations. You may see the end of the house. And there, beneath that farthest hill, which rises with such grandeur, is our cottage." "It is a beautiful country," he replied; "but these bottoms must be dirty in winter." "How can you think of dirt, with such objects before you?" "Because," replied he, smiling, "among the rest of the objects before me, I see a very dirty lane." "How strange!" said Marianne to herself as she walked on. "Have you an agreeable neighbourhood here? Are the Middletons pleasant people?" "No, not all," answered Marianne; "we could not be more unfortunately situated." "Marianne," cried her sister, "how can you say so? How can you be so unjust? They are a very respectable family, Mr. Ferrars; and towards us have behaved in the friendliest manner. Have you forgot, Marianne, how many pleasant days we have owed to them?" "No," said Marianne, in a low voice, "nor how many painful moments." Elinor took no notice of this; and directing her attention to their visitor, endeavoured to support something like discourse with him, by talking of their present residence, its conveniences, &c. extorting from him occasional questions and remarks. His coldness and reserve mortified her severely; she was vexed and half angry; but resolving to regulate her behaviour to him by the past rather than the present, she avoided every appearance of resentment or displeasure, and treated him as she thought he ought to be treated from the family connection. CHAPTER XVII. Mrs. Dashwood was surprised only for a moment at seeing him; for his coming to Barton was, in her opinion, of all things the most natural. Her joy and expression of regard long outlived her wonder. He received the kindest welcome from her; and shyness, coldness, reserve could not stand against such a reception. They had begun to fail him before he entered the house, and they were quite overcome by the captivating manners of Mrs. Dashwood. Indeed a man could not very well be in love with either of her daughters, without extending the passion to her; and Elinor had the satisfaction of seeing him soon become more like himself. His affections seemed to reanimate towards them all, and his interest in their welfare again became perceptible. He was not in spirits, however; he praised their house, admired its prospect, was attentive, and kind; but still he was not in spirits. The whole family perceived it, and Mrs. Dashwood, attributing it to some want of liberality in his mother, sat down to table indignant against all selfish parents. "What are Mrs. Ferrars s views for you at present, Edward?" said she, when dinner was over and they had drawn round the fire;<\|quote\|>"are you still to be a great orator in spite of yourself?"</\|quote\|>"No. I hope my mother is now convinced that I have no more talents than inclination for a public life!" "But how is your fame to be established? for famous you must be to satisfy all your family; and with no inclination for expense, no affection for strangers, no profession, and no assurance, you may find it a difficult matter." "I shall not attempt it. I have no wish to be distinguished; and have every reason to hope I never shall. Thank Heaven! I cannot be forced into genius and eloquence." "You have no ambition, I well know. Your wishes are all moderate." "As moderate as those of the rest of the world, I believe. I wish as well as every body else to be perfectly happy; but, like every body else it must be in my own way. Greatness will not make me so." "Strange that it would!" cried Marianne. "What have wealth or grandeur to do with happiness?" "Grandeur has but little," said Elinor, "but wealth has much to do with it." "Elinor, for shame!" said Marianne, "money can only give happiness where there is nothing else to give it. Beyond a competence, it can afford no real satisfaction, as far as mere self is concerned." "Perhaps," said Elinor, smiling, "we may come to the same point. _Your_ competence and _my_ wealth are very much alike, I dare say; and without them, as the world goes now, we shall both agree that every kind of external comfort must be wanting. Your ideas are only more noble than mine. Come, what is your competence?" "About eighteen hundred or two thousand a year; not more than _that_." Elinor laughed. "_two_ thousand a year! _one_ is my wealth! I guessed how it would end." "And yet two thousand a-year is a very moderate income," said Marianne. "A family cannot well be maintained on a smaller. I am sure I am not extravagant in my demands. A proper establishment of servants, a carriage, perhaps two, and hunters, cannot be supported on less." Elinor smiled again, to hear her sister describing so accurately their future expenses at Combe Magna. "Hunters!" repeated Edward "but why must you have hunters? Every body does not hunt." Marianne coloured as she replied, "But most people do." "I wish," said Margaret, striking out a novel thought, "that somebody would give us all a large fortune apiece!" "Oh that they would!" cried Marianne, her eyes sparkling with animation, and her cheeks glowing with the delight of such imaginary happiness. "We are all unanimous in that wish, I suppose," said Elinor, "in spite of the insufficiency of wealth." "Oh dear!" cried Margaret, "how happy I should be! I wonder what I should do with it!" Marianne looked as if she had no doubt on that point. "I should be puzzled to spend so large a fortune myself," said Mrs. Dashwood, "if my children were all to be rich without my help." "You must begin your improvements on this house," observed Elinor, "and your difficulties will soon vanish." "What magnificent orders would travel from this family to London," said Edward, "in such an event! What a happy day for booksellers, music-sellers, and print-shops! You, Miss Dashwood, would give a general commission for every new print of merit to be sent you and as for Marianne, I know her greatness of soul, there would not be music enough in London to content her. And books! Thomson, Cowper, Scott she would buy them all over and over again: she would buy up every copy, I believe, to prevent their falling into unworthy hands; and she would have every book that tells her how to admire an old twisted tree. Should not you, Marianne? Forgive me, if I am very saucy. But I was willing to show you that I had not forgot our old disputes." "I love to be reminded of the past, Edward whether it be melancholy or gay, I love to recall it and you will never offend me by talking of former times. You are very right in supposing how my money would be spent some of it, at least my loose cash would certainly be employed in improving my collection of music and books." "And the bulk of your fortune would be laid out in annuities on the authors or their heirs." "No, Edward, I should have something else to do with it." "Perhaps, then, you would bestow it as a reward on that person who wrote the ablest defence of your favourite maxim, that no one can ever be in love more than once in their life your opinion on that point is unchanged, I presume?" "Undoubtedly. At my time of life opinions are tolerably fixed. It is not likely that I should now see or hear any	him as she thought he ought to be treated from the family connection. CHAPTER XVII. Mrs. Dashwood was surprised only for a moment at seeing him; for his coming to Barton was, in her opinion, of all things the most natural. Her joy and expression of regard long outlived her wonder. He received the kindest welcome from her; and shyness, coldness, reserve could not stand against such a reception. They had begun to fail him before he entered the house, and they were quite overcome by the captivating manners of Mrs. Dashwood. Indeed a man could not very well be in love with either of her daughters, without extending the passion to her; and Elinor had the satisfaction of seeing him soon become more like himself. His affections seemed to reanimate towards them all, and his interest in their welfare again became perceptible. He was not in spirits, however; he praised their house, admired its prospect, was attentive, and kind; but still he was not in spirits. The whole family perceived it, and Mrs. Dashwood, attributing it to some want of liberality in his mother, sat down to table indignant against all selfish parents. "What are Mrs. Ferrars s views for you at present, Edward?" said she, when dinner was over and they had drawn round the fire;<\|quote\|>"are you still to be a great orator in spite of yourself?"</\|quote\|>"No. I hope my mother is now convinced that I have no more talents than inclination for a public life!" "But how is your fame to be established? for famous you must be to satisfy all your family; and with no inclination for expense, no affection for strangers, no profession, and no assurance, you may find it a difficult matter." "I shall not attempt it. I have no wish to be distinguished; and have every reason to hope I never shall. Thank Heaven! I cannot be forced into genius and eloquence." "You have no ambition, I well know. Your wishes are all moderate." "As moderate as those of the rest of the world, I believe. I wish as well as every body else to be perfectly happy; but, like every body else it must be in my own way. Greatness will not make me so." "Strange that it would!" cried Marianne. "What have wealth or grandeur to do with happiness?" "Grandeur has but little," said Elinor, "but wealth has much to do with it." "Elinor, for shame!" said Marianne, "money can only give happiness where there is nothing else to give it. Beyond a competence, it can afford no real satisfaction, as far as mere self is concerned." "Perhaps," said Elinor, smiling, "we may come to the same point. _Your_ competence and _my_ wealth are very much alike, I dare say; and without them, as the world goes now, we shall both agree that every kind of external comfort must be wanting. Your ideas are only more noble than mine. Come, what is your competence?" "About eighteen hundred or two thousand a year; not more than _that_." Elinor laughed. "_two_ thousand a year! _one_ is my wealth! I guessed how it would end." "And yet two thousand a-year is a very moderate income," said Marianne. "A family cannot well be maintained on a smaller. I am sure I am not extravagant in my demands. A proper establishment of servants, a carriage, perhaps two, and hunters, cannot be supported on less." Elinor smiled again, to hear her sister describing so accurately their future expenses at Combe Magna. "Hunters!" repeated Edward "but why must you have hunters? Every body does not hunt." Marianne coloured as she replied, "But most people do." "I wish," said Margaret, striking out a novel thought, "that somebody would give us all a large fortune apiece!" "Oh that they would!" cried Marianne, her eyes sparkling with animation, and her cheeks glowing with the delight of such imaginary happiness. "We are all unanimous in that wish, I suppose," said Elinor, "in spite of the insufficiency of wealth." "Oh dear!" cried Margaret, "how happy I should be! I wonder what I should do with it!" Marianne looked as if she had no doubt on that point. "I should be puzzled to spend so large a fortune myself," said Mrs. Dashwood, "if my children were all to be rich without my help." "You must begin your improvements on this house," observed Elinor, "and your difficulties will soon vanish." "What magnificent orders would travel from this family to London," said Edward, "in such an event! What a happy day for booksellers, music-sellers, and print-shops! You, Miss Dashwood, would give a general commission for every new print of merit to be sent you and as for Marianne, I know her greatness of soul, there would not be music enough in London to content her. And books! Thomson, Cowper, Scott she would buy them all over and over	Sense And Sensibility
“I know it was silly, but I could n’t help it. I wanted her right here. She’d never been away from me a night since she was born. If Anton had made trouble about her when she was a baby, or wanted me to leave her with my mother, I would n’t have married him. I could n’t. But he always loved her like she was his own.”	Antonia	nodded and smiled at herself.<\|quote\|>“I know it was silly, but I could n’t help it. I wanted her right here. She’d never been away from me a night since she was born. If Anton had made trouble about her when she was a baby, or wanted me to leave her with my mother, I would n’t have married him. I could n’t. But he always loved her like she was his own.”</\|quote\|>“I did n’t even know	patient with you, mother.” Ántonia nodded and smiled at herself.<\|quote\|>“I know it was silly, but I could n’t help it. I wanted her right here. She’d never been away from me a night since she was born. If Anton had made trouble about her when she was a baby, or wanted me to leave her with my mother, I would n’t have married him. I could n’t. But he always loved her like she was his own.”</\|quote\|>“I did n’t even know Martha was n’t my full	was pouring cream into the churn. She looked up at me. “Yes, she did. We were just ashamed of mother. She went round crying, when Martha was so happy, and the rest of us were all glad. Joe certainly was patient with you, mother.” Ántonia nodded and smiled at herself.<\|quote\|>“I know it was silly, but I could n’t help it. I wanted her right here. She’d never been away from me a night since she was born. If Anton had made trouble about her when she was a baby, or wanted me to leave her with my mother, I would n’t have married him. I could n’t. But he always loved her like she was his own.”</\|quote\|>“I did n’t even know Martha was n’t my full sister until after she was engaged to Joe,” Anna told me. Toward the middle of the afternoon the wagon drove in, with the father and the eldest son. I was smoking in the orchard, and as I went out to	in here, and unwrap him, he looks like a little prince; Martha takes care of him so beautiful. I’m reconciled to her being away from me now, but at first I cried like I was putting her into her coffin.” We were alone in the kitchen, except for Anna, who was pouring cream into the churn. She looked up at me. “Yes, she did. We were just ashamed of mother. She went round crying, when Martha was so happy, and the rest of us were all glad. Joe certainly was patient with you, mother.” Ántonia nodded and smiled at herself.<\|quote\|>“I know it was silly, but I could n’t help it. I wanted her right here. She’d never been away from me a night since she was born. If Anton had made trouble about her when she was a baby, or wanted me to leave her with my mother, I would n’t have married him. I could n’t. But he always loved her like she was his own.”</\|quote\|>“I did n’t even know Martha was n’t my full sister until after she was engaged to Joe,” Anna told me. Toward the middle of the afternoon the wagon drove in, with the father and the eldest son. I was smoking in the orchard, and as I went out to meet them, Ántonia came running down from the house and hugged the two men as if they had been away for months. “Papa” interested me, from my first glimpse of him. He was shorter than his older sons; a crumpled little man, with run-over boot heels, and he carried one	Wilber on the noon train. “We’ll only have a lunch at noon,” Ántonia said, “and cook the geese for supper, when our papa will be here. I wish my Martha could come down to see you. They have a Ford car now, and she don’t seem so far away from me as she used to. But her husband’s crazy about his farm and about having everything just right, and they almost never get away except on Sundays. He’s a handsome boy, and he’ll be rich some day. Everything he takes hold of turns out well. When they bring that baby in here, and unwrap him, he looks like a little prince; Martha takes care of him so beautiful. I’m reconciled to her being away from me now, but at first I cried like I was putting her into her coffin.” We were alone in the kitchen, except for Anna, who was pouring cream into the churn. She looked up at me. “Yes, she did. We were just ashamed of mother. She went round crying, when Martha was so happy, and the rest of us were all glad. Joe certainly was patient with you, mother.” Ántonia nodded and smiled at herself.<\|quote\|>“I know it was silly, but I could n’t help it. I wanted her right here. She’d never been away from me a night since she was born. If Anton had made trouble about her when she was a baby, or wanted me to leave her with my mother, I would n’t have married him. I could n’t. But he always loved her like she was his own.”</\|quote\|>“I did n’t even know Martha was n’t my full sister until after she was engaged to Joe,” Anna told me. Toward the middle of the afternoon the wagon drove in, with the father and the eldest son. I was smoking in the orchard, and as I went out to meet them, Ántonia came running down from the house and hugged the two men as if they had been away for months. “Papa” interested me, from my first glimpse of him. He was shorter than his older sons; a crumpled little man, with run-over boot heels, and he carried one shoulder higher than the other. But he moved very quickly, and there was an air of jaunty liveliness about him. He had a strong, ruddy color, thick black hair, a little grizzled, a curly mustache, and red lips. His smile showed the strong teeth of which his wife was so proud, and as he saw me his lively, quizzical eyes told me that he knew all about me. He looked like a humorous philosopher who had hitched up one shoulder under the burdens of life, and gone on his way having a good time when he could. He advanced to	awake and was tickling his brother’s leg with a dried cone-flower he had pulled out of the hay. Ambrosch kicked at him and turned over. I closed my eyes and pretended to be asleep. Leo lay on his back, elevated one foot, and began exercising his toes. He picked up dried flowers with his toes and brandished them in the belt of sunlight. After he had amused himself thus for some time, he rose on one elbow and began to look at me, cautiously, then critically, blinking his eyes in the light. His expression was droll; it dismissed me lightly. “This old fellow is no different from other people. He does n’t know my secret.” He seemed conscious of possessing a keener power of enjoyment than other people; his quick recognitions made him frantically impatient of deliberate judgments. He always knew what he wanted without thinking. After dressing in the hay, I washed my face in cold water at the windmill. Breakfast was ready when I entered the kitchen, and Yulka was baking griddle-cakes. The three older boys set off for the fields early. Leo and Yulka were to drive to town to meet their father, who would return from Wilber on the noon train. “We’ll only have a lunch at noon,” Ántonia said, “and cook the geese for supper, when our papa will be here. I wish my Martha could come down to see you. They have a Ford car now, and she don’t seem so far away from me as she used to. But her husband’s crazy about his farm and about having everything just right, and they almost never get away except on Sundays. He’s a handsome boy, and he’ll be rich some day. Everything he takes hold of turns out well. When they bring that baby in here, and unwrap him, he looks like a little prince; Martha takes care of him so beautiful. I’m reconciled to her being away from me now, but at first I cried like I was putting her into her coffin.” We were alone in the kitchen, except for Anna, who was pouring cream into the churn. She looked up at me. “Yes, she did. We were just ashamed of mother. She went round crying, when Martha was so happy, and the rest of us were all glad. Joe certainly was patient with you, mother.” Ántonia nodded and smiled at herself.<\|quote\|>“I know it was silly, but I could n’t help it. I wanted her right here. She’d never been away from me a night since she was born. If Anton had made trouble about her when she was a baby, or wanted me to leave her with my mother, I would n’t have married him. I could n’t. But he always loved her like she was his own.”</\|quote\|>“I did n’t even know Martha was n’t my full sister until after she was engaged to Joe,” Anna told me. Toward the middle of the afternoon the wagon drove in, with the father and the eldest son. I was smoking in the orchard, and as I went out to meet them, Ántonia came running down from the house and hugged the two men as if they had been away for months. “Papa” interested me, from my first glimpse of him. He was shorter than his older sons; a crumpled little man, with run-over boot heels, and he carried one shoulder higher than the other. But he moved very quickly, and there was an air of jaunty liveliness about him. He had a strong, ruddy color, thick black hair, a little grizzled, a curly mustache, and red lips. His smile showed the strong teeth of which his wife was so proud, and as he saw me his lively, quizzical eyes told me that he knew all about me. He looked like a humorous philosopher who had hitched up one shoulder under the burdens of life, and gone on his way having a good time when he could. He advanced to meet me and gave me a hard hand, burned red on the back and heavily coated with hair. He wore his Sunday clothes, very thick and hot for the weather, an unstarched white shirt, and a blue necktie with big white dots, like a little boy’s, tied in a flowing bow. Cuzak began at once to talk about his holiday—from politeness he spoke in English. “Mama, I wish you had see the lady dance on the slack-wire in the street at night. They throw a bright light on her and she float through the air something beautiful, like a bird! They have a dancing bear, like in the old country, and two three merry-go-around, and people in balloons, and what you call the big wheel, Rudolph?” “A Ferris wheel,” Rudolph entered the conversation in a deep baritone voice. He was six foot two, and had a chest like a young blacksmith. “We went to the big dance in the hall behind the saloon last night, mother, and I danced with all the girls, and so did father. I never saw so many pretty girls. It was a Bohunk crowd, for sure. We did n’t hear a word of English on	haymow, and I lay down before a big window, left open in warm weather, that looked out into the stars. Ambrosch and Leo cuddled up in a hay-cave, back under the eaves, and lay giggling and whispering. They tickled each other and tossed and tumbled in the hay; and then, all at once, as if they had been shot, they were still. There was hardly a minute between giggles and bland slumber. I lay awake for a long while, until the slow-moving moon passed my window on its way up the heavens. I was thinking about Ántonia and her children; about Anna’s solicitude for her, Ambrosch’s grave affection, Leo’s jealous, animal little love. That moment, when they all came tumbling out of the cave into the light, was a sight any man might have come far to see. Ántonia had always been one to leave images in the mind that did not fade—that grew stronger with time. In my memory there was a succession of such pictures, fixed there like the old woodcuts of one’s first primer: Ántonia kicking her bare legs against the sides of my pony when we came home in triumph with our snake; Ántonia in her black shawl and fur cap, as she stood by her father’s grave in the snowstorm; Ántonia coming in with her work-team along the evening sky-line. She lent herself to immemorial human attitudes which we recognize by instinct as universal and true. I had not been mistaken. She was a battered woman now, not a lovely girl; but she still had that something which fires the imagination, could still stop one’s breath for a moment by a look or gesture that somehow revealed the meaning in common things. She had only to stand in the orchard, to put her hand on a little crab tree and look up at the apples, to make you feel the goodness of planting and tending and harvesting at last. All the strong things of her heart came out in her body, that had been so tireless in serving generous emotions. It was no wonder that her sons stood tall and straight. She was a rich mine of life, like the founders of early races. II WHEN I awoke in the morning long bands of sunshine were coming in at the window and reaching back under the eaves where the two boys lay. Leo was wide awake and was tickling his brother’s leg with a dried cone-flower he had pulled out of the hay. Ambrosch kicked at him and turned over. I closed my eyes and pretended to be asleep. Leo lay on his back, elevated one foot, and began exercising his toes. He picked up dried flowers with his toes and brandished them in the belt of sunlight. After he had amused himself thus for some time, he rose on one elbow and began to look at me, cautiously, then critically, blinking his eyes in the light. His expression was droll; it dismissed me lightly. “This old fellow is no different from other people. He does n’t know my secret.” He seemed conscious of possessing a keener power of enjoyment than other people; his quick recognitions made him frantically impatient of deliberate judgments. He always knew what he wanted without thinking. After dressing in the hay, I washed my face in cold water at the windmill. Breakfast was ready when I entered the kitchen, and Yulka was baking griddle-cakes. The three older boys set off for the fields early. Leo and Yulka were to drive to town to meet their father, who would return from Wilber on the noon train. “We’ll only have a lunch at noon,” Ántonia said, “and cook the geese for supper, when our papa will be here. I wish my Martha could come down to see you. They have a Ford car now, and she don’t seem so far away from me as she used to. But her husband’s crazy about his farm and about having everything just right, and they almost never get away except on Sundays. He’s a handsome boy, and he’ll be rich some day. Everything he takes hold of turns out well. When they bring that baby in here, and unwrap him, he looks like a little prince; Martha takes care of him so beautiful. I’m reconciled to her being away from me now, but at first I cried like I was putting her into her coffin.” We were alone in the kitchen, except for Anna, who was pouring cream into the churn. She looked up at me. “Yes, she did. We were just ashamed of mother. She went round crying, when Martha was so happy, and the rest of us were all glad. Joe certainly was patient with you, mother.” Ántonia nodded and smiled at herself.<\|quote\|>“I know it was silly, but I could n’t help it. I wanted her right here. She’d never been away from me a night since she was born. If Anton had made trouble about her when she was a baby, or wanted me to leave her with my mother, I would n’t have married him. I could n’t. But he always loved her like she was his own.”</\|quote\|>“I did n’t even know Martha was n’t my full sister until after she was engaged to Joe,” Anna told me. Toward the middle of the afternoon the wagon drove in, with the father and the eldest son. I was smoking in the orchard, and as I went out to meet them, Ántonia came running down from the house and hugged the two men as if they had been away for months. “Papa” interested me, from my first glimpse of him. He was shorter than his older sons; a crumpled little man, with run-over boot heels, and he carried one shoulder higher than the other. But he moved very quickly, and there was an air of jaunty liveliness about him. He had a strong, ruddy color, thick black hair, a little grizzled, a curly mustache, and red lips. His smile showed the strong teeth of which his wife was so proud, and as he saw me his lively, quizzical eyes told me that he knew all about me. He looked like a humorous philosopher who had hitched up one shoulder under the burdens of life, and gone on his way having a good time when he could. He advanced to meet me and gave me a hard hand, burned red on the back and heavily coated with hair. He wore his Sunday clothes, very thick and hot for the weather, an unstarched white shirt, and a blue necktie with big white dots, like a little boy’s, tied in a flowing bow. Cuzak began at once to talk about his holiday—from politeness he spoke in English. “Mama, I wish you had see the lady dance on the slack-wire in the street at night. They throw a bright light on her and she float through the air something beautiful, like a bird! They have a dancing bear, like in the old country, and two three merry-go-around, and people in balloons, and what you call the big wheel, Rudolph?” “A Ferris wheel,” Rudolph entered the conversation in a deep baritone voice. He was six foot two, and had a chest like a young blacksmith. “We went to the big dance in the hall behind the saloon last night, mother, and I danced with all the girls, and so did father. I never saw so many pretty girls. It was a Bohunk crowd, for sure. We did n’t hear a word of English on the street, except from the show people, did we, papa?” Cuzak nodded. “And very many send word to you, Ántonia. You will excuse” —turning to me— “if I tell her.” While we walked toward the house he related incidents and delivered messages in the tongue he spoke fluently, and I dropped a little behind, curious to know what their relations had become—or remained. The two seemed to be on terms of easy friendliness, touched with humor. Clearly, she was the impulse, and he the corrective. As they went up the hill he kept glancing at her sidewise, to see whether she got his point, or how she received it. I noticed later that he always looked at people sidewise, as a work-horse does at its yoke-mate. Even when he sat opposite me in the kitchen, talking, he would turn his head a little toward the clock or the stove and look at me from the side, but with frankness and good-nature. This trick did not suggest duplicity or secretiveness, but merely long habit, as with the horse. He had brought a tintype of himself and Rudolph for Ántonia’s collection, and several paper bags of candy for the children. He looked a little disappointed when his wife showed him a big box of candy I had got in Denver—she had n’t let the children touch it the night before. He put his candy away in the cupboard, “for when she rains,” and glanced at the box, chuckling. “I guess you must have hear about how my family ain’t so small,” he said. Cuzak sat down behind the stove and watched his women-folk and the little children with equal amusement. He thought they were nice, and he thought they were funny, evidently. He had been off dancing with the girls and forgetting that he was an old fellow, and now his family rather surprised him; he seemed to think it a joke that all these children should belong to him. As the younger ones slipped up to him in his retreat, he kept taking things out of his pockets; penny dolls, a wooden clown, a balloon pig that was inflated by a whistle. He beckoned to the little boy they called Jan, whispered to him, and presented him with a paper snake, gently, so as not to startle him. Looking over the boy’s head he said to me, “This one is bashful.	woman now, not a lovely girl; but she still had that something which fires the imagination, could still stop one’s breath for a moment by a look or gesture that somehow revealed the meaning in common things. She had only to stand in the orchard, to put her hand on a little crab tree and look up at the apples, to make you feel the goodness of planting and tending and harvesting at last. All the strong things of her heart came out in her body, that had been so tireless in serving generous emotions. It was no wonder that her sons stood tall and straight. She was a rich mine of life, like the founders of early races. II WHEN I awoke in the morning long bands of sunshine were coming in at the window and reaching back under the eaves where the two boys lay. Leo was wide awake and was tickling his brother’s leg with a dried cone-flower he had pulled out of the hay. Ambrosch kicked at him and turned over. I closed my eyes and pretended to be asleep. Leo lay on his back, elevated one foot, and began exercising his toes. He picked up dried flowers with his toes and brandished them in the belt of sunlight. After he had amused himself thus for some time, he rose on one elbow and began to look at me, cautiously, then critically, blinking his eyes in the light. His expression was droll; it dismissed me lightly. “This old fellow is no different from other people. He does n’t know my secret.” He seemed conscious of possessing a keener power of enjoyment than other people; his quick recognitions made him frantically impatient of deliberate judgments. He always knew what he wanted without thinking. After dressing in the hay, I washed my face in cold water at the windmill. Breakfast was ready when I entered the kitchen, and Yulka was baking griddle-cakes. The three older boys set off for the fields early. Leo and Yulka were to drive to town to meet their father, who would return from Wilber on the noon train. “We’ll only have a lunch at noon,” Ántonia said, “and cook the geese for supper, when our papa will be here. I wish my Martha could come down to see you. They have a Ford car now, and she don’t seem so far away from me as she used to. But her husband’s crazy about his farm and about having everything just right, and they almost never get away except on Sundays. He’s a handsome boy, and he’ll be rich some day. Everything he takes hold of turns out well. When they bring that baby in here, and unwrap him, he looks like a little prince; Martha takes care of him so beautiful. I’m reconciled to her being away from me now, but at first I cried like I was putting her into her coffin.” We were alone in the kitchen, except for Anna, who was pouring cream into the churn. She looked up at me. “Yes, she did. We were just ashamed of mother. She went round crying, when Martha was so happy, and the rest of us were all glad. Joe certainly was patient with you, mother.” Ántonia nodded and smiled at herself.<\|quote\|>“I know it was silly, but I could n’t help it. I wanted her right here. She’d never been away from me a night since she was born. If Anton had made trouble about her when she was a baby, or wanted me to leave her with my mother, I would n’t have married him. I could n’t. But he always loved her like she was his own.”</\|quote\|>“I did n’t even know Martha was n’t my full sister until after she was engaged to Joe,” Anna told me. Toward the middle of the afternoon the wagon drove in, with the father and the eldest son. I was smoking in the orchard, and as I went out to meet them, Ántonia came running down from the house and hugged the two men as if they had been away for months. “Papa” interested me, from my first glimpse of him. He was shorter than his older sons; a crumpled little man, with run-over boot heels, and he carried one shoulder higher than the other. But he moved very quickly, and there was an air of jaunty liveliness about him. He had a strong, ruddy color, thick black hair, a little grizzled, a curly mustache, and red lips. His smile showed the strong teeth of which his wife was so proud, and as he saw me his lively, quizzical eyes told me that he knew all about me. He looked like a humorous philosopher who had hitched up one shoulder under the burdens of life, and gone on his way having a good time when he could. He advanced to meet me and gave me a hard hand, burned red on the back and heavily coated with hair. He wore his Sunday clothes, very thick and hot for the weather, an unstarched white shirt, and a blue necktie with big white dots, like a little boy’s, tied in a flowing bow. Cuzak began at once to talk about his holiday—from politeness he spoke in English. “Mama, I wish you had see the lady dance on the slack-wire in the street at night. They throw a bright light on her and she float through the air something beautiful, like a bird! They have a dancing bear, like in the old country, and two three merry-go-around, and people in balloons, and what you call the big wheel, Rudolph?” “A Ferris wheel,” Rudolph entered the conversation in a deep baritone voice. He was six foot two, and had a chest like a young blacksmith. “We went to the big dance in the hall behind the saloon last night, mother, and I danced with all the girls, and so did father. I never saw so many pretty girls. It was a Bohunk crowd, for sure. We did n’t hear a word of English on the street, except from the show people, did we, papa?” Cuzak nodded. “And very many send word to you, Ántonia. You will excuse” —turning to me— “if I tell her.” While we walked toward the house he related incidents and delivered messages in the tongue he spoke fluently, and I dropped a little behind, curious to know what their relations had become—or remained. The two seemed to be on terms of easy friendliness, touched with humor. Clearly, she was the impulse, and he the corrective. As they went up the hill he kept glancing at her sidewise, to see whether she got his point, or how she received it. I noticed later that he always looked at people sidewise, as a work-horse does at its yoke-mate. Even when he sat opposite me in the kitchen, talking, he would turn his head a little toward the clock or the stove	My Antonia
"Did you MIND my telling her first, Newland?"	Miss Welland	wife was watching him intently.<\|quote\|>"Did you MIND my telling her first, Newland?"</\|quote\|>"Mind? Why should I?" He	stopping. He felt that his wife was watching him intently.<\|quote\|>"Did you MIND my telling her first, Newland?"</\|quote\|>"Mind? Why should I?" He made a last effort to	mother." She paused, and then added hurriedly, the blood flushing up to her forehead: "That is--and Ellen. You know I told you we'd had a long talk one afternoon--and how dear she was to me." "Ah--" said Archer, his heart stopping. He felt that his wife was watching him intently.<\|quote\|>"Did you MIND my telling her first, Newland?"</\|quote\|>"Mind? Why should I?" He made a last effort to collect himself. "But that was a fortnight ago, wasn't it? I thought you said you weren't sure till today." Her colour burned deeper, but she held his gaze. "No; I wasn't sure then--but I told her I was. And you	freed herself from his arms and stood up. "You didn't guess--?" "Yes--I; no. That is, of course I hoped--" They looked at each other for an instant and again fell silent; then, turning his eyes from hers, he asked abruptly: "Have you told any one else?" "Only Mamma and your mother." She paused, and then added hurriedly, the blood flushing up to her forehead: "That is--and Ellen. You know I told you we'd had a long talk one afternoon--and how dear she was to me." "Ah--" said Archer, his heart stopping. He felt that his wife was watching him intently.<\|quote\|>"Did you MIND my telling her first, Newland?"</\|quote\|>"Mind? Why should I?" He made a last effort to collect himself. "But that was a fortnight ago, wasn't it? I thought you said you weren't sure till today." Her colour burned deeper, but she held his gaze. "No; I wasn't sure then--but I told her I was. And you see I was right!" she exclaimed, her blue eyes wet with victory. XXXIV. Newland Archer sat at the writing-table in his library in East Thirty-ninth Street. He had just got back from a big official reception for the inauguration of the new galleries at the Metropolitan Museum, and the spectacle	each separate syllable tapped like a little hammer on his brain: "That is, if the doctors will let me go ... but I'm afraid they won't. For you see, Newland, I've been sure since this morning of something I've been so longing and hoping for--" He looked up at her with a sick stare, and she sank down, all dew and roses, and hid her face against his knee. "Oh, my dear," he said, holding her to him while his cold hand stroked her hair. There was a long pause, which the inner devils filled with strident laughter; then May freed herself from his arms and stood up. "You didn't guess--?" "Yes--I; no. That is, of course I hoped--" They looked at each other for an instant and again fell silent; then, turning his eyes from hers, he asked abruptly: "Have you told any one else?" "Only Mamma and your mother." She paused, and then added hurriedly, the blood flushing up to her forehead: "That is--and Ellen. You know I told you we'd had a long talk one afternoon--and how dear she was to me." "Ah--" said Archer, his heart stopping. He felt that his wife was watching him intently.<\|quote\|>"Did you MIND my telling her first, Newland?"</\|quote\|>"Mind? Why should I?" He made a last effort to collect himself. "But that was a fortnight ago, wasn't it? I thought you said you weren't sure till today." Her colour burned deeper, but she held his gaze. "No; I wasn't sure then--but I told her I was. And you see I was right!" she exclaimed, her blue eyes wet with victory. XXXIV. Newland Archer sat at the writing-table in his library in East Thirty-ninth Street. He had just got back from a big official reception for the inauguration of the new galleries at the Metropolitan Museum, and the spectacle of those great spaces crowded with the spoils of the ages, where the throng of fashion circulated through a series of scientifically catalogued treasures, had suddenly pressed on a rusted spring of memory. "Why, this used to be one of the old Cesnola rooms," he heard some one say; and instantly everything about him vanished, and he was sitting alone on a hard leather divan against a radiator, while a slight figure in a long sealskin cloak moved away down the meagrely-fitted vista of the old Museum. The vision had roused a host of other associations, and he sat looking	looked at him quickly. "Yes, dear. Something about yourself?" "About myself. You say you're not tired: well, I am. Horribly tired ..." In an instant she was all tender anxiety. "Oh, I've seen it coming on, Newland! You've been so wickedly overworked--" "Perhaps it's that. Anyhow, I want to make a break--" "A break? To give up the law?" "To go away, at any rate--at once. On a long trip, ever so far off--away from everything--" He paused, conscious that he had failed in his attempt to speak with the indifference of a man who longs for a change, and is yet too weary to welcome it. Do what he would, the chord of eagerness vibrated. "Away from everything--" he repeated. "Ever so far? Where, for instance?" she asked. "Oh, I don't know. India--or Japan." She stood up, and as he sat with bent head, his chin propped on his hands, he felt her warmly and fragrantly hovering over him. "As far as that? But I'm afraid you can't, dear ..." she said in an unsteady voice. "Not unless you'll take me with you." And then, as he was silent, she went on, in tones so clear and evenly-pitched that each separate syllable tapped like a little hammer on his brain: "That is, if the doctors will let me go ... but I'm afraid they won't. For you see, Newland, I've been sure since this morning of something I've been so longing and hoping for--" He looked up at her with a sick stare, and she sank down, all dew and roses, and hid her face against his knee. "Oh, my dear," he said, holding her to him while his cold hand stroked her hair. There was a long pause, which the inner devils filled with strident laughter; then May freed herself from his arms and stood up. "You didn't guess--?" "Yes--I; no. That is, of course I hoped--" They looked at each other for an instant and again fell silent; then, turning his eyes from hers, he asked abruptly: "Have you told any one else?" "Only Mamma and your mother." She paused, and then added hurriedly, the blood flushing up to her forehead: "That is--and Ellen. You know I told you we'd had a long talk one afternoon--and how dear she was to me." "Ah--" said Archer, his heart stopping. He felt that his wife was watching him intently.<\|quote\|>"Did you MIND my telling her first, Newland?"</\|quote\|>"Mind? Why should I?" He made a last effort to collect himself. "But that was a fortnight ago, wasn't it? I thought you said you weren't sure till today." Her colour burned deeper, but she held his gaze. "No; I wasn't sure then--but I told her I was. And you see I was right!" she exclaimed, her blue eyes wet with victory. XXXIV. Newland Archer sat at the writing-table in his library in East Thirty-ninth Street. He had just got back from a big official reception for the inauguration of the new galleries at the Metropolitan Museum, and the spectacle of those great spaces crowded with the spoils of the ages, where the throng of fashion circulated through a series of scientifically catalogued treasures, had suddenly pressed on a rusted spring of memory. "Why, this used to be one of the old Cesnola rooms," he heard some one say; and instantly everything about him vanished, and he was sitting alone on a hard leather divan against a radiator, while a slight figure in a long sealskin cloak moved away down the meagrely-fitted vista of the old Museum. The vision had roused a host of other associations, and he sat looking with new eyes at the library which, for over thirty years, had been the scene of his solitary musings and of all the family confabulations. It was the room in which most of the real things of his life had happened. There his wife, nearly twenty-six years ago, had broken to him, with a blushing circumlocution that would have caused the young women of the new generation to smile, the news that she was to have a child; and there their eldest boy, Dallas, too delicate to be taken to church in midwinter, had been christened by their old friend the Bishop of New York, the ample magnificent irreplaceable Bishop, so long the pride and ornament of his diocese. There Dallas had first staggered across the floor shouting "Dad," while May and the nurse laughed behind the door; there their second child, Mary (who was so like her mother), had announced her engagement to the dullest and most reliable of Reggie Chivers's many sons; and there Archer had kissed her through her wedding veil before they went down to the motor which was to carry them to Grace Church--for in a world where all else had reeled on its foundations	might startle or disturb her. Convinced that no power could now turn him from his purpose he had found strength to let events shape themselves as they would. But as he followed Madame Olenska into the hall he thought with a sudden hunger of being for a moment alone with her at the door of her carriage. "Is your carriage here?" he asked; and at that moment Mrs. van der Luyden, who was being majestically inserted into her sables, said gently: "We are driving dear Ellen home." Archer's heart gave a jerk, and Madame Olenska, clasping her cloak and fan with one hand, held out the other to him. "Good-bye," she said. "Good-bye--but I shall see you soon in Paris," he answered aloud--it seemed to him that he had shouted it. "Oh," she murmured, "if you and May could come--!" Mr. van der Luyden advanced to give her his arm, and Archer turned to Mrs. van der Luyden. For a moment, in the billowy darkness inside the big landau, he caught the dim oval of a face, eyes shining steadily--and she was gone. As he went up the steps he crossed Lawrence Lefferts coming down with his wife. Lefferts caught his host by the sleeve, drawing back to let Gertrude pass. "I say, old chap: do you mind just letting it be understood that I'm dining with you at the club tomorrow night? Thanks so much, you old brick! Good-night." "It DID go off beautifully, didn't it?" May questioned from the threshold of the library. Archer roused himself with a start. As soon as the last carriage had driven away, he had come up to the library and shut himself in, with the hope that his wife, who still lingered below, would go straight to her room. But there she stood, pale and drawn, yet radiating the factitious energy of one who has passed beyond fatigue. "May I come and talk it over?" she asked. "Of course, if you like. But you must be awfully sleepy--" "No, I'm not sleepy. I should like to sit with you a little." "Very well," he said, pushing her chair near the fire. She sat down and he resumed his seat; but neither spoke for a long time. At length Archer began abruptly: "Since you're not tired, and want to talk, there's something I must tell you. I tried to the other night--." She looked at him quickly. "Yes, dear. Something about yourself?" "About myself. You say you're not tired: well, I am. Horribly tired ..." In an instant she was all tender anxiety. "Oh, I've seen it coming on, Newland! You've been so wickedly overworked--" "Perhaps it's that. Anyhow, I want to make a break--" "A break? To give up the law?" "To go away, at any rate--at once. On a long trip, ever so far off--away from everything--" He paused, conscious that he had failed in his attempt to speak with the indifference of a man who longs for a change, and is yet too weary to welcome it. Do what he would, the chord of eagerness vibrated. "Away from everything--" he repeated. "Ever so far? Where, for instance?" she asked. "Oh, I don't know. India--or Japan." She stood up, and as he sat with bent head, his chin propped on his hands, he felt her warmly and fragrantly hovering over him. "As far as that? But I'm afraid you can't, dear ..." she said in an unsteady voice. "Not unless you'll take me with you." And then, as he was silent, she went on, in tones so clear and evenly-pitched that each separate syllable tapped like a little hammer on his brain: "That is, if the doctors will let me go ... but I'm afraid they won't. For you see, Newland, I've been sure since this morning of something I've been so longing and hoping for--" He looked up at her with a sick stare, and she sank down, all dew and roses, and hid her face against his knee. "Oh, my dear," he said, holding her to him while his cold hand stroked her hair. There was a long pause, which the inner devils filled with strident laughter; then May freed herself from his arms and stood up. "You didn't guess--?" "Yes--I; no. That is, of course I hoped--" They looked at each other for an instant and again fell silent; then, turning his eyes from hers, he asked abruptly: "Have you told any one else?" "Only Mamma and your mother." She paused, and then added hurriedly, the blood flushing up to her forehead: "That is--and Ellen. You know I told you we'd had a long talk one afternoon--and how dear she was to me." "Ah--" said Archer, his heart stopping. He felt that his wife was watching him intently.<\|quote\|>"Did you MIND my telling her first, Newland?"</\|quote\|>"Mind? Why should I?" He made a last effort to collect himself. "But that was a fortnight ago, wasn't it? I thought you said you weren't sure till today." Her colour burned deeper, but she held his gaze. "No; I wasn't sure then--but I told her I was. And you see I was right!" she exclaimed, her blue eyes wet with victory. XXXIV. Newland Archer sat at the writing-table in his library in East Thirty-ninth Street. He had just got back from a big official reception for the inauguration of the new galleries at the Metropolitan Museum, and the spectacle of those great spaces crowded with the spoils of the ages, where the throng of fashion circulated through a series of scientifically catalogued treasures, had suddenly pressed on a rusted spring of memory. "Why, this used to be one of the old Cesnola rooms," he heard some one say; and instantly everything about him vanished, and he was sitting alone on a hard leather divan against a radiator, while a slight figure in a long sealskin cloak moved away down the meagrely-fitted vista of the old Museum. The vision had roused a host of other associations, and he sat looking with new eyes at the library which, for over thirty years, had been the scene of his solitary musings and of all the family confabulations. It was the room in which most of the real things of his life had happened. There his wife, nearly twenty-six years ago, had broken to him, with a blushing circumlocution that would have caused the young women of the new generation to smile, the news that she was to have a child; and there their eldest boy, Dallas, too delicate to be taken to church in midwinter, had been christened by their old friend the Bishop of New York, the ample magnificent irreplaceable Bishop, so long the pride and ornament of his diocese. There Dallas had first staggered across the floor shouting "Dad," while May and the nurse laughed behind the door; there their second child, Mary (who was so like her mother), had announced her engagement to the dullest and most reliable of Reggie Chivers's many sons; and there Archer had kissed her through her wedding veil before they went down to the motor which was to carry them to Grace Church--for in a world where all else had reeled on its foundations the "Grace Church wedding" remained an unchanged institution. It was in the library that he and May had always discussed the future of the children: the studies of Dallas and his young brother Bill, Mary's incurable indifference to "accomplishments," and passion for sport and philanthropy, and the vague leanings toward "art" which had finally landed the restless and curious Dallas in the office of a rising New York architect. The young men nowadays were emancipating themselves from the law and business and taking up all sorts of new things. If they were not absorbed in state politics or municipal reform, the chances were that they were going in for Central American archaeology, for architecture or landscape-engineering; taking a keen and learned interest in the prerevolutionary buildings of their own country, studying and adapting Georgian types, and protesting at the meaningless use of the word "Colonial." Nobody nowadays had "Colonial" houses except the millionaire grocers of the suburbs. But above all--sometimes Archer put it above all--it was in that library that the Governor of New York, coming down from Albany one evening to dine and spend the night, had turned to his host, and said, banging his clenched fist on the table and gnashing his eye-glasses: "Hang the professional politician! You're the kind of man the country wants, Archer. If the stable's ever to be cleaned out, men like you have got to lend a hand in the cleaning." "Men like you--" how Archer had glowed at the phrase! How eagerly he had risen up at the call! It was an echo of Ned Winsett's old appeal to roll his sleeves up and get down into the muck; but spoken by a man who set the example of the gesture, and whose summons to follow him was irresistible. Archer, as he looked back, was not sure that men like himself WERE what his country needed, at least in the active service to which Theodore Roosevelt had pointed; in fact, there was reason to think it did not, for after a year in the State Assembly he had not been re-elected, and had dropped back thankfully into obscure if useful municipal work, and from that again to the writing of occasional articles in one of the reforming weeklies that were trying to shake the country out of its apathy. It was little enough to look back on; but when he remembered to	that his wife, who still lingered below, would go straight to her room. But there she stood, pale and drawn, yet radiating the factitious energy of one who has passed beyond fatigue. "May I come and talk it over?" she asked. "Of course, if you like. But you must be awfully sleepy--" "No, I'm not sleepy. I should like to sit with you a little." "Very well," he said, pushing her chair near the fire. She sat down and he resumed his seat; but neither spoke for a long time. At length Archer began abruptly: "Since you're not tired, and want to talk, there's something I must tell you. I tried to the other night--." She looked at him quickly. "Yes, dear. Something about yourself?" "About myself. You say you're not tired: well, I am. Horribly tired ..." In an instant she was all tender anxiety. "Oh, I've seen it coming on, Newland! You've been so wickedly overworked--" "Perhaps it's that. Anyhow, I want to make a break--" "A break? To give up the law?" "To go away, at any rate--at once. On a long trip, ever so far off--away from everything--" He paused, conscious that he had failed in his attempt to speak with the indifference of a man who longs for a change, and is yet too weary to welcome it. Do what he would, the chord of eagerness vibrated. "Away from everything--" he repeated. "Ever so far? Where, for instance?" she asked. "Oh, I don't know. India--or Japan." She stood up, and as he sat with bent head, his chin propped on his hands, he felt her warmly and fragrantly hovering over him. "As far as that? But I'm afraid you can't, dear ..." she said in an unsteady voice. "Not unless you'll take me with you." And then, as he was silent, she went on, in tones so clear and evenly-pitched that each separate syllable tapped like a little hammer on his brain: "That is, if the doctors will let me go ... but I'm afraid they won't. For you see, Newland, I've been sure since this morning of something I've been so longing and hoping for--" He looked up at her with a sick stare, and she sank down, all dew and roses, and hid her face against his knee. "Oh, my dear," he said, holding her to him while his cold hand stroked her hair. There was a long pause, which the inner devils filled with strident laughter; then May freed herself from his arms and stood up. "You didn't guess--?" "Yes--I; no. That is, of course I hoped--" They looked at each other for an instant and again fell silent; then, turning his eyes from hers, he asked abruptly: "Have you told any one else?" "Only Mamma and your mother." She paused, and then added hurriedly, the blood flushing up to her forehead: "That is--and Ellen. You know I told you we'd had a long talk one afternoon--and how dear she was to me." "Ah--" said Archer, his heart stopping. He felt that his wife was watching him intently.<\|quote\|>"Did you MIND my telling her first, Newland?"</\|quote\|>"Mind? Why should I?" He made a last effort to collect himself. "But that was a fortnight ago, wasn't it? I thought you said you weren't sure till today." Her colour burned deeper, but she held his gaze. "No; I wasn't sure then--but I told her I was. And you see I was right!" she exclaimed, her blue eyes wet with victory. XXXIV. Newland Archer sat at the writing-table in his library in East Thirty-ninth Street. He had just got back from a big official reception for the inauguration of the new galleries at the Metropolitan Museum, and the spectacle of those great spaces crowded with the spoils of the ages, where the throng of fashion circulated through a series of scientifically catalogued treasures, had suddenly pressed on a rusted spring of memory. "Why, this used to be one of the old Cesnola rooms," he heard some one say; and instantly everything about him vanished, and he was sitting alone on a hard leather divan against a radiator, while a slight figure in a long sealskin cloak moved away down the meagrely-fitted vista of the old Museum. The vision had roused a host of other associations, and he sat looking with new eyes at the library which, for over thirty years, had been the scene of his solitary musings and of all the family confabulations.	The Age Of Innocence
“Never had a drink before, but oh how I do enjoy it.”	Daisy	“ ’Gratulate me,” she muttered.<\|quote\|>“Never had a drink before, but oh how I do enjoy it.”</\|quote\|>“What’s the matter, Daisy?” I	a letter in the other. “ ’Gratulate me,” she muttered.<\|quote\|>“Never had a drink before, but oh how I do enjoy it.”</\|quote\|>“What’s the matter, Daisy?” I was scared, I can tell	room half an hour before the bridal dinner, and found her lying on her bed as lovely as the June night in her flowered dress—and as drunk as a monkey. She had a bottle of Sauterne in one hand and a letter in the other. “ ’Gratulate me,” she muttered.<\|quote\|>“Never had a drink before, but oh how I do enjoy it.”</\|quote\|>“What’s the matter, Daisy?” I was scared, I can tell you; I’d never seen a girl like that before. “Here, dearies.” She groped around in a wastebasket she had with her on the bed and pulled out the string of pearls. “Take ’em downstairs and give ’em back to whoever	before. He came down with a hundred people in four private cars, and hired a whole floor of the Muhlbach Hotel, and the day before the wedding he gave her a string of pearls valued at three hundred and fifty thousand dollars. I was a bridesmaid. I came into her room half an hour before the bridal dinner, and found her lying on her bed as lovely as the June night in her flowered dress—and as drunk as a monkey. She had a bottle of Sauterne in one hand and a letter in the other. “ ’Gratulate me,” she muttered.<\|quote\|>“Never had a drink before, but oh how I do enjoy it.”</\|quote\|>“What’s the matter, Daisy?” I was scared, I can tell you; I’d never seen a girl like that before. “Here, dearies.” She groped around in a wastebasket she had with her on the bed and pulled out the string of pearls. “Take ’em downstairs and give ’em back to whoever they belong to. Tell ’em all Daisy’s change’ her mine. Say: ‘Daisy’s change’ her mine!’ ” She began to cry—she cried and cried. I rushed out and found her mother’s maid, and we locked the door and got her into a cold bath. She wouldn’t let go of the letter.	a soldier who was going overseas. She was effectually prevented, but she wasn’t on speaking terms with her family for several weeks. After that she didn’t play around with the soldiers any more, but only with a few flat-footed, shortsighted young men in town, who couldn’t get into the army at all. By the next autumn she was gay again, gay as ever. She had a début after the armistice, and in February she was presumably engaged to a man from New Orleans. In June she married Tom Buchanan of Chicago, with more pomp and circumstance than Louisville ever knew before. He came down with a hundred people in four private cars, and hired a whole floor of the Muhlbach Hotel, and the day before the wedding he gave her a string of pearls valued at three hundred and fifty thousand dollars. I was a bridesmaid. I came into her room half an hour before the bridal dinner, and found her lying on her bed as lovely as the June night in her flowered dress—and as drunk as a monkey. She had a bottle of Sauterne in one hand and a letter in the other. “ ’Gratulate me,” she muttered.<\|quote\|>“Never had a drink before, but oh how I do enjoy it.”</\|quote\|>“What’s the matter, Daisy?” I was scared, I can tell you; I’d never seen a girl like that before. “Here, dearies.” She groped around in a wastebasket she had with her on the bed and pulled out the string of pearls. “Take ’em downstairs and give ’em back to whoever they belong to. Tell ’em all Daisy’s change’ her mine. Say: ‘Daisy’s change’ her mine!’ ” She began to cry—she cried and cried. I rushed out and found her mother’s maid, and we locked the door and got her into a cold bath. She wouldn’t let go of the letter. She took it into the tub with her and squeezed it up in a wet ball, and only let me leave it in the soap-dish when she saw that it was coming to pieces like snow. But she didn’t say another word. We gave her spirits of ammonia and put ice on her forehead and hooked her back into her dress, and half an hour later, when we walked out of the room, the pearls were around her neck and the incident was over. Next day at five o’clock she married Tom Buchanan without so much as a shiver, and	she didn’t see me until I was five feet away. “Hello, Jordan.” she called unexpectedly. “Please come here.” I was flattered that she wanted to speak to me, because of all the older girls I admired her most. She asked me if I was going to the Red Cross to make bandages. I was. Well, then, would I tell them that she couldn’t come that day? The officer looked at Daisy while she was speaking, in a way that every young girl wants to be looked at sometime, and because it seemed romantic to me I have remembered the incident ever since. His name was Jay Gatsby, and I didn’t lay eyes on him again for over four years—even after I’d met him on Long Island I didn’t realize it was the same man. That was nineteen-seventeen. By the next year I had a few beaux myself, and I began to play in tournaments, so I didn’t see Daisy very often. She went with a slightly older crowd—when she went with anyone at all. Wild rumours were circulating about her—how her mother had found her packing her bag one winter night to go to New York and say goodbye to a soldier who was going overseas. She was effectually prevented, but she wasn’t on speaking terms with her family for several weeks. After that she didn’t play around with the soldiers any more, but only with a few flat-footed, shortsighted young men in town, who couldn’t get into the army at all. By the next autumn she was gay again, gay as ever. She had a début after the armistice, and in February she was presumably engaged to a man from New Orleans. In June she married Tom Buchanan of Chicago, with more pomp and circumstance than Louisville ever knew before. He came down with a hundred people in four private cars, and hired a whole floor of the Muhlbach Hotel, and the day before the wedding he gave her a string of pearls valued at three hundred and fifty thousand dollars. I was a bridesmaid. I came into her room half an hour before the bridal dinner, and found her lying on her bed as lovely as the June night in her flowered dress—and as drunk as a monkey. She had a bottle of Sauterne in one hand and a letter in the other. “ ’Gratulate me,” she muttered.<\|quote\|>“Never had a drink before, but oh how I do enjoy it.”</\|quote\|>“What’s the matter, Daisy?” I was scared, I can tell you; I’d never seen a girl like that before. “Here, dearies.” She groped around in a wastebasket she had with her on the bed and pulled out the string of pearls. “Take ’em downstairs and give ’em back to whoever they belong to. Tell ’em all Daisy’s change’ her mine. Say: ‘Daisy’s change’ her mine!’ ” She began to cry—she cried and cried. I rushed out and found her mother’s maid, and we locked the door and got her into a cold bath. She wouldn’t let go of the letter. She took it into the tub with her and squeezed it up in a wet ball, and only let me leave it in the soap-dish when she saw that it was coming to pieces like snow. But she didn’t say another word. We gave her spirits of ammonia and put ice on her forehead and hooked her back into her dress, and half an hour later, when we walked out of the room, the pearls were around her neck and the incident was over. Next day at five o’clock she married Tom Buchanan without so much as a shiver, and started off on a three months’ trip to the South Seas. I saw them in Santa Barbara when they came back, and I thought I’d never seen a girl so mad about her husband. If he left the room for a minute she’d look around uneasily, and say: “Where’s Tom gone?” and wear the most abstracted expression until she saw him coming in the door. She used to sit on the sand with his head in her lap by the hour, rubbing her fingers over his eyes and looking at him with unfathomable delight. It was touching to see them together—it made you laugh in a hushed, fascinated way. That was in August. A week after I left Santa Barbara Tom ran into a wagon on the Ventura road one night, and ripped a front wheel off his car. The girl who was with him got into the papers, too, because her arm was broken—she was one of the chambermaids in the Santa Barbara Hotel. The next April Daisy had her little girl, and they went to France for a year. I saw them one spring in Cannes, and later in Deauville, and then they came back to Chicago to	man could start to play with the faith of fifty million people—with the single-mindedness of a burglar blowing a safe. “How did he happen to do that?” I asked after a minute. “He just saw the opportunity.” “Why isn’t he in jail?” “They can’t get him, old sport. He’s a smart man.” I insisted on paying the check. As the waiter brought my change I caught sight of Tom Buchanan across the crowded room. “Come along with me for a minute,” I said; “I’ve got to say hello to someone.” When he saw us Tom jumped up and took half a dozen steps in our direction. “Where’ve you been?” he demanded eagerly. “Daisy’s furious because you haven’t called up.” “This is Mr. Gatsby, Mr. Buchanan.” They shook hands briefly, and a strained, unfamiliar look of embarrassment came over Gatsby’s face. “How’ve you been, anyhow?” demanded Tom of me. “How’d you happen to come up this far to eat?” “I’ve been having lunch with Mr. Gatsby.” I turned toward Mr. Gatsby, but he was no longer there. ------------------------------------------------------------------------ One October day in nineteen-seventeen— (said Jordan Baker that afternoon, sitting up very straight on a straight chair in the tea-garden at the Plaza Hotel) —I was walking along from one place to another, half on the sidewalks and half on the lawns. I was happier on the lawns because I had on shoes from England with rubber knobs on the soles that bit into the soft ground. I had on a new plaid skirt also that blew a little in the wind, and whenever this happened the red, white, and blue banners in front of all the houses stretched out stiff and said tut-tut-tut-tut, in a disapproving way. The largest of the banners and the largest of the lawns belonged to Daisy Fay’s house. She was just eighteen, two years older than me, and by far the most popular of all the young girls in Louisville. She dressed in white, and had a little white roadster, and all day long the telephone rang in her house and excited young officers from Camp Taylor demanded the privilege of monopolizing her that night. “Anyways, for an hour!” When I came opposite her house that morning her white roadster was beside the kerb, and she was sitting in it with a lieutenant I had never seen before. They were so engrossed in each other that she didn’t see me until I was five feet away. “Hello, Jordan.” she called unexpectedly. “Please come here.” I was flattered that she wanted to speak to me, because of all the older girls I admired her most. She asked me if I was going to the Red Cross to make bandages. I was. Well, then, would I tell them that she couldn’t come that day? The officer looked at Daisy while she was speaking, in a way that every young girl wants to be looked at sometime, and because it seemed romantic to me I have remembered the incident ever since. His name was Jay Gatsby, and I didn’t lay eyes on him again for over four years—even after I’d met him on Long Island I didn’t realize it was the same man. That was nineteen-seventeen. By the next year I had a few beaux myself, and I began to play in tournaments, so I didn’t see Daisy very often. She went with a slightly older crowd—when she went with anyone at all. Wild rumours were circulating about her—how her mother had found her packing her bag one winter night to go to New York and say goodbye to a soldier who was going overseas. She was effectually prevented, but she wasn’t on speaking terms with her family for several weeks. After that she didn’t play around with the soldiers any more, but only with a few flat-footed, shortsighted young men in town, who couldn’t get into the army at all. By the next autumn she was gay again, gay as ever. She had a début after the armistice, and in February she was presumably engaged to a man from New Orleans. In June she married Tom Buchanan of Chicago, with more pomp and circumstance than Louisville ever knew before. He came down with a hundred people in four private cars, and hired a whole floor of the Muhlbach Hotel, and the day before the wedding he gave her a string of pearls valued at three hundred and fifty thousand dollars. I was a bridesmaid. I came into her room half an hour before the bridal dinner, and found her lying on her bed as lovely as the June night in her flowered dress—and as drunk as a monkey. She had a bottle of Sauterne in one hand and a letter in the other. “ ’Gratulate me,” she muttered.<\|quote\|>“Never had a drink before, but oh how I do enjoy it.”</\|quote\|>“What’s the matter, Daisy?” I was scared, I can tell you; I’d never seen a girl like that before. “Here, dearies.” She groped around in a wastebasket she had with her on the bed and pulled out the string of pearls. “Take ’em downstairs and give ’em back to whoever they belong to. Tell ’em all Daisy’s change’ her mine. Say: ‘Daisy’s change’ her mine!’ ” She began to cry—she cried and cried. I rushed out and found her mother’s maid, and we locked the door and got her into a cold bath. She wouldn’t let go of the letter. She took it into the tub with her and squeezed it up in a wet ball, and only let me leave it in the soap-dish when she saw that it was coming to pieces like snow. But she didn’t say another word. We gave her spirits of ammonia and put ice on her forehead and hooked her back into her dress, and half an hour later, when we walked out of the room, the pearls were around her neck and the incident was over. Next day at five o’clock she married Tom Buchanan without so much as a shiver, and started off on a three months’ trip to the South Seas. I saw them in Santa Barbara when they came back, and I thought I’d never seen a girl so mad about her husband. If he left the room for a minute she’d look around uneasily, and say: “Where’s Tom gone?” and wear the most abstracted expression until she saw him coming in the door. She used to sit on the sand with his head in her lap by the hour, rubbing her fingers over his eyes and looking at him with unfathomable delight. It was touching to see them together—it made you laugh in a hushed, fascinated way. That was in August. A week after I left Santa Barbara Tom ran into a wagon on the Ventura road one night, and ripped a front wheel off his car. The girl who was with him got into the papers, too, because her arm was broken—she was one of the chambermaids in the Santa Barbara Hotel. The next April Daisy had her little girl, and they went to France for a year. I saw them one spring in Cannes, and later in Deauville, and then they came back to Chicago to settle down. Daisy was popular in Chicago, as you know. They moved with a fast crowd, all of them young and rich and wild, but she came out with an absolutely perfect reputation. Perhaps because she doesn’t drink. It’s a great advantage not to drink among hard-drinking people. You can hold your tongue and, moreover, you can time any little irregularity of your own so that everybody else is so blind that they don’t see or care. Perhaps Daisy never went in for amour at all—and yet there’s something in that voice of hers … Well, about six weeks ago, she heard the name Gatsby for the first time in years. It was when I asked you—do you remember?—if you knew Gatsby in West Egg. After you had gone home she came into my room and woke me up, and said: “What Gatsby?” and when I described him—I was half asleep—she said in the strangest voice that it must be the man she used to know. It wasn’t until then that I connected this Gatsby with the officer in her white car. ------------------------------------------------------------------------ When Jordan Baker had finished telling all this we had left the Plaza for half an hour and were driving in a victoria through Central Park. The sun had gone down behind the tall apartments of the movie stars in the West Fifties, and the clear voices of children, already gathered like crickets on the grass, rose through the hot twilight: “I’m the Sheik of Araby. Your love belongs to me. At night when you’re asleep Into your tent I’ll creep—” “It was a strange coincidence,” I said. “But it wasn’t a coincidence at all.” “Why not?” “Gatsby bought that house so that Daisy would be just across the bay.” Then it had not been merely the stars to which he had aspired on that June night. He came alive to me, delivered suddenly from the womb of his purposeless splendour. “He wants to know,” continued Jordan, “if you’ll invite Daisy to your house some afternoon and then let him come over.” The modesty of the demand shook me. He had waited five years and bought a mansion where he dispensed starlight to casual moths—so that he could “come over” some afternoon to a stranger’s garden. “Did I have to know all this before he could ask such a little thing?” “He’s afraid, he’s waited so long.	and whenever this happened the red, white, and blue banners in front of all the houses stretched out stiff and said tut-tut-tut-tut, in a disapproving way. The largest of the banners and the largest of the lawns belonged to Daisy Fay’s house. She was just eighteen, two years older than me, and by far the most popular of all the young girls in Louisville. She dressed in white, and had a little white roadster, and all day long the telephone rang in her house and excited young officers from Camp Taylor demanded the privilege of monopolizing her that night. “Anyways, for an hour!” When I came opposite her house that morning her white roadster was beside the kerb, and she was sitting in it with a lieutenant I had never seen before. They were so engrossed in each other that she didn’t see me until I was five feet away. “Hello, Jordan.” she called unexpectedly. “Please come here.” I was flattered that she wanted to speak to me, because of all the older girls I admired her most. She asked me if I was going to the Red Cross to make bandages. I was. Well, then, would I tell them that she couldn’t come that day? The officer looked at Daisy while she was speaking, in a way that every young girl wants to be looked at sometime, and because it seemed romantic to me I have remembered the incident ever since. His name was Jay Gatsby, and I didn’t lay eyes on him again for over four years—even after I’d met him on Long Island I didn’t realize it was the same man. That was nineteen-seventeen. By the next year I had a few beaux myself, and I began to play in tournaments, so I didn’t see Daisy very often. She went with a slightly older crowd—when she went with anyone at all. Wild rumours were circulating about her—how her mother had found her packing her bag one winter night to go to New York and say goodbye to a soldier who was going overseas. She was effectually prevented, but she wasn’t on speaking terms with her family for several weeks. After that she didn’t play around with the soldiers any more, but only with a few flat-footed, shortsighted young men in town, who couldn’t get into the army at all. By the next autumn she was gay again, gay as ever. She had a début after the armistice, and in February she was presumably engaged to a man from New Orleans. In June she married Tom Buchanan of Chicago, with more pomp and circumstance than Louisville ever knew before. He came down with a hundred people in four private cars, and hired a whole floor of the Muhlbach Hotel, and the day before the wedding he gave her a string of pearls valued at three hundred and fifty thousand dollars. I was a bridesmaid. I came into her room half an hour before the bridal dinner, and found her lying on her bed as lovely as the June night in her flowered dress—and as drunk as a monkey. She had a bottle of Sauterne in one hand and a letter in the other. “ ’Gratulate me,” she muttered.<\|quote\|>“Never had a drink before, but oh how I do enjoy it.”</\|quote\|>“What’s the matter, Daisy?” I was scared, I can tell you; I’d never seen a girl like that before. “Here, dearies.” She groped around in a wastebasket she had with her on the bed and pulled out the string of pearls. “Take ’em downstairs and give ’em back to whoever they belong to. Tell ’em all Daisy’s change’ her mine. Say: ‘Daisy’s change’ her mine!’ ” She began to cry—she cried and cried. I rushed out and found her mother’s maid, and we locked the door and got her into a cold bath. She wouldn’t let go of the letter. She took it into the tub with her and squeezed it up in a wet ball, and only let me leave it in the soap-dish when she saw that it was coming to pieces like snow. But she didn’t say another word. We gave her spirits of ammonia and put ice on her forehead and hooked her back into her dress, and half an hour later, when we walked out of the room, the pearls were around her neck and the incident was over. Next day at five o’clock she married Tom Buchanan without so much as a shiver, and started off on a three months’ trip to the South Seas. I saw them in Santa Barbara when they came back, and I thought I’d never seen a girl so mad about her husband. If he left the room for a minute she’d look around uneasily, and say: “Where’s Tom gone?” and wear the most abstracted expression until she saw him coming in the door. She used to sit on the sand with his head in her lap by the hour, rubbing her fingers over his eyes and looking at him with unfathomable delight. It was touching to see them together—it made you laugh in a hushed, fascinated way. That was in August. A week after I left Santa Barbara Tom ran into a wagon on the Ventura road one night, and ripped a front wheel off his car. The girl who was with him got into the papers, too, because her arm was broken—she was one of the chambermaids in the Santa Barbara Hotel. The next April Daisy had her little girl, and they went to France for a year. I saw them one spring in Cannes, and later in Deauville, and then they came back to Chicago to settle down. Daisy was popular in Chicago, as you know. They moved with a fast crowd, all of them young and rich and wild, but she came out with an absolutely perfect reputation. Perhaps because she doesn’t drink. It’s	The Great Gatsby
"I mean, that no man in his senses, would marry Lydia on so slight a temptation as one hundred a-year during my life, and fifty after I am gone."	Mr. Bennet	"what do you mean, Sir?"<\|quote\|>"I mean, that no man in his senses, would marry Lydia on so slight a temptation as one hundred a-year during my life, and fifty after I am gone."</\|quote\|>"That is very true," said	"Money! my uncle!" cried Jane, "what do you mean, Sir?"<\|quote\|>"I mean, that no man in his senses, would marry Lydia on so slight a temptation as one hundred a-year during my life, and fifty after I am gone."</\|quote\|>"That is very true," said Elizabeth; "though it had not	nothing else to be done. But there are two things that I want very much to know:--one is, how much money your uncle has laid down, to bring it about; and the other, how I am ever to pay him." "Money! my uncle!" cried Jane, "what do you mean, Sir?"<\|quote\|>"I mean, that no man in his senses, would marry Lydia on so slight a temptation as one hundred a-year during my life, and fifty after I am gone."</\|quote\|>"That is very true," said Elizabeth; "though it had not occurred to me before. His debts to be discharged, and something still to remain! Oh! it must be my uncle's doings! Generous, good man, I am afraid he has distressed himself. A small sum could not do all this." "No,"	with them, and walked towards the house. "And may I ask?" said Elizabeth, "but the terms, I suppose, must be complied with." "Complied with! I am only ashamed of his asking so little." "And they _must_ marry! Yet he is _such_ a man!" "Yes, yes, they must marry. There is nothing else to be done. But there are two things that I want very much to know:--one is, how much money your uncle has laid down, to bring it about; and the other, how I am ever to pay him." "Money! my uncle!" cried Jane, "what do you mean, Sir?"<\|quote\|>"I mean, that no man in his senses, would marry Lydia on so slight a temptation as one hundred a-year during my life, and fifty after I am gone."</\|quote\|>"That is very true," said Elizabeth; "though it had not occurred to me before. His debts to be discharged, and something still to remain! Oh! it must be my uncle's doings! Generous, good man, I am afraid he has distressed himself. A small sum could not do all this." "No," said her father, "Wickham's a fool, if he takes her with a farthing less than ten thousand pounds. I should be sorry to think so ill of him, in the very beginning of our relationship." "Ten thousand pounds! Heaven forbid! How is half such a sum to be repaid?" Mr.	not so undeserving, then, as we have thought him;" said her sister. "My dear father, I congratulate you." "And have you answered the letter?" said Elizabeth. "No; but it must be done soon." Most earnestly did she then intreat him to lose no more time before he wrote. "Oh! my dear father," she cried, "come back, and write immediately. Consider how important every moment is, in such a case." "Let me write for you," said Jane, "if you dislike the trouble yourself." "I dislike it very much," he replied; "but it must be done." And so saying, he turned back with them, and walked towards the house. "And may I ask?" said Elizabeth, "but the terms, I suppose, must be complied with." "Complied with! I am only ashamed of his asking so little." "And they _must_ marry! Yet he is _such_ a man!" "Yes, yes, they must marry. There is nothing else to be done. But there are two things that I want very much to know:--one is, how much money your uncle has laid down, to bring it about; and the other, how I am ever to pay him." "Money! my uncle!" cried Jane, "what do you mean, Sir?"<\|quote\|>"I mean, that no man in his senses, would marry Lydia on so slight a temptation as one hundred a-year during my life, and fifty after I am gone."</\|quote\|>"That is very true," said Elizabeth; "though it had not occurred to me before. His debts to be discharged, and something still to remain! Oh! it must be my uncle's doings! Generous, good man, I am afraid he has distressed himself. A small sum could not do all this." "No," said her father, "Wickham's a fool, if he takes her with a farthing less than ten thousand pounds. I should be sorry to think so ill of him, in the very beginning of our relationship." "Ten thousand pounds! Heaven forbid! How is half such a sum to be repaid?" Mr. Bennet made no answer, and each of them, deep in thought, continued silent till they reached the house. Their father then went to the library to write, and the girls walked into the breakfast-room. "And they are really to be married!" cried Elizabeth, as soon as they were by themselves. "How strange this is! And for _this_ we are to be thankful. That they should marry, small as is their chance of happiness, and wretched as is his character, we are forced to rejoice! Oh, Lydia!" "I comfort myself with thinking," replied Jane, "that he certainly would not marry Lydia,	answer. You will easily comprehend, from these particulars, that Mr. Wickham's circumstances are not so hopeless as they are generally believed to be. The world has been deceived in that respect; and I am happy to say, there will be some little money, even when all his debts are discharged, to settle on my niece, in addition to her own fortune. If, as I conclude will be the case, you send me full powers to act in your name, throughout the whole of this business, I will immediately give directions to Haggerston for preparing a proper settlement. There will not be the smallest occasion for your coming to town again; therefore, stay quietly at Longbourn, and depend on my diligence and care. Send back your answer as soon as you can, and be careful to write explicitly. We have judged it best, that my niece should be married from this house, of which I hope you will approve. She comes to us to-day. I shall write again as soon as any thing more is determined on. Your's, &c." "EDW. GARDINER." "Is it possible!" cried Elizabeth, when she had finished. "Can it be possible that he will marry her?" "Wickham is not so undeserving, then, as we have thought him;" said her sister. "My dear father, I congratulate you." "And have you answered the letter?" said Elizabeth. "No; but it must be done soon." Most earnestly did she then intreat him to lose no more time before he wrote. "Oh! my dear father," she cried, "come back, and write immediately. Consider how important every moment is, in such a case." "Let me write for you," said Jane, "if you dislike the trouble yourself." "I dislike it very much," he replied; "but it must be done." And so saying, he turned back with them, and walked towards the house. "And may I ask?" said Elizabeth, "but the terms, I suppose, must be complied with." "Complied with! I am only ashamed of his asking so little." "And they _must_ marry! Yet he is _such_ a man!" "Yes, yes, they must marry. There is nothing else to be done. But there are two things that I want very much to know:--one is, how much money your uncle has laid down, to bring it about; and the other, how I am ever to pay him." "Money! my uncle!" cried Jane, "what do you mean, Sir?"<\|quote\|>"I mean, that no man in his senses, would marry Lydia on so slight a temptation as one hundred a-year during my life, and fifty after I am gone."</\|quote\|>"That is very true," said Elizabeth; "though it had not occurred to me before. His debts to be discharged, and something still to remain! Oh! it must be my uncle's doings! Generous, good man, I am afraid he has distressed himself. A small sum could not do all this." "No," said her father, "Wickham's a fool, if he takes her with a farthing less than ten thousand pounds. I should be sorry to think so ill of him, in the very beginning of our relationship." "Ten thousand pounds! Heaven forbid! How is half such a sum to be repaid?" Mr. Bennet made no answer, and each of them, deep in thought, continued silent till they reached the house. Their father then went to the library to write, and the girls walked into the breakfast-room. "And they are really to be married!" cried Elizabeth, as soon as they were by themselves. "How strange this is! And for _this_ we are to be thankful. That they should marry, small as is their chance of happiness, and wretched as is his character, we are forced to rejoice! Oh, Lydia!" "I comfort myself with thinking," replied Jane, "that he certainly would not marry Lydia, if he had not a real regard for her. Though our kind uncle has done something towards clearing him, I cannot believe that ten thousand pounds, or any thing like it, has been advanced. He has children of his own, and may have more. How could he spare half ten thousand pounds?" "If we are ever able to learn what Wickham's debts have been," said Elizabeth, "and how much is settled on his side on our sister, we shall exactly know what Mr. Gardiner has done for them, because Wickham has not sixpence of his own. The kindness of my uncle and aunt can never be requited. Their taking her home, and affording her their personal protection and countenance, is such a sacrifice to her advantage, as years of gratitude cannot enough acknowledge. By this time she is actually with them! If such goodness does not make her miserable now, she will never deserve to be happy! What a meeting for her, when she first sees my aunt!" "We must endeavour to forget all that has passed on either side," said Jane: "I hope and trust they will yet be happy. His consenting to marry her is a proof, I	they were met by the butler, who said, "If you are looking for my master, ma'am, he is walking towards the little copse." Upon this information, they instantly passed through the hall once more, and ran across the lawn after their father, who was deliberately pursuing his way towards a small wood on one side of the paddock. Jane, who was not so light, nor so much in the habit of running as Elizabeth, soon lagged behind, while her sister, panting for breath, came up with him, and eagerly cried out, "Oh, Papa, what news? what news? have you heard from my uncle?" "Yes, I have had a letter from him by express." "Well, and what news does it bring? good or bad?" "What is there of good to be expected?" said he, taking the letter from his pocket; "but perhaps you would like to read it." Elizabeth impatiently caught it from his hand. Jane now came up. "Read it aloud," said their father, "for I hardly know myself what it is about." "Gracechurch-street, Monday, August 2. MY DEAR BROTHER," "At last I am able to send you some tidings of my niece, and such as, upon the whole, I hope will give you satisfaction. Soon after you left me on Saturday, I was fortunate enough to find out in what part of London they were. The particulars, I reserve till we meet. It is enough to know they are discovered, I have seen them both----" "Then it is, as I always hoped," cried Jane; "they are married!" Elizabeth read on; "I have seen them both. They are not married, nor can I find there was any intention of being so; but if you are willing to perform the engagements which I have ventured to make on your side, I hope it will not be long before they are. All that is required of you is, to assure to your daughter, by settlement, her equal share of the five thousand pounds, secured among your children after the decease of yourself and my sister; and, moreover, to enter into an engagement of allowing her, during your life, one hundred pounds per annum. These are conditions, which, considering every thing, I had no hesitation in complying with, as far as I thought myself privileged, for you. I shall send this by express, that no time may be lost in bringing me your answer. You will easily comprehend, from these particulars, that Mr. Wickham's circumstances are not so hopeless as they are generally believed to be. The world has been deceived in that respect; and I am happy to say, there will be some little money, even when all his debts are discharged, to settle on my niece, in addition to her own fortune. If, as I conclude will be the case, you send me full powers to act in your name, throughout the whole of this business, I will immediately give directions to Haggerston for preparing a proper settlement. There will not be the smallest occasion for your coming to town again; therefore, stay quietly at Longbourn, and depend on my diligence and care. Send back your answer as soon as you can, and be careful to write explicitly. We have judged it best, that my niece should be married from this house, of which I hope you will approve. She comes to us to-day. I shall write again as soon as any thing more is determined on. Your's, &c." "EDW. GARDINER." "Is it possible!" cried Elizabeth, when she had finished. "Can it be possible that he will marry her?" "Wickham is not so undeserving, then, as we have thought him;" said her sister. "My dear father, I congratulate you." "And have you answered the letter?" said Elizabeth. "No; but it must be done soon." Most earnestly did she then intreat him to lose no more time before he wrote. "Oh! my dear father," she cried, "come back, and write immediately. Consider how important every moment is, in such a case." "Let me write for you," said Jane, "if you dislike the trouble yourself." "I dislike it very much," he replied; "but it must be done." And so saying, he turned back with them, and walked towards the house. "And may I ask?" said Elizabeth, "but the terms, I suppose, must be complied with." "Complied with! I am only ashamed of his asking so little." "And they _must_ marry! Yet he is _such_ a man!" "Yes, yes, they must marry. There is nothing else to be done. But there are two things that I want very much to know:--one is, how much money your uncle has laid down, to bring it about; and the other, how I am ever to pay him." "Money! my uncle!" cried Jane, "what do you mean, Sir?"<\|quote\|>"I mean, that no man in his senses, would marry Lydia on so slight a temptation as one hundred a-year during my life, and fifty after I am gone."</\|quote\|>"That is very true," said Elizabeth; "though it had not occurred to me before. His debts to be discharged, and something still to remain! Oh! it must be my uncle's doings! Generous, good man, I am afraid he has distressed himself. A small sum could not do all this." "No," said her father, "Wickham's a fool, if he takes her with a farthing less than ten thousand pounds. I should be sorry to think so ill of him, in the very beginning of our relationship." "Ten thousand pounds! Heaven forbid! How is half such a sum to be repaid?" Mr. Bennet made no answer, and each of them, deep in thought, continued silent till they reached the house. Their father then went to the library to write, and the girls walked into the breakfast-room. "And they are really to be married!" cried Elizabeth, as soon as they were by themselves. "How strange this is! And for _this_ we are to be thankful. That they should marry, small as is their chance of happiness, and wretched as is his character, we are forced to rejoice! Oh, Lydia!" "I comfort myself with thinking," replied Jane, "that he certainly would not marry Lydia, if he had not a real regard for her. Though our kind uncle has done something towards clearing him, I cannot believe that ten thousand pounds, or any thing like it, has been advanced. He has children of his own, and may have more. How could he spare half ten thousand pounds?" "If we are ever able to learn what Wickham's debts have been," said Elizabeth, "and how much is settled on his side on our sister, we shall exactly know what Mr. Gardiner has done for them, because Wickham has not sixpence of his own. The kindness of my uncle and aunt can never be requited. Their taking her home, and affording her their personal protection and countenance, is such a sacrifice to her advantage, as years of gratitude cannot enough acknowledge. By this time she is actually with them! If such goodness does not make her miserable now, she will never deserve to be happy! What a meeting for her, when she first sees my aunt!" "We must endeavour to forget all that has passed on either side," said Jane: "I hope and trust they will yet be happy. His consenting to marry her is a proof, I will believe, that he is come to a right way of thinking. Their mutual affection will steady them; and I flatter myself they will settle so quietly, and live in so rational a manner, as may in time make their past imprudence forgotten." "Their conduct has been such," replied Elizabeth, "as neither you, nor I, nor any body, can ever forget. It is useless to talk of it." It now occurred to the girls that their mother was in all likelihood perfectly ignorant of what had happened. They went to the library, therefore, and asked their father, whether he would not wish them to make it known to her. He was writing, and, without raising his head, coolly replied, "Just as you please." "May we take my uncle's letter to read to her?" "Take whatever you like, and get away." Elizabeth took the letter from his writing table, and they went up stairs together. Mary and Kitty were both with Mrs. Bennet: one communication would, therefore, do for all. After a slight preparation for good news, the letter was read aloud. Mrs. Bennet could hardly contain herself. As soon as Jane had read Mr. Gardiner's hope of Lydia's being soon married, her joy burst forth, and every following sentence added to its exuberance. She was now in an irritation as violent from delight, as she had ever been fidgetty from alarm and vexation. To know that her daughter would be married was enough. She was disturbed by no fear for her felicity, nor humbled by any remembrance of her misconduct. "My dear, dear Lydia!" she cried: "This is delightful indeed!--She will be married!--I shall see her again!--She will be married at sixteen!--My good, kind brother!--I knew how it would be--I knew he would manage every thing. How I long to see her! and to see dear Wickham too! But the clothes, the wedding clothes! I will write to my sister Gardiner about them directly. Lizzy, my dear, run down to your father, and ask him how much he will give her. Stay, stay, I will go myself. Ring the bell, Kitty, for Hill. I will put on my things in a moment. My dear, dear Lydia!--How merry we shall be together when we meet!" Her eldest daughter endeavoured to give some relief to the violence of these transports, by leading her thoughts to the obligations which Mr. Gardiner's behaviour laid	is not so undeserving, then, as we have thought him;" said her sister. "My dear father, I congratulate you." "And have you answered the letter?" said Elizabeth. "No; but it must be done soon." Most earnestly did she then intreat him to lose no more time before he wrote. "Oh! my dear father," she cried, "come back, and write immediately. Consider how important every moment is, in such a case." "Let me write for you," said Jane, "if you dislike the trouble yourself." "I dislike it very much," he replied; "but it must be done." And so saying, he turned back with them, and walked towards the house. "And may I ask?" said Elizabeth, "but the terms, I suppose, must be complied with." "Complied with! I am only ashamed of his asking so little." "And they _must_ marry! Yet he is _such_ a man!" "Yes, yes, they must marry. There is nothing else to be done. But there are two things that I want very much to know:--one is, how much money your uncle has laid down, to bring it about; and the other, how I am ever to pay him." "Money! my uncle!" cried Jane, "what do you mean, Sir?"<\|quote\|>"I mean, that no man in his senses, would marry Lydia on so slight a temptation as one hundred a-year during my life, and fifty after I am gone."</\|quote\|>"That is very true," said Elizabeth; "though it had not occurred to me before. His debts to be discharged, and something still to remain! Oh! it must be my uncle's doings! Generous, good man, I am afraid he has distressed himself. A small sum could not do all this." "No," said her father, "Wickham's a fool, if he takes her with a farthing less than ten thousand pounds. I should be sorry to think so ill of him, in the very beginning of our relationship." "Ten thousand pounds! Heaven forbid! How is half such a sum to be repaid?" Mr. Bennet made no answer, and each of them, deep in thought, continued silent till they reached the house. Their father then went to the library to write, and the girls walked into the breakfast-room. "And they are really to be married!" cried Elizabeth, as soon as they were by themselves. "How strange this is! And for _this_ we are to be thankful. That they should marry, small as is their chance of happiness, and wretched as is his character, we are forced to rejoice! Oh, Lydia!" "I comfort myself with thinking," replied Jane, "that he certainly would not marry Lydia, if he had not a real regard for her. Though our kind uncle has done something towards clearing him, I cannot believe that ten thousand pounds, or any thing like it, has been advanced. He has children of his own, and may have more. How could he spare half ten thousand pounds?" "If we are ever able to learn what Wickham's debts have been," said Elizabeth, "and how much is settled on his side on our sister, we shall exactly know what Mr. Gardiner has done for them, because Wickham has not sixpence of his own. The kindness of my uncle and aunt can never be requited. Their taking her home, and affording her their personal protection and	Pride And Prejudice
said Harriet, standing still among a whirl of porters--"	No speaker	Signor Carella!" "Do you suppose,"<\|quote\|>said Harriet, standing still among a whirl of porters--"</\|quote\|>"do you suppose I am	be when we come to Signor Carella!" "Do you suppose,"<\|quote\|>said Harriet, standing still among a whirl of porters--"</\|quote\|>"do you suppose I am going to enter that man	It was an irritable couple who took tickets to Monteriano. "Singles or returns?" said he. "A single for me," said Harriet peevishly; "I shall never get back alive." "Sweet creature!" said her brother, suddenly breaking down. "How helpful you will be when we come to Signor Carella!" "Do you suppose,"<\|quote\|>said Harriet, standing still among a whirl of porters--"</\|quote\|>"do you suppose I am going to enter that man s house?" "Then what have you come for, pray? For ornament?" "To see that you do your duty." "Oh, thanks!" "So mother told me. For goodness sake get the tickets; here comes that hot woman again! She has the impudence	word would bathe them both in boiling water. Philip, who was slighter of build, and less conscientious, suffered less. But Harriet had never been to Florence, and between the hours of eight and eleven she crawled like a wounded creature through the streets, and swooned before various masterpieces of art. It was an irritable couple who took tickets to Monteriano. "Singles or returns?" said he. "A single for me," said Harriet peevishly; "I shall never get back alive." "Sweet creature!" said her brother, suddenly breaking down. "How helpful you will be when we come to Signor Carella!" "Do you suppose,"<\|quote\|>said Harriet, standing still among a whirl of porters--"</\|quote\|>"do you suppose I am going to enter that man s house?" "Then what have you come for, pray? For ornament?" "To see that you do your duty." "Oh, thanks!" "So mother told me. For goodness sake get the tickets; here comes that hot woman again! She has the impudence to bow." "Mother told you, did she?" said Philip wrathfully, as he went to struggle for tickets at a slit so narrow that they were handed to him edgeways. Italy was beastly, and Florence station is the centre of beastly Italy. But he had a strange feeling that he was	her bed, and her bedroom window looked into a belfry, which saluted her slumbering form every quarter of an hour. Philip left his walking-stick, his socks, and the Baedeker at Bologna; she only left her sponge-bag. Next day they crossed the Apennines with a train-sick child and a hot lady, who told them that never, never before had she sweated so profusely. "Foreigners are a filthy nation," said Harriet. "I don t care if there are tunnels; open the windows." He obeyed, and she got another smut in her eye. Nor did Florence improve matters. Eating, walking, even a cross word would bathe them both in boiling water. Philip, who was slighter of build, and less conscientious, suffered less. But Harriet had never been to Florence, and between the hours of eight and eleven she crawled like a wounded creature through the streets, and swooned before various masterpieces of art. It was an irritable couple who took tickets to Monteriano. "Singles or returns?" said he. "A single for me," said Harriet peevishly; "I shall never get back alive." "Sweet creature!" said her brother, suddenly breaking down. "How helpful you will be when we come to Signor Carella!" "Do you suppose,"<\|quote\|>said Harriet, standing still among a whirl of porters--"</\|quote\|>"do you suppose I am going to enter that man s house?" "Then what have you come for, pray? For ornament?" "To see that you do your duty." "Oh, thanks!" "So mother told me. For goodness sake get the tickets; here comes that hot woman again! She has the impudence to bow." "Mother told you, did she?" said Philip wrathfully, as he went to struggle for tickets at a slit so narrow that they were handed to him edgeways. Italy was beastly, and Florence station is the centre of beastly Italy. But he had a strange feeling that he was to blame for it all; that a little influx into him of virtue would make the whole land not beastly but amusing. For there was enchantment, he was sure of that; solid enchantment, which lay behind the porters and the screaming and the dust. He could see it in the terrific blue sky beneath which they travelled, in the whitened plain which gripped life tighter than a frost, in the exhausted reaches of the Arno, in the ruins of brown castles which stood quivering upon the hills. He could see it, though his head ached and his skin was twitching,	of glaciers and hotels was waltzing at sunset round the walls of Verona. "Absurd nonsense they talk about the heat," said Philip, as they drove from the station. "Supposing we were here for pleasure, what could be more pleasurable than this?" "Did you hear, though, they are remarking on the cold?" said Harriet nervously. "I should never have thought it cold." And on the second day the heat struck them, like a hand laid over the mouth, just as they were walking to see the tomb of Juliet. From that moment everything went wrong. They fled from Verona. Harriet s sketch-book was stolen, and the bottle of ammonia in her trunk burst over her prayer-book, so that purple patches appeared on all her clothes. Then, as she was going through Mantua at four in the morning, Philip made her look out of the window because it was Virgil s birthplace, and a smut flew in her eye, and Harriet with a smut in her eye was notorious. At Bologna they stopped twenty-four hours to rest. It was a FESTA, and children blew bladder whistles night and day. "What a religion!" said Harriet. The hotel smelt, two puppies were asleep on her bed, and her bedroom window looked into a belfry, which saluted her slumbering form every quarter of an hour. Philip left his walking-stick, his socks, and the Baedeker at Bologna; she only left her sponge-bag. Next day they crossed the Apennines with a train-sick child and a hot lady, who told them that never, never before had she sweated so profusely. "Foreigners are a filthy nation," said Harriet. "I don t care if there are tunnels; open the windows." He obeyed, and she got another smut in her eye. Nor did Florence improve matters. Eating, walking, even a cross word would bathe them both in boiling water. Philip, who was slighter of build, and less conscientious, suffered less. But Harriet had never been to Florence, and between the hours of eight and eleven she crawled like a wounded creature through the streets, and swooned before various masterpieces of art. It was an irritable couple who took tickets to Monteriano. "Singles or returns?" said he. "A single for me," said Harriet peevishly; "I shall never get back alive." "Sweet creature!" said her brother, suddenly breaking down. "How helpful you will be when we come to Signor Carella!" "Do you suppose,"<\|quote\|>said Harriet, standing still among a whirl of porters--"</\|quote\|>"do you suppose I am going to enter that man s house?" "Then what have you come for, pray? For ornament?" "To see that you do your duty." "Oh, thanks!" "So mother told me. For goodness sake get the tickets; here comes that hot woman again! She has the impudence to bow." "Mother told you, did she?" said Philip wrathfully, as he went to struggle for tickets at a slit so narrow that they were handed to him edgeways. Italy was beastly, and Florence station is the centre of beastly Italy. But he had a strange feeling that he was to blame for it all; that a little influx into him of virtue would make the whole land not beastly but amusing. For there was enchantment, he was sure of that; solid enchantment, which lay behind the porters and the screaming and the dust. He could see it in the terrific blue sky beneath which they travelled, in the whitened plain which gripped life tighter than a frost, in the exhausted reaches of the Arno, in the ruins of brown castles which stood quivering upon the hills. He could see it, though his head ached and his skin was twitching, though he was here as a puppet, and though his sister knew how he was here. There was nothing pleasant in that journey to Monteriano station. But nothing--not even the discomfort--was commonplace. "But do people live inside?" asked Harriet. They had exchanged railway-carriage for the legno, and the legno had emerged from the withered trees, and had revealed to them their destination. Philip, to be annoying, answered "No." "What do they do there?" continued Harriet, with a frown. "There is a caffe. A prison. A theatre. A church. Walls. A view." "Not for me, thank you," said Harriet, after a weighty pause. "Nobody asked you, Miss, you see. Now Lilia was asked by such a nice young gentleman, with curls all over his forehead, and teeth just as white as father makes them." Then his manner changed. "But, Harriet, do you see nothing wonderful or attractive in that place--nothing at all?" "Nothing at all. It s frightful." "I know it is. But it s old--awfully old." "Beauty is the only test," said Harriet. "At least so you told me when I sketched old buildings--for the sake, I suppose, of making yourself unpleasant." "Oh, I m perfectly right. But at the	her true self in the height of the summer, when the tourists have left her, and her soul awakes under the beams of a vertical sun. He now had every opportunity of seeing her at her best, for it was nearly the middle of August before he went out to meet Harriet in the Tirol. He found his sister in a dense cloud five thousand feet above the sea, chilled to the bone, overfed, bored, and not at all unwilling to be fetched away. "It upsets one s plans terribly," she remarked, as she squeezed out her sponges, "but obviously it is my duty." "Did mother explain it all to you?" asked Philip. "Yes, indeed! Mother has written me a really beautiful letter. She describes how it was that she gradually got to feel that we must rescue the poor baby from its terrible surroundings, how she has tried by letter, and it is no good--nothing but insincere compliments and hypocrisy came back. Then she says, There is nothing like personal influence; you and Philip will succeed where I have failed. She says, too, that Caroline Abbott has been wonderful." Philip assented. "Caroline feels it as keenly almost as us. That is because she knows the man. Oh, he must be loathsome! Goodness me! I ve forgotten to pack the ammonia!... It has been a terrible lesson for Caroline, but I fancy it is her turning-point. I can t help liking to think that out of all this evil good will come." Philip saw no prospect of good, nor of beauty either. But the expedition promised to be highly comic. He was not averse to it any longer; he was simply indifferent to all in it except the humours. These would be wonderful. Harriet, worked by her mother; Mrs. Herriton, worked by Miss Abbott; Gino, worked by a cheque--what better entertainment could he desire? There was nothing to distract him this time; his sentimentality had died, so had his anxiety for the family honour. He might be a puppet s puppet, but he knew exactly the disposition of the strings. They travelled for thirteen hours down-hill, whilst the streams broadened and the mountains shrank, and the vegetation changed, and the people ceased being ugly and drinking beer, and began instead to drink wine and to be beautiful. And the train which had picked them at sunrise out of a waste of glaciers and hotels was waltzing at sunset round the walls of Verona. "Absurd nonsense they talk about the heat," said Philip, as they drove from the station. "Supposing we were here for pleasure, what could be more pleasurable than this?" "Did you hear, though, they are remarking on the cold?" said Harriet nervously. "I should never have thought it cold." And on the second day the heat struck them, like a hand laid over the mouth, just as they were walking to see the tomb of Juliet. From that moment everything went wrong. They fled from Verona. Harriet s sketch-book was stolen, and the bottle of ammonia in her trunk burst over her prayer-book, so that purple patches appeared on all her clothes. Then, as she was going through Mantua at four in the morning, Philip made her look out of the window because it was Virgil s birthplace, and a smut flew in her eye, and Harriet with a smut in her eye was notorious. At Bologna they stopped twenty-four hours to rest. It was a FESTA, and children blew bladder whistles night and day. "What a religion!" said Harriet. The hotel smelt, two puppies were asleep on her bed, and her bedroom window looked into a belfry, which saluted her slumbering form every quarter of an hour. Philip left his walking-stick, his socks, and the Baedeker at Bologna; she only left her sponge-bag. Next day they crossed the Apennines with a train-sick child and a hot lady, who told them that never, never before had she sweated so profusely. "Foreigners are a filthy nation," said Harriet. "I don t care if there are tunnels; open the windows." He obeyed, and she got another smut in her eye. Nor did Florence improve matters. Eating, walking, even a cross word would bathe them both in boiling water. Philip, who was slighter of build, and less conscientious, suffered less. But Harriet had never been to Florence, and between the hours of eight and eleven she crawled like a wounded creature through the streets, and swooned before various masterpieces of art. It was an irritable couple who took tickets to Monteriano. "Singles or returns?" said he. "A single for me," said Harriet peevishly; "I shall never get back alive." "Sweet creature!" said her brother, suddenly breaking down. "How helpful you will be when we come to Signor Carella!" "Do you suppose,"<\|quote\|>said Harriet, standing still among a whirl of porters--"</\|quote\|>"do you suppose I am going to enter that man s house?" "Then what have you come for, pray? For ornament?" "To see that you do your duty." "Oh, thanks!" "So mother told me. For goodness sake get the tickets; here comes that hot woman again! She has the impudence to bow." "Mother told you, did she?" said Philip wrathfully, as he went to struggle for tickets at a slit so narrow that they were handed to him edgeways. Italy was beastly, and Florence station is the centre of beastly Italy. But he had a strange feeling that he was to blame for it all; that a little influx into him of virtue would make the whole land not beastly but amusing. For there was enchantment, he was sure of that; solid enchantment, which lay behind the porters and the screaming and the dust. He could see it in the terrific blue sky beneath which they travelled, in the whitened plain which gripped life tighter than a frost, in the exhausted reaches of the Arno, in the ruins of brown castles which stood quivering upon the hills. He could see it, though his head ached and his skin was twitching, though he was here as a puppet, and though his sister knew how he was here. There was nothing pleasant in that journey to Monteriano station. But nothing--not even the discomfort--was commonplace. "But do people live inside?" asked Harriet. They had exchanged railway-carriage for the legno, and the legno had emerged from the withered trees, and had revealed to them their destination. Philip, to be annoying, answered "No." "What do they do there?" continued Harriet, with a frown. "There is a caffe. A prison. A theatre. A church. Walls. A view." "Not for me, thank you," said Harriet, after a weighty pause. "Nobody asked you, Miss, you see. Now Lilia was asked by such a nice young gentleman, with curls all over his forehead, and teeth just as white as father makes them." Then his manner changed. "But, Harriet, do you see nothing wonderful or attractive in that place--nothing at all?" "Nothing at all. It s frightful." "I know it is. But it s old--awfully old." "Beauty is the only test," said Harriet. "At least so you told me when I sketched old buildings--for the sake, I suppose, of making yourself unpleasant." "Oh, I m perfectly right. But at the same time--I don t know--so many things have happened here--people have lived so hard and so splendidly--I can t explain." "I shouldn t think you could. It doesn t seem the best moment to begin your Italy mania. I thought you were cured of it by now. Instead, will you kindly tell me what you are going to do when you arrive. I do beg you will not be taken unawares this time." "First, Harriet, I shall settle you at the Stella d Italia, in the comfort that befits your sex and disposition. Then I shall make myself some tea. After tea I shall take a book into Santa Deodata s, and read there. It is always fresh and cool." The martyred Harriet exclaimed, "I m not clever, Philip. I don t go in for it, as you know. But I know what s rude. And I know what s wrong." "Meaning--?" "You!" she shouted, bouncing on the cushions of the legno and startling all the fleas. "What s the good of cleverness if a man s murdered a woman?" "Harriet, I am hot. To whom do you refer?" "He. Her. If you don t look out he ll murder you. I wish he would." "Tut tut, tutlet! You d find a corpse extraordinarily inconvenient." Then he tried to be less aggravating. "I heartily dislike the fellow, but we know he didn t murder her. In that letter, though she said a lot, she never said he was physically cruel." "He has murdered her. The things he did--things one can t even mention--" "Things which one must mention if one s to talk at all. And things which one must keep in their proper place. Because he was unfaithful to his wife, it doesn t follow that in every way he s absolutely vile." He looked at the city. It seemed to approve his remark. "It s the supreme test. The man who is unchivalrous to a woman--" "Oh, stow it! Take it to the Back Kitchen. It s no more a supreme test than anything else. The Italians never were chivalrous from the first. If you condemn him for that, you ll condemn the whole lot." "I condemn the whole lot." "And the French as well?" "And the French as well." "Things aren t so jolly easy," said Philip, more to himself than to her. But for Harriet things	vegetation changed, and the people ceased being ugly and drinking beer, and began instead to drink wine and to be beautiful. And the train which had picked them at sunrise out of a waste of glaciers and hotels was waltzing at sunset round the walls of Verona. "Absurd nonsense they talk about the heat," said Philip, as they drove from the station. "Supposing we were here for pleasure, what could be more pleasurable than this?" "Did you hear, though, they are remarking on the cold?" said Harriet nervously. "I should never have thought it cold." And on the second day the heat struck them, like a hand laid over the mouth, just as they were walking to see the tomb of Juliet. From that moment everything went wrong. They fled from Verona. Harriet s sketch-book was stolen, and the bottle of ammonia in her trunk burst over her prayer-book, so that purple patches appeared on all her clothes. Then, as she was going through Mantua at four in the morning, Philip made her look out of the window because it was Virgil s birthplace, and a smut flew in her eye, and Harriet with a smut in her eye was notorious. At Bologna they stopped twenty-four hours to rest. It was a FESTA, and children blew bladder whistles night and day. "What a religion!" said Harriet. The hotel smelt, two puppies were asleep on her bed, and her bedroom window looked into a belfry, which saluted her slumbering form every quarter of an hour. Philip left his walking-stick, his socks, and the Baedeker at Bologna; she only left her sponge-bag. Next day they crossed the Apennines with a train-sick child and a hot lady, who told them that never, never before had she sweated so profusely. "Foreigners are a filthy nation," said Harriet. "I don t care if there are tunnels; open the windows." He obeyed, and she got another smut in her eye. Nor did Florence improve matters. Eating, walking, even a cross word would bathe them both in boiling water. Philip, who was slighter of build, and less conscientious, suffered less. But Harriet had never been to Florence, and between the hours of eight and eleven she crawled like a wounded creature through the streets, and swooned before various masterpieces of art. It was an irritable couple who took tickets to Monteriano. "Singles or returns?" said he. "A single for me," said Harriet peevishly; "I shall never get back alive." "Sweet creature!" said her brother, suddenly breaking down. "How helpful you will be when we come to Signor Carella!" "Do you suppose,"<\|quote\|>said Harriet, standing still among a whirl of porters--"</\|quote\|>"do you suppose I am going to enter that man s house?" "Then what have you come for, pray? For ornament?" "To see that you do your duty." "Oh, thanks!" "So mother told me. For goodness sake get the tickets; here comes that hot woman again! She has the impudence to bow." "Mother told you, did she?" said Philip wrathfully, as he went to struggle for tickets at a slit so narrow that they were handed to him edgeways. Italy was beastly, and Florence station is the centre of beastly Italy. But he had a strange feeling that he was to blame for it all; that a little influx into him of virtue would make the whole land not beastly but amusing. For there was enchantment, he was sure of that; solid enchantment, which lay behind the porters and the screaming and the dust. He could see it in the terrific blue sky beneath which they travelled, in the whitened plain which gripped life tighter than a frost, in the exhausted reaches of the Arno, in the ruins of brown castles which stood quivering upon the hills. He could see it, though his head ached and his skin was twitching, though he was here as a puppet, and though his sister knew how he was here. There was nothing pleasant in that journey to Monteriano station. But nothing--not even the discomfort--was commonplace. "But do people live inside?" asked Harriet. They had exchanged railway-carriage for the legno, and the legno had emerged from the withered trees, and had revealed to	Where Angels Fear To Tread
"Oh, my dear Miss Dashwood,"	Charlotte	to him except his wife.<\|quote\|>"Oh, my dear Miss Dashwood,"</\|quote\|>said Mrs. Palmer soon afterwards,	likely to attach any one to him except his wife.<\|quote\|>"Oh, my dear Miss Dashwood,"</\|quote\|>said Mrs. Palmer soon afterwards, "I have got such a	abuse of every thing before him. It was the desire of appearing superior to other people. The motive was too common to be wondered at; but the means, however they might succeed by establishing his superiority in ill-breeding, were not likely to attach any one to him except his wife.<\|quote\|>"Oh, my dear Miss Dashwood,"</\|quote\|>said Mrs. Palmer soon afterwards, "I have got such a favour to ask of you and your sister. Will you come and spend some time at Cleveland this Christmas? Now, pray do, and come while the Westons are with us. You cannot think how happy I shall be! It will	he was the husband of a very silly woman but she knew that this kind of blunder was too common for any sensible man to be lastingly hurt by it. It was rather a wish of distinction, she believed, which produced his contemptuous treatment of every body, and his general abuse of every thing before him. It was the desire of appearing superior to other people. The motive was too common to be wondered at; but the means, however they might succeed by establishing his superiority in ill-breeding, were not likely to attach any one to him except his wife.<\|quote\|>"Oh, my dear Miss Dashwood,"</\|quote\|>said Mrs. Palmer soon afterwards, "I have got such a favour to ask of you and your sister. Will you come and spend some time at Cleveland this Christmas? Now, pray do, and come while the Westons are with us. You cannot think how happy I shall be! It will be quite delightful! My love," applying to her husband, "don t you long to have the Miss Dashwoods come to Cleveland?" "Certainly," he replied, with a sneer "I came into Devonshire with no other view." "There now," said his lady, "you see Mr. Palmer expects you; so you cannot refuse	determined to be happy than Mrs. Palmer. The studied indifference, insolence, and discontent of her husband gave her no pain; and when he scolded or abused her, she was highly diverted. "Mr. Palmer is so droll!" said she, in a whisper, to Elinor. "He is always out of humour." Elinor was not inclined, after a little observation, to give him credit for being so genuinely and unaffectedly ill-natured or ill-bred as he wished to appear. His temper might perhaps be a little soured by finding, like many others of his sex, that through some unaccountable bias in favour of beauty, he was the husband of a very silly woman but she knew that this kind of blunder was too common for any sensible man to be lastingly hurt by it. It was rather a wish of distinction, she believed, which produced his contemptuous treatment of every body, and his general abuse of every thing before him. It was the desire of appearing superior to other people. The motive was too common to be wondered at; but the means, however they might succeed by establishing his superiority in ill-breeding, were not likely to attach any one to him except his wife.<\|quote\|>"Oh, my dear Miss Dashwood,"</\|quote\|>said Mrs. Palmer soon afterwards, "I have got such a favour to ask of you and your sister. Will you come and spend some time at Cleveland this Christmas? Now, pray do, and come while the Westons are with us. You cannot think how happy I shall be! It will be quite delightful! My love," applying to her husband, "don t you long to have the Miss Dashwoods come to Cleveland?" "Certainly," he replied, with a sneer "I came into Devonshire with no other view." "There now," said his lady, "you see Mr. Palmer expects you; so you cannot refuse to come." They both eagerly and resolutely declined her invitation. "But indeed you must and shall come. I am sure you will like it of all things. The Westons will be with us, and it will be quite delightful. You cannot think what a sweet place Cleveland is; and we are so gay now, for Mr. Palmer is always going about the country canvassing against the election; and so many people came to dine with us that I never saw before, it is quite charming! But, poor fellow! it is very fatiguing to him! for he is forced to make	regret that they were only eight all together. "My dear," said he to his lady, "it is very provoking that we should be so few. Why did not you ask the Gilberts to come to us today?" "Did not I tell you, Sir John, when you spoke to me about it before, that it could not be done? They dined with us last." "You and I, Sir John," said Mrs. Jennings, "should not stand upon such ceremony." "Then you would be very ill-bred," cried Mr. Palmer. "My love you contradict every body," said his wife with her usual laugh. "Do you know that you are quite rude?" "I did not know I contradicted any body in calling your mother ill-bred." "Ay, you may abuse me as you please," said the good-natured old lady, "you have taken Charlotte off my hands, and cannot give her back again. So there I have the whip hand of you." Charlotte laughed heartily to think that her husband could not get rid of her; and exultingly said, she did not care how cross he was to her, as they must live together. It was impossible for any one to be more thoroughly good-natured, or more determined to be happy than Mrs. Palmer. The studied indifference, insolence, and discontent of her husband gave her no pain; and when he scolded or abused her, she was highly diverted. "Mr. Palmer is so droll!" said she, in a whisper, to Elinor. "He is always out of humour." Elinor was not inclined, after a little observation, to give him credit for being so genuinely and unaffectedly ill-natured or ill-bred as he wished to appear. His temper might perhaps be a little soured by finding, like many others of his sex, that through some unaccountable bias in favour of beauty, he was the husband of a very silly woman but she knew that this kind of blunder was too common for any sensible man to be lastingly hurt by it. It was rather a wish of distinction, she believed, which produced his contemptuous treatment of every body, and his general abuse of every thing before him. It was the desire of appearing superior to other people. The motive was too common to be wondered at; but the means, however they might succeed by establishing his superiority in ill-breeding, were not likely to attach any one to him except his wife.<\|quote\|>"Oh, my dear Miss Dashwood,"</\|quote\|>said Mrs. Palmer soon afterwards, "I have got such a favour to ask of you and your sister. Will you come and spend some time at Cleveland this Christmas? Now, pray do, and come while the Westons are with us. You cannot think how happy I shall be! It will be quite delightful! My love," applying to her husband, "don t you long to have the Miss Dashwoods come to Cleveland?" "Certainly," he replied, with a sneer "I came into Devonshire with no other view." "There now," said his lady, "you see Mr. Palmer expects you; so you cannot refuse to come." They both eagerly and resolutely declined her invitation. "But indeed you must and shall come. I am sure you will like it of all things. The Westons will be with us, and it will be quite delightful. You cannot think what a sweet place Cleveland is; and we are so gay now, for Mr. Palmer is always going about the country canvassing against the election; and so many people came to dine with us that I never saw before, it is quite charming! But, poor fellow! it is very fatiguing to him! for he is forced to make every body like him." Elinor could hardly keep her countenance as she assented to the hardship of such an obligation. "How charming it will be," said Charlotte, "when he is in Parliament! won t it? How I shall laugh! It will be so ridiculous to see all his letters directed to him with an M.P. But do you know, he says, he will never frank for me? He declares he won t. Don t you, Mr. Palmer?" Mr. Palmer took no notice of her. "He cannot bear writing, you know," she continued "he says it is quite shocking." "No," said he, "I never said any thing so irrational. Don t palm all your abuses of language upon me." "There now; you see how droll he is. This is always the way with him! Sometimes he won t speak to me for half a day together, and then he comes out with something so droll all about any thing in the world." She surprised Elinor very much as they returned into the drawing-room, by asking her whether she did not like Mr. Palmer excessively. "Certainly," said Elinor; "he seems very agreeable." "Well I am so glad you do. I thought you	am so sorry we cannot stay longer; however we shall meet again in town very soon, I hope." They were obliged to put an end to such an expectation. "Not go to town!" cried Mrs. Palmer, with a laugh, "I shall be quite disappointed if you do not. I could get the nicest house in the world for you, next door to ours, in Hanover-square. You must come, indeed. I am sure I shall be very happy to chaperon you at any time till I am confined, if Mrs. Dashwood should not like to go into public." They thanked her; but were obliged to resist all her entreaties. "Oh, my love," cried Mrs. Palmer to her husband, who just then entered the room "you must help me to persuade the Miss Dashwoods to go to town this winter." Her love made no answer; and after slightly bowing to the ladies, began complaining of the weather. "How horrid all this is!" said he. "Such weather makes every thing and every body disgusting. Dullness is as much produced within doors as without, by rain. It makes one detest all one s acquaintance. What the devil does Sir John mean by not having a billiard room in his house? How few people know what comfort is! Sir John is as stupid as the weather." The rest of the company soon dropt in. "I am afraid, Miss Marianne," said Sir John, "you have not been able to take your usual walk to Allenham today." Marianne looked very grave and said nothing. "Oh, don t be so sly before us," said Mrs. Palmer; "for we know all about it, I assure you; and I admire your taste very much, for I think he is extremely handsome. We do not live a great way from him in the country, you know. Not above ten miles, I dare say." "Much nearer thirty," said her husband. "Ah, well! there is not much difference. I never was at his house; but they say it is a sweet pretty place." "As vile a spot as I ever saw in my life," said Mr. Palmer. Marianne remained perfectly silent, though her countenance betrayed her interest in what was said. "Is it very ugly?" continued Mrs. Palmer "then it must be some other place that is so pretty I suppose." When they were seated in the dining room, Sir John observed with regret that they were only eight all together. "My dear," said he to his lady, "it is very provoking that we should be so few. Why did not you ask the Gilberts to come to us today?" "Did not I tell you, Sir John, when you spoke to me about it before, that it could not be done? They dined with us last." "You and I, Sir John," said Mrs. Jennings, "should not stand upon such ceremony." "Then you would be very ill-bred," cried Mr. Palmer. "My love you contradict every body," said his wife with her usual laugh. "Do you know that you are quite rude?" "I did not know I contradicted any body in calling your mother ill-bred." "Ay, you may abuse me as you please," said the good-natured old lady, "you have taken Charlotte off my hands, and cannot give her back again. So there I have the whip hand of you." Charlotte laughed heartily to think that her husband could not get rid of her; and exultingly said, she did not care how cross he was to her, as they must live together. It was impossible for any one to be more thoroughly good-natured, or more determined to be happy than Mrs. Palmer. The studied indifference, insolence, and discontent of her husband gave her no pain; and when he scolded or abused her, she was highly diverted. "Mr. Palmer is so droll!" said she, in a whisper, to Elinor. "He is always out of humour." Elinor was not inclined, after a little observation, to give him credit for being so genuinely and unaffectedly ill-natured or ill-bred as he wished to appear. His temper might perhaps be a little soured by finding, like many others of his sex, that through some unaccountable bias in favour of beauty, he was the husband of a very silly woman but she knew that this kind of blunder was too common for any sensible man to be lastingly hurt by it. It was rather a wish of distinction, she believed, which produced his contemptuous treatment of every body, and his general abuse of every thing before him. It was the desire of appearing superior to other people. The motive was too common to be wondered at; but the means, however they might succeed by establishing his superiority in ill-breeding, were not likely to attach any one to him except his wife.<\|quote\|>"Oh, my dear Miss Dashwood,"</\|quote\|>said Mrs. Palmer soon afterwards, "I have got such a favour to ask of you and your sister. Will you come and spend some time at Cleveland this Christmas? Now, pray do, and come while the Westons are with us. You cannot think how happy I shall be! It will be quite delightful! My love," applying to her husband, "don t you long to have the Miss Dashwoods come to Cleveland?" "Certainly," he replied, with a sneer "I came into Devonshire with no other view." "There now," said his lady, "you see Mr. Palmer expects you; so you cannot refuse to come." They both eagerly and resolutely declined her invitation. "But indeed you must and shall come. I am sure you will like it of all things. The Westons will be with us, and it will be quite delightful. You cannot think what a sweet place Cleveland is; and we are so gay now, for Mr. Palmer is always going about the country canvassing against the election; and so many people came to dine with us that I never saw before, it is quite charming! But, poor fellow! it is very fatiguing to him! for he is forced to make every body like him." Elinor could hardly keep her countenance as she assented to the hardship of such an obligation. "How charming it will be," said Charlotte, "when he is in Parliament! won t it? How I shall laugh! It will be so ridiculous to see all his letters directed to him with an M.P. But do you know, he says, he will never frank for me? He declares he won t. Don t you, Mr. Palmer?" Mr. Palmer took no notice of her. "He cannot bear writing, you know," she continued "he says it is quite shocking." "No," said he, "I never said any thing so irrational. Don t palm all your abuses of language upon me." "There now; you see how droll he is. This is always the way with him! Sometimes he won t speak to me for half a day together, and then he comes out with something so droll all about any thing in the world." She surprised Elinor very much as they returned into the drawing-room, by asking her whether she did not like Mr. Palmer excessively. "Certainly," said Elinor; "he seems very agreeable." "Well I am so glad you do. I thought you would, he is so pleasant; and Mr. Palmer is excessively pleased with you and your sisters I can tell you, and you can t think how disappointed he will be if you don t come to Cleveland. I can t imagine why you should object to it." Elinor was again obliged to decline her invitation; and by changing the subject, put a stop to her entreaties. She thought it probable that as they lived in the same county, Mrs. Palmer might be able to give some more particular account of Willoughby s general character, than could be gathered from the Middletons partial acquaintance with him; and she was eager to gain from any one, such a confirmation of his merits as might remove the possibility of fear from Marianne. She began by inquiring if they saw much of Mr. Willoughby at Cleveland, and whether they were intimately acquainted with him. "Oh dear, yes; I know him extremely well," replied Mrs. Palmer; "Not that I ever spoke to him, indeed; but I have seen him for ever in town. Somehow or other I never happened to be staying at Barton while he was at Allenham. Mama saw him here once before; but I was with my uncle at Weymouth. However, I dare say we should have seen a great deal of him in Somersetshire, if it had not happened very unluckily that we should never have been in the country together. He is very little at Combe, I believe; but if he were ever so much there, I do not think Mr. Palmer would visit him, for he is in the opposition, you know, and besides it is such a way off. I know why you inquire about him, very well; your sister is to marry him. I am monstrous glad of it, for then I shall have her for a neighbour you know." "Upon my word," replied Elinor, "you know much more of the matter than I do, if you have any reason to expect such a match." "Don t pretend to deny it, because you know it is what every body talks of. I assure you I heard of it in my way through town." "My dear Mrs. Palmer!" "Upon my honour I did. I met Colonel Brandon Monday morning in Bond-street, just before we left town, and he told me of it directly." "You surprise me very much.	ill-bred." "Ay, you may abuse me as you please," said the good-natured old lady, "you have taken Charlotte off my hands, and cannot give her back again. So there I have the whip hand of you." Charlotte laughed heartily to think that her husband could not get rid of her; and exultingly said, she did not care how cross he was to her, as they must live together. It was impossible for any one to be more thoroughly good-natured, or more determined to be happy than Mrs. Palmer. The studied indifference, insolence, and discontent of her husband gave her no pain; and when he scolded or abused her, she was highly diverted. "Mr. Palmer is so droll!" said she, in a whisper, to Elinor. "He is always out of humour." Elinor was not inclined, after a little observation, to give him credit for being so genuinely and unaffectedly ill-natured or ill-bred as he wished to appear. His temper might perhaps be a little soured by finding, like many others of his sex, that through some unaccountable bias in favour of beauty, he was the husband of a very silly woman but she knew that this kind of blunder was too common for any sensible man to be lastingly hurt by it. It was rather a wish of distinction, she believed, which produced his contemptuous treatment of every body, and his general abuse of every thing before him. It was the desire of appearing superior to other people. The motive was too common to be wondered at; but the means, however they might succeed by establishing his superiority in ill-breeding, were not likely to attach any one to him except his wife.<\|quote\|>"Oh, my dear Miss Dashwood,"</\|quote\|>said Mrs. Palmer soon afterwards, "I have got such a favour to ask of you and your sister. Will you come and spend some time at Cleveland this Christmas? Now, pray do, and come while the Westons are with us. You cannot think how happy I shall be! It will be quite delightful! My love," applying to her husband, "don t you long to have the Miss Dashwoods come to Cleveland?" "Certainly," he replied, with a sneer "I came into Devonshire with no other view." "There now," said his lady, "you see Mr. Palmer expects you; so you cannot refuse to come." They both eagerly and resolutely declined her invitation. "But indeed you must and shall come. I am sure you will like it of all things. The Westons will be with us, and it will be quite delightful. You cannot think what a sweet place Cleveland is; and we are so gay now, for Mr. Palmer is always going about the country canvassing against the election; and so many people came to dine with us that I never saw before, it is quite charming! But, poor fellow! it is very fatiguing to him! for he is forced to make every body like him." Elinor could hardly keep her countenance as she assented to the hardship of such an obligation. "How charming it will be," said Charlotte, "when he is in Parliament! won t it? How I shall laugh! It will be so ridiculous to see all his letters directed to him with an M.P. But do you know, he says, he will never frank for me? He declares he won t. Don t you, Mr. Palmer?" Mr. Palmer took no notice of her. "He cannot bear writing, you know," she continued "he says it is quite shocking." "No," said he, "I never said any thing so irrational. Don t palm all your abuses of language upon me." "There now; you see how droll he is. This is always the way with him! Sometimes he won t speak to me for half a day together, and then he comes out with something so droll all about any thing in the world." She surprised Elinor very much as they returned into the drawing-room, by asking her whether she did not like Mr. Palmer excessively. "Certainly," said Elinor; "he seems very agreeable." "Well I am so glad you do. I thought you would, he is so pleasant; and Mr. Palmer is excessively pleased with you and your sisters I can tell you, and you can t think how disappointed he will be if you don t come to Cleveland. I can t imagine why you should object to it." Elinor was again obliged to decline her invitation; and by changing the subject, put a stop to her entreaties. She thought it probable that as they lived in the	Sense And Sensibility
"I had thought of Friday. That will give us plenty of time for the doctor's report. The post-mortem is to take place to-night, I believe?"	Mr. Wells	the contrary," pursued Mr. Wells,<\|quote\|>"I had thought of Friday. That will give us plenty of time for the doctor's report. The post-mortem is to take place to-night, I believe?"</\|quote\|>"Yes." "Then that arrangement will	you know of nothing to the contrary," pursued Mr. Wells,<\|quote\|>"I had thought of Friday. That will give us plenty of time for the doctor's report. The post-mortem is to take place to-night, I believe?"</\|quote\|>"Yes." "Then that arrangement will suit you?" "Perfectly." "I need	went on in his soothing manner: "Any other evidence will be simply confirmatory, a mere matter of form." "I see." A faint expression of relief swept over John's face. It puzzled me, for I saw no occasion for it. "If you know of nothing to the contrary," pursued Mr. Wells,<\|quote\|>"I had thought of Friday. That will give us plenty of time for the doctor's report. The post-mortem is to take place to-night, I believe?"</\|quote\|>"Yes." "Then that arrangement will suit you?" "Perfectly." "I need not tell you, my dear Cavendish, how distressed I am at this most tragic affair." "Can you give us no help in solving it, monsieur?" interposed Poirot, speaking for the first time since we had entered the room. "I?" "Yes,	Bauerstein. Great authority on toxicology, I believe." "Indeed," said John with a certain stiffness in his manner. Then he added rather hesitatingly: "Shall we have to appear as witnesses all of us, I mean?" "You, of course and ah er Mr. er Inglethorp." A slight pause ensued before the lawyer went on in his soothing manner: "Any other evidence will be simply confirmatory, a mere matter of form." "I see." A faint expression of relief swept over John's face. It puzzled me, for I saw no occasion for it. "If you know of nothing to the contrary," pursued Mr. Wells,<\|quote\|>"I had thought of Friday. That will give us plenty of time for the doctor's report. The post-mortem is to take place to-night, I believe?"</\|quote\|>"Yes." "Then that arrangement will suit you?" "Perfectly." "I need not tell you, my dear Cavendish, how distressed I am at this most tragic affair." "Can you give us no help in solving it, monsieur?" interposed Poirot, speaking for the first time since we had entered the room. "I?" "Yes, we heard that Mrs. Inglethorp wrote to you last night. You should have received the letter this morning." "I did, but it contains no information. It is merely a note asking me to call upon her this morning, as she wanted my advice on a matter of great importance." "She	behind us. Mr. Wells was a pleasant man of middle-age, with keen eyes, and the typical lawyer's mouth. John introduced us both, and explained the reason of our presence. "You will understand, Wells," he added, "that this is all strictly private. We are still hoping that there will turn out to be no need for investigation of any kind." "Quite so, quite so," said Mr. Wells soothingly. "I wish we could have spared you the pain and publicity of an inquest, but of course it's quite unavoidable in the absence of a doctor's certificate." "Yes, I suppose so." "Clever man, Bauerstein. Great authority on toxicology, I believe." "Indeed," said John with a certain stiffness in his manner. Then he added rather hesitatingly: "Shall we have to appear as witnesses all of us, I mean?" "You, of course and ah er Mr. er Inglethorp." A slight pause ensued before the lawyer went on in his soothing manner: "Any other evidence will be simply confirmatory, a mere matter of form." "I see." A faint expression of relief swept over John's face. It puzzled me, for I saw no occasion for it. "If you know of nothing to the contrary," pursued Mr. Wells,<\|quote\|>"I had thought of Friday. That will give us plenty of time for the doctor's report. The post-mortem is to take place to-night, I believe?"</\|quote\|>"Yes." "Then that arrangement will suit you?" "Perfectly." "I need not tell you, my dear Cavendish, how distressed I am at this most tragic affair." "Can you give us no help in solving it, monsieur?" interposed Poirot, speaking for the first time since we had entered the room. "I?" "Yes, we heard that Mrs. Inglethorp wrote to you last night. You should have received the letter this morning." "I did, but it contains no information. It is merely a note asking me to call upon her this morning, as she wanted my advice on a matter of great importance." "She gave you no hint as to what that matter might be?" "Unfortunately, no." "That is a pity," said John. "A great pity," agreed Poirot gravely. There was silence. Poirot remained lost in thought for a few minutes. Finally he turned to the lawyer again. "Mr. Wells, there is one thing I should like to ask you that is, if it is not against professional etiquette. In the event of Mrs. Inglethorp's death, who would inherit her money?" The lawyer hesitated a moment, and then replied: "The knowledge will be public property very soon, so if Mr. Cavendish does not object"	moment, the door opened and Dorcas appeared. "Mr. Wells to see you, sir," she said to John. I remembered the name as being that of the lawyer to whom Mrs. Inglethorp had written the night before. John rose immediately. "Show him into my study." Then he turned to us. "My mother's lawyer," he explained. And in a lower voice: "He is also Coroner you understand. Perhaps you would like to come with me?" We acquiesced and followed him out of the room. John strode on ahead and I took the opportunity of whispering to Poirot: "There will be an inquest then?" Poirot nodded absently. He seemed absorbed in thought; so much so that my curiosity was aroused. "What is it? You are not attending to what I say." "It is true, my friend. I am much worried." "Why?" "Because Mademoiselle Cynthia does not take sugar in her coffee." "What? You cannot be serious?" "But I am most serious. Ah, there is something there that I do not understand. My instinct was right." "What instinct?" "The instinct that led me to insist on examining those coffee-cups. _Chut!_ no more now!" We followed John into his study, and he closed the door behind us. Mr. Wells was a pleasant man of middle-age, with keen eyes, and the typical lawyer's mouth. John introduced us both, and explained the reason of our presence. "You will understand, Wells," he added, "that this is all strictly private. We are still hoping that there will turn out to be no need for investigation of any kind." "Quite so, quite so," said Mr. Wells soothingly. "I wish we could have spared you the pain and publicity of an inquest, but of course it's quite unavoidable in the absence of a doctor's certificate." "Yes, I suppose so." "Clever man, Bauerstein. Great authority on toxicology, I believe." "Indeed," said John with a certain stiffness in his manner. Then he added rather hesitatingly: "Shall we have to appear as witnesses all of us, I mean?" "You, of course and ah er Mr. er Inglethorp." A slight pause ensued before the lawyer went on in his soothing manner: "Any other evidence will be simply confirmatory, a mere matter of form." "I see." A faint expression of relief swept over John's face. It puzzled me, for I saw no occasion for it. "If you know of nothing to the contrary," pursued Mr. Wells,<\|quote\|>"I had thought of Friday. That will give us plenty of time for the doctor's report. The post-mortem is to take place to-night, I believe?"</\|quote\|>"Yes." "Then that arrangement will suit you?" "Perfectly." "I need not tell you, my dear Cavendish, how distressed I am at this most tragic affair." "Can you give us no help in solving it, monsieur?" interposed Poirot, speaking for the first time since we had entered the room. "I?" "Yes, we heard that Mrs. Inglethorp wrote to you last night. You should have received the letter this morning." "I did, but it contains no information. It is merely a note asking me to call upon her this morning, as she wanted my advice on a matter of great importance." "She gave you no hint as to what that matter might be?" "Unfortunately, no." "That is a pity," said John. "A great pity," agreed Poirot gravely. There was silence. Poirot remained lost in thought for a few minutes. Finally he turned to the lawyer again. "Mr. Wells, there is one thing I should like to ask you that is, if it is not against professional etiquette. In the event of Mrs. Inglethorp's death, who would inherit her money?" The lawyer hesitated a moment, and then replied: "The knowledge will be public property very soon, so if Mr. Cavendish does not object" "Not at all," interpolated John. "I do not see any reason why I should not answer your question. By her last will, dated August of last year, after various unimportant legacies to servants, etc., she gave her entire fortune to her stepson, Mr. John Cavendish." "Was not that pardon the question, Mr. Cavendish rather unfair to her other stepson, Mr. Lawrence Cavendish?" "No, I do not think so. You see, under the terms of their father's will, while John inherited the property, Lawrence, at his stepmother's death, would come into a considerable sum of money. Mrs. Inglethorp left her money to her elder stepson, knowing that he would have to keep up Styles. It was, to my mind, a very fair and equitable distribution." Poirot nodded thoughtfully. "I see. But I am right in saying, am I not, that by your English law that will was automatically revoked when Mrs. Inglethorp remarried?" Mr. Wells bowed his head. "As I was about to proceed, Monsieur Poirot, that document is now null and void." "_Hein!_" said Poirot. He reflected for a moment, and then asked: "Was Mrs. Inglethorp herself aware of that fact?" "I do not know. She may have been." "She	should be much as usual, yet I could not help wondering if this self-control were really a matter of great difficulty. There were no red eyes, no signs of secretly indulged grief. I felt that I was right in my opinion that Dorcas was the person most affected by the personal side of the tragedy. I pass over Alfred Inglethorp, who acted the bereaved widower in a manner that I felt to be disgusting in its hypocrisy. Did he know that we suspected him, I wondered. Surely he could not be unaware of the fact, conceal it as we would. Did he feel some secret stirring of fear, or was he confident that his crime would go unpunished? Surely the suspicion in the atmosphere must warn him that he was already a marked man. But did everyone suspect him? What about Mrs. Cavendish? I watched her as she sat at the head of the table, graceful, composed, enigmatic. In her soft grey frock, with white ruffles at the wrists falling over her slender hands, she looked very beautiful. When she chose, however, her face could be sphinx-like in its inscrutability. She was very silent, hardly opening her lips, and yet in some queer way I felt that the great strength of her personality was dominating us all. And little Cynthia? Did she suspect? She looked very tired and ill, I thought. The heaviness and languor of her manner were very marked. I asked her if she were feeling ill, and she answered frankly: "Yes, I've got the most beastly headache." "Have another cup of coffee, mademoiselle?" said Poirot solicitously. "It will revive you. It is unparalleled for the _mal de t te_." He jumped up and took her cup. "No sugar," said Cynthia, watching him, as he picked up the sugar-tongs. "No sugar? You abandon it in the war-time, eh?" "No, I never take it in coffee." "_Sacr !_" murmured Poirot to himself, as he brought back the replenished cup. Only I heard him, and glancing up curiously at the little man I saw that his face was working with suppressed excitement, and his eyes were as green as a cat's. He had heard or seen something that had affected him strongly but what was it? I do not usually label myself as dense, but I must confess that nothing out of the ordinary had attracted _my_ attention. In another moment, the door opened and Dorcas appeared. "Mr. Wells to see you, sir," she said to John. I remembered the name as being that of the lawyer to whom Mrs. Inglethorp had written the night before. John rose immediately. "Show him into my study." Then he turned to us. "My mother's lawyer," he explained. And in a lower voice: "He is also Coroner you understand. Perhaps you would like to come with me?" We acquiesced and followed him out of the room. John strode on ahead and I took the opportunity of whispering to Poirot: "There will be an inquest then?" Poirot nodded absently. He seemed absorbed in thought; so much so that my curiosity was aroused. "What is it? You are not attending to what I say." "It is true, my friend. I am much worried." "Why?" "Because Mademoiselle Cynthia does not take sugar in her coffee." "What? You cannot be serious?" "But I am most serious. Ah, there is something there that I do not understand. My instinct was right." "What instinct?" "The instinct that led me to insist on examining those coffee-cups. _Chut!_ no more now!" We followed John into his study, and he closed the door behind us. Mr. Wells was a pleasant man of middle-age, with keen eyes, and the typical lawyer's mouth. John introduced us both, and explained the reason of our presence. "You will understand, Wells," he added, "that this is all strictly private. We are still hoping that there will turn out to be no need for investigation of any kind." "Quite so, quite so," said Mr. Wells soothingly. "I wish we could have spared you the pain and publicity of an inquest, but of course it's quite unavoidable in the absence of a doctor's certificate." "Yes, I suppose so." "Clever man, Bauerstein. Great authority on toxicology, I believe." "Indeed," said John with a certain stiffness in his manner. Then he added rather hesitatingly: "Shall we have to appear as witnesses all of us, I mean?" "You, of course and ah er Mr. er Inglethorp." A slight pause ensued before the lawyer went on in his soothing manner: "Any other evidence will be simply confirmatory, a mere matter of form." "I see." A faint expression of relief swept over John's face. It puzzled me, for I saw no occasion for it. "If you know of nothing to the contrary," pursued Mr. Wells,<\|quote\|>"I had thought of Friday. That will give us plenty of time for the doctor's report. The post-mortem is to take place to-night, I believe?"</\|quote\|>"Yes." "Then that arrangement will suit you?" "Perfectly." "I need not tell you, my dear Cavendish, how distressed I am at this most tragic affair." "Can you give us no help in solving it, monsieur?" interposed Poirot, speaking for the first time since we had entered the room. "I?" "Yes, we heard that Mrs. Inglethorp wrote to you last night. You should have received the letter this morning." "I did, but it contains no information. It is merely a note asking me to call upon her this morning, as she wanted my advice on a matter of great importance." "She gave you no hint as to what that matter might be?" "Unfortunately, no." "That is a pity," said John. "A great pity," agreed Poirot gravely. There was silence. Poirot remained lost in thought for a few minutes. Finally he turned to the lawyer again. "Mr. Wells, there is one thing I should like to ask you that is, if it is not against professional etiquette. In the event of Mrs. Inglethorp's death, who would inherit her money?" The lawyer hesitated a moment, and then replied: "The knowledge will be public property very soon, so if Mr. Cavendish does not object" "Not at all," interpolated John. "I do not see any reason why I should not answer your question. By her last will, dated August of last year, after various unimportant legacies to servants, etc., she gave her entire fortune to her stepson, Mr. John Cavendish." "Was not that pardon the question, Mr. Cavendish rather unfair to her other stepson, Mr. Lawrence Cavendish?" "No, I do not think so. You see, under the terms of their father's will, while John inherited the property, Lawrence, at his stepmother's death, would come into a considerable sum of money. Mrs. Inglethorp left her money to her elder stepson, knowing that he would have to keep up Styles. It was, to my mind, a very fair and equitable distribution." Poirot nodded thoughtfully. "I see. But I am right in saying, am I not, that by your English law that will was automatically revoked when Mrs. Inglethorp remarried?" Mr. Wells bowed his head. "As I was about to proceed, Monsieur Poirot, that document is now null and void." "_Hein!_" said Poirot. He reflected for a moment, and then asked: "Was Mrs. Inglethorp herself aware of that fact?" "I do not know. She may have been." "She was," said John unexpectedly. "We were discussing the matter of wills being revoked by marriage only yesterday." "Ah! One more question, Mr. Wells. You say" her last will.' "Had Mrs. Inglethorp, then, made several former wills?" "On an average, she made a new will at least once a year," said Mr. Wells imperturbably. "She was given to changing her mind as to her testamentary dispositions, now benefiting one, now another member of her family." "Suppose," suggested Poirot, "that, unknown to you, she had made a new will in favour of someone who was not, in any sense of the word, a member of the family we will say Miss Howard, for instance would you be surprised?" "Not in the least." "Ah!" Poirot seemed to have exhausted his questions. I drew close to him, while John and the lawyer were debating the question of going through Mrs. Inglethorp's papers. "Do you think Mrs. Inglethorp made a will leaving all her money to Miss Howard?" I asked in a low voice, with some curiosity. Poirot smiled. "No." "Then why did you ask?" "Hush!" John Cavendish had turned to Poirot. "Will you come with us, Monsieur Poirot? We are going through my mother's papers. Mr. Inglethorp is quite willing to leave it entirely to Mr. Wells and myself." "Which simplifies matters very much," murmured the lawyer. "As technically, of course, he was entitled" He did not finish the sentence. "We will look through the desk in the boudoir first," explained John, "and go up to her bedroom afterwards. She kept her most important papers in a purple despatch-case, which we must look through carefully." "Yes," said the lawyer, "it is quite possible that there may be a later will than the one in my possession." "There _is_ a later will." It was Poirot who spoke. "What?" John and the lawyer looked at him startled. "Or, rather," pursued my friend imperturbably, "there _was_ one." "What do you mean there was one? Where is it now?" "Burnt!" "Burnt?" "Yes. See here." He took out the charred fragment we had found in the grate in Mrs. Inglethorp's room, and handed it to the lawyer with a brief explanation of when and where he had found it. "But possibly this is an old will?" "I do not think so. In fact I am almost certain that it was made no earlier than yesterday afternoon." "What?" "Impossible!" broke	so much so that my curiosity was aroused. "What is it? You are not attending to what I say." "It is true, my friend. I am much worried." "Why?" "Because Mademoiselle Cynthia does not take sugar in her coffee." "What? You cannot be serious?" "But I am most serious. Ah, there is something there that I do not understand. My instinct was right." "What instinct?" "The instinct that led me to insist on examining those coffee-cups. _Chut!_ no more now!" We followed John into his study, and he closed the door behind us. Mr. Wells was a pleasant man of middle-age, with keen eyes, and the typical lawyer's mouth. John introduced us both, and explained the reason of our presence. "You will understand, Wells," he added, "that this is all strictly private. We are still hoping that there will turn out to be no need for investigation of any kind." "Quite so, quite so," said Mr. Wells soothingly. "I wish we could have spared you the pain and publicity of an inquest, but of course it's quite unavoidable in the absence of a doctor's certificate." "Yes, I suppose so." "Clever man, Bauerstein. Great authority on toxicology, I believe." "Indeed," said John with a certain stiffness in his manner. Then he added rather hesitatingly: "Shall we have to appear as witnesses all of us, I mean?" "You, of course and ah er Mr. er Inglethorp." A slight pause ensued before the lawyer went on in his soothing manner: "Any other evidence will be simply confirmatory, a mere matter of form." "I see." A faint expression of relief swept over John's face. It puzzled me, for I saw no occasion for it. "If you know of nothing to the contrary," pursued Mr. Wells,<\|quote\|>"I had thought of Friday. That will give us plenty of time for the doctor's report. The post-mortem is to take place to-night, I believe?"</\|quote\|>"Yes." "Then that arrangement will suit you?" "Perfectly." "I need not tell you, my dear Cavendish, how distressed I am at this most tragic affair." "Can you give us no help in solving it, monsieur?" interposed Poirot, speaking for the first time since we had entered the room. "I?" "Yes, we heard that Mrs. Inglethorp wrote to you last night. You should have received the letter this morning." "I did, but it contains no information. It is merely a note asking me to call upon her this morning, as she wanted my advice on a matter of great importance." "She gave you no hint as to what that matter might be?" "Unfortunately, no." "That is a pity," said John. "A great pity," agreed Poirot gravely. There was silence. Poirot remained lost in thought for a few minutes. Finally he turned to the lawyer again. "Mr. Wells, there is one thing I should like to ask you that is, if it is not against professional etiquette. In the event of Mrs. Inglethorp's death, who would inherit her money?" The lawyer hesitated a moment, and then replied: "The knowledge will be public property very soon, so if Mr. Cavendish does not object" "Not at all," interpolated John. "I do not see any reason why I should not answer your question. By her last will, dated August of last year, after various unimportant legacies to servants, etc., she gave her entire fortune to her stepson, Mr. John Cavendish." "Was not that pardon the question, Mr. Cavendish rather unfair to her other stepson, Mr. Lawrence Cavendish?" "No, I do not think so. You see, under the terms of their father's will, while John inherited the property, Lawrence, at his stepmother's death, would come into a considerable sum of money. Mrs. Inglethorp left her money to her elder stepson, knowing that he would have to keep up Styles. It was, to my mind, a very fair and equitable distribution." Poirot nodded thoughtfully. "I see. But I am right in saying, am I not, that by your English law that will was automatically revoked when Mrs. Inglethorp remarried?" Mr. Wells bowed his head. "As I was about to proceed, Monsieur Poirot, that document is now null and void." "_Hein!_" said Poirot. He reflected for a moment, and then asked: "Was Mrs. Inglethorp herself aware of that fact?" "I do not know.	The Mysterious Affair At Styles
"Only three now, sir. Five, we had, before the war, when it was kept as a gentleman's place should be. I wish you could have seen it then, sir. A fair sight it was. But now there's only old Manning, and young William, and a new-fashioned woman gardener in breeches and such-like. Ah, these are dreadful times!"	Dorcas	employed here, by the way?"<\|quote\|>"Only three now, sir. Five, we had, before the war, when it was kept as a gentleman's place should be. I wish you could have seen it then, sir. A fair sight it was. But now there's only old Manning, and young William, and a new-fashioned woman gardener in breeches and such-like. Ah, these are dreadful times!"</\|quote\|>"The good times will come	beds. How many gardeners are employed here, by the way?"<\|quote\|>"Only three now, sir. Five, we had, before the war, when it was kept as a gentleman's place should be. I wish you could have seen it then, sir. A fair sight it was. But now there's only old Manning, and young William, and a new-fashioned woman gardener in breeches and such-like. Ah, these are dreadful times!"</\|quote\|>"The good times will come again, Dorcas. At least, we	them." "Very well, sir." "What time did you go out last evening?" "About six o'clock, sir." "Thank you, Dorcas, that is all I have to ask you." He rose and strolled to the window. "I have been admiring these flower beds. How many gardeners are employed here, by the way?"<\|quote\|>"Only three now, sir. Five, we had, before the war, when it was kept as a gentleman's place should be. I wish you could have seen it then, sir. A fair sight it was. But now there's only old Manning, and young William, and a new-fashioned woman gardener in breeches and such-like. Ah, these are dreadful times!"</\|quote\|>"The good times will come again, Dorcas. At least, we hope so. Now, will you send Annie to me here?" "Yes, sir. Thank you, sir." "How did you know that Mrs. Inglethorp took sleeping powders?" I asked, in lively curiosity, as Dorcas left the room. "And about the lost key	Annie could tell you, though she's a careless girl. Never cleared the coffee-cups away last night. That's what happens when I'm not here to look after things." Poirot lifted his hand. "Since they have been left, Dorcas, leave them a little longer, I pray you. I should like to examine them." "Very well, sir." "What time did you go out last evening?" "About six o'clock, sir." "Thank you, Dorcas, that is all I have to ask you." He rose and strolled to the window. "I have been admiring these flower beds. How many gardeners are employed here, by the way?"<\|quote\|>"Only three now, sir. Five, we had, before the war, when it was kept as a gentleman's place should be. I wish you could have seen it then, sir. A fair sight it was. But now there's only old Manning, and young William, and a new-fashioned woman gardener in breeches and such-like. Ah, these are dreadful times!"</\|quote\|>"The good times will come again, Dorcas. At least, we hope so. Now, will you send Annie to me here?" "Yes, sir. Thank you, sir." "How did you know that Mrs. Inglethorp took sleeping powders?" I asked, in lively curiosity, as Dorcas left the room. "And about the lost key and the duplicate?" "One thing at a time. As to the sleeping powders, I knew by this." He suddenly produced a small cardboard box, such as chemists use for powders. "Where did you find it?" "In the wash-stand drawer in Mrs. Inglethorp's bedroom. It was Number Six of my catalogue."	you know so positively?" "Because the box was empty. She took the last one two days ago, and she didn't have any more made up." "You are quite sure of that?" "Positive, sir." "Then that is cleared up! By the way, your mistress didn't ask you to sign any paper yesterday?" "To sign a paper? No, sir." "When Mr. Hastings and Mr. Lawrence came in yesterday evening, they found your mistress busy writing letters. I suppose you can give me no idea to whom these letters were addressed?" "I'm afraid I couldn't, sir. I was out in the evening. Perhaps Annie could tell you, though she's a careless girl. Never cleared the coffee-cups away last night. That's what happens when I'm not here to look after things." Poirot lifted his hand. "Since they have been left, Dorcas, leave them a little longer, I pray you. I should like to examine them." "Very well, sir." "What time did you go out last evening?" "About six o'clock, sir." "Thank you, Dorcas, that is all I have to ask you." He rose and strolled to the window. "I have been admiring these flower beds. How many gardeners are employed here, by the way?"<\|quote\|>"Only three now, sir. Five, we had, before the war, when it was kept as a gentleman's place should be. I wish you could have seen it then, sir. A fair sight it was. But now there's only old Manning, and young William, and a new-fashioned woman gardener in breeches and such-like. Ah, these are dreadful times!"</\|quote\|>"The good times will come again, Dorcas. At least, we hope so. Now, will you send Annie to me here?" "Yes, sir. Thank you, sir." "How did you know that Mrs. Inglethorp took sleeping powders?" I asked, in lively curiosity, as Dorcas left the room. "And about the lost key and the duplicate?" "One thing at a time. As to the sleeping powders, I knew by this." He suddenly produced a small cardboard box, such as chemists use for powders. "Where did you find it?" "In the wash-stand drawer in Mrs. Inglethorp's bedroom. It was Number Six of my catalogue." "But I suppose, as the last powder was taken two days ago, it is not of much importance?" "Probably not, but do you notice anything that strikes you as peculiar about this box?" I examined it closely. "No, I can't say that I do." "Look at the label." I read the label carefully: " One powder to be taken at bedtime, if required. Mrs. Inglethorp.' "No, I see nothing unusual." "Not the fact that there is no chemist's name?" "Ah!" I exclaimed. "To be sure, that is odd!" "Have you ever known a chemist to send out a box like	from his pocket the key that he had found in the lock of the despatch-case upstairs. Dorcas's eyes looked as though they would pop out of her head. "That's it, sir, right enough. But where did you find it? I looked everywhere for it." "Ah, but you see it was not in the same place yesterday as it was to-day. Now, to pass to another subject, had your mistress a dark green dress in her wardrobe?" Dorcas was rather startled by the unexpected question. "No, sir." "Are you quite sure?" "Oh, yes, sir." "Has anyone else in the house got a green dress?" Dorcas reflected. "Miss Cynthia has a green evening dress." "Light or dark green?" "A light green, sir; a sort of chiffon, they call it." "Ah, that is not what I want. And nobody else has anything green?" "No, sir not that I know of." Poirot's face did not betray a trace of whether he was disappointed or otherwise. He merely remarked: "Good, we will leave that and pass on. Have you any reason to believe that your mistress was likely to take a sleeping powder last night?" "Not _last_ night, sir, I know she didn't." "Why do you know so positively?" "Because the box was empty. She took the last one two days ago, and she didn't have any more made up." "You are quite sure of that?" "Positive, sir." "Then that is cleared up! By the way, your mistress didn't ask you to sign any paper yesterday?" "To sign a paper? No, sir." "When Mr. Hastings and Mr. Lawrence came in yesterday evening, they found your mistress busy writing letters. I suppose you can give me no idea to whom these letters were addressed?" "I'm afraid I couldn't, sir. I was out in the evening. Perhaps Annie could tell you, though she's a careless girl. Never cleared the coffee-cups away last night. That's what happens when I'm not here to look after things." Poirot lifted his hand. "Since they have been left, Dorcas, leave them a little longer, I pray you. I should like to examine them." "Very well, sir." "What time did you go out last evening?" "About six o'clock, sir." "Thank you, Dorcas, that is all I have to ask you." He rose and strolled to the window. "I have been admiring these flower beds. How many gardeners are employed here, by the way?"<\|quote\|>"Only three now, sir. Five, we had, before the war, when it was kept as a gentleman's place should be. I wish you could have seen it then, sir. A fair sight it was. But now there's only old Manning, and young William, and a new-fashioned woman gardener in breeches and such-like. Ah, these are dreadful times!"</\|quote\|>"The good times will come again, Dorcas. At least, we hope so. Now, will you send Annie to me here?" "Yes, sir. Thank you, sir." "How did you know that Mrs. Inglethorp took sleeping powders?" I asked, in lively curiosity, as Dorcas left the room. "And about the lost key and the duplicate?" "One thing at a time. As to the sleeping powders, I knew by this." He suddenly produced a small cardboard box, such as chemists use for powders. "Where did you find it?" "In the wash-stand drawer in Mrs. Inglethorp's bedroom. It was Number Six of my catalogue." "But I suppose, as the last powder was taken two days ago, it is not of much importance?" "Probably not, but do you notice anything that strikes you as peculiar about this box?" I examined it closely. "No, I can't say that I do." "Look at the label." I read the label carefully: " One powder to be taken at bedtime, if required. Mrs. Inglethorp.' "No, I see nothing unusual." "Not the fact that there is no chemist's name?" "Ah!" I exclaimed. "To be sure, that is odd!" "Have you ever known a chemist to send out a box like that, without his printed name?" "No, I can't say that I have." I was becoming quite excited, but Poirot damped my ardour by remarking: "Yet the explanation is quite simple. So do not intrigue yourself, my friend." An audible creaking proclaimed the approach of Annie, so I had no time to reply. Annie was a fine, strapping girl, and was evidently labouring under intense excitement, mingled with a certain ghoulish enjoyment of the tragedy. Poirot came to the point at once, with a business-like briskness. "I sent for you, Annie, because I thought you might be able to tell me something about the letters Mrs. Inglethorp wrote last night. How many were there? And can you tell me any of the names and addresses?" Annie considered. "There were four letters, sir. One was to Miss Howard, and one was to Mr. Wells, the lawyer, and the other two I don't think I remember, sir oh, yes, one was to Ross's, the caterers in Tadminster. The other one, I don't remember." "Think," urged Poirot. Annie racked her brains in vain. "I'm sorry, sir, but it's clean gone. I don't think I can have noticed it." "It does not matter," said Poirot,	between husband and wife will deter me.' "Then I thought I heard them coming out, so I went off quickly." "You are sure it was Mr. Inglethorp's voice you heard?" "Oh, yes, sir, whose else's could it be?" "Well, what happened next?" "Later, I came back to the hall; but it was all quiet. At five o'clock, Mrs. Inglethorp rang the bell and told me to bring her a cup of tea nothing to eat to the boudoir. She was looking dreadful so white and upset." Dorcas,' "she says," I've had a great shock.' I'm sorry for that, m'm,' "I says." You'll feel better after a nice hot cup of tea, m'm.' "She had something in her hand. I don't know if it was a letter, or just a piece of paper, but it had writing on it, and she kept staring at it, almost as if she couldn't believe what was written there. She whispered to herself, as though she had forgotten I was there:" These few words and everything's changed.' "And then she says to me:" Never trust a man, Dorcas, they're not worth it!' "I hurried off, and got her a good strong cup of tea, and she thanked me, and said she'd feel better when she'd drunk it." I don't know what to do,' "she says." Scandal between husband and wife is a dreadful thing, Dorcas. I'd rather hush it up if I could.' "Mrs. Cavendish came in just then, so she didn't say any more." "She still had the letter, or whatever it was, in her hand?" "Yes, sir." "What would she be likely to do with it afterwards?" "Well, I don't know, sir, I expect she would lock it up in that purple case of hers." "Is that where she usually kept important papers?" "Yes, sir. She brought it down with her every morning, and took it up every night." "When did she lose the key of it?" "She missed it yesterday at lunch-time, sir, and told me to look carefully for it. She was very much put out about it." "But she had a duplicate key?" "Oh, yes, sir." Dorcas was looking very curiously at him and, to tell the truth, so was I. What was all this about a lost key? Poirot smiled. "Never mind, Dorcas, it is my business to know things. Is this the key that was lost?" He drew from his pocket the key that he had found in the lock of the despatch-case upstairs. Dorcas's eyes looked as though they would pop out of her head. "That's it, sir, right enough. But where did you find it? I looked everywhere for it." "Ah, but you see it was not in the same place yesterday as it was to-day. Now, to pass to another subject, had your mistress a dark green dress in her wardrobe?" Dorcas was rather startled by the unexpected question. "No, sir." "Are you quite sure?" "Oh, yes, sir." "Has anyone else in the house got a green dress?" Dorcas reflected. "Miss Cynthia has a green evening dress." "Light or dark green?" "A light green, sir; a sort of chiffon, they call it." "Ah, that is not what I want. And nobody else has anything green?" "No, sir not that I know of." Poirot's face did not betray a trace of whether he was disappointed or otherwise. He merely remarked: "Good, we will leave that and pass on. Have you any reason to believe that your mistress was likely to take a sleeping powder last night?" "Not _last_ night, sir, I know she didn't." "Why do you know so positively?" "Because the box was empty. She took the last one two days ago, and she didn't have any more made up." "You are quite sure of that?" "Positive, sir." "Then that is cleared up! By the way, your mistress didn't ask you to sign any paper yesterday?" "To sign a paper? No, sir." "When Mr. Hastings and Mr. Lawrence came in yesterday evening, they found your mistress busy writing letters. I suppose you can give me no idea to whom these letters were addressed?" "I'm afraid I couldn't, sir. I was out in the evening. Perhaps Annie could tell you, though she's a careless girl. Never cleared the coffee-cups away last night. That's what happens when I'm not here to look after things." Poirot lifted his hand. "Since they have been left, Dorcas, leave them a little longer, I pray you. I should like to examine them." "Very well, sir." "What time did you go out last evening?" "About six o'clock, sir." "Thank you, Dorcas, that is all I have to ask you." He rose and strolled to the window. "I have been admiring these flower beds. How many gardeners are employed here, by the way?"<\|quote\|>"Only three now, sir. Five, we had, before the war, when it was kept as a gentleman's place should be. I wish you could have seen it then, sir. A fair sight it was. But now there's only old Manning, and young William, and a new-fashioned woman gardener in breeches and such-like. Ah, these are dreadful times!"</\|quote\|>"The good times will come again, Dorcas. At least, we hope so. Now, will you send Annie to me here?" "Yes, sir. Thank you, sir." "How did you know that Mrs. Inglethorp took sleeping powders?" I asked, in lively curiosity, as Dorcas left the room. "And about the lost key and the duplicate?" "One thing at a time. As to the sleeping powders, I knew by this." He suddenly produced a small cardboard box, such as chemists use for powders. "Where did you find it?" "In the wash-stand drawer in Mrs. Inglethorp's bedroom. It was Number Six of my catalogue." "But I suppose, as the last powder was taken two days ago, it is not of much importance?" "Probably not, but do you notice anything that strikes you as peculiar about this box?" I examined it closely. "No, I can't say that I do." "Look at the label." I read the label carefully: " One powder to be taken at bedtime, if required. Mrs. Inglethorp.' "No, I see nothing unusual." "Not the fact that there is no chemist's name?" "Ah!" I exclaimed. "To be sure, that is odd!" "Have you ever known a chemist to send out a box like that, without his printed name?" "No, I can't say that I have." I was becoming quite excited, but Poirot damped my ardour by remarking: "Yet the explanation is quite simple. So do not intrigue yourself, my friend." An audible creaking proclaimed the approach of Annie, so I had no time to reply. Annie was a fine, strapping girl, and was evidently labouring under intense excitement, mingled with a certain ghoulish enjoyment of the tragedy. Poirot came to the point at once, with a business-like briskness. "I sent for you, Annie, because I thought you might be able to tell me something about the letters Mrs. Inglethorp wrote last night. How many were there? And can you tell me any of the names and addresses?" Annie considered. "There were four letters, sir. One was to Miss Howard, and one was to Mr. Wells, the lawyer, and the other two I don't think I remember, sir oh, yes, one was to Ross's, the caterers in Tadminster. The other one, I don't remember." "Think," urged Poirot. Annie racked her brains in vain. "I'm sorry, sir, but it's clean gone. I don't think I can have noticed it." "It does not matter," said Poirot, not betraying any sign of disappointment. "Now I want to ask you about something else. There is a saucepan in Mrs. Inglethorp's room with some cocoa in it. Did she have that every night?" "Yes, sir, it was put in her room every evening, and she warmed it up in the night whenever she fancied it." "What was it? Plain cocoa?" "Yes, sir, made with milk, with a teaspoonful of sugar, and two teaspoonfuls of rum in it." "Who took it to her room?" "I did, sir." "Always?" "Yes, sir." "At what time?" "When I went to draw the curtains, as a rule, sir." "Did you bring it straight up from the kitchen then?" "No, sir, you see there's not much room on the gas stove, so cook used to make it early, before putting the vegetables on for supper. Then I used to bring it up, and put it on the table by the swing door, and take it into her room later." "The swing door is in the left wing, is it not?" "Yes, sir." "And the table, is it on this side of the door, or on the farther servants' side?" "It's this side, sir." "What time did you bring it up last night?" "About quarter-past seven, I should say, sir." "And when did you take it into Mrs. Inglethorp's room?" "When I went to shut up, sir. About eight o'clock. Mrs. Inglethorp came up to bed before I'd finished." "Then, between seven-fifteen and eight o'clock, the cocoa was standing on the table in the left wing?" "Yes, sir." Annie had been growing redder and redder in the face, and now she blurted out unexpectedly: "And if there _was_ salt in it, sir, it wasn't me. I never took the salt near it." "What makes you think there was salt in it?" asked Poirot. "Seeing it on the tray, sir." "You saw some salt on the tray?" "Yes. Coarse kitchen salt, it looked. I never noticed it when I took the tray up, but when I came to take it into the mistress's room I saw it at once, and I suppose I ought to have taken it down again, and asked cook to make some fresh. But I was in a hurry, because Dorcas was out, and I thought maybe the cocoa itself was all right, and the salt had only gone on the tray. So	and said she'd feel better when she'd drunk it." I don't know what to do,' "she says." Scandal between husband and wife is a dreadful thing, Dorcas. I'd rather hush it up if I could.' "Mrs. Cavendish came in just then, so she didn't say any more." "She still had the letter, or whatever it was, in her hand?" "Yes, sir." "What would she be likely to do with it afterwards?" "Well, I don't know, sir, I expect she would lock it up in that purple case of hers." "Is that where she usually kept important papers?" "Yes, sir. She brought it down with her every morning, and took it up every night." "When did she lose the key of it?" "She missed it yesterday at lunch-time, sir, and told me to look carefully for it. She was very much put out about it." "But she had a duplicate key?" "Oh, yes, sir." Dorcas was looking very curiously at him and, to tell the truth, so was I. What was all this about a lost key? Poirot smiled. "Never mind, Dorcas, it is my business to know things. Is this the key that was lost?" He drew from his pocket the key that he had found in the lock of the despatch-case upstairs. Dorcas's eyes looked as though they would pop out of her head. "That's it, sir, right enough. But where did you find it? I looked everywhere for it." "Ah, but you see it was not in the same place yesterday as it was to-day. Now, to pass to another subject, had your mistress a dark green dress in her wardrobe?" Dorcas was rather startled by the unexpected question. "No, sir." "Are you quite sure?" "Oh, yes, sir." "Has anyone else in the house got a green dress?" Dorcas reflected. "Miss Cynthia has a green evening dress." "Light or dark green?" "A light green, sir; a sort of chiffon, they call it." "Ah, that is not what I want. And nobody else has anything green?" "No, sir not that I know of." Poirot's face did not betray a trace of whether he was disappointed or otherwise. He merely remarked: "Good, we will leave that and pass on. Have you any reason to believe that your mistress was likely to take a sleeping powder last night?" "Not _last_ night, sir, I know she didn't." "Why do you know so positively?" "Because the box was empty. She took the last one two days ago, and she didn't have any more made up." "You are quite sure of that?" "Positive, sir." "Then that is cleared up! By the way, your mistress didn't ask you to sign any paper yesterday?" "To sign a paper? No, sir." "When Mr. Hastings and Mr. Lawrence came in yesterday evening, they found your mistress busy writing letters. I suppose you can give me no idea to whom these letters were addressed?" "I'm afraid I couldn't, sir. I was out in the evening. Perhaps Annie could tell you, though she's a careless girl. Never cleared the coffee-cups away last night. That's what happens when I'm not here to look after things." Poirot lifted his hand. "Since they have been left, Dorcas, leave them a little longer, I pray you. I should like to examine them." "Very well, sir." "What time did you go out last evening?" "About six o'clock, sir." "Thank you, Dorcas, that is all I have to ask you." He rose and strolled to the window. "I have been admiring these flower beds. How many gardeners are employed here, by the way?"<\|quote\|>"Only three now, sir. Five, we had, before the war, when it was kept as a gentleman's place should be. I wish you could have seen it then, sir. A fair sight it was. But now there's only old Manning, and young William, and a new-fashioned woman gardener in breeches and such-like. Ah, these are dreadful times!"</\|quote\|>"The good times will come again, Dorcas. At least, we hope so. Now, will you send Annie to me here?" "Yes, sir. Thank you, sir." "How did you know that Mrs. Inglethorp took sleeping powders?" I asked, in lively curiosity, as Dorcas left the room. "And about the lost key and the duplicate?" "One thing at a time. As to the sleeping powders, I knew by this." He suddenly produced a small cardboard box, such as chemists use for powders. "Where did you find it?" "In the wash-stand drawer in Mrs. Inglethorp's bedroom. It was Number Six of my catalogue." "But I suppose, as the last powder was taken two days ago, it is not of much importance?" "Probably not, but do you notice anything that strikes you as peculiar about this box?" I examined it closely. "No, I can't say that I do." "Look at the label." I read the label carefully: " One powder to be taken at bedtime, if required. Mrs. Inglethorp.' "No, I see nothing unusual." "Not the fact that there is no chemist's name?" "Ah!" I exclaimed. "To be sure, that is odd!" "Have you ever known a chemist to send out a box like that, without his printed name?" "No, I can't say that I have." I was becoming quite excited, but Poirot damped my ardour by remarking: "Yet the explanation is quite simple. So do not intrigue yourself, my friend." An audible creaking proclaimed the approach of Annie, so I had no time to reply. Annie was a fine, strapping girl, and was evidently labouring under intense excitement, mingled with a certain ghoulish enjoyment of the tragedy. Poirot came to the point at once, with a business-like briskness. "I sent for you, Annie, because I thought you might be able to tell me something about the letters	The Mysterious Affair At Styles
"You know it s not. How can it be? I ve no right to interfere"	Mary Datchet	rising, to her own surprise.<\|quote\|>"You know it s not. How can it be? I ve no right to interfere"</\|quote\|>She stopped. "Only I d	friendship," Mary exclaimed, her anger rising, to her own surprise.<\|quote\|>"You know it s not. How can it be? I ve no right to interfere"</\|quote\|>She stopped. "Only I d rather Ralph wasn t hurt,"	"Let me see; we went to Kew, and we agreed to be friends. Yes, that s what happened." Mary was silent, in the hope that Katharine would tell her more. But Katharine said nothing. "It s not a question of friendship," Mary exclaimed, her anger rising, to her own surprise.<\|quote\|>"You know it s not. How can it be? I ve no right to interfere"</\|quote\|>She stopped. "Only I d rather Ralph wasn t hurt," she concluded. "I think he seems able to take care of himself," Katharine observed. Without either of them wishing it, a feeling of hostility had risen between them. "Do you really think it s worth it?" said Mary, after a	him. It took her a moment or two to remember why Mary should ask her if she had seen Ralph. "I believe I m jealous," said Mary. "Nonsense, Mary," said Katharine, rather distractedly, taking her arm and beginning to walk up the street in the direction of the main road. "Let me see; we went to Kew, and we agreed to be friends. Yes, that s what happened." Mary was silent, in the hope that Katharine would tell her more. But Katharine said nothing. "It s not a question of friendship," Mary exclaimed, her anger rising, to her own surprise.<\|quote\|>"You know it s not. How can it be? I ve no right to interfere"</\|quote\|>She stopped. "Only I d rather Ralph wasn t hurt," she concluded. "I think he seems able to take care of himself," Katharine observed. Without either of them wishing it, a feeling of hostility had risen between them. "Do you really think it s worth it?" said Mary, after a pause. "How can one tell?" Katharine asked. "Have you ever cared for any one?" Mary demanded rashly and foolishly. "I can t wander about London discussing my feelings Here s a cab no, there s some one in it." "We don t want to quarrel," said Mary. "Ought I to	hand. "You can t wander about the streets alone in those clothes," said Mary, but the desire to find a cab was not her true reason for standing beside Katharine for a minute or two. Unfortunately for her composure, Mr. Basnett and his papers seemed to her an incidental diversion of life s serious purpose compared with some tremendous fact which manifested itself as she stood alone with Katharine. It may have been their common womanhood. "Have you seen Ralph?" she asked suddenly, without preface. "Yes," said Katharine directly, but she did not remember when or where she had seen him. It took her a moment or two to remember why Mary should ask her if she had seen Ralph. "I believe I m jealous," said Mary. "Nonsense, Mary," said Katharine, rather distractedly, taking her arm and beginning to walk up the street in the direction of the main road. "Let me see; we went to Kew, and we agreed to be friends. Yes, that s what happened." Mary was silent, in the hope that Katharine would tell her more. But Katharine said nothing. "It s not a question of friendship," Mary exclaimed, her anger rising, to her own surprise.<\|quote\|>"You know it s not. How can it be? I ve no right to interfere"</\|quote\|>She stopped. "Only I d rather Ralph wasn t hurt," she concluded. "I think he seems able to take care of himself," Katharine observed. Without either of them wishing it, a feeling of hostility had risen between them. "Do you really think it s worth it?" said Mary, after a pause. "How can one tell?" Katharine asked. "Have you ever cared for any one?" Mary demanded rashly and foolishly. "I can t wander about London discussing my feelings Here s a cab no, there s some one in it." "We don t want to quarrel," said Mary. "Ought I to have told him that I wouldn t be his friend?" Katharine asked. "Shall I tell him that? If so, what reason shall I give him?" "Of course you can t tell him that," said Mary, controlling herself. "I believe I shall, though," said Katharine suddenly. "I lost my temper, Katharine; I shouldn t have said what I did." "The whole thing s foolish," said Katharine, peremptorily. "That s what I say. It s not worth it." She spoke with unnecessary vehemence, but it was not directed against Mary Datchet. Their animosity had completely disappeared, and upon both of them a	now and then, although we know only the clerk, barrister, Governmental official, or workingman variety of him. Not that Mr. Basnett, giving his days to commerce and his spare time to social reform, would long carry about him any trace of his possibilities of completeness; but, for the moment, in his youth and ardor, still speculative, still uncramped, one might imagine him the citizen of a nobler state than ours. Katharine turned over her small stock of information, and wondered what their society might be going to attempt. Then she remembered that she was hindering their business, and rose, still thinking of this society, and thus thinking, she said to Mr. Basnett: "Well, you ll ask me to join when the time comes, I hope." He nodded, and took his pipe from his mouth, but, being unable to think of anything to say, he put it back again, although he would have been glad if she had stayed. Against her wish, Mary insisted upon taking her downstairs, and then, as there was no cab to be seen, they stood in the street together, looking about them. "Go back," Katharine urged her, thinking of Mr. Basnett with his papers in his hand. "You can t wander about the streets alone in those clothes," said Mary, but the desire to find a cab was not her true reason for standing beside Katharine for a minute or two. Unfortunately for her composure, Mr. Basnett and his papers seemed to her an incidental diversion of life s serious purpose compared with some tremendous fact which manifested itself as she stood alone with Katharine. It may have been their common womanhood. "Have you seen Ralph?" she asked suddenly, without preface. "Yes," said Katharine directly, but she did not remember when or where she had seen him. It took her a moment or two to remember why Mary should ask her if she had seen Ralph. "I believe I m jealous," said Mary. "Nonsense, Mary," said Katharine, rather distractedly, taking her arm and beginning to walk up the street in the direction of the main road. "Let me see; we went to Kew, and we agreed to be friends. Yes, that s what happened." Mary was silent, in the hope that Katharine would tell her more. But Katharine said nothing. "It s not a question of friendship," Mary exclaimed, her anger rising, to her own surprise.<\|quote\|>"You know it s not. How can it be? I ve no right to interfere"</\|quote\|>She stopped. "Only I d rather Ralph wasn t hurt," she concluded. "I think he seems able to take care of himself," Katharine observed. Without either of them wishing it, a feeling of hostility had risen between them. "Do you really think it s worth it?" said Mary, after a pause. "How can one tell?" Katharine asked. "Have you ever cared for any one?" Mary demanded rashly and foolishly. "I can t wander about London discussing my feelings Here s a cab no, there s some one in it." "We don t want to quarrel," said Mary. "Ought I to have told him that I wouldn t be his friend?" Katharine asked. "Shall I tell him that? If so, what reason shall I give him?" "Of course you can t tell him that," said Mary, controlling herself. "I believe I shall, though," said Katharine suddenly. "I lost my temper, Katharine; I shouldn t have said what I did." "The whole thing s foolish," said Katharine, peremptorily. "That s what I say. It s not worth it." She spoke with unnecessary vehemence, but it was not directed against Mary Datchet. Their animosity had completely disappeared, and upon both of them a cloud of difficulty and darkness rested, obscuring the future, in which they had both to find a way. "No, no, it s not worth it," Katharine repeated. "Suppose, as you say, it s out of the question this friendship; he falls in love with me. I don t want that. Still," she added, "I believe you exaggerate; love s not everything; marriage itself is only one of the things" They had reached the main thoroughfare, and stood looking at the omnibuses and passers-by, who seemed, for the moment, to illustrate what Katharine had said of the diversity of human interests. For both of them it had become one of those moments of extreme detachment, when it seems unnecessary ever again to shoulder the burden of happiness and self-assertive existence. Their neighbors were welcome to their possessions. "I don t lay down any rules," said Mary, recovering herself first, as they turned after a long pause of this description. "All I say is that you should know what you re about for certain; but," she added, "I expect you do." At the same time she was profoundly perplexed, not only by what she knew of the arrangements for Katharine s marriage,	would be judged upon its merits; one had only to say what one thought, rather barely and tersely, with a curious assumption that the number of things that could properly be thought about was strictly limited. And Mr. Basnett was only stiff upon the surface; there was an intelligence in his face which attracted her intelligence. "When will the public know?" she asked. "What d you mean about us?" Mr. Basnett asked, with a little smile. "That depends upon many things," said Mary. The conspirators looked pleased, as if Katharine s question, with the belief in their existence which it implied, had a warming effect upon them. "In starting a society such as we wish to start (we can t say any more at present)," Mr. Basnett began, with a little jerk of his head, "there are two things to remember the Press and the public. Other societies, which shall be nameless, have gone under because they ve appealed only to cranks. If you don t want a mutual admiration society, which dies as soon as you ve all discovered each other s faults, you must nobble the Press. You must appeal to the public." "That s the difficulty," said Mary thoughtfully. "That s where she comes in," said Mr. Basnett, jerking his head in Mary s direction. "She s the only one of us who s a capitalist. She can make a whole-time job of it. I m tied to an office; I can only give my spare time. Are you, by any chance, on the look-out for a job?" he asked Katharine, with a queer mixture of distrust and deference. "Marriage is her job at present," Mary replied for her. "Oh, I see," said Mr. Basnett. He made allowances for that; he and his friends had faced the question of sex, along with all others, and assigned it an honorable place in their scheme of life. Katharine felt this beneath the roughness of his manner; and a world entrusted to the guardianship of Mary Datchet and Mr. Basnett seemed to her a good world, although not a romantic or beautiful place or, to put it figuratively, a place where any line of blue mist softly linked tree to tree upon the horizon. For a moment she thought she saw in his face, bent now over the fire, the features of that original man whom we still recall every now and then, although we know only the clerk, barrister, Governmental official, or workingman variety of him. Not that Mr. Basnett, giving his days to commerce and his spare time to social reform, would long carry about him any trace of his possibilities of completeness; but, for the moment, in his youth and ardor, still speculative, still uncramped, one might imagine him the citizen of a nobler state than ours. Katharine turned over her small stock of information, and wondered what their society might be going to attempt. Then she remembered that she was hindering their business, and rose, still thinking of this society, and thus thinking, she said to Mr. Basnett: "Well, you ll ask me to join when the time comes, I hope." He nodded, and took his pipe from his mouth, but, being unable to think of anything to say, he put it back again, although he would have been glad if she had stayed. Against her wish, Mary insisted upon taking her downstairs, and then, as there was no cab to be seen, they stood in the street together, looking about them. "Go back," Katharine urged her, thinking of Mr. Basnett with his papers in his hand. "You can t wander about the streets alone in those clothes," said Mary, but the desire to find a cab was not her true reason for standing beside Katharine for a minute or two. Unfortunately for her composure, Mr. Basnett and his papers seemed to her an incidental diversion of life s serious purpose compared with some tremendous fact which manifested itself as she stood alone with Katharine. It may have been their common womanhood. "Have you seen Ralph?" she asked suddenly, without preface. "Yes," said Katharine directly, but she did not remember when or where she had seen him. It took her a moment or two to remember why Mary should ask her if she had seen Ralph. "I believe I m jealous," said Mary. "Nonsense, Mary," said Katharine, rather distractedly, taking her arm and beginning to walk up the street in the direction of the main road. "Let me see; we went to Kew, and we agreed to be friends. Yes, that s what happened." Mary was silent, in the hope that Katharine would tell her more. But Katharine said nothing. "It s not a question of friendship," Mary exclaimed, her anger rising, to her own surprise.<\|quote\|>"You know it s not. How can it be? I ve no right to interfere"</\|quote\|>She stopped. "Only I d rather Ralph wasn t hurt," she concluded. "I think he seems able to take care of himself," Katharine observed. Without either of them wishing it, a feeling of hostility had risen between them. "Do you really think it s worth it?" said Mary, after a pause. "How can one tell?" Katharine asked. "Have you ever cared for any one?" Mary demanded rashly and foolishly. "I can t wander about London discussing my feelings Here s a cab no, there s some one in it." "We don t want to quarrel," said Mary. "Ought I to have told him that I wouldn t be his friend?" Katharine asked. "Shall I tell him that? If so, what reason shall I give him?" "Of course you can t tell him that," said Mary, controlling herself. "I believe I shall, though," said Katharine suddenly. "I lost my temper, Katharine; I shouldn t have said what I did." "The whole thing s foolish," said Katharine, peremptorily. "That s what I say. It s not worth it." She spoke with unnecessary vehemence, but it was not directed against Mary Datchet. Their animosity had completely disappeared, and upon both of them a cloud of difficulty and darkness rested, obscuring the future, in which they had both to find a way. "No, no, it s not worth it," Katharine repeated. "Suppose, as you say, it s out of the question this friendship; he falls in love with me. I don t want that. Still," she added, "I believe you exaggerate; love s not everything; marriage itself is only one of the things" They had reached the main thoroughfare, and stood looking at the omnibuses and passers-by, who seemed, for the moment, to illustrate what Katharine had said of the diversity of human interests. For both of them it had become one of those moments of extreme detachment, when it seems unnecessary ever again to shoulder the burden of happiness and self-assertive existence. Their neighbors were welcome to their possessions. "I don t lay down any rules," said Mary, recovering herself first, as they turned after a long pause of this description. "All I say is that you should know what you re about for certain; but," she added, "I expect you do." At the same time she was profoundly perplexed, not only by what she knew of the arrangements for Katharine s marriage, but by the impression which she had of her, there on her arm, dark and inscrutable. They walked back again and reached the steps which led up to Mary s flat. Here they stopped and paused for a moment, saying nothing. "You must go in," said Katharine, rousing herself. "He s waiting all this time to go on with his reading." She glanced up at the lighted window near the top of the house, and they both looked at it and waited for a moment. A flight of semicircular steps ran up to the hall, and Mary slowly mounted the first two or three, and paused, looking down upon Katharine. "I think you underrate the value of that emotion," she said slowly, and a little awkwardly. She climbed another step and looked down once more upon the figure that was only partly lit up, standing in the street with a colorless face turned upwards. As Mary hesitated, a cab came by and Katharine turned and stopped it, saying as she opened the door: "Remember, I want to belong to your society remember," she added, having to raise her voice a little, and shutting the door upon the rest of her words. Mary mounted the stairs step by step, as if she had to lift her body up an extremely steep ascent. She had had to wrench herself forcibly away from Katharine, and every step vanquished her desire. She held on grimly, encouraging herself as though she were actually making some great physical effort in climbing a height. She was conscious that Mr. Basnett, sitting at the top of the stairs with his documents, offered her solid footing if she were capable of reaching it. The knowledge gave her a faint sense of exaltation. Mr. Basnett raised his eyes as she opened the door. "I ll go on where I left off," he said. "Stop me if you want anything explained." He had been re-reading the document, and making pencil notes in the margin while he waited, and he went on again as if there had been no interruption. Mary sat down among the flat cushions, lit another cigarette, and listened with a frown upon her face. Katharine leant back in the corner of the cab that carried her to Chelsea, conscious of fatigue, and conscious, too, of the sober and satisfactory nature of such industry as she had just witnessed.	than ours. Katharine turned over her small stock of information, and wondered what their society might be going to attempt. Then she remembered that she was hindering their business, and rose, still thinking of this society, and thus thinking, she said to Mr. Basnett: "Well, you ll ask me to join when the time comes, I hope." He nodded, and took his pipe from his mouth, but, being unable to think of anything to say, he put it back again, although he would have been glad if she had stayed. Against her wish, Mary insisted upon taking her downstairs, and then, as there was no cab to be seen, they stood in the street together, looking about them. "Go back," Katharine urged her, thinking of Mr. Basnett with his papers in his hand. "You can t wander about the streets alone in those clothes," said Mary, but the desire to find a cab was not her true reason for standing beside Katharine for a minute or two. Unfortunately for her composure, Mr. Basnett and his papers seemed to her an incidental diversion of life s serious purpose compared with some tremendous fact which manifested itself as she stood alone with Katharine. It may have been their common womanhood. "Have you seen Ralph?" she asked suddenly, without preface. "Yes," said Katharine directly, but she did not remember when or where she had seen him. It took her a moment or two to remember why Mary should ask her if she had seen Ralph. "I believe I m jealous," said Mary. "Nonsense, Mary," said Katharine, rather distractedly, taking her arm and beginning to walk up the street in the direction of the main road. "Let me see; we went to Kew, and we agreed to be friends. Yes, that s what happened." Mary was silent, in the hope that Katharine would tell her more. But Katharine said nothing. "It s not a question of friendship," Mary exclaimed, her anger rising, to her own surprise.<\|quote\|>"You know it s not. How can it be? I ve no right to interfere"</\|quote\|>She stopped. "Only I d rather Ralph wasn t hurt," she concluded. "I think he seems able to take care of himself," Katharine observed. Without either of them wishing it, a feeling of hostility had risen between them. "Do you really think it s worth it?" said Mary, after a pause. "How can one tell?" Katharine asked. "Have you ever cared for any one?" Mary demanded rashly and foolishly. "I can t wander about London discussing my feelings Here s a cab no, there s some one in it." "We don t want to quarrel," said Mary. "Ought I to have told him that I wouldn t be his friend?" Katharine asked. "Shall I tell him that? If so, what reason shall I give him?" "Of course you can t tell him that," said Mary, controlling herself. "I believe I shall, though," said Katharine suddenly. "I lost my temper, Katharine; I shouldn t have said what I did." "The whole thing s foolish," said Katharine, peremptorily. "That s what I say. It s not worth it." She spoke with unnecessary vehemence, but it was not directed against Mary Datchet. Their animosity had completely disappeared, and upon both of them a cloud of difficulty and darkness rested, obscuring the future, in which they had both to find a way. "No, no, it s not worth it," Katharine repeated. "Suppose, as you say, it s out of the question this friendship; he falls in love with me. I don t want that. Still," she added, "I believe you exaggerate; love s not everything; marriage itself is only one of the things" They had reached the main thoroughfare, and stood looking at the omnibuses and passers-by, who seemed, for the moment, to illustrate what Katharine had said of the diversity of human interests. For both of them it had become one of those moments of extreme detachment, when it seems unnecessary ever again to shoulder the burden of happiness and self-assertive existence. Their neighbors were welcome to their possessions. "I don t lay down any rules," said Mary, recovering herself first, as they turned after a long pause of this description. "All I say is that you should know what you	Night And Day
"Good mistress,"	Bird	acquit ourselves to his satisfaction."<\|quote\|>"Good mistress,"</\|quote\|>replied the Bird, "you have	what we shall do to acquit ourselves to his satisfaction."<\|quote\|>"Good mistress,"</\|quote\|>replied the Bird, "you have excellent cooks, let them do	princes approved of her plan, and after they had retired she consulted the Bird alone. "Bird," said she, "the emperor will do us the honour to-morrow to come and see our house, and we are to entertain him; tell us what we shall do to acquit ourselves to his satisfaction."<\|quote\|>"Good mistress,"</\|quote\|>replied the Bird, "you have excellent cooks, let them do the best they can; but above all things, let them prepare a dish of cucumbers stuffed full of pearls, which must be set before the emperor in the first course before all the other dishes." "Cucumbers stuffed full of pearls!"	appointed the next day. "If it be so," replied the princess, "we must think of preparing a repast fit for his majesty; and for that purpose I think it would be proper we should consult the Talking Bird, who will tell us, perhaps, what meats the emperor likes best." The princes approved of her plan, and after they had retired she consulted the Bird alone. "Bird," said she, "the emperor will do us the honour to-morrow to come and see our house, and we are to entertain him; tell us what we shall do to acquit ourselves to his satisfaction."<\|quote\|>"Good mistress,"</\|quote\|>replied the Bird, "you have excellent cooks, let them do the best they can; but above all things, let them prepare a dish of cucumbers stuffed full of pearls, which must be set before the emperor in the first course before all the other dishes." "Cucumbers stuffed full of pearls!" cried Princess Periezade with amazement; "surely, Bird, you do not know what you say; it is an unheard of dish. The emperor may admire it as a piece of magnificence, but he will sit down to eat, and not to admire pearls; besides, all the pearls I possess are not	you give me of the rare qualities with which she is endowed: and this satisfaction I will defer no longer than to-morrow. Early in the morning I will be at the place where I shall never forget that I first saw you. Meet me, and you shall be my guides." When the Princes Bahman and Perviz had returned home, they gave the princess an account of the distinguished reception the emperor had given them, and told her that they had invited him to do them the honour, as he passed by, to call at their house, and that he had appointed the next day. "If it be so," replied the princess, "we must think of preparing a repast fit for his majesty; and for that purpose I think it would be proper we should consult the Talking Bird, who will tell us, perhaps, what meats the emperor likes best." The princes approved of her plan, and after they had retired she consulted the Bird alone. "Bird," said she, "the emperor will do us the honour to-morrow to come and see our house, and we are to entertain him; tell us what we shall do to acquit ourselves to his satisfaction."<\|quote\|>"Good mistress,"</\|quote\|>replied the Bird, "you have excellent cooks, let them do the best they can; but above all things, let them prepare a dish of cucumbers stuffed full of pearls, which must be set before the emperor in the first course before all the other dishes." "Cucumbers stuffed full of pearls!" cried Princess Periezade with amazement; "surely, Bird, you do not know what you say; it is an unheard of dish. The emperor may admire it as a piece of magnificence, but he will sit down to eat, and not to admire pearls; besides, all the pearls I possess are not enough for such a dish." "Mistress," said the Bird, "do what I say, and be not uneasy about what may happen. Nothing but good will follow. As for the pearls, go early to-morrow morning to the foot of the first tree on your right hand in the park, dig under it, and you will find more than you want." That night the princess ordered a gardener to be ready to attend her, and the next morning early, led him to the tree which the Bird had told her of, and bade him dig at its foot. When the gardener came	an excellent farce was acted, and the entertainment was concluded by dancers of both sexes. The two princes, seeing night approach, prostrated themselves at the emperor's feet; and having first thanked him for the favours and honours he had heaped upon them, asked his permission to retire; which was granted by the emperor, who, in dismissing them, said: "I give you leave to go; but remember, you will be always welcome, and the oftener you come the greater pleasure you will do me." Before they went out of the emperor's presence, Prince Bahman said: "Sir, may we presume to request that your majesty will do us and our sister the honour to pass by our house, and refresh yourself after your fatigue, the first time you take the diversion of hunting in that neighbourhood? It is not worthy of your presence; but monarchs sometimes have vouchsafed to take shelter in a cottage." "My children," replied the emperor, "your house cannot be otherwise than beautiful and worthy of its owners. I will call and see it with pleasure, which will be the greater for having for my hosts you and your sister, who is already dear to me from the account you give me of the rare qualities with which she is endowed: and this satisfaction I will defer no longer than to-morrow. Early in the morning I will be at the place where I shall never forget that I first saw you. Meet me, and you shall be my guides." When the Princes Bahman and Perviz had returned home, they gave the princess an account of the distinguished reception the emperor had given them, and told her that they had invited him to do them the honour, as he passed by, to call at their house, and that he had appointed the next day. "If it be so," replied the princess, "we must think of preparing a repast fit for his majesty; and for that purpose I think it would be proper we should consult the Talking Bird, who will tell us, perhaps, what meats the emperor likes best." The princes approved of her plan, and after they had retired she consulted the Bird alone. "Bird," said she, "the emperor will do us the honour to-morrow to come and see our house, and we are to entertain him; tell us what we shall do to acquit ourselves to his satisfaction."<\|quote\|>"Good mistress,"</\|quote\|>replied the Bird, "you have excellent cooks, let them do the best they can; but above all things, let them prepare a dish of cucumbers stuffed full of pearls, which must be set before the emperor in the first course before all the other dishes." "Cucumbers stuffed full of pearls!" cried Princess Periezade with amazement; "surely, Bird, you do not know what you say; it is an unheard of dish. The emperor may admire it as a piece of magnificence, but he will sit down to eat, and not to admire pearls; besides, all the pearls I possess are not enough for such a dish." "Mistress," said the Bird, "do what I say, and be not uneasy about what may happen. Nothing but good will follow. As for the pearls, go early to-morrow morning to the foot of the first tree on your right hand in the park, dig under it, and you will find more than you want." That night the princess ordered a gardener to be ready to attend her, and the next morning early, led him to the tree which the Bird had told her of, and bade him dig at its foot. When the gardener came to a certain depth, he found some resistance to the spade, and presently discovered a gold box about a foot square, which he showed the princess. "This," said she, "is what I brought you for; take care not to injure it with the spade." When the gardener took up the box, he gave it into the princess's hands, who, as it was only fastened with neat little hasps, soon opened it, and found it full of pearls of a moderate size, but equal and fit for the use that was to be made of them. Very well satisfied with having found this treasure, after she had shut the box again, she put it under her arm and went back to the house, while the gardener threw the earth into the hole at the foot of the tree as it had been before. The Princes Bahman and Perviz, who, as they were dressing themselves in their own apartments, saw their sister in the garden earlier than usual, as soon as they could get out went to her, and met her as she was returning with a gold box under her arm, which much surprised them. "Sister," said Bahman, "you carried nothing	He made them ride on each side of him, an honour which was envied by the grand vizier, who was much mortified to see them preferred before him. When the emperor entered his capital, the eyes of the people, who stood in crowds in the streets, were fixed upon the two Princes Bahman and Perviz; and they were earnest to know who they might be. All, however, agreed in wishing that the emperor had been blessed with two such handsome princes, and said that his children would have been about the same age, if the queen had not been so unfortunate as to lose them. The first thing the emperor did when he arrived at his palace was to conduct the princes into the principal apartments, who praised without affectation the beauty and symmetry of the rooms, and the richness of the furniture and ornaments. Afterward a magnificent repast was served up, and the emperor made them sit with him, which they at first refused; but finding it was his pleasure, they obeyed. The emperor, who had himself much learning, particularly in history, foresaw that the princes, out of modesty and respect, would not take the liberty of beginning any conversation. Therefore, to give them an opportunity, he furnished them with subjects all dinner-time. But whatever subject he introduced, they shewed so much wit, judgment, and discernment, that he was struck with admiration. "Were these my own children," said he to himself, "and I had improved their talents by suitable education, they could not have been more accomplished or better informed." In short, he took such great pleasure in their conversation, that, after having sat longer than usual, he led them into his closet, where he pursued his conversation with them, and at last said: "I never supposed that there were among my subjects in the country youths so well brought up, so lively, so capable; and I never was better pleased with any conversation than yours; but it is time now we should relax our minds with some diversion; and as nothing is more capable of enlivening the mind than music, you shall hear a vocal and instrumental concert which may not be disagreeable to you." The emperor had no sooner spoken than the musicians, who had orders to attend, entered, and answered fully the expectations the princes had been led to entertain of their abilities. After the concerts, an excellent farce was acted, and the entertainment was concluded by dancers of both sexes. The two princes, seeing night approach, prostrated themselves at the emperor's feet; and having first thanked him for the favours and honours he had heaped upon them, asked his permission to retire; which was granted by the emperor, who, in dismissing them, said: "I give you leave to go; but remember, you will be always welcome, and the oftener you come the greater pleasure you will do me." Before they went out of the emperor's presence, Prince Bahman said: "Sir, may we presume to request that your majesty will do us and our sister the honour to pass by our house, and refresh yourself after your fatigue, the first time you take the diversion of hunting in that neighbourhood? It is not worthy of your presence; but monarchs sometimes have vouchsafed to take shelter in a cottage." "My children," replied the emperor, "your house cannot be otherwise than beautiful and worthy of its owners. I will call and see it with pleasure, which will be the greater for having for my hosts you and your sister, who is already dear to me from the account you give me of the rare qualities with which she is endowed: and this satisfaction I will defer no longer than to-morrow. Early in the morning I will be at the place where I shall never forget that I first saw you. Meet me, and you shall be my guides." When the Princes Bahman and Perviz had returned home, they gave the princess an account of the distinguished reception the emperor had given them, and told her that they had invited him to do them the honour, as he passed by, to call at their house, and that he had appointed the next day. "If it be so," replied the princess, "we must think of preparing a repast fit for his majesty; and for that purpose I think it would be proper we should consult the Talking Bird, who will tell us, perhaps, what meats the emperor likes best." The princes approved of her plan, and after they had retired she consulted the Bird alone. "Bird," said she, "the emperor will do us the honour to-morrow to come and see our house, and we are to entertain him; tell us what we shall do to acquit ourselves to his satisfaction."<\|quote\|>"Good mistress,"</\|quote\|>replied the Bird, "you have excellent cooks, let them do the best they can; but above all things, let them prepare a dish of cucumbers stuffed full of pearls, which must be set before the emperor in the first course before all the other dishes." "Cucumbers stuffed full of pearls!" cried Princess Periezade with amazement; "surely, Bird, you do not know what you say; it is an unheard of dish. The emperor may admire it as a piece of magnificence, but he will sit down to eat, and not to admire pearls; besides, all the pearls I possess are not enough for such a dish." "Mistress," said the Bird, "do what I say, and be not uneasy about what may happen. Nothing but good will follow. As for the pearls, go early to-morrow morning to the foot of the first tree on your right hand in the park, dig under it, and you will find more than you want." That night the princess ordered a gardener to be ready to attend her, and the next morning early, led him to the tree which the Bird had told her of, and bade him dig at its foot. When the gardener came to a certain depth, he found some resistance to the spade, and presently discovered a gold box about a foot square, which he showed the princess. "This," said she, "is what I brought you for; take care not to injure it with the spade." When the gardener took up the box, he gave it into the princess's hands, who, as it was only fastened with neat little hasps, soon opened it, and found it full of pearls of a moderate size, but equal and fit for the use that was to be made of them. Very well satisfied with having found this treasure, after she had shut the box again, she put it under her arm and went back to the house, while the gardener threw the earth into the hole at the foot of the tree as it had been before. The Princes Bahman and Perviz, who, as they were dressing themselves in their own apartments, saw their sister in the garden earlier than usual, as soon as they could get out went to her, and met her as she was returning with a gold box under her arm, which much surprised them. "Sister," said Bahman, "you carried nothing with you when we saw you before with the gardener, and now we see you have a golden box; is this some treasure found by the gardener, and did he come and tell you of it?" "No, brother," answered the princess, "I took the gardener to the place where this casket was concealed, and showed him where to dig; but you will be more amazed when you see what it contains." The princess opened the box, and when the princes saw that it was full of pearls, which, though small, were of great value, they asked her how she came to the knowledge of this treasure. "Brothers," said she, "come with me and I will tell you." The princess, as they returned to the house, gave them an account of her having consulted the Bird, as they had agreed she should, and the answer he had given her; the objection she had raised to preparing a dish of cucumbers stuffed full of pearls, and how he had told her where to find this box. The sister and brothers formed many conjectures to penetrate into what the Bird could mean by ordering them to prepare such a dish; but after much conversation, they agreed to follow his advice exactly. As soon as the princess entered the house, she called for the head cook; and after she had given him directions about the entertainment for the emperor, said to him: "Besides all this, you must dress an extraordinary dish for the emperor's own eating, which nobody else must have anything to do with besides yourself. This dish must be of cucumbers stuffed with these pearls;" and at the same time she opened him the box, and showed him the jewels. The chief cook, who had never heard of such a dish, started back, and showed his thoughts by his looks; which the princess penetrating, said: "I see you take me to be mad to order such a dish, which one may say with certainty was never made. I know this as well as you; but I am not mad, and give you these orders with the most perfect recollection. You must invent and do the best you can, and bring me back what pearls are left." The cook could make no reply, but took the box and retired; and afterward the princess gave directions to all the domestics to have everything in	was granted by the emperor, who, in dismissing them, said: "I give you leave to go; but remember, you will be always welcome, and the oftener you come the greater pleasure you will do me." Before they went out of the emperor's presence, Prince Bahman said: "Sir, may we presume to request that your majesty will do us and our sister the honour to pass by our house, and refresh yourself after your fatigue, the first time you take the diversion of hunting in that neighbourhood? It is not worthy of your presence; but monarchs sometimes have vouchsafed to take shelter in a cottage." "My children," replied the emperor, "your house cannot be otherwise than beautiful and worthy of its owners. I will call and see it with pleasure, which will be the greater for having for my hosts you and your sister, who is already dear to me from the account you give me of the rare qualities with which she is endowed: and this satisfaction I will defer no longer than to-morrow. Early in the morning I will be at the place where I shall never forget that I first saw you. Meet me, and you shall be my guides." When the Princes Bahman and Perviz had returned home, they gave the princess an account of the distinguished reception the emperor had given them, and told her that they had invited him to do them the honour, as he passed by, to call at their house, and that he had appointed the next day. "If it be so," replied the princess, "we must think of preparing a repast fit for his majesty; and for that purpose I think it would be proper we should consult the Talking Bird, who will tell us, perhaps, what meats the emperor likes best." The princes approved of her plan, and after they had retired she consulted the Bird alone. "Bird," said she, "the emperor will do us the honour to-morrow to come and see our house, and we are to entertain him; tell us what we shall do to acquit ourselves to his satisfaction."<\|quote\|>"Good mistress,"</\|quote\|>replied the Bird, "you have excellent cooks, let them do the best they can; but above all things, let them prepare a dish of cucumbers stuffed full of pearls, which must be set before the emperor in the first course before all the other dishes." "Cucumbers stuffed full of pearls!" cried Princess Periezade with amazement; "surely, Bird, you do not know what you say; it is an unheard of dish. The emperor may admire it as a piece of magnificence, but he will sit down to eat, and not to admire pearls; besides, all the pearls I possess are not enough for such a dish." "Mistress," said the Bird, "do what I say, and be not uneasy about what may happen. Nothing but good will follow. As for the pearls, go early to-morrow morning to the foot of the first tree on your right hand in the park, dig under it, and you will find more than you want." That night the princess ordered a gardener to be ready to attend her, and the next morning early, led him to the tree which the Bird had told her of, and bade him dig at its foot. When the gardener came to a certain depth, he found some resistance to the spade, and presently discovered a gold box about a foot square, which he showed the princess. "This," said she, "is what I brought you for; take care not to injure it with the spade." When the gardener took up the box, he gave it into the princess's hands, who, as it was only fastened with neat little hasps, soon opened it, and found it full of pearls of a moderate size, but equal and fit for the use that was to be made of them. Very well satisfied with having found this treasure, after she had shut the box again, she put it under her arm and went back to the house, while the gardener threw the earth into the hole at the foot of the tree as it had been before. The Princes Bahman and Perviz, who, as they were dressing themselves in their own apartments, saw their sister in the garden earlier than usual, as soon as they could	Arabian Nights (1)
murmured the tinker.	No speaker	of" "Ladies present, Mr. Giles,"<\|quote\|>murmured the tinker.</\|quote\|>"Of _shoes_, sir," said Giles,	bed; drew on a pair of" "Ladies present, Mr. Giles,"<\|quote\|>murmured the tinker.</\|quote\|>"Of _shoes_, sir," said Giles, turning upon him, and laying	at him, with his mouth wide open, and his face expressive of the most unmitigated horror. "I tossed off the clothes," said Giles, throwing away the table-cloth, and looking very hard at the cook and housemaid, "got softly out of bed; drew on a pair of" "Ladies present, Mr. Giles,"<\|quote\|>murmured the tinker.</\|quote\|>"Of _shoes_, sir," said Giles, turning upon him, and laying great emphasis on the word; "seized the loaded pistol that always goes upstairs with the plate-basket; and walked on tiptoes to his room." Brittles,' "I says, when I had woke him," don't be frightened!'" "So you did," observed Brittles, in	up that poor lad, Brittles, and save him from being murdered in his bed; or his throat,' "I says" , may be cut from his right ear to his left, without his ever knowing it.'" Here, all eyes were turned upon Brittles, who fixed his upon the speaker, and stared at him, with his mouth wide open, and his face expressive of the most unmitigated horror. "I tossed off the clothes," said Giles, throwing away the table-cloth, and looking very hard at the cook and housemaid, "got softly out of bed; drew on a pair of" "Ladies present, Mr. Giles,"<\|quote\|>murmured the tinker.</\|quote\|>"Of _shoes_, sir," said Giles, turning upon him, and laying great emphasis on the word; "seized the loaded pistol that always goes upstairs with the plate-basket; and walked on tiptoes to his room." Brittles,' "I says, when I had woke him," don't be frightened!'" "So you did," observed Brittles, in a low voice. " We're dead men, I think, Brittles,' "I says," continued Giles; " but don't be frightened.'" "_Was_ he frightened?" asked the cook. "Not a bit of it," replied Mr. Giles. "He was as firm ah! pretty near as firm as I was." "I should have died at	a busting noise," replied Mr. Giles, looking round him. "More like the noise of powdering a iron bar on a nutmeg-grater," suggested Brittles. "It was, when _you_ heerd it, sir," rejoined Mr. Giles; "but, at this time, it had a busting sound. I turned down the clothes" "; continued Giles, rolling back the table-cloth, "sat up in bed; and listened." The cook and housemaid simultaneously ejaculated "Lor!" and drew their chairs closer together. "I heerd it now, quite apparent," resumed Mr. Giles. " Somebody,' "I says" , is forcing of a door, or window; what's to be done? I'll call up that poor lad, Brittles, and save him from being murdered in his bed; or his throat,' "I says" , may be cut from his right ear to his left, without his ever knowing it.'" Here, all eyes were turned upon Brittles, who fixed his upon the speaker, and stared at him, with his mouth wide open, and his face expressive of the most unmitigated horror. "I tossed off the clothes," said Giles, throwing away the table-cloth, and looking very hard at the cook and housemaid, "got softly out of bed; drew on a pair of" "Ladies present, Mr. Giles,"<\|quote\|>murmured the tinker.</\|quote\|>"Of _shoes_, sir," said Giles, turning upon him, and laying great emphasis on the word; "seized the loaded pistol that always goes upstairs with the plate-basket; and walked on tiptoes to his room." Brittles,' "I says, when I had woke him," don't be frightened!'" "So you did," observed Brittles, in a low voice. " We're dead men, I think, Brittles,' "I says," continued Giles; " but don't be frightened.'" "_Was_ he frightened?" asked the cook. "Not a bit of it," replied Mr. Giles. "He was as firm ah! pretty near as firm as I was." "I should have died at once, I'm sure, if it had been me," observed the housemaid. "You're a woman," retorted Brittles, plucking up a little. "Brittles is right," said Mr. Giles, nodding his head, approvingly; "from a woman, nothing else was to be expected. We, being men, took a dark lantern that was standing on Brittle's hob, and groped our way downstairs in the pitch dark, as it might be so." Mr. Giles had risen from his seat, and taken two steps with his eyes shut, to accompany his description with appropriate action, when he started violently, in common with the rest of the company,	remind them of his superior position in society. But, death, fires, and burglary, make all men equals; so Mr. Giles sat with his legs stretched out before the kitchen fender, leaning his left arm on the table, while, with his right, he illustrated a circumstantial and minute account of the robbery, to which his bearers (but especially the cook and housemaid, who were of the party) listened with breathless interest. "It was about half-past two," said Mr. Giles, "or I wouldn't swear that it mightn't have been a little nearer three, when I woke up, and, turning round in my bed, as it might be so, (here Mr. Giles turned round in his chair, and pulled the corner of the table-cloth over him to imitate bed-clothes,) I fancied I heerd a noise." At this point of the narrative the cook turned pale, and asked the housemaid to shut the door: who asked Brittles, who asked the tinker, who pretended not to hear. "Heerd a noise," continued Mr. Giles. "I says, at first," This is illusion'; "and was composing myself off to sleep, when I heerd the noise again, distinct." "What sort of a noise?" asked the cook. "A kind of a busting noise," replied Mr. Giles, looking round him. "More like the noise of powdering a iron bar on a nutmeg-grater," suggested Brittles. "It was, when _you_ heerd it, sir," rejoined Mr. Giles; "but, at this time, it had a busting sound. I turned down the clothes" "; continued Giles, rolling back the table-cloth, "sat up in bed; and listened." The cook and housemaid simultaneously ejaculated "Lor!" and drew their chairs closer together. "I heerd it now, quite apparent," resumed Mr. Giles. " Somebody,' "I says" , is forcing of a door, or window; what's to be done? I'll call up that poor lad, Brittles, and save him from being murdered in his bed; or his throat,' "I says" , may be cut from his right ear to his left, without his ever knowing it.'" Here, all eyes were turned upon Brittles, who fixed his upon the speaker, and stared at him, with his mouth wide open, and his face expressive of the most unmitigated horror. "I tossed off the clothes," said Giles, throwing away the table-cloth, and looking very hard at the cook and housemaid, "got softly out of bed; drew on a pair of" "Ladies present, Mr. Giles,"<\|quote\|>murmured the tinker.</\|quote\|>"Of _shoes_, sir," said Giles, turning upon him, and laying great emphasis on the word; "seized the loaded pistol that always goes upstairs with the plate-basket; and walked on tiptoes to his room." Brittles,' "I says, when I had woke him," don't be frightened!'" "So you did," observed Brittles, in a low voice. " We're dead men, I think, Brittles,' "I says," continued Giles; " but don't be frightened.'" "_Was_ he frightened?" asked the cook. "Not a bit of it," replied Mr. Giles. "He was as firm ah! pretty near as firm as I was." "I should have died at once, I'm sure, if it had been me," observed the housemaid. "You're a woman," retorted Brittles, plucking up a little. "Brittles is right," said Mr. Giles, nodding his head, approvingly; "from a woman, nothing else was to be expected. We, being men, took a dark lantern that was standing on Brittle's hob, and groped our way downstairs in the pitch dark, as it might be so." Mr. Giles had risen from his seat, and taken two steps with his eyes shut, to accompany his description with appropriate action, when he started violently, in common with the rest of the company, and hurried back to his chair. The cook and housemaid screamed. "It was a knock," said Mr. Giles, assuming perfect serenity. "Open the door, somebody." Nobody moved. "It seems a strange sort of a thing, a knock coming at such a time in the morning," said Mr. Giles, surveying the pale faces which surrounded him, and looking very blank himself; "but the door must be opened. Do you hear, somebody?" Mr. Giles, as he spoke, looked at Brittles; but that young man, being naturally modest, probably considered himself nobody, and so held that the inquiry could not have any application to him; at all events, he tendered no reply. Mr. Giles directed an appealing glance at the tinker; but he had suddenly fallen asleep. The women were out of the question. "If Brittles would rather open the door, in the presence of witnesses," said Mr. Giles, after a short silence, "I am ready to make one." "So am I," said the tinker, waking up, as suddenly as he had fallen asleep. Brittles capitulated on these terms; and the party being somewhat re-assured by the discovery (made on throwing open the shutters) that it was now broad day, took their way	the robber's grasp upon his wrist. Suddenly, he started back at the report of firearms; there rose into the air, loud cries and shouts; lights gleamed before his eyes; all was noise and tumult, as some unseen hand bore him hurriedly away. Through all these rapid visions, there ran an undefined, uneasy consciousness of pain, which wearied and tormented him incessantly. Thus he staggered on, creeping, almost mechanically, between the bars of gates, or through hedge-gaps as they came in his way, until he reached a road. Here the rain began to fall so heavily, that it roused him. He looked about, and saw that at no great distance there was a house, which perhaps he could reach. Pitying his condition, they might have compassion on him; and if they did not, it would be better, he thought, to die near human beings, than in the lonely open fields. He summoned up all his strength for one last trial, and bent his faltering steps towards it. As he drew nearer to this house, a feeling come over him that he had seen it before. He remembered nothing of its details; but the shape and aspect of the building seemed familiar to him. That garden wall! On the grass inside, he had fallen on his knees last night, and prayed the two men's mercy. It was the very house they had attempted to rob. Oliver felt such fear come over him when he recognised the place, that, for the instant, he forgot the agony of his wound, and thought only of flight. Flight! He could scarcely stand: and if he were in full possession of all the best powers of his slight and youthful frame, whither could he fly? He pushed against the garden-gate; it was unlocked, and swung open on its hinges. He tottered across the lawn; climbed the steps; knocked faintly at the door; and, his whole strength failing him, sunk down against one of the pillars of the little portico. It happened that about this time, Mr. Giles, Brittles, and the tinker, were recruiting themselves, after the fatigues and terrors of the night, with tea and sundries, in the kitchen. Not that it was Mr. Giles's habit to admit to too great familiarity the humbler servants: towards whom it was rather his wont to deport himself with a lofty affability, which, while it gratified, could not fail to remind them of his superior position in society. But, death, fires, and burglary, make all men equals; so Mr. Giles sat with his legs stretched out before the kitchen fender, leaning his left arm on the table, while, with his right, he illustrated a circumstantial and minute account of the robbery, to which his bearers (but especially the cook and housemaid, who were of the party) listened with breathless interest. "It was about half-past two," said Mr. Giles, "or I wouldn't swear that it mightn't have been a little nearer three, when I woke up, and, turning round in my bed, as it might be so, (here Mr. Giles turned round in his chair, and pulled the corner of the table-cloth over him to imitate bed-clothes,) I fancied I heerd a noise." At this point of the narrative the cook turned pale, and asked the housemaid to shut the door: who asked Brittles, who asked the tinker, who pretended not to hear. "Heerd a noise," continued Mr. Giles. "I says, at first," This is illusion'; "and was composing myself off to sleep, when I heerd the noise again, distinct." "What sort of a noise?" asked the cook. "A kind of a busting noise," replied Mr. Giles, looking round him. "More like the noise of powdering a iron bar on a nutmeg-grater," suggested Brittles. "It was, when _you_ heerd it, sir," rejoined Mr. Giles; "but, at this time, it had a busting sound. I turned down the clothes" "; continued Giles, rolling back the table-cloth, "sat up in bed; and listened." The cook and housemaid simultaneously ejaculated "Lor!" and drew their chairs closer together. "I heerd it now, quite apparent," resumed Mr. Giles. " Somebody,' "I says" , is forcing of a door, or window; what's to be done? I'll call up that poor lad, Brittles, and save him from being murdered in his bed; or his throat,' "I says" , may be cut from his right ear to his left, without his ever knowing it.'" Here, all eyes were turned upon Brittles, who fixed his upon the speaker, and stared at him, with his mouth wide open, and his face expressive of the most unmitigated horror. "I tossed off the clothes," said Giles, throwing away the table-cloth, and looking very hard at the cook and housemaid, "got softly out of bed; drew on a pair of" "Ladies present, Mr. Giles,"<\|quote\|>murmured the tinker.</\|quote\|>"Of _shoes_, sir," said Giles, turning upon him, and laying great emphasis on the word; "seized the loaded pistol that always goes upstairs with the plate-basket; and walked on tiptoes to his room." Brittles,' "I says, when I had woke him," don't be frightened!'" "So you did," observed Brittles, in a low voice. " We're dead men, I think, Brittles,' "I says," continued Giles; " but don't be frightened.'" "_Was_ he frightened?" asked the cook. "Not a bit of it," replied Mr. Giles. "He was as firm ah! pretty near as firm as I was." "I should have died at once, I'm sure, if it had been me," observed the housemaid. "You're a woman," retorted Brittles, plucking up a little. "Brittles is right," said Mr. Giles, nodding his head, approvingly; "from a woman, nothing else was to be expected. We, being men, took a dark lantern that was standing on Brittle's hob, and groped our way downstairs in the pitch dark, as it might be so." Mr. Giles had risen from his seat, and taken two steps with his eyes shut, to accompany his description with appropriate action, when he started violently, in common with the rest of the company, and hurried back to his chair. The cook and housemaid screamed. "It was a knock," said Mr. Giles, assuming perfect serenity. "Open the door, somebody." Nobody moved. "It seems a strange sort of a thing, a knock coming at such a time in the morning," said Mr. Giles, surveying the pale faces which surrounded him, and looking very blank himself; "but the door must be opened. Do you hear, somebody?" Mr. Giles, as he spoke, looked at Brittles; but that young man, being naturally modest, probably considered himself nobody, and so held that the inquiry could not have any application to him; at all events, he tendered no reply. Mr. Giles directed an appealing glance at the tinker; but he had suddenly fallen asleep. The women were out of the question. "If Brittles would rather open the door, in the presence of witnesses," said Mr. Giles, after a short silence, "I am ready to make one." "So am I," said the tinker, waking up, as suddenly as he had fallen asleep. Brittles capitulated on these terms; and the party being somewhat re-assured by the discovery (made on throwing open the shutters) that it was now broad day, took their way upstairs; with the dogs in front. The two women, who were afraid to stay below, brought up the rear. By the advice of Mr. Giles, they all talked very loud, to warn any evil-disposed person outside, that they were strong in numbers; and by a master-stoke of policy, originating in the brain of the same ingenious gentleman, the dogs' tails were well pinched, in the hall, to make them bark savagely. These precautions having been taken, Mr. Giles held on fast by the tinker's arm (to prevent his running away, as he pleasantly said), and gave the word of command to open the door. Brittles obeyed; the group, peeping timorously over each other's shoulders, beheld no more formidable object than poor little Oliver Twist, speechless and exhausted, who raised his heavy eyes, and mutely solicited their compassion. "A boy!" exclaimed Mr. Giles, valiantly, pushing the tinker into the background. "What's the matter with the eh? Why Brittles look here don't you know?" Brittles, who had got behind the door to open it, no sooner saw Oliver, than he uttered a loud cry. Mr. Giles, seizing the boy by one leg and one arm (fortunately not the broken limb) lugged him straight into the hall, and deposited him at full length on the floor thereof. "Here he is!" bawled Giles, calling in a state of great excitement, up the staircase; "here's one of the thieves, ma'am! Here's a thief, miss! Wounded, miss! I shot him, miss; and Brittles held the light." "In a lantern, miss," cried Brittles, applying one hand to the side of his mouth, so that his voice might travel the better. The two women-servants ran upstairs to carry the intelligence that Mr. Giles had captured a robber; and the tinker busied himself in endeavouring to restore Oliver, lest he should die before he could be hanged. In the midst of all this noise and commotion, there was heard a sweet female voice, which quelled it in an instant. "Giles!" whispered the voice from the stair-head. "I'm here, miss," replied Mr. Giles. "Don't be frightened, miss; I ain't much injured. He didn't make a very desperate resistance, miss! I was soon too many for him." "Hush!" replied the young lady; "you frighten my aunt as much as the thieves did. Is the poor creature much hurt?" "Wounded desperate, miss," replied Giles, with indescribable complacency. "He looks as if he	to which his bearers (but especially the cook and housemaid, who were of the party) listened with breathless interest. "It was about half-past two," said Mr. Giles, "or I wouldn't swear that it mightn't have been a little nearer three, when I woke up, and, turning round in my bed, as it might be so, (here Mr. Giles turned round in his chair, and pulled the corner of the table-cloth over him to imitate bed-clothes,) I fancied I heerd a noise." At this point of the narrative the cook turned pale, and asked the housemaid to shut the door: who asked Brittles, who asked the tinker, who pretended not to hear. "Heerd a noise," continued Mr. Giles. "I says, at first," This is illusion'; "and was composing myself off to sleep, when I heerd the noise again, distinct." "What sort of a noise?" asked the cook. "A kind of a busting noise," replied Mr. Giles, looking round him. "More like the noise of powdering a iron bar on a nutmeg-grater," suggested Brittles. "It was, when _you_ heerd it, sir," rejoined Mr. Giles; "but, at this time, it had a busting sound. I turned down the clothes" "; continued Giles, rolling back the table-cloth, "sat up in bed; and listened." The cook and housemaid simultaneously ejaculated "Lor!" and drew their chairs closer together. "I heerd it now, quite apparent," resumed Mr. Giles. " Somebody,' "I says" , is forcing of a door, or window; what's to be done? I'll call up that poor lad, Brittles, and save him from being murdered in his bed; or his throat,' "I says" , may be cut from his right ear to his left, without his ever knowing it.'" Here, all eyes were turned upon Brittles, who fixed his upon the speaker, and stared at him, with his mouth wide open, and his face expressive of the most unmitigated horror. "I tossed off the clothes," said Giles, throwing away the table-cloth, and looking very hard at the cook and housemaid, "got softly out of bed; drew on a pair of" "Ladies present, Mr. Giles,"<\|quote\|>murmured the tinker.</\|quote\|>"Of _shoes_, sir," said Giles, turning upon him, and laying great emphasis on the word; "seized the loaded pistol that always goes upstairs with the plate-basket; and walked on tiptoes to his room." Brittles,' "I says, when I had woke him," don't be frightened!'" "So you did," observed Brittles, in a low voice. " We're dead men, I think, Brittles,' "I says," continued Giles; " but don't be frightened.'" "_Was_ he frightened?" asked the cook. "Not a bit of it," replied Mr. Giles. "He was as firm ah! pretty near as firm as I was." "I should have died at once, I'm sure, if it had been me," observed the housemaid. "You're a woman," retorted Brittles, plucking up a little. "Brittles is right," said Mr. Giles, nodding his head, approvingly; "from a woman, nothing else was to be expected. We, being men, took a dark lantern that was standing on Brittle's hob, and groped our way downstairs in the pitch dark, as it might be so." Mr. Giles had risen from his seat, and taken two steps with his eyes shut, to accompany his description with appropriate action, when he started violently, in common with the rest of the company, and hurried back to his chair. The cook and housemaid screamed. "It was a knock," said Mr. Giles, assuming perfect serenity. "Open the door, somebody." Nobody moved. "It seems a strange sort of a thing, a knock coming at such a time in the morning," said Mr. Giles, surveying the pale faces which surrounded him, and looking very blank himself; "but the door must be opened. Do you hear, somebody?" Mr. Giles, as he spoke, looked at Brittles; but that young man, being naturally modest, probably considered himself nobody, and so held that the inquiry could not have any application to him; at all events, he tendered no reply. Mr. Giles directed an appealing glance at the tinker; but he had suddenly fallen asleep. The women were out of the question. "If Brittles would rather open the door, in the presence of witnesses," said Mr. Giles, after a short silence, "I am ready to make one." "So am I," said the tinker, waking up, as suddenly as he had fallen asleep. Brittles capitulated on these terms; and the party being somewhat re-assured by the discovery (made on throwing open the shutters) that it was now broad day, took their way upstairs; with the dogs in front. The two women, who were afraid to stay below, brought up the rear. By the advice of Mr. Giles, they all talked very loud, to warn any evil-disposed person outside, that they were strong in numbers; and by a master-stoke of policy, originating in the brain of the same ingenious gentleman, the dogs' tails were well pinched, in the hall, to make them bark savagely. These precautions having been taken, Mr. Giles held on fast by the tinker's arm (to prevent his running away, as he pleasantly said), and gave the word of command to open the door. Brittles obeyed; the group, peeping timorously over each other's shoulders, beheld no more formidable object than poor little Oliver Twist, speechless and exhausted, who raised his heavy eyes, and mutely solicited their compassion. "A boy!" exclaimed Mr. Giles, valiantly, pushing the tinker into the background. "What's the matter with the eh? Why Brittles look here don't you know?" Brittles, who had got behind the door to open it, no sooner saw Oliver, than he uttered a	Oliver Twist
was on his lips, but he uttered no cry, only breathlessly listened to a deep panting from the outer side of the _pah_.	No speaker	fettered arm away. "Jem! Help!"<\|quote\|>was on his lips, but he uttered no cry, only breathlessly listened to a deep panting from the outer side of the _pah_.</\|quote\|>CHAPTER FORTY FOUR. AFTER SUSPENSE.	been possible to drag the fettered arm away. "Jem! Help!"<\|quote\|>was on his lips, but he uttered no cry, only breathlessly listened to a deep panting from the outer side of the _pah_.</\|quote\|>CHAPTER FORTY FOUR. AFTER SUSPENSE. What would happen? A powerful	the openings of the fence, and he was a prisoner to some fierce chief who had suspected the design to escape, held in so strong a grip, that had he dared to struggle to free himself, it would not have been possible to drag the fettered arm away. "Jem! Help!"<\|quote\|>was on his lips, but he uttered no cry, only breathlessly listened to a deep panting from the outer side of the _pah_.</\|quote\|>CHAPTER FORTY FOUR. AFTER SUSPENSE. What would happen? A powerful savage had hold of him firmly, had caught him just as he was about to escape; and the next thing would be that he would feel a spear driven through the opening between the pales, and that spear would run	hand to grasp Jem's wrist. But it was not Jem's wrist. It was bigger and stouter; and quick as thought Don ran his hand along the arm to force back the holder of his arm, when to his horror, he found that the limb had been thrust through one of the openings of the fence, and he was a prisoner to some fierce chief who had suspected the design to escape, held in so strong a grip, that had he dared to struggle to free himself, it would not have been possible to drag the fettered arm away. "Jem! Help!"<\|quote\|>was on his lips, but he uttered no cry, only breathlessly listened to a deep panting from the outer side of the _pah_.</\|quote\|>CHAPTER FORTY FOUR. AFTER SUSPENSE. What would happen? A powerful savage had hold of him firmly, had caught him just as he was about to escape; and the next thing would be that he would feel a spear driven through the opening between the pales, and that spear would run him through and through. His first idea was to give warning of the danger, but he dared not call, and Jem was apparently beyond hearing of the rustling and panting noise which could still be heard. Directly after Don determined to wrest his arm away, and dart back into the	sound again close at hand; but he dare not speak, only creep on in the dense blackness, straining his eyes to see; and his ears to catch his companion's breath. "Ah!" Don uttered a sigh of satisfaction, for it was painful to be alone at such a time, and he had at last touched the strong sturdy arm which was slightly withdrawn, and then the hand gripped him firmly. Don remained motionless, listening for the danger which must be threatening, or else Jem would have spoken; but at last the silence became so irksome that the prisoner raised his left hand to grasp Jem's wrist. But it was not Jem's wrist. It was bigger and stouter; and quick as thought Don ran his hand along the arm to force back the holder of his arm, when to his horror, he found that the limb had been thrust through one of the openings of the fence, and he was a prisoner to some fierce chief who had suspected the design to escape, held in so strong a grip, that had he dared to struggle to free himself, it would not have been possible to drag the fettered arm away. "Jem! Help!"<\|quote\|>was on his lips, but he uttered no cry, only breathlessly listened to a deep panting from the outer side of the _pah_.</\|quote\|>CHAPTER FORTY FOUR. AFTER SUSPENSE. What would happen? A powerful savage had hold of him firmly, had caught him just as he was about to escape; and the next thing would be that he would feel a spear driven through the opening between the pales, and that spear would run him through and through. His first idea was to give warning of the danger, but he dared not call, and Jem was apparently beyond hearing of the rustling and panting noise which could still be heard. Directly after Don determined to wrest his arm away, and dart back into the darkness. But the hand which held him still gripped with a force which made this impossible; and in despair and dread he was about to fling himself down, when Jem came gliding up out of the darkness, and touched his cold, wet face. "I've found the post, Mas' Don!" he whispered. Don caught him with his disengaged hand, and placed Jem's against the arm which held him. For a few moments Jem seemed unable to grasp the situation, for nothing was visible. Then he placed his lips once more close to Don's ear. "Wait a moment till I've opened my	then Don gripped his arm, and they stood listening, for a faint rustling sound seemed to come from outside. The noise was not repeated; but for quite half an hour they remained listening, till, gaining courage from the silence--the Maori guard only speaking from time to time, and then in a low, drowsy voice--Don began to follow Jem's suggestion, feeling post after post, and sometimes passing his arm through. But every one of the stout pales he touched was smooth and unclimbable without some help; and thinking that perhaps he had missed the place, he began to move back in the darkness, straining his ears the while to catch any sound made by his companion. But all was perfectly still, and every pale he touched was smooth and regular, set, too, so close to the next that there was not the slightest chance of even a child creeping through. All at once there was a rustling sound on his left. "Jem has found it," he thought; and he pressed forward toward where he had parted from Jem, passing one hand along the pales, the other extended so as to touch his companion as soon as they were near. The rustling sound again close at hand; but he dare not speak, only creep on in the dense blackness, straining his eyes to see; and his ears to catch his companion's breath. "Ah!" Don uttered a sigh of satisfaction, for it was painful to be alone at such a time, and he had at last touched the strong sturdy arm which was slightly withdrawn, and then the hand gripped him firmly. Don remained motionless, listening for the danger which must be threatening, or else Jem would have spoken; but at last the silence became so irksome that the prisoner raised his left hand to grasp Jem's wrist. But it was not Jem's wrist. It was bigger and stouter; and quick as thought Don ran his hand along the arm to force back the holder of his arm, when to his horror, he found that the limb had been thrust through one of the openings of the fence, and he was a prisoner to some fierce chief who had suspected the design to escape, held in so strong a grip, that had he dared to struggle to free himself, it would not have been possible to drag the fettered arm away. "Jem! Help!"<\|quote\|>was on his lips, but he uttered no cry, only breathlessly listened to a deep panting from the outer side of the _pah_.</\|quote\|>CHAPTER FORTY FOUR. AFTER SUSPENSE. What would happen? A powerful savage had hold of him firmly, had caught him just as he was about to escape; and the next thing would be that he would feel a spear driven through the opening between the pales, and that spear would run him through and through. His first idea was to give warning of the danger, but he dared not call, and Jem was apparently beyond hearing of the rustling and panting noise which could still be heard. Directly after Don determined to wrest his arm away, and dart back into the darkness. But the hand which held him still gripped with a force which made this impossible; and in despair and dread he was about to fling himself down, when Jem came gliding up out of the darkness, and touched his cold, wet face. "I've found the post, Mas' Don!" he whispered. Don caught him with his disengaged hand, and placed Jem's against the arm which held him. For a few moments Jem seemed unable to grasp the situation, for nothing was visible. Then he placed his lips once more close to Don's ear. "Wait a moment till I've opened my knife." "No, no," whispered Don in a horrified tone. "It is too dreadful." "Then let's both try together, and wrench your arm away." A peculiar hissing sound came at that moment from the outside of the _pah_, and Don felt his arm jerked. "My pakeha! My pakeha!" "Why, it's Ngati!" whispered Don joyfully; and he laid his disengaged hand on the massive fist which held him. The grasp relaxed on the instant, and Don's hand was seized, and held firmly. "It's Ngati, Jem," whispered Don, "come to help us." "Good luck to him!" said Jem eagerly; and he felt for the chiefs great hand, to pat it, and grasp it in a friendly way. His grasp was returned, and then they listened as Ngati put his face to the opening, and whispered a few words, the only part of which they could understand being,-- "My pakeha. Come." "Yes; we want to come," whispered Don. "Tomati. Gone," came back, and then the chief said something rapidly in his own tongue. Don sighed, for he could not comprehend a word. "It's no good trying, Mas' Don," whispered Jem; "and if we don't try to get away, we mayn't have a chance to-morrow.	hot blood surge through his veins as one of the three guards gave him a harsh thrust with his spear, but he did not wince, only lay back patiently and waited till the men had gone. They secured the way into the _pah_, after which they squatted down, and began talking together in a low voice. Don listened to them for a time, and then turned over to where Jem lay as if asleep. "Is it dark enough?" he whispered. "Plenty. I'm ready." "Can you manage to get over?" "I will get over," said Jem, almost fiercely. "Wait a little while, Mas' Don." "I can't wait, Jem," he whispered. "I feel now as if I must act. But one minute: I don't like leaving these poor creatures in their helplessness." "More do I; but what can we do? They won't stir to help themselves. Only thing seems to me is to get away, and try and find some one who will come and punish the brutes as brought us here." Don's heart sank, but he knew that his companion's words were those of truth, and after a little hesitation he touched Jem with his hand, and then began to crawl slowly across the open space toward the fence. He looked back to make sure that Jem was following, but the darkness was so thick now, that even at that short distance he could not see him. Just then a touch on his foot set him at rest, and he crept softly on, listening to the low muttering of the men at the gate, and wondering whether he could find the rough part of the fence to which Jem had directed his attention. As he crept on he began to wonder next whether the prisoners would miss them, and do or say anything to call the attention of the guard; but all remained still, save that the Maoris laughed aloud at something one of them had said. This gave him confidence, and ceasing his crawling movement, he rose to his hands and feet, and crept on all fours to the fence, where he rose now to an erect position, and began to feel about for the rough post. Jem was up and by him directly after. Don placed his lips to his ear. "Whereabouts was it?" "Somewhere 'bout here. You try one way, and I'll try the other," whispered Jem; and then Don gripped his arm, and they stood listening, for a faint rustling sound seemed to come from outside. The noise was not repeated; but for quite half an hour they remained listening, till, gaining courage from the silence--the Maori guard only speaking from time to time, and then in a low, drowsy voice--Don began to follow Jem's suggestion, feeling post after post, and sometimes passing his arm through. But every one of the stout pales he touched was smooth and unclimbable without some help; and thinking that perhaps he had missed the place, he began to move back in the darkness, straining his ears the while to catch any sound made by his companion. But all was perfectly still, and every pale he touched was smooth and regular, set, too, so close to the next that there was not the slightest chance of even a child creeping through. All at once there was a rustling sound on his left. "Jem has found it," he thought; and he pressed forward toward where he had parted from Jem, passing one hand along the pales, the other extended so as to touch his companion as soon as they were near. The rustling sound again close at hand; but he dare not speak, only creep on in the dense blackness, straining his eyes to see; and his ears to catch his companion's breath. "Ah!" Don uttered a sigh of satisfaction, for it was painful to be alone at such a time, and he had at last touched the strong sturdy arm which was slightly withdrawn, and then the hand gripped him firmly. Don remained motionless, listening for the danger which must be threatening, or else Jem would have spoken; but at last the silence became so irksome that the prisoner raised his left hand to grasp Jem's wrist. But it was not Jem's wrist. It was bigger and stouter; and quick as thought Don ran his hand along the arm to force back the holder of his arm, when to his horror, he found that the limb had been thrust through one of the openings of the fence, and he was a prisoner to some fierce chief who had suspected the design to escape, held in so strong a grip, that had he dared to struggle to free himself, it would not have been possible to drag the fettered arm away. "Jem! Help!"<\|quote\|>was on his lips, but he uttered no cry, only breathlessly listened to a deep panting from the outer side of the _pah_.</\|quote\|>CHAPTER FORTY FOUR. AFTER SUSPENSE. What would happen? A powerful savage had hold of him firmly, had caught him just as he was about to escape; and the next thing would be that he would feel a spear driven through the opening between the pales, and that spear would run him through and through. His first idea was to give warning of the danger, but he dared not call, and Jem was apparently beyond hearing of the rustling and panting noise which could still be heard. Directly after Don determined to wrest his arm away, and dart back into the darkness. But the hand which held him still gripped with a force which made this impossible; and in despair and dread he was about to fling himself down, when Jem came gliding up out of the darkness, and touched his cold, wet face. "I've found the post, Mas' Don!" he whispered. Don caught him with his disengaged hand, and placed Jem's against the arm which held him. For a few moments Jem seemed unable to grasp the situation, for nothing was visible. Then he placed his lips once more close to Don's ear. "Wait a moment till I've opened my knife." "No, no," whispered Don in a horrified tone. "It is too dreadful." "Then let's both try together, and wrench your arm away." A peculiar hissing sound came at that moment from the outside of the _pah_, and Don felt his arm jerked. "My pakeha! My pakeha!" "Why, it's Ngati!" whispered Don joyfully; and he laid his disengaged hand on the massive fist which held him. The grasp relaxed on the instant, and Don's hand was seized, and held firmly. "It's Ngati, Jem," whispered Don, "come to help us." "Good luck to him!" said Jem eagerly; and he felt for the chiefs great hand, to pat it, and grasp it in a friendly way. His grasp was returned, and then they listened as Ngati put his face to the opening, and whispered a few words, the only part of which they could understand being,-- "My pakeha. Come." "Yes; we want to come," whispered Don. "Tomati. Gone," came back, and then the chief said something rapidly in his own tongue. Don sighed, for he could not comprehend a word. "It's no good trying, Mas' Don," whispered Jem; "and if we don't try to get away, we mayn't have a chance to-morrow. Let's--Here it is. Quick! I've got it. You climb up first, get over the top, and hang by your hands, and wait till I come. We must both drop together, and then be off. Oh, if we could only make him understand. What a fool of a language his is." Don could not even then help thinking that Ngati might have said the same, but he did not lose a moment. Loosening his hold of the chiefs hand, he whispered,-- "Pakeha. Come." Then giving himself up to the guidance of Jem, his hands were placed upon a rough post, and he began to climb, Jem helping him, somewhat after the fashion in which he had once assisted him to reach the window. Then, almost noiselessly, he reached the top, climbed over with ease by the aid of the lashings, and getting a tight hold of the strong fibrous bands, he lowered himself down to await Jem's coming. Ngati was more intelligent than Don had expected, for directly after he felt two great warm hands placed under to support his bare feet. These were raised and lowered a little; and, seizing the opportunity, he let himself sink down, till Ngati placed his feet upon two broad shoulders, and then Don felt himself seized by the hips, and lifted to the ground. As this went on Don could feel the post he had climbed vibrating, and though he could not see, he could tell that Jem had mounted to the top. "Where are you?" whispered Jem. "Look out! Ngati will help you." Jem grasped the situation, and the chief caught his feet, lowering him slowly, when all at once something seemed to spring out of the darkness, knocking Don right over, and seizing Ngati. That it was one of the guards there could be no doubt, for the man raised the alarm, and held on to the prisoner he had made, Jem going down awkwardly in turn. He and Don could have fled at once, but they could not leave their New Zealand friend in the lurch; and as the struggle went on, Jem had literally to feel his way to Ngati's help, no easy task in the darkness when two men are struggling. At last he was successful, and got a grip of one of the combatants' throat; but a hoarse, "No, pakeha!" told him of his mistake. He rectified it	hour they remained listening, till, gaining courage from the silence--the Maori guard only speaking from time to time, and then in a low, drowsy voice--Don began to follow Jem's suggestion, feeling post after post, and sometimes passing his arm through. But every one of the stout pales he touched was smooth and unclimbable without some help; and thinking that perhaps he had missed the place, he began to move back in the darkness, straining his ears the while to catch any sound made by his companion. But all was perfectly still, and every pale he touched was smooth and regular, set, too, so close to the next that there was not the slightest chance of even a child creeping through. All at once there was a rustling sound on his left. "Jem has found it," he thought; and he pressed forward toward where he had parted from Jem, passing one hand along the pales, the other extended so as to touch his companion as soon as they were near. The rustling sound again close at hand; but he dare not speak, only creep on in the dense blackness, straining his eyes to see; and his ears to catch his companion's breath. "Ah!" Don uttered a sigh of satisfaction, for it was painful to be alone at such a time, and he had at last touched the strong sturdy arm which was slightly withdrawn, and then the hand gripped him firmly. Don remained motionless, listening for the danger which must be threatening, or else Jem would have spoken; but at last the silence became so irksome that the prisoner raised his left hand to grasp Jem's wrist. But it was not Jem's wrist. It was bigger and stouter; and quick as thought Don ran his hand along the arm to force back the holder of his arm, when to his horror, he found that the limb had been thrust through one of the openings of the fence, and he was a prisoner to some fierce chief who had suspected the design to escape, held in so strong a grip, that had he dared to struggle to free himself, it would not have been possible to drag the fettered arm away. "Jem! Help!"<\|quote\|>was on his lips, but he uttered no cry, only breathlessly listened to a deep panting from the outer side of the _pah_.</\|quote\|>CHAPTER FORTY FOUR. AFTER SUSPENSE. What would happen? A powerful savage had hold of him firmly, had caught him just as he was about to escape; and the next thing would be that he would feel a spear driven through the opening between the pales, and that spear would run him through and through. His first idea was to give warning of the danger, but he dared not call, and Jem was apparently beyond hearing of the rustling and panting noise which could still be heard. Directly after Don determined to wrest his arm away, and dart back into the darkness. But the hand which held him still gripped with a force which made this impossible; and in despair and dread he was about to fling himself down, when Jem came gliding up out of the darkness, and touched his cold, wet face. "I've found the post, Mas' Don!" he whispered. Don caught him with his disengaged hand, and placed Jem's against the arm which held him. For a few moments Jem seemed unable to grasp the situation, for nothing was visible. Then he placed his lips once more close to Don's ear. "Wait a moment till I've opened my knife." "No, no," whispered Don in a horrified tone. "It is too dreadful." "Then let's both try together, and wrench your arm away." A peculiar hissing sound came at that moment from the outside of the _pah_, and Don felt his arm jerked. "My pakeha! My pakeha!" "Why, it's Ngati!" whispered Don joyfully; and he laid his disengaged hand on the massive fist which held him. The grasp relaxed on the instant, and Don's hand was seized, and held firmly. "It's Ngati, Jem," whispered Don, "come to help us." "Good luck to him!" said Jem eagerly; and he felt for the chiefs great hand, to pat it, and grasp it in a friendly way. His grasp was returned, and then they listened as Ngati put his face to the opening, and whispered a few words, the only part of which they could understand being,-- "My pakeha. Come." "Yes; we want to come," whispered Don. "Tomati. Gone," came back, and then the chief said something rapidly in his own tongue. Don sighed, for he could not comprehend a word. "It's no good trying, Mas' Don," whispered Jem; "and if we don't try to get away, we mayn't have a chance to-morrow. Let's--Here it is. Quick! I've got it. You	Don Lavington
"Because you have taken upon yourself to act as guide to this, to this how shall I express it? to this old lady, cette pauvre terrible vieille. But she will only gamble away all that she has gamble it away like thistledown. You yourself have seen her play. Once she has acquired the taste for gambling, she will never leave the roulette-table, but, of sheer perversity and temper, will stake her all, and lose it. In cases such as hers a gambler can never be torn away from the game; and then and then"	Marqis De Griers	because" "Why? Why?" I interjected.<\|quote\|>"Because you have taken upon yourself to act as guide to this, to this how shall I express it? to this old lady, cette pauvre terrible vieille. But she will only gamble away all that she has gamble it away like thistledown. You yourself have seen her play. Once she has acquired the taste for gambling, she will never leave the roulette-table, but, of sheer perversity and temper, will stake her all, and lose it. In cases such as hers a gambler can never be torn away from the game; and then and then"</\|quote\|>"And then," asseverated the General,	him. I use the expression because" "Why? Why?" I interjected.<\|quote\|>"Because you have taken upon yourself to act as guide to this, to this how shall I express it? to this old lady, cette pauvre terrible vieille. But she will only gamble away all that she has gamble it away like thistledown. You yourself have seen her play. Once she has acquired the taste for gambling, she will never leave the roulette-table, but, of sheer perversity and temper, will stake her all, and lose it. In cases such as hers a gambler can never be torn away from the game; and then and then"</\|quote\|>"And then," asseverated the General, "you will have ruined my	impatience and contempt (evidently he was the ruling spirit of the conclave). "Mon cher monsieur, notre g n ral se trompe. What he means to say is that he warns you he begs of you most earnestly not to ruin him. I use the expression because" "Why? Why?" I interjected.<\|quote\|>"Because you have taken upon yourself to act as guide to this, to this how shall I express it? to this old lady, cette pauvre terrible vieille. But she will only gamble away all that she has gamble it away like thistledown. You yourself have seen her play. Once she has acquired the taste for gambling, she will never leave the roulette-table, but, of sheer perversity and temper, will stake her all, and lose it. In cases such as hers a gambler can never be torn away from the game; and then and then"</\|quote\|>"And then," asseverated the General, "you will have ruined my whole family. I and my family are her heirs, for she has no nearer relatives than ourselves. I tell you frankly that my affairs are in great very great disorder; how much they are so you yourself are partially aware.	began the General in a tone of affectionate upbraiding, "may I say to you that I find it strange, exceedingly strange, that In short, your conduct towards myself and my family In a word, your er extremely" "Eh! Ce n est pas a," interrupted De Griers in a tone of impatience and contempt (evidently he was the ruling spirit of the conclave). "Mon cher monsieur, notre g n ral se trompe. What he means to say is that he warns you he begs of you most earnestly not to ruin him. I use the expression because" "Why? Why?" I interjected.<\|quote\|>"Because you have taken upon yourself to act as guide to this, to this how shall I express it? to this old lady, cette pauvre terrible vieille. But she will only gamble away all that she has gamble it away like thistledown. You yourself have seen her play. Once she has acquired the taste for gambling, she will never leave the roulette-table, but, of sheer perversity and temper, will stake her all, and lose it. In cases such as hers a gambler can never be torn away from the game; and then and then"</\|quote\|>"And then," asseverated the General, "you will have ruined my whole family. I and my family are her heirs, for she has no nearer relatives than ourselves. I tell you frankly that my affairs are in great very great disorder; how much they are so you yourself are partially aware. If she should lose a large sum, or, maybe, her whole fortune, what will become of us of my children" (here the General exchanged a glance with De Griers) "or of me?" (here he looked at Mlle. Blanche, who turned her head contemptuously away). "Alexis Ivanovitch, I beg of you	better face upon matters. De Griers smoothed his hair, and twisted his angry face into a smile into the mean, studiedly polite French smile which I so detested; while the downcast, perplexed General assumed an air of dignity though only in a mechanical way. On the other hand, Mlle. Blanche did not trouble to conceal the wrath that was sparkling in her countenance, but bent her gaze upon me with an air of impatient expectancy. I may remark that hitherto she had treated me with absolute superciliousness, and, so far from answering my salutations, had always ignored them. "Alexis Ivanovitch," began the General in a tone of affectionate upbraiding, "may I say to you that I find it strange, exceedingly strange, that In short, your conduct towards myself and my family In a word, your er extremely" "Eh! Ce n est pas a," interrupted De Griers in a tone of impatience and contempt (evidently he was the ruling spirit of the conclave). "Mon cher monsieur, notre g n ral se trompe. What he means to say is that he warns you he begs of you most earnestly not to ruin him. I use the expression because" "Why? Why?" I interjected.<\|quote\|>"Because you have taken upon yourself to act as guide to this, to this how shall I express it? to this old lady, cette pauvre terrible vieille. But she will only gamble away all that she has gamble it away like thistledown. You yourself have seen her play. Once she has acquired the taste for gambling, she will never leave the roulette-table, but, of sheer perversity and temper, will stake her all, and lose it. In cases such as hers a gambler can never be torn away from the game; and then and then"</\|quote\|>"And then," asseverated the General, "you will have ruined my whole family. I and my family are her heirs, for she has no nearer relatives than ourselves. I tell you frankly that my affairs are in great very great disorder; how much they are so you yourself are partially aware. If she should lose a large sum, or, maybe, her whole fortune, what will become of us of my children" (here the General exchanged a glance with De Griers) "or of me?" (here he looked at Mlle. Blanche, who turned her head contemptuously away). "Alexis Ivanovitch, I beg of you to save us." "Tell me, General, how am I to do so? On what footing do I stand here?" "Refuse to take her about. Simply leave her alone." "But she would soon find some one else to take my place?" "Ce n est pas a, ce n est pas a," again interrupted De Griers. "Que diable! Do not leave her alone so much as advise her, persuade her, draw her away. In any case do not let her gamble; find her some counter-attraction." "And how am I to do that? If only you would undertake the task, Monsieur de Griers!"	the matter must be cleared up, for it was becoming unpleasantly complex. I had scarcely set foot in the hotel when the commissionaire and the landlord (the latter issuing from his room for the purpose) alike informed me that I was being searched for high and low that three separate messages to ascertain my whereabouts had come down from the General. When I entered his study I was feeling anything but kindly disposed. I found there the General himself, De Griers, and Mlle. Blanche, but not Mlle. s mother, who was a person whom her reputed daughter used only for show purposes, since in all matters of business the daughter fended for herself, and it is unlikely that the mother knew anything about them. Some very heated discussion was in progress, and meanwhile the door of the study was open an unprecedented circumstance. As I approached the portals I could hear loud voices raised, for mingled with the pert, venomous accents of De Griers were Mlle. Blanche s excited, impudently abusive tongue and the General s plaintive wail as, apparently, he sought to justify himself in something. But on my appearance every one stopped speaking, and tried to put a better face upon matters. De Griers smoothed his hair, and twisted his angry face into a smile into the mean, studiedly polite French smile which I so detested; while the downcast, perplexed General assumed an air of dignity though only in a mechanical way. On the other hand, Mlle. Blanche did not trouble to conceal the wrath that was sparkling in her countenance, but bent her gaze upon me with an air of impatient expectancy. I may remark that hitherto she had treated me with absolute superciliousness, and, so far from answering my salutations, had always ignored them. "Alexis Ivanovitch," began the General in a tone of affectionate upbraiding, "may I say to you that I find it strange, exceedingly strange, that In short, your conduct towards myself and my family In a word, your er extremely" "Eh! Ce n est pas a," interrupted De Griers in a tone of impatience and contempt (evidently he was the ruling spirit of the conclave). "Mon cher monsieur, notre g n ral se trompe. What he means to say is that he warns you he begs of you most earnestly not to ruin him. I use the expression because" "Why? Why?" I interjected.<\|quote\|>"Because you have taken upon yourself to act as guide to this, to this how shall I express it? to this old lady, cette pauvre terrible vieille. But she will only gamble away all that she has gamble it away like thistledown. You yourself have seen her play. Once she has acquired the taste for gambling, she will never leave the roulette-table, but, of sheer perversity and temper, will stake her all, and lose it. In cases such as hers a gambler can never be torn away from the game; and then and then"</\|quote\|>"And then," asseverated the General, "you will have ruined my whole family. I and my family are her heirs, for she has no nearer relatives than ourselves. I tell you frankly that my affairs are in great very great disorder; how much they are so you yourself are partially aware. If she should lose a large sum, or, maybe, her whole fortune, what will become of us of my children" (here the General exchanged a glance with De Griers) "or of me?" (here he looked at Mlle. Blanche, who turned her head contemptuously away). "Alexis Ivanovitch, I beg of you to save us." "Tell me, General, how am I to do so? On what footing do I stand here?" "Refuse to take her about. Simply leave her alone." "But she would soon find some one else to take my place?" "Ce n est pas a, ce n est pas a," again interrupted De Griers. "Que diable! Do not leave her alone so much as advise her, persuade her, draw her away. In any case do not let her gamble; find her some counter-attraction." "And how am I to do that? If only you would undertake the task, Monsieur de Griers!" I said this last as innocently as possible, but at once saw a rapid glance of excited interrogation pass from Mlle. Blanche to De Griers, while in the face of the latter also there gleamed something which he could not repress. "Well, at the present moment she would refuse to accept my services," said he with a gesture. "But if, later" Here he gave Mlle. Blanche another glance which was full of meaning; whereupon she advanced towards me with a bewitching smile, and seized and pressed my hands. Devil take it, but how that devilish visage of hers could change! At the present moment it was a visage full of supplication, and as gentle in its expression as that of a smiling, roguish infant. Stealthily, she drew me apart from the rest as though the more completely to separate me from them; and, though no harm came of her doing so for it was merely a stupid manoeuvre, and no more I found the situation very unpleasant. The General hastened to lend her his support. "Alexis Ivanovitch," he began, "pray pardon me for having said what I did just now for having said more than I meant to do. I	so was an unthinkable absurdity why, then there was nothing else for me to want. Even now I do not know what I am wanting. I feel like a man who has lost his way. I yearn but to be in her presence, and within the circle of her light and splendour to be there now, and forever, and for the whole of my life. More I do not know. How can I ever bring myself to leave her? On reaching the third storey of the hotel I experienced a shock. I was just passing the General s suite when something caused me to look round. Out of a door about twenty paces away there was coming Polina! She hesitated for a moment on seeing me, and then beckoned me to her. "Polina Alexandrovna!" "Hush! Not so loud." "Something startled me just now," I whispered, "and I looked round, and saw you. Some electrical influence seems to emanate from your form." "Take this letter," she went on with a frown (probably she had not even heard my words, she was so preoccupied), "and hand it personally to Mr. Astley. Go as quickly as ever you can, please. No answer will be required. He himself" She did not finish her sentence. "To Mr. Astley?" I asked, in some astonishment. But she had vanished again. Aha! So the two were carrying on a correspondence! However, I set off to search for Astley first at his hotel, and then at the Casino, where I went the round of the salons in vain. At length, vexed, and almost in despair, I was on my way home when I ran across him among a troop of English ladies and gentlemen who had been out for a ride. Beckoning to him to stop, I handed him the letter. We had barely time even to look at one another, but I suspected that it was of set purpose that he restarted his horse so quickly. Was jealousy, then, gnawing at me? At all events, I felt exceedingly depressed, despite the fact that I had no desire to ascertain what the correspondence was about. To think that _he_ should be her confidant! "My friend, mine own familiar friend!" passed through my mind. Yet _was_ there any love in the matter? "Of course not," reason whispered to me. But reason goes for little on such occasions. I felt that the matter must be cleared up, for it was becoming unpleasantly complex. I had scarcely set foot in the hotel when the commissionaire and the landlord (the latter issuing from his room for the purpose) alike informed me that I was being searched for high and low that three separate messages to ascertain my whereabouts had come down from the General. When I entered his study I was feeling anything but kindly disposed. I found there the General himself, De Griers, and Mlle. Blanche, but not Mlle. s mother, who was a person whom her reputed daughter used only for show purposes, since in all matters of business the daughter fended for herself, and it is unlikely that the mother knew anything about them. Some very heated discussion was in progress, and meanwhile the door of the study was open an unprecedented circumstance. As I approached the portals I could hear loud voices raised, for mingled with the pert, venomous accents of De Griers were Mlle. Blanche s excited, impudently abusive tongue and the General s plaintive wail as, apparently, he sought to justify himself in something. But on my appearance every one stopped speaking, and tried to put a better face upon matters. De Griers smoothed his hair, and twisted his angry face into a smile into the mean, studiedly polite French smile which I so detested; while the downcast, perplexed General assumed an air of dignity though only in a mechanical way. On the other hand, Mlle. Blanche did not trouble to conceal the wrath that was sparkling in her countenance, but bent her gaze upon me with an air of impatient expectancy. I may remark that hitherto she had treated me with absolute superciliousness, and, so far from answering my salutations, had always ignored them. "Alexis Ivanovitch," began the General in a tone of affectionate upbraiding, "may I say to you that I find it strange, exceedingly strange, that In short, your conduct towards myself and my family In a word, your er extremely" "Eh! Ce n est pas a," interrupted De Griers in a tone of impatience and contempt (evidently he was the ruling spirit of the conclave). "Mon cher monsieur, notre g n ral se trompe. What he means to say is that he warns you he begs of you most earnestly not to ruin him. I use the expression because" "Why? Why?" I interjected.<\|quote\|>"Because you have taken upon yourself to act as guide to this, to this how shall I express it? to this old lady, cette pauvre terrible vieille. But she will only gamble away all that she has gamble it away like thistledown. You yourself have seen her play. Once she has acquired the taste for gambling, she will never leave the roulette-table, but, of sheer perversity and temper, will stake her all, and lose it. In cases such as hers a gambler can never be torn away from the game; and then and then"</\|quote\|>"And then," asseverated the General, "you will have ruined my whole family. I and my family are her heirs, for she has no nearer relatives than ourselves. I tell you frankly that my affairs are in great very great disorder; how much they are so you yourself are partially aware. If she should lose a large sum, or, maybe, her whole fortune, what will become of us of my children" (here the General exchanged a glance with De Griers) "or of me?" (here he looked at Mlle. Blanche, who turned her head contemptuously away). "Alexis Ivanovitch, I beg of you to save us." "Tell me, General, how am I to do so? On what footing do I stand here?" "Refuse to take her about. Simply leave her alone." "But she would soon find some one else to take my place?" "Ce n est pas a, ce n est pas a," again interrupted De Griers. "Que diable! Do not leave her alone so much as advise her, persuade her, draw her away. In any case do not let her gamble; find her some counter-attraction." "And how am I to do that? If only you would undertake the task, Monsieur de Griers!" I said this last as innocently as possible, but at once saw a rapid glance of excited interrogation pass from Mlle. Blanche to De Griers, while in the face of the latter also there gleamed something which he could not repress. "Well, at the present moment she would refuse to accept my services," said he with a gesture. "But if, later" Here he gave Mlle. Blanche another glance which was full of meaning; whereupon she advanced towards me with a bewitching smile, and seized and pressed my hands. Devil take it, but how that devilish visage of hers could change! At the present moment it was a visage full of supplication, and as gentle in its expression as that of a smiling, roguish infant. Stealthily, she drew me apart from the rest as though the more completely to separate me from them; and, though no harm came of her doing so for it was merely a stupid manoeuvre, and no more I found the situation very unpleasant. The General hastened to lend her his support. "Alexis Ivanovitch," he began, "pray pardon me for having said what I did just now for having said more than I meant to do. I beg and beseech you, I kiss the hem of your garment, as our Russian saying has it, for you, and only you, can save us. I and Mlle. de Cominges, we all of us beg of you But you understand, do you not? Surely you understand?" and with his eyes he indicated Mlle. Blanche. Truly he was cutting a pitiful figure! At this moment three low, respectful knocks sounded at the door; which, on being opened, revealed a chambermaid, with Potapitch behind her come from the Grandmother to request that I should attend her in her rooms. "She is in a bad humour," added Potapitch. The time was half-past three. "My mistress was unable to sleep," explained Potapitch; "so, after tossing about for a while, she suddenly rose, called for her chair, and sent me to look for you. She is now in the verandah." "Quelle m g re!" exclaimed De Griers. True enough, I found Madame in the hotel verandah much put about at my delay, for she had been unable to contain herself until four o clock. "Lift me up," she cried to the bearers, and once more we set out for the roulette-salons. XII The Grandmother was in an impatient, irritable frame of mind. Without doubt the roulette had turned her head, for she appeared to be indifferent to everything else, and, in general, seemed much distraught. For instance, she asked me no questions about objects _en route_, except that, when a sumptuous barouche passed us and raised a cloud of dust, she lifted her hand for a moment, and inquired, "What was that?" Yet even then she did not appear to hear my reply, although at times her abstraction was interrupted by sallies and fits of sharp, impatient fidgeting. Again, when I pointed out to her the Baron and Baroness Burmergelm walking to the Casino, she merely looked at them in an absent-minded sort of way, and said with complete indifference, "Ah!" Then, turning sharply to Potapitch and Martha, who were walking behind us, she rapped out: "Why have _you_ attached yourselves to the party? We are not going to take you with us every time. Go home at once." Then, when the servants had pulled hasty bows and departed, she added to me: "You are all the escort I need." At the Casino the Grandmother seemed to be expected, for no time was lost in	appearance every one stopped speaking, and tried to put a better face upon matters. De Griers smoothed his hair, and twisted his angry face into a smile into the mean, studiedly polite French smile which I so detested; while the downcast, perplexed General assumed an air of dignity though only in a mechanical way. On the other hand, Mlle. Blanche did not trouble to conceal the wrath that was sparkling in her countenance, but bent her gaze upon me with an air of impatient expectancy. I may remark that hitherto she had treated me with absolute superciliousness, and, so far from answering my salutations, had always ignored them. "Alexis Ivanovitch," began the General in a tone of affectionate upbraiding, "may I say to you that I find it strange, exceedingly strange, that In short, your conduct towards myself and my family In a word, your er extremely" "Eh! Ce n est pas a," interrupted De Griers in a tone of impatience and contempt (evidently he was the ruling spirit of the conclave). "Mon cher monsieur, notre g n ral se trompe. What he means to say is that he warns you he begs of you most earnestly not to ruin him. I use the expression because" "Why? Why?" I interjected.<\|quote\|>"Because you have taken upon yourself to act as guide to this, to this how shall I express it? to this old lady, cette pauvre terrible vieille. But she will only gamble away all that she has gamble it away like thistledown. You yourself have seen her play. Once she has acquired the taste for gambling, she will never leave the roulette-table, but, of sheer perversity and temper, will stake her all, and lose it. In cases such as hers a gambler can never be torn away from the game; and then and then"</\|quote\|>"And then," asseverated the General, "you will have ruined my whole family. I and my family are her heirs, for she has no nearer relatives than ourselves. I tell you frankly that my affairs are in great very great disorder; how much they are so you yourself are partially aware. If she should lose a large sum, or, maybe, her whole fortune, what will become of us of my children" (here the General exchanged a glance with De Griers) "or of me?" (here he looked at Mlle. Blanche, who turned her head contemptuously away). "Alexis Ivanovitch, I beg of you to save us." "Tell me, General, how am I to do so? On what footing do I stand here?" "Refuse to take her about. Simply leave her alone." "But she would soon find some one else to take my place?" "Ce n est pas a, ce n est pas a," again interrupted De Griers. "Que diable! Do not leave her alone so much as advise her, persuade her, draw her away. In any case do not let her gamble; find her some counter-attraction." "And how am I to do that? If only you would undertake the task, Monsieur de Griers!" I said this last as innocently as possible, but at once saw a rapid glance of excited interrogation pass from Mlle. Blanche to De Griers, while in the face of the latter also there gleamed something which he could not repress. "Well, at the present moment she would refuse to accept my services," said he with a gesture. "But if, later" Here he gave Mlle. Blanche another glance which was full of meaning; whereupon she advanced towards me with a bewitching smile, and seized and pressed my hands. Devil take it, but how that devilish visage of hers could change! At	The Gambler
"Good. Let's go after lunch."	Bill Gorton	train up from there to-night."<\|quote\|>"Good. Let's go after lunch."</\|quote\|>"All right. I'll get the	Bayonne. You can get the train up from there to-night."<\|quote\|>"Good. Let's go after lunch."</\|quote\|>"All right. I'll get the car." We had lunch and	I can stay away another week. I think I'll go to San Sebastian." "I want to get back." "What's Mike going to do?" "He's going to Saint Jean de Luz." "Let's get a car and all go as far as Bayonne. You can get the train up from there to-night."<\|quote\|>"Good. Let's go after lunch."</\|quote\|>"All right. I'll get the car." We had lunch and paid the bill. Montoya did not come near us. One of the maids brought the bill. The car was outside. The chauffeur piled and strapped the bags on top of the car and put them in beside him in the	came over. I watched him come walking across the square. He sat down at the table and ordered a coffee. "Well," he said, "it's all over." "Yes," I said. "When do you go?" "I don't know. We better get a car, I think. Aren't you going back to Paris?" "No. I can stay away another week. I think I'll go to San Sebastian." "I want to get back." "What's Mike going to do?" "He's going to Saint Jean de Luz." "Let's get a car and all go as far as Bayonne. You can get the train up from there to-night."<\|quote\|>"Good. Let's go after lunch."</\|quote\|>"All right. I'll get the car." We had lunch and paid the bill. Montoya did not come near us. One of the maids brought the bill. The car was outside. The chauffeur piled and strapped the bags on top of the car and put them in beside him in the front seat and we got in. The car went out of the square, along through the side streets, out under the trees and down the hill and away from Pamplona. It did not seem like a very long ride. Mike had a bottle of Fundador. I only took a couple	hose. I sat in one of the wicker chairs and leaned back comfortably. The waiter was in no hurry to come. The white-paper announcements of the unloading of the bulls and the big schedules of special trains were still up on the pillars of the arcade. A waiter wearing a blue apron came out with a bucket of water and a cloth, and commenced to tear down the notices, pulling the paper off in strips and washing and rubbing away the paper that stuck to the stone. The fiesta was over. I drank a coffee and after a while Bill came over. I watched him come walking across the square. He sat down at the table and ordered a coffee. "Well," he said, "it's all over." "Yes," I said. "When do you go?" "I don't know. We better get a car, I think. Aren't you going back to Paris?" "No. I can stay away another week. I think I'll go to San Sebastian." "I want to get back." "What's Mike going to do?" "He's going to Saint Jean de Luz." "Let's get a car and all go as far as Bayonne. You can get the train up from there to-night."<\|quote\|>"Good. Let's go after lunch."</\|quote\|>"All right. I'll get the car." We had lunch and paid the bill. Montoya did not come near us. One of the maids brought the bill. The car was outside. The chauffeur piled and strapped the bags on top of the car and put them in beside him in the front seat and we got in. The car went out of the square, along through the side streets, out under the trees and down the hill and away from Pamplona. It did not seem like a very long ride. Mike had a bottle of Fundador. I only took a couple of drinks. We came over the mountains and out of Spain and down the white roads and through the overfoliaged, wet, green, Basque country, and finally into Bayonne. We left Bill's baggage at the station, and he bought a ticket to Paris. His train left at seven-ten. We came out of the station. The car was standing out in front. "What shall we do about the car?" Bill asked. "Oh, bother the car," Mike said. "Let's just keep the car with us." "All right," Bill said. "Where shall we go?" "Let's go to Biarritz and have a drink." "Old Mike	Mike said. They went out. I got up and went to the balcony and looked out at the dancing in the square. The world was not wheeling any more. It was just very clear and bright, and inclined to blur at the edges. I washed, brushed my hair. I looked strange to myself in the glass, and went down-stairs to the dining-room. "Here he is!" said Bill. "Good old Jake! I knew you wouldn't pass out." "Hello, you old drunk," Mike said. "I got hungry and woke up." "Eat some soup," Bill said. The three of us sat at the table, and it seemed as though about six people were missing. BOOK III CHAPTER 19 In the morning it was all over. The fiesta was finished. I woke about nine o'clock, had a bath, dressed, and went down-stairs. The square was empty and there were no people on the streets. A few children were picking up rocket-sticks in the square. The caf s were just opening and the waiters were carrying out the comfortable white wicker chairs and arranging them around the marble-topped tables in the shade of the arcade. They were sweeping the streets and sprinkling them with a hose. I sat in one of the wicker chairs and leaned back comfortably. The waiter was in no hurry to come. The white-paper announcements of the unloading of the bulls and the big schedules of special trains were still up on the pillars of the arcade. A waiter wearing a blue apron came out with a bucket of water and a cloth, and commenced to tear down the notices, pulling the paper off in strips and washing and rubbing away the paper that stuck to the stone. The fiesta was over. I drank a coffee and after a while Bill came over. I watched him come walking across the square. He sat down at the table and ordered a coffee. "Well," he said, "it's all over." "Yes," I said. "When do you go?" "I don't know. We better get a car, I think. Aren't you going back to Paris?" "No. I can stay away another week. I think I'll go to San Sebastian." "I want to get back." "What's Mike going to do?" "He's going to Saint Jean de Luz." "Let's get a car and all go as far as Bayonne. You can get the train up from there to-night."<\|quote\|>"Good. Let's go after lunch."</\|quote\|>"All right. I'll get the car." We had lunch and paid the bill. Montoya did not come near us. One of the maids brought the bill. The car was outside. The chauffeur piled and strapped the bags on top of the car and put them in beside him in the front seat and we got in. The car went out of the square, along through the side streets, out under the trees and down the hill and away from Pamplona. It did not seem like a very long ride. Mike had a bottle of Fundador. I only took a couple of drinks. We came over the mountains and out of Spain and down the white roads and through the overfoliaged, wet, green, Basque country, and finally into Bayonne. We left Bill's baggage at the station, and he bought a ticket to Paris. His train left at seven-ten. We came out of the station. The car was standing out in front. "What shall we do about the car?" Bill asked. "Oh, bother the car," Mike said. "Let's just keep the car with us." "All right," Bill said. "Where shall we go?" "Let's go to Biarritz and have a drink." "Old Mike the spender," Bill said. We drove in to Biarritz and left the car outside a very Ritz place. We went into the bar and sat on high stools and drank a whiskey and soda. "That drink's mine," Mike said. "Let's roll for it." So we rolled poker dice out of a deep leather dice-cup. Bill was out first roll. Mike lost to me and handed the bartender a hundred-franc note. The whiskeys were twelve francs apiece. We had another round and Mike lost again. Each time he gave the bartender a good tip. In a room off the bar there was a good jazz band playing. It was a pleasant bar. We had another round. I went out on the first roll with four kings. Bill and Mike rolled. Mike won the first roll with four jacks. Bill won the second. On the final roll Mike had three kings and let them stay. He handed the dice-cup to Bill. Bill rattled them and rolled, and there were three kings, an ace, and a queen. "It's yours, Mike," Bill said. "Old Mike, the gambler." "I'm so sorry," Mike said. "I can't get it." "What's the matter?" "I've no money," Mike said.	like hell," I said. "Drink that," said Bill. "Drink it slow." It was beginning to get dark. The fiesta was going on. I began to feel drunk but I did not feel any better. "How do you feel?" "I feel like hell." "Have another?" "It won't do any good." "Try it. You can't tell; maybe this is the one that gets it. Hey, waiter! Another absinthe for this se or!" I poured the water directly into it and stirred it instead of letting it drip. Bill put in a lump of ice. I stirred the ice around with a spoon in the brownish, cloudy mixture. "How is it?" "Fine." "Don't drink it fast that way. It will make you sick." I set down the glass. I had not meant to drink it fast. "I feel tight." "You ought to." "That's what you wanted, wasn't it?" "Sure. Get tight. Get over your damn depression." "Well, I'm tight. Is that what you want?" "Sit down." "I won't sit down," I said. "I'm going over to the hotel." I was very drunk. I was drunker than I ever remembered having been. At the hotel I went up-stairs. Brett's door was open. I put my head in the room. Mike was sitting on the bed. He waved a bottle. "Jake," he said. "Come in, Jake." I went in and sat down. The room was unstable unless I looked at some fixed point. "Brett, you know. She's gone off with the bull-fighter chap." "No." "Yes. She looked for you to say good-bye. They went on the seven o'clock train." "Did they?" "Bad thing to do," Mike said. "She shouldn't have done it." "No." "Have a drink? Wait while I ring for some beer." "I'm drunk," I said. "I'm going in and lie down." "Are you blind? I was blind myself." "Yes," I said, "I'm blind." "Well, bung-o," Mike said. "Get some sleep, old Jake." I went out the door and into my own room and lay on the bed. The bed went sailing off and I sat up in bed and looked at the wall to make it stop. Outside in the square the fiesta was going on. It did not mean anything. Later Bill and Mike came in to get me to go down and eat with them. I pretended to be asleep. "He's asleep. Better let him alone." "He's blind as a tick," Mike said. They went out. I got up and went to the balcony and looked out at the dancing in the square. The world was not wheeling any more. It was just very clear and bright, and inclined to blur at the edges. I washed, brushed my hair. I looked strange to myself in the glass, and went down-stairs to the dining-room. "Here he is!" said Bill. "Good old Jake! I knew you wouldn't pass out." "Hello, you old drunk," Mike said. "I got hungry and woke up." "Eat some soup," Bill said. The three of us sat at the table, and it seemed as though about six people were missing. BOOK III CHAPTER 19 In the morning it was all over. The fiesta was finished. I woke about nine o'clock, had a bath, dressed, and went down-stairs. The square was empty and there were no people on the streets. A few children were picking up rocket-sticks in the square. The caf s were just opening and the waiters were carrying out the comfortable white wicker chairs and arranging them around the marble-topped tables in the shade of the arcade. They were sweeping the streets and sprinkling them with a hose. I sat in one of the wicker chairs and leaned back comfortably. The waiter was in no hurry to come. The white-paper announcements of the unloading of the bulls and the big schedules of special trains were still up on the pillars of the arcade. A waiter wearing a blue apron came out with a bucket of water and a cloth, and commenced to tear down the notices, pulling the paper off in strips and washing and rubbing away the paper that stuck to the stone. The fiesta was over. I drank a coffee and after a while Bill came over. I watched him come walking across the square. He sat down at the table and ordered a coffee. "Well," he said, "it's all over." "Yes," I said. "When do you go?" "I don't know. We better get a car, I think. Aren't you going back to Paris?" "No. I can stay away another week. I think I'll go to San Sebastian." "I want to get back." "What's Mike going to do?" "He's going to Saint Jean de Luz." "Let's get a car and all go as far as Bayonne. You can get the train up from there to-night."<\|quote\|>"Good. Let's go after lunch."</\|quote\|>"All right. I'll get the car." We had lunch and paid the bill. Montoya did not come near us. One of the maids brought the bill. The car was outside. The chauffeur piled and strapped the bags on top of the car and put them in beside him in the front seat and we got in. The car went out of the square, along through the side streets, out under the trees and down the hill and away from Pamplona. It did not seem like a very long ride. Mike had a bottle of Fundador. I only took a couple of drinks. We came over the mountains and out of Spain and down the white roads and through the overfoliaged, wet, green, Basque country, and finally into Bayonne. We left Bill's baggage at the station, and he bought a ticket to Paris. His train left at seven-ten. We came out of the station. The car was standing out in front. "What shall we do about the car?" Bill asked. "Oh, bother the car," Mike said. "Let's just keep the car with us." "All right," Bill said. "Where shall we go?" "Let's go to Biarritz and have a drink." "Old Mike the spender," Bill said. We drove in to Biarritz and left the car outside a very Ritz place. We went into the bar and sat on high stools and drank a whiskey and soda. "That drink's mine," Mike said. "Let's roll for it." So we rolled poker dice out of a deep leather dice-cup. Bill was out first roll. Mike lost to me and handed the bartender a hundred-franc note. The whiskeys were twelve francs apiece. We had another round and Mike lost again. Each time he gave the bartender a good tip. In a room off the bar there was a good jazz band playing. It was a pleasant bar. We had another round. I went out on the first roll with four kings. Bill and Mike rolled. Mike won the first roll with four jacks. Bill won the second. On the final roll Mike had three kings and let them stay. He handed the dice-cup to Bill. Bill rattled them and rolled, and there were three kings, an ace, and a queen. "It's yours, Mike," Bill said. "Old Mike, the gambler." "I'm so sorry," Mike said. "I can't get it." "What's the matter?" "I've no money," Mike said. "I'm stony. I've just twenty francs. Here, take twenty francs." Bill's face sort of changed. "I just had enough to pay Montoya. Damned lucky to have it, too." "I'll cash you a check," Bill said. "That's damned nice of you, but you see I can't write checks." "What are you going to do for money?" "Oh, some will come through. I've two weeks allowance should be here. I can live on tick at this pub in Saint Jean." "What do you want to do about the car?" Bill asked me. "Do you want to keep it on?" "It doesn't make any difference. Seems sort of idiotic." "Come on, let's have another drink," Mike said. "Fine. This one is on me," Bill said. "Has Brett any money?" He turned to Mike. "I shouldn't think so. She put up most of what I gave to old Montoya." "She hasn't any money with her?" I asked. "I shouldn't think so. She never has any money. She gets five hundred quid a year and pays three hundred and fifty of it in interest to Jews." "I suppose they get it at the source," said Bill. "Quite. They're not really Jews. We just call them Jews. They're Scotsmen, I believe." "Hasn't she any at all with her?" I asked. "I hardly think so. She gave it all to me when she left." "Well," Bill said, "we might as well have another drink." "Damned good idea," Mike said. "One never gets anywhere by discussing finances." "No," said Bill. Bill and I rolled for the next two rounds. Bill lost and paid. We went out to the car. "Anywhere you'd like to go, Mike?" Bill asked. "Let's take a drive. It might do my credit good. Let's drive about a little." "Fine. I'd like to see the coast. Let's drive down toward Hendaye." "I haven't any credit along the coast." "You can't ever tell," said Bill. We drove out along the coast road. There was the green of the headlands, the white, red-roofed villas, patches of forest, and the ocean very blue with the tide out and the water curling far out along the beach. We drove through Saint Jean de Luz and passed through villages farther down the coast. Back of the rolling country we were going through we saw the mountains we had come over from Pamplona. The road went on ahead. Bill looked at	and woke up." "Eat some soup," Bill said. The three of us sat at the table, and it seemed as though about six people were missing. BOOK III CHAPTER 19 In the morning it was all over. The fiesta was finished. I woke about nine o'clock, had a bath, dressed, and went down-stairs. The square was empty and there were no people on the streets. A few children were picking up rocket-sticks in the square. The caf s were just opening and the waiters were carrying out the comfortable white wicker chairs and arranging them around the marble-topped tables in the shade of the arcade. They were sweeping the streets and sprinkling them with a hose. I sat in one of the wicker chairs and leaned back comfortably. The waiter was in no hurry to come. The white-paper announcements of the unloading of the bulls and the big schedules of special trains were still up on the pillars of the arcade. A waiter wearing a blue apron came out with a bucket of water and a cloth, and commenced to tear down the notices, pulling the paper off in strips and washing and rubbing away the paper that stuck to the stone. The fiesta was over. I drank a coffee and after a while Bill came over. I watched him come walking across the square. He sat down at the table and ordered a coffee. "Well," he said, "it's all over." "Yes," I said. "When do you go?" "I don't know. We better get a car, I think. Aren't you going back to Paris?" "No. I can stay away another week. I think I'll go to San Sebastian." "I want to get back." "What's Mike going to do?" "He's going to Saint Jean de Luz." "Let's get a car and all go as far as Bayonne. You can get the train up from there to-night."<\|quote\|>"Good. Let's go after lunch."</\|quote\|>"All right. I'll get the car." We had lunch and paid the bill. Montoya did not come near us. One of the maids brought the bill. The car was outside. The chauffeur piled and strapped the bags on top of the car and put them in beside him in the front seat and we got in. The car went out of the square, along through the side streets, out under the trees and down the hill and away from Pamplona. It did not seem like a very long ride. Mike had a bottle of Fundador. I only took a couple of drinks. We came over the mountains and out of Spain and down the white roads and through the overfoliaged, wet, green, Basque country, and finally into Bayonne. We left Bill's baggage at the station, and he bought a ticket to Paris. His train left at seven-ten. We came out of the station. The car was standing out in front. "What shall we do about the car?" Bill asked. "Oh, bother the car," Mike said. "Let's just keep the car with us." "All right," Bill said. "Where shall we go?" "Let's go to Biarritz and have a drink." "Old Mike the spender," Bill said. We drove in to Biarritz and left the car outside a very Ritz place. We went into the bar and sat on high stools and drank a whiskey and soda. "That drink's mine," Mike said. "Let's roll for it." So we rolled poker dice out of a deep leather dice-cup. Bill was out first roll. Mike lost to me and handed the bartender a hundred-franc note. The whiskeys were twelve francs apiece. We had another round and Mike lost again. Each time he gave the bartender a good tip. In a room off the bar there was a good jazz band playing. It was a pleasant bar. We had another round. I went out on the first roll with four kings. Bill and Mike rolled. Mike won the first roll with four jacks. Bill won the second. On the final roll Mike had three kings and let them stay. He handed the dice-cup to Bill. Bill rattled them and rolled, and there were three kings, an ace, and a queen. "It's yours, Mike," Bill said. "Old Mike, the gambler." "I'm so sorry," Mike said. "I can't get it." "What's the matter?" "I've no money," Mike said. "I'm stony. I've just twenty	The Sun Also Rises
The young man hesitated, and then his agitation was too much for him. He clutched Poirot by the arm, and sank his voice to a whisper:	No speaker	Mace." "Yes, exactly of course"<\|quote\|>The young man hesitated, and then his agitation was too much for him. He clutched Poirot by the arm, and sank his voice to a whisper:</\|quote\|>"Just tell me this, Mr.	can tell us that, Mr. Mace." "Yes, exactly of course"<\|quote\|>The young man hesitated, and then his agitation was too much for him. He clutched Poirot by the arm, and sank his voice to a whisper:</\|quote\|>"Just tell me this, Mr. Poirot, it isn't it isn't	moistened his dry lips. His face was working curiously. "It's all over the village about old Mrs. Inglethorp dying so suddenly. They do say" he lowered his voice cautiously "that it's poison?" Poirot's face remained quite impassive. "Only the doctors can tell us that, Mr. Mace." "Yes, exactly of course"<\|quote\|>The young man hesitated, and then his agitation was too much for him. He clutched Poirot by the arm, and sank his voice to a whisper:</\|quote\|>"Just tell me this, Mr. Poirot, it isn't it isn't strychnine, is it?" I hardly heard what Poirot replied. Something evidently of a non-committal nature. The young man departed, and as he closed the door Poirot's eyes met mine. "Yes," he said, nodding gravely. "He will have evidence to give	the window. "I come." Motioning to me to follow him, he ran swiftly down the stairs and opened the door. Mr. Mace began at once. "Oh, Mr. Poirot, I'm sorry for the inconvenience, but I heard that you'd just come back from the Hall?" "Yes, we have." The young man moistened his dry lips. His face was working curiously. "It's all over the village about old Mrs. Inglethorp dying so suddenly. They do say" he lowered his voice cautiously "that it's poison?" Poirot's face remained quite impassive. "Only the doctors can tell us that, Mr. Mace." "Yes, exactly of course"<\|quote\|>The young man hesitated, and then his agitation was too much for him. He clutched Poirot by the arm, and sank his voice to a whisper:</\|quote\|>"Just tell me this, Mr. Poirot, it isn't it isn't strychnine, is it?" I hardly heard what Poirot replied. Something evidently of a non-committal nature. The young man departed, and as he closed the door Poirot's eyes met mine. "Yes," he said, nodding gravely. "He will have evidence to give at the inquest." We went slowly upstairs again. I was opening my lips, when Poirot stopped me with a gesture of his hand. "Not now, not now, _mon ami_. I have need of reflection. My mind is in some disorder which is not well." For about ten minutes he sat	The fresh air blew in warm and pleasant. It was going to be a hot day. Suddenly my attention was arrested by a weedy looking young man rushing down the street at a great pace. It was the expression on his face that was extraordinary a curious mingling of terror and agitation. "Look, Poirot!" I said. He leant forward. "_Tiens!_" he said. "It is Mr. Mace, from the chemist's shop. He is coming here." The young man came to a halt before Leastways Cottage, and, after hesitating a moment, pounded vigorously at the door. "A little minute," cried Poirot from the window. "I come." Motioning to me to follow him, he ran swiftly down the stairs and opened the door. Mr. Mace began at once. "Oh, Mr. Poirot, I'm sorry for the inconvenience, but I heard that you'd just come back from the Hall?" "Yes, we have." The young man moistened his dry lips. His face was working curiously. "It's all over the village about old Mrs. Inglethorp dying so suddenly. They do say" he lowered his voice cautiously "that it's poison?" Poirot's face remained quite impassive. "Only the doctors can tell us that, Mr. Mace." "Yes, exactly of course"<\|quote\|>The young man hesitated, and then his agitation was too much for him. He clutched Poirot by the arm, and sank his voice to a whisper:</\|quote\|>"Just tell me this, Mr. Poirot, it isn't it isn't strychnine, is it?" I hardly heard what Poirot replied. Something evidently of a non-committal nature. The young man departed, and as he closed the door Poirot's eyes met mine. "Yes," he said, nodding gravely. "He will have evidence to give at the inquest." We went slowly upstairs again. I was opening my lips, when Poirot stopped me with a gesture of his hand. "Not now, not now, _mon ami_. I have need of reflection. My mind is in some disorder which is not well." For about ten minutes he sat in dead silence, perfectly still, except for several expressive motions of his eyebrows, and all the time his eyes grew steadily greener. At last he heaved a deep sigh. "It is well. The bad moment has passed. Now all is arranged and classified. One must never permit confusion. The case is not clear yet no. For it is of the most complicated! It puzzles _me_. _Me_, Hercule Poirot! There are two facts of significance." "And what are they?" "The first is the state of the weather yesterday. That is very important." "But it was a glorious day!" I interrupted. "Poirot,	another feature, what do you make of the scrap of conversation you overheard between Mrs. Cavendish and her mother-in-law?" "I had forgotten that," I said thoughtfully. "That is as enigmatical as ever. It seems incredible that a woman like Mrs. Cavendish, proud and reticent to the last degree, should interfere so violently in what was certainly not her affair." "Precisely. It was an astonishing thing for a woman of her breeding to do." "It is certainly curious," I agreed. "Still, it is unimportant, and need not be taken into account." A groan burst from Poirot. "What have I always told you? Everything must be taken into account. If the fact will not fit the theory let the theory go." "Well, we shall see," I said, nettled. "Yes, we shall see." We had reached Leastways Cottage, and Poirot ushered me upstairs to his own room. He offered me one of the tiny Russian cigarettes he himself occasionally smoked. I was amused to notice that he stowed away the used matches most carefully in a little china pot. My momentary annoyance vanished. Poirot had placed our two chairs in front of the open window which commanded a view of the village street. The fresh air blew in warm and pleasant. It was going to be a hot day. Suddenly my attention was arrested by a weedy looking young man rushing down the street at a great pace. It was the expression on his face that was extraordinary a curious mingling of terror and agitation. "Look, Poirot!" I said. He leant forward. "_Tiens!_" he said. "It is Mr. Mace, from the chemist's shop. He is coming here." The young man came to a halt before Leastways Cottage, and, after hesitating a moment, pounded vigorously at the door. "A little minute," cried Poirot from the window. "I come." Motioning to me to follow him, he ran swiftly down the stairs and opened the door. Mr. Mace began at once. "Oh, Mr. Poirot, I'm sorry for the inconvenience, but I heard that you'd just come back from the Hall?" "Yes, we have." The young man moistened his dry lips. His face was working curiously. "It's all over the village about old Mrs. Inglethorp dying so suddenly. They do say" he lowered his voice cautiously "that it's poison?" Poirot's face remained quite impassive. "Only the doctors can tell us that, Mr. Mace." "Yes, exactly of course"<\|quote\|>The young man hesitated, and then his agitation was too much for him. He clutched Poirot by the arm, and sank his voice to a whisper:</\|quote\|>"Just tell me this, Mr. Poirot, it isn't it isn't strychnine, is it?" I hardly heard what Poirot replied. Something evidently of a non-committal nature. The young man departed, and as he closed the door Poirot's eyes met mine. "Yes," he said, nodding gravely. "He will have evidence to give at the inquest." We went slowly upstairs again. I was opening my lips, when Poirot stopped me with a gesture of his hand. "Not now, not now, _mon ami_. I have need of reflection. My mind is in some disorder which is not well." For about ten minutes he sat in dead silence, perfectly still, except for several expressive motions of his eyebrows, and all the time his eyes grew steadily greener. At last he heaved a deep sigh. "It is well. The bad moment has passed. Now all is arranged and classified. One must never permit confusion. The case is not clear yet no. For it is of the most complicated! It puzzles _me_. _Me_, Hercule Poirot! There are two facts of significance." "And what are they?" "The first is the state of the weather yesterday. That is very important." "But it was a glorious day!" I interrupted. "Poirot, you're pulling my leg!" "Not at all. The thermometer registered 80 degrees in the shade. Do not forget that, my friend. It is the key to the whole riddle!" "And the second point?" I asked. "The important fact that Monsieur Inglethorp wears very peculiar clothes, has a black beard, and uses glasses." "Poirot, I cannot believe you are serious." "I am absolutely serious, my friend." "But this is childish!" "No, it is very momentous." "And supposing the Coroner's jury returns a verdict of Wilful Murder against Alfred Inglethorp. What becomes of your theories, then?" "They would not be shaken because twelve stupid men had happened to make a mistake! But that will not occur. For one thing, a country jury is not anxious to take responsibility upon itself, and Mr. Inglethorp stands practically in the position of local squire. Also," he added placidly, "_I_ should not allow it!" "_You_ would not allow it?" "No." I looked at the extraordinary little man, divided between annoyance and amusement. He was so tremendously sure of himself. As though he read my thoughts, he nodded gently. "Oh, yes, _mon ami_, I would do what I say." He got up and laid his hand on	as you English say! You have chosen the one point that to my mind tells against him." "How is that?" "Because if Mr. Inglethorp knew that his wife would be poisoned last night, he would certainly have arranged to be away from the house. His excuse was an obviously trumped up one. That leaves us two possibilities: either he knew what was going to happen or he had a reason of his own for his absence." "And that reason?" I asked sceptically. Poirot shrugged his shoulders. "How should I know? Discreditable, without doubt. This Mr. Inglethorp, I should say, is somewhat of a scoundrel but that does not of necessity make him a murderer." I shook my head, unconvinced. "We do not agree, eh?" said Poirot. "Well, let us leave it. Time will show which of us is right. Now let us turn to other aspects of the case. What do you make of the fact that all the doors of the bedroom were bolted on the inside?" "Well" I considered. "One must look at it logically." "True." "I should put it this way. The doors _were_ bolted our own eyes have told us that yet the presence of the candle grease on the floor, and the destruction of the will, prove that during the night someone entered the room. You agree so far?" "Perfectly. Put with admirable clearness. Proceed." "Well," I said, encouraged, "as the person who entered did not do so by the window, nor by miraculous means, it follows that the door must have been opened from inside by Mrs. Inglethorp herself. That strengthens the conviction that the person in question was her husband. She would naturally open the door to her own husband." Poirot shook his head. "Why should she? She had bolted the door leading into his room a most unusual proceeding on her part she had had a most violent quarrel with him that very afternoon. No, he was the last person she would admit." "But you agree with me that the door must have been opened by Mrs. Inglethorp herself?" "There is another possibility. She may have forgotten to bolt the door into the passage when she went to bed, and have got up later, towards morning, and bolted it then." "Poirot, is that seriously your opinion?" "No, I do not say it is so, but it might be. Now, to turn to another feature, what do you make of the scrap of conversation you overheard between Mrs. Cavendish and her mother-in-law?" "I had forgotten that," I said thoughtfully. "That is as enigmatical as ever. It seems incredible that a woman like Mrs. Cavendish, proud and reticent to the last degree, should interfere so violently in what was certainly not her affair." "Precisely. It was an astonishing thing for a woman of her breeding to do." "It is certainly curious," I agreed. "Still, it is unimportant, and need not be taken into account." A groan burst from Poirot. "What have I always told you? Everything must be taken into account. If the fact will not fit the theory let the theory go." "Well, we shall see," I said, nettled. "Yes, we shall see." We had reached Leastways Cottage, and Poirot ushered me upstairs to his own room. He offered me one of the tiny Russian cigarettes he himself occasionally smoked. I was amused to notice that he stowed away the used matches most carefully in a little china pot. My momentary annoyance vanished. Poirot had placed our two chairs in front of the open window which commanded a view of the village street. The fresh air blew in warm and pleasant. It was going to be a hot day. Suddenly my attention was arrested by a weedy looking young man rushing down the street at a great pace. It was the expression on his face that was extraordinary a curious mingling of terror and agitation. "Look, Poirot!" I said. He leant forward. "_Tiens!_" he said. "It is Mr. Mace, from the chemist's shop. He is coming here." The young man came to a halt before Leastways Cottage, and, after hesitating a moment, pounded vigorously at the door. "A little minute," cried Poirot from the window. "I come." Motioning to me to follow him, he ran swiftly down the stairs and opened the door. Mr. Mace began at once. "Oh, Mr. Poirot, I'm sorry for the inconvenience, but I heard that you'd just come back from the Hall?" "Yes, we have." The young man moistened his dry lips. His face was working curiously. "It's all over the village about old Mrs. Inglethorp dying so suddenly. They do say" he lowered his voice cautiously "that it's poison?" Poirot's face remained quite impassive. "Only the doctors can tell us that, Mr. Mace." "Yes, exactly of course"<\|quote\|>The young man hesitated, and then his agitation was too much for him. He clutched Poirot by the arm, and sank his voice to a whisper:</\|quote\|>"Just tell me this, Mr. Poirot, it isn't it isn't strychnine, is it?" I hardly heard what Poirot replied. Something evidently of a non-committal nature. The young man departed, and as he closed the door Poirot's eyes met mine. "Yes," he said, nodding gravely. "He will have evidence to give at the inquest." We went slowly upstairs again. I was opening my lips, when Poirot stopped me with a gesture of his hand. "Not now, not now, _mon ami_. I have need of reflection. My mind is in some disorder which is not well." For about ten minutes he sat in dead silence, perfectly still, except for several expressive motions of his eyebrows, and all the time his eyes grew steadily greener. At last he heaved a deep sigh. "It is well. The bad moment has passed. Now all is arranged and classified. One must never permit confusion. The case is not clear yet no. For it is of the most complicated! It puzzles _me_. _Me_, Hercule Poirot! There are two facts of significance." "And what are they?" "The first is the state of the weather yesterday. That is very important." "But it was a glorious day!" I interrupted. "Poirot, you're pulling my leg!" "Not at all. The thermometer registered 80 degrees in the shade. Do not forget that, my friend. It is the key to the whole riddle!" "And the second point?" I asked. "The important fact that Monsieur Inglethorp wears very peculiar clothes, has a black beard, and uses glasses." "Poirot, I cannot believe you are serious." "I am absolutely serious, my friend." "But this is childish!" "No, it is very momentous." "And supposing the Coroner's jury returns a verdict of Wilful Murder against Alfred Inglethorp. What becomes of your theories, then?" "They would not be shaken because twelve stupid men had happened to make a mistake! But that will not occur. For one thing, a country jury is not anxious to take responsibility upon itself, and Mr. Inglethorp stands practically in the position of local squire. Also," he added placidly, "_I_ should not allow it!" "_You_ would not allow it?" "No." I looked at the extraordinary little man, divided between annoyance and amusement. He was so tremendously sure of himself. As though he read my thoughts, he nodded gently. "Oh, yes, _mon ami_, I would do what I say." He got up and laid his hand on my shoulder. His physiognomy underwent a complete change. Tears came into his eyes. "In all this, you see, I think of that poor Mrs. Inglethorp who is dead. She was not extravagantly loved no. But she was very good to us Belgians I owe her a debt." I endeavoured to interrupt, but Poirot swept on. "Let me tell you this, Hastings. She would never forgive me if I let Alfred Inglethorp, her husband, be arrested _now_ when a word from me could save him!" CHAPTER VI. THE INQUEST In the interval before the inquest, Poirot was unfailing in his activity. Twice he was closeted with Mr. Wells. He also took long walks into the country. I rather resented his not taking me into his confidence, the more so as I could not in the least guess what he was driving at. It occurred to me that he might have been making inquiries at Raikes's farm; so, finding him out when I called at Leastways Cottage on Wednesday evening, I walked over there by the fields, hoping to meet him. But there was no sign of him, and I hesitated to go right up to the farm itself. As I walked away, I met an aged rustic, who leered at me cunningly. "You'm from the Hall, bain't you?" he asked. "Yes. I'm looking for a friend of mine whom I thought might have walked this way." "A little chap? As waves his hands when he talks? One of them Belgies from the village?" "Yes," I said eagerly. "He has been here, then?" "Oh, ay, he's been here, right enough. More'n once too. Friend of yours, is he? Ah, you gentlemen from the Hall you'm a pretty lot!" And he leered more jocosely than ever. "Why, do the gentlemen from the Hall come here often?" I asked, as carelessly as I could. He winked at me knowingly. "_One_ does, mister. Naming no names, mind. And a very liberal gentleman too! Oh, thank you, sir, I'm sure." I walked on sharply. Evelyn Howard had been right then, and I experienced a sharp twinge of disgust, as I thought of Alfred Inglethorp's liberality with another woman's money. Had that piquant gipsy face been at the bottom of the crime, or was it the baser mainspring of money? Probably a judicious mixture of both. On one point, Poirot seemed to have a curious obsession. He	the theory go." "Well, we shall see," I said, nettled. "Yes, we shall see." We had reached Leastways Cottage, and Poirot ushered me upstairs to his own room. He offered me one of the tiny Russian cigarettes he himself occasionally smoked. I was amused to notice that he stowed away the used matches most carefully in a little china pot. My momentary annoyance vanished. Poirot had placed our two chairs in front of the open window which commanded a view of the village street. The fresh air blew in warm and pleasant. It was going to be a hot day. Suddenly my attention was arrested by a weedy looking young man rushing down the street at a great pace. It was the expression on his face that was extraordinary a curious mingling of terror and agitation. "Look, Poirot!" I said. He leant forward. "_Tiens!_" he said. "It is Mr. Mace, from the chemist's shop. He is coming here." The young man came to a halt before Leastways Cottage, and, after hesitating a moment, pounded vigorously at the door. "A little minute," cried Poirot from the window. "I come." Motioning to me to follow him, he ran swiftly down the stairs and opened the door. Mr. Mace began at once. "Oh, Mr. Poirot, I'm sorry for the inconvenience, but I heard that you'd just come back from the Hall?" "Yes, we have." The young man moistened his dry lips. His face was working curiously. "It's all over the village about old Mrs. Inglethorp dying so suddenly. They do say" he lowered his voice cautiously "that it's poison?" Poirot's face remained quite impassive. "Only the doctors can tell us that, Mr. Mace." "Yes, exactly of course"<\|quote\|>The young man hesitated, and then his agitation was too much for him. He clutched Poirot by the arm, and sank his voice to a whisper:</\|quote\|>"Just tell me this, Mr. Poirot, it isn't it isn't strychnine, is it?" I hardly heard what Poirot replied. Something evidently of a non-committal nature. The young man departed, and as he closed the door Poirot's eyes met mine. "Yes," he said, nodding gravely. "He will have evidence to give at the inquest." We went slowly upstairs again. I was opening my lips, when Poirot stopped me with a gesture of his hand. "Not now, not now, _mon ami_. I have need of reflection. My mind is in some disorder which is not well." For about ten minutes he sat in dead silence, perfectly still, except for several expressive motions of his eyebrows, and all the time his eyes grew steadily greener. At last he heaved a deep sigh. "It is well. The bad moment has passed. Now all is arranged and classified. One must never permit confusion. The case is not clear yet no. For it is of the most complicated! It puzzles _me_. _Me_, Hercule Poirot! There are two facts of significance." "And what are they?" "The first is the state of the weather yesterday. That is very important." "But it was a glorious day!" I interrupted. "Poirot, you're pulling my leg!" "Not at all. The thermometer registered 80 degrees in the shade. Do not forget that, my friend. It is the key to the whole riddle!" "And the second point?" I asked. "The important fact that Monsieur Inglethorp wears very peculiar clothes, has a black beard, and uses glasses." "Poirot, I cannot believe you are serious." "I am absolutely serious, my friend." "But this is childish!" "No, it is very momentous." "And supposing the Coroner's jury returns a verdict of Wilful Murder against Alfred Inglethorp. What becomes of your theories, then?" "They would not be shaken because twelve stupid men had happened to make a mistake! But that will not occur. For one thing, a country jury is not anxious to take responsibility upon itself, and Mr. Inglethorp stands	The Mysterious Affair At Styles
"How did she come there?"	Josiah Bounderby	a bit!" cried Bounderby again.<\|quote\|>"How did she come there?"</\|quote\|>"Why, the fact is, I	at his friend. "Now, stop a bit!" cried Bounderby again.<\|quote\|>"How did she come there?"</\|quote\|>"Why, the fact is, I saw the girl myself, for	standing, as before, on the hearth, bursting at the very furniture of the room with explosive humility. "You have one of those strollers' children in the school." "Cecilia Jupe, by name," said Mr. Gradgrind, with something of a stricken look at his friend. "Now, stop a bit!" cried Bounderby again.<\|quote\|>"How did she come there?"</\|quote\|>"Why, the fact is, I saw the girl myself, for the first time, only just now. She specially applied here at the house to be admitted, as not regularly belonging to our town, and yes, you are right, Bounderby, you are right." "Now, stop a bit!" cried Bounderby, once more.	reading anything? Whether, in spite of all precautions, any idle story-book can have got into the house? Because, in minds that have been practically formed by rule and line, from the cradle upwards, this is so curious, so incomprehensible." "Stop a bit!" cried Bounderby, who all this time had been standing, as before, on the hearth, bursting at the very furniture of the room with explosive humility. "You have one of those strollers' children in the school." "Cecilia Jupe, by name," said Mr. Gradgrind, with something of a stricken look at his friend. "Now, stop a bit!" cried Bounderby again.<\|quote\|>"How did she come there?"</\|quote\|>"Why, the fact is, I saw the girl myself, for the first time, only just now. She specially applied here at the house to be admitted, as not regularly belonging to our town, and yes, you are right, Bounderby, you are right." "Now, stop a bit!" cried Bounderby, once more. "Louisa saw her when she came?" "Louisa certainly did see her, for she mentioned the application to me. But Louisa saw her, I have no doubt, in Mrs. Gradgrind's presence." "Pray, Mrs. Gradgrind," said Bounderby, "what passed?" "Oh, my poor health!" returned Mrs. Gradgrind. "The girl wanted to come to	that the misgiving _has_ crossed me on my way home." "In idle imagination, Gradgrind," repeated Bounderby. "A very bad thing for anybody, but a cursed bad thing for a girl like Louisa. I should ask Mrs. Gradgrind's pardon for strong expressions, but that she knows very well I am not a refined character. Whoever expects refinement in _me_ will be disappointed. I hadn't a refined bringing up." "Whether," said Gradgrind, pondering with his hands in his pockets, and his cavernous eyes on the fire, "whether any instructor or servant can have suggested anything? Whether Louisa or Thomas can have been reading anything? Whether, in spite of all precautions, any idle story-book can have got into the house? Because, in minds that have been practically formed by rule and line, from the cradle upwards, this is so curious, so incomprehensible." "Stop a bit!" cried Bounderby, who all this time had been standing, as before, on the hearth, bursting at the very furniture of the room with explosive humility. "You have one of those strollers' children in the school." "Cecilia Jupe, by name," said Mr. Gradgrind, with something of a stricken look at his friend. "Now, stop a bit!" cried Bounderby again.<\|quote\|>"How did she come there?"</\|quote\|>"Why, the fact is, I saw the girl myself, for the first time, only just now. She specially applied here at the house to be admitted, as not regularly belonging to our town, and yes, you are right, Bounderby, you are right." "Now, stop a bit!" cried Bounderby, once more. "Louisa saw her when she came?" "Louisa certainly did see her, for she mentioned the application to me. But Louisa saw her, I have no doubt, in Mrs. Gradgrind's presence." "Pray, Mrs. Gradgrind," said Bounderby, "what passed?" "Oh, my poor health!" returned Mrs. Gradgrind. "The girl wanted to come to the school, and Mr. Gradgrind wanted girls to come to the school, and Louisa and Thomas both said that the girl wanted to come, and that Mr. Gradgrind wanted girls to come, and how was it possible to contradict them when such was the fact!" "Now I tell you what, Gradgrind!" said Mr. Bounderby. "Turn this girl to the right about, and there's an end of it." "I am much of your opinion." "Do it at once," said Bounderby, "has always been my motto from a child. When I thought I would run away from my egg-box and my grandmother,	to the fireside, "you are always so interested in my young people particularly in Louisa that I make no apology for saying to you, I am very much vexed by this discovery. I have systematically devoted myself (as you know) to the education of the reason of my family. The reason is (as you know) the only faculty to which education should be addressed." "And yet, Bounderby, it would appear from this unexpected circumstance of to-day, though in itself a trifling one, as if something had crept into Thomas's and Louisa's minds which is or rather, which is not I don't know that I can express myself better than by saying which has never been intended to be developed, and in which their reason has no part." "There certainly is no reason in looking with interest at a parcel of vagabonds," returned Bounderby. "When I was a vagabond myself, nobody looked with any interest at _me_; I know that." "Then comes the question;" said the eminently practical father, "with his eyes on the fire, "in what has this vulgar curiosity its rise?" "I'll tell you in what. In idle imagination." "I hope not," said the eminently practical; "I confess, however, that the misgiving _has_ crossed me on my way home." "In idle imagination, Gradgrind," repeated Bounderby. "A very bad thing for anybody, but a cursed bad thing for a girl like Louisa. I should ask Mrs. Gradgrind's pardon for strong expressions, but that she knows very well I am not a refined character. Whoever expects refinement in _me_ will be disappointed. I hadn't a refined bringing up." "Whether," said Gradgrind, pondering with his hands in his pockets, and his cavernous eyes on the fire, "whether any instructor or servant can have suggested anything? Whether Louisa or Thomas can have been reading anything? Whether, in spite of all precautions, any idle story-book can have got into the house? Because, in minds that have been practically formed by rule and line, from the cradle upwards, this is so curious, so incomprehensible." "Stop a bit!" cried Bounderby, who all this time had been standing, as before, on the hearth, bursting at the very furniture of the room with explosive humility. "You have one of those strollers' children in the school." "Cecilia Jupe, by name," said Mr. Gradgrind, with something of a stricken look at his friend. "Now, stop a bit!" cried Bounderby again.<\|quote\|>"How did she come there?"</\|quote\|>"Why, the fact is, I saw the girl myself, for the first time, only just now. She specially applied here at the house to be admitted, as not regularly belonging to our town, and yes, you are right, Bounderby, you are right." "Now, stop a bit!" cried Bounderby, once more. "Louisa saw her when she came?" "Louisa certainly did see her, for she mentioned the application to me. But Louisa saw her, I have no doubt, in Mrs. Gradgrind's presence." "Pray, Mrs. Gradgrind," said Bounderby, "what passed?" "Oh, my poor health!" returned Mrs. Gradgrind. "The girl wanted to come to the school, and Mr. Gradgrind wanted girls to come to the school, and Louisa and Thomas both said that the girl wanted to come, and that Mr. Gradgrind wanted girls to come, and how was it possible to contradict them when such was the fact!" "Now I tell you what, Gradgrind!" said Mr. Bounderby. "Turn this girl to the right about, and there's an end of it." "I am much of your opinion." "Do it at once," said Bounderby, "has always been my motto from a child. When I thought I would run away from my egg-box and my grandmother, I did it at once. Do you the same. Do this at once!" "Are you walking?" asked his friend. "I have the father's address. Perhaps you would not mind walking to town with me?" "Not the least in the world," said Mr. Bounderby, "as long as you do it at once!" So, Mr. Bounderby threw on his hat he always threw it on, as expressing a man who had been far too busily employed in making himself, to acquire any fashion of wearing his hat and with his hands in his pockets, sauntered out into the hall. "I never wear gloves," it was his custom to say. "I didn't climb up the ladder in _them_. Shouldn't be so high up, if I had." Being left to saunter in the hall a minute or two while Mr. Gradgrind went up-stairs for the address, he opened the door of the children's study and looked into that serene floor-clothed apartment, which, notwithstanding its book-cases and its cabinets and its variety of learned and philosophical appliances, had much of the genial aspect of a room devoted to hair-cutting. Louisa languidly leaned upon the window looking out, without looking at anything, while young Thomas stood	young Thomas in the dumps about?" He spoke of young Thomas, but he looked at Louisa. "We were peeping at the circus," muttered Louisa, haughtily, without lifting up her eyes, "and father caught us." "And, Mrs. Gradgrind," said her husband in a lofty manner, "I should as soon have expected to find my children reading poetry." "Dear me," whimpered Mrs. Gradgrind. "How can you, Louisa and Thomas! I wonder at you. I declare you're enough to make one regret ever having had a family at all. I have a great mind to say I wish I hadn't. _Then_ what would you have done, I should like to know?" Mr. Gradgrind did not seem favourably impressed by these cogent remarks. He frowned impatiently. "As if, with my head in its present throbbing state, you couldn't go and look at the shells and minerals and things provided for you, instead of circuses!" said Mrs. Gradgrind. "You know, as well as I do, no young people have circus masters, or keep circuses in cabinets, or attend lectures about circuses. What can you possibly want to know of circuses then? I am sure you have enough to do, if that's what you want. With my head in its present state, I couldn't remember the mere names of half the facts you have got to attend to." "That's the reason!" pouted Louisa. "Don't tell me that's the reason, because it can't be nothing of the sort," said Mrs. Gradgrind. "Go and be somethingological directly." Mrs. Gradgrind was not a scientific character, and usually dismissed her children to their studies with this general injunction to choose their pursuit. In truth, Mrs. Gradgrind's stock of facts in general was woefully defective; but Mr. Gradgrind in raising her to her high matrimonial position, had been influenced by two reasons. Firstly, she was most satisfactory as a question of figures; and, secondly, she had "no nonsense" about her. By nonsense he meant fancy; and truly it is probable she was as free from any alloy of that nature, as any human being not arrived at the perfection of an absolute idiot, ever was. The simple circumstance of being left alone with her husband and Mr. Bounderby, was sufficient to stun this admirable lady again without collision between herself and any other fact. So, she once more died away, and nobody minded her. "Bounderby," said Mr. Gradgrind, drawing a chair to the fireside, "you are always so interested in my young people particularly in Louisa that I make no apology for saying to you, I am very much vexed by this discovery. I have systematically devoted myself (as you know) to the education of the reason of my family. The reason is (as you know) the only faculty to which education should be addressed." "And yet, Bounderby, it would appear from this unexpected circumstance of to-day, though in itself a trifling one, as if something had crept into Thomas's and Louisa's minds which is or rather, which is not I don't know that I can express myself better than by saying which has never been intended to be developed, and in which their reason has no part." "There certainly is no reason in looking with interest at a parcel of vagabonds," returned Bounderby. "When I was a vagabond myself, nobody looked with any interest at _me_; I know that." "Then comes the question;" said the eminently practical father, "with his eyes on the fire, "in what has this vulgar curiosity its rise?" "I'll tell you in what. In idle imagination." "I hope not," said the eminently practical; "I confess, however, that the misgiving _has_ crossed me on my way home." "In idle imagination, Gradgrind," repeated Bounderby. "A very bad thing for anybody, but a cursed bad thing for a girl like Louisa. I should ask Mrs. Gradgrind's pardon for strong expressions, but that she knows very well I am not a refined character. Whoever expects refinement in _me_ will be disappointed. I hadn't a refined bringing up." "Whether," said Gradgrind, pondering with his hands in his pockets, and his cavernous eyes on the fire, "whether any instructor or servant can have suggested anything? Whether Louisa or Thomas can have been reading anything? Whether, in spite of all precautions, any idle story-book can have got into the house? Because, in minds that have been practically formed by rule and line, from the cradle upwards, this is so curious, so incomprehensible." "Stop a bit!" cried Bounderby, who all this time had been standing, as before, on the hearth, bursting at the very furniture of the room with explosive humility. "You have one of those strollers' children in the school." "Cecilia Jupe, by name," said Mr. Gradgrind, with something of a stricken look at his friend. "Now, stop a bit!" cried Bounderby again.<\|quote\|>"How did she come there?"</\|quote\|>"Why, the fact is, I saw the girl myself, for the first time, only just now. She specially applied here at the house to be admitted, as not regularly belonging to our town, and yes, you are right, Bounderby, you are right." "Now, stop a bit!" cried Bounderby, once more. "Louisa saw her when she came?" "Louisa certainly did see her, for she mentioned the application to me. But Louisa saw her, I have no doubt, in Mrs. Gradgrind's presence." "Pray, Mrs. Gradgrind," said Bounderby, "what passed?" "Oh, my poor health!" returned Mrs. Gradgrind. "The girl wanted to come to the school, and Mr. Gradgrind wanted girls to come to the school, and Louisa and Thomas both said that the girl wanted to come, and that Mr. Gradgrind wanted girls to come, and how was it possible to contradict them when such was the fact!" "Now I tell you what, Gradgrind!" said Mr. Bounderby. "Turn this girl to the right about, and there's an end of it." "I am much of your opinion." "Do it at once," said Bounderby, "has always been my motto from a child. When I thought I would run away from my egg-box and my grandmother, I did it at once. Do you the same. Do this at once!" "Are you walking?" asked his friend. "I have the father's address. Perhaps you would not mind walking to town with me?" "Not the least in the world," said Mr. Bounderby, "as long as you do it at once!" So, Mr. Bounderby threw on his hat he always threw it on, as expressing a man who had been far too busily employed in making himself, to acquire any fashion of wearing his hat and with his hands in his pockets, sauntered out into the hall. "I never wear gloves," it was his custom to say. "I didn't climb up the ladder in _them_. Shouldn't be so high up, if I had." Being left to saunter in the hall a minute or two while Mr. Gradgrind went up-stairs for the address, he opened the door of the children's study and looked into that serene floor-clothed apartment, which, notwithstanding its book-cases and its cabinets and its variety of learned and philosophical appliances, had much of the genial aspect of a room devoted to hair-cutting. Louisa languidly leaned upon the window looking out, without looking at anything, while young Thomas stood sniffing revengefully at the fire. Adam Smith and Malthus, two younger Gradgrinds, were out at lecture in custody; and little Jane, after manufacturing a good deal of moist pipe-clay on her face with slate-pencil and tears, had fallen asleep over vulgar fractions. "It's all right now, Louisa: it's all right, young Thomas," said Mr. Bounderby; "you won't do so any more. I'll answer for it's being all over with father. Well, Louisa, that's worth a kiss, isn't it?" "You can take one, Mr. Bounderby," returned Louisa, when she had coldly paused, and slowly walked across the room, and ungraciously raised her cheek towards him, with her face turned away. "Always my pet; ain't you, Louisa?" said Mr. Bounderby. "Good-bye, Louisa!" He went his way, but she stood on the same spot, rubbing the cheek he had kissed, with her handkerchief, until it was burning red. She was still doing this, five minutes afterwards. "What are you about, Loo?" her brother sulkily remonstrated. "You'll rub a hole in your face." "You may cut the piece out with your penknife if you like, Tom. I wouldn't cry!" CHAPTER V THE KEYNOTE COKETOWN, to which Messrs. Bounderby and Gradgrind now walked, was a triumph of fact; it had no greater taint of fancy in it than Mrs. Gradgrind herself. Let us strike the key-note, Coketown, before pursuing our tune. It was a town of red brick, or of brick that would have been red if the smoke and ashes had allowed it; but as matters stood, it was a town of unnatural red and black like the painted face of a savage. It was a town of machinery and tall chimneys, out of which interminable serpents of smoke trailed themselves for ever and ever, and never got uncoiled. It had a black canal in it, and a river that ran purple with ill-smelling dye, and vast piles of building full of windows where there was a rattling and a trembling all day long, and where the piston of the steam-engine worked monotonously up and down, like the head of an elephant in a state of melancholy madness. It contained several large streets all very like one another, and many small streets still more like one another, inhabited by people equally like one another, who all went in and out at the same hours, with the same sound upon the same pavements, to do	with interest at a parcel of vagabonds," returned Bounderby. "When I was a vagabond myself, nobody looked with any interest at _me_; I know that." "Then comes the question;" said the eminently practical father, "with his eyes on the fire, "in what has this vulgar curiosity its rise?" "I'll tell you in what. In idle imagination." "I hope not," said the eminently practical; "I confess, however, that the misgiving _has_ crossed me on my way home." "In idle imagination, Gradgrind," repeated Bounderby. "A very bad thing for anybody, but a cursed bad thing for a girl like Louisa. I should ask Mrs. Gradgrind's pardon for strong expressions, but that she knows very well I am not a refined character. Whoever expects refinement in _me_ will be disappointed. I hadn't a refined bringing up." "Whether," said Gradgrind, pondering with his hands in his pockets, and his cavernous eyes on the fire, "whether any instructor or servant can have suggested anything? Whether Louisa or Thomas can have been reading anything? Whether, in spite of all precautions, any idle story-book can have got into the house? Because, in minds that have been practically formed by rule and line, from the cradle upwards, this is so curious, so incomprehensible." "Stop a bit!" cried Bounderby, who all this time had been standing, as before, on the hearth, bursting at the very furniture of the room with explosive humility. "You have one of those strollers' children in the school." "Cecilia Jupe, by name," said Mr. Gradgrind, with something of a stricken look at his friend. "Now, stop a bit!" cried Bounderby again.<\|quote\|>"How did she come there?"</\|quote\|>"Why, the fact is, I saw the girl myself, for the first time, only just now. She specially applied here at the house to be admitted, as not regularly belonging to our town, and yes, you are right, Bounderby, you are right." "Now, stop a bit!" cried Bounderby, once more. "Louisa saw her when she came?" "Louisa certainly did see her, for she mentioned the application to me. But Louisa saw her, I have no doubt, in Mrs. Gradgrind's presence." "Pray, Mrs. Gradgrind," said Bounderby, "what passed?" "Oh, my poor health!" returned Mrs. Gradgrind. "The girl wanted to come to the school, and Mr. Gradgrind wanted girls to come to the school, and Louisa and Thomas both said that the girl wanted to come, and that Mr. Gradgrind wanted girls to come, and how was it possible to contradict them when such was the fact!" "Now I tell you what, Gradgrind!" said Mr. Bounderby. "Turn this girl to the right about, and there's an end of it." "I am much of your opinion." "Do it at once," said Bounderby, "has always been my motto from a child. When I thought I would run away from my egg-box and my grandmother, I did it at once. Do you the same. Do this at once!" "Are	Hard Times
"Good night... don't mind, do you?... so tired."	Brenda	"I see... well, good night."<\|quote\|>"Good night... don't mind, do you?... so tired."</\|quote\|>He crossed to the bed	of that stuff of Polly's." "I see... well, good night."<\|quote\|>"Good night... don't mind, do you?... so tired."</\|quote\|>He crossed to the bed and kissed her; she lay	for cleaning it; one bare arm on the quilted eiderdown, left there from turning the switch. "Why, Tony," she said, "I was almost asleep." "Very tired?" "Mm." "Want to be left alone?" "So tired... and I've just drunk a lot of that stuff of Polly's." "I see... well, good night."<\|quote\|>"Good night... don't mind, do you?... so tired."</\|quote\|>He crossed to the bed and kissed her; she lay quite still, with closed eyes. Then he turned out the light and went back to the dressing-room. * * * * * "Lady Brenda not ill, I hope?" "No, nothing serious, thank you very much. She gets rather done up	darkness but hearing him come and seeing the square of light in the doorway she turned on the little lamp by the bedside. "Why, Tony," she said. She was lying on the dais with her head deep back in the pillow; her face was shining with the grease she used for cleaning it; one bare arm on the quilted eiderdown, left there from turning the switch. "Why, Tony," she said, "I was almost asleep." "Very tired?" "Mm." "Want to be left alone?" "So tired... and I've just drunk a lot of that stuff of Polly's." "I see... well, good night."<\|quote\|>"Good night... don't mind, do you?... so tired."</\|quote\|>He crossed to the bed and kissed her; she lay quite still, with closed eyes. Then he turned out the light and went back to the dressing-room. * * * * * "Lady Brenda not ill, I hope?" "No, nothing serious, thank you very much. She gets rather done up in London, you know, during the week, and likes to take Sunday quietly." "And how are the great studies progressing?" "Very well, I gather. She seems keen on it still." "Splendid. We shall all be coming to her soon to solve our economic problems. But I daresay you and John	had the habit of lapsing into a jargon of their own which Tony did not understand; it was a thieves' slang, by which the syllables of each word were transposed. Tony sat just outside the circle reading under another lamp. That night when they went upstairs, the guests came to sit in Brenda's room and talk to her while she went to bed. Tony could hear their low laughter through the dressing-room door. They had boiled water in an electric kettle and were drinking Sedobrol together. Presently, still laughing, they left, and Tony went into Brenda's room. It was in darkness but hearing him come and seeing the square of light in the doorway she turned on the little lamp by the bedside. "Why, Tony," she said. She was lying on the dais with her head deep back in the pillow; her face was shining with the grease she used for cleaning it; one bare arm on the quilted eiderdown, left there from turning the switch. "Why, Tony," she said, "I was almost asleep." "Very tired?" "Mm." "Want to be left alone?" "So tired... and I've just drunk a lot of that stuff of Polly's." "I see... well, good night."<\|quote\|>"Good night... don't mind, do you?... so tired."</\|quote\|>He crossed to the bed and kissed her; she lay quite still, with closed eyes. Then he turned out the light and went back to the dressing-room. * * * * * "Lady Brenda not ill, I hope?" "No, nothing serious, thank you very much. She gets rather done up in London, you know, during the week, and likes to take Sunday quietly." "And how are the great studies progressing?" "Very well, I gather. She seems keen on it still." "Splendid. We shall all be coming to her soon to solve our economic problems. But I daresay you and John miss her?" "Yes, we do rather." "Well, please give her my kindest regards." "I will indeed. Thank you so much." Tony left the church porch and made his accustomed way to the hothouses; a gardenia for himself; some almost black carnations for the ladies. When he reached the room where they were sitting there was a burst of laughter. He paused on the threshold, rather bewildered. "Come in, darling, it isn't anything. It's only we had a bet on what coloured buttonhole you'd be wearing and none of us won." They still giggled a little as they pinned on the	he always did while they were dressing. "I say," he said, returning with his waistcoat. "You aren't going away to-morrow too, are you?" "Must." He went back to Morgan le Fay for his tie and bringing it to Brenda's room again, sat by her side at the dressing table to fasten it. "By the way," said Brenda, "what did you think about keeping on Grimshawe?--it seems rather a waste." "You used always to say you couldn't get on without her." "Yes, but now I'm living at the flat everything's so simple." "_Living?_ Darling, you talk as though you had settled there for good." "D'you mind moving a second, sweet? I can't see properly." "Brenda, how long are you going on with this course of economics?" "Me? I don't know." "But you must have some idea?" "Oh, it's surprising what a lot there is to learn... I was so backward when I started..." "Brenda..." "Now run and put on your coat. They'll all be downstairs waiting for us." That evening Polly and Mrs Beaver played backgammon. Brenda and Veronica sat together on the sofa sewing and talking about their needlework; occasionally there were bursts of general conversation between the women; they had the habit of lapsing into a jargon of their own which Tony did not understand; it was a thieves' slang, by which the syllables of each word were transposed. Tony sat just outside the circle reading under another lamp. That night when they went upstairs, the guests came to sit in Brenda's room and talk to her while she went to bed. Tony could hear their low laughter through the dressing-room door. They had boiled water in an electric kettle and were drinking Sedobrol together. Presently, still laughing, they left, and Tony went into Brenda's room. It was in darkness but hearing him come and seeing the square of light in the doorway she turned on the little lamp by the bedside. "Why, Tony," she said. She was lying on the dais with her head deep back in the pillow; her face was shining with the grease she used for cleaning it; one bare arm on the quilted eiderdown, left there from turning the switch. "Why, Tony," she said, "I was almost asleep." "Very tired?" "Mm." "Want to be left alone?" "So tired... and I've just drunk a lot of that stuff of Polly's." "I see... well, good night."<\|quote\|>"Good night... don't mind, do you?... so tired."</\|quote\|>He crossed to the bed and kissed her; she lay quite still, with closed eyes. Then he turned out the light and went back to the dressing-room. * * * * * "Lady Brenda not ill, I hope?" "No, nothing serious, thank you very much. She gets rather done up in London, you know, during the week, and likes to take Sunday quietly." "And how are the great studies progressing?" "Very well, I gather. She seems keen on it still." "Splendid. We shall all be coming to her soon to solve our economic problems. But I daresay you and John miss her?" "Yes, we do rather." "Well, please give her my kindest regards." "I will indeed. Thank you so much." Tony left the church porch and made his accustomed way to the hothouses; a gardenia for himself; some almost black carnations for the ladies. When he reached the room where they were sitting there was a burst of laughter. He paused on the threshold, rather bewildered. "Come in, darling, it isn't anything. It's only we had a bet on what coloured buttonhole you'd be wearing and none of us won." They still giggled a little as they pinned on the flowers he had brought them; all except Mrs Beaver, who said, "Any time you are buying cuttings or seeds do get them through me. I've made quite a little business of it, perhaps you didn't know... all kinds of rather unusual flowers. I do everything like that for Sylvia Newport and all sorts of people." "You must talk to my head man about it." "Well, to tell you the truth I _have_--this morning while you were in church. He seems quite to understand." They left early, so as to reach London in time for dinner. In the car Daisy said, "Golly, what a house." "Now you can see what I've been through all these years." "My poor Brenda," said Veronica, unpinning her carnation and throwing it from the window into the side of the road. "You know," Brenda confided next day, "I'm not _absolutely_ happy about Tony." "What's the old boy been up to?" asked Polly. "Nothing much yet, but I do see it's pretty boring for him at Hetton all this time." "I shouldn't worry." "Oh, I'm not _worrying_. It's only, supposing he took to drink or something. It would make everything very difficult." "I shouldn't have said that	little bastard, that's a lousy way to speak of your dad." "And you ought not to say bastard or lousy in front of me, nanny says not." So Tony went over alone to Little Bayton, where he had some business to discuss with Colonel Brink. He hoped they would ask him to stay on, but the Colonel and his wife were themselves going out to tea, so he drove back in the dusk to Hetton. A thin mist lay breast-high over the park; the turrets and battlements of the abbey stood grey and flat; the boiler man was hauling down the flag on the main tower. * * * * * "My poor Brenda, it's an appalling room," said Mrs Beaver. "It's not one we use a great deal," said Tony very coldly. "I should think not," said the one they called Veronica. "I can't see much wrong with it," said Polly, "except it's a bit mouldy." "You see," Brenda explained, not looking at Tony. "What I thought was that I must have _one_ habitable room downstairs. At present there's only the smoking-room and the library. The drawing-room is vast and quite out of the question. I thought what I needed was a small sitting-room more or less to myself. Don't you think it has possibilities?" "But, my angel, the _shape's_ all wrong," said Daisy, "and that chimney-piece--what is it made of, pink granite, and all the plaster work and the dado. _Everything's_ horrible. It's so _dark_." "I know exactly what Brenda wants," said Mrs Beaver more moderately. "I don't think it will be impossible. I must think about it. As Veronica says, the structure does rather limit one... you know, I think the only thing to do would be to disregard it altogether and find some treatment so definite that it _carried_ the room, if you see what I mean... supposing we covered the walls with white chromium plating and had natural sheepskin carpet... I wonder if that would be running you in for more than you meant to spend?" "I'd blow the whole thing sky-high," said Veronica. Tony left them to their discussion. * * * * * "D'you really want Mrs Beaver to do up the morning-room?" "Not if you don't, sweet." "But can you imagine it--white chromium plating?" "Oh, that was just an idea." Tony walked in and out between Morgan le Fay and Guinevere as he always did while they were dressing. "I say," he said, returning with his waistcoat. "You aren't going away to-morrow too, are you?" "Must." He went back to Morgan le Fay for his tie and bringing it to Brenda's room again, sat by her side at the dressing table to fasten it. "By the way," said Brenda, "what did you think about keeping on Grimshawe?--it seems rather a waste." "You used always to say you couldn't get on without her." "Yes, but now I'm living at the flat everything's so simple." "_Living?_ Darling, you talk as though you had settled there for good." "D'you mind moving a second, sweet? I can't see properly." "Brenda, how long are you going on with this course of economics?" "Me? I don't know." "But you must have some idea?" "Oh, it's surprising what a lot there is to learn... I was so backward when I started..." "Brenda..." "Now run and put on your coat. They'll all be downstairs waiting for us." That evening Polly and Mrs Beaver played backgammon. Brenda and Veronica sat together on the sofa sewing and talking about their needlework; occasionally there were bursts of general conversation between the women; they had the habit of lapsing into a jargon of their own which Tony did not understand; it was a thieves' slang, by which the syllables of each word were transposed. Tony sat just outside the circle reading under another lamp. That night when they went upstairs, the guests came to sit in Brenda's room and talk to her while she went to bed. Tony could hear their low laughter through the dressing-room door. They had boiled water in an electric kettle and were drinking Sedobrol together. Presently, still laughing, they left, and Tony went into Brenda's room. It was in darkness but hearing him come and seeing the square of light in the doorway she turned on the little lamp by the bedside. "Why, Tony," she said. She was lying on the dais with her head deep back in the pillow; her face was shining with the grease she used for cleaning it; one bare arm on the quilted eiderdown, left there from turning the switch. "Why, Tony," she said, "I was almost asleep." "Very tired?" "Mm." "Want to be left alone?" "So tired... and I've just drunk a lot of that stuff of Polly's." "I see... well, good night."<\|quote\|>"Good night... don't mind, do you?... so tired."</\|quote\|>He crossed to the bed and kissed her; she lay quite still, with closed eyes. Then he turned out the light and went back to the dressing-room. * * * * * "Lady Brenda not ill, I hope?" "No, nothing serious, thank you very much. She gets rather done up in London, you know, during the week, and likes to take Sunday quietly." "And how are the great studies progressing?" "Very well, I gather. She seems keen on it still." "Splendid. We shall all be coming to her soon to solve our economic problems. But I daresay you and John miss her?" "Yes, we do rather." "Well, please give her my kindest regards." "I will indeed. Thank you so much." Tony left the church porch and made his accustomed way to the hothouses; a gardenia for himself; some almost black carnations for the ladies. When he reached the room where they were sitting there was a burst of laughter. He paused on the threshold, rather bewildered. "Come in, darling, it isn't anything. It's only we had a bet on what coloured buttonhole you'd be wearing and none of us won." They still giggled a little as they pinned on the flowers he had brought them; all except Mrs Beaver, who said, "Any time you are buying cuttings or seeds do get them through me. I've made quite a little business of it, perhaps you didn't know... all kinds of rather unusual flowers. I do everything like that for Sylvia Newport and all sorts of people." "You must talk to my head man about it." "Well, to tell you the truth I _have_--this morning while you were in church. He seems quite to understand." They left early, so as to reach London in time for dinner. In the car Daisy said, "Golly, what a house." "Now you can see what I've been through all these years." "My poor Brenda," said Veronica, unpinning her carnation and throwing it from the window into the side of the road. "You know," Brenda confided next day, "I'm not _absolutely_ happy about Tony." "What's the old boy been up to?" asked Polly. "Nothing much yet, but I do see it's pretty boring for him at Hetton all this time." "I shouldn't worry." "Oh, I'm not _worrying_. It's only, supposing he took to drink or something. It would make everything very difficult." "I shouldn't have said that was his thing... We must get him interested in a girl." "If only we could... Who is there?" "There's always old Sybil." "Darling, he's known her all his life." "Or Souki de Foucauld-Esterhazy." "He isn't his best with Americans." "Well, we'll find him someone." "The trouble is that I've become such a habit with him--he won't take easily to a new one... ought she to be like me, or quite different?" "I'd say different, but it's hard to tell." They discussed this problem in all its aspects. [III] Brenda wrote: Darling Tony, Sorry not to have written or rung up but I've had such a busy time with bimetallism. V. complicated. Coming down Saturday with Polly again. Good her coming twice--Lyonesse can't be as beastly as most of the rooms, can it. Also charming girl I have taken up with who I want us to be kind to. She's had a _terrible_ life and she lives in one of these flats, called Jenny Abdul Akbar. Not black but married one. Get her to tell you. She'll come by train 3.18 I expect. Must stop now and go to lecture. Keep away from the Demon Rum. x x x x x x Brenda. Saw Jock last night at Caf? de Paris with shameless blonde. Who? Gin. No, Djin--how?--has rheumatism and Marjorie is v. put out about it. She thinks his pelvis is out of place and Cruttwell won't do him which is pretty mean considering all the people she has brought there. "Are you _certain_ Jenny will be Tony's tea?" "You can't ever be certain," said Polly. "She bores my pants off, but she's a good trier." * * * * * "Is mummy coming down to-day, daddy?" "Yes." "Who else?" "Someone called Jenny Abdul Akbar." "What a silly name. Is she foreign?" "I don't know." "Sounds foreign, doesn't she, daddy? D'you think she won't be able to talk any English? Is she black?" "Mummy says not." "Oh... who else?" "Lady Cockpurse." "The monkey-woman. You know she wasn't a bit like a monkey except perhaps her face and I don't think she had a tail because I looked as close as anything... unless perhaps she has it rolled up between her legs. D'you think she has, daddy?" "I shouldn't be surprised." "_Very_ uncomfortable." Tony and John were friends again; but it had been a leaden week. * * * * *	what I mean... supposing we covered the walls with white chromium plating and had natural sheepskin carpet... I wonder if that would be running you in for more than you meant to spend?" "I'd blow the whole thing sky-high," said Veronica. Tony left them to their discussion. * * * * * "D'you really want Mrs Beaver to do up the morning-room?" "Not if you don't, sweet." "But can you imagine it--white chromium plating?" "Oh, that was just an idea." Tony walked in and out between Morgan le Fay and Guinevere as he always did while they were dressing. "I say," he said, returning with his waistcoat. "You aren't going away to-morrow too, are you?" "Must." He went back to Morgan le Fay for his tie and bringing it to Brenda's room again, sat by her side at the dressing table to fasten it. "By the way," said Brenda, "what did you think about keeping on Grimshawe?--it seems rather a waste." "You used always to say you couldn't get on without her." "Yes, but now I'm living at the flat everything's so simple." "_Living?_ Darling, you talk as though you had settled there for good." "D'you mind moving a second, sweet? I can't see properly." "Brenda, how long are you going on with this course of economics?" "Me? I don't know." "But you must have some idea?" "Oh, it's surprising what a lot there is to learn... I was so backward when I started..." "Brenda..." "Now run and put on your coat. They'll all be downstairs waiting for us." That evening Polly and Mrs Beaver played backgammon. Brenda and Veronica sat together on the sofa sewing and talking about their needlework; occasionally there were bursts of general conversation between the women; they had the habit of lapsing into a jargon of their own which Tony did not understand; it was a thieves' slang, by which the syllables of each word were transposed. Tony sat just outside the circle reading under another lamp. That night when they went upstairs, the guests came to sit in Brenda's room and talk to her while she went to bed. Tony could hear their low laughter through the dressing-room door. They had boiled water in an electric kettle and were drinking Sedobrol together. Presently, still laughing, they left, and Tony went into Brenda's room. It was in darkness but hearing him come and seeing the square of light in the doorway she turned on the little lamp by the bedside. "Why, Tony," she said. She was lying on the dais with her head deep back in the pillow; her face was shining with the grease she used for cleaning it; one bare arm on the quilted eiderdown, left there from turning the switch. "Why, Tony," she said, "I was almost asleep." "Very tired?" "Mm." "Want to be left alone?" "So tired... and I've just drunk a lot of that stuff of Polly's." "I see... well, good night."<\|quote\|>"Good night... don't mind, do you?... so tired."</\|quote\|>He crossed to the bed and kissed her; she lay quite still, with closed eyes. Then he turned out the light and went back to the dressing-room. * * * * * "Lady Brenda not ill, I hope?" "No, nothing serious, thank you very much. She gets rather done up in London, you know, during the week, and likes to take Sunday quietly." "And how are the great studies progressing?" "Very well, I gather. She seems keen on it still." "Splendid. We shall all be coming to her soon to solve our economic problems. But I daresay you and John miss her?" "Yes, we do rather." "Well, please give her my kindest regards." "I will indeed. Thank you so much." Tony left the church porch and made his accustomed way to the hothouses; a gardenia for himself; some almost black carnations for the ladies. When he reached the room where they were sitting there was a burst of laughter. He paused on the threshold, rather bewildered. "Come in, darling, it isn't anything. It's only we had a bet on what coloured buttonhole you'd be wearing and none of us won." They still giggled a little as they pinned on the flowers he had brought them; all except Mrs Beaver, who said, "Any time you are buying cuttings or seeds do get them through me. I've made quite a little business of it, perhaps you didn't know... all kinds of rather unusual flowers. I do everything like that for Sylvia Newport and all sorts of people." "You must talk to my head man about it." "Well, to tell you the truth I _have_--this morning while you were in church. He seems quite to understand." They left early, so as to reach London in time for dinner. In the car Daisy said, "Golly, what a house." "Now you can see what I've been through all these years." "My poor Brenda," said Veronica, unpinning her carnation and throwing it from the window into the side of the road. "You know," Brenda confided next day, "I'm not _absolutely_ happy about Tony." "What's the old boy been up to?" asked Polly. "Nothing much yet, but I do see it's pretty boring for him at Hetton all this time." "I shouldn't worry." "Oh, I'm not _worrying_. It's only, supposing he took to drink or something. It would make everything very difficult." "I shouldn't have said that was his thing... We must get him interested in a girl." "If only we could... Who is there?" "There's always old Sybil." "Darling, he's known her all his life." "Or Souki de Foucauld-Esterhazy." "He isn't his best with Americans." "Well, we'll find him someone." "The trouble is that I've become such a habit with him--he won't take easily to a new one... ought she to be like me, or quite different?" "I'd say different, but it's hard to tell." They discussed this problem in all its aspects. [III] Brenda wrote: Darling Tony, Sorry not to have written or rung up but I've had such a busy time with bimetallism. V. complicated. Coming down Saturday with Polly again. Good her	A Handful Of Dust
said Crane in his turn. He had taken to calling her madam.	No speaker	"It is all right, madam,"<\|quote\|>said Crane in his turn. He had taken to calling her madam.</\|quote\|>"What s all right? The	motor came round the corner. "It is all right, madam,"<\|quote\|>said Crane in his turn. He had taken to calling her madam.</\|quote\|>"What s all right? The cat?" "Yes, madam. The girl	men, men sheltering behind servants--the whole system s wrong, and she must challenge it. "Miss Schlegel! Pon my word, you ve hurt your hand." "I m just going to see," said Margaret. "Don t you wait, Mr. Fussell." The second motor came round the corner. "It is all right, madam,"<\|quote\|>said Crane in his turn. He had taken to calling her madam.</\|quote\|>"What s all right? The cat?" "Yes, madam. The girl will receive compensation for it." "She was a very ruda girla," said Angelo from the third motor thoughtfully. "Wouldn t you have been rude?" The Italian spread out his hands, implying that he had not thought of rudeness, but would	Charles triumphantly. "It s only a rotten cat." "Got room in your car for a little un? I cut as soon as I saw it wasn t a dog; the chauffeurs are tackling the girl." But Margaret walked forward steadily. Why should the chauffeurs tackle the girl? Ladies sheltering behind men, men sheltering behind servants--the whole system s wrong, and she must challenge it. "Miss Schlegel! Pon my word, you ve hurt your hand." "I m just going to see," said Margaret. "Don t you wait, Mr. Fussell." The second motor came round the corner. "It is all right, madam,"<\|quote\|>said Crane in his turn. He had taken to calling her madam.</\|quote\|>"What s all right? The cat?" "Yes, madam. The girl will receive compensation for it." "She was a very ruda girla," said Angelo from the third motor thoughtfully. "Wouldn t you have been rude?" The Italian spread out his hands, implying that he had not thought of rudeness, but would produce it if it pleased her. The situation became absurd. The gentlemen were again buzzing round Miss Schlegel with offers of assistance, and Lady Edser began to bind up her hand. She yielded, apologising slightly, and was led back to the car, and soon the landscape resumed its motion, the	s nothing to ask," said Margaret. "Your hand s bleeding." "I know." "I m in for a frightful row from the pater." "You should have thought of that sooner, Charles." Charles had never been in such a position before. It was a woman in revolt who was hobbling away from him--and the sight was too strange to leave any room for anger. He recovered himself when the others caught them up: their sort he understood. He commanded them to go back. Albert Fussell was seen walking towards them. "It s all right!" he called. "It was a cat." "There!" exclaimed Charles triumphantly. "It s only a rotten cat." "Got room in your car for a little un? I cut as soon as I saw it wasn t a dog; the chauffeurs are tackling the girl." But Margaret walked forward steadily. Why should the chauffeurs tackle the girl? Ladies sheltering behind men, men sheltering behind servants--the whole system s wrong, and she must challenge it. "Miss Schlegel! Pon my word, you ve hurt your hand." "I m just going to see," said Margaret. "Don t you wait, Mr. Fussell." The second motor came round the corner. "It is all right, madam,"<\|quote\|>said Crane in his turn. He had taken to calling her madam.</\|quote\|>"What s all right? The cat?" "Yes, madam. The girl will receive compensation for it." "She was a very ruda girla," said Angelo from the third motor thoughtfully. "Wouldn t you have been rude?" The Italian spread out his hands, implying that he had not thought of rudeness, but would produce it if it pleased her. The situation became absurd. The gentlemen were again buzzing round Miss Schlegel with offers of assistance, and Lady Edser began to bind up her hand. She yielded, apologising slightly, and was led back to the car, and soon the landscape resumed its motion, the lonely cottage disappeared, the castle swelled on its cushion of turf, and they had arrived. No doubt she had disgraced herself. But she felt their whole journey from London had been unreal. They had no part with the earth and its emotions. They were dust, and a stink, and cosmopolitan chatter, and the girl whose cat had been killed had lived more deeply than they. "Oh, Henry," she exclaimed, "I have been so naughty," for she had decided to take up this line. "We ran over a cat. Charles told me not to jump out, but I would, and look!"	"Do PLEASE stop!" said Margaret, leaning forward. She was standing up in the car, the other occupants holding her knees to steady her. "I want to go back, please." Charles took no notice. "We ve left Mr. Fussell behind," said another; "and Angelo, and Crane." "Yes, but no woman." "I expect a little of" "--Mrs. Warrington scratched her palm--" "will be more to the point than one of us!" "The insurance company see to that," remarked Charles, "and Albert will do the talking." "I want to go back, though, I say!" repeated Margaret, getting angry. Charles took no notice. The motor, loaded with refugees, continued to travel very slowly down the hill. "The men are there," chorused the others. "They will see to it." "The men CAN T see to it. Oh, this is ridiculous! Charles, I ask you to stop." "Stopping s no good," drawled Charles. "Isn t it?" said Margaret, and jumped straight out of the car. She fell on her knees, cut her gloves, shook her hat over her ear. Cries of alarm followed her. "You ve hurt yourself," exclaimed Charles, jumping after her. "Of course I ve hurt myself!" she retorted. "May I ask what--" "There s nothing to ask," said Margaret. "Your hand s bleeding." "I know." "I m in for a frightful row from the pater." "You should have thought of that sooner, Charles." Charles had never been in such a position before. It was a woman in revolt who was hobbling away from him--and the sight was too strange to leave any room for anger. He recovered himself when the others caught them up: their sort he understood. He commanded them to go back. Albert Fussell was seen walking towards them. "It s all right!" he called. "It was a cat." "There!" exclaimed Charles triumphantly. "It s only a rotten cat." "Got room in your car for a little un? I cut as soon as I saw it wasn t a dog; the chauffeurs are tackling the girl." But Margaret walked forward steadily. Why should the chauffeurs tackle the girl? Ladies sheltering behind men, men sheltering behind servants--the whole system s wrong, and she must challenge it. "Miss Schlegel! Pon my word, you ve hurt your hand." "I m just going to see," said Margaret. "Don t you wait, Mr. Fussell." The second motor came round the corner. "It is all right, madam,"<\|quote\|>said Crane in his turn. He had taken to calling her madam.</\|quote\|>"What s all right? The cat?" "Yes, madam. The girl will receive compensation for it." "She was a very ruda girla," said Angelo from the third motor thoughtfully. "Wouldn t you have been rude?" The Italian spread out his hands, implying that he had not thought of rudeness, but would produce it if it pleased her. The situation became absurd. The gentlemen were again buzzing round Miss Schlegel with offers of assistance, and Lady Edser began to bind up her hand. She yielded, apologising slightly, and was led back to the car, and soon the landscape resumed its motion, the lonely cottage disappeared, the castle swelled on its cushion of turf, and they had arrived. No doubt she had disgraced herself. But she felt their whole journey from London had been unreal. They had no part with the earth and its emotions. They were dust, and a stink, and cosmopolitan chatter, and the girl whose cat had been killed had lived more deeply than they. "Oh, Henry," she exclaimed, "I have been so naughty," for she had decided to take up this line. "We ran over a cat. Charles told me not to jump out, but I would, and look!" She held out her bandaged hand. "Your poor Meg went such a flop." Mr. Wilcox looked bewildered. In evening dress, he was standing to welcome his guests in the hall. "Thinking it was a dog," added Mrs. Warrington. "Ah, a dog s a companion!" said Colonel Fussell. "A dog ll remember you." "Have you hurt yourself, Margaret?" "Not to speak about; and it s my left hand." "Well, hurry up and change." She obeyed, as did the others. Mr. Wilcox then turned to his son. "Now, Charles, what s happened?" Charles was absolutely honest. He described what he believed to have happened. Albert had flattened out a cat, and Miss Schlegel had lost her nerve, as any woman might. She had been got safely into the other car, but when it was in motion had leapt out again, in spite of all that they could say. After walking a little on the road, she had calmed down and had said that she was sorry. His father accepted this explanation, and neither knew that Margaret had artfully prepared the way for it. It fitted in too well with their view of feminine nature. In the smoking-room, after dinner, the Colonel put	the discovery, but which no practical man will ever discover. They spoke of Tariff Reform. Mrs. Warrington was just back from the Colonies. Like many other critics of Empire, her mouth had been stopped with food, and she could only exclaim at the hospitality with which she had been received, and warn the Mother Country against trifling with young Titans. "They threaten to cut the painter," she cried, "and where shall we be then? Miss Schlegel, you ll undertake to keep Henry sound about Tariff Reform? It is our last hope." Margaret playfully confessed herself on the other side, and they began to quote from their respective handbooks while the motor carried them deep into the hills. Curious these were rather than impressive, for their outlines lacked beauty, and the pink fields on their summits suggested the handkerchiefs of a giant spread out to dry. An occasional outcrop of rock, an occasional wood, an occasional "forest," treeless and brown, all hinted at wildness to follow, but the main colour was an agricultural green. The air grew cooler; they had surmounted the last gradient, and Oniton lay below them with its church, its radiating houses, its castle, its river-girt peninsula. Close to the castle was a grey mansion unintellectual but kindly, stretching with its grounds across the peninsula s neck--the sort of mansion that was built all over England in the beginning of the last century, while architecture was still an expression of the national character. That was the Grange, remarked Albert, over his shoulder, and then he jammed the brake on, and the motor slowed down and stopped. "I m sorry," said he, turning round. "Do you mind getting out--by the door on the right. Steady on." "What s happened?" asked Mrs. Warrington. Then the car behind them drew up, and the voice of Charles was heard saying: "Get the women out at once." There was a concourse of males, and Margaret and her companions were hustled out and received into the second car. What had happened? As it started off again, the door of a cottage opened, and a girl screamed wildly at them. "What is it?" the ladies cried. Charles drove them a hundred yards without speaking. Then he said: "It s all right. Your car just touched a dog." "But stop!" cried Margaret, horrified. "It didn t hurt him." "Didn t really hurt him?" asked Myra. "No." "Do PLEASE stop!" said Margaret, leaning forward. She was standing up in the car, the other occupants holding her knees to steady her. "I want to go back, please." Charles took no notice. "We ve left Mr. Fussell behind," said another; "and Angelo, and Crane." "Yes, but no woman." "I expect a little of" "--Mrs. Warrington scratched her palm--" "will be more to the point than one of us!" "The insurance company see to that," remarked Charles, "and Albert will do the talking." "I want to go back, though, I say!" repeated Margaret, getting angry. Charles took no notice. The motor, loaded with refugees, continued to travel very slowly down the hill. "The men are there," chorused the others. "They will see to it." "The men CAN T see to it. Oh, this is ridiculous! Charles, I ask you to stop." "Stopping s no good," drawled Charles. "Isn t it?" said Margaret, and jumped straight out of the car. She fell on her knees, cut her gloves, shook her hat over her ear. Cries of alarm followed her. "You ve hurt yourself," exclaimed Charles, jumping after her. "Of course I ve hurt myself!" she retorted. "May I ask what--" "There s nothing to ask," said Margaret. "Your hand s bleeding." "I know." "I m in for a frightful row from the pater." "You should have thought of that sooner, Charles." Charles had never been in such a position before. It was a woman in revolt who was hobbling away from him--and the sight was too strange to leave any room for anger. He recovered himself when the others caught them up: their sort he understood. He commanded them to go back. Albert Fussell was seen walking towards them. "It s all right!" he called. "It was a cat." "There!" exclaimed Charles triumphantly. "It s only a rotten cat." "Got room in your car for a little un? I cut as soon as I saw it wasn t a dog; the chauffeurs are tackling the girl." But Margaret walked forward steadily. Why should the chauffeurs tackle the girl? Ladies sheltering behind men, men sheltering behind servants--the whole system s wrong, and she must challenge it. "Miss Schlegel! Pon my word, you ve hurt your hand." "I m just going to see," said Margaret. "Don t you wait, Mr. Fussell." The second motor came round the corner. "It is all right, madam,"<\|quote\|>said Crane in his turn. He had taken to calling her madam.</\|quote\|>"What s all right? The cat?" "Yes, madam. The girl will receive compensation for it." "She was a very ruda girla," said Angelo from the third motor thoughtfully. "Wouldn t you have been rude?" The Italian spread out his hands, implying that he had not thought of rudeness, but would produce it if it pleased her. The situation became absurd. The gentlemen were again buzzing round Miss Schlegel with offers of assistance, and Lady Edser began to bind up her hand. She yielded, apologising slightly, and was led back to the car, and soon the landscape resumed its motion, the lonely cottage disappeared, the castle swelled on its cushion of turf, and they had arrived. No doubt she had disgraced herself. But she felt their whole journey from London had been unreal. They had no part with the earth and its emotions. They were dust, and a stink, and cosmopolitan chatter, and the girl whose cat had been killed had lived more deeply than they. "Oh, Henry," she exclaimed, "I have been so naughty," for she had decided to take up this line. "We ran over a cat. Charles told me not to jump out, but I would, and look!" She held out her bandaged hand. "Your poor Meg went such a flop." Mr. Wilcox looked bewildered. In evening dress, he was standing to welcome his guests in the hall. "Thinking it was a dog," added Mrs. Warrington. "Ah, a dog s a companion!" said Colonel Fussell. "A dog ll remember you." "Have you hurt yourself, Margaret?" "Not to speak about; and it s my left hand." "Well, hurry up and change." She obeyed, as did the others. Mr. Wilcox then turned to his son. "Now, Charles, what s happened?" Charles was absolutely honest. He described what he believed to have happened. Albert had flattened out a cat, and Miss Schlegel had lost her nerve, as any woman might. She had been got safely into the other car, but when it was in motion had leapt out again, in spite of all that they could say. After walking a little on the road, she had calmed down and had said that she was sorry. His father accepted this explanation, and neither knew that Margaret had artfully prepared the way for it. It fitted in too well with their view of feminine nature. In the smoking-room, after dinner, the Colonel put forward the view that Miss Schlegel had jumped it out of devilry. Well he remembered as a young man, in the harbour of Gibraltar once, how a girl--a handsome girl, too--had jumped overboard for a bet. He could see her now, and all the lads overboard after her. But Charles and Mr. Wilcox agreed it was much more probably nerves in Miss Schlegel s case. Charles was depressed. That woman had a tongue. She would bring worse disgrace on his father before she had done with them. He strolled out on to the castle mound to think the matter over. The evening was exquisite. On three sides of him a little river whispered, full of messages from the West; above his head the ruins made patterns against the sky. He carefully reviewed their dealings with this family, until he fitted Helen, and Margaret, and Aunt Juley into an orderly conspiracy. Paternity had made him suspicious. He had two children to look after, and more coming, and day by day they seemed less likely to grow up rich men. "It is all very well," he reflected, "the pater s saying that he will be just to all, but one can t be just indefinitely. Money isn t elastic. What s to happen if Evie has a family? And, come to that, so may the pater. There ll not be enough to go round, for there s none coming in, either through Dolly or Percy. It s damnable!" He looked enviously at the Grange, whose windows poured light and laughter. First and last, this wedding would cost a pretty penny. Two ladies were strolling up and down the garden terrace, and as the syllables "Imperialism" were wafted to his ears, he guessed that one of them was his aunt. She might have helped him, if she too had not had a family to provide for. "Every one for himself," he repeated--a maxim which had cheered him in the past, but which rang grimly enough among the ruins of Oniton. He lacked his father s ability in business, and so had an ever higher regard for money; unless he could inherit plenty, he feared to leave his children poor. As he sat thinking, one of the ladies left the terrace and walked into the meadow; he recognised her as Margaret by the white bandage that gleamed on her arm, and put out his	to travel very slowly down the hill. "The men are there," chorused the others. "They will see to it." "The men CAN T see to it. Oh, this is ridiculous! Charles, I ask you to stop." "Stopping s no good," drawled Charles. "Isn t it?" said Margaret, and jumped straight out of the car. She fell on her knees, cut her gloves, shook her hat over her ear. Cries of alarm followed her. "You ve hurt yourself," exclaimed Charles, jumping after her. "Of course I ve hurt myself!" she retorted. "May I ask what--" "There s nothing to ask," said Margaret. "Your hand s bleeding." "I know." "I m in for a frightful row from the pater." "You should have thought of that sooner, Charles." Charles had never been in such a position before. It was a woman in revolt who was hobbling away from him--and the sight was too strange to leave any room for anger. He recovered himself when the others caught them up: their sort he understood. He commanded them to go back. Albert Fussell was seen walking towards them. "It s all right!" he called. "It was a cat." "There!" exclaimed Charles triumphantly. "It s only a rotten cat." "Got room in your car for a little un? I cut as soon as I saw it wasn t a dog; the chauffeurs are tackling the girl." But Margaret walked forward steadily. Why should the chauffeurs tackle the girl? Ladies sheltering behind men, men sheltering behind servants--the whole system s wrong, and she must challenge it. "Miss Schlegel! Pon my word, you ve hurt your hand." "I m just going to see," said Margaret. "Don t you wait, Mr. Fussell." The second motor came round the corner. "It is all right, madam,"<\|quote\|>said Crane in his turn. He had taken to calling her madam.</\|quote\|>"What s all right? The cat?" "Yes, madam. The girl will receive compensation for it." "She was a very ruda girla," said Angelo from the third motor thoughtfully. "Wouldn t you have been rude?" The Italian spread out his hands, implying that he had not thought of rudeness, but would produce it if it pleased her. The situation became absurd. The gentlemen were again buzzing round Miss Schlegel with offers of assistance, and Lady Edser began to bind up her hand. She yielded, apologising slightly, and was led back to the car, and soon the landscape resumed its motion, the lonely cottage disappeared, the castle swelled on its cushion of turf, and they had arrived. No doubt she had disgraced herself. But she felt their whole journey from London had been unreal. They had no part with the earth and its emotions. They were dust, and a stink, and cosmopolitan chatter, and the girl whose cat had been killed had lived more deeply than they. "Oh, Henry," she exclaimed, "I have been so naughty," for she had decided to take up this line. "We ran over a cat. Charles told me not to jump out, but I would, and look!" She held out her bandaged hand. "Your poor Meg went such a flop." Mr. Wilcox looked bewildered. In evening dress, he was standing to welcome his guests in the hall. "Thinking it was a dog," added Mrs. Warrington. "Ah, a dog s a companion!" said Colonel Fussell. "A dog ll remember you." "Have you hurt yourself, Margaret?" "Not to speak about; and it s my left hand." "Well, hurry up and change." She obeyed, as did the others. Mr. Wilcox then turned to his son. "Now, Charles, what s happened?" Charles was absolutely honest. He described what he believed to have happened. Albert had flattened out a cat, and Miss Schlegel had lost her nerve, as any woman might. She had been got safely into the other car, but when it was in motion had leapt out again, in spite of all that they could say. After walking a little on the road, she had calmed down and had said that she was sorry. His father accepted this explanation, and neither knew that Margaret had artfully prepared the way for it. It fitted in too well with their view of feminine nature. In	Howards End
"So you have been settling that I should marry Jane Fairfax?"	Mr. Knightley	not pleased, soon afterwards said,<\|quote\|>"So you have been settling that I should marry Jane Fairfax?"</\|quote\|>"No indeed I have not.	a manner which shewed him not pleased, soon afterwards said,<\|quote\|>"So you have been settling that I should marry Jane Fairfax?"</\|quote\|>"No indeed I have not. You have scolded me too	I shall never ask her." Emma returned her friend's pressure with interest; and was pleased enough to exclaim, "You are not vain, Mr. Knightley. I will say that for you." He seemed hardly to hear her; he was thoughtful--and in a manner which shewed him not pleased, soon afterwards said,<\|quote\|>"So you have been settling that I should marry Jane Fairfax?"</\|quote\|>"No indeed I have not. You have scolded me too much for match-making, for me to presume to take such a liberty with you. What I said just now, meant nothing. One says those sort of things, of course, without any idea of a serious meaning. Oh! no, upon my	stopped.--Emma felt her foot pressed by Mrs. Weston, and did not herself know what to think. In a moment he went on-- "That will never be, however, I can assure you. Miss Fairfax, I dare say, would not have me if I were to ask her--and I am very sure I shall never ask her." Emma returned her friend's pressure with interest; and was pleased enough to exclaim, "You are not vain, Mr. Knightley. I will say that for you." He seemed hardly to hear her; he was thoughtful--and in a manner which shewed him not pleased, soon afterwards said,<\|quote\|>"So you have been settling that I should marry Jane Fairfax?"</\|quote\|>"No indeed I have not. You have scolded me too much for match-making, for me to presume to take such a liberty with you. What I said just now, meant nothing. One says those sort of things, of course, without any idea of a serious meaning. Oh! no, upon my word I have not the smallest wish for your marrying Jane Fairfax or Jane any body. You would not come in and sit with us in this comfortable way, if you were married." Mr. Knightley was thoughtful again. The result of his reverie was, "No, Emma, I do not think	an arch look, but soon stopping--it was better, however, to know the worst at once--she hurried on--" "And yet, perhaps, you may hardly be aware yourself how highly it is. The extent of your admiration may take you by surprize some day or other." Mr. Knightley was hard at work upon the lower buttons of his thick leather gaiters, and either the exertion of getting them together, or some other cause, brought the colour into his face, as he answered, "Oh! are you there?--But you are miserably behindhand. Mr. Cole gave me a hint of it six weeks ago." He stopped.--Emma felt her foot pressed by Mrs. Weston, and did not herself know what to think. In a moment he went on-- "That will never be, however, I can assure you. Miss Fairfax, I dare say, would not have me if I were to ask her--and I am very sure I shall never ask her." Emma returned her friend's pressure with interest; and was pleased enough to exclaim, "You are not vain, Mr. Knightley. I will say that for you." He seemed hardly to hear her; he was thoughtful--and in a manner which shewed him not pleased, soon afterwards said,<\|quote\|>"So you have been settling that I should marry Jane Fairfax?"</\|quote\|>"No indeed I have not. You have scolded me too much for match-making, for me to presume to take such a liberty with you. What I said just now, meant nothing. One says those sort of things, of course, without any idea of a serious meaning. Oh! no, upon my word I have not the smallest wish for your marrying Jane Fairfax or Jane any body. You would not come in and sit with us in this comfortable way, if you were married." Mr. Knightley was thoughtful again. The result of his reverie was, "No, Emma, I do not think the extent of my admiration for her will ever take me by surprize.--I never had a thought of her in that way, I assure you." And soon afterwards, "Jane Fairfax is a very charming young woman--but not even Jane Fairfax is perfect. She has a fault. She has not the open temper which a man would wish for in a wife." Emma could not but rejoice to hear that she had a fault. "Well," said she, "and you soon silenced Mr. Cole, I suppose?" "Yes, very soon. He gave me a quiet hint; I told him he was mistaken; he	Fairfax as she speaks _of_ her. We all know the difference between the pronouns he or she and thou, the plainest spoken amongst us; we all feel the influence of a something beyond common civility in our personal intercourse with each other--a something more early implanted. We cannot give any body the disagreeable hints that we may have been very full of the hour before. We feel things differently. And besides the operation of this, as a general principle, you may be sure that Miss Fairfax awes Mrs. Elton by her superiority both of mind and manner; and that, face to face, Mrs. Elton treats her with all the respect which she has a claim to. Such a woman as Jane Fairfax probably never fell in Mrs. Elton's way before--and no degree of vanity can prevent her acknowledging her own comparative littleness in action, if not in consciousness." "I know how highly you think of Jane Fairfax," said Emma. Little Henry was in her thoughts, and a mixture of alarm and delicacy made her irresolute what else to say. "Yes," he replied, "any body may know how highly I think of her." "And yet," said Emma, beginning hastily and with an arch look, but soon stopping--it was better, however, to know the worst at once--she hurried on--" "And yet, perhaps, you may hardly be aware yourself how highly it is. The extent of your admiration may take you by surprize some day or other." Mr. Knightley was hard at work upon the lower buttons of his thick leather gaiters, and either the exertion of getting them together, or some other cause, brought the colour into his face, as he answered, "Oh! are you there?--But you are miserably behindhand. Mr. Cole gave me a hint of it six weeks ago." He stopped.--Emma felt her foot pressed by Mrs. Weston, and did not herself know what to think. In a moment he went on-- "That will never be, however, I can assure you. Miss Fairfax, I dare say, would not have me if I were to ask her--and I am very sure I shall never ask her." Emma returned her friend's pressure with interest; and was pleased enough to exclaim, "You are not vain, Mr. Knightley. I will say that for you." He seemed hardly to hear her; he was thoughtful--and in a manner which shewed him not pleased, soon afterwards said,<\|quote\|>"So you have been settling that I should marry Jane Fairfax?"</\|quote\|>"No indeed I have not. You have scolded me too much for match-making, for me to presume to take such a liberty with you. What I said just now, meant nothing. One says those sort of things, of course, without any idea of a serious meaning. Oh! no, upon my word I have not the smallest wish for your marrying Jane Fairfax or Jane any body. You would not come in and sit with us in this comfortable way, if you were married." Mr. Knightley was thoughtful again. The result of his reverie was, "No, Emma, I do not think the extent of my admiration for her will ever take me by surprize.--I never had a thought of her in that way, I assure you." And soon afterwards, "Jane Fairfax is a very charming young woman--but not even Jane Fairfax is perfect. She has a fault. She has not the open temper which a man would wish for in a wife." Emma could not but rejoice to hear that she had a fault. "Well," said she, "and you soon silenced Mr. Cole, I suppose?" "Yes, very soon. He gave me a quiet hint; I told him he was mistaken; he asked my pardon and said no more. Cole does not want to be wiser or wittier than his neighbours." "In that respect how unlike dear Mrs. Elton, who wants to be wiser and wittier than all the world! I wonder how she speaks of the Coles--what she calls them! How can she find any appellation for them, deep enough in familiar vulgarity? She calls you, Knightley--what can she do for Mr. Cole? And so I am not to be surprized that Jane Fairfax accepts her civilities and consents to be with her. Mrs. Weston, your argument weighs most with me. I can much more readily enter into the temptation of getting away from Miss Bates, than I can believe in the triumph of Miss Fairfax's mind over Mrs. Elton. I have no faith in Mrs. Elton's acknowledging herself the inferior in thought, word, or deed; or in her being under any restraint beyond her own scanty rule of good-breeding. I cannot imagine that she will not be continually insulting her visitor with praise, encouragement, and offers of service; that she will not be continually detailing her magnificent intentions, from the procuring her a permanent situation to the including her in	According to Miss Bates--it all came from her--Mrs. Dixon had written most pressingly. Would Jane but go, means were to be found, servants sent, friends contrived--no travelling difficulty allowed to exist; but still she had declined it! "She must have some motive, more powerful than appears, for refusing this invitation," was Emma's conclusion. "She must be under some sort of penance, inflicted either by the Campbells or herself. There is great fear, great caution, great resolution somewhere.--She is _not_ to be with the _Dixons_. The decree is issued by somebody. But why must she consent to be with the Eltons?--Here is quite a separate puzzle." Upon her speaking her wonder aloud on that part of the subject, before the few who knew her opinion of Mrs. Elton, Mrs. Weston ventured this apology for Jane. "We cannot suppose that she has any great enjoyment at the Vicarage, my dear Emma--but it is better than being always at home. Her aunt is a good creature, but, as a constant companion, must be very tiresome. We must consider what Miss Fairfax quits, before we condemn her taste for what she goes to." "You are right, Mrs. Weston," said Mr. Knightley warmly, "Miss Fairfax is as capable as any of us of forming a just opinion of Mrs. Elton. Could she have chosen with whom to associate, she would not have chosen her. But" (with a reproachful smile at Emma) "she receives attentions from Mrs. Elton, which nobody else pays her." Emma felt that Mrs. Weston was giving her a momentary glance; and she was herself struck by his warmth. With a faint blush, she presently replied, "Such attentions as Mrs. Elton's, I should have imagined, would rather disgust than gratify Miss Fairfax. Mrs. Elton's invitations I should have imagined any thing but inviting." "I should not wonder," said Mrs. Weston, "if Miss Fairfax were to have been drawn on beyond her own inclination, by her aunt's eagerness in accepting Mrs. Elton's civilities for her. Poor Miss Bates may very likely have committed her niece and hurried her into a greater appearance of intimacy than her own good sense would have dictated, in spite of the very natural wish of a little change." Both felt rather anxious to hear him speak again; and after a few minutes silence, he said, "Another thing must be taken into consideration too--Mrs. Elton does not talk _to_ Miss Fairfax as she speaks _of_ her. We all know the difference between the pronouns he or she and thou, the plainest spoken amongst us; we all feel the influence of a something beyond common civility in our personal intercourse with each other--a something more early implanted. We cannot give any body the disagreeable hints that we may have been very full of the hour before. We feel things differently. And besides the operation of this, as a general principle, you may be sure that Miss Fairfax awes Mrs. Elton by her superiority both of mind and manner; and that, face to face, Mrs. Elton treats her with all the respect which she has a claim to. Such a woman as Jane Fairfax probably never fell in Mrs. Elton's way before--and no degree of vanity can prevent her acknowledging her own comparative littleness in action, if not in consciousness." "I know how highly you think of Jane Fairfax," said Emma. Little Henry was in her thoughts, and a mixture of alarm and delicacy made her irresolute what else to say. "Yes," he replied, "any body may know how highly I think of her." "And yet," said Emma, beginning hastily and with an arch look, but soon stopping--it was better, however, to know the worst at once--she hurried on--" "And yet, perhaps, you may hardly be aware yourself how highly it is. The extent of your admiration may take you by surprize some day or other." Mr. Knightley was hard at work upon the lower buttons of his thick leather gaiters, and either the exertion of getting them together, or some other cause, brought the colour into his face, as he answered, "Oh! are you there?--But you are miserably behindhand. Mr. Cole gave me a hint of it six weeks ago." He stopped.--Emma felt her foot pressed by Mrs. Weston, and did not herself know what to think. In a moment he went on-- "That will never be, however, I can assure you. Miss Fairfax, I dare say, would not have me if I were to ask her--and I am very sure I shall never ask her." Emma returned her friend's pressure with interest; and was pleased enough to exclaim, "You are not vain, Mr. Knightley. I will say that for you." He seemed hardly to hear her; he was thoughtful--and in a manner which shewed him not pleased, soon afterwards said,<\|quote\|>"So you have been settling that I should marry Jane Fairfax?"</\|quote\|>"No indeed I have not. You have scolded me too much for match-making, for me to presume to take such a liberty with you. What I said just now, meant nothing. One says those sort of things, of course, without any idea of a serious meaning. Oh! no, upon my word I have not the smallest wish for your marrying Jane Fairfax or Jane any body. You would not come in and sit with us in this comfortable way, if you were married." Mr. Knightley was thoughtful again. The result of his reverie was, "No, Emma, I do not think the extent of my admiration for her will ever take me by surprize.--I never had a thought of her in that way, I assure you." And soon afterwards, "Jane Fairfax is a very charming young woman--but not even Jane Fairfax is perfect. She has a fault. She has not the open temper which a man would wish for in a wife." Emma could not but rejoice to hear that she had a fault. "Well," said she, "and you soon silenced Mr. Cole, I suppose?" "Yes, very soon. He gave me a quiet hint; I told him he was mistaken; he asked my pardon and said no more. Cole does not want to be wiser or wittier than his neighbours." "In that respect how unlike dear Mrs. Elton, who wants to be wiser and wittier than all the world! I wonder how she speaks of the Coles--what she calls them! How can she find any appellation for them, deep enough in familiar vulgarity? She calls you, Knightley--what can she do for Mr. Cole? And so I am not to be surprized that Jane Fairfax accepts her civilities and consents to be with her. Mrs. Weston, your argument weighs most with me. I can much more readily enter into the temptation of getting away from Miss Bates, than I can believe in the triumph of Miss Fairfax's mind over Mrs. Elton. I have no faith in Mrs. Elton's acknowledging herself the inferior in thought, word, or deed; or in her being under any restraint beyond her own scanty rule of good-breeding. I cannot imagine that she will not be continually insulting her visitor with praise, encouragement, and offers of service; that she will not be continually detailing her magnificent intentions, from the procuring her a permanent situation to the including her in those delightful exploring parties which are to take place in the barouche-landau." "Jane Fairfax has feeling," said Mr. Knightley--" "I do not accuse her of want of feeling. Her sensibilities, I suspect, are strong--and her temper excellent in its power of forbearance, patience, self-control; but it wants openness. She is reserved, more reserved, I think, than she used to be--And I love an open temper. No--till Cole alluded to my supposed attachment, it had never entered my head. I saw Jane Fairfax and conversed with her, with admiration and pleasure always--but with no thought beyond." "Well, Mrs. Weston," said Emma triumphantly when he left them, "what do you say now to Mr. Knightley's marrying Jane Fairfax?" "Why, really, dear Emma, I say that he is so very much occupied by the idea of _not_ being in love with her, that I should not wonder if it were to end in his being so at last. Do not beat me." CHAPTER XVI Every body in and about Highbury who had ever visited Mr. Elton, was disposed to pay him attention on his marriage. Dinner-parties and evening-parties were made for him and his lady; and invitations flowed in so fast that she had soon the pleasure of apprehending they were never to have a disengaged day. "I see how it is," said she. "I see what a life I am to lead among you. Upon my word we shall be absolutely dissipated. We really seem quite the fashion. If this is living in the country, it is nothing very formidable. From Monday next to Saturday, I assure you we have not a disengaged day!--A woman with fewer resources than I have, need not have been at a loss." No invitation came amiss to her. Her Bath habits made evening-parties perfectly natural to her, and Maple Grove had given her a taste for dinners. She was a little shocked at the want of two drawing rooms, at the poor attempt at rout-cakes, and there being no ice in the Highbury card-parties. Mrs. Bates, Mrs. Perry, Mrs. Goddard and others, were a good deal behind-hand in knowledge of the world, but she would soon shew them how every thing ought to be arranged. In the course of the spring she must return their civilities by one very superior party--in which her card-tables should be set out with their separate candles and unbroken packs in	smile at Emma) "she receives attentions from Mrs. Elton, which nobody else pays her." Emma felt that Mrs. Weston was giving her a momentary glance; and she was herself struck by his warmth. With a faint blush, she presently replied, "Such attentions as Mrs. Elton's, I should have imagined, would rather disgust than gratify Miss Fairfax. Mrs. Elton's invitations I should have imagined any thing but inviting." "I should not wonder," said Mrs. Weston, "if Miss Fairfax were to have been drawn on beyond her own inclination, by her aunt's eagerness in accepting Mrs. Elton's civilities for her. Poor Miss Bates may very likely have committed her niece and hurried her into a greater appearance of intimacy than her own good sense would have dictated, in spite of the very natural wish of a little change." Both felt rather anxious to hear him speak again; and after a few minutes silence, he said, "Another thing must be taken into consideration too--Mrs. Elton does not talk _to_ Miss Fairfax as she speaks _of_ her. We all know the difference between the pronouns he or she and thou, the plainest spoken amongst us; we all feel the influence of a something beyond common civility in our personal intercourse with each other--a something more early implanted. We cannot give any body the disagreeable hints that we may have been very full of the hour before. We feel things differently. And besides the operation of this, as a general principle, you may be sure that Miss Fairfax awes Mrs. Elton by her superiority both of mind and manner; and that, face to face, Mrs. Elton treats her with all the respect which she has a claim to. Such a woman as Jane Fairfax probably never fell in Mrs. Elton's way before--and no degree of vanity can prevent her acknowledging her own comparative littleness in action, if not in consciousness." "I know how highly you think of Jane Fairfax," said Emma. Little Henry was in her thoughts, and a mixture of alarm and delicacy made her irresolute what else to say. "Yes," he replied, "any body may know how highly I think of her." "And yet," said Emma, beginning hastily and with an arch look, but soon stopping--it was better, however, to know the worst at once--she hurried on--" "And yet, perhaps, you may hardly be aware yourself how highly it is. The extent of your admiration may take you by surprize some day or other." Mr. Knightley was hard at work upon the lower buttons of his thick leather gaiters, and either the exertion of getting them together, or some other cause, brought the colour into his face, as he answered, "Oh! are you there?--But you are miserably behindhand. Mr. Cole gave me a hint of it six weeks ago." He stopped.--Emma felt her foot pressed by Mrs. Weston, and did not herself know what to think. In a moment he went on-- "That will never be, however, I can assure you. Miss Fairfax, I dare say, would not have me if I were to ask her--and I am very sure I shall never ask her." Emma returned her friend's pressure with interest; and was pleased enough to exclaim, "You are not vain, Mr. Knightley. I will say that for you." He seemed hardly to hear her; he was thoughtful--and in a manner which shewed him not pleased, soon afterwards said,<\|quote\|>"So you have been settling that I should marry Jane Fairfax?"</\|quote\|>"No indeed I have not. You have scolded me too much for match-making, for me to presume to take such a liberty with you. What I said just now, meant nothing. One says those sort of things, of course, without any idea of a serious meaning. Oh! no, upon my word I have not the smallest wish for your marrying Jane Fairfax or Jane any body. You would not come in and sit with us in this comfortable way, if you were married." Mr. Knightley was thoughtful again. The result of his reverie was, "No, Emma, I do not think the extent of my admiration for her will ever take me by surprize.--I never had a thought of her in that way, I assure you." And soon afterwards, "Jane Fairfax is a very charming young woman--but not even Jane Fairfax is perfect. She has a fault. She has not the open temper which a man would wish for in a wife." Emma could not but rejoice to hear that she had a fault. "Well," said she, "and you soon silenced Mr. Cole, I suppose?" "Yes, very soon. He gave me a quiet hint; I told him he was mistaken; he asked my pardon and said no more. Cole does not want to be wiser or wittier than his neighbours." "In that respect how unlike dear Mrs. Elton, who wants to be wiser and wittier than all the world! I wonder how she speaks of the Coles--what she calls them! How can she find any appellation for them, deep enough in familiar vulgarity?	Emma
"Don't know. Some order."	Don Lavington	"What's that mean, Mas' Don?"<\|quote\|>"Don't know. Some order."</\|quote\|>"Boat ahoy!" cried one of	a quick murmur of talking. "What's that mean, Mas' Don?"<\|quote\|>"Don't know. Some order."</\|quote\|>"Boat ahoy!" cried one of the watch forward, and there	foe--was slowly coming toward the ship, for the flashing of the paddles in the phosphorescent water grew more plain. "Ready, Jem?" "Yes, I'm ready, lad. Rope's just where you stand." "What!" cried the captain's voice loudly, and then there was a quick murmur of talking. "What's that mean, Mas' Don?"<\|quote\|>"Don't know. Some order."</\|quote\|>"Boat ahoy!" cried one of the watch forward, and there was a buzz of excitement which told that the paddling of the canoe had been seen. "Watch there forward!" roared the captain. "Ay, ay, sir," came back. "Follow me, Jem; we must swim to her now." "I'm after you, my	"It's the canoe, Jem," whispered Don; "and it's coming closer." They strained their eyes to try and make out the men in the long, low vessel, but it was too dark. They could not even hear the plash of a paddle, but they knew that some boat--that of friend or foe--was slowly coming toward the ship, for the flashing of the paddles in the phosphorescent water grew more plain. "Ready, Jem?" "Yes, I'm ready, lad. Rope's just where you stand." "What!" cried the captain's voice loudly, and then there was a quick murmur of talking. "What's that mean, Mas' Don?"<\|quote\|>"Don't know. Some order."</\|quote\|>"Boat ahoy!" cried one of the watch forward, and there was a buzz of excitement which told that the paddling of the canoe had been seen. "Watch there forward!" roared the captain. "Ay, ay, sir," came back. "Follow me, Jem; we must swim to her now." "I'm after you, my lad." "Jem!" in a tone of despair. "What is it!" "The rope's cut!" "What? So it is. Never mind. After me! There's the one in the forechains." In the midst of a loud buzz of voices, and the pad, pad--pad, pad of bare feet on the deck, Jem and Don	us away. My, Mas' Don, how I should like to chop him under the chin next time he does that pretty trick of his." "Silence, man! Listen, and look out. Let's get close to the rope first." They crept softly toward the rope hanging down from the main chains, ready to their hand, and, as they crept, the dark figure that had seemed to be spying over their movements crept too, but on toward the quarter-deck, where the captain and the first lieutenant were lolling over the rail, and talking gently as they smoked--rather a rare custom in those days. "It's the canoe, Jem," whispered Don; "and it's coming closer." They strained their eyes to try and make out the men in the long, low vessel, but it was too dark. They could not even hear the plash of a paddle, but they knew that some boat--that of friend or foe--was slowly coming toward the ship, for the flashing of the paddles in the phosphorescent water grew more plain. "Ready, Jem?" "Yes, I'm ready, lad. Rope's just where you stand." "What!" cried the captain's voice loudly, and then there was a quick murmur of talking. "What's that mean, Mas' Don?"<\|quote\|>"Don't know. Some order."</\|quote\|>"Boat ahoy!" cried one of the watch forward, and there was a buzz of excitement which told that the paddling of the canoe had been seen. "Watch there forward!" roared the captain. "Ay, ay, sir," came back. "Follow me, Jem; we must swim to her now." "I'm after you, my lad." "Jem!" in a tone of despair. "What is it!" "The rope's cut!" "What? So it is. Never mind. After me! There's the one in the forechains." In the midst of a loud buzz of voices, and the pad, pad--pad, pad of bare feet on the deck, Jem and Don reached the forechains; and Jem ran his hand along in the darkness till he felt the knot by which he had secured the rope. "Here she is, Mas' Don. Now, then, over with you quick, or I shall be a-top of your head." "I've got it," whispered Don. Then in a voice full of despair,-- "This is cut, too!" At the same moment the captain's voice rang out,-- "Look out there, you in the watch forward; two men are trying to leave the ship!" CHAPTER TWENTY SIX. WHAT MR. JONES THOUGHT. "What's to be done, Mas' Don?" whispered Jem, whom	each feeling somewhat agitated at the daring venture of exchanging firm planks for the treacherous sea, infested as they knew it was by horrible creatures which could tear them limb from limb. Jem had heard a sound at the same moment, and he needed no telling that he should listen. For from some distance off along the shore there was a faint splash, and, as they strained their eyes in the direction from whence it had come, they could see flashes of pale light, which they knew were caused by paddles. "It's them, Jem," whispered Don, excitedly. "We must not start yet till the canoe is close up. I wish I had told him that I would make some signal." "It'll be all right, my lad," said Jem huskily. "Give 'em time. Think the watch 'll see 'em?" "I hope not," panted Don, as he strained his eyes in the direction of the faintly flashing paddles, which seemed to be moved very cautiously. "Think it is them, Jem?" "Who could it be?" "Might it be a war canoe coming to try and capture the ship?" "Not it," said Jem sturdily; "it's Ugly, as put out his tongue, coming to help us away. My, Mas' Don, how I should like to chop him under the chin next time he does that pretty trick of his." "Silence, man! Listen, and look out. Let's get close to the rope first." They crept softly toward the rope hanging down from the main chains, ready to their hand, and, as they crept, the dark figure that had seemed to be spying over their movements crept too, but on toward the quarter-deck, where the captain and the first lieutenant were lolling over the rail, and talking gently as they smoked--rather a rare custom in those days. "It's the canoe, Jem," whispered Don; "and it's coming closer." They strained their eyes to try and make out the men in the long, low vessel, but it was too dark. They could not even hear the plash of a paddle, but they knew that some boat--that of friend or foe--was slowly coming toward the ship, for the flashing of the paddles in the phosphorescent water grew more plain. "Ready, Jem?" "Yes, I'm ready, lad. Rope's just where you stand." "What!" cried the captain's voice loudly, and then there was a quick murmur of talking. "What's that mean, Mas' Don?"<\|quote\|>"Don't know. Some order."</\|quote\|>"Boat ahoy!" cried one of the watch forward, and there was a buzz of excitement which told that the paddling of the canoe had been seen. "Watch there forward!" roared the captain. "Ay, ay, sir," came back. "Follow me, Jem; we must swim to her now." "I'm after you, my lad." "Jem!" in a tone of despair. "What is it!" "The rope's cut!" "What? So it is. Never mind. After me! There's the one in the forechains." In the midst of a loud buzz of voices, and the pad, pad--pad, pad of bare feet on the deck, Jem and Don reached the forechains; and Jem ran his hand along in the darkness till he felt the knot by which he had secured the rope. "Here she is, Mas' Don. Now, then, over with you quick, or I shall be a-top of your head." "I've got it," whispered Don. Then in a voice full of despair,-- "This is cut, too!" At the same moment the captain's voice rang out,-- "Look out there, you in the watch forward; two men are trying to leave the ship!" CHAPTER TWENTY SIX. WHAT MR. JONES THOUGHT. "What's to be done, Mas' Don?" whispered Jem, whom this second proof of treachery against them seemed to have robbed of the power to act. "This way," cried a voice, which they recognised as Ramsden's. "By the forechains." "Oh, if I had hold of you," snarled Jem, as he ground his teeth. "Do you hear me?" whispered Don. "Come on." He spoke from where he stood on the bulwark, holding by one of the shrouds, and offering his hand to Jem, who could not see it, but climbed to his side. "Header?" he whispered. "Yes.--Off!" Don gave the word as he glanced in the direction where he believed the canoe to lie; and then, raising his hands above his head, he sprang right off the bulwark into the sea. _Splash_! A moment's pause and then-- _Splash_! Jem had followed suit, and there was a faint display--if the expression is allowable--of water fireworks, as innumerable pinhead-like beads of light flashed away in every direction. "Lanthorns here!" cried the captain. "Sentries, quick! This way." He reached the spot from which Don and Jem had taken their daring leap, and in less than a minute the light of a couple of lanthorns was thrown upon the sea. "Come back!" roared the captain,	murmuring of their voices suggested that they were chatting carelessly together. "Keep your hand down, Mas' Don," said Jem in a whisper, after removing it. "They can't hear us, and if they did they'd think it was the watch. Say, look here, seems a pity to waste them ropes after we've got 'em down ready." "Yes, Jem, it does." "Such a short way to slide down, and no fear o' their breaking, same as there was in that cock-loft. What d'yer say?" "What to?" "Let's slide down and swim for it. 'Tarn't quarter of a mile. You could do that easy." "Yes, Jem; I think so." "And I'd help you if you got tired. Let's go." "But the sharks." "There I goes again. I always forgets them sharks; but look here, my lad, it's dark as pitch." "Quite, Jem." "We can't see twenty yards afore us, not clear." "Not ten, Jem." "Well, that's through the air. We couldn't see an inch through water." "What of that?" "More couldn't the sharks." "Think not, Jem?" "I feel 'bout sure on it. Look here, Mas' Don, I arn't got any money, but if I had, I'd wager half-a-guinea that all the sharks are at home and fast asleep; and if there's any of 'em shut out and roaming about in the streets--I mean in the sea--it's so dark that they couldn't see more than an inch before their noses; so let's open our knives ready, in case one should come, so that we could dive down and stab him, same as the natives do, and then swim on ashore. I'll risk it: will you?" Don was silent for a few moments. "Don't say _yes_, my lad, if you'd rayther not," said Jem, kindly. "I don't want to persuade you." "I'm ready, Jem. I was thinking whether it was right to let you go." "Oh, never you mind about me, my lad. Now, look here, shall us one go down each rope, or both down one?" "Both down this one close here, and whoever goes down first can wait for the other. Yes, Jem; I'll go first." "When?" "Now, at once." "Hoo--ray!" whispered Jem in Don's ear, so sharply that it produced a strange tickling sensation. "Open your knife, Jem." "Right, my lad; I'm ready." "This way, then. Hist!" Don caught Jem's arm in a firm grip as he was moving along the deck, each feeling somewhat agitated at the daring venture of exchanging firm planks for the treacherous sea, infested as they knew it was by horrible creatures which could tear them limb from limb. Jem had heard a sound at the same moment, and he needed no telling that he should listen. For from some distance off along the shore there was a faint splash, and, as they strained their eyes in the direction from whence it had come, they could see flashes of pale light, which they knew were caused by paddles. "It's them, Jem," whispered Don, excitedly. "We must not start yet till the canoe is close up. I wish I had told him that I would make some signal." "It'll be all right, my lad," said Jem huskily. "Give 'em time. Think the watch 'll see 'em?" "I hope not," panted Don, as he strained his eyes in the direction of the faintly flashing paddles, which seemed to be moved very cautiously. "Think it is them, Jem?" "Who could it be?" "Might it be a war canoe coming to try and capture the ship?" "Not it," said Jem sturdily; "it's Ugly, as put out his tongue, coming to help us away. My, Mas' Don, how I should like to chop him under the chin next time he does that pretty trick of his." "Silence, man! Listen, and look out. Let's get close to the rope first." They crept softly toward the rope hanging down from the main chains, ready to their hand, and, as they crept, the dark figure that had seemed to be spying over their movements crept too, but on toward the quarter-deck, where the captain and the first lieutenant were lolling over the rail, and talking gently as they smoked--rather a rare custom in those days. "It's the canoe, Jem," whispered Don; "and it's coming closer." They strained their eyes to try and make out the men in the long, low vessel, but it was too dark. They could not even hear the plash of a paddle, but they knew that some boat--that of friend or foe--was slowly coming toward the ship, for the flashing of the paddles in the phosphorescent water grew more plain. "Ready, Jem?" "Yes, I'm ready, lad. Rope's just where you stand." "What!" cried the captain's voice loudly, and then there was a quick murmur of talking. "What's that mean, Mas' Don?"<\|quote\|>"Don't know. Some order."</\|quote\|>"Boat ahoy!" cried one of the watch forward, and there was a buzz of excitement which told that the paddling of the canoe had been seen. "Watch there forward!" roared the captain. "Ay, ay, sir," came back. "Follow me, Jem; we must swim to her now." "I'm after you, my lad." "Jem!" in a tone of despair. "What is it!" "The rope's cut!" "What? So it is. Never mind. After me! There's the one in the forechains." In the midst of a loud buzz of voices, and the pad, pad--pad, pad of bare feet on the deck, Jem and Don reached the forechains; and Jem ran his hand along in the darkness till he felt the knot by which he had secured the rope. "Here she is, Mas' Don. Now, then, over with you quick, or I shall be a-top of your head." "I've got it," whispered Don. Then in a voice full of despair,-- "This is cut, too!" At the same moment the captain's voice rang out,-- "Look out there, you in the watch forward; two men are trying to leave the ship!" CHAPTER TWENTY SIX. WHAT MR. JONES THOUGHT. "What's to be done, Mas' Don?" whispered Jem, whom this second proof of treachery against them seemed to have robbed of the power to act. "This way," cried a voice, which they recognised as Ramsden's. "By the forechains." "Oh, if I had hold of you," snarled Jem, as he ground his teeth. "Do you hear me?" whispered Don. "Come on." He spoke from where he stood on the bulwark, holding by one of the shrouds, and offering his hand to Jem, who could not see it, but climbed to his side. "Header?" he whispered. "Yes.--Off!" Don gave the word as he glanced in the direction where he believed the canoe to lie; and then, raising his hands above his head, he sprang right off the bulwark into the sea. _Splash_! A moment's pause and then-- _Splash_! Jem had followed suit, and there was a faint display--if the expression is allowable--of water fireworks, as innumerable pinhead-like beads of light flashed away in every direction. "Lanthorns here!" cried the captain. "Sentries, quick! This way." He reached the spot from which Don and Jem had taken their daring leap, and in less than a minute the light of a couple of lanthorns was thrown upon the sea. "Come back!" roared the captain, "or I fire. Marines, make ready." The lanthorns' light gleamed further on the sea as those who held them clambered up the shrouds and held them at arms' length, and then dimly-seen were the backs of the heads of the two swimmers, who made the water swirl as they struck out with all their might. "Do you hear, you scoundrels?" roared the captain again. "Come back, or I fire." There was no reply and the heads began to grow more faint in the gloom, while now the news had spread through the ship, and officers and men came tumbling up the companion ladder and out of their cabins. "Marines, present--fire!" cried the captain. There were two sharp clicks and as many tiny showers of sparks. That was all. "Why, you were not loaded!" cried the captain, fiercely, "Where is the lieutenant? Where is the sergeant? Load, you scoundrels, load!" The men grounded arms, and began to load quickly, the thudding of their iron ramrods sounding strangely in the still night air. "Pipe away the first cutter!" cried the captain. "Mr Rogerson, bring those scoundrels back." The shrill pipe of the boatswain was heard, and there was a rush of feet as the captain shouted again,-- "Present--fire!" There was a sharp flash, a loud report, and the captain stamped with rage. "Fire, you scoundrel, fire!" he roared at the second man, who was about to lower his clumsy musket, after tugging in vain at the trigger, when the piece went off, and the bullet fled skyward, sending the nearest lanthorn held up in the shrouds out of its holder's hand, to fall with a splash in the sea, and float for a few moments before it filled and sank, the candle burning till the water touched the wick. "'Pon my word!" cried the captain. "Nice state of discipline. Now you--fire again. And you, sir, load. Can you see the men, marines?" "No, sir. Right out of sight." "Then fire where they were when you saw them last." "But they won't be there now, sir." "Silence, you scoundrel! How dare you? Fire!" _Bang_. "Now you: are you ready?" "Yes, sir." "Fire!" _Bang_. "Load again!" cried the captain. "Now, you scoundrels, come back or you shall have a volley." A strange noise came off the sea. "Hark! What's that?" cried the captain. "A cry for help!" "No, sir." "What was it, then?" "Beg	war canoe coming to try and capture the ship?" "Not it," said Jem sturdily; "it's Ugly, as put out his tongue, coming to help us away. My, Mas' Don, how I should like to chop him under the chin next time he does that pretty trick of his." "Silence, man! Listen, and look out. Let's get close to the rope first." They crept softly toward the rope hanging down from the main chains, ready to their hand, and, as they crept, the dark figure that had seemed to be spying over their movements crept too, but on toward the quarter-deck, where the captain and the first lieutenant were lolling over the rail, and talking gently as they smoked--rather a rare custom in those days. "It's the canoe, Jem," whispered Don; "and it's coming closer." They strained their eyes to try and make out the men in the long, low vessel, but it was too dark. They could not even hear the plash of a paddle, but they knew that some boat--that of friend or foe--was slowly coming toward the ship, for the flashing of the paddles in the phosphorescent water grew more plain. "Ready, Jem?" "Yes, I'm ready, lad. Rope's just where you stand." "What!" cried the captain's voice loudly, and then there was a quick murmur of talking. "What's that mean, Mas' Don?"<\|quote\|>"Don't know. Some order."</\|quote\|>"Boat ahoy!" cried one of the watch forward, and there was a buzz of excitement which told that the paddling of the canoe had been seen. "Watch there forward!" roared the captain. "Ay, ay, sir," came back. "Follow me, Jem; we must swim to her now." "I'm after you, my lad." "Jem!" in a tone of despair. "What is it!" "The rope's cut!" "What? So it is. Never mind. After me! There's the one in the forechains." In the midst of a loud buzz of voices, and the pad, pad--pad, pad of bare feet on the deck, Jem and Don reached the forechains; and Jem ran his hand along in the darkness till he felt the knot by which he had secured the rope. "Here she is, Mas' Don. Now, then, over with you quick, or I shall be a-top of your head." "I've got it," whispered Don. Then in a voice full of despair,-- "This is cut, too!" At the same moment the captain's voice rang out,-- "Look out there, you in the watch forward; two men are trying to leave the ship!" CHAPTER TWENTY SIX. WHAT MR. JONES THOUGHT. "What's to be done, Mas' Don?" whispered Jem, whom this second proof of treachery against them seemed to have robbed of the power to act. "This way," cried a voice, which they recognised as Ramsden's. "By the forechains." "Oh, if I had hold of you," snarled Jem, as he ground his teeth. "Do you hear me?" whispered Don. "Come on." He spoke from where he stood on the bulwark, holding by one of the shrouds, and offering his hand to Jem, who could not see it, but climbed to his side. "Header?" he whispered. "Yes.--Off!" Don gave the word as he glanced in the direction where he believed the canoe to lie; and then, raising his hands above his head, he sprang right off the bulwark into the sea. _Splash_! A moment's pause and then-- _Splash_! Jem had followed suit, and there was a faint display--if	Don Lavington
"No to Combe Magna. I have business there; from thence to town in a day or two. Good bye."	Mr. Willoughby	you going back to town?"<\|quote\|>"No to Combe Magna. I have business there; from thence to town in a day or two. Good bye."</\|quote\|>He held out his hand.	I must be off." "Are you going back to town?"<\|quote\|>"No to Combe Magna. I have business there; from thence to town in a day or two. Good bye."</\|quote\|>He held out his hand. She could not refuse to	reverie of this kind she was recalled at the end of some minutes by Willoughby, who, rousing himself from a reverie at least equally painful, started up in preparation for going, and said "There is no use in staying here; I must be off." "Are you going back to town?"<\|quote\|>"No to Combe Magna. I have business there; from thence to town in a day or two. Good bye."</\|quote\|>He held out his hand. She could not refuse to give him hers; he pressed it with affection. "And you _do_ think something better of me than you did?" said he, letting it fall, and leaning against the mantel-piece as if forgetting he was to go. Elinor assured him that	interest he had outwardly torn himself, now, when no longer allowable, governed every thought; and the connection, for the sake of which he had, with little scruple, left her sister to misery, was likely to prove a source of unhappiness to himself of a far more incurable nature. From a reverie of this kind she was recalled at the end of some minutes by Willoughby, who, rousing himself from a reverie at least equally painful, started up in preparation for going, and said "There is no use in staying here; I must be off." "Are you going back to town?"<\|quote\|>"No to Combe Magna. I have business there; from thence to town in a day or two. Good bye."</\|quote\|>He held out his hand. She could not refuse to give him hers; he pressed it with affection. "And you _do_ think something better of me than you did?" said he, letting it fall, and leaning against the mantel-piece as if forgetting he was to go. Elinor assured him that she did; that she forgave, pitied, wished him well was even interested in his happiness and added some gentle counsel as to the behaviour most likely to promote it. His answer was not very encouraging. "As to that," said he, "I must rub through the world as well as I	character, the happiness, of a man who, to every advantage of person and talents, united a disposition naturally open and honest, and a feeling, affectionate temper. The world had made him extravagant and vain Extravagance and vanity had made him cold-hearted and selfish. Vanity, while seeking its own guilty triumph at the expense of another, had involved him in a real attachment, which extravagance, or at least its offspring, necessity, had required to be sacrificed. Each faulty propensity in leading him to evil, had led him likewise to punishment. The attachment, from which against honour, against feeling, against every better interest he had outwardly torn himself, now, when no longer allowable, governed every thought; and the connection, for the sake of which he had, with little scruple, left her sister to misery, was likely to prove a source of unhappiness to himself of a far more incurable nature. From a reverie of this kind she was recalled at the end of some minutes by Willoughby, who, rousing himself from a reverie at least equally painful, started up in preparation for going, and said "There is no use in staying here; I must be off." "Are you going back to town?"<\|quote\|>"No to Combe Magna. I have business there; from thence to town in a day or two. Good bye."</\|quote\|>He held out his hand. She could not refuse to give him hers; he pressed it with affection. "And you _do_ think something better of me than you did?" said he, letting it fall, and leaning against the mantel-piece as if forgetting he was to go. Elinor assured him that she did; that she forgave, pitied, wished him well was even interested in his happiness and added some gentle counsel as to the behaviour most likely to promote it. His answer was not very encouraging. "As to that," said he, "I must rub through the world as well as I can. Domestic happiness is out of the question. If, however, I am allowed to think that you and yours feel an interest in my fate and actions, it may be the means it may put me on my guard at least, it may be something to live for. Marianne to be sure is lost to me for ever. Were I even by any blessed chance at liberty again" Elinor stopped him with a reproof. "Well," he replied "once more good bye. I shall now go away and live in dread of one event." "What do you mean?" "Your sister s	of a putrid fever at Cleveland a letter that morning received from Mrs. Jennings declared her danger most imminent the Palmers are all gone off in a fright, &c. I was too much shocked to be able to pass myself off as insensible even to the undiscerning Sir John. His heart was softened in seeing mine suffer; and so much of his ill-will was done away, that when we parted, he almost shook me by the hand while he reminded me of an old promise about a pointer puppy. What I felt on hearing that your sister was dying, and dying too, believing me the greatest villain upon earth, scorning, hating me in her latest moments for how could I tell what horrid projects might not have been imputed? _One_ person I was sure would represent me as capable of anything What I felt was dreadful! My resolution was soon made, and at eight o clock this morning I was in my carriage. Now you know all." Elinor made no answer. Her thoughts were silently fixed on the irreparable injury which too early an independence and its consequent habits of idleness, dissipation, and luxury, had made in the mind, the character, the happiness, of a man who, to every advantage of person and talents, united a disposition naturally open and honest, and a feeling, affectionate temper. The world had made him extravagant and vain Extravagance and vanity had made him cold-hearted and selfish. Vanity, while seeking its own guilty triumph at the expense of another, had involved him in a real attachment, which extravagance, or at least its offspring, necessity, had required to be sacrificed. Each faulty propensity in leading him to evil, had led him likewise to punishment. The attachment, from which against honour, against feeling, against every better interest he had outwardly torn himself, now, when no longer allowable, governed every thought; and the connection, for the sake of which he had, with little scruple, left her sister to misery, was likely to prove a source of unhappiness to himself of a far more incurable nature. From a reverie of this kind she was recalled at the end of some minutes by Willoughby, who, rousing himself from a reverie at least equally painful, started up in preparation for going, and said "There is no use in staying here; I must be off." "Are you going back to town?"<\|quote\|>"No to Combe Magna. I have business there; from thence to town in a day or two. Good bye."</\|quote\|>He held out his hand. She could not refuse to give him hers; he pressed it with affection. "And you _do_ think something better of me than you did?" said he, letting it fall, and leaning against the mantel-piece as if forgetting he was to go. Elinor assured him that she did; that she forgave, pitied, wished him well was even interested in his happiness and added some gentle counsel as to the behaviour most likely to promote it. His answer was not very encouraging. "As to that," said he, "I must rub through the world as well as I can. Domestic happiness is out of the question. If, however, I am allowed to think that you and yours feel an interest in my fate and actions, it may be the means it may put me on my guard at least, it may be something to live for. Marianne to be sure is lost to me for ever. Were I even by any blessed chance at liberty again" Elinor stopped him with a reproof. "Well," he replied "once more good bye. I shall now go away and live in dread of one event." "What do you mean?" "Your sister s marriage." "You are very wrong. She can never be more lost to you than she is now." "But she will be gained by some one else. And if that some one should be the very he whom, of all others, I could least bear but I will not stay to rob myself of all your compassionate goodwill, by showing that where I have most injured I can least forgive. Good bye, God bless you!" And with these words, he almost ran out of the room. CHAPTER XLV. Elinor, for some time after he left her, for some time even after the sound of his carriage had died away, remained too much oppressed by a crowd of ideas, widely differing in themselves, but of which sadness was the general result, to think even of her sister. Willoughby, he, whom only half an hour ago she had abhorred as the most worthless of men, Willoughby, in spite of all his faults, excited a degree of commiseration for the sufferings produced by them, which made her think of him as now separated for ever from her family, with a tenderness, a regret, rather in proportion, as she soon acknowledged within herself to his	own conscience." "Do not talk to me of my wife," said he with a heavy sigh; "she does not deserve your compassion. She knew I had no regard for her when we married. Well, married we were, and came down to Combe Magna to be happy, and afterwards returned to town to be gay. And now do you pity me, Miss Dashwood? Or have I said all this to no purpose? Am I, be it only one degree, am I less guilty in your opinion than I was before? My intentions were not always wrong. Have I explained away any part of my guilt?" "Yes, you have certainly removed something a little. You have proved yourself, on the whole, less faulty than I had believed you. You have proved your heart less wicked, much less wicked. But I hardly know the misery that you have inflicted I hardly know what could have made it worse." "Will you repeat to your sister when she is recovered, what I have been telling you? Let me be a little lightened too in her opinion as well as in yours. You tell me that she has forgiven me already. Let me be able to fancy that a better knowledge of my heart, and of my present feelings, will draw from her a more spontaneous, more natural, more gentle, less dignified, forgiveness. Tell her of my misery and my penitence tell her that my heart was never inconstant to her, and if you will, that at this moment she is dearer to me than ever." "I will tell her all that is necessary to what may comparatively be called, your justification. But you have not explained to me the particular reason of your coming now, nor how you heard of her illness." "Last night, in Drury Lane lobby, I ran against Sir John Middleton, and when he saw who I was, for the first time these two months, he spoke to me. That he had cut me ever since my marriage, I had seen without surprise or resentment. Now, however, his good-natured, honest, stupid soul, full of indignation against me, and concern for your sister, could not resist the temptation of telling me what he knew ought to, though probably he did not think it _would_, vex me horridly. As bluntly as he could speak it, therefore, he told me that Marianne Dashwood was dying of a putrid fever at Cleveland a letter that morning received from Mrs. Jennings declared her danger most imminent the Palmers are all gone off in a fright, &c. I was too much shocked to be able to pass myself off as insensible even to the undiscerning Sir John. His heart was softened in seeing mine suffer; and so much of his ill-will was done away, that when we parted, he almost shook me by the hand while he reminded me of an old promise about a pointer puppy. What I felt on hearing that your sister was dying, and dying too, believing me the greatest villain upon earth, scorning, hating me in her latest moments for how could I tell what horrid projects might not have been imputed? _One_ person I was sure would represent me as capable of anything What I felt was dreadful! My resolution was soon made, and at eight o clock this morning I was in my carriage. Now you know all." Elinor made no answer. Her thoughts were silently fixed on the irreparable injury which too early an independence and its consequent habits of idleness, dissipation, and luxury, had made in the mind, the character, the happiness, of a man who, to every advantage of person and talents, united a disposition naturally open and honest, and a feeling, affectionate temper. The world had made him extravagant and vain Extravagance and vanity had made him cold-hearted and selfish. Vanity, while seeking its own guilty triumph at the expense of another, had involved him in a real attachment, which extravagance, or at least its offspring, necessity, had required to be sacrificed. Each faulty propensity in leading him to evil, had led him likewise to punishment. The attachment, from which against honour, against feeling, against every better interest he had outwardly torn himself, now, when no longer allowable, governed every thought; and the connection, for the sake of which he had, with little scruple, left her sister to misery, was likely to prove a source of unhappiness to himself of a far more incurable nature. From a reverie of this kind she was recalled at the end of some minutes by Willoughby, who, rousing himself from a reverie at least equally painful, started up in preparation for going, and said "There is no use in staying here; I must be off." "Are you going back to town?"<\|quote\|>"No to Combe Magna. I have business there; from thence to town in a day or two. Good bye."</\|quote\|>He held out his hand. She could not refuse to give him hers; he pressed it with affection. "And you _do_ think something better of me than you did?" said he, letting it fall, and leaning against the mantel-piece as if forgetting he was to go. Elinor assured him that she did; that she forgave, pitied, wished him well was even interested in his happiness and added some gentle counsel as to the behaviour most likely to promote it. His answer was not very encouraging. "As to that," said he, "I must rub through the world as well as I can. Domestic happiness is out of the question. If, however, I am allowed to think that you and yours feel an interest in my fate and actions, it may be the means it may put me on my guard at least, it may be something to live for. Marianne to be sure is lost to me for ever. Were I even by any blessed chance at liberty again" Elinor stopped him with a reproof. "Well," he replied "once more good bye. I shall now go away and live in dread of one event." "What do you mean?" "Your sister s marriage." "You are very wrong. She can never be more lost to you than she is now." "But she will be gained by some one else. And if that some one should be the very he whom, of all others, I could least bear but I will not stay to rob myself of all your compassionate goodwill, by showing that where I have most injured I can least forgive. Good bye, God bless you!" And with these words, he almost ran out of the room. CHAPTER XLV. Elinor, for some time after he left her, for some time even after the sound of his carriage had died away, remained too much oppressed by a crowd of ideas, widely differing in themselves, but of which sadness was the general result, to think even of her sister. Willoughby, he, whom only half an hour ago she had abhorred as the most worthless of men, Willoughby, in spite of all his faults, excited a degree of commiseration for the sufferings produced by them, which made her think of him as now separated for ever from her family, with a tenderness, a regret, rather in proportion, as she soon acknowledged within herself to his wishes than to his merits. She felt that his influence over her mind was heightened by circumstances which ought not in reason to have weight; by that person of uncommon attraction, that open, affectionate, and lively manner which it was no merit to possess; and by that still ardent love for Marianne, which it was not even innocent to indulge. But she felt that it was so, long, long before she could feel his influence less. When at last she returned to the unconscious Marianne, she found her just awaking, refreshed by so long and sweet a sleep to the extent of her hopes. Elinor s heart was full. The past, the present, the future, Willoughby s visit, Marianne s safety, and her mother s expected arrival, threw her altogether into an agitation of spirits which kept off every indication of fatigue, and made her only fearful of betraying herself to her sister. Short was the time, however, in which that fear could affect her, for within half an hour after Willoughby s leaving the house, she was again called down stairs by the sound of another carriage. Eager to save her mother from every unnecessary moment s horrible suspense, she ran immediately into the hall, and reached the outward door just in time to receive and support her as she entered it. Mrs. Dashwood, whose terror as they drew near the house had produced almost the conviction of Marianne s being no more, had no voice to inquire after her, no voice even for Elinor; but _she_, waiting neither for salutation nor inquiry, instantly gave the joyful relief; and her mother, catching it with all her usual warmth, was in a moment as much overcome by her happiness, as she had been before by her fears. She was supported into the drawing-room between her daughter and her friend; and there, shedding tears of joy, though still unable to speak, embraced Elinor again and again, turning from her at intervals to press Colonel Brandon s hand, with a look which spoke at once her gratitude, and her conviction of his sharing with herself in the bliss of the moment. He shared it, however, in a silence even greater than her own. As soon as Mrs. Dashwood had recovered herself, to see Marianne was her first desire; and in two minutes she was with her beloved child, rendered dearer to her	mine suffer; and so much of his ill-will was done away, that when we parted, he almost shook me by the hand while he reminded me of an old promise about a pointer puppy. What I felt on hearing that your sister was dying, and dying too, believing me the greatest villain upon earth, scorning, hating me in her latest moments for how could I tell what horrid projects might not have been imputed? _One_ person I was sure would represent me as capable of anything What I felt was dreadful! My resolution was soon made, and at eight o clock this morning I was in my carriage. Now you know all." Elinor made no answer. Her thoughts were silently fixed on the irreparable injury which too early an independence and its consequent habits of idleness, dissipation, and luxury, had made in the mind, the character, the happiness, of a man who, to every advantage of person and talents, united a disposition naturally open and honest, and a feeling, affectionate temper. The world had made him extravagant and vain Extravagance and vanity had made him cold-hearted and selfish. Vanity, while seeking its own guilty triumph at the expense of another, had involved him in a real attachment, which extravagance, or at least its offspring, necessity, had required to be sacrificed. Each faulty propensity in leading him to evil, had led him likewise to punishment. The attachment, from which against honour, against feeling, against every better interest he had outwardly torn himself, now, when no longer allowable, governed every thought; and the connection, for the sake of which he had, with little scruple, left her sister to misery, was likely to prove a source of unhappiness to himself of a far more incurable nature. From a reverie of this kind she was recalled at the end of some minutes by Willoughby, who, rousing himself from a reverie at least equally painful, started up in preparation for going, and said "There is no use in staying here; I must be off." "Are you going back to town?"<\|quote\|>"No to Combe Magna. I have business there; from thence to town in a day or two. Good bye."</\|quote\|>He held out his hand. She could not refuse to give him hers; he pressed it with affection. "And you _do_ think something better of me than you did?" said he, letting it fall, and leaning against the mantel-piece as if forgetting he was to go. Elinor assured him that she did; that she forgave, pitied, wished him well was even interested in his happiness and added some gentle counsel as to the behaviour most likely to promote it. His answer was not very encouraging. "As to that," said he, "I must rub through the world as well as I can. Domestic happiness is out of the question. If, however, I am allowed to think that you and yours feel an interest in my fate and actions, it may be the means it may put me on my guard at least, it may be something to live for. Marianne to be sure is lost to me for ever. Were I even by any blessed chance at liberty again" Elinor stopped him with a reproof. "Well," he replied "once more good bye. I shall now go away and live in dread of one event." "What do you mean?" "Your sister s marriage." "You are very wrong. She can	Sense And Sensibility
"I won't."	Jake Barnes	social service." "Don't be nasty."<\|quote\|>"I won't."</\|quote\|>"Didn't you really know?" "No,"	him." "You might take up social service." "Don't be nasty."<\|quote\|>"I won't."</\|quote\|>"Didn't you really know?" "No," I said. "I guess I	say that for?" "I don't know. What would you like me to say?" We walked along and turned a corner. "He behaved rather well, too. He gets a little dull." "Does he?" "I rather thought it would be good for him." "You might take up social service." "Don't be nasty."<\|quote\|>"I won't."</\|quote\|>"Didn't you really know?" "No," I said. "I guess I didn't think about it." "Do you think it will be too rough on him?" "That's up to him," I said. "Tell him you're coming. He can always not come." "I'll write him and give him a chance to pull out	looked at me. "I say," she said, "is Robert Cohn going on this trip?" "Yes. Why?" "Don't you think it will be a bit rough on him?" "Why should it?" "Who did you think I went down to San Sebastian with?" "Congratulations," I said. We walked along. "What did you say that for?" "I don't know. What would you like me to say?" We walked along and turned a corner. "He behaved rather well, too. He gets a little dull." "Does he?" "I rather thought it would be good for him." "You might take up social service." "Don't be nasty."<\|quote\|>"I won't."</\|quote\|>"Didn't you really know?" "No," I said. "I guess I didn't think about it." "Do you think it will be too rough on him?" "That's up to him," I said. "Tell him you're coming. He can always not come." "I'll write him and give him a chance to pull out of it." I did not see Brett again until the night of the 24th of June. "Did you hear from Cohn?" "Rather. He's keen about it." "My God!" "I thought it was rather odd myself." "Says he can't wait to see me." "Does he think you're coming alone?" "No. I	left our bags here at the Dingo when we got in, and they asked us at this hotel if we wanted a room for the afternoon only. Seemed frightfully pleased we were going to stay all night." "_I_ believe it's a brothel," Mike said. "And _I_ should know." "Oh, shut it and go and get your hair cut." Mike went out. Brett and I sat on at the bar. "Have another?" "Might." "I needed that," Brett said. We walked up the Rue Delambre. "I haven't seen you since I've been back," Brett said. "No." "How _are_ you, Jake?" "Fine." Brett looked at me. "I say," she said, "is Robert Cohn going on this trip?" "Yes. Why?" "Don't you think it will be a bit rough on him?" "Why should it?" "Who did you think I went down to San Sebastian with?" "Congratulations," I said. We walked along. "What did you say that for?" "I don't know. What would you like me to say?" We walked along and turned a corner. "He behaved rather well, too. He gets a little dull." "Does he?" "I rather thought it would be good for him." "You might take up social service." "Don't be nasty."<\|quote\|>"I won't."</\|quote\|>"Didn't you really know?" "No," I said. "I guess I didn't think about it." "Do you think it will be too rough on him?" "That's up to him," I said. "Tell him you're coming. He can always not come." "I'll write him and give him a chance to pull out of it." I did not see Brett again until the night of the 24th of June. "Did you hear from Cohn?" "Rather. He's keen about it." "My God!" "I thought it was rather odd myself." "Says he can't wait to see me." "Does he think you're coming alone?" "No. I told him we were all coming down together. Michael and all." "He's wonderful." "Isn't he?" They expected their money the next day. We arranged to meet at Pamplona. They would go directly to San Sebastian and take the train from there. We would all meet at the Montoya in Pamplona. If they did not turn up on Monday at the latest we would go on ahead up to Burguete in the mountains, to start fishing. There was a bus to Burguete. I wrote out an itinerary so they could follow us. Bill and I took the morning train from the	make me sore. Bill and I go down on the morning of the 25th." "By the way, where is Bill?" Brett asked. "He's out at Chantilly dining with some people." "He's a good chap." "Splendid chap," said Mike. "He is, you know." "You don't remember him," Brett said. "I do. Remember him perfectly. Look, Jake, we'll come down the night of the 25th. Brett can't get up in the morning." "Indeed not!" "If our money comes and you're sure you don't mind." "It will come, all right. I'll see to that." "Tell me what tackle to send for." "Get two or three rods with reels, and lines, and some flies." "I won't fish," Brett put in. "Get two rods, then, and Bill won't have to buy one." "Right," said Mike. "I'll send a wire to the keeper." "Won't it be splendid," Brett said. "Spain! We _will_ have fun." "The 25th. When is that?" "Saturday." "We _will_ have to get ready." "I say," said Mike, "I'm going to the barber's." "I must bathe," said Brett. "Walk up to the hotel with me, Jake. Be a good chap." "We _have_ got the loveliest hotel," Mike said. "I think it's a brothel!" "We left our bags here at the Dingo when we got in, and they asked us at this hotel if we wanted a room for the afternoon only. Seemed frightfully pleased we were going to stay all night." "_I_ believe it's a brothel," Mike said. "And _I_ should know." "Oh, shut it and go and get your hair cut." Mike went out. Brett and I sat on at the bar. "Have another?" "Might." "I needed that," Brett said. We walked up the Rue Delambre. "I haven't seen you since I've been back," Brett said. "No." "How _are_ you, Jake?" "Fine." Brett looked at me. "I say," she said, "is Robert Cohn going on this trip?" "Yes. Why?" "Don't you think it will be a bit rough on him?" "Why should it?" "Who did you think I went down to San Sebastian with?" "Congratulations," I said. We walked along. "What did you say that for?" "I don't know. What would you like me to say?" We walked along and turned a corner. "He behaved rather well, too. He gets a little dull." "Does he?" "I rather thought it would be good for him." "You might take up social service." "Don't be nasty."<\|quote\|>"I won't."</\|quote\|>"Didn't you really know?" "No," I said. "I guess I didn't think about it." "Do you think it will be too rough on him?" "That's up to him," I said. "Tell him you're coming. He can always not come." "I'll write him and give him a chance to pull out of it." I did not see Brett again until the night of the 24th of June. "Did you hear from Cohn?" "Rather. He's keen about it." "My God!" "I thought it was rather odd myself." "Says he can't wait to see me." "Does he think you're coming alone?" "No. I told him we were all coming down together. Michael and all." "He's wonderful." "Isn't he?" They expected their money the next day. We arranged to meet at Pamplona. They would go directly to San Sebastian and take the train from there. We would all meet at the Montoya in Pamplona. If they did not turn up on Monday at the latest we would go on ahead up to Burguete in the mountains, to start fishing. There was a bus to Burguete. I wrote out an itinerary so they could follow us. Bill and I took the morning train from the Gare d'Orsay. It was a lovely day, not too hot, and the country was beautiful from the start. We went back into the diner and had breakfast. Leaving the dining-car I asked the conductor for tickets for the first service. "Nothing until the fifth." "What's this?" There were never more than two servings of lunch on that train, and always plenty of places for both of them. "They're all reserved," the dining-car conductor said. "There will be a fifth service at three-thirty." "This is serious," I said to Bill. "Give him ten francs." "Here," I said. "We want to eat in the first service." The conductor put the ten francs in his pocket. "Thank you," he said. "I would advise you gentlemen to get some sandwiches. All the places for the first four services were reserved at the office of the company." "You'll go a long way, brother," Bill said to him in English. "I suppose if I'd given you five francs you would have advised us to jump off the train." "_Comment?_" "Go to hell!" said Bill. "Get the sandwiches made and a bottle of wine. You tell him, Jake." "And send it up to the next car." I	difficult. What are these outbursts of affection, Michael?" "I say, you are a lovely piece." We said good night. "I'm sorry I can't go," Mike said. Brett laughed. I looked back from the door. Mike had one hand on the bar and was leaning toward Brett, talking. Brett was looking at him quite coolly, but the corners of her eyes were smiling. Outside on the pavement I said: "Do you want to go to the fight?" "Sure," said Bill. "If we don't have to walk." "Mike was pretty excited about his girl friend," I said in the taxi. "Well," said Bill. "You can't blame him such a hell of a lot." CHAPTER 9 The Ledoux-Kid Francis fight was the night of the 20th of June. It was a good fight. The morning after the fight I had a letter from Robert Cohn, written from Hendaye. He was having a very quiet time, he said, bathing, playing some golf and much bridge. Hendaye had a splendid beach, but he was anxious to start on the fishing-trip. When would I be down? If I would buy him a double-tapered line he would pay me when I came down. That same morning I wrote Cohn from the office that Bill and I would leave Paris on the 25th unless I wired him otherwise, and would meet him at Bayonne, where we could get a bus over the mountains to Pamplona. The same evening about seven o'clock I stopped in at the Select to see Michael and Brett. They were not there, and I went over to the Dingo. They were inside sitting at the bar. "Hello, darling." Brett put out her hand. "Hello, Jake," Mike said. "I understand I was tight last night." "Weren't you, though," Brett said. "Disgraceful business." "Look," said Mike, "when do you go down to Spain? Would you mind if we came down with you?" "It would be grand." "You wouldn't mind, really? I've been at Pamplona, you know. Brett's mad to go. You're sure we wouldn't just be a bloody nuisance?" "Don't talk like a fool." "I'm a little tight, you know. I wouldn't ask you like this if I weren't. You're sure you don't mind?" "Oh, shut up, Michael," Brett said. "How can the man say he'd mind now? I'll ask him later." "But you don't mind, do you?" "Don't ask that again unless you want to make me sore. Bill and I go down on the morning of the 25th." "By the way, where is Bill?" Brett asked. "He's out at Chantilly dining with some people." "He's a good chap." "Splendid chap," said Mike. "He is, you know." "You don't remember him," Brett said. "I do. Remember him perfectly. Look, Jake, we'll come down the night of the 25th. Brett can't get up in the morning." "Indeed not!" "If our money comes and you're sure you don't mind." "It will come, all right. I'll see to that." "Tell me what tackle to send for." "Get two or three rods with reels, and lines, and some flies." "I won't fish," Brett put in. "Get two rods, then, and Bill won't have to buy one." "Right," said Mike. "I'll send a wire to the keeper." "Won't it be splendid," Brett said. "Spain! We _will_ have fun." "The 25th. When is that?" "Saturday." "We _will_ have to get ready." "I say," said Mike, "I'm going to the barber's." "I must bathe," said Brett. "Walk up to the hotel with me, Jake. Be a good chap." "We _have_ got the loveliest hotel," Mike said. "I think it's a brothel!" "We left our bags here at the Dingo when we got in, and they asked us at this hotel if we wanted a room for the afternoon only. Seemed frightfully pleased we were going to stay all night." "_I_ believe it's a brothel," Mike said. "And _I_ should know." "Oh, shut it and go and get your hair cut." Mike went out. Brett and I sat on at the bar. "Have another?" "Might." "I needed that," Brett said. We walked up the Rue Delambre. "I haven't seen you since I've been back," Brett said. "No." "How _are_ you, Jake?" "Fine." Brett looked at me. "I say," she said, "is Robert Cohn going on this trip?" "Yes. Why?" "Don't you think it will be a bit rough on him?" "Why should it?" "Who did you think I went down to San Sebastian with?" "Congratulations," I said. We walked along. "What did you say that for?" "I don't know. What would you like me to say?" We walked along and turned a corner. "He behaved rather well, too. He gets a little dull." "Does he?" "I rather thought it would be good for him." "You might take up social service." "Don't be nasty."<\|quote\|>"I won't."</\|quote\|>"Didn't you really know?" "No," I said. "I guess I didn't think about it." "Do you think it will be too rough on him?" "That's up to him," I said. "Tell him you're coming. He can always not come." "I'll write him and give him a chance to pull out of it." I did not see Brett again until the night of the 24th of June. "Did you hear from Cohn?" "Rather. He's keen about it." "My God!" "I thought it was rather odd myself." "Says he can't wait to see me." "Does he think you're coming alone?" "No. I told him we were all coming down together. Michael and all." "He's wonderful." "Isn't he?" They expected their money the next day. We arranged to meet at Pamplona. They would go directly to San Sebastian and take the train from there. We would all meet at the Montoya in Pamplona. If they did not turn up on Monday at the latest we would go on ahead up to Burguete in the mountains, to start fishing. There was a bus to Burguete. I wrote out an itinerary so they could follow us. Bill and I took the morning train from the Gare d'Orsay. It was a lovely day, not too hot, and the country was beautiful from the start. We went back into the diner and had breakfast. Leaving the dining-car I asked the conductor for tickets for the first service. "Nothing until the fifth." "What's this?" There were never more than two servings of lunch on that train, and always plenty of places for both of them. "They're all reserved," the dining-car conductor said. "There will be a fifth service at three-thirty." "This is serious," I said to Bill. "Give him ten francs." "Here," I said. "We want to eat in the first service." The conductor put the ten francs in his pocket. "Thank you," he said. "I would advise you gentlemen to get some sandwiches. All the places for the first four services were reserved at the office of the company." "You'll go a long way, brother," Bill said to him in English. "I suppose if I'd given you five francs you would have advised us to jump off the train." "_Comment?_" "Go to hell!" said Bill. "Get the sandwiches made and a bottle of wine. You tell him, Jake." "And send it up to the next car." I described where we were. In our compartment were a man and his wife and their young son. "I suppose you're Americans, aren't you?" the man asked. "Having a good trip?" "Wonderful," said Bill. "That's what you want to do. Travel while you're young. Mother and I always wanted to get over, but we had to wait a while." "You could have come over ten years ago, if you'd wanted to," the wife said. "What you always said was:" 'See America first!' "I will say we've seen a good deal, take it one way and another." "Say, there's plenty of Americans on this train," the husband said. "They've got seven cars of them from Dayton, Ohio. They've been on a pilgrimage to Rome, and now they're going down to Biarritz and Lourdes." "So, that's what they are. Pilgrims. Goddam Puritans," Bill said. "What part of the States you boys from?" "Kansas City," I said. "He's from Chicago." "You both going to Biarritz?" "No. We're going fishing in Spain." "Well, I never cared for it, myself. There's plenty that do out where I come from, though. We got some of the best fishing in the State of Montana. I've been out with the boys, but I never cared for it any." "Mighty little fishing you did on them trips," his wife said. He winked at us. "You know how the ladies are. If there's a jug goes along, or a case of beer, they think it's hell and damnation." "That's the way men are," his wife said to us. She smoothed her comfortable lap. "I voted against prohibition to please him, and because I like a little beer in the house, and then he talks that way. It's a wonder they ever find any one to marry them." "Say," said Bill, "do you know that gang of Pilgrim Fathers have cornered the dining-car until half past three this afternoon?" "How do you mean? They can't do a thing like that." "You try and get seats." "Well, mother, it looks as though we better go back and get another breakfast." She stood up and straightened her dress. "Will you boys keep an eye on our things? Come on, Hubert." They all three went up to the wagon restaurant. A little while after they were gone a steward went through announcing the first service, and pilgrims, with their priests, commenced filing down the corridor.	left our bags here at the Dingo when we got in, and they asked us at this hotel if we wanted a room for the afternoon only. Seemed frightfully pleased we were going to stay all night." "_I_ believe it's a brothel," Mike said. "And _I_ should know." "Oh, shut it and go and get your hair cut." Mike went out. Brett and I sat on at the bar. "Have another?" "Might." "I needed that," Brett said. We walked up the Rue Delambre. "I haven't seen you since I've been back," Brett said. "No." "How _are_ you, Jake?" "Fine." Brett looked at me. "I say," she said, "is Robert Cohn going on this trip?" "Yes. Why?" "Don't you think it will be a bit rough on him?" "Why should it?" "Who did you think I went down to San Sebastian with?" "Congratulations," I said. We walked along. "What did you say that for?" "I don't know. What would you like me to say?" We walked along and turned a corner. "He behaved rather well, too. He gets a little dull." "Does he?" "I rather thought it would be good for him." "You might take up social service." "Don't be nasty."<\|quote\|>"I won't."</\|quote\|>"Didn't you really know?" "No," I said. "I guess I didn't think about it." "Do you think it will be too rough on him?" "That's up to him," I said. "Tell him you're coming. He can always not come." "I'll write him and give him a chance to pull out of it." I did not see Brett again until the night of the 24th of June. "Did you hear from Cohn?" "Rather. He's keen about it." "My God!" "I thought it was rather odd myself." "Says he can't wait to see me." "Does he think you're coming alone?" "No. I told him we were all coming down together. Michael and all." "He's wonderful." "Isn't he?" They expected their money the next day. We arranged to meet at Pamplona. They would go directly to San Sebastian and take the train from there. We would all meet at the Montoya in Pamplona. If they did not turn up on Monday at the latest we would go on ahead up to Burguete in the mountains, to start fishing. There was a bus to Burguete. I wrote out an itinerary so they could follow us. Bill and I took the morning train from the Gare d'Orsay. It was a lovely day, not too hot, and the country was beautiful from the start. We went back into the diner and had breakfast. Leaving the dining-car I asked the conductor for tickets for the first service. "Nothing until the fifth." "What's this?" There were never more than two servings of lunch on that train, and always plenty of places for both of them. "They're all reserved," the dining-car conductor said. "There will be a fifth service at three-thirty." "This is serious," I said to Bill. "Give him ten francs." "Here," I said. "We want to eat in the first service." The conductor put the ten francs in his pocket. "Thank you," he said. "I would advise you gentlemen to get some sandwiches. All the places for the first four services were reserved at the office of the company." "You'll go a long way, brother," Bill said to him in English. "I suppose if I'd given you five francs you would have advised us to jump off the train." "_Comment?_" "Go to hell!" said Bill. "Get the sandwiches made and a bottle of wine. You tell him, Jake." "And send it up to the next car." I described where we were. In	The Sun Also Rises
"if I had it written down: but I can't quite follow it as you say it."	Alice	better," Alice said very politely,<\|quote\|>"if I had it written down: but I can't quite follow it as you say it."</\|quote\|>"That's nothing to what I	think I should understand that better," Alice said very politely,<\|quote\|>"if I had it written down: but I can't quite follow it as you say it."</\|quote\|>"That's nothing to what I could say if I chose,"	more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely,<\|quote\|>"if I had it written down: but I can't quite follow it as you say it."</\|quote\|>"That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A	yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely,<\|quote\|>"if I had it written down: but I can't quite follow it as you say it."</\|quote\|>"That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning	replied, not feeling at all anxious to have the experiment tried. "Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely,<\|quote\|>"if I had it written down: but I can't quite follow it as you say it."</\|quote\|>"That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to fly; and the m--" But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping on the ground as she	like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could. "The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite," Alice cautiously replied, not feeling at all anxious to have the experiment tried. "Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely,<\|quote\|>"if I had it written down: but I can't quite follow it as you say it."</\|quote\|>"That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to fly; and the m--" But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping on the ground as she spoke; "either you or your head must be off, and that in about half no time! Take your choice!" The Duchess took her choice, and was gone in a moment. "Let's go on with the game," the Queen said to Alice; and Alice was too much frightened to say a word, but slowly followed her back to the croquet-ground. The other guests had taken advantage of the Queen's absence, and were resting in the shade: however, the moment they saw her, they hurried back to the game, the Queen merely remarking that a moment's delay would cost them their lives. All the time they were playing the Queen never left off quarrelling with the other players, and shouting "Off with his head!" or "Off with her head!" Those whom she sentenced were taken into custody by the soldiers, who of course had to leave off being arches to do this, so that by the end of half an hour or so there were no arches left, and all the players, except the King, the Queen, and Alice, were in custody and under sentence of execution. Then the Queen left off, quite out of breath, and said to Alice, "Have you	that anything that had a head could be beheaded, and that you weren't to talk nonsense. The Queen's argument was, that if something wasn't done about it in less than no time she'd have everybody executed, all round. (It was this last remark that had made the whole party look so grave and anxious.) Alice could think of nothing else to say but "It belongs to the Duchess: you'd better ask _her_ about it." "She's in prison," the Queen said to the executioner: "fetch her here." And the executioner went off like an arrow. The Cat's head began fading away the moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the rest of the party went back to the game. CHAPTER IX. The Mock Turtle's Story "You can't think how glad I am to see you again, you dear old thing!" said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together. Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the kitchen. "When _I'm_ a Duchess," she said to herself, (not in a very hopeful tone though), "I won't have any pepper in my kitchen _at all_. Soup does very well without--Maybe it's always pepper that makes people hot-tempered," she went on, very much pleased at having found out a new kind of rule, "and vinegar that makes them sour--and camomile that makes them bitter--and--and barley-sugar and such things that make children sweet-tempered. I only wish people knew _that_: then they wouldn't be so stingy about it, you know--" She had quite forgotten the Duchess by this time, and was a little startled when she heard her voice close to her ear. "You're thinking about something, my dear, and that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured to remark. "Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it." And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could. "The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite," Alice cautiously replied, not feeling at all anxious to have the experiment tried. "Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely,<\|quote\|>"if I had it written down: but I can't quite follow it as you say it."</\|quote\|>"That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to fly; and the m--" But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping on the ground as she spoke; "either you or your head must be off, and that in about half no time! Take your choice!" The Duchess took her choice, and was gone in a moment. "Let's go on with the game," the Queen said to Alice; and Alice was too much frightened to say a word, but slowly followed her back to the croquet-ground. The other guests had taken advantage of the Queen's absence, and were resting in the shade: however, the moment they saw her, they hurried back to the game, the Queen merely remarking that a moment's delay would cost them their lives. All the time they were playing the Queen never left off quarrelling with the other players, and shouting "Off with his head!" or "Off with her head!" Those whom she sentenced were taken into custody by the soldiers, who of course had to leave off being arches to do this, so that by the end of half an hour or so there were no arches left, and all the players, except the King, the Queen, and Alice, were in custody and under sentence of execution. Then the Queen left off, quite out of breath, and said to Alice, "Have you seen the Mock Turtle yet?" "No," said Alice. "I don't even know what a Mock Turtle is." "It's the thing Mock Turtle Soup is made from," said the Queen. "I never saw one, or heard of one," said Alice. "Come on, then," said the Queen, "and he shall tell you his history," As they walked off together, Alice heard the King say in a low voice, to the company generally, "You are all pardoned." "Come, _that's_ a good thing!" she said to herself, for she had felt quite unhappy at the number of executions the Queen had ordered. They very soon came upon a Gryphon, lying fast asleep in the sun. (If you don't know what a Gryphon is, look at the picture.) "Up, lazy thing!" said the Queen, "and take this young lady to see the Mock Turtle, and to hear his history. I must go back and see after some executions I have ordered;" and she walked off, leaving Alice alone with the Gryphon. Alice did not quite like the look of the creature, but on the whole she thought it would be quite as safe to stay with it as to go after that savage Queen: so she waited. The Gryphon sat up and rubbed its eyes: then it watched the Queen till she was out of sight: then it chuckled. "What fun!" said the Gryphon, half to itself, half to Alice. "What _is_ the fun?" said Alice. "Why, _she_," said the Gryphon. "It's all her fancy, that: they never executes nobody, you know. Come on!" "Everybody says 'come on!' here," thought Alice, as she went slowly after it: "I never was so ordered about in all my life, never!" They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would break. She pitied him deeply. "What is his sorrow?" she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, "It's all his fancy, that: he hasn't got no sorrow, you know. Come on!" So they went up to the Mock Turtle, who looked at them with large eyes full of tears, but said nothing. "This here young lady," said the Gryphon, "she wants for to know your history, she do." "I'll tell	can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured to remark. "Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it." And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could. "The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite," Alice cautiously replied, not feeling at all anxious to have the experiment tried. "Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely,<\|quote\|>"if I had it written down: but I can't quite follow it as you say it."</\|quote\|>"That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to fly; and the m--" But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping on the ground as she spoke; "either you or your head must be off, and that in about half no time! Take your choice!" The Duchess took her choice, and was gone in a moment. "Let's go on with the game," the Queen said to Alice; and Alice was too much frightened to say a word, but slowly followed her back to the croquet-ground. The	Alices Adventures In Wonderland
"she will indulge her even more than she did you, and believe that she does not indulge her at all. It will be the only difference."	Mr. Knightley	"That is," replied Mr. Knightley,<\|quote\|>"she will indulge her even more than she did you, and believe that she does not indulge her at all. It will be the only difference."</\|quote\|>"Poor child!" cried Emma; "at	on a more perfect plan." "That is," replied Mr. Knightley,<\|quote\|>"she will indulge her even more than she did you, and believe that she does not indulge her at all. It will be the only difference."</\|quote\|>"Poor child!" cried Emma; "at that rate, what will become	exercise again. "She has had the advantage, you know, of practising on me," she continued--" "like La Baronne d'Almane on La Comtesse d'Ostalis, in Madame de Genlis' Adelaide and Theodore, and we shall now see her own little Adelaide educated on a more perfect plan." "That is," replied Mr. Knightley,<\|quote\|>"she will indulge her even more than she did you, and believe that she does not indulge her at all. It will be the only difference."</\|quote\|>"Poor child!" cried Emma; "at that rate, what will become of her?" "Nothing very bad.--The fate of thousands. She will be disagreeable in infancy, and correct herself as she grows older. I am losing all my bitterness against spoilt children, my dearest Emma. I, who am owing all my happiness	nonsense, the freaks and the fancies of a child never banished from home; and Mrs. Weston--no one could doubt that a daughter would be most to her; and it would be quite a pity that any one who so well knew how to teach, should not have their powers in exercise again. "She has had the advantage, you know, of practising on me," she continued--" "like La Baronne d'Almane on La Comtesse d'Ostalis, in Madame de Genlis' Adelaide and Theodore, and we shall now see her own little Adelaide educated on a more perfect plan." "That is," replied Mr. Knightley,<\|quote\|>"she will indulge her even more than she did you, and believe that she does not indulge her at all. It will be the only difference."</\|quote\|>"Poor child!" cried Emma; "at that rate, what will become of her?" "Nothing very bad.--The fate of thousands. She will be disagreeable in infancy, and correct herself as she grows older. I am losing all my bitterness against spoilt children, my dearest Emma. I, who am owing all my happiness to _you_, would not it be horrible ingratitude in me to be severe on them?" Emma laughed, and replied: "But I had the assistance of all your endeavours to counteract the indulgence of other people. I doubt whether my own sense would have corrected me without it." "Do you?--I have	satisfaction of her well-doing could be increased to Emma, it was by knowing her to be the mother of a little girl. She had been decided in wishing for a Miss Weston. She would not acknowledge that it was with any view of making a match for her, hereafter, with either of Isabella's sons; but she was convinced that a daughter would suit both father and mother best. It would be a great comfort to Mr. Weston, as he grew older--and even Mr. Weston might be growing older ten years hence--to have his fireside enlivened by the sports and the nonsense, the freaks and the fancies of a child never banished from home; and Mrs. Weston--no one could doubt that a daughter would be most to her; and it would be quite a pity that any one who so well knew how to teach, should not have their powers in exercise again. "She has had the advantage, you know, of practising on me," she continued--" "like La Baronne d'Almane on La Comtesse d'Ostalis, in Madame de Genlis' Adelaide and Theodore, and we shall now see her own little Adelaide educated on a more perfect plan." "That is," replied Mr. Knightley,<\|quote\|>"she will indulge her even more than she did you, and believe that she does not indulge her at all. It will be the only difference."</\|quote\|>"Poor child!" cried Emma; "at that rate, what will become of her?" "Nothing very bad.--The fate of thousands. She will be disagreeable in infancy, and correct herself as she grows older. I am losing all my bitterness against spoilt children, my dearest Emma. I, who am owing all my happiness to _you_, would not it be horrible ingratitude in me to be severe on them?" Emma laughed, and replied: "But I had the assistance of all your endeavours to counteract the indulgence of other people. I doubt whether my own sense would have corrected me without it." "Do you?--I have no doubt. Nature gave you understanding:--Miss Taylor gave you principles. You must have done well. My interference was quite as likely to do harm as good. It was very natural for you to say, what right has he to lecture me?--and I am afraid very natural for you to feel that it was done in a disagreeable manner. I do not believe I did you any good. The good was all to myself, by making you an object of the tenderest affection to me. I could not think about you so much without doating on you, faults and all; and	We must do whatever is to be done quickest, and I think our feelings will lose no time there. I hope you have pleasant accounts from Windsor?" "Very." "And the next news, I suppose, will be, that we are to lose you--just as I begin to know you." "Oh! as to all that, of course nothing can be thought of yet. I am here till claimed by Colonel and Mrs. Campbell." "Nothing can be actually settled yet, perhaps," replied Emma, smiling--" "but, excuse me, it must be thought of." The smile was returned as Jane answered, "You are very right; it has been thought of. And I will own to you, (I am sure it will be safe), that so far as our living with Mr. Churchill at Enscombe, it is settled. There must be three months, at least, of deep mourning; but when they are over, I imagine there will be nothing more to wait for." "Thank you, thank you.--This is just what I wanted to be assured of.--Oh! if you knew how much I love every thing that is decided and open!--Good-bye, good-bye." CHAPTER XVII Mrs. Weston's friends were all made happy by her safety; and if the satisfaction of her well-doing could be increased to Emma, it was by knowing her to be the mother of a little girl. She had been decided in wishing for a Miss Weston. She would not acknowledge that it was with any view of making a match for her, hereafter, with either of Isabella's sons; but she was convinced that a daughter would suit both father and mother best. It would be a great comfort to Mr. Weston, as he grew older--and even Mr. Weston might be growing older ten years hence--to have his fireside enlivened by the sports and the nonsense, the freaks and the fancies of a child never banished from home; and Mrs. Weston--no one could doubt that a daughter would be most to her; and it would be quite a pity that any one who so well knew how to teach, should not have their powers in exercise again. "She has had the advantage, you know, of practising on me," she continued--" "like La Baronne d'Almane on La Comtesse d'Ostalis, in Madame de Genlis' Adelaide and Theodore, and we shall now see her own little Adelaide educated on a more perfect plan." "That is," replied Mr. Knightley,<\|quote\|>"she will indulge her even more than she did you, and believe that she does not indulge her at all. It will be the only difference."</\|quote\|>"Poor child!" cried Emma; "at that rate, what will become of her?" "Nothing very bad.--The fate of thousands. She will be disagreeable in infancy, and correct herself as she grows older. I am losing all my bitterness against spoilt children, my dearest Emma. I, who am owing all my happiness to _you_, would not it be horrible ingratitude in me to be severe on them?" Emma laughed, and replied: "But I had the assistance of all your endeavours to counteract the indulgence of other people. I doubt whether my own sense would have corrected me without it." "Do you?--I have no doubt. Nature gave you understanding:--Miss Taylor gave you principles. You must have done well. My interference was quite as likely to do harm as good. It was very natural for you to say, what right has he to lecture me?--and I am afraid very natural for you to feel that it was done in a disagreeable manner. I do not believe I did you any good. The good was all to myself, by making you an object of the tenderest affection to me. I could not think about you so much without doating on you, faults and all; and by dint of fancying so many errors, have been in love with you ever since you were thirteen at least." "I am sure you were of use to me," cried Emma. "I was very often influenced rightly by you--oftener than I would own at the time. I am very sure you did me good. And if poor little Anna Weston is to be spoiled, it will be the greatest humanity in you to do as much for her as you have done for me, except falling in love with her when she is thirteen." "How often, when you were a girl, have you said to me, with one of your saucy looks--'Mr. Knightley, I am going to do so-and-so; papa says I may, or I have Miss Taylor's leave'--something which, you knew, I did not approve. In such cases my interference was giving you two bad feelings instead of one." "What an amiable creature I was!--No wonder you should hold my speeches in such affectionate remembrance." "'Mr. Knightley.'--You always called me, 'Mr. Knightley;' and, from habit, it has not so very formal a sound.--And yet it is formal. I want you to call me something else, but I do not	William's wants, but it really is of very great importance that _I_ should see Knightley to-day; and it becomes a matter, therefore, of very serious inconvenience that I should have had this hot walk to no purpose." Emma felt that she could not do better than go home directly. In all probability she was at this very time waited for there; and Mr. Knightley might be preserved from sinking deeper in aggression towards Mr. Elton, if not towards William Larkins. She was pleased, on taking leave, to find Miss Fairfax determined to attend her out of the room, to go with her even downstairs; it gave her an opportunity which she immediately made use of, to say, "It is as well, perhaps, that I have not had the possibility. Had you not been surrounded by other friends, I might have been tempted to introduce a subject, to ask questions, to speak more openly than might have been strictly correct.--I feel that I should certainly have been impertinent." "Oh!" cried Jane, with a blush and an hesitation which Emma thought infinitely more becoming to her than all the elegance of all her usual composure--" "there would have been no danger. The danger would have been of my wearying you. You could not have gratified me more than by expressing an interest--. Indeed, Miss Woodhouse," (speaking more collectedly,) "with the consciousness which I have of misconduct, very great misconduct, it is particularly consoling to me to know that those of my friends, whose good opinion is most worth preserving, are not disgusted to such a degree as to--I have not time for half that I could wish to say. I long to make apologies, excuses, to urge something for myself. I feel it so very due. But, unfortunately--in short, if your compassion does not stand my friend--" "Oh! you are too scrupulous, indeed you are," cried Emma warmly, and taking her hand. "You owe me no apologies; and every body to whom you might be supposed to owe them, is so perfectly satisfied, so delighted even--" "You are very kind, but I know what my manners were to you.--So cold and artificial!--I had always a part to act.--It was a life of deceit!--I know that I must have disgusted you." "Pray say no more. I feel that all the apologies should be on my side. Let us forgive each other at once. We must do whatever is to be done quickest, and I think our feelings will lose no time there. I hope you have pleasant accounts from Windsor?" "Very." "And the next news, I suppose, will be, that we are to lose you--just as I begin to know you." "Oh! as to all that, of course nothing can be thought of yet. I am here till claimed by Colonel and Mrs. Campbell." "Nothing can be actually settled yet, perhaps," replied Emma, smiling--" "but, excuse me, it must be thought of." The smile was returned as Jane answered, "You are very right; it has been thought of. And I will own to you, (I am sure it will be safe), that so far as our living with Mr. Churchill at Enscombe, it is settled. There must be three months, at least, of deep mourning; but when they are over, I imagine there will be nothing more to wait for." "Thank you, thank you.--This is just what I wanted to be assured of.--Oh! if you knew how much I love every thing that is decided and open!--Good-bye, good-bye." CHAPTER XVII Mrs. Weston's friends were all made happy by her safety; and if the satisfaction of her well-doing could be increased to Emma, it was by knowing her to be the mother of a little girl. She had been decided in wishing for a Miss Weston. She would not acknowledge that it was with any view of making a match for her, hereafter, with either of Isabella's sons; but she was convinced that a daughter would suit both father and mother best. It would be a great comfort to Mr. Weston, as he grew older--and even Mr. Weston might be growing older ten years hence--to have his fireside enlivened by the sports and the nonsense, the freaks and the fancies of a child never banished from home; and Mrs. Weston--no one could doubt that a daughter would be most to her; and it would be quite a pity that any one who so well knew how to teach, should not have their powers in exercise again. "She has had the advantage, you know, of practising on me," she continued--" "like La Baronne d'Almane on La Comtesse d'Ostalis, in Madame de Genlis' Adelaide and Theodore, and we shall now see her own little Adelaide educated on a more perfect plan." "That is," replied Mr. Knightley,<\|quote\|>"she will indulge her even more than she did you, and believe that she does not indulge her at all. It will be the only difference."</\|quote\|>"Poor child!" cried Emma; "at that rate, what will become of her?" "Nothing very bad.--The fate of thousands. She will be disagreeable in infancy, and correct herself as she grows older. I am losing all my bitterness against spoilt children, my dearest Emma. I, who am owing all my happiness to _you_, would not it be horrible ingratitude in me to be severe on them?" Emma laughed, and replied: "But I had the assistance of all your endeavours to counteract the indulgence of other people. I doubt whether my own sense would have corrected me without it." "Do you?--I have no doubt. Nature gave you understanding:--Miss Taylor gave you principles. You must have done well. My interference was quite as likely to do harm as good. It was very natural for you to say, what right has he to lecture me?--and I am afraid very natural for you to feel that it was done in a disagreeable manner. I do not believe I did you any good. The good was all to myself, by making you an object of the tenderest affection to me. I could not think about you so much without doating on you, faults and all; and by dint of fancying so many errors, have been in love with you ever since you were thirteen at least." "I am sure you were of use to me," cried Emma. "I was very often influenced rightly by you--oftener than I would own at the time. I am very sure you did me good. And if poor little Anna Weston is to be spoiled, it will be the greatest humanity in you to do as much for her as you have done for me, except falling in love with her when she is thirteen." "How often, when you were a girl, have you said to me, with one of your saucy looks--'Mr. Knightley, I am going to do so-and-so; papa says I may, or I have Miss Taylor's leave'--something which, you knew, I did not approve. In such cases my interference was giving you two bad feelings instead of one." "What an amiable creature I was!--No wonder you should hold my speeches in such affectionate remembrance." "'Mr. Knightley.'--You always called me, 'Mr. Knightley;' and, from habit, it has not so very formal a sound.--And yet it is formal. I want you to call me something else, but I do not know what." "I remember once calling you 'George,' in one of my amiable fits, about ten years ago. I did it because I thought it would offend you; but, as you made no objection, I never did it again." "And cannot you call me 'George' now?" "Impossible!--I never can call you any thing but 'Mr. Knightley.' I will not promise even to equal the elegant terseness of Mrs. Elton, by calling you Mr. K.--But I will promise," she added presently, laughing and blushing--" "I will promise to call you once by your Christian name. I do not say when, but perhaps you may guess where;--in the building in which N. takes M. for better, for worse." Emma grieved that she could not be more openly just to one important service which his better sense would have rendered her, to the advice which would have saved her from the worst of all her womanly follies--her wilful intimacy with Harriet Smith; but it was too tender a subject.--She could not enter on it.--Harriet was very seldom mentioned between them. This, on his side, might merely proceed from her not being thought of; but Emma was rather inclined to attribute it to delicacy, and a suspicion, from some appearances, that their friendship were declining. She was aware herself, that, parting under any other circumstances, they certainly should have corresponded more, and that her intelligence would not have rested, as it now almost wholly did, on Isabella's letters. He might observe that it was so. The pain of being obliged to practise concealment towards him, was very little inferior to the pain of having made Harriet unhappy. Isabella sent quite as good an account of her visitor as could be expected; on her first arrival she had thought her out of spirits, which appeared perfectly natural, as there was a dentist to be consulted; but, since that business had been over, she did not appear to find Harriet different from what she had known her before.--Isabella, to be sure, was no very quick observer; yet if Harriet had not been equal to playing with the children, it would not have escaped her. Emma's comforts and hopes were most agreeably carried on, by Harriet's being to stay longer; her fortnight was likely to be a month at least. Mr. and Mrs. John Knightley were to come down in August, and she was invited to remain	it so very due. But, unfortunately--in short, if your compassion does not stand my friend--" "Oh! you are too scrupulous, indeed you are," cried Emma warmly, and taking her hand. "You owe me no apologies; and every body to whom you might be supposed to owe them, is so perfectly satisfied, so delighted even--" "You are very kind, but I know what my manners were to you.--So cold and artificial!--I had always a part to act.--It was a life of deceit!--I know that I must have disgusted you." "Pray say no more. I feel that all the apologies should be on my side. Let us forgive each other at once. We must do whatever is to be done quickest, and I think our feelings will lose no time there. I hope you have pleasant accounts from Windsor?" "Very." "And the next news, I suppose, will be, that we are to lose you--just as I begin to know you." "Oh! as to all that, of course nothing can be thought of yet. I am here till claimed by Colonel and Mrs. Campbell." "Nothing can be actually settled yet, perhaps," replied Emma, smiling--" "but, excuse me, it must be thought of." The smile was returned as Jane answered, "You are very right; it has been thought of. And I will own to you, (I am sure it will be safe), that so far as our living with Mr. Churchill at Enscombe, it is settled. There must be three months, at least, of deep mourning; but when they are over, I imagine there will be nothing more to wait for." "Thank you, thank you.--This is just what I wanted to be assured of.--Oh! if you knew how much I love every thing that is decided and open!--Good-bye, good-bye." CHAPTER XVII Mrs. Weston's friends were all made happy by her safety; and if the satisfaction of her well-doing could be increased to Emma, it was by knowing her to be the mother of a little girl. She had been decided in wishing for a Miss Weston. She would not acknowledge that it was with any view of making a match for her, hereafter, with either of Isabella's sons; but she was convinced that a daughter would suit both father and mother best. It would be a great comfort to Mr. Weston, as he grew older--and even Mr. Weston might be growing older ten years hence--to have his fireside enlivened by the sports and the nonsense, the freaks and the fancies of a child never banished from home; and Mrs. Weston--no one could doubt that a daughter would be most to her; and it would be quite a pity that any one who so well knew how to teach, should not have their powers in exercise again. "She has had the advantage, you know, of practising on me," she continued--" "like La Baronne d'Almane on La Comtesse d'Ostalis, in Madame de Genlis' Adelaide and Theodore, and we shall now see her own little Adelaide educated on a more perfect plan." "That is," replied Mr. Knightley,<\|quote\|>"she will indulge her even more than she did you, and believe that she does not indulge her at all. It will be the only difference."</\|quote\|>"Poor child!" cried Emma; "at that rate, what will become of her?" "Nothing very bad.--The fate of thousands. She will be disagreeable in infancy, and correct herself as she grows older. I am losing all my bitterness against spoilt children, my dearest Emma. I, who am owing all my happiness to _you_, would not it be horrible ingratitude in me to be severe on them?" Emma laughed, and replied: "But I had the assistance of all your endeavours to counteract the indulgence of other people. I doubt whether my own sense would have corrected me without it." "Do you?--I have no doubt. Nature gave you understanding:--Miss Taylor gave you principles. You must have done well. My interference was quite as likely to do harm as good. It was very natural for you to say, what right has he to lecture me?--and I am afraid very natural for you to feel that it was done in a disagreeable manner. I do not believe I did you any good. The good was all to myself, by making you an object of the tenderest affection to me. I could not think about you so much without doating on you, faults and all; and by dint of fancying so many errors, have been in love with you ever since you were thirteen at least." "I am sure you were of use to me," cried Emma. "I was very often influenced rightly by you--oftener than I would own at the time. I am very sure you did me good. And if poor little Anna Weston is to be spoiled, it will be the greatest humanity in you to do as much for her as you have done for me, except falling in love with her when she is thirteen." "How often, when you were a girl, have you said to me, with one of your saucy looks--'Mr. Knightley, I am going to do so-and-so; papa says I may, or I have Miss Taylor's leave'--something which, you knew, I did not approve. In such cases my interference was giving you two bad feelings instead of one." "What an amiable creature I was!--No wonder you should hold my speeches in such affectionate remembrance." "'Mr. Knightley.'--You always called me, 'Mr. Knightley;' and, from habit, it has not so very formal a sound.--And yet it is formal. I want you to call me something else, but I do not know what." "I remember once calling you 'George,' in one of my amiable fits, about ten years ago. I did it because I thought it would offend you; but, as you made no objection, I never did it again." "And cannot you call me 'George' now?" "Impossible!--I never can call you any thing but 'Mr. Knightley.' I will not promise even to equal the elegant terseness of Mrs. Elton, by calling you Mr. K.--But I will promise," she added presently, laughing and	Emma
"We have been to see some pictures,"	William Rodney	and distinguished and rather absent-minded.<\|quote\|>"We have been to see some pictures,"</\|quote\|>said William. "Oh, dear," he	standing and looking very tall and distinguished and rather absent-minded.<\|quote\|>"We have been to see some pictures,"</\|quote\|>said William. "Oh, dear," he exclaimed, looking about him, "this	the first disappointment, she was pleased, for she felt instantly that Katharine was a personality, and, moreover, she need not now exercise her self-control. "We were passing and saw a light in your window, so we came up," Katharine explained, standing and looking very tall and distinguished and rather absent-minded.<\|quote\|>"We have been to see some pictures,"</\|quote\|>said William. "Oh, dear," he exclaimed, looking about him, "this room reminds me of one of the worst hours in my existence when I read a paper, and you all sat round and jeered at me. Katharine was the worst. I could feel her gloating over every mistake I made.	but Katharine and William Rodney. Her first impression was that they were both extremely well dressed. She felt herself shabby and slovenly beside them, and did not know how she should entertain them, nor could she guess why they had come. She had heard nothing of their engagement. But after the first disappointment, she was pleased, for she felt instantly that Katharine was a personality, and, moreover, she need not now exercise her self-control. "We were passing and saw a light in your window, so we came up," Katharine explained, standing and looking very tall and distinguished and rather absent-minded.<\|quote\|>"We have been to see some pictures,"</\|quote\|>said William. "Oh, dear," he exclaimed, looking about him, "this room reminds me of one of the worst hours in my existence when I read a paper, and you all sat round and jeered at me. Katharine was the worst. I could feel her gloating over every mistake I made. Miss Datchet was kind. Miss Datchet just made it possible for me to get through, I remember." Sitting down, he drew off his light yellow gloves, and began slapping his knees with them. His vitality was pleasant, Mary thought, although he made her laugh. The very look of him was	full of complexity; life was a thing one must love to the last fiber of it. She had sat there for five minutes or so, and her thoughts had had time to grow dim, when there came a ring at her bell. Her eye brightened; she felt immediately convinced that Ralph had come to visit her. Accordingly, she waited a moment before opening the door; she wanted to feel her hands secure upon the reins of all the troublesome emotions which the sight of Ralph would certainly arouse. She composed herself unnecessarily, however, for she had to admit, not Ralph, but Katharine and William Rodney. Her first impression was that they were both extremely well dressed. She felt herself shabby and slovenly beside them, and did not know how she should entertain them, nor could she guess why they had come. She had heard nothing of their engagement. But after the first disappointment, she was pleased, for she felt instantly that Katharine was a personality, and, moreover, she need not now exercise her self-control. "We were passing and saw a light in your window, so we came up," Katharine explained, standing and looking very tall and distinguished and rather absent-minded.<\|quote\|>"We have been to see some pictures,"</\|quote\|>said William. "Oh, dear," he exclaimed, looking about him, "this room reminds me of one of the worst hours in my existence when I read a paper, and you all sat round and jeered at me. Katharine was the worst. I could feel her gloating over every mistake I made. Miss Datchet was kind. Miss Datchet just made it possible for me to get through, I remember." Sitting down, he drew off his light yellow gloves, and began slapping his knees with them. His vitality was pleasant, Mary thought, although he made her laugh. The very look of him was inclined to make her laugh. His rather prominent eyes passed from one young woman to the other, and his lips perpetually formed words which remained unspoken. "We have been seeing old masters at the Grafton Gallery," said Katharine, apparently paying no attention to William, and accepting a cigarette which Mary offered her. She leant back in her chair, and the smoke which hung about her face seemed to withdraw her still further from the others. "Would you believe it, Miss Datchet," William continued, "Katharine doesn t like Titian. She doesn t like apricots, she doesn t like peaches, she doesn	she was crossing the great misty square of Lincoln s Inn Fields, she was cold and depressed again, and horribly clear-sighted. The dark removed the stimulus of human companionship, and a tear actually slid down her cheek, accompanying a sudden conviction within her that she loved Ralph, and that he didn t love her. All dark and empty now was the path where they had walked that morning, and the sparrows silent in the bare trees. But the lights in her own building soon cheered her; all these different states of mind were submerged in the deep flood of desires, thoughts, perceptions, antagonisms, which washed perpetually at the base of her being, to rise into prominence in turn when the conditions of the upper world were favorable. She put off the hour of clear thought until Christmas, saying to herself, as she lit her fire, that it is impossible to think anything out in London; and, no doubt, Ralph wouldn t come at Christmas, and she would take long walks into the heart of the country, and decide this question and all the others that puzzled her. Meanwhile, she thought, drawing her feet up on to the fender, life was full of complexity; life was a thing one must love to the last fiber of it. She had sat there for five minutes or so, and her thoughts had had time to grow dim, when there came a ring at her bell. Her eye brightened; she felt immediately convinced that Ralph had come to visit her. Accordingly, she waited a moment before opening the door; she wanted to feel her hands secure upon the reins of all the troublesome emotions which the sight of Ralph would certainly arouse. She composed herself unnecessarily, however, for she had to admit, not Ralph, but Katharine and William Rodney. Her first impression was that they were both extremely well dressed. She felt herself shabby and slovenly beside them, and did not know how she should entertain them, nor could she guess why they had come. She had heard nothing of their engagement. But after the first disappointment, she was pleased, for she felt instantly that Katharine was a personality, and, moreover, she need not now exercise her self-control. "We were passing and saw a light in your window, so we came up," Katharine explained, standing and looking very tall and distinguished and rather absent-minded.<\|quote\|>"We have been to see some pictures,"</\|quote\|>said William. "Oh, dear," he exclaimed, looking about him, "this room reminds me of one of the worst hours in my existence when I read a paper, and you all sat round and jeered at me. Katharine was the worst. I could feel her gloating over every mistake I made. Miss Datchet was kind. Miss Datchet just made it possible for me to get through, I remember." Sitting down, he drew off his light yellow gloves, and began slapping his knees with them. His vitality was pleasant, Mary thought, although he made her laugh. The very look of him was inclined to make her laugh. His rather prominent eyes passed from one young woman to the other, and his lips perpetually formed words which remained unspoken. "We have been seeing old masters at the Grafton Gallery," said Katharine, apparently paying no attention to William, and accepting a cigarette which Mary offered her. She leant back in her chair, and the smoke which hung about her face seemed to withdraw her still further from the others. "Would you believe it, Miss Datchet," William continued, "Katharine doesn t like Titian. She doesn t like apricots, she doesn t like peaches, she doesn t like green peas. She likes the Elgin marbles, and gray days without any sun. She s a typical example of the cold northern nature. I come from Devonshire" Had they been quarreling, Mary wondered, and had they, for that reason, sought refuge in her room, or were they engaged, or had Katharine just refused him? She was completely baffled. Katharine now reappeared from her veil of smoke, knocked the ash from her cigarette into the fireplace, and looked, with an odd expression of solicitude, at the irritable man. "Perhaps, Mary," she said tentatively, "you wouldn t mind giving us some tea? We did try to get some, but the shop was so crowded, and in the next one there was a band playing; and most of the pictures, at any rate, were very dull, whatever you may say, William." She spoke with a kind of guarded gentleness. Mary, accordingly, retired to make preparations in the pantry. "What in the world are they after?" she asked of her own reflection in the little looking-glass which hung there. She was not left to doubt much longer, for, on coming back into the sitting-room with the tea-things, Katharine informed her, apparently having	cups from the cupboard as she spoke, so that her sentences were more than usually broken apart. Mary could not help looking at the odd little priestess of humanity with something like admiration. While she had been thinking about herself, Mrs. Seal had thought of nothing but her vision. "You mustn t wear yourself out, Sally, if you want to see the great day," she said, rising and trying to take a plate of biscuits from Mrs. Seal s hands. "My dear child, what else is my old body good for?" she exclaimed, clinging more tightly than before to her plate of biscuits. "Shouldn t I be proud to give everything I have to the cause? for I m not an intelligence like you. There were domestic circumstances I d like to tell you one of these days so I say foolish things. I lose my head, you know. You don t. Mr. Clacton doesn t. It s a great mistake, to lose one s head. But my heart s in the right place. And I m so glad Kit has a big dog, for I didn t think her looking well." They had their tea, and went over many of the points that had been raised in the committee rather more intimately than had been possible then; and they all felt an agreeable sense of being in some way behind the scenes; of having their hands upon strings which, when pulled, would completely change the pageant exhibited daily to those who read the newspapers. Although their views were very different, this sense united them and made them almost cordial in their manners to each other. Mary, however, left the tea-party rather early, desiring both to be alone, and then to hear some music at the Queen s Hall. She fully intended to use her loneliness to think out her position with regard to Ralph; but although she walked back to the Strand with this end in view, she found her mind uncomfortably full of different trains of thought. She started one and then another. They seemed even to take their color from the street she happened to be in. Thus the vision of humanity appeared to be in some way connected with Bloomsbury, and faded distinctly by the time she crossed the main road; then a belated organ-grinder in Holborn set her thoughts dancing incongruously; and by the time she was crossing the great misty square of Lincoln s Inn Fields, she was cold and depressed again, and horribly clear-sighted. The dark removed the stimulus of human companionship, and a tear actually slid down her cheek, accompanying a sudden conviction within her that she loved Ralph, and that he didn t love her. All dark and empty now was the path where they had walked that morning, and the sparrows silent in the bare trees. But the lights in her own building soon cheered her; all these different states of mind were submerged in the deep flood of desires, thoughts, perceptions, antagonisms, which washed perpetually at the base of her being, to rise into prominence in turn when the conditions of the upper world were favorable. She put off the hour of clear thought until Christmas, saying to herself, as she lit her fire, that it is impossible to think anything out in London; and, no doubt, Ralph wouldn t come at Christmas, and she would take long walks into the heart of the country, and decide this question and all the others that puzzled her. Meanwhile, she thought, drawing her feet up on to the fender, life was full of complexity; life was a thing one must love to the last fiber of it. She had sat there for five minutes or so, and her thoughts had had time to grow dim, when there came a ring at her bell. Her eye brightened; she felt immediately convinced that Ralph had come to visit her. Accordingly, she waited a moment before opening the door; she wanted to feel her hands secure upon the reins of all the troublesome emotions which the sight of Ralph would certainly arouse. She composed herself unnecessarily, however, for she had to admit, not Ralph, but Katharine and William Rodney. Her first impression was that they were both extremely well dressed. She felt herself shabby and slovenly beside them, and did not know how she should entertain them, nor could she guess why they had come. She had heard nothing of their engagement. But after the first disappointment, she was pleased, for she felt instantly that Katharine was a personality, and, moreover, she need not now exercise her self-control. "We were passing and saw a light in your window, so we came up," Katharine explained, standing and looking very tall and distinguished and rather absent-minded.<\|quote\|>"We have been to see some pictures,"</\|quote\|>said William. "Oh, dear," he exclaimed, looking about him, "this room reminds me of one of the worst hours in my existence when I read a paper, and you all sat round and jeered at me. Katharine was the worst. I could feel her gloating over every mistake I made. Miss Datchet was kind. Miss Datchet just made it possible for me to get through, I remember." Sitting down, he drew off his light yellow gloves, and began slapping his knees with them. His vitality was pleasant, Mary thought, although he made her laugh. The very look of him was inclined to make her laugh. His rather prominent eyes passed from one young woman to the other, and his lips perpetually formed words which remained unspoken. "We have been seeing old masters at the Grafton Gallery," said Katharine, apparently paying no attention to William, and accepting a cigarette which Mary offered her. She leant back in her chair, and the smoke which hung about her face seemed to withdraw her still further from the others. "Would you believe it, Miss Datchet," William continued, "Katharine doesn t like Titian. She doesn t like apricots, she doesn t like peaches, she doesn t like green peas. She likes the Elgin marbles, and gray days without any sun. She s a typical example of the cold northern nature. I come from Devonshire" Had they been quarreling, Mary wondered, and had they, for that reason, sought refuge in her room, or were they engaged, or had Katharine just refused him? She was completely baffled. Katharine now reappeared from her veil of smoke, knocked the ash from her cigarette into the fireplace, and looked, with an odd expression of solicitude, at the irritable man. "Perhaps, Mary," she said tentatively, "you wouldn t mind giving us some tea? We did try to get some, but the shop was so crowded, and in the next one there was a band playing; and most of the pictures, at any rate, were very dull, whatever you may say, William." She spoke with a kind of guarded gentleness. Mary, accordingly, retired to make preparations in the pantry. "What in the world are they after?" she asked of her own reflection in the little looking-glass which hung there. She was not left to doubt much longer, for, on coming back into the sitting-room with the tea-things, Katharine informed her, apparently having been instructed so to do by William, of their engagement. "William," she said, "thinks that perhaps you don t know. We are going to be married." Mary found herself shaking William s hand, and addressing her congratulations to him, as if Katharine were inaccessible; she had, indeed, taken hold of the tea-kettle. "Let me see," Katharine said, "one puts hot water into the cups first, doesn t one? You have some dodge of your own, haven t you, William, about making tea?" Mary was half inclined to suspect that this was said in order to conceal nervousness, but if so, the concealment was unusually perfect. Talk of marriage was dismissed. Katharine might have been seated in her own drawing-room, controlling a situation which presented no sort of difficulty to her trained mind. Rather to her surprise, Mary found herself making conversation with William about old Italian pictures, while Katharine poured out tea, cut cake, kept William s plate supplied, without joining more than was necessary in the conversation. She seemed to have taken possession of Mary s room, and to handle the cups as if they belonged to her. But it was done so naturally that it bred no resentment in Mary; on the contrary, she found herself putting her hand on Katharine s knee, affectionately, for an instant. Was there something maternal in this assumption of control? And thinking of Katharine as one who would soon be married, these maternal airs filled Mary s mind with a new tenderness, and even with awe. Katharine seemed very much older and more experienced than she was. Meanwhile Rodney talked. If his appearance was superficially against him, it had the advantage of making his solid merits something of a surprise. He had kept notebooks; he knew a great deal about pictures. He could compare different examples in different galleries, and his authoritative answers to intelligent questions gained not a little, Mary felt, from the smart taps which he dealt, as he delivered them, upon the lumps of coal. She was impressed. "Your tea, William," said Katharine gently. He paused, gulped it down, obediently, and continued. And then it struck Mary that Katharine, in the shade of her broad-brimmed hat, and in the midst of the smoke, and in the obscurity of her character, was, perhaps, smiling to herself, not altogether in the maternal spirit. What she said was very simple, but her	of mind were submerged in the deep flood of desires, thoughts, perceptions, antagonisms, which washed perpetually at the base of her being, to rise into prominence in turn when the conditions of the upper world were favorable. She put off the hour of clear thought until Christmas, saying to herself, as she lit her fire, that it is impossible to think anything out in London; and, no doubt, Ralph wouldn t come at Christmas, and she would take long walks into the heart of the country, and decide this question and all the others that puzzled her. Meanwhile, she thought, drawing her feet up on to the fender, life was full of complexity; life was a thing one must love to the last fiber of it. She had sat there for five minutes or so, and her thoughts had had time to grow dim, when there came a ring at her bell. Her eye brightened; she felt immediately convinced that Ralph had come to visit her. Accordingly, she waited a moment before opening the door; she wanted to feel her hands secure upon the reins of all the troublesome emotions which the sight of Ralph would certainly arouse. She composed herself unnecessarily, however, for she had to admit, not Ralph, but Katharine and William Rodney. Her first impression was that they were both extremely well dressed. She felt herself shabby and slovenly beside them, and did not know how she should entertain them, nor could she guess why they had come. She had heard nothing of their engagement. But after the first disappointment, she was pleased, for she felt instantly that Katharine was a personality, and, moreover, she need not now exercise her self-control. "We were passing and saw a light in your window, so we came up," Katharine explained, standing and looking very tall and distinguished and rather absent-minded.<\|quote\|>"We have been to see some pictures,"</\|quote\|>said William. "Oh, dear," he exclaimed, looking about him, "this room reminds me of one of the worst hours in my existence when I read a paper, and you all sat round and jeered at me. Katharine was the worst. I could feel her gloating over every mistake I made. Miss Datchet was kind. Miss Datchet just made it possible for me to get through, I remember." Sitting down, he drew off his light yellow gloves, and began slapping his knees with them. His vitality was pleasant, Mary thought, although he made her laugh. The very look of him was inclined to make her laugh. His rather prominent eyes passed from one young woman to the other, and his lips perpetually formed words which remained unspoken. "We have been seeing old masters at the Grafton Gallery," said Katharine, apparently paying no attention to William, and accepting a cigarette which Mary offered her. She leant back in her chair, and the smoke which hung about her face seemed to withdraw her still further from the others. "Would you believe it, Miss Datchet," William continued, "Katharine doesn t like Titian. She doesn t like apricots, she doesn t like peaches, she doesn	Night And Day
"here is Barton valley. Look up to it, and be tranquil if you can. Look at those hills! Did you ever see their equals? To the left is Barton park, amongst those woods and plantations. You may see the end of the house. And there, beneath that farthest hill, which rises with such grandeur, is our cottage."	Marianne	his attention to the prospect,<\|quote\|>"here is Barton valley. Look up to it, and be tranquil if you can. Look at those hills! Did you ever see their equals? To the left is Barton park, amongst those woods and plantations. You may see the end of the house. And there, beneath that farthest hill, which rises with such grandeur, is our cottage."</\|quote\|>"It is a beautiful country,"	"Now, Edward," said she, calling his attention to the prospect,<\|quote\|>"here is Barton valley. Look up to it, and be tranquil if you can. Look at those hills! Did you ever see their equals? To the left is Barton park, amongst those woods and plantations. You may see the end of the house. And there, beneath that farthest hill, which rises with such grandeur, is our cottage."</\|quote\|>"It is a beautiful country," he replied; "but these bottoms	said Elinor, "who has your passion for dead leaves." "No; my feelings are not often shared, not often understood. But _sometimes_ they are." As she said this, she sunk into a reverie for a few moments; but rousing herself again, "Now, Edward," said she, calling his attention to the prospect,<\|quote\|>"here is Barton valley. Look up to it, and be tranquil if you can. Look at those hills! Did you ever see their equals? To the left is Barton park, amongst those woods and plantations. You may see the end of the house. And there, beneath that farthest hill, which rises with such grandeur, is our cottage."</\|quote\|>"It is a beautiful country," he replied; "but these bottoms must be dirty in winter." "How can you think of dirt, with such objects before you?" "Because," replied he, smiling, "among the rest of the objects before me, I see a very dirty lane." "How strange!" said Marianne to herself	driven in showers about me by the wind! What feelings have they, the season, the air altogether inspired! Now there is no one to regard them. They are seen only as a nuisance, swept hastily off, and driven as much as possible from the sight." "It is not every one," said Elinor, "who has your passion for dead leaves." "No; my feelings are not often shared, not often understood. But _sometimes_ they are." As she said this, she sunk into a reverie for a few moments; but rousing herself again, "Now, Edward," said she, calling his attention to the prospect,<\|quote\|>"here is Barton valley. Look up to it, and be tranquil if you can. Look at those hills! Did you ever see their equals? To the left is Barton park, amongst those woods and plantations. You may see the end of the house. And there, beneath that farthest hill, which rises with such grandeur, is our cottage."</\|quote\|>"It is a beautiful country," he replied; "but these bottoms must be dirty in winter." "How can you think of dirt, with such objects before you?" "Because," replied he, smiling, "among the rest of the objects before me, I see a very dirty lane." "How strange!" said Marianne to herself as she walked on. "Have you an agreeable neighbourhood here? Are the Middletons pleasant people?" "No, not all," answered Marianne; "we could not be more unfortunately situated." "Marianne," cried her sister, "how can you say so? How can you be so unjust? They are a very respectable family, Mr. Ferrars;	same county with Elinor without seeing her before. He looked rather distressed as he added, that he had been staying with some friends near Plymouth. "Have you been lately in Sussex?" said Elinor. "I was at Norland about a month ago." "And how does dear, dear Norland look?" cried Marianne. "Dear, dear Norland," said Elinor, "probably looks much as it always does at this time of the year. The woods and walks thickly covered with dead leaves." "Oh," cried Marianne, "with what transporting sensation have I formerly seen them fall! How have I delighted, as I walked, to see them driven in showers about me by the wind! What feelings have they, the season, the air altogether inspired! Now there is no one to regard them. They are seen only as a nuisance, swept hastily off, and driven as much as possible from the sight." "It is not every one," said Elinor, "who has your passion for dead leaves." "No; my feelings are not often shared, not often understood. But _sometimes_ they are." As she said this, she sunk into a reverie for a few moments; but rousing herself again, "Now, Edward," said she, calling his attention to the prospect,<\|quote\|>"here is Barton valley. Look up to it, and be tranquil if you can. Look at those hills! Did you ever see their equals? To the left is Barton park, amongst those woods and plantations. You may see the end of the house. And there, beneath that farthest hill, which rises with such grandeur, is our cottage."</\|quote\|>"It is a beautiful country," he replied; "but these bottoms must be dirty in winter." "How can you think of dirt, with such objects before you?" "Because," replied he, smiling, "among the rest of the objects before me, I see a very dirty lane." "How strange!" said Marianne to herself as she walked on. "Have you an agreeable neighbourhood here? Are the Middletons pleasant people?" "No, not all," answered Marianne; "we could not be more unfortunately situated." "Marianne," cried her sister, "how can you say so? How can you be so unjust? They are a very respectable family, Mr. Ferrars; and towards us have behaved in the friendliest manner. Have you forgot, Marianne, how many pleasant days we have owed to them?" "No," said Marianne, in a low voice, "nor how many painful moments." Elinor took no notice of this; and directing her attention to their visitor, endeavoured to support something like discourse with him, by talking of their present residence, its conveniences, &c. extorting from him occasional questions and remarks. His coldness and reserve mortified her severely; she was vexed and half angry; but resolving to regulate her behaviour to him by the past rather than the present, she	by them all with great cordiality, but especially by Marianne, who showed more warmth of regard in her reception of him than even Elinor herself. To Marianne, indeed, the meeting between Edward and her sister was but a continuation of that unaccountable coldness which she had often observed at Norland in their mutual behaviour. On Edward s side, more particularly, there was a deficiency of all that a lover ought to look and say on such an occasion. He was confused, seemed scarcely sensible of pleasure in seeing them, looked neither rapturous nor gay, said little but what was forced from him by questions, and distinguished Elinor by no mark of affection. Marianne saw and listened with increasing surprise. She began almost to feel a dislike of Edward; and it ended, as every feeling must end with her, by carrying back her thoughts to Willoughby, whose manners formed a contrast sufficiently striking to those of his brother elect. After a short silence which succeeded the first surprise and enquiries of meeting, Marianne asked Edward if he came directly from London. No, he had been in Devonshire a fortnight. "A fortnight!" she repeated, surprised at his being so long in the same county with Elinor without seeing her before. He looked rather distressed as he added, that he had been staying with some friends near Plymouth. "Have you been lately in Sussex?" said Elinor. "I was at Norland about a month ago." "And how does dear, dear Norland look?" cried Marianne. "Dear, dear Norland," said Elinor, "probably looks much as it always does at this time of the year. The woods and walks thickly covered with dead leaves." "Oh," cried Marianne, "with what transporting sensation have I formerly seen them fall! How have I delighted, as I walked, to see them driven in showers about me by the wind! What feelings have they, the season, the air altogether inspired! Now there is no one to regard them. They are seen only as a nuisance, swept hastily off, and driven as much as possible from the sight." "It is not every one," said Elinor, "who has your passion for dead leaves." "No; my feelings are not often shared, not often understood. But _sometimes_ they are." As she said this, she sunk into a reverie for a few moments; but rousing herself again, "Now, Edward," said she, calling his attention to the prospect,<\|quote\|>"here is Barton valley. Look up to it, and be tranquil if you can. Look at those hills! Did you ever see their equals? To the left is Barton park, amongst those woods and plantations. You may see the end of the house. And there, beneath that farthest hill, which rises with such grandeur, is our cottage."</\|quote\|>"It is a beautiful country," he replied; "but these bottoms must be dirty in winter." "How can you think of dirt, with such objects before you?" "Because," replied he, smiling, "among the rest of the objects before me, I see a very dirty lane." "How strange!" said Marianne to herself as she walked on. "Have you an agreeable neighbourhood here? Are the Middletons pleasant people?" "No, not all," answered Marianne; "we could not be more unfortunately situated." "Marianne," cried her sister, "how can you say so? How can you be so unjust? They are a very respectable family, Mr. Ferrars; and towards us have behaved in the friendliest manner. Have you forgot, Marianne, how many pleasant days we have owed to them?" "No," said Marianne, in a low voice, "nor how many painful moments." Elinor took no notice of this; and directing her attention to their visitor, endeavoured to support something like discourse with him, by talking of their present residence, its conveniences, &c. extorting from him occasional questions and remarks. His coldness and reserve mortified her severely; she was vexed and half angry; but resolving to regulate her behaviour to him by the past rather than the present, she avoided every appearance of resentment or displeasure, and treated him as she thought he ought to be treated from the family connection. CHAPTER XVII. Mrs. Dashwood was surprised only for a moment at seeing him; for his coming to Barton was, in her opinion, of all things the most natural. Her joy and expression of regard long outlived her wonder. He received the kindest welcome from her; and shyness, coldness, reserve could not stand against such a reception. They had begun to fail him before he entered the house, and they were quite overcome by the captivating manners of Mrs. Dashwood. Indeed a man could not very well be in love with either of her daughters, without extending the passion to her; and Elinor had the satisfaction of seeing him soon become more like himself. His affections seemed to reanimate towards them all, and his interest in their welfare again became perceptible. He was not in spirits, however; he praised their house, admired its prospect, was attentive, and kind; but still he was not in spirits. The whole family perceived it, and Mrs. Dashwood, attributing it to some want of liberality in his mother, sat down to table indignant against	Elinor, who greatly disapproved such continual seclusion. They walked along the road through the valley, and chiefly in silence, for Marianne s _mind_ could not be controlled, and Elinor, satisfied with gaining one point, would not then attempt more. Beyond the entrance of the valley, where the country, though still rich, was less wild and more open, a long stretch of the road which they had travelled on first coming to Barton, lay before them; and on reaching that point, they stopped to look around them, and examine a prospect which formed the distance of their view from the cottage, from a spot which they had never happened to reach in any of their walks before. Amongst the objects in the scene, they soon discovered an animated one; it was a man on horseback riding towards them. In a few minutes they could distinguish him to be a gentleman; and in a moment afterwards Marianne rapturously exclaimed, "It is he; it is indeed; I know it is!" and was hastening to meet him, when Elinor cried out, "Indeed, Marianne, I think you are mistaken. It is not Willoughby. The person is not tall enough for him, and has not his air." "He has, he has," cried Marianne, "I am sure he has. His air, his coat, his horse. I knew how soon he would come." She walked eagerly on as she spoke; and Elinor, to screen Marianne from particularity, as she felt almost certain of its not being Willoughby, quickened her pace and kept up with her. They were soon within thirty yards of the gentleman. Marianne looked again; her heart sunk within her; and abruptly turning round, she was hurrying back, when the voices of both her sisters were raised to detain her; a third, almost as well known as Willoughby s, joined them in begging her to stop, and she turned round with surprise to see and welcome Edward Ferrars. He was the only person in the world who could at that moment be forgiven for not being Willoughby; the only one who could have gained a smile from her; but she dispersed her tears to smile on _him_, and in her sister s happiness forgot for a time her own disappointment. He dismounted, and giving his horse to his servant, walked back with them to Barton, whither he was purposely coming to visit them. He was welcomed by them all with great cordiality, but especially by Marianne, who showed more warmth of regard in her reception of him than even Elinor herself. To Marianne, indeed, the meeting between Edward and her sister was but a continuation of that unaccountable coldness which she had often observed at Norland in their mutual behaviour. On Edward s side, more particularly, there was a deficiency of all that a lover ought to look and say on such an occasion. He was confused, seemed scarcely sensible of pleasure in seeing them, looked neither rapturous nor gay, said little but what was forced from him by questions, and distinguished Elinor by no mark of affection. Marianne saw and listened with increasing surprise. She began almost to feel a dislike of Edward; and it ended, as every feeling must end with her, by carrying back her thoughts to Willoughby, whose manners formed a contrast sufficiently striking to those of his brother elect. After a short silence which succeeded the first surprise and enquiries of meeting, Marianne asked Edward if he came directly from London. No, he had been in Devonshire a fortnight. "A fortnight!" she repeated, surprised at his being so long in the same county with Elinor without seeing her before. He looked rather distressed as he added, that he had been staying with some friends near Plymouth. "Have you been lately in Sussex?" said Elinor. "I was at Norland about a month ago." "And how does dear, dear Norland look?" cried Marianne. "Dear, dear Norland," said Elinor, "probably looks much as it always does at this time of the year. The woods and walks thickly covered with dead leaves." "Oh," cried Marianne, "with what transporting sensation have I formerly seen them fall! How have I delighted, as I walked, to see them driven in showers about me by the wind! What feelings have they, the season, the air altogether inspired! Now there is no one to regard them. They are seen only as a nuisance, swept hastily off, and driven as much as possible from the sight." "It is not every one," said Elinor, "who has your passion for dead leaves." "No; my feelings are not often shared, not often understood. But _sometimes_ they are." As she said this, she sunk into a reverie for a few moments; but rousing herself again, "Now, Edward," said she, calling his attention to the prospect,<\|quote\|>"here is Barton valley. Look up to it, and be tranquil if you can. Look at those hills! Did you ever see their equals? To the left is Barton park, amongst those woods and plantations. You may see the end of the house. And there, beneath that farthest hill, which rises with such grandeur, is our cottage."</\|quote\|>"It is a beautiful country," he replied; "but these bottoms must be dirty in winter." "How can you think of dirt, with such objects before you?" "Because," replied he, smiling, "among the rest of the objects before me, I see a very dirty lane." "How strange!" said Marianne to herself as she walked on. "Have you an agreeable neighbourhood here? Are the Middletons pleasant people?" "No, not all," answered Marianne; "we could not be more unfortunately situated." "Marianne," cried her sister, "how can you say so? How can you be so unjust? They are a very respectable family, Mr. Ferrars; and towards us have behaved in the friendliest manner. Have you forgot, Marianne, how many pleasant days we have owed to them?" "No," said Marianne, in a low voice, "nor how many painful moments." Elinor took no notice of this; and directing her attention to their visitor, endeavoured to support something like discourse with him, by talking of their present residence, its conveniences, &c. extorting from him occasional questions and remarks. His coldness and reserve mortified her severely; she was vexed and half angry; but resolving to regulate her behaviour to him by the past rather than the present, she avoided every appearance of resentment or displeasure, and treated him as she thought he ought to be treated from the family connection. CHAPTER XVII. Mrs. Dashwood was surprised only for a moment at seeing him; for his coming to Barton was, in her opinion, of all things the most natural. Her joy and expression of regard long outlived her wonder. He received the kindest welcome from her; and shyness, coldness, reserve could not stand against such a reception. They had begun to fail him before he entered the house, and they were quite overcome by the captivating manners of Mrs. Dashwood. Indeed a man could not very well be in love with either of her daughters, without extending the passion to her; and Elinor had the satisfaction of seeing him soon become more like himself. His affections seemed to reanimate towards them all, and his interest in their welfare again became perceptible. He was not in spirits, however; he praised their house, admired its prospect, was attentive, and kind; but still he was not in spirits. The whole family perceived it, and Mrs. Dashwood, attributing it to some want of liberality in his mother, sat down to table indignant against all selfish parents. "What are Mrs. Ferrars s views for you at present, Edward?" said she, when dinner was over and they had drawn round the fire; "are you still to be a great orator in spite of yourself?" "No. I hope my mother is now convinced that I have no more talents than inclination for a public life!" "But how is your fame to be established? for famous you must be to satisfy all your family; and with no inclination for expense, no affection for strangers, no profession, and no assurance, you may find it a difficult matter." "I shall not attempt it. I have no wish to be distinguished; and have every reason to hope I never shall. Thank Heaven! I cannot be forced into genius and eloquence." "You have no ambition, I well know. Your wishes are all moderate." "As moderate as those of the rest of the world, I believe. I wish as well as every body else to be perfectly happy; but, like every body else it must be in my own way. Greatness will not make me so." "Strange that it would!" cried Marianne. "What have wealth or grandeur to do with happiness?" "Grandeur has but little," said Elinor, "but wealth has much to do with it." "Elinor, for shame!" said Marianne, "money can only give happiness where there is nothing else to give it. Beyond a competence, it can afford no real satisfaction, as far as mere self is concerned." "Perhaps," said Elinor, smiling, "we may come to the same point. _Your_ competence and _my_ wealth are very much alike, I dare say; and without them, as the world goes now, we shall both agree that every kind of external comfort must be wanting. Your ideas are only more noble than mine. Come, what is your competence?" "About eighteen hundred or two thousand a year; not more than _that_." Elinor laughed. "_two_ thousand a year! _one_ is my wealth! I guessed how it would end." "And yet two thousand a-year is a very moderate income," said Marianne. "A family cannot well be maintained on a smaller. I am sure I am not extravagant in my demands. A proper establishment of servants, a carriage, perhaps two, and hunters, cannot be supported on less." Elinor smiled again, to hear her sister describing so accurately their future expenses at Combe Magna. "Hunters!" repeated Edward "but why	them to Barton, whither he was purposely coming to visit them. He was welcomed by them all with great cordiality, but especially by Marianne, who showed more warmth of regard in her reception of him than even Elinor herself. To Marianne, indeed, the meeting between Edward and her sister was but a continuation of that unaccountable coldness which she had often observed at Norland in their mutual behaviour. On Edward s side, more particularly, there was a deficiency of all that a lover ought to look and say on such an occasion. He was confused, seemed scarcely sensible of pleasure in seeing them, looked neither rapturous nor gay, said little but what was forced from him by questions, and distinguished Elinor by no mark of affection. Marianne saw and listened with increasing surprise. She began almost to feel a dislike of Edward; and it ended, as every feeling must end with her, by carrying back her thoughts to Willoughby, whose manners formed a contrast sufficiently striking to those of his brother elect. After a short silence which succeeded the first surprise and enquiries of meeting, Marianne asked Edward if he came directly from London. No, he had been in Devonshire a fortnight. "A fortnight!" she repeated, surprised at his being so long in the same county with Elinor without seeing her before. He looked rather distressed as he added, that he had been staying with some friends near Plymouth. "Have you been lately in Sussex?" said Elinor. "I was at Norland about a month ago." "And how does dear, dear Norland look?" cried Marianne. "Dear, dear Norland," said Elinor, "probably looks much as it always does at this time of the year. The woods and walks thickly covered with dead leaves." "Oh," cried Marianne, "with what transporting sensation have I formerly seen them fall! How have I delighted, as I walked, to see them driven in showers about me by the wind! What feelings have they, the season, the air altogether inspired! Now there is no one to regard them. They are seen only as a nuisance, swept hastily off, and driven as much as possible from the sight." "It is not every one," said Elinor, "who has your passion for dead leaves." "No; my feelings are not often shared, not often understood. But _sometimes_ they are." As she said this, she sunk into a reverie for a few moments; but rousing herself again, "Now, Edward," said she, calling his attention to the prospect,<\|quote\|>"here is Barton valley. Look up to it, and be tranquil if you can. Look at those hills! Did you ever see their equals? To the left is Barton park, amongst those woods and plantations. You may see the end of the house. And there, beneath that farthest hill, which rises with such grandeur, is our cottage."</\|quote\|>"It is a beautiful country," he replied; "but these bottoms must be dirty in winter." "How can you think of dirt, with such objects before you?" "Because," replied he, smiling, "among the rest of the objects before me, I see a very dirty lane." "How strange!" said Marianne to herself as she walked on. "Have you an agreeable neighbourhood here? Are the Middletons pleasant people?" "No, not all," answered Marianne; "we could not be more unfortunately situated." "Marianne," cried her sister, "how can you say so? How can you be so unjust? They are a very respectable family, Mr. Ferrars; and towards us have behaved in the friendliest manner. Have you forgot, Marianne, how many pleasant days we have owed to them?" "No," said Marianne, in a low voice, "nor how many painful moments." Elinor took no notice of this; and directing her attention to their visitor, endeavoured to support something like discourse with him, by talking of their present residence, its conveniences, &c. extorting from him occasional questions and remarks. His coldness and reserve mortified her severely; she was vexed and half angry; but resolving to regulate her behaviour to him by the past rather than the present, she avoided every appearance of resentment or displeasure, and treated him as she thought he ought to be treated from the family connection. CHAPTER XVII. Mrs. Dashwood was surprised only for a moment at seeing him; for his coming to Barton was, in her opinion, of all things the most natural. Her joy and expression of regard long outlived her wonder. He received the kindest welcome from her; and shyness, coldness, reserve could not stand against such a reception. They had begun to fail him before he entered the house, and they were quite overcome by the captivating manners of Mrs. Dashwood. Indeed a man could not very well be in love with either of her daughters, without extending the passion to her; and Elinor had the satisfaction of seeing him soon become more like himself. His affections seemed to reanimate towards them all, and his interest in their welfare again became perceptible. He was not in spirits, however; he praised their house, admired its prospect, was attentive, and kind; but still he was not in spirits. The whole family perceived it, and Mrs. Dashwood, attributing it to some want of liberality in his	Sense And Sensibility
said Minty's young man; and he looked menacing. Joe, what little self-respect he had gone, slunk out of the room and needed several whiskeys in a neighbouring saloon to give him courage to go to the theatre and wait for Hattie, who was playing in vaudeville houses pending the opening of her company. The closing act was just over when he reached the stage door. He was there but a short time, when Hattie tripped out and took his arm. Her face was bright and smiling, and there was no suggestion of disgust in the dancing eyes she turned up to him. Evidently she had not heard, but the thought gave him no particular pleasure, as it left him in suspense as to how she would act when she should hear.	No speaker	on now." "Go on now,"<\|quote\|>said Minty's young man; and he looked menacing. Joe, what little self-respect he had gone, slunk out of the room and needed several whiskeys in a neighbouring saloon to give him courage to go to the theatre and wait for Hattie, who was playing in vaudeville houses pending the opening of her company. The closing act was just over when he reached the stage door. He was there but a short time, when Hattie tripped out and took his arm. Her face was bright and smiling, and there was no suggestion of disgust in the dancing eyes she turned up to him. Evidently she had not heard, but the thought gave him no particular pleasure, as it left him in suspense as to how she would act when she should hear.</\|quote\|>"Let 's go somewhere and	'd tell on you. Go on now." "Go on now,"<\|quote\|>said Minty's young man; and he looked menacing. Joe, what little self-respect he had gone, slunk out of the room and needed several whiskeys in a neighbouring saloon to give him courage to go to the theatre and wait for Hattie, who was playing in vaudeville houses pending the opening of her company. The closing act was just over when he reached the stage door. He was there but a short time, when Hattie tripped out and took his arm. Her face was bright and smiling, and there was no suggestion of disgust in the dancing eyes she turned up to him. Evidently she had not heard, but the thought gave him no particular pleasure, as it left him in suspense as to how she would act when she should hear.</\|quote\|>"Let 's go somewhere and get some supper," she said;	f'om hyeah," she said angrily; "I don't want none o' thievin' Berry Hamilton's fambly to speak to me." "Why, you were all right this evening." "Yes, but jest out o' pity, an' you was nice 'cause you was afraid I 'd tell on you. Go on now." "Go on now,"<\|quote\|>said Minty's young man; and he looked menacing. Joe, what little self-respect he had gone, slunk out of the room and needed several whiskeys in a neighbouring saloon to give him courage to go to the theatre and wait for Hattie, who was playing in vaudeville houses pending the opening of her company. The closing act was just over when he reached the stage door. He was there but a short time, when Hattie tripped out and took his arm. Her face was bright and smiling, and there was no suggestion of disgust in the dancing eyes she turned up to him. Evidently she had not heard, but the thought gave him no particular pleasure, as it left him in suspense as to how she would act when she should hear.</\|quote\|>"Let 's go somewhere and get some supper," she said; "I 'm as hungry as I can be. What are you looking so cut up about?" "Oh, I ain't feelin' so very good." "I hope you ain't lettin' that long-tongued Brown woman bother your head, are you?" His heart seemed	newer ways of thinking are. But Joe would not allow Minty to shatter his dreams by bringing up these old notions. She must be instructed. He rose and went over to her table. "Why, Minty," he said, offering his hand, "you ain't mad at me, are you?" "Go on away f'om hyeah," she said angrily; "I don't want none o' thievin' Berry Hamilton's fambly to speak to me." "Why, you were all right this evening." "Yes, but jest out o' pity, an' you was nice 'cause you was afraid I 'd tell on you. Go on now." "Go on now,"<\|quote\|>said Minty's young man; and he looked menacing. Joe, what little self-respect he had gone, slunk out of the room and needed several whiskeys in a neighbouring saloon to give him courage to go to the theatre and wait for Hattie, who was playing in vaudeville houses pending the opening of her company. The closing act was just over when he reached the stage door. He was there but a short time, when Hattie tripped out and took his arm. Her face was bright and smiling, and there was no suggestion of disgust in the dancing eyes she turned up to him. Evidently she had not heard, but the thought gave him no particular pleasure, as it left him in suspense as to how she would act when she should hear.</\|quote\|>"Let 's go somewhere and get some supper," she said; "I 'm as hungry as I can be. What are you looking so cut up about?" "Oh, I ain't feelin' so very good." "I hope you ain't lettin' that long-tongued Brown woman bother your head, are you?" His heart seemed to stand still. She did know, then. "Do you know all about it?" "Why, of course I do. You might know she 'd come to me first with her story." "And you still keep on speaking to me?" "Now look here, Joe, if you 've been drinking, I 'll forgive	and laughed. Suddenly his little courage began to ooze out, and he knew what she must be saying to the fellow at her side, for he looked over at him and grinned. Where now was the philosophy of Sadness? Evidently Minty had not been brought under its educating influences, and thought about the whole matter in the old, ignorant way. He began to think of it too. Somehow old teachings and old traditions have an annoying way of coming back upon us in the critical moments of life, although one has long ago recognised how much truer and better some newer ways of thinking are. But Joe would not allow Minty to shatter his dreams by bringing up these old notions. She must be instructed. He rose and went over to her table. "Why, Minty," he said, offering his hand, "you ain't mad at me, are you?" "Go on away f'om hyeah," she said angrily; "I don't want none o' thievin' Berry Hamilton's fambly to speak to me." "Why, you were all right this evening." "Yes, but jest out o' pity, an' you was nice 'cause you was afraid I 'd tell on you. Go on now." "Go on now,"<\|quote\|>said Minty's young man; and he looked menacing. Joe, what little self-respect he had gone, slunk out of the room and needed several whiskeys in a neighbouring saloon to give him courage to go to the theatre and wait for Hattie, who was playing in vaudeville houses pending the opening of her company. The closing act was just over when he reached the stage door. He was there but a short time, when Hattie tripped out and took his arm. Her face was bright and smiling, and there was no suggestion of disgust in the dancing eyes she turned up to him. Evidently she had not heard, but the thought gave him no particular pleasure, as it left him in suspense as to how she would act when she should hear.</\|quote\|>"Let 's go somewhere and get some supper," she said; "I 'm as hungry as I can be. What are you looking so cut up about?" "Oh, I ain't feelin' so very good." "I hope you ain't lettin' that long-tongued Brown woman bother your head, are you?" His heart seemed to stand still. She did know, then. "Do you know all about it?" "Why, of course I do. You might know she 'd come to me first with her story." "And you still keep on speaking to me?" "Now look here, Joe, if you 've been drinking, I 'll forgive you; if you ain't, you go on and leave me. Say, what do you take me for? Do you think I 'd throw down a friend because somebody else talked about him? Well, you don't know Hat Sterling. When Minty told me that story, she was back in my dressing-room, and I sent her out o' there a-flying, and with a tongue-lashing that she won't forget for a month o' Sundays." "I reckon that was the reason she jumped on me so hard at the club." He chuckled. He had taken heart again. All that Sadness had said was true,	and has no shame in its voluntary pauperism. Each member of the class knows every other, his methods and his limitations, and their loyalty one to another makes of them a great hulking, fashionably uniformed fraternity of indolence. Some play the races a few months of the year; others, quite as intermittently, gamble at "shoestring" politics, and waver from party to party as time or their interests seem to dictate. But mostly they are like the lilies of the field. It was into this set that Sadness had sarcastically invited Joe, and Joe felt honoured. He found that all of his former feelings had been silly and quite out of place; that all he had learned in his earlier years was false. It was very plain to him now that to want a good reputation was the sign of unpardonable immaturity, and that dishonour was the only real thing worth while. It made him feel better. He was just rising bravely to swagger out to the theatre when Minty Brown came in with one of the club-men he knew. He bowed and smiled, but she appeared not to notice him at first, and when she did she nudged her companion and laughed. Suddenly his little courage began to ooze out, and he knew what she must be saying to the fellow at her side, for he looked over at him and grinned. Where now was the philosophy of Sadness? Evidently Minty had not been brought under its educating influences, and thought about the whole matter in the old, ignorant way. He began to think of it too. Somehow old teachings and old traditions have an annoying way of coming back upon us in the critical moments of life, although one has long ago recognised how much truer and better some newer ways of thinking are. But Joe would not allow Minty to shatter his dreams by bringing up these old notions. She must be instructed. He rose and went over to her table. "Why, Minty," he said, offering his hand, "you ain't mad at me, are you?" "Go on away f'om hyeah," she said angrily; "I don't want none o' thievin' Berry Hamilton's fambly to speak to me." "Why, you were all right this evening." "Yes, but jest out o' pity, an' you was nice 'cause you was afraid I 'd tell on you. Go on now." "Go on now,"<\|quote\|>said Minty's young man; and he looked menacing. Joe, what little self-respect he had gone, slunk out of the room and needed several whiskeys in a neighbouring saloon to give him courage to go to the theatre and wait for Hattie, who was playing in vaudeville houses pending the opening of her company. The closing act was just over when he reached the stage door. He was there but a short time, when Hattie tripped out and took his arm. Her face was bright and smiling, and there was no suggestion of disgust in the dancing eyes she turned up to him. Evidently she had not heard, but the thought gave him no particular pleasure, as it left him in suspense as to how she would act when she should hear.</\|quote\|>"Let 's go somewhere and get some supper," she said; "I 'm as hungry as I can be. What are you looking so cut up about?" "Oh, I ain't feelin' so very good." "I hope you ain't lettin' that long-tongued Brown woman bother your head, are you?" His heart seemed to stand still. She did know, then. "Do you know all about it?" "Why, of course I do. You might know she 'd come to me first with her story." "And you still keep on speaking to me?" "Now look here, Joe, if you 've been drinking, I 'll forgive you; if you ain't, you go on and leave me. Say, what do you take me for? Do you think I 'd throw down a friend because somebody else talked about him? Well, you don't know Hat Sterling. When Minty told me that story, she was back in my dressing-room, and I sent her out o' there a-flying, and with a tongue-lashing that she won't forget for a month o' Sundays." "I reckon that was the reason she jumped on me so hard at the club." He chuckled. He had taken heart again. All that Sadness had said was true, after all, and people thought no less of him. His joy was unbounded. "So she jumped on you hard, did she? The cat!" "Oh, she did n't say a thing to me." "Well, Joe, it 's just like this. I ain't an angel, you know that, but I do try to be square, and whenever I find a friend of mine down on his luck, in his pocket-book or his feelings, why, I give him my flipper. Why, old chap, I believe I like you better for the stiff upper lip you 've been keeping under all this." "Why, Hattie," he broke out, unable any longer to control himself, "you 're--you 're----" "Oh, I 'm just plain Hat Sterling, who won't throw down her friends. Now come on and get something to eat. If that thing is at the club, we 'll go there and show her just how much her talk amounted to. She thinks she 's the whole game, but I can spot her and then show her that she ain't one, two, three." When they reached the Banner, they found Minty still there. She tried on the two the same tactics that she had employed so successfully	left him. He 'll sleep in one of the club chairs to-night, and not from choice. He spent his two thousand learning. But, after all, it was a good investment. It was like buying an annuity. He begins to know already how to live on others as they have lived on him. The plucked bird's beak is sharpened for other's feathers. From now on Wallace will live, eat, drink, and sleep at the expense of others, and will forget to mourn his lost money. He will go on this way until, broken and useless, the poor-house or the potter's field gets him. Oh, it 's a fine, rich life, my lad. I know you 'll like it. I said you would the first time I saw you. It has plenty of stir in it, and a man never gets lonesome. Only the rich are lonesome. It 's only the independent who depend upon others." Sadness laughed a peculiar laugh, and there was a look in his terribly bright eyes that made Joe creep. If he could only have understood all that the man was saying to him, he might even yet have turned back. But he did n't. He ordered another drink. The only effect that the talk of Sadness had upon him was to make him feel wonderfully "in it." It gave him a false bravery, and he mentally told himself that now he would not be afraid to face Hattie. He put out his hand to Sadness with a knowing look. "Thanks, Sadness," he said, "you 've helped me lots." Sadness brushed the proffered hand away and sprung up. "You lie," he cried, "I have n't; I was only fool enough to try;" and he turned hastily away from the table. Joe looked surprised at first, and then laughed at his friend's retreating form. "Poor old fellow," he said, "drunk again. Must have had something before he came in." There was not a lie in all that Sadness had said either as to their crime or their condition. He belonged to a peculiar class,--one that grows larger and larger each year in New York and which has imitators in every large city in this country. It is a set which lives, like the leech, upon the blood of others,--that draws its life from the veins of foolish men and immoral women, that prides itself upon its well-dressed idleness and has no shame in its voluntary pauperism. Each member of the class knows every other, his methods and his limitations, and their loyalty one to another makes of them a great hulking, fashionably uniformed fraternity of indolence. Some play the races a few months of the year; others, quite as intermittently, gamble at "shoestring" politics, and waver from party to party as time or their interests seem to dictate. But mostly they are like the lilies of the field. It was into this set that Sadness had sarcastically invited Joe, and Joe felt honoured. He found that all of his former feelings had been silly and quite out of place; that all he had learned in his earlier years was false. It was very plain to him now that to want a good reputation was the sign of unpardonable immaturity, and that dishonour was the only real thing worth while. It made him feel better. He was just rising bravely to swagger out to the theatre when Minty Brown came in with one of the club-men he knew. He bowed and smiled, but she appeared not to notice him at first, and when she did she nudged her companion and laughed. Suddenly his little courage began to ooze out, and he knew what she must be saying to the fellow at her side, for he looked over at him and grinned. Where now was the philosophy of Sadness? Evidently Minty had not been brought under its educating influences, and thought about the whole matter in the old, ignorant way. He began to think of it too. Somehow old teachings and old traditions have an annoying way of coming back upon us in the critical moments of life, although one has long ago recognised how much truer and better some newer ways of thinking are. But Joe would not allow Minty to shatter his dreams by bringing up these old notions. She must be instructed. He rose and went over to her table. "Why, Minty," he said, offering his hand, "you ain't mad at me, are you?" "Go on away f'om hyeah," she said angrily; "I don't want none o' thievin' Berry Hamilton's fambly to speak to me." "Why, you were all right this evening." "Yes, but jest out o' pity, an' you was nice 'cause you was afraid I 'd tell on you. Go on now." "Go on now,"<\|quote\|>said Minty's young man; and he looked menacing. Joe, what little self-respect he had gone, slunk out of the room and needed several whiskeys in a neighbouring saloon to give him courage to go to the theatre and wait for Hattie, who was playing in vaudeville houses pending the opening of her company. The closing act was just over when he reached the stage door. He was there but a short time, when Hattie tripped out and took his arm. Her face was bright and smiling, and there was no suggestion of disgust in the dancing eyes she turned up to him. Evidently she had not heard, but the thought gave him no particular pleasure, as it left him in suspense as to how she would act when she should hear.</\|quote\|>"Let 's go somewhere and get some supper," she said; "I 'm as hungry as I can be. What are you looking so cut up about?" "Oh, I ain't feelin' so very good." "I hope you ain't lettin' that long-tongued Brown woman bother your head, are you?" His heart seemed to stand still. She did know, then. "Do you know all about it?" "Why, of course I do. You might know she 'd come to me first with her story." "And you still keep on speaking to me?" "Now look here, Joe, if you 've been drinking, I 'll forgive you; if you ain't, you go on and leave me. Say, what do you take me for? Do you think I 'd throw down a friend because somebody else talked about him? Well, you don't know Hat Sterling. When Minty told me that story, she was back in my dressing-room, and I sent her out o' there a-flying, and with a tongue-lashing that she won't forget for a month o' Sundays." "I reckon that was the reason she jumped on me so hard at the club." He chuckled. He had taken heart again. All that Sadness had said was true, after all, and people thought no less of him. His joy was unbounded. "So she jumped on you hard, did she? The cat!" "Oh, she did n't say a thing to me." "Well, Joe, it 's just like this. I ain't an angel, you know that, but I do try to be square, and whenever I find a friend of mine down on his luck, in his pocket-book or his feelings, why, I give him my flipper. Why, old chap, I believe I like you better for the stiff upper lip you 've been keeping under all this." "Why, Hattie," he broke out, unable any longer to control himself, "you 're--you 're----" "Oh, I 'm just plain Hat Sterling, who won't throw down her friends. Now come on and get something to eat. If that thing is at the club, we 'll go there and show her just how much her talk amounted to. She thinks she 's the whole game, but I can spot her and then show her that she ain't one, two, three." When they reached the Banner, they found Minty still there. She tried on the two the same tactics that she had employed so successfully upon Joe alone. She nudged her companion and tittered. But she had another person to deal with. Hattie Sterling stared at her coldly and indifferently, and passed on by her to a seat. Joe proceeded to order supper and other things in the nonchalant way that the woman had enjoined upon him. Minty began to feel distinctly uncomfortable, but it was her business not to be beaten. She laughed outright. Hattie did not seem to hear her. She was beckoning Sadness to her side. He came and sat down. "Now look here," she said, "you can't have any supper because you have n't reached the stage of magnificent hunger to make a meal palatable to you. You 've got so used to being nearly starved that a meal don't taste good to you under any other circumstances. You 're in on the drinks, though. Your thirst is always available.--Jack," she called down the long room to the bartender, "make it three.--Lean over here, I want to talk to you. See that woman over there by the wall? No, not that one,--the big light woman with Griggs. Well, she 's come here with a story trying to throw Joe down, and I want you to help me do her." "Oh, that 's the one that upset our young friend, is it?" said Sadness, turning his mournful eyes upon Minty. "That 's her. So you know about it, do you?" "Yes, and I 'll help do her. She must n't touch one of the fraternity, you know." He kept his eyes fixed upon the outsider until she squirmed. She could not at all understand this serious conversation directed at her. She wondered if she had gone too far and if they contemplated putting her out. It made her uneasy. Now, this same Miss Sterling had the faculty of attracting a good deal of attention when she wished to. She brought it into play to-night, and in ten minutes, aided by Sadness, she had a crowd of jolly people about her table. When, as she would have expressed it, "everything was going fat," she suddenly paused and, turning her eyes full upon Minty, said in a voice loud enough for all to hear,-- "Say, boys, you 've heard that story about Joe, have n't you?" They had. "Well, that 's the one that told it; she 's come here to try to throw	to him now that to want a good reputation was the sign of unpardonable immaturity, and that dishonour was the only real thing worth while. It made him feel better. He was just rising bravely to swagger out to the theatre when Minty Brown came in with one of the club-men he knew. He bowed and smiled, but she appeared not to notice him at first, and when she did she nudged her companion and laughed. Suddenly his little courage began to ooze out, and he knew what she must be saying to the fellow at her side, for he looked over at him and grinned. Where now was the philosophy of Sadness? Evidently Minty had not been brought under its educating influences, and thought about the whole matter in the old, ignorant way. He began to think of it too. Somehow old teachings and old traditions have an annoying way of coming back upon us in the critical moments of life, although one has long ago recognised how much truer and better some newer ways of thinking are. But Joe would not allow Minty to shatter his dreams by bringing up these old notions. She must be instructed. He rose and went over to her table. "Why, Minty," he said, offering his hand, "you ain't mad at me, are you?" "Go on away f'om hyeah," she said angrily; "I don't want none o' thievin' Berry Hamilton's fambly to speak to me." "Why, you were all right this evening." "Yes, but jest out o' pity, an' you was nice 'cause you was afraid I 'd tell on you. Go on now." "Go on now,"<\|quote\|>said Minty's young man; and he looked menacing. Joe, what little self-respect he had gone, slunk out of the room and needed several whiskeys in a neighbouring saloon to give him courage to go to the theatre and wait for Hattie, who was playing in vaudeville houses pending the opening of her company. The closing act was just over when he reached the stage door. He was there but a short time, when Hattie tripped out and took his arm. Her face was bright and smiling, and there was no suggestion of disgust in the dancing eyes she turned up to him. Evidently she had not heard, but the thought gave him no particular pleasure, as it left him in suspense as to how she would act when she should hear.</\|quote\|>"Let 's go somewhere and get some supper," she said; "I 'm as hungry as I can be. What are you looking so cut up about?" "Oh, I ain't feelin' so very good." "I hope you ain't lettin' that long-tongued Brown woman bother your head, are you?" His heart seemed to stand still. She did know, then. "Do you know all about it?" "Why, of course I do. You might know she 'd come to me first with her story." "And you still keep on speaking to me?" "Now look here, Joe, if you 've been drinking, I 'll forgive you; if you ain't, you go on and leave me. Say, what do you take me for? Do you think I 'd throw down a friend because somebody else talked about him? Well, you don't know Hat Sterling. When Minty told me that story, she was back in my dressing-room, and I sent her out o' there a-flying, and with a tongue-lashing that she won't forget for a month o' Sundays." "I reckon that was the reason she jumped on me so hard at the club." He chuckled. He had taken heart again. All that Sadness had said was true, after all, and people thought no less of him. His joy was unbounded. "So she jumped on you hard, did she? The cat!" "Oh, she did n't say a thing to me." "Well, Joe, it 's just like this. I ain't an angel, you know that, but I do try to be square, and whenever I find a friend of mine down on his luck, in his pocket-book or his feelings, why, I give him my flipper. Why, old chap, I believe I like you better for the stiff upper lip you 've been keeping under all this." "Why, Hattie," he broke out, unable any longer to control himself, "you 're--you 're----" "Oh, I 'm just plain Hat Sterling, who won't throw down her friends. Now come on and get something to eat. If that thing is at	The Sport Of The Gods
"and that you would succeed as well as myself in this journey; but I have resolved and will undertake it. You shall stay at home with our sister, and I need not recommend her to you."	Bahman	goodwill, brother," replied Prince Bahman,<\|quote\|>"and that you would succeed as well as myself in this journey; but I have resolved and will undertake it. You shall stay at home with our sister, and I need not recommend her to you."</\|quote\|>The next morning Bahman mounted	"I am persuaded of your goodwill, brother," replied Prince Bahman,<\|quote\|>"and that you would succeed as well as myself in this journey; but I have resolved and will undertake it. You shall stay at home with our sister, and I need not recommend her to you."</\|quote\|>The next morning Bahman mounted his horse, and Perviz and	be absent. I desire my sister should join with me to oblige you to abandon your design, and allow me to undertake it. I hope to acquit myself as well as you, and it will be a more regular proceeding." "I am persuaded of your goodwill, brother," replied Prince Bahman,<\|quote\|>"and that you would succeed as well as myself in this journey; but I have resolved and will undertake it. You shall stay at home with our sister, and I need not recommend her to you."</\|quote\|>The next morning Bahman mounted his horse, and Perviz and the princess embraced and wished him a good journey. But in the midst of their adieus, the princess recollected what she had not thought of before. "Brother," said she, "I had quite forgotten the accidents which attend travellers. Who knows	undertaking deserve that name. I will take the charge upon myself; only tell me the place and the way to it, and I will defer my journey no longer than till to-morrow." "Brother," said Prince Perviz, "it is not proper that you, who are the head of our family, should be absent. I desire my sister should join with me to oblige you to abandon your design, and allow me to undertake it. I hope to acquit myself as well as you, and it will be a more regular proceeding." "I am persuaded of your goodwill, brother," replied Prince Bahman,<\|quote\|>"and that you would succeed as well as myself in this journey; but I have resolved and will undertake it. You shall stay at home with our sister, and I need not recommend her to you."</\|quote\|>The next morning Bahman mounted his horse, and Perviz and the princess embraced and wished him a good journey. But in the midst of their adieus, the princess recollected what she had not thought of before. "Brother," said she, "I had quite forgotten the accidents which attend travellers. Who knows whether I shall ever see you again? Alight, I beseech you, and give up this journey. I would rather be deprived of the sight and possession of the Talking Bird, the Singing Tree, and the Golden Water, than run the risk of never seeing you more." "Sister," replied Bahman, smiling	not, I desire you to consider what person you may think proper for me to send in search of the curiosities I have mentioned." "Sister," replied Prince Bahman, "nothing can concern you in which we have not an equal interest. It is enough that you desire these things to oblige us to take the same interest; but if you had not, we feel ourselves inclined of our own accord and for our own individual satisfaction. I am persuaded my brother is of the same opinion, and therefore we ought to undertake this conquest, for the importance and singularity of the undertaking deserve that name. I will take the charge upon myself; only tell me the place and the way to it, and I will defer my journey no longer than till to-morrow." "Brother," said Prince Perviz, "it is not proper that you, who are the head of our family, should be absent. I desire my sister should join with me to oblige you to abandon your design, and allow me to undertake it. I hope to acquit myself as well as you, and it will be a more regular proceeding." "I am persuaded of your goodwill, brother," replied Prince Bahman,<\|quote\|>"and that you would succeed as well as myself in this journey; but I have resolved and will undertake it. You shall stay at home with our sister, and I need not recommend her to you."</\|quote\|>The next morning Bahman mounted his horse, and Perviz and the princess embraced and wished him a good journey. But in the midst of their adieus, the princess recollected what she had not thought of before. "Brother," said she, "I had quite forgotten the accidents which attend travellers. Who knows whether I shall ever see you again? Alight, I beseech you, and give up this journey. I would rather be deprived of the sight and possession of the Talking Bird, the Singing Tree, and the Golden Water, than run the risk of never seeing you more." "Sister," replied Bahman, smiling at her sudden fears, "my resolution is fixed. The accidents you speak of befall only those who are unfortunate; but there are more who are not so. However, as events are uncertain, and I may fail in this undertaking, all I can do is to leave you this knife." Bahman pulling a knife from his vestband, and presenting it to the princess in the sheath, said: "Take this knife, sister, and give yourself the trouble sometimes to pull it out of the sheath; while you see it clean as it is now, it will be a sign that I am	me, I meant nothing that was of importance to you, but to me it is of some consequence; and since you press me to tell you by our strict union and friendship, which are so dear to me, I will. You think, and I always believed so too, that this house was so complete that nothing was wanting. But this day I have learned that it lacks three rarities which would render it so perfect that no country seat in the world could be compared with it. These three things are the Talking Bird, the Singing Tree, and the Golden Water." After she had informed them wherein consisted the excellency of these rarities, "A devout woman," added she, "has made this discovery to me, told me the place where they are to be found, and the way thither. Perhaps you may imagine these things of little consequence; that without these additions our house will always be thought sufficiently elegant, and that we can do without them. You may think as you please, but I cannot help telling you that I am persuaded they are absolutely necessary, and I shall not be easy without them. Therefore, whether you value them or not, I desire you to consider what person you may think proper for me to send in search of the curiosities I have mentioned." "Sister," replied Prince Bahman, "nothing can concern you in which we have not an equal interest. It is enough that you desire these things to oblige us to take the same interest; but if you had not, we feel ourselves inclined of our own accord and for our own individual satisfaction. I am persuaded my brother is of the same opinion, and therefore we ought to undertake this conquest, for the importance and singularity of the undertaking deserve that name. I will take the charge upon myself; only tell me the place and the way to it, and I will defer my journey no longer than till to-morrow." "Brother," said Prince Perviz, "it is not proper that you, who are the head of our family, should be absent. I desire my sister should join with me to oblige you to abandon your design, and allow me to undertake it. I hope to acquit myself as well as you, and it will be a more regular proceeding." "I am persuaded of your goodwill, brother," replied Prince Bahman,<\|quote\|>"and that you would succeed as well as myself in this journey; but I have resolved and will undertake it. You shall stay at home with our sister, and I need not recommend her to you."</\|quote\|>The next morning Bahman mounted his horse, and Perviz and the princess embraced and wished him a good journey. But in the midst of their adieus, the princess recollected what she had not thought of before. "Brother," said she, "I had quite forgotten the accidents which attend travellers. Who knows whether I shall ever see you again? Alight, I beseech you, and give up this journey. I would rather be deprived of the sight and possession of the Talking Bird, the Singing Tree, and the Golden Water, than run the risk of never seeing you more." "Sister," replied Bahman, smiling at her sudden fears, "my resolution is fixed. The accidents you speak of befall only those who are unfortunate; but there are more who are not so. However, as events are uncertain, and I may fail in this undertaking, all I can do is to leave you this knife." Bahman pulling a knife from his vestband, and presenting it to the princess in the sheath, said: "Take this knife, sister, and give yourself the trouble sometimes to pull it out of the sheath; while you see it clean as it is now, it will be a sign that I am alive; but if you find it stained with blood, then you may believe me dead and indulge me with your prayers." The princess could obtain nothing more of Bahman. He bade adieu to her and Prince Perviz for the last time and rode away. When he got into the road, he never turned to the right hand nor to the left, but went directly forward toward India. The twentieth day he perceived on the roadside a hideous old man, who sat under a tree near a thatched house, which was his retreat from the weather. His eyebrows were as white as snow, as was also the hair of his head; his whiskers covered his mouth, and his beard and hair reached down to his feet. The nails of his hands and feet were grown to an extensive length, while a flat, broad umbrella covered his head. He had no clothes, but only a mat thrown round his body. This old man was a dervish for so many years retired from the world to give himself up entirely to the service of God that at last he had become what we have described. Prince Bahman, who had been all that morning	you send needs but follow it for twenty days, and on the twentieth only let him ask the first person he meets where the Talking Bird, the Singing Tree, and the Golden Water are, and he will be informed." After saying this, she rose from her seat, took her leave, and went her way. The Princess Periezade's thoughts were so taken up with the Talking Bird, Singing Tree, and Golden Water, that she never perceived the devout woman's departure, till she wanted to ask her some question for her better information; for she thought that what she had been told was not a sufficient reason for exposing herself by undertaking a long journey. However, she would not send after her visitor, but endeavoured to remember all the directions, and when she thought she had recollected every word, took real pleasure in thinking of the satisfaction she should have if she could get these curiosities into her possession; but the difficulties she apprehended and the fear of not succeeding made her very uneasy. She was absorbed in these thoughts when her brothers returned from hunting, who, when they entered the great hall, instead of finding her lively and gay, as she was wont to be, were amazed to see her so pensive and hanging down her head as if something troubled her. "Sister," said Prince Bahman, "what is become of all your mirth and gaiety? Are you not well? or has some misfortune befallen you? Tell us, that we may know how to act, and give you some relief. If any one has affronted you, we will resent his insolence." The princess remained in the same posture some time without answering, but at last lifted up her eyes to look at her brothers, and then held them down again, telling them nothing disturbed her. "Sister," said Prince Bahman, "you conceal the truth from us; there must be something of consequence. It is impossible we could observe so sudden a change if nothing was the matter with you. You would not have us satisfied with the evasive answer you have given; do not conceal anything, unless you would have us suspect that you renounce the strict union which has hitherto subsisted between us." The princess, who had not the smallest intention to offend her brothers, would not suffer them to entertain such a thought, but said: "When I told you nothing disturbed me, I meant nothing that was of importance to you, but to me it is of some consequence; and since you press me to tell you by our strict union and friendship, which are so dear to me, I will. You think, and I always believed so too, that this house was so complete that nothing was wanting. But this day I have learned that it lacks three rarities which would render it so perfect that no country seat in the world could be compared with it. These three things are the Talking Bird, the Singing Tree, and the Golden Water." After she had informed them wherein consisted the excellency of these rarities, "A devout woman," added she, "has made this discovery to me, told me the place where they are to be found, and the way thither. Perhaps you may imagine these things of little consequence; that without these additions our house will always be thought sufficiently elegant, and that we can do without them. You may think as you please, but I cannot help telling you that I am persuaded they are absolutely necessary, and I shall not be easy without them. Therefore, whether you value them or not, I desire you to consider what person you may think proper for me to send in search of the curiosities I have mentioned." "Sister," replied Prince Bahman, "nothing can concern you in which we have not an equal interest. It is enough that you desire these things to oblige us to take the same interest; but if you had not, we feel ourselves inclined of our own accord and for our own individual satisfaction. I am persuaded my brother is of the same opinion, and therefore we ought to undertake this conquest, for the importance and singularity of the undertaking deserve that name. I will take the charge upon myself; only tell me the place and the way to it, and I will defer my journey no longer than till to-morrow." "Brother," said Prince Perviz, "it is not proper that you, who are the head of our family, should be absent. I desire my sister should join with me to oblige you to abandon your design, and allow me to undertake it. I hope to acquit myself as well as you, and it will be a more regular proceeding." "I am persuaded of your goodwill, brother," replied Prince Bahman,<\|quote\|>"and that you would succeed as well as myself in this journey; but I have resolved and will undertake it. You shall stay at home with our sister, and I need not recommend her to you."</\|quote\|>The next morning Bahman mounted his horse, and Perviz and the princess embraced and wished him a good journey. But in the midst of their adieus, the princess recollected what she had not thought of before. "Brother," said she, "I had quite forgotten the accidents which attend travellers. Who knows whether I shall ever see you again? Alight, I beseech you, and give up this journey. I would rather be deprived of the sight and possession of the Talking Bird, the Singing Tree, and the Golden Water, than run the risk of never seeing you more." "Sister," replied Bahman, smiling at her sudden fears, "my resolution is fixed. The accidents you speak of befall only those who are unfortunate; but there are more who are not so. However, as events are uncertain, and I may fail in this undertaking, all I can do is to leave you this knife." Bahman pulling a knife from his vestband, and presenting it to the princess in the sheath, said: "Take this knife, sister, and give yourself the trouble sometimes to pull it out of the sheath; while you see it clean as it is now, it will be a sign that I am alive; but if you find it stained with blood, then you may believe me dead and indulge me with your prayers." The princess could obtain nothing more of Bahman. He bade adieu to her and Prince Perviz for the last time and rode away. When he got into the road, he never turned to the right hand nor to the left, but went directly forward toward India. The twentieth day he perceived on the roadside a hideous old man, who sat under a tree near a thatched house, which was his retreat from the weather. His eyebrows were as white as snow, as was also the hair of his head; his whiskers covered his mouth, and his beard and hair reached down to his feet. The nails of his hands and feet were grown to an extensive length, while a flat, broad umbrella covered his head. He had no clothes, but only a mat thrown round his body. This old man was a dervish for so many years retired from the world to give himself up entirely to the service of God that at last he had become what we have described. Prince Bahman, who had been all that morning very attentive, to see if he could meet with anybody who could give him information of the place he was in search of, stopped when he came near the dervish, alighted, in conformity to the directions which the devout woman had given the Princess Periezade, and leading his horse by the bridle, advanced toward him and saluting him, said: "God prolong your days, good father, and grant you the accomplishment of your desires." The dervish returned the prince's salutation, but so unintelligibly that he could not understand one word he said and Prince Bahman, perceiving that this difficulty proceeded from the dervish's whiskers hanging over his mouth, and unwilling to go any further without the instructions he wanted, pulled out a pair of scissors he had about him, and having tied his horse to a branch of the tree, said: "Good dervish, I want to have some talk with you, but your whiskers prevent my understanding what you say; and if you will consent, I will cut off some part of them and of your eyebrows, which disfigure you so much that you look more like a bear than a man." The dervish did not oppose the offer, and when the prince had cut off as much hair as he thought fit, he perceived that the dervish had a good complexion, and that he was not as old as he seemed. "Good dervish," said he, "if I had a glass I would show you how young you look: you are now a man, but before, nobody could tell what you were." The kind behaviour of Prince Bahman made the dervish smile and return his compliment. "Sir," said he, "whoever you are, I am obliged by the good office you have performed, and am ready to show my gratitude by doing anything in my power for you. You must have alighted here upon some account or other. Tell me what it is, and I will endeavour to serve you." "Good dervish," replied Prince Bahman, "I am in search of the Talking Bird, the Singing Tree, and the Golden Water; I know these three rarities are not far from hence, but cannot tell exactly the place where they are to be found; if you know, I conjure you to show me the way, that I may not lose my labour after so long a journey." The prince, while he spoke, observed that	"Sister," said Prince Bahman, "what is become of all your mirth and gaiety? Are you not well? or has some misfortune befallen you? Tell us, that we may know how to act, and give you some relief. If any one has affronted you, we will resent his insolence." The princess remained in the same posture some time without answering, but at last lifted up her eyes to look at her brothers, and then held them down again, telling them nothing disturbed her. "Sister," said Prince Bahman, "you conceal the truth from us; there must be something of consequence. It is impossible we could observe so sudden a change if nothing was the matter with you. You would not have us satisfied with the evasive answer you have given; do not conceal anything, unless you would have us suspect that you renounce the strict union which has hitherto subsisted between us." The princess, who had not the smallest intention to offend her brothers, would not suffer them to entertain such a thought, but said: "When I told you nothing disturbed me, I meant nothing that was of importance to you, but to me it is of some consequence; and since you press me to tell you by our strict union and friendship, which are so dear to me, I will. You think, and I always believed so too, that this house was so complete that nothing was wanting. But this day I have learned that it lacks three rarities which would render it so perfect that no country seat in the world could be compared with it. These three things are the Talking Bird, the Singing Tree, and the Golden Water." After she had informed them wherein consisted the excellency of these rarities, "A devout woman," added she, "has made this discovery to me, told me the place where they are to be found, and the way thither. Perhaps you may imagine these things of little consequence; that without these additions our house will always be thought sufficiently elegant, and that we can do without them. You may think as you please, but I cannot help telling you that I am persuaded they are absolutely necessary, and I shall not be easy without them. Therefore, whether you value them or not, I desire you to consider what person you may think proper for me to send in search of the curiosities I have mentioned." "Sister," replied Prince Bahman, "nothing can concern you in which we have not an equal interest. It is enough that you desire these things to oblige us to take the same interest; but if you had not, we feel ourselves inclined of our own accord and for our own individual satisfaction. I am persuaded my brother is of the same opinion, and therefore we ought to undertake this conquest, for the importance and singularity of the undertaking deserve that name. I will take the charge upon myself; only tell me the place and the way to it, and I will defer my journey no longer than till to-morrow." "Brother," said Prince Perviz, "it is not proper that you, who are the head of our family, should be absent. I desire my sister should join with me to oblige you to abandon your design, and allow me to undertake it. I hope to acquit myself as well as you, and it will be a more regular proceeding." "I am persuaded of your goodwill, brother," replied Prince Bahman,<\|quote\|>"and that you would succeed as well as myself in this journey; but I have resolved and will undertake it. You shall stay at home with our sister, and I need not recommend her to you."</\|quote\|>The next morning Bahman mounted his horse, and Perviz and the princess embraced and wished him a good journey. But in the midst of their adieus, the princess recollected what she had not thought of before. "Brother," said she, "I had quite forgotten the accidents which attend travellers. Who knows whether I shall ever see you again? Alight, I beseech you, and give up this journey. I would rather be deprived of the sight and possession of the Talking Bird, the Singing Tree, and the Golden Water, than run the risk of never seeing you more." "Sister," replied Bahman, smiling at her sudden fears, "my resolution is fixed. The accidents you speak of befall only those who are unfortunate; but there are more who are not so. However, as events are uncertain, and I may fail in this undertaking, all I can do is to leave you this knife." Bahman pulling a knife from his vestband, and presenting it to the princess in the sheath, said: "Take this knife, sister, and give yourself the trouble sometimes to pull it out of the sheath; while you see it clean as it is now, it will be a sign that I am alive; but if you find it stained with blood, then you may believe me dead and indulge me with your prayers." The princess could obtain nothing more of Bahman. He bade adieu to her and Prince Perviz for the last time and rode away. When he got into the road, he never turned to the right hand nor to the left, but went directly forward toward India. The twentieth day he perceived on the roadside a hideous old man, who sat under a tree near a thatched house, which was his retreat from the weather. His eyebrows were as white as snow, as was also the hair of his head; his whiskers covered his mouth, and his beard and hair reached down to his feet. The nails of his hands and feet were grown to an extensive length, while a flat, broad umbrella covered his head. He had no clothes, but only a mat thrown round his body. This old man was a dervish for so many years retired from the world to give himself up entirely to the service of God that at last he had become what we have described. Prince Bahman, who had been all that morning very attentive, to see if he could meet with anybody who could give him information of the place he was in search of, stopped when he came near the dervish, alighted, in conformity to the directions which the devout woman had given the Princess Periezade, and leading his horse by the bridle, advanced toward him and saluting him, said: "God prolong your days, good father, and grant you the accomplishment of your desires." The dervish returned the prince's salutation, but so unintelligibly that he could not understand one word he said and Prince Bahman, perceiving that this difficulty proceeded from the	Arabian Nights (1)
She repeated:	No speaker	see." "Then what was it?"<\|quote\|>She repeated:</\|quote\|>"An instinct which may be	Paul is very young, you see." "Then what was it?"<\|quote\|>She repeated:</\|quote\|>"An instinct which may be wrong." "In other words, they	question," said Mrs. Wilcox, smiling, and a little losing her expression of annoyance. "I think you put it best in your letter--it was an instinct, which may be wrong." "It wasn t that your son still--" "Oh no; he often--my Paul is very young, you see." "Then what was it?"<\|quote\|>She repeated:</\|quote\|>"An instinct which may be wrong." "In other words, they belong to types that can fall in love, but couldn t live together. That s dreadfully probable. I m afraid that in nine cases out of ten Nature pulls one way and human nature another." "These are indeed other words,"	"You ve been worrying too!" exclaimed Margaret, getting more and more excited, and taking a chair without invitation. "How perfectly extraordinary! I can see that you have. You felt as I do; Helen mustn t meet him again." "I did think it best." "Now why?" "That s a most difficult question," said Mrs. Wilcox, smiling, and a little losing her expression of annoyance. "I think you put it best in your letter--it was an instinct, which may be wrong." "It wasn t that your son still--" "Oh no; he often--my Paul is very young, you see." "Then what was it?"<\|quote\|>She repeated:</\|quote\|>"An instinct which may be wrong." "In other words, they belong to types that can fall in love, but couldn t live together. That s dreadfully probable. I m afraid that in nine cases out of ten Nature pulls one way and human nature another." "These are indeed other words," said Mrs. Wilcox. "I had nothing so coherent in my head. I was merely alarmed when I knew that my boy cared for your sister." "Ah, I have always been wanting to ask you. How DID you know? Helen was so surprised when our aunt drove up, and you stepped	knew--I know. I have been too absurd all through. I am very much ashamed." Mrs. Wilcox did not answer. "I am more sorry than I can say, and I hope that you will forgive me." "It doesn t matter, Miss Schlegel. It is good of you to have come round so promptly." "It does matter," cried Margaret. "I have been rude to you; and my sister is not even at home, so there was not even that excuse." "Indeed?" "She has just gone to Germany." "She gone as well," murmured the other. "Yes, certainly, it is quite safe--safe, absolutely, now." "You ve been worrying too!" exclaimed Margaret, getting more and more excited, and taking a chair without invitation. "How perfectly extraordinary! I can see that you have. You felt as I do; Helen mustn t meet him again." "I did think it best." "Now why?" "That s a most difficult question," said Mrs. Wilcox, smiling, and a little losing her expression of annoyance. "I think you put it best in your letter--it was an instinct, which may be wrong." "It wasn t that your son still--" "Oh no; he often--my Paul is very young, you see." "Then what was it?"<\|quote\|>She repeated:</\|quote\|>"An instinct which may be wrong." "In other words, they belong to types that can fall in love, but couldn t live together. That s dreadfully probable. I m afraid that in nine cases out of ten Nature pulls one way and human nature another." "These are indeed other words," said Mrs. Wilcox. "I had nothing so coherent in my head. I was merely alarmed when I knew that my boy cared for your sister." "Ah, I have always been wanting to ask you. How DID you know? Helen was so surprised when our aunt drove up, and you stepped forward and arranged things. Did Paul tell you?" "There is nothing to be gained by discussing that," said Mrs. Wilcox after a moment s pause. "Mrs. Wilcox, were you very angry with us last June? I wrote you a letter and you didn t answer it." "I was certainly against taking Mrs. Matheson s flat. I knew it was opposite your house." "But it s all right now?" "I think so." "You only think? You aren t sure? I do love these little muddles tidied up?" "Oh yes, I m sure," said Mrs. Wilcox, moving with uneasiness beneath the clothes.	necessary, but woe to those who employ it without due need. She flung on a hat and shawl, just like a poor woman, and plunged into the fog, which still continued. Her lips were compressed, the letter remained in her hand, and in this state she crossed the street, entered the marble vestibule of the flats, eluded the concierges, and ran up the stairs till she reached the second floor. She sent in her name, and to her surprise was shown straight into Mrs. Wilcox s bedroom. "Oh, Mrs. Wilcox, I have made the baddest blunder. I am more, more ashamed and sorry than I can say." Mrs. Wilcox bowed gravely. She was offended, and did not pretend to the contrary. She was sitting up in bed, writing letters on an invalid table that spanned her knees. A breakfast tray was on another table beside her. The light of the fire, the light from the window, and the light of a candle-lamp, which threw a quivering halo round her hands combined to create a strange atmosphere of dissolution. "I knew he was going to India in November, but I forgot." "He sailed on the 17th for Nigeria, in Africa." "I knew--I know. I have been too absurd all through. I am very much ashamed." Mrs. Wilcox did not answer. "I am more sorry than I can say, and I hope that you will forgive me." "It doesn t matter, Miss Schlegel. It is good of you to have come round so promptly." "It does matter," cried Margaret. "I have been rude to you; and my sister is not even at home, so there was not even that excuse." "Indeed?" "She has just gone to Germany." "She gone as well," murmured the other. "Yes, certainly, it is quite safe--safe, absolutely, now." "You ve been worrying too!" exclaimed Margaret, getting more and more excited, and taking a chair without invitation. "How perfectly extraordinary! I can see that you have. You felt as I do; Helen mustn t meet him again." "I did think it best." "Now why?" "That s a most difficult question," said Mrs. Wilcox, smiling, and a little losing her expression of annoyance. "I think you put it best in your letter--it was an instinct, which may be wrong." "It wasn t that your son still--" "Oh no; he often--my Paul is very young, you see." "Then what was it?"<\|quote\|>She repeated:</\|quote\|>"An instinct which may be wrong." "In other words, they belong to types that can fall in love, but couldn t live together. That s dreadfully probable. I m afraid that in nine cases out of ten Nature pulls one way and human nature another." "These are indeed other words," said Mrs. Wilcox. "I had nothing so coherent in my head. I was merely alarmed when I knew that my boy cared for your sister." "Ah, I have always been wanting to ask you. How DID you know? Helen was so surprised when our aunt drove up, and you stepped forward and arranged things. Did Paul tell you?" "There is nothing to be gained by discussing that," said Mrs. Wilcox after a moment s pause. "Mrs. Wilcox, were you very angry with us last June? I wrote you a letter and you didn t answer it." "I was certainly against taking Mrs. Matheson s flat. I knew it was opposite your house." "But it s all right now?" "I think so." "You only think? You aren t sure? I do love these little muddles tidied up?" "Oh yes, I m sure," said Mrs. Wilcox, moving with uneasiness beneath the clothes. "I always sound uncertain over things. It is my way of speaking." "That s all right, and I m sure, too." Here the maid came in to remove the breakfast-tray. They were interrupted, and when they resumed conversation it was on more normal lines. "I must say good-bye now--you will be getting up." "No--please stop a little longer--I am taking a day in bed. Now and then I do." "I thought of you as one of the early risers." "At Howards End--yes; there is nothing to get up for in London." "Nothing to get up for?" cried the scandalised Margaret. "When there are all the autumn exhibitions, and Ysaye playing in the afternoon! Not to mention people." "The truth is, I am a little tired. First came the wedding, and then Paul went off, and, instead of resting yesterday, I paid a round of calls." "A wedding?" "Yes; Charles, my elder son, is married." "Indeed!" "We took the flat chiefly on that account, and also that Paul could get his African outfit. The flat belongs to a cousin of my husband s, and she most kindly offered it to us. So before the day came we were able to make	sofa by the fire. Margaret sat by him, thinking. Her mind darted from impulse to impulse, and finally marshalled them all in review. The practical person, who knows what he wants at once, and generally knows nothing else, will accuse her of indecision. But this was the way her mind worked. And when she did act, no one could accuse her of indecision then. She hit out as lustily as if she had not considered the matter at all. The letter that she wrote Mrs. Wilcox glowed with the native hue of resolution. The pale cast of thought was with her a breath rather than a tarnish, a breath that leaves the colours all the more vivid when it has been wiped away. "DEAR MRS. WILCOX," "I have to write something discourteous. It would be better if we did not meet. Both my sister and my aunt have given displeasure to your family, and, in my sister s case, the grounds for displeasure might recur. So far as I know she no longer occupies her thoughts with your son. But it would not be fair, either to her or to you, if they met, and it is therefore right that our acquaintance, which began so pleasantly, should end." "I fear that you will not agree with this; indeed, I know that you will not, since you have been good enough to call on us. It is only an instinct on my part, and no doubt the instinct is wrong. My sister would, undoubtedly, say that it is wrong. I write without her knowledge, and I hope that you will not associate her with my discourtesy." "Believe me," "Yours truly," "M. J. SCHLEGEL." Margaret sent this letter round by the post. Next morning she received the following reply by hand: "DEAR MISS SCHLEGEL," "You should not have written me such a letter. I called to tell you that Paul has gone abroad." "RUTH WILCOX." Margaret s cheeks burnt. She could not finish her breakfast. She was on fire with shame. Helen had told her that the youth was leaving England, but other things had seemed more important, and she had forgotten. All her absurd anxieties fell to the ground, and in their place arose the certainty that she had been rude to Mrs. Wilcox. Rudeness affected Margaret like a bitter taste in the mouth. It poisoned life. At times it is necessary, but woe to those who employ it without due need. She flung on a hat and shawl, just like a poor woman, and plunged into the fog, which still continued. Her lips were compressed, the letter remained in her hand, and in this state she crossed the street, entered the marble vestibule of the flats, eluded the concierges, and ran up the stairs till she reached the second floor. She sent in her name, and to her surprise was shown straight into Mrs. Wilcox s bedroom. "Oh, Mrs. Wilcox, I have made the baddest blunder. I am more, more ashamed and sorry than I can say." Mrs. Wilcox bowed gravely. She was offended, and did not pretend to the contrary. She was sitting up in bed, writing letters on an invalid table that spanned her knees. A breakfast tray was on another table beside her. The light of the fire, the light from the window, and the light of a candle-lamp, which threw a quivering halo round her hands combined to create a strange atmosphere of dissolution. "I knew he was going to India in November, but I forgot." "He sailed on the 17th for Nigeria, in Africa." "I knew--I know. I have been too absurd all through. I am very much ashamed." Mrs. Wilcox did not answer. "I am more sorry than I can say, and I hope that you will forgive me." "It doesn t matter, Miss Schlegel. It is good of you to have come round so promptly." "It does matter," cried Margaret. "I have been rude to you; and my sister is not even at home, so there was not even that excuse." "Indeed?" "She has just gone to Germany." "She gone as well," murmured the other. "Yes, certainly, it is quite safe--safe, absolutely, now." "You ve been worrying too!" exclaimed Margaret, getting more and more excited, and taking a chair without invitation. "How perfectly extraordinary! I can see that you have. You felt as I do; Helen mustn t meet him again." "I did think it best." "Now why?" "That s a most difficult question," said Mrs. Wilcox, smiling, and a little losing her expression of annoyance. "I think you put it best in your letter--it was an instinct, which may be wrong." "It wasn t that your son still--" "Oh no; he often--my Paul is very young, you see." "Then what was it?"<\|quote\|>She repeated:</\|quote\|>"An instinct which may be wrong." "In other words, they belong to types that can fall in love, but couldn t live together. That s dreadfully probable. I m afraid that in nine cases out of ten Nature pulls one way and human nature another." "These are indeed other words," said Mrs. Wilcox. "I had nothing so coherent in my head. I was merely alarmed when I knew that my boy cared for your sister." "Ah, I have always been wanting to ask you. How DID you know? Helen was so surprised when our aunt drove up, and you stepped forward and arranged things. Did Paul tell you?" "There is nothing to be gained by discussing that," said Mrs. Wilcox after a moment s pause. "Mrs. Wilcox, were you very angry with us last June? I wrote you a letter and you didn t answer it." "I was certainly against taking Mrs. Matheson s flat. I knew it was opposite your house." "But it s all right now?" "I think so." "You only think? You aren t sure? I do love these little muddles tidied up?" "Oh yes, I m sure," said Mrs. Wilcox, moving with uneasiness beneath the clothes. "I always sound uncertain over things. It is my way of speaking." "That s all right, and I m sure, too." Here the maid came in to remove the breakfast-tray. They were interrupted, and when they resumed conversation it was on more normal lines. "I must say good-bye now--you will be getting up." "No--please stop a little longer--I am taking a day in bed. Now and then I do." "I thought of you as one of the early risers." "At Howards End--yes; there is nothing to get up for in London." "Nothing to get up for?" cried the scandalised Margaret. "When there are all the autumn exhibitions, and Ysaye playing in the afternoon! Not to mention people." "The truth is, I am a little tired. First came the wedding, and then Paul went off, and, instead of resting yesterday, I paid a round of calls." "A wedding?" "Yes; Charles, my elder son, is married." "Indeed!" "We took the flat chiefly on that account, and also that Paul could get his African outfit. The flat belongs to a cousin of my husband s, and she most kindly offered it to us. So before the day came we were able to make the acquaintance of Dolly s people, which we had not yet done." Margaret asked who Dolly s people were. "Fussell. The father is in the Indian army--retired; the brother is in the army. The mother is dead." So perhaps these were the "chinless sunburnt men" whom Helen had espied one afternoon through the window. Margaret felt mildly interested in the fortunes of the Wilcox family. She had acquired the habit on Helen s account, and it still clung to her. She asked for more information about Miss Dolly Fussell that was, and was given it in even, unemotional tones. Mrs. Wilcox s voice, though sweet and compelling, had little range of expression. It suggested that pictures, concerts, and people are all of small and equal value. Only once had it quickened--when speaking of Howards End. "Charles and Albert Fussell have known one another some time. They belong to the same club, and are both devoted to golf. Dolly plays golf too, though I believe not so well; and they first met in a mixed foursome. We all like her, and are very much pleased. They were married on the 11th, a few days before Paul sailed. Charles was very anxious to have his brother as best man, so he made a great point of having it on the 11th. The Fussells would have preferred it after Christmas, but they were very nice about it. There is Dolly s photograph--in that double frame." "Are you quite certain that I m not interrupting, Mrs. Wilcox?" "Yes, quite." "Then I will stay. I m enjoying this." Dolly s photograph was now examined. It was signed "For dear Mims," which Mrs. Wilcox interpreted as "the name she and Charles had settled that she should call me." Dolly looked silly, and had one of those triangular faces that so often prove attractive to a robust man. She was very pretty. From her Margaret passed to Charles, whose features prevailed opposite. She speculated on the forces that had drawn the two together till God parted them. She found time to hope that they would be happy. "They have gone to Naples for their honeymoon." "Lucky people!" "I can hardly imagine Charles in Italy." "Doesn t he care for travelling?" "He likes travel, but he does see through foreigners so. What he enjoys most is a motor tour in England, and I think that would have carried	hat and shawl, just like a poor woman, and plunged into the fog, which still continued. Her lips were compressed, the letter remained in her hand, and in this state she crossed the street, entered the marble vestibule of the flats, eluded the concierges, and ran up the stairs till she reached the second floor. She sent in her name, and to her surprise was shown straight into Mrs. Wilcox s bedroom. "Oh, Mrs. Wilcox, I have made the baddest blunder. I am more, more ashamed and sorry than I can say." Mrs. Wilcox bowed gravely. She was offended, and did not pretend to the contrary. She was sitting up in bed, writing letters on an invalid table that spanned her knees. A breakfast tray was on another table beside her. The light of the fire, the light from the window, and the light of a candle-lamp, which threw a quivering halo round her hands combined to create a strange atmosphere of dissolution. "I knew he was going to India in November, but I forgot." "He sailed on the 17th for Nigeria, in Africa." "I knew--I know. I have been too absurd all through. I am very much ashamed." Mrs. Wilcox did not answer. "I am more sorry than I can say, and I hope that you will forgive me." "It doesn t matter, Miss Schlegel. It is good of you to have come round so promptly." "It does matter," cried Margaret. "I have been rude to you; and my sister is not even at home, so there was not even that excuse." "Indeed?" "She has just gone to Germany." "She gone as well," murmured the other. "Yes, certainly, it is quite safe--safe, absolutely, now." "You ve been worrying too!" exclaimed Margaret, getting more and more excited, and taking a chair without invitation. "How perfectly extraordinary! I can see that you have. You felt as I do; Helen mustn t meet him again." "I did think it best." "Now why?" "That s a most difficult question," said Mrs. Wilcox, smiling, and a little losing her expression of annoyance. "I think you put it best in your letter--it was an instinct, which may be wrong." "It wasn t that your son still--" "Oh no; he often--my Paul is very young, you see." "Then what was it?"<\|quote\|>She repeated:</\|quote\|>"An instinct which may be wrong." "In other words, they belong to types that can fall in love, but couldn t live together. That s dreadfully probable. I m afraid that in nine cases out of ten Nature pulls one way and human nature another." "These are indeed other words," said Mrs. Wilcox. "I had nothing so coherent in my head. I was merely alarmed when I knew that my boy cared for your sister." "Ah, I have always been wanting to ask you. How DID you know? Helen was so surprised when our aunt drove up, and you stepped forward and arranged things. Did Paul tell you?" "There is nothing to be gained by discussing that," said Mrs. Wilcox after a moment s pause. "Mrs. Wilcox, were you very angry with us last June? I wrote you a letter and you didn t answer it." "I was certainly against taking Mrs. Matheson s flat. I knew it was opposite your house." "But it s all right now?" "I think so." "You only think? You aren t sure? I do love these little muddles tidied up?" "Oh yes, I m sure," said Mrs. Wilcox, moving with uneasiness beneath the clothes. "I always sound uncertain over things. It is my way of speaking." "That s all right, and I m sure, too." Here the maid came in to remove the breakfast-tray. They were interrupted, and when they resumed conversation it was on more normal lines. "I must say good-bye now--you will be getting up." "No--please stop a little longer--I am taking a day in bed. Now and then I do." "I thought of you as one of the early risers." "At Howards End--yes; there is nothing to get up for in London." "Nothing to get up for?" cried the scandalised Margaret. "When there are all the autumn exhibitions, and Ysaye playing in the afternoon! Not to mention people." "The truth is, I am a little tired. First came the wedding, and then Paul went off, and, instead of resting yesterday, I paid a round of calls." "A wedding?" "Yes; Charles, my elder son, is married." "Indeed!" "We took the flat chiefly on that account, and also that Paul could get his African outfit. The flat belongs to a cousin of my husband s, and she most kindly offered it to us. So before the day came we were able to make the acquaintance of Dolly s people, which we had not yet done." Margaret asked who Dolly s people were. "Fussell. The father is in the Indian army--retired; the brother is in the army. The mother is dead." So perhaps these were the "chinless sunburnt men" whom Helen had espied one afternoon through the window. Margaret felt mildly interested in the fortunes of the Wilcox family. She had acquired the habit on Helen s account, and it still clung to her. She asked for more information about Miss Dolly Fussell that was, and was given it in even, unemotional tones. Mrs. Wilcox s voice, though sweet and compelling, had little range of expression. It suggested that pictures, concerts, and people are all of small and equal value. Only once had it quickened--when speaking of Howards End. "Charles and Albert Fussell have known one another some time. They belong to the same club, and are both devoted to golf. Dolly plays golf too, though I	Howards End
“Is that your question--_whether_ I am?”	Lady Sandgate	a little as for more.<\|quote\|>“Is that your question--_whether_ I am?”</\|quote\|>“No, but if you are	in Theign’s confidence.” She waited a little as for more.<\|quote\|>“Is that your question--_whether_ I am?”</\|quote\|>“No, but if you are you’ll the better answer it”	we,” he quite rang out, “if I didn’t want to! But as it happens,” he allowed, “there’s a question it would be convenient to me to put to you. You must be, with your charming unconventional relation with him, extremely in Theign’s confidence.” She waited a little as for more.<\|quote\|>“Is that your question--_whether_ I am?”</\|quote\|>“No, but if you are you’ll the better answer it” She had no objection then to answering it beautifully. “We’re the best friends in the world; he has been really my providence, as a lone woman with almost nobody and nothing of her own, and I feel my footing here,	prompt with a more explicit challenge. “What is it exactly that you suppose yourself to know?” Lady Sandgate had after a moment, in her supreme good humour, decided to take everything. “I always proceed on the assumption that I know everything, because that makes people tell me.” “It wouldn’t make we,” he quite rang out, “if I didn’t want to! But as it happens,” he allowed, “there’s a question it would be convenient to me to put to you. You must be, with your charming unconventional relation with him, extremely in Theign’s confidence.” She waited a little as for more.<\|quote\|>“Is that your question--_whether_ I am?”</\|quote\|>“No, but if you are you’ll the better answer it” She had no objection then to answering it beautifully. “We’re the best friends in the world; he has been really my providence, as a lone woman with almost nobody and nothing of her own, and I feel my footing here, as so frequent and yet so discreet a visitor, simply perfect But I’m happy to say that--for my pleasure when I’m really curious--this doesn’t close to me the sweet resource of occasionally guessing things.” “Then I hope you’ve ground for believing that if I go the right way about it	he almost contemptuously declined to follow her. “The very end of what?” She took her choice as amid all the wonderful directions there might be, and then seemed both to risk and to reserve something. “Say of her so wonderfully successful _general_ career.” It doubtless, however, warranted him in appearing to cut insinuations short. “When you’re as clever as she you’ll be as good.” To which he subjoined: “You don’t begin to have the opportunity of knowing how good she is.” This pronouncement, to whatever comparative obscurity it might appear to relegate her, his interlocutress had to take--he was so prompt with a more explicit challenge. “What is it exactly that you suppose yourself to know?” Lady Sandgate had after a moment, in her supreme good humour, decided to take everything. “I always proceed on the assumption that I know everything, because that makes people tell me.” “It wouldn’t make we,” he quite rang out, “if I didn’t want to! But as it happens,” he allowed, “there’s a question it would be convenient to me to put to you. You must be, with your charming unconventional relation with him, extremely in Theign’s confidence.” She waited a little as for more.<\|quote\|>“Is that your question--_whether_ I am?”</\|quote\|>“No, but if you are you’ll the better answer it” She had no objection then to answering it beautifully. “We’re the best friends in the world; he has been really my providence, as a lone woman with almost nobody and nothing of her own, and I feel my footing here, as so frequent and yet so discreet a visitor, simply perfect But I’m happy to say that--for my pleasure when I’m really curious--this doesn’t close to me the sweet resource of occasionally guessing things.” “Then I hope you’ve ground for believing that if I go the right way about it he’s likely to listen to me.” Lady Sandgate measured her ground--which scarce seemed extensive. “The person he most listens to just now--and in fact at any time, as you must have seen for yourself--is that arch-tormentor, or at least beautiful wheedler, his elder daughter.” “Lady Imber’s _here?_” Lord John alertly asked. “She arrived last night and--as we’ve other visitors--seems to have set up a side-show in the garden.” “Then she’ll ‘draw’ of course immensely, as she always does. But her sister won’t be in that case with her,” the young man supposed. “Because Grace feels herself naturally an independent show?	a high pitch and yet at a low cost. There was that in his satisfied air which still suggested sharp wants--and this was withal the ambiguity; for the temper of these appetites or views was certainly, you would have concluded, not such as always to sacrifice to form. If he really, for instance, wanted Lady Grace, the passion or the sense of his interest in it would scarce have been considerately irritable. “May I ask what you mean,” he inquired of Lady Sandgate, “by the question of my ‘arranging’?” “I mean that you’re the very clever son of a very clever mother.” “Oh, I’m less clever than you think,” he replied-- “if you really think it of me at all; and mamma’s a good sight cleverer!” “Than I think?” Lady Sandgate echoed. “Why, she’s the person in all our world I would gladly most resemble--for her general ability to put what she wants through.” But she at once added: “That is _if_--!” pausing on it with a smile. “If what then?” “Well, if I could be absolutely certain to have all in her kinds of cleverness without exception--and to have them,” said Lady Sandgate, “to the very end.” He definitely, he almost contemptuously declined to follow her. “The very end of what?” She took her choice as amid all the wonderful directions there might be, and then seemed both to risk and to reserve something. “Say of her so wonderfully successful _general_ career.” It doubtless, however, warranted him in appearing to cut insinuations short. “When you’re as clever as she you’ll be as good.” To which he subjoined: “You don’t begin to have the opportunity of knowing how good she is.” This pronouncement, to whatever comparative obscurity it might appear to relegate her, his interlocutress had to take--he was so prompt with a more explicit challenge. “What is it exactly that you suppose yourself to know?” Lady Sandgate had after a moment, in her supreme good humour, decided to take everything. “I always proceed on the assumption that I know everything, because that makes people tell me.” “It wouldn’t make we,” he quite rang out, “if I didn’t want to! But as it happens,” he allowed, “there’s a question it would be convenient to me to put to you. You must be, with your charming unconventional relation with him, extremely in Theign’s confidence.” She waited a little as for more.<\|quote\|>“Is that your question--_whether_ I am?”</\|quote\|>“No, but if you are you’ll the better answer it” She had no objection then to answering it beautifully. “We’re the best friends in the world; he has been really my providence, as a lone woman with almost nobody and nothing of her own, and I feel my footing here, as so frequent and yet so discreet a visitor, simply perfect But I’m happy to say that--for my pleasure when I’m really curious--this doesn’t close to me the sweet resource of occasionally guessing things.” “Then I hope you’ve ground for believing that if I go the right way about it he’s likely to listen to me.” Lady Sandgate measured her ground--which scarce seemed extensive. “The person he most listens to just now--and in fact at any time, as you must have seen for yourself--is that arch-tormentor, or at least beautiful wheedler, his elder daughter.” “Lady Imber’s _here?_” Lord John alertly asked. “She arrived last night and--as we’ve other visitors--seems to have set up a side-show in the garden.” “Then she’ll ‘draw’ of course immensely, as she always does. But her sister won’t be in that case with her,” the young man supposed. “Because Grace feels herself naturally an independent show? So she well may,” said Lady Sandgate, “but I must tell you that when I last noticed them there Kitty was in the very act of leading her away.” Lord John figured it a moment. “Lady Imber” --he ironically enlarged the figure-- “_can_ lead people away.” “Oh, dear Grace,” his companion returned, “happens fortunately to be firm!” This seemed to strike him for a moment as equivocal. “Not against _me_, however--you don’t mean? You don’t think she has a beastly prejudice----?” “Surely you can judge about it; as knowing best what may--or what mayn’t--have happened between you.” “Well, I try to judge” --and such candour as was possible to Lord John seemed to sit for a moment on his brow. “But I’m in fear of seeing her too much as I want to see her.” There was an appeal in it that Lady Sandgate might have been moved to meet “Are you absolutely in earnest about her?” “Of course I am--why shouldn’t I be? But,” he said with impatience, “I want help.” “Very well then, that’s what Lady Imber’s giving you.” And as it appeared to take him time to read into these words their full sense, she produced others,	more as a lovely young widow with a good jointure than she formerly did as the mere most beautiful daughter at home.” She had put the picture a shade interrogatively, but this was as nothing to the note of free inquiry in Lord John’s reply. “You mean that our lovely young widows--to say nothing of lovely young wives--ought by this time to have made out, in predicaments, how to turn round?” His temporary hostess, even with his eyes on her, appeared to decide after a moment not wholly to disown his thought. But she smiled for it. “Well, in that set----!” “My mother’s set?” However, if she could smile he could laugh. “I’m much obliged!” “Oh,” she qualified, “I don’t criticise her Grace; but the ways and traditions and tone of this house----” “Make it” --he took her sense straight from her-- “the house in England where one feels most the false note of a dishevelled and bankrupt elder daughter breaking in with a list of her gaming debts--to say nothing of others!--and wishing to have at least those wiped out in the interest of her reputation? Exactly so,” he went on before she could meet it with a diplomatic ambiguity; “and just that, I assure you, is a large part of the reason I like to come here--since I personally don’t come with any such associations.” “Not the association of bankruptcy--no; as you represent the payee!” The young man appeared to regard this imputation for a moment almost as a liberty taken. “How do you know so well, Lady Sandgate, what I represent?” She bethought herself--but briefly and bravely. “Well, don’t you represent, by your own admission, certain fond aspirations? Don’t you represent the belief--very natural, I grant--that more than _one_ perverse and extravagant flower will be unlikely on such a fine healthy old stem; and, consistently with that, the hope of arranging with our admirable host here that he shall lend a helpful hand to your commending yourself to dear Grace?” nan “treatment” by which his negative nose had been enabled to look important and his meagre mouth to smile its spareness away. He had pleasant but hard little eyes--they glittered, handsomely, without promise--and a neatness, a coolness and an ease, a clear instinct for making point take, on his behalf, the place of weight and immunity that of capacity, which represented somehow the art of living at a high pitch and yet at a low cost. There was that in his satisfied air which still suggested sharp wants--and this was withal the ambiguity; for the temper of these appetites or views was certainly, you would have concluded, not such as always to sacrifice to form. If he really, for instance, wanted Lady Grace, the passion or the sense of his interest in it would scarce have been considerately irritable. “May I ask what you mean,” he inquired of Lady Sandgate, “by the question of my ‘arranging’?” “I mean that you’re the very clever son of a very clever mother.” “Oh, I’m less clever than you think,” he replied-- “if you really think it of me at all; and mamma’s a good sight cleverer!” “Than I think?” Lady Sandgate echoed. “Why, she’s the person in all our world I would gladly most resemble--for her general ability to put what she wants through.” But she at once added: “That is _if_--!” pausing on it with a smile. “If what then?” “Well, if I could be absolutely certain to have all in her kinds of cleverness without exception--and to have them,” said Lady Sandgate, “to the very end.” He definitely, he almost contemptuously declined to follow her. “The very end of what?” She took her choice as amid all the wonderful directions there might be, and then seemed both to risk and to reserve something. “Say of her so wonderfully successful _general_ career.” It doubtless, however, warranted him in appearing to cut insinuations short. “When you’re as clever as she you’ll be as good.” To which he subjoined: “You don’t begin to have the opportunity of knowing how good she is.” This pronouncement, to whatever comparative obscurity it might appear to relegate her, his interlocutress had to take--he was so prompt with a more explicit challenge. “What is it exactly that you suppose yourself to know?” Lady Sandgate had after a moment, in her supreme good humour, decided to take everything. “I always proceed on the assumption that I know everything, because that makes people tell me.” “It wouldn’t make we,” he quite rang out, “if I didn’t want to! But as it happens,” he allowed, “there’s a question it would be convenient to me to put to you. You must be, with your charming unconventional relation with him, extremely in Theign’s confidence.” She waited a little as for more.<\|quote\|>“Is that your question--_whether_ I am?”</\|quote\|>“No, but if you are you’ll the better answer it” She had no objection then to answering it beautifully. “We’re the best friends in the world; he has been really my providence, as a lone woman with almost nobody and nothing of her own, and I feel my footing here, as so frequent and yet so discreet a visitor, simply perfect But I’m happy to say that--for my pleasure when I’m really curious--this doesn’t close to me the sweet resource of occasionally guessing things.” “Then I hope you’ve ground for believing that if I go the right way about it he’s likely to listen to me.” Lady Sandgate measured her ground--which scarce seemed extensive. “The person he most listens to just now--and in fact at any time, as you must have seen for yourself--is that arch-tormentor, or at least beautiful wheedler, his elder daughter.” “Lady Imber’s _here?_” Lord John alertly asked. “She arrived last night and--as we’ve other visitors--seems to have set up a side-show in the garden.” “Then she’ll ‘draw’ of course immensely, as she always does. But her sister won’t be in that case with her,” the young man supposed. “Because Grace feels herself naturally an independent show? So she well may,” said Lady Sandgate, “but I must tell you that when I last noticed them there Kitty was in the very act of leading her away.” Lord John figured it a moment. “Lady Imber” --he ironically enlarged the figure-- “_can_ lead people away.” “Oh, dear Grace,” his companion returned, “happens fortunately to be firm!” This seemed to strike him for a moment as equivocal. “Not against _me_, however--you don’t mean? You don’t think she has a beastly prejudice----?” “Surely you can judge about it; as knowing best what may--or what mayn’t--have happened between you.” “Well, I try to judge” --and such candour as was possible to Lord John seemed to sit for a moment on his brow. “But I’m in fear of seeing her too much as I want to see her.” There was an appeal in it that Lady Sandgate might have been moved to meet “Are you absolutely in earnest about her?” “Of course I am--why shouldn’t I be? But,” he said with impatience, “I want help.” “Very well then, that’s what Lady Imber’s giving you.” And as it appeared to take him time to read into these words their full sense, she produced others, and so far did help him--though the effort was in a degree that of her exhibiting with some complacency her own unassisted control of stray signs and shy lights. “By telling her, by bringing it home to her, that if she’ll make up her mind to accept you the Duchess will do the handsome thing. Handsome, I mean, by Kitty.” Lord John, appropriating for his convenience the truth in this, yet regarded it as open to a becoming, an improving touch from himself. “Well, and by _me_.” To which he added with more of a challenge in it: “But you really know what my mother will do?” “By my system,” Lady Sandgate smiled, “you see I’ve guessed. What your mother will do is what brought you over!” “Well, it’s that,” he allowed-- “and something else.” “Something else?” she derisively echoed. “I should think ‘that,’ for an ardent lover, would have been enough.” “Ah, but it’s all one Job! I mean it’s one idea,” he hastened to explain-- “if you think Lady Imber’s really acting on her.” “Mightn’t you go and see?” “I would in a moment if I hadn’t to look out for another matter too.” And he renewed his attention to his watch. “I mean getting straight at my American, the party I just mentioned------” But she had already taken him up. “You too have an American and a ‘party,’ and yours also motors down----?” “Mr. Breckenridge Bender.” Lord John named him with a shade of elation. She gaped at the fuller light “You _know_ my Breckenridge?--who I hoped was coming for me!” Lord John as freely, but more gaily, wondered. “Had he told you so?” She held out, opened, the telegram she had kept folded in her hand since her entrance. “He has sent me that--which, delivered to me ten minutes ago out there, has brought me in to receive him.” The young man read out this missive. “‘Failing to find you in Bruton Street, start in pursuit and hope to overtake you about four.’” It did involve an ambiguity. “Why, he has been engaged these three days to coincide with myself, and not to fail of him has been part of my business.” Lady Sandgate, in her demonstrative way, appealed to the general rich scene. “Then why does he say it’s me he’s pursuing?” He seemed to recognise promptly enough in her the sense of a menaced	imputation for a moment almost as a liberty taken. “How do you know so well, Lady Sandgate, what I represent?” She bethought herself--but briefly and bravely. “Well, don’t you represent, by your own admission, certain fond aspirations? Don’t you represent the belief--very natural, I grant--that more than _one_ perverse and extravagant flower will be unlikely on such a fine healthy old stem; and, consistently with that, the hope of arranging with our admirable host here that he shall lend a helpful hand to your commending yourself to dear Grace?” nan “treatment” by which his negative nose had been enabled to look important and his meagre mouth to smile its spareness away. He had pleasant but hard little eyes--they glittered, handsomely, without promise--and a neatness, a coolness and an ease, a clear instinct for making point take, on his behalf, the place of weight and immunity that of capacity, which represented somehow the art of living at a high pitch and yet at a low cost. There was that in his satisfied air which still suggested sharp wants--and this was withal the ambiguity; for the temper of these appetites or views was certainly, you would have concluded, not such as always to sacrifice to form. If he really, for instance, wanted Lady Grace, the passion or the sense of his interest in it would scarce have been considerately irritable. “May I ask what you mean,” he inquired of Lady Sandgate, “by the question of my ‘arranging’?” “I mean that you’re the very clever son of a very clever mother.” “Oh, I’m less clever than you think,” he replied-- “if you really think it of me at all; and mamma’s a good sight cleverer!” “Than I think?” Lady Sandgate echoed. “Why, she’s the person in all our world I would gladly most resemble--for her general ability to put what she wants through.” But she at once added: “That is _if_--!” pausing on it with a smile. “If what then?” “Well, if I could be absolutely certain to have all in her kinds of cleverness without exception--and to have them,” said Lady Sandgate, “to the very end.” He definitely, he almost contemptuously declined to follow her. “The very end of what?” She took her choice as amid all the wonderful directions there might be, and then seemed both to risk and to reserve something. “Say of her so wonderfully successful _general_ career.” It doubtless, however, warranted him in appearing to cut insinuations short. “When you’re as clever as she you’ll be as good.” To which he subjoined: “You don’t begin to have the opportunity of knowing how good she is.” This pronouncement, to whatever comparative obscurity it might appear to relegate her, his interlocutress had to take--he was so prompt with a more explicit challenge. “What is it exactly that you suppose yourself to know?” Lady Sandgate had after a moment, in her supreme good humour, decided to take everything. “I always proceed on the assumption that I know everything, because that makes people tell me.” “It wouldn’t make we,” he quite rang out, “if I didn’t want to! But as it happens,” he allowed, “there’s a question it would be convenient to me to put to you. You must be, with your charming unconventional relation with him, extremely in Theign’s confidence.” She waited a little as for more.<\|quote\|>“Is that your question--_whether_ I am?”</\|quote\|>“No, but if you are you’ll the better answer it” She had no objection then to answering it beautifully. “We’re the best friends in the world; he has been really my providence, as a lone woman with almost nobody and nothing of her own, and I feel my footing here, as so frequent and yet so discreet a visitor, simply perfect But I’m happy to say that--for my pleasure when I’m really curious--this doesn’t close to me the sweet resource of occasionally guessing things.” “Then I hope you’ve ground for believing that if I go the right way about it he’s likely to listen to me.” Lady Sandgate measured her ground--which scarce seemed extensive. “The person he most listens to just now--and in fact at any time, as you must have seen for yourself--is that arch-tormentor, or at least beautiful wheedler, his elder daughter.” “Lady Imber’s _here?_” Lord John alertly asked. “She arrived last night and--as we’ve other visitors--seems to have set up a side-show in the garden.” “Then she’ll ‘draw’ of course immensely, as she always does. But her sister won’t be in that case with her,” the young man supposed. “Because Grace feels herself naturally an independent show? So she well may,” said Lady Sandgate, “but I must tell you that when I last noticed them there Kitty was in the very act of leading her away.” Lord John figured it a moment. “Lady Imber” --he ironically enlarged the figure-- “_can_ lead people away.” “Oh, dear Grace,” his companion returned, “happens fortunately to be firm!” This seemed to strike him for a moment as equivocal. “Not against _me_, however--you don’t mean? You don’t think she has a beastly prejudice----?” “Surely you can judge about it; as knowing best what may--or what mayn’t--have happened between you.” “Well, I try to judge” --and such candour as was possible to Lord John seemed to sit for a moment on his brow. “But I’m in fear of seeing her too much as I	The Outcry
"I am asking Sissy a few questions, Tom,"	Louisa Bounderby	much of that at present.<\|quote\|>"I am asking Sissy a few questions, Tom,"</\|quote\|>observed his sister. "You have	anything but himself, and not much of that at present.<\|quote\|>"I am asking Sissy a few questions, Tom,"</\|quote\|>observed his sister. "You have no occasion to go away;	more he hid his face; and at first he shook all over, and said nothing but" "My darling;" "and" "My love!"" Here Tom came lounging in, and stared at the two with a coolness not particularly savouring of interest in anything but himself, and not much of that at present.<\|quote\|>"I am asking Sissy a few questions, Tom,"</\|quote\|>observed his sister. "You have no occasion to go away; but don't interrupt us for a moment, Tom dear." "Oh! very well!" returned Tom. "Only father has brought old Bounderby home, and I want you to come into the drawing-room. Because if you come, there's a good chance of old	pain. And I said," "Have you hurt yourself, father?" "(as he did sometimes, like they all did), and he said," "A little, my darling." "And when I came to stoop down and look up at his face, I saw that he was crying. The more I spoke to him, the more he hid his face; and at first he shook all over, and said nothing but" "My darling;" "and" "My love!"" Here Tom came lounging in, and stared at the two with a coolness not particularly savouring of interest in anything but himself, and not much of that at present.<\|quote\|>"I am asking Sissy a few questions, Tom,"</\|quote\|>observed his sister. "You have no occasion to go away; but don't interrupt us for a moment, Tom dear." "Oh! very well!" returned Tom. "Only father has brought old Bounderby home, and I want you to come into the drawing-room. Because if you come, there's a good chance of old Bounderby's asking me to dinner; and if you don't, there's none." "I'll come directly." "I'll wait for you," said Tom, "to make sure." Sissy resumed in a lower voice. "At last poor father said that he had given no satisfaction again, and never did give any satisfaction now, and that	dog licked his face." Louisa saw that she was sobbing; and going to her, kissed her, took her hand, and sat down beside her. "Finish by telling me how your father left you, Sissy. Now that I have asked you so much, tell me the end. The blame, if there is any blame, is mine, not yours." "Dear Miss Louisa," said Sissy, covering her eyes, and sobbing yet; "I came home from the school that afternoon, and found poor father just come home too, from the booth. And he sat rocking himself over the fire, as if he was in pain. And I said," "Have you hurt yourself, father?" "(as he did sometimes, like they all did), and he said," "A little, my darling." "And when I came to stoop down and look up at his face, I saw that he was crying. The more I spoke to him, the more he hid his face; and at first he shook all over, and said nothing but" "My darling;" "and" "My love!"" Here Tom came lounging in, and stared at the two with a coolness not particularly savouring of interest in anything but himself, and not much of that at present.<\|quote\|>"I am asking Sissy a few questions, Tom,"</\|quote\|>observed his sister. "You have no occasion to go away; but don't interrupt us for a moment, Tom dear." "Oh! very well!" returned Tom. "Only father has brought old Bounderby home, and I want you to come into the drawing-room. Because if you come, there's a good chance of old Bounderby's asking me to dinner; and if you don't, there's none." "I'll come directly." "I'll wait for you," said Tom, "to make sure." Sissy resumed in a lower voice. "At last poor father said that he had given no satisfaction again, and never did give any satisfaction now, and that he was a shame and disgrace, and I should have done better without him all along. I said all the affectionate things to him that came into my heart, and presently he was quiet and I sat down by him, and told him all about the school and everything that had been said and done there. When I had no more left to tell, he put his arms round my neck, and kissed me a great many times. Then he asked me to fetch some of the stuff he used, for the little hurt he had had, and to get	head cut off before it was finished." "And your father was always kind? To the last?" asked Louisa contravening the great principle, and wondering very much. "Always, always!" returned Sissy, clasping her hands. "Kinder and kinder than I can tell. He was angry only one night, and that was not to me, but Merrylegs. Merrylegs;" she whispered the awful fact; "is his performing dog." "Why was he angry with the dog?" Louisa demanded. "Father, soon after they came home from performing, told Merrylegs to jump up on the backs of the two chairs and stand across them which is one of his tricks. He looked at father, and didn't do it at once. Everything of father's had gone wrong that night, and he hadn't pleased the public at all. He cried out that the very dog knew he was failing, and had no compassion on him. Then he beat the dog, and I was frightened, and said," "Father, father! Pray don't hurt the creature who is so fond of you! O Heaven forgive you, father, stop!" "And he stopped, and the dog was bloody, and father lay down crying on the floor with the dog in his arms, and the dog licked his face." Louisa saw that she was sobbing; and going to her, kissed her, took her hand, and sat down beside her. "Finish by telling me how your father left you, Sissy. Now that I have asked you so much, tell me the end. The blame, if there is any blame, is mine, not yours." "Dear Miss Louisa," said Sissy, covering her eyes, and sobbing yet; "I came home from the school that afternoon, and found poor father just come home too, from the booth. And he sat rocking himself over the fire, as if he was in pain. And I said," "Have you hurt yourself, father?" "(as he did sometimes, like they all did), and he said," "A little, my darling." "And when I came to stoop down and look up at his face, I saw that he was crying. The more I spoke to him, the more he hid his face; and at first he shook all over, and said nothing but" "My darling;" "and" "My love!"" Here Tom came lounging in, and stared at the two with a coolness not particularly savouring of interest in anything but himself, and not much of that at present.<\|quote\|>"I am asking Sissy a few questions, Tom,"</\|quote\|>observed his sister. "You have no occasion to go away; but don't interrupt us for a moment, Tom dear." "Oh! very well!" returned Tom. "Only father has brought old Bounderby home, and I want you to come into the drawing-room. Because if you come, there's a good chance of old Bounderby's asking me to dinner; and if you don't, there's none." "I'll come directly." "I'll wait for you," said Tom, "to make sure." Sissy resumed in a lower voice. "At last poor father said that he had given no satisfaction again, and never did give any satisfaction now, and that he was a shame and disgrace, and I should have done better without him all along. I said all the affectionate things to him that came into my heart, and presently he was quiet and I sat down by him, and told him all about the school and everything that had been said and done there. When I had no more left to tell, he put his arms round my neck, and kissed me a great many times. Then he asked me to fetch some of the stuff he used, for the little hurt he had had, and to get it at the best place, which was at the other end of town from there; and then, after kissing me again, he let me go. When I had gone down-stairs, I turned back that I might be a little bit more company to him yet, and looked in at the door, and said," "Father dear, shall I take Merrylegs?" "Father shook his head and said," "No, Sissy, no; take nothing that's known to be mine, my darling;" "and I left him sitting by the fire. Then the thought must have come upon him, poor, poor father! of going away to try something for my sake; for when I came back, he was gone." "I say! Look sharp for old Bounderby, Loo!" Tom remonstrated. "There's no more to tell, Miss Louisa. I keep the nine oils ready for him, and I know he will come back. Every letter that I see in Mr. Gradgrind's hand takes my breath away and blinds my eyes, for I think it comes from father, or from Mr. Sleary about father. Mr. Sleary promised to write as soon as ever father should be heard of, and I trust to him to keep his word." "Do look	solitary places. "O yes! As dearly as he loves me. Father loved me, first, for her sake. He carried me about with him when I was quite a baby. We have never been asunder from that time." "Yet he leaves you now, Sissy?" "Only for my good. Nobody understands him as I do; nobody knows him as I do. When he left me for my good he never would have left me for his own I know he was almost broken-hearted with the trial. He will not be happy for a single minute, till he comes back." "Tell me more about him," said Louisa, "I will never ask you again. Where did you live?" "We travelled about the country, and had no fixed place to live in. Father's a;" Sissy whispered the awful word, "a clown." "To make the people laugh?" said Louisa, with a nod of intelligence. "Yes. But they wouldn't laugh sometimes, and then father cried. Lately, they very often wouldn't laugh, and he used to come home despairing. Father's not like most. Those who didn't know him as well as I do, and didn't love him as dearly as I do, might believe he was not quite right. Sometimes they played tricks upon him; but they never knew how he felt them, and shrunk up, when he was alone with me. He was far, far timider than they thought!" "And you were his comfort through everything?" She nodded, with the tears rolling down her face. "I hope so, and father said I was. It was because he grew so scared and trembling, and because he felt himself to be a poor, weak, ignorant, helpless man (those used to be his words), that he wanted me so much to know a great deal, and be different from him. I used to read to him to cheer his courage, and he was very fond of that. They were wrong books I am never to speak of them here but we didn't know there was any harm in them." "And he liked them?" said Louisa, with a searching gaze on Sissy all this time. "O very much! They kept him, many times, from what did him real harm. And often and often of a night, he used to forget all his troubles in wondering whether the Sultan would let the lady go on with the story, or would have her head cut off before it was finished." "And your father was always kind? To the last?" asked Louisa contravening the great principle, and wondering very much. "Always, always!" returned Sissy, clasping her hands. "Kinder and kinder than I can tell. He was angry only one night, and that was not to me, but Merrylegs. Merrylegs;" she whispered the awful fact; "is his performing dog." "Why was he angry with the dog?" Louisa demanded. "Father, soon after they came home from performing, told Merrylegs to jump up on the backs of the two chairs and stand across them which is one of his tricks. He looked at father, and didn't do it at once. Everything of father's had gone wrong that night, and he hadn't pleased the public at all. He cried out that the very dog knew he was failing, and had no compassion on him. Then he beat the dog, and I was frightened, and said," "Father, father! Pray don't hurt the creature who is so fond of you! O Heaven forgive you, father, stop!" "And he stopped, and the dog was bloody, and father lay down crying on the floor with the dog in his arms, and the dog licked his face." Louisa saw that she was sobbing; and going to her, kissed her, took her hand, and sat down beside her. "Finish by telling me how your father left you, Sissy. Now that I have asked you so much, tell me the end. The blame, if there is any blame, is mine, not yours." "Dear Miss Louisa," said Sissy, covering her eyes, and sobbing yet; "I came home from the school that afternoon, and found poor father just come home too, from the booth. And he sat rocking himself over the fire, as if he was in pain. And I said," "Have you hurt yourself, father?" "(as he did sometimes, like they all did), and he said," "A little, my darling." "And when I came to stoop down and look up at his face, I saw that he was crying. The more I spoke to him, the more he hid his face; and at first he shook all over, and said nothing but" "My darling;" "and" "My love!"" Here Tom came lounging in, and stared at the two with a coolness not particularly savouring of interest in anything but himself, and not much of that at present.<\|quote\|>"I am asking Sissy a few questions, Tom,"</\|quote\|>observed his sister. "You have no occasion to go away; but don't interrupt us for a moment, Tom dear." "Oh! very well!" returned Tom. "Only father has brought old Bounderby home, and I want you to come into the drawing-room. Because if you come, there's a good chance of old Bounderby's asking me to dinner; and if you don't, there's none." "I'll come directly." "I'll wait for you," said Tom, "to make sure." Sissy resumed in a lower voice. "At last poor father said that he had given no satisfaction again, and never did give any satisfaction now, and that he was a shame and disgrace, and I should have done better without him all along. I said all the affectionate things to him that came into my heart, and presently he was quiet and I sat down by him, and told him all about the school and everything that had been said and done there. When I had no more left to tell, he put his arms round my neck, and kissed me a great many times. Then he asked me to fetch some of the stuff he used, for the little hurt he had had, and to get it at the best place, which was at the other end of town from there; and then, after kissing me again, he let me go. When I had gone down-stairs, I turned back that I might be a little bit more company to him yet, and looked in at the door, and said," "Father dear, shall I take Merrylegs?" "Father shook his head and said," "No, Sissy, no; take nothing that's known to be mine, my darling;" "and I left him sitting by the fire. Then the thought must have come upon him, poor, poor father! of going away to try something for my sake; for when I came back, he was gone." "I say! Look sharp for old Bounderby, Loo!" Tom remonstrated. "There's no more to tell, Miss Louisa. I keep the nine oils ready for him, and I know he will come back. Every letter that I see in Mr. Gradgrind's hand takes my breath away and blinds my eyes, for I think it comes from father, or from Mr. Sleary about father. Mr. Sleary promised to write as soon as ever father should be heard of, and I trust to him to keep his word." "Do look sharp for old Bounderby, Loo!" said Tom, with an impatient whistle. "He'll be off if you don't look sharp!" After this, whenever Sissy dropped a curtsey to Mr. Gradgrind in the presence of his family, and said in a faltering way, "I beg your pardon, sir, for being troublesome but have you had any letter yet about me?" Louisa would suspend the occupation of the moment, whatever it was, and look for the reply as earnestly as Sissy did. And when Mr. Gradgrind regularly answered, "No, Jupe, nothing of the sort," the trembling of Sissy's lip would be repeated in Louisa's face, and her eyes would follow Sissy with compassion to the door. Mr. Gradgrind usually improved these occasions by remarking, when she was gone, that if Jupe had been properly trained from an early age she would have remonstrated to herself on sound principles the baselessness of these fantastic hopes. Yet it did seem (though not to him, for he saw nothing of it) as if fantastic hope could take as strong a hold as Fact. This observation must be limited exclusively to his daughter. As to Tom, he was becoming that not unprecedented triumph of calculation which is usually at work on number one. As to Mrs. Gradgrind, if she said anything on the subject, she would come a little way out of her wrappers, like a feminine dormouse, and say: "Good gracious bless me, how my poor head is vexed and worried by that girl Jupe's so perseveringly asking, over and over again, about her tiresome letters! Upon my word and honour I seem to be fated, and destined, and ordained, to live in the midst of things that I am never to hear the last of. It really is a most extraordinary circumstance that it appears as if I never was to hear the last of anything!" At about this point, Mr. Gradgrind's eye would fall upon her; and under the influence of that wintry piece of fact, she would become torpid again. CHAPTER X STEPHEN BLACKPOOL I ENTERTAIN a weak idea that the English people are as hard-worked as any people upon whom the sun shines. I acknowledge to this ridiculous idiosyncrasy, as a reason why I would give them a little more play. In the hardest working part of Coketown; in the innermost fortifications of that ugly citadel, where Nature was as strongly bricked	face. "I hope so, and father said I was. It was because he grew so scared and trembling, and because he felt himself to be a poor, weak, ignorant, helpless man (those used to be his words), that he wanted me so much to know a great deal, and be different from him. I used to read to him to cheer his courage, and he was very fond of that. They were wrong books I am never to speak of them here but we didn't know there was any harm in them." "And he liked them?" said Louisa, with a searching gaze on Sissy all this time. "O very much! They kept him, many times, from what did him real harm. And often and often of a night, he used to forget all his troubles in wondering whether the Sultan would let the lady go on with the story, or would have her head cut off before it was finished." "And your father was always kind? To the last?" asked Louisa contravening the great principle, and wondering very much. "Always, always!" returned Sissy, clasping her hands. "Kinder and kinder than I can tell. He was angry only one night, and that was not to me, but Merrylegs. Merrylegs;" she whispered the awful fact; "is his performing dog." "Why was he angry with the dog?" Louisa demanded. "Father, soon after they came home from performing, told Merrylegs to jump up on the backs of the two chairs and stand across them which is one of his tricks. He looked at father, and didn't do it at once. Everything of father's had gone wrong that night, and he hadn't pleased the public at all. He cried out that the very dog knew he was failing, and had no compassion on him. Then he beat the dog, and I was frightened, and said," "Father, father! Pray don't hurt the creature who is so fond of you! O Heaven forgive you, father, stop!" "And he stopped, and the dog was bloody, and father lay down crying on the floor with the dog in his arms, and the dog licked his face." Louisa saw that she was sobbing; and going to her, kissed her, took her hand, and sat down beside her. "Finish by telling me how your father left you, Sissy. Now that I have asked you so much, tell me the end. The blame, if there is any blame, is mine, not yours." "Dear Miss Louisa," said Sissy, covering her eyes, and sobbing yet; "I came home from the school that afternoon, and found poor father just come home too, from the booth. And he sat rocking himself over the fire, as if he was in pain. And I said," "Have you hurt yourself, father?" "(as he did sometimes, like they all did), and he said," "A little, my darling." "And when I came to stoop down and look up at his face, I saw that he was crying. The more I spoke to him, the more he hid his face; and at first he shook all over, and said nothing but" "My darling;" "and" "My love!"" Here Tom came lounging in, and stared at the two with a coolness not particularly savouring of interest in anything but himself, and not much of that at present.<\|quote\|>"I am asking Sissy a few questions, Tom,"</\|quote\|>observed his sister. "You have no occasion to go away; but don't interrupt us for a moment, Tom dear." "Oh! very well!" returned Tom. "Only father has brought old Bounderby home, and I want you to come into the drawing-room. Because if you come, there's a good chance of old Bounderby's asking me to dinner; and if you don't, there's none." "I'll come directly." "I'll wait for you," said Tom, "to make sure." Sissy resumed in a lower voice. "At last poor father said that he had given no satisfaction again, and never did give any satisfaction now, and that he was a shame and disgrace, and I should have done better without him all along. I said all the affectionate things to him that came into my heart, and presently he was quiet and I sat down by him, and told him all about the school and everything that had been said and done there. When I had no more left to tell, he put his arms round my neck, and kissed me a great many times. Then he asked me to fetch some of the stuff he used, for the little hurt he had had, and to get it at the best place, which was at the other end of town from there; and then, after kissing me again, he let me go. When I had gone down-stairs, I turned back that I might be a little bit more company to him yet, and looked in at the door, and said," "Father dear, shall I take Merrylegs?" "Father shook his head and said," "No, Sissy, no; take nothing that's known to be mine, my darling;" "and I left him sitting by the fire. Then the thought must have come upon him, poor, poor father! of going away to try something for my sake; for when I came back, he was gone." "I say! Look sharp for old Bounderby, Loo!" Tom remonstrated. "There's no more to tell, Miss Louisa. I keep the nine oils ready for him, and I know he will come back. Every letter that I see in Mr. Gradgrind's hand takes my breath away and blinds my eyes, for I think it comes from father, or from Mr. Sleary about father. Mr. Sleary promised to write as soon as ever father should be heard of, and I trust to him to keep his word." "Do look sharp for old Bounderby, Loo!" said Tom, with an impatient whistle. "He'll be off if you don't look sharp!" After this, whenever Sissy dropped a curtsey to Mr. Gradgrind in the presence of his family, and said in a faltering way, "I beg your pardon, sir, for being troublesome but have you had any letter yet about me?" Louisa would suspend the occupation of the moment, whatever it was, and look for the reply as earnestly as Sissy did. And when Mr. Gradgrind regularly answered, "No, Jupe, nothing of the sort," the trembling of Sissy's lip would be repeated in Louisa's face, and her eyes would follow Sissy with compassion to the door. Mr. Gradgrind usually improved these occasions by remarking, when she was gone, that if Jupe had been properly trained from an early age she would have remonstrated to herself on sound principles the baselessness of these fantastic hopes. Yet it did seem (though not to him, for he saw nothing of it) as if fantastic hope could	Hard Times
"Drive straight to the office and you will be in time,"	Mr. Losberne	Which way have they taken?"<\|quote\|>"Drive straight to the office and you will be in time,"</\|quote\|>replied Mr. Losberne. "I will	avenge this poor murdered creature. Which way have they taken?"<\|quote\|>"Drive straight to the office and you will be in time,"</\|quote\|>replied Mr. Losberne. "I will remain here." The two gentlemen	meeting. We shall be down there, a few hours before, but shall require rest: especially the young lady, who _may_ have greater need of firmness than either you or I can quite foresee just now. But my blood boils to avenge this poor murdered creature. Which way have they taken?"<\|quote\|>"Drive straight to the office and you will be in time,"</\|quote\|>replied Mr. Losberne. "I will remain here." The two gentlemen hastily separated; each in a fever of excitement wholly uncontrollable. CHAPTER L. THE PURSUIT AND ESCAPE Near to that part of the Thames on which the church at Rotherhithe abuts, where the buildings on the banks are dirtiest and the	poor girl's intelligence with my previous knowledge, and the result of our good friend's inquiries on the spot, I left him no loophole of escape, and laid bare the whole villainy which by these lights became plain as day. Write and appoint the evening after to-morrow, at seven, for the meeting. We shall be down there, a few hours before, but shall require rest: especially the young lady, who _may_ have greater need of firmness than either you or I can quite foresee just now. But my blood boils to avenge this poor murdered creature. Which way have they taken?"<\|quote\|>"Drive straight to the office and you will be in time,"</\|quote\|>replied Mr. Losberne. "I will remain here." The two gentlemen hastily separated; each in a fever of excitement wholly uncontrollable. CHAPTER L. THE PURSUIT AND ESCAPE Near to that part of the Thames on which the church at Rotherhithe abuts, where the buildings on the banks are dirtiest and the vessels on the river blackest with the dust of colliers and the smoke of close-built low-roofed houses, there exists the filthiest, the strangest, the most extraordinary of the many localities that are hidden in London, wholly unknown, even by name, to the great mass of its inhabitants. To reach this	"Fagin," said Mr. Brownlow; "what of him?" "When I last heard, he had not been taken, but he will be, or is, by this time. They're sure of him." "Have you made up your mind?" asked Mr. Brownlow, in a low voice, of Monks. "Yes," he replied. "You you will be secret with me?" "I will. Remain here till I return. It is your only hope of safety." They left the room, and the door was again locked. "What have you done?" asked the doctor in a whisper. "All that I could hope to do, and even more. Coupling the poor girl's intelligence with my previous knowledge, and the result of our good friend's inquiries on the spot, I left him no loophole of escape, and laid bare the whole villainy which by these lights became plain as day. Write and appoint the evening after to-morrow, at seven, for the meeting. We shall be down there, a few hours before, but shall require rest: especially the young lady, who _may_ have greater need of firmness than either you or I can quite foresee just now. But my blood boils to avenge this poor murdered creature. Which way have they taken?"<\|quote\|>"Drive straight to the office and you will be in time,"</\|quote\|>replied Mr. Losberne. "I will remain here." The two gentlemen hastily separated; each in a fever of excitement wholly uncontrollable. CHAPTER L. THE PURSUIT AND ESCAPE Near to that part of the Thames on which the church at Rotherhithe abuts, where the buildings on the banks are dirtiest and the vessels on the river blackest with the dust of colliers and the smoke of close-built low-roofed houses, there exists the filthiest, the strangest, the most extraordinary of the many localities that are hidden in London, wholly unknown, even by name, to the great mass of its inhabitants. To reach this place, the visitor has to penetrate through a maze of close, narrow, and muddy streets, thronged by the roughest and poorest of waterside people, and devoted to the traffic they may be supposed to occasion. The cheapest and least delicate provisions are heaped in the shops; the coarsest and commonest articles of wearing apparel dangle at the salesman's door, and stream from the house-parapet and windows. Jostling with unemployed labourers of the lowest class, ballast-heavers, coal-whippers, brazen women, ragged children, and the raff and refuse of the river, he makes his way with difficulty along, assailed by offensive sights and	proposal and the possibilities of evading it: torn by his fears on the one hand and his hatred on the other: the door was hurriedly unlocked, and a gentleman (Mr. Losberne) entered the room in violent agitation. "The man will be taken," he cried. "He will be taken to-night!" "The murderer?" asked Mr. Brownlow. "Yes, yes," replied the other. "His dog has been seen lurking about some old haunt, and there seems little doubt that his master either is, or will be, there, under cover of the darkness. Spies are hovering about in every direction. I have spoken to the men who are charged with his capture, and they tell me he cannot escape. A reward of a hundred pounds is proclaimed by Government to-night." "I will give fifty more," said Mr. Brownlow, "and proclaim it with my own lips upon the spot, if I can reach it. Where is Mr. Maylie?" "Harry? As soon as he had seen your friend here, safe in a coach with you, he hurried off to where he heard this," replied the doctor, "and mounting his horse sallied forth to join the first party at some place in the outskirts agreed upon between them." "Fagin," said Mr. Brownlow; "what of him?" "When I last heard, he had not been taken, but he will be, or is, by this time. They're sure of him." "Have you made up your mind?" asked Mr. Brownlow, in a low voice, of Monks. "Yes," he replied. "You you will be secret with me?" "I will. Remain here till I return. It is your only hope of safety." They left the room, and the door was again locked. "What have you done?" asked the doctor in a whisper. "All that I could hope to do, and even more. Coupling the poor girl's intelligence with my previous knowledge, and the result of our good friend's inquiries on the spot, I left him no loophole of escape, and laid bare the whole villainy which by these lights became plain as day. Write and appoint the evening after to-morrow, at seven, for the meeting. We shall be down there, a few hours before, but shall require rest: especially the young lady, who _may_ have greater need of firmness than either you or I can quite foresee just now. But my blood boils to avenge this poor murdered creature. Which way have they taken?"<\|quote\|>"Drive straight to the office and you will be in time,"</\|quote\|>replied Mr. Losberne. "I will remain here." The two gentlemen hastily separated; each in a fever of excitement wholly uncontrollable. CHAPTER L. THE PURSUIT AND ESCAPE Near to that part of the Thames on which the church at Rotherhithe abuts, where the buildings on the banks are dirtiest and the vessels on the river blackest with the dust of colliers and the smoke of close-built low-roofed houses, there exists the filthiest, the strangest, the most extraordinary of the many localities that are hidden in London, wholly unknown, even by name, to the great mass of its inhabitants. To reach this place, the visitor has to penetrate through a maze of close, narrow, and muddy streets, thronged by the roughest and poorest of waterside people, and devoted to the traffic they may be supposed to occasion. The cheapest and least delicate provisions are heaped in the shops; the coarsest and commonest articles of wearing apparel dangle at the salesman's door, and stream from the house-parapet and windows. Jostling with unemployed labourers of the lowest class, ballast-heavers, coal-whippers, brazen women, ragged children, and the raff and refuse of the river, he makes his way with difficulty along, assailed by offensive sights and smells from the narrow alleys which branch off on the right and left, and deafened by the clash of ponderous waggons that bear great piles of merchandise from the stacks of warehouses that rise from every corner. Arriving, at length, in streets remoter and less-frequented than those through which he has passed, he walks beneath tottering house-fronts projecting over the pavement, dismantled walls that seem to totter as he passes, chimneys half crushed half hesitating to fall, windows guarded by rusty iron bars that time and dirt have almost eaten away, every imaginable sign of desolation and neglect. In such a neighborhood, beyond Dockhead in the Borough of Southwark, stands Jacob's Island, surrounded by a muddy ditch, six or eight feet deep and fifteen or twenty wide when the tide is in, once called Mill Pond, but known in the days of this story as Folly Ditch. It is a creek or inlet from the Thames, and can always be filled at high water by opening the sluices at the Lead Mills from which it took its old name. At such times, a stranger, looking from one of the wooden bridges thrown across it at Mill Lane, will see the	words to your accomplice the Jew, _the only proofs of the boy's identity lie at the bottom of the river, and the old hag that received them from the mother is rotting in her coffin_.' Unworthy son, coward, liar, you, who hold your councils with thieves and murderers in dark rooms at night, you, whose plots and wiles have brought a violent death upon the head of one worth millions such as you, you, who from your cradle were gall and bitterness to your own father's heart, and in whom all evil passions, vice, and profligacy, festered, till they found a vent in a hideous disease which had made your face an index even to your mind you, Edward Leeford, do you still brave me!" "No, no, no!" returned the coward, overwhelmed by these accumulated charges. "Every word!" cried the gentleman, "every word that has passed between you and this detested villain, is known to me. Shadows on the wall have caught your whispers, and brought them to my ear; the sight of the persecuted child has turned vice itself, and given it the courage and almost the attributes of virtue. Murder has been done, to which you were morally if not really a party." "No, no," interposed Monks. "I I knew nothing of that; I was going to inquire the truth of the story when you overtook me. I didn't know the cause. I thought it was a common quarrel." "It was the partial disclosure of your secrets," replied Mr. Brownlow. "Will you disclose the whole?" "Yes, I will." "Set your hand to a statement of truth and facts, and repeat it before witnesses?" "That I promise too." "Remain quietly here, until such a document is drawn up, and proceed with me to such a place as I may deem most advisable, for the purpose of attesting it?" "If you insist upon that, I'll do that also," replied Monks. "You must do more than that," said Mr. Brownlow. "Make restitution to an innocent and unoffending child, for such he is, although the offspring of a guilty and most miserable love. You have not forgotten the provisions of the will. Carry them into execution so far as your brother is concerned, and then go where you please. In this world you need meet no more." While Monks was pacing up and down, meditating with dark and evil looks on this proposal and the possibilities of evading it: torn by his fears on the one hand and his hatred on the other: the door was hurriedly unlocked, and a gentleman (Mr. Losberne) entered the room in violent agitation. "The man will be taken," he cried. "He will be taken to-night!" "The murderer?" asked Mr. Brownlow. "Yes, yes," replied the other. "His dog has been seen lurking about some old haunt, and there seems little doubt that his master either is, or will be, there, under cover of the darkness. Spies are hovering about in every direction. I have spoken to the men who are charged with his capture, and they tell me he cannot escape. A reward of a hundred pounds is proclaimed by Government to-night." "I will give fifty more," said Mr. Brownlow, "and proclaim it with my own lips upon the spot, if I can reach it. Where is Mr. Maylie?" "Harry? As soon as he had seen your friend here, safe in a coach with you, he hurried off to where he heard this," replied the doctor, "and mounting his horse sallied forth to join the first party at some place in the outskirts agreed upon between them." "Fagin," said Mr. Brownlow; "what of him?" "When I last heard, he had not been taken, but he will be, or is, by this time. They're sure of him." "Have you made up your mind?" asked Mr. Brownlow, in a low voice, of Monks. "Yes," he replied. "You you will be secret with me?" "I will. Remain here till I return. It is your only hope of safety." They left the room, and the door was again locked. "What have you done?" asked the doctor in a whisper. "All that I could hope to do, and even more. Coupling the poor girl's intelligence with my previous knowledge, and the result of our good friend's inquiries on the spot, I left him no loophole of escape, and laid bare the whole villainy which by these lights became plain as day. Write and appoint the evening after to-morrow, at seven, for the meeting. We shall be down there, a few hours before, but shall require rest: especially the young lady, who _may_ have greater need of firmness than either you or I can quite foresee just now. But my blood boils to avenge this poor murdered creature. Which way have they taken?"<\|quote\|>"Drive straight to the office and you will be in time,"</\|quote\|>replied Mr. Losberne. "I will remain here." The two gentlemen hastily separated; each in a fever of excitement wholly uncontrollable. CHAPTER L. THE PURSUIT AND ESCAPE Near to that part of the Thames on which the church at Rotherhithe abuts, where the buildings on the banks are dirtiest and the vessels on the river blackest with the dust of colliers and the smoke of close-built low-roofed houses, there exists the filthiest, the strangest, the most extraordinary of the many localities that are hidden in London, wholly unknown, even by name, to the great mass of its inhabitants. To reach this place, the visitor has to penetrate through a maze of close, narrow, and muddy streets, thronged by the roughest and poorest of waterside people, and devoted to the traffic they may be supposed to occasion. The cheapest and least delicate provisions are heaped in the shops; the coarsest and commonest articles of wearing apparel dangle at the salesman's door, and stream from the house-parapet and windows. Jostling with unemployed labourers of the lowest class, ballast-heavers, coal-whippers, brazen women, ragged children, and the raff and refuse of the river, he makes his way with difficulty along, assailed by offensive sights and smells from the narrow alleys which branch off on the right and left, and deafened by the clash of ponderous waggons that bear great piles of merchandise from the stacks of warehouses that rise from every corner. Arriving, at length, in streets remoter and less-frequented than those through which he has passed, he walks beneath tottering house-fronts projecting over the pavement, dismantled walls that seem to totter as he passes, chimneys half crushed half hesitating to fall, windows guarded by rusty iron bars that time and dirt have almost eaten away, every imaginable sign of desolation and neglect. In such a neighborhood, beyond Dockhead in the Borough of Southwark, stands Jacob's Island, surrounded by a muddy ditch, six or eight feet deep and fifteen or twenty wide when the tide is in, once called Mill Pond, but known in the days of this story as Folly Ditch. It is a creek or inlet from the Thames, and can always be filled at high water by opening the sluices at the Lead Mills from which it took its old name. At such times, a stranger, looking from one of the wooden bridges thrown across it at Mill Lane, will see the inhabitants of the houses on either side lowering from their back doors and windows, buckets, pails, domestic utensils of all kinds, in which to haul the water up; and when his eye is turned from these operations to the houses themselves, his utmost astonishment will be excited by the scene before him. Crazy wooden galleries common to the backs of half a dozen houses, with holes from which to look upon the slime beneath; windows, broken and patched, with poles thrust out, on which to dry the linen that is never there; rooms so small, so filthy, so confined, that the air would seem too tainted even for the dirt and squalor which they shelter; wooden chambers thrusting themselves out above the mud, and threatening to fall into it as some have done; dirt-besmeared walls and decaying foundations; every repulsive lineament of poverty, every loathsome indication of filth, rot, and garbage; all these ornament the banks of Folly Ditch. In Jacob's Island, the warehouses are roofless and empty; the walls are crumbling down; the windows are windows no more; the doors are falling into the streets; the chimneys are blackened, but they yield no smoke. Thirty or forty years ago, before losses and chancery suits came upon it, it was a thriving place; but now it is a desolate island indeed. The houses have no owners; they are broken open, and entered upon by those who have the courage; and there they live, and there they die. They must have powerful motives for a secret residence, or be reduced to a destitute condition indeed, who seek a refuge in Jacob's Island. In an upper room of one of these houses a detached house of fair size, ruinous in other respects, but strongly defended at door and window: of which house the back commanded the ditch in manner already described there were assembled three men, who, regarding each other every now and then with looks expressive of perplexity and expectation, sat for some time in profound and gloomy silence. One of these was Toby Crackit, another Mr. Chitling, and the third a robber of fifty years, whose nose had been almost beaten in, in some old scuffle, and whose face bore a frightful scar which might probably be traced to the same occasion. This man was a returned transport, and his name was Kags. "I wish," said Toby turning to Mr.	interposed Monks. "I I knew nothing of that; I was going to inquire the truth of the story when you overtook me. I didn't know the cause. I thought it was a common quarrel." "It was the partial disclosure of your secrets," replied Mr. Brownlow. "Will you disclose the whole?" "Yes, I will." "Set your hand to a statement of truth and facts, and repeat it before witnesses?" "That I promise too." "Remain quietly here, until such a document is drawn up, and proceed with me to such a place as I may deem most advisable, for the purpose of attesting it?" "If you insist upon that, I'll do that also," replied Monks. "You must do more than that," said Mr. Brownlow. "Make restitution to an innocent and unoffending child, for such he is, although the offspring of a guilty and most miserable love. You have not forgotten the provisions of the will. Carry them into execution so far as your brother is concerned, and then go where you please. In this world you need meet no more." While Monks was pacing up and down, meditating with dark and evil looks on this proposal and the possibilities of evading it: torn by his fears on the one hand and his hatred on the other: the door was hurriedly unlocked, and a gentleman (Mr. Losberne) entered the room in violent agitation. "The man will be taken," he cried. "He will be taken to-night!" "The murderer?" asked Mr. Brownlow. "Yes, yes," replied the other. "His dog has been seen lurking about some old haunt, and there seems little doubt that his master either is, or will be, there, under cover of the darkness. Spies are hovering about in every direction. I have spoken to the men who are charged with his capture, and they tell me he cannot escape. A reward of a hundred pounds is proclaimed by Government to-night." "I will give fifty more," said Mr. Brownlow, "and proclaim it with my own lips upon the spot, if I can reach it. Where is Mr. Maylie?" "Harry? As soon as he had seen your friend here, safe in a coach with you, he hurried off to where he heard this," replied the doctor, "and mounting his horse sallied forth to join the first party at some place in the outskirts agreed upon between them." "Fagin," said Mr. Brownlow; "what of him?" "When I last heard, he had not been taken, but he will be, or is, by this time. They're sure of him." "Have you made up your mind?" asked Mr. Brownlow, in a low voice, of Monks. "Yes," he replied. "You you will be secret with me?" "I will. Remain here till I return. It is your only hope of safety." They left the room, and the door was again locked. "What have you done?" asked the doctor in a whisper. "All that I could hope to do, and even more. Coupling the poor girl's intelligence with my previous knowledge, and the result of our good friend's inquiries on the spot, I left him no loophole of escape, and laid bare the whole villainy which by these lights became plain as day. Write and appoint the evening after to-morrow, at seven, for the meeting. We shall be down there, a few hours before, but shall require rest: especially the young lady, who _may_ have greater need of firmness than either you or I can quite foresee just now. But my blood boils to avenge this poor murdered creature. Which way have they taken?"<\|quote\|>"Drive straight to the office and you will be in time,"</\|quote\|>replied Mr. Losberne. "I will remain here." The two gentlemen hastily separated; each in a fever of excitement wholly uncontrollable. CHAPTER L. THE PURSUIT AND ESCAPE Near to that part of the Thames on which the church at Rotherhithe abuts, where the buildings on the banks are dirtiest and the vessels on the river blackest with the dust of colliers and the smoke of close-built low-roofed houses, there exists the filthiest, the strangest, the most extraordinary of the many localities that are hidden in London, wholly unknown, even by name, to the great mass of its inhabitants. To reach this place, the visitor has to penetrate through a maze of close, narrow, and muddy streets, thronged by the roughest and poorest of waterside people, and devoted to the traffic they may be supposed to occasion. The cheapest and least delicate provisions are heaped in the shops; the coarsest and commonest articles of wearing apparel dangle at the salesman's door, and stream from the house-parapet and windows. Jostling with unemployed labourers of the lowest class, ballast-heavers, coal-whippers, brazen women, ragged children, and the raff and refuse of the river, he makes his way with difficulty along, assailed by offensive sights and smells from the narrow alleys which branch off on the right and left, and deafened by the clash of ponderous waggons that bear great piles of merchandise from the stacks of warehouses that rise from every corner. Arriving, at length, in streets remoter and less-frequented than those through which he has passed, he walks beneath tottering house-fronts projecting over the pavement, dismantled walls that seem to totter as he passes, chimneys half crushed half hesitating to fall, windows guarded by rusty iron bars that time and dirt have almost eaten away, every imaginable sign of desolation and neglect. In such a neighborhood, beyond Dockhead in the Borough of Southwark, stands Jacob's Island, surrounded by a muddy ditch, six or eight feet deep and fifteen or twenty wide when the tide is in, once called Mill Pond, but known in the days of this story as Folly Ditch. It is a creek or inlet from the Thames, and can always be filled at high water by opening the sluices at the Lead Mills from which it took its old name. At such times, a stranger, looking from one of the wooden bridges thrown across it at Mill Lane, will see the inhabitants of the houses on either side lowering from their back doors and windows, buckets, pails, domestic utensils of all kinds, in which to haul the water up; and when his eye is turned from these operations to the houses themselves, his utmost astonishment will be excited by the scene before him. Crazy wooden galleries common to the backs of half a dozen houses, with holes from which to look upon the slime beneath; windows, broken and patched, with poles thrust out, on which to dry the linen that is never there; rooms so small, so filthy, so confined, that the air would seem too tainted even for the dirt and squalor which they shelter; wooden chambers thrusting themselves out above the mud, and threatening to fall into it as some have done; dirt-besmeared walls and decaying foundations; every repulsive lineament of poverty, every loathsome indication of filth, rot, and garbage; all these ornament the banks of Folly Ditch. In Jacob's Island, the warehouses are roofless and	Oliver Twist
"Oh, Kanga,"	Winnie-the-pooh	looked. And Kanga looked too....<\|quote\|>"Oh, Kanga,"</\|quote\|>said Pooh, after Rabbit had	jumping, so they stayed and looked. And Kanga looked too....<\|quote\|>"Oh, Kanga,"</\|quote\|>said Pooh, after Rabbit had winked at him twice, "I	just going home," said Kanga. "Good afternoon, Rabbit. Good afternoon, Piglet." Rabbit and Piglet, who had now come up from the other side of the hill, said "Good afternoon," and "Hallo, Roo," and Roo asked them to look at him jumping, so they stayed and looked. And Kanga looked too....<\|quote\|>"Oh, Kanga,"</\|quote\|>said Pooh, after Rabbit had winked at him twice, "I don't know if you are interested in Poetry at all?" "Hardly at all," said Kanga. "Oh!" said Pooh. "Roo, dear, just one more jump and then we must go home." There was a short silence while Roo fell down another	and saying "Just one more jump, dear, and then we must go home." And at that moment who should come stumping up the hill but Pooh. "Good afternoon, Kanga." "Good afternoon, Pooh." "Look at me jumping," squeaked Roo, and fell into another mouse-hole. "Hallo, Roo, my little fellow!" "We were just going home," said Kanga. "Good afternoon, Rabbit. Good afternoon, Piglet." Rabbit and Piglet, who had now come up from the other side of the hill, said "Good afternoon," and "Hallo, Roo," and Roo asked them to look at him jumping, so they stayed and looked. And Kanga looked too....<\|quote\|>"Oh, Kanga,"</\|quote\|>said Pooh, after Rabbit had winked at him twice, "I don't know if you are interested in Poetry at all?" "Hardly at all," said Kanga. "Oh!" said Pooh. "Roo, dear, just one more jump and then we must go home." There was a short silence while Roo fell down another mouse-hole. "Go on," said Rabbit in a loud whisper behind his paw. "Talking of Poetry," said Pooh, "I made up a little piece as I was coming along. It went like this. Er--now let me see----" "Fancy!" said Kanga. "Now Roo, dear----" "You'll like this piece of poetry," said Rabbit.	Pooh Bear. "Not yet," he said. "What _do_ I do?" "Well, you just have to talk very hard to Kanga so as she doesn't notice anything." "Oh! What about?" "Anything you like." "You mean like telling her a little bit of poetry or something?" "That's it," said Rabbit. "Splendid. Now come along." So they all went out to look for Kanga. Kanga and Roo were spending a quiet afternoon in a sandy part of the Forest. Baby Roo was practising very small jumps in the sand, and falling down mouse-holes and climbing out of them, and Kanga was fidgeting about and saying "Just one more jump, dear, and then we must go home." And at that moment who should come stumping up the hill but Pooh. "Good afternoon, Kanga." "Good afternoon, Pooh." "Look at me jumping," squeaked Roo, and fell into another mouse-hole. "Hallo, Roo, my little fellow!" "We were just going home," said Kanga. "Good afternoon, Rabbit. Good afternoon, Piglet." Rabbit and Piglet, who had now come up from the other side of the hill, said "Good afternoon," and "Hallo, Roo," and Roo asked them to look at him jumping, so they stayed and looked. And Kanga looked too....<\|quote\|>"Oh, Kanga,"</\|quote\|>said Pooh, after Rabbit had winked at him twice, "I don't know if you are interested in Poetry at all?" "Hardly at all," said Kanga. "Oh!" said Pooh. "Roo, dear, just one more jump and then we must go home." There was a short silence while Roo fell down another mouse-hole. "Go on," said Rabbit in a loud whisper behind his paw. "Talking of Poetry," said Pooh, "I made up a little piece as I was coming along. It went like this. Er--now let me see----" "Fancy!" said Kanga. "Now Roo, dear----" "You'll like this piece of poetry," said Rabbit. "You'll love it," said Piglet. "You must listen very carefully," said Rabbit. "So as not to miss any of it," said Piglet. "Oh, yes," said Kanga, but she still looked at Baby Roo. "_How_ did it go, Pooh?" said Rabbit. Pooh gave a little cough and began. "LINES WRITTEN BY A BEAR OF VERY LITTLE BRAIN On Monday, when the sun is hot I wonder to myself a lot: "Now is it true, or is it not," "That what is which and which is what?" On Tuesday, when it hails and snows, The feeling on me grows and grows That	see Piglet jumping in. 7. See 2. 8. _Another Thought._ But if Pooh was talking to her very excitedly, she _might_ look the other way for a moment. 9. And then I could run away with Roo. 10. Quickly. 11. _And Kanga wouldn't discover the difference until Afterwards._ Well, Rabbit read this out proudly, and for a little while after he had read it nobody said anything. And then Piglet, who had been opening and shutting his mouth without making any noise, managed to say very huskily: "And--Afterwards?" "How do you mean?" "When Kanga _does_ Discover the Difference?" "Then we all say '_Aha!_'" "All three of us?" "Yes." "Oh!" "Why, what's the trouble, Piglet?" "Nothing," said Piglet, "as long as _we all three_ say it. As long as we all three say it," said Piglet, "I don't mind," he said, "but I shouldn't care to say '_Aha!_' by myself. It wouldn't sound _nearly_ so well. By the way," he said, "you _are_ quite sure about what you said about the winter months?" "The winter months?" "Yes, only being Fierce in the Winter Months." "Oh, yes, yes, that's all right. Well, Pooh? You see what you have to do?" "No," said Pooh Bear. "Not yet," he said. "What _do_ I do?" "Well, you just have to talk very hard to Kanga so as she doesn't notice anything." "Oh! What about?" "Anything you like." "You mean like telling her a little bit of poetry or something?" "That's it," said Rabbit. "Splendid. Now come along." So they all went out to look for Kanga. Kanga and Roo were spending a quiet afternoon in a sandy part of the Forest. Baby Roo was practising very small jumps in the sand, and falling down mouse-holes and climbing out of them, and Kanga was fidgeting about and saying "Just one more jump, dear, and then we must go home." And at that moment who should come stumping up the hill but Pooh. "Good afternoon, Kanga." "Good afternoon, Pooh." "Look at me jumping," squeaked Roo, and fell into another mouse-hole. "Hallo, Roo, my little fellow!" "We were just going home," said Kanga. "Good afternoon, Rabbit. Good afternoon, Piglet." Rabbit and Piglet, who had now come up from the other side of the hill, said "Good afternoon," and "Hallo, Roo," and Roo asked them to look at him jumping, so they stayed and looked. And Kanga looked too....<\|quote\|>"Oh, Kanga,"</\|quote\|>said Pooh, after Rabbit had winked at him twice, "I don't know if you are interested in Poetry at all?" "Hardly at all," said Kanga. "Oh!" said Pooh. "Roo, dear, just one more jump and then we must go home." There was a short silence while Roo fell down another mouse-hole. "Go on," said Rabbit in a loud whisper behind his paw. "Talking of Poetry," said Pooh, "I made up a little piece as I was coming along. It went like this. Er--now let me see----" "Fancy!" said Kanga. "Now Roo, dear----" "You'll like this piece of poetry," said Rabbit. "You'll love it," said Piglet. "You must listen very carefully," said Rabbit. "So as not to miss any of it," said Piglet. "Oh, yes," said Kanga, but she still looked at Baby Roo. "_How_ did it go, Pooh?" said Rabbit. Pooh gave a little cough and began. "LINES WRITTEN BY A BEAR OF VERY LITTLE BRAIN On Monday, when the sun is hot I wonder to myself a lot: "Now is it true, or is it not," "That what is which and which is what?" On Tuesday, when it hails and snows, The feeling on me grows and grows That hardly anybody knows If those are these or these are those. On Wednesday, when the sky is blue, And I have nothing else to do, I sometimes wonder if it's true That who is what and what is who. On Thursday, when it starts to freeze And hoar-frost twinkles on the trees, How very readily one sees That these are whose--but whose are these? On Friday---" - "Yes, it is, isn't it?" said Kanga, not waiting to hear what happened on Friday. "Just one more jump, Roo, dear, and then we really _must_ be going." Rabbit gave Pooh a hurrying-up sort of nudge. "Talking of Poetry," said Pooh quickly, "have you ever noticed that tree right over there?" "Where?" said Kanga. "Now, Roo----" "Right over there," said Pooh, pointing behind Kanga's back. "No," said Kanga. "Now jump in, Roo, dear, and we'll go home." "You ought to look at that tree right over there," said Rabbit. "Shall I lift you in, Roo?" And he picked up Roo in his paws. "I can see a bird in it from here," said Pooh. "Or is it a fish?" "You ought to see that bird from here," said Rabbit. "Unless it's a fish."	"I was talking to Christopher Robin, and he said that a Kanga was Generally Regarded as One of the Fiercer Animals. I am not frightened of Fierce Animals in the ordinary way, but it is well known that, if One of the Fiercer Animals is Deprived of Its Young, it becomes as fierce as Two of the Fiercer Animals. In which case '_Aha!_' is perhaps a _foolish_ thing to say." "Piglet," said Rabbit, taking out a pencil, and licking the end of it, "you haven't any pluck." "It is hard to be brave," said Piglet, sniffing slightly, "when you're only a Very Small Animal." Rabbit, who had begun to write very busily, looked up and said: "It is because you are a very small animal that you will be Useful in the adventure before us." Piglet was so excited at the idea of being Useful, that he forgot to be frightened any more, and when Rabbit went on to say that Kangas were only Fierce during the winter months, being at other times of an Affectionate Disposition, he could hardly sit still, he was so eager to begin being useful at once. "What about me?" said Pooh sadly. "I suppose _I_ shan't be useful?" "Never mind, Pooh," said Piglet comfortingly. "Another time perhaps." "Without Pooh," said Rabbit solemnly as he sharpened his pencil, "the adventure would be impossible." "Oh!" said Piglet, and tried not to look disappointed. But Pooh went into a corner of the room and said proudly to himself, "Impossible without Me! _That_ sort of Bear." "Now listen all of you," said Rabbit when he had finished writing, and Pooh and Piglet sat listening very eagerly with their mouths open. This was what Rabbit read out: PLAN TO CAPTURE BABY ROO 1. _General Remarks._ Kanga runs faster than any of Us, even Me. 2. _More General Remarks._ Kanga never takes her eye off Baby Roo, except when he's safely buttoned up in her pocket. 3. _Therefore._ If we are to capture Baby Roo, we must get a Long Start, because Kanga runs faster than any of Us, even Me. (_See_ 1.) 4. _A Thought._ If Roo had jumped out of Kanga's pocket and Piglet had jumped in, Kanga wouldn't know the difference, because Piglet is a Very Small Animal. 5. Like Roo. 6. But Kanga would have to be looking the other way first, so as not to see Piglet jumping in. 7. See 2. 8. _Another Thought._ But if Pooh was talking to her very excitedly, she _might_ look the other way for a moment. 9. And then I could run away with Roo. 10. Quickly. 11. _And Kanga wouldn't discover the difference until Afterwards._ Well, Rabbit read this out proudly, and for a little while after he had read it nobody said anything. And then Piglet, who had been opening and shutting his mouth without making any noise, managed to say very huskily: "And--Afterwards?" "How do you mean?" "When Kanga _does_ Discover the Difference?" "Then we all say '_Aha!_'" "All three of us?" "Yes." "Oh!" "Why, what's the trouble, Piglet?" "Nothing," said Piglet, "as long as _we all three_ say it. As long as we all three say it," said Piglet, "I don't mind," he said, "but I shouldn't care to say '_Aha!_' by myself. It wouldn't sound _nearly_ so well. By the way," he said, "you _are_ quite sure about what you said about the winter months?" "The winter months?" "Yes, only being Fierce in the Winter Months." "Oh, yes, yes, that's all right. Well, Pooh? You see what you have to do?" "No," said Pooh Bear. "Not yet," he said. "What _do_ I do?" "Well, you just have to talk very hard to Kanga so as she doesn't notice anything." "Oh! What about?" "Anything you like." "You mean like telling her a little bit of poetry or something?" "That's it," said Rabbit. "Splendid. Now come along." So they all went out to look for Kanga. Kanga and Roo were spending a quiet afternoon in a sandy part of the Forest. Baby Roo was practising very small jumps in the sand, and falling down mouse-holes and climbing out of them, and Kanga was fidgeting about and saying "Just one more jump, dear, and then we must go home." And at that moment who should come stumping up the hill but Pooh. "Good afternoon, Kanga." "Good afternoon, Pooh." "Look at me jumping," squeaked Roo, and fell into another mouse-hole. "Hallo, Roo, my little fellow!" "We were just going home," said Kanga. "Good afternoon, Rabbit. Good afternoon, Piglet." Rabbit and Piglet, who had now come up from the other side of the hill, said "Good afternoon," and "Hallo, Roo," and Roo asked them to look at him jumping, so they stayed and looked. And Kanga looked too....<\|quote\|>"Oh, Kanga,"</\|quote\|>said Pooh, after Rabbit had winked at him twice, "I don't know if you are interested in Poetry at all?" "Hardly at all," said Kanga. "Oh!" said Pooh. "Roo, dear, just one more jump and then we must go home." There was a short silence while Roo fell down another mouse-hole. "Go on," said Rabbit in a loud whisper behind his paw. "Talking of Poetry," said Pooh, "I made up a little piece as I was coming along. It went like this. Er--now let me see----" "Fancy!" said Kanga. "Now Roo, dear----" "You'll like this piece of poetry," said Rabbit. "You'll love it," said Piglet. "You must listen very carefully," said Rabbit. "So as not to miss any of it," said Piglet. "Oh, yes," said Kanga, but she still looked at Baby Roo. "_How_ did it go, Pooh?" said Rabbit. Pooh gave a little cough and began. "LINES WRITTEN BY A BEAR OF VERY LITTLE BRAIN On Monday, when the sun is hot I wonder to myself a lot: "Now is it true, or is it not," "That what is which and which is what?" On Tuesday, when it hails and snows, The feeling on me grows and grows That hardly anybody knows If those are these or these are those. On Wednesday, when the sky is blue, And I have nothing else to do, I sometimes wonder if it's true That who is what and what is who. On Thursday, when it starts to freeze And hoar-frost twinkles on the trees, How very readily one sees That these are whose--but whose are these? On Friday---" - "Yes, it is, isn't it?" said Kanga, not waiting to hear what happened on Friday. "Just one more jump, Roo, dear, and then we really _must_ be going." Rabbit gave Pooh a hurrying-up sort of nudge. "Talking of Poetry," said Pooh quickly, "have you ever noticed that tree right over there?" "Where?" said Kanga. "Now, Roo----" "Right over there," said Pooh, pointing behind Kanga's back. "No," said Kanga. "Now jump in, Roo, dear, and we'll go home." "You ought to look at that tree right over there," said Rabbit. "Shall I lift you in, Roo?" And he picked up Roo in his paws. "I can see a bird in it from here," said Pooh. "Or is it a fish?" "You ought to see that bird from here," said Rabbit. "Unless it's a fish." "It isn't a fish, it's a bird," said Piglet. "So it is," said Rabbit. "Is it a starling or a blackbird?" said Pooh. "That's the whole question," said Rabbit. "Is it a blackbird or a starling?" And then at last Kanga did turn her head to look. And the moment that her head was turned, Rabbit said in a loud voice "In you go, Roo!" and in jumped Piglet into Kanga's pocket, and off scampered Rabbit, with Roo in his paws, as fast as he could. "Why, where's Rabbit?" said Kanga, turning round again. "Are you all right, Roo, dear?" Piglet made a squeaky Roo-noise from the bottom of Kanga's pocket. "Rabbit had to go away," said Pooh. "I think he thought of something he had to go and see about suddenly." "And Piglet?" "I think Piglet thought of something at the same time. Suddenly." "Well, we must be getting home," said Kanga. "Good-bye, Pooh." And in three large jumps she was gone. Pooh looked after her as she went. "I wish I could jump like that," he thought. "Some can and some can't. That's how it is." But there were moments when Piglet wished that Kanga couldn't. Often, when he had had a long walk home through the Forest, he had wished that he were a bird; but now he thought jerkily to himself at the bottom of Kanga's pocket, "this take "If is shall really to flying I never it."" And as he went up in the air he said, "_Ooooooo!_" and as he came down he said, "_Ow!_" And he was saying, "_Ooooooo-ow, Ooooooo-ow, Ooooooo-ow_" all the way to Kanga's house. Of course as soon as Kanga unbuttoned her pocket, she saw what had happened. Just for a moment, she thought she was frightened, and then she knew she wasn't; for she felt quite sure that Christopher Robin would never let any harm happen to Roo. So she said to herself, "If they are having a joke with me, I will have a joke with them." "Now then, Roo, dear," she said, as she took Piglet out of her pocket. "Bed-time." "_Aha!_" said Piglet, as well as he could after his Terrifying Journey. But it wasn't a very good "_Aha!_" and Kanga didn't seem to understand what it meant. "Bath first," said Kanga in a cheerful voice. "_Aha!_" said Piglet again, looking round anxiously for the others.	Well, Rabbit read this out proudly, and for a little while after he had read it nobody said anything. And then Piglet, who had been opening and shutting his mouth without making any noise, managed to say very huskily: "And--Afterwards?" "How do you mean?" "When Kanga _does_ Discover the Difference?" "Then we all say '_Aha!_'" "All three of us?" "Yes." "Oh!" "Why, what's the trouble, Piglet?" "Nothing," said Piglet, "as long as _we all three_ say it. As long as we all three say it," said Piglet, "I don't mind," he said, "but I shouldn't care to say '_Aha!_' by myself. It wouldn't sound _nearly_ so well. By the way," he said, "you _are_ quite sure about what you said about the winter months?" "The winter months?" "Yes, only being Fierce in the Winter Months." "Oh, yes, yes, that's all right. Well, Pooh? You see what you have to do?" "No," said Pooh Bear. "Not yet," he said. "What _do_ I do?" "Well, you just have to talk very hard to Kanga so as she doesn't notice anything." "Oh! What about?" "Anything you like." "You mean like telling her a little bit of poetry or something?" "That's it," said Rabbit. "Splendid. Now come along." So they all went out to look for Kanga. Kanga and Roo were spending a quiet afternoon in a sandy part of the Forest. Baby Roo was practising very small jumps in the sand, and falling down mouse-holes and climbing out of them, and Kanga was fidgeting about and saying "Just one more jump, dear, and then we must go home." And at that moment who should come stumping up the hill but Pooh. "Good afternoon, Kanga." "Good afternoon, Pooh." "Look at me jumping," squeaked Roo, and fell into another mouse-hole. "Hallo, Roo, my little fellow!" "We were just going home," said Kanga. "Good afternoon, Rabbit. Good afternoon, Piglet." Rabbit and Piglet, who had now come up from the other side of the hill, said "Good afternoon," and "Hallo, Roo," and Roo asked them to look at him jumping, so they stayed and looked. And Kanga looked too....<\|quote\|>"Oh, Kanga,"</\|quote\|>said Pooh, after Rabbit had winked at him twice, "I don't know if you are interested in Poetry at all?" "Hardly at all," said Kanga. "Oh!" said Pooh. "Roo, dear, just one more jump and then we must go home." There was a short silence while Roo fell down another mouse-hole. "Go on," said Rabbit in a loud whisper behind his paw. "Talking of Poetry," said Pooh, "I made up a little piece as I was coming along. It went like this. Er--now let me see----" "Fancy!" said Kanga. "Now Roo, dear----" "You'll like this piece of poetry," said Rabbit. "You'll love it," said Piglet. "You must listen very carefully," said Rabbit. "So as not to miss any of it," said Piglet. "Oh, yes," said Kanga, but she still looked at Baby Roo. "_How_ did it go, Pooh?" said Rabbit. Pooh gave a little cough and began. "LINES WRITTEN BY A BEAR OF VERY LITTLE BRAIN On Monday, when the sun is hot I wonder to myself a lot: "Now is it true, or is it not," "That what is which and which is what?" On Tuesday, when it hails and snows, The feeling on me grows and grows That hardly anybody knows If those are these or these are those. On Wednesday, when the sky is blue, And I have nothing else to do, I sometimes wonder if it's true That who is what and what is who. On Thursday, when it starts to freeze And hoar-frost twinkles on the trees, How very readily one sees That these are whose--but whose are these? On Friday---" - "Yes, it is, isn't it?" said Kanga, not waiting to hear what happened on Friday. "Just one more jump, Roo, dear, and then we really _must_ be going." Rabbit gave Pooh a hurrying-up sort of nudge. "Talking of Poetry," said Pooh quickly, "have you ever noticed that tree right over there?" "Where?" said Kanga. "Now, Roo----" "Right over there," said Pooh, pointing behind Kanga's back. "No," said Kanga. "Now jump in, Roo, dear, and we'll go home." "You ought to look at that tree right over there," said Rabbit. "Shall I lift you in, Roo?" And he picked up Roo in his paws. "I can see a bird in it from here," said Pooh. "Or is it a fish?" "You ought to see that bird from here," said Rabbit. "Unless it's a fish." "It isn't a fish, it's a bird,"	Winnie The Pooh
"Helen!"	Margaret	was missing from the hall.<\|quote\|>"Helen!"</\|quote\|>she called. "Yes!" replied a	and Mr. Bast s topper was missing from the hall.<\|quote\|>"Helen!"</\|quote\|>she called. "Yes!" replied a voice from the library. "You	who had met and detested Tibby at Oxford. "Yes, pretty well--but I wonder what Helen s doing." "She is very young to undertake this sort of thing," said Mr. Wilcox. Margaret went out to the landing. She heard no sound, and Mr. Bast s topper was missing from the hall.<\|quote\|>"Helen!"</\|quote\|>she called. "Yes!" replied a voice from the library. "You in there?" "Yes--he s gone some time." Margaret went to her. "Why, you re all alone," she said. "Yes--it s all right, Meg. Poor, poor creature--" "Come back to the Wilcoxes and tell me later--Mr. W much concerned, and slightly	bastion to the world. "Miss Schlegel, you re a pair of dear creatures, but you really MUST be careful in this uncharitable world. What does your brother say?" "I forget." "Surely he has some opinion?" "He laughs, if I remember correctly." "He s very clever, isn t he?" said Evie, who had met and detested Tibby at Oxford. "Yes, pretty well--but I wonder what Helen s doing." "She is very young to undertake this sort of thing," said Mr. Wilcox. Margaret went out to the landing. She heard no sound, and Mr. Bast s topper was missing from the hall.<\|quote\|>"Helen!"</\|quote\|>she called. "Yes!" replied a voice from the library. "You in there?" "Yes--he s gone some time." Margaret went to her. "Why, you re all alone," she said. "Yes--it s all right, Meg. Poor, poor creature--" "Come back to the Wilcoxes and tell me later--Mr. W much concerned, and slightly titillated." "Oh, I ve no patience with him. I hate him. Poor dear Mr. Bast! he wanted to talk literature, and we would talk business. Such a muddle of a man, and yet so worth pulling through. I like him extraordinarily." "Well done," said Margaret, kissing her, "but come into	and two men--they had formed the magic triangle of sex, and the male was thrilled to jealousy, in case the female was attracted by another male. Love, say the ascetics, reveals our shameful kinship with the beasts. Be it so: one can bear that; jealousy is the real shame. It is jealousy, not love, that connects us with the farmyard intolerably, and calls up visions of two angry cocks and a complacent hen. Margaret crushed complacency down because she was civilised. Mr. Wilcox, uncivilised, continued to feel anger long after he had rebuilt his defences, and was again presenting a bastion to the world. "Miss Schlegel, you re a pair of dear creatures, but you really MUST be careful in this uncharitable world. What does your brother say?" "I forget." "Surely he has some opinion?" "He laughs, if I remember correctly." "He s very clever, isn t he?" said Evie, who had met and detested Tibby at Oxford. "Yes, pretty well--but I wonder what Helen s doing." "She is very young to undertake this sort of thing," said Mr. Wilcox. Margaret went out to the landing. She heard no sound, and Mr. Bast s topper was missing from the hall.<\|quote\|>"Helen!"</\|quote\|>she called. "Yes!" replied a voice from the library. "You in there?" "Yes--he s gone some time." Margaret went to her. "Why, you re all alone," she said. "Yes--it s all right, Meg. Poor, poor creature--" "Come back to the Wilcoxes and tell me later--Mr. W much concerned, and slightly titillated." "Oh, I ve no patience with him. I hate him. Poor dear Mr. Bast! he wanted to talk literature, and we would talk business. Such a muddle of a man, and yet so worth pulling through. I like him extraordinarily." "Well done," said Margaret, kissing her, "but come into the drawing-room now, and don t talk about him to the Wilcoxes. Make light of the whole thing." Helen came and behaved with a cheerfulness that reassured their visitor--this hen at all events was fancy-free. "He s gone with my blessing," she cried, "and now for puppies." As they drove away, Mr. Wilcox said to his daughter: "I am really concerned at the way those girls go on. They are as clever as you make em, but unpractical--God bless me! One of these days they ll go too far. Girls like that oughtn t to live alone in London. Until	indeed, father." "He was tramping in Surrey, if you mean that," said Margaret, pacing away rather crossly. "Oh, I dare say!" "Miss Wilcox, he was!" "M--m--m--m!" from Mr. Wilcox, who thought the episode amusing, if risque. With most ladies he would not have discussed it, but he was trading on Margaret s reputation as an emancipated woman. "He said so, and about such a thing he wouldn t lie." They both began to laugh. "That s where I differ from you. Men lie about their positions and prospects, but not about a thing of that sort." He shook his head. "Miss Schlegel, excuse me, but I know the type." "I said before--he isn t a type. He cares about adventures rightly. He s certain that our smug existence isn t all. He s vulgar and hysterical and bookish, but don t think that sums him up. There s manhood in him as well. Yes, that s what I m trying to say. He s a real man." As she spoke their eyes met, and it was as if Mr. Wilcox s defences fell. She saw back to the real man in him. Unwittingly she had touched his emotions. A woman and two men--they had formed the magic triangle of sex, and the male was thrilled to jealousy, in case the female was attracted by another male. Love, say the ascetics, reveals our shameful kinship with the beasts. Be it so: one can bear that; jealousy is the real shame. It is jealousy, not love, that connects us with the farmyard intolerably, and calls up visions of two angry cocks and a complacent hen. Margaret crushed complacency down because she was civilised. Mr. Wilcox, uncivilised, continued to feel anger long after he had rebuilt his defences, and was again presenting a bastion to the world. "Miss Schlegel, you re a pair of dear creatures, but you really MUST be careful in this uncharitable world. What does your brother say?" "I forget." "Surely he has some opinion?" "He laughs, if I remember correctly." "He s very clever, isn t he?" said Evie, who had met and detested Tibby at Oxford. "Yes, pretty well--but I wonder what Helen s doing." "She is very young to undertake this sort of thing," said Mr. Wilcox. Margaret went out to the landing. She heard no sound, and Mr. Bast s topper was missing from the hall.<\|quote\|>"Helen!"</\|quote\|>she called. "Yes!" replied a voice from the library. "You in there?" "Yes--he s gone some time." Margaret went to her. "Why, you re all alone," she said. "Yes--it s all right, Meg. Poor, poor creature--" "Come back to the Wilcoxes and tell me later--Mr. W much concerned, and slightly titillated." "Oh, I ve no patience with him. I hate him. Poor dear Mr. Bast! he wanted to talk literature, and we would talk business. Such a muddle of a man, and yet so worth pulling through. I like him extraordinarily." "Well done," said Margaret, kissing her, "but come into the drawing-room now, and don t talk about him to the Wilcoxes. Make light of the whole thing." Helen came and behaved with a cheerfulness that reassured their visitor--this hen at all events was fancy-free. "He s gone with my blessing," she cried, "and now for puppies." As they drove away, Mr. Wilcox said to his daughter: "I am really concerned at the way those girls go on. They are as clever as you make em, but unpractical--God bless me! One of these days they ll go too far. Girls like that oughtn t to live alone in London. Until they marry, they ought to have some one to look after them. We must look in more often--we re better than no one. You like them, don t you, Evie?" Evie replied: "Helen s right enough, but I can t stand the toothy one. And I shouldn t have called either of them girls." Evie had grown up handsome. Dark-eyed, with the glow of youth under sunburn, built firmly and firm-lipped, she was the best the Wilcoxes could do in the way of feminine beauty. For the present, puppies and her father were the only things she loved, but the net of matrimony was being prepared for her, and a few days later she was attracted to a Mr. Percy Cahill, an uncle of Mrs. Charles s, and he was attracted to her. CHAPTER XVII The Age of Property holds bitter moments even for a proprietor. When a move is imminent, furniture becomes ridiculous, and Margaret now lay awake at nights wondering where, where on earth they and all their belongings would be deposited in September next. Chairs, tables, pictures, books, that had rumbled down to them through the generations, must rumble forward again like a slide of rubbish to	to the real thing. We want to show him how he may get upsides with life. As I said, either friends or the country, some" "--she hesitated--" "either some very dear person or some very dear place seems necessary to relieve life s daily grey, and to show that it is grey. If possible, one should have both." Some of her words ran past Mr. Wilcox. He let them run past. Others he caught and criticised with admirable lucidity. "Your mistake is this, and it is a very common mistake. This young bounder has a life of his own. What right have you to conclude it is an unsuccessful life, or, as you call it, grey ?" "Because--" "One minute. You know nothing about him. He probably has his own joys and interests--wife, children, snug little home. That s where we practical fellows" he smiled--" "are more tolerant than you intellectuals. We live and let live, and assume that things are jogging on fairly well elsewhere, and that the ordinary plain man may be trusted to look after his own affairs. I quite grant--I look at the faces of the clerks in my own office, and observe them to be dull, but I don t know what s going on beneath. So, by the way, with London. I have heard you rail against London, Miss Schlegel, and it seems a funny thing to say but I was very angry with you. What do you know about London? You only see civilisation from the outside. I don t say in your case, but in too many cases that attitude leads to morbidity, discontent, and Socialism." She admitted the strength of his position, though it undermined imagination. As he spoke, some outposts of poetry and perhaps of sympathy fell ruining, and she retreated to what she called her "second line"--to the special facts of the case. "His wife is an old bore," she said simply. "He never came home last Saturday night because he wanted to be alone, and she thought he was with us." "With YOU?" "Yes." Evie tittered. "He hasn t got the cosy home that you assumed. He needs outside interests." "Naughty young man!" cried the girl. "Naughty?" said Margaret, who hated naughtiness more than sin. "When you re married Miss Wilcox, won t you want outside interests?" "He has apparently got them," put in Mr. Wilcox slyly. "Yes, indeed, father." "He was tramping in Surrey, if you mean that," said Margaret, pacing away rather crossly. "Oh, I dare say!" "Miss Wilcox, he was!" "M--m--m--m!" from Mr. Wilcox, who thought the episode amusing, if risque. With most ladies he would not have discussed it, but he was trading on Margaret s reputation as an emancipated woman. "He said so, and about such a thing he wouldn t lie." They both began to laugh. "That s where I differ from you. Men lie about their positions and prospects, but not about a thing of that sort." He shook his head. "Miss Schlegel, excuse me, but I know the type." "I said before--he isn t a type. He cares about adventures rightly. He s certain that our smug existence isn t all. He s vulgar and hysterical and bookish, but don t think that sums him up. There s manhood in him as well. Yes, that s what I m trying to say. He s a real man." As she spoke their eyes met, and it was as if Mr. Wilcox s defences fell. She saw back to the real man in him. Unwittingly she had touched his emotions. A woman and two men--they had formed the magic triangle of sex, and the male was thrilled to jealousy, in case the female was attracted by another male. Love, say the ascetics, reveals our shameful kinship with the beasts. Be it so: one can bear that; jealousy is the real shame. It is jealousy, not love, that connects us with the farmyard intolerably, and calls up visions of two angry cocks and a complacent hen. Margaret crushed complacency down because she was civilised. Mr. Wilcox, uncivilised, continued to feel anger long after he had rebuilt his defences, and was again presenting a bastion to the world. "Miss Schlegel, you re a pair of dear creatures, but you really MUST be careful in this uncharitable world. What does your brother say?" "I forget." "Surely he has some opinion?" "He laughs, if I remember correctly." "He s very clever, isn t he?" said Evie, who had met and detested Tibby at Oxford. "Yes, pretty well--but I wonder what Helen s doing." "She is very young to undertake this sort of thing," said Mr. Wilcox. Margaret went out to the landing. She heard no sound, and Mr. Bast s topper was missing from the hall.<\|quote\|>"Helen!"</\|quote\|>she called. "Yes!" replied a voice from the library. "You in there?" "Yes--he s gone some time." Margaret went to her. "Why, you re all alone," she said. "Yes--it s all right, Meg. Poor, poor creature--" "Come back to the Wilcoxes and tell me later--Mr. W much concerned, and slightly titillated." "Oh, I ve no patience with him. I hate him. Poor dear Mr. Bast! he wanted to talk literature, and we would talk business. Such a muddle of a man, and yet so worth pulling through. I like him extraordinarily." "Well done," said Margaret, kissing her, "but come into the drawing-room now, and don t talk about him to the Wilcoxes. Make light of the whole thing." Helen came and behaved with a cheerfulness that reassured their visitor--this hen at all events was fancy-free. "He s gone with my blessing," she cried, "and now for puppies." As they drove away, Mr. Wilcox said to his daughter: "I am really concerned at the way those girls go on. They are as clever as you make em, but unpractical--God bless me! One of these days they ll go too far. Girls like that oughtn t to live alone in London. Until they marry, they ought to have some one to look after them. We must look in more often--we re better than no one. You like them, don t you, Evie?" Evie replied: "Helen s right enough, but I can t stand the toothy one. And I shouldn t have called either of them girls." Evie had grown up handsome. Dark-eyed, with the glow of youth under sunburn, built firmly and firm-lipped, she was the best the Wilcoxes could do in the way of feminine beauty. For the present, puppies and her father were the only things she loved, but the net of matrimony was being prepared for her, and a few days later she was attracted to a Mr. Percy Cahill, an uncle of Mrs. Charles s, and he was attracted to her. CHAPTER XVII The Age of Property holds bitter moments even for a proprietor. When a move is imminent, furniture becomes ridiculous, and Margaret now lay awake at nights wondering where, where on earth they and all their belongings would be deposited in September next. Chairs, tables, pictures, books, that had rumbled down to them through the generations, must rumble forward again like a slide of rubbish to which she longed to give the final push, and send toppling into the sea. But there were all their father s books--they never read them, but they were their father s, and must be kept. There was the marble-topped chiffonier--their mother had set store by it, they could not remember why. Round every knob and cushion in the house gathered a sentiment that was at times personal, but more often a faint piety to the dead, a prolongation of rites that might have ended at the grave. It was absurd, if you came to think of it; Helen and Tibby came to think of it; Margaret was too busy with the house-agents. The feudal ownership of land did bring dignity, whereas the modern ownership of movables is reducing us again to a nomadic horde. We are reverting to the civilisation of luggage, and historians of the future will note how the middle classes accreted possessions without taking root in the earth, and may find in this the secret of their imaginative poverty. The Schlegels were certainly the poorer for the loss of Wickham Place. It had helped to balance their lives, and almost to counsel them. Nor is their ground-landlord spiritually the richer. He has built flats on its site, his motor-cars grow swifter, his exposures of Socialism more trenchant. But he has spilt the precious distillation of the years, and no chemistry of his can give it back to society again. Margaret grew depressed; she was anxious to settle on a house before they left town to pay their annual visit to Mrs. Munt. She enjoyed this visit, and wanted to have her mind at ease for it. Swanage, though dull, was stable, and this year she longed more than usual for its fresh air and for the magnificent downs that guard it on the north. But London thwarted her; in its atmosphere she could not concentrate. London only stimulates, it cannot sustain; and Margaret, hurrying over its surface for a house without knowing what sort of a house she wanted, was paying for many a thrilling sensation in the past. She could not even break loose from culture, and her time was wasted by concerts which it would be a sin to miss, and invitations which it would never do to refuse. At last she grew desperate; she resolved that she would go nowhere and be at home	way, with London. I have heard you rail against London, Miss Schlegel, and it seems a funny thing to say but I was very angry with you. What do you know about London? You only see civilisation from the outside. I don t say in your case, but in too many cases that attitude leads to morbidity, discontent, and Socialism." She admitted the strength of his position, though it undermined imagination. As he spoke, some outposts of poetry and perhaps of sympathy fell ruining, and she retreated to what she called her "second line"--to the special facts of the case. "His wife is an old bore," she said simply. "He never came home last Saturday night because he wanted to be alone, and she thought he was with us." "With YOU?" "Yes." Evie tittered. "He hasn t got the cosy home that you assumed. He needs outside interests." "Naughty young man!" cried the girl. "Naughty?" said Margaret, who hated naughtiness more than sin. "When you re married Miss Wilcox, won t you want outside interests?" "He has apparently got them," put in Mr. Wilcox slyly. "Yes, indeed, father." "He was tramping in Surrey, if you mean that," said Margaret, pacing away rather crossly. "Oh, I dare say!" "Miss Wilcox, he was!" "M--m--m--m!" from Mr. Wilcox, who thought the episode amusing, if risque. With most ladies he would not have discussed it, but he was trading on Margaret s reputation as an emancipated woman. "He said so, and about such a thing he wouldn t lie." They both began to laugh. "That s where I differ from you. Men lie about their positions and prospects, but not about a thing of that sort." He shook his head. "Miss Schlegel, excuse me, but I know the type." "I said before--he isn t a type. He cares about adventures rightly. He s certain that our smug existence isn t all. He s vulgar and hysterical and bookish, but don t think that sums him up. There s manhood in him as well. Yes, that s what I m trying to say. He s a real man." As she spoke their eyes met, and it was as if Mr. Wilcox s defences fell. She saw back to the real man in him. Unwittingly she had touched his emotions. A woman and two men--they had formed the magic triangle of sex, and the male was thrilled to jealousy, in case the female was attracted by another male. Love, say the ascetics, reveals our shameful kinship with the beasts. Be it so: one can bear that; jealousy is the real shame. It is jealousy, not love, that connects us with the farmyard intolerably, and calls up visions of two angry cocks and a complacent hen. Margaret crushed complacency down because she was civilised. Mr. Wilcox, uncivilised, continued to feel anger long after he had rebuilt his defences, and was again presenting a bastion to the world. "Miss Schlegel, you re a pair of dear creatures, but you really MUST be careful in this uncharitable world. What does your brother say?" "I forget." "Surely he has some opinion?" "He laughs, if I remember correctly." "He s very clever, isn t he?" said Evie, who had met and detested Tibby at Oxford. "Yes, pretty well--but I wonder what Helen s doing." "She is very young to undertake this sort of thing," said Mr. Wilcox. Margaret went out to the landing. She heard no sound, and Mr. Bast s topper was missing from the hall.<\|quote\|>"Helen!"</\|quote\|>she called. "Yes!" replied a voice from the library. "You in there?" "Yes--he s gone some time." Margaret went to her. "Why, you re all alone," she said. "Yes--it s all right, Meg. Poor, poor creature--" "Come back to the Wilcoxes and tell me later--Mr. W much concerned, and slightly titillated." "Oh, I ve no patience with him. I hate him. Poor dear Mr. Bast! he wanted to talk literature, and we would talk business. Such a muddle of a man, and yet so worth pulling through. I like him extraordinarily." "Well done," said Margaret, kissing her, "but come into the drawing-room now, and don t talk about him to the Wilcoxes. Make light of the whole thing." Helen came and behaved with a cheerfulness that reassured their visitor--this hen at all events was fancy-free. "He s gone with my blessing," she cried, "and now for puppies." As they drove away, Mr. Wilcox said to his daughter: "I am really concerned at the way those girls go on. They are as clever as you make em, but unpractical--God bless me! One of these days they ll go too far. Girls like that oughtn t to live alone in London. Until they marry, they ought to have some one to look after them. We must look in more often--we re better than no one. You like them, don t you, Evie?" Evie replied: "Helen s right enough, but I can t stand the toothy one. And I shouldn t have called either of them girls." Evie had grown up handsome. Dark-eyed, with the glow of youth under sunburn, built firmly and firm-lipped, she was the best the Wilcoxes could do in the way of feminine beauty. For the present, puppies and her father were the only things she loved, but the net of matrimony was being prepared for her, and a few days later she was attracted to a Mr. Percy Cahill, an uncle of Mrs. Charles s, and he was attracted to her. CHAPTER XVII The Age of Property holds bitter moments even for a proprietor. When a move is imminent, furniture becomes ridiculous, and Margaret now lay awake at nights wondering where, where on earth they and all their belongings would be deposited in September next. Chairs, tables, pictures, books, that had rumbled down to them through the generations, must rumble forward again like a slide of rubbish to which she longed to give the final push, and send toppling into the sea. But there were all their father s books--they never read them, but they were their father s, and must be kept. There was the marble-topped chiffonier--their mother had set store by it, they could not remember why. Round every knob and cushion in the house gathered a sentiment that	Howards End
"You used to think the cook was a treasure,"	Edna Pontellier	eat and retain his self-respect."<\|quote\|>"You used to think the cook was a treasure,"</\|quote\|>returned Edna, indifferently. "Perhaps she	day which a man could eat and retain his self-respect."<\|quote\|>"You used to think the cook was a treasure,"</\|quote\|>returned Edna, indifferently. "Perhaps she was when she first came;	in some way not to his fancy, and he did not like the manner in which the vegetables were served. "It seems to me," he said, "we spend money enough in this house to procure at least one meal a day which a man could eat and retain his self-respect."<\|quote\|>"You used to think the cook was a treasure,"</\|quote\|>returned Edna, indifferently. "Perhaps she was when she first came; but cooks are only human. They need looking after, like any other class of persons that you employ. Suppose I didn't look after the clerks in my office, just let them run things their own way; they'd soon make a	such a fuss over it?" "I'm not making any fuss over it. But it's just such seeming trifles that we've got to take seriously; such things count." The fish was scorched. Mr. Pontellier would not touch it. Edna said she did not mind a little scorched taste. The roast was in some way not to his fancy, and he did not like the manner in which the vegetables were served. "It seems to me," he said, "we spend money enough in this house to procure at least one meal a day which a man could eat and retain his self-respect."<\|quote\|>"You used to think the cook was a treasure,"</\|quote\|>returned Edna, indifferently. "Perhaps she was when she first came; but cooks are only human. They need looking after, like any other class of persons that you employ. Suppose I didn't look after the clerks in my office, just let them run things their own way; they'd soon make a nice mess of me and my business." "Where are you going?" asked Edna, seeing that her husband arose from table without having eaten a morsel except a taste of the highly-seasoned soup. "I'm going to get my dinner at the club. Good night." He went into the hall, took his	were getting married. Mrs. Belthrop.' I tell you what it is, Edna; you can't afford to snub Mrs. Belthrop. Why, Belthrop could buy and sell us ten times over. His business is worth a good, round sum to me. You'd better write her a note. Mrs. James Highcamp.' Hugh! the less you have to do with Mrs. Highcamp, the better. Madame Laforc .' Came all the way from Carrolton, too, poor old soul. Miss Wiggs,' Mrs. Eleanor Boltons.'" He pushed the cards aside. "Mercy!" exclaimed Edna, who had been fuming. "Why are you taking the thing so seriously and making such a fuss over it?" "I'm not making any fuss over it. But it's just such seeming trifles that we've got to take seriously; such things count." The fish was scorched. Mr. Pontellier would not touch it. Edna said she did not mind a little scorched taste. The roast was in some way not to his fancy, and he did not like the manner in which the vegetables were served. "It seems to me," he said, "we spend money enough in this house to procure at least one meal a day which a man could eat and retain his self-respect."<\|quote\|>"You used to think the cook was a treasure,"</\|quote\|>returned Edna, indifferently. "Perhaps she was when she first came; but cooks are only human. They need looking after, like any other class of persons that you employ. Suppose I didn't look after the clerks in my office, just let them run things their own way; they'd soon make a nice mess of me and my business." "Where are you going?" asked Edna, seeing that her husband arose from table without having eaten a morsel except a taste of the highly-seasoned soup. "I'm going to get my dinner at the club. Good night." He went into the hall, took his hat and stick from the stand, and left the house. She was somewhat familiar with such scenes. They had often made her very unhappy. On a few previous occasions she had been completely deprived of any desire to finish her dinner. Sometimes she had gone into the kitchen to administer a tardy rebuke to the cook. Once she went to her room and studied the cookbook during an entire evening, finally writing out a menu for the week, which left her harassed with a feeling that, after all, she had accomplished no good that was worth the name. But that	soup. "No, I left no excuse. I told Joe to say I was out, that was all." "Why, my dear, I should think you'd understand by this time that people don't do such things; we've got to observe _les convenances_ if we ever expect to get on and keep up with the procession. If you felt that you had to leave home this afternoon, you should have left some suitable explanation for your absence." "This soup is really impossible; it's strange that woman hasn't learned yet to make a decent soup. Any free-lunch stand in town serves a better one. Was Mrs. Belthrop here?" "Bring the tray with the cards, Joe. I don't remember who was here." The boy retired and returned after a moment, bringing the tiny silver tray, which was covered with ladies' visiting cards. He handed it to Mrs. Pontellier. "Give it to Mr. Pontellier," she said. Joe offered the tray to Mr. Pontellier, and removed the soup. Mr. Pontellier scanned the names of his wife's callers, reading some of them aloud, with comments as he read. "The Misses Delasidas.' I worked a big deal in futures for their father this morning; nice girls; it's time they were getting married. Mrs. Belthrop.' I tell you what it is, Edna; you can't afford to snub Mrs. Belthrop. Why, Belthrop could buy and sell us ten times over. His business is worth a good, round sum to me. You'd better write her a note. Mrs. James Highcamp.' Hugh! the less you have to do with Mrs. Highcamp, the better. Madame Laforc .' Came all the way from Carrolton, too, poor old soul. Miss Wiggs,' Mrs. Eleanor Boltons.'" He pushed the cards aside. "Mercy!" exclaimed Edna, who had been fuming. "Why are you taking the thing so seriously and making such a fuss over it?" "I'm not making any fuss over it. But it's just such seeming trifles that we've got to take seriously; such things count." The fish was scorched. Mr. Pontellier would not touch it. Edna said she did not mind a little scorched taste. The roast was in some way not to his fancy, and he did not like the manner in which the vegetables were served. "It seems to me," he said, "we spend money enough in this house to procure at least one meal a day which a man could eat and retain his self-respect."<\|quote\|>"You used to think the cook was a treasure,"</\|quote\|>returned Edna, indifferently. "Perhaps she was when she first came; but cooks are only human. They need looking after, like any other class of persons that you employ. Suppose I didn't look after the clerks in my office, just let them run things their own way; they'd soon make a nice mess of me and my business." "Where are you going?" asked Edna, seeing that her husband arose from table without having eaten a morsel except a taste of the highly-seasoned soup. "I'm going to get my dinner at the club. Good night." He went into the hall, took his hat and stick from the stand, and left the house. She was somewhat familiar with such scenes. They had often made her very unhappy. On a few previous occasions she had been completely deprived of any desire to finish her dinner. Sometimes she had gone into the kitchen to administer a tardy rebuke to the cook. Once she went to her room and studied the cookbook during an entire evening, finally writing out a menu for the week, which left her harassed with a feeling that, after all, she had accomplished no good that was worth the name. But that evening Edna finished her dinner alone, with forced deliberation. Her face was flushed and her eyes flamed with some inward fire that lighted them. After finishing her dinner she went to her room, having instructed the boy to tell any other callers that she was indisposed. It was a large, beautiful room, rich and picturesque in the soft, dim light which the maid had turned low. She went and stood at an open window and looked out upon the deep tangle of the garden below. All the mystery and witchery of the night seemed to have gathered there amid the perfumes and the dusky and tortuous outlines of flowers and foliage. She was seeking herself and finding herself in just such sweet, half-darkness which met her moods. But the voices were not soothing that came to her from the darkness and the sky above and the stars. They jeered and sounded mournful notes without promise, devoid even of hope. She turned back into the room and began to walk to and fro down its whole length without stopping, without resting. She carried in her hands a thin handkerchief, which she tore into ribbons, rolled into a ball, and flung from	after he had bought it and placed it among his household gods. On Tuesday afternoons Tuesday being Mrs. Pontellier's reception day there was a constant stream of callers women who came in carriages or in the street cars, or walked when the air was soft and distance permitted. A light-colored mulatto boy, in dress coat and bearing a diminutive silver tray for the reception of cards, admitted them. A maid, in white fluted cap, offered the callers liqueur, coffee, or chocolate, as they might desire. Mrs. Pontellier, attired in a handsome reception gown, remained in the drawing-room the entire afternoon receiving her visitors. Men sometimes called in the evening with their wives. This had been the programme which Mrs. Pontellier had religiously followed since her marriage, six years before. Certain evenings during the week she and her husband attended the opera or sometimes the play. Mr. Pontellier left his home in the mornings between nine and ten o'clock, and rarely returned before half-past six or seven in the evening dinner being served at half-past seven. He and his wife seated themselves at table one Tuesday evening, a few weeks after their return from Grand Isle. They were alone together. The boys were being put to bed; the patter of their bare, escaping feet could be heard occasionally, as well as the pursuing voice of the quadroon, lifted in mild protest and entreaty. Mrs. Pontellier did not wear her usual Tuesday reception gown; she was in ordinary house dress. Mr. Pontellier, who was observant about such things, noticed it, as he served the soup and handed it to the boy in waiting. "Tired out, Edna? Whom did you have? Many callers?" he asked. He tasted his soup and began to season it with pepper, salt, vinegar, mustard everything within reach. "There were a good many," replied Edna, who was eating her soup with evident satisfaction. "I found their cards when I got home; I was out." "Out!" exclaimed her husband, with something like genuine consternation in his voice as he laid down the vinegar cruet and looked at her through his glasses. "Why, what could have taken you out on Tuesday? What did you have to do?" "Nothing. I simply felt like going out, and I went out." "Well, I hope you left some suitable excuse," said her husband, somewhat appeased, as he added a dash of cayenne pepper to the soup. "No, I left no excuse. I told Joe to say I was out, that was all." "Why, my dear, I should think you'd understand by this time that people don't do such things; we've got to observe _les convenances_ if we ever expect to get on and keep up with the procession. If you felt that you had to leave home this afternoon, you should have left some suitable explanation for your absence." "This soup is really impossible; it's strange that woman hasn't learned yet to make a decent soup. Any free-lunch stand in town serves a better one. Was Mrs. Belthrop here?" "Bring the tray with the cards, Joe. I don't remember who was here." The boy retired and returned after a moment, bringing the tiny silver tray, which was covered with ladies' visiting cards. He handed it to Mrs. Pontellier. "Give it to Mr. Pontellier," she said. Joe offered the tray to Mr. Pontellier, and removed the soup. Mr. Pontellier scanned the names of his wife's callers, reading some of them aloud, with comments as he read. "The Misses Delasidas.' I worked a big deal in futures for their father this morning; nice girls; it's time they were getting married. Mrs. Belthrop.' I tell you what it is, Edna; you can't afford to snub Mrs. Belthrop. Why, Belthrop could buy and sell us ten times over. His business is worth a good, round sum to me. You'd better write her a note. Mrs. James Highcamp.' Hugh! the less you have to do with Mrs. Highcamp, the better. Madame Laforc .' Came all the way from Carrolton, too, poor old soul. Miss Wiggs,' Mrs. Eleanor Boltons.'" He pushed the cards aside. "Mercy!" exclaimed Edna, who had been fuming. "Why are you taking the thing so seriously and making such a fuss over it?" "I'm not making any fuss over it. But it's just such seeming trifles that we've got to take seriously; such things count." The fish was scorched. Mr. Pontellier would not touch it. Edna said she did not mind a little scorched taste. The roast was in some way not to his fancy, and he did not like the manner in which the vegetables were served. "It seems to me," he said, "we spend money enough in this house to procure at least one meal a day which a man could eat and retain his self-respect."<\|quote\|>"You used to think the cook was a treasure,"</\|quote\|>returned Edna, indifferently. "Perhaps she was when she first came; but cooks are only human. They need looking after, like any other class of persons that you employ. Suppose I didn't look after the clerks in my office, just let them run things their own way; they'd soon make a nice mess of me and my business." "Where are you going?" asked Edna, seeing that her husband arose from table without having eaten a morsel except a taste of the highly-seasoned soup. "I'm going to get my dinner at the club. Good night." He went into the hall, took his hat and stick from the stand, and left the house. She was somewhat familiar with such scenes. They had often made her very unhappy. On a few previous occasions she had been completely deprived of any desire to finish her dinner. Sometimes she had gone into the kitchen to administer a tardy rebuke to the cook. Once she went to her room and studied the cookbook during an entire evening, finally writing out a menu for the week, which left her harassed with a feeling that, after all, she had accomplished no good that was worth the name. But that evening Edna finished her dinner alone, with forced deliberation. Her face was flushed and her eyes flamed with some inward fire that lighted them. After finishing her dinner she went to her room, having instructed the boy to tell any other callers that she was indisposed. It was a large, beautiful room, rich and picturesque in the soft, dim light which the maid had turned low. She went and stood at an open window and looked out upon the deep tangle of the garden below. All the mystery and witchery of the night seemed to have gathered there amid the perfumes and the dusky and tortuous outlines of flowers and foliage. She was seeking herself and finding herself in just such sweet, half-darkness which met her moods. But the voices were not soothing that came to her from the darkness and the sky above and the stars. They jeered and sounded mournful notes without promise, devoid even of hope. She turned back into the room and began to walk to and fro down its whole length without stopping, without resting. She carried in her hands a thin handkerchief, which she tore into ribbons, rolled into a ball, and flung from her. Once she stopped, and taking off her wedding ring, flung it upon the carpet. When she saw it lying there, she stamped her heel upon it, striving to crush it. But her small boot heel did not make an indenture, not a mark upon the little glittering circlet. In a sweeping passion she seized a glass vase from the table and flung it upon the tiles of the hearth. She wanted to destroy something. The crash and clatter were what she wanted to hear. A maid, alarmed at the din of breaking glass, entered the room to discover what was the matter. "A vase fell upon the hearth," said Edna. "Never mind; leave it till morning." "Oh! you might get some of the glass in your feet, ma'am," insisted the young woman, picking up bits of the broken vase that were scattered upon the carpet. "And here's your ring, ma'am, under the chair." Edna held out her hand, and taking the ring, slipped it upon her finger. XVIII The following morning Mr. Pontellier, upon leaving for his office, asked Edna if she would not meet him in town in order to look at some new fixtures for the library. "I hardly think we need new fixtures, L once. Don't let us get anything new; you are too extravagant. I don't believe you ever think of saving or putting by." "The way to become rich is to make money, my dear Edna, not to save it," he said. He regretted that she did not feel inclined to go with him and select new fixtures. He kissed her good-by, and told her she was not looking well and must take care of herself. She was unusually pale and very quiet. She stood on the front veranda as he quitted the house, and absently picked a few sprays of jessamine that grew upon a trellis near by. She inhaled the odor of the blossoms and thrust them into the bosom of her white morning gown. The boys were dragging along the banquette a small "express wagon," which they had filled with blocks and sticks. The quadroon was following them with little quick steps, having assumed a fictitious animation and alacrity for the occasion. A fruit vender was crying his wares in the street. Edna looked straight before her with a self-absorbed expression upon her face. She felt no interest in anything about	felt that you had to leave home this afternoon, you should have left some suitable explanation for your absence." "This soup is really impossible; it's strange that woman hasn't learned yet to make a decent soup. Any free-lunch stand in town serves a better one. Was Mrs. Belthrop here?" "Bring the tray with the cards, Joe. I don't remember who was here." The boy retired and returned after a moment, bringing the tiny silver tray, which was covered with ladies' visiting cards. He handed it to Mrs. Pontellier. "Give it to Mr. Pontellier," she said. Joe offered the tray to Mr. Pontellier, and removed the soup. Mr. Pontellier scanned the names of his wife's callers, reading some of them aloud, with comments as he read. "The Misses Delasidas.' I worked a big deal in futures for their father this morning; nice girls; it's time they were getting married. Mrs. Belthrop.' I tell you what it is, Edna; you can't afford to snub Mrs. Belthrop. Why, Belthrop could buy and sell us ten times over. His business is worth a good, round sum to me. You'd better write her a note. Mrs. James Highcamp.' Hugh! the less you have to do with Mrs. Highcamp, the better. Madame Laforc .' Came all the way from Carrolton, too, poor old soul. Miss Wiggs,' Mrs. Eleanor Boltons.'" He pushed the cards aside. "Mercy!" exclaimed Edna, who had been fuming. "Why are you taking the thing so seriously and making such a fuss over it?" "I'm not making any fuss over it. But it's just such seeming trifles that we've got to take seriously; such things count." The fish was scorched. Mr. Pontellier would not touch it. Edna said she did not mind a little scorched taste. The roast was in some way not to his fancy, and he did not like the manner in which the vegetables were served. "It seems to me," he said, "we spend money enough in this house to procure at least one meal a day which a man could eat and retain his self-respect."<\|quote\|>"You used to think the cook was a treasure,"</\|quote\|>returned Edna, indifferently. "Perhaps she was when she first came; but cooks are only human. They need looking after, like any other class of persons that you employ. Suppose I didn't look after the clerks in my office, just let them run things their own way; they'd soon make a nice mess of me and my business." "Where are you going?" asked Edna, seeing that her husband arose from table without having eaten a morsel except a taste of the highly-seasoned soup. "I'm going to get my dinner at the club. Good night." He went into the hall, took his hat and stick from the stand, and left the house. She was somewhat familiar with such scenes. They had often made her very unhappy. On a few previous occasions she had been completely deprived of any desire to finish her dinner. Sometimes she had gone into the kitchen to administer a tardy rebuke to the cook. Once she went to her room and studied the cookbook during an entire evening, finally writing out a menu for the week, which left her harassed with a feeling that, after all, she had accomplished no good that was worth the name. But that evening Edna finished her dinner alone, with forced deliberation. Her face was flushed and her eyes flamed with some inward fire that lighted them. After finishing her dinner she went to her room, having instructed the boy to tell any other callers that she was indisposed. It was a large, beautiful room, rich and picturesque in the soft, dim light which the maid had turned low. She went and stood at an open window and looked out upon the deep tangle of the garden below. All the mystery and witchery of the night seemed to have gathered there amid the perfumes and the dusky and tortuous outlines of flowers and foliage. She was seeking herself and finding herself in just such sweet, half-darkness which met her moods. But the voices were not soothing that came to her from the darkness and the sky above and the stars. They jeered and sounded mournful notes without promise, devoid even of hope. She turned back into the room and began to walk to and fro down its whole length without stopping, without resting. She carried in her hands a thin handkerchief, which she tore into ribbons, rolled into a ball, and flung from her. Once she stopped, and taking off her wedding ring, flung it upon the carpet. When she saw it lying there, she stamped her heel upon it, striving to crush it. But her small boot heel did not make an indenture, not a mark upon the little glittering circlet. In a sweeping passion she seized a glass vase from the table and flung it upon the tiles of the hearth. She wanted to destroy something. The crash and clatter were what she wanted to hear. A maid, alarmed at the din of breaking glass, entered the room to discover what was the matter. "A vase fell upon the hearth," said Edna. "Never mind; leave it till morning." "Oh! you might get some of the glass in your feet, ma'am," insisted the young woman, picking up bits of the broken vase that were scattered upon the carpet. "And here's your ring, ma'am, under the chair." Edna held out her hand, and taking the ring, slipped it upon her finger. XVIII The following morning Mr. Pontellier, upon leaving for his office, asked Edna if she would not meet him in town in order to look at some	The Awakening
murmured Lord Henry. And they passed into the dining-room. CHAPTER XI. For years, Dorian Gray could not free himself from the influence of this book. Or perhaps it would be more accurate to say that he never sought to free himself from it. He procured from Paris no less than nine large-paper copies of the first edition, and had them bound in different colours, so that they might suit his various moods and the changing fancies of a nature over which he seemed, at times, to have almost entirely lost control. The hero, the wonderful young Parisian in whom the romantic and the scientific temperaments were so strangely blended, became to him a kind of prefiguring type of himself. And, indeed, the whole book seemed to him to contain the story of his own life, written before he had lived it. In one point he was more fortunate than the novel s fantastic hero. He never knew never, indeed, had any cause to know that somewhat grotesque dread of mirrors, and polished metal surfaces, and still water which came upon the young Parisian so early in his life, and was occasioned by the sudden decay of a beau that had once, apparently, been so remarkable. It was with an almost cruel joy and perhaps in nearly every joy, as certainly in every pleasure, cruelty has its place that he used to read the latter part of the book, with its really tragic, if somewhat overemphasized, account of the sorrow and despair of one who had himself lost what in others, and the world, he had most dearly valued. For the wonderful beauty that had so fascinated Basil Hallward, and many others besides him, seemed never to leave him. Even those who had heard the most evil things against him and from time to time strange rumours about his mode of life crept through London and became the chatter of the clubs could not believe anything to his dishonour when they saw him. He had always the look of one who had kept himself unspotted from the world. Men who talked grossly became silent when Dorian Gray entered the room. There was something in the purity of his face that rebuked them. His mere presence seemed to recall to them the memory of the innocence that they had tarnished. They wondered how one so charming and graceful as he was could have escaped the stain of an age that was at once sordid and sensual. Often, on returning home from one of those mysterious and prolonged absences that gave rise to such strange conjecture among those who were his friends, or thought that they were so, he himself would creep upstairs to the locked room, open the door with the key that never left him now, and stand, with a mirror, in front of the portrait that Basil Hallward had painted of him, looking now at the evil and aging face on the canvas, and now at the fair young face that laughed back at him from the polished glass. The very sharpness of the contrast used to quicken his sense of pleasure. He grew more and more enamoured of his own beauty, more and more interested in the corruption of his own soul. He would examine with minute care, and sometimes with a monstrous and terrible delight, the hideous lines that seared the wrinkling forehead or crawled around the heavy sensual mouth, wondering sometimes which were the more horrible, the signs of sin or the signs of age. He would place his white hands beside the coarse bloated hands of the picture, and smile. He mocked the misshapen body and the failing limbs. There were moments, indeed, at night, when, lying sleepless in his own delicately scented chamber, or in the sordid room of the little ill-famed tavern near the docks which, under an assumed name and in disguise, it was his habit to frequent, he would think of the ruin he had brought upon his soul with a pity that was all the more poignant because it was purely selfish. But moments such as these were rare. That curiosity about life which Lord Henry had first stirred in him, as they sat together in the garden of their friend, seemed to increase with gratification. The more he knew, the more he desired to know. He had mad hungers that grew more ravenous as he fed them. Yet he was not really reckless, at any rate in his relations to society. Once or twice every month during the winter, and on each Wednesday evening while the season lasted, he would throw open to the world his beautiful house and have the most celebrated musicians of the day to charm his guests with the wonders of their art. His little dinners, in the settling of which Lord Henry always assisted him, were noted as much for the careful selection and placing of those invited, as for the exquisite taste shown in the decoration of the table, with its subtle symphonic arrangements of exotic flowers, and embroidered cloths, and antique plate of gold and silver. Indeed, there were many, especially among the very young men, who saw, or fancied that they saw, in Dorian Gray the true realization of a type of which they had often dreamed in Eton or Oxford days, a type that was to combine something of the real culture of the scholar with all the grace and distinction and perfect manner of a citizen of the world. To them he seemed to be of the company of those whom Dante describes as having sought to "make themselves perfect by the worship of beauty." Like Gautier, he was one for whom "the visible world existed." And, certainly, to him life itself was the first, the greatest, of the arts, and for it all the other arts seemed to be but a preparation. Fashion, by which what is really fantastic becomes for a moment universal, and dandyism, which, in its own way, is an attempt to assert the absolute modernity of beauty, had, of course, their fascination for him. His mode of dressing, and the particular styles that from time to time he affected, had their marked influence on the young exquisites of the Mayfair balls and Pall Mall club windows, who copied him in everything that he did, and tried to reproduce the accidental charm of his graceful, though to him only half-serious, fopperies. For, while he was but too ready to accept the position that was almost immediately offered to him on his coming of age, and found, indeed, a subtle pleasure in the thought that he might really become to the London of his own day what to imperial Neronian Rome the author of the Satyricon once had been, yet in his inmost heart he desired to be something more than a mere _arbiter elegantiarum_, to be consulted on the wearing of a jewel, or the knotting of a necktie, or the conduct of a cane. He sought to elaborate some new scheme of life that would have its reasoned philosophy and its ordered principles, and find in the spiritualizing of the senses its highest realization. The worship of the senses has often, and with much justice, been decried, men feeling a natural instinct of terror about passions and sensations that seem stronger than themselves, and that they are conscious of sharing with the less highly organized forms of existence. But it appeared to Dorian Gray that the true nature of the senses had never been understood, and that they had remained savage and animal merely because the world had sought to starve them into submission or to kill them by pain, instead of aiming at making them elements of a new spirituality, of which a fine instinct for beauty was to be the dominant characteristic. As he looked back upon man moving through history, he was haunted by a feeling of loss. So much had been surrendered! and to such little purpose! There had been mad wilful rejections, monstrous forms of self-torture and self-denial, whose origin was fear and whose result was a degradation infinitely more terrible than that fancied degradation from which, in their ignorance, they had sought to escape; Nature, in her wonderful irony, driving out the anchorite to feed with the wild animals of the desert and giving to the hermit the beasts of the field as his companions. Yes: there was to be, as Lord Henry had prophesied, a new Hedonism that was to recreate life and to save it from that harsh uncomely puritanism that is having, in our own day, its curious revival. It was to have its service of the intellect, certainly, yet it was never to accept any theory or system that would involve the sacrifice of any mode of passionate experience. Its aim, indeed, was to be experience itself, and not the fruits of experience, sweet or bitter as they might be. Of the asceticism that deadens the senses, as of the vulgar profligacy that dulls them, it was to know nothing. But it was to teach man to concentrate himself upon the moments of a life that is itself but a moment. There are few of us who have not sometimes wakened before dawn, either after one of those dreamless nights that make us almost enamoured of death, or one of those nights of horror and misshapen joy, when through the chambers of the brain sweep phantoms more terrible than reality itself, and instinct with that vivid life that lurks in all grotesques, and that lends to Gothic art its enduring vitality, this art being, one might fancy, especially the art of those whose minds have been troubled with the malady of reverie. Gradually white fingers creep through the curtains, and they appear to tremble. In black fantastic shapes, dumb shadows crawl into the corners of the room and crouch there. Outside, there is the stirring of birds among the leaves, or the sound of men going forth to their work, or the sigh and sob of the wind coming down from the hills and wandering round the silent house, as though it feared to wake the sleepers and yet must needs call forth sleep from her purple cave. Veil after veil of thin dusky gauze is lifted, and by degrees the forms and colours of things are restored to them, and we watch the dawn remaking the world in its antique pattern. The wan mirrors get back their mimic life. The flameless tapers stand where we had left them, and beside them lies the half-cut book that we had been studying, or the wired flower that we had worn at the ball, or the letter that we had been afraid to read, or that we had read too often. Nothing seems to us changed. Out of the unreal shadows of the night comes back the real life that we had known. We have to resume it where we had left off, and there steals over us a terrible sense of the necessity for the continuance of energy in the same wearisome round of stereotyped habits, or a wild longing, it may be, that our eyelids might open some morning upon a world that had been refashioned anew in the darkness for our pleasure, a world in which things would have fresh shapes and colours, and be changed, or have other secrets, a world in which the past would have little or no place, or survive, at any rate, in no conscious form of obligation or regret, the remembrance even of joy having its bitterness and the memories of pleasure their pain. It was the creation of such worlds as these that seemed to Dorian Gray to be the true object, or amongst the true objects, of life; and in his search for sensations that would be at once new and delightful, and possess that element of strangeness that is so essential to romance, he would often adopt certain modes of thought that he knew to be really alien to his nature, abandon himself to their subtle influences, and then, having, as it were, caught their colour and satisfied his intellectual curiosity, leave them with that curious indifference that is not incompatible with a real ardour of temperament, and that, indeed, according to certain modern psychologists, is often a condition of it. It was rumoured of him once that he was about to join the Roman Catholic communion, and certainly the Roman ritual had always a great attraction for him. The daily sacrifice, more awful really than all the sacrifices of the antique world, stirred him as much by its superb rejection of the evidence of the senses as by the primitive simplicity of its elements and the eternal pathos of the human tragedy that it sought to symbolize. He loved to kneel down on the cold marble pavement and watch the priest, in his stiff flowered dalmatic, slowly and with white hands moving aside the veil of the tabernacle, or raising aloft the jewelled, lantern-shaped monstrance with that pallid wafer that at times, one would fain think, is indeed the "_panis c lestis_," the bread of angels, or, robed in the garments of the Passion of Christ, breaking the Host into the chalice and smiting his breast for his sins. The fuming censers that the grave boys, in their lace and scarlet, tossed into the air like great gilt flowers had their subtle fascination for him. As he passed out, he used to look with wonder at the black confessionals and long to sit in the dim shadow of one of them and listen to men and women whispering through the worn grating the true story of their lives. But he never fell into the error of arresting his intellectual development by any formal acceptance of creed or system, or of mistaking, for a house in which to live, an inn that is but suitable for the sojourn of a night, or for a few hours of a night in which there are no stars and the moon is in travail. Mysticism, with its marvellous power of making common things strange to us, and the subtle antinomianism that always seems to accompany it, moved him for a season; and for a season he inclined to the materialistic doctrines of the _Darwinismus_ movement in Germany, and found a curious pleasure in tracing the thoughts and passions of men to some pearly cell in the brain, or some white nerve in the body, delighting in the conception of the absolute dependence of the spirit on certain physical conditions, morbid or healthy, normal or diseased. Yet, as has been said of him before, no theory of life seemed to him to be of any importance compared with life itself. He felt keenly conscious of how barren all intellectual speculation is when separated from action and experiment. He knew that the senses, no less than the soul, have their spiritual mysteries to reveal. And so he would now study perfumes and the secrets of their manufacture, distilling heavily scented oils and burning odorous gums from the East. He saw that there was no mood of the mind that had not its counterpart in the sensuous life, and set himself to discover their true relations, wondering what there was in frankincense that made one mystical, and in ambergris that stirred one s passions, and in violets that woke the memory of dead romances, and in musk that troubled the brain, and in champak that stained the imagination; and seeking often to elaborate a real psychology of perfumes, and to estimate the several influences of sweet-smelling roots and scented, pollen-laden flowers; of aromatic balms and of dark and fragrant woods; of spikenard, that sickens; of hovenia, that makes men mad; and of aloes, that are said to be able to expel melancholy from the soul. At another time he devoted himself entirely to music, and in a long latticed room, with a vermilion-and-gold ceiling and walls of olive-green lacquer, he used to give curious concerts in which mad gipsies tore wild music from little zithers, or grave, yellow-shawled Tunisians plucked at the strained strings of monstrous lutes, while grinning Negroes beat monotonously upon copper drums and, crouching upon scarlet mats, slim turbaned Indians blew through long pipes of reed or brass and charmed or feigned to charm great hooded snakes and horrible horned adders. The harsh intervals and shrill discords of barbaric music stirred him at times when Schubert s grace, and Chopin s beautiful sorrows, and the mighty harmonies of Beethoven himself, fell unheeded on his ear. He collected together from all parts of the world the strangest instruments that could be found, either in the tombs of dead nations or among the few savage tribes that have survived contact with Western civilizations, and loved to touch and try them. He had the mysterious _juruparis_ of the Rio Negro Indians, that women are not allowed to look at and that even youths may not see till they have been subjected to fasting and scourging, and the earthen jars of the Peruvians that have the shrill cries of birds, and flutes of human bones such as Alfonso de Ovalle heard in Chile, and the sonorous green jaspers that are found near Cuzco and give forth a note of singular sweetness. He had painted gourds filled with pebbles that rattled when they were shaken; the long _clarin_ of the Mexicans, into which the performer does not blow, but through which he inhales the air; the harsh _ture_ of the Amazon tribes, that is sounded by the sentinels who sit all day long in high trees, and can be heard, it is said, at a distance of three leagues; the _teponaztli_, that has two vibrating tongues of wood and is beaten with sticks that are smeared with an elastic gum obtained from the milky juice of plants; the _yotl_-bells of the Aztecs, that are hung in clusters like grapes; and a huge cylindrical drum, covered with the skins of great serpents, like the one that Bernal Diaz saw when he went with Cortes into the Mexican temple, and of whose doleful sound he has left us so vivid a description. The fantastic character of these instruments fascinated him, and he felt a curious delight in the thought that art, like Nature, has her monsters, things of bestial shape and with hideous voices. Yet, after some time, he wearied of them, and would sit in his box at the opera, either alone or with Lord Henry, listening in rapt pleasure to "Tannhauser" and seeing in the prelude to that great work of art a presentation of the tragedy of his own soul. On one occasion he took up the study of jewels, and appeared at a costume ball as Anne de Joyeuse, Admiral of France, in a dress covered with five hundred and sixty pearls. This taste enthralled him for years, and, indeed, may be said never to have left him. He would often spend a whole day settling and resettling in their cases the various stones that he had collected, such as the olive-green chrysoberyl that turns red by lamplight, the cymophane with its wirelike line of silver, the pistachio-coloured peridot, rose-pink and wine-yellow topazes, carbuncles of fiery scarlet with tremulous, four-rayed stars, flame-red cinnamon-stones, orange and violet spinels, and amethysts with their alternate layers of ruby and sapphire. He loved the red gold of the sunstone, and the moonstone s pearly whiteness, and the broken rainbow of the milky opal. He procured from Amsterdam three emeralds of extraordinary size and richness of colour, and had a turquoise _de la vieille roche_ that was the envy of all the connoisseurs. He discovered wonderful stories, also, about jewels. In Alphonso s Clericalis Disciplina a serpent was mentioned with eyes of real jacinth, and in the romantic history of Alexander, the Conqueror of Emathia was said to have found in the vale of Jordan snakes "with collars of real emeralds growing on their backs." There was a gem in the brain of the dragon, Philostratus told us, and "by the exhibition of golden letters and a scarlet robe" the monster could be thrown into a magical sleep and slain. According to the great alchemist, Pierre de Boniface, the diamond rendered a man invisible, and the agate of India made him eloquent. The cornelian appeased anger, and the hyacinth provoked sleep, and the amethyst drove away the fumes of wine. The garnet cast out demons, and the hydropicus deprived the moon of her colour. The selenite waxed and waned with the moon, and the meloceus, that discovers thieves, could be affected only by the blood of kids. Leonardus Camillus had seen a white stone taken from the brain of a newly killed toad, that was a certain antidote against poison. The bezoar, that was found in the heart of the Arabian deer, was a charm that could cure the plague. In the nests of Arabian birds was the aspilates, that, according to Democritus, kept the wearer from any danger by fire. The King of Ceilan rode through his city with a large ruby in his hand, as the ceremony of his coronation. The gates of the palace of John the Priest were "made of sardius, with the horn of the horned snake inwrought, so that no man might bring poison within." Over the gable were "two golden apples, in which were two carbuncles," so that the gold might shine by day and the carbuncles by night. In Lodge s strange romance A Margarite of America , it was stated that in the chamber of the queen one could behold "all the chaste ladies of the world, inchased out of silver, looking through fair mirrours of chrysolites, carbuncles, sapphires, and greene emeraults." Marco Polo had seen the inhabitants of Zipangu place rose-coloured pearls in the mouths of the dead. A sea-monster had been enamoured of the pearl that the diver brought to King Perozes, and had slain the thief, and mourned for seven moons over its loss. When the Huns lured the king into the great pit, he flung it away Procopius tells the story nor was it ever found again, though the Emperor Anastasius offered five hundred-weight of gold pieces for it. The King of Malabar had shown to a certain Venetian a rosary of three hundred and four pearls, one for every god that he worshipped. When the Duke de Valentinois, son of Alexander VI., visited Louis XII. of France, his horse was loaded with gold leaves, according to Brantome, and his cap had double rows of rubies that threw out a great light. Charles of England had ridden in stirrups hung with four hundred and twenty-one diamonds. Richard II had a coat, valued at thirty thousand marks, which was covered with balas rubies. Hall described Henry VIII., on his way to the Tower previous to his coronation, as wearing "a jacket of raised gold, the placard embroidered with diamonds and other rich stones, and a great bauderike about his neck of large balasses." The favourites of James I wore ear-rings of emeralds set in gold filigrane. Edward II gave to Piers Gaveston a suit of red-gold armour studded with jacinths, a collar of gold roses set with turquoise-stones, and a skull-cap _parsem _ with pearls. Henry II. wore jewelled gloves reaching to the elbow, and had a hawk-glove sewn with twelve rubies and fifty-two great orients. The ducal hat of Charles the Rash, the last Duke of Burgundy of his race, was hung with pear-shaped pearls and studded with sapphires. How exquisite life had once been! How gorgeous in its pomp and decoration! Even to read of the luxury of the dead was wonderful. Then he turned his attention to embroideries and to the tapestries that performed the office of frescoes in the chill rooms of the northern nations of Europe. As he investigated the subject and he always had an extraordinary faculty of becoming absolutely absorbed for the moment in whatever he took up he was almost saddened by the reflection of the ruin that time brought on beautiful and wonderful things. He, at any rate, had escaped that. Summer followed summer, and the yellow jonquils bloomed and died many times, and nights of horror repeated the story of their shame, but he was unchanged. No winter marred his face or stained his flowerlike bloom. How different it was with material things! Where had they passed to? Where was the great crocus-coloured robe, on which the gods fought against the giants, that had been worked by brown girls for the pleasure of Athena? Where the huge velarium that Nero had stretched across the Colosseum at Rome, that Titan sail of purple on which was represented the starry sky, and Apollo driving a chariot drawn by white, gilt-reined steeds? He longed to see the curious table-napkins wrought for the Priest of the Sun, on which were displayed all the dainties and viands that could be wanted for a feast; the mortuary cloth of King Chilperic, with its three hundred golden bees; the fantastic robes that excited the indignation of the Bishop of Pontus and were figured with "lions, panthers, bears, dogs, forests, rocks, hunters all, in fact, that a painter can copy from nature"; and the coat that Charles of Orleans once wore, on the sleeves of which were embroidered the verses of a song beginning "_Madame, je suis tout joyeux_," the musical accompaniment of the words being wrought in gold thread, and each note, of square shape in those days, formed with four pearls. He read of the room that was prepared at the palace at Rheims for the use of Queen Joan of Burgundy and was decorated with "thirteen hundred and twenty-one parrots, made in broidery, and blazoned with the king s arms, and five hundred and sixty-one butterflies, whose wings were similarly ornamented with the arms of the queen, the whole worked in gold." Catherine de Medicis had a mourning-bed made for her of black velvet powdered with crescents and suns. Its curtains were of damask, with leafy wreaths and garlands, figured upon a gold and silver ground, and fringed along the edges with broideries of pearls, and it stood in a room hung with rows of the queen s devices in cut black velvet upon cloth of silver. Louis XIV. had gold embroidered caryatides fifteen feet high in his apartment. The state bed of Sobieski, King of Poland, was made of Smyrna gold brocade embroidered in turquoises with verses from the Koran. Its supports were of silver gilt, beautifully chased, and profusely set with enamelled and jewelled medallions. It had been taken from the Turkish camp before Vienna, and the standard of Mohammed had stood beneath the tremulous gilt of its canopy. And so, for a whole year, he sought to accumulate the most exquisite specimens that he could find of textile and embroidered work, getting the dainty Delhi muslins, finely wrought with gold-thread palmates and stitched over with iridescent beetles wings; the Dacca gauzes, that from their transparency are known in the East as "woven air," and "running water," and "evening dew"; strange figured cloths from Java; elaborate yellow Chinese hangings; books bound in tawny satins or fair blue silks and wrought with _fleurs-de-lis_, birds and images; veils of _lacis_ worked in Hungary point; Sicilian brocades and stiff Spanish velvets; Georgian work, with its gilt coins, and Japanese _Foukousas_, with their green-toned golds and their marvellously plumaged birds. He had a special passion, also, for ecclesiastical vestments, as indeed he had for everything connected with the service of the Church. In the long cedar chests that lined the west gallery of his house, he had stored away many rare and beautiful specimens of what is really the raiment of the Bride of Christ, who must wear purple and jewels and fine linen that she may hide the pallid macerated body that is worn by the suffering that she seeks for and wounded by self-inflicted pain. He possessed a gorgeous cope of crimson silk and gold-thread damask, figured with a repeating pattern of golden pomegranates set in six-petalled formal blossoms, beyond which on either side was the pine-apple device wrought in seed-pearls. The orphreys were divided into panels representing scenes from the life of the Virgin, and the coronation of the Virgin was figured in coloured silks upon the hood. This was Italian work of the fifteenth century. Another cope was of green velvet, embroidered with heart-shaped groups of acanthus-leaves, from which spread long-stemmed white blossoms, the details of which were picked out with silver thread and coloured crystals. The morse bore a seraph s head in gold-thread raised work. The orphreys were woven in a diaper of red and gold silk, and were starred with medallions of many saints and martyrs, among whom was St. Sebastian. He had chasubles, also, of amber-coloured silk, and blue silk and gold brocade, and yellow silk damask and cloth of gold, figured with representations of the Passion and Crucifixion of Christ, and embroidered with lions and peacocks and other emblems; dalmatics of white satin and pink silk damask, decorated with tulips and dolphins and _fleurs-de-lis_; altar frontals of crimson velvet and blue linen; and many corporals, chalice-veils, and sudaria. In the mystic offices to which such things were put, there was something that quickened his imagination. For these treasures, and everything that he collected in his lovely house, were to be to him means of forgetfulness, modes by which he could escape, for a season, from the fear that seemed to him at times to be almost too great to be borne. Upon the walls of the lonely locked room where he had spent so much of his boyhood, he had hung with his own hands the terrible portrait whose changing features showed him the real degradation of his life, and in front of it had draped the purple-and-gold pall as a curtain. For weeks he would not go there, would forget the hideous painted thing, and get back his light heart, his wonderful joyousness, his passionate absorption in mere existence. Then, suddenly, some night he would creep out of the house, go down to dreadful places near Blue Gate Fields, and stay there, day after day, until he was driven away. On his return he would sit in front of the picture, sometimes loathing it and himself, but filled, at other times, with that pride of individualism that is half the fascination of sin, and smiling with secret pleasure at the misshapen shadow that had to bear the burden that should have been his own. After a few years he could not endure to be long out of England, and gave up the villa that he had shared at Trouville with Lord Henry, as well as the little white walled-in house at Algiers where they had more than once spent the winter. He hated to be separated from the picture that was such a part of his life, and was also afraid that during his absence some one might gain access to the room, in spite of the elaborate bars that he had caused to be placed upon the door. He was quite conscious that this would tell them nothing. It was true that the portrait still preserved, under all the foulness and ugliness of the face, its marked likeness to himself; but what could they learn from that? He would laugh at any one who tried to taunt him. He had not painted it. What was it to him how vile and full of shame it looked? Even if he told them, would they believe it? Yet he was afraid. Sometimes when he was down at his great house in Nottinghamshire, entertaining the fashionable young men of his own rank who were his chief companions, and astounding the county by the wanton luxury and gorgeous splendour of his mode of life, he would suddenly leave his guests and rush back to town to see that the door had not been tampered with and that the picture was still there. What if it should be stolen? The mere thought made him cold with horror. Surely the world would know his secret then. Perhaps the world already suspected it. For, while he fascinated many, there were not a few who distrusted him. He was very nearly blackballed at a West End club of which his birth and social position fully entitled him to become a member, and it was said that on one occasion, when he was brought by a friend into the smoking-room of the Churchill, the Duke of Berwick and another gentleman got up in a marked manner and went out. Curious stories became current about him after he had passed his twenty-fifth year. It was rumoured that he had been seen brawling with foreign sailors in a low den in the distant parts of Whitechapel, and that he consorted with thieves and coiners and knew the mysteries of their trade. His extraordinary absences became notorious, and, when he used to reappear again in society, men would whisper to each other in corners, or pass him with a sneer, or look at him with cold searching eyes, as though they were determined to discover his secret. Of such insolences and attempted slights he, of course, took no notice, and in the opinion of most people his frank debonair manner, his charming boyish smile, and the infinite grace of that wonderful youth that seemed never to leave him, were in themselves a sufficient answer to the calumnies, for so they termed them, that were circulated about him. It was remarked, however, that some of those who had been most intimate with him appeared, after a time, to shun him. Women who had wildly adored him, and for his sake had braved all social censure and set convention at defiance, were seen to grow pallid with shame or horror if Dorian Gray entered the room. Yet these whispered scandals only increased in the eyes of many his strange and dangerous charm. His great wealth was a certain element of security. Society civilized society, at least is never very ready to believe anything to the detriment of those who are both rich and fascinating. It feels instinctively that manners are of more importance than morals, and, in its opinion, the highest respectability is of much less value than the possession of a good _chef_. And, after all, it is a very poor consolation to be told that the man who has given one a bad dinner, or poor wine, is irreproachable in his private life. Even the cardinal virtues cannot atone for half-cold _entr es_, as Lord Henry remarked once, in a discussion on the subject, and there is possibly a good deal to be said for his view. For the canons of good society are, or should be, the same as the canons of art. Form is absolutely essential to it. It should have the dignity of a ceremony, as well as its unreality, and should combine the insincere character of a romantic play with the wit and beauty that make such plays delightful to us. Is insincerity such a terrible thing? I think not. It is merely a method by which we can multiply our personalities. Such, at any rate, was Dorian Gray s opinion. He used to wonder at the shallow psychology of those who conceive the ego in man as a thing simple, permanent, reliable, and of one essence. To him, man was a being with myriad lives and myriad sensations, a complex multiform creature that bore within itself strange legacies of thought and passion, and whose very flesh was tainted with the monstrous maladies of the dead. He loved to stroll through the gaunt cold picture-gallery of his country house and look at the various portraits of those whose blood flowed in his veins. Here was Philip Herbert, described by Francis Osborne, in his Memoires on the Reigns of Queen Elizabeth and King James, as one who was "caressed by the Court for his handsome face, which kept him not long company." Was it young Herbert s life that he sometimes led? Had some strange poisonous germ crept from body to body till it had reached his own? Was it some dim sense of that ruined grace that had made him so suddenly, and almost without cause, give utterance, in Basil Hallward s studio, to the mad prayer that had so changed his life? Here, in gold-embroidered red doublet, jewelled surcoat, and gilt-edged ruff and wristbands, stood Sir Anthony Sherard, with his silver-and-black armour piled at his feet. What had this man s legacy been? Had the lover of Giovanna of Naples bequeathed him some inheritance of sin and shame? Were his own actions merely the dreams that the dead man had not dared to realize? Here, from the fading canvas, smiled Lady Elizabeth Devereux, in her gauze hood, pearl stomacher, and pink slashed sleeves. A flower was in her right hand, and her left clasped an enamelled collar of white and damask roses. On a table by her side lay a mandolin and an apple. There were large green rosettes upon her little pointed shoes. He knew her life, and the strange stories that were told about her lovers. Had he something of her temperament in him? These oval, heavy-lidded eyes seemed to look curiously at him. What of George Willoughby, with his powdered hair and fantastic patches? How evil he looked! The face was saturnine and swarthy, and the sensual lips seemed to be twisted with disdain. Delicate lace ruffles fell over the lean yellow hands that were so overladen with rings. He had been a macaroni of the eighteenth century, and the friend, in his youth, of Lord Ferrars. What of the second Lord Beckenham, the companion of the Prince Regent in his wildest days, and one of the witnesses at the secret marriage with Mrs. Fitzherbert? How proud and handsome he was, with his chestnut curls and insolent pose! What passions had he bequeathed? The world had looked upon him as infamous. He had led the orgies at Carlton House. The star of the Garter glittered upon his breast. Beside him hung the portrait of his wife, a pallid, thin-lipped woman in black. Her blood, also, stirred within him. How curious it all seemed! And his mother with her Lady Hamilton face and her moist, wine-dashed lips he knew what he had got from her. He had got from her his beauty, and his passion for the beauty of others. She laughed at him in her loose Bacchante dress. There were vine leaves in her hair. The purple spilled from the cup she was holding. The carnations of the painting had withered, but the eyes were still wonderful in their depth and brilliancy of colour. They seemed to follow him wherever he went. Yet one had ancestors in literature as well as in one s own race, nearer perhaps in type and temperament, many of them, and certainly with an influence of which one was more absolutely conscious. There were times when it appeared to Dorian Gray that the whole of history was merely the record of his own life, not as he had lived it in act and circumstance, but as his imagination had created it for him, as it had been in his brain and in his passions. He felt that he had known them all, those strange terrible figures that had passed across the stage of the world and made sin so marvellous and evil so full of subtlety. It seemed to him that in some mysterious way their lives had been his own. The hero of the wonderful novel that had so influenced his life had himself known this curious fancy. In the seventh chapter he tells how, crowned with laurel, lest lightning might strike him, he had sat, as Tiberius, in a garden at Capri, reading the shameful books of Elephantis, while dwarfs and peacocks strutted round him and the flute-player mocked the swinger of the censer; and, as Caligula, had caroused with the green-shirted jockeys in their stables and supped in an ivory manger with a jewel-frontleted horse; and, as Domitian, had wandered through a corridor lined with marble mirrors, looking round with haggard eyes for the reflection of the dagger that was to end his days, and sick with that ennui, that terrible _t dium vit _, that comes on those to whom life denies nothing; and had peered through a clear emerald at the red shambles of the circus and then, in a litter of pearl and purple drawn by silver-shod mules, been carried through the Street of Pomegranates to a House of Gold and heard men cry on Nero Caesar as he passed by; and, as Elagabalus, had painted his face with colours, and plied the distaff among the women, and brought the Moon from Carthage and given her in mystic marriage to the Sun. Over and over again Dorian used to read this fantastic chapter, and the two chapters immediately following, in which, as in some curious tapestries or cunningly wrought enamels, were pictured the awful and beautiful forms of those whom vice and blood and weariness had made monstrous or mad: Filippo, Duke of Milan, who slew his wife and painted her lips with a scarlet poison that her lover might suck death from the dead thing he fondled; Pietro Barbi, the Venetian, known as Paul the Second, who sought in his vanity to assume the title of Formosus, and whose tiara, valued at two hundred thousand florins, was bought at the price of a terrible sin; Gian Maria Visconti, who used hounds to chase living men and whose murdered body was covered with roses by a harlot who had loved him; the Borgia on his white horse, with Fratricide riding beside him and his mantle stained with the blood of Perotto; Pietro Riario, the young Cardinal Archbishop of Florence, child and minion of Sixtus IV., whose beauty was equalled only by his debauchery, and who received Leonora of Aragon in a pavilion of white and crimson silk, filled with nymphs and centaurs, and gilded a boy that he might serve at the feast as Ganymede or Hylas; Ezzelin, whose melancholy could be cured only by the spectacle of death, and who had a passion for red blood, as other men have for red wine the son of the Fiend, as was reported, and one who had cheated his father at dice when gambling with him for his own soul; Giambattista Cibo, who in mockery took the name of Innocent and into whose torpid veins the blood of three lads was infused by a Jewish doctor; Sigismondo Malatesta, the lover of Isotta and the lord of Rimini, whose effigy was burned at Rome as the enemy of God and man, who strangled Polyssena with a napkin, and gave poison to Ginevra d Este in a cup of emerald, and in honour of a shameful passion built a pagan church for Christian worship; Charles VI., who had so wildly adored his brother s wife that a leper had warned him of the insanity that was coming on him, and who, when his brain had sickened and grown strange, could only be soothed by Saracen cards painted with the images of love and death and madness; and, in his trimmed jerkin and jewelled cap and acanthuslike curls, Grifonetto Baglioni, who slew Astorre with his bride, and Simonetto with his page, and whose comeliness was such that, as he lay dying in the yellow piazza of Perugia, those who had hated him could not choose but weep, and Atalanta, who had cursed him, blessed him. There was a horrible fascination in them all. He saw them at night, and they troubled his imagination in the day. The Renaissance knew of strange manners of poisoning poisoning by a helmet and a lighted torch, by an embroidered glove and a jewelled fan, by a gilded pomander and by an amber chain. Dorian Gray had been poisoned by a book. There were moments when he looked on evil simply as a mode through which he could realize his conception of the beautiful. CHAPTER XII It was on the ninth of November, the eve of his own thirty-eighth birthday, as he often remembered afterwards. He was walking home about eleven o clock from Lord Henry s, where he had been dining, and was wrapped in heavy furs, as the night was cold and foggy. At the corner of Grosvenor Square and South Audley Street, a man passed him in the mist, walking very fast and with the collar of his grey ulster turned up. He had a bag in his hand. Dorian recognized him. It was Basil Hallward. A strange sense of fear, for which he could not account, came over him. He made no sign of recognition and went on quickly in the direction of his own house. But Hallward had seen him. Dorian heard him first stopping on the pavement and then hurrying after him. In a few moments, his hand was on his arm.	No speaker	"Ah, you have discovered that?"<\|quote\|>murmured Lord Henry. And they passed into the dining-room. CHAPTER XI. For years, Dorian Gray could not free himself from the influence of this book. Or perhaps it would be more accurate to say that he never sought to free himself from it. He procured from Paris no less than nine large-paper copies of the first edition, and had them bound in different colours, so that they might suit his various moods and the changing fancies of a nature over which he seemed, at times, to have almost entirely lost control. The hero, the wonderful young Parisian in whom the romantic and the scientific temperaments were so strangely blended, became to him a kind of prefiguring type of himself. And, indeed, the whole book seemed to him to contain the story of his own life, written before he had lived it. In one point he was more fortunate than the novel s fantastic hero. He never knew never, indeed, had any cause to know that somewhat grotesque dread of mirrors, and polished metal surfaces, and still water which came upon the young Parisian so early in his life, and was occasioned by the sudden decay of a beau that had once, apparently, been so remarkable. It was with an almost cruel joy and perhaps in nearly every joy, as certainly in every pleasure, cruelty has its place that he used to read the latter part of the book, with its really tragic, if somewhat overemphasized, account of the sorrow and despair of one who had himself lost what in others, and the world, he had most dearly valued. For the wonderful beauty that had so fascinated Basil Hallward, and many others besides him, seemed never to leave him. Even those who had heard the most evil things against him and from time to time strange rumours about his mode of life crept through London and became the chatter of the clubs could not believe anything to his dishonour when they saw him. He had always the look of one who had kept himself unspotted from the world. Men who talked grossly became silent when Dorian Gray entered the room. There was something in the purity of his face that rebuked them. His mere presence seemed to recall to them the memory of the innocence that they had tarnished. They wondered how one so charming and graceful as he was could have escaped the stain of an age that was at once sordid and sensual. Often, on returning home from one of those mysterious and prolonged absences that gave rise to such strange conjecture among those who were his friends, or thought that they were so, he himself would creep upstairs to the locked room, open the door with the key that never left him now, and stand, with a mirror, in front of the portrait that Basil Hallward had painted of him, looking now at the evil and aging face on the canvas, and now at the fair young face that laughed back at him from the polished glass. The very sharpness of the contrast used to quicken his sense of pleasure. He grew more and more enamoured of his own beauty, more and more interested in the corruption of his own soul. He would examine with minute care, and sometimes with a monstrous and terrible delight, the hideous lines that seared the wrinkling forehead or crawled around the heavy sensual mouth, wondering sometimes which were the more horrible, the signs of sin or the signs of age. He would place his white hands beside the coarse bloated hands of the picture, and smile. He mocked the misshapen body and the failing limbs. There were moments, indeed, at night, when, lying sleepless in his own delicately scented chamber, or in the sordid room of the little ill-famed tavern near the docks which, under an assumed name and in disguise, it was his habit to frequent, he would think of the ruin he had brought upon his soul with a pity that was all the more poignant because it was purely selfish. But moments such as these were rare. That curiosity about life which Lord Henry had first stirred in him, as they sat together in the garden of their friend, seemed to increase with gratification. The more he knew, the more he desired to know. He had mad hungers that grew more ravenous as he fed them. Yet he was not really reckless, at any rate in his relations to society. Once or twice every month during the winter, and on each Wednesday evening while the season lasted, he would throw open to the world his beautiful house and have the most celebrated musicians of the day to charm his guests with the wonders of their art. His little dinners, in the settling of which Lord Henry always assisted him, were noted as much for the careful selection and placing of those invited, as for the exquisite taste shown in the decoration of the table, with its subtle symphonic arrangements of exotic flowers, and embroidered cloths, and antique plate of gold and silver. Indeed, there were many, especially among the very young men, who saw, or fancied that they saw, in Dorian Gray the true realization of a type of which they had often dreamed in Eton or Oxford days, a type that was to combine something of the real culture of the scholar with all the grace and distinction and perfect manner of a citizen of the world. To them he seemed to be of the company of those whom Dante describes as having sought to "make themselves perfect by the worship of beauty." Like Gautier, he was one for whom "the visible world existed." And, certainly, to him life itself was the first, the greatest, of the arts, and for it all the other arts seemed to be but a preparation. Fashion, by which what is really fantastic becomes for a moment universal, and dandyism, which, in its own way, is an attempt to assert the absolute modernity of beauty, had, of course, their fascination for him. His mode of dressing, and the particular styles that from time to time he affected, had their marked influence on the young exquisites of the Mayfair balls and Pall Mall club windows, who copied him in everything that he did, and tried to reproduce the accidental charm of his graceful, though to him only half-serious, fopperies. For, while he was but too ready to accept the position that was almost immediately offered to him on his coming of age, and found, indeed, a subtle pleasure in the thought that he might really become to the London of his own day what to imperial Neronian Rome the author of the Satyricon once had been, yet in his inmost heart he desired to be something more than a mere _arbiter elegantiarum_, to be consulted on the wearing of a jewel, or the knotting of a necktie, or the conduct of a cane. He sought to elaborate some new scheme of life that would have its reasoned philosophy and its ordered principles, and find in the spiritualizing of the senses its highest realization. The worship of the senses has often, and with much justice, been decried, men feeling a natural instinct of terror about passions and sensations that seem stronger than themselves, and that they are conscious of sharing with the less highly organized forms of existence. But it appeared to Dorian Gray that the true nature of the senses had never been understood, and that they had remained savage and animal merely because the world had sought to starve them into submission or to kill them by pain, instead of aiming at making them elements of a new spirituality, of which a fine instinct for beauty was to be the dominant characteristic. As he looked back upon man moving through history, he was haunted by a feeling of loss. So much had been surrendered! and to such little purpose! There had been mad wilful rejections, monstrous forms of self-torture and self-denial, whose origin was fear and whose result was a degradation infinitely more terrible than that fancied degradation from which, in their ignorance, they had sought to escape; Nature, in her wonderful irony, driving out the anchorite to feed with the wild animals of the desert and giving to the hermit the beasts of the field as his companions. Yes: there was to be, as Lord Henry had prophesied, a new Hedonism that was to recreate life and to save it from that harsh uncomely puritanism that is having, in our own day, its curious revival. It was to have its service of the intellect, certainly, yet it was never to accept any theory or system that would involve the sacrifice of any mode of passionate experience. Its aim, indeed, was to be experience itself, and not the fruits of experience, sweet or bitter as they might be. Of the asceticism that deadens the senses, as of the vulgar profligacy that dulls them, it was to know nothing. But it was to teach man to concentrate himself upon the moments of a life that is itself but a moment. There are few of us who have not sometimes wakened before dawn, either after one of those dreamless nights that make us almost enamoured of death, or one of those nights of horror and misshapen joy, when through the chambers of the brain sweep phantoms more terrible than reality itself, and instinct with that vivid life that lurks in all grotesques, and that lends to Gothic art its enduring vitality, this art being, one might fancy, especially the art of those whose minds have been troubled with the malady of reverie. Gradually white fingers creep through the curtains, and they appear to tremble. In black fantastic shapes, dumb shadows crawl into the corners of the room and crouch there. Outside, there is the stirring of birds among the leaves, or the sound of men going forth to their work, or the sigh and sob of the wind coming down from the hills and wandering round the silent house, as though it feared to wake the sleepers and yet must needs call forth sleep from her purple cave. Veil after veil of thin dusky gauze is lifted, and by degrees the forms and colours of things are restored to them, and we watch the dawn remaking the world in its antique pattern. The wan mirrors get back their mimic life. The flameless tapers stand where we had left them, and beside them lies the half-cut book that we had been studying, or the wired flower that we had worn at the ball, or the letter that we had been afraid to read, or that we had read too often. Nothing seems to us changed. Out of the unreal shadows of the night comes back the real life that we had known. We have to resume it where we had left off, and there steals over us a terrible sense of the necessity for the continuance of energy in the same wearisome round of stereotyped habits, or a wild longing, it may be, that our eyelids might open some morning upon a world that had been refashioned anew in the darkness for our pleasure, a world in which things would have fresh shapes and colours, and be changed, or have other secrets, a world in which the past would have little or no place, or survive, at any rate, in no conscious form of obligation or regret, the remembrance even of joy having its bitterness and the memories of pleasure their pain. It was the creation of such worlds as these that seemed to Dorian Gray to be the true object, or amongst the true objects, of life; and in his search for sensations that would be at once new and delightful, and possess that element of strangeness that is so essential to romance, he would often adopt certain modes of thought that he knew to be really alien to his nature, abandon himself to their subtle influences, and then, having, as it were, caught their colour and satisfied his intellectual curiosity, leave them with that curious indifference that is not incompatible with a real ardour of temperament, and that, indeed, according to certain modern psychologists, is often a condition of it. It was rumoured of him once that he was about to join the Roman Catholic communion, and certainly the Roman ritual had always a great attraction for him. The daily sacrifice, more awful really than all the sacrifices of the antique world, stirred him as much by its superb rejection of the evidence of the senses as by the primitive simplicity of its elements and the eternal pathos of the human tragedy that it sought to symbolize. He loved to kneel down on the cold marble pavement and watch the priest, in his stiff flowered dalmatic, slowly and with white hands moving aside the veil of the tabernacle, or raising aloft the jewelled, lantern-shaped monstrance with that pallid wafer that at times, one would fain think, is indeed the "_panis c lestis_," the bread of angels, or, robed in the garments of the Passion of Christ, breaking the Host into the chalice and smiting his breast for his sins. The fuming censers that the grave boys, in their lace and scarlet, tossed into the air like great gilt flowers had their subtle fascination for him. As he passed out, he used to look with wonder at the black confessionals and long to sit in the dim shadow of one of them and listen to men and women whispering through the worn grating the true story of their lives. But he never fell into the error of arresting his intellectual development by any formal acceptance of creed or system, or of mistaking, for a house in which to live, an inn that is but suitable for the sojourn of a night, or for a few hours of a night in which there are no stars and the moon is in travail. Mysticism, with its marvellous power of making common things strange to us, and the subtle antinomianism that always seems to accompany it, moved him for a season; and for a season he inclined to the materialistic doctrines of the _Darwinismus_ movement in Germany, and found a curious pleasure in tracing the thoughts and passions of men to some pearly cell in the brain, or some white nerve in the body, delighting in the conception of the absolute dependence of the spirit on certain physical conditions, morbid or healthy, normal or diseased. Yet, as has been said of him before, no theory of life seemed to him to be of any importance compared with life itself. He felt keenly conscious of how barren all intellectual speculation is when separated from action and experiment. He knew that the senses, no less than the soul, have their spiritual mysteries to reveal. And so he would now study perfumes and the secrets of their manufacture, distilling heavily scented oils and burning odorous gums from the East. He saw that there was no mood of the mind that had not its counterpart in the sensuous life, and set himself to discover their true relations, wondering what there was in frankincense that made one mystical, and in ambergris that stirred one s passions, and in violets that woke the memory of dead romances, and in musk that troubled the brain, and in champak that stained the imagination; and seeking often to elaborate a real psychology of perfumes, and to estimate the several influences of sweet-smelling roots and scented, pollen-laden flowers; of aromatic balms and of dark and fragrant woods; of spikenard, that sickens; of hovenia, that makes men mad; and of aloes, that are said to be able to expel melancholy from the soul. At another time he devoted himself entirely to music, and in a long latticed room, with a vermilion-and-gold ceiling and walls of olive-green lacquer, he used to give curious concerts in which mad gipsies tore wild music from little zithers, or grave, yellow-shawled Tunisians plucked at the strained strings of monstrous lutes, while grinning Negroes beat monotonously upon copper drums and, crouching upon scarlet mats, slim turbaned Indians blew through long pipes of reed or brass and charmed or feigned to charm great hooded snakes and horrible horned adders. The harsh intervals and shrill discords of barbaric music stirred him at times when Schubert s grace, and Chopin s beautiful sorrows, and the mighty harmonies of Beethoven himself, fell unheeded on his ear. He collected together from all parts of the world the strangest instruments that could be found, either in the tombs of dead nations or among the few savage tribes that have survived contact with Western civilizations, and loved to touch and try them. He had the mysterious _juruparis_ of the Rio Negro Indians, that women are not allowed to look at and that even youths may not see till they have been subjected to fasting and scourging, and the earthen jars of the Peruvians that have the shrill cries of birds, and flutes of human bones such as Alfonso de Ovalle heard in Chile, and the sonorous green jaspers that are found near Cuzco and give forth a note of singular sweetness. He had painted gourds filled with pebbles that rattled when they were shaken; the long _clarin_ of the Mexicans, into which the performer does not blow, but through which he inhales the air; the harsh _ture_ of the Amazon tribes, that is sounded by the sentinels who sit all day long in high trees, and can be heard, it is said, at a distance of three leagues; the _teponaztli_, that has two vibrating tongues of wood and is beaten with sticks that are smeared with an elastic gum obtained from the milky juice of plants; the _yotl_-bells of the Aztecs, that are hung in clusters like grapes; and a huge cylindrical drum, covered with the skins of great serpents, like the one that Bernal Diaz saw when he went with Cortes into the Mexican temple, and of whose doleful sound he has left us so vivid a description. The fantastic character of these instruments fascinated him, and he felt a curious delight in the thought that art, like Nature, has her monsters, things of bestial shape and with hideous voices. Yet, after some time, he wearied of them, and would sit in his box at the opera, either alone or with Lord Henry, listening in rapt pleasure to "Tannhauser" and seeing in the prelude to that great work of art a presentation of the tragedy of his own soul. On one occasion he took up the study of jewels, and appeared at a costume ball as Anne de Joyeuse, Admiral of France, in a dress covered with five hundred and sixty pearls. This taste enthralled him for years, and, indeed, may be said never to have left him. He would often spend a whole day settling and resettling in their cases the various stones that he had collected, such as the olive-green chrysoberyl that turns red by lamplight, the cymophane with its wirelike line of silver, the pistachio-coloured peridot, rose-pink and wine-yellow topazes, carbuncles of fiery scarlet with tremulous, four-rayed stars, flame-red cinnamon-stones, orange and violet spinels, and amethysts with their alternate layers of ruby and sapphire. He loved the red gold of the sunstone, and the moonstone s pearly whiteness, and the broken rainbow of the milky opal. He procured from Amsterdam three emeralds of extraordinary size and richness of colour, and had a turquoise _de la vieille roche_ that was the envy of all the connoisseurs. He discovered wonderful stories, also, about jewels. In Alphonso s Clericalis Disciplina a serpent was mentioned with eyes of real jacinth, and in the romantic history of Alexander, the Conqueror of Emathia was said to have found in the vale of Jordan snakes "with collars of real emeralds growing on their backs." There was a gem in the brain of the dragon, Philostratus told us, and "by the exhibition of golden letters and a scarlet robe" the monster could be thrown into a magical sleep and slain. According to the great alchemist, Pierre de Boniface, the diamond rendered a man invisible, and the agate of India made him eloquent. The cornelian appeased anger, and the hyacinth provoked sleep, and the amethyst drove away the fumes of wine. The garnet cast out demons, and the hydropicus deprived the moon of her colour. The selenite waxed and waned with the moon, and the meloceus, that discovers thieves, could be affected only by the blood of kids. Leonardus Camillus had seen a white stone taken from the brain of a newly killed toad, that was a certain antidote against poison. The bezoar, that was found in the heart of the Arabian deer, was a charm that could cure the plague. In the nests of Arabian birds was the aspilates, that, according to Democritus, kept the wearer from any danger by fire. The King of Ceilan rode through his city with a large ruby in his hand, as the ceremony of his coronation. The gates of the palace of John the Priest were "made of sardius, with the horn of the horned snake inwrought, so that no man might bring poison within." Over the gable were "two golden apples, in which were two carbuncles," so that the gold might shine by day and the carbuncles by night. In Lodge s strange romance A Margarite of America , it was stated that in the chamber of the queen one could behold "all the chaste ladies of the world, inchased out of silver, looking through fair mirrours of chrysolites, carbuncles, sapphires, and greene emeraults." Marco Polo had seen the inhabitants of Zipangu place rose-coloured pearls in the mouths of the dead. A sea-monster had been enamoured of the pearl that the diver brought to King Perozes, and had slain the thief, and mourned for seven moons over its loss. When the Huns lured the king into the great pit, he flung it away Procopius tells the story nor was it ever found again, though the Emperor Anastasius offered five hundred-weight of gold pieces for it. The King of Malabar had shown to a certain Venetian a rosary of three hundred and four pearls, one for every god that he worshipped. When the Duke de Valentinois, son of Alexander VI., visited Louis XII. of France, his horse was loaded with gold leaves, according to Brantome, and his cap had double rows of rubies that threw out a great light. Charles of England had ridden in stirrups hung with four hundred and twenty-one diamonds. Richard II had a coat, valued at thirty thousand marks, which was covered with balas rubies. Hall described Henry VIII., on his way to the Tower previous to his coronation, as wearing "a jacket of raised gold, the placard embroidered with diamonds and other rich stones, and a great bauderike about his neck of large balasses." The favourites of James I wore ear-rings of emeralds set in gold filigrane. Edward II gave to Piers Gaveston a suit of red-gold armour studded with jacinths, a collar of gold roses set with turquoise-stones, and a skull-cap _parsem _ with pearls. Henry II. wore jewelled gloves reaching to the elbow, and had a hawk-glove sewn with twelve rubies and fifty-two great orients. The ducal hat of Charles the Rash, the last Duke of Burgundy of his race, was hung with pear-shaped pearls and studded with sapphires. How exquisite life had once been! How gorgeous in its pomp and decoration! Even to read of the luxury of the dead was wonderful. Then he turned his attention to embroideries and to the tapestries that performed the office of frescoes in the chill rooms of the northern nations of Europe. As he investigated the subject and he always had an extraordinary faculty of becoming absolutely absorbed for the moment in whatever he took up he was almost saddened by the reflection of the ruin that time brought on beautiful and wonderful things. He, at any rate, had escaped that. Summer followed summer, and the yellow jonquils bloomed and died many times, and nights of horror repeated the story of their shame, but he was unchanged. No winter marred his face or stained his flowerlike bloom. How different it was with material things! Where had they passed to? Where was the great crocus-coloured robe, on which the gods fought against the giants, that had been worked by brown girls for the pleasure of Athena? Where the huge velarium that Nero had stretched across the Colosseum at Rome, that Titan sail of purple on which was represented the starry sky, and Apollo driving a chariot drawn by white, gilt-reined steeds? He longed to see the curious table-napkins wrought for the Priest of the Sun, on which were displayed all the dainties and viands that could be wanted for a feast; the mortuary cloth of King Chilperic, with its three hundred golden bees; the fantastic robes that excited the indignation of the Bishop of Pontus and were figured with "lions, panthers, bears, dogs, forests, rocks, hunters all, in fact, that a painter can copy from nature"; and the coat that Charles of Orleans once wore, on the sleeves of which were embroidered the verses of a song beginning "_Madame, je suis tout joyeux_," the musical accompaniment of the words being wrought in gold thread, and each note, of square shape in those days, formed with four pearls. He read of the room that was prepared at the palace at Rheims for the use of Queen Joan of Burgundy and was decorated with "thirteen hundred and twenty-one parrots, made in broidery, and blazoned with the king s arms, and five hundred and sixty-one butterflies, whose wings were similarly ornamented with the arms of the queen, the whole worked in gold." Catherine de Medicis had a mourning-bed made for her of black velvet powdered with crescents and suns. Its curtains were of damask, with leafy wreaths and garlands, figured upon a gold and silver ground, and fringed along the edges with broideries of pearls, and it stood in a room hung with rows of the queen s devices in cut black velvet upon cloth of silver. Louis XIV. had gold embroidered caryatides fifteen feet high in his apartment. The state bed of Sobieski, King of Poland, was made of Smyrna gold brocade embroidered in turquoises with verses from the Koran. Its supports were of silver gilt, beautifully chased, and profusely set with enamelled and jewelled medallions. It had been taken from the Turkish camp before Vienna, and the standard of Mohammed had stood beneath the tremulous gilt of its canopy. And so, for a whole year, he sought to accumulate the most exquisite specimens that he could find of textile and embroidered work, getting the dainty Delhi muslins, finely wrought with gold-thread palmates and stitched over with iridescent beetles wings; the Dacca gauzes, that from their transparency are known in the East as "woven air," and "running water," and "evening dew"; strange figured cloths from Java; elaborate yellow Chinese hangings; books bound in tawny satins or fair blue silks and wrought with _fleurs-de-lis_, birds and images; veils of _lacis_ worked in Hungary point; Sicilian brocades and stiff Spanish velvets; Georgian work, with its gilt coins, and Japanese _Foukousas_, with their green-toned golds and their marvellously plumaged birds. He had a special passion, also, for ecclesiastical vestments, as indeed he had for everything connected with the service of the Church. In the long cedar chests that lined the west gallery of his house, he had stored away many rare and beautiful specimens of what is really the raiment of the Bride of Christ, who must wear purple and jewels and fine linen that she may hide the pallid macerated body that is worn by the suffering that she seeks for and wounded by self-inflicted pain. He possessed a gorgeous cope of crimson silk and gold-thread damask, figured with a repeating pattern of golden pomegranates set in six-petalled formal blossoms, beyond which on either side was the pine-apple device wrought in seed-pearls. The orphreys were divided into panels representing scenes from the life of the Virgin, and the coronation of the Virgin was figured in coloured silks upon the hood. This was Italian work of the fifteenth century. Another cope was of green velvet, embroidered with heart-shaped groups of acanthus-leaves, from which spread long-stemmed white blossoms, the details of which were picked out with silver thread and coloured crystals. The morse bore a seraph s head in gold-thread raised work. The orphreys were woven in a diaper of red and gold silk, and were starred with medallions of many saints and martyrs, among whom was St. Sebastian. He had chasubles, also, of amber-coloured silk, and blue silk and gold brocade, and yellow silk damask and cloth of gold, figured with representations of the Passion and Crucifixion of Christ, and embroidered with lions and peacocks and other emblems; dalmatics of white satin and pink silk damask, decorated with tulips and dolphins and _fleurs-de-lis_; altar frontals of crimson velvet and blue linen; and many corporals, chalice-veils, and sudaria. In the mystic offices to which such things were put, there was something that quickened his imagination. For these treasures, and everything that he collected in his lovely house, were to be to him means of forgetfulness, modes by which he could escape, for a season, from the fear that seemed to him at times to be almost too great to be borne. Upon the walls of the lonely locked room where he had spent so much of his boyhood, he had hung with his own hands the terrible portrait whose changing features showed him the real degradation of his life, and in front of it had draped the purple-and-gold pall as a curtain. For weeks he would not go there, would forget the hideous painted thing, and get back his light heart, his wonderful joyousness, his passionate absorption in mere existence. Then, suddenly, some night he would creep out of the house, go down to dreadful places near Blue Gate Fields, and stay there, day after day, until he was driven away. On his return he would sit in front of the picture, sometimes loathing it and himself, but filled, at other times, with that pride of individualism that is half the fascination of sin, and smiling with secret pleasure at the misshapen shadow that had to bear the burden that should have been his own. After a few years he could not endure to be long out of England, and gave up the villa that he had shared at Trouville with Lord Henry, as well as the little white walled-in house at Algiers where they had more than once spent the winter. He hated to be separated from the picture that was such a part of his life, and was also afraid that during his absence some one might gain access to the room, in spite of the elaborate bars that he had caused to be placed upon the door. He was quite conscious that this would tell them nothing. It was true that the portrait still preserved, under all the foulness and ugliness of the face, its marked likeness to himself; but what could they learn from that? He would laugh at any one who tried to taunt him. He had not painted it. What was it to him how vile and full of shame it looked? Even if he told them, would they believe it? Yet he was afraid. Sometimes when he was down at his great house in Nottinghamshire, entertaining the fashionable young men of his own rank who were his chief companions, and astounding the county by the wanton luxury and gorgeous splendour of his mode of life, he would suddenly leave his guests and rush back to town to see that the door had not been tampered with and that the picture was still there. What if it should be stolen? The mere thought made him cold with horror. Surely the world would know his secret then. Perhaps the world already suspected it. For, while he fascinated many, there were not a few who distrusted him. He was very nearly blackballed at a West End club of which his birth and social position fully entitled him to become a member, and it was said that on one occasion, when he was brought by a friend into the smoking-room of the Churchill, the Duke of Berwick and another gentleman got up in a marked manner and went out. Curious stories became current about him after he had passed his twenty-fifth year. It was rumoured that he had been seen brawling with foreign sailors in a low den in the distant parts of Whitechapel, and that he consorted with thieves and coiners and knew the mysteries of their trade. His extraordinary absences became notorious, and, when he used to reappear again in society, men would whisper to each other in corners, or pass him with a sneer, or look at him with cold searching eyes, as though they were determined to discover his secret. Of such insolences and attempted slights he, of course, took no notice, and in the opinion of most people his frank debonair manner, his charming boyish smile, and the infinite grace of that wonderful youth that seemed never to leave him, were in themselves a sufficient answer to the calumnies, for so they termed them, that were circulated about him. It was remarked, however, that some of those who had been most intimate with him appeared, after a time, to shun him. Women who had wildly adored him, and for his sake had braved all social censure and set convention at defiance, were seen to grow pallid with shame or horror if Dorian Gray entered the room. Yet these whispered scandals only increased in the eyes of many his strange and dangerous charm. His great wealth was a certain element of security. Society civilized society, at least is never very ready to believe anything to the detriment of those who are both rich and fascinating. It feels instinctively that manners are of more importance than morals, and, in its opinion, the highest respectability is of much less value than the possession of a good _chef_. And, after all, it is a very poor consolation to be told that the man who has given one a bad dinner, or poor wine, is irreproachable in his private life. Even the cardinal virtues cannot atone for half-cold _entr es_, as Lord Henry remarked once, in a discussion on the subject, and there is possibly a good deal to be said for his view. For the canons of good society are, or should be, the same as the canons of art. Form is absolutely essential to it. It should have the dignity of a ceremony, as well as its unreality, and should combine the insincere character of a romantic play with the wit and beauty that make such plays delightful to us. Is insincerity such a terrible thing? I think not. It is merely a method by which we can multiply our personalities. Such, at any rate, was Dorian Gray s opinion. He used to wonder at the shallow psychology of those who conceive the ego in man as a thing simple, permanent, reliable, and of one essence. To him, man was a being with myriad lives and myriad sensations, a complex multiform creature that bore within itself strange legacies of thought and passion, and whose very flesh was tainted with the monstrous maladies of the dead. He loved to stroll through the gaunt cold picture-gallery of his country house and look at the various portraits of those whose blood flowed in his veins. Here was Philip Herbert, described by Francis Osborne, in his Memoires on the Reigns of Queen Elizabeth and King James, as one who was "caressed by the Court for his handsome face, which kept him not long company." Was it young Herbert s life that he sometimes led? Had some strange poisonous germ crept from body to body till it had reached his own? Was it some dim sense of that ruined grace that had made him so suddenly, and almost without cause, give utterance, in Basil Hallward s studio, to the mad prayer that had so changed his life? Here, in gold-embroidered red doublet, jewelled surcoat, and gilt-edged ruff and wristbands, stood Sir Anthony Sherard, with his silver-and-black armour piled at his feet. What had this man s legacy been? Had the lover of Giovanna of Naples bequeathed him some inheritance of sin and shame? Were his own actions merely the dreams that the dead man had not dared to realize? Here, from the fading canvas, smiled Lady Elizabeth Devereux, in her gauze hood, pearl stomacher, and pink slashed sleeves. A flower was in her right hand, and her left clasped an enamelled collar of white and damask roses. On a table by her side lay a mandolin and an apple. There were large green rosettes upon her little pointed shoes. He knew her life, and the strange stories that were told about her lovers. Had he something of her temperament in him? These oval, heavy-lidded eyes seemed to look curiously at him. What of George Willoughby, with his powdered hair and fantastic patches? How evil he looked! The face was saturnine and swarthy, and the sensual lips seemed to be twisted with disdain. Delicate lace ruffles fell over the lean yellow hands that were so overladen with rings. He had been a macaroni of the eighteenth century, and the friend, in his youth, of Lord Ferrars. What of the second Lord Beckenham, the companion of the Prince Regent in his wildest days, and one of the witnesses at the secret marriage with Mrs. Fitzherbert? How proud and handsome he was, with his chestnut curls and insolent pose! What passions had he bequeathed? The world had looked upon him as infamous. He had led the orgies at Carlton House. The star of the Garter glittered upon his breast. Beside him hung the portrait of his wife, a pallid, thin-lipped woman in black. Her blood, also, stirred within him. How curious it all seemed! And his mother with her Lady Hamilton face and her moist, wine-dashed lips he knew what he had got from her. He had got from her his beauty, and his passion for the beauty of others. She laughed at him in her loose Bacchante dress. There were vine leaves in her hair. The purple spilled from the cup she was holding. The carnations of the painting had withered, but the eyes were still wonderful in their depth and brilliancy of colour. They seemed to follow him wherever he went. Yet one had ancestors in literature as well as in one s own race, nearer perhaps in type and temperament, many of them, and certainly with an influence of which one was more absolutely conscious. There were times when it appeared to Dorian Gray that the whole of history was merely the record of his own life, not as he had lived it in act and circumstance, but as his imagination had created it for him, as it had been in his brain and in his passions. He felt that he had known them all, those strange terrible figures that had passed across the stage of the world and made sin so marvellous and evil so full of subtlety. It seemed to him that in some mysterious way their lives had been his own. The hero of the wonderful novel that had so influenced his life had himself known this curious fancy. In the seventh chapter he tells how, crowned with laurel, lest lightning might strike him, he had sat, as Tiberius, in a garden at Capri, reading the shameful books of Elephantis, while dwarfs and peacocks strutted round him and the flute-player mocked the swinger of the censer; and, as Caligula, had caroused with the green-shirted jockeys in their stables and supped in an ivory manger with a jewel-frontleted horse; and, as Domitian, had wandered through a corridor lined with marble mirrors, looking round with haggard eyes for the reflection of the dagger that was to end his days, and sick with that ennui, that terrible _t dium vit _, that comes on those to whom life denies nothing; and had peered through a clear emerald at the red shambles of the circus and then, in a litter of pearl and purple drawn by silver-shod mules, been carried through the Street of Pomegranates to a House of Gold and heard men cry on Nero Caesar as he passed by; and, as Elagabalus, had painted his face with colours, and plied the distaff among the women, and brought the Moon from Carthage and given her in mystic marriage to the Sun. Over and over again Dorian used to read this fantastic chapter, and the two chapters immediately following, in which, as in some curious tapestries or cunningly wrought enamels, were pictured the awful and beautiful forms of those whom vice and blood and weariness had made monstrous or mad: Filippo, Duke of Milan, who slew his wife and painted her lips with a scarlet poison that her lover might suck death from the dead thing he fondled; Pietro Barbi, the Venetian, known as Paul the Second, who sought in his vanity to assume the title of Formosus, and whose tiara, valued at two hundred thousand florins, was bought at the price of a terrible sin; Gian Maria Visconti, who used hounds to chase living men and whose murdered body was covered with roses by a harlot who had loved him; the Borgia on his white horse, with Fratricide riding beside him and his mantle stained with the blood of Perotto; Pietro Riario, the young Cardinal Archbishop of Florence, child and minion of Sixtus IV., whose beauty was equalled only by his debauchery, and who received Leonora of Aragon in a pavilion of white and crimson silk, filled with nymphs and centaurs, and gilded a boy that he might serve at the feast as Ganymede or Hylas; Ezzelin, whose melancholy could be cured only by the spectacle of death, and who had a passion for red blood, as other men have for red wine the son of the Fiend, as was reported, and one who had cheated his father at dice when gambling with him for his own soul; Giambattista Cibo, who in mockery took the name of Innocent and into whose torpid veins the blood of three lads was infused by a Jewish doctor; Sigismondo Malatesta, the lover of Isotta and the lord of Rimini, whose effigy was burned at Rome as the enemy of God and man, who strangled Polyssena with a napkin, and gave poison to Ginevra d Este in a cup of emerald, and in honour of a shameful passion built a pagan church for Christian worship; Charles VI., who had so wildly adored his brother s wife that a leper had warned him of the insanity that was coming on him, and who, when his brain had sickened and grown strange, could only be soothed by Saracen cards painted with the images of love and death and madness; and, in his trimmed jerkin and jewelled cap and acanthuslike curls, Grifonetto Baglioni, who slew Astorre with his bride, and Simonetto with his page, and whose comeliness was such that, as he lay dying in the yellow piazza of Perugia, those who had hated him could not choose but weep, and Atalanta, who had cursed him, blessed him. There was a horrible fascination in them all. He saw them at night, and they troubled his imagination in the day. The Renaissance knew of strange manners of poisoning poisoning by a helmet and a lighted torch, by an embroidered glove and a jewelled fan, by a gilded pomander and by an amber chain. Dorian Gray had been poisoned by a book. There were moments when he looked on evil simply as a mode through which he could realize his conception of the beautiful. CHAPTER XII It was on the ninth of November, the eve of his own thirty-eighth birthday, as he often remembered afterwards. He was walking home about eleven o clock from Lord Henry s, where he had been dining, and was wrapped in heavy furs, as the night was cold and foggy. At the corner of Grosvenor Square and South Audley Street, a man passed him in the mist, walking very fast and with the collar of his grey ulster turned up. He had a bag in his hand. Dorian recognized him. It was Basil Hallward. A strange sense of fear, for which he could not account, came over him. He made no sign of recognition and went on quickly in the direction of his own house. But Hallward had seen him. Dorian heard him first stopping on the pavement and then hurrying after him. In a few moments, his hand was on his arm.</\|quote\|>"Dorian! What an extraordinary piece	There is a great difference." "Ah, you have discovered that?"<\|quote\|>murmured Lord Henry. And they passed into the dining-room. CHAPTER XI. For years, Dorian Gray could not free himself from the influence of this book. Or perhaps it would be more accurate to say that he never sought to free himself from it. He procured from Paris no less than nine large-paper copies of the first edition, and had them bound in different colours, so that they might suit his various moods and the changing fancies of a nature over which he seemed, at times, to have almost entirely lost control. The hero, the wonderful young Parisian in whom the romantic and the scientific temperaments were so strangely blended, became to him a kind of prefiguring type of himself. And, indeed, the whole book seemed to him to contain the story of his own life, written before he had lived it. In one point he was more fortunate than the novel s fantastic hero. He never knew never, indeed, had any cause to know that somewhat grotesque dread of mirrors, and polished metal surfaces, and still water which came upon the young Parisian so early in his life, and was occasioned by the sudden decay of a beau that had once, apparently, been so remarkable. It was with an almost cruel joy and perhaps in nearly every joy, as certainly in every pleasure, cruelty has its place that he used to read the latter part of the book, with its really tragic, if somewhat overemphasized, account of the sorrow and despair of one who had himself lost what in others, and the world, he had most dearly valued. For the wonderful beauty that had so fascinated Basil Hallward, and many others besides him, seemed never to leave him. Even those who had heard the most evil things against him and from time to time strange rumours about his mode of life crept through London and became the chatter of the clubs could not believe anything to his dishonour when they saw him. He had always the look of one who had kept himself unspotted from the world. Men who talked grossly became silent when Dorian Gray entered the room. There was something in the purity of his face that rebuked them. His mere presence seemed to recall to them the memory of the innocence that they had tarnished. They wondered how one so charming and graceful as he was could have escaped the stain of an age that was at once sordid and sensual. Often, on returning home from one of those mysterious and prolonged absences that gave rise to such strange conjecture among those who were his friends, or thought that they were so, he himself would creep upstairs to the locked room, open the door with the key that never left him now, and stand, with a mirror, in front of the portrait that Basil Hallward had painted of him, looking now at the evil and aging face on the canvas, and now at the fair young face that laughed back at him from the polished glass. The very sharpness of the contrast used to quicken his sense of pleasure. He grew more and more enamoured of his own beauty, more and more interested in the corruption of his own soul. He would examine with minute care, and sometimes with a monstrous and terrible delight, the hideous lines that seared the wrinkling forehead or crawled around the heavy sensual mouth, wondering sometimes which were the more horrible, the signs of sin or the signs of age. He would place his white hands beside the coarse bloated hands of the picture, and smile. He mocked the misshapen body and the failing limbs. There were moments, indeed, at night, when, lying sleepless in his own delicately scented chamber, or in the sordid room of the little ill-famed tavern near the docks which, under an assumed name and in disguise, it was his habit to frequent, he would think of the ruin he had brought upon his soul with a pity that was all the more poignant because it was purely selfish. But moments such as these were rare. That curiosity about life which Lord Henry had first stirred in him, as they sat together in the garden of their friend, seemed to increase with gratification. The more he knew, the more he desired to know. He had mad hungers that grew more ravenous as he fed them. Yet he was not really reckless, at any rate in his relations to society. Once or twice every month during the winter, and on each Wednesday evening while the season lasted, he would throw open to the world his beautiful house and have the most celebrated musicians of the day to charm his guests with the wonders of their art. His little dinners, in the settling of which Lord Henry always assisted him, were noted as much for the careful selection and placing of those invited, as for the exquisite taste shown in the decoration of the table, with its subtle symphonic arrangements of exotic flowers, and embroidered cloths, and antique plate of gold and silver. Indeed, there were many, especially among the very young men, who saw, or fancied that they saw, in Dorian Gray the true realization of a type of which they had often dreamed in Eton or Oxford days, a type that was to combine something of the real culture of the scholar with all the grace and distinction and perfect manner of a citizen of the world. To them he seemed to be of the company of those whom Dante describes as having sought to "make themselves perfect by the worship of beauty." Like Gautier, he was one for whom "the visible world existed." And, certainly, to him life itself was the first, the greatest, of the arts, and for it all the other arts seemed to be but a preparation. Fashion, by which what is really fantastic becomes for a moment universal, and dandyism, which, in its own way, is an attempt to assert the absolute modernity of beauty, had, of course, their fascination for him. His mode of dressing, and the particular styles that from time to time he affected, had their marked influence on the young exquisites of the Mayfair balls and Pall Mall club windows, who copied him in everything that he did, and tried to reproduce the accidental charm of his graceful, though to him only half-serious, fopperies. For, while he was but too ready to accept the position that was almost immediately offered to him on his coming of age, and found, indeed, a subtle pleasure in the thought that he might really become to the London of his own day what to imperial Neronian Rome the author of the Satyricon once had been, yet in his inmost heart he desired to be something more than a mere _arbiter elegantiarum_, to be consulted on the wearing of a jewel, or the knotting of a necktie, or the conduct of a cane. He sought to elaborate some new scheme of life that would have its reasoned philosophy and its ordered principles, and find in the spiritualizing of the senses its highest realization. The worship of the senses has often, and with much justice, been decried, men feeling a natural instinct of terror about passions and sensations that seem stronger than themselves, and that they are conscious of sharing with the less highly organized forms of existence. But it appeared to Dorian Gray that the true nature of the senses had never been understood, and that they had remained savage and animal merely because the world had sought to starve them into submission or to kill them by pain, instead of aiming at making them elements of a new spirituality, of which a fine instinct for beauty was to be the dominant characteristic. As he looked back upon man moving through history, he was haunted by a feeling of loss. So much had been surrendered! and to such little purpose! There had been mad wilful rejections, monstrous forms of self-torture and self-denial, whose origin was fear and whose result was a degradation infinitely more terrible than that fancied degradation from which, in their ignorance, they had sought to escape; Nature, in her wonderful irony, driving out the anchorite to feed with the wild animals of the desert and giving to the hermit the beasts of the field as his companions. Yes: there was to be, as Lord Henry had prophesied, a new Hedonism that was to recreate life and to save it from that harsh uncomely puritanism that is having, in our own day, its curious revival. It was to have its service of the intellect, certainly, yet it was never to accept any theory or system that would involve the sacrifice of any mode of passionate experience. Its aim, indeed, was to be experience itself, and not the fruits of experience, sweet or bitter as they might be. Of the asceticism that deadens the senses, as of the vulgar profligacy that dulls them, it was to know nothing. But it was to teach man to concentrate himself upon the moments of a life that is itself but a moment. There are few of us who have not sometimes wakened before dawn, either after one of those dreamless nights that make us almost enamoured of death, or one of those nights of horror and misshapen joy, when through the chambers of the brain sweep phantoms more terrible than reality itself, and instinct with that vivid life that lurks in all grotesques, and that lends to Gothic art its enduring vitality, this art being, one might fancy, especially the art of those whose minds have been troubled with the malady of reverie. Gradually white fingers creep through the curtains, and they appear to tremble. In black fantastic shapes, dumb shadows crawl into the corners of the room and crouch there. Outside, there is the stirring of birds among the leaves, or the sound of men going forth to their work, or the sigh and sob of the wind coming down from the hills and wandering round the silent house, as though it feared to wake the sleepers and yet must needs call forth sleep from her purple cave. Veil after veil of thin dusky gauze is lifted, and by degrees the forms and colours of things are restored to them, and we watch the dawn remaking the world in its antique pattern. The wan mirrors get back their mimic life. The flameless tapers stand where we had left them, and beside them lies the half-cut book that we had been studying, or the wired flower that we had worn at the ball, or the letter that we had been afraid to read, or that we had read too often. Nothing seems to us changed. Out of the unreal shadows of the night comes back the real life that we had known. We have to resume it where we had left off, and there steals over us a terrible sense of the necessity for the continuance of energy in the same wearisome round of stereotyped habits, or a wild longing, it may be, that our eyelids might open some morning upon a world that had been refashioned anew in the darkness for our pleasure, a world in which things would have fresh shapes and colours, and be changed, or have other secrets, a world in which the past would have little or no place, or survive, at any rate, in no conscious form of obligation or regret, the remembrance even of joy having its bitterness and the memories of pleasure their pain. It was the creation of such worlds as these that seemed to Dorian Gray to be the true object, or amongst the true objects, of life; and in his search for sensations that would be at once new and delightful, and possess that element of strangeness that is so essential to romance, he would often adopt certain modes of thought that he knew to be really alien to his nature, abandon himself to their subtle influences, and then, having, as it were, caught their colour and satisfied his intellectual curiosity, leave them with that curious indifference that is not incompatible with a real ardour of temperament, and that, indeed, according to certain modern psychologists, is often a condition of it. It was rumoured of him once that he was about to join the Roman Catholic communion, and certainly the Roman ritual had always a great attraction for him. The daily sacrifice, more awful really than all the sacrifices of the antique world, stirred him as much by its superb rejection of the evidence of the senses as by the primitive simplicity of its elements and the eternal pathos of the human tragedy that it sought to symbolize. He loved to kneel down on the cold marble pavement and watch the priest, in his stiff flowered dalmatic, slowly and with white hands moving aside the veil of the tabernacle, or raising aloft the jewelled, lantern-shaped monstrance with that pallid wafer that at times, one would fain think, is indeed the "_panis c lestis_," the bread of angels, or, robed in the garments of the Passion of Christ, breaking the Host into the chalice and smiting his breast for his sins. The fuming censers that the grave boys, in their lace and scarlet, tossed into the air like great gilt flowers had their subtle fascination for him. As he passed out, he used to look with wonder at the black confessionals and long to sit in the dim shadow of one of them and listen to men and women whispering through the worn grating the true story of their lives. But he never fell into the error of arresting his intellectual development by any formal acceptance of creed or system, or of mistaking, for a house in which to live, an inn that is but suitable for the sojourn of a night, or for a few hours of a night in which there are no stars and the moon is in travail. Mysticism, with its marvellous power of making common things strange to us, and the subtle antinomianism that always seems to accompany it, moved him for a season; and for a season he inclined to the materialistic doctrines of the _Darwinismus_ movement in Germany, and found a curious pleasure in tracing the thoughts and passions of men to some pearly cell in the brain, or some white nerve in the body, delighting in the conception of the absolute dependence of the spirit on certain physical conditions, morbid or healthy, normal or diseased. Yet, as has been said of him before, no theory of life seemed to him to be of any importance compared with life itself. He felt keenly conscious of how barren all intellectual speculation is when separated from action and experiment. He knew that the senses, no less than the soul, have their spiritual mysteries to reveal. And so he would now study perfumes and the secrets of their manufacture, distilling heavily scented oils and burning odorous gums from the East. He saw that there was no mood of the mind that had not its counterpart in the sensuous life, and set himself to discover their true relations, wondering what there was in frankincense that made one mystical, and in ambergris that stirred one s passions, and in violets that woke the memory of dead romances, and in musk that troubled the brain, and in champak that stained the imagination; and seeking often to elaborate a real psychology of perfumes, and to estimate the several influences of sweet-smelling roots and scented, pollen-laden flowers; of aromatic balms and of dark and fragrant woods; of spikenard, that sickens; of hovenia, that makes men mad; and of aloes, that are said to be able to expel melancholy from the soul. At another time he devoted himself entirely to music, and in a long latticed room, with a vermilion-and-gold ceiling and walls of olive-green lacquer, he used to give curious concerts in which mad gipsies tore wild music from little zithers, or grave, yellow-shawled Tunisians plucked at the strained strings of monstrous lutes, while grinning Negroes beat monotonously upon copper drums and, crouching upon scarlet mats, slim turbaned Indians blew through long pipes of reed or brass and charmed or feigned to charm great hooded snakes and horrible horned adders. The harsh intervals and shrill discords of barbaric music stirred him at times when Schubert s grace, and Chopin s beautiful sorrows, and the mighty harmonies of Beethoven himself, fell unheeded on his ear. He collected together from all parts of the world the strangest instruments that could be found, either in the tombs of dead nations or among the few savage tribes that have survived contact with Western civilizations, and loved to touch and try them. He had the mysterious _juruparis_ of the Rio Negro Indians, that women are not allowed to look at and that even youths may not see till they have been subjected to fasting and scourging, and the earthen jars of the Peruvians that have the shrill cries of birds, and flutes of human bones such as Alfonso de Ovalle heard in Chile, and the sonorous green jaspers that are found near Cuzco and give forth a note of singular sweetness. He had painted gourds filled with pebbles that rattled when they were shaken; the long _clarin_ of the Mexicans, into which the performer does not blow, but through which he inhales the air; the harsh _ture_ of the Amazon tribes, that is sounded by the sentinels who sit all day long in high trees, and can be heard, it is said, at a distance of three leagues; the _teponaztli_, that has two vibrating tongues of wood and is beaten with sticks that are smeared with an elastic gum obtained from the milky juice of plants; the _yotl_-bells of the Aztecs, that are hung in clusters like grapes; and a huge cylindrical drum, covered with the skins of great serpents, like the one that Bernal Diaz saw when he went with Cortes into the Mexican temple, and of whose doleful sound he has left us so vivid a description. The fantastic character of these instruments fascinated him, and he felt a curious delight in the thought that art, like Nature, has her monsters, things of bestial shape and with hideous voices. Yet, after some time, he wearied of them, and would sit in his box at the opera, either alone or with Lord Henry, listening in rapt pleasure to "Tannhauser" and seeing in the prelude to that great work of art a presentation of the tragedy of his own soul. On one occasion he took up the study of jewels, and appeared at a costume ball as Anne de Joyeuse, Admiral of France, in a dress covered with five hundred and sixty pearls. This taste enthralled him for years, and, indeed, may be said never to have left him. He would often spend a whole day settling and resettling in their cases the various stones that he had collected, such as the olive-green chrysoberyl that turns red by lamplight, the cymophane with its wirelike line of silver, the pistachio-coloured peridot, rose-pink and wine-yellow topazes, carbuncles of fiery scarlet with tremulous, four-rayed stars, flame-red cinnamon-stones, orange and violet spinels, and amethysts with their alternate layers of ruby and sapphire. He loved the red gold of the sunstone, and the moonstone s pearly whiteness, and the broken rainbow of the milky opal. He procured from Amsterdam three emeralds of extraordinary size and richness of colour, and had a turquoise _de la vieille roche_ that was the envy of all the connoisseurs. He discovered wonderful stories, also, about jewels. In Alphonso s Clericalis Disciplina a serpent was mentioned with eyes of real jacinth, and in the romantic history of Alexander, the Conqueror of Emathia was said to have found in the vale of Jordan snakes "with collars of real emeralds growing on their backs." There was a gem in the brain of the dragon, Philostratus told us, and "by the exhibition of golden letters and a scarlet robe" the monster could be thrown into a magical sleep and slain. According to the great alchemist, Pierre de Boniface, the diamond rendered a man invisible, and the agate of India made him eloquent. The cornelian appeased anger, and the hyacinth provoked sleep, and the amethyst drove away the fumes of wine. The garnet cast out demons, and the hydropicus deprived the moon of her colour. The selenite waxed and waned with the moon, and the meloceus, that discovers thieves, could be affected only by the blood of kids. Leonardus Camillus had seen a white stone taken from the brain of a newly killed toad, that was a certain antidote against poison. The bezoar, that was found in the heart of the Arabian deer, was a charm that could cure the plague. In the nests of Arabian birds was the aspilates, that, according to Democritus, kept the wearer from any danger by fire. The King of Ceilan rode through his city with a large ruby in his hand, as the ceremony of his coronation. The gates of the palace of John the Priest were "made of sardius, with the horn of the horned snake inwrought, so that no man might bring poison within." Over the gable were "two golden apples, in which were two carbuncles," so that the gold might shine by day and the carbuncles by night. In Lodge s strange romance A Margarite of America , it was stated that in the chamber of the queen one could behold "all the chaste ladies of the world, inchased out of silver, looking through fair mirrours of chrysolites, carbuncles, sapphires, and greene emeraults." Marco Polo had seen the inhabitants of Zipangu place rose-coloured pearls in the mouths of the dead. A sea-monster had been enamoured of the pearl that the diver brought to King Perozes, and had slain the thief, and mourned for seven moons over its loss. When the Huns lured the king into the great pit, he flung it away Procopius tells the story nor was it ever found again, though the Emperor Anastasius offered five hundred-weight of gold pieces for it. The King of Malabar had shown to a certain Venetian a rosary of three hundred and four pearls, one for every god that he worshipped. When the Duke de Valentinois, son of Alexander VI., visited Louis XII. of France, his horse was loaded with gold leaves, according to Brantome, and his cap had double rows of rubies that threw out a great light. Charles of England had ridden in stirrups hung with four hundred and twenty-one diamonds. Richard II had a coat, valued at thirty thousand marks, which was covered with balas rubies. Hall described Henry VIII., on his way to the Tower previous to his coronation, as wearing "a jacket of raised gold, the placard embroidered with diamonds and other rich stones, and a great bauderike about his neck of large balasses." The favourites of James I wore ear-rings of emeralds set in gold filigrane. Edward II gave to Piers Gaveston a suit of red-gold armour studded with jacinths, a collar of gold roses set with turquoise-stones, and a skull-cap _parsem _ with pearls. Henry II. wore jewelled gloves reaching to the elbow, and had a hawk-glove sewn with twelve rubies and fifty-two great orients. The ducal hat of Charles the Rash, the last Duke of Burgundy of his race, was hung with pear-shaped pearls and studded with sapphires. How exquisite life had once been! How gorgeous in its pomp and decoration! Even to read of the luxury of the dead was wonderful. Then he turned his attention to embroideries and to the tapestries that performed the office of frescoes in the chill rooms of the northern nations of Europe. As he investigated the subject and he always had an extraordinary faculty of becoming absolutely absorbed for the moment in whatever he took up he was almost saddened by the reflection of the ruin that time brought on beautiful and wonderful things. He, at any rate, had escaped that. Summer followed summer, and the yellow jonquils bloomed and died many times, and nights of horror repeated the story of their shame, but he was unchanged. No winter marred his face or stained his flowerlike bloom. How different it was with material things! Where had they passed to? Where was the great crocus-coloured robe, on which the gods fought against the giants, that had been worked by brown girls for the pleasure of Athena? Where the huge velarium that Nero had stretched across the Colosseum at Rome, that Titan sail of purple on which was represented the starry sky, and Apollo driving a chariot drawn by white, gilt-reined steeds? He longed to see the curious table-napkins wrought for the Priest of the Sun, on which were displayed all the dainties and viands that could be wanted for a feast; the mortuary cloth of King Chilperic, with its three hundred golden bees; the fantastic robes that excited the indignation of the Bishop of Pontus and were figured with "lions, panthers, bears, dogs, forests, rocks, hunters all, in fact, that a painter can copy from nature"; and the coat that Charles of Orleans once wore, on the sleeves of which were embroidered the verses of a song beginning "_Madame, je suis tout joyeux_," the musical accompaniment of the words being wrought in gold thread, and each note, of square shape in those days, formed with four pearls. He read of the room that was prepared at the palace at Rheims for the use of Queen Joan of Burgundy and was decorated with "thirteen hundred and twenty-one parrots, made in broidery, and blazoned with the king s arms, and five hundred and sixty-one butterflies, whose wings were similarly ornamented with the arms of the queen, the whole worked in gold." Catherine de Medicis had a mourning-bed made for her of black velvet powdered with crescents and suns. Its curtains were of damask, with leafy wreaths and garlands, figured upon a gold and silver ground, and fringed along the edges with broideries of pearls, and it stood in a room hung with rows of the queen s devices in cut black velvet upon cloth of silver. Louis XIV. had gold embroidered caryatides fifteen feet high in his apartment. The state bed of Sobieski, King of Poland, was made of Smyrna gold brocade embroidered in turquoises with verses from the Koran. Its supports were of silver gilt, beautifully chased, and profusely set with enamelled and jewelled medallions. It had been taken from the Turkish camp before Vienna, and the standard of Mohammed had stood beneath the tremulous gilt of its canopy. And so, for a whole year, he sought to accumulate the most exquisite specimens that he could find of textile and embroidered work, getting the dainty Delhi muslins, finely wrought with gold-thread palmates and stitched over with iridescent beetles wings; the Dacca gauzes, that from their transparency are known in the East as "woven air," and "running water," and "evening dew"; strange figured cloths from Java; elaborate yellow Chinese hangings; books bound in tawny satins or fair blue silks and wrought with _fleurs-de-lis_, birds and images; veils of _lacis_ worked in Hungary point; Sicilian brocades and stiff Spanish velvets; Georgian work, with its gilt coins, and Japanese _Foukousas_, with their green-toned golds and their marvellously plumaged birds. He had a special passion, also, for ecclesiastical vestments, as indeed he had for everything connected with the service of the Church. In the long cedar chests that lined the west gallery of his house, he had stored away many rare and beautiful specimens of what is really the raiment of the Bride of Christ, who must wear purple and jewels and fine linen that she may hide the pallid macerated body that is worn by the suffering that she seeks for and wounded by self-inflicted pain. He possessed a gorgeous cope of crimson silk and gold-thread damask, figured with a repeating pattern of golden pomegranates set in six-petalled formal blossoms, beyond which on either side was the pine-apple device wrought in seed-pearls. The orphreys were divided into panels representing scenes from the life of the Virgin, and the coronation of the Virgin was figured in coloured silks upon the hood. This was Italian work of the fifteenth century. Another cope was of green velvet, embroidered with heart-shaped groups of acanthus-leaves, from which spread long-stemmed white blossoms, the details of which were picked out with silver thread and coloured crystals. The morse bore a seraph s head in gold-thread raised work. The orphreys were woven in a diaper of red and gold silk, and were starred with medallions of many saints and martyrs, among whom was St. Sebastian. He had chasubles, also, of amber-coloured silk, and blue silk and gold brocade, and yellow silk damask and cloth of gold, figured with representations of the Passion and Crucifixion of Christ, and embroidered with lions and peacocks and other emblems; dalmatics of white satin and pink silk damask, decorated with tulips and dolphins and _fleurs-de-lis_; altar frontals of crimson velvet and blue linen; and many corporals, chalice-veils, and sudaria. In the mystic offices to which such things were put, there was something that quickened his imagination. For these treasures, and everything that he collected in his lovely house, were to be to him means of forgetfulness, modes by which he could escape, for a season, from the fear that seemed to him at times to be almost too great to be borne. Upon the walls of the lonely locked room where he had spent so much of his boyhood, he had hung with his own hands the terrible portrait whose changing features showed him the real degradation of his life, and in front of it had draped the purple-and-gold pall as a curtain. For weeks he would not go there, would forget the hideous painted thing, and get back his light heart, his wonderful joyousness, his passionate absorption in mere existence. Then, suddenly, some night he would creep out of the house, go down to dreadful places near Blue Gate Fields, and stay there, day after day, until he was driven away. On his return he would sit in front of the picture, sometimes loathing it and himself, but filled, at other times, with that pride of individualism that is half the fascination of sin, and smiling with secret pleasure at the misshapen shadow that had to bear the burden that should have been his own. After a few years he could not endure to be long out of England, and gave up the villa that he had shared at Trouville with Lord Henry, as well as the little white walled-in house at Algiers where they had more than once spent the winter. He hated to be separated from the picture that was such a part of his life, and was also afraid that during his absence some one might gain access to the room, in spite of the elaborate bars that he had caused to be placed upon the door. He was quite conscious that this would tell them nothing. It was true that the portrait still preserved, under all the foulness and ugliness of the face, its marked likeness to himself; but what could they learn from that? He would laugh at any one who tried to taunt him. He had not painted it. What was it to him how vile and full of shame it looked? Even if he told them, would they believe it? Yet he was afraid. Sometimes when he was down at his great house in Nottinghamshire, entertaining the fashionable young men of his own rank who were his chief companions, and astounding the county by the wanton luxury and gorgeous splendour of his mode of life, he would suddenly leave his guests and rush back to town to see that the door had not been tampered with and that the picture was still there. What if it should be stolen? The mere thought made him cold with horror. Surely the world would know his secret then. Perhaps the world already suspected it. For, while he fascinated many, there were not a few who distrusted him. He was very nearly blackballed at a West End club of which his birth and social position fully entitled him to become a member, and it was said that on one occasion, when he was brought by a friend into the smoking-room of the Churchill, the Duke of Berwick and another gentleman got up in a marked manner and went out. Curious stories became current about him after he had passed his twenty-fifth year. It was rumoured that he had been seen brawling with foreign sailors in a low den in the distant parts of Whitechapel, and that he consorted with thieves and coiners and knew the mysteries of their trade. His extraordinary absences became notorious, and, when he used to reappear again in society, men would whisper to each other in corners, or pass him with a sneer, or look at him with cold searching eyes, as though they were determined to discover his secret. Of such insolences and attempted slights he, of course, took no notice, and in the opinion of most people his frank debonair manner, his charming boyish smile, and the infinite grace of that wonderful youth that seemed never to leave him, were in themselves a sufficient answer to the calumnies, for so they termed them, that were circulated about him. It was remarked, however, that some of those who had been most intimate with him appeared, after a time, to shun him. Women who had wildly adored him, and for his sake had braved all social censure and set convention at defiance, were seen to grow pallid with shame or horror if Dorian Gray entered the room. Yet these whispered scandals only increased in the eyes of many his strange and dangerous charm. His great wealth was a certain element of security. Society civilized society, at least is never very ready to believe anything to the detriment of those who are both rich and fascinating. It feels instinctively that manners are of more importance than morals, and, in its opinion, the highest respectability is of much less value than the possession of a good _chef_. And, after all, it is a very poor consolation to be told that the man who has given one a bad dinner, or poor wine, is irreproachable in his private life. Even the cardinal virtues cannot atone for half-cold _entr es_, as Lord Henry remarked once, in a discussion on the subject, and there is possibly a good deal to be said for his view. For the canons of good society are, or should be, the same as the canons of art. Form is absolutely essential to it. It should have the dignity of a ceremony, as well as its unreality, and should combine the insincere character of a romantic play with the wit and beauty that make such plays delightful to us. Is insincerity such a terrible thing? I think not. It is merely a method by which we can multiply our personalities. Such, at any rate, was Dorian Gray s opinion. He used to wonder at the shallow psychology of those who conceive the ego in man as a thing simple, permanent, reliable, and of one essence. To him, man was a being with myriad lives and myriad sensations, a complex multiform creature that bore within itself strange legacies of thought and passion, and whose very flesh was tainted with the monstrous maladies of the dead. He loved to stroll through the gaunt cold picture-gallery of his country house and look at the various portraits of those whose blood flowed in his veins. Here was Philip Herbert, described by Francis Osborne, in his Memoires on the Reigns of Queen Elizabeth and King James, as one who was "caressed by the Court for his handsome face, which kept him not long company." Was it young Herbert s life that he sometimes led? Had some strange poisonous germ crept from body to body till it had reached his own? Was it some dim sense of that ruined grace that had made him so suddenly, and almost without cause, give utterance, in Basil Hallward s studio, to the mad prayer that had so changed his life? Here, in gold-embroidered red doublet, jewelled surcoat, and gilt-edged ruff and wristbands, stood Sir Anthony Sherard, with his silver-and-black armour piled at his feet. What had this man s legacy been? Had the lover of Giovanna of Naples bequeathed him some inheritance of sin and shame? Were his own actions merely the dreams that the dead man had not dared to realize? Here, from the fading canvas, smiled Lady Elizabeth Devereux, in her gauze hood, pearl stomacher, and pink slashed sleeves. A flower was in her right hand, and her left clasped an enamelled collar of white and damask roses. On a table by her side lay a mandolin and an apple. There were large green rosettes upon her little pointed shoes. He knew her life, and the strange stories that were told about her lovers. Had he something of her temperament in him? These oval, heavy-lidded eyes seemed to look curiously at him. What of George Willoughby, with his powdered hair and fantastic patches? How evil he looked! The face was saturnine and swarthy, and the sensual lips seemed to be twisted with disdain. Delicate lace ruffles fell over the lean yellow hands that were so overladen with rings. He had been a macaroni of the eighteenth century, and the friend, in his youth, of Lord Ferrars. What of the second Lord Beckenham, the companion of the Prince Regent in his wildest days, and one of the witnesses at the secret marriage with Mrs. Fitzherbert? How proud and handsome he was, with his chestnut curls and insolent pose! What passions had he bequeathed? The world had looked upon him as infamous. He had led the orgies at Carlton House. The star of the Garter glittered upon his breast. Beside him hung the portrait of his wife, a pallid, thin-lipped woman in black. Her blood, also, stirred within him. How curious it all seemed! And his mother with her Lady Hamilton face and her moist, wine-dashed lips he knew what he had got from her. He had got from her his beauty, and his passion for the beauty of others. She laughed at him in her loose Bacchante dress. There were vine leaves in her hair. The purple spilled from the cup she was holding. The carnations of the painting had withered, but the eyes were still wonderful in their depth and brilliancy of colour. They seemed to follow him wherever he went. Yet one had ancestors in literature as well as in one s own race, nearer perhaps in type and temperament, many of them, and certainly with an influence of which one was more absolutely conscious. There were times when it appeared to Dorian Gray that the whole of history was merely the record of his own life, not as he had lived it in act and circumstance, but as his imagination had created it for him, as it had been in his brain and in his passions. He felt that he had known them all, those strange terrible figures that had passed across the stage of the world and made sin so marvellous and evil so full of subtlety. It seemed to him that in some mysterious way their lives had been his own. The hero of the wonderful novel that had so influenced his life had himself known this curious fancy. In the seventh chapter he tells how, crowned with laurel, lest lightning might strike him, he had sat, as Tiberius, in a garden at Capri, reading the shameful books of Elephantis, while dwarfs and peacocks strutted round him and the flute-player mocked the swinger of the censer; and, as Caligula, had caroused with the green-shirted jockeys in their stables and supped in an ivory manger with a jewel-frontleted horse; and, as Domitian, had wandered through a corridor lined with marble mirrors, looking round with haggard eyes for the reflection of the dagger that was to end his days, and sick with that ennui, that terrible _t dium vit _, that comes on those to whom life denies nothing; and had peered through a clear emerald at the red shambles of the circus and then, in a litter of pearl and purple drawn by silver-shod mules, been carried through the Street of Pomegranates to a House of Gold and heard men cry on Nero Caesar as he passed by; and, as Elagabalus, had painted his face with colours, and plied the distaff among the women, and brought the Moon from Carthage and given her in mystic marriage to the Sun. Over and over again Dorian used to read this fantastic chapter, and the two chapters immediately following, in which, as in some curious tapestries or cunningly wrought enamels, were pictured the awful and beautiful forms of those whom vice and blood and weariness had made monstrous or mad: Filippo, Duke of Milan, who slew his wife and painted her lips with a scarlet poison that her lover might suck death from the dead thing he fondled; Pietro Barbi, the Venetian, known as Paul the Second, who sought in his vanity to assume the title of Formosus, and whose tiara, valued at two hundred thousand florins, was bought at the price of a terrible sin; Gian Maria Visconti, who used hounds to chase living men and whose murdered body was covered with roses by a harlot who had loved him; the Borgia on his white horse, with Fratricide riding beside him and his mantle stained with the blood of Perotto; Pietro Riario, the young Cardinal Archbishop of Florence, child and minion of Sixtus IV., whose beauty was equalled only by his debauchery, and who received Leonora of Aragon in a pavilion of white and crimson silk, filled with nymphs and centaurs, and gilded a boy that he might serve at the feast as Ganymede or Hylas; Ezzelin, whose melancholy could be cured only by the spectacle of death, and who had a passion for red blood, as other men have for red wine the son of the Fiend, as was reported, and one who had cheated his father at dice when gambling with him for his own soul; Giambattista Cibo, who in mockery took the name of Innocent and into whose torpid veins the blood of three lads was infused by a Jewish doctor; Sigismondo Malatesta, the lover of Isotta and the lord of Rimini, whose effigy was burned at Rome as the enemy of God and man, who strangled Polyssena with a napkin, and gave poison to Ginevra d Este in a cup of emerald, and in honour of a shameful passion built a pagan church for Christian worship; Charles VI., who had so wildly adored his brother s wife that a leper had warned him of the insanity that was coming on him, and who, when his brain had sickened and grown strange, could only be soothed by Saracen cards painted with the images of love and death and madness; and, in his trimmed jerkin and jewelled cap and acanthuslike curls, Grifonetto Baglioni, who slew Astorre with his bride, and Simonetto with his page, and whose comeliness was such that, as he lay dying in the yellow piazza of Perugia, those who had hated him could not choose but weep, and Atalanta, who had cursed him, blessed him. There was a horrible fascination in them all. He saw them at night, and they troubled his imagination in the day. The Renaissance knew of strange manners of poisoning poisoning by a helmet and a lighted torch, by an embroidered glove and a jewelled fan, by a gilded pomander and by an amber chain. Dorian Gray had been poisoned by a book. There were moments when he looked on evil simply as a mode through which he could realize his conception of the beautiful. CHAPTER XII It was on the ninth of November, the eve of his own thirty-eighth birthday, as he often remembered afterwards. He was walking home about eleven o clock from Lord Henry s, where he had been dining, and was wrapped in heavy furs, as the night was cold and foggy. At the corner of Grosvenor Square and South Audley Street, a man passed him in the mist, walking very fast and with the collar of his grey ulster turned up. He had a bag in his hand. Dorian recognized him. It was Basil Hallward. A strange sense of fear, for which he could not account, came over him. He made no sign of recognition and went on quickly in the direction of his own house. But Hallward had seen him. Dorian heard him first stopping on the pavement and then hurrying after him. In a few moments, his hand was on his arm.</\|quote\|>"Dorian! What an extraordinary piece of luck! I have been	sent me so fascinated me that I forgot how the time was going." "Yes, I thought you would like it," replied his host, rising from his chair. "I didn t say I liked it, Harry. I said it fascinated me. There is a great difference." "Ah, you have discovered that?"<\|quote\|>murmured Lord Henry. And they passed into the dining-room. CHAPTER XI. For years, Dorian Gray could not free himself from the influence of this book. Or perhaps it would be more accurate to say that he never sought to free himself from it. He procured from Paris no less than nine large-paper copies of the first edition, and had them bound in different colours, so that they might suit his various moods and the changing fancies of a nature over which he seemed, at times, to have almost entirely lost control. The hero, the wonderful young Parisian in whom the romantic and the scientific temperaments were so strangely blended, became to him a kind of prefiguring type of himself. And, indeed, the whole book seemed to him to contain the story of his own life, written before he had lived it. In one point he was more fortunate than the novel s fantastic hero. He never knew never, indeed, had any cause to know that somewhat grotesque dread of mirrors, and polished metal surfaces, and still water which came upon the young Parisian so early in his life, and was occasioned by the sudden decay of a beau that had once, apparently, been so remarkable. It was with an almost cruel joy and perhaps in nearly every joy, as certainly in every pleasure, cruelty has its place that he used to read the latter part of the book, with its really tragic, if somewhat overemphasized, account of the sorrow and despair of one who had himself lost what in others, and the world, he had most dearly valued. For the wonderful beauty that had so fascinated Basil Hallward, and many others besides him, seemed never to leave him. Even those who had heard the most evil things against him and from time to time strange rumours about his mode of life crept through London and became the chatter of the clubs could not believe anything to his dishonour when they saw him. He had always the look of one who had kept himself unspotted from the world. Men who talked grossly became silent when Dorian Gray entered the room. There was something in the purity of his face that rebuked them. His mere presence seemed to recall to them the memory of the innocence that they had tarnished. They wondered how one so charming and graceful as he was could have escaped the stain of an age that was at once sordid and sensual. Often, on returning home from one of those mysterious and prolonged absences that gave rise to such strange conjecture among those who were his friends, or thought that they were so, he himself would creep upstairs to the locked room, open the door with the key that never left him now, and stand, with a mirror, in front of the portrait that Basil Hallward had painted of him, looking now at the evil and aging face on the canvas, and now at the fair young face that laughed back at him from the polished glass. The very sharpness of the contrast used to quicken his sense of pleasure. He grew more and more enamoured of his own beauty, more and more interested in the corruption of his own soul. He would examine with minute care, and sometimes with a monstrous and terrible delight, the hideous lines that seared the wrinkling forehead or crawled around the heavy sensual mouth, wondering sometimes which were the more horrible, the signs of sin or the signs of age. He would place his white hands beside the coarse bloated hands of the picture, and smile. He mocked the misshapen body and the failing limbs. There were moments, indeed, at night, when, lying sleepless in his own delicately scented chamber, or in the sordid room of the little ill-famed tavern near the docks which, under an assumed name and in disguise, it was his habit to frequent, he would think of the ruin he had brought upon his soul with a pity that was all the more poignant because it was purely selfish. But moments such as these were rare. That curiosity about life which Lord Henry had first stirred in him, as they sat together in the garden of their friend, seemed to increase with gratification. The more he knew, the more he desired to know. He had mad hungers that grew more ravenous as he fed them. Yet he was not really reckless, at any rate in his relations to society. Once or twice every month during the winter, and on each Wednesday evening while the season lasted, he would throw open to the world his beautiful house and have the most celebrated musicians of the day to charm his guests with the wonders of their art. His little dinners, in the settling of which Lord Henry always assisted him, were noted as much for the careful selection and placing of those invited, as for the exquisite taste shown in the decoration of the table, with its subtle symphonic arrangements of exotic flowers, and embroidered cloths, and antique plate of gold and silver. Indeed, there were many, especially among the very young men, who saw, or fancied that they saw, in Dorian Gray the true realization of a type of which they had often dreamed in Eton or Oxford days, a type that was to combine something of the real culture of the scholar with all the grace and distinction and perfect manner of a citizen of the world. To them he seemed to be of the company of those whom Dante describes as having sought to "make themselves perfect by the worship of beauty." Like Gautier, he was one for whom "the visible world existed." And, certainly, to him life itself was the first, the greatest, of the arts, and for it all the other arts seemed to be but a preparation. Fashion, by which what is really fantastic becomes for a moment universal, and dandyism, which, in its own way, is an attempt to assert the absolute modernity of beauty, had, of course, their fascination for him. His mode of dressing, and the particular styles that from time to time he affected, had their marked influence on the young exquisites of the Mayfair balls and Pall Mall club windows, who copied him in everything that he did, and tried to reproduce the accidental charm of his graceful, though to him only half-serious, fopperies. For, while he was but too ready to accept the position that was almost immediately offered to him on his coming of age, and found, indeed, a subtle pleasure in the thought that he might really become to the London of his own day what to imperial Neronian Rome the author of the Satyricon once had been, yet in his inmost heart he desired to be something more than a mere _arbiter elegantiarum_, to be consulted on the wearing of a jewel, or the knotting of a necktie, or the conduct of a cane. He sought to elaborate some new scheme of life that would have its reasoned philosophy and its ordered principles, and find in the spiritualizing of the senses its highest realization. The worship of the senses has often, and with much justice, been decried, men feeling a natural instinct of terror about passions and sensations that seem stronger than themselves, and that they are conscious of sharing with the less highly organized forms of existence. But it appeared to Dorian Gray that the true nature of the senses had never been understood, and that they had remained savage and animal merely because the world had sought to starve them into submission or to kill them by pain, instead of aiming at making them elements of a new spirituality, of which a fine instinct for beauty was to be the dominant characteristic. As he looked back upon man moving through history, he was haunted by a feeling of loss. So much had been surrendered! and to such little purpose! There had been mad wilful rejections, monstrous forms of self-torture and self-denial, whose origin was fear and whose result was a degradation infinitely more terrible than that fancied degradation from which, in their ignorance, they had sought to escape; Nature, in her wonderful irony, driving out the anchorite to feed with the wild animals of the desert and giving to the hermit the beasts of the field as his companions. Yes: there was to be, as Lord Henry had prophesied, a new Hedonism that was to recreate life and to save it from that harsh uncomely puritanism that is having, in our own day, its curious revival. It was to have its service of the intellect, certainly, yet it was never to accept any theory or system that would involve the sacrifice of any mode of passionate experience. Its aim, indeed, was to be experience itself, and not the fruits of experience, sweet or bitter as they might be. Of the asceticism that deadens the senses, as of the vulgar profligacy that dulls them, it was to know nothing. But it was to teach man to concentrate himself upon the moments of a life that is itself but a moment. There are few of us who have not sometimes wakened before dawn, either after one of those dreamless nights that make us almost enamoured of death, or one of those nights of horror and misshapen joy, when through the chambers of the brain sweep phantoms more terrible than reality itself, and instinct with that vivid life that lurks in all grotesques, and that lends to Gothic art its enduring vitality, this art being, one might fancy, especially the art of those whose minds have been troubled with the malady of reverie. Gradually white fingers creep through the curtains, and they appear to tremble. In black fantastic shapes, dumb shadows crawl into the corners of the room and crouch there. Outside, there is the stirring of birds among the leaves, or the sound of men going forth to their work, or the sigh and sob of the wind coming down from the hills and wandering round the silent house, as though it feared to wake the sleepers and yet must needs call forth sleep from her purple cave. Veil after veil of thin dusky gauze is lifted, and by degrees the forms and colours of things are restored to them, and we watch the dawn remaking the world in its antique pattern. The wan mirrors get back their mimic life. The flameless tapers stand where we had left them, and beside them lies the half-cut book that we had been studying, or the wired flower that we had worn at the ball, or the letter that we had been afraid to read, or that we had read too often. Nothing seems to us changed. Out of the unreal shadows of the night comes back the real life that we had known. We have to resume it where we had left off, and there steals over us a terrible sense of the necessity for the continuance of energy in the same wearisome round of stereotyped habits, or a wild longing, it may be, that our eyelids might open some morning upon a world that had been refashioned anew in the darkness for our pleasure, a world in which things would have fresh shapes and colours, and be changed, or have other secrets, a world in which the past would have little or no place, or survive, at any rate, in no conscious form of obligation or regret, the remembrance even of joy having its bitterness and the memories of pleasure their pain. It was the creation of such worlds as these that seemed to Dorian Gray to be the true object, or amongst the true objects, of life; and in his search for sensations that would be at once new and delightful, and possess that element of strangeness that is so essential to romance, he would often adopt certain modes of thought that he knew to be really alien to his nature, abandon himself to their subtle influences, and then, having, as it were, caught their colour and satisfied his intellectual curiosity, leave them with that curious indifference that is not incompatible with a real ardour of temperament, and that, indeed, according to certain modern psychologists, is often a condition of it. It was rumoured of him once that he was about to join the Roman Catholic communion, and certainly the Roman ritual had always a great attraction for him. The daily sacrifice, more awful really than all the sacrifices of the antique world, stirred him as much by its superb rejection of the evidence of the senses as by the primitive simplicity of its elements and the eternal pathos of the human tragedy that it sought to symbolize. He loved to kneel down on the cold marble pavement and watch the priest, in his stiff flowered dalmatic, slowly and with white hands moving aside the veil of the tabernacle, or raising aloft the jewelled, lantern-shaped monstrance with that pallid wafer that at times, one would fain think, is indeed the "_panis c lestis_," the bread of angels, or, robed in the garments of the Passion of Christ, breaking the Host into the chalice and smiting his breast for his sins. The fuming censers that the grave boys, in their lace and scarlet, tossed into the air like great gilt flowers had their subtle fascination for him. As he passed out, he used to look with wonder at the black confessionals and long to sit in the dim shadow of one of them and listen to men and women whispering through the worn grating the true story of their lives. But he never fell into the error of arresting his intellectual development by any formal acceptance of creed or system, or of mistaking, for a house in which to live, an inn that is but suitable for the sojourn of a night, or for a few hours of a night in which there are no stars and the moon is in travail. Mysticism, with its marvellous power of making common things strange to us, and the subtle antinomianism that always seems to accompany it, moved him for a season; and for a season he inclined to the materialistic doctrines of the _Darwinismus_ movement in Germany, and found a curious pleasure in tracing the thoughts and passions of men to some pearly cell in the brain, or some white nerve in the body, delighting in the conception of the absolute dependence of the spirit on certain physical conditions, morbid or healthy, normal or diseased. Yet, as has been said of him before, no theory of life seemed to him to be of any importance compared with life itself. He felt keenly conscious of how barren all intellectual speculation is when separated from action and experiment. He knew that the senses, no less than the soul, have their spiritual mysteries to reveal. And so he would now study perfumes and the secrets of their manufacture, distilling heavily scented oils and burning odorous gums from the East. He saw that there was no mood of the mind that had not its counterpart in the sensuous life, and set himself to discover their true relations, wondering what there was in frankincense that made one mystical, and in ambergris that stirred one s passions, and in violets that woke the memory of dead romances, and in musk that troubled the brain, and in champak that stained the imagination; and seeking often to elaborate a real psychology of perfumes, and to estimate the several influences of sweet-smelling roots and scented, pollen-laden flowers; of aromatic balms and of dark and fragrant woods; of spikenard, that sickens; of hovenia, that makes men mad; and of aloes, that are said to be able to expel melancholy from the soul. At another time he devoted himself entirely to music, and in a long latticed room, with a vermilion-and-gold ceiling and walls of olive-green lacquer, he used to give curious concerts in which mad gipsies tore wild music from little zithers, or grave, yellow-shawled Tunisians plucked at the strained strings of monstrous lutes, while grinning Negroes beat monotonously upon copper drums and, crouching upon scarlet mats, slim turbaned Indians blew through long pipes of reed or brass and charmed or feigned to charm great hooded snakes and horrible horned adders. The harsh intervals and shrill discords of barbaric music stirred him at times when Schubert s grace, and Chopin s beautiful sorrows, and the mighty harmonies of Beethoven himself, fell unheeded on his ear. He collected together from all parts of the world the strangest instruments that could be found, either in the tombs of dead nations or among the few savage tribes that have survived contact with Western civilizations, and loved to touch and try them. He had the mysterious _juruparis_ of the Rio Negro Indians, that women are not allowed to look at and that even youths may not see till they have been subjected to fasting and scourging, and the earthen jars of the Peruvians that have the shrill cries of birds, and flutes of human bones such as Alfonso de Ovalle heard in Chile, and the sonorous green jaspers that are found near Cuzco and give forth a note of singular sweetness. He had painted gourds filled with pebbles that rattled when they were shaken; the long _clarin_ of the Mexicans, into which the performer does not blow, but through which he inhales the air; the harsh _ture_ of the Amazon tribes, that is sounded by the sentinels who sit all day long in high trees, and can be heard, it is said, at a distance of three leagues; the _teponaztli_, that has two vibrating tongues of wood and is beaten with sticks that are smeared with an elastic gum obtained from the milky juice of plants; the _yotl_-bells of the Aztecs, that are hung in clusters like grapes; and a huge cylindrical drum, covered with the skins of great serpents, like the one that Bernal Diaz saw when he went with Cortes into the Mexican temple, and of whose doleful sound he has left us so vivid a description. The fantastic character of these instruments fascinated him, and he felt a curious delight in the thought that art, like Nature, has her monsters, things of bestial shape and with hideous voices. Yet, after some time, he wearied of them, and would sit in his box at the opera, either alone or with Lord Henry, listening in rapt pleasure to "Tannhauser" and seeing in the prelude to that great work of art a presentation of the tragedy of his own soul. On one occasion he took up the study of jewels, and appeared at a costume ball as Anne de Joyeuse, Admiral of France, in a dress covered with five hundred and sixty pearls. This taste enthralled him for years, and, indeed, may be said never to have left him. He would often spend a whole day settling and resettling in their cases the various stones that he had collected, such as the olive-green chrysoberyl that turns red by lamplight, the cymophane with its wirelike line of silver, the pistachio-coloured peridot, rose-pink and wine-yellow topazes, carbuncles of fiery scarlet with tremulous, four-rayed stars, flame-red cinnamon-stones, orange and violet spinels, and amethysts with their alternate layers of ruby and sapphire. He loved the red gold of the sunstone, and the moonstone s pearly whiteness, and the broken rainbow of the milky opal. He procured from Amsterdam three emeralds of extraordinary size and richness of colour, and had a turquoise _de la vieille roche_ that was the envy of all the connoisseurs. He discovered wonderful stories, also, about jewels. In Alphonso s Clericalis Disciplina a serpent was mentioned with eyes of real jacinth, and in the romantic history of Alexander, the Conqueror of Emathia was said to have found in the vale of Jordan snakes "with collars of real emeralds growing on their backs." There was a gem in the brain of the dragon, Philostratus told us, and "by the exhibition of golden letters and a scarlet robe" the monster could be thrown into a magical sleep and slain. According to the great alchemist, Pierre de Boniface, the diamond rendered a man invisible, and the agate of India made him eloquent. The cornelian appeased anger, and the hyacinth provoked sleep, and the amethyst drove away the fumes of wine. The garnet cast out demons, and the hydropicus deprived the moon of her colour. The selenite waxed and waned with the moon, and the meloceus, that discovers thieves, could be affected only by the blood of kids. Leonardus Camillus had seen a white stone taken from the brain of a newly killed toad, that was a certain antidote against poison. The bezoar, that was found in the heart of the Arabian deer, was a charm that could cure the plague. In the nests of Arabian birds was the aspilates, that, according to Democritus, kept the wearer from any danger by fire. The King of Ceilan rode through his city with a large ruby in his hand, as the ceremony of his coronation. The gates of the palace of John the Priest were "made of sardius, with the horn of the horned snake inwrought, so that no man might bring poison within." Over the gable were "two golden apples, in which were two carbuncles," so that the gold might shine by day and the carbuncles by night. In Lodge s strange romance A Margarite of America , it was stated that in the chamber of the queen one could behold "all the chaste ladies of the world, inchased out of silver, looking through fair mirrours of chrysolites, carbuncles, sapphires, and greene emeraults." Marco Polo had seen the inhabitants of Zipangu place rose-coloured pearls in the mouths of the dead. A sea-monster had been enamoured of the pearl that the diver brought to King Perozes, and had slain the thief, and mourned for seven moons over its loss. When the Huns lured the king into the great pit, he flung it away Procopius tells the story nor was it ever found again, though the Emperor Anastasius offered five hundred-weight of gold pieces for it. The King of Malabar had shown to a certain Venetian a rosary of three hundred and four pearls, one for every god that he worshipped. When the Duke de Valentinois, son of Alexander VI., visited Louis XII. of France, his horse was loaded with gold leaves, according to Brantome, and his cap had double rows of rubies that threw out a great light. Charles of England had ridden in stirrups hung with four hundred and twenty-one diamonds. Richard II had a coat, valued at thirty thousand marks, which was covered with balas rubies. Hall described Henry VIII., on his way to the Tower previous to his coronation, as wearing "a jacket of raised gold, the placard embroidered with diamonds and other rich stones, and a great bauderike about his neck of large balasses." The favourites of James I wore ear-rings of emeralds set in gold filigrane. Edward II gave to Piers Gaveston a suit of red-gold armour studded with jacinths, a collar of gold roses set with turquoise-stones, and a skull-cap _parsem _ with pearls. Henry II. wore jewelled gloves reaching to the elbow, and had a hawk-glove sewn with twelve rubies and fifty-two great orients. The ducal hat of Charles the Rash, the last Duke of Burgundy of his race, was hung with pear-shaped pearls and studded with sapphires. How exquisite life had once been! How gorgeous in its pomp and decoration! Even to read of the luxury of the dead was wonderful. Then he turned his attention to embroideries and to the tapestries that performed the office of frescoes in the chill rooms of the northern nations of Europe. As he investigated the subject and he always had an extraordinary faculty of becoming absolutely absorbed for the moment in whatever he took up he was almost saddened by the reflection of the ruin that time brought on beautiful and wonderful things. He, at any rate, had escaped that. Summer followed summer, and the yellow jonquils bloomed and died many times, and nights of horror repeated the story of their shame, but he was unchanged. No winter marred his face or stained his flowerlike bloom. How different it was with material things! Where had they passed to? Where was the great crocus-coloured robe, on which the gods fought against the giants, that had been worked by brown girls for the pleasure of Athena? Where the huge velarium that Nero had stretched across the Colosseum at Rome, that Titan sail of purple on which was represented the starry sky, and Apollo driving a chariot drawn by white, gilt-reined steeds? He longed to see the curious table-napkins wrought for the Priest of the Sun, on which were displayed all the dainties and viands that could be wanted for a feast; the mortuary cloth of King Chilperic, with its three hundred golden bees; the fantastic robes that excited the indignation of the Bishop of Pontus and were figured with "lions, panthers, bears, dogs, forests, rocks, hunters all, in fact, that a painter can copy from nature"; and the coat that Charles of Orleans once wore, on the sleeves of which were embroidered the verses of a song beginning "_Madame, je suis tout joyeux_," the musical accompaniment of the words being wrought in gold thread, and each note, of square shape in those days, formed with four pearls. He read of the room that was prepared at the palace at Rheims for the use of Queen Joan of Burgundy and was decorated with "thirteen hundred and twenty-one parrots, made in broidery, and blazoned with the king s arms, and five hundred and sixty-one butterflies, whose wings were similarly ornamented with the arms of the queen, the whole worked in gold." Catherine de Medicis had a mourning-bed made for her of black velvet powdered with crescents and suns. Its curtains were of damask, with leafy wreaths and garlands, figured upon a gold and silver ground, and fringed along the edges with broideries of pearls, and it stood in a room hung with rows of the queen s devices in cut black velvet upon cloth of silver. Louis XIV. had gold embroidered caryatides fifteen feet high in his apartment. The state bed of Sobieski, King of Poland, was made of Smyrna gold brocade embroidered in turquoises with verses from the Koran. Its supports were of silver gilt, beautifully chased, and profusely set with enamelled and jewelled medallions. It had been taken from the Turkish camp before Vienna, and the standard of Mohammed had stood beneath the tremulous gilt of its canopy. And so, for a whole year, he sought to accumulate the most exquisite specimens that he could find of textile and embroidered work, getting the dainty Delhi muslins, finely wrought with gold-thread palmates and stitched over with iridescent beetles wings; the Dacca gauzes, that from their transparency are known in the East as "woven air," and "running water," and "evening dew"; strange figured cloths from Java; elaborate yellow Chinese hangings; books bound in tawny satins or fair blue silks and wrought with _fleurs-de-lis_, birds and images; veils of _lacis_ worked in Hungary point; Sicilian brocades and stiff Spanish velvets; Georgian work, with its gilt coins, and Japanese _Foukousas_, with their green-toned golds and their marvellously plumaged birds. He had a special passion, also, for ecclesiastical vestments, as indeed he had for everything connected with the service of the Church. In the long cedar chests that lined the west gallery of his house, he had stored away many rare and beautiful specimens of what is really the raiment of the Bride of Christ, who must wear purple and jewels and fine linen that she may hide the pallid macerated body that is worn by the suffering that she seeks for and wounded by self-inflicted pain. He possessed a gorgeous cope of crimson silk and gold-thread damask, figured with a repeating pattern of golden pomegranates set in six-petalled formal blossoms, beyond which on either side was the pine-apple device wrought in seed-pearls. The orphreys were divided into panels representing scenes from the life of the Virgin, and the coronation of the Virgin was figured in coloured silks upon the hood. This was Italian work of the fifteenth century. Another cope was of green velvet, embroidered with heart-shaped groups of acanthus-leaves, from which spread long-stemmed white blossoms, the details of which were picked out with silver thread and coloured crystals. The morse bore a seraph s head in gold-thread raised work. The orphreys were woven in a diaper of red and gold silk, and were starred with medallions of many saints and martyrs, among whom was St. Sebastian. He had chasubles, also, of amber-coloured silk, and blue silk and gold brocade, and yellow silk damask and cloth of gold, figured with representations of the Passion and Crucifixion of Christ, and embroidered with lions and peacocks and other emblems; dalmatics of white satin and pink silk damask, decorated with tulips and dolphins and _fleurs-de-lis_; altar frontals of crimson velvet and blue linen; and many corporals, chalice-veils, and sudaria. In the mystic offices to which such things were put, there was something that quickened his imagination. For these treasures, and everything that he collected in his lovely house, were to be to him means of forgetfulness, modes by which he could escape, for a season, from the fear that seemed to him at times to be almost too great to be borne. Upon the walls of the lonely locked room where he had spent so much of his boyhood, he had hung with his own hands the terrible portrait whose changing features showed him the real degradation of his life, and in front of it had draped the purple-and-gold pall as a curtain. For weeks he would not go there, would forget the hideous painted thing, and get back his light heart, his wonderful joyousness, his passionate absorption in mere existence. Then, suddenly, some night he would creep out of the house, go down to dreadful places near Blue Gate Fields, and stay there, day after day, until he was driven away. On his return he would sit in front of the picture, sometimes loathing it and himself, but filled, at other times, with that pride of individualism that is half the fascination of sin, and smiling with secret pleasure at the misshapen shadow that had to bear the burden that should have been his own. After a few years he could not endure to be long out of England, and gave up the villa that he had shared at Trouville with Lord Henry, as well as the little white walled-in house at Algiers where they had more than once spent the winter. He hated to be separated from the picture that was such a part of his life, and was also afraid that during his absence some one might gain access to the room, in spite of the elaborate bars that he had caused to be placed upon the door. He was quite conscious that this would tell them nothing. It was true that the portrait still preserved, under all the foulness and ugliness of the face, its marked likeness to himself; but what could they learn from that? He would laugh at any one who tried to taunt him. He had not painted it. What was it to him how vile and full of shame it looked? Even if he told them, would they believe it? Yet he was afraid. Sometimes when he was down at his great house in Nottinghamshire, entertaining the fashionable young men of his own rank who were his chief companions, and astounding the county by the wanton luxury and gorgeous splendour of his mode of life, he would suddenly leave his guests and rush back to town to see that the door had not been tampered with and that the picture was still there. What if it should be stolen? The mere thought made him cold with horror. Surely the world would know his secret then. Perhaps the world already suspected it. For, while he fascinated many, there were not a few who distrusted him. He was very nearly blackballed at a West End club of which his birth and social position fully entitled him to become a member, and it was said that on one occasion, when he was brought by a friend into the smoking-room of the Churchill, the Duke of Berwick and another gentleman got up in a marked manner and went out. Curious stories became current about him after he had passed his twenty-fifth year. It was rumoured that he had been seen brawling with foreign sailors in a low den in the distant parts of Whitechapel, and that he consorted with thieves and coiners and knew the mysteries of their trade. His extraordinary absences became notorious, and, when he used to reappear again in society, men would whisper to each other in corners, or pass him with a sneer, or look at him with cold searching eyes, as though they were determined to discover his secret. Of such insolences and attempted slights he, of course, took no notice, and in the opinion of most people his frank debonair manner, his charming boyish smile, and the infinite grace of that wonderful youth that seemed never to leave him, were in themselves a sufficient answer to the calumnies, for so they termed them, that were circulated about him. It was remarked, however, that some of those who had been most intimate with him appeared, after a time, to shun him. Women who had wildly adored him, and for his sake had braved all social censure and set convention at defiance, were seen to grow pallid with shame or horror if Dorian Gray entered the room. Yet these whispered scandals only increased in the eyes of many his strange and dangerous charm. His great wealth was a certain element of security. Society civilized society, at least is never very ready to believe anything to the detriment of those who are both rich and fascinating. It feels instinctively that manners are of more importance than morals, and, in its opinion, the highest respectability is of much less value than the possession of a good _chef_. And, after all, it is a very poor consolation to be told that the man who has given one a bad dinner, or poor wine, is irreproachable in his private life. Even the cardinal virtues cannot atone for half-cold _entr es_, as Lord Henry remarked once, in a discussion on the subject, and there is possibly a good deal to be said for his view. For the canons of good society are, or should be, the same as the canons of art. Form is absolutely essential to it. It should have the dignity of a ceremony, as well as its unreality, and should combine the insincere character of a romantic play with the wit and beauty that make such plays delightful to us. Is insincerity such a terrible thing? I think not. It is merely a method by which we can multiply our personalities. Such, at any rate, was Dorian Gray s opinion. He used to wonder at the shallow psychology of those who conceive the ego in man as a thing simple, permanent, reliable, and of one essence. To him, man was a being with myriad lives and myriad sensations, a complex multiform creature that bore within itself strange legacies of thought and passion, and whose very flesh was tainted with the monstrous maladies of the dead. He loved to stroll through the gaunt cold picture-gallery of his country house and look at the various portraits of those whose blood flowed in his veins. Here was Philip Herbert, described by Francis Osborne, in his Memoires on the Reigns of Queen Elizabeth and King James, as one who was "caressed by the Court for his handsome face, which kept him not long company." Was it young Herbert s life that he sometimes led? Had some strange poisonous germ crept from body to body till it had reached his own? Was it some dim sense of that ruined grace that had made him so suddenly, and almost without cause, give utterance, in Basil Hallward s studio, to the mad prayer that had so changed his life? Here, in gold-embroidered red doublet, jewelled surcoat, and gilt-edged ruff and wristbands, stood Sir Anthony Sherard, with his silver-and-black armour piled at his feet. What had this man s legacy been? Had the lover of Giovanna of Naples bequeathed him some inheritance of sin and shame? Were his own actions merely the dreams that the dead man had not dared to realize? Here, from the fading canvas, smiled Lady Elizabeth Devereux, in her gauze hood, pearl stomacher, and pink slashed sleeves. A flower was in her right hand, and her left clasped an enamelled collar of white and damask roses. On a table by her side lay a mandolin and an apple. There were large green rosettes upon her little pointed shoes. He knew her life, and the strange stories that were told about her lovers. Had he something of her temperament in him? These oval, heavy-lidded eyes seemed to look curiously at him. What of George Willoughby, with his powdered hair and fantastic patches? How evil he looked! The face was saturnine and swarthy, and the sensual lips seemed to be twisted with disdain. Delicate lace ruffles fell over the lean yellow hands that were so overladen with rings. He had been a macaroni of the eighteenth century, and the friend, in his youth, of Lord Ferrars. What of the second Lord Beckenham, the companion of the Prince Regent in his wildest days, and one of the witnesses at the secret marriage with Mrs. Fitzherbert? How proud and handsome he was, with his chestnut curls and insolent pose! What passions had he bequeathed? The world had looked upon him as infamous. He had led the orgies at Carlton House. The star of the Garter glittered upon his breast. Beside him hung the portrait of his wife, a pallid, thin-lipped woman in black. Her blood, also, stirred within him. How curious it all seemed! And his mother with her Lady Hamilton face and her moist, wine-dashed lips he knew what he had got from her. He had got from her his beauty, and his passion for the beauty of others. She laughed at him in her loose Bacchante dress. There were vine leaves in her hair. The purple spilled from the cup she was holding. The carnations of the painting had withered, but the eyes were still wonderful in their depth and brilliancy of colour. They seemed to follow him wherever he went. Yet one had ancestors in literature as well as in one s own race, nearer perhaps in type and temperament, many of them, and certainly with an influence of which one was more absolutely conscious. There were times when it appeared to Dorian Gray that the whole of history was merely the record of his own life, not as he had lived it in act and circumstance, but as his imagination had created it for him, as it had been in his brain and in his passions. He felt that he had known them all, those strange terrible figures that had passed across the stage of the world and made sin so marvellous and evil so full of subtlety. It seemed to him that in some mysterious way their lives had been his own. The hero of the wonderful novel that had so influenced his life had himself known this curious fancy. In the seventh chapter he tells how, crowned with laurel, lest lightning might strike him, he had sat, as Tiberius, in a garden at Capri, reading the shameful books of Elephantis, while dwarfs and peacocks strutted round him and the flute-player mocked the swinger of the censer; and, as Caligula, had caroused with the green-shirted jockeys in their stables and supped in an ivory manger with a jewel-frontleted horse; and, as Domitian, had wandered through a corridor lined with marble mirrors, looking round with haggard eyes for the reflection of the dagger that was to end his days, and sick with that ennui, that terrible _t dium vit _, that comes on those to whom life denies nothing; and had peered through a clear emerald at the red shambles of the circus and then, in a litter of pearl and purple drawn by silver-shod mules, been carried through the Street of Pomegranates to a House of Gold and heard men cry on Nero Caesar as he passed by; and, as Elagabalus, had painted his face with colours, and plied the distaff among the women, and brought the Moon from Carthage and given her in mystic marriage to the Sun. Over and over again Dorian used to read this fantastic chapter, and the two chapters immediately following, in which, as in some curious tapestries or cunningly wrought enamels, were pictured the awful and beautiful forms of those whom vice and blood and weariness had made monstrous or mad: Filippo, Duke of Milan, who slew his wife and painted her lips with a scarlet poison that her lover might suck death from the dead thing he fondled; Pietro Barbi, the Venetian, known as Paul the Second, who sought in his vanity to assume the title of Formosus, and whose tiara, valued at two hundred thousand florins, was bought at the price of a terrible sin; Gian Maria Visconti, who used hounds to chase living men and whose murdered body was covered with roses by a harlot who had loved him; the Borgia on his white horse, with Fratricide riding beside him and his mantle stained with the blood of Perotto; Pietro Riario, the young Cardinal Archbishop of Florence, child and minion of Sixtus IV., whose beauty was equalled only by his debauchery, and who received Leonora of Aragon in a pavilion of white and crimson silk, filled with nymphs and centaurs, and gilded a boy that he might serve at the feast as Ganymede or Hylas; Ezzelin, whose melancholy could be cured only by the spectacle of death, and who had a passion for red blood, as other men have for red wine the son of the Fiend, as was reported, and one who had cheated his father at dice when gambling with him for his own soul; Giambattista Cibo, who in mockery took the name of Innocent and into whose torpid veins the blood of three lads was infused by a Jewish doctor; Sigismondo Malatesta, the lover of Isotta and the lord of Rimini, whose effigy was burned at Rome as the enemy of God and man, who strangled Polyssena with a napkin, and gave poison to Ginevra d Este in a cup of emerald, and in honour of a shameful passion built a pagan church for Christian worship; Charles VI., who had so wildly adored his brother s wife that a leper had warned him of the insanity that was coming on him, and who, when his brain had sickened and grown strange, could only be soothed by Saracen cards painted with the images of love and death and madness; and, in his trimmed jerkin and jewelled cap and acanthuslike curls, Grifonetto Baglioni, who slew Astorre with his bride, and Simonetto with his page, and whose comeliness was such that, as he lay dying in the yellow piazza of Perugia, those who had hated him could not choose but weep, and Atalanta, who had cursed him, blessed him. There was a horrible fascination in them all. He saw them at night, and they troubled his imagination in the day. The Renaissance knew of strange manners of poisoning poisoning by a helmet and a lighted torch, by an embroidered glove and a jewelled fan, by a gilded pomander and by an amber chain. Dorian Gray had been poisoned by a book. There were moments when he looked on evil simply as a mode through which he could realize his conception of the beautiful. CHAPTER XII It was on the ninth of November, the eve of his own thirty-eighth birthday, as he often remembered afterwards. He was walking home about eleven o clock from Lord Henry s, where he had been dining, and was wrapped in heavy furs, as the night was cold and foggy. At the corner of Grosvenor Square and South Audley Street, a man passed him in the mist, walking very fast and with the collar of his grey ulster turned up. He had a bag in his hand. Dorian recognized him. It was Basil Hallward. A strange sense of fear, for which he could not account, came over him. He made no sign of recognition and went on quickly in the direction of his own house. But Hallward had seen him. Dorian heard him first stopping on the pavement and then hurrying after him. In a few moments, his hand was on his arm.</\|quote\|>"Dorian! What an extraordinary piece of luck! I have been waiting for you in your library ever since nine o clock. Finally I took pity on your tired servant and told him to go to bed, as he let me out. I am off to Paris by the midnight train,	his bedside and began to dress for dinner. It was almost nine o clock before he reached the club, where he found Lord Henry sitting alone, in the morning-room, looking very much bored. "I am so sorry, Harry," he cried, "but really it is entirely your fault. That book you sent me so fascinated me that I forgot how the time was going." "Yes, I thought you would like it," replied his host, rising from his chair. "I didn t say I liked it, Harry. I said it fascinated me. There is a great difference." "Ah, you have discovered that?"<\|quote\|>murmured Lord Henry. And they passed into the dining-room. CHAPTER XI. For years, Dorian Gray could not free himself from the influence of this book. Or perhaps it would be more accurate to say that he never sought to free himself from it. He procured from Paris no less than nine large-paper copies of the first edition, and had them bound in different colours, so that they might suit his various moods and the changing fancies of a nature over which he seemed, at times, to have almost entirely lost control. The hero, the wonderful young Parisian in whom the romantic and the scientific temperaments were so strangely blended, became to him a kind of prefiguring type of himself. And, indeed, the whole book seemed to him to contain the story of his own life, written before he had lived it. In one point he was more fortunate than the novel s fantastic hero. He never knew never, indeed, had any cause to know that somewhat grotesque dread of mirrors, and polished metal surfaces, and still water which came upon the young Parisian so early in his life, and was occasioned by the sudden decay of a beau that had once, apparently, been so remarkable. It was with an almost cruel joy and perhaps in nearly every joy, as certainly in every pleasure, cruelty has its place that he used to read the latter part of the book, with its really tragic, if somewhat overemphasized, account of the sorrow and despair of one who had himself lost what in others, and the world, he had most dearly valued. For the wonderful beauty that had so fascinated Basil Hallward, and many others besides him, seemed never to leave him. Even those who had heard the most evil things against him and from time to time strange rumours about his mode of life crept through London and became the chatter of the clubs could not believe anything to his dishonour when they saw him. He had always the look of one who had kept himself unspotted from the world. Men who talked grossly became silent when Dorian Gray entered the room. There was something in the purity of his face that rebuked them. His mere presence seemed to recall to them the memory of the innocence that they had tarnished. They wondered how one so charming and graceful as he was could have escaped the stain of an age that was at once sordid and sensual. Often, on returning home from one of those mysterious and prolonged absences that gave rise to such strange conjecture among those who were his friends, or thought that they were so, he himself would creep upstairs to the locked room, open the door with the key that never left him now, and stand, with a mirror, in front of the portrait that Basil Hallward had painted of him, looking now at the evil and aging face on the canvas, and now at the fair young face that laughed back at him from the polished glass. The very sharpness of the contrast used to quicken his sense of pleasure. He grew more and more enamoured of his own beauty, more and more interested in the corruption of his own soul. He would examine with minute care, and sometimes with a monstrous and terrible delight, the hideous lines that seared the wrinkling forehead or crawled around the heavy sensual mouth, wondering sometimes which were the more horrible, the signs of sin or the signs of age. He would place his white hands beside the coarse bloated hands of the picture, and smile. He mocked the misshapen body and the failing limbs. There were moments, indeed, at night, when, lying sleepless in his own delicately scented chamber, or in the sordid room of the little ill-famed tavern near the docks which, under an assumed name and in disguise, it was his habit to frequent, he would think of the ruin he had brought upon his soul with a pity that was all the more poignant because it was purely selfish. But moments such as these were rare. That curiosity about life which Lord Henry had first stirred in him, as they sat together in the garden of their friend, seemed to increase with gratification. The more he knew, the more he desired to know. He had mad hungers that grew more ravenous as he fed them. Yet he was not really reckless, at any rate in his relations to society. Once or twice every month during the winter, and on each Wednesday evening while the season lasted, he would throw open to the world his beautiful house and have the most celebrated musicians of the day to charm his guests with the wonders of their art. His little dinners, in the settling of which Lord Henry always assisted him, were noted as much for the careful selection and placing of those invited, as for the exquisite taste shown in the decoration of the table, with its subtle symphonic arrangements of exotic flowers, and embroidered cloths, and antique plate of gold and silver. Indeed, there were many, especially among the very young men, who saw, or fancied that they saw, in Dorian Gray the true realization of a type of which they had often dreamed in Eton or Oxford days, a type that was to combine something of the real culture of the scholar with all the grace and distinction and perfect manner of a citizen of the world. To them he seemed to be of the company of those whom Dante describes as having sought to "make themselves perfect by the worship of beauty." Like Gautier, he was one for whom "the visible world existed." And, certainly, to him life itself was the first, the greatest, of the arts, and for it all the other arts seemed to be but a preparation. Fashion, by which what is really fantastic becomes for a moment universal, and dandyism, which, in its own way, is an attempt to assert the absolute modernity of beauty, had, of course, their fascination for him. His mode of dressing, and the particular styles that from time to time he affected, had their marked influence on the young exquisites of the Mayfair balls and Pall Mall club windows, who copied him in everything that he did, and tried to reproduce the accidental charm of his graceful, though to him only half-serious, fopperies. For, while he was but too ready to accept the position that was almost immediately offered to him on his coming of age, and found, indeed, a subtle pleasure in the thought that he might really become to the London of his own day what to imperial Neronian Rome the author of the Satyricon once had been, yet in his inmost heart he desired to be something more than a mere _arbiter elegantiarum_, to be consulted on the wearing of a jewel, or the knotting of a necktie, or the conduct of a cane. He sought to elaborate some new scheme of life that would have its reasoned philosophy and its ordered principles, and find in the spiritualizing of the senses its highest realization. The worship of the senses has often, and with much justice, been decried, men feeling a natural instinct of terror about passions and sensations that seem stronger than themselves, and that they are conscious of sharing with the less highly organized forms of existence. But it appeared to Dorian Gray that the true nature of the senses had never been understood, and that they had remained savage and animal merely because the world had sought to starve them into submission or to kill them by pain, instead of aiming at making them elements of a new spirituality, of which a fine instinct for beauty was to be the dominant characteristic. As he looked back upon man moving through history, he was haunted by a feeling of loss. So much had been surrendered! and to such little purpose! There had been mad wilful rejections, monstrous forms of self-torture and self-denial, whose origin was fear and whose result was a degradation infinitely more terrible than that fancied degradation from which, in their ignorance, they had sought to escape; Nature, in her wonderful irony, driving out the anchorite to feed with the wild animals of the desert and giving to the hermit the beasts of the field as his companions. Yes: there was to be, as Lord Henry had prophesied, a new Hedonism that was to recreate life and to save it from that harsh uncomely puritanism that is having, in our own day, its curious revival. It was to have its service of the intellect, certainly, yet it was never to accept any theory or system that would involve the sacrifice of any mode of passionate experience. Its aim, indeed, was to be experience itself, and not the fruits of experience, sweet or bitter as they might be. Of the asceticism that deadens the senses, as of the vulgar profligacy that dulls them, it was to know nothing. But it was to teach man to concentrate himself upon the moments of a life that is itself but a moment. There are few of us who have not sometimes wakened before dawn, either after one of those dreamless nights that make us almost enamoured of death, or one of those nights of horror and misshapen joy, when through the chambers of the brain sweep phantoms more terrible than reality itself, and instinct with that vivid life that lurks in all grotesques, and that lends to Gothic art its enduring vitality, this art being, one might fancy, especially the art of those whose minds have been troubled with the malady of reverie. Gradually white fingers creep through the curtains, and they appear to tremble. In black fantastic shapes, dumb shadows crawl into the corners of the room and crouch there. Outside, there is the stirring of birds among the leaves, or the sound of men going forth to their work, or the sigh and sob of the wind coming down from the hills and wandering round the silent house, as though it feared to wake the sleepers and yet must needs call forth sleep from her purple cave. Veil after veil of thin dusky gauze is lifted, and by degrees the forms and colours of things are restored to them, and we watch the dawn remaking the world in its antique pattern. The wan mirrors get back their mimic life. The flameless tapers stand where we had left them, and beside them lies the half-cut book that we had been studying, or the wired flower that we had worn at the ball, or the letter that we had been afraid to read, or that we had read too often. Nothing seems to us changed. Out of the unreal shadows of the night comes back the real life that we had known. We have to resume it where we had left off, and there steals over us a terrible sense of the necessity for the continuance of energy in the same wearisome round of stereotyped habits, or a wild longing, it may be, that our eyelids might open some morning upon a world that had been refashioned anew in the darkness for our pleasure, a world in which things would have fresh shapes and colours, and be changed, or have other secrets, a world in which the past would have little or no place, or survive, at any rate, in no conscious form of obligation or regret, the remembrance even of joy having its bitterness and the memories of pleasure their pain. It was the creation of such worlds as these that seemed to Dorian Gray to be the true object, or amongst the true objects, of life; and in his search for sensations that would be at once new and delightful, and possess that element of strangeness that is so essential to romance, he would often adopt certain modes of thought that he knew to be really alien to his nature, abandon himself to their subtle influences, and then, having, as it were, caught their colour and satisfied his intellectual curiosity, leave them with that curious indifference that is not incompatible with a real ardour of temperament, and that, indeed, according to certain modern psychologists, is often a condition of it. It was rumoured of him once that he was about to join the Roman Catholic communion, and certainly the Roman ritual had always a great attraction for him. The daily sacrifice, more awful really than all the sacrifices of the antique world, stirred him as much by its superb rejection of the evidence of the senses as by the primitive simplicity of its elements and the eternal pathos of the human tragedy that it sought to symbolize. He loved to kneel down on the cold marble pavement and watch the priest, in his stiff flowered dalmatic, slowly and with white hands moving aside the veil of the tabernacle, or raising aloft the jewelled, lantern-shaped monstrance with that pallid wafer that at times, one would fain think, is indeed the "_panis c lestis_," the bread of angels, or, robed in the garments of the Passion of Christ, breaking the Host into the chalice and smiting his breast for his sins. The fuming censers that the grave boys, in their lace and scarlet, tossed into the air like great gilt flowers had their subtle fascination for him. As he passed out, he used to look with wonder at the black confessionals and long to sit in the dim shadow of one of them and listen to men and women whispering through the worn grating the true story of their lives. But he never fell into the error of arresting his intellectual development by any formal acceptance of creed or system, or of mistaking, for a house in which to live, an inn that is but suitable for the sojourn of a night, or for a few hours of a night in which there are no stars and the moon is in travail. Mysticism, with its marvellous power of making common things strange to us, and the subtle antinomianism that always seems to accompany it, moved him for a season; and for a season he inclined to the materialistic doctrines of the _Darwinismus_ movement in Germany, and found a curious pleasure in tracing the thoughts and passions of men to some pearly cell in the brain, or some white nerve in the body, delighting in the conception of the absolute dependence of the spirit on certain physical conditions, morbid or healthy, normal or diseased. Yet, as has been said of him before, no theory of life seemed to him to be of any importance compared with life itself. He felt keenly conscious of how barren all intellectual speculation is when separated from action and experiment. He knew that the senses, no less than the soul, have their spiritual mysteries to reveal. And so he would now study perfumes and the secrets of their manufacture, distilling heavily scented oils and burning odorous gums from the East. He saw that there was no mood of the mind that had not its counterpart in the sensuous life, and set himself to discover their true relations, wondering what there was in frankincense that made one mystical, and in ambergris that stirred one s passions, and in violets that woke the memory of dead romances, and in musk that troubled the brain, and in champak that stained the imagination; and seeking often to elaborate a real psychology of perfumes, and to estimate the several influences of sweet-smelling roots and scented, pollen-laden flowers; of aromatic balms and of dark and fragrant woods; of spikenard, that sickens; of hovenia, that makes men mad; and of aloes, that are said to be able to expel melancholy from the soul. At another time he devoted himself entirely to music, and in a long latticed room, with a vermilion-and-gold ceiling and walls of olive-green lacquer, he used to give curious concerts in which mad gipsies tore wild music from little zithers, or grave, yellow-shawled Tunisians plucked at the strained strings of monstrous lutes, while grinning Negroes beat monotonously upon copper drums and, crouching upon scarlet mats, slim turbaned Indians blew through long pipes of reed or brass and charmed or feigned to charm great hooded snakes and horrible horned adders. The harsh intervals and shrill discords of barbaric music stirred him at times when Schubert s grace, and Chopin s beautiful sorrows, and the mighty harmonies of Beethoven himself, fell unheeded on his ear. He collected together from all parts of the world the strangest instruments that could be found, either in the tombs of dead nations or among the few savage tribes that have survived contact with Western civilizations, and loved to touch and try them. He had the mysterious _juruparis_ of the Rio Negro Indians, that women are not allowed to look at and that even youths may not see till they have been subjected to fasting and scourging, and the earthen jars of the Peruvians that have the shrill cries of birds, and flutes of human bones such as Alfonso de Ovalle heard in Chile, and the sonorous green jaspers that are found near Cuzco and give forth a note of singular sweetness. He had painted gourds filled with pebbles that rattled when they were shaken; the long _clarin_ of the Mexicans, into which the performer does not blow, but through which he inhales the air; the harsh _ture_ of the Amazon tribes, that is sounded by the sentinels who sit all day long in high trees, and can be heard, it is said, at a distance of three leagues; the _teponaztli_, that has two vibrating tongues of wood and is beaten with sticks that are smeared with an elastic gum obtained from the milky juice of plants; the _yotl_-bells of the Aztecs, that are hung in clusters like grapes; and a huge cylindrical drum, covered with the skins of great serpents, like the one that Bernal Diaz saw when he went with Cortes into the Mexican temple, and of whose doleful sound he has left us so vivid a description. The fantastic character of these instruments fascinated him, and he felt a curious delight in the thought that art, like Nature, has her monsters, things of bestial shape and with hideous voices. Yet, after some time, he wearied of them, and would sit in his box at the opera, either alone or with Lord Henry, listening in rapt pleasure to "Tannhauser" and seeing in the prelude to that great work of art a presentation of the tragedy of his own soul. On one occasion he took up the study of jewels, and appeared at a costume ball as Anne de Joyeuse, Admiral of France, in a dress covered with five hundred and sixty pearls. This taste enthralled him for years, and, indeed, may be said never to have left him. He would often spend a whole day settling and resettling in their cases the various stones that he had collected, such as the olive-green chrysoberyl that turns red by lamplight, the cymophane with its wirelike line of silver, the pistachio-coloured peridot, rose-pink and wine-yellow topazes, carbuncles of fiery scarlet with tremulous, four-rayed stars, flame-red cinnamon-stones, orange and violet spinels, and amethysts with their alternate layers of ruby and sapphire. He loved the red gold of the sunstone, and the moonstone s pearly whiteness, and the broken rainbow of the milky opal. He procured from Amsterdam three emeralds of extraordinary size and richness of colour, and had a turquoise _de la vieille roche_ that was the envy of all the connoisseurs. He discovered wonderful stories, also, about jewels. In Alphonso s Clericalis Disciplina a serpent was mentioned with eyes of real jacinth, and in the romantic history of Alexander, the Conqueror of Emathia was said to have found in the vale of Jordan snakes "with collars of real emeralds growing on their backs." There was a gem in the brain of the dragon, Philostratus told us, and "by the exhibition of golden letters and a scarlet robe" the monster could be thrown into a magical sleep and slain. According to the great alchemist, Pierre de Boniface, the diamond rendered a man invisible, and the agate of India made him eloquent. The cornelian appeased anger, and the hyacinth provoked sleep, and the amethyst drove away the fumes of wine. The garnet cast out demons, and the hydropicus deprived the moon of her colour. The selenite waxed and waned with the moon, and the meloceus, that discovers thieves, could be affected only by the blood of kids. Leonardus Camillus had seen a white stone taken from the brain of a newly killed toad, that was a certain antidote against poison. The bezoar, that was found in the heart of the Arabian deer, was a charm that could cure the plague. In the nests of Arabian birds was the aspilates, that, according to Democritus, kept the wearer from any danger by fire. The King of Ceilan rode through his city with a large ruby in his hand, as the ceremony of his coronation. The gates of the palace of John the Priest were "made of sardius, with the horn of the horned snake inwrought, so that no man might bring poison within." Over the gable were "two golden apples, in which were two carbuncles," so that the gold might shine by day and the carbuncles by night. In Lodge s strange romance A Margarite of America , it was stated that in the chamber of the queen one could behold "all the chaste ladies of the world, inchased out of silver, looking through fair mirrours of chrysolites, carbuncles, sapphires, and greene emeraults." Marco Polo had seen the inhabitants of Zipangu place rose-coloured pearls in the mouths of the dead. A sea-monster had been enamoured of the pearl that the diver brought to King Perozes, and had slain the thief, and mourned for seven moons over its loss. When the Huns lured the king into the great pit, he flung it away Procopius tells the story nor was it ever found again, though the Emperor Anastasius offered five hundred-weight of gold pieces for it. The King of Malabar had shown to a certain Venetian a rosary of three hundred and four pearls, one for every god that he worshipped. When the Duke de Valentinois, son of Alexander VI., visited Louis XII. of France, his horse was loaded with gold leaves, according to Brantome, and his cap had double rows of rubies that threw out a great light. Charles of England had ridden in stirrups hung with four hundred and twenty-one diamonds. Richard II had a coat, valued at thirty thousand marks, which was covered with balas rubies. Hall described Henry VIII., on his way to the Tower previous to his coronation, as wearing "a jacket of raised gold, the placard embroidered with diamonds and other rich stones, and a great bauderike about his neck of large balasses." The favourites of James I wore ear-rings of emeralds set in gold filigrane. Edward II gave to Piers Gaveston a suit of red-gold armour studded with jacinths, a collar of gold roses set with turquoise-stones, and a skull-cap _parsem _ with pearls. Henry II. wore jewelled gloves reaching to the elbow, and had a hawk-glove sewn with twelve rubies and fifty-two great orients. The ducal hat of Charles the Rash, the last Duke of Burgundy of his race, was hung with pear-shaped pearls and studded with sapphires. How exquisite life had once been! How gorgeous in its pomp and decoration! Even to read of the luxury of the dead was wonderful. Then he turned his attention to embroideries and to the tapestries that performed the office of frescoes in the chill rooms of the northern nations of Europe. As he investigated the subject and he always had an extraordinary faculty of becoming absolutely absorbed for the moment in whatever he took up he was almost saddened by the reflection of the ruin that time brought on beautiful and wonderful things. He, at any rate, had escaped that. Summer followed summer, and the yellow jonquils bloomed and died many times, and nights of horror repeated the story of their shame, but he was unchanged. No winter marred his face or stained his flowerlike bloom. How different it was with material things! Where had they passed to? Where was the great crocus-coloured robe, on which the gods fought against the giants, that had been worked by brown girls for the pleasure of Athena? Where the huge velarium that Nero had stretched across the Colosseum at Rome, that Titan sail of purple on which was represented the starry sky, and Apollo driving a chariot drawn by white, gilt-reined steeds? He longed to see the curious table-napkins wrought for the Priest of the Sun, on which were displayed all the dainties and viands that could be wanted for a feast; the mortuary cloth of King Chilperic, with its three hundred golden bees; the fantastic robes that excited the indignation of the Bishop of Pontus and were figured with "lions, panthers, bears, dogs, forests, rocks, hunters all, in fact, that a painter can copy from nature"; and the coat that Charles of Orleans once wore, on the sleeves of which were embroidered the verses of a song beginning "_Madame, je suis tout joyeux_," the musical accompaniment of the words being wrought in gold thread, and each note, of square shape in those days, formed with four pearls. He read of the room that was prepared at the palace at Rheims for the use of Queen Joan of Burgundy and was decorated with "thirteen hundred and twenty-one parrots, made in broidery, and blazoned with the king s arms, and five hundred and sixty-one butterflies, whose wings were similarly ornamented with the arms of the queen, the whole worked in gold." Catherine de Medicis had a mourning-bed made for her of black velvet powdered with crescents and suns. Its curtains were of damask, with leafy wreaths and garlands, figured upon a gold and silver ground, and fringed along the edges with broideries of pearls, and it stood in a room hung with rows of the queen s devices in cut black velvet upon cloth of silver. Louis XIV. had gold embroidered caryatides fifteen feet high in his apartment. The state bed of Sobieski, King of Poland, was made of Smyrna gold brocade embroidered in turquoises with verses from the Koran. Its supports were of silver gilt, beautifully chased, and profusely set with enamelled and jewelled medallions. It had been taken from the Turkish camp before Vienna, and the standard of Mohammed had stood beneath the tremulous gilt of its canopy. And so, for a whole year, he sought to accumulate the most exquisite specimens that he could find of textile and embroidered work, getting the dainty Delhi muslins, finely wrought with gold-thread palmates and stitched over with iridescent beetles wings; the Dacca gauzes, that from their transparency are known in the East as "woven air," and "running water," and "evening dew"; strange figured cloths from Java; elaborate yellow Chinese hangings; books bound in tawny satins or fair blue silks and wrought with _fleurs-de-lis_, birds and images; veils of _lacis_ worked in Hungary point; Sicilian brocades and stiff Spanish velvets; Georgian work, with its gilt coins, and Japanese _Foukousas_, with their green-toned golds and their marvellously plumaged birds. He had a special passion, also, for ecclesiastical vestments, as indeed he had for everything connected with the service of the Church. In the long cedar chests that lined the west gallery of his house, he had stored away many rare and beautiful specimens of what is really the raiment of the Bride of Christ, who must wear purple and jewels and fine linen that she may hide the pallid macerated body that is worn by the suffering that she seeks for and wounded by self-inflicted pain. He possessed a gorgeous cope of crimson silk and gold-thread damask, figured with a repeating pattern of golden pomegranates set in six-petalled formal blossoms, beyond which on either side was the pine-apple device wrought in seed-pearls. The orphreys were divided into panels representing scenes from the life of the Virgin, and the coronation of the Virgin was figured in coloured silks upon the hood. This was Italian work of the fifteenth century. Another cope was of green velvet, embroidered with heart-shaped groups of acanthus-leaves, from which spread long-stemmed white blossoms, the details of which were picked out with silver thread and coloured crystals. The morse bore a seraph s head in gold-thread raised work. The orphreys were woven in a diaper of red and gold silk, and were starred with medallions of many saints and martyrs, among whom was St. Sebastian. He had chasubles, also, of amber-coloured silk, and blue silk and gold brocade, and yellow silk damask and cloth of gold, figured with representations of the Passion and Crucifixion of Christ, and embroidered with lions and peacocks and other emblems; dalmatics of white satin and pink silk damask, decorated with tulips and dolphins and _fleurs-de-lis_; altar frontals of crimson velvet and blue linen; and many corporals, chalice-veils, and sudaria. In the mystic offices to which such things were put, there was something that quickened his imagination. For these treasures, and everything that he collected in his lovely house, were to be to him means of forgetfulness, modes by which he could escape, for a season, from the fear that seemed to him at times to be almost too great to be borne. Upon the walls of the lonely locked room where he had spent so much of his boyhood, he had hung with his own hands the terrible portrait whose changing features showed him the real degradation of his life, and in front of it had draped the purple-and-gold pall as a curtain. For weeks he would not go there, would forget the hideous painted thing, and get back his light heart, his wonderful joyousness, his passionate absorption in mere existence. Then, suddenly, some night he would creep out of the house, go down to dreadful places near Blue Gate Fields, and stay there, day after day, until he was driven away. On his return he would sit in front of the picture, sometimes loathing it and himself, but filled, at other times, with that pride of individualism that is half the fascination of sin, and smiling with secret pleasure at the misshapen shadow that had to bear the burden that should have been his own. After a few years he could not endure to be long out of England, and gave up the villa that he had shared at Trouville with Lord Henry, as well as the little white walled-in house at Algiers where they had more than once spent the winter. He hated to be separated from the picture that was such a part of his life, and was also afraid that during his absence some one might gain access to the room, in spite of the elaborate bars that he had caused to be placed upon the door. He was quite conscious that this would tell them nothing. It was true that the portrait still preserved, under all the foulness and ugliness of the face, its marked likeness to himself; but what could they learn from that? He would laugh at any one who tried to taunt him. He had not painted it. What was it to him how vile and full of shame it looked? Even if he told them, would they believe it? Yet he was afraid. Sometimes when he was down at his great house in Nottinghamshire, entertaining the fashionable young men of his own rank who were his chief companions, and astounding the county by the wanton luxury and gorgeous splendour of his mode of life, he would suddenly leave his guests and rush back to town to see that the door had not been tampered with and that the picture was still there. What if it should be stolen? The mere thought made him cold with horror. Surely the world would know his secret then. Perhaps the world already suspected it. For, while he fascinated many, there were not a few who distrusted him. He was very nearly blackballed at a West End club of which his birth and social position fully entitled him to become a member, and it was said that on one occasion, when he was brought by a friend into the smoking-room of the Churchill, the Duke of Berwick and another gentleman got up in a marked manner and went out. Curious stories became current about him after he had passed his twenty-fifth year. It was rumoured that he had been seen brawling with foreign sailors in a low den in the distant parts of Whitechapel, and that he consorted with thieves and coiners and knew the mysteries of their trade. His extraordinary absences became notorious, and, when he used to reappear again in society, men would whisper to each other in corners, or pass him with a sneer, or look at him with cold searching eyes, as though they were determined to discover his secret. Of such insolences and attempted slights he, of course, took no notice, and in the opinion of most people his frank debonair manner, his charming boyish smile, and the infinite grace of that wonderful youth that seemed never to leave him, were in themselves a sufficient answer to the calumnies, for so they termed them, that were circulated about him. It was remarked, however, that some of those who had been most intimate with him appeared, after a time, to shun him. Women who had wildly adored him, and for his sake had braved all social censure and set convention at defiance, were seen to grow pallid with shame or horror if Dorian Gray entered the room. Yet these whispered scandals only increased in the eyes of many his strange and dangerous charm. His great wealth was a certain element of security. Society civilized society, at least is never very ready to believe anything to the detriment of those who are both rich and fascinating. It feels instinctively that manners are of more importance than morals, and, in its opinion, the highest respectability is of much less value than the possession of a good _chef_. And, after all, it is a very poor consolation to be told that the man who has given one a bad dinner, or poor wine, is irreproachable in his private life. Even the cardinal virtues cannot atone for half-cold _entr es_, as Lord Henry remarked once, in a discussion on the subject, and there is possibly a good deal to be said for his view. For the canons of good society are, or should be, the same as the canons of art. Form is absolutely essential to it. It should have the dignity of a ceremony, as well as its unreality, and should combine the insincere character of a romantic play with the wit and beauty that make such plays delightful to us. Is insincerity such a terrible thing? I think not. It is merely a method by which we can multiply our personalities. Such, at any rate, was Dorian Gray s opinion. He used to wonder at the shallow psychology of those who conceive the ego in man as a thing simple, permanent, reliable, and of one essence. To him, man was a being with myriad lives and myriad sensations, a complex multiform creature that bore within itself strange legacies of thought and passion, and whose very flesh was tainted with the monstrous maladies of the dead. He loved to stroll through the gaunt cold picture-gallery of his country house and look at the various portraits of those whose blood flowed in his veins. Here was Philip Herbert, described by Francis Osborne, in his Memoires on the Reigns of Queen Elizabeth and King James, as one who was "caressed by the Court for his handsome face, which kept him not long company." Was it young Herbert s life that he sometimes led? Had some strange poisonous germ crept from body to body till it had reached his own? Was it some dim sense of that ruined grace that had made him so suddenly, and almost without cause, give utterance, in Basil Hallward s studio, to the mad prayer that had so changed his life? Here, in gold-embroidered red doublet, jewelled surcoat, and gilt-edged ruff and wristbands, stood Sir Anthony Sherard, with his silver-and-black armour piled at his feet. What had this man s legacy been? Had the lover of Giovanna of Naples bequeathed him some inheritance of sin and shame? Were his own actions merely the dreams that the dead man had not dared to realize? Here, from the fading canvas, smiled Lady Elizabeth Devereux, in her gauze hood, pearl stomacher, and pink slashed sleeves. A flower was in her right hand, and her left clasped an enamelled collar of white and damask roses. On a table by her side lay a mandolin and an apple. There were large green rosettes upon her little pointed shoes. He knew her life, and the strange stories that were told about her lovers. Had he something of her temperament in him? These oval, heavy-lidded eyes seemed to look curiously at him. What of George Willoughby, with his powdered hair and fantastic patches? How evil he looked! The face was saturnine and swarthy, and the sensual lips seemed to be twisted with disdain. Delicate lace ruffles fell over the lean yellow hands that were so overladen with rings. He had been a macaroni of the eighteenth century, and the friend, in his youth, of Lord Ferrars. What of the second Lord Beckenham, the companion of the Prince Regent in his wildest days, and one of the witnesses at the secret marriage with Mrs. Fitzherbert? How proud and handsome he was, with his chestnut curls and insolent pose! What passions had he bequeathed? The world had looked upon him as infamous. He had led the orgies at Carlton House. The star of the Garter glittered upon his breast. Beside him hung the portrait of his wife, a pallid, thin-lipped woman in black. Her blood, also, stirred within him. How curious it all seemed! And his mother with her Lady Hamilton face and her moist, wine-dashed lips he knew what he had got from her. He had got from her his beauty, and his passion for the beauty of others. She laughed at him in her loose Bacchante dress. There were vine leaves in her hair. The purple spilled from the cup she was holding. The carnations of the painting had withered, but the eyes were still wonderful in their depth and brilliancy of colour. They seemed to follow him wherever he went. Yet one had ancestors in literature as well as in one s own race, nearer perhaps in type and temperament, many of them, and certainly with an influence of which one was more absolutely conscious. There were times when it appeared to Dorian Gray that the whole of history was merely the record of his own life, not as he had lived it in act and circumstance, but as his imagination had created it for him, as it had been in his brain and in his passions. He felt that he had known them all, those strange terrible figures that had passed across the stage of the world and made sin so marvellous and evil so full of subtlety. It seemed to him that in some mysterious way their lives had been his own. The hero of the wonderful novel that had so influenced his life had himself known this curious fancy. In the seventh chapter he tells how, crowned with laurel, lest lightning might strike him, he had sat, as Tiberius, in a garden at Capri, reading the shameful books of Elephantis, while dwarfs and peacocks strutted round him and the flute-player mocked the swinger of the censer; and, as Caligula, had caroused with the green-shirted jockeys in their stables and supped in an ivory manger with a jewel-frontleted horse; and, as Domitian, had wandered through a corridor lined with marble mirrors, looking round with haggard eyes for the reflection of the dagger that was to end his days, and sick with that ennui, that terrible _t dium vit _, that comes on those to whom life denies nothing; and had peered through a clear emerald at the red shambles of the circus and then, in a litter of pearl and purple drawn by silver-shod mules, been carried through the Street of Pomegranates to a House of Gold and heard men cry on Nero Caesar as he passed by; and, as Elagabalus, had painted his face with colours, and plied the distaff among the women, and brought the Moon from Carthage and given her in mystic marriage to the Sun. Over and over again Dorian used to read this fantastic chapter, and the two chapters immediately following, in which, as in some curious tapestries or cunningly wrought enamels, were pictured the awful and beautiful forms of those whom vice and blood and weariness had made monstrous or mad: Filippo, Duke of Milan, who slew his wife and painted her lips with a scarlet poison that her lover might suck death from the dead thing he fondled; Pietro Barbi, the Venetian, known as Paul the Second, who sought in his vanity to assume the title of Formosus, and whose tiara, valued at two hundred thousand florins, was bought at the price of a terrible sin; Gian Maria Visconti, who used hounds to chase living men and whose murdered body was covered with roses by a harlot who had loved him; the Borgia on his white horse, with Fratricide riding beside him and his mantle stained with the blood of Perotto; Pietro Riario, the young Cardinal Archbishop of Florence, child and minion of Sixtus IV., whose beauty was equalled only by his debauchery, and who received Leonora of Aragon in a pavilion of white and crimson silk, filled with nymphs and centaurs, and gilded a boy that he might serve at the feast as Ganymede or Hylas; Ezzelin, whose melancholy could be cured only by the spectacle of death, and who had a passion for red blood, as other men have for red wine the son of the Fiend, as was reported, and one who had cheated his father at dice when gambling with him for his own soul; Giambattista Cibo, who in mockery took the name of Innocent and into whose torpid veins the blood of three lads was infused by a Jewish doctor; Sigismondo Malatesta, the lover of Isotta and the lord of Rimini, whose effigy was burned at Rome as the enemy of God and man, who strangled Polyssena with a napkin, and gave poison to Ginevra d Este in a cup of emerald, and in honour of a shameful passion built a pagan church for Christian worship; Charles VI., who had so wildly adored his brother s wife that a leper had warned him of the insanity that was coming on him, and who, when his brain had sickened and grown strange, could only be soothed by Saracen cards painted with the images of love and death and madness; and, in his trimmed jerkin and jewelled cap and acanthuslike curls, Grifonetto Baglioni, who slew Astorre with his bride, and Simonetto with his page, and whose comeliness was such that, as he lay dying in the yellow piazza of Perugia, those who had hated him could not choose but weep, and Atalanta, who had cursed him, blessed him. There was a horrible fascination in them all. He saw them at night, and they troubled his imagination in the day. The Renaissance knew of strange manners of poisoning poisoning by a helmet and a lighted torch, by an embroidered glove and a jewelled fan, by a gilded pomander and by an amber chain. Dorian Gray had been poisoned by a book. There were moments when he looked on evil simply as a mode through which he could realize his conception of the beautiful. CHAPTER XII It was on the ninth of November, the eve of his own thirty-eighth birthday, as he often remembered afterwards. He was walking home about eleven o clock from Lord Henry s, where he had been dining, and was wrapped in heavy furs, as the night was cold and foggy. At the corner of Grosvenor Square and South Audley Street, a man passed him in the mist, walking very fast and with the collar of his grey ulster turned up. He had a bag in his hand. Dorian recognized him. It was Basil Hallward. A strange sense of fear, for which he could not account, came over him. He made no sign of recognition and went on quickly in the direction of his own house. But Hallward had seen him. Dorian heard him first stopping on the pavement and then hurrying after him. In a few moments, his hand was on his arm.</\|quote\|>"Dorian! What an extraordinary piece of luck! I have been waiting for you in your library ever since nine o clock. Finally I took pity on your tired servant and told him to go to bed, as he let me out. I am off to Paris by the midnight train, and I particularly wanted to see you before I left. I thought it was you, or rather your fur coat, as you passed me. But I wasn t quite sure. Didn t you recognize me?" "In this fog, my dear Basil? Why, I can t even recognize Grosvenor Square. I	and movements elaborately repeated, produced in the mind of the lad, as he passed from chapter to chapter, a form of reverie, a malady of dreaming, that made him unconscious of the falling day and creeping shadows. Cloudless, and pierced by one solitary star, a copper-green sky gleamed through the windows. He read on by its wan light till he could read no more. Then, after his valet had reminded him several times of the lateness of the hour, he got up, and going into the next room, placed the book on the little Florentine table that always stood at his bedside and began to dress for dinner. It was almost nine o clock before he reached the club, where he found Lord Henry sitting alone, in the morning-room, looking very much bored. "I am so sorry, Harry," he cried, "but really it is entirely your fault. That book you sent me so fascinated me that I forgot how the time was going." "Yes, I thought you would like it," replied his host, rising from his chair. "I didn t say I liked it, Harry. I said it fascinated me. There is a great difference." "Ah, you have discovered that?"<\|quote\|>murmured Lord Henry. And they passed into the dining-room. CHAPTER XI. For years, Dorian Gray could not free himself from the influence of this book. Or perhaps it would be more accurate to say that he never sought to free himself from it. He procured from Paris no less than nine large-paper copies of the first edition, and had them bound in different colours, so that they might suit his various moods and the changing fancies of a nature over which he seemed, at times, to have almost entirely lost control. The hero, the wonderful young Parisian in whom the romantic and the scientific temperaments were so strangely blended, became to him a kind of prefiguring type of himself. And, indeed, the whole book seemed to him to contain the story of his own life, written before he had lived it. In one point he was more fortunate than the novel s fantastic hero. He never knew never, indeed, had any cause to know that somewhat grotesque dread of mirrors, and polished metal surfaces, and still water which came upon the young Parisian so early in his life, and was occasioned by the sudden decay of a beau that had once, apparently, been so remarkable. It was with an almost cruel joy and perhaps in nearly every joy, as certainly in every pleasure, cruelty has its place that he used to read the latter part of the book, with its really tragic, if somewhat overemphasized, account of the sorrow and despair of one who had himself lost what in others, and the world, he had most dearly valued. For the wonderful beauty that had so fascinated Basil Hallward, and many others besides him, seemed never to leave him. Even those who had heard the most evil things against him and from time to time strange rumours about his mode of life crept through London and became the chatter of the clubs could not believe anything to his dishonour when they saw him. He had always the look of one who had kept himself unspotted from the world. Men who talked grossly became silent when Dorian Gray entered the room. There was something in the purity of his face that rebuked them. His mere presence seemed to recall to them the memory of the innocence that they had tarnished. They wondered how one so charming and graceful as he was could have escaped the stain of an age that was at once sordid and sensual. Often, on returning home from one of those mysterious and prolonged absences that gave rise to such strange conjecture among those who were his friends, or thought that they were so, he himself would creep upstairs to the locked room, open the door with the key that never left him now, and stand, with a mirror, in front of the portrait that Basil Hallward had painted of him, looking now at the evil and aging face on the canvas, and now at the fair young face that laughed back at him from the polished glass. The very sharpness of the contrast used to quicken his sense of pleasure. He grew more and more enamoured of his own beauty, more and more interested in the corruption of his own soul. He would examine with minute care, and sometimes with a monstrous and terrible delight, the hideous lines that seared the wrinkling forehead or crawled around the heavy sensual mouth, wondering sometimes which were the more horrible, the signs of sin or the signs of age. He would place his white hands beside the coarse bloated hands of the picture, and smile. He mocked the misshapen body and the failing limbs. There were moments, indeed, at night, when, lying sleepless in his own delicately scented chamber, or in the sordid room of the little ill-famed tavern near the docks which, under an assumed name and in disguise, it was his habit to frequent, he would think of the ruin he had brought upon his soul with a pity that was all the more poignant because it was purely selfish. But moments such as these were rare. That curiosity about life which Lord Henry had first stirred in him, as they sat together in the garden of their friend, seemed to increase with gratification. The more he knew, the more he desired to know. He had mad hungers that grew more ravenous as he fed them. Yet he was not really reckless, at any rate in his relations to society. Once or twice every month during the winter, and on each Wednesday evening while the season lasted, he would throw open to the world his beautiful house and have the most celebrated musicians of the day to charm his guests with the wonders of their art. His little dinners, in the settling of which Lord Henry always assisted him, were noted as much for the careful selection and placing of those invited, as for the exquisite taste shown in the decoration of the table, with its subtle symphonic arrangements of exotic flowers, and embroidered cloths, and antique plate of gold and silver. Indeed, there were many, especially among the very young men, who saw, or fancied that they saw, in Dorian Gray the true realization of a type of which they had often dreamed in Eton or Oxford days, a type that was to combine something of the real culture of the scholar with all the grace and distinction and perfect manner of a citizen of the world. To them he seemed to be of the company of those whom Dante describes as having sought to "make themselves perfect by the worship of beauty." Like Gautier, he was one for whom "the visible world existed." And, certainly, to him life itself was the first, the greatest, of the arts, and for it all the other arts seemed to be but a preparation. Fashion, by which what is really fantastic becomes for a moment universal, and dandyism, which, in its own way, is an attempt to assert the absolute modernity of beauty, had, of course, their fascination for him. His mode of dressing, and the particular styles that from time to time he affected, had their marked influence on the young exquisites of the Mayfair balls and Pall Mall club windows, who copied him in everything that he did, and tried to reproduce the accidental charm of his graceful, though to him only half-serious, fopperies. For, while he was but too ready to accept the position that was almost immediately offered to him on his coming of age, and found, indeed, a subtle pleasure in the thought that he might really become to the London of his own day what to imperial Neronian Rome the author of the Satyricon once had been, yet in his inmost heart he desired to be something more than a mere _arbiter elegantiarum_, to be consulted on the wearing of a jewel, or the knotting of a necktie, or the conduct of a cane. He sought to elaborate some new scheme of life that would have its reasoned philosophy and its ordered principles, and find in the spiritualizing of the senses its highest realization. The worship of the senses has often, and with much justice, been decried, men feeling a natural instinct of terror about passions and sensations that seem stronger than themselves, and that they are conscious of sharing with the less highly organized forms of existence. But it appeared to Dorian Gray that the true nature of the senses had never been understood, and that they had remained savage and animal merely because the world had sought to starve them into submission or to kill them by pain, instead of aiming at making them elements of a new spirituality, of which a fine instinct for beauty was to be the dominant characteristic. As he looked back upon man moving through history, he was haunted by a feeling of loss. So much had been surrendered! and to such little purpose! There had been mad wilful rejections, monstrous forms of self-torture and self-denial, whose origin was fear and whose result was a degradation infinitely more terrible than that fancied degradation from which, in their ignorance, they had sought to escape; Nature, in her wonderful irony, driving out the anchorite to feed with the wild animals of the desert and giving to the hermit the beasts of the field as his companions. Yes: there was to be, as Lord Henry had prophesied, a new Hedonism that was to recreate life and to save it from that harsh uncomely puritanism that is having, in our own day, its curious revival. It was to have its service of the intellect, certainly, yet it was never to accept any theory or system that would involve the sacrifice of any mode of passionate experience. Its aim, indeed, was to be experience itself, and not the fruits of experience, sweet or bitter as they might be. Of the asceticism that deadens the senses, as of the vulgar profligacy that dulls them, it was to know nothing. But it was to teach man to concentrate himself upon the moments of a life that is itself but a moment. There are few of us who have not sometimes wakened before dawn, either after one of those dreamless nights that make us almost enamoured of death, or one of those nights of horror and misshapen joy, when through the chambers of the brain sweep phantoms more terrible than reality itself, and instinct with that vivid life that lurks in all grotesques, and that lends to Gothic art its enduring vitality, this art being, one might fancy, especially the art of those whose minds have been troubled with the malady of reverie. Gradually white fingers creep through the curtains, and they appear to tremble. In black fantastic shapes, dumb shadows crawl into the corners of the room and crouch there. Outside, there is the stirring of birds among the leaves, or the sound of men going forth to their work, or the sigh and sob of the wind coming down from the hills and wandering round the silent house, as though it feared to wake the sleepers and yet must needs call forth sleep from her purple cave. Veil after veil of thin dusky gauze is lifted, and by degrees the forms and colours of things are restored to them, and we watch the dawn remaking the world in its antique pattern. The wan mirrors get back their mimic life. The flameless tapers stand where we had left them, and beside them lies the half-cut book that we had been studying, or the wired flower that we had worn at the ball, or the letter that we had been afraid to read, or that we had read too often. Nothing seems to us changed. Out of the unreal shadows of the night comes back the real life that we had known. We have to resume it where we had left off, and there steals over us a terrible sense of the necessity for the continuance of energy in the same wearisome round of stereotyped habits, or a wild longing, it may be, that our eyelids might open some morning upon a world that had been refashioned anew in the darkness for our pleasure, a world in which things would have fresh shapes and colours, and be changed, or have other secrets, a world in which the past would have little or no place, or survive, at any rate, in no conscious form of obligation or regret, the remembrance even of joy having its bitterness and the memories of pleasure their pain. It was the creation of such worlds as these that seemed to Dorian Gray to be the true object, or amongst the true objects, of life; and in his search for sensations that would be at once new and delightful, and possess that element of strangeness that is so essential to romance, he would often adopt certain modes of thought that he knew to be really alien to his nature, abandon himself to their subtle influences, and then, having, as it were, caught their colour and satisfied his intellectual curiosity, leave them with that curious indifference that is not incompatible with a real ardour of temperament, and that, indeed, according to certain modern psychologists, is often a condition of it. It was rumoured of him once that he was about to join the Roman Catholic communion, and certainly the Roman ritual had always a great attraction for him. The daily sacrifice, more awful really than all the sacrifices of the antique world, stirred him as much by its superb rejection of the evidence of the senses as by the primitive simplicity of its elements and the eternal pathos of the human tragedy that it sought to symbolize. He loved to kneel down on the cold marble pavement and watch the priest, in his stiff flowered dalmatic, slowly and with white hands moving aside the veil of the tabernacle, or raising aloft the jewelled, lantern-shaped monstrance with that pallid wafer that at times, one would fain think, is indeed the "_panis c lestis_," the bread of angels, or, robed in the garments of the Passion of Christ, breaking the Host into the chalice and smiting his breast for his sins. The fuming censers that the grave boys, in their lace and scarlet, tossed into the air like great gilt flowers had their subtle fascination for him. As he passed out, he used to look with wonder at the black confessionals and long to sit in the dim shadow of one of them and listen to men and women whispering through the worn grating the true story of their lives. But he never fell into the error of arresting his intellectual development by any formal acceptance of creed or system, or of mistaking, for a house in which to live, an inn that is but suitable for the sojourn of a night, or for a few hours of a night in which there are no stars and the moon is in travail. Mysticism, with its marvellous power of making common things strange to us, and the subtle antinomianism that always seems to accompany it, moved him for a season; and for a season he inclined to the materialistic doctrines of the _Darwinismus_ movement in Germany, and found a curious pleasure in tracing the thoughts and passions of men to some pearly cell in the brain, or some white nerve in the body, delighting in the conception of the absolute dependence of the spirit on certain physical conditions, morbid or healthy, normal or diseased. Yet, as has been said of him before, no theory of life seemed to him to be of any importance compared with life itself. He felt keenly conscious of how barren all intellectual speculation is when separated from action and experiment. He knew that the senses, no less than the soul, have their spiritual mysteries to reveal. And so he would now study perfumes and the secrets of their manufacture, distilling heavily scented oils and burning odorous gums from the East. He saw that there was no mood of the mind that had not its counterpart in the sensuous life, and set himself to discover their true relations, wondering what there was in frankincense that made one mystical, and in ambergris that stirred one s passions, and in violets that woke the memory of dead romances, and in musk that troubled the brain, and in champak that stained the imagination; and seeking often to elaborate a real psychology of perfumes, and to estimate the several influences of sweet-smelling roots and scented, pollen-laden flowers; of aromatic balms and of dark and fragrant woods; of spikenard, that sickens; of hovenia, that makes men mad; and of aloes, that are said to be able to expel melancholy from the soul. At another time he devoted himself entirely to music, and in a long latticed room, with a vermilion-and-gold ceiling and walls of olive-green lacquer, he used to give curious concerts in which mad gipsies tore wild music from little zithers, or grave, yellow-shawled Tunisians plucked at the strained strings of monstrous lutes, while grinning Negroes beat monotonously upon copper drums and, crouching upon scarlet mats, slim turbaned Indians blew through long pipes of reed or brass and charmed or feigned to charm great hooded snakes and horrible horned adders. The harsh intervals and shrill discords of barbaric music stirred him at times when Schubert s grace, and Chopin s beautiful sorrows, and the mighty harmonies of Beethoven himself, fell unheeded on his ear. He collected together from all parts of the world the strangest instruments that could be found, either in the tombs of dead nations or among the few savage tribes that have survived contact with Western civilizations, and loved to touch and try them. He had the mysterious _juruparis_ of the Rio Negro Indians, that women are not allowed to look at and that even youths may not see till they have been subjected to fasting and scourging, and the earthen jars of the Peruvians that have the shrill cries of birds, and flutes of human bones such as Alfonso de Ovalle heard in Chile, and the sonorous green jaspers that are found near Cuzco and give forth a note of singular sweetness. He had painted gourds filled with pebbles that rattled when they were shaken; the long _clarin_ of the Mexicans, into which the performer does not blow, but through which he inhales the air; the harsh _ture_ of the Amazon tribes, that is sounded by the sentinels who sit all day long in high trees, and can be heard, it is said, at a distance of three leagues; the _teponaztli_, that has two vibrating tongues of wood and is beaten with sticks that are smeared with an elastic gum obtained from the milky juice of plants; the _yotl_-bells of the Aztecs, that are hung in clusters like grapes; and a huge cylindrical drum, covered with the skins of great serpents, like the one that Bernal Diaz saw when he went with Cortes into the Mexican temple, and of whose doleful sound he has left us so vivid a description. The fantastic character of these instruments fascinated him, and he felt a curious delight in the thought that art, like Nature, has her monsters, things of bestial shape and with hideous voices. Yet, after some time, he wearied of them, and would sit in his box at the opera, either alone or with Lord Henry, listening in rapt pleasure to "Tannhauser" and seeing in the prelude to that great work of art a presentation of the tragedy of his own soul. On one occasion he took up the study of jewels, and appeared at a costume ball as Anne de Joyeuse, Admiral of France, in a dress covered with five hundred and sixty pearls. This taste enthralled him for years, and, indeed, may be said never to have left him. He would often spend a whole day settling and resettling in their cases the various stones that he had collected, such as the olive-green chrysoberyl that turns red by lamplight, the cymophane with its wirelike line of silver, the pistachio-coloured peridot, rose-pink and wine-yellow topazes, carbuncles of fiery scarlet with tremulous, four-rayed stars, flame-red cinnamon-stones, orange and violet spinels, and amethysts with their alternate layers of ruby and sapphire. He loved the red gold of the sunstone, and the moonstone s pearly whiteness, and the broken rainbow of the milky opal. He procured from Amsterdam three emeralds of extraordinary size and richness of colour, and had a turquoise _de la vieille roche_ that was the envy of all the connoisseurs. He discovered wonderful stories, also, about jewels. In Alphonso s Clericalis Disciplina a serpent was mentioned with eyes of real jacinth, and in the romantic history of Alexander, the Conqueror of Emathia was said to have found in the vale of Jordan snakes "with collars of real emeralds growing on their backs." There was a gem in the brain of the dragon, Philostratus told us, and "by the exhibition of golden letters and a scarlet robe" the monster could be thrown into a magical sleep and slain. According to the great alchemist, Pierre de Boniface, the diamond rendered a man invisible, and the agate of India made him eloquent. The cornelian appeased anger, and the hyacinth provoked sleep, and the amethyst drove away the fumes of wine. The garnet cast out demons, and the hydropicus deprived the moon of her colour. The selenite waxed and waned with the moon, and the meloceus, that discovers thieves, could be affected only by the blood of kids. Leonardus Camillus had seen a white stone taken from the brain of a newly killed toad, that was a certain antidote against poison. The bezoar, that was found in the heart of the Arabian deer, was a charm that could cure the plague. In the nests of Arabian birds was the aspilates, that, according to Democritus, kept the wearer from any danger by fire. The King of Ceilan rode through his city with a large ruby in his hand, as the ceremony of his coronation. The gates of the palace of John the Priest were "made of sardius, with the horn of the horned snake inwrought, so that no man might bring poison within." Over the gable were "two golden apples, in which were two carbuncles," so that the gold might shine by day and the carbuncles by night. In Lodge s strange romance A Margarite of America , it was stated that in the chamber of the queen one could behold "all the chaste ladies of the world, inchased out of silver, looking through fair mirrours of chrysolites, carbuncles, sapphires, and greene emeraults." Marco Polo had seen the inhabitants of Zipangu place rose-coloured pearls in the mouths of the dead. A sea-monster had been enamoured of the pearl that the diver brought to King Perozes, and had slain the thief, and mourned for seven moons over its loss. When the Huns lured the king into the great pit, he flung it away Procopius tells the story nor was it ever found again, though the Emperor Anastasius offered five hundred-weight of gold pieces for it. The King of Malabar had shown to a certain Venetian a rosary of three hundred and four pearls, one for every god that he worshipped. When the Duke de Valentinois, son of Alexander VI., visited Louis XII. of France, his horse was loaded with gold leaves, according to Brantome, and his cap had double rows of rubies that threw out a great light. Charles of England had ridden in stirrups hung with four hundred and twenty-one diamonds. Richard II had a coat, valued at thirty thousand marks, which was covered with balas rubies. Hall described Henry VIII., on his way to the Tower previous to his coronation, as wearing "a jacket of raised gold, the placard embroidered with diamonds and other rich stones, and a great bauderike about his neck of large balasses." The favourites of James I wore ear-rings of emeralds set in gold filigrane. Edward II gave to Piers Gaveston a suit of red-gold armour studded with jacinths, a collar of gold roses set with turquoise-stones, and a skull-cap _parsem _ with pearls. Henry II. wore jewelled gloves reaching to the elbow, and had a hawk-glove sewn with twelve rubies and fifty-two great orients. The ducal hat of Charles the Rash, the last Duke of Burgundy of his race, was hung with pear-shaped pearls and studded with sapphires. How exquisite life had once been! How gorgeous in its pomp and decoration! Even to read of the luxury of the dead was wonderful. Then he turned his attention to embroideries and to the tapestries that performed the office of frescoes in the chill rooms of the northern nations of Europe. As he investigated the subject and he always had an extraordinary faculty of becoming absolutely absorbed for the moment in whatever he took up he was almost saddened by the reflection of the ruin that time brought on beautiful and wonderful things. He, at any rate, had escaped that. Summer followed summer, and the yellow jonquils bloomed and died many times, and nights of horror repeated the story of their shame, but he was unchanged. No winter marred his face or stained his flowerlike bloom. How different it was with material things! Where had they passed to? Where was the great crocus-coloured robe, on which the gods fought against the giants, that had been worked by brown girls for the pleasure of Athena? Where the huge velarium that Nero had stretched across the Colosseum at Rome, that Titan sail of purple on which was represented the starry sky, and Apollo driving a chariot drawn by white, gilt-reined steeds? He longed to see the curious table-napkins wrought for the Priest of the Sun, on which were displayed all the dainties and viands that could be wanted for a feast; the mortuary cloth of King Chilperic, with its three hundred golden bees; the fantastic robes that excited the indignation of the Bishop of Pontus and were figured with "lions, panthers, bears, dogs, forests, rocks, hunters all, in fact, that a painter can copy from nature"; and the coat that Charles of Orleans once wore, on the sleeves of which were embroidered the verses of a song beginning "_Madame, je suis tout joyeux_," the musical accompaniment of the words being wrought in gold thread, and each note, of square shape in those days, formed with four pearls. He read of the room that was prepared at the palace at Rheims for the use of Queen Joan of Burgundy and was decorated with "thirteen hundred and twenty-one parrots, made in broidery, and blazoned with the king s arms, and five hundred and sixty-one butterflies, whose wings were similarly ornamented with the arms of the queen, the whole worked in gold." Catherine de Medicis had a mourning-bed made for her of black velvet powdered with crescents and suns. Its curtains were of damask, with leafy wreaths and garlands, figured upon a gold and silver ground, and fringed along the edges with broideries of pearls, and it stood in a room hung with rows of the queen s devices in cut black velvet upon cloth of silver. Louis XIV. had gold embroidered caryatides fifteen feet high in his apartment. The state bed of Sobieski, King of Poland, was made of Smyrna gold brocade embroidered in turquoises with verses from the Koran. Its supports were of silver gilt, beautifully chased, and profusely set with enamelled and jewelled medallions. It had been taken from the Turkish camp before Vienna, and the standard of Mohammed had stood beneath the tremulous gilt of its canopy. And so, for a whole year, he sought to accumulate the most exquisite specimens that he could find of textile and embroidered work, getting the dainty Delhi muslins, finely wrought with gold-thread palmates and stitched over with iridescent beetles wings; the Dacca gauzes, that from their transparency are known in the East as "woven air," and "running water," and "evening dew"; strange figured cloths from Java; elaborate yellow Chinese hangings; books bound in tawny satins or fair blue silks and wrought with _fleurs-de-lis_, birds and images; veils of _lacis_ worked in Hungary point; Sicilian brocades and stiff Spanish velvets; Georgian work, with its gilt coins, and Japanese _Foukousas_, with their green-toned golds and their marvellously plumaged birds. He had a special passion, also, for ecclesiastical vestments, as indeed he had for everything connected with the service of the Church. In the long cedar chests that lined the west gallery of his house, he had stored away many rare and beautiful specimens of what is really the raiment of the Bride of Christ, who must wear purple and jewels and fine linen that she may hide the pallid macerated body that is worn by the suffering that she seeks for and wounded by self-inflicted pain. He possessed a gorgeous cope of crimson silk and gold-thread damask, figured with a repeating pattern of golden pomegranates set in six-petalled formal blossoms, beyond which on either side was the pine-apple device wrought in seed-pearls. The orphreys were divided into panels representing scenes from the life of the Virgin, and the coronation of the Virgin was figured in coloured silks upon the hood. This was Italian work of the fifteenth century. Another cope was of green velvet, embroidered with heart-shaped groups of acanthus-leaves, from which spread long-stemmed white blossoms, the details of which were picked out with silver thread and coloured crystals. The morse bore a seraph s head in gold-thread raised work. The orphreys were woven in a diaper of red and gold silk, and were starred with medallions of many saints and martyrs, among whom was St. Sebastian. He had chasubles, also, of amber-coloured silk, and blue silk and gold brocade, and yellow silk damask and cloth of gold, figured with representations of the Passion and Crucifixion of Christ, and embroidered with lions and peacocks and other emblems; dalmatics of white satin and pink silk damask, decorated with tulips and dolphins and _fleurs-de-lis_; altar frontals of crimson velvet and blue linen; and many corporals, chalice-veils, and sudaria. In the mystic offices to which such things were put, there was something that quickened his imagination. For these treasures, and everything that he collected in his lovely house, were to be to him means of forgetfulness, modes by which he could escape, for a season, from the fear that seemed to him at times to be almost too great to be borne. Upon the walls of the lonely locked room where he had spent so much of his boyhood, he had hung with his own hands the terrible portrait whose changing features showed him the real degradation of his life, and in front of it had draped the purple-and-gold pall as a curtain. For weeks he would not go there, would forget the hideous painted thing, and get back his light heart, his wonderful joyousness, his passionate absorption in mere existence. Then, suddenly, some night he would creep out of the house, go down to dreadful places near Blue Gate Fields, and stay there, day after day, until he was driven away. On his return he would sit in front of the picture, sometimes loathing it and himself, but filled, at other times, with that pride of individualism that is half the fascination of sin, and smiling with secret pleasure at the misshapen shadow that had to bear the burden that should have been his own. After a few years he could not endure to be long out of England, and gave up the villa that he had shared at Trouville with Lord Henry, as well as the little white walled-in house at Algiers where they had more than once spent the winter. He hated to be separated from the picture that was such a part of his life, and was also afraid that during his absence some one might gain access to the room, in spite of the elaborate bars that he had caused to be placed upon the door. He was quite conscious that this would tell them nothing. It was true that the portrait still preserved, under all the foulness and ugliness of the face, its marked likeness to himself; but what could they learn from that? He would laugh at any one who tried to taunt him. He had not painted it. What was it to him how vile and full of shame it looked? Even if he told them, would they believe it? Yet he was afraid. Sometimes when he was down at his great house in Nottinghamshire, entertaining the fashionable young men of his own rank who were his chief companions, and astounding the county by the wanton luxury and gorgeous splendour of his mode of life, he would suddenly leave his guests and rush back to town to see that the door had not been tampered with and that the picture was still there. What if it should be stolen? The mere thought made him cold with horror. Surely the world would know his secret then. Perhaps the world already suspected it. For, while he fascinated many, there were not a few who distrusted him. He was very nearly blackballed at a West End club of which his birth and social position fully entitled him to become a member, and it was said that on one occasion, when he was brought by a friend into the smoking-room of the Churchill, the Duke of Berwick and another gentleman got up in a marked manner and went out. Curious stories became current about him after he had passed his twenty-fifth year. It was rumoured that he had been seen brawling with foreign sailors in a low den in the distant parts of Whitechapel, and that he consorted with thieves and coiners and knew the mysteries of their trade. His extraordinary absences became notorious, and, when he used to reappear again in society, men would whisper to each other in corners, or pass him with a sneer, or look at him with cold searching eyes, as though they were determined to discover his secret. Of such insolences and attempted slights he, of course, took no notice, and in the opinion of most people his frank debonair manner, his charming boyish smile, and the infinite grace of that wonderful youth that seemed never to leave him, were in themselves a sufficient answer to the calumnies, for so they termed them, that were circulated about him. It was remarked, however, that some of those who had been most intimate with him appeared, after a time, to shun him. Women who had wildly adored him, and for his sake had braved all social censure and set convention at defiance, were seen to grow pallid with shame or horror if Dorian Gray entered the room. Yet these whispered scandals only increased in the eyes of many his strange and dangerous charm. His great wealth was a certain element of security. Society civilized society, at least is never very ready to believe anything to the detriment of those who are both rich and fascinating. It feels instinctively that manners are of more importance than morals, and, in its opinion, the highest respectability is of much less value than the possession of a good _chef_. And, after all, it is a very poor consolation to be told that the man who has given one a bad dinner, or poor wine, is irreproachable in his private life. Even the cardinal virtues cannot atone for half-cold _entr es_, as Lord Henry remarked once, in a discussion on the subject, and there is possibly a good deal to be said for his view. For the canons of good society are, or should be, the same as the canons of art. Form is absolutely essential to it. It should have the dignity of a ceremony, as well as its unreality, and should combine the insincere character of a romantic play with the wit and beauty that make such plays delightful to us. Is insincerity such a terrible thing? I think not. It is merely a method by which we can multiply our personalities. Such, at any rate, was Dorian Gray s opinion. He used to wonder at the shallow psychology of those who conceive the ego in man as a thing simple, permanent, reliable, and of one essence. To him, man was a being with myriad lives and myriad sensations, a complex multiform creature that bore within itself strange legacies of thought and passion, and whose very flesh was tainted with the monstrous maladies of the dead. He loved to stroll through the gaunt cold picture-gallery of his country house and look at the various portraits of those whose blood flowed in his veins. Here was Philip Herbert, described by Francis Osborne, in his Memoires on the Reigns of Queen Elizabeth and King James, as one who was "caressed by the Court for his handsome face, which kept him not long company." Was it young Herbert s life that he sometimes led? Had some strange poisonous germ crept from body to body till it had reached his own? Was it some dim sense of that ruined grace that had made him so suddenly, and almost without cause, give utterance, in Basil Hallward s studio, to the mad prayer that had so changed his life? Here, in gold-embroidered red doublet, jewelled surcoat, and gilt-edged ruff and wristbands, stood Sir Anthony Sherard, with his silver-and-black armour piled at his feet. What had this man s legacy been? Had the lover of Giovanna of Naples bequeathed him some inheritance of sin and shame? Were his own actions merely the dreams that the dead man had not dared to realize? Here, from the fading canvas, smiled Lady Elizabeth Devereux, in her gauze hood, pearl stomacher, and pink slashed sleeves. A flower was in her right hand, and her left clasped an enamelled collar of white and damask roses. On a table by her side lay a mandolin and an apple. There were large green rosettes upon her little pointed shoes. He knew her life, and the strange stories that were told about her lovers. Had he something of her temperament in him? These oval, heavy-lidded eyes seemed to look curiously at him. What of George Willoughby, with his powdered hair and fantastic patches? How evil he looked! The face was saturnine and swarthy, and the sensual lips seemed to be twisted with disdain. Delicate lace ruffles fell over the lean yellow hands that were so overladen with rings. He had been a macaroni of the eighteenth century, and the friend, in his youth, of Lord Ferrars. What of the second Lord Beckenham, the companion of the Prince Regent in his wildest days, and one of the witnesses at the secret marriage with Mrs. Fitzherbert? How proud and handsome he was, with his chestnut curls and insolent pose! What passions had he bequeathed? The world had looked upon him as infamous. He had led the orgies at Carlton House. The star of the Garter glittered upon his breast. Beside him hung the portrait of his wife, a pallid, thin-lipped woman in black. Her blood, also, stirred within him. How curious it all seemed! And his mother with her Lady Hamilton face and her moist, wine-dashed lips he knew what he had got from her. He had got from her his beauty, and his passion for the beauty of others. She laughed at him in her loose Bacchante dress. There were vine leaves in her hair. The purple spilled from the cup she was holding. The carnations of the painting had withered, but the eyes were still wonderful in their depth and brilliancy of colour. They seemed to follow him wherever he went. Yet one had ancestors in literature as well as in one s own race, nearer perhaps in type and temperament, many of them, and certainly with an influence of which one was more absolutely conscious. There were times when it appeared to Dorian Gray that the whole of history was merely the record of his own life, not as he had lived it in act and circumstance, but as his imagination had created it for him, as it had been in his brain and in his passions. He felt that he had known them all, those strange terrible figures that had passed across the stage of the world and made sin so marvellous and evil so full of subtlety. It seemed to him that in some mysterious way their lives had been his own. The hero of the wonderful novel that had so influenced his life had himself known this curious fancy. In the seventh chapter he tells how, crowned with laurel, lest lightning might strike him, he had sat, as Tiberius, in a garden at Capri, reading the shameful books of Elephantis, while dwarfs and peacocks strutted round him and the flute-player mocked the swinger of the censer; and, as Caligula, had caroused with the green-shirted jockeys in their stables and supped in an ivory manger with a jewel-frontleted horse; and, as Domitian, had wandered through a corridor lined with marble mirrors, looking round with haggard eyes for the reflection of the dagger that was to end his days, and sick with that ennui, that terrible _t dium vit _, that comes on those to whom life denies nothing; and had peered through a clear emerald at the red shambles of the circus and then, in a litter of pearl and purple drawn by silver-shod mules, been carried through the Street of Pomegranates to a House of Gold and heard men cry on Nero Caesar as he passed by; and, as Elagabalus, had painted his face with colours, and plied the distaff among the women, and brought the Moon from Carthage and given her in mystic marriage to the Sun. Over and over again Dorian used to read this fantastic chapter, and the two chapters immediately following, in which, as in some curious tapestries or cunningly wrought enamels, were pictured the awful and beautiful forms of those whom vice and blood and weariness had made monstrous or mad: Filippo, Duke of Milan, who slew his wife and painted her lips with a scarlet poison that her lover might suck death from the dead thing he fondled; Pietro Barbi, the Venetian, known as Paul the Second, who sought in his vanity to assume the title of Formosus, and whose tiara, valued at two hundred thousand florins, was bought at the price of a terrible sin; Gian Maria Visconti, who used hounds to chase living men and whose murdered body was covered with roses by a harlot who had loved him; the Borgia on his white horse, with Fratricide riding beside him and his mantle stained with the blood of Perotto; Pietro Riario, the young Cardinal Archbishop of Florence, child and minion of Sixtus IV., whose beauty was equalled only by his debauchery, and who received Leonora of Aragon in a pavilion of white and crimson silk, filled with nymphs and centaurs, and gilded a boy that he might serve at the feast as Ganymede or Hylas; Ezzelin, whose melancholy could be cured only by the spectacle of death, and who had a passion for red blood, as other men have for red wine the son of the Fiend, as was reported, and one who had cheated his father at dice when gambling with him for his own soul; Giambattista Cibo, who in mockery took the name of Innocent and into whose torpid veins the blood of three lads was infused by a Jewish doctor; Sigismondo Malatesta, the lover of Isotta and the lord of Rimini, whose effigy was burned at Rome as the enemy of God and man, who strangled Polyssena with a napkin, and gave poison to Ginevra d Este in a cup of emerald, and in honour of a shameful passion built a pagan church for Christian worship; Charles VI., who had so wildly adored his brother s wife that a leper had warned him of the insanity that was coming on him, and who, when his brain had sickened and grown strange, could only be soothed by Saracen cards painted with the images of love and death and madness; and, in his trimmed jerkin and jewelled cap and acanthuslike curls, Grifonetto Baglioni, who slew Astorre with his bride, and Simonetto with his page, and whose comeliness was such that, as he lay dying in the yellow piazza of Perugia, those who had hated him could not choose but weep, and Atalanta, who had cursed him, blessed him. There was a horrible fascination in them all. He saw them at night, and they troubled his imagination in the day. The Renaissance knew of strange manners of poisoning poisoning by a helmet and a lighted torch, by an embroidered glove and a jewelled fan, by a gilded pomander and by an amber chain. Dorian Gray had been poisoned by a book. There were moments when he looked on evil simply as a mode through which he could realize his conception of the beautiful. CHAPTER XII It was on the ninth of November, the eve of his own thirty-eighth birthday, as he often remembered afterwards. He was walking home about eleven o clock from Lord Henry s, where he had been dining, and was wrapped in heavy furs, as the night was cold and foggy. At the corner of Grosvenor Square and South Audley Street, a man passed him in the mist, walking very fast and with the collar of his grey ulster turned up. He had a bag in his hand. Dorian recognized him. It was Basil Hallward. A strange sense of fear, for which he could not account, came over him. He made no sign of recognition and went on quickly in the direction of his own house. But Hallward had seen him. Dorian heard him first stopping on the pavement and then hurrying after him. In a few moments, his hand was on his arm.</\|quote\|>"Dorian! What an extraordinary piece of luck! I have been waiting for you in your library ever since nine o clock. Finally I took pity on your tired servant and told him to go to bed, as he let me out. I am off to Paris by the midnight train, and I particularly wanted to see you before I left. I thought it was you, or rather your fur coat, as you passed me. But I wasn t quite sure. Didn t you recognize me?" "In this fog, my dear Basil? Why, I can t even recognize Grosvenor Square. I believe my house is somewhere about here, but I don t feel at all certain about it. I am sorry you are going away, as I have not seen you for ages. But I suppose you will be back soon?" "No: I am going to be out of England for six months. I intend to take a studio in Paris and shut myself up till I have finished a great picture I have in my head. However, it wasn t about myself I wanted to talk. Here we are at your door. Let me come in for a moment. I	nineteenth century all the passions and modes of thought that belonged to every century except his own, and to sum up, as it were, in himself the various moods through which the world-spirit had ever passed, loving for their mere artificiality those renunciations that men have unwisely called virtue, as much as those natural rebellions that wise men still call sin. The style in which it was written was that curious jewelled style, vivid and obscure at once, full of _argot_ and of archaisms, of technical expressions and of elaborate paraphrases, that characterizes the work of some of the finest artists of the French school of _Symbolistes_. There were in it metaphors as monstrous as orchids and as subtle in colour. The life of the senses was described in the terms of mystical philosophy. One hardly knew at times whether one was reading the spiritual ecstasies of some medi val saint or the morbid confessions of a modern sinner. It was a poisonous book. The heavy odour of incense seemed to cling about its pages and to trouble the brain. The mere cadence of the sentences, the subtle monotony of their music, so full as it was of complex refrains and movements elaborately repeated, produced in the mind of the lad, as he passed from chapter to chapter, a form of reverie, a malady of dreaming, that made him unconscious of the falling day and creeping shadows. Cloudless, and pierced by one solitary star, a copper-green sky gleamed through the windows. He read on by its wan light till he could read no more. Then, after his valet had reminded him several times of the lateness of the hour, he got up, and going into the next room, placed the book on the little Florentine table that always stood at his bedside and began to dress for dinner. It was almost nine o clock before he reached the club, where he found Lord Henry sitting alone, in the morning-room, looking very much bored. "I am so sorry, Harry," he cried, "but really it is entirely your fault. That book you sent me so fascinated me that I forgot how the time was going." "Yes, I thought you would like it," replied his host, rising from his chair. "I didn t say I liked it, Harry. I said it fascinated me. There is a great difference." "Ah, you have discovered that?"<\|quote\|>murmured Lord Henry. And they passed into the dining-room. CHAPTER XI. For years, Dorian Gray could not free himself from the influence of this book. Or perhaps it would be more accurate to say that he never sought to free himself from it. He procured from Paris no less than nine large-paper copies of the first edition, and had them bound in different colours, so that they might suit his various moods and the changing fancies of a nature over which he seemed, at times, to have almost entirely lost control. The hero, the wonderful young Parisian in whom the romantic and the scientific temperaments were so strangely blended, became to him a kind of prefiguring type of himself. And, indeed, the whole book seemed to him to contain the story of his own life, written before he had lived it. In one point he was more fortunate than the novel s fantastic hero. He never knew never, indeed, had any cause to know that somewhat grotesque dread of mirrors, and polished metal surfaces, and still water which came upon the young Parisian so early in his life, and was occasioned by the sudden decay of a beau that had once, apparently, been so remarkable. It was with an almost cruel joy and perhaps in nearly every joy, as certainly in every pleasure, cruelty has its place that he used to read the latter part of the book, with its really tragic, if somewhat overemphasized, account of the sorrow and despair of one who had himself lost what in others, and the world, he had most dearly valued. For the wonderful beauty that had so fascinated Basil Hallward, and many others besides him, seemed never to leave him. Even those who had heard the most evil things against him and from time to time strange rumours about his mode of life crept through London and became the chatter of the clubs could not believe anything to his dishonour when they saw him. He had always the look of one who had kept himself unspotted from the world. Men who talked grossly became silent when Dorian Gray entered the room. There was something in the purity of his face that rebuked them. His mere presence seemed to recall to them the memory of the innocence that they had tarnished. They wondered how one so charming and graceful as he was could have escaped the stain of an age that was at once sordid and sensual. Often, on returning home from one of those mysterious and prolonged absences that gave rise to such strange conjecture among those who were his friends, or thought that they were so, he himself would creep upstairs to the locked room, open the door with the key that never left him now, and stand, with a mirror, in front of the portrait that Basil Hallward had painted of him, looking now at the evil and aging face on the canvas, and now at the fair young face that laughed back at him from the polished glass. The very sharpness of the contrast used to quicken his sense of pleasure. He grew more and more enamoured of his own beauty, more and more interested in the corruption of his own soul. He would examine with minute care, and sometimes with a monstrous and terrible delight, the hideous lines that seared the wrinkling forehead or crawled around the heavy sensual mouth, wondering sometimes which were the more horrible, the signs of sin or the signs of age. He would place his white hands beside the coarse bloated hands of the picture, and smile. He mocked the misshapen body and the failing limbs. There were moments, indeed, at night, when, lying sleepless in his own delicately scented chamber, or in the sordid room of the little ill-famed tavern near the docks which, under an assumed name and in disguise, it was his habit to frequent, he would think of the ruin he had brought upon his soul with a pity that was all the more poignant because it was purely selfish. But moments such as these were rare. That curiosity about life which Lord Henry had first stirred in him, as they sat together in the garden of their friend, seemed to increase with gratification. The more he knew, the more he desired to know. He had mad hungers that grew more ravenous as he fed them. Yet he was not really reckless, at any rate in his relations to society. Once or twice every month during the winter, and on each Wednesday evening while the season lasted, he would throw open to the world his beautiful house and have the most celebrated musicians of the day to charm his guests with the wonders of their art. His little dinners, in the settling of which Lord Henry always assisted him, were noted as much for the careful selection and placing of those invited, as for the exquisite taste shown in the decoration of the table, with its subtle symphonic arrangements of exotic flowers, and embroidered cloths, and antique plate of gold and silver. Indeed, there were many, especially among the very young men, who saw, or fancied that they saw, in Dorian Gray the true realization of a type of which they had often dreamed in Eton or Oxford days, a type that was to combine something of the real culture of the scholar with all the grace and distinction and perfect manner of a citizen of the world. To them he seemed to be of the company of those whom Dante describes as having sought to "make themselves perfect by the worship of beauty." Like Gautier, he was one for whom "the visible world existed." And, certainly, to him life itself was the first, the greatest, of the arts, and for it all the other arts seemed to be but a preparation. Fashion, by which what is really fantastic becomes for a moment universal, and dandyism, which, in its own way, is an attempt to assert the absolute modernity of beauty, had, of course, their fascination for him. His mode of dressing, and the particular styles that from time to time he affected, had their marked influence on the young exquisites of the Mayfair balls and Pall Mall club windows, who copied him in everything that he did, and tried to reproduce the accidental charm of his graceful, though to him only half-serious, fopperies. For, while he was but too ready to accept the position that was almost immediately offered to him on his coming of age, and found, indeed, a subtle pleasure in the thought that he might really become to the London of his own day what to imperial Neronian Rome the author of the Satyricon once had been, yet in his inmost heart he desired to be something more than a mere _arbiter elegantiarum_, to be consulted on the wearing of a jewel, or the knotting of a necktie, or the conduct of a cane. He sought to elaborate some new scheme of life that would have its reasoned philosophy and its ordered principles, and find in the spiritualizing of the senses its highest realization. The worship of the senses has often, and with much justice, been decried, men feeling a natural instinct of terror about passions and sensations that seem stronger than themselves, and that they are conscious of sharing with the less highly organized forms of existence. But it appeared to Dorian Gray that the true nature of the senses had never been understood, and that they had remained savage and animal merely because the world had sought to starve them into submission or to kill them by pain, instead of aiming at making them elements of a new spirituality, of which a fine instinct for beauty was to be the dominant characteristic. As he looked back upon man moving through history, he was haunted by a feeling of loss. So much had been surrendered! and to such little purpose! There had been mad wilful rejections, monstrous forms of self-torture and self-denial, whose origin was fear and whose result was a degradation infinitely more terrible than that fancied degradation from which, in their ignorance, they had sought to escape; Nature, in her wonderful irony, driving out the anchorite to feed with the wild animals of the desert and giving to the hermit the beasts of the field as his companions. Yes: there was to be, as Lord Henry had prophesied, a new Hedonism that was to recreate life and to save it from that harsh uncomely puritanism that is having, in our own day, its curious revival. It was to have its service of the intellect, certainly, yet it was never to accept any theory or system that would involve the sacrifice of any mode of passionate experience. Its aim, indeed, was to be experience itself, and not the fruits of experience, sweet or bitter as they might be. Of the asceticism that deadens the senses, as of the vulgar profligacy that dulls them, it was to know nothing. But it was to teach man to concentrate himself upon the moments of a life that is itself but a moment. There are few of us who have not sometimes wakened before dawn, either after one of those dreamless nights that make us almost enamoured of death, or one of those nights of horror and misshapen joy, when through the chambers of the brain sweep phantoms more terrible than reality itself, and instinct with that vivid life that lurks in all grotesques, and that lends to Gothic art its enduring vitality, this art being, one might fancy, especially the art of those whose minds have been troubled with the malady of reverie. Gradually white fingers creep through the curtains, and they appear to tremble. In black fantastic shapes, dumb shadows crawl into the corners of the room and crouch there. Outside, there is the stirring of birds among the leaves, or the sound of men going forth to their work, or the sigh and sob of the wind coming down from the hills and wandering round the silent house, as though it feared to wake the sleepers and yet must needs call forth sleep from her purple cave. Veil after veil of thin dusky gauze is lifted, and by degrees the forms and colours of things are restored to them, and we watch the dawn remaking the world in its antique pattern. The wan mirrors get back their mimic life. The flameless tapers stand where we had left them, and beside them lies the half-cut book that we had been studying, or the wired flower that we had worn at the ball, or the letter that we had been afraid to read, or that we had read too often. Nothing seems to us changed. Out of the unreal shadows of the night comes back the real life that we had known. We have to resume it where we had left off, and there steals over us a terrible sense of the necessity for the continuance of energy in the same wearisome round of stereotyped habits, or a wild longing, it may be, that our eyelids might open some morning upon a world that had been refashioned anew in the darkness for our pleasure, a world in which things would have fresh shapes and colours, and be changed, or have other secrets, a world in which the past would have little or no place, or survive, at any rate, in no conscious form of obligation or regret, the remembrance even of joy having its bitterness and the memories of pleasure their pain. It was the creation of such worlds as these that seemed to Dorian Gray to be the true object, or amongst the true objects, of life; and in his search for sensations that would be at once new and delightful, and possess that element of strangeness that is so essential to romance, he would often adopt certain modes of thought that he knew to be really alien to his nature, abandon himself to their subtle influences, and then, having, as it were, caught their colour and satisfied his intellectual curiosity, leave them with that curious indifference that is not incompatible with a real ardour of temperament, and that, indeed, according to certain modern psychologists, is often a condition of it. It was rumoured of him once that he was about to join the Roman Catholic communion, and certainly the Roman ritual had always a great attraction for him. The daily sacrifice, more awful really than all the sacrifices of the antique world, stirred him as much by its superb rejection of the evidence of the senses as by the primitive simplicity of its elements and the eternal pathos of the human tragedy that it sought to symbolize. He loved to kneel down on the cold marble pavement and watch the priest, in his stiff flowered dalmatic, slowly and with white hands moving aside the veil of the tabernacle, or raising aloft the jewelled, lantern-shaped monstrance with that pallid wafer that at times, one would fain think, is indeed the "_panis c lestis_," the bread of angels, or, robed in the garments of the Passion of Christ, breaking the Host into the chalice and smiting his breast for his sins. The fuming censers that the grave boys, in their lace and scarlet, tossed into the air like great gilt flowers had their subtle fascination for him. As he passed out, he used to look with wonder at the black confessionals and long to sit in the dim shadow of one of them and listen to men and women whispering through the worn grating the true story of their lives. But he never fell into the error of arresting his intellectual development by any formal acceptance of creed or system, or of mistaking, for a house in which to live, an inn that is but suitable for the sojourn of a night, or for a few hours of a night in which there are no stars and the moon is in travail. Mysticism, with its marvellous power of making common things strange to us, and the subtle antinomianism that always seems to accompany it, moved him for a season; and for a season he inclined to the materialistic doctrines of the _Darwinismus_ movement in Germany, and found a curious pleasure in tracing the thoughts and passions of men to some pearly cell in the brain, or some white nerve in the body, delighting in the conception of the absolute dependence of the spirit on certain physical conditions, morbid or healthy, normal or diseased. Yet, as has been said of him before, no theory of life seemed to him to be of any importance compared with life itself. He felt keenly conscious of how barren all intellectual speculation is when separated from action and experiment. He knew that the senses, no less than the soul, have their spiritual mysteries to reveal. And so he would now study perfumes and the secrets of their manufacture, distilling heavily scented oils and burning odorous gums from the East. He saw that there was no mood of the mind that had not its counterpart in the sensuous life, and set himself to discover their true relations, wondering what there was in frankincense that made one mystical, and in ambergris that stirred one s passions, and in violets that woke the memory of dead romances, and in musk that troubled the brain, and in champak that stained the imagination; and seeking often to elaborate a real psychology of perfumes, and to estimate the several influences of sweet-smelling roots and scented, pollen-laden flowers; of aromatic balms and of dark and fragrant woods; of spikenard, that sickens; of hovenia, that makes men mad; and of aloes, that are said to be able to expel melancholy from the soul. At another time he devoted himself entirely to music, and in a long latticed room, with a vermilion-and-gold ceiling and walls of olive-green lacquer, he used to give curious concerts in which mad gipsies tore wild music from little zithers, or grave, yellow-shawled Tunisians plucked at the strained strings of monstrous lutes, while grinning Negroes beat monotonously upon copper drums and, crouching upon scarlet mats, slim turbaned Indians blew through long pipes of reed or brass and charmed or feigned to charm great hooded snakes and horrible horned adders. The harsh intervals and shrill discords of barbaric music stirred him at times when Schubert s grace, and Chopin s beautiful sorrows, and the mighty harmonies of Beethoven himself, fell unheeded on his ear. He collected together from all parts of the world the strangest instruments that could be found, either in the tombs of dead nations or among the few savage tribes that have survived contact with Western civilizations, and loved to touch and try them. He had the mysterious _juruparis_ of the Rio Negro Indians, that women are not allowed to look at and that even youths may not see till they have been subjected to fasting and scourging, and the earthen jars of the Peruvians that have the shrill cries of birds, and flutes of human bones such as Alfonso de Ovalle heard in Chile, and the sonorous green jaspers that are found near Cuzco and give forth a note of singular sweetness. He had painted gourds filled with pebbles that rattled when they were shaken; the long _clarin_ of the Mexicans, into which the performer does not blow, but through which he inhales the air; the harsh _ture_ of the Amazon tribes, that is sounded by the sentinels who sit all day long in high trees, and can be heard, it is said, at a distance of three leagues; the _teponaztli_, that has two vibrating tongues of wood and is beaten with sticks that are smeared with an elastic gum obtained from the milky juice of plants; the _yotl_-bells of the Aztecs, that are hung in clusters like grapes; and a huge cylindrical drum, covered with the skins of great serpents, like the one that Bernal Diaz saw when he went with Cortes into the Mexican temple, and of whose doleful sound he has left us so vivid a description. The fantastic character of these instruments fascinated him, and he felt a curious delight in the thought that art, like Nature, has her monsters, things of bestial shape and with hideous voices. Yet, after some time, he wearied of them, and would sit in his box at the opera, either alone or with Lord Henry, listening in rapt pleasure to "Tannhauser" and seeing in the prelude to that great work of art a presentation of the tragedy of his own soul. On one occasion he took up the study of jewels, and appeared at a costume ball as Anne de Joyeuse, Admiral of France, in a dress covered with five hundred and sixty pearls. This taste enthralled him for years, and, indeed, may be said never to have left him. He would often spend a whole day settling and resettling in their cases the various stones that he had collected, such as the olive-green chrysoberyl that turns red by lamplight, the cymophane with its wirelike line of silver, the pistachio-coloured peridot, rose-pink and wine-yellow topazes, carbuncles of fiery scarlet with tremulous, four-rayed stars, flame-red cinnamon-stones, orange and violet spinels, and amethysts with their alternate layers of ruby and sapphire. He loved the red gold of the sunstone, and the moonstone s pearly whiteness, and the broken rainbow of the milky opal. He procured from Amsterdam three emeralds of extraordinary size and richness of colour, and had a turquoise _de la vieille roche_ that was the envy of all the connoisseurs. He discovered wonderful stories, also, about jewels. In Alphonso s Clericalis Disciplina a serpent was mentioned with eyes of real jacinth, and in the romantic history of Alexander, the Conqueror of Emathia was said to have found in the vale of Jordan snakes "with collars of real emeralds growing on their backs." There was a gem in the brain of the dragon, Philostratus told us, and "by the exhibition of golden letters and a scarlet robe" the monster could be thrown into a magical sleep and slain. According to the great alchemist, Pierre de Boniface, the diamond rendered a man invisible, and the agate of India made him eloquent. The cornelian appeased anger, and the hyacinth provoked sleep, and the amethyst drove away the fumes of wine. The garnet cast out demons, and the hydropicus deprived the moon of her colour. The selenite waxed and waned with the moon, and the meloceus, that discovers thieves, could be affected only by the blood of kids. Leonardus Camillus had seen a white stone taken from the brain of a newly killed toad, that was a certain antidote against poison. The bezoar, that was found in the heart of the Arabian deer, was a charm that could cure the plague. In the nests of Arabian birds was the aspilates, that, according to Democritus, kept the wearer from any danger by fire. The King of Ceilan rode through his city with a large ruby in his hand, as the ceremony of his coronation. The gates of the palace of John the Priest were "made of sardius, with the horn of the horned snake inwrought, so that no man might bring poison within." Over the gable were "two golden apples, in which were two carbuncles," so that the gold might shine by day and the carbuncles by night. In Lodge s strange romance A Margarite of America , it was stated that in the chamber of the queen one could behold "all the chaste ladies of the world, inchased out of silver, looking through fair mirrours of chrysolites, carbuncles, sapphires, and greene emeraults." Marco Polo had seen the inhabitants of Zipangu place rose-coloured pearls in the mouths of the dead. A sea-monster had been enamoured of the pearl that the diver brought to King Perozes, and had slain the thief, and mourned for seven moons over its loss. When the Huns lured the king into the great pit, he flung it away Procopius tells the story nor was it ever found again, though the Emperor Anastasius offered five hundred-weight of gold pieces for it. The King of Malabar had shown to a certain Venetian a rosary of three hundred and four pearls, one for every god that he worshipped. When the Duke de Valentinois, son of Alexander VI., visited Louis XII. of France, his horse was loaded with gold leaves, according to Brantome, and his cap had double rows of rubies that threw out a great light. Charles of England had ridden in stirrups hung with four hundred and twenty-one diamonds. Richard II had a coat, valued at thirty thousand marks, which was covered with balas rubies. Hall described Henry VIII., on his way to the Tower previous to his coronation, as wearing "a jacket of raised gold, the placard embroidered with diamonds and other rich stones, and a great bauderike about his neck of large balasses." The favourites of James I wore ear-rings of emeralds set in gold filigrane. Edward II gave to Piers Gaveston a suit of red-gold armour studded with jacinths, a collar of gold roses set with turquoise-stones, and a skull-cap _parsem _ with pearls. Henry II. wore jewelled gloves reaching to the elbow, and had a hawk-glove sewn with twelve rubies and fifty-two great orients. The ducal hat of Charles the Rash, the last Duke of Burgundy of his race, was hung with pear-shaped pearls and studded with sapphires. How exquisite life had once been! How gorgeous in its pomp and decoration! Even to read of the luxury of the dead was wonderful. Then he turned his attention to embroideries and to the tapestries that performed the office of frescoes in the chill rooms of the northern nations of Europe. As he investigated the subject and he always had an extraordinary faculty of becoming absolutely absorbed for the moment in whatever he took up he was almost saddened by the reflection of the ruin that time brought on beautiful and wonderful things. He, at any rate, had escaped that. Summer followed summer, and the yellow jonquils bloomed and died many times, and nights of horror repeated the story of their shame, but he was unchanged. No winter marred his face or stained his flowerlike bloom. How different it was with material things! Where had they passed to? Where was the great crocus-coloured robe, on which the gods fought against the giants, that had been worked by brown girls for the pleasure of Athena? Where the huge velarium that Nero had stretched across the Colosseum at Rome, that Titan sail of purple on which was represented the starry sky, and Apollo driving a chariot drawn by white, gilt-reined steeds? He longed to see the curious table-napkins wrought for the Priest of the Sun, on which were displayed all the dainties and viands that could be wanted for a feast; the mortuary cloth of King Chilperic, with its three hundred golden bees; the fantastic robes that excited the indignation of the Bishop of Pontus and were figured with "lions, panthers, bears, dogs, forests, rocks, hunters all, in fact, that a painter can copy from nature"; and the coat that Charles of Orleans once wore, on the sleeves of which were embroidered the verses of a song beginning "_Madame, je suis tout joyeux_," the musical accompaniment of the words being wrought in gold thread, and each note, of square shape in those days, formed with four pearls. He read of the room that was prepared at the palace at Rheims for the use of Queen Joan of Burgundy and was decorated with "thirteen hundred and twenty-one parrots, made in broidery, and blazoned with the king s arms, and five hundred and sixty-one butterflies, whose wings were similarly ornamented with the arms of the queen, the whole worked in gold." Catherine de Medicis had a mourning-bed made for her of black velvet powdered with crescents and suns. Its curtains were of damask, with leafy wreaths and garlands, figured upon a gold and silver ground, and fringed along the edges with broideries of pearls, and it stood in a room hung with rows of the queen s devices in cut black velvet upon cloth of silver. Louis XIV. had gold embroidered caryatides fifteen feet high in his apartment. The state bed of Sobieski, King of Poland, was made of Smyrna gold brocade embroidered in turquoises with verses from the Koran. Its supports were of silver gilt, beautifully chased, and profusely set with enamelled and jewelled medallions. It had been taken from the Turkish camp before Vienna, and the standard of Mohammed had stood beneath the tremulous gilt of its canopy. And so, for a whole year, he sought to accumulate the most exquisite specimens that he could find of textile and embroidered work, getting the dainty Delhi muslins, finely wrought with gold-thread palmates and stitched over with iridescent beetles wings; the Dacca gauzes, that from their transparency are known in the East as "woven air," and "running water," and "evening dew"; strange figured cloths from Java; elaborate yellow Chinese hangings; books bound in tawny satins or fair blue silks and wrought with _fleurs-de-lis_, birds and images; veils of _lacis_ worked in Hungary point; Sicilian brocades and stiff Spanish velvets; Georgian work, with its gilt coins, and Japanese _Foukousas_, with their green-toned golds and their marvellously plumaged birds. He had a special passion, also, for ecclesiastical vestments, as indeed he had for everything connected with the service of the Church. In the long cedar chests that lined the west gallery of his house, he had stored away many rare and beautiful specimens of what is really the raiment of the Bride of Christ, who must wear purple and jewels and fine linen that she may hide the pallid macerated body that is worn by the suffering that she seeks for and wounded by self-inflicted pain. He possessed a gorgeous cope of crimson silk and gold-thread damask, figured with a repeating pattern of golden pomegranates set in six-petalled formal blossoms, beyond which on either side was the pine-apple device wrought in seed-pearls. The orphreys were divided into panels representing scenes from the life of the Virgin, and the coronation of the Virgin was figured in coloured silks upon the hood. This was Italian work of the fifteenth century. Another cope was of green velvet, embroidered with heart-shaped groups of acanthus-leaves, from which spread long-stemmed white blossoms, the details of which were picked out with silver thread and coloured crystals. The morse bore a seraph s head in gold-thread raised work. The orphreys were woven in a diaper of red and gold silk, and were starred with medallions of many saints and martyrs, among whom was St. Sebastian. He had chasubles, also, of amber-coloured silk, and blue silk and gold brocade, and yellow silk damask and cloth of gold, figured with representations of the Passion and Crucifixion of Christ, and embroidered with lions and peacocks and other emblems; dalmatics of white satin and pink silk damask, decorated with tulips and dolphins and _fleurs-de-lis_; altar frontals of crimson velvet and blue linen; and many corporals, chalice-veils, and sudaria. In the mystic offices to which such things were put, there was something that quickened his imagination. For these treasures, and everything that he collected in his lovely house, were to be to him means of forgetfulness, modes by which he could escape, for a season, from the fear that seemed to him at times to be almost too great to be borne. Upon the walls of the lonely locked room where he had spent so much of his boyhood, he had hung with his own hands the terrible portrait whose changing features showed him the real degradation of his life, and in front of it had draped the purple-and-gold pall as a curtain. For weeks he would not go there, would forget the hideous painted thing, and get back his light heart, his wonderful joyousness, his passionate absorption in mere existence. Then, suddenly, some night he would creep out of the house, go down to dreadful places near Blue Gate Fields, and stay there, day after day, until he was driven away. On his return he would sit in front of the picture, sometimes loathing it and himself, but filled, at other times, with that pride of individualism that is half the fascination of sin, and smiling with secret pleasure at the misshapen shadow that had to bear the burden that should have been his own. After a few years he could not endure to be long out of England, and gave up the villa that he had shared at Trouville with Lord Henry, as well as the little white walled-in house at Algiers where they had more than once spent the winter. He hated to be separated from the picture that was such a part of his life, and was also afraid that during his absence some one might gain access to the room, in spite of the elaborate bars that he had caused to be placed upon the door. He was quite conscious that this would tell them nothing. It was true that the portrait still preserved, under all the foulness and ugliness of the face, its marked likeness to himself; but what could they learn from that? He would laugh at any one who tried to taunt him. He had not painted it. What was it to him how vile and full of shame it looked? Even if he told them, would they believe it? Yet he was afraid. Sometimes when he was down at his great house in Nottinghamshire, entertaining the fashionable young men of his own rank who were his chief companions, and astounding the county by the wanton luxury and gorgeous splendour of his mode of life, he would suddenly leave his guests and rush back to town to see that the door had not been tampered with and that the picture was still there. What if it should be stolen? The mere thought made him cold with horror. Surely the world would know his secret then. Perhaps the world already suspected it. For, while he fascinated many, there were not a few who distrusted him. He was very nearly blackballed at a West End club of which his birth and social position fully entitled him to become a member, and it was said that on one occasion, when he was brought by a friend into the smoking-room of the Churchill, the Duke of Berwick and another gentleman got up in a marked manner and went out. Curious stories became current about him after he had passed his twenty-fifth year. It was rumoured that he had been seen brawling with foreign sailors in a low den in the distant parts of Whitechapel, and that he consorted with thieves and coiners and knew the mysteries of their trade. His extraordinary absences became notorious, and, when he used to reappear again in society, men would whisper to each other in corners, or pass him with a sneer, or look at him with cold searching eyes, as though they were determined to discover his secret. Of such insolences and attempted slights he, of course, took no notice, and in the opinion of most people his frank debonair manner, his charming boyish smile, and the infinite grace of that wonderful youth that seemed never to leave him, were in themselves a sufficient answer to the calumnies, for so they termed them, that were circulated about him. It was remarked, however, that some of those who had been most intimate with him appeared, after a time, to shun him. Women who had wildly adored him, and for his sake had braved all social censure and set convention at defiance, were seen to grow pallid with shame or horror if Dorian Gray entered the room. Yet these whispered scandals only increased in the eyes of many his strange and dangerous charm. His great wealth was a certain element of security. Society civilized society, at least is never very ready to believe anything to the detriment of those who are both rich and fascinating. It feels instinctively that manners are of more importance than morals, and, in its opinion, the highest respectability is of much less value than the possession of a good _chef_. And, after all, it is a very poor consolation to be told that the man who has given one a bad dinner, or poor wine, is irreproachable in his private life. Even the cardinal virtues cannot atone for half-cold _entr es_, as Lord Henry remarked once, in a discussion on the subject, and there is possibly a good deal to be said for his view. For the canons of good society are, or should be, the same as the canons of art. Form is absolutely essential to it. It should have the dignity of a ceremony, as well as its unreality, and should combine the insincere character of a romantic play with the wit and beauty that make such plays delightful to us. Is insincerity such a terrible thing? I think not. It is merely a method by which we can multiply our personalities. Such, at any rate, was Dorian Gray s opinion. He used to wonder at the shallow psychology of those who conceive the ego in man as a thing simple, permanent, reliable, and of one essence. To him, man was a being with myriad lives and myriad sensations, a complex multiform creature that bore within itself strange legacies of thought and passion, and whose very flesh was tainted with the monstrous maladies of the dead. He loved to stroll through the gaunt cold picture-gallery of his country house and look at the various portraits of those whose blood flowed in his veins. Here was Philip Herbert, described by Francis Osborne, in his Memoires on the Reigns of Queen Elizabeth and King James, as one who was "caressed by the Court for his handsome face, which kept him not long company." Was it young Herbert s life that he sometimes led? Had some strange poisonous germ crept from body to body till it had reached his own? Was it some dim sense of that ruined grace that had made him so suddenly, and almost without cause, give utterance, in Basil Hallward s studio, to the mad prayer that had so changed his life? Here, in gold-embroidered red doublet, jewelled surcoat, and gilt-edged ruff and wristbands, stood Sir Anthony Sherard, with his silver-and-black armour piled at his feet. What had this man s legacy been? Had the lover of Giovanna of Naples bequeathed him some inheritance of sin and shame? Were his own actions merely the dreams that the dead man had not dared to realize? Here, from the fading canvas, smiled Lady Elizabeth Devereux, in her gauze hood, pearl stomacher, and pink slashed sleeves. A flower was in her right hand, and her left clasped an enamelled collar of white and damask roses. On a table by her side lay a mandolin and an apple. There were large green rosettes upon her little pointed shoes. He knew her life, and the strange stories that were told about her lovers. Had he something of her temperament in him? These oval, heavy-lidded eyes seemed to look curiously at him. What of George Willoughby, with his powdered hair and fantastic patches? How evil he looked! The face was saturnine and swarthy, and the sensual lips seemed to be twisted with disdain. Delicate lace ruffles fell over the lean yellow hands that were so overladen with rings. He had been a macaroni of the eighteenth century, and the friend, in his youth, of Lord Ferrars. What of the second Lord Beckenham, the companion of the Prince Regent in his wildest days, and one of the witnesses at the secret marriage with Mrs. Fitzherbert? How proud and handsome he was, with his chestnut curls and insolent pose! What passions had he bequeathed? The world had looked upon him as infamous. He had led the orgies at Carlton House. The star of the Garter glittered upon his breast. Beside him hung the portrait of his wife, a pallid, thin-lipped woman in black. Her blood, also, stirred within him. How curious it all seemed! And his mother with her Lady Hamilton face and her moist, wine-dashed lips he knew what he had got from her. He had got from her his beauty, and his passion for the beauty of others. She laughed at him in her loose Bacchante dress. There were vine leaves in her hair. The purple spilled from the cup she was holding. The carnations of the painting had withered, but the eyes were still wonderful in their depth and brilliancy of colour. They seemed to follow him wherever he went. Yet one had ancestors in literature as well as in one s own race, nearer perhaps in type and temperament, many of them, and certainly with an influence of which one was more absolutely conscious. There were times when it appeared to Dorian Gray that the whole of history was merely the record of his own life, not as he had lived it in act and circumstance, but as his imagination had created it for him, as it had been in his brain and in his passions. He felt that he had known them all, those strange terrible figures that had passed across the stage of the world and made sin so marvellous and evil so full of subtlety. It seemed to him that in some mysterious way their lives had been his own. The hero of the wonderful novel that had so influenced his life had himself known this curious fancy. In the seventh chapter he tells how, crowned with laurel, lest lightning might strike him, he had sat, as Tiberius, in a garden at Capri, reading the shameful books of Elephantis, while dwarfs and peacocks strutted round him and the flute-player mocked the swinger of the censer; and, as Caligula, had caroused with the green-shirted jockeys in their stables and supped in an ivory manger with a jewel-frontleted horse; and, as Domitian, had wandered through a corridor lined with marble mirrors, looking round with haggard eyes for the reflection of the dagger that was to end his days, and sick with that ennui, that terrible _t dium vit _, that comes on those to whom life denies nothing; and had peered through a clear emerald at the red shambles of the circus and then, in a litter of pearl and purple drawn by silver-shod mules, been carried through the Street of Pomegranates to a House of Gold and heard men cry on Nero Caesar as he passed by; and, as Elagabalus, had painted his face with colours, and plied the distaff among the women, and brought the Moon from Carthage and given her in mystic marriage to the Sun. Over and over again Dorian used to read this fantastic chapter, and the two chapters immediately following, in which, as in some curious tapestries or cunningly wrought enamels, were pictured the awful and beautiful forms of those whom vice and blood and weariness had made monstrous or mad: Filippo, Duke of Milan, who slew his wife and painted her lips with a scarlet poison that her lover might suck death from the dead thing he fondled; Pietro Barbi, the Venetian, known as Paul the Second, who sought in his vanity to assume the title of Formosus, and whose tiara, valued at two hundred thousand florins, was bought at the price of a terrible sin; Gian Maria Visconti, who used hounds to chase living men and whose murdered body was covered with roses by a harlot who had loved him; the Borgia on his white horse, with Fratricide riding beside him and his mantle stained with the blood of Perotto; Pietro Riario, the young Cardinal Archbishop of Florence, child and minion of Sixtus IV., whose beauty was equalled only by his debauchery, and who received Leonora of Aragon in a pavilion of white and crimson silk, filled with nymphs and centaurs, and gilded a boy that he might serve at the feast as Ganymede or Hylas; Ezzelin, whose melancholy could be cured only by the spectacle of death, and who had a passion for red blood, as other men have for red wine the son of the Fiend, as was reported, and one who had cheated his father at dice when gambling with him for his own soul; Giambattista Cibo, who in mockery took the name of Innocent and into whose torpid veins the blood of three lads was infused by a Jewish doctor; Sigismondo Malatesta, the lover of Isotta and the lord of Rimini, whose effigy was burned at Rome as the enemy of God and man, who strangled Polyssena with a napkin, and gave poison to Ginevra d Este in a cup of emerald, and in honour of a shameful passion built a pagan church for Christian worship; Charles VI., who had so wildly adored his brother s wife that a leper had warned him of the insanity that was coming on him, and who, when his brain had sickened and grown strange, could only be soothed by Saracen cards painted with the images of love and death and madness; and, in his trimmed jerkin and jewelled cap and acanthuslike curls, Grifonetto Baglioni, who slew Astorre with his bride, and Simonetto with his page, and whose comeliness was such that, as he lay dying in the yellow piazza of Perugia, those who had hated him could not choose but weep, and Atalanta, who had cursed him, blessed him. There was a horrible fascination in them all. He saw them at night, and they troubled his imagination in the day. The Renaissance knew of strange manners of poisoning poisoning by a helmet and a lighted torch, by an embroidered glove and a jewelled fan, by a gilded pomander and by an amber chain. Dorian Gray had been poisoned by a book. There were moments when he looked on evil simply as a mode through which he could realize his conception of the beautiful. CHAPTER XII It was on the ninth of November, the eve of his own thirty-eighth birthday, as he often remembered afterwards. He was walking home about eleven o clock from Lord Henry s, where he had been dining, and was wrapped in heavy furs, as the night was cold and foggy. At the corner of Grosvenor Square and South Audley Street, a man passed him in the mist, walking very fast and with the collar of his grey ulster turned up. He had a bag in his hand. Dorian recognized him. It was Basil Hallward. A strange sense of fear, for which he could not account, came over him. He made no sign of recognition and went on quickly in the direction of his own house. But Hallward had seen him. Dorian heard him first stopping on the pavement and then hurrying after him. In a few moments, his hand was on his arm.</\|quote\|>"Dorian! What an extraordinary piece of luck! I have been waiting for you in your library ever since nine o clock. Finally I took pity on your tired servant and told him to go to bed, as he let me out. I am off to Paris by the midnight train, and I particularly wanted to see you before I left. I thought it was you, or rather your fur coat, as you passed me. But I wasn t quite sure. Didn t you recognize me?" "In this fog, my dear Basil? Why, I can t even recognize Grosvenor Square. I believe my house is somewhere about here, but I don t feel at all certain about it. I am sorry you are going away, as I have not seen you for ages. But I suppose you will be back soon?" "No: I am going to be out of England for six months. I intend to take a studio in Paris and shut myself up till I have finished a great picture I have in my head. However, it wasn t about myself I wanted to talk. Here we are at your door. Let me come in for a moment. I have something to say to you." "I shall be charmed. But won t you miss your train?" said Dorian Gray languidly as he passed up the steps and opened the door with his latch-key. The lamplight struggled out through the fog, and Hallward looked at his watch. "I have heaps of time," he answered. "The train doesn t go till twelve-fifteen, and it is only just eleven. In fact, I was on my way to the club to look for you, when I met you. You see, I shan t have any delay about luggage, as I have sent on my heavy things. All I have with me is in this bag, and I can easily get to Victoria in twenty minutes." Dorian looked at him and smiled. "What a way for a fashionable painter to travel! A Gladstone bag and an ulster! Come in, or the fog will get into the house. And mind you don t talk about anything serious. Nothing is serious nowadays. At least nothing should be." Hallward shook his head, as he entered, and followed Dorian into the library. There was a bright wood fire blazing in the large open hearth. The lamps were lit,	round the evening paper, and a book that might interest him, and that he would be at the club at eight-fifteen. He opened _The St. James s_ languidly, and looked through it. A red pencil-mark on the fifth page caught his eye. It drew attention to the following paragraph: INQUEST ON AN ACTRESS. An inquest was held this morning at the Bell Tavern, Hoxton Road, by Mr. Danby, the District Coroner, on the body of Sibyl Vane, a young actress recently engaged at the Royal Theatre, Holborn. A verdict of death by misadventure was returned. Considerable sympathy was expressed for the mother of the deceased, who was greatly affected during the giving of her own evidence, and that of Dr. Birrell, who had made the post-mortem examination of the deceased. He frowned, and tearing the paper in two, went across the room and flung the pieces away. How ugly it all was! And how horribly real ugliness made things! He felt a little annoyed with Lord Henry for having sent him the report. And it was certainly stupid of him to have marked it with red pencil. Victor might have read it. The man knew more than enough English for that. Perhaps he had read it and had begun to suspect something. And, yet, what did it matter? What had Dorian Gray to do with Sibyl Vane s death? There was nothing to fear. Dorian Gray had not killed her. His eye fell on the yellow book that Lord Henry had sent him. What was it, he wondered. He went towards the little, pearl-coloured octagonal stand that had always looked to him like the work of some strange Egyptian bees that wrought in silver, and taking up the volume, flung himself into an arm-chair and began to turn over the leaves. After a few minutes he became absorbed. It was the strangest book that he had ever read. It seemed to him that in exquisite raiment, and to the delicate sound of flutes, the sins of the world were passing in dumb show before him. Things that he had dimly dreamed of were suddenly made real to him. Things of which he had never dreamed were gradually revealed. It was a novel without a plot and with only one character, being, indeed, simply a psychological study of a certain young Parisian who spent his life trying to realize in the nineteenth century all the passions and modes of thought that belonged to every century except his own, and to sum up, as it were, in himself the various moods through which the world-spirit had ever passed, loving for their mere artificiality those renunciations that men have unwisely called virtue, as much as those natural rebellions that wise men still call sin. The style in which it was written was that curious jewelled style, vivid and obscure at once, full of _argot_ and of archaisms, of technical expressions and of elaborate paraphrases, that characterizes the work of some of the finest artists of the French school of _Symbolistes_. There were in it metaphors as monstrous as orchids and as subtle in colour. The life of the senses was described in the terms of mystical philosophy. One hardly knew at times whether one was reading the spiritual ecstasies of some medi val saint or the morbid confessions of a modern sinner. It was a poisonous book. The heavy odour of incense seemed to cling about its pages and to trouble the brain. The mere cadence of the sentences, the subtle monotony of their music, so full as it was of complex refrains and movements elaborately repeated, produced in the mind of the lad, as he passed from chapter to chapter, a form of reverie, a malady of dreaming, that made him unconscious of the falling day and creeping shadows. Cloudless, and pierced by one solitary star, a copper-green sky gleamed through the windows. He read on by its wan light till he could read no more. Then, after his valet had reminded him several times of the lateness of the hour, he got up, and going into the next room, placed the book on the little Florentine table that always stood at his bedside and began to dress for dinner. It was almost nine o clock before he reached the club, where he found Lord Henry sitting alone, in the morning-room, looking very much bored. "I am so sorry, Harry," he cried, "but really it is entirely your fault. That book you sent me so fascinated me that I forgot how the time was going." "Yes, I thought you would like it," replied his host, rising from his chair. "I didn t say I liked it, Harry. I said it fascinated me. There is a great difference." "Ah, you have discovered that?"<\|quote\|>murmured Lord Henry. And they passed into the dining-room. CHAPTER XI. For years, Dorian Gray could not free himself from the influence of this book. Or perhaps it would be more accurate to say that he never sought to free himself from it. He procured from Paris no less than nine large-paper copies of the first edition, and had them bound in different colours, so that they might suit his various moods and the changing fancies of a nature over which he seemed, at times, to have almost entirely lost control. The hero, the wonderful young Parisian in whom the romantic and the scientific temperaments were so strangely blended, became to him a kind of prefiguring type of himself. And, indeed, the whole book seemed to him to contain the story of his own life, written before he had lived it. In one point he was more fortunate than the novel s fantastic hero. He never knew never, indeed, had any cause to know that somewhat grotesque dread of mirrors, and polished metal surfaces, and still water which came upon the young Parisian so early in his life, and was occasioned by the sudden decay of a beau that had once, apparently, been so remarkable. It was with an almost cruel joy and perhaps in nearly every joy, as certainly in every pleasure, cruelty has its place that he used to read the latter part of the book, with its really tragic, if somewhat overemphasized, account of the sorrow and despair of one who had himself lost what in others, and the world, he had most dearly valued. For the wonderful beauty that had so fascinated Basil Hallward, and many others besides him, seemed never to leave him. Even those who had heard the most evil things against him and from time to time strange rumours about his mode of life crept through London and became the chatter of the clubs could not believe anything to his dishonour when they saw him. He had always the look of one who had kept himself unspotted from the world. Men who talked grossly became silent when Dorian Gray entered the room. There was something in the purity of his face that rebuked them. His mere presence seemed to recall to them the memory of the innocence that they had tarnished. They wondered how one so charming and graceful as he was could have escaped the stain of an age that was at once sordid and sensual. Often, on returning home from one of those mysterious and prolonged absences that gave rise to such strange conjecture among those who were his friends, or thought that they were so, he himself would creep upstairs to the locked room, open the door with the key that never left him now, and stand, with a mirror, in front of the portrait that Basil Hallward had painted of him, looking now at the evil and aging face on the canvas, and now at the fair young face that laughed back at him from the polished glass. The very sharpness of the contrast used to quicken his sense of pleasure. He grew more and more enamoured of his own beauty, more and more interested in the corruption of his own soul. He would examine with minute care, and sometimes with a monstrous and terrible delight, the hideous lines that seared the wrinkling forehead or crawled around the heavy sensual mouth, wondering sometimes which were the more horrible, the signs of sin or the signs of age. He would place his white hands beside the coarse bloated hands of the picture, and smile. He mocked the misshapen body and the failing limbs. There were moments, indeed, at night, when, lying sleepless in his own delicately scented chamber, or in the sordid room of the little ill-famed tavern near the docks which, under an assumed name and in disguise, it was his habit to frequent, he would think of the ruin he had brought upon his soul with a pity that was all the more poignant because it was purely selfish. But moments such as these were rare. That curiosity about life which Lord Henry had first stirred in him, as they sat together in the garden of their friend, seemed to increase with gratification. The more he knew, the more he desired to know. He had mad hungers that grew more ravenous as he fed them. Yet he was not really reckless, at any rate in his relations to society. Once or twice every month during the winter, and on each Wednesday evening while the season lasted, he would throw open to the world his beautiful house and have the most celebrated musicians of the day to charm his guests with the wonders of their art. His little dinners, in the settling of which Lord Henry always assisted him, were noted as much for the careful selection and placing of those invited, as for the exquisite taste shown in the decoration of the table, with its subtle symphonic arrangements of exotic flowers, and embroidered cloths, and antique plate of gold and silver. Indeed, there were many, especially among the very young men, who saw, or fancied that they saw, in Dorian Gray the true realization of a type of which they had often dreamed in Eton or Oxford days, a type that was to combine something of the real culture of the scholar with all the grace and distinction and perfect manner of a citizen of the world. To them he seemed to be of the company of those whom Dante describes as having sought to "make themselves perfect by the worship of beauty." Like Gautier, he was one for whom "the visible world existed." And, certainly, to him life itself was the first, the greatest, of the arts, and for it all the other arts seemed to be but a preparation. Fashion, by which what is really fantastic becomes for a moment universal, and dandyism, which, in its own way, is an attempt to assert the absolute modernity of beauty, had, of course, their fascination for him. His mode of dressing, and the particular styles that from time to time he affected, had their marked influence on the young exquisites of the Mayfair balls and Pall Mall club windows, who copied him in everything that he did, and tried to reproduce the accidental charm of his graceful, though to him only half-serious, fopperies. For, while he was but too ready to accept the position that was almost immediately offered to him on his coming of age, and found, indeed, a subtle pleasure in the thought that he might really become to the London of his own day what to imperial Neronian Rome the author of the Satyricon once had been, yet in his inmost heart he desired to be something more than a mere _arbiter elegantiarum_, to be consulted on the wearing of a jewel, or the knotting of a necktie, or the conduct of a cane. He sought to elaborate some new scheme of life that would have its reasoned philosophy and its ordered principles, and find in the spiritualizing of the senses its highest realization. The worship of the senses has often, and with much justice, been decried, men feeling a natural instinct of terror about passions and sensations that seem stronger than themselves, and that they are conscious of sharing with the less highly organized forms of existence. But it appeared to Dorian Gray that the true nature of the senses had never been understood, and that they had remained savage and animal merely because the world had sought to starve them into submission or to kill them by pain, instead of aiming at making them elements of a new spirituality, of which a fine instinct for beauty was to be the dominant characteristic. As he looked back upon man moving through history, he was haunted by a feeling of loss. So much had been surrendered! and to such little purpose! There had been mad wilful rejections, monstrous forms of self-torture and self-denial, whose origin was fear and whose result was a degradation infinitely more terrible than that fancied degradation from which, in their ignorance, they had sought to escape; Nature, in her wonderful irony, driving out the anchorite to feed with the wild animals of the desert and giving to the hermit the beasts of the field as his companions. Yes: there was to be, as Lord Henry had prophesied, a new Hedonism that was to recreate life and to save it from that harsh uncomely puritanism that is having, in our own day, its curious revival. It was to have its service of the intellect, certainly, yet it was never to accept any theory or system that would involve the sacrifice of any mode of passionate experience. Its aim, indeed, was to be experience itself, and not the fruits of experience, sweet or bitter as they might be. Of the asceticism that deadens the senses, as of the vulgar profligacy that dulls them, it was to know nothing. But it was to teach man to concentrate himself upon the moments of a life that is itself but a moment. There are few of us who have not sometimes wakened before dawn, either after one of those dreamless nights that make us almost enamoured of death, or one of those nights of horror and misshapen joy, when through the chambers of the brain sweep phantoms more terrible than reality itself, and instinct with that vivid life that lurks in all grotesques, and that lends to Gothic art its enduring vitality, this art being, one might fancy, especially the art of those whose minds have been troubled with the malady of reverie. Gradually white fingers creep through the curtains, and they appear to tremble. In black fantastic shapes, dumb shadows crawl into the corners of the room and crouch there. Outside, there is the stirring of birds among the leaves, or the sound of men going forth to their work, or the sigh and sob of the wind coming down from the hills and wandering round the silent house, as though it feared to wake the sleepers and yet must needs call forth sleep from her purple cave. Veil after veil of thin dusky gauze is lifted, and by degrees the forms and colours of things are restored to them, and we watch the dawn remaking the world in its antique pattern. The wan mirrors get back their mimic life. The flameless tapers stand where we had left them, and beside them lies the half-cut book that we had been studying, or the wired flower that we had worn at the ball, or the letter that we had been afraid to read, or that we had read too often. Nothing seems to us changed. Out of the unreal shadows of the night comes back the real life that we had known. We have to resume it where we had left off, and there steals over us a terrible sense of the necessity for the continuance of energy in the same wearisome round of stereotyped habits, or a wild longing, it may be, that our eyelids might open some morning upon a world that had been refashioned anew in the darkness for our pleasure, a world in which things would have fresh shapes and colours, and be changed, or have other secrets, a world in which the past would have little or no place, or survive, at any rate, in no conscious form of obligation or regret, the remembrance even of joy having its bitterness and the memories of pleasure their pain. It was the creation of such worlds as these that seemed to Dorian Gray to be the true object, or amongst the true objects, of life; and in his search for sensations that would be at once new and delightful, and possess that element of strangeness that is so essential to romance, he would often adopt certain modes of thought that he knew to be really alien to his nature, abandon himself to their subtle influences, and then, having, as it were, caught their colour and satisfied his intellectual curiosity, leave them with that curious indifference that is not incompatible with a real ardour of temperament, and that, indeed, according to certain modern psychologists, is often a condition of it. It was rumoured of him once that he was about to join the Roman Catholic communion, and certainly the Roman ritual had always a great attraction for him. The daily sacrifice, more awful really than all the sacrifices of the antique world, stirred him as much by its superb rejection of the evidence of the senses as by the primitive simplicity of its elements and the eternal pathos of the human tragedy that it sought to symbolize. He loved to kneel down on the cold marble pavement and watch the priest, in his stiff flowered dalmatic, slowly and with white hands moving aside the veil of the tabernacle, or raising aloft the jewelled, lantern-shaped monstrance with that pallid wafer that at times, one would fain think, is indeed the "_panis c lestis_," the bread of angels, or, robed in the garments of the Passion of Christ, breaking the Host into the chalice and smiting his breast for his sins. The fuming censers that the grave boys, in their lace and scarlet, tossed into the air like great gilt flowers had their subtle fascination for him. As he passed out, he used to look with wonder at the black confessionals and long to sit in the dim shadow of one of them and listen to men and women whispering through the worn grating the true story of their lives. But he never fell into the error of arresting his intellectual development by any formal acceptance of creed or system, or of mistaking, for a house in which to live, an inn that is but suitable for the sojourn of a night, or for a few hours of a night in which there are no stars and the moon is in travail. Mysticism, with its marvellous power of making common things strange to us, and the subtle antinomianism that always seems to accompany it, moved him for a season; and for a season he inclined to the materialistic doctrines of the _Darwinismus_ movement in Germany, and found a curious pleasure in tracing the thoughts and passions of men to some pearly cell in the brain, or some white nerve in the body, delighting in the conception of the absolute dependence of the spirit on certain physical conditions, morbid or healthy, normal or diseased. Yet, as has been said of him before, no theory of life seemed to him to be of any importance compared with life itself. He felt keenly conscious of how barren all intellectual speculation is when separated from action and experiment. He knew that the senses, no less than the soul, have their spiritual mysteries to reveal. And so he would now study perfumes and the secrets of their manufacture, distilling heavily scented oils and burning odorous gums from the East. He saw that there was no mood of the mind that had not its counterpart in the sensuous life, and set himself to discover their true relations, wondering what there was in frankincense that made one mystical, and in ambergris that stirred one s passions, and in violets that woke the memory of dead romances, and in musk that troubled the brain, and in champak that stained the imagination; and seeking often to elaborate a real psychology of perfumes, and to estimate the several influences of sweet-smelling roots and scented, pollen-laden flowers; of aromatic balms and of dark and fragrant woods; of spikenard, that sickens; of hovenia, that makes men mad; and of aloes, that are said to be able to expel melancholy from the soul. At another time he devoted himself entirely to music, and in a long latticed room, with a vermilion-and-gold ceiling and walls of olive-green lacquer, he used to give curious concerts in which mad gipsies tore wild music from little zithers, or grave, yellow-shawled Tunisians plucked at the strained strings of monstrous lutes, while grinning Negroes beat monotonously upon copper drums and, crouching upon scarlet mats, slim turbaned Indians blew through long pipes of reed or brass and charmed or feigned to charm great hooded snakes and horrible horned adders. The harsh intervals and shrill discords of barbaric music stirred him at times when Schubert s grace, and Chopin s beautiful sorrows, and the mighty harmonies of Beethoven himself, fell unheeded on his ear. He collected together from all parts of the world the strangest instruments that could be found, either in the tombs of dead nations or among the few savage tribes that have survived contact with Western civilizations, and loved to touch and try them. He had the mysterious _juruparis_ of the Rio Negro Indians, that women are not allowed to look at and that even youths may not see till they have been subjected to fasting and scourging, and the earthen jars of the Peruvians that have the shrill cries of birds, and flutes of human bones such as Alfonso de Ovalle heard in Chile, and the sonorous green jaspers that are found near Cuzco and give forth a note of singular sweetness. He had painted gourds filled with pebbles that rattled when they were shaken; the long _clarin_ of the Mexicans, into which the performer does not blow, but through which he inhales the air; the harsh _ture_ of the Amazon tribes, that is sounded by the sentinels who sit all day long in high trees, and can be heard, it is said, at a distance of three leagues; the _teponaztli_, that has two vibrating tongues of wood and is beaten with sticks that are smeared with an elastic gum obtained from the milky juice of plants; the _yotl_-bells of the Aztecs, that are hung in clusters like grapes; and a huge cylindrical drum, covered with the skins of great serpents, like the one that Bernal Diaz saw when he went with Cortes into the Mexican temple, and of whose doleful sound he has left us so vivid a description. The fantastic character of these instruments fascinated him, and he felt a curious delight in the thought that art, like Nature, has her monsters, things of bestial shape and with hideous voices. Yet, after some time, he wearied of them, and would sit in his box at the opera, either alone or with Lord Henry, listening in rapt pleasure to "Tannhauser" and seeing in the prelude to that great work of art a presentation of the tragedy of his own soul. On one occasion he took up the study of jewels, and appeared at a costume ball as Anne de Joyeuse, Admiral of France, in a dress covered with five hundred and sixty pearls. This taste enthralled him for years, and, indeed, may be said never to have left him. He would often spend a whole day settling and resettling in their cases the various stones that he had collected, such as the olive-green chrysoberyl that turns red by lamplight, the cymophane with its wirelike line of silver, the pistachio-coloured peridot, rose-pink and wine-yellow topazes, carbuncles of fiery scarlet with tremulous, four-rayed stars, flame-red cinnamon-stones, orange and violet spinels, and amethysts with their alternate layers of ruby and sapphire. He loved the red gold of the sunstone, and the moonstone s pearly whiteness, and the broken rainbow of the milky opal. He procured from Amsterdam three emeralds of extraordinary size and richness of colour, and had a turquoise _de la vieille roche_ that was the envy of all the connoisseurs. He discovered wonderful stories, also, about jewels. In Alphonso s Clericalis Disciplina a serpent was mentioned with eyes of real jacinth, and in the romantic history of Alexander, the Conqueror of Emathia was said to have found in the vale of Jordan snakes "with collars of real emeralds growing on their backs." There was a gem in the brain of the dragon, Philostratus told us, and "by the exhibition of golden letters and a scarlet robe" the monster could be thrown into a magical sleep and slain. According to the great alchemist, Pierre de Boniface, the diamond rendered a man invisible, and the agate of India made him eloquent. The cornelian appeased anger, and the hyacinth provoked sleep, and the amethyst drove away the fumes of wine. The garnet cast out demons, and the hydropicus deprived the moon of her colour. The selenite waxed and waned with the moon, and the meloceus, that discovers thieves, could be affected only by the blood of kids. Leonardus Camillus had seen a white stone taken from the brain of a newly killed toad, that was a certain antidote against poison. The bezoar, that was found in the heart of the Arabian deer, was a charm that could cure the plague. In the nests of Arabian birds was the aspilates, that, according to Democritus, kept the wearer from any danger by fire. The King of Ceilan rode through his city with a large ruby in his hand, as the ceremony of his coronation. The gates of the palace of John the Priest were "made of sardius, with the horn of the horned snake inwrought, so that no man might bring poison within." Over the gable were "two golden apples, in which were two carbuncles," so that the gold might shine by day and the carbuncles by night. In Lodge s strange romance A Margarite of America , it was stated that in the chamber of the queen one could behold "all the chaste ladies of the world, inchased out of silver, looking through fair mirrours of chrysolites, carbuncles, sapphires, and greene emeraults." Marco Polo had seen the inhabitants of Zipangu place rose-coloured pearls in the mouths of the dead. A sea-monster had been enamoured of the pearl that the diver brought to King Perozes, and had slain the thief, and mourned for seven moons over its loss. When the Huns lured the king into the great pit, he flung it away Procopius tells the story nor was it ever found again, though the Emperor Anastasius offered five hundred-weight of gold pieces for it. The King of Malabar had shown to a certain Venetian a rosary of three hundred and four pearls, one for every god that he worshipped. When the Duke de Valentinois, son of Alexander VI., visited Louis XII. of France, his horse was loaded with gold leaves, according to Brantome, and his cap had double rows of rubies that threw out a great light. Charles of England had ridden in stirrups hung with four hundred and twenty-one diamonds. Richard II had a coat, valued at thirty thousand marks, which was covered with balas rubies. Hall described Henry VIII., on his way to the Tower previous to his coronation, as wearing "a jacket of raised gold, the placard embroidered with diamonds and other rich stones, and a great bauderike about his neck of large balasses." The favourites of James I wore ear-rings of emeralds set in gold filigrane. Edward II gave to Piers Gaveston a suit of red-gold armour studded with jacinths, a collar of gold roses set with turquoise-stones, and a skull-cap _parsem _ with pearls. Henry II. wore jewelled gloves reaching to the elbow, and had a hawk-glove sewn with twelve rubies and fifty-two great orients. The ducal hat of Charles the Rash, the last Duke of Burgundy of his race, was hung with pear-shaped pearls and studded with sapphires. How exquisite life had once been! How gorgeous in its pomp and decoration! Even to read of the luxury of the dead was wonderful. Then he turned his attention to embroideries and to the tapestries that performed the office of frescoes in the chill rooms of the northern nations of Europe. As he investigated the subject and he always had an extraordinary faculty of becoming absolutely absorbed for the moment in whatever he took up he was almost saddened by the reflection of the ruin that time brought on beautiful and wonderful things. He, at any rate, had escaped that. Summer followed summer, and the yellow jonquils bloomed and died many times, and nights of horror repeated the story of their shame, but he was unchanged. No winter marred his face or stained his flowerlike bloom. How different it was with material things! Where had they passed to? Where was the great crocus-coloured robe, on which the gods fought against the giants, that had been worked by brown girls for the pleasure of Athena? Where the huge velarium that Nero had stretched across the Colosseum at Rome, that Titan sail of purple on which was represented the starry sky, and Apollo driving a chariot drawn by white, gilt-reined steeds? He longed to see the curious table-napkins wrought for the Priest of the Sun, on which were displayed all the dainties and viands that could be wanted for a feast; the mortuary cloth of King Chilperic, with its three hundred golden bees; the fantastic robes that excited the indignation of the Bishop of Pontus and were figured with "lions, panthers, bears, dogs, forests, rocks, hunters all, in fact, that a painter can copy from nature"; and the coat that Charles of Orleans once wore, on the sleeves of which were embroidered the verses of a song beginning "_Madame, je suis tout joyeux_," the musical accompaniment of the words being wrought in gold thread, and each note, of square shape in those days, formed with four pearls. He read of the room that was prepared at the palace at Rheims for the use of Queen Joan of Burgundy and was decorated with "thirteen hundred and twenty-one parrots, made in broidery, and blazoned with the king s arms, and five hundred and sixty-one butterflies, whose wings were similarly ornamented with the arms of the queen, the whole worked in gold." Catherine de Medicis had a mourning-bed made for her of black velvet powdered with crescents and suns. Its curtains were of damask, with leafy wreaths and garlands, figured upon a gold and silver ground, and fringed along the edges with broideries of pearls, and it stood in a room hung with rows of the queen s devices in cut black velvet upon cloth of silver. Louis XIV. had gold embroidered caryatides fifteen feet high in his apartment. The state bed of Sobieski, King of Poland, was made of Smyrna gold brocade embroidered in turquoises with verses from the Koran. Its supports were of silver gilt, beautifully chased, and profusely set with enamelled and jewelled medallions. It had been taken from the Turkish camp before Vienna, and the standard of Mohammed had stood beneath the tremulous gilt of its canopy. And so, for a whole year, he sought to accumulate the most exquisite specimens that he could find of textile and embroidered work, getting the dainty Delhi muslins, finely wrought with gold-thread palmates and stitched over with iridescent beetles wings; the Dacca gauzes, that from their transparency are known in the East as "woven air," and "running water," and "evening dew"; strange figured cloths from Java; elaborate yellow Chinese hangings; books bound in tawny satins or fair blue silks and wrought with _fleurs-de-lis_, birds and images; veils of _lacis_ worked in Hungary point; Sicilian brocades and stiff Spanish velvets; Georgian work, with its gilt coins, and Japanese _Foukousas_, with their green-toned golds and their marvellously plumaged birds. He had a special passion, also, for ecclesiastical vestments, as indeed he had for everything connected with the service of the Church. In the long cedar chests that lined the west gallery of his house, he had stored away many rare and beautiful specimens of what is really the raiment of the Bride of Christ, who must wear purple and jewels and fine linen that she may hide the pallid macerated body that is worn by the suffering that she seeks for and wounded by self-inflicted pain. He possessed a gorgeous cope of crimson silk and gold-thread damask, figured with a repeating pattern of golden pomegranates set in six-petalled formal blossoms, beyond which on either side was the pine-apple device wrought in seed-pearls. The orphreys were divided into panels representing scenes from the life of the Virgin, and the coronation of the Virgin was figured in coloured silks upon the hood. This was Italian work of the fifteenth century. Another cope was of green velvet, embroidered with heart-shaped groups of acanthus-leaves, from which spread long-stemmed white blossoms, the details of which were picked out with silver thread and coloured crystals. The morse bore a seraph s head in gold-thread raised work. The orphreys were woven in a diaper of red and gold silk, and were starred with medallions of many saints and martyrs, among whom was St. Sebastian. He had chasubles, also, of amber-coloured silk, and blue silk and gold brocade, and yellow silk damask and cloth of gold, figured with representations of the Passion and Crucifixion of Christ, and embroidered with lions and peacocks and other emblems; dalmatics of white satin and pink silk damask, decorated with tulips and dolphins and _fleurs-de-lis_; altar frontals of crimson velvet and blue linen; and many corporals, chalice-veils, and sudaria. In the mystic offices to which such things were put, there was something that quickened his imagination. For these treasures, and everything that he collected in his lovely house, were to be to him means of forgetfulness, modes by which he could escape, for a season, from the fear that seemed to him at times to be almost too great to be borne. Upon the walls of the lonely locked room where he had spent so much of his boyhood, he had hung with his own hands the terrible portrait whose changing features showed him the real degradation of his life, and in front of it had draped the purple-and-gold pall as a curtain. For weeks he would not go there, would forget the hideous painted thing, and get back his light heart, his wonderful joyousness, his passionate absorption in mere existence. Then, suddenly, some night he would creep out of the house, go down to dreadful places near Blue Gate Fields, and stay there, day after day, until he was driven away. On his return he would sit in front of the picture, sometimes loathing it and himself, but filled, at other times, with that pride of individualism that is half the fascination of sin, and smiling with secret pleasure at the misshapen shadow that had to bear the burden that should have been his own. After a few years he could not endure to be long out of England, and gave up the villa that he had shared at Trouville with Lord Henry, as well as the little white walled-in house at Algiers where they had more than once spent the winter. He hated to be separated from the picture that was such a part of his life, and was also afraid that during his absence some one might gain access to the room, in spite of the elaborate bars that he had caused to be placed upon the door. He was quite conscious that this would tell them nothing. It was true that the portrait still preserved, under all the foulness and ugliness of the face, its marked likeness to himself; but what could they learn from that? He would laugh at any one who tried to taunt him. He had not painted it. What was it to him how vile and full of shame it looked? Even if he told them, would they believe it? Yet he was afraid. Sometimes when he was down at his great house in Nottinghamshire, entertaining the fashionable young men of his own rank who were his chief companions, and astounding the county by the wanton luxury and gorgeous splendour of his mode of life, he would suddenly leave his guests and rush back to town to see that the door had not been tampered with and that the picture was still there. What if it should be stolen? The mere thought made him cold with horror. Surely the world would know his secret then. Perhaps the world already suspected it. For, while he fascinated many, there were not a few who distrusted him. He was very nearly blackballed at a West End club of which his birth and social position fully entitled him to become a member, and it was said that on one occasion, when he was brought by a friend into the smoking-room of the Churchill, the Duke of Berwick and another gentleman got up in a marked manner and went out. Curious stories became current about him after he had passed his twenty-fifth year. It was rumoured that he had been seen brawling with foreign sailors in a low den in the distant parts of Whitechapel, and that he consorted with thieves and coiners and knew the mysteries of their trade. His extraordinary absences became notorious, and, when he used to reappear again in society, men would whisper to each other in corners, or pass him with a sneer, or look at him with cold searching eyes, as though they were determined to discover his secret. Of such insolences and attempted slights he, of course, took no notice, and in the opinion of most people his frank debonair manner, his charming boyish smile, and the infinite grace of that wonderful youth that seemed never to leave him, were in themselves a sufficient answer to the calumnies, for so they termed them, that were circulated about him. It was remarked, however, that some of those who had been most intimate with him appeared, after a time, to shun him. Women who had wildly adored him, and for his sake had braved all social censure and set convention at defiance, were seen to grow pallid with shame or horror if Dorian Gray entered the room. Yet these whispered scandals only increased in the eyes of many his strange and dangerous charm. His great wealth was a certain element of security. Society civilized society, at least is never very ready to believe anything to the detriment of those who are both rich and fascinating. It feels instinctively that manners are of more importance than morals, and, in its opinion, the highest respectability is of much less value than the possession of a good _chef_. And, after all, it is a very poor consolation to be told that the man who has given one a bad dinner, or poor wine, is irreproachable in his private life. Even the cardinal virtues cannot atone for half-cold _entr es_, as Lord Henry remarked once, in a discussion on the subject, and there is possibly a good deal to be said for his view. For the canons of good society are, or should be, the same as the canons of art. Form is absolutely essential to it. It should have the dignity of a ceremony, as well as its unreality, and should combine the insincere character of a romantic play with the wit and beauty that make such plays delightful to us. Is insincerity such a terrible thing? I think not. It is merely a method by which we can multiply our personalities. Such, at any rate, was Dorian Gray s opinion. He used to wonder at the shallow psychology of those who conceive the ego in man as a thing simple, permanent, reliable, and of one essence. To him, man was a being with myriad lives and myriad sensations, a complex multiform creature that bore within itself strange legacies of thought and passion, and whose very flesh was tainted with the monstrous maladies of the dead. He loved to stroll through the gaunt cold picture-gallery of his country house and look at the various portraits of those whose blood flowed in his veins. Here was Philip Herbert, described by Francis Osborne, in his Memoires on the Reigns of Queen Elizabeth and King James, as one who was "caressed by the Court for his handsome face, which kept him not long company." Was it young Herbert s life that he sometimes led? Had some strange poisonous germ crept from body to body till it had reached his own? Was it some dim sense of that ruined grace that had made him so suddenly, and almost without cause, give utterance, in Basil Hallward s studio, to the mad prayer that had so changed his life? Here, in gold-embroidered red doublet, jewelled surcoat, and gilt-edged ruff and wristbands, stood Sir Anthony Sherard, with his silver-and-black armour piled at his feet. What had this man s legacy been? Had the lover of Giovanna of Naples bequeathed him some inheritance of sin and shame? Were his own actions merely the dreams that the dead man had not dared to realize? Here, from the fading canvas, smiled Lady Elizabeth Devereux, in her gauze hood, pearl stomacher, and pink slashed sleeves. A flower was in her right hand, and her left clasped an enamelled collar of white and damask roses. On a table by her side lay a mandolin and an apple. There were large green rosettes upon her little pointed shoes. He knew her life, and the strange stories that were told about her lovers. Had he something of her temperament in him? These oval, heavy-lidded eyes seemed to look curiously at him. What of George Willoughby, with his powdered hair and fantastic patches? How evil he looked! The face was saturnine and swarthy, and the sensual lips seemed to be twisted with disdain. Delicate lace ruffles fell over the lean yellow hands that were so overladen with rings. He had been a macaroni of the eighteenth century, and the friend, in his youth, of Lord Ferrars. What of the second Lord Beckenham, the companion of the Prince Regent in his wildest days, and one of the witnesses at the secret marriage with Mrs. Fitzherbert? How proud and handsome he was, with his chestnut curls and insolent pose! What passions had he bequeathed? The world had looked upon him as infamous. He had led the orgies at Carlton House. The star of the Garter glittered upon his breast. Beside him hung the portrait of his wife, a pallid, thin-lipped woman in black. Her blood, also, stirred within him. How curious it all seemed! And his mother with her Lady Hamilton face and her moist, wine-dashed lips he knew what he had got from her. He had got from her his beauty, and his passion for the beauty of others. She laughed at him in her loose Bacchante dress. There were vine leaves in her hair. The purple spilled from the cup she was holding. The carnations of the painting had withered, but the eyes were still wonderful in their depth and brilliancy of colour. They seemed to follow him wherever he went. Yet one had ancestors in literature as well as in one s own race, nearer perhaps in type and temperament, many of them, and certainly with an influence of which one was more absolutely conscious. There were times when it appeared to Dorian Gray that the whole of history was merely the record of his own life, not as he had lived it in act and circumstance, but as his imagination had created it for him, as it had been in his brain and in his passions. He felt that he had known them all, those strange terrible figures that had passed across the stage of the world and made sin so marvellous and evil so full of subtlety. It seemed to him that in some mysterious way their lives had been his own. The hero of the wonderful novel that had so influenced his life had himself known this curious fancy. In the seventh chapter he tells how, crowned with laurel, lest lightning might strike him, he had sat, as Tiberius, in a garden at Capri, reading the shameful books of Elephantis, while dwarfs and peacocks strutted round him and the flute-player mocked the swinger of the censer; and, as Caligula, had caroused with the green-shirted jockeys in their stables and supped in an ivory manger with a jewel-frontleted horse; and, as Domitian, had wandered through a corridor lined with marble mirrors, looking round with haggard eyes for the reflection of the dagger that was to end his days, and sick with that ennui, that terrible _t dium vit _, that comes on those to whom life denies nothing; and had peered through a clear emerald at the red shambles of the circus and then, in a litter of pearl and purple drawn by silver-shod mules, been carried through the Street of Pomegranates to a House of Gold and heard men cry on Nero Caesar as he passed by; and, as Elagabalus, had painted his face with colours, and plied the distaff among the women, and brought the Moon from Carthage and given her in mystic marriage to the Sun. Over and over again Dorian used to read this fantastic chapter, and the two chapters immediately following, in which, as in some curious tapestries or cunningly wrought enamels, were pictured the awful and beautiful forms of those whom vice and blood and weariness had made monstrous or mad: Filippo, Duke of Milan, who slew his wife and painted her lips with a scarlet poison that her lover might suck death from the dead thing he fondled; Pietro Barbi, the Venetian, known as Paul the Second, who sought in his vanity to assume the title of Formosus, and whose tiara, valued at two hundred thousand florins, was bought at the price of a terrible sin; Gian Maria Visconti, who used hounds to chase living men and whose murdered body was covered with roses by a harlot who had loved him; the Borgia on his white horse, with Fratricide riding beside him and his mantle stained with the blood of Perotto; Pietro Riario, the young Cardinal Archbishop of Florence, child and minion of Sixtus IV., whose beauty was equalled only by his debauchery, and who received Leonora of Aragon in a pavilion of white and crimson silk, filled with nymphs and centaurs, and gilded a boy that he might serve at the feast as Ganymede or Hylas; Ezzelin, whose melancholy could be cured only by the spectacle of death, and who had a passion for red blood, as other men have for red wine the son of the Fiend, as was reported, and one who had cheated his father at dice when gambling with him for his own soul; Giambattista Cibo, who in mockery took the name of Innocent and into whose torpid veins the blood of three lads was infused by a Jewish doctor; Sigismondo Malatesta, the lover of Isotta and the lord of Rimini, whose effigy was burned at Rome as the enemy of God and man, who strangled Polyssena with a napkin, and gave poison to Ginevra d Este in a cup of emerald, and in honour of a shameful passion built a pagan church for Christian worship; Charles VI., who had so wildly adored his brother s wife that a leper had warned him of the insanity that was coming on him, and who, when his brain had sickened and grown strange, could only be soothed by Saracen cards painted with the images of love and death and madness; and, in his trimmed jerkin and jewelled cap and acanthuslike curls, Grifonetto Baglioni, who slew Astorre with his bride, and Simonetto with his page, and whose comeliness was such that, as he lay dying in the yellow piazza of Perugia, those who had hated him could not choose but weep, and Atalanta, who had cursed him, blessed him. There was a horrible fascination in them all. He saw them at night, and they troubled his imagination in the day. The Renaissance knew of strange manners of poisoning poisoning by a helmet and a lighted torch, by an embroidered glove and a jewelled fan, by a gilded pomander and by an amber chain. Dorian Gray had been poisoned by a book. There were moments when he looked on evil simply as a mode through which he could realize his conception of the beautiful. CHAPTER XII It was on the ninth of November, the eve of his own thirty-eighth birthday, as he often remembered afterwards. He was walking home about eleven o clock from Lord Henry s, where he had been dining, and was wrapped in heavy furs, as the night was cold and foggy. At the corner of Grosvenor Square and South Audley Street, a man passed him in the mist, walking very fast and with the collar of his grey ulster turned up. He had a bag in his hand. Dorian recognized him. It was Basil Hallward. A strange sense of fear, for which he could not account, came over him. He made no sign of recognition and went on quickly in the direction of his own house. But Hallward had seen him. Dorian heard him first stopping on the pavement and then hurrying after him. In a few moments, his hand was on his arm.</\|quote\|>"Dorian! What an extraordinary piece of luck! I have been waiting for you in your library ever since nine o clock. Finally I took pity on your tired servant and told him to go to bed, as he let me out. I am off to Paris by the midnight train, and I particularly wanted to see you before I left. I thought it was you, or rather your fur coat, as you passed me. But I wasn t quite sure. Didn t you recognize me?" "In this fog, my dear Basil? Why, I can t even recognize Grosvenor Square. I believe my house is somewhere about here, but I don t feel at all certain about it. I am sorry you are going away, as I have not seen you for ages. But I suppose you will be back soon?" "No: I am going to be out of England for six months. I intend to take a studio in Paris and shut myself up till I have finished a great picture I have in my head. However, it wasn t about myself I wanted to talk. Here we are at your door. Let me come in for a moment. I have something to say to you." "I shall be charmed. But won t you miss your train?" said Dorian Gray languidly as he passed up the steps and opened the door with his latch-key. The lamplight struggled out through the fog, and Hallward looked at his watch. "I have heaps of time," he answered. "The train doesn t go till twelve-fifteen, and it is only just eleven. In fact, I was on my way to the club to look for you, when I met you. You see, I shan t have any delay about luggage, as I have sent on my heavy things. All I have with me is in this bag, and I can easily get to Victoria in twenty minutes." Dorian looked at him and smiled. "What a way for a fashionable painter to travel! A Gladstone bag and an ulster! Come in, or the fog will get into the house. And mind you don t talk about anything serious. Nothing is serious nowadays. At least nothing should be." Hallward shook his head, as he entered, and followed Dorian into the library. There was a bright wood fire blazing in the large open hearth. The lamps were lit, and an open Dutch silver spirit-case stood, with some siphons of soda-water and large cut-glass tumblers, on a little marqueterie table. "You see your servant made me quite at home, Dorian. He gave me everything I wanted, including your best gold-tipped cigarettes. He is a most hospitable creature. I like him much better than the Frenchman you used to have. What has become of the Frenchman, by the bye?" Dorian shrugged his shoulders. "I believe he married Lady Radley s maid, and has established her in Paris as an English dressmaker. _Anglomanie_ is very fashionable over there now, I hear. It seems silly of the French, doesn t it? But do you know? he was not at all a bad servant. I never liked him, but I had nothing to complain about. One often imagines things that are quite absurd. He was really very devoted to me and seemed quite sorry when he went away. Have another brandy-and-soda? Or would you like hock-and-seltzer? I always take hock-and-seltzer myself. There is sure to be some in the next room." "Thanks, I won t have anything more," said the painter, taking his cap and coat off and throwing them on the bag that he had placed in the corner. "And now, my dear fellow, I want to speak to you seriously. Don t frown like that. You make it so much more difficult for me." "What is it all about?" cried Dorian in his petulant way, flinging himself down on the sofa. "I hope it is not about myself. I am tired of myself to-night. I should like to be somebody else." "It is about yourself," answered Hallward in his grave deep voice, "and I must say it to you. I shall only keep you half an hour." Dorian sighed and lit a cigarette. "Half an hour!" he murmured. "It is not much to ask of you, Dorian, and it is entirely for your own sake that I am speaking. I think it right that you should know that the most dreadful things are being said against you in London." "I don t wish to know anything about them. I love scandals about other people, but scandals about myself don t interest me. They have not got the charm of novelty." "They must interest you, Dorian. Every gentleman is interested in his good name. You don t want people to talk of	and modes of thought that belonged to every century except his own, and to sum up, as it were, in himself the various moods through which the world-spirit had ever passed, loving for their mere artificiality those renunciations that men have unwisely called virtue, as much as those natural rebellions that wise men still call sin. The style in which it was written was that curious jewelled style, vivid and obscure at once, full of _argot_ and of archaisms, of technical expressions and of elaborate paraphrases, that characterizes the work of some of the finest artists of the French school of _Symbolistes_. There were in it metaphors as monstrous as orchids and as subtle in colour. The life of the senses was described in the terms of mystical philosophy. One hardly knew at times whether one was reading the spiritual ecstasies of some medi val saint or the morbid confessions of a modern sinner. It was a poisonous book. The heavy odour of incense seemed to cling about its pages and to trouble the brain. The mere cadence of the sentences, the subtle monotony of their music, so full as it was of complex refrains and movements elaborately repeated, produced in the mind of the lad, as he passed from chapter to chapter, a form of reverie, a malady of dreaming, that made him unconscious of the falling day and creeping shadows. Cloudless, and pierced by one solitary star, a copper-green sky gleamed through the windows. He read on by its wan light till he could read no more. Then, after his valet had reminded him several times of the lateness of the hour, he got up, and going into the next room, placed the book on the little Florentine table that always stood at his bedside and began to dress for dinner. It was almost nine o clock before he reached the club, where he found Lord Henry sitting alone, in the morning-room, looking very much bored. "I am so sorry, Harry," he cried, "but really it is entirely your fault. That book you sent me so fascinated me that I forgot how the time was going." "Yes, I thought you would like it," replied his host, rising from his chair. "I didn t say I liked it, Harry. I said it fascinated me. There is a great difference." "Ah, you have discovered that?"<\|quote\|>murmured Lord Henry. And they passed into the dining-room. CHAPTER XI. For years, Dorian Gray could not free himself from the influence of this book. Or perhaps it would be more accurate to say that he never sought to free himself from it. He procured from Paris no less than nine large-paper copies of the first edition, and had them bound in different colours, so that they might suit his various moods and the changing fancies of a nature over which he seemed, at times, to have almost entirely lost control. The hero, the wonderful young Parisian in whom the romantic and the scientific temperaments were so strangely blended, became to him a kind of prefiguring type of himself. And, indeed, the whole book seemed to him to contain the story of his own life, written before he had lived it. In one point he was more fortunate than the novel s fantastic hero. He never knew never, indeed, had any cause to know that somewhat grotesque dread of mirrors, and polished metal surfaces, and still water which came upon the young Parisian so early in his life, and was occasioned by the sudden decay of a beau that had once, apparently, been so remarkable. It was with an almost cruel joy and perhaps in nearly every joy, as certainly in every pleasure, cruelty has its place that he used to read the latter part of the book, with its really tragic, if somewhat overemphasized, account of the sorrow and despair of one who had himself lost what in others, and the world, he had most dearly valued. For the wonderful beauty that had so fascinated Basil Hallward, and many others besides him, seemed never to leave him. Even those who had heard the most evil things against him and from time to time strange rumours about his mode of life crept through London and became the chatter of the clubs could not believe anything to his dishonour when they saw him. He had always the look of one who had kept himself unspotted from the world. Men who talked grossly became silent when Dorian Gray entered the room. There was something in the purity of his face that rebuked them. His mere presence seemed to recall to them the memory of the innocence that they had tarnished. They wondered how one so charming and graceful as he was could have escaped the stain of an age that was at once sordid and sensual. Often, on returning home from one of those mysterious and prolonged absences that gave rise to such strange conjecture among those who were his friends, or thought that they were so, he himself would creep upstairs to the locked room, open the door with the key that never left him now, and stand, with a mirror, in front of the portrait that Basil Hallward had painted of him, looking now at the evil and aging face on the canvas, and now at the fair young face that laughed back at him from the polished glass. The very sharpness of the contrast used to quicken his sense of pleasure. He grew more and more enamoured of his own beauty, more and more interested in the corruption of his own soul. He would examine with minute care, and sometimes with a monstrous and terrible delight, the hideous lines that seared the wrinkling forehead or crawled around the heavy sensual mouth, wondering sometimes which were the more horrible, the signs of sin or the signs of age. He would place his white hands beside the coarse bloated hands of the picture, and smile. He mocked the misshapen body and the failing limbs. There were moments, indeed, at night, when, lying sleepless in his own delicately scented chamber, or in the sordid room of the little ill-famed tavern near the docks which, under an assumed name and in disguise, it was his habit to frequent, he would think of the ruin he had brought upon his soul with a pity that was all the more poignant because it was purely selfish. But moments such as these were rare. That curiosity about life which Lord Henry had first stirred in him, as they sat together in the garden of their friend, seemed to increase with gratification. The more he knew, the more he desired to know. He had mad hungers that grew more ravenous as he fed them. Yet he was not really reckless, at any rate in his relations to society. Once or twice every month during the winter, and on each Wednesday evening while the season lasted, he would throw open to the world his beautiful house and have the most celebrated musicians of the day to charm his guests with the wonders of their art. His little dinners, in the settling of which Lord Henry always assisted him, were noted as much for the careful selection and placing of those invited, as for the exquisite taste shown in the decoration of the table, with its subtle symphonic arrangements of exotic flowers, and embroidered cloths, and antique plate of gold and silver. Indeed, there were many, especially among the very young men, who saw, or fancied that they saw, in Dorian Gray the true realization of a type of which they had often dreamed in Eton or Oxford days, a type that was to combine something of the real culture of the scholar with all the grace and distinction and perfect manner of a citizen of the world. To them he seemed to be of the company of those whom Dante describes as having sought to "make themselves perfect by the worship of beauty." Like Gautier, he was one for whom "the visible world existed." And, certainly, to him life itself was the first, the greatest, of the arts, and for it all the other arts seemed to be but a preparation. Fashion, by which what is really fantastic becomes for a moment universal, and dandyism, which, in its own way, is an attempt to assert the absolute modernity of beauty, had, of course, their fascination for him. His mode of dressing, and the particular styles that from time to time he affected, had their marked influence on the young exquisites of the Mayfair balls and Pall Mall club windows, who copied him in everything that he did, and tried to reproduce the accidental charm of his graceful, though to him only half-serious, fopperies. For, while he was but too ready to accept the position that was almost immediately offered to him on his coming of age, and found, indeed, a subtle pleasure in the thought that he might really become to the London of his own day what to imperial Neronian Rome the author of the Satyricon once had been, yet in his inmost heart he desired to be something more than a mere _arbiter elegantiarum_, to be consulted on the wearing of a jewel, or the knotting of a necktie, or the conduct of a cane. He sought to elaborate some new scheme of life that would have its reasoned philosophy and its ordered principles, and find in the spiritualizing of the senses its highest realization. The worship of the senses has often, and with much justice, been decried, men feeling a natural instinct of terror about passions and sensations that seem stronger than themselves, and that they are conscious of sharing with the less highly organized forms of existence. But it appeared to Dorian Gray that the true nature of the senses had never been understood, and that they had remained savage and animal merely because the world had sought to starve them into submission or to kill them by pain, instead of aiming at making them elements of a new spirituality, of which a fine instinct for beauty was to be the dominant characteristic. As he looked back upon man moving through history, he was haunted by a feeling of loss. So much had been surrendered! and to such little purpose! There had been mad wilful rejections, monstrous forms of self-torture and self-denial, whose origin was fear and whose result was a degradation infinitely more terrible than that fancied degradation from which, in their ignorance, they had sought to escape; Nature, in her wonderful irony, driving out the anchorite to feed with the wild animals of the desert and giving to the hermit the beasts of the field as his companions. Yes: there was to be, as Lord Henry had prophesied, a new Hedonism that was to recreate life and to save it from that harsh uncomely puritanism that is having, in our own day, its curious revival. It was to have its service of the intellect, certainly, yet it was never to accept any theory or system that would involve the sacrifice of any mode of passionate experience. Its aim, indeed, was to be experience itself, and not the fruits of experience, sweet or bitter as they might be. Of the asceticism that deadens the senses, as of the vulgar profligacy that dulls them, it was to know nothing. But it was to teach man to concentrate himself upon the moments of a life that is itself but a moment. There are few of us who have not sometimes wakened before dawn, either after one of those dreamless nights that make us almost enamoured of death, or one of those nights of horror and misshapen joy, when through the chambers of the brain sweep phantoms more terrible than reality itself, and instinct with that vivid life that lurks in all grotesques, and that lends to Gothic art its enduring vitality, this art being, one might fancy, especially the art of those whose minds have been troubled with the malady of reverie. Gradually white fingers creep through the curtains, and they appear to tremble. In black fantastic shapes, dumb shadows crawl into the corners of the room and crouch there. Outside, there is the stirring of birds among the leaves, or the sound of men going forth to their work, or the sigh and sob of the wind coming down from the hills and wandering round the silent house, as though it feared to wake the sleepers and yet must needs call forth sleep from her purple cave. Veil after veil of thin dusky gauze is lifted, and by degrees the forms and colours of things are restored to them, and we watch the dawn remaking the world in its antique pattern. The wan mirrors get back their mimic life. The flameless tapers stand where we had left them, and beside them lies the half-cut book that we had been studying, or the wired flower that we had worn at the ball, or the letter that we had been afraid to read, or that we had read too often. Nothing seems to us changed. Out of the unreal shadows of the night comes back the real life that we had known. We have to resume it where we had left off, and there steals over us a terrible sense of the necessity for the continuance of energy in the same wearisome round of stereotyped habits, or a wild longing, it may be, that our eyelids might open some morning upon a world that had been refashioned anew in the darkness for our pleasure, a world in which things would have fresh shapes and colours, and be changed, or have other secrets, a world in which the past would have little or no place, or survive, at any rate, in no conscious form of obligation or regret, the remembrance even of joy having its bitterness and the memories of pleasure their pain. It was the creation of such worlds as these that seemed to Dorian Gray to be the true object, or amongst the true objects, of life; and in his search for sensations that would be at once new and delightful, and possess that element of strangeness that is so essential to romance, he would often adopt certain modes of thought that he knew to be really alien to his nature, abandon himself to their subtle influences, and then, having, as it were, caught their colour and satisfied his intellectual curiosity, leave them with that curious indifference that is not incompatible with a real ardour of temperament, and that, indeed, according to certain modern psychologists, is often a condition of it. It was rumoured of him once that he was about to join the Roman Catholic communion, and certainly the Roman ritual had always a great attraction for him. The daily sacrifice, more awful really than all the sacrifices of the antique world, stirred him as much by its superb rejection of the evidence of the senses as by the primitive simplicity of its elements and the eternal pathos of the human tragedy that it sought to symbolize. He loved to kneel down on the cold marble pavement and watch the priest, in his stiff flowered dalmatic, slowly and with white hands moving aside the veil of the tabernacle, or raising aloft the jewelled, lantern-shaped monstrance with that pallid wafer that at times, one would fain think, is indeed the "_panis c lestis_," the bread of angels, or, robed in the garments of the Passion of Christ, breaking the Host into the chalice and smiting his breast for his sins. The fuming censers that the grave boys, in their lace and scarlet, tossed into the air like great gilt flowers had their subtle fascination for him. As he passed out, he used to look with wonder at the black confessionals and long to sit in the dim shadow of one of them and listen to men and women whispering through the worn grating the true story of their lives. But he never fell into the error of arresting his intellectual development by any formal acceptance of creed or system, or of mistaking, for a house in which to live, an inn that is but suitable for the sojourn of a night, or for a few hours of a night in which there are no stars and the moon is in travail. Mysticism, with its marvellous power of making common things strange to us, and the subtle antinomianism that always seems to accompany it, moved him for a season; and for a season he inclined to the materialistic doctrines of the _Darwinismus_ movement in Germany, and found a curious pleasure in tracing the thoughts and passions of men to some pearly cell in the brain, or some white nerve in the body, delighting in the conception of the absolute dependence of the spirit on certain physical conditions, morbid or healthy, normal or diseased. Yet, as has been said of him before, no theory of life seemed to him to be of any importance compared with life itself. He felt keenly conscious of how barren all intellectual speculation is when separated from action and experiment. He knew that the senses, no less than the soul, have their spiritual mysteries to reveal. And so he would now study perfumes and the secrets of their manufacture, distilling heavily scented oils and burning odorous gums from the East. He saw that there was no mood of the mind that had not its counterpart in the sensuous life, and set himself to discover their true relations, wondering what there was in frankincense that made one mystical, and in ambergris that stirred one s passions, and in violets that woke the memory of dead romances, and in musk that troubled the brain, and in champak that stained the imagination; and seeking often to elaborate a real psychology of perfumes, and to estimate the several influences of sweet-smelling roots and scented, pollen-laden flowers; of aromatic balms and of dark and fragrant woods; of spikenard, that sickens; of hovenia, that makes men mad; and of aloes, that are said to be able to expel melancholy from the soul. At another time he devoted himself entirely to music, and in a long latticed room, with a vermilion-and-gold ceiling and walls of olive-green lacquer, he used to give curious concerts in which mad gipsies tore wild music from little zithers, or grave, yellow-shawled Tunisians plucked at the strained strings of monstrous lutes, while grinning Negroes beat monotonously upon copper drums and, crouching upon scarlet mats, slim turbaned Indians blew through long pipes of reed or brass and charmed or feigned to charm great hooded snakes and horrible horned adders. The harsh intervals and shrill discords of barbaric music stirred him at times when Schubert s grace, and Chopin s beautiful sorrows, and the mighty harmonies of Beethoven himself, fell unheeded on his ear. He collected together from all parts of the world the strangest instruments that could be found, either in the tombs of dead nations or among the few savage tribes that have survived contact with Western civilizations, and loved to touch and try them. He had the mysterious _juruparis_ of the Rio Negro Indians, that women are not allowed to look at and that even youths may not see till they have been subjected to fasting and scourging, and the earthen jars of the Peruvians that have the shrill cries of birds, and flutes of human bones such as Alfonso de Ovalle heard in Chile, and the sonorous green jaspers that are found near Cuzco and give forth a note of singular sweetness. He had painted gourds filled with pebbles that rattled when they were shaken; the long _clarin_ of the Mexicans, into which the performer does not blow, but through which he inhales the air; the harsh _ture_ of the Amazon tribes, that is sounded by the sentinels who sit all day long in high trees, and can be heard, it is said, at a distance of three leagues; the _teponaztli_, that has two vibrating tongues of wood and is beaten with sticks that are smeared with an elastic gum obtained from the milky juice of plants; the _yotl_-bells of the Aztecs, that are hung in clusters like grapes; and a huge cylindrical drum, covered with the skins of great serpents, like the one that Bernal Diaz saw when he went with Cortes into the Mexican temple, and of whose doleful sound he has left us so vivid a description. The fantastic character of these instruments fascinated him, and he felt a curious delight in the thought that art, like Nature, has her monsters, things of bestial shape and with hideous voices. Yet, after some time, he wearied of them, and would sit in his box at the opera, either alone or with Lord Henry, listening in rapt pleasure to "Tannhauser" and seeing in the prelude to that great work of art a presentation of the tragedy of his own soul. On one occasion he took up the study of jewels, and appeared at a costume ball as Anne de Joyeuse, Admiral of France, in a dress covered with five hundred and sixty pearls. This taste enthralled him for years, and, indeed, may be said never to have left him. He would often spend a whole day settling and resettling in their cases the various stones that he had collected, such as the olive-green chrysoberyl that turns red by lamplight, the cymophane with its wirelike line of silver, the pistachio-coloured peridot, rose-pink and wine-yellow topazes, carbuncles of fiery scarlet with tremulous, four-rayed stars, flame-red cinnamon-stones, orange and violet spinels, and amethysts with their alternate layers of ruby and sapphire. He loved the red gold of the sunstone, and the moonstone s pearly whiteness, and the broken rainbow of the milky opal. He procured from Amsterdam three emeralds of extraordinary size and richness of colour, and had a turquoise _de la vieille roche_ that was the envy of all the connoisseurs. He discovered wonderful stories, also, about jewels. In Alphonso s Clericalis Disciplina a serpent was mentioned with eyes of real jacinth, and in the romantic history of Alexander, the Conqueror of Emathia was said to have found in the vale of Jordan snakes "with collars of real emeralds growing on their backs." There was a gem in the brain of the dragon, Philostratus told us, and "by the exhibition of golden letters and a scarlet robe" the monster could be thrown into a magical sleep and slain. According to the great alchemist, Pierre de Boniface, the diamond rendered a man invisible, and the agate of India made him eloquent. The cornelian appeased anger, and the hyacinth provoked sleep, and the amethyst drove away the fumes of wine. The garnet cast out demons, and the hydropicus deprived the moon of her colour. The selenite waxed and waned with the moon, and the meloceus, that discovers thieves, could be affected only by the blood of kids. Leonardus Camillus had seen a white stone taken from the brain of a newly killed toad, that was a certain antidote against poison. The bezoar, that was found in the heart of the Arabian deer, was a charm that could cure the plague. In the nests of Arabian birds was the aspilates, that, according to Democritus, kept the wearer from any danger by fire. The King of Ceilan rode through his city with a large ruby in his hand, as the ceremony of his coronation. The gates of the palace of John the Priest were "made of sardius, with the horn of the horned snake inwrought, so that no man might bring poison within." Over the gable were "two golden apples, in which were two carbuncles," so that the gold might shine by day and the carbuncles by night. In Lodge s strange romance A Margarite of America , it was stated that in the chamber of the queen one could behold "all the chaste ladies of the world, inchased out of silver, looking through fair mirrours of chrysolites, carbuncles, sapphires, and greene emeraults." Marco Polo had seen the inhabitants of Zipangu place rose-coloured pearls in the mouths of the dead. A sea-monster had been enamoured of the pearl that the diver brought to King Perozes, and had slain the thief, and mourned for seven moons over its loss. When the Huns lured the king into the great pit, he flung it away Procopius tells the story nor was it ever found again, though the Emperor Anastasius offered five hundred-weight of gold pieces for it. The King of Malabar had shown to a certain Venetian a rosary of three hundred and four pearls, one for every god that he worshipped. When the Duke de Valentinois, son of Alexander VI., visited Louis XII. of France, his horse was loaded with gold leaves, according to Brantome, and his cap had double rows of rubies that threw out a great light. Charles of England had ridden in stirrups hung with four hundred and twenty-one diamonds. Richard II had a coat, valued at thirty thousand marks, which was covered with balas rubies. Hall described Henry VIII., on his way to the Tower previous to his coronation, as wearing "a jacket of raised gold, the placard embroidered with diamonds and other rich stones, and a great bauderike about his neck of large balasses." The favourites of James I wore ear-rings of emeralds set in gold filigrane. Edward II gave to Piers Gaveston a suit of red-gold armour studded with jacinths, a collar of gold roses set with turquoise-stones, and a skull-cap _parsem _ with pearls. Henry II. wore jewelled gloves reaching to the elbow, and had a hawk-glove sewn with twelve rubies and fifty-two great orients. The ducal hat of Charles the Rash, the last Duke of Burgundy of his race, was hung with pear-shaped pearls and studded with sapphires. How exquisite life had once been! How gorgeous in its pomp and decoration! Even to read of the luxury of the dead was wonderful. Then he turned his attention to embroideries and to the tapestries that performed the office of frescoes in the chill rooms of the northern nations of Europe. As he investigated the subject and he always had an extraordinary faculty of becoming absolutely absorbed for the moment in whatever he took up he was almost saddened by the reflection of the ruin that time brought on beautiful and wonderful things. He, at any rate, had escaped that. Summer followed summer, and the yellow jonquils bloomed and died many times, and nights of horror repeated the story of their shame, but he was unchanged. No winter marred his face or stained his flowerlike bloom. How different it was with material things! Where had they passed to? Where was the great crocus-coloured robe, on which the gods fought against the giants, that had been worked by brown girls for the pleasure of Athena? Where the huge velarium that Nero had stretched across the Colosseum at Rome, that Titan sail of purple on which was represented the starry sky, and Apollo driving a chariot drawn by white, gilt-reined steeds? He longed to see the curious table-napkins wrought for the Priest of the Sun, on which were displayed all the dainties and viands that could be wanted for a feast; the mortuary cloth of King Chilperic, with its three hundred golden bees; the fantastic robes that excited the indignation of the Bishop of Pontus and were figured with "lions, panthers, bears, dogs, forests, rocks, hunters all, in fact, that a painter can copy from nature"; and the coat that Charles of Orleans once wore, on the sleeves of which were embroidered the verses of a song beginning "_Madame, je suis tout joyeux_," the musical accompaniment of the words being wrought in gold thread, and each note, of square shape in those days, formed with four pearls. He read of the room that was prepared at the palace at Rheims for the use of Queen Joan of Burgundy and was decorated with "thirteen hundred and twenty-one parrots, made in broidery, and blazoned with the king s arms, and five hundred and sixty-one butterflies, whose wings were similarly ornamented with the arms of the queen, the whole worked in gold." Catherine de Medicis had a mourning-bed made for her of black velvet powdered with crescents and suns. Its curtains were of damask, with leafy wreaths and garlands, figured upon a gold and silver ground, and fringed along the edges with broideries of pearls, and it stood in a room hung with rows of the queen s devices in cut black velvet upon cloth of silver. Louis XIV. had gold embroidered caryatides fifteen feet high in his apartment. The state bed of Sobieski, King of Poland, was made of Smyrna gold brocade embroidered in turquoises with verses from the Koran. Its supports were of silver gilt, beautifully chased, and profusely set with enamelled and jewelled medallions. It had been taken from the Turkish camp before Vienna, and the standard of Mohammed had stood beneath the tremulous gilt of its canopy. And so, for a whole year, he sought to accumulate the most exquisite specimens that he could find of textile and embroidered work, getting the dainty Delhi muslins, finely wrought with gold-thread palmates and stitched over with iridescent beetles wings; the Dacca gauzes, that from their transparency are known in the East as "woven air," and "running water," and "evening dew"; strange figured cloths from Java; elaborate yellow Chinese hangings; books bound in tawny satins or fair blue silks and wrought with _fleurs-de-lis_, birds and images; veils of _lacis_ worked in Hungary point; Sicilian brocades and stiff Spanish velvets; Georgian work, with its gilt coins, and Japanese _Foukousas_, with their green-toned golds and their marvellously plumaged birds. He had a special passion, also, for ecclesiastical vestments, as indeed he had for everything connected with the service of the Church. In the long cedar chests that lined the west gallery of his house, he had stored away many rare and beautiful specimens of what is really the raiment of the Bride of Christ, who must wear purple and jewels and fine linen that she may hide the pallid macerated body that is worn by the suffering that she seeks for and wounded by self-inflicted pain. He possessed a gorgeous cope of crimson silk and gold-thread damask, figured with a repeating pattern of golden pomegranates set in six-petalled formal blossoms, beyond which on either side was the pine-apple device wrought in seed-pearls. The orphreys were divided into panels representing scenes from the life of the Virgin, and the coronation of the Virgin was figured in coloured silks upon the hood. This was Italian work of the fifteenth century. Another cope was of green velvet, embroidered with heart-shaped groups of acanthus-leaves, from which spread long-stemmed white blossoms, the details of which were picked out with silver thread and coloured crystals. The morse bore a seraph s head in gold-thread raised work. The orphreys were woven in a diaper of red and gold silk, and were starred with medallions of many saints and martyrs, among whom was St. Sebastian. He had chasubles, also, of amber-coloured silk, and blue silk and gold brocade, and yellow silk damask and cloth of gold, figured with representations of the Passion and Crucifixion of Christ, and embroidered with lions and peacocks and other emblems; dalmatics of white satin and pink silk damask, decorated with tulips and dolphins and _fleurs-de-lis_; altar frontals of crimson velvet and blue linen; and many corporals, chalice-veils, and sudaria. In the mystic offices to which such things were put, there was something that quickened his imagination. For these treasures, and everything that he collected in his lovely house, were to be to him means of forgetfulness, modes by which he could escape, for a season, from the fear that seemed to him at times to be almost too great to be borne. Upon the walls of the lonely locked room where he had spent so much of his boyhood, he had hung with his own hands the terrible portrait whose changing features showed him the real degradation of his life, and in front of it had draped the purple-and-gold pall as a curtain. For weeks he would not go there, would forget the hideous painted thing, and get back his light heart, his wonderful joyousness, his passionate absorption in mere existence. Then, suddenly, some night he would creep out of the house, go down to dreadful places near Blue Gate Fields, and stay there, day after day, until he was driven away. On his return he would sit in front of the picture, sometimes loathing it and himself, but filled, at other times, with that pride of individualism that is half the fascination of sin, and smiling with secret pleasure at the misshapen shadow that had to bear the burden that should have been his own. After a few years he could not endure to be long out of England, and gave up the villa that he had shared at Trouville with Lord Henry, as well as the little white walled-in house at Algiers where they had more than once spent the winter. He hated to be separated from the picture that was such a part of his life, and was also afraid that during his absence some one might gain access to the room, in spite of the elaborate bars that he had caused to be placed upon the door. He was quite conscious that this would tell them nothing. It was true that the portrait still preserved, under all the foulness and ugliness of the face, its marked likeness to himself; but what could they learn from that? He would laugh at any one who tried to taunt him. He had not painted it. What was it to him how vile and full of shame it looked? Even if he told them, would they believe it? Yet he was afraid. Sometimes when he was down at his great house in Nottinghamshire, entertaining the fashionable young men of his own rank who were his chief companions, and astounding the county by the wanton luxury and gorgeous splendour of his mode of life, he would suddenly leave his guests and rush back to town to see that the door had not been tampered with and that the picture was still there. What if it should be stolen? The mere thought made him cold with horror. Surely the world would know his secret then. Perhaps the world already suspected it. For, while he fascinated many, there were not a few who distrusted him. He was very nearly blackballed at a West End club of which his birth and social position fully entitled him to become a member, and it was said that on one occasion, when he was brought by a friend into the smoking-room of the Churchill, the Duke of Berwick and another gentleman got up in a marked manner and went out. Curious stories became current about him after he had passed his twenty-fifth year. It was rumoured that he had been seen brawling with foreign sailors in a low den in the distant parts of Whitechapel, and that he consorted with thieves and coiners and knew the mysteries of their trade. His extraordinary absences became notorious, and, when he used to reappear again in society, men would whisper to each other in corners, or pass him with a sneer, or look at him with cold searching eyes, as though they were determined to discover his secret. Of such insolences and attempted slights he, of course, took no notice, and in the opinion of most people his frank debonair manner, his charming boyish smile, and the infinite grace of that wonderful youth that seemed never to leave him, were in themselves a sufficient answer to the calumnies, for so they termed them, that were circulated about him. It was remarked, however, that some of those who had been most intimate with him appeared, after a time, to shun him. Women who had wildly adored him, and for his sake had braved all social censure and set convention at defiance, were seen to grow pallid with shame or horror if Dorian Gray entered the room. Yet these whispered scandals only increased in the eyes of many his strange and dangerous charm. His great wealth was a certain element of security. Society civilized society, at least is never very ready to believe anything to the detriment of those who are both rich and fascinating. It feels instinctively that manners are of more importance than morals, and, in its opinion, the highest respectability is of much less value than the possession of a good _chef_. And, after all, it is a very poor consolation to be told that the man who has given one a bad dinner, or poor wine, is irreproachable in his private life. Even the cardinal virtues cannot atone for half-cold _entr es_, as Lord Henry remarked once, in a discussion on the subject, and there is possibly a good deal to be said for his view. For the canons of good society are, or should be, the same as the canons of art. Form is absolutely essential to it. It should have the dignity of a ceremony, as well as its unreality, and should combine the insincere character of a romantic play with the wit and beauty that make such plays delightful to us. Is insincerity such a terrible thing? I think not. It is merely a method by which we can multiply our personalities. Such, at any rate, was Dorian Gray s opinion. He used to wonder at the shallow psychology of those who conceive the ego in man as a thing simple, permanent, reliable, and of one essence. To him, man was a being with myriad lives and myriad sensations, a complex multiform creature that bore within itself strange legacies of thought and passion, and whose very flesh was tainted with the monstrous maladies of the dead. He loved to stroll through the gaunt cold picture-gallery of his country house and look at the various portraits of those whose blood flowed in his veins. Here was Philip Herbert, described by Francis Osborne, in his Memoires on the Reigns of Queen Elizabeth and King James, as one who was "caressed by the Court for his handsome face, which kept him not long company." Was it young Herbert s life that he sometimes led? Had some strange poisonous germ crept from body to body till it had reached his own? Was it some dim sense of that ruined grace that had made him so suddenly, and almost without cause, give utterance, in Basil Hallward s studio, to the mad prayer that had so changed his life? Here, in gold-embroidered red doublet, jewelled surcoat, and gilt-edged ruff and wristbands, stood Sir Anthony Sherard, with his silver-and-black armour piled at his feet. What had this man s legacy been? Had the lover of Giovanna of Naples bequeathed him some inheritance of sin and shame? Were his own actions merely the dreams that the dead man had not dared to realize? Here, from the fading canvas, smiled Lady Elizabeth Devereux, in her gauze hood, pearl stomacher, and pink slashed sleeves. A flower was in her right hand, and her left clasped an enamelled collar of white and damask roses. On a table by her side lay a mandolin and an apple. There were large green rosettes upon her little pointed shoes. He knew her life, and the strange stories that were told about her lovers. Had he something of her temperament in him? These oval, heavy-lidded eyes seemed to look curiously at him. What of George Willoughby, with his powdered hair and fantastic patches? How evil he looked! The face was saturnine and swarthy, and the sensual lips seemed to be twisted with disdain. Delicate lace ruffles fell over the lean yellow hands that were so overladen with rings. He had been a macaroni of the eighteenth century, and the friend, in his youth, of Lord Ferrars. What of the second Lord Beckenham, the companion of the Prince Regent in his wildest days, and one of the witnesses at the secret marriage with Mrs. Fitzherbert? How proud and handsome he was, with his chestnut curls and insolent pose! What passions had he bequeathed? The world had looked upon him as infamous. He had led the orgies at Carlton House. The star of the Garter glittered upon his breast. Beside him hung the portrait of his wife, a pallid, thin-lipped woman in black. Her blood, also, stirred within him. How curious it all seemed! And his mother with her Lady Hamilton face and her moist, wine-dashed lips he knew what he had got from her. He had got from her his beauty, and his passion for the beauty of others. She laughed at him in her loose Bacchante dress. There were vine leaves in her hair. The purple spilled from the cup she was holding. The carnations of the painting had withered, but the eyes were still wonderful in their depth and brilliancy of colour. They seemed to follow him wherever he went. Yet one had ancestors in literature as well as in one s own race, nearer perhaps in type and temperament, many of them, and certainly with an influence of which one was more absolutely conscious. There were times when it appeared to Dorian Gray that the whole of history was merely the record of his own life, not as he had lived it in act and circumstance, but as his imagination had created it for him, as it had been in his brain and in his passions. He felt that he had known them all, those strange terrible figures that had passed across the stage of the world and made sin so marvellous and evil so full of subtlety. It seemed to him that in some mysterious way their lives had been his own. The hero of the wonderful novel that had so influenced his life had himself known this curious fancy. In the seventh chapter he tells how, crowned with laurel, lest lightning might strike him, he had sat, as Tiberius, in a garden at Capri, reading the shameful books of Elephantis, while dwarfs and peacocks strutted round him and the flute-player mocked the swinger of the censer; and, as Caligula, had caroused with the green-shirted jockeys in their stables and supped in an ivory manger with a jewel-frontleted horse; and, as Domitian, had wandered through a corridor lined with marble mirrors, looking round with haggard eyes for the reflection of the dagger that was to end his days, and sick with that ennui, that terrible _t dium vit _, that comes on those to whom life denies nothing; and had peered through a clear emerald at the red shambles of the circus and then, in a litter of pearl and purple drawn by silver-shod mules, been carried through the Street of Pomegranates to a House of Gold and heard men cry on Nero Caesar as he passed by; and, as Elagabalus, had painted his face with colours, and plied the distaff among the women, and brought the Moon from Carthage and given her in mystic marriage to the Sun. Over and over again Dorian used to read this fantastic chapter, and the two chapters immediately following, in which, as in some curious tapestries or cunningly wrought enamels, were pictured the awful and beautiful forms of those whom vice and blood and weariness had made monstrous or mad: Filippo, Duke of Milan, who slew his wife and painted her lips with a scarlet poison that her lover might suck death from the dead thing he fondled; Pietro Barbi, the Venetian, known as Paul the Second, who sought in his vanity to assume the title of Formosus, and whose tiara, valued at two hundred thousand florins, was bought at the price of a terrible sin; Gian Maria Visconti, who used hounds to chase living men and whose murdered body was covered with roses by a harlot who had loved him; the Borgia on his white horse, with Fratricide riding beside him and his mantle stained with the blood of Perotto; Pietro Riario, the young Cardinal Archbishop of Florence, child and minion of Sixtus IV., whose beauty was equalled only by his debauchery, and who received Leonora of Aragon in a pavilion of white and crimson silk, filled with nymphs and centaurs, and gilded a boy that he might serve at the feast as Ganymede or Hylas; Ezzelin, whose melancholy could be cured only by the spectacle of death, and who had a passion for red blood, as other men have for red wine the son of the Fiend, as was reported, and one who had cheated his father at dice when gambling with him for his own soul; Giambattista Cibo, who in mockery took the name of Innocent and into whose torpid veins the blood of three lads was infused by a Jewish doctor; Sigismondo Malatesta, the lover of Isotta and the lord of Rimini, whose effigy was burned at Rome as the enemy of God and man, who strangled Polyssena with a napkin, and gave poison to Ginevra d Este in a cup of emerald, and in honour of a shameful passion built a pagan church for Christian worship; Charles VI., who had so wildly adored his brother s wife that a leper had warned him of the insanity that was coming on him, and who, when his brain had sickened and grown strange, could only be soothed by Saracen cards painted with the images of love and death and madness; and, in his trimmed jerkin and jewelled cap and acanthuslike curls, Grifonetto Baglioni, who slew Astorre with his bride, and Simonetto with his page, and whose comeliness was such that, as he lay dying in the yellow piazza of Perugia, those who had hated him could not choose but weep, and Atalanta, who had cursed him, blessed him. There was a horrible fascination in them all. He saw them at night, and they troubled his imagination in the day. The Renaissance knew of strange manners of poisoning poisoning by a helmet and a lighted torch, by an embroidered glove and a jewelled fan, by a gilded pomander and by an amber chain. Dorian Gray had been poisoned by a book. There were moments when he looked on evil simply as a mode through which he could realize his conception of the beautiful. CHAPTER XII It was on the ninth of November, the eve of his own thirty-eighth birthday, as he often remembered afterwards. He was walking home about eleven o clock from Lord Henry s, where he had been dining, and was wrapped in heavy furs, as the night was cold and foggy. At the corner of Grosvenor Square and South Audley Street, a man passed him in the mist, walking very fast and with the collar of his grey ulster turned up. He had a bag in his hand. Dorian recognized him. It was Basil Hallward. A strange sense of fear, for which he could not account, came over him. He made no sign of recognition and went on quickly in the direction of his own house. But Hallward had seen him. Dorian heard him first stopping on the pavement and then hurrying after him. In a few moments, his hand was on his arm.</\|quote\|>"Dorian! What an extraordinary piece of luck! I have been waiting for you in your library ever since nine o clock. Finally I took pity on your tired servant and told him to go to bed, as he let me out. I am off to Paris by the midnight train, and I particularly wanted to see you before I left. I thought it was you, or rather your fur coat, as you passed me. But I wasn t quite sure. Didn t you recognize me?" "In this fog, my dear Basil? Why, I can t even recognize Grosvenor Square. I believe my house is somewhere about here, but I don t feel at all certain about it. I am sorry you are going away, as I have not seen you for ages. But I suppose you will be back soon?" "No: I am going to be out of England for six months. I intend to take a studio in Paris and shut myself up till I have finished a great picture I have in my head. However, it wasn t about myself I wanted to talk. Here we are at your door. Let me come in for a moment. I have something to say to you." "I shall be charmed. But won t you miss your train?" said Dorian Gray languidly as he passed up the steps and opened the door with his latch-key. The lamplight struggled out through the fog, and Hallward looked at his watch. "I have heaps of time," he answered. "The train doesn t go till twelve-fifteen, and it is only just eleven. In fact, I was on my way to the club to look for you, when I met you. You see, I shan t have any delay about luggage, as I have sent on my heavy things. All I have with me is in this bag, and I can easily get to Victoria in twenty minutes." Dorian looked at him and smiled. "What a way for a fashionable painter to travel! A Gladstone bag and an ulster! Come in, or the fog will get into the house. And mind you don t talk about anything serious. Nothing is serious nowadays. At least nothing should be." Hallward shook his head, as he entered, and followed Dorian into the library. There was a bright wood fire blazing in the large open hearth. The lamps were lit, and an open Dutch silver spirit-case stood, with some siphons of soda-water and large cut-glass tumblers, on a little marqueterie table. "You see your servant made me quite at home, Dorian. He gave me everything I wanted, including your best gold-tipped cigarettes. He is a most hospitable creature. I like him much better than the Frenchman you used to have. What has become of the Frenchman, by the bye?" Dorian shrugged his shoulders. "I believe he married Lady Radley s maid, and has established her in Paris as an English dressmaker. _Anglomanie_ is very fashionable over there now, I hear. It seems silly of the French, doesn t it? But do you know? he was not at all a bad servant. I never liked him, but I had nothing to complain about. One often imagines things that are	The Picture Of Dorian Gray
"You wouldn't mind, really? I've been at Pamplona, you know. Brett's mad to go. You're sure we wouldn't just be a bloody nuisance?"	Mike Campbell	you?" "It would be grand."<\|quote\|>"You wouldn't mind, really? I've been at Pamplona, you know. Brett's mad to go. You're sure we wouldn't just be a bloody nuisance?"</\|quote\|>"Don't talk like a fool."	if we came down with you?" "It would be grand."<\|quote\|>"You wouldn't mind, really? I've been at Pamplona, you know. Brett's mad to go. You're sure we wouldn't just be a bloody nuisance?"</\|quote\|>"Don't talk like a fool." "I'm a little tight, you	the bar. "Hello, darling." Brett put out her hand. "Hello, Jake," Mike said. "I understand I was tight last night." "Weren't you, though," Brett said. "Disgraceful business." "Look," said Mike, "when do you go down to Spain? Would you mind if we came down with you?" "It would be grand."<\|quote\|>"You wouldn't mind, really? I've been at Pamplona, you know. Brett's mad to go. You're sure we wouldn't just be a bloody nuisance?"</\|quote\|>"Don't talk like a fool." "I'm a little tight, you know. I wouldn't ask you like this if I weren't. You're sure you don't mind?" "Oh, shut up, Michael," Brett said. "How can the man say he'd mind now? I'll ask him later." "But you don't mind, do you?" "Don't	and would meet him at Bayonne, where we could get a bus over the mountains to Pamplona. The same evening about seven o'clock I stopped in at the Select to see Michael and Brett. They were not there, and I went over to the Dingo. They were inside sitting at the bar. "Hello, darling." Brett put out her hand. "Hello, Jake," Mike said. "I understand I was tight last night." "Weren't you, though," Brett said. "Disgraceful business." "Look," said Mike, "when do you go down to Spain? Would you mind if we came down with you?" "It would be grand."<\|quote\|>"You wouldn't mind, really? I've been at Pamplona, you know. Brett's mad to go. You're sure we wouldn't just be a bloody nuisance?"</\|quote\|>"Don't talk like a fool." "I'm a little tight, you know. I wouldn't ask you like this if I weren't. You're sure you don't mind?" "Oh, shut up, Michael," Brett said. "How can the man say he'd mind now? I'll ask him later." "But you don't mind, do you?" "Don't ask that again unless you want to make me sore. Bill and I go down on the morning of the 25th." "By the way, where is Bill?" Brett asked. "He's out at Chantilly dining with some people." "He's a good chap." "Splendid chap," said Mike. "He is, you know." "You	of the 20th of June. It was a good fight. The morning after the fight I had a letter from Robert Cohn, written from Hendaye. He was having a very quiet time, he said, bathing, playing some golf and much bridge. Hendaye had a splendid beach, but he was anxious to start on the fishing-trip. When would I be down? If I would buy him a double-tapered line he would pay me when I came down. That same morning I wrote Cohn from the office that Bill and I would leave Paris on the 25th unless I wired him otherwise, and would meet him at Bayonne, where we could get a bus over the mountains to Pamplona. The same evening about seven o'clock I stopped in at the Select to see Michael and Brett. They were not there, and I went over to the Dingo. They were inside sitting at the bar. "Hello, darling." Brett put out her hand. "Hello, Jake," Mike said. "I understand I was tight last night." "Weren't you, though," Brett said. "Disgraceful business." "Look," said Mike, "when do you go down to Spain? Would you mind if we came down with you?" "It would be grand."<\|quote\|>"You wouldn't mind, really? I've been at Pamplona, you know. Brett's mad to go. You're sure we wouldn't just be a bloody nuisance?"</\|quote\|>"Don't talk like a fool." "I'm a little tight, you know. I wouldn't ask you like this if I weren't. You're sure you don't mind?" "Oh, shut up, Michael," Brett said. "How can the man say he'd mind now? I'll ask him later." "But you don't mind, do you?" "Don't ask that again unless you want to make me sore. Bill and I go down on the morning of the 25th." "By the way, where is Bill?" Brett asked. "He's out at Chantilly dining with some people." "He's a good chap." "Splendid chap," said Mike. "He is, you know." "You don't remember him," Brett said. "I do. Remember him perfectly. Look, Jake, we'll come down the night of the 25th. Brett can't get up in the morning." "Indeed not!" "If our money comes and you're sure you don't mind." "It will come, all right. I'll see to that." "Tell me what tackle to send for." "Get two or three rods with reels, and lines, and some flies." "I won't fish," Brett put in. "Get two rods, then, and Bill won't have to buy one." "Right," said Mike. "I'll send a wire to the keeper." "Won't it be splendid," Brett said.	together--" "but I can't go. I had a date with this thing here. I say, Brett, do get a new hat." Brett pulled the felt hat down far over one eye and smiled out from under it. "You two run along to the fight. I'll have to be taking Mr. Campbell home directly." "I'm not tight," Mike said. "Perhaps just a little. I say, Brett, you are a lovely piece." "Go on to the fight," Brett said. "Mr. Campbell's getting difficult. What are these outbursts of affection, Michael?" "I say, you are a lovely piece." We said good night. "I'm sorry I can't go," Mike said. Brett laughed. I looked back from the door. Mike had one hand on the bar and was leaning toward Brett, talking. Brett was looking at him quite coolly, but the corners of her eyes were smiling. Outside on the pavement I said: "Do you want to go to the fight?" "Sure," said Bill. "If we don't have to walk." "Mike was pretty excited about his girl friend," I said in the taxi. "Well," said Bill. "You can't blame him such a hell of a lot." CHAPTER 9 The Ledoux-Kid Francis fight was the night of the 20th of June. It was a good fight. The morning after the fight I had a letter from Robert Cohn, written from Hendaye. He was having a very quiet time, he said, bathing, playing some golf and much bridge. Hendaye had a splendid beach, but he was anxious to start on the fishing-trip. When would I be down? If I would buy him a double-tapered line he would pay me when I came down. That same morning I wrote Cohn from the office that Bill and I would leave Paris on the 25th unless I wired him otherwise, and would meet him at Bayonne, where we could get a bus over the mountains to Pamplona. The same evening about seven o'clock I stopped in at the Select to see Michael and Brett. They were not there, and I went over to the Dingo. They were inside sitting at the bar. "Hello, darling." Brett put out her hand. "Hello, Jake," Mike said. "I understand I was tight last night." "Weren't you, though," Brett said. "Disgraceful business." "Look," said Mike, "when do you go down to Spain? Would you mind if we came down with you?" "It would be grand."<\|quote\|>"You wouldn't mind, really? I've been at Pamplona, you know. Brett's mad to go. You're sure we wouldn't just be a bloody nuisance?"</\|quote\|>"Don't talk like a fool." "I'm a little tight, you know. I wouldn't ask you like this if I weren't. You're sure you don't mind?" "Oh, shut up, Michael," Brett said. "How can the man say he'd mind now? I'll ask him later." "But you don't mind, do you?" "Don't ask that again unless you want to make me sore. Bill and I go down on the morning of the 25th." "By the way, where is Bill?" Brett asked. "He's out at Chantilly dining with some people." "He's a good chap." "Splendid chap," said Mike. "He is, you know." "You don't remember him," Brett said. "I do. Remember him perfectly. Look, Jake, we'll come down the night of the 25th. Brett can't get up in the morning." "Indeed not!" "If our money comes and you're sure you don't mind." "It will come, all right. I'll see to that." "Tell me what tackle to send for." "Get two or three rods with reels, and lines, and some flies." "I won't fish," Brett put in. "Get two rods, then, and Bill won't have to buy one." "Right," said Mike. "I'll send a wire to the keeper." "Won't it be splendid," Brett said. "Spain! We _will_ have fun." "The 25th. When is that?" "Saturday." "We _will_ have to get ready." "I say," said Mike, "I'm going to the barber's." "I must bathe," said Brett. "Walk up to the hotel with me, Jake. Be a good chap." "We _have_ got the loveliest hotel," Mike said. "I think it's a brothel!" "We left our bags here at the Dingo when we got in, and they asked us at this hotel if we wanted a room for the afternoon only. Seemed frightfully pleased we were going to stay all night." "_I_ believe it's a brothel," Mike said. "And _I_ should know." "Oh, shut it and go and get your hair cut." Mike went out. Brett and I sat on at the bar. "Have another?" "Might." "I needed that," Brett said. We walked up the Rue Delambre. "I haven't seen you since I've been back," Brett said. "No." "How _are_ you, Jake?" "Fine." Brett looked at me. "I say," she said, "is Robert Cohn going on this trip?" "Yes. Why?" "Don't you think it will be a bit rough on him?" "Why should it?" "Who did you think I went down to San Sebastian with?" "Congratulations," I	little caf s, Damoy's, crossed the street to the Rotonde, past its lights and tables to the Select. Michael came toward us from the tables. He was tanned and healthy-looking. "Hel-lo, Jake," he said. "Hel-lo! Hel-lo! How are you, old lad?" "You look very fit, Mike." "Oh, I am. I'm frightfully fit. I've done nothing but walk. Walk all day long. One drink a day with my mother at tea." Bill had gone into the bar. He was standing talking with Brett, who was sitting on a high stool, her legs crossed. She had no stockings on. "It's good to see you, Jake," Michael said. "I'm a little tight you know. Amazing, isn't it? Did you see my nose?" There was a patch of dried blood on the bridge of his nose. "An old lady's bags did that," Mike said. "I reached up to help her with them and they fell on me." Brett gestured at him from the bar with her cigarette-holder and wrinkled the corners of her eyes. "An old lady," said Mike. "Her bags _fell_ on me. Let's go in and see Brett. I say, she is a piece." "You _are_ a lovely lady, Brett. Where did you get that hat?" "Chap bought it for me. Don't you like it?" "It's a dreadful hat. Do get a good hat." "Oh, we've so much money now," Brett said. "I say, haven't you met Bill yet? You _are_ a lovely host, Jake." She turned to Mike. "This is Bill Gorton. This drunkard is Mike Campbell. Mr. Campbell is an undischarged bankrupt." "Aren't I, though? You know I met my ex-partner yesterday in London. Chap who did me in." "What did he say?" "Bought me a drink. I thought I might as well take it. I say, Brett, you _are_ a lovely piece. Don't you think she's beautiful?" "Beautiful. With this nose?" "It's a lovely nose. Go on, point it at me. Isn't she a lovely piece?" "Couldn't we have kept the man in Scotland?" "I say, Brett, let's turn in early." "Don't be indecent, Michael. Remember there are ladies at this bar." "Isn't she a lovely piece? Don't you think so, Jake?" "There's a fight to-night," Bill said. "Like to go?" "Fight," said Mike. "Who's fighting?" "Ledoux and somebody." "He's very good, Ledoux," Mike said. "I'd like to see it, rather" "--he was making an effort to pull himself together--" "but I can't go. I had a date with this thing here. I say, Brett, do get a new hat." Brett pulled the felt hat down far over one eye and smiled out from under it. "You two run along to the fight. I'll have to be taking Mr. Campbell home directly." "I'm not tight," Mike said. "Perhaps just a little. I say, Brett, you are a lovely piece." "Go on to the fight," Brett said. "Mr. Campbell's getting difficult. What are these outbursts of affection, Michael?" "I say, you are a lovely piece." We said good night. "I'm sorry I can't go," Mike said. Brett laughed. I looked back from the door. Mike had one hand on the bar and was leaning toward Brett, talking. Brett was looking at him quite coolly, but the corners of her eyes were smiling. Outside on the pavement I said: "Do you want to go to the fight?" "Sure," said Bill. "If we don't have to walk." "Mike was pretty excited about his girl friend," I said in the taxi. "Well," said Bill. "You can't blame him such a hell of a lot." CHAPTER 9 The Ledoux-Kid Francis fight was the night of the 20th of June. It was a good fight. The morning after the fight I had a letter from Robert Cohn, written from Hendaye. He was having a very quiet time, he said, bathing, playing some golf and much bridge. Hendaye had a splendid beach, but he was anxious to start on the fishing-trip. When would I be down? If I would buy him a double-tapered line he would pay me when I came down. That same morning I wrote Cohn from the office that Bill and I would leave Paris on the 25th unless I wired him otherwise, and would meet him at Bayonne, where we could get a bus over the mountains to Pamplona. The same evening about seven o'clock I stopped in at the Select to see Michael and Brett. They were not there, and I went over to the Dingo. They were inside sitting at the bar. "Hello, darling." Brett put out her hand. "Hello, Jake," Mike said. "I understand I was tight last night." "Weren't you, though," Brett said. "Disgraceful business." "Look," said Mike, "when do you go down to Spain? Would you mind if we came down with you?" "It would be grand."<\|quote\|>"You wouldn't mind, really? I've been at Pamplona, you know. Brett's mad to go. You're sure we wouldn't just be a bloody nuisance?"</\|quote\|>"Don't talk like a fool." "I'm a little tight, you know. I wouldn't ask you like this if I weren't. You're sure you don't mind?" "Oh, shut up, Michael," Brett said. "How can the man say he'd mind now? I'll ask him later." "But you don't mind, do you?" "Don't ask that again unless you want to make me sore. Bill and I go down on the morning of the 25th." "By the way, where is Bill?" Brett asked. "He's out at Chantilly dining with some people." "He's a good chap." "Splendid chap," said Mike. "He is, you know." "You don't remember him," Brett said. "I do. Remember him perfectly. Look, Jake, we'll come down the night of the 25th. Brett can't get up in the morning." "Indeed not!" "If our money comes and you're sure you don't mind." "It will come, all right. I'll see to that." "Tell me what tackle to send for." "Get two or three rods with reels, and lines, and some flies." "I won't fish," Brett put in. "Get two rods, then, and Bill won't have to buy one." "Right," said Mike. "I'll send a wire to the keeper." "Won't it be splendid," Brett said. "Spain! We _will_ have fun." "The 25th. When is that?" "Saturday." "We _will_ have to get ready." "I say," said Mike, "I'm going to the barber's." "I must bathe," said Brett. "Walk up to the hotel with me, Jake. Be a good chap." "We _have_ got the loveliest hotel," Mike said. "I think it's a brothel!" "We left our bags here at the Dingo when we got in, and they asked us at this hotel if we wanted a room for the afternoon only. Seemed frightfully pleased we were going to stay all night." "_I_ believe it's a brothel," Mike said. "And _I_ should know." "Oh, shut it and go and get your hair cut." Mike went out. Brett and I sat on at the bar. "Have another?" "Might." "I needed that," Brett said. We walked up the Rue Delambre. "I haven't seen you since I've been back," Brett said. "No." "How _are_ you, Jake?" "Fine." Brett looked at me. "I say," she said, "is Robert Cohn going on this trip?" "Yes. Why?" "Don't you think it will be a bit rough on him?" "Why should it?" "Who did you think I went down to San Sebastian with?" "Congratulations," I said. We walked along. "What did you say that for?" "I don't know. What would you like me to say?" We walked along and turned a corner. "He behaved rather well, too. He gets a little dull." "Does he?" "I rather thought it would be good for him." "You might take up social service." "Don't be nasty." "I won't." "Didn't you really know?" "No," I said. "I guess I didn't think about it." "Do you think it will be too rough on him?" "That's up to him," I said. "Tell him you're coming. He can always not come." "I'll write him and give him a chance to pull out of it." I did not see Brett again until the night of the 24th of June. "Did you hear from Cohn?" "Rather. He's keen about it." "My God!" "I thought it was rather odd myself." "Says he can't wait to see me." "Does he think you're coming alone?" "No. I told him we were all coming down together. Michael and all." "He's wonderful." "Isn't he?" They expected their money the next day. We arranged to meet at Pamplona. They would go directly to San Sebastian and take the train from there. We would all meet at the Montoya in Pamplona. If they did not turn up on Monday at the latest we would go on ahead up to Burguete in the mountains, to start fishing. There was a bus to Burguete. I wrote out an itinerary so they could follow us. Bill and I took the morning train from the Gare d'Orsay. It was a lovely day, not too hot, and the country was beautiful from the start. We went back into the diner and had breakfast. Leaving the dining-car I asked the conductor for tickets for the first service. "Nothing until the fifth." "What's this?" There were never more than two servings of lunch on that train, and always plenty of places for both of them. "They're all reserved," the dining-car conductor said. "There will be a fifth service at three-thirty." "This is serious," I said to Bill. "Give him ten francs." "Here," I said. "We want to eat in the first service." The conductor put the ten francs in his pocket. "Thank you," he said. "I would advise you gentlemen to get some sandwiches. All the places for the first four services were reserved at the office of the	in Scotland?" "I say, Brett, let's turn in early." "Don't be indecent, Michael. Remember there are ladies at this bar." "Isn't she a lovely piece? Don't you think so, Jake?" "There's a fight to-night," Bill said. "Like to go?" "Fight," said Mike. "Who's fighting?" "Ledoux and somebody." "He's very good, Ledoux," Mike said. "I'd like to see it, rather" "--he was making an effort to pull himself together--" "but I can't go. I had a date with this thing here. I say, Brett, do get a new hat." Brett pulled the felt hat down far over one eye and smiled out from under it. "You two run along to the fight. I'll have to be taking Mr. Campbell home directly." "I'm not tight," Mike said. "Perhaps just a little. I say, Brett, you are a lovely piece." "Go on to the fight," Brett said. "Mr. Campbell's getting difficult. What are these outbursts of affection, Michael?" "I say, you are a lovely piece." We said good night. "I'm sorry I can't go," Mike said. Brett laughed. I looked back from the door. Mike had one hand on the bar and was leaning toward Brett, talking. Brett was looking at him quite coolly, but the corners of her eyes were smiling. Outside on the pavement I said: "Do you want to go to the fight?" "Sure," said Bill. "If we don't have to walk." "Mike was pretty excited about his girl friend," I said in the taxi. "Well," said Bill. "You can't blame him such a hell of a lot." CHAPTER 9 The Ledoux-Kid Francis fight was the night of the 20th of June. It was a good fight. The morning after the fight I had a letter from Robert Cohn, written from Hendaye. He was having a very quiet time, he said, bathing, playing some golf and much bridge. Hendaye had a splendid beach, but he was anxious to start on the fishing-trip. When would I be down? If I would buy him a double-tapered line he would pay me when I came down. That same morning I wrote Cohn from the office that Bill and I would leave Paris on the 25th unless I wired him otherwise, and would meet him at Bayonne, where we could get a bus over the mountains to Pamplona. The same evening about seven o'clock I stopped in at the Select to see Michael and Brett. They were not there, and I went over to the Dingo. They were inside sitting at the bar. "Hello, darling." Brett put out her hand. "Hello, Jake," Mike said. "I understand I was tight last night." "Weren't you, though," Brett said. "Disgraceful business." "Look," said Mike, "when do you go down to Spain? Would you mind if we came down with you?" "It would be grand."<\|quote\|>"You wouldn't mind, really? I've been at Pamplona, you know. Brett's mad to go. You're sure we wouldn't just be a bloody nuisance?"</\|quote\|>"Don't talk like a fool." "I'm a little tight, you know. I wouldn't ask you like this if I weren't. You're sure you don't mind?" "Oh, shut up, Michael," Brett said. "How can the man say he'd mind now? I'll ask him later." "But you don't mind, do you?" "Don't ask that again unless you want to make me sore. Bill and I go down on the morning of the 25th." "By the way, where is Bill?" Brett asked. "He's out at Chantilly dining with some people." "He's a good chap." "Splendid chap," said Mike. "He is, you know." "You don't remember him," Brett said. "I do. Remember him perfectly. Look, Jake, we'll come down the night of the 25th. Brett can't get up in the morning." "Indeed not!" "If our money comes and you're sure you don't mind." "It will come, all right. I'll see to that." "Tell me what tackle to send for." "Get two or three rods with reels, and lines, and some flies." "I won't fish," Brett put in. "Get two rods, then, and Bill won't have to buy one." "Right," said Mike. "I'll send a wire to the keeper." "Won't it be splendid," Brett said. "Spain! We _will_ have fun." "The 25th. When is that?" "Saturday." "We _will_ have to get ready." "I say," said Mike, "I'm going to the barber's." "I must bathe," said Brett. "Walk up to the hotel with me, Jake. Be a good chap." "We _have_ got the loveliest hotel," Mike said. "I think it's a brothel!" "We left our bags here at the Dingo when we got in, and they asked us at this hotel if we wanted a room for the afternoon only. Seemed frightfully pleased we were going to stay all night." "_I_ believe it's a brothel," Mike said. "And _I_ should know." "Oh, shut it and go and get your hair cut." Mike went out. Brett and I sat on at the bar. "Have another?" "Might." "I needed that," Brett said. We walked up the Rue Delambre. "I haven't seen you since I've been back," Brett said. "No." "How _are_ you, Jake?" "Fine." Brett looked at me. "I say," she said, "is Robert Cohn going on this trip?" "Yes. Why?" "Don't you think it will be a bit rough on him?" "Why should it?" "Who did you think I went down to San Sebastian with?" "Congratulations," I said. We walked along. "What did you say that for?"	The Sun Also Rises
"Well, I shan't go, at any rate,"	Alice	miles high," added the Queen.<\|quote\|>"Well, I shan't go, at any rate,"</\|quote\|>said Alice: "besides, that's not	said the King. "Nearly two miles high," added the Queen.<\|quote\|>"Well, I shan't go, at any rate,"</\|quote\|>said Alice: "besides, that's not a regular rule: you invented	busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen.<\|quote\|>"Well, I shan't go, at any rate,"</\|quote\|>said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in	which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen.<\|quote\|>"Well, I shan't go, at any rate,"</\|quote\|>said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be	roof of the court. "What do you know about this business?" the King said to Alice. "Nothing," said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen.<\|quote\|>"Well, I shan't go, at any rate,"</\|quote\|>said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it." (The	and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die. "The trial cannot proceed," said the King in a very grave voice, "until all the jurymen are back in their proper places--_all_," he repeated with great emphasis, looking hard at Alice as he said so. Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; "not that it signifies much," she said to herself; "I should think it would be _quite_ as much use in the trial one way up as the other." As soon as the jury had a little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice. "Nothing," said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen.<\|quote\|>"Well, I shan't go, at any rate,"</\|quote\|>said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word I had not gone	out of sight before the officer could get to the door. "Call the next witness!" said the King. The next witness was the Duchess's cook. She carried the pepper-box in her hand, and Alice guessed who it was, even before she got into the court, by the way the people near the door began sneezing all at once. "Give your evidence," said the King. "Shan't," said the cook. The King looked anxiously at the White Rabbit, who said in a low voice, "Your Majesty must cross-examine _this_ witness." "Well, if I must, I must," the King said, with a melancholy air, and, after folding his arms and frowning at the cook till his eyes were nearly out of sight, he said in a deep voice, "What are tarts made of?" "Pepper, mostly," said the cook. "Treacle," said a sleepy voice behind her. "Collar that Dormouse," the Queen shrieked out. "Behead that Dormouse! Turn that Dormouse out of court! Suppress him! Pinch him! Off with his whiskers!" For some minutes the whole court was in confusion, getting the Dormouse turned out, and, by the time they had settled down again, the cook had disappeared. "Never mind!" said the King, with an air of great relief. "Call the next witness." And he added in an undertone to the Queen, "Really, my dear, _you_ must cross-examine the next witness. It quite makes my forehead ache!" Alice watched the White Rabbit as he fumbled over the list, feeling very curious to see what the next witness would be like, "--for they haven't got much evidence _yet_," she said to herself. Imagine her surprise, when the White Rabbit read out, at the top of his shrill little voice, the name "Alice!" CHAPTER XII. Alice's Evidence "Here!" cried Alice, quite forgetting in the flurry of the moment how large she had grown in the last few minutes, and she jumped up in such a hurry that she tipped over the jury-box with the edge of her skirt, upsetting all the jurymen on to the heads of the crowd below, and there they lay sprawling about, reminding her very much of a globe of goldfish she had accidentally upset the week before. "Oh, I _beg_ your pardon!" she exclaimed in a tone of great dismay, and began picking them up again as quickly as she could, for the accident of the goldfish kept running in her head, and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die. "The trial cannot proceed," said the King in a very grave voice, "until all the jurymen are back in their proper places--_all_," he repeated with great emphasis, looking hard at Alice as he said so. Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; "not that it signifies much," she said to herself; "I should think it would be _quite_ as much use in the trial one way up as the other." As soon as the jury had a little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice. "Nothing," said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen.<\|quote\|>"Well, I shan't go, at any rate,"</\|quote\|>said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word I had not gone (We know it to be true): If she should push the matter on, What would become of you? I gave her one, they gave him two, You gave us three or more; They all returned from him to you, Though they were mine before. If I or she should chance to be Involved in this affair, He trusts to you to set them free, Exactly as we were. My notion was that you had been (Before she had this fit) An obstacle that came between Him, and ourselves, and it. Don't let him know she liked them best, For this must ever be A secret, kept from all the rest, Between yourself and me." "That's the most important piece of evidence we've heard yet," said the King, rubbing his hands; "so now let the jury--" "If any one of them can explain it," said Alice, (she had grown so large in the last few minutes that she wasn't a bit afraid of interrupting him,) "I'll give him sixpence. _I_ don't believe there's an atom of meaning in it." The jury all wrote down on their slates, "_She_ doesn't believe there's an atom of meaning in it," but none of them attempted to explain the paper. "If there's no meaning in it," said the King, "that saves a world of trouble, you know, as we needn't try to find any. And yet I don't know," he went on, spreading out the verses on his knee, and looking at them with one eye; "I seem to see some meaning in them, after all." "--_said I could not swim_--" "you can't swim, can you?" he added, turning to the Knave. The Knave shook his head sadly. "Do I look like it?" he said. (Which he certainly did _not_, being made entirely of cardboard.) "All right, so far," said the King, and he went on muttering over the verses to himself: "'_We know it to be true_--' "that's the jury, of course-" -'_I gave her one, they gave him two_--' "why, that must be what he did with the tarts, you know--" "But, it goes on" '_they all returned from him to you_,'" said Alice. "Why, there they are!" said the King triumphantly, pointing to the tarts on the table. "Nothing can be clearer than _that_. Then again--" '_before she had this fit_--' "you never had fits, my dear, I think?" he said to	your pardon!" she exclaimed in a tone of great dismay, and began picking them up again as quickly as she could, for the accident of the goldfish kept running in her head, and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die. "The trial cannot proceed," said the King in a very grave voice, "until all the jurymen are back in their proper places--_all_," he repeated with great emphasis, looking hard at Alice as he said so. Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; "not that it signifies much," she said to herself; "I should think it would be _quite_ as much use in the trial one way up as the other." As soon as the jury had a little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice. "Nothing," said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen.<\|quote\|>"Well, I shan't go, at any rate,"</\|quote\|>said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You	Alices Adventures In Wonderland
cried Daisy with tense gaiety. She sat down, glanced searchingly at Miss Baker and then at me, and continued:	No speaker	table. “It couldn’t be helped!”<\|quote\|>cried Daisy with tense gaiety. She sat down, glanced searchingly at Miss Baker and then at me, and continued:</\|quote\|>“I looked outdoors for a	Daisy were back at the table. “It couldn’t be helped!”<\|quote\|>cried Daisy with tense gaiety. She sat down, glanced searchingly at Miss Baker and then at me, and continued:</\|quote\|>“I looked outdoors for a minute, and it’s very romantic	Baker nodded. “She might have the decency not to telephone him at dinner time. Don’t you think?” Almost before I had grasped her meaning there was the flutter of a dress and the crunch of leather boots, and Tom and Daisy were back at the table. “It couldn’t be helped!”<\|quote\|>cried Daisy with tense gaiety. She sat down, glanced searchingly at Miss Baker and then at me, and continued:</\|quote\|>“I looked outdoors for a minute, and it’s very romantic outdoors. There’s a bird on the lawn that I think must be a nightingale come over on the Cunard or White Star Line. He’s singing away—” Her voice sang: “It’s romantic, isn’t it, Tom?” “Very romantic,” he said, and then	“Don’t talk. I want to hear what happens.” “Is something happening?” I inquired innocently. “You mean to say you don’t know?” said Miss Baker, honestly surprised. “I thought everybody knew.” “I don’t.” “Why—” she said hesitantly. “Tom’s got some woman in New York.” “Got some woman?” I repeated blankly. Miss Baker nodded. “She might have the decency not to telephone him at dinner time. Don’t you think?” Almost before I had grasped her meaning there was the flutter of a dress and the crunch of leather boots, and Tom and Daisy were back at the table. “It couldn’t be helped!”<\|quote\|>cried Daisy with tense gaiety. She sat down, glanced searchingly at Miss Baker and then at me, and continued:</\|quote\|>“I looked outdoors for a minute, and it’s very romantic outdoors. There’s a bird on the lawn that I think must be a nightingale come over on the Cunard or White Star Line. He’s singing away—” Her voice sang: “It’s romantic, isn’t it, Tom?” “Very romantic,” he said, and then miserably to me: “If it’s light enough after dinner, I want to take you down to the stables.” The telephone rang inside, startlingly, and as Daisy shook her head decisively at Tom the subject of the stables, in fact all subjects, vanished into air. Among the broken fragments of the	concealed in one of those breathless, thrilling words. Then suddenly she threw her napkin on the table and excused herself and went into the house. Miss Baker and I exchanged a short glance consciously devoid of meaning. I was about to speak when she sat up alertly and said “Sh!” in a warning voice. A subdued impassioned murmur was audible in the room beyond, and Miss Baker leaned forward unashamed, trying to hear. The murmur trembled on the verge of coherence, sank down, mounted excitedly, and then ceased altogether. “This Mr. Gatsby you spoke of is my neighbour—” I began. “Don’t talk. I want to hear what happens.” “Is something happening?” I inquired innocently. “You mean to say you don’t know?” said Miss Baker, honestly surprised. “I thought everybody knew.” “I don’t.” “Why—” she said hesitantly. “Tom’s got some woman in New York.” “Got some woman?” I repeated blankly. Miss Baker nodded. “She might have the decency not to telephone him at dinner time. Don’t you think?” Almost before I had grasped her meaning there was the flutter of a dress and the crunch of leather boots, and Tom and Daisy were back at the table. “It couldn’t be helped!”<\|quote\|>cried Daisy with tense gaiety. She sat down, glanced searchingly at Miss Baker and then at me, and continued:</\|quote\|>“I looked outdoors for a minute, and it’s very romantic outdoors. There’s a bird on the lawn that I think must be a nightingale come over on the Cunard or White Star Line. He’s singing away—” Her voice sang: “It’s romantic, isn’t it, Tom?” “Very romantic,” he said, and then miserably to me: “If it’s light enough after dinner, I want to take you down to the stables.” The telephone rang inside, startlingly, and as Daisy shook her head decisively at Tom the subject of the stables, in fact all subjects, vanished into air. Among the broken fragments of the last five minutes at table I remember the candles being lit again, pointlessly, and I was conscious of wanting to look squarely at everyone, and yet to avoid all eyes. I couldn’t guess what Daisy and Tom were thinking, but I doubt if even Miss Baker, who seemed to have mastered a certain hardy scepticism, was able utterly to put this fifth guest’s shrill metallic urgency out of mind. To a certain temperament the situation might have seemed intriguing—my own instinct was to telephone immediately for the police. The horses, needless to say, were not mentioned again. Tom and Miss	in New York that had a silver service for two hundred people. He had to polish it from morning till night, until finally it began to affect his nose—” “Things went from bad to worse,” suggested Miss Baker. “Yes. Things went from bad to worse, until finally he had to give up his position.” For a moment the last sunshine fell with romantic affection upon her glowing face; her voice compelled me forward breathlessly as I listened—then the glow faded, each light deserting her with lingering regret, like children leaving a pleasant street at dusk. The butler came back and murmured something close to Tom’s ear, whereupon Tom frowned, pushed back his chair, and without a word went inside. As if his absence quickened something within her, Daisy leaned forward again, her voice glowing and singing. “I love to see you at my table, Nick. You remind me of a—of a rose, an absolute rose. Doesn’t he?” She turned to Miss Baker for confirmation: “An absolute rose?” This was untrue. I am not even faintly like a rose. She was only extemporizing, but a stirring warmth flowed from her, as if her heart was trying to come out to you concealed in one of those breathless, thrilling words. Then suddenly she threw her napkin on the table and excused herself and went into the house. Miss Baker and I exchanged a short glance consciously devoid of meaning. I was about to speak when she sat up alertly and said “Sh!” in a warning voice. A subdued impassioned murmur was audible in the room beyond, and Miss Baker leaned forward unashamed, trying to hear. The murmur trembled on the verge of coherence, sank down, mounted excitedly, and then ceased altogether. “This Mr. Gatsby you spoke of is my neighbour—” I began. “Don’t talk. I want to hear what happens.” “Is something happening?” I inquired innocently. “You mean to say you don’t know?” said Miss Baker, honestly surprised. “I thought everybody knew.” “I don’t.” “Why—” she said hesitantly. “Tom’s got some woman in New York.” “Got some woman?” I repeated blankly. Miss Baker nodded. “She might have the decency not to telephone him at dinner time. Don’t you think?” Almost before I had grasped her meaning there was the flutter of a dress and the crunch of leather boots, and Tom and Daisy were back at the table. “It couldn’t be helped!”<\|quote\|>cried Daisy with tense gaiety. She sat down, glanced searchingly at Miss Baker and then at me, and continued:</\|quote\|>“I looked outdoors for a minute, and it’s very romantic outdoors. There’s a bird on the lawn that I think must be a nightingale come over on the Cunard or White Star Line. He’s singing away—” Her voice sang: “It’s romantic, isn’t it, Tom?” “Very romantic,” he said, and then miserably to me: “If it’s light enough after dinner, I want to take you down to the stables.” The telephone rang inside, startlingly, and as Daisy shook her head decisively at Tom the subject of the stables, in fact all subjects, vanished into air. Among the broken fragments of the last five minutes at table I remember the candles being lit again, pointlessly, and I was conscious of wanting to look squarely at everyone, and yet to avoid all eyes. I couldn’t guess what Daisy and Tom were thinking, but I doubt if even Miss Baker, who seemed to have mastered a certain hardy scepticism, was able utterly to put this fifth guest’s shrill metallic urgency out of mind. To a certain temperament the situation might have seemed intriguing—my own instinct was to telephone immediately for the police. The horses, needless to say, were not mentioned again. Tom and Miss Baker, with several feet of twilight between them, strolled back into the library, as if to a vigil beside a perfectly tangible body, while, trying to look pleasantly interested and a little deaf, I followed Daisy around a chain of connecting verandas to the porch in front. In its deep gloom we sat down side by side on a wicker settee. Daisy took her face in her hands as if feeling its lovely shape, and her eyes moved gradually out into the velvet dusk. I saw that turbulent emotions possessed her, so I asked what I thought would be some sedative questions about her little girl. “We don’t know each other very well, Nick,” she said suddenly. “Even if we are cousins. You didn’t come to my wedding.” “I wasn’t back from the war.” “That’s true.” She hesitated. “Well, I’ve had a very bad time, Nick, and I’m pretty cynical about everything.” Evidently she had reason to be. I waited but she didn’t say any more, and after a moment I returned rather feebly to the subject of her daughter. “I suppose she talks, and—eats, and everything.” “Oh, yes.” She looked at me absently. “Listen, Nick; let me tell you	too would be over and casually put away. It was sharply different from the West, where an evening was hurried from phase to phase towards its close, in a continually disappointed anticipation or else in sheer nervous dread of the moment itself. “You make me feel uncivilized, Daisy,” I confessed on my second glass of corky but rather impressive claret. “Can’t you talk about crops or something?” I meant nothing in particular by this remark, but it was taken up in an unexpected way. “Civilization’s going to pieces,” broke out Tom violently. “I’ve gotten to be a terrible pessimist about things. Have you read The Rise of the Coloured Empires by this man Goddard?” “Why, no,” I answered, rather surprised by his tone. “Well, it’s a fine book, and everybody ought to read it. The idea is if we don’t look out the white race will be—will be utterly submerged. It’s all scientific stuff; it’s been proved.” “Tom’s getting very profound,” said Daisy, with an expression of unthoughtful sadness. “He reads deep books with long words in them. What was that word we—” “Well, these books are all scientific,” insisted Tom, glancing at her impatiently. “This fellow has worked out the whole thing. It’s up to us, who are the dominant race, to watch out or these other races will have control of things.” “We’ve got to beat them down,” whispered Daisy, winking ferociously toward the fervent sun. “You ought to live in California—” began Miss Baker, but Tom interrupted her by shifting heavily in his chair. “This idea is that we’re Nordics. I am, and you are, and you are, and—” After an infinitesimal hesitation he included Daisy with a slight nod, and she winked at me again. “—And we’ve produced all the things that go to make civilization—oh, science and art, and all that. Do you see?” There was something pathetic in his concentration, as if his complacency, more acute than of old, was not enough to him any more. When, almost immediately, the telephone rang inside and the butler left the porch Daisy seized upon the momentary interruption and leaned towards me. “I’ll tell you a family secret,” she whispered enthusiastically. “It’s about the butler’s nose. Do you want to hear about the butler’s nose?” “That’s why I came over tonight.” “Well, he wasn’t always a butler; he used to be the silver polisher for some people in New York that had a silver service for two hundred people. He had to polish it from morning till night, until finally it began to affect his nose—” “Things went from bad to worse,” suggested Miss Baker. “Yes. Things went from bad to worse, until finally he had to give up his position.” For a moment the last sunshine fell with romantic affection upon her glowing face; her voice compelled me forward breathlessly as I listened—then the glow faded, each light deserting her with lingering regret, like children leaving a pleasant street at dusk. The butler came back and murmured something close to Tom’s ear, whereupon Tom frowned, pushed back his chair, and without a word went inside. As if his absence quickened something within her, Daisy leaned forward again, her voice glowing and singing. “I love to see you at my table, Nick. You remind me of a—of a rose, an absolute rose. Doesn’t he?” She turned to Miss Baker for confirmation: “An absolute rose?” This was untrue. I am not even faintly like a rose. She was only extemporizing, but a stirring warmth flowed from her, as if her heart was trying to come out to you concealed in one of those breathless, thrilling words. Then suddenly she threw her napkin on the table and excused herself and went into the house. Miss Baker and I exchanged a short glance consciously devoid of meaning. I was about to speak when she sat up alertly and said “Sh!” in a warning voice. A subdued impassioned murmur was audible in the room beyond, and Miss Baker leaned forward unashamed, trying to hear. The murmur trembled on the verge of coherence, sank down, mounted excitedly, and then ceased altogether. “This Mr. Gatsby you spoke of is my neighbour—” I began. “Don’t talk. I want to hear what happens.” “Is something happening?” I inquired innocently. “You mean to say you don’t know?” said Miss Baker, honestly surprised. “I thought everybody knew.” “I don’t.” “Why—” she said hesitantly. “Tom’s got some woman in New York.” “Got some woman?” I repeated blankly. Miss Baker nodded. “She might have the decency not to telephone him at dinner time. Don’t you think?” Almost before I had grasped her meaning there was the flutter of a dress and the crunch of leather boots, and Tom and Daisy were back at the table. “It couldn’t be helped!”<\|quote\|>cried Daisy with tense gaiety. She sat down, glanced searchingly at Miss Baker and then at me, and continued:</\|quote\|>“I looked outdoors for a minute, and it’s very romantic outdoors. There’s a bird on the lawn that I think must be a nightingale come over on the Cunard or White Star Line. He’s singing away—” Her voice sang: “It’s romantic, isn’t it, Tom?” “Very romantic,” he said, and then miserably to me: “If it’s light enough after dinner, I want to take you down to the stables.” The telephone rang inside, startlingly, and as Daisy shook her head decisively at Tom the subject of the stables, in fact all subjects, vanished into air. Among the broken fragments of the last five minutes at table I remember the candles being lit again, pointlessly, and I was conscious of wanting to look squarely at everyone, and yet to avoid all eyes. I couldn’t guess what Daisy and Tom were thinking, but I doubt if even Miss Baker, who seemed to have mastered a certain hardy scepticism, was able utterly to put this fifth guest’s shrill metallic urgency out of mind. To a certain temperament the situation might have seemed intriguing—my own instinct was to telephone immediately for the police. The horses, needless to say, were not mentioned again. Tom and Miss Baker, with several feet of twilight between them, strolled back into the library, as if to a vigil beside a perfectly tangible body, while, trying to look pleasantly interested and a little deaf, I followed Daisy around a chain of connecting verandas to the porch in front. In its deep gloom we sat down side by side on a wicker settee. Daisy took her face in her hands as if feeling its lovely shape, and her eyes moved gradually out into the velvet dusk. I saw that turbulent emotions possessed her, so I asked what I thought would be some sedative questions about her little girl. “We don’t know each other very well, Nick,” she said suddenly. “Even if we are cousins. You didn’t come to my wedding.” “I wasn’t back from the war.” “That’s true.” She hesitated. “Well, I’ve had a very bad time, Nick, and I’m pretty cynical about everything.” Evidently she had reason to be. I waited but she didn’t say any more, and after a moment I returned rather feebly to the subject of her daughter. “I suppose she talks, and—eats, and everything.” “Oh, yes.” She looked at me absently. “Listen, Nick; let me tell you what I said when she was born. Would you like to hear?” “Very much.” “It’ll show you how I’ve gotten to feel about—things. Well, she was less than an hour old and Tom was God knows where. I woke up out of the ether with an utterly abandoned feeling, and asked the nurse right away if it was a boy or a girl. She told me it was a girl, and so I turned my head away and wept. ‘All right,’ I said, ‘I’m glad it’s a girl. And I hope she’ll be a fool—that’s the best thing a girl can be in this world, a beautiful little fool.’ “You see I think everything’s terrible anyhow,” she went on in a convinced way. “Everybody thinks so—the most advanced people. And I know. I’ve been everywhere and seen everything and done everything.” Her eyes flashed around her in a defiant way, rather like Tom’s, and she laughed with thrilling scorn. “Sophisticated—God, I’m sophisticated!” The instant her voice broke off, ceasing to compel my attention, my belief, I felt the basic insincerity of what she had said. It made me uneasy, as though the whole evening had been a trick of some sort to exact a contributory emotion from me. I waited, and sure enough, in a moment she looked at me with an absolute smirk on her lovely face, as if she had asserted her membership in a rather distinguished secret society to which she and Tom belonged. ------------------------------------------------------------------------ Inside, the crimson room bloomed with light. Tom and Miss Baker sat at either end of the long couch and she read aloud to him from the Saturday Evening Post—the words, murmurous and uninflected, running together in a soothing tune. The lamplight, bright on his boots and dull on the autumn-leaf yellow of her hair, glinted along the paper as she turned a page with a flutter of slender muscles in her arms. When we came in she held us silent for a moment with a lifted hand. “To be continued,” she said, tossing the magazine on the table, “in our very next issue.” Her body asserted itself with a restless movement of her knee, and she stood up. “Ten o’clock,” she remarked, apparently finding the time on the ceiling. “Time for this good girl to go to bed.” “Jordan’s going to play in the tournament tomorrow,” explained Daisy, “over at Westchester.”	I am, and you are, and you are, and—” After an infinitesimal hesitation he included Daisy with a slight nod, and she winked at me again. “—And we’ve produced all the things that go to make civilization—oh, science and art, and all that. Do you see?” There was something pathetic in his concentration, as if his complacency, more acute than of old, was not enough to him any more. When, almost immediately, the telephone rang inside and the butler left the porch Daisy seized upon the momentary interruption and leaned towards me. “I’ll tell you a family secret,” she whispered enthusiastically. “It’s about the butler’s nose. Do you want to hear about the butler’s nose?” “That’s why I came over tonight.” “Well, he wasn’t always a butler; he used to be the silver polisher for some people in New York that had a silver service for two hundred people. He had to polish it from morning till night, until finally it began to affect his nose—” “Things went from bad to worse,” suggested Miss Baker. “Yes. Things went from bad to worse, until finally he had to give up his position.” For a moment the last sunshine fell with romantic affection upon her glowing face; her voice compelled me forward breathlessly as I listened—then the glow faded, each light deserting her with lingering regret, like children leaving a pleasant street at dusk. The butler came back and murmured something close to Tom’s ear, whereupon Tom frowned, pushed back his chair, and without a word went inside. As if his absence quickened something within her, Daisy leaned forward again, her voice glowing and singing. “I love to see you at my table, Nick. You remind me of a—of a rose, an absolute rose. Doesn’t he?” She turned to Miss Baker for confirmation: “An absolute rose?” This was untrue. I am not even faintly like a rose. She was only extemporizing, but a stirring warmth flowed from her, as if her heart was trying to come out to you concealed in one of those breathless, thrilling words. Then suddenly she threw her napkin on the table and excused herself and went into the house. Miss Baker and I exchanged a short glance consciously devoid of meaning. I was about to speak when she sat up alertly and said “Sh!” in a warning voice. A subdued impassioned murmur was audible in the room beyond, and Miss Baker leaned forward unashamed, trying to hear. The murmur trembled on the verge of coherence, sank down, mounted excitedly, and then ceased altogether. “This Mr. Gatsby you spoke of is my neighbour—” I began. “Don’t talk. I want to hear what happens.” “Is something happening?” I inquired innocently. “You mean to say you don’t know?” said Miss Baker, honestly surprised. “I thought everybody knew.” “I don’t.” “Why—” she said hesitantly. “Tom’s got some woman in New York.” “Got some woman?” I repeated blankly. Miss Baker nodded. “She might have the decency not to telephone him at dinner time. Don’t you think?” Almost before I had grasped her meaning there was the flutter of a dress and the crunch of leather boots, and Tom and Daisy were back at the table. “It couldn’t be helped!”<\|quote\|>cried Daisy with tense gaiety. She sat down, glanced searchingly at Miss Baker and then at me, and continued:</\|quote\|>“I looked outdoors for a minute, and it’s very romantic outdoors. There’s a bird on the lawn that I think must be a nightingale come over on the Cunard or White Star Line. He’s singing away—” Her voice sang: “It’s romantic, isn’t it, Tom?” “Very romantic,” he said, and then miserably to me: “If it’s light enough after dinner, I want to take you down to the stables.” The telephone rang inside, startlingly, and as Daisy shook her head decisively at Tom the subject of the stables, in fact all subjects, vanished into air. Among the broken fragments of the last five minutes at table I remember the candles being lit again, pointlessly, and I was conscious of wanting to look squarely at everyone, and yet to avoid all eyes. I couldn’t guess what Daisy and Tom were thinking, but I doubt if even Miss Baker, who seemed to have mastered a certain hardy scepticism, was able utterly to put this fifth guest’s shrill metallic urgency out of mind. To a certain temperament the situation might have seemed intriguing—my own instinct was to telephone immediately for the police. The horses, needless to say, were not mentioned again. Tom and Miss Baker, with several feet of twilight between them, strolled back into the library, as if to a vigil beside a perfectly tangible body, while, trying to look pleasantly interested and a little deaf, I followed Daisy around a chain of connecting verandas to the porch in front. In its deep gloom we sat down side by side on a wicker settee. Daisy	The Great Gatsby
"only choose in what manner thou wilt die."	Genie	resolved on," said the genie,<\|quote\|>"only choose in what manner thou wilt die."</\|quote\|>The fisherman, perceiving the genie	own." "No, thy death is resolved on," said the genie,<\|quote\|>"only choose in what manner thou wilt die."</\|quote\|>The fisherman, perceiving the genie to be resolute, was extremely	one that is so ungrateful. I beg you to consider your injustice, and revoke such an unreasonable oath; pardon me, and Heaven will pardon you; if you grant me my life, Heaven will protect you from all attempts against your own." "No, thy death is resolved on," said the genie,<\|quote\|>"only choose in what manner thou wilt die."</\|quote\|>The fisherman, perceiving the genie to be resolute, was extremely grieved, not so much for himself, as on account of his three children, and bewailed the misery they must be reduced to by his death. He endeavoured still to appease the genie, and said, "Alas! be pleased to take pity	delivered me to-day, I give thee that choice." [Illustration] _The smoke ascended to the clouds, and extending itself along the sea and upon the shore formed a great mist._ This discourse afflicted the fisherman extremely: "I am very unfortunate," cried he, "to come hither to do such a kindness to one that is so ungrateful. I beg you to consider your injustice, and revoke such an unreasonable oath; pardon me, and Heaven will pardon you; if you grant me my life, Heaven will protect you from all attempts against your own." "No, thy death is resolved on," said the genie,<\|quote\|>"only choose in what manner thou wilt die."</\|quote\|>The fisherman, perceiving the genie to be resolute, was extremely grieved, not so much for himself, as on account of his three children, and bewailed the misery they must be reduced to by his death. He endeavoured still to appease the genie, and said, "Alas! be pleased to take pity on me, in consideration of the service I have done you." "I have told thee already," replied the genie, "it is for that very reason I must kill thee." "That is strange," said the fisherman, "are you resolved to reward good with evil? The proverb truly says, 'He who does	any one that might set me at liberty; but with no better success. In the third, I promised to make my deliverer a potent monarch, and to grant him every day three requests, of what nature soever they might be; but this century passed as well as the two former, and I continued in prison. At last, being angry to find myself a prisoner so long, I swore that if afterward any one should deliver me, I would kill him without mercy, and grant him no favour but to choose the manner of his death; and, therefore, since thou hast delivered me to-day, I give thee that choice." [Illustration] _The smoke ascended to the clouds, and extending itself along the sea and upon the shore formed a great mist._ This discourse afflicted the fisherman extremely: "I am very unfortunate," cried he, "to come hither to do such a kindness to one that is so ungrateful. I beg you to consider your injustice, and revoke such an unreasonable oath; pardon me, and Heaven will pardon you; if you grant me my life, Heaven will protect you from all attempts against your own." "No, thy death is resolved on," said the genie,<\|quote\|>"only choose in what manner thou wilt die."</\|quote\|>The fisherman, perceiving the genie to be resolute, was extremely grieved, not so much for himself, as on account of his three children, and bewailed the misery they must be reduced to by his death. He endeavoured still to appease the genie, and said, "Alas! be pleased to take pity on me, in consideration of the service I have done you." "I have told thee already," replied the genie, "it is for that very reason I must kill thee." "That is strange," said the fisherman, "are you resolved to reward good with evil? The proverb truly says, 'He who does good to one who deserves it not, is always ill rewarded.'" "Do not lose time," interrupted the genie; "all thy chattering shall not divert me from my purpose; make haste, and tell me what kind of death thou preferrest?" Necessity is the mother of invention. The fisherman bethought himself of a stratagem. "Since I must die then," said he to the genie, "I submit to the will of Heaven; but before I choose the manner of my death, I conjure you, by the great name which was engraven upon the seal of the prophet Solomon, to answer me truly the	one of those rebellious spirits that opposed the will of Solomon, the son of David, and to avenge himself, that monarch sent Asaph, the son of Barakhia, his chief minister, to apprehend me. Asaph seized my person, and brought me by force before his master's throne. " Solomon commanded me to acknowledge his power, and to submit to his commands. I bravely refused, and told him I would rather expose myself to his resentment, than swear fealty as he required. To punish me, he shut me up in this copper vessel; and that I might not break my prison, he himself stamped upon this leaden cover his seal with the great name of God engraven upon it. He then gave the vessel to one of the genies who had submitted, with orders to throw me into the sea. "During the first hundred years of my imprisonment, I swore that if any one should deliver me before the expiration of that period, I would make him rich, even after his death; but that century ran out, and nobody did me the good office. During the second, I made an oath that I would open all the treasures of the earth to any one that might set me at liberty; but with no better success. In the third, I promised to make my deliverer a potent monarch, and to grant him every day three requests, of what nature soever they might be; but this century passed as well as the two former, and I continued in prison. At last, being angry to find myself a prisoner so long, I swore that if afterward any one should deliver me, I would kill him without mercy, and grant him no favour but to choose the manner of his death; and, therefore, since thou hast delivered me to-day, I give thee that choice." [Illustration] _The smoke ascended to the clouds, and extending itself along the sea and upon the shore formed a great mist._ This discourse afflicted the fisherman extremely: "I am very unfortunate," cried he, "to come hither to do such a kindness to one that is so ungrateful. I beg you to consider your injustice, and revoke such an unreasonable oath; pardon me, and Heaven will pardon you; if you grant me my life, Heaven will protect you from all attempts against your own." "No, thy death is resolved on," said the genie,<\|quote\|>"only choose in what manner thou wilt die."</\|quote\|>The fisherman, perceiving the genie to be resolute, was extremely grieved, not so much for himself, as on account of his three children, and bewailed the misery they must be reduced to by his death. He endeavoured still to appease the genie, and said, "Alas! be pleased to take pity on me, in consideration of the service I have done you." "I have told thee already," replied the genie, "it is for that very reason I must kill thee." "That is strange," said the fisherman, "are you resolved to reward good with evil? The proverb truly says, 'He who does good to one who deserves it not, is always ill rewarded.'" "Do not lose time," interrupted the genie; "all thy chattering shall not divert me from my purpose; make haste, and tell me what kind of death thou preferrest?" Necessity is the mother of invention. The fisherman bethought himself of a stratagem. "Since I must die then," said he to the genie, "I submit to the will of Heaven; but before I choose the manner of my death, I conjure you, by the great name which was engraven upon the seal of the prophet Solomon, to answer me truly the question I am going to ask you." The genie finding himself obliged to a positive answer by this adjuration, trembled, and replied to the fisherman: "Ask what thou wilt, but make haste." The genie having thus promised to speak the truth, the fisherman said to him: "I wish to know if you were actually in this vessel: dare you swear it by the name of the great God?" "Yes," replied the genie, "I do swear by His great name that I was." "In good faith," answered the fisherman, "I cannot believe you; the vessel is not capable of holding one of your size, and how should it be possible that your whole body could lie in it?" "I swear to thee, notwithstanding," replied the genie, "that I was there just as you see me here. Is it possible that thou dost not believe me after the solemn oath I have taken?" "Truly not I," said the fisherman; "nor will I believe you, unless you go into the vessel again." Upon this the body of the genie dissolved and changed itself into smoke, extending as before upon the seashore; and at last being collected, it began to re-enter the vessel, which	see if its contents made any noise, but heard nothing. This circumstance, with the impression of the seal upon the cover, made him think it enclosed something precious. To try this, he took a knife and opened it with very little labour. He turned the mouth downward, but nothing came out, which surprised him extremely. He placed it before him, but while he viewed it attentively, there burst forth a very thick smoke, which obliged him to retire two or three paces back. The smoke ascended to the clouds, and, extending itself along the sea and upon the shore, formed a great mist, which filled the fisherman with astonishment. When the smoke was all out of the vessel, it reunited, and became a solid body, of which was formed a genie twice as high as the greatest of giants. At the sight of such a monster the fisherman would fain have fled, but was so frightened that he could not move. "Solomon," cried the genie immediately, "Solomon, the great prophet, pardon, pardon; I will never more oppose your will, I will obey all your commands." The fisherman, when he heard these words of the genie, recovered his courage and said to him: "Thou proud spirit, what is it you say? It is above eighteen hundred years since the prophet Solomon died, and we are now at the end of time. Tell me your history, and how you came to be shut up in this vessel." The genie, turning to the fisherman with a fierce look, said: "Thou must address me with more courtesy; thou art a presumptuous fellow to call me a proud spirit; speak to me more respectfully, or I will kill thee." "Ah!" replied the fisherman, "why should you kill me? Did I not just now set you at liberty, and have you already forgotten my services?" "No, I remember it," said the genie, "but that shall not save thy life: I have only one favour to grant thee." "And what is that?" asked the fisherman. "It is," answered the genie, "to give thee thy choice in what manner thou wouldst have me put thee to death." "But wherein have I offended you?" demanded the fisherman. "Is that your reward for the service I have rendered you?" "I cannot treat thee otherwise," said the genie; "and that thou mayest know the reason, hearken to my story." "I am one of those rebellious spirits that opposed the will of Solomon, the son of David, and to avenge himself, that monarch sent Asaph, the son of Barakhia, his chief minister, to apprehend me. Asaph seized my person, and brought me by force before his master's throne. " Solomon commanded me to acknowledge his power, and to submit to his commands. I bravely refused, and told him I would rather expose myself to his resentment, than swear fealty as he required. To punish me, he shut me up in this copper vessel; and that I might not break my prison, he himself stamped upon this leaden cover his seal with the great name of God engraven upon it. He then gave the vessel to one of the genies who had submitted, with orders to throw me into the sea. "During the first hundred years of my imprisonment, I swore that if any one should deliver me before the expiration of that period, I would make him rich, even after his death; but that century ran out, and nobody did me the good office. During the second, I made an oath that I would open all the treasures of the earth to any one that might set me at liberty; but with no better success. In the third, I promised to make my deliverer a potent monarch, and to grant him every day three requests, of what nature soever they might be; but this century passed as well as the two former, and I continued in prison. At last, being angry to find myself a prisoner so long, I swore that if afterward any one should deliver me, I would kill him without mercy, and grant him no favour but to choose the manner of his death; and, therefore, since thou hast delivered me to-day, I give thee that choice." [Illustration] _The smoke ascended to the clouds, and extending itself along the sea and upon the shore formed a great mist._ This discourse afflicted the fisherman extremely: "I am very unfortunate," cried he, "to come hither to do such a kindness to one that is so ungrateful. I beg you to consider your injustice, and revoke such an unreasonable oath; pardon me, and Heaven will pardon you; if you grant me my life, Heaven will protect you from all attempts against your own." "No, thy death is resolved on," said the genie,<\|quote\|>"only choose in what manner thou wilt die."</\|quote\|>The fisherman, perceiving the genie to be resolute, was extremely grieved, not so much for himself, as on account of his three children, and bewailed the misery they must be reduced to by his death. He endeavoured still to appease the genie, and said, "Alas! be pleased to take pity on me, in consideration of the service I have done you." "I have told thee already," replied the genie, "it is for that very reason I must kill thee." "That is strange," said the fisherman, "are you resolved to reward good with evil? The proverb truly says, 'He who does good to one who deserves it not, is always ill rewarded.'" "Do not lose time," interrupted the genie; "all thy chattering shall not divert me from my purpose; make haste, and tell me what kind of death thou preferrest?" Necessity is the mother of invention. The fisherman bethought himself of a stratagem. "Since I must die then," said he to the genie, "I submit to the will of Heaven; but before I choose the manner of my death, I conjure you, by the great name which was engraven upon the seal of the prophet Solomon, to answer me truly the question I am going to ask you." The genie finding himself obliged to a positive answer by this adjuration, trembled, and replied to the fisherman: "Ask what thou wilt, but make haste." The genie having thus promised to speak the truth, the fisherman said to him: "I wish to know if you were actually in this vessel: dare you swear it by the name of the great God?" "Yes," replied the genie, "I do swear by His great name that I was." "In good faith," answered the fisherman, "I cannot believe you; the vessel is not capable of holding one of your size, and how should it be possible that your whole body could lie in it?" "I swear to thee, notwithstanding," replied the genie, "that I was there just as you see me here. Is it possible that thou dost not believe me after the solemn oath I have taken?" "Truly not I," said the fisherman; "nor will I believe you, unless you go into the vessel again." Upon this the body of the genie dissolved and changed itself into smoke, extending as before upon the seashore; and at last being collected, it began to re-enter the vessel, which it continued to do by a slow and equal motion, till no part remained out; when immediately a voice came forth, which said to the fisherman: "Well, incredulous fellow, dost thou not believe me now?" The fisherman, instead of answering the genie, took the cover of lead, and having speedily replaced it on the vessel, "Genie," cried he, "now it is your turn to beg my favour, and to choose which way I shall put you to death; but it is better that I should throw you into the sea, whence I took you: and then I will build a house upon the shore, where I will reside and give notice to all fishermen who come to throw in their nets, to beware of such a wicked genie as you are, who have made an oath to kill him that shall set you at liberty." The genie, enraged at these expressions, struggled to free himself; but it was impossible, for the impression of Solomon's seal prevented him. Perceiving that the fisherman had the advantage of him, he thought fit to dissemble his anger; "Fisherman," said he, "take heed you do not what you threaten; for what I spoke to you was only by way of jest." "O genie!" replied the fisherman, "thou who wast but a moment ago the greatest of all genies, and now art the least of them, thy crafty discourse will signify nothing, to the sea thou shalt return. If thou hast been there already so long as thou hast told me, thou mayest very well stay there till the day of judgment. I begged of thee, in God's name, not to take away my life, and thou didst reject my prayers; I am obliged to treat thee in the same manner." The genie omitted nothing that he thought likely to prevail with the fisherman: "Open the vessel," said he, "give me my liberty, and I promise to satisfy you to your own content." "Thou art a traitor," replied the fisherman, "I should deserve to lose my life, if I were such a fool as to trust thee." "My good fisherman," replied the genie, "I conjure you once more not to be guilty of such cruelty; consider that it is not good to avenge one's self, and that, on the other hand, it is commendable to do good for evil; do not treat me as Imama formerly	fisherman. "It is," answered the genie, "to give thee thy choice in what manner thou wouldst have me put thee to death." "But wherein have I offended you?" demanded the fisherman. "Is that your reward for the service I have rendered you?" "I cannot treat thee otherwise," said the genie; "and that thou mayest know the reason, hearken to my story." "I am one of those rebellious spirits that opposed the will of Solomon, the son of David, and to avenge himself, that monarch sent Asaph, the son of Barakhia, his chief minister, to apprehend me. Asaph seized my person, and brought me by force before his master's throne. " Solomon commanded me to acknowledge his power, and to submit to his commands. I bravely refused, and told him I would rather expose myself to his resentment, than swear fealty as he required. To punish me, he shut me up in this copper vessel; and that I might not break my prison, he himself stamped upon this leaden cover his seal with the great name of God engraven upon it. He then gave the vessel to one of the genies who had submitted, with orders to throw me into the sea. "During the first hundred years of my imprisonment, I swore that if any one should deliver me before the expiration of that period, I would make him rich, even after his death; but that century ran out, and nobody did me the good office. During the second, I made an oath that I would open all the treasures of the earth to any one that might set me at liberty; but with no better success. In the third, I promised to make my deliverer a potent monarch, and to grant him every day three requests, of what nature soever they might be; but this century passed as well as the two former, and I continued in prison. At last, being angry to find myself a prisoner so long, I swore that if afterward any one should deliver me, I would kill him without mercy, and grant him no favour but to choose the manner of his death; and, therefore, since thou hast delivered me to-day, I give thee that choice." [Illustration] _The smoke ascended to the clouds, and extending itself along the sea and upon the shore formed a great mist._ This discourse afflicted the fisherman extremely: "I am very unfortunate," cried he, "to come hither to do such a kindness to one that is so ungrateful. I beg you to consider your injustice, and revoke such an unreasonable oath; pardon me, and Heaven will pardon you; if you grant me my life, Heaven will protect you from all attempts against your own." "No, thy death is resolved on," said the genie,<\|quote\|>"only choose in what manner thou wilt die."</\|quote\|>The fisherman, perceiving the genie to be resolute, was extremely grieved, not so much for himself, as on account of his three children, and bewailed the misery they must be reduced to by his death. He endeavoured still to appease the genie, and said, "Alas! be pleased to take pity on me, in consideration of the service I have done you." "I have told thee already," replied the genie, "it is for that very reason I must kill thee." "That is strange," said the fisherman, "are you resolved to reward good with evil? The proverb truly says, 'He who does good to one who deserves it not, is always ill rewarded.'" "Do not lose time," interrupted the genie; "all thy chattering shall not divert me from my purpose; make haste, and tell me what kind of death thou preferrest?" Necessity is the mother of invention. The fisherman bethought himself of a stratagem. "Since I must die then," said he to the genie, "I submit to the will of Heaven; but before I choose the manner of my death, I conjure you, by the great name which was engraven upon the seal of the prophet Solomon, to answer me truly the question I am going to ask you." The genie finding himself obliged to a positive answer by this adjuration, trembled, and replied to the fisherman: "Ask what thou wilt, but make haste." The genie having thus promised to speak the truth, the fisherman said to him: "I wish to know	Arabian Nights (2)
"Gaiety. Song-and-dance. Here we go round the mulberry bush."	Eeyore	said Pooh, rubbing his nose.<\|quote\|>"Gaiety. Song-and-dance. Here we go round the mulberry bush."</\|quote\|>"Oh!" said Pooh. He thought	to it." "Can't all _what_?" said Pooh, rubbing his nose.<\|quote\|>"Gaiety. Song-and-dance. Here we go round the mulberry bush."</\|quote\|>"Oh!" said Pooh. He thought for a long time, and	"Good morning, Pooh Bear," said Eeyore gloomily. "If it _is_ a good morning," he said. "Which I doubt," said he. "Why, what's the matter?" "Nothing, Pooh Bear, nothing. We can't all, and some of us don't. That's all there is to it." "Can't all _what_?" said Pooh, rubbing his nose.<\|quote\|>"Gaiety. Song-and-dance. Here we go round the mulberry bush."</\|quote\|>"Oh!" said Pooh. He thought for a long time, and then asked, "What mulberry bush is that?" "Bon-hommy," went on Eeyore gloomily. "French word meaning bonhommy," he explained. "I'm not complaining, but There It Is." Pooh sat down on a large stone, and tried to think this out. It sounded	other side. Then he looked at himself in the water again. "As I thought," he said. "No better from _this_ side. But nobody minds. Nobody cares. Pathetic, that's what it is." There was a crackling noise in the bracken behind him, and out came Pooh. "Good morning, Eeyore," said Pooh. "Good morning, Pooh Bear," said Eeyore gloomily. "If it _is_ a good morning," he said. "Which I doubt," said he. "Why, what's the matter?" "Nothing, Pooh Bear, nothing. We can't all, and some of us don't. That's all there is to it." "Can't all _what_?" said Pooh, rubbing his nose.<\|quote\|>"Gaiety. Song-and-dance. Here we go round the mulberry bush."</\|quote\|>"Oh!" said Pooh. He thought for a long time, and then asked, "What mulberry bush is that?" "Bon-hommy," went on Eeyore gloomily. "French word meaning bonhommy," he explained. "I'm not complaining, but There It Is." Pooh sat down on a large stone, and tried to think this out. It sounded to him like a riddle, and he was never much good at riddles, being a Bear of Very Little Brain. So he sang _Cottleston Pie_ instead: "Cottleston, Cottleston, Cottleston Pie, A fly can't bird, but a bird can fly. Ask me a riddle and I reply: "_Cottleston, Cottleston, Cottleston Pie._""	ashamed of himself that he ran straight off home and went to bed with a headache. But Christopher Robin and Pooh went home to breakfast together. "Oh, Bear!" said Christopher Robin. "How I do love you!" "So do I," said Pooh. CHAPTER VI IN WHICH EEYORE HAS A BIRTHDAY AND GETS TWO PRESENTS Eeyore, the old grey Donkey, stood by the side of the stream, and looked at himself in the water. "Pathetic," he said. "That's what it is. Pathetic." He turned and walked slowly down the stream for twenty yards, splashed across it, and walked slowly back on the other side. Then he looked at himself in the water again. "As I thought," he said. "No better from _this_ side. But nobody minds. Nobody cares. Pathetic, that's what it is." There was a crackling noise in the bracken behind him, and out came Pooh. "Good morning, Eeyore," said Pooh. "Good morning, Pooh Bear," said Eeyore gloomily. "If it _is_ a good morning," he said. "Which I doubt," said he. "Why, what's the matter?" "Nothing, Pooh Bear, nothing. We can't all, and some of us don't. That's all there is to it." "Can't all _what_?" said Pooh, rubbing his nose.<\|quote\|>"Gaiety. Song-and-dance. Here we go round the mulberry bush."</\|quote\|>"Oh!" said Pooh. He thought for a long time, and then asked, "What mulberry bush is that?" "Bon-hommy," went on Eeyore gloomily. "French word meaning bonhommy," he explained. "I'm not complaining, but There It Is." Pooh sat down on a large stone, and tried to think this out. It sounded to him like a riddle, and he was never much good at riddles, being a Bear of Very Little Brain. So he sang _Cottleston Pie_ instead: "Cottleston, Cottleston, Cottleston Pie, A fly can't bird, but a bird can fly. Ask me a riddle and I reply: "_Cottleston, Cottleston, Cottleston Pie._"" That was the first verse. When he had finished it, Eeyore didn't actually say that he didn't like it, so Pooh very kindly sang the second verse to him: "Cottleston, Cottleston, Cottleston Pie, A fish can't whistle and neither can I. Ask me a riddle and I reply: "_Cottleston, Cottleston, Cottleston Pie_."" Eeyore still said nothing at all, so Pooh hummed the third verse quietly to himself: "Cottleston, Cottleston, Cottleston Pie, Why does a chicken, I don't know why. Ask me a riddle and I reply: "_Cottleston, Cottleston, Cottleston Pie_."" "That's right," said Eeyore. "Sing. Umty-tiddly, umty-too. Here we go	Piglet?" said Christopher Robin, who was just getting up. "Heff," said Piglet, breathing so hard that he could hardly speak, "a Heff--a Heff--a Heffalump." "Where?" "Up there," said Piglet, waving his paw. "What did it look like?" "Like--like----It had the biggest head you ever saw, Christopher Robin. A great enormous thing, like--like nothing. A huge big--well, like a--I don't know--like an enormous big nothing. Like a jar." "Well," said Christopher Robin, putting on his shoes, "I shall go and look at it. Come on." Piglet wasn't afraid if he had Christopher Robin with him, so off they went.... "I can hear it, can't you?" said Piglet anxiously, as they got near. "I can hear _something_," said Christopher Robin. It was Pooh bumping his head against a tree-root he had found. "There!" said Piglet. "Isn't it _awful_?" And he held on tight to Christopher Robin's hand. Suddenly Christopher Robin began to laugh ... and he laughed ... and he laughed ... and he laughed. And while he was still laughing--_Crash_ went the Heffalump's head against the tree-root, Smash went the jar, and out came Pooh's head again.... Then Piglet saw what a Foolish Piglet he had been, and he was so ashamed of himself that he ran straight off home and went to bed with a headache. But Christopher Robin and Pooh went home to breakfast together. "Oh, Bear!" said Christopher Robin. "How I do love you!" "So do I," said Pooh. CHAPTER VI IN WHICH EEYORE HAS A BIRTHDAY AND GETS TWO PRESENTS Eeyore, the old grey Donkey, stood by the side of the stream, and looked at himself in the water. "Pathetic," he said. "That's what it is. Pathetic." He turned and walked slowly down the stream for twenty yards, splashed across it, and walked slowly back on the other side. Then he looked at himself in the water again. "As I thought," he said. "No better from _this_ side. But nobody minds. Nobody cares. Pathetic, that's what it is." There was a crackling noise in the bracken behind him, and out came Pooh. "Good morning, Eeyore," said Pooh. "Good morning, Pooh Bear," said Eeyore gloomily. "If it _is_ a good morning," he said. "Which I doubt," said he. "Why, what's the matter?" "Nothing, Pooh Bear, nothing. We can't all, and some of us don't. That's all there is to it." "Can't all _what_?" said Pooh, rubbing his nose.<\|quote\|>"Gaiety. Song-and-dance. Here we go round the mulberry bush."</\|quote\|>"Oh!" said Pooh. He thought for a long time, and then asked, "What mulberry bush is that?" "Bon-hommy," went on Eeyore gloomily. "French word meaning bonhommy," he explained. "I'm not complaining, but There It Is." Pooh sat down on a large stone, and tried to think this out. It sounded to him like a riddle, and he was never much good at riddles, being a Bear of Very Little Brain. So he sang _Cottleston Pie_ instead: "Cottleston, Cottleston, Cottleston Pie, A fly can't bird, but a bird can fly. Ask me a riddle and I reply: "_Cottleston, Cottleston, Cottleston Pie._"" That was the first verse. When he had finished it, Eeyore didn't actually say that he didn't like it, so Pooh very kindly sang the second verse to him: "Cottleston, Cottleston, Cottleston Pie, A fish can't whistle and neither can I. Ask me a riddle and I reply: "_Cottleston, Cottleston, Cottleston Pie_."" Eeyore still said nothing at all, so Pooh hummed the third verse quietly to himself: "Cottleston, Cottleston, Cottleston Pie, Why does a chicken, I don't know why. Ask me a riddle and I reply: "_Cottleston, Cottleston, Cottleston Pie_."" "That's right," said Eeyore. "Sing. Umty-tiddly, umty-too. Here we go gathering Nuts and May. Enjoy yourself." "I am," said Pooh. "Some can," said Eeyore. "Why, what's the matter?" "_Is_ anything the matter?" "You seem so sad, Eeyore." "Sad? Why should I be sad? It's my birthday. The happiest day of the year." "Your birthday?" said Pooh in great surprise. "Of course it is. Can't you see? Look at all the presents I have had." He waved a foot from side to side. "Look at the birthday cake. Candles and pink sugar." Pooh looked--first to the right and then to the left. "Presents?" said Pooh. "Birthday cake?" said Pooh. "_Where?_" "Can't you see them?" "No," said Pooh. "Neither can I," said Eeyore. "Joke," he explained. "Ha ha!" Pooh scratched his head, being a little puzzled by all this. "But is it really your birthday?" he asked. "It is." "Oh! Well, Many happy returns of the day, Eeyore." "And many happy returns to you, Pooh Bear." "But it isn't _my_ birthday." "No, it's mine." "But you said 'Many happy returns'----" "Well, why not? You don't always want to be miserable on my birthday, do you?" "Oh, I see," said Pooh. "It's bad enough," said Eeyore, almost breaking down, "being miserable myself, what	about an hour from now! Of course Pooh would be with him, and it was much more Friendly with two. But suppose Heffalumps were Very Fierce with Pigs _and_ Bears? Wouldn't it be better to pretend that he had a headache, and couldn't go up to the Six Pine Trees this morning? But then suppose that it was a very fine day, and there was no Heffalump in the trap, here he would be, in bed all the morning, simply wasting his time for nothing. What should he do? And then he had a Clever Idea. He would go up very quietly to the Six Pine Trees now, peep very cautiously into the Trap, and see if there _was_ a Heffalump there. And if there was, he would go back to bed, and if there wasn't, he wouldn't. So off he went. At first he thought that there wouldn't be a Heffalump in the Trap, and then he thought that there would, and as he got nearer he was _sure_ that there would, because he could hear it heffalumping about it like anything. "Oh, dear, oh, dear, oh, dear!" said Piglet to himself. And he wanted to run away. But somehow, having got so near, he felt that he must just see what a Heffalump was like. So he crept to the side of the Trap and looked in.... And all the time Winnie-the-Pooh had been trying to get the honey-jar off his head. The more he shook it, the more tightly it stuck. "_Bother!_" he said, inside the jar, and "_Oh, help!_" and, mostly, "_Ow!_" And he tried bumping it against things, but as he couldn't see what he was bumping it against, it didn't help him; and he tried to climb out of the Trap, but as he could see nothing but jar, and not much of that, he couldn't find his way. So at last he lifted up his head, jar and all, and made a loud, roaring noise of Sadness and Despair ... and it was at that moment that Piglet looked down. "Help, help!" cried Piglet, "a Heffalump, a Horrible Heffalump!" and he scampered off as hard as he could, still crying out, "Help, help, a Herrible Hoffalump! Hoff, Hoff, a Hellible Horralump! Holl, Holl, a Hoffable Hellerump!" And he didn't stop crying and scampering until he got to Christopher Robin's house. "Whatever's the matter, Piglet?" said Christopher Robin, who was just getting up. "Heff," said Piglet, breathing so hard that he could hardly speak, "a Heff--a Heff--a Heffalump." "Where?" "Up there," said Piglet, waving his paw. "What did it look like?" "Like--like----It had the biggest head you ever saw, Christopher Robin. A great enormous thing, like--like nothing. A huge big--well, like a--I don't know--like an enormous big nothing. Like a jar." "Well," said Christopher Robin, putting on his shoes, "I shall go and look at it. Come on." Piglet wasn't afraid if he had Christopher Robin with him, so off they went.... "I can hear it, can't you?" said Piglet anxiously, as they got near. "I can hear _something_," said Christopher Robin. It was Pooh bumping his head against a tree-root he had found. "There!" said Piglet. "Isn't it _awful_?" And he held on tight to Christopher Robin's hand. Suddenly Christopher Robin began to laugh ... and he laughed ... and he laughed ... and he laughed. And while he was still laughing--_Crash_ went the Heffalump's head against the tree-root, Smash went the jar, and out came Pooh's head again.... Then Piglet saw what a Foolish Piglet he had been, and he was so ashamed of himself that he ran straight off home and went to bed with a headache. But Christopher Robin and Pooh went home to breakfast together. "Oh, Bear!" said Christopher Robin. "How I do love you!" "So do I," said Pooh. CHAPTER VI IN WHICH EEYORE HAS A BIRTHDAY AND GETS TWO PRESENTS Eeyore, the old grey Donkey, stood by the side of the stream, and looked at himself in the water. "Pathetic," he said. "That's what it is. Pathetic." He turned and walked slowly down the stream for twenty yards, splashed across it, and walked slowly back on the other side. Then he looked at himself in the water again. "As I thought," he said. "No better from _this_ side. But nobody minds. Nobody cares. Pathetic, that's what it is." There was a crackling noise in the bracken behind him, and out came Pooh. "Good morning, Eeyore," said Pooh. "Good morning, Pooh Bear," said Eeyore gloomily. "If it _is_ a good morning," he said. "Which I doubt," said he. "Why, what's the matter?" "Nothing, Pooh Bear, nothing. We can't all, and some of us don't. That's all there is to it." "Can't all _what_?" said Pooh, rubbing his nose.<\|quote\|>"Gaiety. Song-and-dance. Here we go round the mulberry bush."</\|quote\|>"Oh!" said Pooh. He thought for a long time, and then asked, "What mulberry bush is that?" "Bon-hommy," went on Eeyore gloomily. "French word meaning bonhommy," he explained. "I'm not complaining, but There It Is." Pooh sat down on a large stone, and tried to think this out. It sounded to him like a riddle, and he was never much good at riddles, being a Bear of Very Little Brain. So he sang _Cottleston Pie_ instead: "Cottleston, Cottleston, Cottleston Pie, A fly can't bird, but a bird can fly. Ask me a riddle and I reply: "_Cottleston, Cottleston, Cottleston Pie._"" That was the first verse. When he had finished it, Eeyore didn't actually say that he didn't like it, so Pooh very kindly sang the second verse to him: "Cottleston, Cottleston, Cottleston Pie, A fish can't whistle and neither can I. Ask me a riddle and I reply: "_Cottleston, Cottleston, Cottleston Pie_."" Eeyore still said nothing at all, so Pooh hummed the third verse quietly to himself: "Cottleston, Cottleston, Cottleston Pie, Why does a chicken, I don't know why. Ask me a riddle and I reply: "_Cottleston, Cottleston, Cottleston Pie_."" "That's right," said Eeyore. "Sing. Umty-tiddly, umty-too. Here we go gathering Nuts and May. Enjoy yourself." "I am," said Pooh. "Some can," said Eeyore. "Why, what's the matter?" "_Is_ anything the matter?" "You seem so sad, Eeyore." "Sad? Why should I be sad? It's my birthday. The happiest day of the year." "Your birthday?" said Pooh in great surprise. "Of course it is. Can't you see? Look at all the presents I have had." He waved a foot from side to side. "Look at the birthday cake. Candles and pink sugar." Pooh looked--first to the right and then to the left. "Presents?" said Pooh. "Birthday cake?" said Pooh. "_Where?_" "Can't you see them?" "No," said Pooh. "Neither can I," said Eeyore. "Joke," he explained. "Ha ha!" Pooh scratched his head, being a little puzzled by all this. "But is it really your birthday?" he asked. "It is." "Oh! Well, Many happy returns of the day, Eeyore." "And many happy returns to you, Pooh Bear." "But it isn't _my_ birthday." "No, it's mine." "But you said 'Many happy returns'----" "Well, why not? You don't always want to be miserable on my birthday, do you?" "Oh, I see," said Pooh. "It's bad enough," said Eeyore, almost breaking down, "being miserable myself, what with no presents and no cake and no candles, and no proper notice taken of me at all, but if everybody else is going to be miserable too----" This was too much for Pooh. "Stay there!" he called to Eeyore, as he turned and hurried back home as quick as he could; for he felt that he must get poor Eeyore a present of _some_ sort at once, and he could always think of a proper one afterwards. Outside his house he found Piglet, jumping up and down trying to reach the knocker. "Hallo, Piglet," he said. "Hallo, Pooh," said Piglet. "What are _you_ trying to do?" "I was trying to reach the knocker," said Piglet. "I just came round----" "Let me do it for you," said Pooh kindly. So he reached up and knocked at the door. "I have just seen Eeyore," he began, "and poor Eeyore is in a Very Sad Condition, because it's his birthday, and nobody has taken any notice of it, and he's very Gloomy--you know what Eeyore is--and there he was, and----What a long time whoever lives here is answering this door." And he knocked again. "But Pooh," said Piglet, "it's your own house!" "Oh!" said Pooh. "So it is," he said. "Well, let's go in." So in they went. The first thing Pooh did was to go to the cupboard to see if he had quite a small jar of honey left; and he had, so he took it down. "I'm giving this to Eeyore," he explained, "as a present. What are _you_ going to give?" "Couldn't I give it too?" said Piglet. "From both of us?" "No," said Pooh. "That would _not_ be a good plan." "All right, then, I'll give him a balloon. I've got one left from my party. I'll go and get it now, shall I?" "That, Piglet, is a _very_ good idea. It is just what Eeyore wants to cheer him up. Nobody can be uncheered with a balloon." So off Piglet trotted; and in the other direction went Pooh, with his jar of honey. It was a warm day, and he had a long way to go. He hadn't gone more than half-way when a sort of funny feeling began to creep all over him. It began at the tip of his nose and trickled all through him and out at the soles of his feet. It	said, inside the jar, and "_Oh, help!_" and, mostly, "_Ow!_" And he tried bumping it against things, but as he couldn't see what he was bumping it against, it didn't help him; and he tried to climb out of the Trap, but as he could see nothing but jar, and not much of that, he couldn't find his way. So at last he lifted up his head, jar and all, and made a loud, roaring noise of Sadness and Despair ... and it was at that moment that Piglet looked down. "Help, help!" cried Piglet, "a Heffalump, a Horrible Heffalump!" and he scampered off as hard as he could, still crying out, "Help, help, a Herrible Hoffalump! Hoff, Hoff, a Hellible Horralump! Holl, Holl, a Hoffable Hellerump!" And he didn't stop crying and scampering until he got to Christopher Robin's house. "Whatever's the matter, Piglet?" said Christopher Robin, who was just getting up. "Heff," said Piglet, breathing so hard that he could hardly speak, "a Heff--a Heff--a Heffalump." "Where?" "Up there," said Piglet, waving his paw. "What did it look like?" "Like--like----It had the biggest head you ever saw, Christopher Robin. A great enormous thing, like--like nothing. A huge big--well, like a--I don't know--like an enormous big nothing. Like a jar." "Well," said Christopher Robin, putting on his shoes, "I shall go and look at it. Come on." Piglet wasn't afraid if he had Christopher Robin with him, so off they went.... "I can hear it, can't you?" said Piglet anxiously, as they got near. "I can hear _something_," said Christopher Robin. It was Pooh bumping his head against a tree-root he had found. "There!" said Piglet. "Isn't it _awful_?" And he held on tight to Christopher Robin's hand. Suddenly Christopher Robin began to laugh ... and he laughed ... and he laughed ... and he laughed. And while he was still laughing--_Crash_ went the Heffalump's head against the tree-root, Smash went the jar, and out came Pooh's head again.... Then Piglet saw what a Foolish Piglet he had been, and he was so ashamed of himself that he ran straight off home and went to bed with a headache. But Christopher Robin and Pooh went home to breakfast together. "Oh, Bear!" said Christopher Robin. "How I do love you!" "So do I," said Pooh. CHAPTER VI IN WHICH EEYORE HAS A BIRTHDAY AND GETS TWO PRESENTS Eeyore, the old grey Donkey, stood by the side of the stream, and looked at himself in the water. "Pathetic," he said. "That's what it is. Pathetic." He turned and walked slowly down the stream for twenty yards, splashed across it, and walked slowly back on the other side. Then he looked at himself in the water again. "As I thought," he said. "No better from _this_ side. But nobody minds. Nobody cares. Pathetic, that's what it is." There was a crackling noise in the bracken behind him, and out came Pooh. "Good morning, Eeyore," said Pooh. "Good morning, Pooh Bear," said Eeyore gloomily. "If it _is_ a good morning," he said. "Which I doubt," said he. "Why, what's the matter?" "Nothing, Pooh Bear, nothing. We can't all, and some of us don't. That's all there is to it." "Can't all _what_?" said Pooh, rubbing his nose.<\|quote\|>"Gaiety. Song-and-dance. Here we go round the mulberry bush."</\|quote\|>"Oh!" said Pooh. He thought for a long time, and then asked, "What mulberry bush is that?" "Bon-hommy," went on Eeyore gloomily. "French word meaning bonhommy," he explained. "I'm not complaining, but There It Is." Pooh sat down on a large stone, and tried to think this out. It sounded to him like a riddle, and he was never much good at riddles, being a Bear of Very Little Brain. So he sang _Cottleston Pie_ instead: "Cottleston, Cottleston, Cottleston Pie, A fly can't bird, but a bird can fly. Ask me a riddle and I reply: "_Cottleston, Cottleston, Cottleston Pie._"" That was the first verse. When he had finished it, Eeyore didn't actually say that he didn't like it, so Pooh very kindly sang the second verse to him: "Cottleston, Cottleston, Cottleston Pie, A fish can't whistle and neither can I. Ask me a riddle and I reply: "_Cottleston, Cottleston, Cottleston Pie_."" Eeyore still said nothing at all, so Pooh hummed the third verse quietly to himself: "Cottleston, Cottleston, Cottleston Pie, Why does a chicken, I don't know why. Ask me a riddle and I reply: "_Cottleston, Cottleston, Cottleston Pie_."" "That's right," said Eeyore. "Sing. Umty-tiddly, umty-too. Here we go gathering Nuts and May. Enjoy yourself." "I am," said Pooh. "Some can," said Eeyore. "Why, what's the matter?" "_Is_ anything the matter?" "You seem so sad, Eeyore." "Sad? Why should I be sad? It's my birthday. The happiest day of the year." "Your birthday?" said Pooh in great surprise. "Of course it is. Can't you see? Look at all the presents I have had." He waved a foot from side to side. "Look at the birthday cake. Candles and pink sugar." Pooh looked--first to the right and then to the left. "Presents?" said Pooh. "Birthday cake?" said Pooh. "_Where?_" "Can't you see them?" "No," said Pooh. "Neither can I," said Eeyore. "Joke," he explained. "Ha ha!" Pooh scratched his head, being a little puzzled by all this. "But is it really your birthday?" he asked. "It is." "Oh! Well, Many happy returns of the day, Eeyore." "And many happy returns to you, Pooh Bear." "But it isn't _my_ birthday." "No, it's mine." "But you said 'Many happy returns'----" "Well, why not? You don't always want to be miserable on my birthday, do you?" "Oh, I see," said Pooh. "It's bad enough," said Eeyore, almost breaking down, "being miserable myself, what with no presents and no cake and no candles, and no proper notice taken of me at all, but if everybody else is going to be miserable too----" This was too much for Pooh. "Stay there!" he called to Eeyore, as he turned and hurried back home as quick as he could; for he felt that he must get poor Eeyore a present of _some_ sort at once, and he could always think of a proper one afterwards. Outside his house he found Piglet, jumping up and down trying to reach the knocker. "Hallo, Piglet," he said. "Hallo, Pooh," said Piglet. "What are _you_ trying to do?" "I was trying to reach the knocker," said Piglet. "I just came round----" "Let me do it for you," said	Winnie The Pooh
"will you set against your expected promotion?"	Thomas Gradgrind	of money," said Mr. Gradgrind,<\|quote\|>"will you set against your expected promotion?"</\|quote\|>"Thank you, sir," returned Bitzer,	you are aware." "What sum of money," said Mr. Gradgrind,<\|quote\|>"will you set against your expected promotion?"</\|quote\|>"Thank you, sir," returned Bitzer, "for hinting at the proposal;	whole social system is a question of self-interest. What you must always appeal to, is a person's self-interest. It's your only hold. We are so constituted. I was brought up in that catechism when I was very young, sir, as you are aware." "What sum of money," said Mr. Gradgrind,<\|quote\|>"will you set against your expected promotion?"</\|quote\|>"Thank you, sir," returned Bitzer, "for hinting at the proposal; but I will not set any sum against it. Knowing that your clear head would propose that alternative, I have gone over the calculations in my mind; and I find that to compound a felony, even on very high terms	wish to have his situation, sir, for it will be a rise to me, and will do me good." "If this is solely a question of self-interest with you" Mr. Gradgrind began. "I beg your pardon for interrupting you, sir," returned Bitzer; "but I am sure you know that the whole social system is a question of self-interest. What you must always appeal to, is a person's self-interest. It's your only hold. We are so constituted. I was brought up in that catechism when I was very young, sir, as you are aware." "What sum of money," said Mr. Gradgrind,<\|quote\|>"will you set against your expected promotion?"</\|quote\|>"Thank you, sir," returned Bitzer, "for hinting at the proposal; but I will not set any sum against it. Knowing that your clear head would propose that alternative, I have gone over the calculations in my mind; and I find that to compound a felony, even on very high terms indeed, would not be as safe and good for me as my improved prospects in the Bank." "Bitzer," said Mr. Gradgrind, stretching out his hands as though he would have said, See how miserable I am! "Bitzer, I have but one chance left to soften you. You were many years	before that time, for I knew his ways. I have kept my observations to myself, but I have made them; and I have got ample proofs against him now, besides his running away, and besides his own confession, which I was just in time to overhear. I had the pleasure of watching your house yesterday morning, and following you here. I am going to take young Mr. Tom back to Coketown, in order to deliver him over to Mr. Bounderby. Sir, I have no doubt whatever that Mr. Bounderby will then promote me to young Mr. Tom's situation. And I wish to have his situation, sir, for it will be a rise to me, and will do me good." "If this is solely a question of self-interest with you" Mr. Gradgrind began. "I beg your pardon for interrupting you, sir," returned Bitzer; "but I am sure you know that the whole social system is a question of self-interest. What you must always appeal to, is a person's self-interest. It's your only hold. We are so constituted. I was brought up in that catechism when I was very young, sir, as you are aware." "What sum of money," said Mr. Gradgrind,<\|quote\|>"will you set against your expected promotion?"</\|quote\|>"Thank you, sir," returned Bitzer, "for hinting at the proposal; but I will not set any sum against it. Knowing that your clear head would propose that alternative, I have gone over the calculations in my mind; and I find that to compound a felony, even on very high terms indeed, would not be as safe and good for me as my improved prospects in the Bank." "Bitzer," said Mr. Gradgrind, stretching out his hands as though he would have said, See how miserable I am! "Bitzer, I have but one chance left to soften you. You were many years at my school. If, in remembrance of the pains bestowed upon you there, you can persuade yourself in any degree to disregard your present interest and release my son, I entreat and pray you to give him the benefit of that remembrance." "I really wonder, sir," rejoined the old pupil in an argumentative manner, "to find you taking a position so untenable. My schooling was paid for; it was a bargain; and when I came away, the bargain ended." It was a fundamental principle of the Gradgrind philosophy that everything was to be paid for. Nobody was ever on any	the collar, stood in the Ring, blinking at his old patron through the darkness of the twilight. "Bitzer," said Mr. Gradgrind, broken down, and miserably submissive to him, "have you a heart?" "The circulation, sir," returned Bitzer, smiling at the oddity of the question, "couldn't be carried on without one. No man, sir, acquainted with the facts established by Harvey relating to the circulation of the blood, can doubt that I have a heart." "Is it accessible," cried Mr. Gradgrind, "to any compassionate influence?" "It is accessible to Reason, sir," returned the excellent young man. "And to nothing else." They stood looking at each other; Mr. Gradgrind's face as white as the pursuer's. "What motive even what motive in reason can you have for preventing the escape of this wretched youth," said Mr. Gradgrind, "and crushing his miserable father? See his sister here. Pity us!" "Sir," returned Bitzer, in a very business-like and logical manner, "since you ask me what motive I have in reason, for taking young Mr. Tom back to Coketown, it is only reasonable to let you know. I have suspected young Mr. Tom of this bank-robbery from the first. I had had my eye upon him before that time, for I knew his ways. I have kept my observations to myself, but I have made them; and I have got ample proofs against him now, besides his running away, and besides his own confession, which I was just in time to overhear. I had the pleasure of watching your house yesterday morning, and following you here. I am going to take young Mr. Tom back to Coketown, in order to deliver him over to Mr. Bounderby. Sir, I have no doubt whatever that Mr. Bounderby will then promote me to young Mr. Tom's situation. And I wish to have his situation, sir, for it will be a rise to me, and will do me good." "If this is solely a question of self-interest with you" Mr. Gradgrind began. "I beg your pardon for interrupting you, sir," returned Bitzer; "but I am sure you know that the whole social system is a question of self-interest. What you must always appeal to, is a person's self-interest. It's your only hold. We are so constituted. I was brought up in that catechism when I was very young, sir, as you are aware." "What sum of money," said Mr. Gradgrind,<\|quote\|>"will you set against your expected promotion?"</\|quote\|>"Thank you, sir," returned Bitzer, "for hinting at the proposal; but I will not set any sum against it. Knowing that your clear head would propose that alternative, I have gone over the calculations in my mind; and I find that to compound a felony, even on very high terms indeed, would not be as safe and good for me as my improved prospects in the Bank." "Bitzer," said Mr. Gradgrind, stretching out his hands as though he would have said, See how miserable I am! "Bitzer, I have but one chance left to soften you. You were many years at my school. If, in remembrance of the pains bestowed upon you there, you can persuade yourself in any degree to disregard your present interest and release my son, I entreat and pray you to give him the benefit of that remembrance." "I really wonder, sir," rejoined the old pupil in an argumentative manner, "to find you taking a position so untenable. My schooling was paid for; it was a bargain; and when I came away, the bargain ended." It was a fundamental principle of the Gradgrind philosophy that everything was to be paid for. Nobody was ever on any account to give anybody anything, or render anybody help without purchase. Gratitude was to be abolished, and the virtues springing from it were not to be. Every inch of the existence of mankind, from birth to death, was to be a bargain across a counter. And if we didn't get to Heaven that way, it was not a politico-economical place, and we had no business there. "I don't deny," added Bitzer, "that my schooling was cheap. But that comes right, sir. I was made in the cheapest market, and have to dispose of myself in the dearest." He was a little troubled here, by Louisa and Sissy crying. "Pray don't do that," said he, "it's of no use doing that: it only worries. You seem to think that I have some animosity against young Mr. Tom; whereas I have none at all. I am only going, on the reasonable grounds I have mentioned, to take him back to Coketown. If he was to resist, I should set up the cry of Stop thief! But, he won't resist, you may depend upon it." Mr. Sleary, who with his mouth open and his rolling eye as immovably jammed in his head as	retired. "Here is your letter," said Mr. Gradgrind. "All necessary means will be provided for you. Atone, by repentance and better conduct, for the shocking action you have committed, and the dreadful consequences to which it has led. Give me your hand, my poor boy, and may God forgive you as I do!" The culprit was moved to a few abject tears by these words and their pathetic tone. But, when Louisa opened her arms, he repulsed her afresh. "Not you. I don't want to have anything to say to you!" "O Tom, Tom, do we end so, after all my love!" "After all your love!" he returned, obdurately. "Pretty love! Leaving old Bounderby to himself, and packing my best friend Mr. Harthouse off, and going home just when I was in the greatest danger. Pretty love that! Coming out with every word about our having gone to that place, when you saw the net was gathering round me. Pretty love that! You have regularly given me up. You never cared for me." "Tharp'th the word!" said Sleary, at the door. They all confusedly went out: Louisa crying to him that she forgave him, and loved him still, and that he would one day be sorry to have left her so, and glad to think of these her last words, far away: when some one ran against them. Mr. Gradgrind and Sissy, who were both before him while his sister yet clung to his shoulder, stopped and recoiled. For, there was Bitzer, out of breath, his thin lips parted, his thin nostrils distended, his white eyelashes quivering, his colourless face more colourless than ever, as if he ran himself into a white heat, when other people ran themselves into a glow. There he stood, panting and heaving, as if he had never stopped since the night, now long ago, when he had run them down before. "I'm sorry to interfere with your plans," said Bitzer, shaking his head, "but I can't allow myself to be done by horse-riders. I must have young Mr. Tom; he mustn't be got away by horse-riders; here he is in a smock frock, and I must have him!" By the collar, too, it seemed. For, so he took possession of him. CHAPTER VIII PHILOSOPHICAL THEY went back into the booth, Sleary shutting the door to keep intruders out. Bitzer, still holding the paralysed culprit by the collar, stood in the Ring, blinking at his old patron through the darkness of the twilight. "Bitzer," said Mr. Gradgrind, broken down, and miserably submissive to him, "have you a heart?" "The circulation, sir," returned Bitzer, smiling at the oddity of the question, "couldn't be carried on without one. No man, sir, acquainted with the facts established by Harvey relating to the circulation of the blood, can doubt that I have a heart." "Is it accessible," cried Mr. Gradgrind, "to any compassionate influence?" "It is accessible to Reason, sir," returned the excellent young man. "And to nothing else." They stood looking at each other; Mr. Gradgrind's face as white as the pursuer's. "What motive even what motive in reason can you have for preventing the escape of this wretched youth," said Mr. Gradgrind, "and crushing his miserable father? See his sister here. Pity us!" "Sir," returned Bitzer, in a very business-like and logical manner, "since you ask me what motive I have in reason, for taking young Mr. Tom back to Coketown, it is only reasonable to let you know. I have suspected young Mr. Tom of this bank-robbery from the first. I had had my eye upon him before that time, for I knew his ways. I have kept my observations to myself, but I have made them; and I have got ample proofs against him now, besides his running away, and besides his own confession, which I was just in time to overhear. I had the pleasure of watching your house yesterday morning, and following you here. I am going to take young Mr. Tom back to Coketown, in order to deliver him over to Mr. Bounderby. Sir, I have no doubt whatever that Mr. Bounderby will then promote me to young Mr. Tom's situation. And I wish to have his situation, sir, for it will be a rise to me, and will do me good." "If this is solely a question of self-interest with you" Mr. Gradgrind began. "I beg your pardon for interrupting you, sir," returned Bitzer; "but I am sure you know that the whole social system is a question of self-interest. What you must always appeal to, is a person's self-interest. It's your only hold. We are so constituted. I was brought up in that catechism when I was very young, sir, as you are aware." "What sum of money," said Mr. Gradgrind,<\|quote\|>"will you set against your expected promotion?"</\|quote\|>"Thank you, sir," returned Bitzer, "for hinting at the proposal; but I will not set any sum against it. Knowing that your clear head would propose that alternative, I have gone over the calculations in my mind; and I find that to compound a felony, even on very high terms indeed, would not be as safe and good for me as my improved prospects in the Bank." "Bitzer," said Mr. Gradgrind, stretching out his hands as though he would have said, See how miserable I am! "Bitzer, I have but one chance left to soften you. You were many years at my school. If, in remembrance of the pains bestowed upon you there, you can persuade yourself in any degree to disregard your present interest and release my son, I entreat and pray you to give him the benefit of that remembrance." "I really wonder, sir," rejoined the old pupil in an argumentative manner, "to find you taking a position so untenable. My schooling was paid for; it was a bargain; and when I came away, the bargain ended." It was a fundamental principle of the Gradgrind philosophy that everything was to be paid for. Nobody was ever on any account to give anybody anything, or render anybody help without purchase. Gratitude was to be abolished, and the virtues springing from it were not to be. Every inch of the existence of mankind, from birth to death, was to be a bargain across a counter. And if we didn't get to Heaven that way, it was not a politico-economical place, and we had no business there. "I don't deny," added Bitzer, "that my schooling was cheap. But that comes right, sir. I was made in the cheapest market, and have to dispose of myself in the dearest." He was a little troubled here, by Louisa and Sissy crying. "Pray don't do that," said he, "it's of no use doing that: it only worries. You seem to think that I have some animosity against young Mr. Tom; whereas I have none at all. I am only going, on the reasonable grounds I have mentioned, to take him back to Coketown. If he was to resist, I should set up the cry of Stop thief! But, he won't resist, you may depend upon it." Mr. Sleary, who with his mouth open and his rolling eye as immovably jammed in his head as his fixed one, had listened to these doctrines with profound attention, here stepped forward. "Thquire, you know perfectly well, and your daughter knowth perfectly well (better than you, becauthe I thed it to her), that I didn't know what your thon had done, and that I didn't want to know I thed it wath better not, though I only thought, then, it wath thome thkylarking. However, thith young man having made it known to be a robbery of a bank, why, that'h a theriouth thing; muth too theriouth a thing for me to compound, ath thith young man hath very properly called it. Conthequently, Thquire, you muthn't quarrel with me if I take thith young man'th thide, and thay he'th right and there'th no help for it. But I tell you what I'll do, Thquire; I'll drive your thon and thith young man over to the rail, and prevent expothure here. I can't conthent to do more, but I'll do that." Fresh lamentations from Louisa, and deeper affliction on Mr. Gradgrind's part, followed this desertion of them by their last friend. But, Sissy glanced at him with great attention; nor did she in her own breast misunderstand him. As they were all going out again, he favoured her with one slight roll of his movable eye, desiring her to linger behind. As he locked the door, he said excitedly: "The Thquire thtood by you, Thethilia, and I'll thtand by the Thquire. More than that: thith ith a prethiouth rathcal, and belongth to that bluthtering Cove that my people nearly pitht out o' winder. It'll be a dark night; I've got a horthe that'll do anything but thpeak; I've got a pony that'll go fifteen mile an hour with Childerth driving of him; I've got a dog that'll keep a man to one plathe four-and-twenty hourth. Get a word with the young Thquire. Tell him, when he theeth our horthe begin to danthe, not to be afraid of being thpilt, but to look out for a pony-gig coming up. Tell him, when he theeth that gig clothe by, to jump down, and it'll take him off at a rattling pathe. If my dog leth thith young man thtir a peg on foot, I give him leave to go. And if my horthe ever thtirth from that thpot where he beginth a danthing, till the morning I don't know him? Tharp'th the	you ask me what motive I have in reason, for taking young Mr. Tom back to Coketown, it is only reasonable to let you know. I have suspected young Mr. Tom of this bank-robbery from the first. I had had my eye upon him before that time, for I knew his ways. I have kept my observations to myself, but I have made them; and I have got ample proofs against him now, besides his running away, and besides his own confession, which I was just in time to overhear. I had the pleasure of watching your house yesterday morning, and following you here. I am going to take young Mr. Tom back to Coketown, in order to deliver him over to Mr. Bounderby. Sir, I have no doubt whatever that Mr. Bounderby will then promote me to young Mr. Tom's situation. And I wish to have his situation, sir, for it will be a rise to me, and will do me good." "If this is solely a question of self-interest with you" Mr. Gradgrind began. "I beg your pardon for interrupting you, sir," returned Bitzer; "but I am sure you know that the whole social system is a question of self-interest. What you must always appeal to, is a person's self-interest. It's your only hold. We are so constituted. I was brought up in that catechism when I was very young, sir, as you are aware." "What sum of money," said Mr. Gradgrind,<\|quote\|>"will you set against your expected promotion?"</\|quote\|>"Thank you, sir," returned Bitzer, "for hinting at the proposal; but I will not set any sum against it. Knowing that your clear head would propose that alternative, I have gone over the calculations in my mind; and I find that to compound a felony, even on very high terms indeed, would not be as safe and good for me as my improved prospects in the Bank." "Bitzer," said Mr. Gradgrind, stretching out his hands as though he would have said, See how miserable I am! "Bitzer, I have but one chance left to soften you. You were many years at my school. If, in remembrance of the pains bestowed upon you there, you can persuade yourself in any degree to disregard your present interest and release my son, I entreat and pray you to give him the benefit of that remembrance." "I really wonder, sir," rejoined the old pupil in an argumentative manner, "to find you taking a position so untenable. My schooling was paid for; it was a bargain; and when I came away, the bargain ended." It was a fundamental principle of the Gradgrind philosophy that everything was to be paid for. Nobody was ever on any account to give anybody anything, or render anybody help without purchase. Gratitude was to be abolished, and the virtues springing from it were not to be. Every inch of the existence of mankind, from birth to death, was to be a bargain across a counter. And if we didn't get to Heaven that way, it was not a politico-economical place, and we had no business there. "I don't deny," added Bitzer, "that my schooling was cheap. But that comes right, sir. I was made in the cheapest market, and have to dispose of myself in the dearest." He was a little troubled here, by Louisa and Sissy crying. "Pray don't do that," said he, "it's of no use doing that: it only worries. You seem to think that I have some animosity against young Mr. Tom; whereas I have none at all. I am only going, on the reasonable grounds I have mentioned, to take him back to Coketown. If he was to resist, I should set up the cry of Stop thief! But, he won't resist, you may depend upon it." Mr. Sleary, who with his mouth open and his rolling eye as immovably jammed in his head as his fixed one, had listened to these doctrines with profound attention, here stepped forward. "Thquire, you know perfectly well, and your daughter knowth perfectly well (better than you, becauthe I thed it to her), that I didn't know what your thon had done, and that I didn't want to know I thed it wath better not, though I only thought, then, it wath thome thkylarking. However, thith young man having made it known to be a	Hard Times
"You're right for once,"	Bill Sikes	quite ready to be done."<\|quote\|>"You're right for once,"</\|quote\|>replied Sikes gruffly. "It is	my dear, that there's none quite ready to be done."<\|quote\|>"You're right for once,"</\|quote\|>replied Sikes gruffly. "It is a pity, for I'm in	too. Eleven. "An hour this side of midnight," said Sikes, raising the blind to look out and returning to his seat. "Dark and heavy it is too. A good night for business this." "Ah!" replied Fagin. "What a pity, Bill, my dear, that there's none quite ready to be done."<\|quote\|>"You're right for once,"</\|quote\|>replied Sikes gruffly. "It is a pity, for I'm in the humour too." Fagin sighed, and shook his head despondingly. "We must make up for lost time when we've got things into a good train. That's all I know," said Sikes. "That's the way to talk, my dear," replied Fagin,	distant from those in the course of discussion by her companions. It was Sunday night, and the bell of the nearest church struck the hour. Sikes and the Jew were talking, but they paused to listen. The girl looked up from the low seat on which she crouched, and listened too. Eleven. "An hour this side of midnight," said Sikes, raising the blind to look out and returning to his seat. "Dark and heavy it is too. A good night for business this." "Ah!" replied Fagin. "What a pity, Bill, my dear, that there's none quite ready to be done."<\|quote\|>"You're right for once,"</\|quote\|>replied Sikes gruffly. "It is a pity, for I'm in the humour too." Fagin sighed, and shook his head despondingly. "We must make up for lost time when we've got things into a good train. That's all I know," said Sikes. "That's the way to talk, my dear," replied Fagin, venturing to pat him on the shoulder. "It does me good to hear you." "Does you good, does it!" cried Sikes. "Well, so be it." "Ha! ha! ha!" laughed Fagin, as if he were relieved by even this concession. "You're like yourself to-night, Bill. Quite like yourself." "I don't feel	again, and left their traces too. She grew pale and thin, even within a few days. At times, she took no heed of what was passing before her, or no part in conversations where once, she would have been the loudest. At other times, she laughed without merriment, and was noisy without a moment afterwards she sat silent and dejected, brooding with her head upon her hands, while the very effort by which she roused herself, told, more forcibly than even these indications, that she was ill at ease, and that her thoughts were occupied with matters very different and distant from those in the course of discussion by her companions. It was Sunday night, and the bell of the nearest church struck the hour. Sikes and the Jew were talking, but they paused to listen. The girl looked up from the low seat on which she crouched, and listened too. Eleven. "An hour this side of midnight," said Sikes, raising the blind to look out and returning to his seat. "Dark and heavy it is too. A good night for business this." "Ah!" replied Fagin. "What a pity, Bill, my dear, that there's none quite ready to be done."<\|quote\|>"You're right for once,"</\|quote\|>replied Sikes gruffly. "It is a pity, for I'm in the humour too." Fagin sighed, and shook his head despondingly. "We must make up for lost time when we've got things into a good train. That's all I know," said Sikes. "That's the way to talk, my dear," replied Fagin, venturing to pat him on the shoulder. "It does me good to hear you." "Does you good, does it!" cried Sikes. "Well, so be it." "Ha! ha! ha!" laughed Fagin, as if he were relieved by even this concession. "You're like yourself to-night, Bill. Quite like yourself." "I don't feel like myself when you lay that withered old claw on my shoulder, so take it away," said Sikes, casting off the Jew's hand. "It make you nervous, Bill, reminds you of being nabbed, does it?" said Fagin, determined not to be offended. "Reminds me of being nabbed by the devil," returned Sikes. "There never was another man with such a face as yours, unless it was your father, and I suppose _he_ is singeing his grizzled red beard by this time, unless you came straight from the old 'un without any father at all betwixt you; which I shouldn't wonder	schemes were, desperate as were their originators, and bitter as were her feelings towards Fagin, who had led her, step by step, deeper and deeper down into an abyss of crime and misery, whence was no escape; still, there were times when, even towards him, she felt some relenting, lest her disclosure should bring him within the iron grasp he had so long eluded, and he should fall at last richly as he merited such a fate by her hand. But, these were the mere wanderings of a mind unable wholly to detach itself from old companions and associations, though enabled to fix itself steadily on one object, and resolved not to be turned aside by any consideration. Her fears for Sikes would have been more powerful inducements to recoil while there was yet time; but she had stipulated that her secret should be rigidly kept, she had dropped no clue which could lead to his discovery, she had refused, even for his sake, a refuge from all the guilt and wretchedness that encompasses her and what more could she do! She was resolved. Though all her mental struggles terminated in this conclusion, they forced themselves upon her, again and again, and left their traces too. She grew pale and thin, even within a few days. At times, she took no heed of what was passing before her, or no part in conversations where once, she would have been the loudest. At other times, she laughed without merriment, and was noisy without a moment afterwards she sat silent and dejected, brooding with her head upon her hands, while the very effort by which she roused herself, told, more forcibly than even these indications, that she was ill at ease, and that her thoughts were occupied with matters very different and distant from those in the course of discussion by her companions. It was Sunday night, and the bell of the nearest church struck the hour. Sikes and the Jew were talking, but they paused to listen. The girl looked up from the low seat on which she crouched, and listened too. Eleven. "An hour this side of midnight," said Sikes, raising the blind to look out and returning to his seat. "Dark and heavy it is too. A good night for business this." "Ah!" replied Fagin. "What a pity, Bill, my dear, that there's none quite ready to be done."<\|quote\|>"You're right for once,"</\|quote\|>replied Sikes gruffly. "It is a pity, for I'm in the humour too." Fagin sighed, and shook his head despondingly. "We must make up for lost time when we've got things into a good train. That's all I know," said Sikes. "That's the way to talk, my dear," replied Fagin, venturing to pat him on the shoulder. "It does me good to hear you." "Does you good, does it!" cried Sikes. "Well, so be it." "Ha! ha! ha!" laughed Fagin, as if he were relieved by even this concession. "You're like yourself to-night, Bill. Quite like yourself." "I don't feel like myself when you lay that withered old claw on my shoulder, so take it away," said Sikes, casting off the Jew's hand. "It make you nervous, Bill, reminds you of being nabbed, does it?" said Fagin, determined not to be offended. "Reminds me of being nabbed by the devil," returned Sikes. "There never was another man with such a face as yours, unless it was your father, and I suppose _he_ is singeing his grizzled red beard by this time, unless you came straight from the old 'un without any father at all betwixt you; which I shouldn't wonder at, a bit." Fagin offered no reply to this compliment: but, pulling Sikes by the sleeve, pointed his finger towards Nancy, who had taken advantage of the foregoing conversation to put on her bonnet, and was now leaving the room. "Hallo!" cried Sikes. "Nance. Where's the gal going to at this time of night?" "Not far." "What answer's that?" retorted Sikes. "Do you hear me?" "I don't know where," replied the girl. "Then I do," said Sikes, more in the spirit of obstinacy than because he had any real objection to the girl going where she listed. "Nowhere. Sit down." "I'm not well. I told you that before," rejoined the girl. "I want a breath of air." "Put your head out of the winder," replied Sikes. "There's not enough there," said the girl. "I want it in the street." "Then you won't have it," replied Sikes. With which assurance he rose, locked the door, took the key out, and pulling her bonnet from her head, flung it up to the top of an old press. "There," said the robber. "Now stop quietly where you are, will you?" "It's not such a matter as a bonnet would keep me," said the	which, my attorney is a-breakfasting this morning with the Wice President of the House of Commons; but I shall have something to say elsewhere, and so will he, and so will a wery numerous and 'spectable circle of acquaintance as'll make them beaks wish they'd never been born, or that they'd got their footmen to hang 'em up to their own hat-pegs, afore they let 'em come out this morning to try it on upon me. I'll" "There! He's fully committed!" interposed the clerk. "Take him away." "Come on," said the jailer. "Oh ah! I'll come on," replied the Dodger, brushing his hat with the palm of his hand. "Ah! (to the Bench) it's no use your looking frightened; I won't show you no mercy, not a ha'porth of it. _You'll_ pay for this, my fine fellers. I wouldn't be you for something! I wouldn't go free, now, if you was to fall down on your knees and ask me. Here, carry me off to prison! Take me away!" With these last words, the Dodger suffered himself to be led off by the collar; threatening, till he got into the yard, to make a parliamentary business of it; and then grinning in the officer's face, with great glee and self-approval. Having seen him locked up by himself in a little cell, Noah made the best of his way back to where he had left Master Bates. After waiting here some time, he was joined by that young gentleman, who had prudently abstained from showing himself until he had looked carefully abroad from a snug retreat, and ascertained that his new friend had not been followed by any impertinent person. The two hastened back together, to bear to Mr. Fagin the animating news that the Dodger was doing full justice to his bringing-up, and establishing for himself a glorious reputation. CHAPTER XLIV. THE TIME ARRIVES FOR NANCY TO REDEEM HER PLEDGE TO ROSE MAYLIE. SHE FAILS. Adept as she was, in all the arts of cunning and dissimulation, the girl Nancy could not wholly conceal the effect which the knowledge of the step she had taken, wrought upon her mind. She remembered that both the crafty Jew and the brutal Sikes had confided to her schemes, which had been hidden from all others: in the full confidence that she was trustworthy and beyond the reach of their suspicion. Vile as those schemes were, desperate as were their originators, and bitter as were her feelings towards Fagin, who had led her, step by step, deeper and deeper down into an abyss of crime and misery, whence was no escape; still, there were times when, even towards him, she felt some relenting, lest her disclosure should bring him within the iron grasp he had so long eluded, and he should fall at last richly as he merited such a fate by her hand. But, these were the mere wanderings of a mind unable wholly to detach itself from old companions and associations, though enabled to fix itself steadily on one object, and resolved not to be turned aside by any consideration. Her fears for Sikes would have been more powerful inducements to recoil while there was yet time; but she had stipulated that her secret should be rigidly kept, she had dropped no clue which could lead to his discovery, she had refused, even for his sake, a refuge from all the guilt and wretchedness that encompasses her and what more could she do! She was resolved. Though all her mental struggles terminated in this conclusion, they forced themselves upon her, again and again, and left their traces too. She grew pale and thin, even within a few days. At times, she took no heed of what was passing before her, or no part in conversations where once, she would have been the loudest. At other times, she laughed without merriment, and was noisy without a moment afterwards she sat silent and dejected, brooding with her head upon her hands, while the very effort by which she roused herself, told, more forcibly than even these indications, that she was ill at ease, and that her thoughts were occupied with matters very different and distant from those in the course of discussion by her companions. It was Sunday night, and the bell of the nearest church struck the hour. Sikes and the Jew were talking, but they paused to listen. The girl looked up from the low seat on which she crouched, and listened too. Eleven. "An hour this side of midnight," said Sikes, raising the blind to look out and returning to his seat. "Dark and heavy it is too. A good night for business this." "Ah!" replied Fagin. "What a pity, Bill, my dear, that there's none quite ready to be done."<\|quote\|>"You're right for once,"</\|quote\|>replied Sikes gruffly. "It is a pity, for I'm in the humour too." Fagin sighed, and shook his head despondingly. "We must make up for lost time when we've got things into a good train. That's all I know," said Sikes. "That's the way to talk, my dear," replied Fagin, venturing to pat him on the shoulder. "It does me good to hear you." "Does you good, does it!" cried Sikes. "Well, so be it." "Ha! ha! ha!" laughed Fagin, as if he were relieved by even this concession. "You're like yourself to-night, Bill. Quite like yourself." "I don't feel like myself when you lay that withered old claw on my shoulder, so take it away," said Sikes, casting off the Jew's hand. "It make you nervous, Bill, reminds you of being nabbed, does it?" said Fagin, determined not to be offended. "Reminds me of being nabbed by the devil," returned Sikes. "There never was another man with such a face as yours, unless it was your father, and I suppose _he_ is singeing his grizzled red beard by this time, unless you came straight from the old 'un without any father at all betwixt you; which I shouldn't wonder at, a bit." Fagin offered no reply to this compliment: but, pulling Sikes by the sleeve, pointed his finger towards Nancy, who had taken advantage of the foregoing conversation to put on her bonnet, and was now leaving the room. "Hallo!" cried Sikes. "Nance. Where's the gal going to at this time of night?" "Not far." "What answer's that?" retorted Sikes. "Do you hear me?" "I don't know where," replied the girl. "Then I do," said Sikes, more in the spirit of obstinacy than because he had any real objection to the girl going where she listed. "Nowhere. Sit down." "I'm not well. I told you that before," rejoined the girl. "I want a breath of air." "Put your head out of the winder," replied Sikes. "There's not enough there," said the girl. "I want it in the street." "Then you won't have it," replied Sikes. With which assurance he rose, locked the door, took the key out, and pulling her bonnet from her head, flung it up to the top of an old press. "There," said the robber. "Now stop quietly where you are, will you?" "It's not such a matter as a bonnet would keep me," said the girl turning very pale. "What do you mean, Bill? Do you know what you're doing?" "Know what I'm Oh!" cried Sikes, turning to Fagin, "she's out of her senses, you know, or she daren't talk to me in that way." "You'll drive me on the something desperate," muttered the girl placing both hands upon her breast, as though to keep down by force some violent outbreak. "Let me go, will you, this minute this instant." "No!" said Sikes. "Tell him to let me go, Fagin. He had better. It'll be better for him. Do you hear me?" cried Nancy stamping her foot upon the ground. "Hear you!" repeated Sikes turning round in his chair to confront her. "Aye! And if I hear you for half a minute longer, the dog shall have such a grip on your throat as'll tear some of that screaming voice out. Wot has come over you, you jade! Wot is it?" "Let me go," said the girl with great earnestness; then sitting herself down on the floor, before the door, she said, "Bill, let me go; you don't know what you are doing. You don't, indeed. For only one hour do do!" "Cut my limbs off one by one!" cried Sikes, seizing her roughly by the arm, "If I don't think the gal's stark raving mad. Get up." "Not till you let me go not till you let me go Never never!" screamed the girl. Sikes looked on, for a minute, watching his opportunity, and suddenly pinioning her hands dragged her, struggling and wrestling with him by the way, into a small room adjoining, where he sat himself on a bench, and thrusting her into a chair, held her down by force. She struggled and implored by turns until twelve o'clock had struck, and then, wearied and exhausted, ceased to contest the point any further. With a caution, backed by many oaths, to make no more efforts to go out that night, Sikes left her to recover at leisure and rejoined Fagin. "Whew!" said the housebreaker wiping the perspiration from his face. "Wot a precious strange gal that is!" "You may say that, Bill," replied Fagin thoughtfully. "You may say that." "Wot did she take it into her head to go out to-night for, do you think?" asked Sikes. "Come; you should know her better than me. Wot does it mean?" "Obstinacy; woman's obstinacy, I	that she was trustworthy and beyond the reach of their suspicion. Vile as those schemes were, desperate as were their originators, and bitter as were her feelings towards Fagin, who had led her, step by step, deeper and deeper down into an abyss of crime and misery, whence was no escape; still, there were times when, even towards him, she felt some relenting, lest her disclosure should bring him within the iron grasp he had so long eluded, and he should fall at last richly as he merited such a fate by her hand. But, these were the mere wanderings of a mind unable wholly to detach itself from old companions and associations, though enabled to fix itself steadily on one object, and resolved not to be turned aside by any consideration. Her fears for Sikes would have been more powerful inducements to recoil while there was yet time; but she had stipulated that her secret should be rigidly kept, she had dropped no clue which could lead to his discovery, she had refused, even for his sake, a refuge from all the guilt and wretchedness that encompasses her and what more could she do! She was resolved. Though all her mental struggles terminated in this conclusion, they forced themselves upon her, again and again, and left their traces too. She grew pale and thin, even within a few days. At times, she took no heed of what was passing before her, or no part in conversations where once, she would have been the loudest. At other times, she laughed without merriment, and was noisy without a moment afterwards she sat silent and dejected, brooding with her head upon her hands, while the very effort by which she roused herself, told, more forcibly than even these indications, that she was ill at ease, and that her thoughts were occupied with matters very different and distant from those in the course of discussion by her companions. It was Sunday night, and the bell of the nearest church struck the hour. Sikes and the Jew were talking, but they paused to listen. The girl looked up from the low seat on which she crouched, and listened too. Eleven. "An hour this side of midnight," said Sikes, raising the blind to look out and returning to his seat. "Dark and heavy it is too. A good night for business this." "Ah!" replied Fagin. "What a pity, Bill, my dear, that there's none quite ready to be done."<\|quote\|>"You're right for once,"</\|quote\|>replied Sikes gruffly. "It is a pity, for I'm in the humour too." Fagin sighed, and shook his head despondingly. "We must make up for lost time when we've got things into a good train. That's all I know," said Sikes. "That's the way to talk, my dear," replied Fagin, venturing to pat him on the shoulder. "It does me good to hear you." "Does you good, does it!" cried Sikes. "Well, so be it." "Ha! ha! ha!" laughed Fagin, as if he were relieved by even this concession. "You're like yourself to-night, Bill. Quite like yourself." "I don't feel like myself when you lay that withered old claw on my shoulder, so take it away," said Sikes, casting off the Jew's hand. "It make you nervous, Bill, reminds you of being nabbed, does it?" said Fagin, determined not to be offended. "Reminds me of being nabbed by the devil," returned Sikes. "There never was another man with such a face as yours, unless it was your father, and I suppose _he_ is singeing his grizzled red beard by this time, unless you came straight from the old 'un without any father at all betwixt you; which I shouldn't wonder at, a bit." Fagin offered no reply to this compliment: but, pulling Sikes by the sleeve, pointed his finger towards Nancy, who had taken advantage of the foregoing conversation to put on her bonnet, and was now leaving the room. "Hallo!" cried Sikes. "Nance. Where's the gal going to at this time of night?" "Not far." "What answer's that?" retorted Sikes. "Do you hear me?" "I don't know where," replied the girl. "Then I do," said Sikes, more in the spirit of obstinacy than because he had any real objection to the girl going where she listed. "Nowhere. Sit down." "I'm not well. I told you that before," rejoined the girl. "I want a breath of air." "Put your head out of the winder," replied Sikes. "There's not enough there," said the girl. "I want it in the street." "Then you won't have it," replied Sikes. With which assurance he rose, locked the door, took the key out, and pulling her bonnet from her head, flung it up to the top of an old press. "There," said the robber. "Now stop quietly where you are, will you?" "It's not such a matter as a bonnet would keep me," said the girl turning very pale. "What do you mean, Bill? Do you know what you're doing?" "Know what I'm Oh!" cried Sikes, turning to Fagin, "she's out of her senses, you know, or she daren't talk to me in that way." "You'll drive me on the something desperate," muttered the girl placing both hands upon her breast, as though to keep down by force some violent outbreak. "Let me go, will you, this minute this instant." "No!" said Sikes. "Tell him to let me go, Fagin. He had better. It'll be better for him. Do you hear me?" cried Nancy stamping her foot upon the ground. "Hear you!" repeated Sikes turning round in his chair to confront her. "Aye! And if I hear you for half a minute longer, the dog shall have such a grip on your throat as'll tear some of that screaming voice out. Wot has come over you, you jade! Wot is it?" "Let me go," said the girl with great earnestness; then sitting herself down on the floor, before the door, she said, "Bill, let me go; you don't know what you are doing. You don't, indeed. For only one hour do	Oliver Twist
"for those who would have fetched you, if I had not, would have been far more rough than me. I have promised for your being quiet and silent; if you are not, you will only do harm to yourself and me too, and perhaps be my death. See here! I have borne all this for you already, as true as God sees me show it."	Nance	now," continued the girl aloud;<\|quote\|>"for those who would have fetched you, if I had not, would have been far more rough than me. I have promised for your being quiet and silent; if you are not, you will only do harm to yourself and me too, and perhaps be my death. See here! I have borne all this for you already, as true as God sees me show it."</\|quote\|>She pointed, hastily, to some	will again, and I do now," continued the girl aloud;<\|quote\|>"for those who would have fetched you, if I had not, would have been far more rough than me. I have promised for your being quiet and silent; if you are not, you will only do harm to yourself and me too, and perhaps be my death. See here! I have borne all this for you already, as true as God sees me show it."</\|quote\|>She pointed, hastily, to some livid bruises on her neck	of her manner, Oliver looked up in her face with great surprise. She seemed to speak the truth; her countenance was white and agitated; and she trembled with very earnestness. "I have saved you from being ill-used once, and I will again, and I do now," continued the girl aloud;<\|quote\|>"for those who would have fetched you, if I had not, would have been far more rough than me. I have promised for your being quiet and silent; if you are not, you will only do harm to yourself and me too, and perhaps be my death. See here! I have borne all this for you already, as true as God sees me show it."</\|quote\|>She pointed, hastily, to some livid bruises on her neck and arms; and continued, with great rapidity: "Remember this! And don't let me suffer more for you, just now. If I could help you, I would; but I have not the power. They don't mean to harm you; whatever they	him, and pointing to the door as she looked cautiously round. "You can't help yourself. I have tried hard for you, but all to no purpose. You are hedged round and round. If ever you are to get loose from here, this is not the time." Struck by the energy of her manner, Oliver looked up in her face with great surprise. She seemed to speak the truth; her countenance was white and agitated; and she trembled with very earnestness. "I have saved you from being ill-used once, and I will again, and I do now," continued the girl aloud;<\|quote\|>"for those who would have fetched you, if I had not, would have been far more rough than me. I have promised for your being quiet and silent; if you are not, you will only do harm to yourself and me too, and perhaps be my death. See here! I have borne all this for you already, as true as God sees me show it."</\|quote\|>She pointed, hastily, to some livid bruises on her neck and arms; and continued, with great rapidity: "Remember this! And don't let me suffer more for you, just now. If I could help you, I would; but I have not the power. They don't mean to harm you; whatever they make you do, is no fault of yours. Hush! Every word from you is a blow for me. Give me your hand. Make haste! Your hand!" She caught the hand which Oliver instinctively placed in hers, and, blowing out the light, drew him after her up the stairs. The door	state. But, then, the thought darted across his mind that it was barely eleven o'clock; and that many people were still in the streets: of whom surely some might be found to give credence to his tale. As the reflection occured to him, he stepped forward: and said, somewhat hastily, that he was ready. Neither his brief consideration, nor its purport, was lost on his companion. She eyed him narrowly, while he spoke; and cast upon him a look of intelligence which sufficiently showed that she guessed what had been passing in his thoughts. "Hush!" said the girl, stooping over him, and pointing to the door as she looked cautiously round. "You can't help yourself. I have tried hard for you, but all to no purpose. You are hedged round and round. If ever you are to get loose from here, this is not the time." Struck by the energy of her manner, Oliver looked up in her face with great surprise. She seemed to speak the truth; her countenance was white and agitated; and she trembled with very earnestness. "I have saved you from being ill-used once, and I will again, and I do now," continued the girl aloud;<\|quote\|>"for those who would have fetched you, if I had not, would have been far more rough than me. I have promised for your being quiet and silent; if you are not, you will only do harm to yourself and me too, and perhaps be my death. See here! I have borne all this for you already, as true as God sees me show it."</\|quote\|>She pointed, hastily, to some livid bruises on her neck and arms; and continued, with great rapidity: "Remember this! And don't let me suffer more for you, just now. If I could help you, I would; but I have not the power. They don't mean to harm you; whatever they make you do, is no fault of yours. Hush! Every word from you is a blow for me. Give me your hand. Make haste! Your hand!" She caught the hand which Oliver instinctively placed in hers, and, blowing out the light, drew him after her up the stairs. The door was opened, quickly, by some one shrouded in the darkness, and was as quickly closed, when they had passed out. A hackney-cabriolet was in waiting; with the same vehemence which she had exhibited in addressing Oliver, the girl pulled him in with her, and drew the curtains close. The driver wanted no directions, but lashed his horse into full speed, without the delay of an instant. The girl still held Oliver fast by the hand, and continued to pour into his ear, the warnings and assurances she had already imparted. All was so quick and hurried, that he had scarcely	sound, gasped for breath. "Nancy!" cried Oliver, "What is it?" The girl beat her hands upon her knees, and her feet upon the ground; and, suddenly stopping, drew her shawl close round her: and shivered with cold. Oliver stirred the fire. Drawing her chair close to it, she sat there, for a little time, without speaking; but at length she raised her head, and looked round. "I don't know what comes over me sometimes," said she, affecting to busy herself in arranging her dress; "it's this damp dirty room, I think. Now, Nolly, dear, are you ready?" "Am I to go with you?" asked Oliver. "Yes. I have come from Bill," replied the girl. "You are to go with me." "What for?" asked Oliver, recoiling. "What for?" echoed the girl, raising her eyes, and averting them again, the moment they encountered the boy's face. "Oh! For no harm." "I don't believe it," said Oliver: who had watched her closely. "Have it your own way," rejoined the girl, affecting to laugh. "For no good, then." Oliver could see that he had some power over the girl's better feelings, and, for an instant, thought of appealing to her compassion for his helpless state. But, then, the thought darted across his mind that it was barely eleven o'clock; and that many people were still in the streets: of whom surely some might be found to give credence to his tale. As the reflection occured to him, he stepped forward: and said, somewhat hastily, that he was ready. Neither his brief consideration, nor its purport, was lost on his companion. She eyed him narrowly, while he spoke; and cast upon him a look of intelligence which sufficiently showed that she guessed what had been passing in his thoughts. "Hush!" said the girl, stooping over him, and pointing to the door as she looked cautiously round. "You can't help yourself. I have tried hard for you, but all to no purpose. You are hedged round and round. If ever you are to get loose from here, this is not the time." Struck by the energy of her manner, Oliver looked up in her face with great surprise. She seemed to speak the truth; her countenance was white and agitated; and she trembled with very earnestness. "I have saved you from being ill-used once, and I will again, and I do now," continued the girl aloud;<\|quote\|>"for those who would have fetched you, if I had not, would have been far more rough than me. I have promised for your being quiet and silent; if you are not, you will only do harm to yourself and me too, and perhaps be my death. See here! I have borne all this for you already, as true as God sees me show it."</\|quote\|>She pointed, hastily, to some livid bruises on her neck and arms; and continued, with great rapidity: "Remember this! And don't let me suffer more for you, just now. If I could help you, I would; but I have not the power. They don't mean to harm you; whatever they make you do, is no fault of yours. Hush! Every word from you is a blow for me. Give me your hand. Make haste! Your hand!" She caught the hand which Oliver instinctively placed in hers, and, blowing out the light, drew him after her up the stairs. The door was opened, quickly, by some one shrouded in the darkness, and was as quickly closed, when they had passed out. A hackney-cabriolet was in waiting; with the same vehemence which she had exhibited in addressing Oliver, the girl pulled him in with her, and drew the curtains close. The driver wanted no directions, but lashed his horse into full speed, without the delay of an instant. The girl still held Oliver fast by the hand, and continued to pour into his ear, the warnings and assurances she had already imparted. All was so quick and hurried, that he had scarcely time to recollect where he was, or how he came there, when the carriage stopped at the house to which the Jew's steps had been directed on the previous evening. For one brief moment, Oliver cast a hurried glance along the empty street, and a cry for help hung upon his lips. But the girl's voice was in his ear, beseeching him in such tones of agony to remember her, that he had not the heart to utter it. While he hesitated, the opportunity was gone; he was already in the house, and the door was shut. "This way," said the girl, releasing her hold for the first time. "Bill!" "Hallo!" replied Sikes: appearing at the head of the stairs, with a candle. "Oh! That's the time of day. Come on!" This was a very strong expression of approbation, an uncommonly hearty welcome, from a person of Mr. Sikes' temperament. Nancy, appearing much gratified thereby, saluted him cordially. "Bull's-eye's gone home with Tom," observed Sikes, as he lighted them up. "He'd have been in the way." "That's right," rejoined Nancy. "So you've got the kid," said Sikes when they had all reached the room: closing the door as he spoke.	them down, deep as they were, but had yielded them up at last, after many years, and so maddened the murderers with the sight, that in their horror they had confessed their guilt, and yelled for the gibbet to end their agony. Here, too, he read of men who, lying in their beds at dead of night, had been tempted (so they said) and led on, by their own bad thoughts, to such dreadful bloodshed as it made the flesh creep, and the limbs quail, to think of. The terrible descriptions were so real and vivid, that the sallow pages seemed to turn red with gore; and the words upon them, to be sounded in his ears, as if they were whispered, in hollow murmurs, by the spirits of the dead. In a paroxysm of fear, the boy closed the book, and thrust it from him. Then, falling upon his knees, he prayed Heaven to spare him from such deeds; and rather to will that he should die at once, than be reserved for crimes, so fearful and appalling. By degrees, he grew more calm, and besought, in a low and broken voice, that he might be rescued from his present dangers; and that if any aid were to be raised up for a poor outcast boy who had never known the love of friends or kindred, it might come to him now, when, desolate and deserted, he stood alone in the midst of wickedness and guilt. He had concluded his prayer, but still remained with his head buried in his hands, when a rustling noise aroused him. "What's that!" he cried, starting up, and catching sight of a figure standing by the door. "Who's there?" "Me. Only me," replied a tremulous voice. Oliver raised the candle above his head: and looked towards the door. It was Nancy. "Put down the light," said the girl, turning away her head. "It hurts my eyes." Oliver saw that she was very pale, and gently inquired if she were ill. The girl threw herself into a chair, with her back towards him: and wrung her hands; but made no reply. "God forgive me!" she cried after a while, "I never thought of this." "Has anything happened?" asked Oliver. "Can I help you? I will if I can. I will, indeed." She rocked herself to and fro; caught her throat; and, uttering a gurgling sound, gasped for breath. "Nancy!" cried Oliver, "What is it?" The girl beat her hands upon her knees, and her feet upon the ground; and, suddenly stopping, drew her shawl close round her: and shivered with cold. Oliver stirred the fire. Drawing her chair close to it, she sat there, for a little time, without speaking; but at length she raised her head, and looked round. "I don't know what comes over me sometimes," said she, affecting to busy herself in arranging her dress; "it's this damp dirty room, I think. Now, Nolly, dear, are you ready?" "Am I to go with you?" asked Oliver. "Yes. I have come from Bill," replied the girl. "You are to go with me." "What for?" asked Oliver, recoiling. "What for?" echoed the girl, raising her eyes, and averting them again, the moment they encountered the boy's face. "Oh! For no harm." "I don't believe it," said Oliver: who had watched her closely. "Have it your own way," rejoined the girl, affecting to laugh. "For no good, then." Oliver could see that he had some power over the girl's better feelings, and, for an instant, thought of appealing to her compassion for his helpless state. But, then, the thought darted across his mind that it was barely eleven o'clock; and that many people were still in the streets: of whom surely some might be found to give credence to his tale. As the reflection occured to him, he stepped forward: and said, somewhat hastily, that he was ready. Neither his brief consideration, nor its purport, was lost on his companion. She eyed him narrowly, while he spoke; and cast upon him a look of intelligence which sufficiently showed that she guessed what had been passing in his thoughts. "Hush!" said the girl, stooping over him, and pointing to the door as she looked cautiously round. "You can't help yourself. I have tried hard for you, but all to no purpose. You are hedged round and round. If ever you are to get loose from here, this is not the time." Struck by the energy of her manner, Oliver looked up in her face with great surprise. She seemed to speak the truth; her countenance was white and agitated; and she trembled with very earnestness. "I have saved you from being ill-used once, and I will again, and I do now," continued the girl aloud;<\|quote\|>"for those who would have fetched you, if I had not, would have been far more rough than me. I have promised for your being quiet and silent; if you are not, you will only do harm to yourself and me too, and perhaps be my death. See here! I have borne all this for you already, as true as God sees me show it."</\|quote\|>She pointed, hastily, to some livid bruises on her neck and arms; and continued, with great rapidity: "Remember this! And don't let me suffer more for you, just now. If I could help you, I would; but I have not the power. They don't mean to harm you; whatever they make you do, is no fault of yours. Hush! Every word from you is a blow for me. Give me your hand. Make haste! Your hand!" She caught the hand which Oliver instinctively placed in hers, and, blowing out the light, drew him after her up the stairs. The door was opened, quickly, by some one shrouded in the darkness, and was as quickly closed, when they had passed out. A hackney-cabriolet was in waiting; with the same vehemence which she had exhibited in addressing Oliver, the girl pulled him in with her, and drew the curtains close. The driver wanted no directions, but lashed his horse into full speed, without the delay of an instant. The girl still held Oliver fast by the hand, and continued to pour into his ear, the warnings and assurances she had already imparted. All was so quick and hurried, that he had scarcely time to recollect where he was, or how he came there, when the carriage stopped at the house to which the Jew's steps had been directed on the previous evening. For one brief moment, Oliver cast a hurried glance along the empty street, and a cry for help hung upon his lips. But the girl's voice was in his ear, beseeching him in such tones of agony to remember her, that he had not the heart to utter it. While he hesitated, the opportunity was gone; he was already in the house, and the door was shut. "This way," said the girl, releasing her hold for the first time. "Bill!" "Hallo!" replied Sikes: appearing at the head of the stairs, with a candle. "Oh! That's the time of day. Come on!" This was a very strong expression of approbation, an uncommonly hearty welcome, from a person of Mr. Sikes' temperament. Nancy, appearing much gratified thereby, saluted him cordially. "Bull's-eye's gone home with Tom," observed Sikes, as he lighted them up. "He'd have been in the way." "That's right," rejoined Nancy. "So you've got the kid," said Sikes when they had all reached the room: closing the door as he spoke. "Yes, here he is," replied Nancy. "Did he come quiet?" inquired Sikes. "Like a lamb," rejoined Nancy. "I'm glad to hear it," said Sikes, looking grimly at Oliver; "for the sake of his young carcase: as would otherways have suffered for it. Come here, young 'un; and let me read you a lectur', which is as well got over at once." Thus addressing his new pupil, Mr. Sikes pulled off Oliver's cap and threw it into a corner; and then, taking him by the shoulder, sat himself down by the table, and stood the boy in front of him. "Now, first: do you know wot this is?" inquired Sikes, taking up a pocket-pistol which lay on the table. Oliver replied in the affirmative. "Well, then, look here," continued Sikes. "This is powder; that 'ere's a bullet; and this is a little bit of a old hat for waddin'." Oliver murmured his comprehension of the different bodies referred to; and Mr. Sikes proceeded to load the pistol, with great nicety and deliberation. "Now it's loaded," said Mr. Sikes, when he had finished. "Yes, I see it is, sir," replied Oliver. "Well," said the robber, grasping Oliver's wrist, and putting the barrel so close to his temple that they touched; at which moment the boy could not repress a start; "if you speak a word when you're out o'doors with me, except when I speak to you, that loading will be in your head without notice. So, if you _do_ make up your mind to speak without leave, say your prayers first." Having bestowed a scowl upon the object of this warning, to increase its effect, Mr. Sikes continued. "As near as I know, there isn't anybody as would be asking very partickler arter you, if you _was_ disposed of; so I needn't take this devil-and-all of trouble to explain matters to you, if it warn't for your own good. D'ye hear me?" "The short and the long of what you mean," said Nancy: speaking very emphatically, and slightly frowning at Oliver as if to bespeak his serious attention to her words: "is, that if you're crossed by him in this job you have on hand, you'll prevent his ever telling tales afterwards, by shooting him through the head, and will take your chance of swinging for it, as you do for a great many other things in the way of business,	for?" echoed the girl, raising her eyes, and averting them again, the moment they encountered the boy's face. "Oh! For no harm." "I don't believe it," said Oliver: who had watched her closely. "Have it your own way," rejoined the girl, affecting to laugh. "For no good, then." Oliver could see that he had some power over the girl's better feelings, and, for an instant, thought of appealing to her compassion for his helpless state. But, then, the thought darted across his mind that it was barely eleven o'clock; and that many people were still in the streets: of whom surely some might be found to give credence to his tale. As the reflection occured to him, he stepped forward: and said, somewhat hastily, that he was ready. Neither his brief consideration, nor its purport, was lost on his companion. She eyed him narrowly, while he spoke; and cast upon him a look of intelligence which sufficiently showed that she guessed what had been passing in his thoughts. "Hush!" said the girl, stooping over him, and pointing to the door as she looked cautiously round. "You can't help yourself. I have tried hard for you, but all to no purpose. You are hedged round and round. If ever you are to get loose from here, this is not the time." Struck by the energy of her manner, Oliver looked up in her face with great surprise. She seemed to speak the truth; her countenance was white and agitated; and she trembled with very earnestness. "I have saved you from being ill-used once, and I will again, and I do now," continued the girl aloud;<\|quote\|>"for those who would have fetched you, if I had not, would have been far more rough than me. I have promised for your being quiet and silent; if you are not, you will only do harm to yourself and me too, and perhaps be my death. See here! I have borne all this for you already, as true as God sees me show it."</\|quote\|>She pointed, hastily, to some livid bruises on her neck and arms; and continued, with great rapidity: "Remember this! And don't let me suffer more for you, just now. If I could help you, I would; but I have not the power. They don't mean to harm you; whatever they make you do, is no fault of yours. Hush! Every word from you is a blow for me. Give me your hand. Make haste! Your hand!" She caught the hand which Oliver instinctively placed in hers, and, blowing out the light, drew him after her up the stairs. The door was opened, quickly, by some one shrouded in the darkness, and was as quickly closed, when they had passed out. A hackney-cabriolet was in waiting; with the same vehemence which she had exhibited in addressing Oliver, the girl pulled him in with her, and drew the curtains close. The driver wanted no directions, but lashed his horse into full speed, without the delay of an instant. The girl still held Oliver fast by the hand, and continued to pour into his ear, the warnings and assurances she had already imparted. All was so quick and hurried, that he had scarcely time to recollect where he was, or how he came there, when the carriage stopped at the house to which the Jew's steps had been directed on the previous evening. For one brief moment, Oliver cast a hurried glance along the empty street, and a cry for help hung upon his lips. But the girl's voice was in his ear, beseeching him in such tones of agony to remember her, that he had not the heart to utter it. While he hesitated, the opportunity was gone; he was already in the house, and the door was shut. "This way," said the girl, releasing her hold for the first time. "Bill!" "Hallo!" replied Sikes: appearing at the head of the stairs, with a candle. "Oh! That's the time of day. Come on!" This was a very strong expression of approbation, an uncommonly hearty welcome, from a person of Mr. Sikes' temperament. Nancy, appearing much gratified thereby, saluted him cordially. "Bull's-eye's gone home with Tom," observed Sikes, as he lighted them up. "He'd have been in the way." "That's right," rejoined Nancy. "So you've got the kid," said Sikes when they had all reached the room: closing the door as he spoke. "Yes, here he is," replied Nancy. "Did he come quiet?" inquired Sikes. "Like a lamb," rejoined Nancy. "I'm glad to hear it," said Sikes, looking grimly at Oliver; "for the sake of his young carcase: as would otherways have suffered for it. Come here, young 'un; and let me read you a lectur', which is as well got over at once." Thus addressing his new pupil, Mr. Sikes pulled off Oliver's cap and threw it into a corner; and then, taking him by the shoulder, sat himself down by the table, and stood the boy in front of him. "Now, first: do you know wot this is?" inquired Sikes, taking	Oliver Twist
said Pooh.	No speaker	this boot on." "That's bad,"<\|quote\|>said Pooh.</\|quote\|>"Do you think you could	Pooh Bear. I can't get this boot on." "That's bad,"<\|quote\|>said Pooh.</\|quote\|>"Do you think you could very kindly lean against me,	going to happen, and he brushed the honey off his nose with the back of his paw, and spruced himself up as well as he could, so as to look Ready for Anything. "Good-morning, Christopher Robin," he called out. "Hallo, Pooh Bear. I can't get this boot on." "That's bad,"<\|quote\|>said Pooh.</\|quote\|>"Do you think you could very kindly lean against me, 'cos I keep pulling so hard that I fall over backwards." Pooh sat down, dug his feet into the ground, and pushed hard against Christopher Robin's back, and Christopher Robin pushed hard against his, and pulled and pulled at his	"it will be time for the little something, and then the last line won't be true." So he turned it into a hum instead. Christopher Robin was sitting outside his door, putting on his Big Boots. As soon as he saw the Big Boots, Pooh knew that an Adventure was going to happen, and he brushed the honey off his nose with the back of his paw, and spruced himself up as well as he could, so as to look Ready for Anything. "Good-morning, Christopher Robin," he called out. "Hallo, Pooh Bear. I can't get this boot on." "That's bad,"<\|quote\|>said Pooh.</\|quote\|>"Do you think you could very kindly lean against me, 'cos I keep pulling so hard that I fall over backwards." Pooh sat down, dug his feet into the ground, and pushed hard against Christopher Robin's back, and Christopher Robin pushed hard against his, and pulled and pulled at his boot until he had got it on. "And that's that," said Pooh. "What do we do next?" "We are all going on an Expedition," said Christopher Robin, as he got up and brushed himself. "Thank you, Pooh." "Going on an Expotition?" said Pooh eagerly. "I don't think I've ever been	for the life of a Bear! I don't much mind if it rains or snows, 'Cos I've got a lot of honey on my nice new nose, I don't much care if it snows or thaws, 'Cos I've got a lot of honey on my nice clean paws! Sing Ho! for a Bear! Sing Ho! for a Pooh! And I'll have a little something in an hour or two!" He was so pleased with this song that he sang it all the way to the top of the Forest, "and if I go on singing it much longer," he thought, "it will be time for the little something, and then the last line won't be true." So he turned it into a hum instead. Christopher Robin was sitting outside his door, putting on his Big Boots. As soon as he saw the Big Boots, Pooh knew that an Adventure was going to happen, and he brushed the honey off his nose with the back of his paw, and spruced himself up as well as he could, so as to look Ready for Anything. "Good-morning, Christopher Robin," he called out. "Hallo, Pooh Bear. I can't get this boot on." "That's bad,"<\|quote\|>said Pooh.</\|quote\|>"Do you think you could very kindly lean against me, 'cos I keep pulling so hard that I fall over backwards." Pooh sat down, dug his feet into the ground, and pushed hard against Christopher Robin's back, and Christopher Robin pushed hard against his, and pulled and pulled at his boot until he had got it on. "And that's that," said Pooh. "What do we do next?" "We are all going on an Expedition," said Christopher Robin, as he got up and brushed himself. "Thank you, Pooh." "Going on an Expotition?" said Pooh eagerly. "I don't think I've ever been on one of those. Where are we going to on this Expotition?" "Expedition, silly old Bear. It's got an 'x' in it." "Oh!" said Pooh. "I know." But he didn't really. "We're going to discover the North Pole." "Oh!" said Pooh again. "What _is_ the North Pole?" he asked. "It's just a thing you discover," said Christopher Robin carelessly, not being quite sure himself. "Oh! I see," said Pooh. "Are bears any good at discovering it?" "Of course they are. And Rabbit and Kanga and all of you. It's an Expedition. That's what an Expedition means. A long line of	VIII IN WHICH CHRISTOPHER ROBIN LEADS AN EXPOTITION TO THE NORTH POLE One fine day Pooh had stumped up to the top of the Forest to see if his friend Christopher Robin was interested in Bears at all. At breakfast that morning (a simple meal of marmalade spread lightly over a honeycomb or two) he had suddenly thought of a new song. It began like this: "_Sing Ho! for the life of a Bear._" When he had got as far as this, he scratched his head, and thought to himself "That's a very good start for a song, but what about the second line?" He tried singing "Ho," two or three times, but it didn't seem to help. "Perhaps it would be better," he thought, "if I sang Hi for the life of a Bear." So he sang it ... but it wasn't. "Very well, then," he said, "I shall sing that first line twice, and perhaps if I sing it very quickly, I shall find myself singing the third and fourth lines before I have time to think of them, and that will be a Good Song. Now then:" "Sing Ho! for the life of a Bear! Sing Ho! for the life of a Bear! I don't much mind if it rains or snows, 'Cos I've got a lot of honey on my nice new nose, I don't much care if it snows or thaws, 'Cos I've got a lot of honey on my nice clean paws! Sing Ho! for a Bear! Sing Ho! for a Pooh! And I'll have a little something in an hour or two!" He was so pleased with this song that he sang it all the way to the top of the Forest, "and if I go on singing it much longer," he thought, "it will be time for the little something, and then the last line won't be true." So he turned it into a hum instead. Christopher Robin was sitting outside his door, putting on his Big Boots. As soon as he saw the Big Boots, Pooh knew that an Adventure was going to happen, and he brushed the honey off his nose with the back of his paw, and spruced himself up as well as he could, so as to look Ready for Anything. "Good-morning, Christopher Robin," he called out. "Hallo, Pooh Bear. I can't get this boot on." "That's bad,"<\|quote\|>said Pooh.</\|quote\|>"Do you think you could very kindly lean against me, 'cos I keep pulling so hard that I fall over backwards." Pooh sat down, dug his feet into the ground, and pushed hard against Christopher Robin's back, and Christopher Robin pushed hard against his, and pulled and pulled at his boot until he had got it on. "And that's that," said Pooh. "What do we do next?" "We are all going on an Expedition," said Christopher Robin, as he got up and brushed himself. "Thank you, Pooh." "Going on an Expotition?" said Pooh eagerly. "I don't think I've ever been on one of those. Where are we going to on this Expotition?" "Expedition, silly old Bear. It's got an 'x' in it." "Oh!" said Pooh. "I know." But he didn't really. "We're going to discover the North Pole." "Oh!" said Pooh again. "What _is_ the North Pole?" he asked. "It's just a thing you discover," said Christopher Robin carelessly, not being quite sure himself. "Oh! I see," said Pooh. "Are bears any good at discovering it?" "Of course they are. And Rabbit and Kanga and all of you. It's an Expedition. That's what an Expedition means. A long line of everybody. You'd better tell the others to get ready, while I see if my gun's all right. And we must all bring Provisions." "Bring what?" "Things to eat." "Oh!" said Pooh happily. "I thought you said Provisions. I'll go and tell them." And he stumped off. The first person he met was Rabbit. "Hallo, Rabbit," he said, "is that you?" "Let's pretend it isn't," said Rabbit, "and see what happens." "I've got a message for you." "I'll give it to him." "We're all going on an Expotition with Christopher Robin!" "What is it when we're on it?" "A sort of boat, I think," said Pooh. "Oh! that sort." "Yes. And we're going to discover a Pole or something. Or was it a Mole? Anyhow we're going to discover it." "We are, are we?" said Rabbit. "Yes. And we've got to bring Pro--things to eat with us. In case we want to eat them. Now I'm going down to Piglet's. Tell Kanga, will you?" He left Rabbit and hurried down to Piglet's house. The Piglet was sitting on the ground at the door of his house blowing happily at a dandelion, and wondering whether it would be this year, next year,	you grow big and strong, dear. You don't want to grow up small and weak like Piglet, do you? Well, then!" At that moment there was a knock at the door. "Come in," said Kanga, and in came Christopher Robin. "Christopher Robin, Christopher Robin!" cried Piglet. "Tell Kanga who I am! She keeps saying I'm Roo. I'm _not_ Roo, am I?" Christopher Robin looked at him very carefully, and shook his head. "You can't be Roo," he said, "because I've just seen Roo playing in Rabbit's house." "Well!" said Kanga. "Fancy that! Fancy my making a mistake like that." "There you are!" said Piglet. "I told you so. I'm Piglet." Christopher Robin shook his head again. "Oh, you're not Piglet," he said. "I know Piglet well, and he's _quite_ a different colour." Piglet began to say that this was because he had just had a bath, and then he thought that perhaps he wouldn't say that, and as he opened his mouth to say something else, Kanga slipped the medicine spoon in, and then patted him on the back and told him that it was really quite a nice taste when you got used to it. "I knew it wasn't Piglet," said Kanga. "I wonder who it can be." "Perhaps it's some relation of Pooh's," said Christopher Robin. "What about a nephew or an uncle or something?" Kanga agreed that this was probably what it was, and said that they would have to call it by some name. "I shall call it Pootel," said Christopher Robin. "Henry Pootel for short." And just when it was decided, Henry Pootel wriggled out of Kanga's arms and jumped to the ground. To his great joy Christopher Robin had left the door open. Never had Henry Pootel Piglet run so fast as he ran then, and he didn't stop running until he had got quite close to his house. But when he was a hundred yards away he stopped running, and rolled the rest of the way home, so as to get his own nice comfortable colour again.... So Kanga and Roo stayed in the Forest. And every Tuesday Roo spent the day with his great friend Rabbit, and every Tuesday Kanga spent the day with her great friend Pooh, teaching him to jump, and every Tuesday Piglet spent the day with his great friend Christopher Robin. So they were all happy again. CHAPTER VIII IN WHICH CHRISTOPHER ROBIN LEADS AN EXPOTITION TO THE NORTH POLE One fine day Pooh had stumped up to the top of the Forest to see if his friend Christopher Robin was interested in Bears at all. At breakfast that morning (a simple meal of marmalade spread lightly over a honeycomb or two) he had suddenly thought of a new song. It began like this: "_Sing Ho! for the life of a Bear._" When he had got as far as this, he scratched his head, and thought to himself "That's a very good start for a song, but what about the second line?" He tried singing "Ho," two or three times, but it didn't seem to help. "Perhaps it would be better," he thought, "if I sang Hi for the life of a Bear." So he sang it ... but it wasn't. "Very well, then," he said, "I shall sing that first line twice, and perhaps if I sing it very quickly, I shall find myself singing the third and fourth lines before I have time to think of them, and that will be a Good Song. Now then:" "Sing Ho! for the life of a Bear! Sing Ho! for the life of a Bear! I don't much mind if it rains or snows, 'Cos I've got a lot of honey on my nice new nose, I don't much care if it snows or thaws, 'Cos I've got a lot of honey on my nice clean paws! Sing Ho! for a Bear! Sing Ho! for a Pooh! And I'll have a little something in an hour or two!" He was so pleased with this song that he sang it all the way to the top of the Forest, "and if I go on singing it much longer," he thought, "it will be time for the little something, and then the last line won't be true." So he turned it into a hum instead. Christopher Robin was sitting outside his door, putting on his Big Boots. As soon as he saw the Big Boots, Pooh knew that an Adventure was going to happen, and he brushed the honey off his nose with the back of his paw, and spruced himself up as well as he could, so as to look Ready for Anything. "Good-morning, Christopher Robin," he called out. "Hallo, Pooh Bear. I can't get this boot on." "That's bad,"<\|quote\|>said Pooh.</\|quote\|>"Do you think you could very kindly lean against me, 'cos I keep pulling so hard that I fall over backwards." Pooh sat down, dug his feet into the ground, and pushed hard against Christopher Robin's back, and Christopher Robin pushed hard against his, and pulled and pulled at his boot until he had got it on. "And that's that," said Pooh. "What do we do next?" "We are all going on an Expedition," said Christopher Robin, as he got up and brushed himself. "Thank you, Pooh." "Going on an Expotition?" said Pooh eagerly. "I don't think I've ever been on one of those. Where are we going to on this Expotition?" "Expedition, silly old Bear. It's got an 'x' in it." "Oh!" said Pooh. "I know." But he didn't really. "We're going to discover the North Pole." "Oh!" said Pooh again. "What _is_ the North Pole?" he asked. "It's just a thing you discover," said Christopher Robin carelessly, not being quite sure himself. "Oh! I see," said Pooh. "Are bears any good at discovering it?" "Of course they are. And Rabbit and Kanga and all of you. It's an Expedition. That's what an Expedition means. A long line of everybody. You'd better tell the others to get ready, while I see if my gun's all right. And we must all bring Provisions." "Bring what?" "Things to eat." "Oh!" said Pooh happily. "I thought you said Provisions. I'll go and tell them." And he stumped off. The first person he met was Rabbit. "Hallo, Rabbit," he said, "is that you?" "Let's pretend it isn't," said Rabbit, "and see what happens." "I've got a message for you." "I'll give it to him." "We're all going on an Expotition with Christopher Robin!" "What is it when we're on it?" "A sort of boat, I think," said Pooh. "Oh! that sort." "Yes. And we're going to discover a Pole or something. Or was it a Mole? Anyhow we're going to discover it." "We are, are we?" said Rabbit. "Yes. And we've got to bring Pro--things to eat with us. In case we want to eat them. Now I'm going down to Piglet's. Tell Kanga, will you?" He left Rabbit and hurried down to Piglet's house. The Piglet was sitting on the ground at the door of his house blowing happily at a dandelion, and wondering whether it would be this year, next year, sometime or never. He had just discovered that it would be never, and was trying to remember what "_it_" was, and hoping it wasn't anything nice, when Pooh came up. "Oh! Piglet," said Pooh excitedly, "we're going on an Expotition, all of us, with things to eat. To discover something." "To discover what?" said Piglet anxiously. "Oh! just something." "Nothing fierce?" "Christopher Robin didn't say anything about fierce. He just said it had an 'x'." "It isn't their necks I mind," said Piglet earnestly. "It's their teeth. But if Christopher Robin is coming I don't mind anything." In a little while they were all ready at the top of the Forest, and the Expotition started. First came Christopher Robin and Rabbit, then Piglet and Pooh; then Kanga, with Roo in her pocket, and Owl; then Eeyore; and, at the end, in a long line, all Rabbit's friends-and-relations. "I didn't ask them," explained Rabbit carelessly. "They just came. They always do. They can march at the end, after Eeyore." "What I say," said Eeyore, "is that it's unsettling. I didn't want to come on this Expo--what Pooh said. I only came to oblige. But here I am; and if I am the end of the Expo--what we're talking about--then let me _be_ the end. But if, every time I want to sit down for a little rest, I have to brush away half a dozen of Rabbit's smaller friends-and-relations first, then this isn't an Expo--whatever it is--at all, it's simply a Confused Noise. That's what _I_ say." "I see what Eeyore means," said Owl. "If you ask me----" "I'm not asking anybody," said Eeyore. "I'm just telling everybody. We can look for the North Pole, or we can play 'Here we go gathering Nuts and May' with the end part of an ant's nest. It's all the same to me." There was a shout from the top of the line. "Come on!" called Christopher Robin. "Come on!" called Pooh and Piglet "Come on!" called Owl. "We're starting," said Rabbit. "I must go." And he hurried off to the front of the Expotition with Christopher Robin. "All right," said Eeyore. "We're going. Only Don't Blame Me." So off they all went to discover the Pole. And as they walked, they chattered to each other of this and that, all except Pooh, who was making up a song. "This is the first verse,"	his friend Christopher Robin was interested in Bears at all. At breakfast that morning (a simple meal of marmalade spread lightly over a honeycomb or two) he had suddenly thought of a new song. It began like this: "_Sing Ho! for the life of a Bear._" When he had got as far as this, he scratched his head, and thought to himself "That's a very good start for a song, but what about the second line?" He tried singing "Ho," two or three times, but it didn't seem to help. "Perhaps it would be better," he thought, "if I sang Hi for the life of a Bear." So he sang it ... but it wasn't. "Very well, then," he said, "I shall sing that first line twice, and perhaps if I sing it very quickly, I shall find myself singing the third and fourth lines before I have time to think of them, and that will be a Good Song. Now then:" "Sing Ho! for the life of a Bear! Sing Ho! for the life of a Bear! I don't much mind if it rains or snows, 'Cos I've got a lot of honey on my nice new nose, I don't much care if it snows or thaws, 'Cos I've got a lot of honey on my nice clean paws! Sing Ho! for a Bear! Sing Ho! for a Pooh! And I'll have a little something in an hour or two!" He was so pleased with this song that he sang it all the way to the top of the Forest, "and if I go on singing it much longer," he thought, "it will be time for the little something, and then the last line won't be true." So he turned it into a hum instead. Christopher Robin was sitting outside his door, putting on his Big Boots. As soon as he saw the Big Boots, Pooh knew that an Adventure was going to happen, and he brushed the honey off his nose with the back of his paw, and spruced himself up as well as he could, so as to look Ready for Anything. "Good-morning, Christopher Robin," he called out. "Hallo, Pooh Bear. I can't get this boot on." "That's bad,"<\|quote\|>said Pooh.</\|quote\|>"Do you think you could very kindly lean against me, 'cos I keep pulling so hard that I fall over backwards." Pooh sat down, dug his feet into the ground, and pushed hard against Christopher Robin's back, and Christopher Robin pushed hard against his, and pulled and pulled at his boot until he had got it on. "And that's that," said Pooh. "What do we do next?" "We are all going on an Expedition," said Christopher Robin, as he got up and brushed himself. "Thank you, Pooh." "Going on an Expotition?" said Pooh eagerly. "I don't think I've ever been on one of those. Where are we going to on this Expotition?" "Expedition, silly old Bear. It's got an 'x' in it." "Oh!" said Pooh. "I know." But he didn't really. "We're going to discover the North Pole." "Oh!" said Pooh again. "What _is_ the North Pole?" he asked. "It's just a thing you discover," said Christopher Robin carelessly, not being quite sure himself. "Oh! I see," said Pooh. "Are bears any good at discovering it?" "Of course they are. And Rabbit and Kanga and all of you. It's an Expedition. That's what an Expedition means. A long line of everybody. You'd better tell the others to get ready, while I see if my gun's all right. And we must all bring Provisions." "Bring what?" "Things to eat." "Oh!" said Pooh happily. "I thought you said Provisions. I'll go and tell them." And he stumped off. The first person he met was Rabbit. "Hallo, Rabbit," he said, "is that you?" "Let's pretend it isn't," said Rabbit, "and see what happens." "I've got a message for you." "I'll give it to him." "We're all going on an Expotition with Christopher Robin!" "What is it when we're on it?" "A sort of boat, I think," said Pooh. "Oh! that sort." "Yes. And we're going to discover a Pole or something. Or was it a Mole? Anyhow we're going to discover it." "We are, are we?" said Rabbit. "Yes. And we've got to bring Pro--things to eat with us. In case we want to eat them. Now I'm going down to Piglet's. Tell Kanga, will you?"	Winnie The Pooh
"But Bertram saw it all and he at once plunged into the current, exclaiming,"	Anne Shirley	wild, mocking," ?Ha, ha, ha.'<\|quote\|>"But Bertram saw it all and he at once plunged into the current, exclaiming,"</\|quote\|>?I will save thee, my	over the brink with a wild, mocking," ?Ha, ha, ha.'<\|quote\|>"But Bertram saw it all and he at once plunged into the current, exclaiming,"</\|quote\|>?I will save thee, my peerless Geraldine.' "But alas, he	she vowed that she should never marry Bertram. But she pretended to be Geraldine's friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking," ?Ha, ha, ha.'<\|quote\|>"But Bertram saw it all and he at once plunged into the current, exclaiming,"</\|quote\|>?I will save thee, my peerless Geraldine.' "But alas, he had forgotten he couldn't swim, and they were both drowned, clasped in each other's arms. Their bodies were washed ashore soon afterwards. They were buried in the one grave and their funeral was most imposing, Diana. It's so much more	But then, alas, shadows began to darken over their path. Cordelia was secretly in love with Bertram herself and when Geraldine told her about the engagement she was simply furious, especially when she saw the necklace and the diamond ring. All her affection for Geraldine turned to bitter hate and she vowed that she should never marry Bertram. But she pretended to be Geraldine's friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking," ?Ha, ha, ha.'<\|quote\|>"But Bertram saw it all and he at once plunged into the current, exclaiming,"</\|quote\|>?I will save thee, my peerless Geraldine.' "But alas, he had forgotten he couldn't swim, and they were both drowned, clasped in each other's arms. Their bodies were washed ashore soon afterwards. They were buried in the one grave and their funeral was most imposing, Diana. It's so much more romantic to end a story up with a funeral than a wedding. As for Cordelia, she went insane with remorse and was shut up in a lunatic asylum. I thought that was a poetical retribution for her crime." "How perfectly lovely!" sighed Diana, who belonged to Matthew's school of critics.	romantic one, so in the end I had to imagine it out as well as I could. I made it very flowery and poetical and Bertram went on his knees, although Ruby Gillis says it isn't done nowadays. Geraldine accepted him in a speech a page long. I can tell you I took a lot of trouble with that speech. I rewrote it five times and I look upon it as my masterpiece. Bertram gave her a diamond ring and a ruby necklace and told her they would go to Europe for a wedding tour, for he was immensely wealthy. But then, alas, shadows began to darken over their path. Cordelia was secretly in love with Bertram herself and when Geraldine told her about the engagement she was simply furious, especially when she saw the necklace and the diamond ring. All her affection for Geraldine turned to bitter hate and she vowed that she should never marry Bertram. But she pretended to be Geraldine's friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking," ?Ha, ha, ha.'<\|quote\|>"But Bertram saw it all and he at once plunged into the current, exclaiming,"</\|quote\|>?I will save thee, my peerless Geraldine.' "But alas, he had forgotten he couldn't swim, and they were both drowned, clasped in each other's arms. Their bodies were washed ashore soon afterwards. They were buried in the one grave and their funeral was most imposing, Diana. It's so much more romantic to end a story up with a funeral than a wedding. As for Cordelia, she went insane with remorse and was shut up in a lunatic asylum. I thought that was a poetical retribution for her crime." "How perfectly lovely!" sighed Diana, who belonged to Matthew's school of critics. "I don't see how you can make up such thrilling things out of your own head, Anne. I wish my imagination was as good as yours." "It would be if you'd only cultivate it," said Anne cheeringly. "I've just thought of a plan, Diana. Let you and me have a story club all our own and write stories for practice. I'll help you along until you can do them by yourself. You ought to cultivate your imagination, you know. Miss Stacy says so. Only we must take the right way. I told her about the Haunted Wood, but she said	Geraldine?" asked Diana, who was beginning to feel rather interested in their fate. "They grew in beauty side by side until they were sixteen. Then Bertram DeVere came to their native village and fell in love with the fair Geraldine. He saved her life when her horse ran away with her in a carriage, and she fainted in his arms and he carried her home three miles; because, you understand, the carriage was all smashed up. I found it rather hard to imagine the proposal because I had no experience to go by. I asked Ruby Gillis if she knew anything about how men proposed because I thought she'd likely be an authority on the subject, having so many sisters married. Ruby told me she was hid in the hall pantry when Malcolm Andres proposed to her sister Susan. She said Malcolm told Susan that his dad had given him the farm in his own name and then said," ?What do you say, darling pet, if we get hitched this fall?' "And Susan said," ?Yes--no--I don't know--let me see' "--and there they were, engaged as quick as that. But I didn't think that sort of a proposal was a very romantic one, so in the end I had to imagine it out as well as I could. I made it very flowery and poetical and Bertram went on his knees, although Ruby Gillis says it isn't done nowadays. Geraldine accepted him in a speech a page long. I can tell you I took a lot of trouble with that speech. I rewrote it five times and I look upon it as my masterpiece. Bertram gave her a diamond ring and a ruby necklace and told her they would go to Europe for a wedding tour, for he was immensely wealthy. But then, alas, shadows began to darken over their path. Cordelia was secretly in love with Bertram herself and when Geraldine told her about the engagement she was simply furious, especially when she saw the necklace and the diamond ring. All her affection for Geraldine turned to bitter hate and she vowed that she should never marry Bertram. But she pretended to be Geraldine's friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking," ?Ha, ha, ha.'<\|quote\|>"But Bertram saw it all and he at once plunged into the current, exclaiming,"</\|quote\|>?I will save thee, my peerless Geraldine.' "But alas, he had forgotten he couldn't swim, and they were both drowned, clasped in each other's arms. Their bodies were washed ashore soon afterwards. They were buried in the one grave and their funeral was most imposing, Diana. It's so much more romantic to end a story up with a funeral than a wedding. As for Cordelia, she went insane with remorse and was shut up in a lunatic asylum. I thought that was a poetical retribution for her crime." "How perfectly lovely!" sighed Diana, who belonged to Matthew's school of critics. "I don't see how you can make up such thrilling things out of your own head, Anne. I wish my imagination was as good as yours." "It would be if you'd only cultivate it," said Anne cheeringly. "I've just thought of a plan, Diana. Let you and me have a story club all our own and write stories for practice. I'll help you along until you can do them by yourself. You ought to cultivate your imagination, you know. Miss Stacy says so. Only we must take the right way. I told her about the Haunted Wood, but she said we went the wrong way about it in that." This was how the story club came into existence. It was limited to Diana and Anne at first, but soon it was extended to include Jane Andrews and Ruby Gillis and one or two others who felt that their imaginations needed cultivating. No boys were allowed in it--although Ruby Gillis opined that their admission would make it more exciting--and each member had to produce one story a week. "It's extremely interesting," Anne told Marilla. "Each girl has to read her story out loud and then we talk it over. We are going to keep them all sacredly and have them to read to our descendants. We each write under a nom-de-plume. Mine is Rosamond Montmorency. All the girls do pretty well. Ruby Gillis is rather sentimental. She puts too much lovemaking into her stories and you know too much is worse than too little. Jane never puts any because she says it makes her feel so silly when she had to read it out loud. Jane's stories are extremely sensible. Then Diana puts too many murders into hers. She says most of the time she doesn't know what to do with	up, but I think that's ridiculous. I shall wait until I'm seventeen." "If I had Alice Bell's crooked nose," said Anne decidedly, "I wouldn't--but there! I won't say what I was going to because it was extremely uncharitable. Besides, I was comparing it with my own nose and that's vanity. I'm afraid I think too much about my nose ever since I heard that compliment about it long ago. It really is a great comfort to me. Oh, Diana, look, there's a rabbit. That's something to remember for our woods composition. I really think the woods are just as lovely in winter as in summer. They're so white and still, as if they were asleep and dreaming pretty dreams." "I won't mind writing that composition when its time comes," sighed Diana. "I can manage to write about the woods, but the one we're to hand in Monday is terrible. The idea of Miss Stacy telling us to write a story out of our own heads!" "Why, it's as easy as wink," said Anne. "It's easy for you because you have an imagination," retorted Diana, "but what would you do if you had been born without one? I suppose you have your composition all done?" Anne nodded, trying hard not to look virtuously complacent and failing miserably. "I wrote it last Monday evening. It's called ?The Jealous Rival; or In Death Not Divided.' I read it to Marilla and she said it was stuff and nonsense. Then I read it to Matthew and he said it was fine. That is the kind of critic I like. It's a sad, sweet story. I just cried like a child while I was writing it. It's about two beautiful maidens called Cordelia Montmorency and Geraldine Seymour who lived in the same village and were devotedly attached to each other. Cordelia was a regal brunette with a coronet of midnight hair and duskly flashing eyes. Geraldine was a queenly blonde with hair like spun gold and velvety purple eyes." "I never saw anybody with purple eyes," said Diana dubiously. "Neither did I. I just imagined them. I wanted something out of the common. Geraldine had an alabaster brow too. I've found out what an alabaster brow is. That is one of the advantages of being thirteen. You know so much more than you did when you were only twelve." "Well, what became of Cordelia and Geraldine?" asked Diana, who was beginning to feel rather interested in their fate. "They grew in beauty side by side until they were sixteen. Then Bertram DeVere came to their native village and fell in love with the fair Geraldine. He saved her life when her horse ran away with her in a carriage, and she fainted in his arms and he carried her home three miles; because, you understand, the carriage was all smashed up. I found it rather hard to imagine the proposal because I had no experience to go by. I asked Ruby Gillis if she knew anything about how men proposed because I thought she'd likely be an authority on the subject, having so many sisters married. Ruby told me she was hid in the hall pantry when Malcolm Andres proposed to her sister Susan. She said Malcolm told Susan that his dad had given him the farm in his own name and then said," ?What do you say, darling pet, if we get hitched this fall?' "And Susan said," ?Yes--no--I don't know--let me see' "--and there they were, engaged as quick as that. But I didn't think that sort of a proposal was a very romantic one, so in the end I had to imagine it out as well as I could. I made it very flowery and poetical and Bertram went on his knees, although Ruby Gillis says it isn't done nowadays. Geraldine accepted him in a speech a page long. I can tell you I took a lot of trouble with that speech. I rewrote it five times and I look upon it as my masterpiece. Bertram gave her a diamond ring and a ruby necklace and told her they would go to Europe for a wedding tour, for he was immensely wealthy. But then, alas, shadows began to darken over their path. Cordelia was secretly in love with Bertram herself and when Geraldine told her about the engagement she was simply furious, especially when she saw the necklace and the diamond ring. All her affection for Geraldine turned to bitter hate and she vowed that she should never marry Bertram. But she pretended to be Geraldine's friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking," ?Ha, ha, ha.'<\|quote\|>"But Bertram saw it all and he at once plunged into the current, exclaiming,"</\|quote\|>?I will save thee, my peerless Geraldine.' "But alas, he had forgotten he couldn't swim, and they were both drowned, clasped in each other's arms. Their bodies were washed ashore soon afterwards. They were buried in the one grave and their funeral was most imposing, Diana. It's so much more romantic to end a story up with a funeral than a wedding. As for Cordelia, she went insane with remorse and was shut up in a lunatic asylum. I thought that was a poetical retribution for her crime." "How perfectly lovely!" sighed Diana, who belonged to Matthew's school of critics. "I don't see how you can make up such thrilling things out of your own head, Anne. I wish my imagination was as good as yours." "It would be if you'd only cultivate it," said Anne cheeringly. "I've just thought of a plan, Diana. Let you and me have a story club all our own and write stories for practice. I'll help you along until you can do them by yourself. You ought to cultivate your imagination, you know. Miss Stacy says so. Only we must take the right way. I told her about the Haunted Wood, but she said we went the wrong way about it in that." This was how the story club came into existence. It was limited to Diana and Anne at first, but soon it was extended to include Jane Andrews and Ruby Gillis and one or two others who felt that their imaginations needed cultivating. No boys were allowed in it--although Ruby Gillis opined that their admission would make it more exciting--and each member had to produce one story a week. "It's extremely interesting," Anne told Marilla. "Each girl has to read her story out loud and then we talk it over. We are going to keep them all sacredly and have them to read to our descendants. We each write under a nom-de-plume. Mine is Rosamond Montmorency. All the girls do pretty well. Ruby Gillis is rather sentimental. She puts too much lovemaking into her stories and you know too much is worse than too little. Jane never puts any because she says it makes her feel so silly when she had to read it out loud. Jane's stories are extremely sensible. Then Diana puts too many murders into hers. She says most of the time she doesn't know what to do with the people so she kills them off to get rid of them. I mostly always have to tell them what to write about, but that isn't hard for I've millions of ideas." "I think this story-writing business is the foolishest yet," scoffed Marilla. "You'll get a pack of nonsense into your heads and waste time that should be put on your lessons. Reading stories is bad enough but writing them is worse." "But we're so careful to put a moral into them all, Marilla," explained Anne. "I insist upon that. All the good people are rewarded and all the bad ones are suitably punished. I'm sure that must have a wholesome effect. The moral is the great thing. Mr. Allan says so. I read one of my stories to him and Mrs. Allan and they both agreed that the moral was excellent. Only they laughed in the wrong places. I like it better when people cry. Jane and Ruby almost always cry when I come to the pathetic parts. Diana wrote her Aunt Josephine about our club and her Aunt Josephine wrote back that we were to send her some of our stories. So we copied out four of our very best and sent them. Miss Josephine Barry wrote back that she had never read anything so amusing in her life. That kind of puzzled us because the stories were all very pathetic and almost everybody died. But I'm glad Miss Barry liked them. It shows our club is doing some good in the world. Mrs. Allan says that ought to be our object in everything. I do really try to make it my object but I forget so often when I'm having fun. I hope I shall be a little like Mrs. Allan when I grow up. Do you think there is any prospect of it, Marilla?" "I shouldn't say there was a great deal" was Marilla's encouraging answer. "I'm sure Mrs. Allan was never such a silly, forgetful little girl as you are." "No; but she wasn't always so good as she is now either," said Anne seriously. "She told me so herself--that is, she said she was a dreadful mischief when she was a girl and was always getting into scrapes. I felt so encouraged when I heard that. Is it very wicked of me, Marilla, to feel encouraged when I hear that other people have been	I wanted something out of the common. Geraldine had an alabaster brow too. I've found out what an alabaster brow is. That is one of the advantages of being thirteen. You know so much more than you did when you were only twelve." "Well, what became of Cordelia and Geraldine?" asked Diana, who was beginning to feel rather interested in their fate. "They grew in beauty side by side until they were sixteen. Then Bertram DeVere came to their native village and fell in love with the fair Geraldine. He saved her life when her horse ran away with her in a carriage, and she fainted in his arms and he carried her home three miles; because, you understand, the carriage was all smashed up. I found it rather hard to imagine the proposal because I had no experience to go by. I asked Ruby Gillis if she knew anything about how men proposed because I thought she'd likely be an authority on the subject, having so many sisters married. Ruby told me she was hid in the hall pantry when Malcolm Andres proposed to her sister Susan. She said Malcolm told Susan that his dad had given him the farm in his own name and then said," ?What do you say, darling pet, if we get hitched this fall?' "And Susan said," ?Yes--no--I don't know--let me see' "--and there they were, engaged as quick as that. But I didn't think that sort of a proposal was a very romantic one, so in the end I had to imagine it out as well as I could. I made it very flowery and poetical and Bertram went on his knees, although Ruby Gillis says it isn't done nowadays. Geraldine accepted him in a speech a page long. I can tell you I took a lot of trouble with that speech. I rewrote it five times and I look upon it as my masterpiece. Bertram gave her a diamond ring and a ruby necklace and told her they would go to Europe for a wedding tour, for he was immensely wealthy. But then, alas, shadows began to darken over their path. Cordelia was secretly in love with Bertram herself and when Geraldine told her about the engagement she was simply furious, especially when she saw the necklace and the diamond ring. All her affection for Geraldine turned to bitter hate and she vowed that she should never marry Bertram. But she pretended to be Geraldine's friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking," ?Ha, ha, ha.'<\|quote\|>"But Bertram saw it all and he at once plunged into the current, exclaiming,"</\|quote\|>?I will save thee, my peerless Geraldine.' "But alas, he had forgotten he couldn't swim, and they were both drowned, clasped in each other's arms. Their bodies were washed ashore soon afterwards. They were buried in the one grave and their funeral was most imposing, Diana. It's so much more romantic to end a story up with a funeral than a wedding. As for Cordelia, she went insane with remorse and was shut up in a lunatic asylum. I thought that was a poetical retribution for her crime." "How perfectly lovely!" sighed Diana, who belonged to Matthew's school of critics. "I don't see how you can make up such thrilling things out of your own head, Anne. I wish my imagination was as good as yours." "It would be if you'd only cultivate it," said Anne cheeringly. "I've just thought of a plan, Diana. Let you and me have a story club all our own and write stories for practice. I'll help you along until you can do them by yourself. You ought to cultivate your imagination, you know. Miss Stacy says so. Only we must take the right way. I told her about the Haunted Wood, but she said we went the wrong way about it in that." This was how the story club came into existence. It was limited to Diana and Anne at first, but soon it was extended to include Jane Andrews and Ruby Gillis and one or two others who felt that their imaginations needed cultivating. No boys were allowed in it--although Ruby Gillis opined that their admission would make it more exciting--and each member had to produce one story a week. "It's extremely interesting," Anne told Marilla. "Each girl has to read her story out loud and then we talk it over. We are going to keep them all sacredly and have them to read to our descendants. We each write under a nom-de-plume. Mine is Rosamond Montmorency. All the girls do pretty well. Ruby Gillis is rather sentimental. She puts too much lovemaking into her stories and you know too much is worse than too little. Jane never puts any because she says it makes her feel so silly when she had to read it out loud. Jane's stories are extremely sensible. Then Diana puts too many murders into hers. She says most of the time she doesn't know what to do with the people so she kills them off to get rid of them. I mostly always have to tell them what to write about, but that isn't hard for I've millions of ideas." "I think this story-writing business is the foolishest yet," scoffed Marilla. "You'll get a pack of nonsense into your heads and waste time that should be put on your lessons. Reading stories is bad enough but writing them is worse." "But we're so careful to put a moral into them all, Marilla," explained Anne. "I insist upon that. All the good people are rewarded and all the bad ones are suitably punished. I'm sure that must have a wholesome effect. The moral is the great thing. Mr. Allan says so. I read one of my stories to him and Mrs. Allan and they both agreed that the moral was excellent. Only they laughed in the wrong places. I like it better when people cry. Jane and Ruby almost always cry when I come to the pathetic parts. Diana wrote her Aunt Josephine about our club and her Aunt Josephine wrote back	Anne Of Green Gables
"If you try to look at it, Basil, on my word of honour I will never speak to you again as long as I live. I am quite serious. I don t offer any explanation, and you are not to ask for any. But, remember, if you touch this screen, everything is over between us."	Dorian Gray	at it?" exclaimed Hallward, laughing.<\|quote\|>"If you try to look at it, Basil, on my word of honour I will never speak to you again as long as I live. I am quite serious. I don t offer any explanation, and you are not to ask for any. But, remember, if you touch this screen, everything is over between us."</\|quote\|>Hallward was thunderstruck. He looked	Why shouldn t I look at it?" exclaimed Hallward, laughing.<\|quote\|>"If you try to look at it, Basil, on my word of honour I will never speak to you again as long as I live. I am quite serious. I don t offer any explanation, and you are not to ask for any. But, remember, if you touch this screen, everything is over between us."</\|quote\|>Hallward was thunderstruck. He looked at Dorian Gray in absolute	Gray s lips, and he rushed between the painter and the screen. "Basil," he said, looking very pale, "you must not look at it. I don t wish you to." "Not look at my own work! You are not serious. Why shouldn t I look at it?" exclaimed Hallward, laughing.<\|quote\|>"If you try to look at it, Basil, on my word of honour I will never speak to you again as long as I live. I am quite serious. I don t offer any explanation, and you are not to ask for any. But, remember, if you touch this screen, everything is over between us."</\|quote\|>Hallward was thunderstruck. He looked at Dorian Gray in absolute amazement. He had never seen him like this before. The lad was actually pallid with rage. His hands were clenched, and the pupils of his eyes were like disks of blue fire. He was trembling all over. "Dorian!" "Don t	that is all. No; I did it myself. The light was too strong on the portrait." "Too strong! Surely not, my dear fellow? It is an admirable place for it. Let me see it." And Hallward walked towards the corner of the room. A cry of terror broke from Dorian Gray s lips, and he rushed between the painter and the screen. "Basil," he said, looking very pale, "you must not look at it. I don t wish you to." "Not look at my own work! You are not serious. Why shouldn t I look at it?" exclaimed Hallward, laughing.<\|quote\|>"If you try to look at it, Basil, on my word of honour I will never speak to you again as long as I live. I am quite serious. I don t offer any explanation, and you are not to ask for any. But, remember, if you touch this screen, everything is over between us."</\|quote\|>Hallward was thunderstruck. He looked at Dorian Gray in absolute amazement. He had never seen him like this before. The lad was actually pallid with rage. His hands were clenched, and the pupils of his eyes were like disks of blue fire. He was trembling all over. "Dorian!" "Don t speak!" "But what is the matter? Of course I won t look at it if you don t want me to," he said, rather coldly, turning on his heel and going over towards the window. "But, really, it seems rather absurd that I shouldn t see my own work, especially	nonsense!" he cried. "Do you mean to say you don t like what I did of you? Where is it? Why have you pulled the screen in front of it? Let me look at it. It is the best thing I have ever done. Do take the screen away, Dorian. It is simply disgraceful of your servant hiding my work like that. I felt the room looked different as I came in." "My servant has nothing to do with it, Basil. You don t imagine I let him arrange my room for me? He settles my flowers for me sometimes that is all. No; I did it myself. The light was too strong on the portrait." "Too strong! Surely not, my dear fellow? It is an admirable place for it. Let me see it." And Hallward walked towards the corner of the room. A cry of terror broke from Dorian Gray s lips, and he rushed between the painter and the screen. "Basil," he said, looking very pale, "you must not look at it. I don t wish you to." "Not look at my own work! You are not serious. Why shouldn t I look at it?" exclaimed Hallward, laughing.<\|quote\|>"If you try to look at it, Basil, on my word of honour I will never speak to you again as long as I live. I am quite serious. I don t offer any explanation, and you are not to ask for any. But, remember, if you touch this screen, everything is over between us."</\|quote\|>Hallward was thunderstruck. He looked at Dorian Gray in absolute amazement. He had never seen him like this before. The lad was actually pallid with rage. His hands were clenched, and the pupils of his eyes were like disks of blue fire. He was trembling all over. "Dorian!" "Don t speak!" "But what is the matter? Of course I won t look at it if you don t want me to," he said, rather coldly, turning on his heel and going over towards the window. "But, really, it seems rather absurd that I shouldn t see my own work, especially as I am going to exhibit it in Paris in the autumn. I shall probably have to give it another coat of varnish before that, so I must see it some day, and why not to-day?" "To exhibit it! You want to exhibit it?" exclaimed Dorian Gray, a strange sense of terror creeping over him. Was the world going to be shown his secret? Were people to gape at the mystery of his life? That was impossible. Something he did not know what had to be done at once. "Yes; I don t suppose you will object to that. Georges	to-day. I only trust your name won t be mentioned in connection with it. The inquest is to take place this afternoon. Have they summoned you?" Dorian shook his head, and a look of annoyance passed over his face at the mention of the word "inquest." There was something so crude and vulgar about everything of the kind. "They don t know my name," he answered. "But surely she did?" "Only my Christian name, and that I am quite sure she never mentioned to any one. She told me once that they were all rather curious to learn who I was, and that she invariably told them my name was Prince Charming. It was pretty of her. You must do me a drawing of Sibyl, Basil. I should like to have something more of her than the memory of a few kisses and some broken pathetic words." "I will try and do something, Dorian, if it would please you. But you must come and sit to me yourself again. I can t get on without you." "I can never sit to you again, Basil. It is impossible!" he exclaimed, starting back. The painter stared at him. "My dear boy, what nonsense!" he cried. "Do you mean to say you don t like what I did of you? Where is it? Why have you pulled the screen in front of it? Let me look at it. It is the best thing I have ever done. Do take the screen away, Dorian. It is simply disgraceful of your servant hiding my work like that. I felt the room looked different as I came in." "My servant has nothing to do with it, Basil. You don t imagine I let him arrange my room for me? He settles my flowers for me sometimes that is all. No; I did it myself. The light was too strong on the portrait." "Too strong! Surely not, my dear fellow? It is an admirable place for it. Let me see it." And Hallward walked towards the corner of the room. A cry of terror broke from Dorian Gray s lips, and he rushed between the painter and the screen. "Basil," he said, looking very pale, "you must not look at it. I don t wish you to." "Not look at my own work! You are not serious. Why shouldn t I look at it?" exclaimed Hallward, laughing.<\|quote\|>"If you try to look at it, Basil, on my word of honour I will never speak to you again as long as I live. I am quite serious. I don t offer any explanation, and you are not to ask for any. But, remember, if you touch this screen, everything is over between us."</\|quote\|>Hallward was thunderstruck. He looked at Dorian Gray in absolute amazement. He had never seen him like this before. The lad was actually pallid with rage. His hands were clenched, and the pupils of his eyes were like disks of blue fire. He was trembling all over. "Dorian!" "Don t speak!" "But what is the matter? Of course I won t look at it if you don t want me to," he said, rather coldly, turning on his heel and going over towards the window. "But, really, it seems rather absurd that I shouldn t see my own work, especially as I am going to exhibit it in Paris in the autumn. I shall probably have to give it another coat of varnish before that, so I must see it some day, and why not to-day?" "To exhibit it! You want to exhibit it?" exclaimed Dorian Gray, a strange sense of terror creeping over him. Was the world going to be shown his secret? Were people to gape at the mystery of his life? That was impossible. Something he did not know what had to be done at once. "Yes; I don t suppose you will object to that. Georges Petit is going to collect all my best pictures for a special exhibition in the Rue de S ze, which will open the first week in October. The portrait will only be away a month. I should think you could easily spare it for that time. In fact, you are sure to be out of town. And if you keep it always behind a screen, you can t care much about it." Dorian Gray passed his hand over his forehead. There were beads of perspiration there. He felt that he was on the brink of a horrible danger. "You told me a month ago that you would never exhibit it," he cried. "Why have you changed your mind? You people who go in for being consistent have just as many moods as others have. The only difference is that your moods are rather meaningless. You can t have forgotten that you assured me most solemnly that nothing in the world would induce you to send it to any exhibition. You told Harry exactly the same thing." He stopped suddenly, and a gleam of light came into his eyes. He remembered that Lord Henry had said to him once, half seriously	and nothing could exceed his disappointment. He had absolutely nothing to do, almost died of _ennui_, and became a confirmed misanthrope. And besides, my dear old Basil, if you really want to console me, teach me rather to forget what has happened, or to see it from a proper artistic point of view. Was it not Gautier who used to write about _la consolation des arts_? I remember picking up a little vellum-covered book in your studio one day and chancing on that delightful phrase. Well, I am not like that young man you told me of when we were down at Marlow together, the young man who used to say that yellow satin could console one for all the miseries of life. I love beautiful things that one can touch and handle. Old brocades, green bronzes, lacquer-work, carved ivories, exquisite surroundings, luxury, pomp there is much to be got from all these. But the artistic temperament that they create, or at any rate reveal, is still more to me. To become the spectator of one s own life, as Harry says, is to escape the suffering of life. I know you are surprised at my talking to you like this. You have not realized how I have developed. I was a schoolboy when you knew me. I am a man now. I have new passions, new thoughts, new ideas. I am different, but you must not like me less. I am changed, but you must always be my friend. Of course, I am very fond of Harry. But I know that you are better than he is. You are not stronger you are too much afraid of life but you are better. And how happy we used to be together! Don t leave me, Basil, and don t quarrel with me. I am what I am. There is nothing more to be said." The painter felt strangely moved. The lad was infinitely dear to him, and his personality had been the great turning point in his art. He could not bear the idea of reproaching him any more. After all, his indifference was probably merely a mood that would pass away. There was so much in him that was good, so much in him that was noble. "Well, Dorian," he said at length, with a sad smile, "I won t speak to you again about this horrible thing, after to-day. I only trust your name won t be mentioned in connection with it. The inquest is to take place this afternoon. Have they summoned you?" Dorian shook his head, and a look of annoyance passed over his face at the mention of the word "inquest." There was something so crude and vulgar about everything of the kind. "They don t know my name," he answered. "But surely she did?" "Only my Christian name, and that I am quite sure she never mentioned to any one. She told me once that they were all rather curious to learn who I was, and that she invariably told them my name was Prince Charming. It was pretty of her. You must do me a drawing of Sibyl, Basil. I should like to have something more of her than the memory of a few kisses and some broken pathetic words." "I will try and do something, Dorian, if it would please you. But you must come and sit to me yourself again. I can t get on without you." "I can never sit to you again, Basil. It is impossible!" he exclaimed, starting back. The painter stared at him. "My dear boy, what nonsense!" he cried. "Do you mean to say you don t like what I did of you? Where is it? Why have you pulled the screen in front of it? Let me look at it. It is the best thing I have ever done. Do take the screen away, Dorian. It is simply disgraceful of your servant hiding my work like that. I felt the room looked different as I came in." "My servant has nothing to do with it, Basil. You don t imagine I let him arrange my room for me? He settles my flowers for me sometimes that is all. No; I did it myself. The light was too strong on the portrait." "Too strong! Surely not, my dear fellow? It is an admirable place for it. Let me see it." And Hallward walked towards the corner of the room. A cry of terror broke from Dorian Gray s lips, and he rushed between the painter and the screen. "Basil," he said, looking very pale, "you must not look at it. I don t wish you to." "Not look at my own work! You are not serious. Why shouldn t I look at it?" exclaimed Hallward, laughing.<\|quote\|>"If you try to look at it, Basil, on my word of honour I will never speak to you again as long as I live. I am quite serious. I don t offer any explanation, and you are not to ask for any. But, remember, if you touch this screen, everything is over between us."</\|quote\|>Hallward was thunderstruck. He looked at Dorian Gray in absolute amazement. He had never seen him like this before. The lad was actually pallid with rage. His hands were clenched, and the pupils of his eyes were like disks of blue fire. He was trembling all over. "Dorian!" "Don t speak!" "But what is the matter? Of course I won t look at it if you don t want me to," he said, rather coldly, turning on his heel and going over towards the window. "But, really, it seems rather absurd that I shouldn t see my own work, especially as I am going to exhibit it in Paris in the autumn. I shall probably have to give it another coat of varnish before that, so I must see it some day, and why not to-day?" "To exhibit it! You want to exhibit it?" exclaimed Dorian Gray, a strange sense of terror creeping over him. Was the world going to be shown his secret? Were people to gape at the mystery of his life? That was impossible. Something he did not know what had to be done at once. "Yes; I don t suppose you will object to that. Georges Petit is going to collect all my best pictures for a special exhibition in the Rue de S ze, which will open the first week in October. The portrait will only be away a month. I should think you could easily spare it for that time. In fact, you are sure to be out of town. And if you keep it always behind a screen, you can t care much about it." Dorian Gray passed his hand over his forehead. There were beads of perspiration there. He felt that he was on the brink of a horrible danger. "You told me a month ago that you would never exhibit it," he cried. "Why have you changed your mind? You people who go in for being consistent have just as many moods as others have. The only difference is that your moods are rather meaningless. You can t have forgotten that you assured me most solemnly that nothing in the world would induce you to send it to any exhibition. You told Harry exactly the same thing." He stopped suddenly, and a gleam of light came into his eyes. He remembered that Lord Henry had said to him once, half seriously and half in jest, "If you want to have a strange quarter of an hour, get Basil to tell you why he won t exhibit your picture. He told me why he wouldn t, and it was a revelation to me." Yes, perhaps Basil, too, had his secret. He would ask him and try. "Basil," he said, coming over quite close and looking him straight in the face, "we have each of us a secret. Let me know yours, and I shall tell you mine. What was your reason for refusing to exhibit my picture?" The painter shuddered in spite of himself. "Dorian, if I told you, you might like me less than you do, and you would certainly laugh at me. I could not bear your doing either of those two things. If you wish me never to look at your picture again, I am content. I have always you to look at. If you wish the best work I have ever done to be hidden from the world, I am satisfied. Your friendship is dearer to me than any fame or reputation." "No, Basil, you must tell me," insisted Dorian Gray. "I think I have a right to know." His feeling of terror had passed away, and curiosity had taken its place. He was determined to find out Basil Hallward s mystery. "Let us sit down, Dorian," said the painter, looking troubled. "Let us sit down. And just answer me one question. Have you noticed in the picture something curious? something that probably at first did not strike you, but that revealed itself to you suddenly?" "Basil!" cried the lad, clutching the arms of his chair with trembling hands and gazing at him with wild startled eyes. "I see you did. Don t speak. Wait till you hear what I have to say. Dorian, from the moment I met you, your personality had the most extraordinary influence over me. I was dominated, soul, brain, and power, by you. You became to me the visible incarnation of that unseen ideal whose memory haunts us artists like an exquisite dream. I worshipped you. I grew jealous of every one to whom you spoke. I wanted to have you all to myself. I was only happy when I was with you. When you were away from me, you were still present in my art.... Of course, I never let you know	probably merely a mood that would pass away. There was so much in him that was good, so much in him that was noble. "Well, Dorian," he said at length, with a sad smile, "I won t speak to you again about this horrible thing, after to-day. I only trust your name won t be mentioned in connection with it. The inquest is to take place this afternoon. Have they summoned you?" Dorian shook his head, and a look of annoyance passed over his face at the mention of the word "inquest." There was something so crude and vulgar about everything of the kind. "They don t know my name," he answered. "But surely she did?" "Only my Christian name, and that I am quite sure she never mentioned to any one. She told me once that they were all rather curious to learn who I was, and that she invariably told them my name was Prince Charming. It was pretty of her. You must do me a drawing of Sibyl, Basil. I should like to have something more of her than the memory of a few kisses and some broken pathetic words." "I will try and do something, Dorian, if it would please you. But you must come and sit to me yourself again. I can t get on without you." "I can never sit to you again, Basil. It is impossible!" he exclaimed, starting back. The painter stared at him. "My dear boy, what nonsense!" he cried. "Do you mean to say you don t like what I did of you? Where is it? Why have you pulled the screen in front of it? Let me look at it. It is the best thing I have ever done. Do take the screen away, Dorian. It is simply disgraceful of your servant hiding my work like that. I felt the room looked different as I came in." "My servant has nothing to do with it, Basil. You don t imagine I let him arrange my room for me? He settles my flowers for me sometimes that is all. No; I did it myself. The light was too strong on the portrait." "Too strong! Surely not, my dear fellow? It is an admirable place for it. Let me see it." And Hallward walked towards the corner of the room. A cry of terror broke from Dorian Gray s lips, and he rushed between the painter and the screen. "Basil," he said, looking very pale, "you must not look at it. I don t wish you to." "Not look at my own work! You are not serious. Why shouldn t I look at it?" exclaimed Hallward, laughing.<\|quote\|>"If you try to look at it, Basil, on my word of honour I will never speak to you again as long as I live. I am quite serious. I don t offer any explanation, and you are not to ask for any. But, remember, if you touch this screen, everything is over between us."</\|quote\|>Hallward was thunderstruck. He looked at Dorian Gray in absolute amazement. He had never seen him like this before. The lad was actually pallid with rage. His hands were clenched, and the pupils of his eyes were like disks of blue fire. He was trembling all over. "Dorian!" "Don t speak!" "But what is the matter? Of course I won t look at it if you don t want me to," he said, rather coldly, turning on his heel and going over towards the window. "But, really, it seems rather absurd that I shouldn t see my own work, especially as I am going to exhibit it in Paris in the autumn. I shall probably have to give it another coat of varnish before that, so I must see it some day, and why not to-day?" "To exhibit it! You want to exhibit it?" exclaimed Dorian Gray, a strange sense of terror creeping over him. Was the world going to be shown his secret? Were people to gape at the mystery of his life? That was impossible. Something he did not know what had to be done at once. "Yes; I don t suppose you will object to that. Georges Petit is going to collect all my best pictures for a special exhibition in the Rue de S ze, which will open the first week in October. The portrait will only be away a month. I should think you could easily spare it for that time. In fact, you are sure to be out of town. And if you keep it always behind a screen, you can t care much about it." Dorian Gray passed his hand over his forehead. There were beads of perspiration there. He felt that he was on the brink of a horrible danger. "You told me a month ago that you would never exhibit it," he cried. "Why have you changed your mind? You people who go in for being consistent have just as many moods as others have. The only difference is that	The Picture Of Dorian Gray
he replied, and accepted it. As well this ending to his day as any. But Lucy, a mortal maid, was disappointed in him. There was an explosion up the road. The storm had struck the overhead wire of the tramline, and one of the great supports had fallen. If they had not stopped perhaps they might have been hurt. They chose to regard it as a miraculous preservation, and the floods of love and sincerity, which fructify every hour of life, burst forth in tumult. They descended from the carriages; they embraced each other. It was as joyful to be forgiven past unworthinesses as to forgive them. For a moment they realized vast possibilities of good. The older people recovered quickly. In the very height of their emotion they knew it to be unmanly or unladylike. Miss Lavish calculated that, even if they had continued, they would not have been caught in the accident. Mr. Eager mumbled a temperate prayer. But the drivers, through miles of dark squalid road, poured out their souls to the dryads and the saints, and Lucy poured out hers to her cousin.	No speaker	him a franc. "Va bene,"<\|quote\|>he replied, and accepted it. As well this ending to his day as any. But Lucy, a mortal maid, was disappointed in him. There was an explosion up the road. The storm had struck the overhead wire of the tramline, and one of the great supports had fallen. If they had not stopped perhaps they might have been hurt. They chose to regard it as a miraculous preservation, and the floods of love and sincerity, which fructify every hour of life, burst forth in tumult. They descended from the carriages; they embraced each other. It was as joyful to be forgiven past unworthinesses as to forgive them. For a moment they realized vast possibilities of good. The older people recovered quickly. In the very height of their emotion they knew it to be unmanly or unladylike. Miss Lavish calculated that, even if they had continued, they would not have been caught in the accident. Mr. Eager mumbled a temperate prayer. But the drivers, through miles of dark squalid road, poured out their souls to the dryads and the saints, and Lucy poured out hers to her cousin.</\|quote\|>"Charlotte, dear Charlotte, kiss me.	she said, "Silenzio!" and offered him a franc. "Va bene,"<\|quote\|>he replied, and accepted it. As well this ending to his day as any. But Lucy, a mortal maid, was disappointed in him. There was an explosion up the road. The storm had struck the overhead wire of the tramline, and one of the great supports had fallen. If they had not stopped perhaps they might have been hurt. They chose to regard it as a miraculous preservation, and the floods of love and sincerity, which fructify every hour of life, burst forth in tumult. They descended from the carriages; they embraced each other. It was as joyful to be forgiven past unworthinesses as to forgive them. For a moment they realized vast possibilities of good. The older people recovered quickly. In the very height of their emotion they knew it to be unmanly or unladylike. Miss Lavish calculated that, even if they had continued, they would not have been caught in the accident. Mr. Eager mumbled a temperate prayer. But the drivers, through miles of dark squalid road, poured out their souls to the dryads and the saints, and Lucy poured out hers to her cousin.</\|quote\|>"Charlotte, dear Charlotte, kiss me. Kiss me again. Only you	nothing. But--" she pointed at the driver-" "HE knows everything. Dearest, had we better? Shall I?" She took out her purse. "It is dreadful to be entangled with low-class people. He saw it all." Tapping Phaethon's back with her guide-book, she said, "Silenzio!" and offered him a franc. "Va bene,"<\|quote\|>he replied, and accepted it. As well this ending to his day as any. But Lucy, a mortal maid, was disappointed in him. There was an explosion up the road. The storm had struck the overhead wire of the tramline, and one of the great supports had fallen. If they had not stopped perhaps they might have been hurt. They chose to regard it as a miraculous preservation, and the floods of love and sincerity, which fructify every hour of life, burst forth in tumult. They descended from the carriages; they embraced each other. It was as joyful to be forgiven past unworthinesses as to forgive them. For a moment they realized vast possibilities of good. The older people recovered quickly. In the very height of their emotion they knew it to be unmanly or unladylike. Miss Lavish calculated that, even if they had continued, they would not have been caught in the accident. Mr. Eager mumbled a temperate prayer. But the drivers, through miles of dark squalid road, poured out their souls to the dryads and the saints, and Lucy poured out hers to her cousin.</\|quote\|>"Charlotte, dear Charlotte, kiss me. Kiss me again. Only you can understand me. You warned me to be careful. And I--I thought I was developing." "Do not cry, dearest. Take your time." "I have been obstinate and silly--worse than you know, far worse. Once by the river--Oh, but he isn't	man. "He may be killed!" "Typical behaviour," said the chaplain, as he quitted the carriage. "In the presence of reality that kind of person invariably breaks down." "What does he know?" whispered Lucy as soon as they were alone. "Charlotte, how much does Mr. Eager know?" "Nothing, dearest; he knows nothing. But--" she pointed at the driver-" "HE knows everything. Dearest, had we better? Shall I?" She took out her purse. "It is dreadful to be entangled with low-class people. He saw it all." Tapping Phaethon's back with her guide-book, she said, "Silenzio!" and offered him a franc. "Va bene,"<\|quote\|>he replied, and accepted it. As well this ending to his day as any. But Lucy, a mortal maid, was disappointed in him. There was an explosion up the road. The storm had struck the overhead wire of the tramline, and one of the great supports had fallen. If they had not stopped perhaps they might have been hurt. They chose to regard it as a miraculous preservation, and the floods of love and sincerity, which fructify every hour of life, burst forth in tumult. They descended from the carriages; they embraced each other. It was as joyful to be forgiven past unworthinesses as to forgive them. For a moment they realized vast possibilities of good. The older people recovered quickly. In the very height of their emotion they knew it to be unmanly or unladylike. Miss Lavish calculated that, even if they had continued, they would not have been caught in the accident. Mr. Eager mumbled a temperate prayer. But the drivers, through miles of dark squalid road, poured out their souls to the dryads and the saints, and Lucy poured out hers to her cousin.</\|quote\|>"Charlotte, dear Charlotte, kiss me. Kiss me again. Only you can understand me. You warned me to be careful. And I--I thought I was developing." "Do not cry, dearest. Take your time." "I have been obstinate and silly--worse than you know, far worse. Once by the river--Oh, but he isn't killed--he wouldn't be killed, would he?" The thought disturbed her repentance. As a matter of fact, the storm was worst along the road; but she had been near danger, and so she thought it must be near to everyone. "I trust not. One would always pray against that." "He is	Bartlett, by this timely exercise of her muscles, gained more than she would have got in hours of preaching or cross examination. She renewed it when the two carriages stopped, half into Florence. "Mr. Eager!" called Mr. Beebe. "We want your assistance. Will you interpret for us?" "George!" cried Mr. Emerson. "Ask your driver which way George went. The boy may lose his way. He may be killed." "Go, Mr. Eager," said Miss Bartlett, "don't ask our driver; our driver is no help. Go and support poor Mr. Beebe--, he is nearly demented." "He may be killed!" cried the old man. "He may be killed!" "Typical behaviour," said the chaplain, as he quitted the carriage. "In the presence of reality that kind of person invariably breaks down." "What does he know?" whispered Lucy as soon as they were alone. "Charlotte, how much does Mr. Eager know?" "Nothing, dearest; he knows nothing. But--" she pointed at the driver-" "HE knows everything. Dearest, had we better? Shall I?" She took out her purse. "It is dreadful to be entangled with low-class people. He saw it all." Tapping Phaethon's back with her guide-book, she said, "Silenzio!" and offered him a franc. "Va bene,"<\|quote\|>he replied, and accepted it. As well this ending to his day as any. But Lucy, a mortal maid, was disappointed in him. There was an explosion up the road. The storm had struck the overhead wire of the tramline, and one of the great supports had fallen. If they had not stopped perhaps they might have been hurt. They chose to regard it as a miraculous preservation, and the floods of love and sincerity, which fructify every hour of life, burst forth in tumult. They descended from the carriages; they embraced each other. It was as joyful to be forgiven past unworthinesses as to forgive them. For a moment they realized vast possibilities of good. The older people recovered quickly. In the very height of their emotion they knew it to be unmanly or unladylike. Miss Lavish calculated that, even if they had continued, they would not have been caught in the accident. Mr. Eager mumbled a temperate prayer. But the drivers, through miles of dark squalid road, poured out their souls to the dryads and the saints, and Lucy poured out hers to her cousin.</\|quote\|>"Charlotte, dear Charlotte, kiss me. Kiss me again. Only you can understand me. You warned me to be careful. And I--I thought I was developing." "Do not cry, dearest. Take your time." "I have been obstinate and silly--worse than you know, far worse. Once by the river--Oh, but he isn't killed--he wouldn't be killed, would he?" The thought disturbed her repentance. As a matter of fact, the storm was worst along the road; but she had been near danger, and so she thought it must be near to everyone. "I trust not. One would always pray against that." "He is really--I think he was taken by surprise, just as I was before. But this time I'm not to blame; I want you to believe that. I simply slipped into those violets. No, I want to be really truthful. I am a little to blame. I had silly thoughts. The sky, you know, was gold, and the ground all blue, and for a moment he looked like someone in a book." "In a book?" "Heroes--gods--the nonsense of schoolgirls." "And then?" "But, Charlotte, you know what happened then." Miss Bartlett was silent. Indeed, she had little more to learn. With a certain	beside her; Mr. Eager sat opposite, trying to catch her eye; he was vaguely suspicious. They spoke of Alessio Baldovinetti. Rain and darkness came on together. The two ladies huddled together under an inadequate parasol. There was a lightning flash, and Miss Lavish who was nervous, screamed from the carriage in front. At the next flash, Lucy screamed also. Mr. Eager addressed her professionally: "Courage, Miss Honeychurch, courage and faith. If I might say so, there is something almost blasphemous in this horror of the elements. Are we seriously to suppose that all these clouds, all this immense electrical display, is simply called into existence to extinguish you or me?" "No--of course--" "Even from the scientific standpoint the chances against our being struck are enormous. The steel knives, the only articles which might attract the current, are in the other carriage. And, in any case, we are infinitely safer than if we were walking. Courage--courage and faith." Under the rug, Lucy felt the kindly pressure of her cousin's hand. At times our need for a sympathetic gesture is so great that we care not what exactly it signifies or how much we may have to pay for it afterwards. Miss Bartlett, by this timely exercise of her muscles, gained more than she would have got in hours of preaching or cross examination. She renewed it when the two carriages stopped, half into Florence. "Mr. Eager!" called Mr. Beebe. "We want your assistance. Will you interpret for us?" "George!" cried Mr. Emerson. "Ask your driver which way George went. The boy may lose his way. He may be killed." "Go, Mr. Eager," said Miss Bartlett, "don't ask our driver; our driver is no help. Go and support poor Mr. Beebe--, he is nearly demented." "He may be killed!" cried the old man. "He may be killed!" "Typical behaviour," said the chaplain, as he quitted the carriage. "In the presence of reality that kind of person invariably breaks down." "What does he know?" whispered Lucy as soon as they were alone. "Charlotte, how much does Mr. Eager know?" "Nothing, dearest; he knows nothing. But--" she pointed at the driver-" "HE knows everything. Dearest, had we better? Shall I?" She took out her purse. "It is dreadful to be entangled with low-class people. He saw it all." Tapping Phaethon's back with her guide-book, she said, "Silenzio!" and offered him a franc. "Va bene,"<\|quote\|>he replied, and accepted it. As well this ending to his day as any. But Lucy, a mortal maid, was disappointed in him. There was an explosion up the road. The storm had struck the overhead wire of the tramline, and one of the great supports had fallen. If they had not stopped perhaps they might have been hurt. They chose to regard it as a miraculous preservation, and the floods of love and sincerity, which fructify every hour of life, burst forth in tumult. They descended from the carriages; they embraced each other. It was as joyful to be forgiven past unworthinesses as to forgive them. For a moment they realized vast possibilities of good. The older people recovered quickly. In the very height of their emotion they knew it to be unmanly or unladylike. Miss Lavish calculated that, even if they had continued, they would not have been caught in the accident. Mr. Eager mumbled a temperate prayer. But the drivers, through miles of dark squalid road, poured out their souls to the dryads and the saints, and Lucy poured out hers to her cousin.</\|quote\|>"Charlotte, dear Charlotte, kiss me. Kiss me again. Only you can understand me. You warned me to be careful. And I--I thought I was developing." "Do not cry, dearest. Take your time." "I have been obstinate and silly--worse than you know, far worse. Once by the river--Oh, but he isn't killed--he wouldn't be killed, would he?" The thought disturbed her repentance. As a matter of fact, the storm was worst along the road; but she had been near danger, and so she thought it must be near to everyone. "I trust not. One would always pray against that." "He is really--I think he was taken by surprise, just as I was before. But this time I'm not to blame; I want you to believe that. I simply slipped into those violets. No, I want to be really truthful. I am a little to blame. I had silly thoughts. The sky, you know, was gold, and the ground all blue, and for a moment he looked like someone in a book." "In a book?" "Heroes--gods--the nonsense of schoolgirls." "And then?" "But, Charlotte, you know what happened then." Miss Bartlett was silent. Indeed, she had little more to learn. With a certain amount of insight she drew her young cousin affectionately to her. All the way back Lucy's body was shaken by deep sighs, which nothing could repress. "I want to be truthful," she whispered. "It is so hard to be absolutely truthful." "Don't be troubled, dearest. Wait till you are calmer. We will talk it over before bed-time in my room." So they re-entered the city with hands clasped. It was a shock to the girl to find how far emotion had ebbed in others. The storm had ceased, and Mr. Emerson was easier about his son. Mr. Beebe had regained good humour, and Mr. Eager was already snubbing Miss Lavish. Charlotte alone she was sure of--Charlotte, whose exterior concealed so much insight and love. The luxury of self-exposure kept her almost happy through the long evening. She thought not so much of what had happened as of how she should describe it. All her sensations, her spasms of courage, her moments of unreasonable joy, her mysterious discontent, should be carefully laid before her cousin. And together in divine confidence they would disentangle and interpret them all. "At last," thought she, "I shall understand myself. I shan't again be troubled by	it was and exactly how the players had sided, Lucy was slow to discover. Mr. Eager had met them with a questioning eye. Charlotte had repulsed him with much small talk. Mr. Emerson, seeking his son, was told whereabouts to find him. Mr. Beebe, who wore the heated aspect of a neutral, was bidden to collect the factions for the return home. There was a general sense of groping and bewilderment. Pan had been amongst them--not the great god Pan, who has been buried these two thousand years, but the little god Pan, who presides over social contretemps and unsuccessful picnics. Mr. Beebe had lost everyone, and had consumed in solitude the tea-basket which he had brought up as a pleasant surprise. Miss Lavish had lost Miss Bartlett. Lucy had lost Mr. Eager. Mr. Emerson had lost George. Miss Bartlett had lost a mackintosh square. Phaethon had lost the game. That last fact was undeniable. He climbed on to the box shivering, with his collar up, prophesying the swift approach of bad weather. "Let us go immediately," he told them. "The signorino will walk." "All the way? He will be hours," said Mr. Beebe. "Apparently. I told him it was unwise." He would look no one in the face; perhaps defeat was particularly mortifying for him. He alone had played skilfully, using the whole of his instinct, while the others had used scraps of their intelligence. He alone had divined what things were, and what he wished them to be. He alone had interpreted the message that Lucy had received five days before from the lips of a dying man. Persephone, who spends half her life in the grave--she could interpret it also. Not so these English. They gain knowledge slowly, and perhaps too late. The thoughts of a cab-driver, however just, seldom affect the lives of his employers. He was the most competent of Miss Bartlett's opponents, but infinitely the least dangerous. Once back in the town, he and his insight and his knowledge would trouble English ladies no more. Of course, it was most unpleasant; she had seen his black head in the bushes; he might make a tavern story out of it. But after all, what have we to do with taverns? Real menace belongs to the drawing-room. It was of drawing-room people that Miss Bartlett thought as she journeyed downwards towards the fading sun. Lucy sat beside her; Mr. Eager sat opposite, trying to catch her eye; he was vaguely suspicious. They spoke of Alessio Baldovinetti. Rain and darkness came on together. The two ladies huddled together under an inadequate parasol. There was a lightning flash, and Miss Lavish who was nervous, screamed from the carriage in front. At the next flash, Lucy screamed also. Mr. Eager addressed her professionally: "Courage, Miss Honeychurch, courage and faith. If I might say so, there is something almost blasphemous in this horror of the elements. Are we seriously to suppose that all these clouds, all this immense electrical display, is simply called into existence to extinguish you or me?" "No--of course--" "Even from the scientific standpoint the chances against our being struck are enormous. The steel knives, the only articles which might attract the current, are in the other carriage. And, in any case, we are infinitely safer than if we were walking. Courage--courage and faith." Under the rug, Lucy felt the kindly pressure of her cousin's hand. At times our need for a sympathetic gesture is so great that we care not what exactly it signifies or how much we may have to pay for it afterwards. Miss Bartlett, by this timely exercise of her muscles, gained more than she would have got in hours of preaching or cross examination. She renewed it when the two carriages stopped, half into Florence. "Mr. Eager!" called Mr. Beebe. "We want your assistance. Will you interpret for us?" "George!" cried Mr. Emerson. "Ask your driver which way George went. The boy may lose his way. He may be killed." "Go, Mr. Eager," said Miss Bartlett, "don't ask our driver; our driver is no help. Go and support poor Mr. Beebe--, he is nearly demented." "He may be killed!" cried the old man. "He may be killed!" "Typical behaviour," said the chaplain, as he quitted the carriage. "In the presence of reality that kind of person invariably breaks down." "What does he know?" whispered Lucy as soon as they were alone. "Charlotte, how much does Mr. Eager know?" "Nothing, dearest; he knows nothing. But--" she pointed at the driver-" "HE knows everything. Dearest, had we better? Shall I?" She took out her purse. "It is dreadful to be entangled with low-class people. He saw it all." Tapping Phaethon's back with her guide-book, she said, "Silenzio!" and offered him a franc. "Va bene,"<\|quote\|>he replied, and accepted it. As well this ending to his day as any. But Lucy, a mortal maid, was disappointed in him. There was an explosion up the road. The storm had struck the overhead wire of the tramline, and one of the great supports had fallen. If they had not stopped perhaps they might have been hurt. They chose to regard it as a miraculous preservation, and the floods of love and sincerity, which fructify every hour of life, burst forth in tumult. They descended from the carriages; they embraced each other. It was as joyful to be forgiven past unworthinesses as to forgive them. For a moment they realized vast possibilities of good. The older people recovered quickly. In the very height of their emotion they knew it to be unmanly or unladylike. Miss Lavish calculated that, even if they had continued, they would not have been caught in the accident. Mr. Eager mumbled a temperate prayer. But the drivers, through miles of dark squalid road, poured out their souls to the dryads and the saints, and Lucy poured out hers to her cousin.</\|quote\|>"Charlotte, dear Charlotte, kiss me. Kiss me again. Only you can understand me. You warned me to be careful. And I--I thought I was developing." "Do not cry, dearest. Take your time." "I have been obstinate and silly--worse than you know, far worse. Once by the river--Oh, but he isn't killed--he wouldn't be killed, would he?" The thought disturbed her repentance. As a matter of fact, the storm was worst along the road; but she had been near danger, and so she thought it must be near to everyone. "I trust not. One would always pray against that." "He is really--I think he was taken by surprise, just as I was before. But this time I'm not to blame; I want you to believe that. I simply slipped into those violets. No, I want to be really truthful. I am a little to blame. I had silly thoughts. The sky, you know, was gold, and the ground all blue, and for a moment he looked like someone in a book." "In a book?" "Heroes--gods--the nonsense of schoolgirls." "And then?" "But, Charlotte, you know what happened then." Miss Bartlett was silent. Indeed, she had little more to learn. With a certain amount of insight she drew her young cousin affectionately to her. All the way back Lucy's body was shaken by deep sighs, which nothing could repress. "I want to be truthful," she whispered. "It is so hard to be absolutely truthful." "Don't be troubled, dearest. Wait till you are calmer. We will talk it over before bed-time in my room." So they re-entered the city with hands clasped. It was a shock to the girl to find how far emotion had ebbed in others. The storm had ceased, and Mr. Emerson was easier about his son. Mr. Beebe had regained good humour, and Mr. Eager was already snubbing Miss Lavish. Charlotte alone she was sure of--Charlotte, whose exterior concealed so much insight and love. The luxury of self-exposure kept her almost happy through the long evening. She thought not so much of what had happened as of how she should describe it. All her sensations, her spasms of courage, her moments of unreasonable joy, her mysterious discontent, should be carefully laid before her cousin. And together in divine confidence they would disentangle and interpret them all. "At last," thought she, "I shall understand myself. I shan't again be troubled by things that come out of nothing, and mean I don't know what." Miss Alan asked her to play. She refused vehemently. Music seemed to her the employment of a child. She sat close to her cousin, who, with commendable patience, was listening to a long story about lost luggage. When it was over she capped it by a story of her own. Lucy became rather hysterical with the delay. In vain she tried to check, or at all events to accelerate, the tale. It was not till a late hour that Miss Bartlett had recovered her luggage and could say in her usual tone of gentle reproach: "Well, dear, I at all events am ready for Bedfordshire. Come into my room, and I will give a good brush to your hair." With some solemnity the door was shut, and a cane chair placed for the girl. Then Miss Bartlett said "So what is to be done?" She was unprepared for the question. It had not occurred to her that she would have to do anything. A detailed exhibition of her emotions was all that she had counted upon. "What is to be done? A point, dearest, which you alone can settle." The rain was streaming down the black windows, and the great room felt damp and chilly, One candle burnt trembling on the chest of drawers close to Miss Bartlett's toque, which cast monstrous and fantastic shadows on the bolted door. A tram roared by in the dark, and Lucy felt unaccountably sad, though she had long since dried her eyes. She lifted them to the ceiling, where the griffins and bassoons were colourless and vague, the very ghosts of joy. "It has been raining for nearly four hours," she said at last. Miss Bartlett ignored the remark. "How do you propose to silence him?" "The driver?" "My dear girl, no; Mr. George Emerson." Lucy began to pace up and down the room. "I don't understand," she said at last. She understood very well, but she no longer wished to be absolutely truthful. "How are you going to stop him talking about it?" "I have a feeling that talk is a thing he will never do." "I, too, intend to judge him charitably. But unfortunately I have met the type before. They seldom keep their exploits to themselves." "Exploits?" cried Lucy, wincing under the horrible plural. "My poor dear, did	had seen his black head in the bushes; he might make a tavern story out of it. But after all, what have we to do with taverns? Real menace belongs to the drawing-room. It was of drawing-room people that Miss Bartlett thought as she journeyed downwards towards the fading sun. Lucy sat beside her; Mr. Eager sat opposite, trying to catch her eye; he was vaguely suspicious. They spoke of Alessio Baldovinetti. Rain and darkness came on together. The two ladies huddled together under an inadequate parasol. There was a lightning flash, and Miss Lavish who was nervous, screamed from the carriage in front. At the next flash, Lucy screamed also. Mr. Eager addressed her professionally: "Courage, Miss Honeychurch, courage and faith. If I might say so, there is something almost blasphemous in this horror of the elements. Are we seriously to suppose that all these clouds, all this immense electrical display, is simply called into existence to extinguish you or me?" "No--of course--" "Even from the scientific standpoint the chances against our being struck are enormous. The steel knives, the only articles which might attract the current, are in the other carriage. And, in any case, we are infinitely safer than if we were walking. Courage--courage and faith." Under the rug, Lucy felt the kindly pressure of her cousin's hand. At times our need for a sympathetic gesture is so great that we care not what exactly it signifies or how much we may have to pay for it afterwards. Miss Bartlett, by this timely exercise of her muscles, gained more than she would have got in hours of preaching or cross examination. She renewed it when the two carriages stopped, half into Florence. "Mr. Eager!" called Mr. Beebe. "We want your assistance. Will you interpret for us?" "George!" cried Mr. Emerson. "Ask your driver which way George went. The boy may lose his way. He may be killed." "Go, Mr. Eager," said Miss Bartlett, "don't ask our driver; our driver is no help. Go and support poor Mr. Beebe--, he is nearly demented." "He may be killed!" cried the old man. "He may be killed!" "Typical behaviour," said the chaplain, as he quitted the carriage. "In the presence of reality that kind of person invariably breaks down." "What does he know?" whispered Lucy as soon as they were alone. "Charlotte, how much does Mr. Eager know?" "Nothing, dearest; he knows nothing. But--" she pointed at the driver-" "HE knows everything. Dearest, had we better? Shall I?" She took out her purse. "It is dreadful to be entangled with low-class people. He saw it all." Tapping Phaethon's back with her guide-book, she said, "Silenzio!" and offered him a franc. "Va bene,"<\|quote\|>he replied, and accepted it. As well this ending to his day as any. But Lucy, a mortal maid, was disappointed in him. There was an explosion up the road. The storm had struck the overhead wire of the tramline, and one of the great supports had fallen. If they had not stopped perhaps they might have been hurt. They chose to regard it as a miraculous preservation, and the floods of love and sincerity, which fructify every hour of life, burst forth in tumult. They descended from the carriages; they embraced each other. It was as joyful to be forgiven past unworthinesses as to forgive them. For a moment they realized vast possibilities of good. The older people recovered quickly. In the very height of their emotion they knew it to be unmanly or unladylike. Miss Lavish calculated that, even if they had continued, they would not have been caught in the accident. Mr. Eager mumbled a temperate prayer. But the drivers, through miles of dark squalid road, poured out their souls to the dryads and the saints, and Lucy poured out hers to her cousin.</\|quote\|>"Charlotte, dear Charlotte, kiss me. Kiss me again. Only you can understand me. You warned me to be careful. And I--I thought I was developing." "Do not cry, dearest. Take your time." "I have been obstinate and silly--worse than you know, far worse. Once by the river--Oh, but he isn't killed--he wouldn't be killed, would he?" The thought disturbed her repentance. As a matter of fact, the storm was worst along the road; but she had been near danger, and so she thought it must be near to everyone. "I trust not. One would always pray against that." "He is really--I think he was taken by surprise, just as I was before. But this time I'm not to blame; I want you to believe that. I simply slipped into those violets. No, I want to be really truthful. I am a little to blame. I had silly thoughts. The sky, you know, was gold, and the ground all blue, and for a moment he looked like someone in a book." "In a book?" "Heroes--gods--the nonsense of schoolgirls." "And then?" "But, Charlotte, you know what happened then." Miss Bartlett was silent. Indeed, she had little more to learn. With a certain amount of insight she drew her young cousin affectionately to her. All the way back Lucy's body was shaken by deep sighs, which nothing could repress. "I want to be truthful," she whispered. "It is so hard to be absolutely truthful." "Don't be troubled, dearest. Wait till you are calmer. We will talk it over before bed-time in my room." So they re-entered the city with hands clasped. It was a shock to the girl to find how far emotion had ebbed in others. The storm had ceased, and Mr. Emerson was easier about his son. Mr. Beebe had regained good humour, and Mr. Eager was already snubbing Miss Lavish. Charlotte alone she was sure of--Charlotte, whose exterior concealed so much insight and love. The luxury of self-exposure kept her almost happy through the long evening. She thought not so much of what had happened as of how she should describe it. All her sensations, her spasms of courage, her moments of unreasonable joy, her mysterious discontent, should be carefully laid before her cousin. And together in divine confidence they would disentangle and interpret them all. "At last," thought she, "I shall understand myself. I shan't again be troubled by things that come out of nothing, and mean I don't know what." Miss Alan asked her to play. She refused vehemently. Music seemed to her the employment of a child. She sat close to her cousin, who, with commendable patience, was listening to a	A Room With A View
here she nudged the croupier who was sitting on her left, and preparing to spin	No speaker	you are wrong? Monsieur, monsieur"<\|quote\|>here she nudged the croupier who was sitting on her left, and preparing to spin</\|quote\|>"combien zero? Douze? Douze?" I	do not allow ? Surely you are wrong? Monsieur, monsieur"<\|quote\|>here she nudged the croupier who was sitting on her left, and preparing to spin</\|quote\|>"combien zero? Douze? Douze?" I hastened to translate. "Oui, Madame,"	a chattering tongue you have! I know perfectly well what I am doing." The old lady was shaking with excitement. "But the rules do not allow of more than 120 g lden being staked upon zero at a time." "How do not allow ? Surely you are wrong? Monsieur, monsieur"<\|quote\|>here she nudged the croupier who was sitting on her left, and preparing to spin</\|quote\|>"combien zero? Douze? Douze?" I hastened to translate. "Oui, Madame," was the croupier s polite reply. "No single stake must exceed four thousand florins. That is the regulation." "Then there is nothing else for it. We must risk in g lden." "Le jeu est fait!" the croupier called. The wheel	lden pieces? We shall not miss them, so stake twenty pieces at a time." "Think a moment, Madame. Sometimes zero does not turn up for two hundred rounds in succession. I assure you that you may lose all your capital." "You are wrong utterly wrong. Stake, I tell you! What a chattering tongue you have! I know perfectly well what I am doing." The old lady was shaking with excitement. "But the rules do not allow of more than 120 g lden being staked upon zero at a time." "How do not allow ? Surely you are wrong? Monsieur, monsieur"<\|quote\|>here she nudged the croupier who was sitting on her left, and preparing to spin</\|quote\|>"combien zero? Douze? Douze?" I hastened to translate. "Oui, Madame," was the croupier s polite reply. "No single stake must exceed four thousand florins. That is the regulation." "Then there is nothing else for it. We must risk in g lden." "Le jeu est fait!" the croupier called. The wheel revolved, and stopped at thirty. We had lost! "Again, again, again! Stake again!" shouted the old lady. Without attempting to oppose her further, but merely shrugging my shoulders, I placed twelve more ten-g lden pieces upon the table. The wheel whirled around and around, with the Grandmother simply quaking as	lady in a money-shovel. "Faites le jeu, messieurs! Faites le jeu, messieurs! Rien ne va plus," proclaimed the croupier as once more he invited the company to stake, and prepared to turn the wheel. "We shall be too late! He is going to spin again! Stake, stake!" The Grandmother was in a perfect fever. "Do not hang back! Be quick!" She seemed almost beside herself, and nudged me as hard as she could. "Upon what shall I stake, Madame?" "Upon zero, upon zero! Again upon zero! Stake as much as ever you can. How much have we got? Seventy ten-g lden pieces? We shall not miss them, so stake twenty pieces at a time." "Think a moment, Madame. Sometimes zero does not turn up for two hundred rounds in succession. I assure you that you may lose all your capital." "You are wrong utterly wrong. Stake, I tell you! What a chattering tongue you have! I know perfectly well what I am doing." The old lady was shaking with excitement. "But the rules do not allow of more than 120 g lden being staked upon zero at a time." "How do not allow ? Surely you are wrong? Monsieur, monsieur"<\|quote\|>here she nudged the croupier who was sitting on her left, and preparing to spin</\|quote\|>"combien zero? Douze? Douze?" I hastened to translate. "Oui, Madame," was the croupier s polite reply. "No single stake must exceed four thousand florins. That is the regulation." "Then there is nothing else for it. We must risk in g lden." "Le jeu est fait!" the croupier called. The wheel revolved, and stopped at thirty. We had lost! "Again, again, again! Stake again!" shouted the old lady. Without attempting to oppose her further, but merely shrugging my shoulders, I placed twelve more ten-g lden pieces upon the table. The wheel whirled around and around, with the Grandmother simply quaking as she watched its revolutions. "Does she again think that zero is going to be the winning coup?" thought I, as I stared at her in astonishment. Yet an absolute assurance of winning was shining on her face; she looked perfectly convinced that zero was about to be called again. At length the ball dropped off into one of the notches. "Zero!" cried the croupier. "Ah!!!" screamed the old lady as she turned to me in a whirl of triumph. I myself was at heart a gambler. At that moment I became acutely conscious both of that fact and of the	this time. The moment we cease to stake, that cursed zero will come turning up, and we shall get nothing." "My good Madame" "Stake, stake! It is not _your_ money." Accordingly I staked two ten-g lden pieces. The ball went hopping round the wheel until it began to settle through the notches. Meanwhile the Grandmother sat as though petrified, with my hand convulsively clutched in hers. "Zero!" called the croupier. "There! You see, you see!" cried the old lady, as she turned and faced me, wreathed in smiles. "I told you so! It was the Lord God himself who suggested to me to stake those two coins. Now, how much ought I to receive? Why do they not pay it out to me? Potapitch! Martha! Where are they? What has become of our party? Potapitch, Potapitch!" "Presently, Madame," I whispered. "Potapitch is outside, and they would decline to admit him to these rooms. See! You are being paid out your money. Pray take it." The croupiers were making up a heavy packet of coins, sealed in blue paper, and containing fifty ten g lden pieces, together with an unsealed packet containing another twenty. I handed the whole to the old lady in a money-shovel. "Faites le jeu, messieurs! Faites le jeu, messieurs! Rien ne va plus," proclaimed the croupier as once more he invited the company to stake, and prepared to turn the wheel. "We shall be too late! He is going to spin again! Stake, stake!" The Grandmother was in a perfect fever. "Do not hang back! Be quick!" She seemed almost beside herself, and nudged me as hard as she could. "Upon what shall I stake, Madame?" "Upon zero, upon zero! Again upon zero! Stake as much as ever you can. How much have we got? Seventy ten-g lden pieces? We shall not miss them, so stake twenty pieces at a time." "Think a moment, Madame. Sometimes zero does not turn up for two hundred rounds in succession. I assure you that you may lose all your capital." "You are wrong utterly wrong. Stake, I tell you! What a chattering tongue you have! I know perfectly well what I am doing." The old lady was shaking with excitement. "But the rules do not allow of more than 120 g lden being staked upon zero at a time." "How do not allow ? Surely you are wrong? Monsieur, monsieur"<\|quote\|>here she nudged the croupier who was sitting on her left, and preparing to spin</\|quote\|>"combien zero? Douze? Douze?" I hastened to translate. "Oui, Madame," was the croupier s polite reply. "No single stake must exceed four thousand florins. That is the regulation." "Then there is nothing else for it. We must risk in g lden." "Le jeu est fait!" the croupier called. The wheel revolved, and stopped at thirty. We had lost! "Again, again, again! Stake again!" shouted the old lady. Without attempting to oppose her further, but merely shrugging my shoulders, I placed twelve more ten-g lden pieces upon the table. The wheel whirled around and around, with the Grandmother simply quaking as she watched its revolutions. "Does she again think that zero is going to be the winning coup?" thought I, as I stared at her in astonishment. Yet an absolute assurance of winning was shining on her face; she looked perfectly convinced that zero was about to be called again. At length the ball dropped off into one of the notches. "Zero!" cried the croupier. "Ah!!!" screamed the old lady as she turned to me in a whirl of triumph. I myself was at heart a gambler. At that moment I became acutely conscious both of that fact and of the fact that my hands and knees were shaking, and that the blood was beating in my brain. Of course this was a rare occasion an occasion on which zero had turned up no less than three times within a dozen rounds; yet in such an event there was nothing so very surprising, seeing that, only three days ago, I myself had been a witness to zero turning up _three times in succession_, so that one of the players who was recording the coups on paper was moved to remark that for several days past zero had never turned up at all! With the Grandmother, as with any one who has won a very large sum, the management settled up with great attention and respect, since she was fortunate to have to receive no less than 4200 g lden. Of these g lden the odd 200 were paid her in gold, and the remainder in bank notes. This time the old lady did not call for Potapitch; for that she was too preoccupied. Though not outwardly shaken by the event (indeed, she seemed perfectly calm), she was trembling inwardly from head to foot. At length, completely absorbed in the game, she	was vastly pleased. "But what is zero?" she inquired. "Just now I heard the flaxen-haired croupier call out zero! And why does he keep raking in all the money that is on the table? To think that he should grab the whole pile for himself! What does zero mean?" "Zero is what the bank takes for itself. If the wheel stops at that figure, everything lying on the table becomes the absolute property of the bank. Also, whenever the wheel has begun to turn, the bank ceases to pay out anything." "Then I should receive nothing if I were staking?" "No; unless by any chance you had _purposely_ staked on zero; in which case you would receive thirty-five times the value of your stake." "Why thirty-five times, when zero so often turns up? And if so, why do not more of these fools stake upon it?" "Because the number of chances against its occurrence is thirty-six." "Rubbish! Potapitch, Potapitch! Come here, and I will give you some money." The old lady took out of her pocket a tightly-clasped purse, and extracted from its depths a ten-g lden piece. "Go at once, and stake that upon zero." "But, Madame, zero has only this moment turned up," I remonstrated; "wherefore, it may not do so again for ever so long. Wait a little, and you may then have a better chance." "Rubbish! Stake, please." "Pardon me, but zero might not turn up again until, say, tonight, even though you had staked thousands upon it. It often happens so." "Rubbish, rubbish! Who fears the wolf should never enter the forest. What? We have lost? Then stake again." A second ten-g lden piece did we lose, and then I put down a third. The Grandmother could scarcely remain seated in her chair, so intent was she upon the little ball as it leapt through the notches of the ever-revolving wheel. However, the third ten-g lden piece followed the first two. Upon this the Grandmother went perfectly crazy. She could no longer sit still, and actually struck the table with her fist when the croupier cried out, "Trente-six," instead of the desiderated zero. "To listen to him!" fumed the old lady. "When will that accursed zero ever turn up? I cannot breathe until I see it. I believe that that infernal croupier is _purposely_ keeping it from turning up. Alexis Ivanovitch, stake TWO golden pieces this time. The moment we cease to stake, that cursed zero will come turning up, and we shall get nothing." "My good Madame" "Stake, stake! It is not _your_ money." Accordingly I staked two ten-g lden pieces. The ball went hopping round the wheel until it began to settle through the notches. Meanwhile the Grandmother sat as though petrified, with my hand convulsively clutched in hers. "Zero!" called the croupier. "There! You see, you see!" cried the old lady, as she turned and faced me, wreathed in smiles. "I told you so! It was the Lord God himself who suggested to me to stake those two coins. Now, how much ought I to receive? Why do they not pay it out to me? Potapitch! Martha! Where are they? What has become of our party? Potapitch, Potapitch!" "Presently, Madame," I whispered. "Potapitch is outside, and they would decline to admit him to these rooms. See! You are being paid out your money. Pray take it." The croupiers were making up a heavy packet of coins, sealed in blue paper, and containing fifty ten g lden pieces, together with an unsealed packet containing another twenty. I handed the whole to the old lady in a money-shovel. "Faites le jeu, messieurs! Faites le jeu, messieurs! Rien ne va plus," proclaimed the croupier as once more he invited the company to stake, and prepared to turn the wheel. "We shall be too late! He is going to spin again! Stake, stake!" The Grandmother was in a perfect fever. "Do not hang back! Be quick!" She seemed almost beside herself, and nudged me as hard as she could. "Upon what shall I stake, Madame?" "Upon zero, upon zero! Again upon zero! Stake as much as ever you can. How much have we got? Seventy ten-g lden pieces? We shall not miss them, so stake twenty pieces at a time." "Think a moment, Madame. Sometimes zero does not turn up for two hundred rounds in succession. I assure you that you may lose all your capital." "You are wrong utterly wrong. Stake, I tell you! What a chattering tongue you have! I know perfectly well what I am doing." The old lady was shaking with excitement. "But the rules do not allow of more than 120 g lden being staked upon zero at a time." "How do not allow ? Surely you are wrong? Monsieur, monsieur"<\|quote\|>here she nudged the croupier who was sitting on her left, and preparing to spin</\|quote\|>"combien zero? Douze? Douze?" I hastened to translate. "Oui, Madame," was the croupier s polite reply. "No single stake must exceed four thousand florins. That is the regulation." "Then there is nothing else for it. We must risk in g lden." "Le jeu est fait!" the croupier called. The wheel revolved, and stopped at thirty. We had lost! "Again, again, again! Stake again!" shouted the old lady. Without attempting to oppose her further, but merely shrugging my shoulders, I placed twelve more ten-g lden pieces upon the table. The wheel whirled around and around, with the Grandmother simply quaking as she watched its revolutions. "Does she again think that zero is going to be the winning coup?" thought I, as I stared at her in astonishment. Yet an absolute assurance of winning was shining on her face; she looked perfectly convinced that zero was about to be called again. At length the ball dropped off into one of the notches. "Zero!" cried the croupier. "Ah!!!" screamed the old lady as she turned to me in a whirl of triumph. I myself was at heart a gambler. At that moment I became acutely conscious both of that fact and of the fact that my hands and knees were shaking, and that the blood was beating in my brain. Of course this was a rare occasion an occasion on which zero had turned up no less than three times within a dozen rounds; yet in such an event there was nothing so very surprising, seeing that, only three days ago, I myself had been a witness to zero turning up _three times in succession_, so that one of the players who was recording the coups on paper was moved to remark that for several days past zero had never turned up at all! With the Grandmother, as with any one who has won a very large sum, the management settled up with great attention and respect, since she was fortunate to have to receive no less than 4200 g lden. Of these g lden the odd 200 were paid her in gold, and the remainder in bank notes. This time the old lady did not call for Potapitch; for that she was too preoccupied. Though not outwardly shaken by the event (indeed, she seemed perfectly calm), she was trembling inwardly from head to foot. At length, completely absorbed in the game, she burst out: "Alexis Ivanovitch, did not the croupier just say that 4000 florins were the most that could be staked at any one time? Well, take these 4000, and stake them upon the red." To oppose her was useless. Once more the wheel revolved. "Rouge!" proclaimed the croupier. Again 4000 florins in all 8000! "Give me them," commanded the Grandmother, "and stake the other 4000 upon the red again." I did so. "Rouge!" proclaimed the croupier. "Twelve thousand!" cried the old lady. "Hand me the whole lot. Put the gold into this purse here, and count the bank notes. Enough! Let us go home. Wheel my chair away." XI The chair, with the old lady beaming in it, was wheeled away towards the doors at the further end of the salon, while our party hastened to crowd around her, and to offer her their congratulations. In fact, eccentric as was her conduct, it was also overshadowed by her triumph; with the result that the General no longer feared to be publicly compromised by being seen with such a strange woman, but, smiling in a condescending, cheerfully familiar way, as though he were soothing a child, he offered his greetings to the old lady. At the same time, both he and the rest of the spectators were visibly impressed. Everywhere people kept pointing to the Grandmother, and talking about her. Many people even walked beside her chair, in order to view her the better while, at a little distance, Astley was carrying on a conversation on the subject with two English acquaintances of his. De Griers was simply overflowing with smiles and compliments, and a number of fine ladies were staring at the Grandmother as though she had been something curious. "Quelle victoire!" exclaimed De Griers. "Mais, Madame, c tait du feu!" added Mlle. Blanche with an elusive smile. "Yes, I have won twelve thousand florins," replied the old lady. "And then there is all this gold. With it the total ought to come to nearly thirteen thousand. How much is that in Russian money? Six thousand roubles, I think?" However, I calculated that the sum would exceed seven thousand roubles or, at the present rate of exchange, even eight thousand. "Eight thousand roubles! What a splendid thing! And to think of you simpletons sitting there and doing nothing! Potapitch! Martha! See what I have won!" "How _did_ you do it,	sealed in blue paper, and containing fifty ten g lden pieces, together with an unsealed packet containing another twenty. I handed the whole to the old lady in a money-shovel. "Faites le jeu, messieurs! Faites le jeu, messieurs! Rien ne va plus," proclaimed the croupier as once more he invited the company to stake, and prepared to turn the wheel. "We shall be too late! He is going to spin again! Stake, stake!" The Grandmother was in a perfect fever. "Do not hang back! Be quick!" She seemed almost beside herself, and nudged me as hard as she could. "Upon what shall I stake, Madame?" "Upon zero, upon zero! Again upon zero! Stake as much as ever you can. How much have we got? Seventy ten-g lden pieces? We shall not miss them, so stake twenty pieces at a time." "Think a moment, Madame. Sometimes zero does not turn up for two hundred rounds in succession. I assure you that you may lose all your capital." "You are wrong utterly wrong. Stake, I tell you! What a chattering tongue you have! I know perfectly well what I am doing." The old lady was shaking with excitement. "But the rules do not allow of more than 120 g lden being staked upon zero at a time." "How do not allow ? Surely you are wrong? Monsieur, monsieur"<\|quote\|>here she nudged the croupier who was sitting on her left, and preparing to spin</\|quote\|>"combien zero? Douze? Douze?" I hastened to translate. "Oui, Madame," was the croupier s polite reply. "No single stake must exceed four thousand florins. That is the regulation." "Then there is nothing else for it. We must risk in g lden." "Le jeu est fait!" the croupier called. The wheel revolved, and stopped at thirty. We had lost! "Again, again, again! Stake again!" shouted the old lady. Without attempting to oppose her further, but merely shrugging my shoulders, I placed twelve more ten-g lden pieces upon the table. The wheel whirled around and around, with the Grandmother simply quaking as she watched its revolutions. "Does she again think that zero is going to be the winning coup?" thought I, as I stared at her in astonishment. Yet an absolute assurance of winning was shining on her face; she looked perfectly convinced that zero was about to be called again. At length the ball dropped off into one of the notches. "Zero!" cried the croupier. "Ah!!!" screamed the old lady as she turned to me in a whirl of triumph. I myself was at heart a gambler. At that moment I became acutely conscious both of that fact and of the fact that my hands and knees were shaking, and that the blood was beating in my brain. Of course this was a rare occasion an occasion on which zero had turned up no less than three times within a dozen rounds; yet in such an event there was nothing so very surprising, seeing that, only three days ago, I myself had been a witness to	The Gambler
"Dow."	Barney	lad who held the door.<\|quote\|>"Dow."</\|quote\|>Noah exchanged a look with	had entered. "Hist!" cried the lad who held the door.<\|quote\|>"Dow."</\|quote\|>Noah exchanged a look with Fagin, and darted out. "To	the girl came out. Fagin drew him behind a small partition which was curtained off, and they held their breaths as she passed within a few feet of their place of concealment, and emerged by the door at which they had entered. "Hist!" cried the lad who held the door.<\|quote\|>"Dow."</\|quote\|>Noah exchanged a look with Fagin, and darted out. "To the left," whispered the lad; "take the left had, and keep od the other side." He did so; and, by the light of the lamps, saw the girl's retreating figure, already at some distance before him. He advanced as near	the room adjoining, and, under pretence of snuffing the candle, moved it in the required position, and, speaking to the girl, caused her to raise her face. "I see her now," cried the spy. "Plainly?" "I should know her among a thousand." He hastily descended, as the room-door opened, and the girl came out. Fagin drew him behind a small partition which was curtained off, and they held their breaths as she passed within a few feet of their place of concealment, and emerged by the door at which they had entered. "Hist!" cried the lad who held the door.<\|quote\|>"Dow."</\|quote\|>Noah exchanged a look with Fagin, and darted out. "To the left," whispered the lad; "take the left had, and keep od the other side." He did so; and, by the light of the lamps, saw the girl's retreating figure, already at some distance before him. He advanced as near as he considered prudent, and kept on the opposite side of the street, the better to observe her motions. She looked nervously round, twice or thrice, and once stopped to let two men who were following close behind her, pass on. She seemed to gather courage as she advanced, and	They entered, without noise; and the door was closed behind them. Scarcely venturing to whisper, but substituting dumb show for words, Fagin, and the young Jew who had admitted them, pointed out the pane of glass to Noah, and signed to him to climb up and observe the person in the adjoining room. "Is that the woman?" he asked, scarcely above his breath. Fagin nodded yes. "I can't see her face well," whispered Noah. "She is looking down, and the candle is behind her." "Stay there," whispered Fagin. He signed to Barney, who withdrew. In an instant, the lad entered the room adjoining, and, under pretence of snuffing the candle, moved it in the required position, and, speaking to the girl, caused her to raise her face. "I see her now," cried the spy. "Plainly?" "I should know her among a thousand." He hastily descended, as the room-door opened, and the girl came out. Fagin drew him behind a small partition which was curtained off, and they held their breaths as she passed within a few feet of their place of concealment, and emerged by the door at which they had entered. "Hist!" cried the lad who held the door.<\|quote\|>"Dow."</\|quote\|>Noah exchanged a look with Fagin, and darted out. "To the left," whispered the lad; "take the left had, and keep od the other side." He did so; and, by the light of the lamps, saw the girl's retreating figure, already at some distance before him. He advanced as near as he considered prudent, and kept on the opposite side of the street, the better to observe her motions. She looked nervously round, twice or thrice, and once stopped to let two men who were following close behind her, pass on. She seemed to gather courage as she advanced, and to walk with a steadier and firmer step. The spy preserved the same relative distance between them, and followed: with his eye upon her. CHAPTER XLVI. THE APPOINTMENT KEPT The church clocks chimed three quarters past eleven, as two figures emerged on London Bridge. One, which advanced with a swift and rapid step, was that of a woman who looked eagerly about her as though in quest of some expected object; the other figure was that of a man, who slunk along in the deepest shadow he could find, and, at some distance, accommodated his pace to hers: stopping when	Fagin. "You keep ready, and leave the rest to me." That night, and the next, and the next again, the spy sat booted and equipped in his carter's dress: ready to turn out at a word from Fagin. Six nights passed six long weary nights and on each, Fagin came home with a disappointed face, and briefly intimated that it was not yet time. On the seventh, he returned earlier, and with an exultation he could not conceal. It was Sunday. "She goes abroad to-night," said Fagin, "and on the right errand, I'm sure; for she has been alone all day, and the man she is afraid of will not be back much before daybreak. Come with me. Quick!" Noah started up without saying a word; for the Jew was in a state of such intense excitement that it infected him. They left the house stealthily, and hurrying through a labyrinth of streets, arrived at length before a public-house, which Noah recognised as the same in which he had slept, on the night of his arrival in London. It was past eleven o'clock, and the door was closed. It opened softly on its hinges as Fagin gave a low whistle. They entered, without noise; and the door was closed behind them. Scarcely venturing to whisper, but substituting dumb show for words, Fagin, and the young Jew who had admitted them, pointed out the pane of glass to Noah, and signed to him to climb up and observe the person in the adjoining room. "Is that the woman?" he asked, scarcely above his breath. Fagin nodded yes. "I can't see her face well," whispered Noah. "She is looking down, and the candle is behind her." "Stay there," whispered Fagin. He signed to Barney, who withdrew. In an instant, the lad entered the room adjoining, and, under pretence of snuffing the candle, moved it in the required position, and, speaking to the girl, caused her to raise her face. "I see her now," cried the spy. "Plainly?" "I should know her among a thousand." He hastily descended, as the room-door opened, and the girl came out. Fagin drew him behind a small partition which was curtained off, and they held their breaths as she passed within a few feet of their place of concealment, and emerged by the door at which they had entered. "Hist!" cried the lad who held the door.<\|quote\|>"Dow."</\|quote\|>Noah exchanged a look with Fagin, and darted out. "To the left," whispered the lad; "take the left had, and keep od the other side." He did so; and, by the light of the lamps, saw the girl's retreating figure, already at some distance before him. He advanced as near as he considered prudent, and kept on the opposite side of the street, the better to observe her motions. She looked nervously round, twice or thrice, and once stopped to let two men who were following close behind her, pass on. She seemed to gather courage as she advanced, and to walk with a steadier and firmer step. The spy preserved the same relative distance between them, and followed: with his eye upon her. CHAPTER XLVI. THE APPOINTMENT KEPT The church clocks chimed three quarters past eleven, as two figures emerged on London Bridge. One, which advanced with a swift and rapid step, was that of a woman who looked eagerly about her as though in quest of some expected object; the other figure was that of a man, who slunk along in the deepest shadow he could find, and, at some distance, accommodated his pace to hers: stopping when she stopped: and as she moved again, creeping stealthily on: but never allowing himself, in the ardour of his pursuit, to gain upon her footsteps. Thus, they crossed the bridge, from the Middlesex to the Surrey shore, when the woman, apparently disappointed in her anxious scrutiny of the foot-passengers, turned back. The movement was sudden; but he who watched her, was not thrown off his guard by it; for, shrinking into one of the recesses which surmount the piers of the bridge, and leaning over the parapet the better to conceal his figure, he suffered her to pass on the opposite pavement. When she was about the same distance in advance as she had been before, he slipped quietly down, and followed her again. At nearly the centre of the bridge, she stopped. The man stopped too. It was a very dark night. The day had been unfavourable, and at that hour and place there were few people stirring. Such as there were, hurried quickly past: very possibly without seeing, but certainly without noticing, either the woman, or the man who kept her in view. Their appearance was not calculated to attract the importunate regards of such of London's destitute	by itself outside a public-house. I thought it might get rusty with the rain, or catch cold, yer know. Eh? Ha! ha! ha!" Fagin affected to laugh very heartily; and Mr. Bolter having had his laugh out, took a series of large bites, which finished his first hunk of bread and butter, and assisted himself to a second. "I want you, Bolter," said Fagin, leaning over the table, "to do a piece of work for me, my dear, that needs great care and caution." "I say," rejoined Bolter, "don't yer go shoving me into danger, or sending me any more o' yer police-offices. That don't suit me, that don't; and so I tell yer." "That's not the smallest danger in it not the very smallest," said the Jew; "it's only to dodge a woman." "An old woman?" demanded Mr. Bolter. "A young one," replied Fagin. "I can do that pretty well, I know," said Bolter. "I was a regular cunning sneak when I was at school. What am I to dodge her for? Not to" "Not to do anything, but to tell me where she goes, who she sees, and, if possible, what she says; to remember the street, if it is a street, or the house, if it is a house; and to bring me back all the information you can." "What'll yer give me?" asked Noah, setting down his cup, and looking his employer, eagerly, in the face. "If you do it well, a pound, my dear. One pound," said Fagin, wishing to interest him in the scent as much as possible. "And that's what I never gave yet, for any job of work where there wasn't valuable consideration to be gained." "Who is she?" inquired Noah. "One of us." "Oh Lor!" cried Noah, curling up his nose. "Yer doubtful of her, are yer?" "She has found out some new friends, my dear, and I must know who they are," replied Fagin. "I see," said Noah. "Just to have the pleasure of knowing them, if they're respectable people, eh? Ha! ha! ha! I'm your man." "I knew you would be," cried Fagin, elated by the success of his proposal. "Of course, of course," replied Noah. "Where is she? Where am I to wait for her? Where am I to go?" "All that, my dear, you shall hear from me. I'll point her out at the proper time," said Fagin. "You keep ready, and leave the rest to me." That night, and the next, and the next again, the spy sat booted and equipped in his carter's dress: ready to turn out at a word from Fagin. Six nights passed six long weary nights and on each, Fagin came home with a disappointed face, and briefly intimated that it was not yet time. On the seventh, he returned earlier, and with an exultation he could not conceal. It was Sunday. "She goes abroad to-night," said Fagin, "and on the right errand, I'm sure; for she has been alone all day, and the man she is afraid of will not be back much before daybreak. Come with me. Quick!" Noah started up without saying a word; for the Jew was in a state of such intense excitement that it infected him. They left the house stealthily, and hurrying through a labyrinth of streets, arrived at length before a public-house, which Noah recognised as the same in which he had slept, on the night of his arrival in London. It was past eleven o'clock, and the door was closed. It opened softly on its hinges as Fagin gave a low whistle. They entered, without noise; and the door was closed behind them. Scarcely venturing to whisper, but substituting dumb show for words, Fagin, and the young Jew who had admitted them, pointed out the pane of glass to Noah, and signed to him to climb up and observe the person in the adjoining room. "Is that the woman?" he asked, scarcely above his breath. Fagin nodded yes. "I can't see her face well," whispered Noah. "She is looking down, and the candle is behind her." "Stay there," whispered Fagin. He signed to Barney, who withdrew. In an instant, the lad entered the room adjoining, and, under pretence of snuffing the candle, moved it in the required position, and, speaking to the girl, caused her to raise her face. "I see her now," cried the spy. "Plainly?" "I should know her among a thousand." He hastily descended, as the room-door opened, and the girl came out. Fagin drew him behind a small partition which was curtained off, and they held their breaths as she passed within a few feet of their place of concealment, and emerged by the door at which they had entered. "Hist!" cried the lad who held the door.<\|quote\|>"Dow."</\|quote\|>Noah exchanged a look with Fagin, and darted out. "To the left," whispered the lad; "take the left had, and keep od the other side." He did so; and, by the light of the lamps, saw the girl's retreating figure, already at some distance before him. He advanced as near as he considered prudent, and kept on the opposite side of the street, the better to observe her motions. She looked nervously round, twice or thrice, and once stopped to let two men who were following close behind her, pass on. She seemed to gather courage as she advanced, and to walk with a steadier and firmer step. The spy preserved the same relative distance between them, and followed: with his eye upon her. CHAPTER XLVI. THE APPOINTMENT KEPT The church clocks chimed three quarters past eleven, as two figures emerged on London Bridge. One, which advanced with a swift and rapid step, was that of a woman who looked eagerly about her as though in quest of some expected object; the other figure was that of a man, who slunk along in the deepest shadow he could find, and, at some distance, accommodated his pace to hers: stopping when she stopped: and as she moved again, creeping stealthily on: but never allowing himself, in the ardour of his pursuit, to gain upon her footsteps. Thus, they crossed the bridge, from the Middlesex to the Surrey shore, when the woman, apparently disappointed in her anxious scrutiny of the foot-passengers, turned back. The movement was sudden; but he who watched her, was not thrown off his guard by it; for, shrinking into one of the recesses which surmount the piers of the bridge, and leaning over the parapet the better to conceal his figure, he suffered her to pass on the opposite pavement. When she was about the same distance in advance as she had been before, he slipped quietly down, and followed her again. At nearly the centre of the bridge, she stopped. The man stopped too. It was a very dark night. The day had been unfavourable, and at that hour and place there were few people stirring. Such as there were, hurried quickly past: very possibly without seeing, but certainly without noticing, either the woman, or the man who kept her in view. Their appearance was not calculated to attract the importunate regards of such of London's destitute population, as chanced to take their way over the bridge that night in search of some cold arch or doorless hovel wherein to lay their heads; they stood there in silence: neither speaking nor spoken to, by any one who passed. A mist hung over the river, deepening the red glare of the fires that burnt upon the small craft moored off the different wharfs, and rendering darker and more indistinct the murky buildings on the banks. The old smoke-stained storehouses on either side, rose heavy and dull from the dense mass of roofs and gables, and frowned sternly upon water too black to reflect even their lumbering shapes. The tower of old Saint Saviour's Church, and the spire of Saint Magnus, so long the giant-warders of the ancient bridge, were visible in the gloom; but the forest of shipping below bridge, and the thickly scattered spires of churches above, were nearly all hidden from sight. The girl had taken a few restless turns to and fro closely watched meanwhile by her hidden observer when the heavy bell of St. Paul's tolled for the death of another day. Midnight had come upon the crowded city. The palace, the night-cellar, the jail, the madhouse: the chambers of birth and death, of health and sickness, the rigid face of the corpse and the calm sleep of the child: midnight was upon them all. The hour had not struck two minutes, when a young lady, accompanied by a grey-haired gentleman, alighted from a hackney-carriage within a short distance of the bridge, and, having dismissed the vehicle, walked straight towards it. They had scarcely set foot upon its pavement, when the girl started, and immediately made towards them. They walked onward, looking about them with the air of persons who entertained some very slight expectation which had little chance of being realised, when they were suddenly joined by this new associate. They halted with an exclamation of surprise, but suppressed it immediately; for a man in the garments of a countryman came close up brushed against them, indeed at that precise moment. "Not here," said Nancy hurriedly, "I am afraid to speak to you here. Come away out of the public road down the steps yonder!" As she uttered these words, and indicated, with her hand, the direction in which she wished them to proceed, the countryman looked round, and roughly asking what they	am I to go?" "All that, my dear, you shall hear from me. I'll point her out at the proper time," said Fagin. "You keep ready, and leave the rest to me." That night, and the next, and the next again, the spy sat booted and equipped in his carter's dress: ready to turn out at a word from Fagin. Six nights passed six long weary nights and on each, Fagin came home with a disappointed face, and briefly intimated that it was not yet time. On the seventh, he returned earlier, and with an exultation he could not conceal. It was Sunday. "She goes abroad to-night," said Fagin, "and on the right errand, I'm sure; for she has been alone all day, and the man she is afraid of will not be back much before daybreak. Come with me. Quick!" Noah started up without saying a word; for the Jew was in a state of such intense excitement that it infected him. They left the house stealthily, and hurrying through a labyrinth of streets, arrived at length before a public-house, which Noah recognised as the same in which he had slept, on the night of his arrival in London. It was past eleven o'clock, and the door was closed. It opened softly on its hinges as Fagin gave a low whistle. They entered, without noise; and the door was closed behind them. Scarcely venturing to whisper, but substituting dumb show for words, Fagin, and the young Jew who had admitted them, pointed out the pane of glass to Noah, and signed to him to climb up and observe the person in the adjoining room. "Is that the woman?" he asked, scarcely above his breath. Fagin nodded yes. "I can't see her face well," whispered Noah. "She is looking down, and the candle is behind her." "Stay there," whispered Fagin. He signed to Barney, who withdrew. In an instant, the lad entered the room adjoining, and, under pretence of snuffing the candle, moved it in the required position, and, speaking to the girl, caused her to raise her face. "I see her now," cried the spy. "Plainly?" "I should know her among a thousand." He hastily descended, as the room-door opened, and the girl came out. Fagin drew him behind a small partition which was curtained off, and they held their breaths as she passed within a few feet of their place of concealment, and emerged by the door at which they had entered. "Hist!" cried the lad who held the door.<\|quote\|>"Dow."</\|quote\|>Noah exchanged a look with Fagin, and darted out. "To the left," whispered the lad; "take the left had, and keep od the other side." He did so; and, by the light of the lamps, saw the girl's retreating figure, already at some distance before him. He advanced as near as he considered prudent, and kept on the opposite side of the street, the better to observe her motions. She looked nervously round, twice or thrice, and once stopped to let two men who were following close behind her, pass on. She seemed to gather courage as she advanced, and to walk with a steadier and firmer step. The spy preserved the same relative distance between them, and followed: with his eye upon her. CHAPTER XLVI. THE APPOINTMENT KEPT The church clocks chimed three quarters past eleven, as two figures emerged on London Bridge. One, which advanced with a swift and rapid step, was that of a woman who looked eagerly about her as though in quest of some expected object; the other figure was that of a man, who slunk along in the deepest shadow he could find, and, at some distance, accommodated his pace to hers: stopping when she stopped: and as she moved again, creeping stealthily on: but never allowing himself, in the ardour of his pursuit, to gain upon her footsteps. Thus, they crossed the bridge, from the Middlesex to the Surrey shore, when the woman, apparently disappointed in her anxious scrutiny of the foot-passengers, turned back. The movement was sudden; but he who watched her, was not thrown off his guard by it; for, shrinking into one of the recesses which surmount the piers of the bridge, and leaning over the parapet the better to conceal his figure, he suffered her to pass on the opposite pavement. When she was about the same distance in advance as she had been before, he slipped quietly down, and followed	Oliver Twist
"Oh! here it is. I was sure it could not be far off; but I had put my huswife upon it, you see, without being aware, and so it was quite hid, but I had it in my hand so very lately that I was almost sure it must be on the table. I was reading it to Mrs. Cole, and since she went away, I was reading it again to my mother, for it is such a pleasure to her--a letter from Jane--that she can never hear it often enough; so I knew it could not be far off, and here it is, only just under my huswife--and since you are so kind as to wish to hear what she says;--but, first of all, I really must, in justice to Jane, apologise for her writing so short a letter--only two pages you see--hardly two--and in general she fills the whole paper and crosses half. My mother often wonders that I can make it out so well. She often says, when the letter is first opened,"	Miss Bates	eagerly hunting for the letter.--"<\|quote\|>"Oh! here it is. I was sure it could not be far off; but I had put my huswife upon it, you see, without being aware, and so it was quite hid, but I had it in my hand so very lately that I was almost sure it must be on the table. I was reading it to Mrs. Cole, and since she went away, I was reading it again to my mother, for it is such a pleasure to her--a letter from Jane--that she can never hear it often enough; so I knew it could not be far off, and here it is, only just under my huswife--and since you are so kind as to wish to hear what she says;--but, first of all, I really must, in justice to Jane, apologise for her writing so short a letter--only two pages you see--hardly two--and in general she fills the whole paper and crosses half. My mother often wonders that I can make it out so well. She often says, when the letter is first opened,"</\|quote\|>'Well, Hetty, now I think	the happily deceived aunt, while eagerly hunting for the letter.--"<\|quote\|>"Oh! here it is. I was sure it could not be far off; but I had put my huswife upon it, you see, without being aware, and so it was quite hid, but I had it in my hand so very lately that I was almost sure it must be on the table. I was reading it to Mrs. Cole, and since she went away, I was reading it again to my mother, for it is such a pleasure to her--a letter from Jane--that she can never hear it often enough; so I knew it could not be far off, and here it is, only just under my huswife--and since you are so kind as to wish to hear what she says;--but, first of all, I really must, in justice to Jane, apologise for her writing so short a letter--only two pages you see--hardly two--and in general she fills the whole paper and crosses half. My mother often wonders that I can make it out so well. She often says, when the letter is first opened,"</\|quote\|>'Well, Hetty, now I think you will be put to	me hear what she says.'" Emma's politeness was at hand directly, to say, with smiling interest-- "Have you heard from Miss Fairfax so lately? I am extremely happy. I hope she is well?" "Thank you. You are so kind!" replied the happily deceived aunt, while eagerly hunting for the letter.--"<\|quote\|>"Oh! here it is. I was sure it could not be far off; but I had put my huswife upon it, you see, without being aware, and so it was quite hid, but I had it in my hand so very lately that I was almost sure it must be on the table. I was reading it to Mrs. Cole, and since she went away, I was reading it again to my mother, for it is such a pleasure to her--a letter from Jane--that she can never hear it often enough; so I knew it could not be far off, and here it is, only just under my huswife--and since you are so kind as to wish to hear what she says;--but, first of all, I really must, in justice to Jane, apologise for her writing so short a letter--only two pages you see--hardly two--and in general she fills the whole paper and crosses half. My mother often wonders that I can make it out so well. She often says, when the letter is first opened,"</\|quote\|>'Well, Hetty, now I think you will be put to it to make out all that checker-work' "--don't you, ma'am?--And then I tell her, I am sure she would contrive to make it out herself, if she had nobody to do it for her--every word of it--I am sure she	because it is not her time for writing;' "and when I immediately said," 'But indeed we have, we had a letter this very morning,' "I do not know that I ever saw any body more surprized." 'Have you, upon your honour?' "said she;" 'well, that is quite unexpected. Do let me hear what she says.'" Emma's politeness was at hand directly, to say, with smiling interest-- "Have you heard from Miss Fairfax so lately? I am extremely happy. I hope she is well?" "Thank you. You are so kind!" replied the happily deceived aunt, while eagerly hunting for the letter.--"<\|quote\|>"Oh! here it is. I was sure it could not be far off; but I had put my huswife upon it, you see, without being aware, and so it was quite hid, but I had it in my hand so very lately that I was almost sure it must be on the table. I was reading it to Mrs. Cole, and since she went away, I was reading it again to my mother, for it is such a pleasure to her--a letter from Jane--that she can never hear it often enough; so I knew it could not be far off, and here it is, only just under my huswife--and since you are so kind as to wish to hear what she says;--but, first of all, I really must, in justice to Jane, apologise for her writing so short a letter--only two pages you see--hardly two--and in general she fills the whole paper and crosses half. My mother often wonders that I can make it out so well. She often says, when the letter is first opened,"</\|quote\|>'Well, Hetty, now I think you will be put to it to make out all that checker-work' "--don't you, ma'am?--And then I tell her, I am sure she would contrive to make it out herself, if she had nobody to do it for her--every word of it--I am sure she would pore over it till she had made out every word. And, indeed, though my mother's eyes are not so good as they were, she can see amazingly well still, thank God! with the help of spectacles. It is such a blessing! My mother's are really very good indeed. Jane	Elton, I understand--certainly as to dancing--Mrs. Cole was telling me that dancing at the rooms at Bath was--Mrs. Cole was so kind as to sit some time with us, talking of Jane; for as soon as she came in, she began inquiring after her, Jane is so very great a favourite there. Whenever she is with us, Mrs. Cole does not know how to shew her kindness enough; and I must say that Jane deserves it as much as any body can. And so she began inquiring after her directly, saying," 'I know you cannot have heard from Jane lately, because it is not her time for writing;' "and when I immediately said," 'But indeed we have, we had a letter this very morning,' "I do not know that I ever saw any body more surprized." 'Have you, upon your honour?' "said she;" 'well, that is quite unexpected. Do let me hear what she says.'" Emma's politeness was at hand directly, to say, with smiling interest-- "Have you heard from Miss Fairfax so lately? I am extremely happy. I hope she is well?" "Thank you. You are so kind!" replied the happily deceived aunt, while eagerly hunting for the letter.--"<\|quote\|>"Oh! here it is. I was sure it could not be far off; but I had put my huswife upon it, you see, without being aware, and so it was quite hid, but I had it in my hand so very lately that I was almost sure it must be on the table. I was reading it to Mrs. Cole, and since she went away, I was reading it again to my mother, for it is such a pleasure to her--a letter from Jane--that she can never hear it often enough; so I knew it could not be far off, and here it is, only just under my huswife--and since you are so kind as to wish to hear what she says;--but, first of all, I really must, in justice to Jane, apologise for her writing so short a letter--only two pages you see--hardly two--and in general she fills the whole paper and crosses half. My mother often wonders that I can make it out so well. She often says, when the letter is first opened,"</\|quote\|>'Well, Hetty, now I think you will be put to it to make out all that checker-work' "--don't you, ma'am?--And then I tell her, I am sure she would contrive to make it out herself, if she had nobody to do it for her--every word of it--I am sure she would pore over it till she had made out every word. And, indeed, though my mother's eyes are not so good as they were, she can see amazingly well still, thank God! with the help of spectacles. It is such a blessing! My mother's are really very good indeed. Jane often says, when she is here," 'I am sure, grandmama, you must have had very strong eyes to see as you do--and so much fine work as you have done too!--I only wish my eyes may last me as well.'" All this spoken extremely fast obliged Miss Bates to stop for breath; and Emma said something very civil about the excellence of Miss Fairfax's handwriting. "You are extremely kind," replied Miss Bates, highly gratified; "you who are such a judge, and write so beautifully yourself. I am sure there is nobody's praise that could give us so much pleasure as	piece too." The mention of the Coles was sure to be followed by that of Mr. Elton. There was intimacy between them, and Mr. Cole had heard from Mr. Elton since his going away. Emma knew what was coming; they must have the letter over again, and settle how long he had been gone, and how much he was engaged in company, and what a favourite he was wherever he went, and how full the Master of the Ceremonies' ball had been; and she went through it very well, with all the interest and all the commendation that could be requisite, and always putting forward to prevent Harriet's being obliged to say a word. This she had been prepared for when she entered the house; but meant, having once talked him handsomely over, to be no farther incommoded by any troublesome topic, and to wander at large amongst all the Mistresses and Misses of Highbury, and their card-parties. She had not been prepared to have Jane Fairfax succeed Mr. Elton; but he was actually hurried off by Miss Bates, she jumped away from him at last abruptly to the Coles, to usher in a letter from her niece. "Oh! yes--Mr. Elton, I understand--certainly as to dancing--Mrs. Cole was telling me that dancing at the rooms at Bath was--Mrs. Cole was so kind as to sit some time with us, talking of Jane; for as soon as she came in, she began inquiring after her, Jane is so very great a favourite there. Whenever she is with us, Mrs. Cole does not know how to shew her kindness enough; and I must say that Jane deserves it as much as any body can. And so she began inquiring after her directly, saying," 'I know you cannot have heard from Jane lately, because it is not her time for writing;' "and when I immediately said," 'But indeed we have, we had a letter this very morning,' "I do not know that I ever saw any body more surprized." 'Have you, upon your honour?' "said she;" 'well, that is quite unexpected. Do let me hear what she says.'" Emma's politeness was at hand directly, to say, with smiling interest-- "Have you heard from Miss Fairfax so lately? I am extremely happy. I hope she is well?" "Thank you. You are so kind!" replied the happily deceived aunt, while eagerly hunting for the letter.--"<\|quote\|>"Oh! here it is. I was sure it could not be far off; but I had put my huswife upon it, you see, without being aware, and so it was quite hid, but I had it in my hand so very lately that I was almost sure it must be on the table. I was reading it to Mrs. Cole, and since she went away, I was reading it again to my mother, for it is such a pleasure to her--a letter from Jane--that she can never hear it often enough; so I knew it could not be far off, and here it is, only just under my huswife--and since you are so kind as to wish to hear what she says;--but, first of all, I really must, in justice to Jane, apologise for her writing so short a letter--only two pages you see--hardly two--and in general she fills the whole paper and crosses half. My mother often wonders that I can make it out so well. She often says, when the letter is first opened,"</\|quote\|>'Well, Hetty, now I think you will be put to it to make out all that checker-work' "--don't you, ma'am?--And then I tell her, I am sure she would contrive to make it out herself, if she had nobody to do it for her--every word of it--I am sure she would pore over it till she had made out every word. And, indeed, though my mother's eyes are not so good as they were, she can see amazingly well still, thank God! with the help of spectacles. It is such a blessing! My mother's are really very good indeed. Jane often says, when she is here," 'I am sure, grandmama, you must have had very strong eyes to see as you do--and so much fine work as you have done too!--I only wish my eyes may last me as well.'" All this spoken extremely fast obliged Miss Bates to stop for breath; and Emma said something very civil about the excellence of Miss Fairfax's handwriting. "You are extremely kind," replied Miss Bates, highly gratified; "you who are such a judge, and write so beautifully yourself. I am sure there is nobody's praise that could give us so much pleasure as Miss Woodhouse's. My mother does not hear; she is a little deaf you know. Ma'am," addressing her, "do you hear what Miss Woodhouse is so obliging to say about Jane's handwriting?" And Emma had the advantage of hearing her own silly compliment repeated twice over before the good old lady could comprehend it. She was pondering, in the meanwhile, upon the possibility, without seeming very rude, of making her escape from Jane Fairfax's letter, and had almost resolved on hurrying away directly under some slight excuse, when Miss Bates turned to her again and seized her attention. "My mother's deafness is very trifling you see--just nothing at all. By only raising my voice, and saying any thing two or three times over, she is sure to hear; but then she is used to my voice. But it is very remarkable that she should always hear Jane better than she does me. Jane speaks so distinct! However, she will not find her grandmama at all deafer than she was two years ago; which is saying a great deal at my mother's time of life--and it really is full two years, you know, since she was here. We never were so long	rid of the subject as they returned;--but it burst out again when she thought she had succeeded, and after speaking some time of what the poor must suffer in winter, and receiving no other answer than a very plaintive--" "Mr. Elton is so good to the poor!" she found something else must be done. They were just approaching the house where lived Mrs. and Miss Bates. She determined to call upon them and seek safety in numbers. There was always sufficient reason for such an attention; Mrs. and Miss Bates loved to be called on, and she knew she was considered by the very few who presumed ever to see imperfection in her, as rather negligent in that respect, and as not contributing what she ought to the stock of their scanty comforts. She had had many a hint from Mr. Knightley and some from her own heart, as to her deficiency--but none were equal to counteract the persuasion of its being very disagreeable,--a waste of time--tiresome women--and all the horror of being in danger of falling in with the second-rate and third-rate of Highbury, who were calling on them for ever, and therefore she seldom went near them. But now she made the sudden resolution of not passing their door without going in--observing, as she proposed it to Harriet, that, as well as she could calculate, they were just now quite safe from any letter from Jane Fairfax. The house belonged to people in business. Mrs. and Miss Bates occupied the drawing-room floor; and there, in the very moderate-sized apartment, which was every thing to them, the visitors were most cordially and even gratefully welcomed; the quiet neat old lady, who with her knitting was seated in the warmest corner, wanting even to give up her place to Miss Woodhouse, and her more active, talking daughter, almost ready to overpower them with care and kindness, thanks for their visit, solicitude for their shoes, anxious inquiries after Mr. Woodhouse's health, cheerful communications about her mother's, and sweet-cake from the beaufet--"Mrs. Cole had just been there, just called in for ten minutes, and had been so good as to sit an hour with them, and _she_ had taken a piece of cake and been so kind as to say she liked it very much; and, therefore, she hoped Miss Woodhouse and Miss Smith would do them the favour to eat a piece too." The mention of the Coles was sure to be followed by that of Mr. Elton. There was intimacy between them, and Mr. Cole had heard from Mr. Elton since his going away. Emma knew what was coming; they must have the letter over again, and settle how long he had been gone, and how much he was engaged in company, and what a favourite he was wherever he went, and how full the Master of the Ceremonies' ball had been; and she went through it very well, with all the interest and all the commendation that could be requisite, and always putting forward to prevent Harriet's being obliged to say a word. This she had been prepared for when she entered the house; but meant, having once talked him handsomely over, to be no farther incommoded by any troublesome topic, and to wander at large amongst all the Mistresses and Misses of Highbury, and their card-parties. She had not been prepared to have Jane Fairfax succeed Mr. Elton; but he was actually hurried off by Miss Bates, she jumped away from him at last abruptly to the Coles, to usher in a letter from her niece. "Oh! yes--Mr. Elton, I understand--certainly as to dancing--Mrs. Cole was telling me that dancing at the rooms at Bath was--Mrs. Cole was so kind as to sit some time with us, talking of Jane; for as soon as she came in, she began inquiring after her, Jane is so very great a favourite there. Whenever she is with us, Mrs. Cole does not know how to shew her kindness enough; and I must say that Jane deserves it as much as any body can. And so she began inquiring after her directly, saying," 'I know you cannot have heard from Jane lately, because it is not her time for writing;' "and when I immediately said," 'But indeed we have, we had a letter this very morning,' "I do not know that I ever saw any body more surprized." 'Have you, upon your honour?' "said she;" 'well, that is quite unexpected. Do let me hear what she says.'" Emma's politeness was at hand directly, to say, with smiling interest-- "Have you heard from Miss Fairfax so lately? I am extremely happy. I hope she is well?" "Thank you. You are so kind!" replied the happily deceived aunt, while eagerly hunting for the letter.--"<\|quote\|>"Oh! here it is. I was sure it could not be far off; but I had put my huswife upon it, you see, without being aware, and so it was quite hid, but I had it in my hand so very lately that I was almost sure it must be on the table. I was reading it to Mrs. Cole, and since she went away, I was reading it again to my mother, for it is such a pleasure to her--a letter from Jane--that she can never hear it often enough; so I knew it could not be far off, and here it is, only just under my huswife--and since you are so kind as to wish to hear what she says;--but, first of all, I really must, in justice to Jane, apologise for her writing so short a letter--only two pages you see--hardly two--and in general she fills the whole paper and crosses half. My mother often wonders that I can make it out so well. She often says, when the letter is first opened,"</\|quote\|>'Well, Hetty, now I think you will be put to it to make out all that checker-work' "--don't you, ma'am?--And then I tell her, I am sure she would contrive to make it out herself, if she had nobody to do it for her--every word of it--I am sure she would pore over it till she had made out every word. And, indeed, though my mother's eyes are not so good as they were, she can see amazingly well still, thank God! with the help of spectacles. It is such a blessing! My mother's are really very good indeed. Jane often says, when she is here," 'I am sure, grandmama, you must have had very strong eyes to see as you do--and so much fine work as you have done too!--I only wish my eyes may last me as well.'" All this spoken extremely fast obliged Miss Bates to stop for breath; and Emma said something very civil about the excellence of Miss Fairfax's handwriting. "You are extremely kind," replied Miss Bates, highly gratified; "you who are such a judge, and write so beautifully yourself. I am sure there is nobody's praise that could give us so much pleasure as Miss Woodhouse's. My mother does not hear; she is a little deaf you know. Ma'am," addressing her, "do you hear what Miss Woodhouse is so obliging to say about Jane's handwriting?" And Emma had the advantage of hearing her own silly compliment repeated twice over before the good old lady could comprehend it. She was pondering, in the meanwhile, upon the possibility, without seeming very rude, of making her escape from Jane Fairfax's letter, and had almost resolved on hurrying away directly under some slight excuse, when Miss Bates turned to her again and seized her attention. "My mother's deafness is very trifling you see--just nothing at all. By only raising my voice, and saying any thing two or three times over, she is sure to hear; but then she is used to my voice. But it is very remarkable that she should always hear Jane better than she does me. Jane speaks so distinct! However, she will not find her grandmama at all deafer than she was two years ago; which is saying a great deal at my mother's time of life--and it really is full two years, you know, since she was here. We never were so long without seeing her before, and as I was telling Mrs. Cole, we shall hardly know how to make enough of her now." "Are you expecting Miss Fairfax here soon?" "Oh yes; next week." "Indeed!--that must be a very great pleasure." "Thank you. You are very kind. Yes, next week. Every body is so surprized; and every body says the same obliging things. I am sure she will be as happy to see her friends at Highbury, as they can be to see her. Yes, Friday or Saturday; she cannot say which, because Colonel Campbell will be wanting the carriage himself one of those days. So very good of them to send her the whole way! But they always do, you know. Oh yes, Friday or Saturday next. That is what she writes about. That is the reason of her writing out of rule, as we call it; for, in the common course, we should not have heard from her before next Tuesday or Wednesday." "Yes, so I imagined. I was afraid there could be little chance of my hearing any thing of Miss Fairfax to-day." "So obliging of you! No, we should not have heard, if it had not been for this particular circumstance, of her being to come here so soon. My mother is so delighted!--for she is to be three months with us at least. Three months, she says so, positively, as I am going to have the pleasure of reading to you. The case is, you see, that the Campbells are going to Ireland. Mrs. Dixon has persuaded her father and mother to come over and see her directly. They had not intended to go over till the summer, but she is so impatient to see them again--for till she married, last October, she was never away from them so much as a week, which must make it very strange to be in different kingdoms, I was going to say, but however different countries, and so she wrote a very urgent letter to her mother--or her father, I declare I do not know which it was, but we shall see presently in Jane's letter--wrote in Mr. Dixon's name as well as her own, to press their coming over directly, and they would give them the meeting in Dublin, and take them back to their country seat, Baly-craig, a beautiful place, I fancy. Jane has heard a great	and always putting forward to prevent Harriet's being obliged to say a word. This she had been prepared for when she entered the house; but meant, having once talked him handsomely over, to be no farther incommoded by any troublesome topic, and to wander at large amongst all the Mistresses and Misses of Highbury, and their card-parties. She had not been prepared to have Jane Fairfax succeed Mr. Elton; but he was actually hurried off by Miss Bates, she jumped away from him at last abruptly to the Coles, to usher in a letter from her niece. "Oh! yes--Mr. Elton, I understand--certainly as to dancing--Mrs. Cole was telling me that dancing at the rooms at Bath was--Mrs. Cole was so kind as to sit some time with us, talking of Jane; for as soon as she came in, she began inquiring after her, Jane is so very great a favourite there. Whenever she is with us, Mrs. Cole does not know how to shew her kindness enough; and I must say that Jane deserves it as much as any body can. And so she began inquiring after her directly, saying," 'I know you cannot have heard from Jane lately, because it is not her time for writing;' "and when I immediately said," 'But indeed we have, we had a letter this very morning,' "I do not know that I ever saw any body more surprized." 'Have you, upon your honour?' "said she;" 'well, that is quite unexpected. Do let me hear what she says.'" Emma's politeness was at hand directly, to say, with smiling interest-- "Have you heard from Miss Fairfax so lately? I am extremely happy. I hope she is well?" "Thank you. You are so kind!" replied the happily deceived aunt, while eagerly hunting for the letter.--"<\|quote\|>"Oh! here it is. I was sure it could not be far off; but I had put my huswife upon it, you see, without being aware, and so it was quite hid, but I had it in my hand so very lately that I was almost sure it must be on the table. I was reading it to Mrs. Cole, and since she went away, I was reading it again to my mother, for it is such a pleasure to her--a letter from Jane--that she can never hear it often enough; so I knew it could not be far off, and here it is, only just under my huswife--and since you are so kind as to wish to hear what she says;--but, first of all, I really must, in justice to Jane, apologise for her writing so short a letter--only two pages you see--hardly two--and in general she fills the whole paper and crosses half. My mother often wonders that I can make it out so well. She often says, when the letter is first opened,"</\|quote\|>'Well, Hetty, now I think you will be put to it to make out all that checker-work' "--don't you, ma'am?--And then I tell her, I am sure she would contrive to make it out herself, if she had nobody to do it for her--every word of it--I am sure she would pore over it till she had made out every word. And, indeed, though my mother's eyes are not so good as they were, she can see amazingly well still, thank God! with the help of spectacles. It is such a blessing! My mother's are really very good indeed. Jane often says, when she is here," 'I am sure, grandmama, you must have had very strong eyes to see as you do--and so much fine work as you have done too!--I only wish my eyes may last me as well.'" All this spoken extremely fast obliged Miss Bates to stop for breath; and Emma said something very civil about the excellence of Miss Fairfax's handwriting. "You are extremely kind," replied Miss Bates, highly gratified; "you who are such a judge, and write so beautifully yourself. I am sure there is nobody's praise that could give us so much pleasure as Miss Woodhouse's. My mother does not hear; she is a little deaf you know. Ma'am," addressing her, "do you hear what Miss Woodhouse is so obliging to say about Jane's handwriting?" And Emma had the advantage of hearing her own silly compliment repeated twice over before the good old lady could comprehend it. She was pondering, in the meanwhile, upon the possibility, without seeming very rude, of making her escape from Jane Fairfax's letter, and had almost resolved on hurrying away directly under some slight excuse, when Miss Bates turned to her again and seized her attention. "My mother's deafness is very trifling you see--just nothing at all. By only raising my voice, and saying any thing two or three times over, she is sure to hear; but then she is used to my voice. But it is very remarkable that she should always hear Jane better than she does me. Jane speaks so distinct! However, she will not find her grandmama at all deafer than she was two years ago; which is saying a great deal at my mother's time of life--and it really is full two years, you know, since she was here. We never were so long without seeing her before, and as I was telling Mrs. Cole, we shall hardly know how to make enough of her now." "Are you expecting Miss	Emma
"in telling you all this. I have not known you long to be sure, personally at least, but I have known you and all your family by description a great while; and as soon as I saw you, I felt almost as if you was an old acquaintance. Besides in the present case, I really thought some explanation was due to you after my making such particular inquiries about Edward s mother; and I am so unfortunate, that I have not a creature whose advice I can ask. Anne is the only person that knows of it, and she has no judgment at all; indeed, she does me a great deal more harm than good, for I am in constant fear of her betraying me. She does not know how to hold her tongue, as you must perceive, and I am sure I was in the greatest fright in the world t other day, when Edward s name was mentioned by Sir John, lest she should out with it all. You can t think how much I go through in my mind from it altogether. I only wonder that I am alive after what I have suffered for Edward s sake these last four years. Every thing in such suspense and uncertainty; and seeing him so seldom we can hardly meet above twice a-year. I am sure I wonder my heart is not quite broke."	Lucy Steele	liberty with you," said she,<\|quote\|>"in telling you all this. I have not known you long to be sure, personally at least, but I have known you and all your family by description a great while; and as soon as I saw you, I felt almost as if you was an old acquaintance. Besides in the present case, I really thought some explanation was due to you after my making such particular inquiries about Edward s mother; and I am so unfortunate, that I have not a creature whose advice I can ask. Anne is the only person that knows of it, and she has no judgment at all; indeed, she does me a great deal more harm than good, for I am in constant fear of her betraying me. She does not know how to hold her tongue, as you must perceive, and I am sure I was in the greatest fright in the world t other day, when Edward s name was mentioned by Sir John, lest she should out with it all. You can t think how much I go through in my mind from it altogether. I only wonder that I am alive after what I have suffered for Edward s sake these last four years. Every thing in such suspense and uncertainty; and seeing him so seldom we can hardly meet above twice a-year. I am sure I wonder my heart is not quite broke."</\|quote\|>Here she took out her	I was taking a great liberty with you," said she,<\|quote\|>"in telling you all this. I have not known you long to be sure, personally at least, but I have known you and all your family by description a great while; and as soon as I saw you, I felt almost as if you was an old acquaintance. Besides in the present case, I really thought some explanation was due to you after my making such particular inquiries about Edward s mother; and I am so unfortunate, that I have not a creature whose advice I can ask. Anne is the only person that knows of it, and she has no judgment at all; indeed, she does me a great deal more harm than good, for I am in constant fear of her betraying me. She does not know how to hold her tongue, as you must perceive, and I am sure I was in the greatest fright in the world t other day, when Edward s name was mentioned by Sir John, lest she should out with it all. You can t think how much I go through in my mind from it altogether. I only wonder that I am alive after what I have suffered for Edward s sake these last four years. Every thing in such suspense and uncertainty; and seeing him so seldom we can hardly meet above twice a-year. I am sure I wonder my heart is not quite broke."</\|quote\|>Here she took out her handkerchief; but Elinor did not	said this, she looked earnestly at Lucy, hoping to discover something in her countenance; perhaps the falsehood of the greatest part of what she had been saying; but Lucy s countenance suffered no change. "I was afraid you would think I was taking a great liberty with you," said she,<\|quote\|>"in telling you all this. I have not known you long to be sure, personally at least, but I have known you and all your family by description a great while; and as soon as I saw you, I felt almost as if you was an old acquaintance. Besides in the present case, I really thought some explanation was due to you after my making such particular inquiries about Edward s mother; and I am so unfortunate, that I have not a creature whose advice I can ask. Anne is the only person that knows of it, and she has no judgment at all; indeed, she does me a great deal more harm than good, for I am in constant fear of her betraying me. She does not know how to hold her tongue, as you must perceive, and I am sure I was in the greatest fright in the world t other day, when Edward s name was mentioned by Sir John, lest she should out with it all. You can t think how much I go through in my mind from it altogether. I only wonder that I am alive after what I have suffered for Edward s sake these last four years. Every thing in such suspense and uncertainty; and seeing him so seldom we can hardly meet above twice a-year. I am sure I wonder my heart is not quite broke."</\|quote\|>Here she took out her handkerchief; but Elinor did not feel very compassionate. "Sometimes." continued Lucy, after wiping her eyes, "I think whether it would not be better for us both to break off the matter entirely." As she said this, she looked directly at her companion. "But then at	more than justice in imagining that I may be depended on. Your secret is safe with me; but pardon me if I express some surprise at so unnecessary a communication. You must at least have felt that my being acquainted with it could not add to its safety." As she said this, she looked earnestly at Lucy, hoping to discover something in her countenance; perhaps the falsehood of the greatest part of what she had been saying; but Lucy s countenance suffered no change. "I was afraid you would think I was taking a great liberty with you," said she,<\|quote\|>"in telling you all this. I have not known you long to be sure, personally at least, but I have known you and all your family by description a great while; and as soon as I saw you, I felt almost as if you was an old acquaintance. Besides in the present case, I really thought some explanation was due to you after my making such particular inquiries about Edward s mother; and I am so unfortunate, that I have not a creature whose advice I can ask. Anne is the only person that knows of it, and she has no judgment at all; indeed, she does me a great deal more harm than good, for I am in constant fear of her betraying me. She does not know how to hold her tongue, as you must perceive, and I am sure I was in the greatest fright in the world t other day, when Edward s name was mentioned by Sir John, lest she should out with it all. You can t think how much I go through in my mind from it altogether. I only wonder that I am alive after what I have suffered for Edward s sake these last four years. Every thing in such suspense and uncertainty; and seeing him so seldom we can hardly meet above twice a-year. I am sure I wonder my heart is not quite broke."</\|quote\|>Here she took out her handkerchief; but Elinor did not feel very compassionate. "Sometimes." continued Lucy, after wiping her eyes, "I think whether it would not be better for us both to break off the matter entirely." As she said this, she looked directly at her companion. "But then at other times I have not resolution enough for it. I cannot bear the thoughts of making him so miserable, as I know the very mention of such a thing would do. And on my own account too so dear as he is to me I don t think I could	for it the very first opportunity." "You are quite in the right," replied Elinor calmly. They then proceeded a few paces in silence. Lucy spoke first. "I am sure," said she, "I have no doubt in the world of your faithfully keeping this secret, because you must know of what importance it is to us, not to have it reach his mother; for she would never approve of it, I dare say. I shall have no fortune, and I fancy she is an exceeding proud woman." "I certainly did not seek your confidence," said Elinor; "but you do me no more than justice in imagining that I may be depended on. Your secret is safe with me; but pardon me if I express some surprise at so unnecessary a communication. You must at least have felt that my being acquainted with it could not add to its safety." As she said this, she looked earnestly at Lucy, hoping to discover something in her countenance; perhaps the falsehood of the greatest part of what she had been saying; but Lucy s countenance suffered no change. "I was afraid you would think I was taking a great liberty with you," said she,<\|quote\|>"in telling you all this. I have not known you long to be sure, personally at least, but I have known you and all your family by description a great while; and as soon as I saw you, I felt almost as if you was an old acquaintance. Besides in the present case, I really thought some explanation was due to you after my making such particular inquiries about Edward s mother; and I am so unfortunate, that I have not a creature whose advice I can ask. Anne is the only person that knows of it, and she has no judgment at all; indeed, she does me a great deal more harm than good, for I am in constant fear of her betraying me. She does not know how to hold her tongue, as you must perceive, and I am sure I was in the greatest fright in the world t other day, when Edward s name was mentioned by Sir John, lest she should out with it all. You can t think how much I go through in my mind from it altogether. I only wonder that I am alive after what I have suffered for Edward s sake these last four years. Every thing in such suspense and uncertainty; and seeing him so seldom we can hardly meet above twice a-year. I am sure I wonder my heart is not quite broke."</\|quote\|>Here she took out her handkerchief; but Elinor did not feel very compassionate. "Sometimes." continued Lucy, after wiping her eyes, "I think whether it would not be better for us both to break off the matter entirely." As she said this, she looked directly at her companion. "But then at other times I have not resolution enough for it. I cannot bear the thoughts of making him so miserable, as I know the very mention of such a thing would do. And on my own account too so dear as he is to me I don t think I could be equal to it. What would you advise me to do in such a case, Miss Dashwood? What would you do yourself?" "Pardon me," replied Elinor, startled by the question; "but I can give you no advice under such circumstances. Your own judgment must direct you." "To be sure," continued Lucy, after a few minutes silence on both sides, "his mother must provide for him sometime or other; but poor Edward is so cast down by it! Did you not think him dreadful low-spirited when he was at Barton? He was so miserable when he left us at Longstaple, to	it." She was silent. Elinor s security sunk; but her self-command did not sink with it. "Four years you have been engaged," said she with a firm voice. "Yes; and heaven knows how much longer we may have to wait. Poor Edward! It puts him quite out of heart." Then taking a small miniature from her pocket, she added, "To prevent the possibility of mistake, be so good as to look at this face. It does not do him justice, to be sure, but yet I think you cannot be deceived as to the person it was drew for. I have had it above these three years." She put it into her hands as she spoke; and when Elinor saw the painting, whatever other doubts her fear of a too hasty decision, or her wish of detecting falsehood might suffer to linger in her mind, she could have none of its being Edward s face. She returned it almost instantly, acknowledging the likeness. "I have never been able," continued Lucy, "to give him my picture in return, which I am very much vexed at, for he has been always so anxious to get it! But I am determined to set for it the very first opportunity." "You are quite in the right," replied Elinor calmly. They then proceeded a few paces in silence. Lucy spoke first. "I am sure," said she, "I have no doubt in the world of your faithfully keeping this secret, because you must know of what importance it is to us, not to have it reach his mother; for she would never approve of it, I dare say. I shall have no fortune, and I fancy she is an exceeding proud woman." "I certainly did not seek your confidence," said Elinor; "but you do me no more than justice in imagining that I may be depended on. Your secret is safe with me; but pardon me if I express some surprise at so unnecessary a communication. You must at least have felt that my being acquainted with it could not add to its safety." As she said this, she looked earnestly at Lucy, hoping to discover something in her countenance; perhaps the falsehood of the greatest part of what she had been saying; but Lucy s countenance suffered no change. "I was afraid you would think I was taking a great liberty with you," said she,<\|quote\|>"in telling you all this. I have not known you long to be sure, personally at least, but I have known you and all your family by description a great while; and as soon as I saw you, I felt almost as if you was an old acquaintance. Besides in the present case, I really thought some explanation was due to you after my making such particular inquiries about Edward s mother; and I am so unfortunate, that I have not a creature whose advice I can ask. Anne is the only person that knows of it, and she has no judgment at all; indeed, she does me a great deal more harm than good, for I am in constant fear of her betraying me. She does not know how to hold her tongue, as you must perceive, and I am sure I was in the greatest fright in the world t other day, when Edward s name was mentioned by Sir John, lest she should out with it all. You can t think how much I go through in my mind from it altogether. I only wonder that I am alive after what I have suffered for Edward s sake these last four years. Every thing in such suspense and uncertainty; and seeing him so seldom we can hardly meet above twice a-year. I am sure I wonder my heart is not quite broke."</\|quote\|>Here she took out her handkerchief; but Elinor did not feel very compassionate. "Sometimes." continued Lucy, after wiping her eyes, "I think whether it would not be better for us both to break off the matter entirely." As she said this, she looked directly at her companion. "But then at other times I have not resolution enough for it. I cannot bear the thoughts of making him so miserable, as I know the very mention of such a thing would do. And on my own account too so dear as he is to me I don t think I could be equal to it. What would you advise me to do in such a case, Miss Dashwood? What would you do yourself?" "Pardon me," replied Elinor, startled by the question; "but I can give you no advice under such circumstances. Your own judgment must direct you." "To be sure," continued Lucy, after a few minutes silence on both sides, "his mother must provide for him sometime or other; but poor Edward is so cast down by it! Did you not think him dreadful low-spirited when he was at Barton? He was so miserable when he left us at Longstaple, to go to you, that I was afraid you would think him quite ill." "Did he come from your uncle s, then, when he visited us?" "Oh, yes; he had been staying a fortnight with us. Did you think he came directly from town?" "No," replied Elinor, most feelingly sensible of every fresh circumstance in favour of Lucy s veracity; "I remember he told us, that he had been staying a fortnight with some friends near Plymouth." She remembered too, her own surprise at the time, at his mentioning nothing farther of those friends, at his total silence with respect even to their names. "Did not you think him sadly out of spirits?" repeated Lucy. "We did, indeed, particularly so when he first arrived." "I begged him to exert himself for fear you should suspect what was the matter; but it made him so melancholy, not being able to stay more than a fortnight with us, and seeing me so much affected. Poor fellow! I am afraid it is just the same with him now; for he writes in wretched spirits. I heard from him just before I left Exeter;" taking a letter from her pocket and carelessly showing the direction	even acquainted till the other day." "Our acquaintance, however, is of many years date. He was under my uncle s care, you know, a considerable while." "Your uncle!" "Yes; Mr. Pratt. Did you never hear him talk of Mr. Pratt?" "I think I have," replied Elinor, with an exertion of spirits, which increased with her increase of emotion. "He was four years with my uncle, who lives at Longstaple, near Plymouth. It was there our acquaintance begun, for my sister and me was often staying with my uncle, and it was there our engagement was formed, though not till a year after he had quitted as a pupil; but he was almost always with us afterwards. I was very unwilling to enter into it, as you may imagine, without the knowledge and approbation of his mother; but I was too young, and loved him too well, to be so prudent as I ought to have been. Though you do not know him so well as me, Miss Dashwood, you must have seen enough of him to be sensible he is very capable of making a woman sincerely attached to him." "Certainly," answered Elinor, without knowing what she said; but after a moment s reflection, she added, with revived security of Edward s honour and love, and her companion s falsehood "Engaged to Mr. Edward Ferrars! I confess myself so totally surprised at what you tell me, that really I beg your pardon; but surely there must be some mistake of person or name. We cannot mean the same Mr. Ferrars." "We can mean no other," cried Lucy, smiling. "Mr. Edward Ferrars, the eldest son of Mrs. Ferrars, of Park Street, and brother of your sister-in-law, Mrs. John Dashwood, is the person I mean; you must allow that I am not likely to be deceived as to the name of the man on who all my happiness depends." "It is strange," replied Elinor, in a most painful perplexity, "that I should never have heard him even mention your name." "No; considering our situation, it was not strange. Our first care has been to keep the matter secret. You knew nothing of me, or my family, and, therefore, there could be no _occasion_ for ever mentioning my name to you; and, as he was always particularly afraid of his sister s suspecting any thing, _that_ was reason enough for his not mentioning it." She was silent. Elinor s security sunk; but her self-command did not sink with it. "Four years you have been engaged," said she with a firm voice. "Yes; and heaven knows how much longer we may have to wait. Poor Edward! It puts him quite out of heart." Then taking a small miniature from her pocket, she added, "To prevent the possibility of mistake, be so good as to look at this face. It does not do him justice, to be sure, but yet I think you cannot be deceived as to the person it was drew for. I have had it above these three years." She put it into her hands as she spoke; and when Elinor saw the painting, whatever other doubts her fear of a too hasty decision, or her wish of detecting falsehood might suffer to linger in her mind, she could have none of its being Edward s face. She returned it almost instantly, acknowledging the likeness. "I have never been able," continued Lucy, "to give him my picture in return, which I am very much vexed at, for he has been always so anxious to get it! But I am determined to set for it the very first opportunity." "You are quite in the right," replied Elinor calmly. They then proceeded a few paces in silence. Lucy spoke first. "I am sure," said she, "I have no doubt in the world of your faithfully keeping this secret, because you must know of what importance it is to us, not to have it reach his mother; for she would never approve of it, I dare say. I shall have no fortune, and I fancy she is an exceeding proud woman." "I certainly did not seek your confidence," said Elinor; "but you do me no more than justice in imagining that I may be depended on. Your secret is safe with me; but pardon me if I express some surprise at so unnecessary a communication. You must at least have felt that my being acquainted with it could not add to its safety." As she said this, she looked earnestly at Lucy, hoping to discover something in her countenance; perhaps the falsehood of the greatest part of what she had been saying; but Lucy s countenance suffered no change. "I was afraid you would think I was taking a great liberty with you," said she,<\|quote\|>"in telling you all this. I have not known you long to be sure, personally at least, but I have known you and all your family by description a great while; and as soon as I saw you, I felt almost as if you was an old acquaintance. Besides in the present case, I really thought some explanation was due to you after my making such particular inquiries about Edward s mother; and I am so unfortunate, that I have not a creature whose advice I can ask. Anne is the only person that knows of it, and she has no judgment at all; indeed, she does me a great deal more harm than good, for I am in constant fear of her betraying me. She does not know how to hold her tongue, as you must perceive, and I am sure I was in the greatest fright in the world t other day, when Edward s name was mentioned by Sir John, lest she should out with it all. You can t think how much I go through in my mind from it altogether. I only wonder that I am alive after what I have suffered for Edward s sake these last four years. Every thing in such suspense and uncertainty; and seeing him so seldom we can hardly meet above twice a-year. I am sure I wonder my heart is not quite broke."</\|quote\|>Here she took out her handkerchief; but Elinor did not feel very compassionate. "Sometimes." continued Lucy, after wiping her eyes, "I think whether it would not be better for us both to break off the matter entirely." As she said this, she looked directly at her companion. "But then at other times I have not resolution enough for it. I cannot bear the thoughts of making him so miserable, as I know the very mention of such a thing would do. And on my own account too so dear as he is to me I don t think I could be equal to it. What would you advise me to do in such a case, Miss Dashwood? What would you do yourself?" "Pardon me," replied Elinor, startled by the question; "but I can give you no advice under such circumstances. Your own judgment must direct you." "To be sure," continued Lucy, after a few minutes silence on both sides, "his mother must provide for him sometime or other; but poor Edward is so cast down by it! Did you not think him dreadful low-spirited when he was at Barton? He was so miserable when he left us at Longstaple, to go to you, that I was afraid you would think him quite ill." "Did he come from your uncle s, then, when he visited us?" "Oh, yes; he had been staying a fortnight with us. Did you think he came directly from town?" "No," replied Elinor, most feelingly sensible of every fresh circumstance in favour of Lucy s veracity; "I remember he told us, that he had been staying a fortnight with some friends near Plymouth." She remembered too, her own surprise at the time, at his mentioning nothing farther of those friends, at his total silence with respect even to their names. "Did not you think him sadly out of spirits?" repeated Lucy. "We did, indeed, particularly so when he first arrived." "I begged him to exert himself for fear you should suspect what was the matter; but it made him so melancholy, not being able to stay more than a fortnight with us, and seeing me so much affected. Poor fellow! I am afraid it is just the same with him now; for he writes in wretched spirits. I heard from him just before I left Exeter;" taking a letter from her pocket and carelessly showing the direction to Elinor. "You know his hand, I dare say, a charming one it is; but that is not written so well as usual. He was tired, I dare say, for he had just filled the sheet to me as full as possible." Elinor saw that it _was_ his hand, and she could doubt no longer. This picture, she had allowed herself to believe, might have been accidentally obtained; it might not have been Edward s gift; but a correspondence between them by letter, could subsist only under a positive engagement, could be authorised by nothing else; for a few moments, she was almost overcome her heart sunk within her, and she could hardly stand; but exertion was indispensably necessary; and she struggled so resolutely against the oppression of her feelings, that her success was speedy, and for the time complete. "Writing to each other," said Lucy, returning the letter into her pocket, "is the only comfort we have in such long separations. Yes, _I_ have one other comfort in his picture, but poor Edward has not even _that_. If he had but my picture, he says he should be easy. I gave him a lock of my hair set in a ring when he was at Longstaple last, and that was some comfort to him, he said, but not equal to a picture. Perhaps you might notice the ring when you saw him?" "I did," said Elinor, with a composure of voice, under which was concealed an emotion and distress beyond any thing she had ever felt before. She was mortified, shocked, confounded. Fortunately for her, they had now reached the cottage, and the conversation could be continued no farther. After sitting with them a few minutes, the Miss Steeles returned to the Park, and Elinor was then at liberty to think and be wretched. END OF THE FIRST VOLUME CHAPTER XXIII. However small Elinor s general dependence on Lucy s veracity might be, it was impossible for her on serious reflection to suspect it in the present case, where no temptation could be answerable to the folly of inventing a falsehood of such a description. What Lucy had asserted to be true, therefore, Elinor could not, dared not longer doubt; supported as it was too on every side by such probabilities and proofs, and contradicted by nothing but her own wishes. Their opportunity of acquaintance in the house of	Mr. Ferrars." "We can mean no other," cried Lucy, smiling. "Mr. Edward Ferrars, the eldest son of Mrs. Ferrars, of Park Street, and brother of your sister-in-law, Mrs. John Dashwood, is the person I mean; you must allow that I am not likely to be deceived as to the name of the man on who all my happiness depends." "It is strange," replied Elinor, in a most painful perplexity, "that I should never have heard him even mention your name." "No; considering our situation, it was not strange. Our first care has been to keep the matter secret. You knew nothing of me, or my family, and, therefore, there could be no _occasion_ for ever mentioning my name to you; and, as he was always particularly afraid of his sister s suspecting any thing, _that_ was reason enough for his not mentioning it." She was silent. Elinor s security sunk; but her self-command did not sink with it. "Four years you have been engaged," said she with a firm voice. "Yes; and heaven knows how much longer we may have to wait. Poor Edward! It puts him quite out of heart." Then taking a small miniature from her pocket, she added, "To prevent the possibility of mistake, be so good as to look at this face. It does not do him justice, to be sure, but yet I think you cannot be deceived as to the person it was drew for. I have had it above these three years." She put it into her hands as she spoke; and when Elinor saw the painting, whatever other doubts her fear of a too hasty decision, or her wish of detecting falsehood might suffer to linger in her mind, she could have none of its being Edward s face. She returned it almost instantly, acknowledging the likeness. "I have never been able," continued Lucy, "to give him my picture in return, which I am very much vexed at, for he has been always so anxious to get it! But I am determined to set for it the very first opportunity." "You are quite in the right," replied Elinor calmly. They then proceeded a few paces in silence. Lucy spoke first. "I am sure," said she, "I have no doubt in the world of your faithfully keeping this secret, because you must know of what importance it is to us, not to have it reach his mother; for she would never approve of it, I dare say. I shall have no fortune, and I fancy she is an exceeding proud woman." "I certainly did not seek your confidence," said Elinor; "but you do me no more than justice in imagining that I may be depended on. Your secret is safe with me; but pardon me if I express some surprise at so unnecessary a communication. You must at least have felt that my being acquainted with it could not add to its safety." As she said this, she looked earnestly at Lucy, hoping to discover something in her countenance; perhaps the falsehood of the greatest part of what she had been saying; but Lucy s countenance suffered no change. "I was afraid you would think I was taking a great liberty with you," said she,<\|quote\|>"in telling you all this. I have not known you long to be sure, personally at least, but I have known you and all your family by description a great while; and as soon as I saw you, I felt almost as if you was an old acquaintance. Besides in the present case, I really thought some explanation was due to you after my making such particular inquiries about Edward s mother; and I am so unfortunate, that I have not a creature whose advice I can ask. Anne is the only person that knows of it, and she has no judgment at all; indeed, she does me a great deal more harm than good, for I am in constant fear of her betraying me. She does not know how to hold her tongue, as you must perceive, and I am sure I was in the greatest fright in the world t other day, when Edward s name was mentioned by Sir John, lest she should out with it all. You can t think how much I go through in my mind from it altogether. I only wonder that I am alive after what I have suffered for Edward s sake these last four years. Every thing in such suspense and uncertainty; and seeing him so seldom we can hardly meet above twice a-year. I am sure I wonder my heart is not quite broke."</\|quote\|>Here she took out her handkerchief; but Elinor did not feel very compassionate. "Sometimes." continued Lucy, after wiping her eyes, "I think whether it would not be better for us both to break off the matter entirely." As she said this, she looked directly at her companion. "But then at other times I have not resolution enough for it. I cannot bear the thoughts of making him so miserable, as I know the very mention of such a thing would do. And on my own account too so dear as he is to me I don t think I could be equal to it. What would you advise me to do in such a case, Miss Dashwood? What would you do yourself?" "Pardon me," replied Elinor, startled by the question; "but I can give you no advice under such circumstances. Your own judgment must direct you." "To be sure," continued Lucy, after a few minutes silence on both sides, "his mother must provide for him sometime or other; but poor Edward is so cast down by it! Did you not think him dreadful low-spirited when he was at Barton? He was so miserable when he left us at Longstaple, to go to you, that I was afraid you would think him quite ill." "Did he come from your uncle s, then, when he visited us?" "Oh, yes; he had been staying a fortnight with us. Did you think he came directly from town?" "No," replied Elinor, most feelingly sensible of every fresh circumstance in favour of Lucy s veracity; "I remember he told us, that he had been staying a fortnight with some friends near Plymouth." She remembered too, her own surprise at the time, at his mentioning nothing farther of those friends, at his total silence with respect even to their names. "Did not you think him sadly out of spirits?" repeated Lucy. "We did, indeed, particularly so when he first arrived." "I begged him to exert himself for fear you should suspect what was the matter; but it made him so melancholy, not being able to stay more than a fortnight with us, and seeing me so much affected. Poor fellow! I am afraid it is just the same with him now; for he writes in wretched spirits. I heard from him just before I left Exeter;" taking a letter from her pocket and carelessly showing the direction to Elinor. "You know his hand, I dare say, a charming one it is; but that is not written so well as usual. He was tired, I dare say, for he had just filled the sheet to me as full as possible." Elinor saw that it _was_ his hand, and she could doubt no longer. This picture, she had allowed herself to believe, might have been accidentally obtained; it might not have been Edward s gift; but a correspondence between them by letter, could subsist only under a positive engagement, could be authorised by nothing else; for a few moments, she was almost overcome her heart sunk within her, and she could hardly	Sense And Sensibility
--she made her escape. II Lord John, reannounced the next instant from the nearest quarter and quite waiving salutations, left no doubt of the high pitch of his eagerness and tension as soon as the door had closed behind him.	No speaker	room. “Then you’ll excuse me!”<\|quote\|>--she made her escape. II Lord John, reannounced the next instant from the nearest quarter and quite waiving salutations, left no doubt of the high pitch of his eagerness and tension as soon as the door had closed behind him.</\|quote\|>“What on earth then do	the passage to the other room. “Then you’ll excuse me!”<\|quote\|>--she made her escape. II Lord John, reannounced the next instant from the nearest quarter and quite waiving salutations, left no doubt of the high pitch of his eagerness and tension as soon as the door had closed behind him.</\|quote\|>“What on earth then do you suppose he has come	expected.” She had a pause till they were alone again, when she went on to her companion: “You asked me just now if I understood. Well--I do understand!” Lady Grace, with Gotch’s withdrawal, which left the door open, had reached the passage to the other room. “Then you’ll excuse me!”<\|quote\|>--she made her escape. II Lord John, reannounced the next instant from the nearest quarter and quite waiving salutations, left no doubt of the high pitch of his eagerness and tension as soon as the door had closed behind him.</\|quote\|>“What on earth then do you suppose he has come back to _do_--?” To which he added while his hostess’s gesture impatiently disclaimed conjecture: “Because when a fellow really finds himself the centre of a cyclone----!” “Isn’t it just at the centre,” she interrupted, “that you keep remarkably still, and	but Lord John has--to know if he’s expected _here_, and in that case, by your ladyship’s leave, to come up.” Her ladyship turned to the girl. “May Lord John--as we do await your father--come up?” “As suits _you_, please!” “He may come up,” said Lady Sandgate to Gotch. “His lordship’s expected.” She had a pause till they were alone again, when she went on to her companion: “You asked me just now if I understood. Well--I do understand!” Lady Grace, with Gotch’s withdrawal, which left the door open, had reached the passage to the other room. “Then you’ll excuse me!”<\|quote\|>--she made her escape. II Lord John, reannounced the next instant from the nearest quarter and quite waiving salutations, left no doubt of the high pitch of his eagerness and tension as soon as the door had closed behind him.</\|quote\|>“What on earth then do you suppose he has come back to _do_--?” To which he added while his hostess’s gesture impatiently disclaimed conjecture: “Because when a fellow really finds himself the centre of a cyclone----!” “Isn’t it just at the centre,” she interrupted, “that you keep remarkably still, and only in the suburbs that you feel the rage? I count on dear Theign’s doing nothing in the least foolish--!” “Ah, but he can’t have chucked everything for nothing,” Lord John sharply returned; “and wherever you place him in the rumpus he can’t not meet somehow, hang it, such an	show herself as still under the impression she might have received on entering. “He’ll only oppose _you!_” “If he does,” said Lady Grace, “we’re at present two to bear it.” “Heaven save us then” --the elder woman was quick, was even cordial, for the sense of this-- “your good friend _is_ clever!” Lady Grace honoured the remark. “Mr. Crim-ble’s remarkably clever.” “And you’ve arranged----?” “We haven’t arranged--but we’ve understood. So that, dear Amy, if _you_ understand--!” Lady Grace paused, for Gotch had come in from the hall. “His lordship has arrived?” his mistress immediately put to him. “No, my lady, but Lord John has--to know if he’s expected _here_, and in that case, by your ladyship’s leave, to come up.” Her ladyship turned to the girl. “May Lord John--as we do await your father--come up?” “As suits _you_, please!” “He may come up,” said Lady Sandgate to Gotch. “His lordship’s expected.” She had a pause till they were alone again, when she went on to her companion: “You asked me just now if I understood. Well--I do understand!” Lady Grace, with Gotch’s withdrawal, which left the door open, had reached the passage to the other room. “Then you’ll excuse me!”<\|quote\|>--she made her escape. II Lord John, reannounced the next instant from the nearest quarter and quite waiving salutations, left no doubt of the high pitch of his eagerness and tension as soon as the door had closed behind him.</\|quote\|>“What on earth then do you suppose he has come back to _do_--?” To which he added while his hostess’s gesture impatiently disclaimed conjecture: “Because when a fellow really finds himself the centre of a cyclone----!” “Isn’t it just at the centre,” she interrupted, “that you keep remarkably still, and only in the suburbs that you feel the rage? I count on dear Theign’s doing nothing in the least foolish--!” “Ah, but he can’t have chucked everything for nothing,” Lord John sharply returned; “and wherever you place him in the rumpus he can’t not meet somehow, hang it, such an assault on his character as a great nobleman and good citizen.” “It’s his luck to have become with the public of the newspapers the scapegoat-in-chief: for the sins, so-called, of a lot of people!” Lady Sandgate inconclusively sighed. “Yes,” Lord John concluded for her, “the mercenary millions on whose traffic in their trumpery values--when they’re so lucky as to have any!--_this_ isn’t a patch!” “Oh, there are cases _and_ cases: situations and responsibilities so intensely differ!” --that appeared on the whole, for her ladyship, the moral to be gathered. “Of course everything differs, all round, from everything,” Lord John went	Grace was sharply struck. “He arrives this afternoon and appears to go straight to Kitty--according to a wire that I find downstairs on coming back late from my luncheon. He has returned with a rush--as,” said his correspondent in the elation of triumph, “I was _sure_ he would!” Her young friend was more at sea. “Brought back, you mean, by the outcry--even though he so hates it?” But she was more and more all lucidity--save in so far as she was now almost all authority. “Ah, hating still more to seem afraid, he has come back to face the music!” Lady Grace, turning away as in vague despair for the manner in which the music might affect him, yet wheeled about again, after thought, to a positive recognition and even to quite an inconsequent pride. “Yes--that’s dear old father!” And what was Lady Sandgate moreover but mistress now of the subject? “At the point the row has reached he couldn’t stand it another day; so he has thrown up his cure and--lest we should oppose him!--not even announced his start.” “Well,” her companion returned, “now that I’ve _done_ it all I shall never oppose him again!” Lady Sandgate appeared to show herself as still under the impression she might have received on entering. “He’ll only oppose _you!_” “If he does,” said Lady Grace, “we’re at present two to bear it.” “Heaven save us then” --the elder woman was quick, was even cordial, for the sense of this-- “your good friend _is_ clever!” Lady Grace honoured the remark. “Mr. Crim-ble’s remarkably clever.” “And you’ve arranged----?” “We haven’t arranged--but we’ve understood. So that, dear Amy, if _you_ understand--!” Lady Grace paused, for Gotch had come in from the hall. “His lordship has arrived?” his mistress immediately put to him. “No, my lady, but Lord John has--to know if he’s expected _here_, and in that case, by your ladyship’s leave, to come up.” Her ladyship turned to the girl. “May Lord John--as we do await your father--come up?” “As suits _you_, please!” “He may come up,” said Lady Sandgate to Gotch. “His lordship’s expected.” She had a pause till they were alone again, when she went on to her companion: “You asked me just now if I understood. Well--I do understand!” Lady Grace, with Gotch’s withdrawal, which left the door open, had reached the passage to the other room. “Then you’ll excuse me!”<\|quote\|>--she made her escape. II Lord John, reannounced the next instant from the nearest quarter and quite waiving salutations, left no doubt of the high pitch of his eagerness and tension as soon as the door had closed behind him.</\|quote\|>“What on earth then do you suppose he has come back to _do_--?” To which he added while his hostess’s gesture impatiently disclaimed conjecture: “Because when a fellow really finds himself the centre of a cyclone----!” “Isn’t it just at the centre,” she interrupted, “that you keep remarkably still, and only in the suburbs that you feel the rage? I count on dear Theign’s doing nothing in the least foolish--!” “Ah, but he can’t have chucked everything for nothing,” Lord John sharply returned; “and wherever you place him in the rumpus he can’t not meet somehow, hang it, such an assault on his character as a great nobleman and good citizen.” “It’s his luck to have become with the public of the newspapers the scapegoat-in-chief: for the sins, so-called, of a lot of people!” Lady Sandgate inconclusively sighed. “Yes,” Lord John concluded for her, “the mercenary millions on whose traffic in their trumpery values--when they’re so lucky as to have any!--_this_ isn’t a patch!” “Oh, there are cases _and_ cases: situations and responsibilities so intensely differ!” --that appeared on the whole, for her ladyship, the moral to be gathered. “Of course everything differs, all round, from everything,” Lord John went on; “and who in the world knows anything of his own case but the victim of circumstances exposing himself, for the highest and purest motives, to be literally torn to pieces?” “Well,” said Lady Sandgate as, in her strained suspense, she freshly consulted her bracelet watch, “I hope he isn’t already torn--if you tell me you’ve been to Kitty’s.” “Oh, he was all right so far: he had arrived and gone out again,” the young man explained, “as Lady Imber hadn’t been at home.” “Ah cool Kitty!” his hostess sighed again--but diverted, as she spoke, by the reappearance of her butler, this time positively preceding Lord Theign, whom she met, when he presently stood before her, his garb of travel exchanged for consummate afternoon dress, with yearning tenderness and compassionate curiosity. “At last, dearest friend--what a joy! But with Kitty not at home to receive you?” That young woman’s parent made light of it for the indulged creature’s sake. “Oh I knew my Kitty! I dressed and I find her at five-thirty.” To which he added as he only took in further, without expression, Lord John: “But Bender, who came there before my arrival--he hasn’t tried for me here?” It	to bring us--and to keep us--blessedly together?” She seemed for a moment to question his “simply.” “Do you regard us as so much ‘together’ when you remember where, in spite of everything, I’ve put myself?” “By telling him to do what he likes?” he recalled without embarrassment. “Oh, that wasn’t in spite of ‘everything’--it was only in spite of the Manto-vano.” “‘Only’?” she flushed-- “when I’ve given the picture up?” “Ah,” Hugh cried, “I don’t care a hang for the picture!” And then as she let him, closer, close to her with this, possess himself of her hands: “We both only care, don’t we, that we’re given to each other thus? We both only care, don’t we, that nothing can keep us apart?” “Oh, if you’ve forgiven me--!” she sighed into his fond face. “Why, since you gave the thing up _for_ me,” he pleadingly laughed, “it isn’t as if you had given _me_ up----!” “For anything, anything? Ah never, never!” she breathed. “Then why aren’t we all right?” “Well, if you will----!” “Oh for ever and ever and ever!” --and with this ardent cry of his devotion his arms closed in their strength and she was clasped to his breast and to his lips. The next moment, however, she had checked him with the warning “Amy Sandgate!” --as if she had heard their hostess enter the other room. Lady Sand-gate was in fact almost already upon them--their disjunction had scarce been effected and she had reached the nearer threshold. They had at once put the widest space possible between them--a little of the flurry of which transaction agitated doubtless their clutch at composure. They gave back a shade awkwardly and consciously, on one side and the other, the speculative though gracious attention she for a few moments made them and their recent intimate relation the subject of; from all of which indeed Lady Grace sought and found cover in a prompt and responsible address to Hugh. “Mustn’t you go without more delay to Clifford Street?” He came back to it all alert “At once!” He had recovered his hat and reached the other door, whence he gesticulated farewell to the elder lady. “Please pardon me” --and he disappeared. Lady Sandgate hereupon stood for a little silently confronted with the girl. “Have you freedom of mind for the fact that your father’s suddenly at hand?” “He has come back?” --Lady Grace was sharply struck. “He arrives this afternoon and appears to go straight to Kitty--according to a wire that I find downstairs on coming back late from my luncheon. He has returned with a rush--as,” said his correspondent in the elation of triumph, “I was _sure_ he would!” Her young friend was more at sea. “Brought back, you mean, by the outcry--even though he so hates it?” But she was more and more all lucidity--save in so far as she was now almost all authority. “Ah, hating still more to seem afraid, he has come back to face the music!” Lady Grace, turning away as in vague despair for the manner in which the music might affect him, yet wheeled about again, after thought, to a positive recognition and even to quite an inconsequent pride. “Yes--that’s dear old father!” And what was Lady Sandgate moreover but mistress now of the subject? “At the point the row has reached he couldn’t stand it another day; so he has thrown up his cure and--lest we should oppose him!--not even announced his start.” “Well,” her companion returned, “now that I’ve _done_ it all I shall never oppose him again!” Lady Sandgate appeared to show herself as still under the impression she might have received on entering. “He’ll only oppose _you!_” “If he does,” said Lady Grace, “we’re at present two to bear it.” “Heaven save us then” --the elder woman was quick, was even cordial, for the sense of this-- “your good friend _is_ clever!” Lady Grace honoured the remark. “Mr. Crim-ble’s remarkably clever.” “And you’ve arranged----?” “We haven’t arranged--but we’ve understood. So that, dear Amy, if _you_ understand--!” Lady Grace paused, for Gotch had come in from the hall. “His lordship has arrived?” his mistress immediately put to him. “No, my lady, but Lord John has--to know if he’s expected _here_, and in that case, by your ladyship’s leave, to come up.” Her ladyship turned to the girl. “May Lord John--as we do await your father--come up?” “As suits _you_, please!” “He may come up,” said Lady Sandgate to Gotch. “His lordship’s expected.” She had a pause till they were alone again, when she went on to her companion: “You asked me just now if I understood. Well--I do understand!” Lady Grace, with Gotch’s withdrawal, which left the door open, had reached the passage to the other room. “Then you’ll excuse me!”<\|quote\|>--she made her escape. II Lord John, reannounced the next instant from the nearest quarter and quite waiving salutations, left no doubt of the high pitch of his eagerness and tension as soon as the door had closed behind him.</\|quote\|>“What on earth then do you suppose he has come back to _do_--?” To which he added while his hostess’s gesture impatiently disclaimed conjecture: “Because when a fellow really finds himself the centre of a cyclone----!” “Isn’t it just at the centre,” she interrupted, “that you keep remarkably still, and only in the suburbs that you feel the rage? I count on dear Theign’s doing nothing in the least foolish--!” “Ah, but he can’t have chucked everything for nothing,” Lord John sharply returned; “and wherever you place him in the rumpus he can’t not meet somehow, hang it, such an assault on his character as a great nobleman and good citizen.” “It’s his luck to have become with the public of the newspapers the scapegoat-in-chief: for the sins, so-called, of a lot of people!” Lady Sandgate inconclusively sighed. “Yes,” Lord John concluded for her, “the mercenary millions on whose traffic in their trumpery values--when they’re so lucky as to have any!--_this_ isn’t a patch!” “Oh, there are cases _and_ cases: situations and responsibilities so intensely differ!” --that appeared on the whole, for her ladyship, the moral to be gathered. “Of course everything differs, all round, from everything,” Lord John went on; “and who in the world knows anything of his own case but the victim of circumstances exposing himself, for the highest and purest motives, to be literally torn to pieces?” “Well,” said Lady Sandgate as, in her strained suspense, she freshly consulted her bracelet watch, “I hope he isn’t already torn--if you tell me you’ve been to Kitty’s.” “Oh, he was all right so far: he had arrived and gone out again,” the young man explained, “as Lady Imber hadn’t been at home.” “Ah cool Kitty!” his hostess sighed again--but diverted, as she spoke, by the reappearance of her butler, this time positively preceding Lord Theign, whom she met, when he presently stood before her, his garb of travel exchanged for consummate afternoon dress, with yearning tenderness and compassionate curiosity. “At last, dearest friend--what a joy! But with Kitty not at home to receive you?” That young woman’s parent made light of it for the indulged creature’s sake. “Oh I knew my Kitty! I dressed and I find her at five-thirty.” To which he added as he only took in further, without expression, Lord John: “But Bender, who came there before my arrival--he hasn’t tried for me here?” It was a point on which Lord John himself could at least be expressive. “I met him at the club at luncheon; he had had your letter--but for which chance, my dear man, I should have known nothing. You’ll see him all right at this house; but I’m glad, if I may say so, Theign,” the speaker pursued with some emphasis-- “I’m glad, you know, to get hold of you first.” Lord Theign seemed about to ask for the meaning of this remark, but his other companion’s apprehension had already overflowed. “You haven’t come back, have you--to whatever it may be!--for _trouble_ of any sort with Breckenridge?” His lordship transferred his penetration to this fair friend, “Have you become so intensely absorbed--these remarkable days!--in ‘Breckenridge’?” She felt the shadow, you would have seen, of his claimed right, or at least privilege, of search--yet easily, after an instant, emerged clear. “I’ve thought and dreamt but of _you_--suspicious man!--in proportion as the clamour has spread; and Mr. Bender meanwhile, if you want to know, hasn’t been near me once!” Lord John came in a manner, and however unconsciously, to her aid. “You’d have seen, if he had been, what’s the matter with him, I think--and what perhaps Theign has seen from his own letter: since,” he went on to his fellow-visitor, “I understood him a week ago to have been much taken up with writing you.” Lord Theign received this without comment, only again with an air of expertly sounding the speaker; after which he gave himself afresh for a moment to Lady Sandgate. “I’ve not come home for any clamour, as you surely know me well enough to believe; or to notice for a minute the cheapest insolence and aggression--which frankly scarce reached me out there; or which, so far as it did, I was daily washed clean of by those blest waters. I returned on Mr. Bender’s letter,” he then vouchsafed to Lord John-- “three extraordinarily vulgar pages about the egregious Pap-pendick!” “About his having suddenly turned up in person, yes, and, as Breckenridge says, marked the picture down?” --the young man was clearly all-knowing. “That _has_ of course weighed on Bender--being confirmed apparently, on the whole, by the drift of public opinion.” Lord Theign took, on this, with a frank show of reaction from some of his friend’s terms, a sharp turn off; he even ironically indicated the babbler or	back, you mean, by the outcry--even though he so hates it?” But she was more and more all lucidity--save in so far as she was now almost all authority. “Ah, hating still more to seem afraid, he has come back to face the music!” Lady Grace, turning away as in vague despair for the manner in which the music might affect him, yet wheeled about again, after thought, to a positive recognition and even to quite an inconsequent pride. “Yes--that’s dear old father!” And what was Lady Sandgate moreover but mistress now of the subject? “At the point the row has reached he couldn’t stand it another day; so he has thrown up his cure and--lest we should oppose him!--not even announced his start.” “Well,” her companion returned, “now that I’ve _done_ it all I shall never oppose him again!” Lady Sandgate appeared to show herself as still under the impression she might have received on entering. “He’ll only oppose _you!_” “If he does,” said Lady Grace, “we’re at present two to bear it.” “Heaven save us then” --the elder woman was quick, was even cordial, for the sense of this-- “your good friend _is_ clever!” Lady Grace honoured the remark. “Mr. Crim-ble’s remarkably clever.” “And you’ve arranged----?” “We haven’t arranged--but we’ve understood. So that, dear Amy, if _you_ understand--!” Lady Grace paused, for Gotch had come in from the hall. “His lordship has arrived?” his mistress immediately put to him. “No, my lady, but Lord John has--to know if he’s expected _here_, and in that case, by your ladyship’s leave, to come up.” Her ladyship turned to the girl. “May Lord John--as we do await your father--come up?” “As suits _you_, please!” “He may come up,” said Lady Sandgate to Gotch. “His lordship’s expected.” She had a pause till they were alone again, when she went on to her companion: “You asked me just now if I understood. Well--I do understand!” Lady Grace, with Gotch’s withdrawal, which left the door open, had reached the passage to the other room. “Then you’ll excuse me!”<\|quote\|>--she made her escape. II Lord John, reannounced the next instant from the nearest quarter and quite waiving salutations, left no doubt of the high pitch of his eagerness and tension as soon as the door had closed behind him.</\|quote\|>“What on earth then do you suppose he has come back to _do_--?” To which he added while his hostess’s gesture impatiently disclaimed conjecture: “Because when a fellow really finds himself the centre of a cyclone----!” “Isn’t it just at the centre,” she interrupted, “that you keep remarkably still, and only in the suburbs that you feel the rage? I count on dear Theign’s doing nothing in the least foolish--!” “Ah, but he can’t have chucked everything for nothing,” Lord John sharply returned; “and wherever you place him in the rumpus he can’t not meet somehow, hang it, such an assault on his character as a great nobleman and good citizen.” “It’s his luck to have become with the public of the newspapers the scapegoat-in-chief: for the sins, so-called, of a lot of people!” Lady Sandgate inconclusively sighed. “Yes,” Lord John concluded for her, “the mercenary millions on whose traffic in their trumpery values--when they’re so lucky as to have any!--_this_ isn’t a patch!” “Oh, there are cases _and_ cases: situations and responsibilities so intensely differ!” --that appeared on the whole, for her ladyship, the moral to be gathered. “Of course everything differs, all round, from everything,” Lord John went on; “and who in the world knows anything of his own case but the victim of circumstances exposing himself, for the highest and purest motives, to be literally torn to pieces?” “Well,” said Lady Sandgate as, in her strained suspense, she freshly consulted her bracelet watch, “I hope he isn’t already torn--if you tell me you’ve been to Kitty’s.” “Oh, he was all right so far: he had arrived and gone out again,” the young man explained, “as Lady Imber hadn’t been at home.” “Ah cool Kitty!” his hostess sighed again--but diverted, as she spoke, by the reappearance of her butler, this time positively preceding Lord Theign, whom she met, when he presently stood before her, his garb of travel exchanged for consummate afternoon dress, with yearning tenderness and compassionate curiosity. “At last, dearest friend--what a joy! But with Kitty not at home to receive you?” That young woman’s parent made light of it for the indulged creature’s sake. “Oh I knew my Kitty! I dressed and I find her at five-thirty.” To which he added as he only took in further, without expression, Lord John: “But Bender, who came there before my arrival--he hasn’t tried for me here?” It was a point on which Lord John himself could at least be expressive. “I met him at the club at luncheon; he had had your letter--but for which chance, my dear man, I should have known nothing. You’ll see him all right at this house; but I’m glad, if I may say so, Theign,” the speaker pursued with some emphasis-- “I’m glad, you know, to get hold of you first.” Lord Theign seemed about to	The Outcry
“Excuse me”	Jordan	the floor, whereupon Jordan whispered,<\|quote\|>“Excuse me”</\|quote\|>—but this time no one	its nail and splashed to the floor, whereupon Jordan whispered,<\|quote\|>“Excuse me”</\|quote\|>—but this time no one laughed. “I’ll pick it up,”	of whisky from the towel and put it on the table. “Why not let her alone, old sport?” remarked Gatsby. “You’re the one that wanted to come to town.” There was a moment of silence. The telephone book slipped from its nail and splashed to the floor, whereupon Jordan whispered,<\|quote\|>“Excuse me”</\|quote\|>—but this time no one laughed. “I’ll pick it up,” I offered. “I’ve got it.” Gatsby examined the parted string, muttered “Hum!” in an interested way, and tossed the book on a chair. “That’s a great expression of yours, isn’t it?” said Tom sharply. “What is?” “All this ‘old sport’	respectfully, and everyone laughed. “Open another window,” commanded Daisy, without turning around. “There aren’t any more.” “Well, we’d better telephone for an axe—” “The thing to do is to forget about the heat,” said Tom impatiently. “You make it ten times worse by crabbing about it.” He unrolled the bottle of whisky from the towel and put it on the table. “Why not let her alone, old sport?” remarked Gatsby. “You’re the one that wanted to come to town.” There was a moment of silence. The telephone book slipped from its nail and splashed to the floor, whereupon Jordan whispered,<\|quote\|>“Excuse me”</\|quote\|>—but this time no one laughed. “I’ll pick it up,” I offered. “I’ve got it.” Gatsby examined the parted string, muttered “Hum!” in an interested way, and tossed the book on a chair. “That’s a great expression of yours, isn’t it?” said Tom sharply. “What is?” “All this ‘old sport’ business. Where’d you pick that up?” “Now see here, Tom,” said Daisy, turning around from the mirror, “if you’re going to make personal remarks I won’t stay here a minute. Call up and order some ice for the mint julep.” As Tom took up the receiver the compressed heat exploded	and take cold baths, and then assumed more tangible form as “a place to have a mint julep.” Each of us said over and over that it was a “crazy idea” —we all talked at once to a baffled clerk and thought, or pretended to think, that we were being very funny … The room was large and stifling, and, though it was already four o’clock, opening the windows admitted only a gust of hot shrubbery from the Park. Daisy went to the mirror and stood with her back to us, fixing her hair. “It’s a swell suite,” whispered Jordan respectfully, and everyone laughed. “Open another window,” commanded Daisy, without turning around. “There aren’t any more.” “Well, we’d better telephone for an axe—” “The thing to do is to forget about the heat,” said Tom impatiently. “You make it ten times worse by crabbing about it.” He unrolled the bottle of whisky from the towel and put it on the table. “Why not let her alone, old sport?” remarked Gatsby. “You’re the one that wanted to come to town.” There was a moment of silence. The telephone book slipped from its nail and splashed to the floor, whereupon Jordan whispered,<\|quote\|>“Excuse me”</\|quote\|>—but this time no one laughed. “I’ll pick it up,” I offered. “I’ve got it.” Gatsby examined the parted string, muttered “Hum!” in an interested way, and tossed the book on a chair. “That’s a great expression of yours, isn’t it?” said Tom sharply. “What is?” “All this ‘old sport’ business. Where’d you pick that up?” “Now see here, Tom,” said Daisy, turning around from the mirror, “if you’re going to make personal remarks I won’t stay here a minute. Call up and order some ice for the mint julep.” As Tom took up the receiver the compressed heat exploded into sound and we were listening to the portentous chords of Mendelssohn’s Wedding March from the ballroom below. “Imagine marrying anybody in this heat!” cried Jordan dismally. “Still—I was married in the middle of June,” Daisy remembered. “Louisville in June! Somebody fainted. Who was it fainted, Tom?” “Biloxi,” he answered shortly. “A man named Biloxi. ‘Blocks’ Biloxi, and he made boxes—that’s a fact—and he was from Biloxi, Tennessee.” “They carried him into my house,” appended Jordan, “because we lived just two doors from the church. And he stayed three weeks, until Daddy told him he had to get out. The	going?” she cried. “How about the movies?” “It’s so hot,” she complained. “You go. We’ll ride around and meet you after.” With an effort her wit rose faintly. “We’ll meet you on some corner. I’ll be the man smoking two cigarettes.” “We can’t argue about it here,” Tom said impatiently, as a truck gave out a cursing whistle behind us. “You follow me to the south side of Central Park, in front of the Plaza.” Several times he turned his head and looked back for their car, and if the traffic delayed them he slowed up until they came into sight. I think he was afraid they would dart down a side-street and out of his life forever. But they didn’t. And we all took the less explicable step of engaging the parlour of a suite in the Plaza Hotel. The prolonged and tumultuous argument that ended by herding us into that room eludes me, though I have a sharp physical memory that, in the course of it, my underwear kept climbing like a damp snake around my legs and intermittent beads of sweat raced cool across my back. The notion originated with Daisy’s suggestion that we hire five bathrooms and take cold baths, and then assumed more tangible form as “a place to have a mint julep.” Each of us said over and over that it was a “crazy idea” —we all talked at once to a baffled clerk and thought, or pretended to think, that we were being very funny … The room was large and stifling, and, though it was already four o’clock, opening the windows admitted only a gust of hot shrubbery from the Park. Daisy went to the mirror and stood with her back to us, fixing her hair. “It’s a swell suite,” whispered Jordan respectfully, and everyone laughed. “Open another window,” commanded Daisy, without turning around. “There aren’t any more.” “Well, we’d better telephone for an axe—” “The thing to do is to forget about the heat,” said Tom impatiently. “You make it ten times worse by crabbing about it.” He unrolled the bottle of whisky from the towel and put it on the table. “Why not let her alone, old sport?” remarked Gatsby. “You’re the one that wanted to come to town.” There was a moment of silence. The telephone book slipped from its nail and splashed to the floor, whereupon Jordan whispered,<\|quote\|>“Excuse me”</\|quote\|>—but this time no one laughed. “I’ll pick it up,” I offered. “I’ve got it.” Gatsby examined the parted string, muttered “Hum!” in an interested way, and tossed the book on a chair. “That’s a great expression of yours, isn’t it?” said Tom sharply. “What is?” “All this ‘old sport’ business. Where’d you pick that up?” “Now see here, Tom,” said Daisy, turning around from the mirror, “if you’re going to make personal remarks I won’t stay here a minute. Call up and order some ice for the mint julep.” As Tom took up the receiver the compressed heat exploded into sound and we were listening to the portentous chords of Mendelssohn’s Wedding March from the ballroom below. “Imagine marrying anybody in this heat!” cried Jordan dismally. “Still—I was married in the middle of June,” Daisy remembered. “Louisville in June! Somebody fainted. Who was it fainted, Tom?” “Biloxi,” he answered shortly. “A man named Biloxi. ‘Blocks’ Biloxi, and he made boxes—that’s a fact—and he was from Biloxi, Tennessee.” “They carried him into my house,” appended Jordan, “because we lived just two doors from the church. And he stayed three weeks, until Daddy told him he had to get out. The day after he left Daddy died.” After a moment she added as if she might have sounded irreverent, “There wasn’t any connection.” “I used to know a Bill Biloxi from Memphis,” I remarked. “That was his cousin. I knew his whole family history before he left. He gave me an aluminium putter that I use today.” The music had died down as the ceremony began and now a long cheer floated in at the window, followed by intermittent cries of “Yea—ea—ea!” and finally by a burst of jazz as the dancing began. “We’re getting old,” said Daisy. “If we were young we’d rise and dance.” “Remember Biloxi,” Jordan warned her. “Where’d you know him, Tom?” “Biloxi?” He concentrated with an effort. “I didn’t know him. He was a friend of Daisy’s.” “He was not,” she denied. “I’d never seen him before. He came down in the private car.” “Well, he said he knew you. He said he was raised in Louisville. Asa Bird brought him around at the last minute and asked if we had room for him.” Jordan smiled. “He was probably bumming his way home. He told me he was president of your class at Yale.” Tom and	had made a parallel discovery less than an hour before—and it occurred to me that there was no difference between men, in intelligence or race, so profound as the difference between the sick and the well. Wilson was so sick that he looked guilty, unforgivably guilty—as if he had just got some poor girl with child. “I’ll let you have that car,” said Tom. “I’ll send it over tomorrow afternoon.” That locality was always vaguely disquieting, even in the broad glare of afternoon, and now I turned my head as though I had been warned of something behind. Over the ash-heaps the giant eyes of Doctor T. J. Eckleburg kept their vigil, but I perceived, after a moment, that other eyes were regarding us with peculiar intensity from less than twenty feet away. In one of the windows over the garage the curtains had been moved aside a little, and Myrtle Wilson was peering down at the car. So engrossed was she that she had no consciousness of being observed, and one emotion after another crept into her face like objects into a slowly developing picture. Her expression was curiously familiar—it was an expression I had often seen on women’s faces, but on Myrtle Wilson’s face it seemed purposeless and inexplicable until I realized that her eyes, wide with jealous terror, were fixed not on Tom, but on Jordan Baker, whom she took to be his wife. ------------------------------------------------------------------------ There is no confusion like the confusion of a simple mind, and as we drove away Tom was feeling the hot whips of panic. His wife and his mistress, until an hour ago secure and inviolate, were slipping precipitately from his control. Instinct made him step on the accelerator with the double purpose of overtaking Daisy and leaving Wilson behind, and we sped along toward Astoria at fifty miles an hour, until, among the spidery girders of the elevated, we came in sight of the easygoing blue coupé. “Those big movies around Fiftieth Street are cool,” suggested Jordan. “I love New York on summer afternoons when everyone’s away. There’s something very sensuous about it—overripe, as if all sorts of funny fruits were going to fall into your hands.” The word “sensuous” had the effect of further disquieting Tom, but before he could invent a protest the coupé came to a stop, and Daisy signalled us to draw up alongside. “Where are we going?” she cried. “How about the movies?” “It’s so hot,” she complained. “You go. We’ll ride around and meet you after.” With an effort her wit rose faintly. “We’ll meet you on some corner. I’ll be the man smoking two cigarettes.” “We can’t argue about it here,” Tom said impatiently, as a truck gave out a cursing whistle behind us. “You follow me to the south side of Central Park, in front of the Plaza.” Several times he turned his head and looked back for their car, and if the traffic delayed them he slowed up until they came into sight. I think he was afraid they would dart down a side-street and out of his life forever. But they didn’t. And we all took the less explicable step of engaging the parlour of a suite in the Plaza Hotel. The prolonged and tumultuous argument that ended by herding us into that room eludes me, though I have a sharp physical memory that, in the course of it, my underwear kept climbing like a damp snake around my legs and intermittent beads of sweat raced cool across my back. The notion originated with Daisy’s suggestion that we hire five bathrooms and take cold baths, and then assumed more tangible form as “a place to have a mint julep.” Each of us said over and over that it was a “crazy idea” —we all talked at once to a baffled clerk and thought, or pretended to think, that we were being very funny … The room was large and stifling, and, though it was already four o’clock, opening the windows admitted only a gust of hot shrubbery from the Park. Daisy went to the mirror and stood with her back to us, fixing her hair. “It’s a swell suite,” whispered Jordan respectfully, and everyone laughed. “Open another window,” commanded Daisy, without turning around. “There aren’t any more.” “Well, we’d better telephone for an axe—” “The thing to do is to forget about the heat,” said Tom impatiently. “You make it ten times worse by crabbing about it.” He unrolled the bottle of whisky from the towel and put it on the table. “Why not let her alone, old sport?” remarked Gatsby. “You’re the one that wanted to come to town.” There was a moment of silence. The telephone book slipped from its nail and splashed to the floor, whereupon Jordan whispered,<\|quote\|>“Excuse me”</\|quote\|>—but this time no one laughed. “I’ll pick it up,” I offered. “I’ve got it.” Gatsby examined the parted string, muttered “Hum!” in an interested way, and tossed the book on a chair. “That’s a great expression of yours, isn’t it?” said Tom sharply. “What is?” “All this ‘old sport’ business. Where’d you pick that up?” “Now see here, Tom,” said Daisy, turning around from the mirror, “if you’re going to make personal remarks I won’t stay here a minute. Call up and order some ice for the mint julep.” As Tom took up the receiver the compressed heat exploded into sound and we were listening to the portentous chords of Mendelssohn’s Wedding March from the ballroom below. “Imagine marrying anybody in this heat!” cried Jordan dismally. “Still—I was married in the middle of June,” Daisy remembered. “Louisville in June! Somebody fainted. Who was it fainted, Tom?” “Biloxi,” he answered shortly. “A man named Biloxi. ‘Blocks’ Biloxi, and he made boxes—that’s a fact—and he was from Biloxi, Tennessee.” “They carried him into my house,” appended Jordan, “because we lived just two doors from the church. And he stayed three weeks, until Daddy told him he had to get out. The day after he left Daddy died.” After a moment she added as if she might have sounded irreverent, “There wasn’t any connection.” “I used to know a Bill Biloxi from Memphis,” I remarked. “That was his cousin. I knew his whole family history before he left. He gave me an aluminium putter that I use today.” The music had died down as the ceremony began and now a long cheer floated in at the window, followed by intermittent cries of “Yea—ea—ea!” and finally by a burst of jazz as the dancing began. “We’re getting old,” said Daisy. “If we were young we’d rise and dance.” “Remember Biloxi,” Jordan warned her. “Where’d you know him, Tom?” “Biloxi?” He concentrated with an effort. “I didn’t know him. He was a friend of Daisy’s.” “He was not,” she denied. “I’d never seen him before. He came down in the private car.” “Well, he said he knew you. He said he was raised in Louisville. Asa Bird brought him around at the last minute and asked if we had room for him.” Jordan smiled. “He was probably bumming his way home. He told me he was president of your class at Yale.” Tom and I looked at each other blankly. “Biloxi?” “First place, we didn’t have any president—” Gatsby’s foot beat a short, restless tattoo and Tom eyed him suddenly. “By the way, Mr. Gatsby, I understand you’re an Oxford man.” “Not exactly.” “Oh, yes, I understand you went to Oxford.” “Yes—I went there.” A pause. Then Tom’s voice, incredulous and insulting: “You must have gone there about the time Biloxi went to New Haven.” Another pause. A waiter knocked and came in with crushed mint and ice but the silence was unbroken by his “thank you” and the soft closing of the door. This tremendous detail was to be cleared up at last. “I told you I went there,” said Gatsby. “I heard you, but I’d like to know when.” “It was in nineteen-nineteen, I only stayed five months. That’s why I can’t really call myself an Oxford man.” Tom glanced around to see if we mirrored his unbelief. But we were all looking at Gatsby. “It was an opportunity they gave to some of the officers after the armistice,” he continued. “We could go to any of the universities in England or France.” I wanted to get up and slap him on the back. I had one of those renewals of complete faith in him that I’d experienced before. Daisy rose, smiling faintly, and went to the table. “Open the whisky, Tom,” she ordered, “and I’ll make you a mint julep. Then you won’t seem so stupid to yourself … Look at the mint!” “Wait a minute,” snapped Tom, “I want to ask Mr. Gatsby one more question.” “Go on,” Gatsby said politely. “What kind of a row are you trying to cause in my house anyhow?” They were out in the open at last and Gatsby was content. “He isn’t causing a row,” Daisy looked desperately from one to the other. “You’re causing a row. Please have a little self-control.” “Self-control!” repeated Tom incredulously. “I suppose the latest thing is to sit back and let Mr. Nobody from Nowhere make love to your wife. Well, if that’s the idea you can count me out … Nowadays people begin by sneering at family life and family institutions, and next they’ll throw everything overboard and have intermarriage between black and white.” Flushed with his impassioned gibberish, he saw himself standing alone on the last barrier of civilization. “We’re all white here,” murmured Jordan.	beads of sweat raced cool across my back. The notion originated with Daisy’s suggestion that we hire five bathrooms and take cold baths, and then assumed more tangible form as “a place to have a mint julep.” Each of us said over and over that it was a “crazy idea” —we all talked at once to a baffled clerk and thought, or pretended to think, that we were being very funny … The room was large and stifling, and, though it was already four o’clock, opening the windows admitted only a gust of hot shrubbery from the Park. Daisy went to the mirror and stood with her back to us, fixing her hair. “It’s a swell suite,” whispered Jordan respectfully, and everyone laughed. “Open another window,” commanded Daisy, without turning around. “There aren’t any more.” “Well, we’d better telephone for an axe—” “The thing to do is to forget about the heat,” said Tom impatiently. “You make it ten times worse by crabbing about it.” He unrolled the bottle of whisky from the towel and put it on the table. “Why not let her alone, old sport?” remarked Gatsby. “You’re the one that wanted to come to town.” There was a moment of silence. The telephone book slipped from its nail and splashed to the floor, whereupon Jordan whispered,<\|quote\|>“Excuse me”</\|quote\|>—but this time no one laughed. “I’ll pick it up,” I offered. “I’ve got it.” Gatsby examined the parted string, muttered “Hum!” in an interested way, and tossed the book on a chair. “That’s a great expression of yours, isn’t it?” said Tom sharply. “What is?” “All this ‘old sport’ business. Where’d you pick that up?” “Now see here, Tom,” said Daisy, turning around from the mirror, “if you’re going to make personal remarks I won’t stay here a minute. Call up and order some ice for the mint julep.” As Tom took up the receiver the compressed heat exploded into sound and we were listening to the portentous chords of Mendelssohn’s Wedding March from the ballroom below. “Imagine marrying anybody in this heat!” cried Jordan dismally. “Still—I was married in the middle of June,” Daisy remembered. “Louisville in June! Somebody fainted. Who was it fainted, Tom?” “Biloxi,” he answered shortly. “A man named Biloxi. ‘Blocks’ Biloxi, and he made boxes—that’s a fact—and he was from Biloxi, Tennessee.” “They carried him into my house,” appended Jordan, “because we lived just two doors from the church. And he stayed three weeks, until Daddy told him he had to get out. The day after he left Daddy died.” After a moment she added as if she might have sounded irreverent, “There wasn’t any connection.” “I used to know a Bill Biloxi from Memphis,” I remarked. “That was his cousin. I knew his whole family history before he left. He gave me an aluminium putter that I use today.” The music had died down as the ceremony began and now a long cheer floated in at the window, followed by intermittent cries of “Yea—ea—ea!” and finally by a burst of jazz as the dancing began. “We’re getting old,” said Daisy. “If we were young we’d rise and dance.” “Remember Biloxi,” Jordan warned her. “Where’d you know him, Tom?” “Biloxi?” He concentrated with an effort. “I didn’t know him. He was a friend of Daisy’s.” “He was not,” she denied. “I’d never seen him before. He came down in the private car.” “Well, he said he knew you. He said he was raised in Louisville. Asa Bird brought him around at the last minute and asked if we had room for him.” Jordan smiled. “He was probably bumming his way home. He told me he was president of your class at Yale.” Tom and I looked at each other blankly. “Biloxi?” “First place, we didn’t have any president—” Gatsby’s foot beat a short, restless tattoo and Tom eyed him suddenly. “By the way, Mr. Gatsby, I understand you’re an Oxford man.” “Not exactly.” “Oh, yes, I understand you went to Oxford.” “Yes—I went there.” A pause. Then Tom’s voice, incredulous and insulting: “You must have gone there about the	The Great Gatsby
"I cannot speak to you till I have seen and embraced my daughter."	Sultan	staircase. "Aladdin," said the sultan,<\|quote\|>"I cannot speak to you till I have seen and embraced my daughter."</\|quote\|>The happy father was then	the foot of the great staircase. "Aladdin," said the sultan,<\|quote\|>"I cannot speak to you till I have seen and embraced my daughter."</\|quote\|>The happy father was then led to the princess's apartment	that morning by daybreak, put on one of the most magnificent habits his wardrobe afforded, and went up into the hall of twenty-four windows, from whence he perceived the sultan approaching, and got down soon enough to receive him at the foot of the great staircase. "Aladdin," said the sultan,<\|quote\|>"I cannot speak to you till I have seen and embraced my daughter."</\|quote\|>The happy father was then led to the princess's apartment and embraced her with his face bathed in tears of joy. The sultan was some time before he could open his lips, so great was his surprise and joy to find his daughter again, after he had given her up	palace. Joy and gladness succeeded to sorrow and grief. He returned immediately into his apartment, and ordered a horse to be saddled and brought to him without delay, which he mounted that instant, thinking he could not make haste enough to the palace. Aladdin, who foresaw what would happen, rose that morning by daybreak, put on one of the most magnificent habits his wardrobe afforded, and went up into the hall of twenty-four windows, from whence he perceived the sultan approaching, and got down soon enough to receive him at the foot of the great staircase. "Aladdin," said the sultan,<\|quote\|>"I cannot speak to you till I have seen and embraced my daughter."</\|quote\|>The happy father was then led to the princess's apartment and embraced her with his face bathed in tears of joy. The sultan was some time before he could open his lips, so great was his surprise and joy to find his daughter again, after he had given her up for lost; and the princess, upon seeing her father, let fall tears of rapture and affection. At last the sultan broke silence, and said: "I would believe, daughter, your joy to see me makes you seem as little changed as if no misfortune had befallen you; yet I cannot be	his tears, and plunge himself into the deepest melancholy, by reflecting how he had lost what was most dear to him in this world. The very morning of the return to the palace, the sultan went into his closet to indulge his sorrows. Absorbed in himself, and in a pensive mood, he cast his eyes toward the spot, expecting only to see an open space; but perceiving the vacancy filled up, he at first imagined the appearance to be the effect of a fog; looking more attentively, he was convinced beyond the power of doubt that it was his son-in-law's palace. Joy and gladness succeeded to sorrow and grief. He returned immediately into his apartment, and ordered a horse to be saddled and brought to him without delay, which he mounted that instant, thinking he could not make haste enough to the palace. Aladdin, who foresaw what would happen, rose that morning by daybreak, put on one of the most magnificent habits his wardrobe afforded, and went up into the hall of twenty-four windows, from whence he perceived the sultan approaching, and got down soon enough to receive him at the foot of the great staircase. "Aladdin," said the sultan,<\|quote\|>"I cannot speak to you till I have seen and embraced my daughter."</\|quote\|>The happy father was then led to the princess's apartment and embraced her with his face bathed in tears of joy. The sultan was some time before he could open his lips, so great was his surprise and joy to find his daughter again, after he had given her up for lost; and the princess, upon seeing her father, let fall tears of rapture and affection. At last the sultan broke silence, and said: "I would believe, daughter, your joy to see me makes you seem as little changed as if no misfortune had befallen you; yet I cannot be persuaded but that you have suffered much alarm; for a large palace cannot be so suddenly transported as yours has been, without causing great fright and apprehension. I would have you tell me all that has happened, and conceal nothing from me." The princess, who took great pleasure in giving the sultan the satisfaction he demanded, said: "If I appear so little altered, I beg of your majesty to consider that I received new life yesterday morning by the presence of my dear husband and deliverer, Aladdin, whom I looked upon and bewailed as lost to me. My greatest suffering	you back to China as speedily as you were brought from thence." When the princess, her women and eunuchs, were gone out of the hall, Aladdin shut the door, and, going directly to the dead body of the magician, opened his vest, took out the lamp which was carefully wrapped up, as the princess had told him, and unfolding and rubbing it, the genie immediately appeared. "Genie," said Aladdin, "I have called to command thee, on the part of thy good mistress, this lamp, to transport this palace instantly into China, to the place from whence it was brought hither." The genie bowed his head in token of obedience, and disappeared. Immediately the palace was transported into China, and its removal was only felt by two little shocks, the one when it was lifted up, the other when it was set down, and both in a very short interval of time. From the time of the transportation of Aladdin's palace, the princess's father had been inconsolable for the loss of her. Before the disaster he used to go every morning into his closet to please himself with viewing the palace; he went now many times in the day to renew his tears, and plunge himself into the deepest melancholy, by reflecting how he had lost what was most dear to him in this world. The very morning of the return to the palace, the sultan went into his closet to indulge his sorrows. Absorbed in himself, and in a pensive mood, he cast his eyes toward the spot, expecting only to see an open space; but perceiving the vacancy filled up, he at first imagined the appearance to be the effect of a fog; looking more attentively, he was convinced beyond the power of doubt that it was his son-in-law's palace. Joy and gladness succeeded to sorrow and grief. He returned immediately into his apartment, and ordered a horse to be saddled and brought to him without delay, which he mounted that instant, thinking he could not make haste enough to the palace. Aladdin, who foresaw what would happen, rose that morning by daybreak, put on one of the most magnificent habits his wardrobe afforded, and went up into the hall of twenty-four windows, from whence he perceived the sultan approaching, and got down soon enough to receive him at the foot of the great staircase. "Aladdin," said the sultan,<\|quote\|>"I cannot speak to you till I have seen and embraced my daughter."</\|quote\|>The happy father was then led to the princess's apartment and embraced her with his face bathed in tears of joy. The sultan was some time before he could open his lips, so great was his surprise and joy to find his daughter again, after he had given her up for lost; and the princess, upon seeing her father, let fall tears of rapture and affection. At last the sultan broke silence, and said: "I would believe, daughter, your joy to see me makes you seem as little changed as if no misfortune had befallen you; yet I cannot be persuaded but that you have suffered much alarm; for a large palace cannot be so suddenly transported as yours has been, without causing great fright and apprehension. I would have you tell me all that has happened, and conceal nothing from me." The princess, who took great pleasure in giving the sultan the satisfaction he demanded, said: "If I appear so little altered, I beg of your majesty to consider that I received new life yesterday morning by the presence of my dear husband and deliverer, Aladdin, whom I looked upon and bewailed as lost to me. My greatest suffering was to find myself forced not only from your majesty, but from my dear husband; not only from the love I bore him, but from the uneasiness I laboured under through fear that he, though innocent, might feel the effects of your anger. As to what relates to my transportation, I was myself the innocent cause of it." To persuade the sultan of the truth of what she said, she gave him a full account of how the African magician had disguised himself, and offered to change new lamps for old ones; how she had amused herself in making that exchange; how the palace and herself were carried away and transported into Africa, with the magician, who was recognised by two of her women and the eunuch who made the exchange of the lamp, when he had the audacity, after the success of his daring enterprise, to propose himself for her husband; how he persecuted her till Aladdin's arrival; how they had concerted measures to get the lamp from him again, and the success they had fortunately met with by her dissimulation in inviting him to supper, and giving him the cup with the powder prepared for him. "For the	with wine, bidding her bring the cup which had been filled for herself, and at the same time bring the magician a full goblet. When they both had their cups in their hands, she said to him: "I know not how you express your loves in these parts when drinking together. With us in China lovers reciprocally exchange cups, and drink each other's health:" at the same time she presented to him the cup which was in her hand, and held out her hand to receive his. He hastened to make the exchange with the more pleasure, because he looked upon this favour as a token of conquest over the princess, which raised his rapture to the highest pitch. Before he drank, he said to her, with the cup in his hand: "Indeed, princess, we Africans are not so refined in the art of love as you Chinese: and your instructing me in a lesson I was ignorant of, informs me how sensible I ought to be of the favour done me. I shall never, lovely princess, forget my recovering, by drinking out of your cup, that life, which your cruelty, had it continued, must have made me despair of." The princess, who began to be tired with his declarations, interrupted him and said: "Let us drink first, and then say what you will afterward:" at the same time she set the cup to her lips, while the African magician, who was eager to get his wine off first, drank up the very last drop. In finishing it, he leaned his head back to show his eagerness, and remained some time in that state. The princess kept the cup at her lips till she saw his eyes turn in his head, when he fell backward lifeless on the sofa. The princess had no occasion to order the private door to be opened to Aladdin; for her women were so disposed from the great hall to the foot of the staircase, that the word was no sooner given that the magician was fallen, than the door was immediately opened. As soon as Aladdin entered the hall, he saw the magician stretched backward on the sofa. The princess rose from her seat, and ran overjoyed to embrace him; but he stopped her and said: "Princess, it is not yet time; let me be left alone a moment, while I endeavour to transport you back to China as speedily as you were brought from thence." When the princess, her women and eunuchs, were gone out of the hall, Aladdin shut the door, and, going directly to the dead body of the magician, opened his vest, took out the lamp which was carefully wrapped up, as the princess had told him, and unfolding and rubbing it, the genie immediately appeared. "Genie," said Aladdin, "I have called to command thee, on the part of thy good mistress, this lamp, to transport this palace instantly into China, to the place from whence it was brought hither." The genie bowed his head in token of obedience, and disappeared. Immediately the palace was transported into China, and its removal was only felt by two little shocks, the one when it was lifted up, the other when it was set down, and both in a very short interval of time. From the time of the transportation of Aladdin's palace, the princess's father had been inconsolable for the loss of her. Before the disaster he used to go every morning into his closet to please himself with viewing the palace; he went now many times in the day to renew his tears, and plunge himself into the deepest melancholy, by reflecting how he had lost what was most dear to him in this world. The very morning of the return to the palace, the sultan went into his closet to indulge his sorrows. Absorbed in himself, and in a pensive mood, he cast his eyes toward the spot, expecting only to see an open space; but perceiving the vacancy filled up, he at first imagined the appearance to be the effect of a fog; looking more attentively, he was convinced beyond the power of doubt that it was his son-in-law's palace. Joy and gladness succeeded to sorrow and grief. He returned immediately into his apartment, and ordered a horse to be saddled and brought to him without delay, which he mounted that instant, thinking he could not make haste enough to the palace. Aladdin, who foresaw what would happen, rose that morning by daybreak, put on one of the most magnificent habits his wardrobe afforded, and went up into the hall of twenty-four windows, from whence he perceived the sultan approaching, and got down soon enough to receive him at the foot of the great staircase. "Aladdin," said the sultan,<\|quote\|>"I cannot speak to you till I have seen and embraced my daughter."</\|quote\|>The happy father was then led to the princess's apartment and embraced her with his face bathed in tears of joy. The sultan was some time before he could open his lips, so great was his surprise and joy to find his daughter again, after he had given her up for lost; and the princess, upon seeing her father, let fall tears of rapture and affection. At last the sultan broke silence, and said: "I would believe, daughter, your joy to see me makes you seem as little changed as if no misfortune had befallen you; yet I cannot be persuaded but that you have suffered much alarm; for a large palace cannot be so suddenly transported as yours has been, without causing great fright and apprehension. I would have you tell me all that has happened, and conceal nothing from me." The princess, who took great pleasure in giving the sultan the satisfaction he demanded, said: "If I appear so little altered, I beg of your majesty to consider that I received new life yesterday morning by the presence of my dear husband and deliverer, Aladdin, whom I looked upon and bewailed as lost to me. My greatest suffering was to find myself forced not only from your majesty, but from my dear husband; not only from the love I bore him, but from the uneasiness I laboured under through fear that he, though innocent, might feel the effects of your anger. As to what relates to my transportation, I was myself the innocent cause of it." To persuade the sultan of the truth of what she said, she gave him a full account of how the African magician had disguised himself, and offered to change new lamps for old ones; how she had amused herself in making that exchange; how the palace and herself were carried away and transported into Africa, with the magician, who was recognised by two of her women and the eunuch who made the exchange of the lamp, when he had the audacity, after the success of his daring enterprise, to propose himself for her husband; how he persecuted her till Aladdin's arrival; how they had concerted measures to get the lamp from him again, and the success they had fortunately met with by her dissimulation in inviting him to supper, and giving him the cup with the powder prepared for him. "For the rest," added she, "I leave it to Aladdin to recount." Aladdin had not much to tell the sultan, but only said: "When the private door was opened I went up into the great hall, where I found the magician lying dead on the sofa; and as I thought it not proper for the princess to stay there any longer, I desired her to go down into her own apartment, with her women and eunuchs. As soon as I was alone, and had taken the lamp out of the magician's breast, I made use of the same secret he had done, to remove the palace, and carry off the princess; and by that means the palace was reconveyed to the place where it stood before; and I have the happiness to restore the princess to your majesty. But that your majesty may not think that I impose upon you, if you will give yourself the trouble to go up into the hall, you may see the magician punished as he deserved." The sultan rose instantly and went into the hall, where, when he saw the African magician dead, and his face already livid by the strength of the poison, he embraced Aladdin with great tenderness, and said: "My son, be not displeased at my proceedings against you; they arose from my paternal love; and therefore you ought to forgive the excesses to which it hurried me." "Sir," replied Aladdin, "I have not the least reason to complain of your majesty's conduct, since you did nothing but what your duty required. This infamous magician, the basest of men, was the sole cause of my misfortune. When your majesty has leisure, I will give you an account of another villainous action he was guilty of toward me, which was no less black and base than this." "I will take an opportunity, and that very shortly," replied the sultan, "to hear it; but in the meantime let us think only of rejoicing." The sultan then commanded the drums, trumpets, cymbals, and other instruments of music to announce his joy to the public, and a festival of ten days to be proclaimed for the return of the princess and Aladdin. Within a few years afterward, the sultan died in a good old age, and as he left no male children, the Princess Badroulboudour, as lawful heir of the throne, succeeded him, and communicating the power	and both in a very short interval of time. From the time of the transportation of Aladdin's palace, the princess's father had been inconsolable for the loss of her. Before the disaster he used to go every morning into his closet to please himself with viewing the palace; he went now many times in the day to renew his tears, and plunge himself into the deepest melancholy, by reflecting how he had lost what was most dear to him in this world. The very morning of the return to the palace, the sultan went into his closet to indulge his sorrows. Absorbed in himself, and in a pensive mood, he cast his eyes toward the spot, expecting only to see an open space; but perceiving the vacancy filled up, he at first imagined the appearance to be the effect of a fog; looking more attentively, he was convinced beyond the power of doubt that it was his son-in-law's palace. Joy and gladness succeeded to sorrow and grief. He returned immediately into his apartment, and ordered a horse to be saddled and brought to him without delay, which he mounted that instant, thinking he could not make haste enough to the palace. Aladdin, who foresaw what would happen, rose that morning by daybreak, put on one of the most magnificent habits his wardrobe afforded, and went up into the hall of twenty-four windows, from whence he perceived the sultan approaching, and got down soon enough to receive him at the foot of the great staircase. "Aladdin," said the sultan,<\|quote\|>"I cannot speak to you till I have seen and embraced my daughter."</\|quote\|>The happy father was then led to the princess's apartment and embraced her with his face bathed in tears of joy. The sultan was some time before he could open his lips, so great was his surprise and joy to find his daughter again, after he had given her up for lost; and the princess, upon seeing her father, let fall tears of rapture and affection. At last the sultan broke silence, and said: "I would believe, daughter, your joy to see me makes you seem as little changed as if no misfortune had befallen you; yet I cannot be persuaded but that you have suffered much alarm; for a large palace cannot be so suddenly transported as yours has been, without causing great fright and apprehension. I would have you tell me all that has happened, and conceal nothing from me." The princess, who took great pleasure in giving the sultan the satisfaction he demanded, said: "If I appear so little altered, I beg of your majesty to consider that I received new life yesterday morning by the presence of my dear husband and deliverer, Aladdin, whom I looked upon and bewailed as lost to me. My greatest suffering was to find myself forced not only from your majesty, but from my dear husband; not only from the love I bore him, but from the uneasiness I laboured under through fear that he, though innocent, might feel the effects of your anger. As to what relates to my transportation, I was myself the innocent cause of it." To persuade the sultan of the truth of what she said, she gave him a full account of how the African magician had disguised himself, and offered to change new lamps for old ones; how she had amused herself in making that exchange; how the palace and herself were carried away and transported into Africa, with the magician, who was recognised by two of her women and the eunuch who made the exchange of the lamp, when he had the audacity, after the success of his daring enterprise, to propose himself for her husband; how he persecuted her till Aladdin's arrival; how they had concerted measures to get the lamp from him again, and the success they had fortunately met with by her dissimulation in inviting him to supper, and giving him the cup with the powder prepared for him. "For the rest," added she, "I leave it to Aladdin to recount." Aladdin had not much to tell the sultan, but only said: "When the private door was opened I went up into the great hall, where I found the magician lying dead on the sofa; and as I thought it not proper for the princess to stay there any longer, I desired her to go down into her own apartment, with her women and eunuchs. As soon as I was alone, and had taken the lamp out of the magician's breast, I made use of the same secret he had done, to remove the palace, and carry off the princess; and by that means the palace was reconveyed to the place where it stood	Arabian Nights (4)
she said to Mr. Wilcox,	No speaker	at such incongruities. "Next time,"<\|quote\|>she said to Mr. Wilcox,</\|quote\|>"you shall come to lunch	of a clergyman. She smiled at such incongruities. "Next time,"<\|quote\|>she said to Mr. Wilcox,</\|quote\|>"you shall come to lunch with me at Mr. Eustace	or Tom Jones. Scraps of their talk jarred oddly on the ear. "Right you are! I ll cable out to Uganda this evening," came from the table behind. "Their Emperor wants war; well, let him have it," was the opinion of a clergyman. She smiled at such incongruities. "Next time,"<\|quote\|>she said to Mr. Wilcox,</\|quote\|>"you shall come to lunch with me at Mr. Eustace Miles s." "With pleasure." "No, you d hate it," she said, pushing her glass towards him for some more cider. "It s all proteids and body buildings, and people come up to you and beg your pardon, but you have	and aired its well-calculated tributes to the solidity of our past. Though no more Old English than the works of Kipling, it had selected its reminiscences so adroitly that her criticism was lulled, and the guests whom it was nourishing for imperial purposes bore the outer semblance of Parson Adams or Tom Jones. Scraps of their talk jarred oddly on the ear. "Right you are! I ll cable out to Uganda this evening," came from the table behind. "Their Emperor wants war; well, let him have it," was the opinion of a clergyman. She smiled at such incongruities. "Next time,"<\|quote\|>she said to Mr. Wilcox,</\|quote\|>"you shall come to lunch with me at Mr. Eustace Miles s." "With pleasure." "No, you d hate it," she said, pushing her glass towards him for some more cider. "It s all proteids and body buildings, and people come up to you and beg your pardon, but you have such a beautiful aura." "A what?" "Never heard of an aura? Oh, happy, happy man! I scrub at mine for hours. Nor of an astral plane?" He had heard of astral planes, and censured them. "Just so. Luckily it was Helen s aura, not mine, and she had to chaperone	must find it. I can t." "Percy, do you know of anything?" "I can t say I do," said Mr. Cahill. "How like you! You re never any good." "Never any good. Just listen to her! Never any good. Oh, come!" "Well, you aren t. Miss Schlegel, is he?" The torrent of their love, having splashed these drops at Margaret, swept away on its habitual course. She sympathised with it now, for a little comfort had restored her geniality. Speech and silence pleased her equally, and while Mr. Wilcox made some preliminary inquiries about cheese, her eyes surveyed the restaurant, and aired its well-calculated tributes to the solidity of our past. Though no more Old English than the works of Kipling, it had selected its reminiscences so adroitly that her criticism was lulled, and the guests whom it was nourishing for imperial purposes bore the outer semblance of Parson Adams or Tom Jones. Scraps of their talk jarred oddly on the ear. "Right you are! I ll cable out to Uganda this evening," came from the table behind. "Their Emperor wants war; well, let him have it," was the opinion of a clergyman. She smiled at such incongruities. "Next time,"<\|quote\|>she said to Mr. Wilcox,</\|quote\|>"you shall come to lunch with me at Mr. Eustace Miles s." "With pleasure." "No, you d hate it," she said, pushing her glass towards him for some more cider. "It s all proteids and body buildings, and people come up to you and beg your pardon, but you have such a beautiful aura." "A what?" "Never heard of an aura? Oh, happy, happy man! I scrub at mine for hours. Nor of an astral plane?" He had heard of astral planes, and censured them. "Just so. Luckily it was Helen s aura, not mine, and she had to chaperone it and do the politenesses. I just sat with my handkerchief in my mouth till the man went." "Funny experiences seem to come to you two girls. No one s ever asked me about my--what d ye call it? Perhaps I ve not got one." "You re bound to have one, but it may be such a terrible colour that no one dares mention it." "Tell me, though, Miss Schlegel, do you really believe in the supernatural and all that?" "Too difficult a question." "Why s that? Gruyere or Stilton?" "Gruyere, please." "Better have Stilton." "Stilton. Because, though I don	those who are engaged in it, neither desires nor deserves the attention of others. "It s a golden rule to tip the carver. Tip everywhere s my motto." "Perhaps it does make life more human." "Then the fellows know one again. Especially in the East, if you tip, they remember you from year s end to year s end." "Have you been in the East?" "Oh, Greece and the Levant. I used to go out for sport and business to Cyprus; some military society of a sort there. A few piastres, properly distributed, help to keep one s memory green. But you, of course, think this shockingly cynical. How s your discussion society getting on? Any new Utopias lately?" "No, I m house-hunting, Mr. Wilcox, as I ve already told you once. Do you know of any houses?" "Afraid I don t." "Well, what s the point of being practical if you can t find two distressed females a house? We merely want a small house with large rooms, and plenty of them." "Evie, I like that! Miss Schlegel expects me to turn house-agent for her!" "What s that, father?" "I want a new home in September, and some one must find it. I can t." "Percy, do you know of anything?" "I can t say I do," said Mr. Cahill. "How like you! You re never any good." "Never any good. Just listen to her! Never any good. Oh, come!" "Well, you aren t. Miss Schlegel, is he?" The torrent of their love, having splashed these drops at Margaret, swept away on its habitual course. She sympathised with it now, for a little comfort had restored her geniality. Speech and silence pleased her equally, and while Mr. Wilcox made some preliminary inquiries about cheese, her eyes surveyed the restaurant, and aired its well-calculated tributes to the solidity of our past. Though no more Old English than the works of Kipling, it had selected its reminiscences so adroitly that her criticism was lulled, and the guests whom it was nourishing for imperial purposes bore the outer semblance of Parson Adams or Tom Jones. Scraps of their talk jarred oddly on the ear. "Right you are! I ll cable out to Uganda this evening," came from the table behind. "Their Emperor wants war; well, let him have it," was the opinion of a clergyman. She smiled at such incongruities. "Next time,"<\|quote\|>she said to Mr. Wilcox,</\|quote\|>"you shall come to lunch with me at Mr. Eustace Miles s." "With pleasure." "No, you d hate it," she said, pushing her glass towards him for some more cider. "It s all proteids and body buildings, and people come up to you and beg your pardon, but you have such a beautiful aura." "A what?" "Never heard of an aura? Oh, happy, happy man! I scrub at mine for hours. Nor of an astral plane?" He had heard of astral planes, and censured them. "Just so. Luckily it was Helen s aura, not mine, and she had to chaperone it and do the politenesses. I just sat with my handkerchief in my mouth till the man went." "Funny experiences seem to come to you two girls. No one s ever asked me about my--what d ye call it? Perhaps I ve not got one." "You re bound to have one, but it may be such a terrible colour that no one dares mention it." "Tell me, though, Miss Schlegel, do you really believe in the supernatural and all that?" "Too difficult a question." "Why s that? Gruyere or Stilton?" "Gruyere, please." "Better have Stilton." "Stilton. Because, though I don t believe in auras, and think Theosophy s only a halfway-house--" "--Yet there may be something in it all the same," he concluded, with a frown. "Not even that. It may be halfway in the wrong direction. I can t explain. I don t believe in all these fads, and yet I don t like saying that I don t believe in them." He seemed unsatisfied, and said: "So you wouldn t give me your word that you DON T hold with astral bodies and all the rest of it?" "I could," said Margaret, surprised that the point was of any importance to him. "Indeed, I will. When I talked about scrubbing my aura, I was only trying to be funny. But why do you want this settled?" "I don t know." "Now, Mr. Wilcox, you do know." "Yes, I am," "No, you re not," burst from the lovers opposite. Margaret was silent for a moment, and then changed the subject. "How s your house?" "Much the same as when you honoured it last week." "I don t mean Ducie Street. Howards End, of course." "Why of course ?" "Can t you turn out your tenant and let it to	but the vessel of life itself slipping past her, with people like Evie and Mr. Cahill on board. There are moments when virtue and wisdom fail us, and one of them came to her at Simpson s in the Strand. As she trod the staircase, narrow, but carpeted thickly, as she entered the eating-room, where saddles of mutton were being trundled up to expectant clergymen, she had a strong, if erroneous, conviction of her own futility, and wished she had never come out of her backwater, where nothing happened except art and literature, and where no one ever got married or succeeded in remaining engaged. Then came a little surprise. "Father might be of the party--yes, father was." With a smile of pleasure she moved forward to greet him, and her feeling of loneliness vanished. "I thought I d get round if I could," said he. "Evie told me of her little plan, so I just slipped in and secured a table. Always secure a table first. Evie, don t pretend you want to sit by your old father, because you don t. Miss Schlegel, come in my side, out of pity. My goodness, but you look tired! Been worrying round after your young clerks?" "No, after houses," said Margaret, edging past him into the box. "I m hungry, not tired; I want to eat heaps." "That s good. What ll you have?" "Fish pie," said she, with a glance at the menu. "Fish pie! Fancy coming for fish pie to Simpson s. It s not a bit the thing to go for here." "Go for something for me, then," said Margaret, pulling off her gloves. Her spirits were rising, and his reference to Leonard Bast had warmed her curiously. "Saddle of mutton," said he after profound reflection; "and cider to drink. That s the type of thing. I like this place, for a joke, once in a way. It is so thoroughly Old English. Don t you agree?" "Yes," said Margaret, who didn t. The order was given, the joint rolled up, and the carver, under Mr. Wilcox s direction, cut the meat where it was succulent, and piled their plates high. Mr. Cahill insisted on sirloin, but admitted that he had made a mistake later on. He and Evie soon fell into a conversation of the "No, I didn t; yes, you did" type--conversation which, though fascinating to those who are engaged in it, neither desires nor deserves the attention of others. "It s a golden rule to tip the carver. Tip everywhere s my motto." "Perhaps it does make life more human." "Then the fellows know one again. Especially in the East, if you tip, they remember you from year s end to year s end." "Have you been in the East?" "Oh, Greece and the Levant. I used to go out for sport and business to Cyprus; some military society of a sort there. A few piastres, properly distributed, help to keep one s memory green. But you, of course, think this shockingly cynical. How s your discussion society getting on? Any new Utopias lately?" "No, I m house-hunting, Mr. Wilcox, as I ve already told you once. Do you know of any houses?" "Afraid I don t." "Well, what s the point of being practical if you can t find two distressed females a house? We merely want a small house with large rooms, and plenty of them." "Evie, I like that! Miss Schlegel expects me to turn house-agent for her!" "What s that, father?" "I want a new home in September, and some one must find it. I can t." "Percy, do you know of anything?" "I can t say I do," said Mr. Cahill. "How like you! You re never any good." "Never any good. Just listen to her! Never any good. Oh, come!" "Well, you aren t. Miss Schlegel, is he?" The torrent of their love, having splashed these drops at Margaret, swept away on its habitual course. She sympathised with it now, for a little comfort had restored her geniality. Speech and silence pleased her equally, and while Mr. Wilcox made some preliminary inquiries about cheese, her eyes surveyed the restaurant, and aired its well-calculated tributes to the solidity of our past. Though no more Old English than the works of Kipling, it had selected its reminiscences so adroitly that her criticism was lulled, and the guests whom it was nourishing for imperial purposes bore the outer semblance of Parson Adams or Tom Jones. Scraps of their talk jarred oddly on the ear. "Right you are! I ll cable out to Uganda this evening," came from the table behind. "Their Emperor wants war; well, let him have it," was the opinion of a clergyman. She smiled at such incongruities. "Next time,"<\|quote\|>she said to Mr. Wilcox,</\|quote\|>"you shall come to lunch with me at Mr. Eustace Miles s." "With pleasure." "No, you d hate it," she said, pushing her glass towards him for some more cider. "It s all proteids and body buildings, and people come up to you and beg your pardon, but you have such a beautiful aura." "A what?" "Never heard of an aura? Oh, happy, happy man! I scrub at mine for hours. Nor of an astral plane?" He had heard of astral planes, and censured them. "Just so. Luckily it was Helen s aura, not mine, and she had to chaperone it and do the politenesses. I just sat with my handkerchief in my mouth till the man went." "Funny experiences seem to come to you two girls. No one s ever asked me about my--what d ye call it? Perhaps I ve not got one." "You re bound to have one, but it may be such a terrible colour that no one dares mention it." "Tell me, though, Miss Schlegel, do you really believe in the supernatural and all that?" "Too difficult a question." "Why s that? Gruyere or Stilton?" "Gruyere, please." "Better have Stilton." "Stilton. Because, though I don t believe in auras, and think Theosophy s only a halfway-house--" "--Yet there may be something in it all the same," he concluded, with a frown. "Not even that. It may be halfway in the wrong direction. I can t explain. I don t believe in all these fads, and yet I don t like saying that I don t believe in them." He seemed unsatisfied, and said: "So you wouldn t give me your word that you DON T hold with astral bodies and all the rest of it?" "I could," said Margaret, surprised that the point was of any importance to him. "Indeed, I will. When I talked about scrubbing my aura, I was only trying to be funny. But why do you want this settled?" "I don t know." "Now, Mr. Wilcox, you do know." "Yes, I am," "No, you re not," burst from the lovers opposite. Margaret was silent for a moment, and then changed the subject. "How s your house?" "Much the same as when you honoured it last week." "I don t mean Ducie Street. Howards End, of course." "Why of course ?" "Can t you turn out your tenant and let it to us? We re nearly demented." "Let me think. I wish I could help you. But I thought you wanted to be in town. One bit of advice: fix your district, then fix your price, and then don t budge. That s how I got both Ducie Street and Oniton. I said to myself, I mean to be exactly here, and I was, and Oniton s a place in a thousand." "But I do budge. Gentlemen seem to mesmerise houses--cow them with an eye, and up they come, trembling. Ladies can t. It s the houses that are mesmerising me. I ve no control over the saucy things. Houses are alive. No?" "I m out of my depth," he said, and added: "Didn t you talk rather like that to your office boy?" "Did I?--I mean I did, more or less. I talk the same way to every one--or try to." "Yes, I know. And how much of it do you suppose he understood?" "That s his lookout. I don t believe in suiting my conversation to my company. One can doubtless hit upon some medium of exchange that seems to do well enough, but it s no more like the real thing than money is like food. There s no nourishment in it. You pass it to the lower classes, and they pass it back to you, and this you call social intercourse or mutual endeavour, when it s mutual priggishness if it s anything. Our friends at Chelsea don t see this. They say one ought to be at all costs intelligible, and sacrifice--" "Lower classes," interrupted Mr. Wilcox, as it were thrusting his hand into her speech. "Well, you do admit that there are rich and poor. That s something." Margaret could not reply. Was he incredibly stupid, or did he understand her better than she understood herself? "You do admit that, if wealth was divided up equally, in a few years there would be rich and poor again just the same. The hard-working man would come to the top, the wastrel sink to the bottom." "Every one admits that." "Your Socialists don t." "My Socialists do. Yours mayn t; but I strongly suspect yours of being not Socialists, but ninepins, which you have constructed for your own amusement. I can t imagine any living creature who would bowl over quite so easily." He would have resented this	Bast had warmed her curiously. "Saddle of mutton," said he after profound reflection; "and cider to drink. That s the type of thing. I like this place, for a joke, once in a way. It is so thoroughly Old English. Don t you agree?" "Yes," said Margaret, who didn t. The order was given, the joint rolled up, and the carver, under Mr. Wilcox s direction, cut the meat where it was succulent, and piled their plates high. Mr. Cahill insisted on sirloin, but admitted that he had made a mistake later on. He and Evie soon fell into a conversation of the "No, I didn t; yes, you did" type--conversation which, though fascinating to those who are engaged in it, neither desires nor deserves the attention of others. "It s a golden rule to tip the carver. Tip everywhere s my motto." "Perhaps it does make life more human." "Then the fellows know one again. Especially in the East, if you tip, they remember you from year s end to year s end." "Have you been in the East?" "Oh, Greece and the Levant. I used to go out for sport and business to Cyprus; some military society of a sort there. A few piastres, properly distributed, help to keep one s memory green. But you, of course, think this shockingly cynical. How s your discussion society getting on? Any new Utopias lately?" "No, I m house-hunting, Mr. Wilcox, as I ve already told you once. Do you know of any houses?" "Afraid I don t." "Well, what s the point of being practical if you can t find two distressed females a house? We merely want a small house with large rooms, and plenty of them." "Evie, I like that! Miss Schlegel expects me to turn house-agent for her!" "What s that, father?" "I want a new home in September, and some one must find it. I can t." "Percy, do you know of anything?" "I can t say I do," said Mr. Cahill. "How like you! You re never any good." "Never any good. Just listen to her! Never any good. Oh, come!" "Well, you aren t. Miss Schlegel, is he?" The torrent of their love, having splashed these drops at Margaret, swept away on its habitual course. She sympathised with it now, for a little comfort had restored her geniality. Speech and silence pleased her equally, and while Mr. Wilcox made some preliminary inquiries about cheese, her eyes surveyed the restaurant, and aired its well-calculated tributes to the solidity of our past. Though no more Old English than the works of Kipling, it had selected its reminiscences so adroitly that her criticism was lulled, and the guests whom it was nourishing for imperial purposes bore the outer semblance of Parson Adams or Tom Jones. Scraps of their talk jarred oddly on the ear. "Right you are! I ll cable out to Uganda this evening," came from the table behind. "Their Emperor wants war; well, let him have it," was the opinion of a clergyman. She smiled at such incongruities. "Next time,"<\|quote\|>she said to Mr. Wilcox,</\|quote\|>"you shall come to lunch with me at Mr. Eustace Miles s." "With pleasure." "No, you d hate it," she said, pushing her glass towards him for some more cider. "It s all proteids and body buildings, and people come up to you and beg your pardon, but you have such a beautiful aura." "A what?" "Never heard of an aura? Oh, happy, happy man! I scrub at mine for hours. Nor of an astral plane?" He had heard of astral planes, and censured them. "Just so. Luckily it was Helen s aura, not mine, and she had to chaperone it and do the politenesses. I just sat with my handkerchief in my mouth till the man went." "Funny experiences seem to come to you two girls. No one s ever asked me about my--what d ye call it? Perhaps I ve not got one." "You re bound to have one, but it may be such a terrible colour that no one dares mention it." "Tell me, though, Miss Schlegel, do you really believe in the supernatural and all that?" "Too difficult a question." "Why s that? Gruyere or Stilton?" "Gruyere, please." "Better have Stilton." "Stilton. Because, though I don t believe in auras, and think Theosophy s only a halfway-house--" "--Yet there may be something in it all	Howards End
said her father,	No speaker	a hint to me, Lizzy,"<\|quote\|>said her father,</\|quote\|>"to send for the horses?"	all I want." "Is this a hint to me, Lizzy,"<\|quote\|>said her father,</\|quote\|>"to send for the horses?" "No, indeed. I do not	can you be so silly," cried her mother, "as to think of such a thing, in all this dirt! You will not be fit to be seen when you get there." "I shall be very fit to see Jane--which is all I want." "Is this a hint to me, Lizzy,"<\|quote\|>said her father,</\|quote\|>"to send for the horses?" "No, indeed. I do not wish to avoid the walk. The distance is nothing, when one has a motive; only three miles. I shall be back by dinner." "I admire the activity of your benevolence," observed Mary, "but every impulse of feeling should be guided	is all very well. I would go and see her, if I could have the carriage." Elizabeth, feeling really anxious, was determined to go to her, though the carriage was not to be had; and as she was no horse-woman, walking was her only alternative. She declared her resolution. "How can you be so silly," cried her mother, "as to think of such a thing, in all this dirt! You will not be fit to be seen when you get there." "I shall be very fit to see Jane--which is all I want." "Is this a hint to me, Lizzy,"<\|quote\|>said her father,</\|quote\|>"to send for the horses?" "No, indeed. I do not wish to avoid the walk. The distance is nothing, when one has a motive; only three miles. I shall be back by dinner." "I admire the activity of your benevolence," observed Mary, "but every impulse of feeling should be guided by reason; and, in my opinion, exertion should always be in proportion to what is required." "We will go as far as Meryton with you," said Catherine and Lydia.--Elizabeth accepted their company, and the three young ladies set off together. "If we make haste," said Lydia, as they walked along,	of his having been to me--and excepting a sore-throat and head-ache there is not much the matter with me." "Yours, &c." "Well, my dear," said Mr. Bennet, when Elizabeth had read the note aloud, "if your daughter should have a dangerous fit of illness, if she should die, it would be a comfort to know that it was all in pursuit of Mr. Bingley, and under your orders." "Oh! I am not at all afraid of her dying. People do not die of little trifling colds. She will be taken good care of. As long as she stays there, it is all very well. I would go and see her, if I could have the carriage." Elizabeth, feeling really anxious, was determined to go to her, though the carriage was not to be had; and as she was no horse-woman, walking was her only alternative. She declared her resolution. "How can you be so silly," cried her mother, "as to think of such a thing, in all this dirt! You will not be fit to be seen when you get there." "I shall be very fit to see Jane--which is all I want." "Is this a hint to me, Lizzy,"<\|quote\|>said her father,</\|quote\|>"to send for the horses?" "No, indeed. I do not wish to avoid the walk. The distance is nothing, when one has a motive; only three miles. I shall be back by dinner." "I admire the activity of your benevolence," observed Mary, "but every impulse of feeling should be guided by reason; and, in my opinion, exertion should always be in proportion to what is required." "We will go as far as Meryton with you," said Catherine and Lydia.--Elizabeth accepted their company, and the three young ladies set off together. "If we make haste," said Lydia, as they walked along, "perhaps we may see something of Captain Carter before he goes." In Meryton they parted; the two youngest repaired to the lodgings of one of the officers' wives, and Elizabeth continued her walk alone, crossing field after field at a quick pace, jumping over stiles and springing over puddles with impatient activity, and finding herself at last within view of the house, with weary ancles, dirty stockings, and a face glowing with the warmth of exercise. She was shewn into the breakfast-parlour, where all but Jane were assembled, and where her appearance created a great deal of surprise.--That she should	have got them to-day," said Elizabeth, "my mother's purpose will be answered." She did at last extort from her father an acknowledgment that the horses were engaged. Jane was therefore obliged to go on horseback, and her mother attended her to the door with many cheerful prognostics of a bad day. Her hopes were answered; Jane had not been gone long before it rained hard. Her sisters were uneasy for her, but her mother was delighted. The rain continued the whole evening without intermission; Jane certainly could not come back. "This was a lucky idea of mine, indeed!" said Mrs. Bennet, more than once, as if the credit of making it rain were all her own. Till the next morning, however, she was not aware of all the felicity of her contrivance. Breakfast was scarcely over when a servant from Netherfield brought the following note for Elizabeth: "My dearest Lizzy," "I FIND myself very unwell this morning, which, I suppose, is to be imputed to my getting wet through yesterday. My kind friends will not hear of my returning home till I am better. They insist also on my seeing Mr. Jones--therefore do not be alarmed if you should hear of his having been to me--and excepting a sore-throat and head-ache there is not much the matter with me." "Yours, &c." "Well, my dear," said Mr. Bennet, when Elizabeth had read the note aloud, "if your daughter should have a dangerous fit of illness, if she should die, it would be a comfort to know that it was all in pursuit of Mr. Bingley, and under your orders." "Oh! I am not at all afraid of her dying. People do not die of little trifling colds. She will be taken good care of. As long as she stays there, it is all very well. I would go and see her, if I could have the carriage." Elizabeth, feeling really anxious, was determined to go to her, though the carriage was not to be had; and as she was no horse-woman, walking was her only alternative. She declared her resolution. "How can you be so silly," cried her mother, "as to think of such a thing, in all this dirt! You will not be fit to be seen when you get there." "I shall be very fit to see Jane--which is all I want." "Is this a hint to me, Lizzy,"<\|quote\|>said her father,</\|quote\|>"to send for the horses?" "No, indeed. I do not wish to avoid the walk. The distance is nothing, when one has a motive; only three miles. I shall be back by dinner." "I admire the activity of your benevolence," observed Mary, "but every impulse of feeling should be guided by reason; and, in my opinion, exertion should always be in proportion to what is required." "We will go as far as Meryton with you," said Catherine and Lydia.--Elizabeth accepted their company, and the three young ladies set off together. "If we make haste," said Lydia, as they walked along, "perhaps we may see something of Captain Carter before he goes." In Meryton they parted; the two youngest repaired to the lodgings of one of the officers' wives, and Elizabeth continued her walk alone, crossing field after field at a quick pace, jumping over stiles and springing over puddles with impatient activity, and finding herself at last within view of the house, with weary ancles, dirty stockings, and a face glowing with the warmth of exercise. She was shewn into the breakfast-parlour, where all but Jane were assembled, and where her appearance created a great deal of surprise.--That she should have walked three miles so early in the day, in such dirty weather, and by herself, was almost incredible to Mrs. Hurst and Miss Bingley; and Elizabeth was convinced that they held her in contempt for it. She was received, however, very politely by them; and in their brother's manners there was something better than politeness; there was good humour and kindness.--Mr. Darcy said very little, and Mr. Hurst nothing at all. The former was divided between admiration of the brilliancy which exercise had given to her complexion, and doubt as to the occasion's justifying her coming so far alone. The latter was thinking only of his breakfast. Her enquiries after her sister were not very favourably answered. Miss Bennet had slept ill, and though up, was very feverish and not well enough to leave her room. Elizabeth was glad to be taken to her immediately; and Jane, who had only been withheld by the fear of giving alarm or inconvenience, from expressing in her note how much she longed for such a visit, was delighted at her entrance. She was not equal, however, to much conversation, and when Miss Bingley left them together, could attempt little beside expressions of	more than we do. I remember the time when I liked a red coat myself very well--and indeed so I do still at my heart; and if a smart young colonel, with five or six thousand a year, should want one of my girls, I shall not say nay to him; and I thought Colonel Forster looked very becoming the other night at Sir William's in his regimentals." "Mama," cried Lydia, "my aunt says that Colonel Forster and Captain Carter do not go so often to Miss Watson's as they did when they first came; she sees them now very often standing in Clarke's library." Mrs. Bennet was prevented replying by the entrance of the footman with a note for Miss Bennet; it came from Netherfield, and the servant waited for an answer. Mrs. Bennet's eyes sparkled with pleasure, and she was eagerly calling out, while her daughter read, "Well, Jane, who is it from? what is it about? what does he say? Well, Jane, make haste and tell us; make haste, my love." "It is from Miss Bingley," said Jane, and then read it aloud. "My dear Friend, "If you are not so compassionate as to dine to-day with Louisa and me, we shall be in danger of hating each other for the rest of our lives, for a whole day's t?te-?-t?te between two women can never end without a quarrel. Come as soon as you can on the receipt of this. My brother and the gentlemen are to dine with the officers. Yours ever, "CAROLINE BINGLEY." "With the officers!" cried Lydia. "I wonder my aunt did not tell us of _that_." "Dining out," said Mrs. Bennet, "that is very unlucky." "Can I have the carriage?" said Jane. "No, my dear, you had better go on horseback, because it seems likely to rain; and then you must stay all night." "That would be a good scheme," said Elizabeth, "if you were sure that they would not offer to send her home." "Oh! but the gentlemen will have Mr. Bingley's chaise to go to Meryton; and the Hursts have no horses to theirs." "I had much rather go in the coach." "But, my dear, your father cannot spare the horses, I am sure. They are wanted in the farm, Mr. Bennet, are not they?" "They are wanted in the farm much oftener than I can get them." "But if you have got them to-day," said Elizabeth, "my mother's purpose will be answered." She did at last extort from her father an acknowledgment that the horses were engaged. Jane was therefore obliged to go on horseback, and her mother attended her to the door with many cheerful prognostics of a bad day. Her hopes were answered; Jane had not been gone long before it rained hard. Her sisters were uneasy for her, but her mother was delighted. The rain continued the whole evening without intermission; Jane certainly could not come back. "This was a lucky idea of mine, indeed!" said Mrs. Bennet, more than once, as if the credit of making it rain were all her own. Till the next morning, however, she was not aware of all the felicity of her contrivance. Breakfast was scarcely over when a servant from Netherfield brought the following note for Elizabeth: "My dearest Lizzy," "I FIND myself very unwell this morning, which, I suppose, is to be imputed to my getting wet through yesterday. My kind friends will not hear of my returning home till I am better. They insist also on my seeing Mr. Jones--therefore do not be alarmed if you should hear of his having been to me--and excepting a sore-throat and head-ache there is not much the matter with me." "Yours, &c." "Well, my dear," said Mr. Bennet, when Elizabeth had read the note aloud, "if your daughter should have a dangerous fit of illness, if she should die, it would be a comfort to know that it was all in pursuit of Mr. Bingley, and under your orders." "Oh! I am not at all afraid of her dying. People do not die of little trifling colds. She will be taken good care of. As long as she stays there, it is all very well. I would go and see her, if I could have the carriage." Elizabeth, feeling really anxious, was determined to go to her, though the carriage was not to be had; and as she was no horse-woman, walking was her only alternative. She declared her resolution. "How can you be so silly," cried her mother, "as to think of such a thing, in all this dirt! You will not be fit to be seen when you get there." "I shall be very fit to see Jane--which is all I want." "Is this a hint to me, Lizzy,"<\|quote\|>said her father,</\|quote\|>"to send for the horses?" "No, indeed. I do not wish to avoid the walk. The distance is nothing, when one has a motive; only three miles. I shall be back by dinner." "I admire the activity of your benevolence," observed Mary, "but every impulse of feeling should be guided by reason; and, in my opinion, exertion should always be in proportion to what is required." "We will go as far as Meryton with you," said Catherine and Lydia.--Elizabeth accepted their company, and the three young ladies set off together. "If we make haste," said Lydia, as they walked along, "perhaps we may see something of Captain Carter before he goes." In Meryton they parted; the two youngest repaired to the lodgings of one of the officers' wives, and Elizabeth continued her walk alone, crossing field after field at a quick pace, jumping over stiles and springing over puddles with impatient activity, and finding herself at last within view of the house, with weary ancles, dirty stockings, and a face glowing with the warmth of exercise. She was shewn into the breakfast-parlour, where all but Jane were assembled, and where her appearance created a great deal of surprise.--That she should have walked three miles so early in the day, in such dirty weather, and by herself, was almost incredible to Mrs. Hurst and Miss Bingley; and Elizabeth was convinced that they held her in contempt for it. She was received, however, very politely by them; and in their brother's manners there was something better than politeness; there was good humour and kindness.--Mr. Darcy said very little, and Mr. Hurst nothing at all. The former was divided between admiration of the brilliancy which exercise had given to her complexion, and doubt as to the occasion's justifying her coming so far alone. The latter was thinking only of his breakfast. Her enquiries after her sister were not very favourably answered. Miss Bennet had slept ill, and though up, was very feverish and not well enough to leave her room. Elizabeth was glad to be taken to her immediately; and Jane, who had only been withheld by the fear of giving alarm or inconvenience, from expressing in her note how much she longed for such a visit, was delighted at her entrance. She was not equal, however, to much conversation, and when Miss Bingley left them together, could attempt little beside expressions of gratitude for the extraordinary kindness she was treated with. Elizabeth silently attended her. When breakfast was over, they were joined by the sisters; and Elizabeth began to like them herself, when she saw how much affection and solicitude they shewed for Jane. The apothecary came, and having examined his patient, said, as might be supposed, that she had caught a violent cold, and that they must endeavour to get the better of it; advised her to return to bed, and promised her some draughts. The advice was followed readily, for the feverish symptoms increased, and her head ached acutely. Elizabeth did not quit her room for a moment, nor were the other ladies often absent; the gentlemen being out, they had in fact nothing to do elsewhere. When the clock struck three, Elizabeth felt that she must go; and very unwillingly said so. Miss Bingley offered her the carriage, and she only wanted a little pressing to accept it, when Jane testified such concern in parting with her, that Miss Bingley was obliged to convert the offer of the chaise into an invitation to remain at Netherfield for the present. Elizabeth most thankfully consented, and a servant was dispatched to Longbourn to acquaint the family with her stay, and bring back a supply of clothes. CHAPTER VIII. At five o'clock the two ladies retired to dress, and at half past six Elizabeth was summoned to dinner. To the civil enquiries which then poured in, and amongst which she had the pleasure of distinguishing the much superior solicitude of Mr. Bingley's, she could not make a very favourable answer. Jane was by no means better. The sisters, on hearing this, repeated three or four times how much they were grieved, how shocking it was to have a bad cold, and how excessively they disliked being ill themselves; and then thought no more of the matter: and their indifference towards Jane when not immediately before them, restored Elizabeth to the enjoyment of all her original dislike. Their brother, indeed, was the only one of the party whom she could regard with any complacency. His anxiety for Jane was evident, and his attentions to herself most pleasing, and they prevented her feeling herself so much an intruder as she believed she was considered by the others. She had very little notice from any but him. Miss Bingley was engrossed by Mr. Darcy, her	not come back. "This was a lucky idea of mine, indeed!" said Mrs. Bennet, more than once, as if the credit of making it rain were all her own. Till the next morning, however, she was not aware of all the felicity of her contrivance. Breakfast was scarcely over when a servant from Netherfield brought the following note for Elizabeth: "My dearest Lizzy," "I FIND myself very unwell this morning, which, I suppose, is to be imputed to my getting wet through yesterday. My kind friends will not hear of my returning home till I am better. They insist also on my seeing Mr. Jones--therefore do not be alarmed if you should hear of his having been to me--and excepting a sore-throat and head-ache there is not much the matter with me." "Yours, &c." "Well, my dear," said Mr. Bennet, when Elizabeth had read the note aloud, "if your daughter should have a dangerous fit of illness, if she should die, it would be a comfort to know that it was all in pursuit of Mr. Bingley, and under your orders." "Oh! I am not at all afraid of her dying. People do not die of little trifling colds. She will be taken good care of. As long as she stays there, it is all very well. I would go and see her, if I could have the carriage." Elizabeth, feeling really anxious, was determined to go to her, though the carriage was not to be had; and as she was no horse-woman, walking was her only alternative. She declared her resolution. "How can you be so silly," cried her mother, "as to think of such a thing, in all this dirt! You will not be fit to be seen when you get there." "I shall be very fit to see Jane--which is all I want." "Is this a hint to me, Lizzy,"<\|quote\|>said her father,</\|quote\|>"to send for the horses?" "No, indeed. I do not wish to avoid the walk. The distance is nothing, when one has a motive; only three miles. I shall be back by dinner." "I admire the activity of your benevolence," observed Mary, "but every impulse of feeling should be guided by reason; and, in my opinion, exertion should always be in proportion to what is required." "We will go as far as Meryton with you," said Catherine and Lydia.--Elizabeth accepted their company, and the three young ladies set off together. "If we make haste," said Lydia, as they walked along, "perhaps we may see something of Captain Carter before he goes." In Meryton they parted; the two youngest repaired to the lodgings of one of the officers' wives, and Elizabeth continued her walk alone, crossing field after field at a quick pace, jumping over stiles and springing over puddles with impatient activity, and finding herself at last within view of the house, with weary ancles, dirty stockings, and a face glowing with the warmth of exercise. She was shewn into the breakfast-parlour, where all but Jane were assembled, and where her appearance created a great deal of surprise.--That she should have walked three miles so early in the day, in such dirty weather, and by herself, was almost incredible to Mrs. Hurst and Miss Bingley; and Elizabeth was convinced that they held her in contempt for it. She was received, however, very politely by them; and in their brother's manners there was something better than politeness; there was good humour and kindness.--Mr. Darcy said very little, and Mr. Hurst nothing at all. The former was divided between admiration of the brilliancy which exercise had given to her complexion, and doubt as to the occasion's justifying her coming so far alone. The latter was thinking only of his breakfast. Her enquiries after her sister were not very favourably answered. Miss Bennet had slept ill, and though up, was very feverish and not well enough to leave her room. Elizabeth was glad to be taken to her immediately; and Jane, who had only been withheld by the fear of giving alarm or inconvenience, from expressing in her note how much she longed for such a visit, was delighted at her entrance. She was not equal, however, to much conversation, and when Miss Bingley left them together, could attempt little beside expressions of gratitude for the extraordinary	Pride And Prejudice
replied the girl.	No speaker	"Yes, the other gentleman's paid,"<\|quote\|>replied the girl.</\|quote\|>"I say!" said the man,	other. "Is all paid, Becky?" "Yes, the other gentleman's paid,"<\|quote\|>replied the girl.</\|quote\|>"I say!" said the man, with tipsy gravity; "that won't	ale towards his new friend. "If you're going directly, I can," replied the man, looking out of the pot. "Are you going to Halliford?" "Going on to Shepperton," replied Sikes. "I'm your man, as far as I go," replied the other. "Is all paid, Becky?" "Yes, the other gentleman's paid,"<\|quote\|>replied the girl.</\|quote\|>"I say!" said the man, with tipsy gravity; "that won't do, you know." "Why not?" rejoined Sikes. "You're a-going to accommodate us, and wot's to prevent my standing treat for a pint or so, in return?" The stranger reflected upon this argument, with a very profound face; having done so,	hasn't got a load behind him going back, as he had coming up in the mornin'; and he won't be long a-doing of it. Here's luck to him. Ecod! he's a good 'un!" "Could you give my boy and me a lift as far as there?" demanded Sikes, pushing the ale towards his new friend. "If you're going directly, I can," replied the man, looking out of the pot. "Are you going to Halliford?" "Going on to Shepperton," replied Sikes. "I'm your man, as far as I go," replied the other. "Is all paid, Becky?" "Yes, the other gentleman's paid,"<\|quote\|>replied the girl.</\|quote\|>"I say!" said the man, with tipsy gravity; "that won't do, you know." "Why not?" rejoined Sikes. "You're a-going to accommodate us, and wot's to prevent my standing treat for a pint or so, in return?" The stranger reflected upon this argument, with a very profound face; having done so, he seized Sikes by the hand: and declared he was a real good fellow. To which Mr. Sikes replied, he was joking; as, if he had been sober, there would have been strong reason to suppose he was. After the exchange of a few more compliments, they bade the company	he dozed a little at first; then, quite overpowered by fatigue and the fumes of the tobacco, fell asleep. It was quite dark when he was awakened by a push from Sikes. Rousing himself sufficiently to sit up and look about him, he found that worthy in close fellowship and communication with a labouring man, over a pint of ale. "So, you're going on to Lower Halliford, are you?" inquired Sikes. "Yes, I am," replied the man, who seemed a little the worse or better, as the case might be for drinking; "and not slow about it neither. My horse hasn't got a load behind him going back, as he had coming up in the mornin'; and he won't be long a-doing of it. Here's luck to him. Ecod! he's a good 'un!" "Could you give my boy and me a lift as far as there?" demanded Sikes, pushing the ale towards his new friend. "If you're going directly, I can," replied the man, looking out of the pot. "Are you going to Halliford?" "Going on to Shepperton," replied Sikes. "I'm your man, as far as I go," replied the other. "Is all paid, Becky?" "Yes, the other gentleman's paid,"<\|quote\|>replied the girl.</\|quote\|>"I say!" said the man, with tipsy gravity; "that won't do, you know." "Why not?" rejoined Sikes. "You're a-going to accommodate us, and wot's to prevent my standing treat for a pint or so, in return?" The stranger reflected upon this argument, with a very profound face; having done so, he seized Sikes by the hand: and declared he was a real good fellow. To which Mr. Sikes replied, he was joking; as, if he had been sober, there would have been strong reason to suppose he was. After the exchange of a few more compliments, they bade the company good-night, and went out; the girl gathering up the pots and glasses as they did so, and lounging out to the door, with her hands full, to see the party start. The horse, whose health had been drunk in his absence, was standing outside: ready harnessed to the cart. Oliver and Sikes got in without any further ceremony; and the man to whom he belonged, having lingered for a minute or two "to bear him up," and to defy the hostler and the world to produce his equal, mounted also. Then, the hostler was told to give the horse his	passing many large gardens and gentlemen's houses on both sides of the way, and stopping for nothing but a little beer, until they reached a town. Here against the wall of a house, Oliver saw written up in pretty large letters, "Hampton." They lingered about, in the fields, for some hours. At length they came back into the town; and, turning into an old public-house with a defaced sign-board, ordered some dinner by the kitchen fire. The kitchen was an old, low-roofed room; with a great beam across the middle of the ceiling, and benches, with high backs to them, by the fire; on which were seated several rough men in smock-frocks, drinking and smoking. They took no notice of Oliver; and very little of Sikes; and, as Sikes took very little notice of them, he and his young comrade sat in a corner by themselves, without being much troubled by their company. They had some cold meat for dinner, and sat so long after it, while Mr. Sikes indulged himself with three or four pipes, that Oliver began to feel quite certain they were not going any further. Being much tired with the walk, and getting up so early, he dozed a little at first; then, quite overpowered by fatigue and the fumes of the tobacco, fell asleep. It was quite dark when he was awakened by a push from Sikes. Rousing himself sufficiently to sit up and look about him, he found that worthy in close fellowship and communication with a labouring man, over a pint of ale. "So, you're going on to Lower Halliford, are you?" inquired Sikes. "Yes, I am," replied the man, who seemed a little the worse or better, as the case might be for drinking; "and not slow about it neither. My horse hasn't got a load behind him going back, as he had coming up in the mornin'; and he won't be long a-doing of it. Here's luck to him. Ecod! he's a good 'un!" "Could you give my boy and me a lift as far as there?" demanded Sikes, pushing the ale towards his new friend. "If you're going directly, I can," replied the man, looking out of the pot. "Are you going to Halliford?" "Going on to Shepperton," replied Sikes. "I'm your man, as far as I go," replied the other. "Is all paid, Becky?" "Yes, the other gentleman's paid,"<\|quote\|>replied the girl.</\|quote\|>"I say!" said the man, with tipsy gravity; "that won't do, you know." "Why not?" rejoined Sikes. "You're a-going to accommodate us, and wot's to prevent my standing treat for a pint or so, in return?" The stranger reflected upon this argument, with a very profound face; having done so, he seized Sikes by the hand: and declared he was a real good fellow. To which Mr. Sikes replied, he was joking; as, if he had been sober, there would have been strong reason to suppose he was. After the exchange of a few more compliments, they bade the company good-night, and went out; the girl gathering up the pots and glasses as they did so, and lounging out to the door, with her hands full, to see the party start. The horse, whose health had been drunk in his absence, was standing outside: ready harnessed to the cart. Oliver and Sikes got in without any further ceremony; and the man to whom he belonged, having lingered for a minute or two "to bear him up," and to defy the hostler and the world to produce his equal, mounted also. Then, the hostler was told to give the horse his head; and, his head being given him, he made a very unpleasant use of it: tossing it into the air with great disdain, and running into the parlour windows over the way; after performing those feats, and supporting himself for a short time on his hind-legs, he started off at great speed, and rattled out of the town right gallantly. The night was very dark. A damp mist rose from the river, and the marshy ground about; and spread itself over the dreary fields. It was piercing cold, too; all was gloomy and black. Not a word was spoken; for the driver had grown sleepy; and Sikes was in no mood to lead him into conversation. Oliver sat huddled together, in a corner of the cart; bewildered with alarm and apprehension; and figuring strange objects in the gaunt trees, whose branches waved grimly to and fro, as if in some fantastic joy at the desolation of the scene. As they passed Sunbury Church, the clock struck seven. There was a light in the ferry-house window opposite: which streamed across the road, and threw into more sombre shadow a dark yew-tree with graves beneath it. There was a dull sound of	his little companion's wrist; Oliver, quickening his pace into a kind of trot between a fast walk and a run, kept up with the rapid strides of the house-breaker as well as he could. They held their course at this rate, until they had passed Hyde Park corner, and were on their way to Kensington: when Sikes relaxed his pace, until an empty cart which was at some little distance behind, came up. Seeing "Hounslow" written on it, he asked the driver with as much civility as he could assume, if he would give them a lift as far as Isleworth. "Jump up," said the man. "Is that your boy?" "Yes; he's my boy," replied Sikes, looking hard at Oliver, and putting his hand abstractedly into the pocket where the pistol was. "Your father walks rather too quick for you, don't he, my man?" inquired the driver: seeing that Oliver was out of breath. "Not a bit of it," replied Sikes, interposing. "He's used to it. Here, take hold of my hand, Ned. In with you!" Thus addressing Oliver, he helped him into the cart; and the driver, pointing to a heap of sacks, told him to lie down there, and rest himself. As they passed the different mile-stones, Oliver wondered, more and more, where his companion meant to take him. Kensington, Hammersmith, Chiswick, Kew Bridge, Brentford, were all passed; and yet they went on as steadily as if they had only just begun their journey. At length, they came to a public-house called the Coach and Horses; a little way beyond which, another road appeared to run off. And here, the cart stopped. Sikes dismounted with great precipitation, holding Oliver by the hand all the while; and lifting him down directly, bestowed a furious look upon him, and rapped the side-pocket with his fist, in a significant manner. "Good-bye, boy," said the man. "He's sulky," replied Sikes, giving him a shake; "he's sulky. A young dog! Don't mind him." "Not I!" rejoined the other, getting into his cart. "It's a fine day, after all." And he drove away. Sikes waited until he had fairly gone; and then, telling Oliver he might look about him if he wanted, once again led him onward on his journey. They turned round to the left, a short way past the public-house; and then, taking a right-hand road, walked on for a long time: passing many large gardens and gentlemen's houses on both sides of the way, and stopping for nothing but a little beer, until they reached a town. Here against the wall of a house, Oliver saw written up in pretty large letters, "Hampton." They lingered about, in the fields, for some hours. At length they came back into the town; and, turning into an old public-house with a defaced sign-board, ordered some dinner by the kitchen fire. The kitchen was an old, low-roofed room; with a great beam across the middle of the ceiling, and benches, with high backs to them, by the fire; on which were seated several rough men in smock-frocks, drinking and smoking. They took no notice of Oliver; and very little of Sikes; and, as Sikes took very little notice of them, he and his young comrade sat in a corner by themselves, without being much troubled by their company. They had some cold meat for dinner, and sat so long after it, while Mr. Sikes indulged himself with three or four pipes, that Oliver began to feel quite certain they were not going any further. Being much tired with the walk, and getting up so early, he dozed a little at first; then, quite overpowered by fatigue and the fumes of the tobacco, fell asleep. It was quite dark when he was awakened by a push from Sikes. Rousing himself sufficiently to sit up and look about him, he found that worthy in close fellowship and communication with a labouring man, over a pint of ale. "So, you're going on to Lower Halliford, are you?" inquired Sikes. "Yes, I am," replied the man, who seemed a little the worse or better, as the case might be for drinking; "and not slow about it neither. My horse hasn't got a load behind him going back, as he had coming up in the mornin'; and he won't be long a-doing of it. Here's luck to him. Ecod! he's a good 'un!" "Could you give my boy and me a lift as far as there?" demanded Sikes, pushing the ale towards his new friend. "If you're going directly, I can," replied the man, looking out of the pot. "Are you going to Halliford?" "Going on to Shepperton," replied Sikes. "I'm your man, as far as I go," replied the other. "Is all paid, Becky?" "Yes, the other gentleman's paid,"<\|quote\|>replied the girl.</\|quote\|>"I say!" said the man, with tipsy gravity; "that won't do, you know." "Why not?" rejoined Sikes. "You're a-going to accommodate us, and wot's to prevent my standing treat for a pint or so, in return?" The stranger reflected upon this argument, with a very profound face; having done so, he seized Sikes by the hand: and declared he was a real good fellow. To which Mr. Sikes replied, he was joking; as, if he had been sober, there would have been strong reason to suppose he was. After the exchange of a few more compliments, they bade the company good-night, and went out; the girl gathering up the pots and glasses as they did so, and lounging out to the door, with her hands full, to see the party start. The horse, whose health had been drunk in his absence, was standing outside: ready harnessed to the cart. Oliver and Sikes got in without any further ceremony; and the man to whom he belonged, having lingered for a minute or two "to bear him up," and to defy the hostler and the world to produce his equal, mounted also. Then, the hostler was told to give the horse his head; and, his head being given him, he made a very unpleasant use of it: tossing it into the air with great disdain, and running into the parlour windows over the way; after performing those feats, and supporting himself for a short time on his hind-legs, he started off at great speed, and rattled out of the town right gallantly. The night was very dark. A damp mist rose from the river, and the marshy ground about; and spread itself over the dreary fields. It was piercing cold, too; all was gloomy and black. Not a word was spoken; for the driver had grown sleepy; and Sikes was in no mood to lead him into conversation. Oliver sat huddled together, in a corner of the cart; bewildered with alarm and apprehension; and figuring strange objects in the gaunt trees, whose branches waved grimly to and fro, as if in some fantastic joy at the desolation of the scene. As they passed Sunbury Church, the clock struck seven. There was a light in the ferry-house window opposite: which streamed across the road, and threw into more sombre shadow a dark yew-tree with graves beneath it. There was a dull sound of falling water not far off; and the leaves of the old tree stirred gently in the night wind. It seemed like quiet music for the repose of the dead. Sunbury was passed through, and they came again into the lonely road. Two or three miles more, and the cart stopped. Sikes alighted, took Oliver by the hand, and they once again walked on. They turned into no house at Shepperton, as the weary boy had expected; but still kept walking on, in mud and darkness, through gloomy lanes and over cold open wastes, until they came within sight of the lights of a town at no great distance. On looking intently forward, Oliver saw that the water was just below them, and that they were coming to the foot of a bridge. Sikes kept straight on, until they were close upon the bridge; then turned suddenly down a bank upon the left. "The water!" thought Oliver, turning sick with fear. "He has brought me to this lonely place to murder me!" He was about to throw himself on the ground, and make one struggle for his young life, when he saw that they stood before a solitary house: all ruinous and decayed. There was a window on each side of the dilapidated entrance; and one story above; but no light was visible. The house was dark, dismantled: and, to all appearance, uninhabited. Sikes, with Oliver's hand still in his, softly approached the low porch, and raised the latch. The door yielded to the pressure, and they passed in together. CHAPTER XXII. THE BURGLARY "Hallo!" cried a loud, hoarse voice, as soon as they set foot in the passage. "Don't make such a row," said Sikes, bolting the door. "Show a glim, Toby." "Aha! my pal!" cried the same voice. "A glim, Barney, a glim! Show the gentleman in, Barney; wake up first, if convenient." The speaker appeared to throw a boot-jack, or some such article, at the person he addressed, to rouse him from his slumbers: for the noise of a wooden body, falling violently, was heard; and then an indistinct muttering, as of a man between sleep and awake. "Do you hear?" cried the same voice. "There's Bill Sikes in the passage with nobody to do the civil to him; and you sleeping there, as if you took laudanum with your meals, and nothing stronger. Are you any fresher	the side-pocket with his fist, in a significant manner. "Good-bye, boy," said the man. "He's sulky," replied Sikes, giving him a shake; "he's sulky. A young dog! Don't mind him." "Not I!" rejoined the other, getting into his cart. "It's a fine day, after all." And he drove away. Sikes waited until he had fairly gone; and then, telling Oliver he might look about him if he wanted, once again led him onward on his journey. They turned round to the left, a short way past the public-house; and then, taking a right-hand road, walked on for a long time: passing many large gardens and gentlemen's houses on both sides of the way, and stopping for nothing but a little beer, until they reached a town. Here against the wall of a house, Oliver saw written up in pretty large letters, "Hampton." They lingered about, in the fields, for some hours. At length they came back into the town; and, turning into an old public-house with a defaced sign-board, ordered some dinner by the kitchen fire. The kitchen was an old, low-roofed room; with a great beam across the middle of the ceiling, and benches, with high backs to them, by the fire; on which were seated several rough men in smock-frocks, drinking and smoking. They took no notice of Oliver; and very little of Sikes; and, as Sikes took very little notice of them, he and his young comrade sat in a corner by themselves, without being much troubled by their company. They had some cold meat for dinner, and sat so long after it, while Mr. Sikes indulged himself with three or four pipes, that Oliver began to feel quite certain they were not going any further. Being much tired with the walk, and getting up so early, he dozed a little at first; then, quite overpowered by fatigue and the fumes of the tobacco, fell asleep. It was quite dark when he was awakened by a push from Sikes. Rousing himself sufficiently to sit up and look about him, he found that worthy in close fellowship and communication with a labouring man, over a pint of ale. "So, you're going on to Lower Halliford, are you?" inquired Sikes. "Yes, I am," replied the man, who seemed a little the worse or better, as the case might be for drinking; "and not slow about it neither. My horse hasn't got a load behind him going back, as he had coming up in the mornin'; and he won't be long a-doing of it. Here's luck to him. Ecod! he's a good 'un!" "Could you give my boy and me a lift as far as there?" demanded Sikes, pushing the ale towards his new friend. "If you're going directly, I can," replied the man, looking out of the pot. "Are you going to Halliford?" "Going on to Shepperton," replied Sikes. "I'm your man, as far as I go," replied the other. "Is all paid, Becky?" "Yes, the other gentleman's paid,"<\|quote\|>replied the girl.</\|quote\|>"I say!" said the man, with tipsy gravity; "that won't do, you know." "Why not?" rejoined Sikes. "You're a-going to accommodate us, and wot's to prevent my standing treat for a pint or so, in return?" The stranger reflected upon this argument, with a very profound face; having done so, he seized Sikes by the hand: and declared he was a real good fellow. To which Mr. Sikes replied, he was joking; as, if he had been sober, there would have been strong reason to suppose he was. After the exchange of a few more compliments, they bade the company good-night, and went out; the girl gathering up the pots and glasses as they did so, and lounging out to the door, with her hands full, to see the party start. The horse, whose health had been drunk in his absence, was standing outside: ready harnessed to the cart. Oliver and Sikes got in without any further ceremony; and the man to whom he belonged, having lingered for a minute or two "to bear him up," and to defy the hostler and the world to produce his equal, mounted also. Then, the hostler was told to give the horse his head; and, his head being given him, he made a very unpleasant use of it: tossing it into the air with great disdain, and running into the parlour windows over the way; after performing those feats, and supporting himself for a short time on his hind-legs, he started off at great speed, and rattled out of the town right gallantly. The night was very dark. A damp mist rose from the river, and the marshy ground about; and spread itself over the dreary fields. It was piercing cold, too; all was gloomy and black. Not a word was spoken; for the driver had grown sleepy; and Sikes was in no mood to lead him into conversation. Oliver sat huddled together, in a corner of the cart; bewildered with alarm and apprehension; and figuring strange objects in the gaunt trees, whose branches waved grimly to and fro, as if in some fantastic joy at the desolation of the scene. As they passed Sunbury Church, the clock struck seven. There was a light in the ferry-house window opposite: which streamed across the road, and threw into more sombre shadow a dark yew-tree with graves beneath it. There was a dull sound of falling water not far off; and the leaves of the old tree stirred gently in the night wind. It seemed like quiet music for the repose of the dead. Sunbury was passed through, and they came again into the lonely road. Two or three miles more, and the cart stopped. Sikes alighted, took Oliver by the hand, and they once again walked on. They turned into no house at Shepperton, as the weary boy had expected; but still kept walking on, in mud and darkness, through gloomy lanes and over cold open wastes, until they came within sight of the lights of a town at no great distance. On looking intently forward, Oliver saw that the water was just below them, and that they were coming to the foot of a bridge. Sikes kept straight on, until they were close upon the bridge; then turned suddenly down a bank upon the left. "The	Oliver Twist
"The brilliant young man who writes for the Review, I mean? Only yesterday my husband was telling me he thought you one of the cleverest young men he knew. Certainly, you ve been the messenger of Providence to me, for unless I d seen you I m sure I should never have found the ruins at all."	Mrs. Hilbery	suspicion of her own accuracy.<\|quote\|>"The brilliant young man who writes for the Review, I mean? Only yesterday my husband was telling me he thought you one of the cleverest young men he knew. Certainly, you ve been the messenger of Providence to me, for unless I d seen you I m sure I should never have found the ruins at all."</\|quote\|>They had reached the Roman	at him with a sudden suspicion of her own accuracy.<\|quote\|>"The brilliant young man who writes for the Review, I mean? Only yesterday my husband was telling me he thought you one of the cleverest young men he knew. Certainly, you ve been the messenger of Providence to me, for unless I d seen you I m sure I should never have found the ruins at all."</\|quote\|>They had reached the Roman arch when Mrs. Hilbery caught	shops, it was impossible for one person all alone to find her way to the ruins. "Now," she exclaimed, "please tell me what you re doing here, Mr. Denham for you _are_ Mr. Denham, aren t you?" she inquired, gazing at him with a sudden suspicion of her own accuracy.<\|quote\|>"The brilliant young man who writes for the Review, I mean? Only yesterday my husband was telling me he thought you one of the cleverest young men he knew. Certainly, you ve been the messenger of Providence to me, for unless I d seen you I m sure I should never have found the ruins at all."</\|quote\|>They had reached the Roman arch when Mrs. Hilbery caught sight of her own party, standing like sentinels facing up and down the road so as to intercept her if, as they expected, she had got lodged in some shop. "I ve found something much better than ruins!" she exclaimed.	and the pot of honey, having been introduced to Mary, and having insisted that they should accompany her back to the ruins, since in a town with so many turnings, such prospects, such delightful little half-naked boys dabbling in pools, such Venetian canals, such old blue china in the curiosity shops, it was impossible for one person all alone to find her way to the ruins. "Now," she exclaimed, "please tell me what you re doing here, Mr. Denham for you _are_ Mr. Denham, aren t you?" she inquired, gazing at him with a sudden suspicion of her own accuracy.<\|quote\|>"The brilliant young man who writes for the Review, I mean? Only yesterday my husband was telling me he thought you one of the cleverest young men he knew. Certainly, you ve been the messenger of Providence to me, for unless I d seen you I m sure I should never have found the ruins at all."</\|quote\|>They had reached the Roman arch when Mrs. Hilbery caught sight of her own party, standing like sentinels facing up and down the road so as to intercept her if, as they expected, she had got lodged in some shop. "I ve found something much better than ruins!" she exclaimed. "I ve found two friends who told me how to find you, which I could never have done without them. They must come and have tea with us. What a pity that we ve just had luncheon." Could they not somehow revoke that meal? Katharine, who had gone a few	where I am," she demanded, but, catching sight of the attentive shopman, she appealed to him. "The ruins my party is waiting for me at the ruins. The Roman ruins or Greek, Mr. Denham? Your town has a great many beautiful things in it, but I wish it hadn t so many ruins. I never saw such delightful little pots of honey in my life are they made by your own bees? Please give me one of those little pots, and tell me how I shall find my way to the ruins." "And now," she continued, having received the information and the pot of honey, having been introduced to Mary, and having insisted that they should accompany her back to the ruins, since in a town with so many turnings, such prospects, such delightful little half-naked boys dabbling in pools, such Venetian canals, such old blue china in the curiosity shops, it was impossible for one person all alone to find her way to the ruins. "Now," she exclaimed, "please tell me what you re doing here, Mr. Denham for you _are_ Mr. Denham, aren t you?" she inquired, gazing at him with a sudden suspicion of her own accuracy.<\|quote\|>"The brilliant young man who writes for the Review, I mean? Only yesterday my husband was telling me he thought you one of the cleverest young men he knew. Certainly, you ve been the messenger of Providence to me, for unless I d seen you I m sure I should never have found the ruins at all."</\|quote\|>They had reached the Roman arch when Mrs. Hilbery caught sight of her own party, standing like sentinels facing up and down the road so as to intercept her if, as they expected, she had got lodged in some shop. "I ve found something much better than ruins!" she exclaimed. "I ve found two friends who told me how to find you, which I could never have done without them. They must come and have tea with us. What a pity that we ve just had luncheon." Could they not somehow revoke that meal? Katharine, who had gone a few steps by herself down the road, and was investigating the window of an ironmonger, as if her mother might have got herself concealed among mowing-machines and garden-shears, turned sharply on hearing her voice, and came towards them. She was a great deal surprised to see Denham and Mary Datchet. Whether the cordiality with which she greeted them was merely that which is natural to a surprise meeting in the country, or whether she was really glad to see them both, at any rate she exclaimed with unusual pleasure as she shook hands: "I never knew you lived here. Why didn	must be in trim for a long and stormy walk. Next, standing in the middle of the road, she took a slip of paper from her purse, and read out loud a list of commissions entrusted to her fruit, butter, string, and so on; and all the time she never spoke directly to Ralph or looked at him. Ralph heard her giving orders to attentive, rosy-checked men in white aprons, and in spite of his own preoccupation, he commented upon the determination with which she made her wishes known. Once more he began, automatically, to take stock of her characteristics. Standing thus, superficially observant and stirring the sawdust on the floor meditatively with the toe of his boot, he was roused by a musical and familiar voice behind him, accompanied by a light touch upon his shoulder. "I m not mistaken? Surely Mr. Denham? I caught a glimpse of your coat through the window, and I felt sure that I knew your coat. Have you seen Katharine or William? I m wandering about Lincoln looking for the ruins." It was Mrs. Hilbery; her entrance created some stir in the shop; many people looked at her. "First of all, tell me where I am," she demanded, but, catching sight of the attentive shopman, she appealed to him. "The ruins my party is waiting for me at the ruins. The Roman ruins or Greek, Mr. Denham? Your town has a great many beautiful things in it, but I wish it hadn t so many ruins. I never saw such delightful little pots of honey in my life are they made by your own bees? Please give me one of those little pots, and tell me how I shall find my way to the ruins." "And now," she continued, having received the information and the pot of honey, having been introduced to Mary, and having insisted that they should accompany her back to the ruins, since in a town with so many turnings, such prospects, such delightful little half-naked boys dabbling in pools, such Venetian canals, such old blue china in the curiosity shops, it was impossible for one person all alone to find her way to the ruins. "Now," she exclaimed, "please tell me what you re doing here, Mr. Denham for you _are_ Mr. Denham, aren t you?" she inquired, gazing at him with a sudden suspicion of her own accuracy.<\|quote\|>"The brilliant young man who writes for the Review, I mean? Only yesterday my husband was telling me he thought you one of the cleverest young men he knew. Certainly, you ve been the messenger of Providence to me, for unless I d seen you I m sure I should never have found the ruins at all."</\|quote\|>They had reached the Roman arch when Mrs. Hilbery caught sight of her own party, standing like sentinels facing up and down the road so as to intercept her if, as they expected, she had got lodged in some shop. "I ve found something much better than ruins!" she exclaimed. "I ve found two friends who told me how to find you, which I could never have done without them. They must come and have tea with us. What a pity that we ve just had luncheon." Could they not somehow revoke that meal? Katharine, who had gone a few steps by herself down the road, and was investigating the window of an ironmonger, as if her mother might have got herself concealed among mowing-machines and garden-shears, turned sharply on hearing her voice, and came towards them. She was a great deal surprised to see Denham and Mary Datchet. Whether the cordiality with which she greeted them was merely that which is natural to a surprise meeting in the country, or whether she was really glad to see them both, at any rate she exclaimed with unusual pleasure as she shook hands: "I never knew you lived here. Why didn t you say so, and we could have met? And are you staying with Mary?" she continued, turning to Ralph. "What a pity we didn t meet before." Thus confronted at a distance of only a few feet by the real body of the woman about whom he had dreamt so many million dreams, Ralph stammered; he made a clutch at his self-control; the color either came to his cheeks or left them, he knew not which; but he was determined to face her and track down in the cold light of day whatever vestige of truth there might be in his persistent imaginations. He did not succeed in saying anything. It was Mary who spoke for both of them. He was struck dumb by finding that Katharine was quite different, in some strange way, from his memory, so that he had to dismiss his old view in order to accept the new one. The wind was blowing her crimson scarf across her face; the wind had already loosened her hair, which looped across the corner of one of the large, dark eyes which, so he used to think, looked sad; now they looked bright with the brightness of the	had seen him. This sudden apparition had an extraordinary effect upon him. It was as if he had thought of her so intensely that his mind had formed the shape of her, rather than that he had seen her in the flesh outside in the street. And yet he had not been thinking of her at all. The impression was so intense that he could not dismiss it, nor even think whether he had seen her or merely imagined her. He sat down at once, and said, briefly and strangely, rather to himself than to Mary: "That was Katharine Hilbery." "Katharine Hilbery? What do you mean?" she asked, hardly understanding from his manner whether he had seen her or not. "Katharine Hilbery," he repeated. "But she s gone now." "Katharine Hilbery!" Mary thought, in an instant of blinding revelation; "I ve always known it was Katharine Hilbery!" She knew it all now. After a moment of downcast stupor, she raised her eyes, looked steadily at Ralph, and caught his fixed and dreamy gaze leveled at a point far beyond their surroundings, a point that she had never reached in all the time that she had known him. She noticed the lips just parted, the fingers loosely clenched, the whole attitude of rapt contemplation, which fell like a veil between them. She noticed everything about him; if there had been other signs of his utter alienation she would have sought them out, too, for she felt that it was only by heaping one truth upon another that she could keep herself sitting there, upright. The truth seemed to support her; it struck her, even as she looked at his face, that the light of truth was shining far away beyond him; the light of truth, she seemed to frame the words as she rose to go, shines on a world not to be shaken by our personal calamities. Ralph handed her her coat and her stick. She took them, fastened the coat securely, grasped the stick firmly. The ivy spray was still twisted about the handle; this one sacrifice, she thought, she might make to sentimentality and personality, and she picked two leaves from the ivy and put them in her pocket before she disencumbered her stick of the rest of it. She grasped the stick in the middle, and settled her fur cap closely upon her head, as if she must be in trim for a long and stormy walk. Next, standing in the middle of the road, she took a slip of paper from her purse, and read out loud a list of commissions entrusted to her fruit, butter, string, and so on; and all the time she never spoke directly to Ralph or looked at him. Ralph heard her giving orders to attentive, rosy-checked men in white aprons, and in spite of his own preoccupation, he commented upon the determination with which she made her wishes known. Once more he began, automatically, to take stock of her characteristics. Standing thus, superficially observant and stirring the sawdust on the floor meditatively with the toe of his boot, he was roused by a musical and familiar voice behind him, accompanied by a light touch upon his shoulder. "I m not mistaken? Surely Mr. Denham? I caught a glimpse of your coat through the window, and I felt sure that I knew your coat. Have you seen Katharine or William? I m wandering about Lincoln looking for the ruins." It was Mrs. Hilbery; her entrance created some stir in the shop; many people looked at her. "First of all, tell me where I am," she demanded, but, catching sight of the attentive shopman, she appealed to him. "The ruins my party is waiting for me at the ruins. The Roman ruins or Greek, Mr. Denham? Your town has a great many beautiful things in it, but I wish it hadn t so many ruins. I never saw such delightful little pots of honey in my life are they made by your own bees? Please give me one of those little pots, and tell me how I shall find my way to the ruins." "And now," she continued, having received the information and the pot of honey, having been introduced to Mary, and having insisted that they should accompany her back to the ruins, since in a town with so many turnings, such prospects, such delightful little half-naked boys dabbling in pools, such Venetian canals, such old blue china in the curiosity shops, it was impossible for one person all alone to find her way to the ruins. "Now," she exclaimed, "please tell me what you re doing here, Mr. Denham for you _are_ Mr. Denham, aren t you?" she inquired, gazing at him with a sudden suspicion of her own accuracy.<\|quote\|>"The brilliant young man who writes for the Review, I mean? Only yesterday my husband was telling me he thought you one of the cleverest young men he knew. Certainly, you ve been the messenger of Providence to me, for unless I d seen you I m sure I should never have found the ruins at all."</\|quote\|>They had reached the Roman arch when Mrs. Hilbery caught sight of her own party, standing like sentinels facing up and down the road so as to intercept her if, as they expected, she had got lodged in some shop. "I ve found something much better than ruins!" she exclaimed. "I ve found two friends who told me how to find you, which I could never have done without them. They must come and have tea with us. What a pity that we ve just had luncheon." Could they not somehow revoke that meal? Katharine, who had gone a few steps by herself down the road, and was investigating the window of an ironmonger, as if her mother might have got herself concealed among mowing-machines and garden-shears, turned sharply on hearing her voice, and came towards them. She was a great deal surprised to see Denham and Mary Datchet. Whether the cordiality with which she greeted them was merely that which is natural to a surprise meeting in the country, or whether she was really glad to see them both, at any rate she exclaimed with unusual pleasure as she shook hands: "I never knew you lived here. Why didn t you say so, and we could have met? And are you staying with Mary?" she continued, turning to Ralph. "What a pity we didn t meet before." Thus confronted at a distance of only a few feet by the real body of the woman about whom he had dreamt so many million dreams, Ralph stammered; he made a clutch at his self-control; the color either came to his cheeks or left them, he knew not which; but he was determined to face her and track down in the cold light of day whatever vestige of truth there might be in his persistent imaginations. He did not succeed in saying anything. It was Mary who spoke for both of them. He was struck dumb by finding that Katharine was quite different, in some strange way, from his memory, so that he had to dismiss his old view in order to accept the new one. The wind was blowing her crimson scarf across her face; the wind had already loosened her hair, which looped across the corner of one of the large, dark eyes which, so he used to think, looked sad; now they looked bright with the brightness of the sea struck by an unclouded ray; everything about her seemed rapid, fragmentary, and full of a kind of racing speed. He realized suddenly that he had never seen her in the daylight before. Meanwhile, it was decided that it was too late to go in search of ruins as they had intended; and the whole party began to walk towards the stables where the carriage had been put up. "Do you know," said Katharine, keeping slightly in advance of the rest with Ralph, "I thought I saw you this morning, standing at a window. But I decided that it couldn t be you. And it must have been you all the same." "Yes, I thought I saw you but it wasn t you," he replied. This remark, and the rough strain in his voice, recalled to her memory so many difficult speeches and abortive meetings that she was jerked directly back to the London drawing-room, the family relics, and the tea-table; and at the same time recalled some half-finished or interrupted remark which she had wanted to make herself or to hear from him she could not remember what it was. "I expect it was me," she said. "I was looking for my mother. It happens every time we come to Lincoln. In fact, there never was a family so unable to take care of itself as ours is. Not that it very much matters, because some one always turns up in the nick of time to help us out of our scrapes. Once I was left in a field with a bull when I was a baby but where did we leave the carriage? Down that street or the next? The next, I think." She glanced back and saw that the others were following obediently, listening to certain memories of Lincoln upon which Mrs. Hilbery had started. "But what are you doing here?" she asked. "I m buying a cottage. I m going to live here as soon as I can find a cottage, and Mary tells me there ll be no difficulty about that." "But," she exclaimed, almost standing still in her surprise, "you will give up the Bar, then?" It flashed across her mind that he must already be engaged to Mary. "The solicitor s office? Yes. I m giving that up." "But why?" she asked. She answered herself at once, with a curious change from rapid	there had been other signs of his utter alienation she would have sought them out, too, for she felt that it was only by heaping one truth upon another that she could keep herself sitting there, upright. The truth seemed to support her; it struck her, even as she looked at his face, that the light of truth was shining far away beyond him; the light of truth, she seemed to frame the words as she rose to go, shines on a world not to be shaken by our personal calamities. Ralph handed her her coat and her stick. She took them, fastened the coat securely, grasped the stick firmly. The ivy spray was still twisted about the handle; this one sacrifice, she thought, she might make to sentimentality and personality, and she picked two leaves from the ivy and put them in her pocket before she disencumbered her stick of the rest of it. She grasped the stick in the middle, and settled her fur cap closely upon her head, as if she must be in trim for a long and stormy walk. Next, standing in the middle of the road, she took a slip of paper from her purse, and read out loud a list of commissions entrusted to her fruit, butter, string, and so on; and all the time she never spoke directly to Ralph or looked at him. Ralph heard her giving orders to attentive, rosy-checked men in white aprons, and in spite of his own preoccupation, he commented upon the determination with which she made her wishes known. Once more he began, automatically, to take stock of her characteristics. Standing thus, superficially observant and stirring the sawdust on the floor meditatively with the toe of his boot, he was roused by a musical and familiar voice behind him, accompanied by a light touch upon his shoulder. "I m not mistaken? Surely Mr. Denham? I caught a glimpse of your coat through the window, and I felt sure that I knew your coat. Have you seen Katharine or William? I m wandering about Lincoln looking for the ruins." It was Mrs. Hilbery; her entrance created some stir in the shop; many people looked at her. "First of all, tell me where I am," she demanded, but, catching sight of the attentive shopman, she appealed to him. "The ruins my party is waiting for me at the ruins. The Roman ruins or Greek, Mr. Denham? Your town has a great many beautiful things in it, but I wish it hadn t so many ruins. I never saw such delightful little pots of honey in my life are they made by your own bees? Please give me one of those little pots, and tell me how I shall find my way to the ruins." "And now," she continued, having received the information and the pot of honey, having been introduced to Mary, and having insisted that they should accompany her back to the ruins, since in a town with so many turnings, such prospects, such delightful little half-naked boys dabbling in pools, such Venetian canals, such old blue china in the curiosity shops, it was impossible for one person all alone to find her way to the ruins. "Now," she exclaimed, "please tell me what you re doing here, Mr. Denham for you _are_ Mr. Denham, aren t you?" she inquired, gazing at him with a sudden suspicion of her own accuracy.<\|quote\|>"The brilliant young man who writes for the Review, I mean? Only yesterday my husband was telling me he thought you one of the cleverest young men he knew. Certainly, you ve been the messenger of Providence to me, for unless I d seen you I m sure I should never have found the ruins at all."</\|quote\|>They had reached the Roman arch when Mrs. Hilbery caught sight of her own party, standing like sentinels facing up and down the road so as to intercept her if, as they expected, she had got lodged in some shop. "I ve found something much better than ruins!" she exclaimed. "I ve found two friends who told me how to find you, which I could never have done without them. They must come and have tea with us. What a pity that we ve just had luncheon." Could they not somehow revoke that meal? Katharine, who had gone a few steps by herself down the road, and was investigating the window of an ironmonger, as if her mother might have got herself concealed among mowing-machines and garden-shears, turned sharply on hearing her voice, and came towards them. She was a great deal surprised to see Denham and Mary Datchet. Whether the cordiality with which she greeted them was merely that which is natural to a surprise meeting in the country, or whether she was really glad to see them both, at any rate she exclaimed with unusual pleasure as she shook hands: "I never knew you lived here. Why didn t you say so, and we could have met? And are you staying with Mary?" she continued, turning to Ralph. "What a pity we didn t meet before." Thus confronted at a distance of only a few feet by the real body of the woman about whom he had dreamt so many million dreams, Ralph stammered; he made a clutch at his self-control; the color either came to his cheeks or left them, he knew not which; but he was determined to face her and track down in the cold light of day whatever vestige of truth there might be in his persistent imaginations. He did not succeed in saying anything. It was Mary who spoke for both of them. He was struck dumb by finding that Katharine was quite different, in some strange way, from his memory, so that he had to dismiss his old view	Night And Day
"Oh, Marilla,"	Anne Shirley	and somebody entered the room.<\|quote\|>"Oh, Marilla,"</\|quote\|>sobbed Anne, without looking up,	step sounded on the stairs and somebody entered the room.<\|quote\|>"Oh, Marilla,"</\|quote\|>sobbed Anne, without looking up, "I'm disgraced forever. I shall	tears under this double disgrace. "I couldn't--I had such a cold!" and with this she fairly fled to the gable chamber, where she cast herself on the bed and wept as one who refuses to be comforted. Presently a light step sounded on the stairs and somebody entered the room.<\|quote\|>"Oh, Marilla,"</\|quote\|>sobbed Anne, without looking up, "I'm disgraced forever. I shall never be able to live this down. It will get out--things always do get out in Avonlea. Diana will ask me how my cake turned out and I shall have to tell her the truth. I shall always be pointed	on us, Anne, you've flavored that cake with _Anodyne Liniment_. I broke the liniment bottle last week and poured what was left into an old empty vanilla bottle. I suppose it's partly my fault--I should have warned you--but for pity's sake why couldn't you have smelled it?" Anne dissolved into tears under this double disgrace. "I couldn't--I had such a cold!" and with this she fairly fled to the gable chamber, where she cast herself on the bed and wept as one who refuses to be comforted. Presently a light step sounded on the stairs and somebody entered the room.<\|quote\|>"Oh, Marilla,"</\|quote\|>sobbed Anne, without looking up, "I'm disgraced forever. I shall never be able to live this down. It will get out--things always do get out in Avonlea. Diana will ask me how my cake turned out and I shall have to tell her the truth. I shall always be pointed at as the girl who flavored a cake with anodyne liniment. Gil--the boys in school will never get over laughing at it. Oh, Marilla, if you have a spark of Christian pity don't tell me that I must go down and wash the dishes after this. I'll wash them when	anguish. "Oh, isn't it all right?" "All right! It's simply horrible. Mr. Allan, don't try to eat it. Anne, taste it yourself. What flavoring did you use?" "Vanilla," said Anne, her face scarlet with mortification after tasting the cake. "Only vanilla. Oh, Marilla, it must have been the baking powder. I had my suspicions of that bak--" "Baking powder fiddlesticks! Go and bring me the bottle of vanilla you used." Anne fled to the pantry and returned with a small bottle partially filled with a brown liquid and labeled yellowly, "Best Vanilla." Marilla took it, uncorked it, smelled it. "Mercy on us, Anne, you've flavored that cake with _Anodyne Liniment_. I broke the liniment bottle last week and poured what was left into an old empty vanilla bottle. I suppose it's partly my fault--I should have warned you--but for pity's sake why couldn't you have smelled it?" Anne dissolved into tears under this double disgrace. "I couldn't--I had such a cold!" and with this she fairly fled to the gable chamber, where she cast herself on the bed and wept as one who refuses to be comforted. Presently a light step sounded on the stairs and somebody entered the room.<\|quote\|>"Oh, Marilla,"</\|quote\|>sobbed Anne, without looking up, "I'm disgraced forever. I shall never be able to live this down. It will get out--things always do get out in Avonlea. Diana will ask me how my cake turned out and I shall have to tell her the truth. I shall always be pointed at as the girl who flavored a cake with anodyne liniment. Gil--the boys in school will never get over laughing at it. Oh, Marilla, if you have a spark of Christian pity don't tell me that I must go down and wash the dishes after this. I'll wash them when the minister and his wife are gone, but I cannot ever look Mrs. Allan in the face again. Perhaps she'll think I tried to poison her. Mrs. Lynde says she knows an orphan girl who tried to poison her benefactor. But the liniment isn't poisonous. It's meant to be taken internally--although not in cakes. Won't you tell Mrs. Allan so, Marilla?" "Suppose you jump up and tell her so yourself," said a merry voice. Anne flew up, to find Mrs. Allan standing by her bed, surveying her with laughing eyes. "My dear little girl, you mustn't cry like this," she	in such a state of shyness and nervousness that Marilla had given him up in despair, but Anne took him in hand so successfully that he now sat at the table in his best clothes and white collar and talked to the minister not uninterestingly. He never said a word to Mrs. Allan, but that perhaps was not to be expected. All went merry as a marriage bell until Anne's layer cake was passed. Mrs. Allan, having already been helped to a bewildering variety, declined it. But Marilla, seeing the disappointment on Anne's face, said smilingly: "Oh, you must take a piece of this, Mrs. Allan. Anne made it on purpose for you." "In that case I must sample it," laughed Mrs. Allan, helping herself to a plump triangle, as did also the minister and Marilla. Mrs. Allan took a mouthful of hers and a most peculiar expression crossed her face; not a word did she say, however, but steadily ate away at it. Marilla saw the expression and hastened to taste the cake. "Anne Shirley!" she exclaimed, "what on earth did you put into that cake?" "Nothing but what the recipe said, Marilla," cried Anne with a look of anguish. "Oh, isn't it all right?" "All right! It's simply horrible. Mr. Allan, don't try to eat it. Anne, taste it yourself. What flavoring did you use?" "Vanilla," said Anne, her face scarlet with mortification after tasting the cake. "Only vanilla. Oh, Marilla, it must have been the baking powder. I had my suspicions of that bak--" "Baking powder fiddlesticks! Go and bring me the bottle of vanilla you used." Anne fled to the pantry and returned with a small bottle partially filled with a brown liquid and labeled yellowly, "Best Vanilla." Marilla took it, uncorked it, smelled it. "Mercy on us, Anne, you've flavored that cake with _Anodyne Liniment_. I broke the liniment bottle last week and poured what was left into an old empty vanilla bottle. I suppose it's partly my fault--I should have warned you--but for pity's sake why couldn't you have smelled it?" Anne dissolved into tears under this double disgrace. "I couldn't--I had such a cold!" and with this she fairly fled to the gable chamber, where she cast herself on the bed and wept as one who refuses to be comforted. Presently a light step sounded on the stairs and somebody entered the room.<\|quote\|>"Oh, Marilla,"</\|quote\|>sobbed Anne, without looking up, "I'm disgraced forever. I shall never be able to live this down. It will get out--things always do get out in Avonlea. Diana will ask me how my cake turned out and I shall have to tell her the truth. I shall always be pointed at as the girl who flavored a cake with anodyne liniment. Gil--the boys in school will never get over laughing at it. Oh, Marilla, if you have a spark of Christian pity don't tell me that I must go down and wash the dishes after this. I'll wash them when the minister and his wife are gone, but I cannot ever look Mrs. Allan in the face again. Perhaps she'll think I tried to poison her. Mrs. Lynde says she knows an orphan girl who tried to poison her benefactor. But the liniment isn't poisonous. It's meant to be taken internally--although not in cakes. Won't you tell Mrs. Allan so, Marilla?" "Suppose you jump up and tell her so yourself," said a merry voice. Anne flew up, to find Mrs. Allan standing by her bed, surveying her with laughing eyes. "My dear little girl, you mustn't cry like this," she said, genuinely disturbed by Anne's tragic face. "Why, it's all just a funny mistake that anybody might make." "Oh, no, it takes me to make such a mistake," said Anne forlornly. "And I wanted to have that cake so nice for you, Mrs. Allan." "Yes, I know, dear. And I assure you I appreciate your kindness and thoughtfulness just as much as if it had turned out all right. Now, you mustn't cry any more, but come down with me and show me your flower garden. Miss Cuthbert tells me you have a little plot all your own. I want to see it, for I'm very much interested in flowers." Anne permitted herself to be led down and comforted, reflecting that it was really providential that Mrs. Allan was a kindred spirit. Nothing more was said about the liniment cake, and when the guests went away Anne found that she had enjoyed the evening more than could have been expected, considering that terrible incident. Nevertheless, she sighed deeply. "Marilla, isn't it nice to think that tomorrow is a new day with no mistakes in it yet?" "I'll warrant you'll make plenty in it," said Marilla. "I never saw your beat	preceding evening; but nothing short of absolute pneumonia could have quenched her interest in culinary matters that morning. After breakfast she proceeded to make her cake. When she finally shut the oven door upon it she drew a long breath. "I'm sure I haven't forgotten anything this time, Marilla. But do you think it will rise? Just suppose perhaps the baking powder isn't good? I used it out of the new can. And Mrs. Lynde says you can never be sure of getting good baking powder nowadays when everything is so adulterated. Mrs. Lynde says the Government ought to take the matter up, but she says we'll never see the day when a Tory Government will do it. Marilla, what if that cake doesn't rise?" "We'll have plenty without it" was Marilla's unimpassioned way of looking at the subject. The cake did rise, however, and came out of the oven as light and feathery as golden foam. Anne, flushed with delight, clapped it together with layers of ruby jelly and, in imagination, saw Mrs. Allan eating it and possibly asking for another piece! "You'll be using the best tea set, of course, Marilla," she said. "Can I fix the table with ferns and wild roses?" "I think that's all nonsense," sniffed Marilla. "In my opinion it's the eatables that matter and not flummery decorations." "Mrs. Barry had _her_ table decorated," said Anne, who was not entirely guiltless of the wisdom of the serpent, "and the minister paid her an elegant compliment. He said it was a feast for the eye as well as the palate." "Well, do as you like," said Marilla, who was quite determined not to be surpassed by Mrs. Barry or anybody else. "Only mind you leave enough room for the dishes and the food." Anne laid herself out to decorate in a manner and after a fashion that should leave Mrs. Barry's nowhere. Having abundance of roses and ferns and a very artistic taste of her own, she made that tea table such a thing of beauty that when the minister and his wife sat down to it they exclaimed in chorus over it loveliness. "It's Anne's doings," said Marilla, grimly just; and Anne felt that Mrs. Allan's approving smile was almost too much happiness for this world. Matthew was there, having been inveigled into the party only goodness and Anne knew how. He had been in such a state of shyness and nervousness that Marilla had given him up in despair, but Anne took him in hand so successfully that he now sat at the table in his best clothes and white collar and talked to the minister not uninterestingly. He never said a word to Mrs. Allan, but that perhaps was not to be expected. All went merry as a marriage bell until Anne's layer cake was passed. Mrs. Allan, having already been helped to a bewildering variety, declined it. But Marilla, seeing the disappointment on Anne's face, said smilingly: "Oh, you must take a piece of this, Mrs. Allan. Anne made it on purpose for you." "In that case I must sample it," laughed Mrs. Allan, helping herself to a plump triangle, as did also the minister and Marilla. Mrs. Allan took a mouthful of hers and a most peculiar expression crossed her face; not a word did she say, however, but steadily ate away at it. Marilla saw the expression and hastened to taste the cake. "Anne Shirley!" she exclaimed, "what on earth did you put into that cake?" "Nothing but what the recipe said, Marilla," cried Anne with a look of anguish. "Oh, isn't it all right?" "All right! It's simply horrible. Mr. Allan, don't try to eat it. Anne, taste it yourself. What flavoring did you use?" "Vanilla," said Anne, her face scarlet with mortification after tasting the cake. "Only vanilla. Oh, Marilla, it must have been the baking powder. I had my suspicions of that bak--" "Baking powder fiddlesticks! Go and bring me the bottle of vanilla you used." Anne fled to the pantry and returned with a small bottle partially filled with a brown liquid and labeled yellowly, "Best Vanilla." Marilla took it, uncorked it, smelled it. "Mercy on us, Anne, you've flavored that cake with _Anodyne Liniment_. I broke the liniment bottle last week and poured what was left into an old empty vanilla bottle. I suppose it's partly my fault--I should have warned you--but for pity's sake why couldn't you have smelled it?" Anne dissolved into tears under this double disgrace. "I couldn't--I had such a cold!" and with this she fairly fled to the gable chamber, where she cast herself on the bed and wept as one who refuses to be comforted. Presently a light step sounded on the stairs and somebody entered the room.<\|quote\|>"Oh, Marilla,"</\|quote\|>sobbed Anne, without looking up, "I'm disgraced forever. I shall never be able to live this down. It will get out--things always do get out in Avonlea. Diana will ask me how my cake turned out and I shall have to tell her the truth. I shall always be pointed at as the girl who flavored a cake with anodyne liniment. Gil--the boys in school will never get over laughing at it. Oh, Marilla, if you have a spark of Christian pity don't tell me that I must go down and wash the dishes after this. I'll wash them when the minister and his wife are gone, but I cannot ever look Mrs. Allan in the face again. Perhaps she'll think I tried to poison her. Mrs. Lynde says she knows an orphan girl who tried to poison her benefactor. But the liniment isn't poisonous. It's meant to be taken internally--although not in cakes. Won't you tell Mrs. Allan so, Marilla?" "Suppose you jump up and tell her so yourself," said a merry voice. Anne flew up, to find Mrs. Allan standing by her bed, surveying her with laughing eyes. "My dear little girl, you mustn't cry like this," she said, genuinely disturbed by Anne's tragic face. "Why, it's all just a funny mistake that anybody might make." "Oh, no, it takes me to make such a mistake," said Anne forlornly. "And I wanted to have that cake so nice for you, Mrs. Allan." "Yes, I know, dear. And I assure you I appreciate your kindness and thoughtfulness just as much as if it had turned out all right. Now, you mustn't cry any more, but come down with me and show me your flower garden. Miss Cuthbert tells me you have a little plot all your own. I want to see it, for I'm very much interested in flowers." Anne permitted herself to be led down and comforted, reflecting that it was really providential that Mrs. Allan was a kindred spirit. Nothing more was said about the liniment cake, and when the guests went away Anne found that she had enjoyed the evening more than could have been expected, considering that terrible incident. Nevertheless, she sighed deeply. "Marilla, isn't it nice to think that tomorrow is a new day with no mistakes in it yet?" "I'll warrant you'll make plenty in it," said Marilla. "I never saw your beat for making mistakes, Anne." "Yes, and well I know it," admitted Anne mournfully. "But have you ever noticed one encouraging thing about me, Marilla? I never make the same mistake twice." "I don't know as that's much benefit when you're always making new ones." "Oh, don't you see, Marilla? There must be a limit to the mistakes one person can make, and when I get to the end of them, then I'll be through with them. That's a very comforting thought." "Well, you'd better go and give that cake to the pigs," said Marilla. "It isn't fit for any human to eat, not even Jerry Boute." CHAPTER XXII. Anne is Invited Out to Tea "AND what are your eyes popping out of your head about. Now?" asked Marilla, when Anne had just come in from a run to the post office. "Have you discovered another kindred spirit?" Excitement hung around Anne like a garment, shone in her eyes, kindled in every feature. She had come dancing up the lane, like a wind-blown sprite, through the mellow sunshine and lazy shadows of the August evening. "No, Marilla, but oh, what do you think? I am invited to tea at the manse tomorrow afternoon! Mrs. Allan left the letter for me at the post office. Just look at it, Marilla. ?Miss Anne Shirley, Green Gables.' That is the first time I was ever called ?Miss.' Such a thrill as it gave me! I shall cherish it forever among my choicest treasures." "Mrs. Allan told me she meant to have all the members of her Sunday-school class to tea in turn," said Marilla, regarding the wonderful event very coolly. "You needn't get in such a fever over it. Do learn to take things calmly, child." For Anne to take things calmly would have been to change her nature. All "spirit and fire and dew," as she was, the pleasures and pains of life came to her with trebled intensity. Marilla felt this and was vaguely troubled over it, realizing that the ups and downs of existence would probably bear hardly on this impulsive soul and not sufficiently understanding that the equally great capacity for delight might more than compensate. Therefore Marilla conceived it to be her duty to drill Anne into a tranquil uniformity of disposition as impossible and alien to her as to a dancing sunbeam in one of the brook shallows.	her own, she made that tea table such a thing of beauty that when the minister and his wife sat down to it they exclaimed in chorus over it loveliness. "It's Anne's doings," said Marilla, grimly just; and Anne felt that Mrs. Allan's approving smile was almost too much happiness for this world. Matthew was there, having been inveigled into the party only goodness and Anne knew how. He had been in such a state of shyness and nervousness that Marilla had given him up in despair, but Anne took him in hand so successfully that he now sat at the table in his best clothes and white collar and talked to the minister not uninterestingly. He never said a word to Mrs. Allan, but that perhaps was not to be expected. All went merry as a marriage bell until Anne's layer cake was passed. Mrs. Allan, having already been helped to a bewildering variety, declined it. But Marilla, seeing the disappointment on Anne's face, said smilingly: "Oh, you must take a piece of this, Mrs. Allan. Anne made it on purpose for you." "In that case I must sample it," laughed Mrs. Allan, helping herself to a plump triangle, as did also the minister and Marilla. Mrs. Allan took a mouthful of hers and a most peculiar expression crossed her face; not a word did she say, however, but steadily ate away at it. Marilla saw the expression and hastened to taste the cake. "Anne Shirley!" she exclaimed, "what on earth did you put into that cake?" "Nothing but what the recipe said, Marilla," cried Anne with a look of anguish. "Oh, isn't it all right?" "All right! It's simply horrible. Mr. Allan, don't try to eat it. Anne, taste it yourself. What flavoring did you use?" "Vanilla," said Anne, her face scarlet with mortification after tasting the cake. "Only vanilla. Oh, Marilla, it must have been the baking powder. I had my suspicions of that bak--" "Baking powder fiddlesticks! Go and bring me the bottle of vanilla you used." Anne fled to the pantry and returned with a small bottle partially filled with a brown liquid and labeled yellowly, "Best Vanilla." Marilla took it, uncorked it, smelled it. "Mercy on us, Anne, you've flavored that cake with _Anodyne Liniment_. I broke the liniment bottle last week and poured what was left into an old empty vanilla bottle. I suppose it's partly my fault--I should have warned you--but for pity's sake why couldn't you have smelled it?" Anne dissolved into tears under this double disgrace. "I couldn't--I had such a cold!" and with this she fairly fled to the gable chamber, where she cast herself on the bed and wept as one who refuses to be comforted. Presently a light step sounded on the stairs and somebody entered the room.<\|quote\|>"Oh, Marilla,"</\|quote\|>sobbed Anne, without looking up, "I'm disgraced forever. I shall never be able to live this down. It will get out--things always do get out in Avonlea. Diana will ask me how my cake turned out and I shall have to tell her the truth. I shall always be pointed at as the girl who flavored a cake with anodyne liniment. Gil--the boys in school will never get over laughing at it. Oh, Marilla, if you have a spark of Christian pity don't tell me that I must go down and wash the dishes after this. I'll wash them when the minister and his wife are gone, but I cannot ever look Mrs. Allan in the face again. Perhaps she'll think I tried to poison her. Mrs. Lynde says she knows an orphan girl who tried to poison her benefactor. But the liniment isn't poisonous. It's meant to be taken internally--although not in cakes. Won't you tell Mrs. Allan so, Marilla?" "Suppose you jump up and tell her so yourself," said a merry voice. Anne flew up, to find Mrs. Allan standing by her bed, surveying her with laughing eyes. "My dear little girl, you mustn't cry like this," she said, genuinely disturbed by Anne's tragic face. "Why, it's all just a funny mistake that anybody might make." "Oh, no, it takes me to make such a mistake," said Anne forlornly. "And I wanted to have that cake so nice for you, Mrs. Allan." "Yes, I know, dear. And I assure you I appreciate your kindness and thoughtfulness just as much as if it had turned out all right. Now, you mustn't cry any more, but come down with me and show me your flower garden. Miss Cuthbert tells me you have a little plot all your own. I want to see it, for I'm very much interested in flowers." Anne permitted herself to be led down and comforted, reflecting that it was really providential that Mrs. Allan was a kindred spirit. Nothing more was said about the liniment cake, and when the guests went away Anne found that she had enjoyed the evening more than could have been expected, considering that terrible incident. Nevertheless, she sighed deeply. "Marilla, isn't it nice to think that tomorrow is a new day with no mistakes in it yet?" "I'll warrant you'll make plenty in it," said Marilla. "I never saw your beat for making mistakes, Anne." "Yes, and well I know it," admitted Anne mournfully. "But have you ever noticed one encouraging thing about me, Marilla? I never make the same mistake twice." "I don't know as that's much benefit when you're always making new ones." "Oh, don't you see, Marilla? There must be a limit to the	Anne Of Green Gables
"and listened. In a few minutes a bell rang violently. Dorcas came running down and woke my husband, and we all went to my mother-in-law's room, but it was locked"	Mary Cavendish	opened my door," continued Mary,<\|quote\|>"and listened. In a few minutes a bell rang violently. Dorcas came running down and woke my husband, and we all went to my mother-in-law's room, but it was locked"</\|quote\|>The Coroner interrupted her. "I	bed?" commented the Coroner. "I opened my door," continued Mary,<\|quote\|>"and listened. In a few minutes a bell rang violently. Dorcas came running down and woke my husband, and we all went to my mother-in-law's room, but it was locked"</\|quote\|>The Coroner interrupted her. "I really do not think we	answer to the Coroner's question, she told how, her alarm clock having aroused her at four-thirty as usual, she was dressing, when she was startled by the sound of something heavy falling. "That would have been the table by the bed?" commented the Coroner. "I opened my door," continued Mary,<\|quote\|>"and listened. In a few minutes a bell rang violently. Dorcas came running down and woke my husband, and we all went to my mother-in-law's room, but it was locked"</\|quote\|>The Coroner interrupted her. "I really do not think we need trouble you further on that point. We know all that can be known of the subsequent happenings. But I should be obliged if you would tell us all you overheard of the quarrel the day before." "I?" There was	subject of the quarrel on the preceding afternoon. Dorcas's evidence on this point was substantially what Poirot and I had already heard, so I will not repeat it here. The next witness was Mary Cavendish. She stood very upright, and spoke in a low, clear, and perfectly composed voice. In answer to the Coroner's question, she told how, her alarm clock having aroused her at four-thirty as usual, she was dressing, when she was startled by the sound of something heavy falling. "That would have been the table by the bed?" commented the Coroner. "I opened my door," continued Mary,<\|quote\|>"and listened. In a few minutes a bell rang violently. Dorcas came running down and woke my husband, and we all went to my mother-in-law's room, but it was locked"</\|quote\|>The Coroner interrupted her. "I really do not think we need trouble you further on that point. We know all that can be known of the subsequent happenings. But I should be obliged if you would tell us all you overheard of the quarrel the day before." "I?" There was a faint insolence in her voice. She raised her hand and adjusted the ruffle of lace at her neck, turning her head a little as she did so. And quite spontaneously the thought flashed across my mind: "She is gaining time!" "Yes. I understand," continued the Coroner deliberately, "that you	the chemist who made up the medicine might have committed an error. "That, of course, is always possible," replied the doctor. But Dorcas, who was the next witness called, dispelled even that possibility. The medicine had not been newly made up. On the contrary, Mrs. Inglethorp had taken the last dose on the day of her death. So the question of the tonic was finally abandoned, and the Coroner proceeded with his task. Having elicited from Dorcas how she had been awakened by the violent ringing of her mistress's bell, and had subsequently roused the household, he passed to the subject of the quarrel on the preceding afternoon. Dorcas's evidence on this point was substantially what Poirot and I had already heard, so I will not repeat it here. The next witness was Mary Cavendish. She stood very upright, and spoke in a low, clear, and perfectly composed voice. In answer to the Coroner's question, she told how, her alarm clock having aroused her at four-thirty as usual, she was dressing, when she was startled by the sound of something heavy falling. "That would have been the table by the bed?" commented the Coroner. "I opened my door," continued Mary,<\|quote\|>"and listened. In a few minutes a bell rang violently. Dorcas came running down and woke my husband, and we all went to my mother-in-law's room, but it was locked"</\|quote\|>The Coroner interrupted her. "I really do not think we need trouble you further on that point. We know all that can be known of the subsequent happenings. But I should be obliged if you would tell us all you overheard of the quarrel the day before." "I?" There was a faint insolence in her voice. She raised her hand and adjusted the ruffle of lace at her neck, turning her head a little as she did so. And quite spontaneously the thought flashed across my mind: "She is gaining time!" "Yes. I understand," continued the Coroner deliberately, "that you were sitting reading on the bench just outside the long window of the boudoir. That is so, is it not?" This was news to me and glancing sideways at Poirot, I fancied that it was news to him as well. There was the faintest pause, the mere hesitation of a moment, before she answered: "Yes, that is so." "And the boudoir window was open, was it not?" Surely her face grew a little paler as she answered: "Yes." "Then you cannot have failed to hear the voices inside, especially as they were raised in anger. In fact, they would be	first we have heard of the deceased taking strychnine at the time of her death. We are much obliged to you, Mr. Cavendish." Dr. Wilkins was recalled and ridiculed the idea. "What Mr. Cavendish suggests is quite impossible. Any doctor would tell you the same. Strychnine is, in a certain sense, a cumulative poison, but it would be quite impossible for it to result in sudden death in this way. There would have to be a long period of chronic symptoms which would at once have attracted my attention. The whole thing is absurd." "And the second suggestion? That Mrs. Inglethorp may have inadvertently taken an overdose?" "Three, or even four doses, would not have resulted in death. Mrs. Inglethorp always had an extra large amount of medicine made up at a time, as she dealt with Coot's, the Cash Chemists in Tadminster. She would have had to take very nearly the whole bottle to account for the amount of strychnine found at the post-mortem." "Then you consider that we may dismiss the tonic as not being in any way instrumental in causing her death?" "Certainly. The supposition is ridiculous." The same juryman who had interrupted before here suggested that the chemist who made up the medicine might have committed an error. "That, of course, is always possible," replied the doctor. But Dorcas, who was the next witness called, dispelled even that possibility. The medicine had not been newly made up. On the contrary, Mrs. Inglethorp had taken the last dose on the day of her death. So the question of the tonic was finally abandoned, and the Coroner proceeded with his task. Having elicited from Dorcas how she had been awakened by the violent ringing of her mistress's bell, and had subsequently roused the household, he passed to the subject of the quarrel on the preceding afternoon. Dorcas's evidence on this point was substantially what Poirot and I had already heard, so I will not repeat it here. The next witness was Mary Cavendish. She stood very upright, and spoke in a low, clear, and perfectly composed voice. In answer to the Coroner's question, she told how, her alarm clock having aroused her at four-thirty as usual, she was dressing, when she was startled by the sound of something heavy falling. "That would have been the table by the bed?" commented the Coroner. "I opened my door," continued Mary,<\|quote\|>"and listened. In a few minutes a bell rang violently. Dorcas came running down and woke my husband, and we all went to my mother-in-law's room, but it was locked"</\|quote\|>The Coroner interrupted her. "I really do not think we need trouble you further on that point. We know all that can be known of the subsequent happenings. But I should be obliged if you would tell us all you overheard of the quarrel the day before." "I?" There was a faint insolence in her voice. She raised her hand and adjusted the ruffle of lace at her neck, turning her head a little as she did so. And quite spontaneously the thought flashed across my mind: "She is gaining time!" "Yes. I understand," continued the Coroner deliberately, "that you were sitting reading on the bench just outside the long window of the boudoir. That is so, is it not?" This was news to me and glancing sideways at Poirot, I fancied that it was news to him as well. There was the faintest pause, the mere hesitation of a moment, before she answered: "Yes, that is so." "And the boudoir window was open, was it not?" Surely her face grew a little paler as she answered: "Yes." "Then you cannot have failed to hear the voices inside, especially as they were raised in anger. In fact, they would be more audible where you were than in the hall." "Possibly." "Will you repeat to us what you overheard of the quarrel?" "I really do not remember hearing anything." "Do you mean to say you did not hear voices?" "Oh, yes, I heard the voices, but I did not hear what they said." A faint spot of colour came into her cheek. "I am not in the habit of listening to private conversations." The Coroner persisted. "And you remember nothing at all? _Nothing_, Mrs. Cavendish? Not one stray word or phrase to make you realize that it _was_ a private conversation?" She paused, and seemed to reflect, still outwardly as calm as ever. "Yes; I remember. Mrs. Inglethorp said something I do not remember exactly what about causing scandal between husband and wife." "Ah!" the Coroner leant back satisfied. "That corresponds with what Dorcas heard. But excuse me, Mrs. Cavendish, although you realized it was a private conversation, you did not move away? You remained where you were?" I caught the momentary gleam of her tawny eyes as she raised them. I felt certain that at that moment she would willingly have torn the little lawyer, with his insinuations, into pieces,	the saucepan and had it analysed. There was no strychnine present." I heard Poirot chuckle softly beside me. "How did you know?" I whispered. "Listen." "I should say" the doctor was continuing "that I would have been considerably surprised at any other result." "Why?" "Simply because strychnine has an unusually bitter taste. It can be detected in a solution of one in seventy thousand, and can only be disguised by some strongly flavoured substance. Cocoa would be quite powerless to mask it." One of the jury wanted to know if the same objection applied to coffee. "No. Coffee has a bitter taste of its own which would probably cover the taste of strychnine." "Then you consider it more likely that the drug was administered in the coffee, but that for some unknown reason its action was delayed." "Yes, but, the cup being completely smashed, there is no possibility of analyzing its contents." This concluded Dr. Bauerstein's evidence. Dr. Wilkins corroborated it on all points. Sounded as to the possibility of suicide, he repudiated it utterly. The deceased, he said, suffered from a weak heart, but otherwise enjoyed perfect health, and was of a cheerful and well-balanced disposition. She would be one of the last people to take her own life. Lawrence Cavendish was next called. His evidence was quite unimportant, being a mere repetition of that of his brother. Just as he was about to step down, he paused, and said rather hesitatingly: "I should like to make a suggestion if I may?" He glanced deprecatingly at the Coroner, who replied briskly: "Certainly, Mr. Cavendish, we are here to arrive at the truth of this matter, and welcome anything that may lead to further elucidation." "It is just an idea of mine," explained Lawrence. "Of course I may be quite wrong, but it still seems to me that my mother's death might be accounted for by natural means." "How do you make that out, Mr. Cavendish?" "My mother, at the time of her death, and for some time before it, was taking a tonic containing strychnine." "Ah!" said the Coroner. The jury looked up, interested. "I believe," continued Lawrence, "that there have been cases where the cumulative effect of a drug, administered for some time, has ended by causing death. Also, is it not possible that she may have taken an overdose of her medicine by accident?" "This is the first we have heard of the deceased taking strychnine at the time of her death. We are much obliged to you, Mr. Cavendish." Dr. Wilkins was recalled and ridiculed the idea. "What Mr. Cavendish suggests is quite impossible. Any doctor would tell you the same. Strychnine is, in a certain sense, a cumulative poison, but it would be quite impossible for it to result in sudden death in this way. There would have to be a long period of chronic symptoms which would at once have attracted my attention. The whole thing is absurd." "And the second suggestion? That Mrs. Inglethorp may have inadvertently taken an overdose?" "Three, or even four doses, would not have resulted in death. Mrs. Inglethorp always had an extra large amount of medicine made up at a time, as she dealt with Coot's, the Cash Chemists in Tadminster. She would have had to take very nearly the whole bottle to account for the amount of strychnine found at the post-mortem." "Then you consider that we may dismiss the tonic as not being in any way instrumental in causing her death?" "Certainly. The supposition is ridiculous." The same juryman who had interrupted before here suggested that the chemist who made up the medicine might have committed an error. "That, of course, is always possible," replied the doctor. But Dorcas, who was the next witness called, dispelled even that possibility. The medicine had not been newly made up. On the contrary, Mrs. Inglethorp had taken the last dose on the day of her death. So the question of the tonic was finally abandoned, and the Coroner proceeded with his task. Having elicited from Dorcas how she had been awakened by the violent ringing of her mistress's bell, and had subsequently roused the household, he passed to the subject of the quarrel on the preceding afternoon. Dorcas's evidence on this point was substantially what Poirot and I had already heard, so I will not repeat it here. The next witness was Mary Cavendish. She stood very upright, and spoke in a low, clear, and perfectly composed voice. In answer to the Coroner's question, she told how, her alarm clock having aroused her at four-thirty as usual, she was dressing, when she was startled by the sound of something heavy falling. "That would have been the table by the bed?" commented the Coroner. "I opened my door," continued Mary,<\|quote\|>"and listened. In a few minutes a bell rang violently. Dorcas came running down and woke my husband, and we all went to my mother-in-law's room, but it was locked"</\|quote\|>The Coroner interrupted her. "I really do not think we need trouble you further on that point. We know all that can be known of the subsequent happenings. But I should be obliged if you would tell us all you overheard of the quarrel the day before." "I?" There was a faint insolence in her voice. She raised her hand and adjusted the ruffle of lace at her neck, turning her head a little as she did so. And quite spontaneously the thought flashed across my mind: "She is gaining time!" "Yes. I understand," continued the Coroner deliberately, "that you were sitting reading on the bench just outside the long window of the boudoir. That is so, is it not?" This was news to me and glancing sideways at Poirot, I fancied that it was news to him as well. There was the faintest pause, the mere hesitation of a moment, before she answered: "Yes, that is so." "And the boudoir window was open, was it not?" Surely her face grew a little paler as she answered: "Yes." "Then you cannot have failed to hear the voices inside, especially as they were raised in anger. In fact, they would be more audible where you were than in the hall." "Possibly." "Will you repeat to us what you overheard of the quarrel?" "I really do not remember hearing anything." "Do you mean to say you did not hear voices?" "Oh, yes, I heard the voices, but I did not hear what they said." A faint spot of colour came into her cheek. "I am not in the habit of listening to private conversations." The Coroner persisted. "And you remember nothing at all? _Nothing_, Mrs. Cavendish? Not one stray word or phrase to make you realize that it _was_ a private conversation?" She paused, and seemed to reflect, still outwardly as calm as ever. "Yes; I remember. Mrs. Inglethorp said something I do not remember exactly what about causing scandal between husband and wife." "Ah!" the Coroner leant back satisfied. "That corresponds with what Dorcas heard. But excuse me, Mrs. Cavendish, although you realized it was a private conversation, you did not move away? You remained where you were?" I caught the momentary gleam of her tawny eyes as she raised them. I felt certain that at that moment she would willingly have torn the little lawyer, with his insinuations, into pieces, but she replied quietly enough: "No. I was very comfortable where I was. I fixed my mind on my book." "And that is all you can tell us?" "That is all." The examination was over, though I doubted if the Coroner was entirely satisfied with it. I think he suspected that Mary Cavendish could tell more if she chose. Amy Hill, shop assistant, was next called, and deposed to having sold a will form on the afternoon of the 17th to William Earl, under-gardener at Styles. William Earl and Manning succeeded her, and testified to witnessing a document. Manning fixed the time at about four-thirty, William was of the opinion that it was rather earlier. Cynthia Murdoch came next. She had, however, little to tell. She had known nothing of the tragedy, until awakened by Mrs. Cavendish. "You did not hear the table fall?" "No. I was fast asleep." The Coroner smiled. "A good conscience makes a sound sleeper," he observed. "Thank you, Miss Murdoch, that is all." "Miss Howard." Miss Howard produced the letter written to her by Mrs. Inglethorp on the evening of the 17th. Poirot and I had, of course already seen it. It added nothing to our knowledge of the tragedy. The following is a facsimile: STYLES COURT ESSEX hand written note: July 17th My dear Evelyn Can we not bury the hachet? I have found it hard to forgive the things you said against my dear husband but I am an old woman & very fond of you Yours affectionately, Emily Inglethorpe It was handed to the jury who scrutinized it attentively. "I fear it does not help us much," said the Coroner, with a sigh. "There is no mention of any of the events of that afternoon." "Plain as a pikestaff to me," said Miss Howard shortly. "It shows clearly enough that my poor old friend had just found out she'd been made a fool of!" "It says nothing of the kind in the letter," the Coroner pointed out. "No, because Emily never could bear to put herself in the wrong. But _I_ know her. She wanted me back. But she wasn't going to own that I'd been right. She went round about. Most people do. Don't believe in it myself." Mr. Wells smiled faintly. So, I noticed, did several of the jury. Miss Howard was obviously quite a public character. "Anyway, all this	if I may?" He glanced deprecatingly at the Coroner, who replied briskly: "Certainly, Mr. Cavendish, we are here to arrive at the truth of this matter, and welcome anything that may lead to further elucidation." "It is just an idea of mine," explained Lawrence. "Of course I may be quite wrong, but it still seems to me that my mother's death might be accounted for by natural means." "How do you make that out, Mr. Cavendish?" "My mother, at the time of her death, and for some time before it, was taking a tonic containing strychnine." "Ah!" said the Coroner. The jury looked up, interested. "I believe," continued Lawrence, "that there have been cases where the cumulative effect of a drug, administered for some time, has ended by causing death. Also, is it not possible that she may have taken an overdose of her medicine by accident?" "This is the first we have heard of the deceased taking strychnine at the time of her death. We are much obliged to you, Mr. Cavendish." Dr. Wilkins was recalled and ridiculed the idea. "What Mr. Cavendish suggests is quite impossible. Any doctor would tell you the same. Strychnine is, in a certain sense, a cumulative poison, but it would be quite impossible for it to result in sudden death in this way. There would have to be a long period of chronic symptoms which would at once have attracted my attention. The whole thing is absurd." "And the second suggestion? That Mrs. Inglethorp may have inadvertently taken an overdose?" "Three, or even four doses, would not have resulted in death. Mrs. Inglethorp always had an extra large amount of medicine made up at a time, as she dealt with Coot's, the Cash Chemists in Tadminster. She would have had to take very nearly the whole bottle to account for the amount of strychnine found at the post-mortem." "Then you consider that we may dismiss the tonic as not being in any way instrumental in causing her death?" "Certainly. The supposition is ridiculous." The same juryman who had interrupted before here suggested that the chemist who made up the medicine might have committed an error. "That, of course, is always possible," replied the doctor. But Dorcas, who was the next witness called, dispelled even that possibility. The medicine had not been newly made up. On the contrary, Mrs. Inglethorp had taken the last dose on the day of her death. So the question of the tonic was finally abandoned, and the Coroner proceeded with his task. Having elicited from Dorcas how she had been awakened by the violent ringing of her mistress's bell, and had subsequently roused the household, he passed to the subject of the quarrel on the preceding afternoon. Dorcas's evidence on this point was substantially what Poirot and I had already heard, so I will not repeat it here. The next witness was Mary Cavendish. She stood very upright, and spoke in a low, clear, and perfectly composed voice. In answer to the Coroner's question, she told how, her alarm clock having aroused her at four-thirty as usual, she was dressing, when she was startled by the sound of something heavy falling. "That would have been the table by the bed?" commented the Coroner. "I opened my door," continued Mary,<\|quote\|>"and listened. In a few minutes a bell rang violently. Dorcas came running down and woke my husband, and we all went to my mother-in-law's room, but it was locked"</\|quote\|>The Coroner interrupted her. "I really do not think we need trouble you further on that point. We know all that can be known of the subsequent happenings. But I should be obliged if you would tell us all you overheard of the quarrel the day before." "I?" There was a faint insolence in her voice. She raised her hand and adjusted the ruffle of lace at her neck, turning her head a little as she did so. And quite spontaneously the thought flashed across my mind: "She is gaining time!" "Yes. I understand," continued the Coroner deliberately, "that you were sitting reading on the bench just outside the long window of the boudoir. That is so, is it not?" This was news to me and glancing sideways at Poirot, I fancied that it was news to him as well. There was the faintest pause, the mere hesitation of a moment, before she answered: "Yes, that is so." "And the boudoir window was open, was it not?" Surely her face grew a little paler as she answered: "Yes." "Then you cannot have failed to hear the voices inside, especially as they were raised in anger. In fact, they would be more audible where you were than in the hall." "Possibly." "Will you repeat to us what you overheard of the quarrel?" "I really do not remember hearing anything." "Do you mean to say you did not hear voices?" "Oh, yes, I heard the voices, but I did not hear what they said." A faint spot of colour came into her cheek. "I am not in the habit of listening to private conversations." The Coroner persisted. "And you remember nothing at all? _Nothing_, Mrs. Cavendish? Not one stray word or phrase to make you realize that it _was_ a private conversation?" She paused, and seemed to reflect, still outwardly as calm as ever. "Yes; I remember. Mrs. Inglethorp said something I do not remember exactly what about causing scandal between husband and wife." "Ah!" the Coroner leant back satisfied. "That corresponds with what Dorcas heard. But excuse me, Mrs. Cavendish, although you realized it was a private conversation, you did not move away? You remained where you were?" I caught the momentary gleam of her tawny eyes as she raised them. I felt certain that at that moment she would willingly have torn the little lawyer, with his insinuations, into pieces, but she replied quietly enough: "No. I was very comfortable where I was. I fixed my mind on my book." "And that is all you can tell us?" "That is all." The examination was over, though I	The Mysterious Affair At Styles
"Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go."	Matthew Cuthbert	admitted Matthew. "Don't interfere then."<\|quote\|>"Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go."</\|quote\|>"You'd think I ought to	or me?" "Well now, you," admitted Matthew. "Don't interfere then."<\|quote\|>"Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go."</\|quote\|>"You'd think I ought to let Anne go to the	been apparently sound asleep on the lounge during the whole dialogue, opened his eyes and said decidedly: "Well now, Marilla, I think you ought to let Anne go." "I don't then," retorted Marilla. "Who's bringing this child up, Matthew, you or me?" "Well now, you," admitted Matthew. "Don't interfere then."<\|quote\|>"Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go."</\|quote\|>"You'd think I ought to let Anne go to the moon if she took the notion, I've no doubt" was Marilla's amiable rejoinder. "I might have let her spend the night with Diana, if that was all. But I don't approve of this concert plan. She'd go there and catch	the honor of your little Anne being put in the spare-room bed." "It's an honor you'll have to get along without. Go to bed, Anne, and don't let me hear another word out of you." When Anne, with tears rolling over her cheeks, had gone sorrowfully upstairs, Matthew, who had been apparently sound asleep on the lounge during the whole dialogue, opened his eyes and said decidedly: "Well now, Marilla, I think you ought to let Anne go." "I don't then," retorted Marilla. "Who's bringing this child up, Matthew, you or me?" "Well now, you," admitted Matthew. "Don't interfere then."<\|quote\|>"Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go."</\|quote\|>"You'd think I ought to let Anne go to the moon if she took the notion, I've no doubt" was Marilla's amiable rejoinder. "I might have let her spend the night with Diana, if that was all. But I don't approve of this concert plan. She'd go there and catch cold like as not, and have her head filled up with nonsense and excitement. It would unsettle her for a week. I understand that child's disposition and what's good for it better than you, Matthew." "I think you ought to let Anne go," repeated Matthew firmly. Argument was not his	lovely pathetic songs that are pretty near as good as hymns. And oh, Marilla, the minister is going to take part; yes, indeed, he is; he's going to give an address. That will be just about the same thing as a sermon. Please, mayn't I go, Marilla?" "You heard what I said, Anne, didn't you? Take off your boots now and go to bed. It's past eight." "There's just one more thing, Marilla," said Anne, with the air of producing the last shot in her locker. "Mrs. Barry told Diana that we might sleep in the spare-room bed. Think of the honor of your little Anne being put in the spare-room bed." "It's an honor you'll have to get along without. Go to bed, Anne, and don't let me hear another word out of you." When Anne, with tears rolling over her cheeks, had gone sorrowfully upstairs, Matthew, who had been apparently sound asleep on the lounge during the whole dialogue, opened his eyes and said decidedly: "Well now, Marilla, I think you ought to let Anne go." "I don't then," retorted Marilla. "Who's bringing this child up, Matthew, you or me?" "Well now, you," admitted Matthew. "Don't interfere then."<\|quote\|>"Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go."</\|quote\|>"You'd think I ought to let Anne go to the moon if she took the notion, I've no doubt" was Marilla's amiable rejoinder. "I might have let her spend the night with Diana, if that was all. But I don't approve of this concert plan. She'd go there and catch cold like as not, and have her head filled up with nonsense and excitement. It would unsettle her for a week. I understand that child's disposition and what's good for it better than you, Matthew." "I think you ought to let Anne go," repeated Matthew firmly. Argument was not his strong point, but holding fast to his opinion certainly was. Marilla gave a gasp of helplessness and took refuge in silence. The next morning, when Anne was washing the breakfast dishes in the pantry, Matthew paused on his way out to the barn to say to Marilla again: "I think you ought to let Anne go, Marilla." For a moment Marilla looked things not lawful to be uttered. Then she yielded to the inevitable and said tartly: "Very well, she can go, since nothing else ?ll please you." Anne flew out of the pantry, dripping dishcloth in hand. "Oh, Marilla,	pung sleigh to go to the Debating Club concert at the hall tomorrow night. And they are going to take Diana and me to the concert--if you'll let me go, that is. You will, won't you, Marilla? Oh, I feel so excited." "You can calm down then, because you're not going. You're better at home in your own bed, and as for that club concert, it's all nonsense, and little girls should not be allowed to go out to such places at all." "I'm sure the Debating Club is a most respectable affair," pleaded Anne. "I'm not saying it isn't. But you're not going to begin gadding about to concerts and staying out all hours of the night. Pretty doings for children. I'm surprised at Mrs. Barry's letting Diana go." "But it's such a very special occasion," mourned Anne, on the verge of tears. "Diana has only one birthday in a year. It isn't as if birthdays were common things, Marilla. Prissy Andrews is going to recite ?Curfew Must Not Ring Tonight.' That is such a good moral piece, Marilla, I'm sure it would do me lots of good to hear it. And the choir are going to sing four lovely pathetic songs that are pretty near as good as hymns. And oh, Marilla, the minister is going to take part; yes, indeed, he is; he's going to give an address. That will be just about the same thing as a sermon. Please, mayn't I go, Marilla?" "You heard what I said, Anne, didn't you? Take off your boots now and go to bed. It's past eight." "There's just one more thing, Marilla," said Anne, with the air of producing the last shot in her locker. "Mrs. Barry told Diana that we might sleep in the spare-room bed. Think of the honor of your little Anne being put in the spare-room bed." "It's an honor you'll have to get along without. Go to bed, Anne, and don't let me hear another word out of you." When Anne, with tears rolling over her cheeks, had gone sorrowfully upstairs, Matthew, who had been apparently sound asleep on the lounge during the whole dialogue, opened his eyes and said decidedly: "Well now, Marilla, I think you ought to let Anne go." "I don't then," retorted Marilla. "Who's bringing this child up, Matthew, you or me?" "Well now, you," admitted Matthew. "Don't interfere then."<\|quote\|>"Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go."</\|quote\|>"You'd think I ought to let Anne go to the moon if she took the notion, I've no doubt" was Marilla's amiable rejoinder. "I might have let her spend the night with Diana, if that was all. But I don't approve of this concert plan. She'd go there and catch cold like as not, and have her head filled up with nonsense and excitement. It would unsettle her for a week. I understand that child's disposition and what's good for it better than you, Matthew." "I think you ought to let Anne go," repeated Matthew firmly. Argument was not his strong point, but holding fast to his opinion certainly was. Marilla gave a gasp of helplessness and took refuge in silence. The next morning, when Anne was washing the breakfast dishes in the pantry, Matthew paused on his way out to the barn to say to Marilla again: "I think you ought to let Anne go, Marilla." For a moment Marilla looked things not lawful to be uttered. Then she yielded to the inevitable and said tartly: "Very well, she can go, since nothing else ?ll please you." Anne flew out of the pantry, dripping dishcloth in hand. "Oh, Marilla, Marilla, say those blessed words again." "I guess once is enough to say them. This is Matthew's doings and I wash my hands of it. If you catch pneumonia sleeping in a strange bed or coming out of that hot hall in the middle of the night, don't blame me, blame Matthew. Anne Shirley, you're dripping greasy water all over the floor. I never saw such a careless child." "Oh, I know I'm a great trial to you, Marilla," said Anne repentantly. "I make so many mistakes. But then just think of all the mistakes I don't make, although I might. I'll get some sand and scrub up the spots before I go to school. Oh, Marilla, my heart was just set on going to that concert. I never was to a concert in my life, and when the other girls talk about them in school I feel so out of it. You didn't know just how I felt about it, but you see Matthew did. Matthew understands me, and it's so nice to be understood, Marilla." Anne was too excited to do herself justice as to lessons that morning in school. Gilbert Blythe spelled her down in class and	often as I could and Diana stood at the window and threw kisses to me all the way down to Lover's Lane. I assure you, Marilla, that I feel like praying tonight and I'm going to think out a special brand-new prayer in honor of the occasion." CHAPTER XIX. A Concert a Catastrophe and a Confession "MARILLA, can I go over to see Diana just for a minute?" asked Anne, running breathlessly down from the east gable one February evening. "I don't see what you want to be traipsing about after dark for," said Marilla shortly. "You and Diana walked home from school together and then stood down there in the snow for half an hour more, your tongues going the whole blessed time, clickety-clack. So I don't think you're very badly off to see her again." "But she wants to see me," pleaded Anne. "She has something very important to tell me." "How do you know she has?" "Because she just signaled to me from her window. We have arranged a way to signal with our candles and cardboard. We set the candle on the window sill and make flashes by passing the cardboard back and forth. So many flashes mean a certain thing. It was my idea, Marilla." "I'll warrant you it was," said Marilla emphatically. "And the next thing you'll be setting fire to the curtains with your signaling nonsense." "Oh, we're very careful, Marilla. And it's so interesting. Two flashes mean, ?Are you there?' Three mean ?yes' and four ?no.' Five mean, ?Come over as soon as possible, because I have something important to reveal.' Diana has just signaled five flashes, and I'm really suffering to know what it is." "Well, you needn't suffer any longer," said Marilla sarcastically. "You can go, but you're to be back here in just ten minutes, remember that." Anne did remember it and was back in the stipulated time, although probably no mortal will ever know just what it cost her to confine the discussion of Diana's important communication within the limits of ten minutes. But at least she had made good use of them. "Oh, Marilla, what do you think? You know tomorrow is Diana's birthday. Well, her mother told her she could ask me to go home with her from school and stay all night with her. And her cousins are coming over from Newbridge in a big pung sleigh to go to the Debating Club concert at the hall tomorrow night. And they are going to take Diana and me to the concert--if you'll let me go, that is. You will, won't you, Marilla? Oh, I feel so excited." "You can calm down then, because you're not going. You're better at home in your own bed, and as for that club concert, it's all nonsense, and little girls should not be allowed to go out to such places at all." "I'm sure the Debating Club is a most respectable affair," pleaded Anne. "I'm not saying it isn't. But you're not going to begin gadding about to concerts and staying out all hours of the night. Pretty doings for children. I'm surprised at Mrs. Barry's letting Diana go." "But it's such a very special occasion," mourned Anne, on the verge of tears. "Diana has only one birthday in a year. It isn't as if birthdays were common things, Marilla. Prissy Andrews is going to recite ?Curfew Must Not Ring Tonight.' That is such a good moral piece, Marilla, I'm sure it would do me lots of good to hear it. And the choir are going to sing four lovely pathetic songs that are pretty near as good as hymns. And oh, Marilla, the minister is going to take part; yes, indeed, he is; he's going to give an address. That will be just about the same thing as a sermon. Please, mayn't I go, Marilla?" "You heard what I said, Anne, didn't you? Take off your boots now and go to bed. It's past eight." "There's just one more thing, Marilla," said Anne, with the air of producing the last shot in her locker. "Mrs. Barry told Diana that we might sleep in the spare-room bed. Think of the honor of your little Anne being put in the spare-room bed." "It's an honor you'll have to get along without. Go to bed, Anne, and don't let me hear another word out of you." When Anne, with tears rolling over her cheeks, had gone sorrowfully upstairs, Matthew, who had been apparently sound asleep on the lounge during the whole dialogue, opened his eyes and said decidedly: "Well now, Marilla, I think you ought to let Anne go." "I don't then," retorted Marilla. "Who's bringing this child up, Matthew, you or me?" "Well now, you," admitted Matthew. "Don't interfere then."<\|quote\|>"Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go."</\|quote\|>"You'd think I ought to let Anne go to the moon if she took the notion, I've no doubt" was Marilla's amiable rejoinder. "I might have let her spend the night with Diana, if that was all. But I don't approve of this concert plan. She'd go there and catch cold like as not, and have her head filled up with nonsense and excitement. It would unsettle her for a week. I understand that child's disposition and what's good for it better than you, Matthew." "I think you ought to let Anne go," repeated Matthew firmly. Argument was not his strong point, but holding fast to his opinion certainly was. Marilla gave a gasp of helplessness and took refuge in silence. The next morning, when Anne was washing the breakfast dishes in the pantry, Matthew paused on his way out to the barn to say to Marilla again: "I think you ought to let Anne go, Marilla." For a moment Marilla looked things not lawful to be uttered. Then she yielded to the inevitable and said tartly: "Very well, she can go, since nothing else ?ll please you." Anne flew out of the pantry, dripping dishcloth in hand. "Oh, Marilla, Marilla, say those blessed words again." "I guess once is enough to say them. This is Matthew's doings and I wash my hands of it. If you catch pneumonia sleeping in a strange bed or coming out of that hot hall in the middle of the night, don't blame me, blame Matthew. Anne Shirley, you're dripping greasy water all over the floor. I never saw such a careless child." "Oh, I know I'm a great trial to you, Marilla," said Anne repentantly. "I make so many mistakes. But then just think of all the mistakes I don't make, although I might. I'll get some sand and scrub up the spots before I go to school. Oh, Marilla, my heart was just set on going to that concert. I never was to a concert in my life, and when the other girls talk about them in school I feel so out of it. You didn't know just how I felt about it, but you see Matthew did. Matthew understands me, and it's so nice to be understood, Marilla." Anne was too excited to do herself justice as to lessons that morning in school. Gilbert Blythe spelled her down in class and left her clear out of sight in mental arithmetic. Anne's consequent humiliation was less than it might have been, however, in view of the concert and the spare-room bed. She and Diana talked so constantly about it all day that with a stricter teacher than Mr. Phillips dire disgrace must inevitably have been their portion. Anne felt that she could not have borne it if she had not been going to the concert, for nothing else was discussed that day in school. The Avonlea Debating Club, which met fortnightly all winter, had had several smaller free entertainments; but this was to be a big affair, admission ten cents, in aid of the library. The Avonlea young people had been practicing for weeks, and all the scholars were especially interested in it by reason of older brothers and sisters who were going to take part. Everybody in school over nine years of age expected to go, except Carrie Sloane, whose father shared Marilla's opinions about small girls going out to night concerts. Carrie Sloane cried into her grammar all the afternoon and felt that life was not worth living. For Anne the real excitement began with the dismissal of school and increased therefrom in crescendo until it reached to a crash of positive ecstasy in the concert itself. They had a "perfectly elegant tea;" and then came the delicious occupation of dressing in Diana's little room upstairs. Diana did Anne's front hair in the new pompadour style and Anne tied Diana's bows with the especial knack she possessed; and they experimented with at least half a dozen different ways of arranging their back hair. At last they were ready, cheeks scarlet and eyes glowing with excitement. True, Anne could not help a little pang when she contrasted her plain black tam and shapeless, tight-sleeved, homemade gray-cloth coat with Diana's jaunty fur cap and smart little jacket. But she remembered in time that she had an imagination and could use it. Then Diana's cousins, the Murrays from Newbridge, came; they all crowded into the big pung sleigh, among straw and furry robes. Anne reveled in the drive to the hall, slipping along over the satin-smooth roads with the snow crisping under the runners. There was a magnificent sunset, and the snowy hills and deep-blue water of the St. Lawrence Gulf seemed to rim in the splendor like a huge bowl of pearl	and as for that club concert, it's all nonsense, and little girls should not be allowed to go out to such places at all." "I'm sure the Debating Club is a most respectable affair," pleaded Anne. "I'm not saying it isn't. But you're not going to begin gadding about to concerts and staying out all hours of the night. Pretty doings for children. I'm surprised at Mrs. Barry's letting Diana go." "But it's such a very special occasion," mourned Anne, on the verge of tears. "Diana has only one birthday in a year. It isn't as if birthdays were common things, Marilla. Prissy Andrews is going to recite ?Curfew Must Not Ring Tonight.' That is such a good moral piece, Marilla, I'm sure it would do me lots of good to hear it. And the choir are going to sing four lovely pathetic songs that are pretty near as good as hymns. And oh, Marilla, the minister is going to take part; yes, indeed, he is; he's going to give an address. That will be just about the same thing as a sermon. Please, mayn't I go, Marilla?" "You heard what I said, Anne, didn't you? Take off your boots now and go to bed. It's past eight." "There's just one more thing, Marilla," said Anne, with the air of producing the last shot in her locker. "Mrs. Barry told Diana that we might sleep in the spare-room bed. Think of the honor of your little Anne being put in the spare-room bed." "It's an honor you'll have to get along without. Go to bed, Anne, and don't let me hear another word out of you." When Anne, with tears rolling over her cheeks, had gone sorrowfully upstairs, Matthew, who had been apparently sound asleep on the lounge during the whole dialogue, opened his eyes and said decidedly: "Well now, Marilla, I think you ought to let Anne go." "I don't then," retorted Marilla. "Who's bringing this child up, Matthew, you or me?" "Well now, you," admitted Matthew. "Don't interfere then."<\|quote\|>"Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go."</\|quote\|>"You'd think I ought to let Anne go to the moon if she took the notion, I've no doubt" was Marilla's amiable rejoinder. "I might have let her spend the night with Diana, if that was all. But I don't approve of this concert plan. She'd go there and catch cold like as not, and have her head filled up with nonsense and excitement. It would unsettle her for a week. I understand that child's disposition and what's good for it better than you, Matthew." "I think you ought to let Anne go," repeated Matthew firmly. Argument was not his strong point, but holding fast to his opinion certainly was. Marilla gave a gasp of helplessness and took refuge in silence. The next morning, when Anne was washing the breakfast dishes in the pantry, Matthew paused on his way out to the barn to say to Marilla again: "I think you ought to let Anne go, Marilla." For a moment Marilla looked things not lawful to be uttered. Then she yielded to the inevitable and said tartly: "Very well, she can go, since nothing else ?ll please you." Anne flew out of the pantry, dripping dishcloth in hand. "Oh, Marilla, Marilla, say those blessed words again." "I guess once is enough to say them. This is Matthew's doings and I wash my hands of it. If you catch pneumonia sleeping in a strange bed or coming out of that hot hall in the middle of the night, don't blame me, blame Matthew. Anne Shirley, you're dripping greasy water all over the floor. I never saw such a careless child." "Oh, I know I'm a great trial to you, Marilla," said Anne repentantly. "I make so many mistakes. But then just think of all the mistakes I don't make, although I might. I'll get some sand and scrub up the spots before I go to school. Oh, Marilla, my heart was just set on going to that concert. I never was to a concert in my life, and when the other girls talk about them in school I feel so out of it. You didn't know just how I felt about it, but you see Matthew did. Matthew understands me, and it's so nice to be understood, Marilla." Anne was too excited to do herself justice as to lessons that morning in school. Gilbert Blythe spelled her down in class and left her clear out of sight in mental arithmetic. Anne's consequent humiliation was less than it might have been, however, in view of the concert and the spare-room bed. She and Diana talked so constantly about it all day that with a stricter teacher than Mr. Phillips dire disgrace must inevitably have been their portion. Anne felt that she could	Anne Of Green Gables
asked the other, Michelangelesque on the flooded margin. The bank broke away, and he fell into the pool before he had weighed the question properly.	No speaker	mud. "Is it worth it?"<\|quote\|>asked the other, Michelangelesque on the flooded margin. The bank broke away, and he fell into the pool before he had weighed the question properly.</\|quote\|>"Hee-poof--I've swallowed a pollywog, Mr.	becoming involved in reeds or mud. "Is it worth it?"<\|quote\|>asked the other, Michelangelesque on the flooded margin. The bank broke away, and he fell into the pool before he had weighed the question properly.</\|quote\|>"Hee-poof--I've swallowed a pollywog, Mr. Beebe, water's wonderful, water's simply	to use his muscles. It was necessary to keep clean. Mr. Beebe watched them, and watched the seeds of the willow-herb dance chorically above their heads. "Apooshoo, apooshoo, apooshoo," went Freddy, swimming for two strokes in either direction, and then becoming involved in reeds or mud. "Is it worth it?"<\|quote\|>asked the other, Michelangelesque on the flooded margin. The bank broke away, and he fell into the pool before he had weighed the question properly.</\|quote\|>"Hee-poof--I've swallowed a pollywog, Mr. Beebe, water's wonderful, water's simply ripping." "Water's not so bad," said George, reappearing from his plunge, and sputtering at the sun. "Water's wonderful. Mr. Beebe, do." "Apooshoo, kouf." Mr. Beebe, who was hot, and who always acquiesced where possible, looked around him. He could detect	he stripped himself. Mr. Beebe thought he was not. "Water's wonderful!" cried Freddy, prancing in. "Water's water," murmured George. Wetting his hair first--a sure sign of apathy--he followed Freddy into the divine, as indifferent as if he were a statue and the pond a pail of soapsuds. It was necessary to use his muscles. It was necessary to keep clean. Mr. Beebe watched them, and watched the seeds of the willow-herb dance chorically above their heads. "Apooshoo, apooshoo, apooshoo," went Freddy, swimming for two strokes in either direction, and then becoming involved in reeds or mud. "Is it worth it?"<\|quote\|>asked the other, Michelangelesque on the flooded margin. The bank broke away, and he fell into the pool before he had weighed the question properly.</\|quote\|>"Hee-poof--I've swallowed a pollywog, Mr. Beebe, water's wonderful, water's simply ripping." "Water's not so bad," said George, reappearing from his plunge, and sputtering at the sun. "Water's wonderful. Mr. Beebe, do." "Apooshoo, kouf." Mr. Beebe, who was hot, and who always acquiesced where possible, looked around him. He could detect no parishioners except the pine-trees, rising up steeply on all sides, and gesturing to each other against the blue. How glorious it was! The world of motor-cars and rural Deans receded inimitably. Water, sky, evergreens, a wind--these things not even the seasons can touch, and surely they lie beyond the	tempting these feet towards the central pool. "It's distinctly successful, as ponds go," said Mr. Beebe. "No apologies are necessary for the pond." George sat down where the ground was dry, and drearily unlaced his boots. "Aren't those masses of willow-herb splendid? I love willow-herb in seed. What's the name of this aromatic plant?" No one knew, or seemed to care. "These abrupt changes of vegetation--this little spongeous tract of water plants, and on either side of it all the growths are tough or brittle--heather, bracken, hurts, pines. Very charming, very charming." "Mr. Beebe, aren't you bathing?" called Freddy, as he stripped himself. Mr. Beebe thought he was not. "Water's wonderful!" cried Freddy, prancing in. "Water's water," murmured George. Wetting his hair first--a sure sign of apathy--he followed Freddy into the divine, as indifferent as if he were a statue and the pond a pail of soapsuds. It was necessary to use his muscles. It was necessary to keep clean. Mr. Beebe watched them, and watched the seeds of the willow-herb dance chorically above their heads. "Apooshoo, apooshoo, apooshoo," went Freddy, swimming for two strokes in either direction, and then becoming involved in reeds or mud. "Is it worth it?"<\|quote\|>asked the other, Michelangelesque on the flooded margin. The bank broke away, and he fell into the pool before he had weighed the question properly.</\|quote\|>"Hee-poof--I've swallowed a pollywog, Mr. Beebe, water's wonderful, water's simply ripping." "Water's not so bad," said George, reappearing from his plunge, and sputtering at the sun. "Water's wonderful. Mr. Beebe, do." "Apooshoo, kouf." Mr. Beebe, who was hot, and who always acquiesced where possible, looked around him. He could detect no parishioners except the pine-trees, rising up steeply on all sides, and gesturing to each other against the blue. How glorious it was! The world of motor-cars and rural Deans receded inimitably. Water, sky, evergreens, a wind--these things not even the seasons can touch, and surely they lie beyond the intrusion of man? "I may as well wash too" "; and soon his garments made a third little pile on the sward, and he too asserted the wonder of the water. It was ordinary water, nor was there very much of it, and, as Freddy said, it reminded one of swimming in a salad. The three gentlemen rotated in the pool breast high, after the fashion of the nymphs in Gotterdammerung. But either because the rains had given a freshness or because the sun was shedding a most glorious heat, or because two of the gentlemen were young in years	"Looking at Italian art. There you are, and yet you talk of coincidence and Fate. You naturally seek out things Italian, and so do we and our friends. This narrows the field immeasurably we meet again in it." "It is Fate that I am here," persisted George. "But you can call it Italy if it makes you less unhappy." Mr. Beebe slid away from such heavy treatment of the subject. But he was infinitely tolerant of the young, and had no desire to snub George. "And so for this and for other reasons my 'History of Coincidence' is still to write." Silence. Wishing to round off the episode, he added; "We are all so glad that you have come." Silence. "Here we are!" called Freddy. "Oh, good!" exclaimed Mr. Beebe, mopping his brow. "In there's the pond. I wish it was bigger," he added apologetically. They climbed down a slippery bank of pine-needles. There lay the pond, set in its little alp of green--only a pond, but large enough to contain the human body, and pure enough to reflect the sky. On account of the rains, the waters had flooded the surrounding grass, which showed like a beautiful emerald path, tempting these feet towards the central pool. "It's distinctly successful, as ponds go," said Mr. Beebe. "No apologies are necessary for the pond." George sat down where the ground was dry, and drearily unlaced his boots. "Aren't those masses of willow-herb splendid? I love willow-herb in seed. What's the name of this aromatic plant?" No one knew, or seemed to care. "These abrupt changes of vegetation--this little spongeous tract of water plants, and on either side of it all the growths are tough or brittle--heather, bracken, hurts, pines. Very charming, very charming." "Mr. Beebe, aren't you bathing?" called Freddy, as he stripped himself. Mr. Beebe thought he was not. "Water's wonderful!" cried Freddy, prancing in. "Water's water," murmured George. Wetting his hair first--a sure sign of apathy--he followed Freddy into the divine, as indifferent as if he were a statue and the pond a pail of soapsuds. It was necessary to use his muscles. It was necessary to keep clean. Mr. Beebe watched them, and watched the seeds of the willow-herb dance chorically above their heads. "Apooshoo, apooshoo, apooshoo," went Freddy, swimming for two strokes in either direction, and then becoming involved in reeds or mud. "Is it worth it?"<\|quote\|>asked the other, Michelangelesque on the flooded margin. The bank broke away, and he fell into the pool before he had weighed the question properly.</\|quote\|>"Hee-poof--I've swallowed a pollywog, Mr. Beebe, water's wonderful, water's simply ripping." "Water's not so bad," said George, reappearing from his plunge, and sputtering at the sun. "Water's wonderful. Mr. Beebe, do." "Apooshoo, kouf." Mr. Beebe, who was hot, and who always acquiesced where possible, looked around him. He could detect no parishioners except the pine-trees, rising up steeply on all sides, and gesturing to each other against the blue. How glorious it was! The world of motor-cars and rural Deans receded inimitably. Water, sky, evergreens, a wind--these things not even the seasons can touch, and surely they lie beyond the intrusion of man? "I may as well wash too" "; and soon his garments made a third little pile on the sward, and he too asserted the wonder of the water. It was ordinary water, nor was there very much of it, and, as Freddy said, it reminded one of swimming in a salad. The three gentlemen rotated in the pool breast high, after the fashion of the nymphs in Gotterdammerung. But either because the rains had given a freshness or because the sun was shedding a most glorious heat, or because two of the gentlemen were young in years and the third young in spirit--for some reason or other a change came over them, and they forgot Italy and Botany and Fate. They began to play. Mr. Beebe and Freddy splashed each other. A little deferentially, they splashed George. He was quiet: they feared they had offended him. Then all the forces of youth burst out. He smiled, flung himself at them, splashed them, ducked them, kicked them, muddied them, and drove them out of the pool. "Race you round it, then," cried Freddy, and they raced in the sunshine, and George took a short cut and dirtied his shins, and had to bathe a second time. Then Mr. Beebe consented to run--a memorable sight. They ran to get dry, they bathed to get cool, they played at being Indians in the willow-herbs and in the bracken, they bathed to get clean. And all the time three little bundles lay discreetly on the sward, proclaiming: "No. We are what matters. Without us shall no enterprise begin. To us shall all flesh turn in the end." "A try! A try!" yelled Freddy, snatching up George's bundle and placing it beside an imaginary goal-post. "Socker rules," George retorted, scattering Freddy's bundle	with the stair-eyes yesterday. It does not count that they are going to bathe this afternoon." "Yes, go and bathe, George. Why do you dawdle talking? Bring them back to tea. Bring back some milk, cakes, honey. The change will do you good. George has been working very hard at his office. I can't believe he's well." George bowed his head, dusty and sombre, exhaling the peculiar smell of one who has handled furniture. "Do you really want this bathe?" Freddy asked him. "It is only a pond, don't you know. I dare say you are used to something better." "Yes--I have said 'Yes' already." Mr. Beebe felt bound to assist his young friend, and led the way out of the house and into the pine-woods. How glorious it was! For a little time the voice of old Mr. Emerson pursued them dispensing good wishes and philosophy. It ceased, and they only heard the fair wind blowing the bracken and the trees. Mr. Beebe, who could be silent, but who could not bear silence, was compelled to chatter, since the expedition looked like a failure, and neither of his companions would utter a word. He spoke of Florence. George attended gravely, assenting or dissenting with slight but determined gestures that were as inexplicable as the motions of the tree-tops above their heads. "And what a coincidence that you should meet Mr. Vyse! Did you realize that you would find all the Pension Bertolini down here?" "I did not. Miss Lavish told me." "When I was a young man, I always meant to write a 'History of Coincidence.'" No enthusiasm. "Though, as a matter of fact, coincidences are much rarer than we suppose. For example, it isn't purely coincidentally that you are here now, when one comes to reflect." To his relief, George began to talk. "It is. I have reflected. It is Fate. Everything is Fate. We are flung together by Fate, drawn apart by Fate--flung together, drawn apart. The twelve winds blow us--we settle nothing--" "You have not reflected at all," rapped the clergyman. "Let me give you a useful tip, Emerson: attribute nothing to Fate. Don't say, 'I didn't do this,' for you did it, ten to one. Now I'll cross-question you. Where did you first meet Miss Honeychurch and myself?" "Italy." "And where did you meet Mr. Vyse, who is going to marry Miss Honeychurch?" "National Gallery." "Looking at Italian art. There you are, and yet you talk of coincidence and Fate. You naturally seek out things Italian, and so do we and our friends. This narrows the field immeasurably we meet again in it." "It is Fate that I am here," persisted George. "But you can call it Italy if it makes you less unhappy." Mr. Beebe slid away from such heavy treatment of the subject. But he was infinitely tolerant of the young, and had no desire to snub George. "And so for this and for other reasons my 'History of Coincidence' is still to write." Silence. Wishing to round off the episode, he added; "We are all so glad that you have come." Silence. "Here we are!" called Freddy. "Oh, good!" exclaimed Mr. Beebe, mopping his brow. "In there's the pond. I wish it was bigger," he added apologetically. They climbed down a slippery bank of pine-needles. There lay the pond, set in its little alp of green--only a pond, but large enough to contain the human body, and pure enough to reflect the sky. On account of the rains, the waters had flooded the surrounding grass, which showed like a beautiful emerald path, tempting these feet towards the central pool. "It's distinctly successful, as ponds go," said Mr. Beebe. "No apologies are necessary for the pond." George sat down where the ground was dry, and drearily unlaced his boots. "Aren't those masses of willow-herb splendid? I love willow-herb in seed. What's the name of this aromatic plant?" No one knew, or seemed to care. "These abrupt changes of vegetation--this little spongeous tract of water plants, and on either side of it all the growths are tough or brittle--heather, bracken, hurts, pines. Very charming, very charming." "Mr. Beebe, aren't you bathing?" called Freddy, as he stripped himself. Mr. Beebe thought he was not. "Water's wonderful!" cried Freddy, prancing in. "Water's water," murmured George. Wetting his hair first--a sure sign of apathy--he followed Freddy into the divine, as indifferent as if he were a statue and the pond a pail of soapsuds. It was necessary to use his muscles. It was necessary to keep clean. Mr. Beebe watched them, and watched the seeds of the willow-herb dance chorically above their heads. "Apooshoo, apooshoo, apooshoo," went Freddy, swimming for two strokes in either direction, and then becoming involved in reeds or mud. "Is it worth it?"<\|quote\|>asked the other, Michelangelesque on the flooded margin. The bank broke away, and he fell into the pool before he had weighed the question properly.</\|quote\|>"Hee-poof--I've swallowed a pollywog, Mr. Beebe, water's wonderful, water's simply ripping." "Water's not so bad," said George, reappearing from his plunge, and sputtering at the sun. "Water's wonderful. Mr. Beebe, do." "Apooshoo, kouf." Mr. Beebe, who was hot, and who always acquiesced where possible, looked around him. He could detect no parishioners except the pine-trees, rising up steeply on all sides, and gesturing to each other against the blue. How glorious it was! The world of motor-cars and rural Deans receded inimitably. Water, sky, evergreens, a wind--these things not even the seasons can touch, and surely they lie beyond the intrusion of man? "I may as well wash too" "; and soon his garments made a third little pile on the sward, and he too asserted the wonder of the water. It was ordinary water, nor was there very much of it, and, as Freddy said, it reminded one of swimming in a salad. The three gentlemen rotated in the pool breast high, after the fashion of the nymphs in Gotterdammerung. But either because the rains had given a freshness or because the sun was shedding a most glorious heat, or because two of the gentlemen were young in years and the third young in spirit--for some reason or other a change came over them, and they forgot Italy and Botany and Fate. They began to play. Mr. Beebe and Freddy splashed each other. A little deferentially, they splashed George. He was quiet: they feared they had offended him. Then all the forces of youth burst out. He smiled, flung himself at them, splashed them, ducked them, kicked them, muddied them, and drove them out of the pool. "Race you round it, then," cried Freddy, and they raced in the sunshine, and George took a short cut and dirtied his shins, and had to bathe a second time. Then Mr. Beebe consented to run--a memorable sight. They ran to get dry, they bathed to get cool, they played at being Indians in the willow-herbs and in the bracken, they bathed to get clean. And all the time three little bundles lay discreetly on the sward, proclaiming: "No. We are what matters. Without us shall no enterprise begin. To us shall all flesh turn in the end." "A try! A try!" yelled Freddy, snatching up George's bundle and placing it beside an imaginary goal-post. "Socker rules," George retorted, scattering Freddy's bundle with a kick. "Goal!" "Goal!" "Pass!" "Take care my watch!" cried Mr. Beebe. Clothes flew in all directions. "Take care my hat! No, that's enough, Freddy. Dress now. No, I say!" But the two young men were delirious. Away they twinkled into the trees, Freddy with a clerical waistcoat under his arm, George with a wide-awake hat on his dripping hair. "That'll do!" shouted Mr. Beebe, remembering that after all he was in his own parish. Then his voice changed as if every pine-tree was a Rural Dean. "Hi! Steady on! I see people coming you fellows!" Yells, and widening circles over the dappled earth. "Hi! hi! LADIES!" Neither George nor Freddy was truly refined. Still, they did not hear Mr. Beebe's last warning or they would have avoided Mrs. Honeychurch, Cecil, and Lucy, who were walking down to call on old Mrs. Butterworth. Freddy dropped the waistcoat at their feet, and dashed into some bracken. George whooped in their faces, turned and scudded away down the path to the pond, still clad in Mr. Beebe's hat. "Gracious alive!" cried Mrs. Honeychurch. "Whoever were those unfortunate people? Oh, dears, look away! And poor Mr. Beebe, too! Whatever has happened?" "Come this way immediately," commanded Cecil, who always felt that he must lead women, though he knew not whither, and protect them, though he knew not against what. He led them now towards the bracken where Freddy sat concealed. "Oh, poor Mr. Beebe! Was that his waistcoat we left in the path? Cecil, Mr. Beebe's waistcoat--" "No business of ours," said Cecil, glancing at Lucy, who was all parasol and evidently 'minded.' "I fancy Mr. Beebe jumped back into the pond." "This way, please, Mrs. Honeychurch, this way." They followed him up the bank attempting the tense yet nonchalant expression that is suitable for ladies on such occasions. "Well, I can't help it," said a voice close ahead, and Freddy reared a freckled face and a pair of snowy shoulders out of the fronds. "I can't be trodden on, can I?" "Good gracious me, dear; so it's you! What miserable management! Why not have a comfortable bath at home, with hot and cold laid on?" "Look here, mother, a fellow must wash, and a fellow's got to dry, and if another fellow--" "Dear, no doubt you're right as usual, but you are in no position to argue. Come, Lucy." They turned.	come." Silence. "Here we are!" called Freddy. "Oh, good!" exclaimed Mr. Beebe, mopping his brow. "In there's the pond. I wish it was bigger," he added apologetically. They climbed down a slippery bank of pine-needles. There lay the pond, set in its little alp of green--only a pond, but large enough to contain the human body, and pure enough to reflect the sky. On account of the rains, the waters had flooded the surrounding grass, which showed like a beautiful emerald path, tempting these feet towards the central pool. "It's distinctly successful, as ponds go," said Mr. Beebe. "No apologies are necessary for the pond." George sat down where the ground was dry, and drearily unlaced his boots. "Aren't those masses of willow-herb splendid? I love willow-herb in seed. What's the name of this aromatic plant?" No one knew, or seemed to care. "These abrupt changes of vegetation--this little spongeous tract of water plants, and on either side of it all the growths are tough or brittle--heather, bracken, hurts, pines. Very charming, very charming." "Mr. Beebe, aren't you bathing?" called Freddy, as he stripped himself. Mr. Beebe thought he was not. "Water's wonderful!" cried Freddy, prancing in. "Water's water," murmured George. Wetting his hair first--a sure sign of apathy--he followed Freddy into the divine, as indifferent as if he were a statue and the pond a pail of soapsuds. It was necessary to use his muscles. It was necessary to keep clean. Mr. Beebe watched them, and watched the seeds of the willow-herb dance chorically above their heads. "Apooshoo, apooshoo, apooshoo," went Freddy, swimming for two strokes in either direction, and then becoming involved in reeds or mud. "Is it worth it?"<\|quote\|>asked the other, Michelangelesque on the flooded margin. The bank broke away, and he fell into the pool before he had weighed the question properly.</\|quote\|>"Hee-poof--I've swallowed a pollywog, Mr. Beebe, water's wonderful, water's simply ripping." "Water's not so bad," said George, reappearing from his plunge, and sputtering at the sun. "Water's wonderful. Mr. Beebe, do." "Apooshoo, kouf." Mr. Beebe, who was hot, and who always acquiesced where possible, looked around him. He could detect no parishioners except the pine-trees, rising up steeply on all sides, and gesturing to each other against the blue. How glorious it was! The world of motor-cars and rural Deans receded inimitably. Water, sky, evergreens, a wind--these things not even the seasons can touch, and surely they lie beyond the intrusion of man? "I may as well wash too" "; and soon his garments made a third little pile on the sward, and he too asserted the wonder of the water. It was ordinary water, nor was there very much of it, and, as Freddy said, it reminded one of swimming in a salad. The three gentlemen rotated in the pool breast high, after the fashion of the nymphs in Gotterdammerung. But either because the rains had given a freshness or because the sun was shedding a most glorious heat, or because two of the gentlemen were young in years and the third young in spirit--for some reason or other a change came over them, and they forgot Italy and Botany and Fate. They began to play. Mr. Beebe and Freddy splashed each other. A little deferentially, they splashed George. He was quiet: they feared they had offended him. Then all the forces of youth burst out. He smiled, flung himself at them, splashed them, ducked them, kicked them, muddied them, and drove them out of the pool. "Race you round it, then," cried Freddy, and they raced in the sunshine, and George took a short cut and dirtied his shins, and had to bathe a second time. Then Mr. Beebe consented to run--a memorable sight. They ran to get dry, they bathed to get cool, they played at being Indians in the willow-herbs and in the bracken, they bathed to get clean. And all the time three little bundles lay discreetly on the sward, proclaiming: "No. We are what matters. Without us shall no enterprise begin. To us shall all flesh turn in the end." "A try! A try!" yelled Freddy, snatching up George's bundle and placing it beside an imaginary goal-post. "Socker rules,"	A Room With A View
"No! no! no!"	Gabriel Syme	is extremely comfortable. He is"<\|quote\|>"No! no! no!"</\|quote\|>cried Syme in a kind	with a pale sneer. "He is extremely comfortable. He is"<\|quote\|>"No! no! no!"</\|quote\|>cried Syme in a kind of frenzy, "not the Colonel	cried Bull, "where on earth is the Colonel?" "He went to speak to Renard," said the Professor. "We cannot leave him among all those beasts," cried Syme. "Let us die like gentlemen if" "Do not pity the Colonel," said Ratcliffe, with a pale sneer. "He is extremely comfortable. He is"<\|quote\|>"No! no! no!"</\|quote\|>cried Syme in a kind of frenzy, "not the Colonel too! I will never believe it!" "Will you believe your eyes?" asked the other, and pointed to the beach. Many of their pursuers had waded into the water shaking their fists, but the sea was rough, and they could not	"I also am holding hard on to the thing I never saw." All of a sudden Syme, who was standing as if blind with introspective thought, swung round and cried out, like a man waking from sleep "Where is the Colonel? I thought he was with us!" "The Colonel! Yes," cried Bull, "where on earth is the Colonel?" "He went to speak to Renard," said the Professor. "We cannot leave him among all those beasts," cried Syme. "Let us die like gentlemen if" "Do not pity the Colonel," said Ratcliffe, with a pale sneer. "He is extremely comfortable. He is"<\|quote\|>"No! no! no!"</\|quote\|>cried Syme in a kind of frenzy, "not the Colonel too! I will never believe it!" "Will you believe your eyes?" asked the other, and pointed to the beach. Many of their pursuers had waded into the water shaking their fists, but the sea was rough, and they could not reach the pier. Two or three figures, however, stood on the beginning of the stone footway, and seemed to be cautiously advancing down it. The glare of a chance lantern lit up the faces of the two foremost. One face wore a black half-mask, and under it the mouth was	planet is against us, yet I cannot help wondering whether this one silly little hope is hopeless yet." "In what or whom is your hope?" asked Syme with curiosity. "In a man I never saw," said the other, looking at the leaden sea. "I know what you mean," said Syme in a low voice, "the man in the dark room. But Sunday must have killed him by now." "Perhaps," said the other steadily; "but if so, he was the only man whom Sunday found it hard to kill." "I heard what you said," said the Professor, with his back turned. "I also am holding hard on to the thing I never saw." All of a sudden Syme, who was standing as if blind with introspective thought, swung round and cried out, like a man waking from sleep "Where is the Colonel? I thought he was with us!" "The Colonel! Yes," cried Bull, "where on earth is the Colonel?" "He went to speak to Renard," said the Professor. "We cannot leave him among all those beasts," cried Syme. "Let us die like gentlemen if" "Do not pity the Colonel," said Ratcliffe, with a pale sneer. "He is extremely comfortable. He is"<\|quote\|>"No! no! no!"</\|quote\|>cried Syme in a kind of frenzy, "not the Colonel too! I will never believe it!" "Will you believe your eyes?" asked the other, and pointed to the beach. Many of their pursuers had waded into the water shaking their fists, but the sea was rough, and they could not reach the pier. Two or three figures, however, stood on the beginning of the stone footway, and seemed to be cautiously advancing down it. The glare of a chance lantern lit up the faces of the two foremost. One face wore a black half-mask, and under it the mouth was twisting about in such a madness of nerves that the black tuft of beard wriggled round and round like a restless, living thing. The other was the red face and white moustache of Colonel Ducroix. They were in earnest consultation. "Yes, he is gone too," said the Professor, and sat down on a stone. "Everything's gone. I'm gone! I can't trust my own bodily machinery. I feel as if my own hand might fly up and strike me." "When my hand flies up," said Syme, "it will strike somebody else," and he strode along the pier towards the Colonel, the	of the police station were indeed blotted and broken with hurrying figures, and they heard through the darkness the clash and jingle of a disciplined cavalry. "They are charging the mob!" cried Bull in ecstacy or alarm. "No," said Syme, "they are formed along the parade." "They have unslung their carbines," cried Bull dancing with excitement. "Yes," said Ratcliffe, "and they are going to fire on us." As he spoke there came a long crackle of musketry, and bullets seemed to hop like hailstones on the stones in front of them. "The gendarmes have joined them!" cried the Professor, and struck his forehead. "I am in the padded cell," said Bull solidly. There was a long silence, and then Ratcliffe said, looking out over the swollen sea, all a sort of grey purple "What does it matter who is mad or who is sane? We shall all be dead soon." Syme turned to him and said "You are quite hopeless, then?" Mr. Ratcliffe kept a stony silence; then at last he said quietly "No; oddly enough I am not quite hopeless. There is one insane little hope that I cannot get out of my mind. The power of this whole planet is against us, yet I cannot help wondering whether this one silly little hope is hopeless yet." "In what or whom is your hope?" asked Syme with curiosity. "In a man I never saw," said the other, looking at the leaden sea. "I know what you mean," said Syme in a low voice, "the man in the dark room. But Sunday must have killed him by now." "Perhaps," said the other steadily; "but if so, he was the only man whom Sunday found it hard to kill." "I heard what you said," said the Professor, with his back turned. "I also am holding hard on to the thing I never saw." All of a sudden Syme, who was standing as if blind with introspective thought, swung round and cried out, like a man waking from sleep "Where is the Colonel? I thought he was with us!" "The Colonel! Yes," cried Bull, "where on earth is the Colonel?" "He went to speak to Renard," said the Professor. "We cannot leave him among all those beasts," cried Syme. "Let us die like gentlemen if" "Do not pity the Colonel," said Ratcliffe, with a pale sneer. "He is extremely comfortable. He is"<\|quote\|>"No! no! no!"</\|quote\|>cried Syme in a kind of frenzy, "not the Colonel too! I will never believe it!" "Will you believe your eyes?" asked the other, and pointed to the beach. Many of their pursuers had waded into the water shaking their fists, but the sea was rough, and they could not reach the pier. Two or three figures, however, stood on the beginning of the stone footway, and seemed to be cautiously advancing down it. The glare of a chance lantern lit up the faces of the two foremost. One face wore a black half-mask, and under it the mouth was twisting about in such a madness of nerves that the black tuft of beard wriggled round and round like a restless, living thing. The other was the red face and white moustache of Colonel Ducroix. They were in earnest consultation. "Yes, he is gone too," said the Professor, and sat down on a stone. "Everything's gone. I'm gone! I can't trust my own bodily machinery. I feel as if my own hand might fly up and strike me." "When my hand flies up," said Syme, "it will strike somebody else," and he strode along the pier towards the Colonel, the sword in one hand and the lantern in the other. As if to destroy the last hope or doubt, the Colonel, who saw him coming, pointed his revolver at him and fired. The shot missed Syme, but struck his sword, breaking it short at the hilt. Syme rushed on, and swung the iron lantern above his head. "Judas before Herod!" he said, and struck the Colonel down upon the stones. Then he turned to the Secretary, whose frightful mouth was almost foaming now, and held the lamp high with so rigid and arresting a gesture, that the man was, as it were, frozen for a moment, and forced to hear. "Do you see this lantern?" cried Syme in a terrible voice. "Do you see the cross carved on it, and the flame inside? You did not make it. You did not light it. Better men than you, men who could believe and obey, twisted the entrails of iron and preserved the legend of fire. There is not a street you walk on, there is not a thread you wear, that was not made as this lantern was, by denying your philosophy of dirt and rats. You can make nothing. You	out. Keep after me." They followed him as he went crunching down the beach, and in a second or two their boots broke not on the sea gravel, but on broad, flat stones. They marched down a long, low jetty, running out in one arm into the dim, boiling sea, and when they came to the end of it they felt that they had come to the end of their story. They turned and faced the town. That town was transfigured with uproar. All along the high parade from which they had just descended was a dark and roaring stream of humanity, with tossing arms and fiery faces, groping and glaring towards them. The long dark line was dotted with torches and lanterns; but even where no flame lit up a furious face, they could see in the farthest figure, in the most shadowy gesture, an organised hate. It was clear that they were the accursed of all men, and they knew not why. Two or three men, looking little and black like monkeys, leapt over the edge as they had done and dropped on to the beach. These came ploughing down the deep sand, shouting horribly, and strove to wade into the sea at random. The example was followed, and the whole black mass of men began to run and drip over the edge like black treacle. Foremost among the men on the beach Syme saw the peasant who had driven their cart. He splashed into the surf on a huge cart-horse, and shook his axe at them. "The peasant!" cried Syme. "They have not risen since the Middle Ages." "Even if the police do come now," said the Professor mournfully, "they can do nothing with this mob." "Nonsense!" said Bull desperately; "there must be some people left in the town who are human." "No," said the hopeless Inspector, "the human being will soon be extinct. We are the last of mankind." "It may be," said the Professor absently. Then he added in his dreamy voice, "What is all that at the end of the 'Dunciad'?" 'Nor public flame; nor private, dares to shine; Nor human light is left, nor glimpse divine! Lo! thy dread Empire, Chaos, is restored; Light dies before thine uncreating word: Thy hand, great Anarch, lets the curtain fall; And universal darkness buries all.'" "Stop!" cried Bull suddenly, "the gendarmes are out." The low lights of the police station were indeed blotted and broken with hurrying figures, and they heard through the darkness the clash and jingle of a disciplined cavalry. "They are charging the mob!" cried Bull in ecstacy or alarm. "No," said Syme, "they are formed along the parade." "They have unslung their carbines," cried Bull dancing with excitement. "Yes," said Ratcliffe, "and they are going to fire on us." As he spoke there came a long crackle of musketry, and bullets seemed to hop like hailstones on the stones in front of them. "The gendarmes have joined them!" cried the Professor, and struck his forehead. "I am in the padded cell," said Bull solidly. There was a long silence, and then Ratcliffe said, looking out over the swollen sea, all a sort of grey purple "What does it matter who is mad or who is sane? We shall all be dead soon." Syme turned to him and said "You are quite hopeless, then?" Mr. Ratcliffe kept a stony silence; then at last he said quietly "No; oddly enough I am not quite hopeless. There is one insane little hope that I cannot get out of my mind. The power of this whole planet is against us, yet I cannot help wondering whether this one silly little hope is hopeless yet." "In what or whom is your hope?" asked Syme with curiosity. "In a man I never saw," said the other, looking at the leaden sea. "I know what you mean," said Syme in a low voice, "the man in the dark room. But Sunday must have killed him by now." "Perhaps," said the other steadily; "but if so, he was the only man whom Sunday found it hard to kill." "I heard what you said," said the Professor, with his back turned. "I also am holding hard on to the thing I never saw." All of a sudden Syme, who was standing as if blind with introspective thought, swung round and cried out, like a man waking from sleep "Where is the Colonel? I thought he was with us!" "The Colonel! Yes," cried Bull, "where on earth is the Colonel?" "He went to speak to Renard," said the Professor. "We cannot leave him among all those beasts," cried Syme. "Let us die like gentlemen if" "Do not pity the Colonel," said Ratcliffe, with a pale sneer. "He is extremely comfortable. He is"<\|quote\|>"No! no! no!"</\|quote\|>cried Syme in a kind of frenzy, "not the Colonel too! I will never believe it!" "Will you believe your eyes?" asked the other, and pointed to the beach. Many of their pursuers had waded into the water shaking their fists, but the sea was rough, and they could not reach the pier. Two or three figures, however, stood on the beginning of the stone footway, and seemed to be cautiously advancing down it. The glare of a chance lantern lit up the faces of the two foremost. One face wore a black half-mask, and under it the mouth was twisting about in such a madness of nerves that the black tuft of beard wriggled round and round like a restless, living thing. The other was the red face and white moustache of Colonel Ducroix. They were in earnest consultation. "Yes, he is gone too," said the Professor, and sat down on a stone. "Everything's gone. I'm gone! I can't trust my own bodily machinery. I feel as if my own hand might fly up and strike me." "When my hand flies up," said Syme, "it will strike somebody else," and he strode along the pier towards the Colonel, the sword in one hand and the lantern in the other. As if to destroy the last hope or doubt, the Colonel, who saw him coming, pointed his revolver at him and fired. The shot missed Syme, but struck his sword, breaking it short at the hilt. Syme rushed on, and swung the iron lantern above his head. "Judas before Herod!" he said, and struck the Colonel down upon the stones. Then he turned to the Secretary, whose frightful mouth was almost foaming now, and held the lamp high with so rigid and arresting a gesture, that the man was, as it were, frozen for a moment, and forced to hear. "Do you see this lantern?" cried Syme in a terrible voice. "Do you see the cross carved on it, and the flame inside? You did not make it. You did not light it. Better men than you, men who could believe and obey, twisted the entrails of iron and preserved the legend of fire. There is not a street you walk on, there is not a thread you wear, that was not made as this lantern was, by denying your philosophy of dirt and rats. You can make nothing. You can only destroy. You will destroy mankind; you will destroy the world. Let that suffice you. Yet this one old Christian lantern you shall not destroy. It shall go where your empire of apes will never have the wit to find it." He struck the Secretary once with the lantern so that he staggered; and then, whirling it twice round his head, sent it flying far out to sea, where it flared like a roaring rocket and fell. "Swords!" shouted Syme, turning his flaming face to the three behind him. "Let us charge these dogs, for our time has come to die." His three companions came after him sword in hand. Syme's sword was broken, but he rent a bludgeon from the fist of a fisherman, flinging him down. In a moment they would have flung themselves upon the face of the mob and perished, when an interruption came. The Secretary, ever since Syme's speech, had stood with his hand to his stricken head as if dazed; now he suddenly pulled off his black mask. The pale face thus peeled in the lamplight revealed not so much rage as astonishment. He put up his hand with an anxious authority. "There is some mistake," he said. "Mr. Syme, I hardly think you understand your position. I arrest you in the name of the law." "Of the law?" said Syme, and dropped his stick. "Certainly!" said the Secretary. "I am a detective from Scotland Yard," and he took a small blue card from his pocket. "And what do you suppose we are?" asked the Professor, and threw up his arms. "You," said the Secretary stiffly, "are, as I know for a fact, members of the Supreme Anarchist Council. Disguised as one of you, I" Dr. Bull tossed his sword into the sea. "There never was any Supreme Anarchist Council," he said. "We were all a lot of silly policemen looking at each other. And all these nice people who have been peppering us with shot thought we were the dynamiters. I knew I couldn't be wrong about the mob," he said, beaming over the enormous multitude, which stretched away to the distance on both sides. "Vulgar people are never mad. I'm vulgar myself, and I know. I am now going on shore to stand a drink to everybody here." CHAPTER XIII. THE PURSUIT OF THE PRESIDENT Next morning five bewildered but hilarious	darkness the clash and jingle of a disciplined cavalry. "They are charging the mob!" cried Bull in ecstacy or alarm. "No," said Syme, "they are formed along the parade." "They have unslung their carbines," cried Bull dancing with excitement. "Yes," said Ratcliffe, "and they are going to fire on us." As he spoke there came a long crackle of musketry, and bullets seemed to hop like hailstones on the stones in front of them. "The gendarmes have joined them!" cried the Professor, and struck his forehead. "I am in the padded cell," said Bull solidly. There was a long silence, and then Ratcliffe said, looking out over the swollen sea, all a sort of grey purple "What does it matter who is mad or who is sane? We shall all be dead soon." Syme turned to him and said "You are quite hopeless, then?" Mr. Ratcliffe kept a stony silence; then at last he said quietly "No; oddly enough I am not quite hopeless. There is one insane little hope that I cannot get out of my mind. The power of this whole planet is against us, yet I cannot help wondering whether this one silly little hope is hopeless yet." "In what or whom is your hope?" asked Syme with curiosity. "In a man I never saw," said the other, looking at the leaden sea. "I know what you mean," said Syme in a low voice, "the man in the dark room. But Sunday must have killed him by now." "Perhaps," said the other steadily; "but if so, he was the only man whom Sunday found it hard to kill." "I heard what you said," said the Professor, with his back turned. "I also am holding hard on to the thing I never saw." All of a sudden Syme, who was standing as if blind with introspective thought, swung round and cried out, like a man waking from sleep "Where is the Colonel? I thought he was with us!" "The Colonel! Yes," cried Bull, "where on earth is the Colonel?" "He went to speak to Renard," said the Professor. "We cannot leave him among all those beasts," cried Syme. "Let us die like gentlemen if" "Do not pity the Colonel," said Ratcliffe, with a pale sneer. "He is extremely comfortable. He is"<\|quote\|>"No! no! no!"</\|quote\|>cried Syme in a kind of frenzy, "not the Colonel too! I will never believe it!" "Will you believe your eyes?" asked the other, and pointed to the beach. Many of their pursuers had waded into the water shaking their fists, but the sea was rough, and they could not reach the pier. Two or three figures, however, stood on the beginning of the stone footway, and seemed to be cautiously advancing down it. The glare of a chance lantern lit up the faces of the two foremost. One face wore a black half-mask, and under it the mouth was twisting about in such a madness of nerves that the black tuft of beard wriggled round and round like a restless, living thing. The other was the red face and white moustache of Colonel Ducroix. They were in earnest consultation. "Yes, he is gone too," said the Professor, and sat down on a stone. "Everything's gone. I'm gone! I can't trust my own bodily machinery. I feel as if my own hand might fly up and strike me." "When my hand flies up," said Syme, "it will strike somebody else," and he strode along the pier towards the Colonel, the sword in one hand and the lantern in the other. As if to destroy the last hope or doubt, the Colonel, who saw him coming, pointed his revolver at him and fired. The shot missed Syme, but struck his sword, breaking it short at the hilt. Syme rushed on, and swung the iron lantern above his head. "Judas before Herod!" he said, and struck the Colonel down upon the stones. Then he turned to the Secretary, whose frightful mouth was almost foaming now, and held the lamp high with so rigid and arresting a gesture, that the man was, as it were, frozen for a moment, and forced to hear. "Do you see this lantern?" cried Syme in a terrible voice. "Do you see the cross carved on it, and the flame inside? You did not make it. You did not light it. Better men than you, men who could believe and obey, twisted the entrails of iron and preserved the legend of fire. There is not a street you walk on, there is not a thread you wear, that was not made as this lantern was, by denying your philosophy of dirt and rats. You can make nothing. You can only destroy. You will destroy mankind; you will destroy the world. Let that suffice you. Yet this one old Christian lantern you shall not destroy.	The Man Who Was Thursday
"at my father s open grave."	The Invisible Man	to ashes, dust to dust,<\|quote\|>"at my father s open grave."</\|quote\|>You also, "said a voice,	mumbling" Earth to earth, ashes to ashes, dust to dust,<\|quote\|>"at my father s open grave."</\|quote\|>You also, "said a voice, and suddenly I was being	marvelling, and the wrinkled old woman s gnarled face as she asked for her cat. I experienced again the strange sensation of seeing the cloth disappear, and so I came round to the windy hillside and the sniffing old clergyman mumbling" Earth to earth, ashes to ashes, dust to dust,<\|quote\|>"at my father s open grave."</\|quote\|>You also, "said a voice, and suddenly I was being forced towards the grave. I struggled, shouted, appealed to the mourners, but they continued stonily following the service; the old clergyman, too, never faltered droning and sniffing through the ritual. I realised I was invisible and inaudible, that overwhelming forces	the money I had taken, spectacles and so forth, and so complete my disguise. I lapsed into disorderly dreams of all the fantastic things that had happened during the last few days. I saw the ugly little Jew of a landlord vociferating in his rooms; I saw his two sons marvelling, and the wrinkled old woman s gnarled face as she asked for her cat. I experienced again the strange sensation of seeing the cloth disappear, and so I came round to the windy hillside and the sniffing old clergyman mumbling" Earth to earth, ashes to ashes, dust to dust,<\|quote\|>"at my father s open grave."</\|quote\|>You also, "said a voice, and suddenly I was being forced towards the grave. I struggled, shouted, appealed to the mourners, but they continued stonily following the service; the old clergyman, too, never faltered droning and sniffing through the ritual. I realised I was invisible and inaudible, that overwhelming forces had their grip on me. I struggled in vain, I was forced over the brink, the coffin rang hollow as I fell upon it, and the gravel came flying after me in spadefuls. Nobody heeded me, nobody was aware of me. I made convulsive struggles and awoke." "The pale London	had been a difficulty indeed I had thought of paint. But the discovery set my mind running on wigs and masks and the like. Finally I went to sleep in a heap of down quilts, very warm and comfortable." "My last thoughts before sleeping were the most agreeable I had had since the change. I was in a state of physical serenity, and that was reflected in my mind. I thought that I should be able to slip out unobserved in the morning with my clothes upon me, muffling my face with a white wrapper I had taken, purchase, with the money I had taken, spectacles and so forth, and so complete my disguise. I lapsed into disorderly dreams of all the fantastic things that had happened during the last few days. I saw the ugly little Jew of a landlord vociferating in his rooms; I saw his two sons marvelling, and the wrinkled old woman s gnarled face as she asked for her cat. I experienced again the strange sensation of seeing the cloth disappear, and so I came round to the windy hillside and the sniffing old clergyman mumbling" Earth to earth, ashes to ashes, dust to dust,<\|quote\|>"at my father s open grave."</\|quote\|>You also, "said a voice, and suddenly I was being forced towards the grave. I struggled, shouted, appealed to the mourners, but they continued stonily following the service; the old clergyman, too, never faltered droning and sniffing through the ritual. I realised I was invisible and inaudible, that overwhelming forces had their grip on me. I struggled in vain, I was forced over the brink, the coffin rang hollow as I fell upon it, and the gravel came flying after me in spadefuls. Nobody heeded me, nobody was aware of me. I made convulsive struggles and awoke." "The pale London dawn had come, the place was full of a chilly grey light that filtered round the edges of the window blinds. I sat up, and for a time I could not think where this ample apartment, with its counters, its piles of rolled stuff, its heap of quilts and cushions, its iron pillars, might be. Then, as recollection came back to me, I heard voices in conversation." "Then far down the place, in the brighter light of some department which had already raised its blinds, I saw two men approaching. I scrambled to my feet, looking about me for some	to tear down wrappings and ransack a number of boxes and drawers, but at last I managed to turn out what I sought; the box label called them lambswool pants, and lambswool vests. Then socks, a thick comforter, and then I went to the clothing place and got trousers, a lounge jacket, an overcoat and a slouch hat a clerical sort of hat with the brim turned down. I began to feel a human being again, and my next thought was food." "Upstairs was a refreshment department, and there I got cold meat. There was coffee still in the urn, and I lit the gas and warmed it up again, and altogether I did not do badly. Afterwards, prowling through the place in search of blankets I had to put up at last with a heap of down quilts I came upon a grocery section with a lot of chocolate and candied fruits, more than was good for me indeed and some white burgundy. And near that was a toy department, and I had a brilliant idea. I found some artificial noses dummy noses, you know, and I thought of dark spectacles. But Omniums had no optical department. My nose had been a difficulty indeed I had thought of paint. But the discovery set my mind running on wigs and masks and the like. Finally I went to sleep in a heap of down quilts, very warm and comfortable." "My last thoughts before sleeping were the most agreeable I had had since the change. I was in a state of physical serenity, and that was reflected in my mind. I thought that I should be able to slip out unobserved in the morning with my clothes upon me, muffling my face with a white wrapper I had taken, purchase, with the money I had taken, spectacles and so forth, and so complete my disguise. I lapsed into disorderly dreams of all the fantastic things that had happened during the last few days. I saw the ugly little Jew of a landlord vociferating in his rooms; I saw his two sons marvelling, and the wrinkled old woman s gnarled face as she asked for her cat. I experienced again the strange sensation of seeing the cloth disappear, and so I came round to the windy hillside and the sniffing old clergyman mumbling" Earth to earth, ashes to ashes, dust to dust,<\|quote\|>"at my father s open grave."</\|quote\|>You also, "said a voice, and suddenly I was being forced towards the grave. I struggled, shouted, appealed to the mourners, but they continued stonily following the service; the old clergyman, too, never faltered droning and sniffing through the ritual. I realised I was invisible and inaudible, that overwhelming forces had their grip on me. I struggled in vain, I was forced over the brink, the coffin rang hollow as I fell upon it, and the gravel came flying after me in spadefuls. Nobody heeded me, nobody was aware of me. I made convulsive struggles and awoke." "The pale London dawn had come, the place was full of a chilly grey light that filtered round the edges of the window blinds. I sat up, and for a time I could not think where this ample apartment, with its counters, its piles of rolled stuff, its heap of quilts and cushions, its iron pillars, might be. Then, as recollection came back to me, I heard voices in conversation." "Then far down the place, in the brighter light of some department which had already raised its blinds, I saw two men approaching. I scrambled to my feet, looking about me for some way of escape, and even as I did so the sound of my movement made them aware of me. I suppose they saw merely a figure moving quietly and quickly away." Who s that? "cried one, and" Stop there! "shouted the other. I dashed around a corner and came full tilt a faceless figure, mind you! on a lanky lad of fifteen. He yelled and I bowled him over, rushed past him, turned another corner, and by a happy inspiration threw myself behind a counter. In another moment feet went running past and I heard voices shouting, All hands to the doors! asking what was up, and giving one another advice how to catch me." "Lying on the ground, I felt scared out of my wits. But odd as it may seem it did not occur to me at the moment to take off my clothes as I should have done. I had made up my mind, I suppose, to get away in them, and that ruled me. And then down the vista of the counters came a bawling of" Here he is! "I sprang to my feet, whipped a chair off the counter, and sent it whirling at the	somewhere and elaborate plans for the complete realisation of the advantages my invisibility gave me (as I still imagined) over my fellow-men." "Closing time arrived quickly enough. It could not have been more than an hour after I took up my position on the mattresses before I noticed the blinds of the windows being drawn, and customers being marched doorward. And then a number of brisk young men began with remarkable alacrity to tidy up the goods that remained disturbed. I left my lair as the crowds diminished, and prowled cautiously out into the less desolate parts of the shop. I was really surprised to observe how rapidly the young men and women whipped away the goods displayed for sale during the day. All the boxes of goods, the hanging fabrics, the festoons of lace, the boxes of sweets in the grocery section, the displays of this and that, were being whipped down, folded up, slapped into tidy receptacles, and everything that could not be taken down and put away had sheets of some coarse stuff like sacking flung over them. Finally all the chairs were turned up on to the counters, leaving the floor clear. Directly each of these young people had done, he or she made promptly for the door with such an expression of animation as I have rarely observed in a shop assistant before. Then came a lot of youngsters scattering sawdust and carrying pails and brooms. I had to dodge to get out of the way, and as it was, my ankle got stung with the sawdust. For some time, wandering through the swathed and darkened departments, I could hear the brooms at work. And at last a good hour or more after the shop had been closed, came a noise of locking doors. Silence came upon the place, and I found myself wandering through the vast and intricate shops, galleries, show-rooms of the place, alone. It was very still; in one place I remember passing near one of the Tottenham Court Road entrances and listening to the tapping of boot-heels of the passers-by." "My first visit was to the place where I had seen stockings and gloves for sale. It was dark, and I had the devil of a hunt after matches, which I found at last in the drawer of the little cash desk. Then I had to get a candle. I had to tear down wrappings and ransack a number of boxes and drawers, but at last I managed to turn out what I sought; the box label called them lambswool pants, and lambswool vests. Then socks, a thick comforter, and then I went to the clothing place and got trousers, a lounge jacket, an overcoat and a slouch hat a clerical sort of hat with the brim turned down. I began to feel a human being again, and my next thought was food." "Upstairs was a refreshment department, and there I got cold meat. There was coffee still in the urn, and I lit the gas and warmed it up again, and altogether I did not do badly. Afterwards, prowling through the place in search of blankets I had to put up at last with a heap of down quilts I came upon a grocery section with a lot of chocolate and candied fruits, more than was good for me indeed and some white burgundy. And near that was a toy department, and I had a brilliant idea. I found some artificial noses dummy noses, you know, and I thought of dark spectacles. But Omniums had no optical department. My nose had been a difficulty indeed I had thought of paint. But the discovery set my mind running on wigs and masks and the like. Finally I went to sleep in a heap of down quilts, very warm and comfortable." "My last thoughts before sleeping were the most agreeable I had had since the change. I was in a state of physical serenity, and that was reflected in my mind. I thought that I should be able to slip out unobserved in the morning with my clothes upon me, muffling my face with a white wrapper I had taken, purchase, with the money I had taken, spectacles and so forth, and so complete my disguise. I lapsed into disorderly dreams of all the fantastic things that had happened during the last few days. I saw the ugly little Jew of a landlord vociferating in his rooms; I saw his two sons marvelling, and the wrinkled old woman s gnarled face as she asked for her cat. I experienced again the strange sensation of seeing the cloth disappear, and so I came round to the windy hillside and the sniffing old clergyman mumbling" Earth to earth, ashes to ashes, dust to dust,<\|quote\|>"at my father s open grave."</\|quote\|>You also, "said a voice, and suddenly I was being forced towards the grave. I struggled, shouted, appealed to the mourners, but they continued stonily following the service; the old clergyman, too, never faltered droning and sniffing through the ritual. I realised I was invisible and inaudible, that overwhelming forces had their grip on me. I struggled in vain, I was forced over the brink, the coffin rang hollow as I fell upon it, and the gravel came flying after me in spadefuls. Nobody heeded me, nobody was aware of me. I made convulsive struggles and awoke." "The pale London dawn had come, the place was full of a chilly grey light that filtered round the edges of the window blinds. I sat up, and for a time I could not think where this ample apartment, with its counters, its piles of rolled stuff, its heap of quilts and cushions, its iron pillars, might be. Then, as recollection came back to me, I heard voices in conversation." "Then far down the place, in the brighter light of some department which had already raised its blinds, I saw two men approaching. I scrambled to my feet, looking about me for some way of escape, and even as I did so the sound of my movement made them aware of me. I suppose they saw merely a figure moving quietly and quickly away." Who s that? "cried one, and" Stop there! "shouted the other. I dashed around a corner and came full tilt a faceless figure, mind you! on a lanky lad of fifteen. He yelled and I bowled him over, rushed past him, turned another corner, and by a happy inspiration threw myself behind a counter. In another moment feet went running past and I heard voices shouting, All hands to the doors! asking what was up, and giving one another advice how to catch me." "Lying on the ground, I felt scared out of my wits. But odd as it may seem it did not occur to me at the moment to take off my clothes as I should have done. I had made up my mind, I suppose, to get away in them, and that ruled me. And then down the vista of the counters came a bawling of" Here he is! "I sprang to my feet, whipped a chair off the counter, and sent it whirling at the fool who had shouted, turned, came into another round a corner, sent him spinning, and rushed up the stairs. He kept his footing, gave a view hallo, and came up the staircase hot after me. Up the staircase were piled a multitude of those bright-coloured pot things what are they?" "Art pots," suggested Kemp. "That s it! Art pots. Well, I turned at the top step and swung round, plucked one out of a pile and smashed it on his silly head as he came at me. The whole pile of pots went headlong, and I heard shouting and footsteps running from all parts. I made a mad rush for the refreshment place, and there was a man in white like a man cook, who took up the chase. I made one last desperate turn and found myself among lamps and ironmongery. I went behind the counter of this, and waited for my cook, and as he bolted in at the head of the chase, I doubled him up with a lamp. Down he went, and I crouched down behind the counter and began whipping off my clothes as fast as I could. Coat, jacket, trousers, shoes were all right, but a lambswool vest fits a man like a skin. I heard more men coming, my cook was lying quiet on the other side of the counter, stunned or scared speechless, and I had to make another dash for it, like a rabbit hunted out of a wood-pile." This way, policeman! "I heard someone shouting. I found myself in my bedstead storeroom again, and at the end of a wilderness of wardrobes. I rushed among them, went flat, got rid of my vest after infinite wriggling, and stood a free man again, panting and scared, as the policeman and three of the shopmen came round the corner. They made a rush for the vest and pants, and collared the trousers." He s dropping his plunder, "said one of the young men." He _must_ be somewhere here. "But they did not find me all the same." "I stood watching them hunt for me for a time, and cursing my ill-luck in losing the clothes. Then I went into the refreshment-room, drank a little milk I found there, and sat down by the fire to consider my position." "In a little while two assistants came in and began to talk over the	get out of the way, and as it was, my ankle got stung with the sawdust. For some time, wandering through the swathed and darkened departments, I could hear the brooms at work. And at last a good hour or more after the shop had been closed, came a noise of locking doors. Silence came upon the place, and I found myself wandering through the vast and intricate shops, galleries, show-rooms of the place, alone. It was very still; in one place I remember passing near one of the Tottenham Court Road entrances and listening to the tapping of boot-heels of the passers-by." "My first visit was to the place where I had seen stockings and gloves for sale. It was dark, and I had the devil of a hunt after matches, which I found at last in the drawer of the little cash desk. Then I had to get a candle. I had to tear down wrappings and ransack a number of boxes and drawers, but at last I managed to turn out what I sought; the box label called them lambswool pants, and lambswool vests. Then socks, a thick comforter, and then I went to the clothing place and got trousers, a lounge jacket, an overcoat and a slouch hat a clerical sort of hat with the brim turned down. I began to feel a human being again, and my next thought was food." "Upstairs was a refreshment department, and there I got cold meat. There was coffee still in the urn, and I lit the gas and warmed it up again, and altogether I did not do badly. Afterwards, prowling through the place in search of blankets I had to put up at last with a heap of down quilts I came upon a grocery section with a lot of chocolate and candied fruits, more than was good for me indeed and some white burgundy. And near that was a toy department, and I had a brilliant idea. I found some artificial noses dummy noses, you know, and I thought of dark spectacles. But Omniums had no optical department. My nose had been a difficulty indeed I had thought of paint. But the discovery set my mind running on wigs and masks and the like. Finally I went to sleep in a heap of down quilts, very warm and comfortable." "My last thoughts before sleeping were the most agreeable I had had since the change. I was in a state of physical serenity, and that was reflected in my mind. I thought that I should be able to slip out unobserved in the morning with my clothes upon me, muffling my face with a white wrapper I had taken, purchase, with the money I had taken, spectacles and so forth, and so complete my disguise. I lapsed into disorderly dreams of all the fantastic things that had happened during the last few days. I saw the ugly little Jew of a landlord vociferating in his rooms; I saw his two sons marvelling, and the wrinkled old woman s gnarled face as she asked for her cat. I experienced again the strange sensation of seeing the cloth disappear, and so I came round to the windy hillside and the sniffing old clergyman mumbling" Earth to earth, ashes to ashes, dust to dust,<\|quote\|>"at my father s open grave."</\|quote\|>You also, "said a voice, and suddenly I was being forced towards the grave. I struggled, shouted, appealed to the mourners, but they continued stonily following the service; the old clergyman, too, never faltered droning and sniffing through the ritual. I realised I was invisible and inaudible, that overwhelming forces had their grip on me. I struggled in vain, I was forced over the brink, the coffin rang hollow as I fell upon it, and the gravel came flying after me in spadefuls. Nobody heeded me, nobody was aware of me. I made convulsive struggles and awoke." "The pale London dawn had come, the place was full of a chilly grey light that filtered round the edges of the window blinds. I sat up, and for a time I could not think where this ample apartment, with its counters, its piles of rolled stuff, its heap of quilts and cushions, its iron pillars, might be. Then, as recollection came back to me, I heard voices in conversation." "Then far down the place, in the brighter light of some department which had already raised its blinds, I saw two men approaching. I scrambled to my feet, looking about me for some way of escape, and even as I did so the sound of my movement made them aware of me. I suppose they saw merely a figure moving quietly and quickly away." Who s that? "cried one, and" Stop there! "shouted the other. I dashed around a corner and came full tilt a faceless figure, mind you! on a lanky lad of fifteen. He yelled and I bowled him over, rushed past him, turned another corner, and by a happy inspiration threw myself behind a counter. In another moment feet went running past and I heard voices shouting, All hands to the doors! asking what was up, and giving one another advice how to catch me." "Lying on the	The Invisible Man
Tom held out his arms.	No speaker	as careful as all that?"<\|quote\|>Tom held out his arms.</\|quote\|>"That child is a wonderful	the cutter. Will you be as careful as all that?"<\|quote\|>Tom held out his arms.</\|quote\|>"That child is a wonderful nursemaid," remarked Margaret. "He is	stand; he is not to lie on his face; he is not to lie so that his head wags; he is not to be teased or tickled; and he is not to be cut into two or more pieces by the cutter. Will you be as careful as all that?"<\|quote\|>Tom held out his arms.</\|quote\|>"That child is a wonderful nursemaid," remarked Margaret. "He is fond of baby. That s why he does it!" was Helen s answer. "They re going to be lifelong friends." "Starting at the ages of six and one?" "Of course. It will be a great thing for Tom." "It may	baby may, Meg?" Margaret put down her work and regarded them absently. "What was that?" she asked. "Tom wants to know whether baby is old enough to play with hay?" "I haven t the least notion," answered Margaret, and took up her work again. "Now, Tom, baby is not to stand; he is not to lie on his face; he is not to lie so that his head wags; he is not to be teased or tickled; and he is not to be cut into two or more pieces by the cutter. Will you be as careful as all that?"<\|quote\|>Tom held out his arms.</\|quote\|>"That child is a wonderful nursemaid," remarked Margaret. "He is fond of baby. That s why he does it!" was Helen s answer. "They re going to be lifelong friends." "Starting at the ages of six and one?" "Of course. It will be a great thing for Tom." "It may be a greater thing for baby." Fourteen months had passed, but Margaret still stopped at Howards End. No better plan had occurred to her. The meadow was being recut, the great red poppies were reopening in the garden. July would follow with the little red poppies among the wheat, August	the law, notwithstanding, sentenced him to three years imprisonment. Then Henry s fortress gave way. He could bear no one but his wife; he shambled up to Margaret afterwards and asked her to do what she could with him. She did what seemed easiest--she took him down to recruit at Howards End. CHAPTER XLIV Tom s father was cutting the big meadow. He passed again and again amid whirring blades and sweet odours of grass, encompassing with narrowing circles the sacred centre of the field. Tom was negotiating with Helen. "I haven t any idea," she replied. "Do you suppose baby may, Meg?" Margaret put down her work and regarded them absently. "What was that?" she asked. "Tom wants to know whether baby is old enough to play with hay?" "I haven t the least notion," answered Margaret, and took up her work again. "Now, Tom, baby is not to stand; he is not to lie on his face; he is not to lie so that his head wags; he is not to be teased or tickled; and he is not to be cut into two or more pieces by the cutter. Will you be as careful as all that?"<\|quote\|>Tom held out his arms.</\|quote\|>"That child is a wonderful nursemaid," remarked Margaret. "He is fond of baby. That s why he does it!" was Helen s answer. "They re going to be lifelong friends." "Starting at the ages of six and one?" "Of course. It will be a great thing for Tom." "It may be a greater thing for baby." Fourteen months had passed, but Margaret still stopped at Howards End. No better plan had occurred to her. The meadow was being recut, the great red poppies were reopening in the garden. July would follow with the little red poppies among the wheat, August with the cutting of the wheat. These little events would become part of her year after year. Every summer she would fear lest the well should give out, every winter lest the pipes should freeze; every westerly gale might blow the wych-elm down and bring the end of all things, and so she could not read or talk during a westerly gale. The air was tranquil now. She and her sister were sitting on the remains of Evie s rockery, where the lawn merged into the field. "What a time they all are!" said Helen. "What can they be doing	superficial gentleness, this confession of hastiness, that was only intended to enhance her admiration of the male. "I don t want to hear it," she replied. "My sister is going to be ill. My life is going to be with her now. We must manage to build up something, she and I and her child." "Where are you going?" "Munich. We start after the inquest, if she is not too ill." "After the inquest?" "Yes." "Have you realised what the verdict at the inquest will be?" "Yes, heart disease." "No, my dear; manslaughter." Margaret drove her fingers through the grass. The hill beneath her moved as if it were alive. "Manslaughter," repeated Mr. Wilcox. "Charles may go to prison. I dare not tell him. I don t know what to do--what to do. I m broken--I m ended." No sudden warmth arose in her. She did not see that to break him was her only hope. She did not enfold the sufferer in her arms. But all through that day and the next a new life began to move. The verdict was brought in. Charles was committed for trial. It was against all reason that he should be punished, but the law, notwithstanding, sentenced him to three years imprisonment. Then Henry s fortress gave way. He could bear no one but his wife; he shambled up to Margaret afterwards and asked her to do what she could with him. She did what seemed easiest--she took him down to recruit at Howards End. CHAPTER XLIV Tom s father was cutting the big meadow. He passed again and again amid whirring blades and sweet odours of grass, encompassing with narrowing circles the sacred centre of the field. Tom was negotiating with Helen. "I haven t any idea," she replied. "Do you suppose baby may, Meg?" Margaret put down her work and regarded them absently. "What was that?" she asked. "Tom wants to know whether baby is old enough to play with hay?" "I haven t the least notion," answered Margaret, and took up her work again. "Now, Tom, baby is not to stand; he is not to lie on his face; he is not to lie so that his head wags; he is not to be teased or tickled; and he is not to be cut into two or more pieces by the cutter. Will you be as careful as all that?"<\|quote\|>Tom held out his arms.</\|quote\|>"That child is a wonderful nursemaid," remarked Margaret. "He is fond of baby. That s why he does it!" was Helen s answer. "They re going to be lifelong friends." "Starting at the ages of six and one?" "Of course. It will be a great thing for Tom." "It may be a greater thing for baby." Fourteen months had passed, but Margaret still stopped at Howards End. No better plan had occurred to her. The meadow was being recut, the great red poppies were reopening in the garden. July would follow with the little red poppies among the wheat, August with the cutting of the wheat. These little events would become part of her year after year. Every summer she would fear lest the well should give out, every winter lest the pipes should freeze; every westerly gale might blow the wych-elm down and bring the end of all things, and so she could not read or talk during a westerly gale. The air was tranquil now. She and her sister were sitting on the remains of Evie s rockery, where the lawn merged into the field. "What a time they all are!" said Helen. "What can they be doing inside?" Margaret, who was growing less talkative, made no answer. The noise of the cutter came intermittently, like the breaking of waves. Close by them a man was preparing to scythe out one of the dell-holes. "I wish Henry was out to enjoy this," said Helen. "This lovely weather and to be shut up in the house! It s very hard." "It has to be," said Margaret. "The hay fever is his chief objection against living here, but he thinks it worth while." "Meg, is or isn t he ill? I can t make out." "Not ill. Eternally tired. He has worked very hard all his life, and noticed nothing. Those are the people who collapse when they do notice a thing." "I suppose he worries dreadfully about his part of the tangle." "Dreadfully. That is why I wish Dolly had not come, too, to-day. Still, he wanted them all to come. It has to be." "Why does he want them?" Margaret did not answer. "Meg, may I tell you something? I like Henry." "You d be odd if you didn t," said Margaret. "I usen t to." "Usen t!" She lowered her eyes a moment to the black abyss	Yet, would they meet again? Are there not rather endless levels beyond the grave, as the theory that he had censured teaches? And his level, whether higher or lower, could it possibly be the same as hers? Thus gravely meditating, she was summoned by him. He sent up Crane in the motor. Other servants passed like water, but the chauffeur remained, though impertinent and disloyal. Margaret disliked Crane, and he knew it. "Is it the keys that Mr. Wilcox wants?" she asked. "He didn t say, madam." "You haven t any note for me?" "He didn t say, madam." After a moment s thought she locked up Howards End. It was pitiable to see in it the stirrings of warmth that would be quenched for ever. She raked out the fire that was blazing in the kitchen, and spread the coals in the gravelled yard. She closed the windows and drew the curtains. Henry would probably sell the place now. She was determined not to spare him, for nothing new had happened as far as they were concerned. Her mood might never have altered from yesterday evening. He was standing a little outside Charles s gate, and motioned the car to stop. When his wife got out he said hoarsely: "I prefer to discuss things with you outside." "It will be more appropriate in the road, I am afraid," said Margaret. "Did you get my message?" "What about?" "I am going to Germany with my sister. I must tell you now that I shall make it my permanent home. Our talk last night was more important than you have realised. I am unable to forgive you and am leaving you." "I am extremely tired," said Henry, in injured tones. "I have been walking about all the morning, and wish to sit down." "Certainly, if you will consent to sit on the grass." The Great North Road should have been bordered all its length with glebe. Henry s kind had filched most of it. She moved to the scrap opposite, wherein were the Six Hills. They sat down on the farther side, so that they could not be seen by Charles or Dolly. "Here are your keys," said Margaret. She tossed them towards him. They fell on the sunlit slope of grass, and he did not pick them up. "I have something to tell you," he said gently. She knew this superficial gentleness, this confession of hastiness, that was only intended to enhance her admiration of the male. "I don t want to hear it," she replied. "My sister is going to be ill. My life is going to be with her now. We must manage to build up something, she and I and her child." "Where are you going?" "Munich. We start after the inquest, if she is not too ill." "After the inquest?" "Yes." "Have you realised what the verdict at the inquest will be?" "Yes, heart disease." "No, my dear; manslaughter." Margaret drove her fingers through the grass. The hill beneath her moved as if it were alive. "Manslaughter," repeated Mr. Wilcox. "Charles may go to prison. I dare not tell him. I don t know what to do--what to do. I m broken--I m ended." No sudden warmth arose in her. She did not see that to break him was her only hope. She did not enfold the sufferer in her arms. But all through that day and the next a new life began to move. The verdict was brought in. Charles was committed for trial. It was against all reason that he should be punished, but the law, notwithstanding, sentenced him to three years imprisonment. Then Henry s fortress gave way. He could bear no one but his wife; he shambled up to Margaret afterwards and asked her to do what she could with him. She did what seemed easiest--she took him down to recruit at Howards End. CHAPTER XLIV Tom s father was cutting the big meadow. He passed again and again amid whirring blades and sweet odours of grass, encompassing with narrowing circles the sacred centre of the field. Tom was negotiating with Helen. "I haven t any idea," she replied. "Do you suppose baby may, Meg?" Margaret put down her work and regarded them absently. "What was that?" she asked. "Tom wants to know whether baby is old enough to play with hay?" "I haven t the least notion," answered Margaret, and took up her work again. "Now, Tom, baby is not to stand; he is not to lie on his face; he is not to lie so that his head wags; he is not to be teased or tickled; and he is not to be cut into two or more pieces by the cutter. Will you be as careful as all that?"<\|quote\|>Tom held out his arms.</\|quote\|>"That child is a wonderful nursemaid," remarked Margaret. "He is fond of baby. That s why he does it!" was Helen s answer. "They re going to be lifelong friends." "Starting at the ages of six and one?" "Of course. It will be a great thing for Tom." "It may be a greater thing for baby." Fourteen months had passed, but Margaret still stopped at Howards End. No better plan had occurred to her. The meadow was being recut, the great red poppies were reopening in the garden. July would follow with the little red poppies among the wheat, August with the cutting of the wheat. These little events would become part of her year after year. Every summer she would fear lest the well should give out, every winter lest the pipes should freeze; every westerly gale might blow the wych-elm down and bring the end of all things, and so she could not read or talk during a westerly gale. The air was tranquil now. She and her sister were sitting on the remains of Evie s rockery, where the lawn merged into the field. "What a time they all are!" said Helen. "What can they be doing inside?" Margaret, who was growing less talkative, made no answer. The noise of the cutter came intermittently, like the breaking of waves. Close by them a man was preparing to scythe out one of the dell-holes. "I wish Henry was out to enjoy this," said Helen. "This lovely weather and to be shut up in the house! It s very hard." "It has to be," said Margaret. "The hay fever is his chief objection against living here, but he thinks it worth while." "Meg, is or isn t he ill? I can t make out." "Not ill. Eternally tired. He has worked very hard all his life, and noticed nothing. Those are the people who collapse when they do notice a thing." "I suppose he worries dreadfully about his part of the tangle." "Dreadfully. That is why I wish Dolly had not come, too, to-day. Still, he wanted them all to come. It has to be." "Why does he want them?" Margaret did not answer. "Meg, may I tell you something? I like Henry." "You d be odd if you didn t," said Margaret. "I usen t to." "Usen t!" She lowered her eyes a moment to the black abyss of the past. They had crossed it, always excepting Leonard and Charles. They were building up a new life, obscure, yet gilded with tranquillity. Leonard was dead; Charles had two years more in prison. One usen t always to see clearly before that time. It was different now. "I like Henry because he does worry." "And he likes you because you don t." Helen sighed. She seemed humiliated, and buried her face in her hands. After a time she said: "About love," a transition less abrupt than it appeared. Margaret never stopped working. "I mean a woman s love for a man. I supposed I should hang my life on to that once, and was driven up and down and about as if something was worrying through me. But everything is peaceful now; I seem cured. That Herr Forstmeister, whom Frieda keeps writing about, must be a noble character, but he doesn t see that I shall never marry him or anyone. It isn t shame or mistrust of myself. I simply couldn t. I m ended. I used to be so dreamy about a man s love as a girl, and think that for good or evil love must be the great thing. But it hasn t been; it has been itself a dream. Do you agree?" "I do not agree. I do not." "I ought to remember Leonard as my lover," said Helen, stepping down into the field. "I tempted him, and killed him, and it is surely the least I can do. I would like to throw out all my heart to Leonard on such an afternoon as this. But I cannot. It is no good pretending. I am forgetting him." Her eyes filled with tears. "How nothing seems to match--how, my darling, my precious--" She broke off. "Tommy!" "Yes, please?" "Baby s not to try and stand.--There s something wanting in me. I see you loving Henry, and understanding him better daily, and I know that death wouldn t part you in the least. But I--Is it some awful, appalling, criminal defect?" Margaret silenced her. She said: "It is only that people are far more different than is pretended. All over the world men and women are worrying because they cannot develop as they are supposed to develop. Here and there they have the matter out, and it comforts them. Don t fret yourself, Helen. Develop	ended." No sudden warmth arose in her. She did not see that to break him was her only hope. She did not enfold the sufferer in her arms. But all through that day and the next a new life began to move. The verdict was brought in. Charles was committed for trial. It was against all reason that he should be punished, but the law, notwithstanding, sentenced him to three years imprisonment. Then Henry s fortress gave way. He could bear no one but his wife; he shambled up to Margaret afterwards and asked her to do what she could with him. She did what seemed easiest--she took him down to recruit at Howards End. CHAPTER XLIV Tom s father was cutting the big meadow. He passed again and again amid whirring blades and sweet odours of grass, encompassing with narrowing circles the sacred centre of the field. Tom was negotiating with Helen. "I haven t any idea," she replied. "Do you suppose baby may, Meg?" Margaret put down her work and regarded them absently. "What was that?" she asked. "Tom wants to know whether baby is old enough to play with hay?" "I haven t the least notion," answered Margaret, and took up her work again. "Now, Tom, baby is not to stand; he is not to lie on his face; he is not to lie so that his head wags; he is not to be teased or tickled; and he is not to be cut into two or more pieces by the cutter. Will you be as careful as all that?"<\|quote\|>Tom held out his arms.</\|quote\|>"That child is a wonderful nursemaid," remarked Margaret. "He is fond of baby. That s why he does it!" was Helen s answer. "They re going to be lifelong friends." "Starting at the ages of six and one?" "Of course. It will be a great thing for Tom." "It may be a greater thing for baby." Fourteen months had passed, but Margaret still stopped at Howards End. No better plan had occurred to her. The meadow was being recut, the great red poppies were reopening in the garden. July would follow with the little red poppies among the wheat, August with the cutting of the wheat. These little events would become part of her year after year. Every summer she would fear lest the well should give out, every winter lest the pipes should freeze; every westerly gale might blow the wych-elm down and bring the end of all things, and so she could not read or talk during a westerly gale. The air was tranquil now. She and her sister were sitting on the remains of Evie s rockery, where the lawn merged into the field. "What a time they all are!" said Helen. "What can they be doing inside?" Margaret, who was growing less talkative, made no answer. The noise of the cutter came intermittently, like the breaking of waves. Close by them a man was preparing to scythe out one of the dell-holes. "I wish Henry was out to enjoy this," said Helen. "This lovely weather and to be shut up in the house! It s very hard." "It has to be," said Margaret. "The hay fever is his chief objection against living here, but he thinks it worth while." "Meg, is or isn t he ill? I can t make out." "Not ill. Eternally tired. He has worked very hard all his life, and noticed nothing. Those are the people who collapse when they do notice a thing." "I suppose he worries dreadfully about his part of the tangle." "Dreadfully. That	Howards End
"Louisa, my dear, you are the subject of a proposal of marriage that has been made to me."	Thomas Gradgrind	she said never a word.<\|quote\|>"Louisa, my dear, you are the subject of a proposal of marriage that has been made to me."</\|quote\|>Again he waited, and again	that she said something. But she said never a word.<\|quote\|>"Louisa, my dear, you are the subject of a proposal of marriage that has been made to me."</\|quote\|>Again he waited, and again she answered not one word.	are accustomed to view everything from the strong dispassionate ground of reason and calculation. From that ground alone, I know you will view and consider what I am going to communicate." He waited, as if he would have been glad that she said something. But she said never a word.<\|quote\|>"Louisa, my dear, you are the subject of a proposal of marriage that has been made to me."</\|quote\|>Again he waited, and again she answered not one word. This so far surprised him, as to induce him gently to repeat, "a proposal of marriage, my dear." To which she returned, without any visible emotion whatever: "I hear you, father. I am attending, I assure you." "Well!" said Mr.	the conversation we are now going to have together. You have been so well trained, and you do, I am happy to say, so much justice to the education you have received, that I have perfect confidence in your good sense. You are not impulsive, you are not romantic, you are accustomed to view everything from the strong dispassionate ground of reason and calculation. From that ground alone, I know you will view and consider what I am going to communicate." He waited, as if he would have been glad that she said something. But she said never a word.<\|quote\|>"Louisa, my dear, you are the subject of a proposal of marriage that has been made to me."</\|quote\|>Again he waited, and again she answered not one word. This so far surprised him, as to induce him gently to repeat, "a proposal of marriage, my dear." To which she returned, without any visible emotion whatever: "I hear you, father. I am attending, I assure you." "Well!" said Mr. Gradgrind, breaking into a smile, after being for the moment at a loss, "you are even more dispassionate than I expected, Louisa. Or, perhaps, you are not unprepared for the announcement I have it in charge to make?" "I cannot say that, father, until I hear it. Prepared or unprepared,	their destinies on a slate, and wipe out all their tears with one dirty little bit of sponge. To this Observatory, then: a stern room, with a deadly statistical clock in it, which measured every second with a beat like a rap upon a coffin-lid; Louisa repaired on the appointed morning. A window looked towards Coketown; and when she sat down near her father's table, she saw the high chimneys and the long tracts of smoke looming in the heavy distance gloomily. "My dear Louisa," said her father, "I prepared you last night to give me your serious attention in the conversation we are now going to have together. You have been so well trained, and you do, I am happy to say, so much justice to the education you have received, that I have perfect confidence in your good sense. You are not impulsive, you are not romantic, you are accustomed to view everything from the strong dispassionate ground of reason and calculation. From that ground alone, I know you will view and consider what I am going to communicate." He waited, as if he would have been glad that she said something. But she said never a word.<\|quote\|>"Louisa, my dear, you are the subject of a proposal of marriage that has been made to me."</\|quote\|>Again he waited, and again she answered not one word. This so far surprised him, as to induce him gently to repeat, "a proposal of marriage, my dear." To which she returned, without any visible emotion whatever: "I hear you, father. I am attending, I assure you." "Well!" said Mr. Gradgrind, breaking into a smile, after being for the moment at a loss, "you are even more dispassionate than I expected, Louisa. Or, perhaps, you are not unprepared for the announcement I have it in charge to make?" "I cannot say that, father, until I hear it. Prepared or unprepared, I wish to hear it all from you. I wish to hear you state it to me, father." Strange to relate, Mr. Gradgrind was not so collected at this moment as his daughter was. He took a paper-knife in his hand, turned it over, laid it down, took it up again, and even then had to look along the blade of it, considering how to go on. "What you say, my dear Louisa, is perfectly reasonable. I have undertaken then to let you know that in short, that Mr. Bounderby has informed me that he has long watched your progress	if, first in her own fire within the house, and then in the fiery haze without, she tried to discover what kind of woof Old Time, that greatest and longest-established Spinner of all, would weave from the threads he had already spun into a woman. But his factory is a secret place, his work is noiseless, and his Hands are mutes. CHAPTER XV FATHER AND DAUGHTER ALTHOUGH Mr. Gradgrind did not take after Blue Beard, his room was quite a blue chamber in its abundance of blue books. Whatever they could prove (which is usually anything you like), they proved there, in an army constantly strengthening by the arrival of new recruits. In that charmed apartment, the most complicated social questions were cast up, got into exact totals, and finally settled if those concerned could only have been brought to know it. As if an astronomical observatory should be made without any windows, and the astronomer within should arrange the starry universe solely by pen, ink, and paper, so Mr. Gradgrind, in _his_ Observatory (and there are many like it), had no need to cast an eye upon the teeming myriads of human beings around him, but could settle all their destinies on a slate, and wipe out all their tears with one dirty little bit of sponge. To this Observatory, then: a stern room, with a deadly statistical clock in it, which measured every second with a beat like a rap upon a coffin-lid; Louisa repaired on the appointed morning. A window looked towards Coketown; and when she sat down near her father's table, she saw the high chimneys and the long tracts of smoke looming in the heavy distance gloomily. "My dear Louisa," said her father, "I prepared you last night to give me your serious attention in the conversation we are now going to have together. You have been so well trained, and you do, I am happy to say, so much justice to the education you have received, that I have perfect confidence in your good sense. You are not impulsive, you are not romantic, you are accustomed to view everything from the strong dispassionate ground of reason and calculation. From that ground alone, I know you will view and consider what I am going to communicate." He waited, as if he would have been glad that she said something. But she said never a word.<\|quote\|>"Louisa, my dear, you are the subject of a proposal of marriage that has been made to me."</\|quote\|>Again he waited, and again she answered not one word. This so far surprised him, as to induce him gently to repeat, "a proposal of marriage, my dear." To which she returned, without any visible emotion whatever: "I hear you, father. I am attending, I assure you." "Well!" said Mr. Gradgrind, breaking into a smile, after being for the moment at a loss, "you are even more dispassionate than I expected, Louisa. Or, perhaps, you are not unprepared for the announcement I have it in charge to make?" "I cannot say that, father, until I hear it. Prepared or unprepared, I wish to hear it all from you. I wish to hear you state it to me, father." Strange to relate, Mr. Gradgrind was not so collected at this moment as his daughter was. He took a paper-knife in his hand, turned it over, laid it down, took it up again, and even then had to look along the blade of it, considering how to go on. "What you say, my dear Louisa, is perfectly reasonable. I have undertaken then to let you know that in short, that Mr. Bounderby has informed me that he has long watched your progress with particular interest and pleasure, and has long hoped that the time might ultimately arrive when he should offer you his hand in marriage. That time, to which he has so long, and certainly with great constancy, looked forward, is now come. Mr. Bounderby has made his proposal of marriage to me, and has entreated me to make it known to you, and to express his hope that you will take it into your favourable consideration." Silence between them. The deadly statistical clock very hollow. The distant smoke very black and heavy. "Father," said Louisa, "do you think I love Mr. Bounderby?" Mr. Gradgrind was extremely discomfited by this unexpected question. "Well, my child," he returned, "I really cannot take upon myself to say." "Father," pursued Louisa in exactly the same voice as before, "do you ask me to love Mr. Bounderby?" "My dear Louisa, no. No. I ask nothing." "Father," she still pursued, "does Mr. Bounderby ask me to love him?" "Really, my dear," said Mr. Gradgrind, "it is difficult to answer your question" "Difficult to answer it, Yes or No, father?" "Certainly, my dear. Because;" here was something to demonstrate, and it set him up again; "because the	rather. But I touch him up with you when he comes it too strong, and so we preserve an understanding. I say! Has father said anything particular to you to-day or yesterday, Loo?" "No, Tom. But he told me to-night that he wished to do so in the morning." "Ah! That's what I mean," said Tom. "Do you know where he is to-night?" with a very deep expression. "No." "Then I'll tell you. He's with old Bounderby. They are having a regular confab together up at the Bank. Why at the Bank, do you think? Well, I'll tell you again. To keep Mrs. Sparsit's ears as far off as possible, I expect." With her hand upon her brother's shoulder, Louisa still stood looking at the fire. Her brother glanced at her face with greater interest than usual, and, encircling her waist with his arm, drew her coaxingly to him. "You are very fond of me, an't you, Loo?" "Indeed I am, Tom, though you do let such long intervals go by without coming to see me." "Well, sister of mine," said Tom, "when you say that, you are near my thoughts. We might be so much oftener together mightn't we? Always together, almost mightn't we? It would do me a great deal of good if you were to make up your mind to I know what, Loo. It would be a splendid thing for me. It would be uncommonly jolly!" Her thoughtfulness baffled his cunning scrutiny. He could make nothing of her face. He pressed her in his arm, and kissed her cheek. She returned the kiss, but still looked at the fire. "I say, Loo! I thought I'd come, and just hint to you what was going on: though I supposed you'd most likely guess, even if you didn't know. I can't stay, because I'm engaged to some fellows to-night. You won't forget how fond you are of me?" "No, dear Tom, I won't forget." "That's a capital girl," said Tom. "Good-bye, Loo." She gave him an affectionate good-night, and went out with him to the door, whence the fires of Coketown could be seen, making the distance lurid. She stood there, looking steadfastly towards them, and listening to his departing steps. They retreated quickly, as glad to get away from Stone Lodge; and she stood there yet, when he was gone and all was quiet. It seemed as if, first in her own fire within the house, and then in the fiery haze without, she tried to discover what kind of woof Old Time, that greatest and longest-established Spinner of all, would weave from the threads he had already spun into a woman. But his factory is a secret place, his work is noiseless, and his Hands are mutes. CHAPTER XV FATHER AND DAUGHTER ALTHOUGH Mr. Gradgrind did not take after Blue Beard, his room was quite a blue chamber in its abundance of blue books. Whatever they could prove (which is usually anything you like), they proved there, in an army constantly strengthening by the arrival of new recruits. In that charmed apartment, the most complicated social questions were cast up, got into exact totals, and finally settled if those concerned could only have been brought to know it. As if an astronomical observatory should be made without any windows, and the astronomer within should arrange the starry universe solely by pen, ink, and paper, so Mr. Gradgrind, in _his_ Observatory (and there are many like it), had no need to cast an eye upon the teeming myriads of human beings around him, but could settle all their destinies on a slate, and wipe out all their tears with one dirty little bit of sponge. To this Observatory, then: a stern room, with a deadly statistical clock in it, which measured every second with a beat like a rap upon a coffin-lid; Louisa repaired on the appointed morning. A window looked towards Coketown; and when she sat down near her father's table, she saw the high chimneys and the long tracts of smoke looming in the heavy distance gloomily. "My dear Louisa," said her father, "I prepared you last night to give me your serious attention in the conversation we are now going to have together. You have been so well trained, and you do, I am happy to say, so much justice to the education you have received, that I have perfect confidence in your good sense. You are not impulsive, you are not romantic, you are accustomed to view everything from the strong dispassionate ground of reason and calculation. From that ground alone, I know you will view and consider what I am going to communicate." He waited, as if he would have been glad that she said something. But she said never a word.<\|quote\|>"Louisa, my dear, you are the subject of a proposal of marriage that has been made to me."</\|quote\|>Again he waited, and again she answered not one word. This so far surprised him, as to induce him gently to repeat, "a proposal of marriage, my dear." To which she returned, without any visible emotion whatever: "I hear you, father. I am attending, I assure you." "Well!" said Mr. Gradgrind, breaking into a smile, after being for the moment at a loss, "you are even more dispassionate than I expected, Louisa. Or, perhaps, you are not unprepared for the announcement I have it in charge to make?" "I cannot say that, father, until I hear it. Prepared or unprepared, I wish to hear it all from you. I wish to hear you state it to me, father." Strange to relate, Mr. Gradgrind was not so collected at this moment as his daughter was. He took a paper-knife in his hand, turned it over, laid it down, took it up again, and even then had to look along the blade of it, considering how to go on. "What you say, my dear Louisa, is perfectly reasonable. I have undertaken then to let you know that in short, that Mr. Bounderby has informed me that he has long watched your progress with particular interest and pleasure, and has long hoped that the time might ultimately arrive when he should offer you his hand in marriage. That time, to which he has so long, and certainly with great constancy, looked forward, is now come. Mr. Bounderby has made his proposal of marriage to me, and has entreated me to make it known to you, and to express his hope that you will take it into your favourable consideration." Silence between them. The deadly statistical clock very hollow. The distant smoke very black and heavy. "Father," said Louisa, "do you think I love Mr. Bounderby?" Mr. Gradgrind was extremely discomfited by this unexpected question. "Well, my child," he returned, "I really cannot take upon myself to say." "Father," pursued Louisa in exactly the same voice as before, "do you ask me to love Mr. Bounderby?" "My dear Louisa, no. No. I ask nothing." "Father," she still pursued, "does Mr. Bounderby ask me to love him?" "Really, my dear," said Mr. Gradgrind, "it is difficult to answer your question" "Difficult to answer it, Yes or No, father?" "Certainly, my dear. Because;" here was something to demonstrate, and it set him up again; "because the reply depends so materially, Louisa, on the sense in which we use the expression. Now, Mr. Bounderby does not do you the injustice, and does not do himself the injustice, of pretending to anything fanciful, fantastic, or (I am using synonymous terms) sentimental. Mr. Bounderby would have seen you grow up under his eyes, to very little purpose, if he could so far forget what is due to your good sense, not to say to his, as to address you from any such ground. Therefore, perhaps the expression itself I merely suggest this to you, my dear may be a little misplaced." "What would you advise me to use in its stead, father?" "Why, my dear Louisa," said Mr. Gradgrind, completely recovered by this time, "I would advise you (since you ask me) to consider this question, as you have been accustomed to consider every other question, simply as one of tangible Fact. The ignorant and the giddy may embarrass such subjects with irrelevant fancies, and other absurdities that have no existence, properly viewed really no existence but it is no compliment to you to say, that you know better. Now, what are the Facts of this case? You are, we will say in round numbers, twenty years of age; Mr. Bounderby is, we will say in round numbers, fifty. There is some disparity in your respective years, but in your means and positions there is none; on the contrary, there is a great suitability. Then the question arises, Is this one disparity sufficient to operate as a bar to such a marriage? In considering this question, it is not unimportant to take into account the statistics of marriage, so far as they have yet been obtained, in England and Wales. I find, on reference to the figures, that a large proportion of these marriages are contracted between parties of very unequal ages, and that the elder of these contracting parties is, in rather more than three-fourths of these instances, the bridegroom. It is remarkable as showing the wide prevalence of this law, that among the natives of the British possessions in India, also in a considerable part of China, and among the Calmucks of Tartary, the best means of computation yet furnished us by travellers, yield similar results. The disparity I have mentioned, therefore, almost ceases to be disparity, and (virtually) all but disappears." "What do you recommend, father,"	so Mr. Gradgrind, in _his_ Observatory (and there are many like it), had no need to cast an eye upon the teeming myriads of human beings around him, but could settle all their destinies on a slate, and wipe out all their tears with one dirty little bit of sponge. To this Observatory, then: a stern room, with a deadly statistical clock in it, which measured every second with a beat like a rap upon a coffin-lid; Louisa repaired on the appointed morning. A window looked towards Coketown; and when she sat down near her father's table, she saw the high chimneys and the long tracts of smoke looming in the heavy distance gloomily. "My dear Louisa," said her father, "I prepared you last night to give me your serious attention in the conversation we are now going to have together. You have been so well trained, and you do, I am happy to say, so much justice to the education you have received, that I have perfect confidence in your good sense. You are not impulsive, you are not romantic, you are accustomed to view everything from the strong dispassionate ground of reason and calculation. From that ground alone, I know you will view and consider what I am going to communicate." He waited, as if he would have been glad that she said something. But she said never a word.<\|quote\|>"Louisa, my dear, you are the subject of a proposal of marriage that has been made to me."</\|quote\|>Again he waited, and again she answered not one word. This so far surprised him, as to induce him gently to repeat, "a proposal of marriage, my dear." To which she returned, without any visible emotion whatever: "I hear you, father. I am attending, I assure you." "Well!" said Mr. Gradgrind, breaking into a smile, after being for the moment at a loss, "you are even more dispassionate than I expected, Louisa. Or, perhaps, you are not unprepared for the announcement I have it in charge to make?" "I cannot say that, father, until I hear it. Prepared or unprepared, I wish to hear it all from you. I wish to hear you state it to me, father." Strange to relate, Mr. Gradgrind was not so collected at this moment as his daughter was. He took a paper-knife in his hand, turned it over, laid it down, took it up again, and even then had to look along the blade of it, considering how to go on. "What you say, my dear Louisa, is perfectly reasonable. I have undertaken then to let you know that in short, that Mr. Bounderby has informed me that he has long watched your progress with particular interest and pleasure, and has long hoped that the time might ultimately arrive when he should offer you his hand in marriage. That time, to which he has so long, and certainly with great constancy, looked forward, is now come. Mr. Bounderby has made his proposal of marriage to me, and has entreated me to make it known to you, and to express his hope that you will take it into your favourable consideration." Silence between them. The deadly statistical clock very hollow. The distant smoke very black and heavy. "Father," said Louisa, "do you think I love Mr. Bounderby?" Mr. Gradgrind was extremely discomfited by this unexpected question. "Well, my child," he returned, "I really cannot take upon myself to say." "Father," pursued Louisa in exactly the same voice as before, "do you ask me	Hard Times
laughs my sister,	No speaker	have known you were coming,"<\|quote\|>laughs my sister,</\|quote\|>"there is just your favourite	long time." "We might almost have known you were coming,"<\|quote\|>laughs my sister,</\|quote\|>"there is just your favourite dish, potato-cakes, and even whortle-berries	my sister, who is continually running to the kitchen to watch that the food does not burn: "And put out the jar of preserved whortleberries--you like that, don't you?" she asks me. "Yes, mother, I haven't had any for a long time." "We might almost have known you were coming,"<\|quote\|>laughs my sister,</\|quote\|>"there is just your favourite dish, potato-cakes, and even whortle-berries to go with them too." "And it is Saturday," I add. "Sit here beside me," says my mother. She looks at me. Her hands are white and sickly and frail compared with mine. We say very little, and I am	glance. "No, I have got leave." My mother is very pale. I am afraid to make a light. "Here I lie now," says she, "and cry instead of being glad." "Are you sick, mother?" I ask. "I am going to get up a little to-day," she says and turns to my sister, who is continually running to the kitchen to watch that the food does not burn: "And put out the jar of preserved whortleberries--you like that, don't you?" she asks me. "Yes, mother, I haven't had any for a long time." "We might almost have known you were coming,"<\|quote\|>laughs my sister,</\|quote\|>"there is just your favourite dish, potato-cakes, and even whortle-berries to go with them too." "And it is Saturday," I add. "Sit here beside me," says my mother. She looks at me. Her hands are white and sickly and frail compared with mine. We say very little, and I am thankful that she asks nothing. What ought I to say? Everything I could have wished for has happened. I have come out of it safely and sit here beside her. And in the kitchen stands my sister making the evening bread and singing. "Dear boy," says my mother softly. We	Then I say fiercely: "Bring me a handkerchief." She gives me one from the cupboard and I dry my face. Above me on the wall hangs the glass case with the coloured butterflies that once I collected. Now I hear my mother's voice. It comes from the bedroom. "Is she in bed?" I ask my sister. "She is ill--" she replies. I go in to her, give her my hand and say as calmly as I can: "Here I am, mother." She lies still in the dim light. Then she asks anxiously: "Are you wounded?" and I feel her searching glance. "No, I have got leave." My mother is very pale. I am afraid to make a light. "Here I lie now," says she, "and cry instead of being glad." "Are you sick, mother?" I ask. "I am going to get up a little to-day," she says and turns to my sister, who is continually running to the kitchen to watch that the food does not burn: "And put out the jar of preserved whortleberries--you like that, don't you?" she asks me. "Yes, mother, I haven't had any for a long time." "We might almost have known you were coming,"<\|quote\|>laughs my sister,</\|quote\|>"there is just your favourite dish, potato-cakes, and even whortle-berries to go with them too." "And it is Saturday," I add. "Sit here beside me," says my mother. She looks at me. Her hands are white and sickly and frail compared with mine. We say very little, and I am thankful that she asks nothing. What ought I to say? Everything I could have wished for has happened. I have come out of it safely and sit here beside her. And in the kitchen stands my sister making the evening bread and singing. "Dear boy," says my mother softly. We were never very demonstrative in our family; poor folk who toil and are full of cares are not so. It is not their way to protest what they already know. When my mother says to me "dear boy," it means much more than when another uses it. I know well enough that the jar of whortleberries is the only one they have had for months, and that she has kept it for me; and the somewhat stale cakes that she gives me too. She has taken a favourable opportunity of getting a few and has put them all by for	my head, then I take off my helmet and look up. Yes, it is my eldest sister. "Paul," she cries, "Paul----" I nod, my pack bumps against the banisters; my rifle is so heavy. She pulls a door open and calls: "Mother, mother, Paul is here." I can go no further--mother, mother, Paul is here. I lean against the wall and grip my helmet and rifle. I hold them as tight as I can, but I cannot take another step, the staircase fades before my eyes, I support myself with the butt of my rifle against my feet and clench my teeth fiercely, but I cannot speak a word, my sister's call has made me powerless, I can do nothing, I struggle to make myself laugh, to speak, but no word comes, and so I stand on the steps, miserable, helpless, paralysed, and against my will the tears run down my cheeks. My sister comes back and says: "Why, what is the matter?" Then I pull myself together and stagger on to the landing. I lean my rifle in a corner, I set my pack against the wall, place my helmet on it, and fling down my equipment and baggage. Then I say fiercely: "Bring me a handkerchief." She gives me one from the cupboard and I dry my face. Above me on the wall hangs the glass case with the coloured butterflies that once I collected. Now I hear my mother's voice. It comes from the bedroom. "Is she in bed?" I ask my sister. "She is ill--" she replies. I go in to her, give her my hand and say as calmly as I can: "Here I am, mother." She lies still in the dim light. Then she asks anxiously: "Are you wounded?" and I feel her searching glance. "No, I have got leave." My mother is very pale. I am afraid to make a light. "Here I lie now," says she, "and cry instead of being glad." "Are you sick, mother?" I ask. "I am going to get up a little to-day," she says and turns to my sister, who is continually running to the kitchen to watch that the food does not burn: "And put out the jar of preserved whortleberries--you like that, don't you?" she asks me. "Yes, mother, I haven't had any for a long time." "We might almost have known you were coming,"<\|quote\|>laughs my sister,</\|quote\|>"there is just your favourite dish, potato-cakes, and even whortle-berries to go with them too." "And it is Saturday," I add. "Sit here beside me," says my mother. She looks at me. Her hands are white and sickly and frail compared with mine. We say very little, and I am thankful that she asks nothing. What ought I to say? Everything I could have wished for has happened. I have come out of it safely and sit here beside her. And in the kitchen stands my sister making the evening bread and singing. "Dear boy," says my mother softly. We were never very demonstrative in our family; poor folk who toil and are full of cares are not so. It is not their way to protest what they already know. When my mother says to me "dear boy," it means much more than when another uses it. I know well enough that the jar of whortleberries is the only one they have had for months, and that she has kept it for me; and the somewhat stale cakes that she gives me too. She has taken a favourable opportunity of getting a few and has put them all by for me. I sit by her bed, and through the window the chestnut trees in the beer garden opposite glow in brown and gold. I breathe deeply and say over to myself:-- "You are at home, you are at home." But a sense of strangeness will not leave me, I can find nothing of myself in all these things. There is my mother, there is my sister, there my case of butterflies, and there the mahogany piano--but I am not myself there. There is a distance, a veil between us. I go and fetch my pack to the bedside and turn out the things I have brought--a whole Edamer cheese, that Kat provided me with, two loaves of army bread, three-quarters of a pound of butter, two tins of liver-sausage, a pound of dripping and a little bag of rice. "I suppose you can make some use of that----" They nod. "Is it pretty bad for food here?" I enquire. "Yes, there's not much. Do you get enough out there?" I smile and point to the things I have brought. "Not always quite so much as that, of course, but we fare reasonably well." Erna goes out to bring in the	sentries. I pick up my pack and fasten the straps, I take my rifle in my hand and stumble down the steps. On the platform I look round; I know no one among all the people hurrying to and fro. A red-cross sister offers me something to drink. I turn away, she smiles at me too foolishly, so obsessed with her own importance: "Just look, I am giving a soldier coffee!" --She calls me "Comrade," but I will have none of it. Outside in front of the station the stream roars alongside the street, it rushes foaming from the sluices of the mill bridge. There stands the old, square watch-tower, in front of it the great mottled lime tree and behind it the evening. Here we have often sat--how long ago it is--; we have passed over this bridge and breathed the cool, acid smell of the stagnant water; we have leaned over the still water on this side of the lock, where the green creepers and weeds hang from the piles of the bridge;--and on hot days we rejoiced in the spouting foam on the other side of the lock and told tales about our school-teachers. I pass over the bridge, I look right and left; the water is as full of weeds as ever, and it still shoots over in gleaming arches; in the tower-building laundresses still stand with bare arms as they used to over the clean linen, and the heat from the ironing pours out through the open windows. Dogs trot along the narrow street, before the doors of the houses people stand and follow me with their gaze as I pass by, dirty and heavy laden. In this confectioner's we used to eat ices, and there we learned to smoke cigarettes. Walking down the street I know every shop, the colonial warehouse, the chemist's, the tobacconist's. Then at last I stand before the brown door with its worn latch and my hand grows heavy. I open the door and a wonderful freshness comes out to meet me, my eyes are dim. The stairs creak under my boots. Upstairs a door rattles, someone is looking over the railing. It is the kitchen door that was opened, they are cooking potato-cakes, the house reeks of it, and to-day of course is Saturday; that will be my sister leaning over. For a moment I am shy and lower my head, then I take off my helmet and look up. Yes, it is my eldest sister. "Paul," she cries, "Paul----" I nod, my pack bumps against the banisters; my rifle is so heavy. She pulls a door open and calls: "Mother, mother, Paul is here." I can go no further--mother, mother, Paul is here. I lean against the wall and grip my helmet and rifle. I hold them as tight as I can, but I cannot take another step, the staircase fades before my eyes, I support myself with the butt of my rifle against my feet and clench my teeth fiercely, but I cannot speak a word, my sister's call has made me powerless, I can do nothing, I struggle to make myself laugh, to speak, but no word comes, and so I stand on the steps, miserable, helpless, paralysed, and against my will the tears run down my cheeks. My sister comes back and says: "Why, what is the matter?" Then I pull myself together and stagger on to the landing. I lean my rifle in a corner, I set my pack against the wall, place my helmet on it, and fling down my equipment and baggage. Then I say fiercely: "Bring me a handkerchief." She gives me one from the cupboard and I dry my face. Above me on the wall hangs the glass case with the coloured butterflies that once I collected. Now I hear my mother's voice. It comes from the bedroom. "Is she in bed?" I ask my sister. "She is ill--" she replies. I go in to her, give her my hand and say as calmly as I can: "Here I am, mother." She lies still in the dim light. Then she asks anxiously: "Are you wounded?" and I feel her searching glance. "No, I have got leave." My mother is very pale. I am afraid to make a light. "Here I lie now," says she, "and cry instead of being glad." "Are you sick, mother?" I ask. "I am going to get up a little to-day," she says and turns to my sister, who is continually running to the kitchen to watch that the food does not burn: "And put out the jar of preserved whortleberries--you like that, don't you?" she asks me. "Yes, mother, I haven't had any for a long time." "We might almost have known you were coming,"<\|quote\|>laughs my sister,</\|quote\|>"there is just your favourite dish, potato-cakes, and even whortle-berries to go with them too." "And it is Saturday," I add. "Sit here beside me," says my mother. She looks at me. Her hands are white and sickly and frail compared with mine. We say very little, and I am thankful that she asks nothing. What ought I to say? Everything I could have wished for has happened. I have come out of it safely and sit here beside her. And in the kitchen stands my sister making the evening bread and singing. "Dear boy," says my mother softly. We were never very demonstrative in our family; poor folk who toil and are full of cares are not so. It is not their way to protest what they already know. When my mother says to me "dear boy," it means much more than when another uses it. I know well enough that the jar of whortleberries is the only one they have had for months, and that she has kept it for me; and the somewhat stale cakes that she gives me too. She has taken a favourable opportunity of getting a few and has put them all by for me. I sit by her bed, and through the window the chestnut trees in the beer garden opposite glow in brown and gold. I breathe deeply and say over to myself:-- "You are at home, you are at home." But a sense of strangeness will not leave me, I can find nothing of myself in all these things. There is my mother, there is my sister, there my case of butterflies, and there the mahogany piano--but I am not myself there. There is a distance, a veil between us. I go and fetch my pack to the bedside and turn out the things I have brought--a whole Edamer cheese, that Kat provided me with, two loaves of army bread, three-quarters of a pound of butter, two tins of liver-sausage, a pound of dripping and a little bag of rice. "I suppose you can make some use of that----" They nod. "Is it pretty bad for food here?" I enquire. "Yes, there's not much. Do you get enough out there?" I smile and point to the things I have brought. "Not always quite so much as that, of course, but we fare reasonably well." Erna goes out to bring in the food. Suddenly my mother seizes hold of my hand and asks falteringly: "Was it very bad out there, Paul?" Mother, what should I answer to that! You would not understand, and never realize it. And you never should realize it. Was it bad, you ask.--You, Mother,--I shake my head and say: "No, mother, not so very. There are always a lot of us together so it isn't so bad." "Yes, but Heinrich Bredemeyer was here just lately and he said it was terrible out there now, with the gas and all the rest of it." It is my mother who says that. She says: "With the gas and all the rest of it." She does not know what she is saying, she is merely anxious for me. Should I tell her how we once found three enemy trenches with their garrison all stiff as though stricken with apoplexy? Against the parapet, in the dugouts, just where they were, the men stood and lay about, with blue faces, dead. "No, mother, that's only talk," I answer, "there's not very much in what Bredemeyer says. You see for instance, I'm well and fit----" Before my mother's tremulous anxiety I recover my composure. Now I can walk about and talk and answer questions without fear of having suddenly to lean against the wall because the world turns soft as rubber and my veins become brimstone. My mother wants to get up. So I go for a while to my sister in the kitchen. "What is the matter with her?" I ask. She shrugs her shoulders: "She has been in bed two months now, but we did not want to write and tell you. Several doctors have been to see her. One of them said it is probably cancer again." * * I go to the district commandant to report myself. Slowly I wander through the streets. Occasionally someone speaks to me. I do not delay long for I have little inclination to talk. On my way back from the barracks a loud voice calls out to me. Still lost in thought I turn round and find myself confronted by a Major. "Can't you salute?" he blusters. "Sorry, Major," I say in embarrassment, "I didn't notice you." "Don't you know how to speak properly?" he roars. I would like to hit him in the face, but control myself, for my leave depends on it.	Then I pull myself together and stagger on to the landing. I lean my rifle in a corner, I set my pack against the wall, place my helmet on it, and fling down my equipment and baggage. Then I say fiercely: "Bring me a handkerchief." She gives me one from the cupboard and I dry my face. Above me on the wall hangs the glass case with the coloured butterflies that once I collected. Now I hear my mother's voice. It comes from the bedroom. "Is she in bed?" I ask my sister. "She is ill--" she replies. I go in to her, give her my hand and say as calmly as I can: "Here I am, mother." She lies still in the dim light. Then she asks anxiously: "Are you wounded?" and I feel her searching glance. "No, I have got leave." My mother is very pale. I am afraid to make a light. "Here I lie now," says she, "and cry instead of being glad." "Are you sick, mother?" I ask. "I am going to get up a little to-day," she says and turns to my sister, who is continually running to the kitchen to watch that the food does not burn: "And put out the jar of preserved whortleberries--you like that, don't you?" she asks me. "Yes, mother, I haven't had any for a long time." "We might almost have known you were coming,"<\|quote\|>laughs my sister,</\|quote\|>"there is just your favourite dish, potato-cakes, and even whortle-berries to go with them too." "And it is Saturday," I add. "Sit here beside me," says my mother. She looks at me. Her hands are white and sickly and frail compared with mine. We say very little, and I am thankful that she asks nothing. What ought I to say? Everything I could have wished for has happened. I have come out of it safely and sit here beside her. And in the kitchen stands my sister making the evening bread and singing. "Dear boy," says my mother softly. We were never very demonstrative in our family; poor folk who toil and are full of cares are not so. It is not their way to protest what they already know. When my mother says to me "dear boy," it means much more than when another uses it. I know well enough that the jar of whortleberries is the only one they have had for months, and that she has kept it for me; and the somewhat stale cakes that she gives me too. She has taken a favourable opportunity of getting a few and has put them all by for me. I sit by her bed, and through the window the chestnut trees in the beer garden opposite glow in brown and gold. I breathe deeply and say over to myself:-- "You are at home, you are at home." But a sense of strangeness will not leave me, I can find nothing of myself in all these things. There is my mother, there is my sister, there my case of butterflies, and there the mahogany piano--but I am not myself there. There is a distance, a veil between us. I go and fetch my pack to the bedside and turn out the things I have brought--a whole Edamer cheese, that Kat provided me with, two loaves of army	All Quiet on the Western Front
"Down in the field? Oh, come! I think we might have had the whole establishment, piccaninnies included."	Paul	manly and cynical, he said:<\|quote\|>"Down in the field? Oh, come! I think we might have had the whole establishment, piccaninnies included."</\|quote\|>Mrs. Cahill whispered: "Don t,	out of the Englishman. Feeling manly and cynical, he said:<\|quote\|>"Down in the field? Oh, come! I think we might have had the whole establishment, piccaninnies included."</\|quote\|>Mrs. Cahill whispered: "Don t, Paul. You promised you d	years; she intends when she dies to leave the house to her nephew, down in the field. Is all that clear? Does everyone understand?" Paul rose to his feet. He was accustomed to natives, and a very little shook him out of the Englishman. Feeling manly and cynical, he said:<\|quote\|>"Down in the field? Oh, come! I think we might have had the whole establishment, piccaninnies included."</\|quote\|>Mrs. Cahill whispered: "Don t, Paul. You promised you d take care." Feeling a woman of the world, she rose and prepared to take her leave. Her father kissed her. "Good-bye, old girl," he said; "don t you worry about me." "Good-bye, dad." Then it was Dolly s turn. Anxious	be divided among you. I am also giving you a great deal in my lifetime, so that you may be independent of me. That is her wish, too. She also is giving away a great deal of money. She intends to diminish her income by half during the next ten years; she intends when she dies to leave the house to her nephew, down in the field. Is all that clear? Does everyone understand?" Paul rose to his feet. He was accustomed to natives, and a very little shook him out of the Englishman. Feeling manly and cynical, he said:<\|quote\|>"Down in the field? Oh, come! I think we might have had the whole establishment, piccaninnies included."</\|quote\|>Mrs. Cahill whispered: "Don t, Paul. You promised you d take care." Feeling a woman of the world, she rose and prepared to take her leave. Her father kissed her. "Good-bye, old girl," he said; "don t you worry about me." "Good-bye, dad." Then it was Dolly s turn. Anxious to contribute, she laughed nervously, and said: "Good-bye, Mr. Wilcox. It does seem curious that Mrs. Wilcox should have left Margaret Howards End, and yet she get it, after all." From Evie came a sharply-drawn breath. "Goodbye," she said to Margaret, and kissed her. And again and again fell the	a general silence. Dolly looked nervously round, fearing that she had been inappropriate. Paul continued to scratch his arm. "Then I leave Howards End to my wife absolutely," said Henry. "And let everyone understand that; and after I am dead let there be no jealousy and no surprise." Margaret did not answer. There was something uncanny in her triumph. She, who had never expected to conquer anyone, had charged straight through these Wilcoxes and broken up their lives. "In consequence, I leave my wife no money," said Henry. "That is her own wish. All that she would have had will be divided among you. I am also giving you a great deal in my lifetime, so that you may be independent of me. That is her wish, too. She also is giving away a great deal of money. She intends to diminish her income by half during the next ten years; she intends when she dies to leave the house to her nephew, down in the field. Is all that clear? Does everyone understand?" Paul rose to his feet. He was accustomed to natives, and a very little shook him out of the Englishman. Feeling manly and cynical, he said:<\|quote\|>"Down in the field? Oh, come! I think we might have had the whole establishment, piccaninnies included."</\|quote\|>Mrs. Cahill whispered: "Don t, Paul. You promised you d take care." Feeling a woman of the world, she rose and prepared to take her leave. Her father kissed her. "Good-bye, old girl," he said; "don t you worry about me." "Good-bye, dad." Then it was Dolly s turn. Anxious to contribute, she laughed nervously, and said: "Good-bye, Mr. Wilcox. It does seem curious that Mrs. Wilcox should have left Margaret Howards End, and yet she get it, after all." From Evie came a sharply-drawn breath. "Goodbye," she said to Margaret, and kissed her. And again and again fell the word, like the ebb of a dying sea. "Good-bye." "Good-bye, Dolly." "So long, father." "Good-bye, my boy; always take care of yourself." "Good-bye, Mrs. Wilcox." "Good-bye." Margaret saw their visitors to the gate. Then she returned to her husband and laid her head in his hands. He was pitiably tired. But Dolly s remark had interested her. At last she said: "Could you tell me, Henry, what was that about Mrs. Wilcox having left me Howards End?" Tranquilly he replied: "Yes, she did. But that is a very old story. When she was ill and you were so kind to	phrases, but their effect was unexpected and shadowy. "Because I don t want you all coming here later on and complaining that I have been unfair." "It s apparently got to suit us," said Paul. "I beg your pardon, my boy. You have only to speak, and I will leave the house to you instead." Paul frowned ill-temperedly, and began scratching at his arm. "As I ve given up the outdoor life that suited me, and I have come home to look after the business, it s no good my settling down here," he said at last. "It s not really the country, and it s not the town." "Very well. Does my arrangement suit you, Evie?" "Of course, father." "And you, Dolly?" Dolly raised her faded little face, which sorrow could wither but not steady. "Perfectly splendidly," she said. "I thought Charles wanted it for the boys, but last time I saw him he said no, because we cannot possibly live in this part of England again. Charles says we ought to change our name, but I cannot think what to, for Wilcox just suits Charles and me, and I can t think of any other name." There was a general silence. Dolly looked nervously round, fearing that she had been inappropriate. Paul continued to scratch his arm. "Then I leave Howards End to my wife absolutely," said Henry. "And let everyone understand that; and after I am dead let there be no jealousy and no surprise." Margaret did not answer. There was something uncanny in her triumph. She, who had never expected to conquer anyone, had charged straight through these Wilcoxes and broken up their lives. "In consequence, I leave my wife no money," said Henry. "That is her own wish. All that she would have had will be divided among you. I am also giving you a great deal in my lifetime, so that you may be independent of me. That is her wish, too. She also is giving away a great deal of money. She intends to diminish her income by half during the next ten years; she intends when she dies to leave the house to her nephew, down in the field. Is all that clear? Does everyone understand?" Paul rose to his feet. He was accustomed to natives, and a very little shook him out of the Englishman. Feeling manly and cynical, he said:<\|quote\|>"Down in the field? Oh, come! I think we might have had the whole establishment, piccaninnies included."</\|quote\|>Mrs. Cahill whispered: "Don t, Paul. You promised you d take care." Feeling a woman of the world, she rose and prepared to take her leave. Her father kissed her. "Good-bye, old girl," he said; "don t you worry about me." "Good-bye, dad." Then it was Dolly s turn. Anxious to contribute, she laughed nervously, and said: "Good-bye, Mr. Wilcox. It does seem curious that Mrs. Wilcox should have left Margaret Howards End, and yet she get it, after all." From Evie came a sharply-drawn breath. "Goodbye," she said to Margaret, and kissed her. And again and again fell the word, like the ebb of a dying sea. "Good-bye." "Good-bye, Dolly." "So long, father." "Good-bye, my boy; always take care of yourself." "Good-bye, Mrs. Wilcox." "Good-bye." Margaret saw their visitors to the gate. Then she returned to her husband and laid her head in his hands. He was pitiably tired. But Dolly s remark had interested her. At last she said: "Could you tell me, Henry, what was that about Mrs. Wilcox having left me Howards End?" Tranquilly he replied: "Yes, she did. But that is a very old story. When she was ill and you were so kind to her she wanted to make you some return, and, not being herself at the time, scribbled Howards End on a piece of paper. I went into it thoroughly, and, as it was clearly fanciful, I set it aside, little knowing what my Margaret would be to me in the future." Margaret was silent. Something shook her life in its inmost recesses, and she shivered. "I didn t do wrong, did I?" he asked, bending down. "You didn t, darling. Nothing has been done wrong." From the garden came laughter. "Here they are at last!" exclaimed Henry, disengaging himself with a smile. Helen rushed into the gloom, holding Tom by one hand and carrying her baby on the other. There were shouts of infectious joy. "The field s cut!" Helen cried excitedly--" "the big meadow! We ve seen to the very end, and it ll be such a crop of hay as never!" WEYBRIDGE, 1908-1910.	Downs, the Oderberge, were all survivals, and the melting-pot was being prepared for them. Logically, they had no right to be alive. One s hope was in the weakness of logic. Were they possibly the earth beating time? "Because a thing is going strong now, it need not go strong for ever," she said. "This craze for motion has only set in during the last hundred years. It may be followed by a civilisation that won t be a movement, because it will rest on the earth. All the signs are against it now, but I can t help hoping, and very early in the morning in the garden I feel that our house is the future as well as the past." They turned and looked at it. Their own memories coloured it now, for Helen s child had been born in the central room of the nine. Then Margaret said, "Oh, take care--!" for something moved behind the window of the hall, and the door opened. "The conclave s breaking at last. I ll go." It was Paul. Helen retreated with the children far into the field. Friendly voices greeted her. Margaret rose, to encounter a man with a heavy black moustache. "My father has asked for you," he said with hostility. She took her work and followed him. "We have been talking business," he continued, "but I dare say you knew all about it beforehand." "Yes, I did." Clumsy of movement--for he had spent all his life in the saddle--Paul drove his foot against the paint of the front door. Mrs. Wilcox gave a little cry of annoyance. She did not like anything scratched; she stopped in the hall to take Dolly s boa and gloves out of a vase. Her husband was lying in a great leather chair in the dining-room, and by his side, holding his hand rather ostentatiously, was Evie. Dolly, dressed in purple, sat near the window. The room was a little dark and airless; they were obliged to keep it like this until the carting of the hay. Margaret joined the family without speaking; the five of them had met already at tea, and she knew quite well what was going to be said. Averse to wasting her time, she went on sewing. The clock struck six. "Is this going to suit everyone?" said Henry in a weary voice. He used the old phrases, but their effect was unexpected and shadowy. "Because I don t want you all coming here later on and complaining that I have been unfair." "It s apparently got to suit us," said Paul. "I beg your pardon, my boy. You have only to speak, and I will leave the house to you instead." Paul frowned ill-temperedly, and began scratching at his arm. "As I ve given up the outdoor life that suited me, and I have come home to look after the business, it s no good my settling down here," he said at last. "It s not really the country, and it s not the town." "Very well. Does my arrangement suit you, Evie?" "Of course, father." "And you, Dolly?" Dolly raised her faded little face, which sorrow could wither but not steady. "Perfectly splendidly," she said. "I thought Charles wanted it for the boys, but last time I saw him he said no, because we cannot possibly live in this part of England again. Charles says we ought to change our name, but I cannot think what to, for Wilcox just suits Charles and me, and I can t think of any other name." There was a general silence. Dolly looked nervously round, fearing that she had been inappropriate. Paul continued to scratch his arm. "Then I leave Howards End to my wife absolutely," said Henry. "And let everyone understand that; and after I am dead let there be no jealousy and no surprise." Margaret did not answer. There was something uncanny in her triumph. She, who had never expected to conquer anyone, had charged straight through these Wilcoxes and broken up their lives. "In consequence, I leave my wife no money," said Henry. "That is her own wish. All that she would have had will be divided among you. I am also giving you a great deal in my lifetime, so that you may be independent of me. That is her wish, too. She also is giving away a great deal of money. She intends to diminish her income by half during the next ten years; she intends when she dies to leave the house to her nephew, down in the field. Is all that clear? Does everyone understand?" Paul rose to his feet. He was accustomed to natives, and a very little shook him out of the Englishman. Feeling manly and cynical, he said:<\|quote\|>"Down in the field? Oh, come! I think we might have had the whole establishment, piccaninnies included."</\|quote\|>Mrs. Cahill whispered: "Don t, Paul. You promised you d take care." Feeling a woman of the world, she rose and prepared to take her leave. Her father kissed her. "Good-bye, old girl," he said; "don t you worry about me." "Good-bye, dad." Then it was Dolly s turn. Anxious to contribute, she laughed nervously, and said: "Good-bye, Mr. Wilcox. It does seem curious that Mrs. Wilcox should have left Margaret Howards End, and yet she get it, after all." From Evie came a sharply-drawn breath. "Goodbye," she said to Margaret, and kissed her. And again and again fell the word, like the ebb of a dying sea. "Good-bye." "Good-bye, Dolly." "So long, father." "Good-bye, my boy; always take care of yourself." "Good-bye, Mrs. Wilcox." "Good-bye." Margaret saw their visitors to the gate. Then she returned to her husband and laid her head in his hands. He was pitiably tired. But Dolly s remark had interested her. At last she said: "Could you tell me, Henry, what was that about Mrs. Wilcox having left me Howards End?" Tranquilly he replied: "Yes, she did. But that is a very old story. When she was ill and you were so kind to her she wanted to make you some return, and, not being herself at the time, scribbled Howards End on a piece of paper. I went into it thoroughly, and, as it was clearly fanciful, I set it aside, little knowing what my Margaret would be to me in the future." Margaret was silent. Something shook her life in its inmost recesses, and she shivered. "I didn t do wrong, did I?" he asked, bending down. "You didn t, darling. Nothing has been done wrong." From the garden came laughter. "Here they are at last!" exclaimed Henry, disengaging himself with a smile. Helen rushed into the gloom, holding Tom by one hand and carrying her baby on the other. There were shouts of infectious joy. "The field s cut!" Helen cried excitedly--" "the big meadow! We ve seen to the very end, and it ll be such a crop of hay as never!" WEYBRIDGE, 1908-1910.	all his life in the saddle--Paul drove his foot against the paint of the front door. Mrs. Wilcox gave a little cry of annoyance. She did not like anything scratched; she stopped in the hall to take Dolly s boa and gloves out of a vase. Her husband was lying in a great leather chair in the dining-room, and by his side, holding his hand rather ostentatiously, was Evie. Dolly, dressed in purple, sat near the window. The room was a little dark and airless; they were obliged to keep it like this until the carting of the hay. Margaret joined the family without speaking; the five of them had met already at tea, and she knew quite well what was going to be said. Averse to wasting her time, she went on sewing. The clock struck six. "Is this going to suit everyone?" said Henry in a weary voice. He used the old phrases, but their effect was unexpected and shadowy. "Because I don t want you all coming here later on and complaining that I have been unfair." "It s apparently got to suit us," said Paul. "I beg your pardon, my boy. You have only to speak, and I will leave the house to you instead." Paul frowned ill-temperedly, and began scratching at his arm. "As I ve given up the outdoor life that suited me, and I have come home to look after the business, it s no good my settling down here," he said at last. "It s not really the country, and it s not the town." "Very well. Does my arrangement suit you, Evie?" "Of course, father." "And you, Dolly?" Dolly raised her faded little face, which sorrow could wither but not steady. "Perfectly splendidly," she said. "I thought Charles wanted it for the boys, but last time I saw him he said no, because we cannot possibly live in this part of England again. Charles says we ought to change our name, but I cannot think what to, for Wilcox just suits Charles and me, and I can t think of any other name." There was a general silence. Dolly looked nervously round, fearing that she had been inappropriate. Paul continued to scratch his arm. "Then I leave Howards End to my wife absolutely," said Henry. "And let everyone understand that; and after I am dead let there be no jealousy and no surprise." Margaret did not answer. There was something uncanny in her triumph. She, who had never expected to conquer anyone, had charged straight through these Wilcoxes and broken up their lives. "In consequence, I leave my wife no money," said Henry. "That is her own wish. All that she would have had will be divided among you. I am also giving you a great deal in my lifetime, so that you may be independent of me. That is her wish, too. She also is giving away a great deal of money. She intends to diminish her income by half during the next ten years; she intends when she dies to leave the house to her nephew, down in the field. Is all that clear? Does everyone understand?" Paul rose to his feet. He was accustomed to natives, and a very little shook him out of the Englishman. Feeling manly and cynical, he said:<\|quote\|>"Down in the field? Oh, come! I think we might have had the whole establishment, piccaninnies included."</\|quote\|>Mrs. Cahill whispered: "Don t, Paul. You promised you d take care." Feeling a woman of the world, she rose and prepared to take her leave. Her father kissed her. "Good-bye, old girl," he said; "don t you worry about me." "Good-bye, dad." Then it was Dolly s turn. Anxious to contribute, she laughed nervously, and said: "Good-bye, Mr. Wilcox. It does seem curious that Mrs. Wilcox should have left Margaret Howards End, and yet she get it, after all." From Evie came a sharply-drawn breath. "Goodbye," she said to Margaret, and kissed her. And again and again fell the word, like the ebb of a dying sea. "Good-bye." "Good-bye, Dolly." "So long, father." "Good-bye, my boy; always take care of yourself." "Good-bye, Mrs. Wilcox." "Good-bye." Margaret saw their visitors to the gate. Then she returned to her husband and laid her head in his hands. He was pitiably tired. But Dolly s remark had interested her. At last she said: "Could you tell me, Henry, what was that about Mrs. Wilcox having left me Howards End?" Tranquilly he replied: "Yes, she did. But that is a very old story. When she was ill and you were so kind to her she wanted to make you some return, and, not being herself at the time, scribbled Howards End on a piece of paper. I went into it thoroughly, and, as it was clearly fanciful, I set it aside, little knowing what my Margaret would be to me in the future." Margaret was silent. Something shook her life in its inmost recesses, and she shivered. "I didn t do wrong, did I?" he asked,	Howards End
“The thing to do is to forget about the heat,”	Tom	better telephone for an axe—”<\|quote\|>“The thing to do is to forget about the heat,”</\|quote\|>said Tom impatiently. “You make	aren’t any more.” “Well, we’d better telephone for an axe—”<\|quote\|>“The thing to do is to forget about the heat,”</\|quote\|>said Tom impatiently. “You make it ten times worse by	of hot shrubbery from the Park. Daisy went to the mirror and stood with her back to us, fixing her hair. “It’s a swell suite,” whispered Jordan respectfully, and everyone laughed. “Open another window,” commanded Daisy, without turning around. “There aren’t any more.” “Well, we’d better telephone for an axe—”<\|quote\|>“The thing to do is to forget about the heat,”</\|quote\|>said Tom impatiently. “You make it ten times worse by crabbing about it.” He unrolled the bottle of whisky from the towel and put it on the table. “Why not let her alone, old sport?” remarked Gatsby. “You’re the one that wanted to come to town.” There was a moment	and over that it was a “crazy idea” —we all talked at once to a baffled clerk and thought, or pretended to think, that we were being very funny … The room was large and stifling, and, though it was already four o’clock, opening the windows admitted only a gust of hot shrubbery from the Park. Daisy went to the mirror and stood with her back to us, fixing her hair. “It’s a swell suite,” whispered Jordan respectfully, and everyone laughed. “Open another window,” commanded Daisy, without turning around. “There aren’t any more.” “Well, we’d better telephone for an axe—”<\|quote\|>“The thing to do is to forget about the heat,”</\|quote\|>said Tom impatiently. “You make it ten times worse by crabbing about it.” He unrolled the bottle of whisky from the towel and put it on the table. “Why not let her alone, old sport?” remarked Gatsby. “You’re the one that wanted to come to town.” There was a moment of silence. The telephone book slipped from its nail and splashed to the floor, whereupon Jordan whispered, “Excuse me” —but this time no one laughed. “I’ll pick it up,” I offered. “I’ve got it.” Gatsby examined the parted string, muttered “Hum!” in an interested way, and tossed the book on	all took the less explicable step of engaging the parlour of a suite in the Plaza Hotel. The prolonged and tumultuous argument that ended by herding us into that room eludes me, though I have a sharp physical memory that, in the course of it, my underwear kept climbing like a damp snake around my legs and intermittent beads of sweat raced cool across my back. The notion originated with Daisy’s suggestion that we hire five bathrooms and take cold baths, and then assumed more tangible form as “a place to have a mint julep.” Each of us said over and over that it was a “crazy idea” —we all talked at once to a baffled clerk and thought, or pretended to think, that we were being very funny … The room was large and stifling, and, though it was already four o’clock, opening the windows admitted only a gust of hot shrubbery from the Park. Daisy went to the mirror and stood with her back to us, fixing her hair. “It’s a swell suite,” whispered Jordan respectfully, and everyone laughed. “Open another window,” commanded Daisy, without turning around. “There aren’t any more.” “Well, we’d better telephone for an axe—”<\|quote\|>“The thing to do is to forget about the heat,”</\|quote\|>said Tom impatiently. “You make it ten times worse by crabbing about it.” He unrolled the bottle of whisky from the towel and put it on the table. “Why not let her alone, old sport?” remarked Gatsby. “You’re the one that wanted to come to town.” There was a moment of silence. The telephone book slipped from its nail and splashed to the floor, whereupon Jordan whispered, “Excuse me” —but this time no one laughed. “I’ll pick it up,” I offered. “I’ve got it.” Gatsby examined the parted string, muttered “Hum!” in an interested way, and tossed the book on a chair. “That’s a great expression of yours, isn’t it?” said Tom sharply. “What is?” “All this ‘old sport’ business. Where’d you pick that up?” “Now see here, Tom,” said Daisy, turning around from the mirror, “if you’re going to make personal remarks I won’t stay here a minute. Call up and order some ice for the mint julep.” As Tom took up the receiver the compressed heat exploded into sound and we were listening to the portentous chords of Mendelssohn’s Wedding March from the ballroom below. “Imagine marrying anybody in this heat!” cried Jordan dismally. “Still—I was married in	easygoing blue coupé. “Those big movies around Fiftieth Street are cool,” suggested Jordan. “I love New York on summer afternoons when everyone’s away. There’s something very sensuous about it—overripe, as if all sorts of funny fruits were going to fall into your hands.” The word “sensuous” had the effect of further disquieting Tom, but before he could invent a protest the coupé came to a stop, and Daisy signalled us to draw up alongside. “Where are we going?” she cried. “How about the movies?” “It’s so hot,” she complained. “You go. We’ll ride around and meet you after.” With an effort her wit rose faintly. “We’ll meet you on some corner. I’ll be the man smoking two cigarettes.” “We can’t argue about it here,” Tom said impatiently, as a truck gave out a cursing whistle behind us. “You follow me to the south side of Central Park, in front of the Plaza.” Several times he turned his head and looked back for their car, and if the traffic delayed them he slowed up until they came into sight. I think he was afraid they would dart down a side-street and out of his life forever. But they didn’t. And we all took the less explicable step of engaging the parlour of a suite in the Plaza Hotel. The prolonged and tumultuous argument that ended by herding us into that room eludes me, though I have a sharp physical memory that, in the course of it, my underwear kept climbing like a damp snake around my legs and intermittent beads of sweat raced cool across my back. The notion originated with Daisy’s suggestion that we hire five bathrooms and take cold baths, and then assumed more tangible form as “a place to have a mint julep.” Each of us said over and over that it was a “crazy idea” —we all talked at once to a baffled clerk and thought, or pretended to think, that we were being very funny … The room was large and stifling, and, though it was already four o’clock, opening the windows admitted only a gust of hot shrubbery from the Park. Daisy went to the mirror and stood with her back to us, fixing her hair. “It’s a swell suite,” whispered Jordan respectfully, and everyone laughed. “Open another window,” commanded Daisy, without turning around. “There aren’t any more.” “Well, we’d better telephone for an axe—”<\|quote\|>“The thing to do is to forget about the heat,”</\|quote\|>said Tom impatiently. “You make it ten times worse by crabbing about it.” He unrolled the bottle of whisky from the towel and put it on the table. “Why not let her alone, old sport?” remarked Gatsby. “You’re the one that wanted to come to town.” There was a moment of silence. The telephone book slipped from its nail and splashed to the floor, whereupon Jordan whispered, “Excuse me” —but this time no one laughed. “I’ll pick it up,” I offered. “I’ve got it.” Gatsby examined the parted string, muttered “Hum!” in an interested way, and tossed the book on a chair. “That’s a great expression of yours, isn’t it?” said Tom sharply. “What is?” “All this ‘old sport’ business. Where’d you pick that up?” “Now see here, Tom,” said Daisy, turning around from the mirror, “if you’re going to make personal remarks I won’t stay here a minute. Call up and order some ice for the mint julep.” As Tom took up the receiver the compressed heat exploded into sound and we were listening to the portentous chords of Mendelssohn’s Wedding March from the ballroom below. “Imagine marrying anybody in this heat!” cried Jordan dismally. “Still—I was married in the middle of June,” Daisy remembered. “Louisville in June! Somebody fainted. Who was it fainted, Tom?” “Biloxi,” he answered shortly. “A man named Biloxi. ‘Blocks’ Biloxi, and he made boxes—that’s a fact—and he was from Biloxi, Tennessee.” “They carried him into my house,” appended Jordan, “because we lived just two doors from the church. And he stayed three weeks, until Daddy told him he had to get out. The day after he left Daddy died.” After a moment she added as if she might have sounded irreverent, “There wasn’t any connection.” “I used to know a Bill Biloxi from Memphis,” I remarked. “That was his cousin. I knew his whole family history before he left. He gave me an aluminium putter that I use today.” The music had died down as the ceremony began and now a long cheer floated in at the window, followed by intermittent cries of “Yea—ea—ea!” and finally by a burst of jazz as the dancing began. “We’re getting old,” said Daisy. “If we were young we’d rise and dance.” “Remember Biloxi,” Jordan warned her. “Where’d you know him, Tom?” “Biloxi?” He concentrated with an effort. “I didn’t know him. He was a friend of Daisy’s.”	That’s why I been bothering you about the car.” “What do I owe you?” “Dollar twenty.” The relentless beating heat was beginning to confuse me and I had a bad moment there before I realized that so far his suspicions hadn’t alighted on Tom. He had discovered that Myrtle had some sort of life apart from him in another world, and the shock had made him physically sick. I stared at him and then at Tom, who had made a parallel discovery less than an hour before—and it occurred to me that there was no difference between men, in intelligence or race, so profound as the difference between the sick and the well. Wilson was so sick that he looked guilty, unforgivably guilty—as if he had just got some poor girl with child. “I’ll let you have that car,” said Tom. “I’ll send it over tomorrow afternoon.” That locality was always vaguely disquieting, even in the broad glare of afternoon, and now I turned my head as though I had been warned of something behind. Over the ash-heaps the giant eyes of Doctor T. J. Eckleburg kept their vigil, but I perceived, after a moment, that other eyes were regarding us with peculiar intensity from less than twenty feet away. In one of the windows over the garage the curtains had been moved aside a little, and Myrtle Wilson was peering down at the car. So engrossed was she that she had no consciousness of being observed, and one emotion after another crept into her face like objects into a slowly developing picture. Her expression was curiously familiar—it was an expression I had often seen on women’s faces, but on Myrtle Wilson’s face it seemed purposeless and inexplicable until I realized that her eyes, wide with jealous terror, were fixed not on Tom, but on Jordan Baker, whom she took to be his wife. ------------------------------------------------------------------------ There is no confusion like the confusion of a simple mind, and as we drove away Tom was feeling the hot whips of panic. His wife and his mistress, until an hour ago secure and inviolate, were slipping precipitately from his control. Instinct made him step on the accelerator with the double purpose of overtaking Daisy and leaving Wilson behind, and we sped along toward Astoria at fifty miles an hour, until, among the spidery girders of the elevated, we came in sight of the easygoing blue coupé. “Those big movies around Fiftieth Street are cool,” suggested Jordan. “I love New York on summer afternoons when everyone’s away. There’s something very sensuous about it—overripe, as if all sorts of funny fruits were going to fall into your hands.” The word “sensuous” had the effect of further disquieting Tom, but before he could invent a protest the coupé came to a stop, and Daisy signalled us to draw up alongside. “Where are we going?” she cried. “How about the movies?” “It’s so hot,” she complained. “You go. We’ll ride around and meet you after.” With an effort her wit rose faintly. “We’ll meet you on some corner. I’ll be the man smoking two cigarettes.” “We can’t argue about it here,” Tom said impatiently, as a truck gave out a cursing whistle behind us. “You follow me to the south side of Central Park, in front of the Plaza.” Several times he turned his head and looked back for their car, and if the traffic delayed them he slowed up until they came into sight. I think he was afraid they would dart down a side-street and out of his life forever. But they didn’t. And we all took the less explicable step of engaging the parlour of a suite in the Plaza Hotel. The prolonged and tumultuous argument that ended by herding us into that room eludes me, though I have a sharp physical memory that, in the course of it, my underwear kept climbing like a damp snake around my legs and intermittent beads of sweat raced cool across my back. The notion originated with Daisy’s suggestion that we hire five bathrooms and take cold baths, and then assumed more tangible form as “a place to have a mint julep.” Each of us said over and over that it was a “crazy idea” —we all talked at once to a baffled clerk and thought, or pretended to think, that we were being very funny … The room was large and stifling, and, though it was already four o’clock, opening the windows admitted only a gust of hot shrubbery from the Park. Daisy went to the mirror and stood with her back to us, fixing her hair. “It’s a swell suite,” whispered Jordan respectfully, and everyone laughed. “Open another window,” commanded Daisy, without turning around. “There aren’t any more.” “Well, we’d better telephone for an axe—”<\|quote\|>“The thing to do is to forget about the heat,”</\|quote\|>said Tom impatiently. “You make it ten times worse by crabbing about it.” He unrolled the bottle of whisky from the towel and put it on the table. “Why not let her alone, old sport?” remarked Gatsby. “You’re the one that wanted to come to town.” There was a moment of silence. The telephone book slipped from its nail and splashed to the floor, whereupon Jordan whispered, “Excuse me” —but this time no one laughed. “I’ll pick it up,” I offered. “I’ve got it.” Gatsby examined the parted string, muttered “Hum!” in an interested way, and tossed the book on a chair. “That’s a great expression of yours, isn’t it?” said Tom sharply. “What is?” “All this ‘old sport’ business. Where’d you pick that up?” “Now see here, Tom,” said Daisy, turning around from the mirror, “if you’re going to make personal remarks I won’t stay here a minute. Call up and order some ice for the mint julep.” As Tom took up the receiver the compressed heat exploded into sound and we were listening to the portentous chords of Mendelssohn’s Wedding March from the ballroom below. “Imagine marrying anybody in this heat!” cried Jordan dismally. “Still—I was married in the middle of June,” Daisy remembered. “Louisville in June! Somebody fainted. Who was it fainted, Tom?” “Biloxi,” he answered shortly. “A man named Biloxi. ‘Blocks’ Biloxi, and he made boxes—that’s a fact—and he was from Biloxi, Tennessee.” “They carried him into my house,” appended Jordan, “because we lived just two doors from the church. And he stayed three weeks, until Daddy told him he had to get out. The day after he left Daddy died.” After a moment she added as if she might have sounded irreverent, “There wasn’t any connection.” “I used to know a Bill Biloxi from Memphis,” I remarked. “That was his cousin. I knew his whole family history before he left. He gave me an aluminium putter that I use today.” The music had died down as the ceremony began and now a long cheer floated in at the window, followed by intermittent cries of “Yea—ea—ea!” and finally by a burst of jazz as the dancing began. “We’re getting old,” said Daisy. “If we were young we’d rise and dance.” “Remember Biloxi,” Jordan warned her. “Where’d you know him, Tom?” “Biloxi?” He concentrated with an effort. “I didn’t know him. He was a friend of Daisy’s.” “He was not,” she denied. “I’d never seen him before. He came down in the private car.” “Well, he said he knew you. He said he was raised in Louisville. Asa Bird brought him around at the last minute and asked if we had room for him.” Jordan smiled. “He was probably bumming his way home. He told me he was president of your class at Yale.” Tom and I looked at each other blankly. “Biloxi?” “First place, we didn’t have any president—” Gatsby’s foot beat a short, restless tattoo and Tom eyed him suddenly. “By the way, Mr. Gatsby, I understand you’re an Oxford man.” “Not exactly.” “Oh, yes, I understand you went to Oxford.” “Yes—I went there.” A pause. Then Tom’s voice, incredulous and insulting: “You must have gone there about the time Biloxi went to New Haven.” Another pause. A waiter knocked and came in with crushed mint and ice but the silence was unbroken by his “thank you” and the soft closing of the door. This tremendous detail was to be cleared up at last. “I told you I went there,” said Gatsby. “I heard you, but I’d like to know when.” “It was in nineteen-nineteen, I only stayed five months. That’s why I can’t really call myself an Oxford man.” Tom glanced around to see if we mirrored his unbelief. But we were all looking at Gatsby. “It was an opportunity they gave to some of the officers after the armistice,” he continued. “We could go to any of the universities in England or France.” I wanted to get up and slap him on the back. I had one of those renewals of complete faith in him that I’d experienced before. Daisy rose, smiling faintly, and went to the table. “Open the whisky, Tom,” she ordered, “and I’ll make you a mint julep. Then you won’t seem so stupid to yourself … Look at the mint!” “Wait a minute,” snapped Tom, “I want to ask Mr. Gatsby one more question.” “Go on,” Gatsby said politely. “What kind of a row are you trying to cause in my house anyhow?” They were out in the open at last and Gatsby was content. “He isn’t causing a row,” Daisy looked desperately from one to the other. “You’re causing a row. Please have a little self-control.” “Self-control!” repeated Tom incredulously. “I suppose the latest thing is to sit	and inviolate, were slipping precipitately from his control. Instinct made him step on the accelerator with the double purpose of overtaking Daisy and leaving Wilson behind, and we sped along toward Astoria at fifty miles an hour, until, among the spidery girders of the elevated, we came in sight of the easygoing blue coupé. “Those big movies around Fiftieth Street are cool,” suggested Jordan. “I love New York on summer afternoons when everyone’s away. There’s something very sensuous about it—overripe, as if all sorts of funny fruits were going to fall into your hands.” The word “sensuous” had the effect of further disquieting Tom, but before he could invent a protest the coupé came to a stop, and Daisy signalled us to draw up alongside. “Where are we going?” she cried. “How about the movies?” “It’s so hot,” she complained. “You go. We’ll ride around and meet you after.” With an effort her wit rose faintly. “We’ll meet you on some corner. I’ll be the man smoking two cigarettes.” “We can’t argue about it here,” Tom said impatiently, as a truck gave out a cursing whistle behind us. “You follow me to the south side of Central Park, in front of the Plaza.” Several times he turned his head and looked back for their car, and if the traffic delayed them he slowed up until they came into sight. I think he was afraid they would dart down a side-street and out of his life forever. But they didn’t. And we all took the less explicable step of engaging the parlour of a suite in the Plaza Hotel. The prolonged and tumultuous argument that ended by herding us into that room eludes me, though I have a sharp physical memory that, in the course of it, my underwear kept climbing like a damp snake around my legs and intermittent beads of sweat raced cool across my back. The notion originated with Daisy’s suggestion that we hire five bathrooms and take cold baths, and then assumed more tangible form as “a place to have a mint julep.” Each of us said over and over that it was a “crazy idea” —we all talked at once to a baffled clerk and thought, or pretended to think, that we were being very funny … The room was large and stifling, and, though it was already four o’clock, opening the windows admitted only a gust of hot shrubbery from the Park. Daisy went to the mirror and stood with her back to us, fixing her hair. “It’s a swell suite,” whispered Jordan respectfully, and everyone laughed. “Open another window,” commanded Daisy, without turning around. “There aren’t any more.” “Well, we’d better telephone for an axe—”<\|quote\|>“The thing to do is to forget about the heat,”</\|quote\|>said Tom impatiently. “You make it ten times worse by crabbing about it.” He unrolled the bottle of whisky from the towel and put it on the table. “Why not let her alone, old sport?” remarked Gatsby. “You’re the one that wanted to come to town.” There was a moment of silence. The telephone book slipped from its nail and splashed to the floor, whereupon Jordan whispered, “Excuse me” —but this time no one laughed. “I’ll pick it up,” I offered. “I’ve got it.” Gatsby examined the parted string, muttered “Hum!” in an interested way, and tossed the book on a chair. “That’s a great expression of yours, isn’t it?” said Tom sharply. “What is?” “All this ‘old sport’ business. Where’d you pick that up?” “Now see here, Tom,” said Daisy, turning around from the mirror, “if you’re going to make personal remarks I won’t stay here a minute. Call up and order some ice for the mint julep.” As Tom took up the receiver the compressed heat exploded into sound and we were listening to the portentous chords of Mendelssohn’s Wedding March from the ballroom below. “Imagine marrying anybody in this heat!” cried Jordan dismally. “Still—I was married in the middle of June,” Daisy remembered. “Louisville in June! Somebody fainted. Who was it fainted, Tom?” “Biloxi,” he answered shortly. “A man named Biloxi. ‘Blocks’ Biloxi, and he made boxes—that’s a fact—and he was from Biloxi, Tennessee.” “They carried him into my house,” appended Jordan, “because we lived just two doors from the church. And he stayed three weeks, until Daddy told him he had to get out. The day after he left Daddy died.” After a moment she added as if she might have sounded irreverent, “There wasn’t any connection.” “I used to know a Bill Biloxi from Memphis,” I remarked. “That was his	The Great Gatsby